建築作品集 2008-2017

Chao Hsiang Hsiao D e s i g n Po r t f o l i o

2 0 0 8 -2 0 1 7

Professional Works WOOYO CO., Ltd

Academic Works ETSA B, B arc el on a N T UT, Tai pei

Resume Education: MArch Escola Tècnica Superior d'Arquitectura de Barcelona/ Barcelona School of Architecture Master's Degree in Advanced Studies in Architecture-Barcelona 2016-17 BSc National Taipei University of Technology 2008-13

Professional Experience: WOOYO CO., Ltd (Architecture& Interior project manager/ designer) Sep.2014-Feb.2016

Intern Experience: Ricky Liu Associates, Architects + Planners Jul-Aug.2012 EW+HSU Architects Jul-Sep.2010

Skills: 2D Graphic: Autocad, Photoshop, Illustrator, Indesign 3D Modelling: Sketchup, Rhinoseros 3D, Grasshopper Rendering: VRay for Rhino, VRay for Sketchup

Languages English: IELTS band score 7.5 (C1 level of CEFR) Taiwanese and Traditional Chinese: Native Spanish: Basic Award IDA Design Award 16 th, Interior Design Bronze, Oasistek Office Taiwan Interior Design Award 2015 Nominee, Bracket Table Taiwan Interior Design Award 2015 Winner, Art Taipei Exhibition

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Professional Works 2014-2016

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Academic Works

2016-2017

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Academic Works

2008-2013

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Professional Works 2014-2016 Architecture/ Interior Designer, Project Manager WOOYO CO., Ltd

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ms are stacked in order to ce. In order to reflect the f mass culture and chain dustry" are hosted in this

House QionLin

hesis project is also a n architecture thought, s ibl e for: P roje ct d esigner n e ' s o w n mRespon emories and ndicates those tookdut placey: Con st ruct ion d rawi ng Job which can not be re-find Sta t us : Const ruct i n g d.

OGRAMMING PROGRAMMING

wide variety ofAprograms wide variety are stacked of programs in order are stacked to in order to reate such experience. recreate such In order experience. to reflect In order the to reflect the ue of the invation issue of of mass the invation culture of andmass chain culture and chain re, several "dying store,industry" several "dying are hosted industry" in this are hosted in this ject. project. t h e o t h e r hOann dt ,h et hoetshi se rp rhoajnedc ,t ti hs easlisso par o j e c t i s a l s o a lection of one's reflection own architecture of one's own thought, architecture thought, d a co nta i n ear nodf ao nco e 'nta s oiwn ne r moef moonrei 'ess oawnnd m e m o r i e s a n d erience. For experience. me, it indicates For those me, it took indicates placethose took place ndependant shops in independant , which can shops not ,be which re-find can not be re-find should be momorized. but should be momorized.

QiongLin mountain, situated in the n o r t h e r nTa i w a n . S i t e i s a n u n d e v e l o p forest, as a result, the relationship between architecture and nature environ m ent i s emp h asize d.

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This p roject is c ompose d by 4 volum es, which are for the house owner and his wife, relative and guest. Each o f t h e m a re c o n n e c t e d b y s e m i - ex t e r i o r s p a c e, s u c h as l ong s l o p e, sta i r a n d terra c e. A s a res u l t, e a ch i n d ivi d u a l v o l u m e s c a n h a v e t h e i r p r iv a c y, a n d s t i l l have c onnection to the neighboring volum e.

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Oasistek Office

IDA Design Award 16 th, Interior Design, Bronze

Respon s i bl e for: P roje ct ma n ager Job dut y: D esig n, P roje ct Ma na gement, Constrcution d rawing Stat us : Constructe d

Th i s p roje ct a i m s t o cre a t e t h e fl exi bi l i t y a n d fl u id i t y of i nterior sp a c e. G l ass sl id ing d oor a nd op en shelves f o r m e d a s p a t i a l sy s t e m a ro u n d 25 m e t e r, a l l owi n g flexible usages while also controlling privacy and cl os ure( con feren c e / mo d el l i ng) in d ifferent situa tions.

Fully close

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Fully open

Art Taipei Exibition

Respon s i bl e for: P roje ct D esigner Job dut y: Con struction d rawi ng Stat us : Constructe d

TID Award 2015, Winner

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Th i s p roje ct ex p l o re d t h e re l a t io n s h i p b e t we e n a u d ie n c e a n d a r t wo rk by t ra n s fo rm i n g t h e m e ss a g e from Lao zi i nto i n sta l l a tion s.

M i r ro r a re wi d e ly u s e d a s a m e t a p h o r t o re f l e c t t h e m i n d. By s e e i n g t h e re f l e c t i o n o f o t h e r s a n d th em selves, au d ien c es c ou l d have a clea r mind to d ive themselve into a variet y of ar t work.

Bracket Table TID Award 2015, Nominee Respon s i bl e for: P roje ct ma n ager Bracket Table Job dut y: D esig n, P roje ct Ma na gement, Constrcution d rawing Stat us : Constructe d

Th e st ru ct u re wa s i n spi re d by C h i n e s e " B o o k o f Ri t e " , t h a t describe the bracket as the s h ap e of m ou nta i n. From t h e pratical aspect, the bracket structure can bear heavy we i g h t, a n d t h e s e t b a c k c a n make the bot tom small enough fo r p e o p l e t o s i t c o m fo r t ab ly.

The whole desk is constructe d wi t h o u t a ny m e t a l c o m p o n e n t . All the joints were connected by wood m or tise te chnic.

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Academic Works 2016-2017 Master ETSAB, Barcelona

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Studio: Urban Project, Ideas and Praxis Tutor: Enric Serra, Eulalia Gomez Coopertation: Elie Abou Jaoude , Cris Skenderi Year: 2017 Site: Barcelona, Joanic Type: Urban Project, Multi-Function

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Manuel SolĂ Morales Morales is one of the most i mp or ta nt a rch i te ct i n Ca ta l a n u r b a n d e s i g n h i s t o r y. H e e s t a b l i s h e d t h e L a b o ra t o ri d e Urbanisme (LUB) , where a gener tion of architects were b ei n g t ra i n e d, a n d d eve l o p e d the idea of "urban acupunture".

He argued that to plan the city, it is necessary to investigate its constitutive principles through a morphological analysis conducted by seperate parts, with particular attention to architectural typologies.

He considered, especially in his b a c kg ro u n d , w h e n B a rc e l o n a t r i e d t o re c o v e r f ro m t h e 4 0 year dictatorship, urban design is a matter for architects. And it was at that time Barcelona has established lots of urban projects in small scale, within very limited budget, but eventually changed the whole city.

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Introduction

c.

Th e p ro j e c t a i m e d t o s o l ve a re g i o n a l p ro b l e m by t a ck l i n g three sites in a time. Which are: A. Plaça d'En Joanic B. Residential block C. Mercat de l'Abaceria

or /T re nt

A Plaça d'En Joanic

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Existing Residential

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Requirement &Limitation: 1.Build new rediential housing> 7000m 2. If any existing houses we re d est roye d i n s i t e B, wi l l have to be replace into the new built one.

2. Renovate Plaça d'En Joanic and Mercat de l'Abaceria. At least one of them should be preserved to ensure publicity.

ci a

Mercat de l'Abaceria 0m

10m 5m

20m 15m

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Inspiration: Invisible Monumentality City is structured by layers after l aye rs. D u ri n g t h e s t ru ct u ri n g, some part of the layers can be destroyed, and this is highly related to what we want to preser ved; or, what we should remember, what the architects, government want the people to remember.

Who remembers? What to remember?

Vernacular, 19-21c

Governmental, 19c

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Zone A+B Zero existing house destroyed+ Social housing +Park

We took the park and the residential as a whole, tried to connect dwelling and public space through clearing the self built structure( but not house), and also connect them visually.

In the proposal, none of the existing house was destroyed.

par

Site for new build residential

A . E xi st ing p a rk

A .Circulation

B.D emolish self b uilt structure

B.Public facilit y

C.Cre a te inner p ub lic sp a c e a n d c onnection to p a rk

C.D welling units & park view

k

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Zone A+B , Ground Floor Plan

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Zone A+B , Residential

0m 10m 20m 30 m 40 m

0m

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5m

10m

15m

20m

New built residential Public facilit y Residential Ver tical circulation Pipe

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Zone A+B , Park Co n n e ct i n g wi t h t h e i n n e r park in the residential block, Plaรงa d'En Joanic has been collected into the park system in Barcelona, no longer se p a ra ted. It cou l d also become a place for public activities, for example , t h e fest iva l of G ra cia i n August.

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Zone C , Market To t a c k l e t h e o l d m a r k e t , w e t r i e d t o m a ke a s i m p l e a p p ro a c h , w h i c h consisted of three part: 1. Create a small plaza in front of the market.

2. Build a underground parking for the market for creating better accesibility.

3. B u i l d a s u p e r m a r ke t a s a m o re covenient commercial activity.

Pe destrian

Traffic

GF Plan

-1F Plan

-2F Plan

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Studio: New Representation, New Conceptions Tutor: Hector Mendoza, Mara Partida Year: 2016 Site: None Type: Research/ Structural Installation

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Pao by Ito Toyo This course began with a research on a selected subject, t h e Pa o by I t o Toyo, a s a re f l e c t i o n a n d a d i s c o u r s e t o modern society. In the late 20C, To k y o w a s t h e m o s t d e n s e l y populated cit y in the planet earth, and dued to the enormous consumption, commercial became decentralized.

Perhaps there is no need for a fixe d h o u s e, i f t h e fu n c t io n i s o n l y f o r s l e e p i n g, a n d o t h e r s activities could be done outside the "house".

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Space as Measurement A f t e r t h e r e s e a r c h o f t h e Pa o installation and the following work, a question was raised "How can we measure our minimum livable space?" A series of solution were proposed. And in the end, what can the way of measurement bring us?

Can it represent the phenomenom o f l o c a l Ta i w a n e s e r e s i d e n t i a l extension? Can it become a metaphor for the struggling of living in a super-dense metropolitan city?

In the end, a structure was proposed, a structure to measure, a structure as a metaphor; also acts as a space, an installation.

Test i n g m o d e l : H ow a g rid syste m create measurement in three dim ension?

Construction:

Comp onent

A. Basic unit

B. Structure bar

C. Movable bar

Doub le conne ction ( H orizontal)

Triple conne ction ( Ver tical&Horizontal)

Mechanism:

S in gl e c on n e ci ton

Doub le c onnection ( Ver tic a l)

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Modelling

A 1:1 scale partial model was presented, consisted of 14 grids units. Metalic detail was added in the wooden hole to st ren g t h en t h e st ruct u re, a n d ensure the interactive string can move smmothly. Main materials are pine wood cube( cut from board ) , paper tube and wax string.

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Experiment

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Master Thesis: The Necessary Demolition Demolition as renovation approach - Presó Model Tutor: Xavier Llobet Ribeiro, Eva Jiménez Gómez Year: 2017 Site:Barcelona, Presó Model Type: Thesis / Cultural

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Research Framework

This master thesis consists of b o t h t h e o re t ic a l a n d p ra ct ic a l parts. The former researches the p o l i t i c a l re p re s s i o n c a s e s , a s well as meaning and intention o f m o n u m e n t ; wh i l e t h e l a t t e r one is an exercise on adapting the theory to transform the Presรณ M o d e l d e B a rc e l o n a. Th ro u g h a series of demolitions and the concomitants, the previous symbol of repression will not only become a place of commemorate; moreover, a symbol of Catalan people's collective will, intection, and manifesto for their long awaited dawn- the independence.

The Presรณ Model de Barcelona is destinated to be closed in the year of 2017. However, except of being known as the oldest prison in Catalunya, the prison has also been a symbol of political repression of Catalan people.

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Political Research Symbols of Political Repression P resรณ Model as one of the sym bols ( Politic al A spe ct)

Architectural Research Concept of Monument

Conclusion The Necessary Demolition

Arch i tect ura l c on c e p t rel a te d to rep ression symbol s (Ant i - m onu ment )

P resรณ M odel as one of the sym bols (Architectu ral A spe ct)

Design

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Site e

a f

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D a rk histor y of Ba rc elona A.Turรณ d e la Rovira B.Refugi in la Pla รง a d el D iam ant C.El Ca mp d e la Bota D.Refugi 221 E.Refugi 307 F.Fossa r d e la Ped rera P rison p la n in Ba rc elona a.P rison Trinita t Vella b.P rison Was Ras c.P resรณ M od el d.P rison Zona Fra nc a e.Bria n 2 P rison f. Bria n 1 P rison

F

Con n ect ion of cu l t u ra l fa ci l i t y in 1K M

1K M

Dichtomy of t wo c ontex t

b c

d

Situated closely to Sant Estaciรณ, the Catalan capital's largest transpor tation hub, Presรณ Model has become a mysterious burden. Without any connection with the existing context, nor can it represent a feasible public facilit y in such an busy a re a. B u t s o m e h ow i t h a s a ch a n c e t o become a desirable public building due to it's location and dimension. The program of the proposal should be decided to meet the public interest, serve for both metropolitan program and beneficial for the residentialoriented la Nova Esquerra de l'Exiample.

Pub lic Fa cilit y

Public transpor tation

La Nova Esqu erra d e l ' E xia mp le

Pub lic op en sp a c e with gre ener y

Metro station

Sant s, Les Cor t s a n d Hosta fra ncs

Pub lic op en sp a c e without gre ener y

Rail road Tra m

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Design Process

Programming

Step 1 .

37.65m Plan

D est royin g t h e a d mi n i stra t ion a rea Showin g t h e form of Pentonville

Workshop Hostel

Librar y Audio vide o rental

H eritage / Perm anent exhibition Step 2.

D est royin g t h e p ri son c el l I nt ro duci n g g re en er y from Av. J.Ta rra d ellas

Perm anent exhibition

41.25m Plan

Step 3.

Confere ce room

Hostel

D est royin g t h e c enter of Pentonville Creat in g route to t h e emp t y c enter (preser vin g p a r t of th e c el l )

Permanent exhibition

Rese arch are a

Step 4 .

Reversing the Pentonville center as anti-monument D em ol i t ion

H eritage / Perm anent exhibition

31.1m Plan Confere ce room

Hostel

Perm anent exhibition

Librar y

Temporar y exhibition

Step 1 .

37.65m Plan

Step 2.

41.25m Plan

Step 3.

31.1m Plan

Step 4 .

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Circula tion

Paving on d emolished p a r ts

Vegeta tion

+35m

+ 35 m

+ 31.1m

+ 34 . 8m

+31.9m Slo p e as ground + 3 1 .9 m

Reverse d ome

Orig i n a l + 35 m

+31.1m A sl o p e wi th p reser ved c omp a r tments

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The Route

The route l e a d to th e p ri son was c onstructed a c c ord ing to a design narrative. The m ain entrance is conn ected to t h e g re en b el t in AV. d e Josep Ta rra d ellas. Throu gh the strong re pe ate dness form e d by t h e p rese r ve d c o mp a r t m e nt s of t h e p ri so n, a s l o p e wi l l l e a d t h e vi s i to rs to t h e c e nte ra l p a r t of t h e p rison ; however, wh ich i s now hollow.

Reverse Panopticon

A reverse pa no p t ic on - rel a tionship is a lso crea ted as a n a nti- monum ent approach. Through the interior of t h e refl e ct ive fa c a d e, t h e vi s i t o rs c a n n ow wa t ch t h e d o m e ( wh ich a re p hys ic a l ly reve rse d a l so ) from t h e wings th a t use d to keep the inma tes.

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The Self Reflection

Whil e wal ki n g i n t h e route, five big reflective fa c a d es reflect the figure of the vistors them selves and t h e b a ckg ro u n d. Wh i l e wa l k i n g cl ose r t owa rd t h e p ri so n, t h e vi s i t o r wi l l fe e l t h e civi l ize d wo rl d i s g et ter farer, as wel l as se ei ng closer him/herself. Vistors c a n t hen enter the interior through a sem iop en circul a t ion, or wa l k d ownwa rd ly to the reverse d ome.

Reverse dome

Th e d o m e, wh i ch re p re s e n t a sym b o l o f p o l i t i c a l re p re s s i o n, h a s b e e n d e m o l i s h e d, a n d a reve r s e sh ape was c on st ructe d to h ighlight the emp tiness. Visitors c a n go downwardly by a spiral staircase, to a m em oria l th a t d e d ic a te d to those a ctivists tha t have fought during the dictatorship.

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Plan

+31.1m

+35m

Sp ac e Pro gra m: A. M ach in er y B. Perm an ent exh i bi t ion C. O f fic e D. Li brar y ser vic e p l a c e E. Librar y F. M ach in er y G. M ach in er y H. Perm an ent exh i bi t ion I. M u l t i -m e d ia exh i bi tion J. Con ferenc e ro om K. Cl o ak ro om L. M ach in er y M. M ach in er y N. Tempora r y exh i bi t ion / g a ller y O. Ki tch en P. Ac cess i b l e toi l et Q. H ostel l o b by / b a r / g a l l er y

Pavi n g on d emol i shed p a r ts

M G abion of d emol i s hed relics N

Void O N ew b u i l t st ructu re P Preser ve d st ructu re D emol i sh e d structure

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Q

A

B

D C

E

F

+31. 1m

M

G

H I

J

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K

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Plan

+34.05m

Sp ac e Pro gra m: A. Readi n g / rel a xi n g c orn er B. Archive C. O f fic e D. M eet i n g ro om E. M eet i n g ro om F. O f fic e G. O f fice

Void N ew b u i l t st ructu re Preser ve d st ructu re D emol i sh e d structure

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B C D

A

F G

E

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Plan

+37.65m

Sp ace Pro gra m: A. H eritage / Perma n ent exh ibition B. Research ( se a t a re a ) C. Research ( d o cu ment a re a ) D. Perm an ent exh i bi tion E. Readi n g / Rel a xi n g c orn er F. Tech n ic al ro om G. Laun dr y H. H ostel t yp e 1 ( 8 u n i ts i n a ro om)

Void N ew b u i l t st ructu re P reser ve d struct u re D emol i sh e d structure

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G H

A

B C

E D

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Plan

+41.25m

Sp ac e Pro gra m: A. H eri tage / Perma n ent exh ibition B. Au dio vid e o renta l C. Li brar y D. Work s ho p 1 E. Work s ho p 2 F. Work s ho p 3 G. H ostel t yp e 2 ( 22 u n i ts i n a ro om )

G

Void N ew b u i l t st ructu re Preser ve d st ructu re D emol i sh e d structure

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C

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F

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A' B'

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None of us, possess a kind of "fíat" by which we can say, ‘Let bygones be bygones’ and, hey presto, they then become bygones. Our common experience in fact is the opposite—that the past, far from disappearing or lying down and being quiet, has an embarrassing and persistent way of returning and haunting us unless it has in fact been dealt with adequately. Unless we look the beast in the eye we find it has an uncanny habit of returning to hold us hostage. [10]” - D es m on d Tutu, Wi n n er in 1 984

South Africa n socia l rights a ctivist a nd retired Anglican bishop, Nobel Pe ace Prize

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Academic Works 2008-2013 Bachelor NTUT, Taipei

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INTRODUCTION This project is based on the bussiness study of mass culture and sub culture.

A s t h e sy m b o l o f te e n a g e r s u b c u l t u re , independant shops in Xi-Men is facing high house rent, and inevitably moving away.

Nowadays, more and more chain stores are coming and killing the original business in XiMen. This project aim to bring back sub culture by utilizing "Sub Spaces", which is the special identity in the urban context , and recreate t h e s h o p p i n g ex p e r i e n c e i n s u b c u l t u re business area.

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DIALOGUE BETWEEN SUB AND MASS CULTURE Thesis project / Individual / Commercial architecture

NOTE This project is dedicated to Travis, who owns one of the oldest and most famous vintage store in Xi-Men. His shop moved away from Xi-Men few years ago, due to the rising house rent.

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CULTURE MURDER

文 化 扼 殺 Our city changes fast, way faster than we think. However, there is always victims for it.

Culture can be killed by gentrification, urbanization, and globalization. And our city is facing the lost of local culture.

The next project, which is also my thesis design, based on a fact that sub culture is dying, and needed to be rescued.

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H I S TO R Y o f X I - M E N - FROM CINEMA to SUB CULTURE HEAVEN

Late 19 Centry Japanes ruled Era

Mid 20 century Taiwanese government period

Xi-men began to proper due to movie industry. Cinema such as Taihokuza〠Eiza〠andRed House Theater were one o f o l d e s t c i n e m a s i n Ta i w a n . I s w a s nicknamed by the Japanese as " Shibuya of Taiwan "

The movie industry and business continued to grow. After the built of Chung-Hua market, Xi-men has became the symbol of commercial and teenage fashion.

Cinema in Xi-men, late 19c

Late 20 century Re-form period The importance of Xi-men has declined in the 1980s, due to the rising business area " District East ". In 1998, the government started several program to improve Ximen, such as the subway system and the first car-free shopping district in Taiwan.

Prosperity in XiMen, Mid 20c

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ISSUE - DEATH of SUB CULTURE

2015 36.5k per 3.3m 2

However, as globalization goes, chain business brings cheap fashion; but also kills the original culture.During the past 10 years, the rising house rent,urban renewal policy makes independent shop owners leave. It destroys the culture diversity in teenage group. Nowadays, independent shops are only for insiders who are familiar with Ximen for several years.

2014 27k per 3.3m 2

2013 22k per 3.3m 2 2012 18.5k per 3.3m 2

2011 15k per 3.3m 2

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a St re et

Tig

er

Ci ne m

Ci ne m

a Pa rk

ping

M

RT

S ta

tio

n

Thou sand Ye a r M al l Shop

THE VISIBLE XI-MEN For outsiders/Chain stores Chain stores,theaters are built around the MRT station and town squares. Activities such as parade and live show also take place in plaza or squares. People can go to the main shopping area through the main shopping route and squares.

0:00

12:00

24:00

Gig Office Shopping Prostitution Secondhand Market

Plaza / Activities

Main route

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THE INVISIBLE XI-MEN Bl ac k

St re et

Ci ne m

of A m er

M ar ke

t

ic an Ta tt oo

a Pa rk

St re et

For insiders/Independent shops For Insiders, the map of Xi-men is like a collage of several secret places they are familiar with. Ulike the map for outsiders, the shopping map only exsits in the mind. Shpping route is complicated, but could be simplified by shourtcuts, like island hopping.

Blank Void Blank void is like the square for insiders. It can gather people and held activities, especially illegal ones.

0:00

12:00

24:00

Drug Fight Graffiti Prostitution Transaction in Private

SUB SPACE / INDEPENDENT SHOP Independent shops in Xi-Men usually exist in sub space. Which are not easy to access to.

Blank void / Activies

Shopping route for sub culture

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SHOPPING EXPERIENCE / A RITUAL FROM OUTSIDER TO INSIDER Shopping experience in independent shops is like a ritual- from outsider to insider. Being cheated at first, then getting familiar with the shops, and finally become an insider in Xi-Men.Different from mass culture, independent shoppers are being "selected". Shopkeepers select insiders who can get the best collection, as well as cheating outsider who just accidentally jump in the shop.

Shop Keepers

Insiders

Outsiders

Business culture in Ximen is like social class.

Familiar customers get the best service, while outsider is easy to be cheated. Shopkeepers select who to sell their best collection.

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SITE STREET OF AMERICAN This street is the spirit of sub culture in Xi-Men, also the shopping experience can be observed here: 1.Shopkeepers squat front door area to look for potential customers, and select,examine them.

2.Shopkeepers often gather in blank void space during their break. Exchanging goods privately,sharing the latest business news. This is the trading place for sub-culture collectors.

Sub space Street of American Movie Street Cinema Park Main Entrance

Site/Original Building

Exhibition Office

Observing platform

Original building

CINEMA PARK Cinema park situated in the edge of Xi-Men. It's also the largest public space for teenager. Teenagers can play extreme sport, enjoy second hand market, practice dancing in cinema park.

ORIGINAL BUILDING

Ruin Teenage art foundation

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Temporary structure

The original building on the site is a 11 floor business building, used to be a famous theater. However, it's facing urban renewal and is scheduled to be torn down by 2020.

This project proposes a reconstruction plan for sub culture/ Independent stores to flourish by re-creating the shopping experience.

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SPATIAL APPROACH

Step 1:

Step 2:

Step 3:

Step 4:

Step 5:

Utilizing the original structure system as main structure for main space

Separates sub space and main space volume, and creates interface between them.

Creats sub space volumes by adding sub structure onto the main structure.

The route in sub space are complicated, easy to get lost. Same as the context of Xi-men, there are blank spaces for shopkeepers to gather

Creats main spaces. Including plaza, and different types of program to attract people. There are still some secret spaces in the main space area.

Creates long escalators as the path of " R i t u a l " . S h o p ke e p e r s c a n s e l e c t shoppers transported by the escalators

MODELING

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MODELING APPROACH This project challenged the role of modeling, claimed that physical models are not only for presenting the final design ,but much more a study progress. Sketching on the model snapshots to add design ideas, and study between physical models and drawing, blurring the boundry of these two media.

Secondly, the progress of creating these models are like collecting my own past momories in the original Xi-Men context, reconstruct several separate experience as a collage of my own impression of Xi-Men.

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PROGRAMMING In order to reflect the issue of the invation of mass culture and chain store, several "dying industry" are hosted in this project.

On the other hand, thesis project is also a reflection of one's own architecture thought, a n d a co nta i n e r o f o n e ' s o w n m e m o r i e s a n d experience. For me, it indicates those took place in independant shops , which can not be re-find but should be momorized.

Megazine store MTV

Shop Gig

Sport bar Basketball court

Main space for acitivies Independent shop unit Main vertical circulation 41

LOOK WHO'S THERE...

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Section C

Section B D

H

C

B B F

A

A

Section A E

19.5m Plan / Sport

9m Plan / Plaza floor

E: Roof top of shower and toilet F: Roof top( sub space) of business unit H: Sport space

A: Basketball court B: Path to secret vip room C: Spectator / Sport bar D: Roof top of kitchen

22m Plan / Plaza floor A: Plaza floor B: Business units

B E B C A

B

B A

C

B

D

A

B F

D

E

F

28m Plan / Live house A: Gig B: Business units C: Back stage

D: Monitor E: Locker F: Stair to upper auditorium

37m Plan / Cinema and MTV

42.5m Plan / Magazine, comic shop

A: Outdoor theater B: Plaza C: MTV - Small unit

A: Magazine and comic shop B: Business unit

D: MTV- Large unit E: Business unit F: Secret cinema

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22m Plan

42.5m Plan

37m Plan

28m Plan 19.5m Plan

9m Plan

Section A 44

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THE ANTINOMY OF SUB AND MASS CULTURE The antinomy space of sub and mass culture (inspired by 集落の教え 100, by Hiroshi Hara) i s s h o w n i n t h e s e c t i o n d ra w i n g . S m a l l , narraw, complicated, secret versus big, clear space. Utilizing different spatial atmoshere , circulation, and interface to form a constrast, but related dialogue between them.

Section C / Mass culture area

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42

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INTRODUCTION This project is a research about the relationship between nature environment and industry in Luzou industry distrct.

Paradoxically, Luzou produced the largest a m o u n t o f c ro p d u r i n g t h e 2 0 c e n t u r y ; however, has transformed to an industry area due to lost of land productivity. Nowadays, factories are moving away due to the rising land price. In addition, several policies have shown that government are decided to make the district a better living area. Base on the history and the fact that factories are moving away, this project assumes a reverse progress- the "revival of green", aimed to bring back productivity and green belt.

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DIALOGUE BETWEEN NATURE AND INDUSTRY Academic / Individual / Part 1 : Urban analysis Part 2 : Graphic comic

NOTE Architecture is not only about design, but pretty much a way of communication.This project includes a graphic comic about a "Green Fantasy", to show the original idea to bring back the green belt.

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6

GREEN REVIVAL

綠 色 復 辟 I n t h e a c i e nt C h i n e s e b e l i ev i n g , the rule of the universe ,as well as our environment is a cycle that is repeatable.

The following project is a research a n d a n a l y s i s o n h o w g re e n b e l t would come back after industy transformed. A graphic comic is also include to support the idea of green revival.

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INDUSTRY TRANSITION

ZONING OF LUZUO

Luzou produced the largest amount of crop during the 20 century. However, due to the convenience brought by several different transportation, Luzou has grown to one of the most important satellite industrial city of Taipei. During the past few decade, because of the rising land price and government policies, it's facing industry transition, and the factories are moving away for better living quality.

Area A. Power Plant is situated by Hsu-Huei high schoo. Government decided to tear down the power plant in 5 years. The land will be used as residential purpose.

Taipei city Site Important road Highway MRT

School Power plant

Area B. Pure industry area for machine and steel plants. Due to the rising land price, some factories are abanboned. A river side walk is schedule to be built to enhance the living quality.

Area C. Separated by the power plant, lack of connection.Most of the factory are small subcontracing factories.Some families use their living room as factories.

170-120k

80-55k

INCRESING HOUSE RENT AND FACTORY ABANDON TENDENCY

Abstrat of factory Abandoned ; 50.0 % Not registered ; 16.67 % Operating ; 33.33 %

MRT

The house rent is rising due to due to the improvement of living quality. Factories are forced to move away. According to the rent diagram, factories are estimated to move southwardly.

Land price ( per square meter )

REVERSE THE GREEN BELT ?

The time that green belt occupied Luzuo overwhelm that of industrialization. Helped by the policy for better living quality and industry transition, could the green belt be re-find?

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Swamp era

Growing rice era/ Traditional farmhouse

1700

Growing orange era 1900

PHASING

1965

High rise residential Industrial eraFactory dorm/apartment Post Industrial Era 2010

Demontration site

The main idea is to resmelter the construction material (most are steel) o f a b a n d o n fa c t o r i e s , and utilize the material to rebuild different architecture programs and installation that helped to bring the green belt and productivity back. Also a demonstration site is shown as a typical example

Phase 1

Phase 2

Phase 3

Power plant would be teared down, and bring in social housing for attracting people to move in.

A b a n d o n e d fa c to r i e s i n e a ste r n a re a c wo u l d b e demolished, and sent to the factories in the southern part of the site to be re-smeltered, and become the material for new facility with agriculture productivity.

The large factories in east side of area B will be abandoned / teared down, and repeat the same pattern of phase 2.

Public growing Space Slope for buffering School

Social housing +market Existing massing

Connection

Privategrowth Social housing Vertical greenhouse Public Void Space Existing Building

Proportion of producing and residential(dot=protuctivity) The proportion of residential is the highest due to concerns of privacy.

Commercial

Public Buffer Slope

Private

In an ordinary city landscape, it's hard to separate public and private space.

Slope landscape are used to define the boundary of public and private, and create an unique form for a former industrial area.

Buffer Program Buffer zone Public Buffer Slope

Phasing 1 2020

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Phasing 2 2030

Semi Private

Phasing 3 2040

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NEW PROGRAMS

RELATIONSHIP BETWEEN INDUSTRY, NATURAL AND HUMAN

Several programs are added in order to transform the land from manufaturing industrial goods to producing eatible crops.

CO2 discharged Waste Processing Plant

Farm Land

Resid

Green House

Landscape

Constructed by re-smeltered material

Crop Exchange Center

ential

Fo r

Staff

The vertical greenhouse is used to grow more efficiently, and use rotate mechanism to make plants exposed to the sun.

Vertical Greenhouse Chain of Re-Building

Resid

Pu b

lic S

pace

Park

Studio

Eco Classroom

Chain of Out-Door Growth

ential

ing

Market+Social Housing

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A

B

C

D

A:Reuse abandoned urban factory as public space for agriculture B:Tear down abandoned factories, and transported to factories in the southern side to be re-smeltered.

C:Make connection between two area which are separated by the power plant previously.

D:Using the form of factory to create green landscape. Except from being the identity if this area, the landscape could act as buffer zone to separate public, semi-public, and private program.

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CHAPTER 1 GREEN FANTASY

She likes leaning beside the window, watching outside

Do you know why there is so much smoke?

I can't see my scenary

How about go take a look?

Here we are !

It's seems like a factory or something?

It so dark here, can you turn the light on ?

I get it !

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Thanks for the ride.

Do you want to hear a secret? I had a strange dream last night.

It was a story about an old man

However, some small black sapling broke from the ground one day.

And the original tree begin to die.

He lives in a forest near a small town.

The old man wants his forest back.

He collect the last few seeds of the original trees, and plant them carefully.

Few years ago, the situation changed.

Green tree were back, and the black tree disappeared. . .

L et ' s pl ant s o m e s e ed her e !

Maybe it will become ano t her fo r est !

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CHAPTER 2 FANTASY,REALITY Hello, mom. It's been a while ...

I'll be at home in thirty minute.

I want to hang around near the neighbor.

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Dear ! Welcome home !

Mm, no matter what, let's have the dinner!

It's been a while !

Our town have changed since you left.

Remember the old factories you used to played around ?

They were pretty much abandoned...

What's the voice ?

Mm...perhaps it's raining outside ?

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INTRODUCTION This project began with a simple question: “Do we still need physical books in the digital era?”

In the digital age, people rely on the Internet rather than physical document due to convenience. This phenomenon make the archive less important in a campus.

This project aimed to transfer the original archive to a place to spread knowledge, rather than just storage knowledge.

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DIALOGUE BETWEEN FORM AND ACTIVITIES Academic / Individual / Archive architecture

NOTE T h i s p ro j e c t i s b a s e d o n a r e a l “c l i e n tdesigner ” relationship. Students are asked to understand the actual requirements and ex p e c tat i o n o f t h e c l i e nt ( N T U M u s e u m o f A rc h i ve ) . C l i e nt s a re a s ke d to atte n d discussions and critiques during the design period.

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MAMBO DANCE UNDER BRIDGE

寶 島 曼 波 How people utilize space can show their characteristic.

Under bridge space can avoid the hot wheather, and provide a leisure space in the crowded city.

In the following project, I would like to discuss the relationship between activity and form, hoping to reflect the identity of Taiwanese people.

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SITE AND ORIGINAL ARCHIVE

Cantine

Site

The original archive is situated in a rather remote area ( Shui-Yuan), in the edge of NTU campus. Since it’s far from the main campus of NTU, it’s hard for people to visit the archive.

Original archive

PROGRAM DIAGRAM Storage area

Archive traffic flow

Application area

Public traffic flow

Repairing area Check out

Public area Temporary Storage

Public reading

Front room

Research room

Archive

Site

Exhibition

original archive Copy room

Workshop

cantine

Dark room

Deinsectization

Xray room

Heating

Cataloging room

Refrigerating Repair room

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VOLUME DEVELOPMENT The volumes are in different characteristics; separate, light, and thick. Each has its own spatial purpose.

Step1: Separate volumes on ground floor for access to the cantine

CENTER FOR STORAGE OR SPREADING KNOWLEDGE? In the digital age, the importance of “ P hys i ca l B o o k “ h a s c h a n ge d . A l t h o u g h there is still huge collection value, but could museum/ archive serves as a positive role to spread knowledge, instead of only storage knowledge?

Step2: S e p a rate g l a s s vo l u m e s (exhibition/ discuss room/ club house) create void space. People can see the acitivities inside

L ig Step3: Create a public reading volume

Step4: C re ate vo l u m e fo r staff and administrator; and a place for open lecture

Step5: Storage for archive is put onto the top of the volume

Re a

L ig

S ta

S to

Op

ff

ra g

ht

en

d in

ht

g

Lec

tur

e

e

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FACILITIES IN GROUND FLOOR For administratoe and staff A.Storage for carrying equipment B.Chemical Lab-1 C.Chemical Lab-2 D.Chemical Lab-3 E.Chemical Lab-4 F.Reparing workshop G.Office H.Mailroom I.Meeting room J.Machinery room

For students and public K.Discuss classroom L.Student clubhouse M.Gallery

M K H F I

G

J

E

M K

D

L

K

C A

B

7

Section B

K

G

J

A

I F

Section A

H

B

E C

A

B

D

A

B

3f Plan/+8.2m

2f Plan/+4.5m B

A

FACILITY BY EACH FLOOR 2f Plan A.Temporary storage

A

B.Repairing room C.Documentation / Cataloging room D.X Ray room

3F/4F Plan A.Front room B.Storage

E.Chemical room for film F.Darkroom G.Storage for equipment

B B

H.Counter I.Computer room J.Research room

A

K.Machinery room B

4f Plan/+11.5m

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Storage(Blue) Storage area is divided into 3 different types of scales to accomodate archive

Reading area

Archive application area( Brown) Public

TRAFFIC FLOW OF ARCHIVE AND PUBLIC The traffic flow of archive and public is mostly separated, only meet in the archive check out (rental) counter.

The plan was also arranged according to the t y p i ca l p ro g re s s o f t re at m e nt o f a rc h i ve .

Initially, archive would be sent to chemical / repairing area , than transferred to the applicatio n are a and te m po rar y sto rage .

Eventually, the archive would be sent to the storage when finishing all the procedure.

Check out counter

Temporary Storage(Blue)

Activity area

Archive in

Chemical/Reparing area(Yellow)

9

ELEVATION DESIGN The elevation can be separated into two main glossaries, in respose to cultural aspect and climate needs.

A.Double concrete wall (with schist board) is utilized in the archive storage area(3-4F), to prevent the hot air. On the other hand, the acient calligraphy technic 飛白 is transformed to the facade detail with concrete with schist boards.

B. Metal fabric facade is utilized to prevent d i re c t s u n ex p o s u re in the public reading area. The air space between glass and mrtal fabric also allowed make the temperature lower.

1.

2.

3.

4.

5.

6.

7.

8.

9.

Conceptual drawing

飛 白 indicates the color fade when ink is running dry, and could indicates the writer's writting speed or emotion.

It was considered as one of the most special writing identity in calligraphy.

Insulation Waterproof membrane Aluminum couvertine Metal fabric facade system Aluminum extrusion Reinforce concrete Grating Water drip Gutter

Material Collage

1.Schist board 2. Double wall 3. Maintenance opening

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Section A 11

Section B 12

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蕭 兆 翔 / Hsiao, Chao Hsiang 1990.08.25 se anhch19900825@gm ail.com +886 989710916

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