06.11.13—10.11.13
029 2030 4400
@chaptergallery
chapter.org
NIGEL BARRETT & LOUISE MARI, PAUL BECKER, RICHARD BOWERS, TIM BROMAGE, ROY BROWN, HOLLY DAVEY, SIAN ROBINSON DAVIES, CIAN DONNELLY, BEN EWART-DEAN, MATTHEW DE KERSAINT GIRAUDEAU, GOOD COP BAD COP, S MARK GUBB, SAMUEL HASLER, MAMORU IRIGUCHI, RICHARD JAMES & ANTHONY SHAPLAND, JERUSALEM IN MY HEART, PIL & GALIA KOLLECTIV, ALMUT LINDE, NICHOLAS MCARTHUR & ROBERT MOLLY VAUGHAN, LAURA REEVES, MIKE PEARSON & HEIKE ROMS AND IAN WATSON
06.11.13 – 10.11.13
06.11.13 – 10.11.13
TICKETING
TOCYNNAU
Experimentica is a key event for the presentation of new performance and interdisciplinary projects across installation, film, video, sound art, dance and theatre. It is a significant platform for artists from Wales to produce or introduce their work, alongside contributions and commissions by internationally established artists. In 2013, Experimentica is thirteen years old and we are taking our cue from the Number 13 – embracing and celebrating failure, risk, chance, the experimental, good and bad luck — with five packed days of presentations.
Mae Experimentica yn ddigwyddiad allweddol ar gyfer cyflwyno perfformiadau newydd a phrosiectau rhyngddisgyblaethol, yn osodiadau, ffilmiau, fideos, celfyddyd sain a gweithiau dawns a theatr. Mae’n blatfform o bwys i artistiaid o Gymru ac yn galluogi iddynt gynhyrchu neu gyflwyno eu gwaith, ar y cyd â chyflwyniadau a chomisiynau gan artistiaid rhyngwladol nodedig.
£25 Festival Pass: This gives access to all events across the five-day programme £10 per day: This gives access to all events taking place on one day only and will be issued by date £5 per event: This gives access to one individual event (where events are ticketed). Tickets and passes are available online and at our box office +44 (0) 29 2030 4400 www.chapter.org A festival pass does not necessarily guarantee entry if places are limited. Arrive early to avoid disappointment.
£25 Tocyn Gŵyl: Mae’r pas yn caniatáu mynediad i chi i bob digwyddiad ar bob un o bum niwrnod yr ŵyl £10 y dydd: Cewch fynychu pob digwyddiad ar un diwrnod penodol yn unig £5 am bob digwyddiad unigol: Tocyn sy’n caniatáu i chi weld un digwyddiad unigol (h.y. digwyddiadau y mae angen tocynnau ar eu cyfer). Mae tocynnau a phasys yr ŵyl ar gael ar-lein ac yn ein swyddfa docynnau +44 (0) 29 2030 4400 / www.chapter.org Nid yw tocyn gŵyl o reidrwydd yn sicrhau mynediad — mae’n ddibynol ar le. Cyrhaeddwch yn gynnar er mwyn osgoi cael eich siomi.
We’re also bringing you a spine tingling programme of films to complement the festival. Working with the BFI we are presenting a Gothic season across the Autumn — with tales that feed on your darkest fears and desires and conjure the creatures of the night into being.
Yn 2013, mae Experimentica yn 13 oed ac rydym yn defnyddio’r rhif hwnnw fel ysbrydoliaeth. Byddwn yn cofleidio ac yn dathlu methiant, risg, hap a damwain, arbrofi, a lwc dda a drwg yn ystod pum niwrnod gorlawn o gyflwyniadau. Byddwn hefyd yn cyflwyno rhaglen iasol o ffilmiau i gyd-fynd â’r ŵyl. Ar y cyd a’r BFI, byddwn yn cyflwyno tymor Gothig gydol yr hydref — gan gynnwys chwedlau sy’n deillio o’ch hofnau a’ch dyheadau tywyllaf — ac yn consurio creaduriaid y nos.
Cover / Clawr: Tim Bromage, photo / llun Roger Graham; Inside cover / Clawr mewnol: Richard James & Anthony Shapland, The Colour of Saying (production still / delwedd cynhyrchiad), 2013
THROUGHOUT THE FESTIVAL
TRWY GYDOL YR ŴYL
ALMUT LINDE: RADICAL BEAUTY
PAUL BECKER
ALMUT LINDE: RADICAL BEAUTY
PAUL BECKER
GALLERY, WEDNESDAY, SATURDAY AND SUNDAY 12-6PM; THURSDAY AND FRIDAY 12-8PM
Paul Becker is writer-in-residence during Experimentica and has contributed the text Ten Of Swords, Reversed for this publication. Paul is also participating in OFF THE PAGE on Thursday 7 November
ORIEL, DYDDIAU MERCHER, SADWRN A SUL 12-6PM, DYDD IAU A DYDD GWENER 12-8PM
Mae Paul Becker yn awdur preswyl drwy gydol Experimentica, ac y mae wedi cyfrannu’r darn ‘Ten Of Swords, Reversed’ ar gyfer y cyhoeddiad hwn. Bydd Paul hefyd yn cymryd rhan yn OFF THE PAGE ar ddydd Iau 7 Tachwedd.
Almut Linde has developed her practice from the observation of phenomena that are often perceived as dysfunctions or faults. Her works — which she realises from performances with people in real social spaces — are concerned with basic questions of human survival, with the differences between individual existence and systematic constraint. www.almutlinde.com
IAN WATSON: BRAIN BLOOD VOLUME CAFFI BAR, 8.30AM TO CLOSE
paulbeckerimages.blogspot.co.uk
Mae gwaith Almut Linde yn seiliedig ar arsylwi ffenomenau sy’n aml yn cael eu hystyried yn wallus neu’n ddiffygiol. Mae ei gweithiau, a gaiff eu cynhyrchu gydag unigolion mewn mannau cymdeithasol go iawn, yn ymwneud â chwestiynau sylfaenol am fodolaeth ddynol, a’r gwahaniaethau rhwng goroesiad unigol a chyfyngiadau systematig.
paulbeckerimages.blogspot.co.uk
www.almutlinde.com
IAN WATSON: BRAIN BLOOD VOLUME CAFFI BAR, 8.30AM TAN AMSER CAU
Incredibly detailed and delightfully dark, Ian Watson’s drawings reveal strange gatherings of half-human, half-monster hybrids concealed in the shady undergrowth. Watson’s work is largely informed by a misspent youth hiding out with like-minded mutants in video rental shops and the woodlands of East Sussex, head buried in headphones, soaking up the occult messages from a collection of heavy metal cassettes.
Mae manylder anhygoel ac ysbryd hyfryd o dywyll yn nodweddu lluniau Ian Watson. Maent yn datgelu bodau hanner-dynol, hannerangenfilaidd sy’n cuddio yn y llwyni. Mae gwaith Watson wedi’i ddylanwadu yn y lle cyntaf gan ieuenctid a dreuliodd ar gyfeiliorn yng nghwmni bodau rhyfedd eraill mewn siopau fideo ac yng nghoetiroedd Dwyrain Sussex, ei glustffonau’n sownd i’w ben, yn ceisio deall y negeseuon ocwlt ar gasgliad o gasetiau metel trwm.
www.uhohwatson.com
www.uhohwatson.com
Left to right / O’r chwith i’r dde: Almut Linde, Dirty Minimal #59.1, Eternal Now (Sculpture / Entertainment), 2008-09; Ian Watson, Blood Woods, ink on paper / inc ar bapur, 2010
WEDNESDAY 6 NOVEMBER
DYDD MERCHER 6 TACHWEDD
RICHARD BOWERS: TRICOLOUR: THE PASSION OF JOAN OF ARC
FROM NOW ON PRESENTS… JERUSALEM IN MY HEART
RICHARD BOWERS: TRICOLOUR: THE PASSION OF JOAN OF ARC
FROM NOW ON PRESENTS… JERUSALEM IN MY HEART
STIWDIO, 11AM-8PM
THEATRE, 9PM
STIWDIO, 11AM-8PM
THEATR, 9PM
Richard Bowers and the Sound of Aircraft Attacking Britain presents ‘The Velvet Lantern’, an exploration of the conventions and materials found in classical cinema, which will create an inversion of silent cinema by taking the screenplay for Carl Dreyer’s ‘The Passion of Joan of Arc’ as the basis for a film without images.
Jerusalem In My Heart (JIMH) is a project of contemporary Arabic and electronic music interwoven with 16mm film projections and light-based (de)constructions of space, exploring a relationship between music, visuals, projections and audience. With performances thus far occurring once or twice a year, no two JIMH events have ever been the same: configurations have ranged from solo to 35 participants, with varying degrees of stage theatrics alongside a film & visual component, using multiple projections to construct a space in constant flux. FROM NOW ON is a series of adventurous musical happenings produced by Chapter and Shape Function supported by the PRS foundation’s New Music Plus scheme.
Richard Bowers a The Sound of Aircraft Attacking Britain yn cyflwyno ‘The Velvet Lantern’. Archwiliad o’r confensiynau a’r deunyddiau a welir mewn sinema glasurol, bydd yn gwrthdroi sinema dawel trwy gymryd sgript Carl Dreyer ar gyfer ‘The Passion of Joan of Arc’ yn sail ar gyfer ffilm heb ddelweddau.
Mae Jerusalem In My Heart (JIMH) yn brosiect sy’n cyfuno cerddoriaeth Arabaidd a cherddoriaeth electronig gyfoes. Bydd yna dafluniadau ffilm 16mm hefyd ac ymgais i ddadadeiladu gofod trwy ddefnydd creadigol o olau; mae’n archwiliad o’r berthynas rhwng cerddoriaeth, deunydd gweledol, tafluniadau a chynulleidfaoedd. Ar ôl perfformio unwaith neu ddwywaith y flwyddyn hyd yn hyn, does na’r un dwy sioe gan JIMH sydd yr un fath: mae’r personél yn amrywio — o 1 person i 35 — ac mae yna gyfraddau gwahanol o ddeunydd theatrig ar y cyd ag elfennau ffilm a deunydd gweledol. Defnyddir tafluniadau lluosog hefyd i greu gofod sydd yn newid yn barhaol. Mae FROM NOW ON yn gyfres o ddigwyddiadau cerddorol anturus wedi’u cynhyrchu gan Chapter a Shape Function, gyda chefnogaeth gan gynllun New Music Plus sefydliad PRS.
www.richardbowers.co.uk
NICHOLAS MCARTHUR & ROBERT MOLLY VAUGHAN: THE DANCING PLAGUE OF 1518 MEDIA POINT, 4.30PM This uniquely energetic and furious physical performance references a mysterious outbreak of dancing-to-death that occurred in Strasbourg. Set to Gregorian plainchant and electronic trance music the piece takes on a journey through religious ecstasy and club culture, capitalism and psychological distress. A cocktail of danger, insanity and kinetic joy!
www.jerusaleminmyheart.com
www.richardbowers.co.uk
Nicholas McArthur & Robert Molly Vaughan: THE DANCING PLAGUE OF 1518 Pwynt Cyfryngol, 4.30PM Mae’r perfformiad corfforol unigryw ac egnïol hwn yn gyfeiriad at achosion dirgel o ddawnsio-hyd-farwolaeth yn Strasbourg. I gyfeiliant plaengan Gregoraidd a cherddoriaeth ‘trance’ electronig, mae’r darn yn ein harwain ar daith drwy ecstasi crefyddol a diwylliant clwb, cyfalafiaeth a gofid seicolegol. Coctel bywiog o berygl, gwallgofrwydd a llawenydd cinetig!
www.nicholasmcarthur.com
www.nicholasmcarthur.com
OFF THE PAGE: EXPERIMENTS AND SHORT WORKS
OFF THE PAGE: EXPERIMENTS AND SHORT WORKS
COMMON ROOM, 6PM
YSTAFELL GYFFREDIN, 6PM
Off The Page is a regular event that makes connections between, writing, publishing and performance; exploring the stranger margins of the visual arts. It has a loose, informal, DIY style to allow artists to try things out and take risks. As part of Experimentica we are hosting an even more anarchic and even more fast paced version. Selected from submissions, each contribution will be no more than five minutes long. We imagine it’ll be something between an open mic poetry night and the chaotic, lo-fi, DIY feeling of the 1916 Dadaist club Cabaret Voltaire. Off The Page is curated by Samuel Hasler, an artist based in Cardiff who works with text and performance.
Mae Off The Page yn ddigwyddiad rheolaidd sy’n ceisio gwneud cysylltiadau rhwng ysgrifennu, cyhoeddi a pherfformiad ac archwilio eithafion rhyfedd y celfyddydau gweledol. Mae’r sesiynau’n cael eu cynnal ag arddull anffurfiol, rhydd, ag ysbryd ‘DIY’, er mwyn caniatáu i artistiaid roi cynnig ar bethau newydd a chymryd risgiau. Fel rhan o Experimentica, rydym yn cynnal fersiwn cyflymach, fwy anarchaidd. Rydym wedi dethol ein cyflwyniadau o nifer o gynigion, a bydd pob un yn para dim mwy na bum munud. Dychmygwn y cawn ddigwyddiad sy’n cyfuno noson meic agored gyda dryswch ac anrhefn clwb Dadäydd 1916, Cabaret Voltaire. Caiff sesiynau Off The Page eu curadu gan Samuel Hasler, artist sy’n byw yng Nghaerdydd ac sy’n gweithio ag elfennau testunol a pherfformiad.
Clockwise from left / Gyda’r cloc o’r chwith: Richard Bowers, Tricolour: The Passion of Joan of Arc, 2013; Jerusalem in My Heart; Nicholas McArthur & Robert Molly Vaughan, The Dancing Plague of 1518
www.jerusaleminmyheart.com
THURSDAY 7 NOVEMBER ROY BROWN OFFSITE, 1PM Roy Brown will explore the imaginary folklore of Cardiff. Influenced by weird horror writer and proto-psychogeography pioneer Arthur Machen (1863-1947) the resulting work will be filtered through the anxieties and desires of contemporary culture. The performance will comment on current social, cultural and economic concerns within the geographical area, creating a sense of unease with the City and its inhabitants.
OFF THE PAGE WITH LAURA REEVES, SIAN ROBINSON DAVIES & PAUL BECKER COMMON ROOM, 6PM Off The Page is a regular event that makes connections between, writing, publishing and performance; exploring the stranger margins of the visual arts. It has a loose, informal, DIY style to allow artists to try things out and take risks. With contributions from Laura Reeves, Sian Robinson Davies and Paul Becker. Off The Page is curated by Samuel Hasler, an artist based in Cardiff who works with text and performance.
DYDD IAU 7 TACHWEDD CIAN DONNELLY: STRAWBERRY NECKLACE STIWDIO, 7PM Through a combination of melodic song, abject storytelling and poetic horror, Cian Donnelly’s ‘Strawberry Necklace’ creates a fictional space where nightmare-lyricism and melancholic humour co-exist. www.ciandonnelly.com
TIM BROMAGE THEATRE, 9PM “The dog is often described as a hound of hell, with eyes like coals and a muzzle thick with foam. I do not hold with such things; they are the product of a diseased mind” A new performance from Tim Bromage loosely based on the life of Arthur Conan Doyle and the origins of his book The Hound of the Baskervilles. The work employs text, costume, and other activities. Supported by Arts Council of Wales
ROY BROWN MAN ARALL, 1PM Bydd Roy Brown yn archwilio llên gwerin dychmygol Caerdydd. Wedi’i ddylanwadu gan yr awdur arswyd rhyfedd a’r arloeswr mewn proto-seico-ddaearyddiaeth, Arthur Machen (1863-1947), caiff y gwaith sy’n deillio o’r dylanwad hwnnw ei ffiltro drwy bryderon a dyheadau ein diwylliant cyfoes. Bydd y perfformiad yn cynnig sylwadau ar faterion cymdeithasol, diwylliannol ac economaidd cyfoes, mewn cyd-destun daearyddol, ac yn creu teimlad o anesmwythder parthed y Ddinas a’i thrigolion.
OFF THE PAGE GYDA LAURA REEVES, SIAN ROBINSON DAVIES & PAUL BECKER YSTAFELL GYFFREDIN, 6PM Mae Off The Page yn ddigwyddiad rheolaidd sy’n ceisio gwneud cysylltiadau rhwng ysgrifennu, cyhoeddi a pherfformiad ac archwilio eithafion rhyfedd y celfyddydau gweledol. Mae’r sesiynau’n cael eu cynnal ag arddull anffurfiol, rhydd, ag ysbryd ‘DIY’, er mwyn caniatáu i artistiaid roi cynnig ar bethau newydd a chymryd risgiau. Bydd cyflwyniadau gan Laura Reeves, Sian Robinson Davies a Paul Becker. Caiff sesiynau Off The Page eu curadu gan Samuel Hasler, artist sy’n byw yng Nghaerdydd ac sy’n gweithio ag elfennau testunol a pherfformiad.
CIAN DONNELLY: STRAWBERRY NECKLACE STIWDIO, 7PM Trwy gyfuniad o ganeuon melodig, adrodd straeon ac arswyd barddonol, mae ‘Strawberry Necklace’ Cian Donnelly yn creu gofod ffug lle mae telynegiaeth hunllefus a hiwmor melancolaidd yn cyd-fodoli. www.ciandonnelly.com
TIM BROMAGE THEATR, 9PM “The dog is often described as a hound of hell, with eyes like coals and a muzzle thick with foam. I do not hold with such things; they are the product of a diseased mind.” Perfformiad newydd gan Tim Bromage yn seiliedig ar fywyd Arthur Conan Doyle a gwreiddiau ei lyfr, The Hound of the Baskervilles. Mae’r gwaith yn gwneud defnydd o destun, gwisgoedd a gweithgareddau eraill. Gyda chefnogaeth Cyngor Celfyddydau Cymru
Clockwise from left / Gyda’r cloc o’r chwith: Roy Brown, Untitled Performance (After Pickman); Tim Bromage; Cian Donnelly, Trainstop, a live performance, 2013, photo Chris Campbell / perfformiad byw, 2013, llun Chris Campbell
TEN OF SWORDS, REVERSED There is a glow in the sky as if the great furnace doors have opened. But from behind the curtains, we appear to see nothing. ‘It’s true, we regularly find our way into abandoned buildings in and around the centre of the city, and across the whole country. Yes, we enter at night, always at night, cameras only, torches strictly forbidden and then we just walk around, lighting our way by photographing these completely desolate interiors…’ There are no seconds. No need for seconds. The mist still floats a few feet above the ground, beading on spider webs, trousers dew damp as they walk through the tall grass towards the appointed place. Only a table on which sits what looks like a velvet jewellery box acting as a paperweight on a small pile of photographs. It is filled with Tarot cards and inside the lid there is a tiny slip of yellow paper. The Hanged Man. Le Pendu. What Was Below Is Now Above. A world turned upside down? Perhaps. But perhaps not. Your future is behind you and yet you continue on. You plunge into the last depths of night. Your grandfather, the hermit, protects you, A pelican, feeding its young from its own breast. You do not move forwards but you move nonetheless. If you do not ask yourself specific questions, then you are not responsible for the misinterpretation of the answers. The Ten of Swords. The Tower. Darkness then, dear darkness. ‘…the rotting balustrades, collapsed ceilings, mouldy, moth-eaten decor. The idea of gaining entry to the history, the anatomy, the morphology of a building is fascinating to all of us.’ They, at length, turn to the right, and taking a track across a little meadow, pass an abandoned cottage and enter one of the clearings amongst the trees beyond. Here they stop. Here now is how it starts, even now all these perverse years and blessed minutes later (later or before or…), still unsure whether or not the whole thing was and remains and always will be some sick fancy or really for real and even after that we are still not sure how it starts. ‘We have thousands of these ghostly flashbulb images, ripped-out interiors of a dilapidated theatres, abandoned sanataria, the stripped-back insides of a military hospital, an old steelyard on the river, burnt out buildings, schools, hospitals, theatres…’ Nothing is said between them, nothing, No need for words. The ground is measured. One removes a pistol from his coat, the other from a silken bag. They carefully load and prime. Without exchanging glances they shuffle together, back to back and then each walks twenty paces from the other. It starts with an ending, a curtain call, but for what? Surely we have been witnessing a performance because to put it simply, they are there and we are here, them and us, you know? You know how it goes, always the same old ritual whereby whatever is being done is being done at us and slowly and slower still and we are not sure how it starts and suddenly (no, slower, more slowly) there arises or grows around/between us something we cannot possibly describe (but try). It was, well, listen, wait a moment now… ‘There are two of us this time. To get in here we have to shimmy over a couple of walls at the back, the place is derelict so like most empty buildings that are too dilapidated even to be squattable, is is easy enough to find a way into. There is one door that we know we will have to force open and once we do that with the aid of a cold chisel, we are inside. As a a blackbird offers the first notes of its song from a nearby tree, the principals face each other, for the first time… …now (go on) well it is not exactly…ok so they, I mean the players, perhaps it is down to them, are they doing something here to us or is it only us…perhaps they are pulling off a trick of sorts or do they merely watch from the side lines or are they now the audience too perhaps on our part they take it for scorn and defiance; slight regard, insolence or mere cretiny, lacking any truly felt contempt… ‘At that point, we go our separate ways, spreading out to document as much of the building as possible, heading deeper back, down, into the bowels of the place, towards a stage and a dance floor, setting off the flash every few steps to light the way…’ …their eyes meet at last and at that same instant, both pistols are raised, levelled…
…but to us it feels much closer to… let us call it an oblivion, ecstatic a sudden ecstatic oblivion that appears to affect us all all at once now and now there is no longer this need…no longer this consciousness of roles confined if you like no more audience no more a them only an us somehow we can no longer, no longer can we isolate or associate… ‘The smell of such public places, theatres, circuses is unique and particularly dancehalls, old discos and nightclubs is uniquely unique: apart from the usual wet parquet and rotting carpets there is also a definite aroma of ancient sweat, stale beer, and dry ice, even so long after any party. I began to take some photographs. The walls are painted in colourful abstract squares and the ceilings are a spooky, demonic red with weird metallic sculptures hanging down from amongst the few remaining broken strobes and spots and the hundreds of wires and strips of conduit that trail down to the floor and that I occasionally brush against in the dark.’ …and without any hesitation, simultaneously fired, both reports merging into one… To put it simply we miraculously attain a state so singular now a state of what a state of autonomy and in our shared looming or falling or descending into this oblivion with no clue as to what is going forward backwards side to side ‘The huge, metal geometric structures of the lighting rig are rusted and a leak coming from the floor above is already beginning to form a dripstone. I crawl under one of the stages that has been half ripped out and find myself emerging up in a DJ booth like some kind of a shattered pulpit, where a broken turntable, and an old keyboard lie under a big coil of wire and a bag of empty-barrelled caulking guns.’ …the two balls speed along on their impossibly rapid journey, cutting through the mist of that morning… …and so for the first time none of this matters and there is no need to scratch around in the dust of the meaning of it to discern neither cause nor current nor ending something somehow trips and there begins this mumbling this low incessant hum… ‘I take a set of steps up to a balcony, piled high with spare lighting rigs, scaffolding and what must once have been a wind machine. I take a set of pictures looking down on the dance floor that, in amongst the flashes looks like a Sci-fi film set. The atmosphere is pretty strange, not because it feels haunted or anything, more that it has already become firmly fixed in my mind as somewhere…’ …passing within half a centimeter of each other, enough for an infinitesimal divergence of each individual trajectory to occur and passing then, to continue on.. …we notice comes from us we emanate resonate it without reasoning or meaning and so we huddle together closer now huggermugger until the hum we hear outside seems to grow within… ‘…I mean, there is a myth associated with the place. I know, but apparently, in the early hours of one morning, one summer in the 90’s, there is some kind of performance, whether music or otherwise is unclear, and it, whatever it is that happens is so weird and intense that many members of the audience actually do go into some kind of a trance, a shamanic trance.’ …as each hastens to its mark… …and then this absence this drifting this removal from some non-event becomes what it becomes and now as we look down eyes upon feet upon floor a space grows our bodies shifting blossoming merging with the hum together and a space now from foot to floor and our bodies are lifting and lifting and riding through the air… ‘There are various bullshit theories about how this comes about, what causes it etc. Some say it is all part of some strange ritual that led to, I don’t know, some shared, fucking I don’t know, some yogic intensity to the extent that according to the myth, the whole place starts to move as one. Then, so the story goes, the hypnotic state the audience attains forces them into such a higher state…’ …as the great river runs its winding course… …and there is no more them and no more us and no more them and no more us… ‘…via the rhythm and reverberation of chanting or music or whatever that eventually the feet of several of them actually leave the ground and they levitate. The owners, so they say, immediately panic when they realise what is happening and pandemonium breaks loose. The lights are turned up and the doors flung open, the management claim that a fire has been detected in one of the storerooms and everyone has to leave for their own safety.’ …the leaves quivering, rustling in the morning air. There was a glow within, as if great furnace doors were opened. And from the other side of the curtains, we could see nothing, apparently. PAUL BECKER
FRIDAY 8 NOVEMBER HOLLY DAVEY: IF ONLY I COULD REMEMBER COMMON ROOM, 11AM-6PM During a residency in Buenos Aires, Holly Davey was mugged. In her bag were two notebooks that contained seven months worth of ideas, thoughts, drawings — gone, forever! She wrote them down so she could forget them; so she no longer had to hold them in her memory. Unfortunately, those thoughts are lying in a ditch somewhere, in the gutter of some suburb in Buenos Aires. Over the course of a day, alongside screened CCTV footage of the mugging, Davey will attempt to recall and re-animate those ideas that were taken from her. www.hollydavey.com
Nicholas McArthur & Robert Molly Vaughan: THE DANCING PLAGUE OF 1518 FIRST SPACE, 6PM This uniquely energetic and furious physical performance references a mysterious outbreak of dancing-to-death that occurred in Strasbourg. Set to Gregorian plainchant and electronic trance music the piece takes on a journey through religious ecstasy and club culture, capitalism and psychological distress. A cocktail of danger, insanity and kinetic joy! www.nicholasmcarthur.com
DYDD GWENER 8 TACHWEDD MATTHEW DE KERSAINT GIRAUDEAU: ARTWORKS THAT DIDN’T QUITE WORK OUT FOR ONE REASON OR ANOTHER STIWDIO, 7PM A performance about things not quite going as planned. With videos, songs, dance and ‘acting’ Matthew de Kersaint Giraudeau presents a vivid, multi-media re-imagining of past projects that haven’t quite worked out, for one reason or another. dekersaint.blogspot.co.uk
PIL AND GALIA KOLLECTIV: TERMINAL: A MIRACLE PLAY WITH POPULAR MUSIC FROM THE END OF THE WORLD THEATRE, 9PM Utilising film and live performance, this piece brings together synchronous sound recording of dialogue, costumes, music and narrative. The project explores the politics of postapocalyptic cinema and literature. Grounded in an ethos of survivalism and invoking Rousseau’s state of nature, these fictions propose violent scenarios, in which nuclear Holocaust, environmental catastrophe and other disasters generate a libertarian politics of pure pragmatism, negating the possibility of democratic deliberation. www.kollectiv.co.uk
HOLLY DAVEY: IF ONLY I COULD REMEMBER YSTAFELL GYFFREDIN, 11AM-6PM Yn ystod cyfnod preswyl yn Buenos Aires, cafodd Holly Davey ei mygio. Yn ei bag roedd yna ddau lyfr nodiadau a oedd yn cynnwys gwerth saith mis o syniadau, meddyliau a sgetsys – fe ddiflannodd y cwbl am byth! Fe nododd hi’r pytiau hynny yn eu llyfrau nodiadau er mwyn gallu eu hanghofio, fel na fyddai’n rhaid iddi hi eu cario nhw yn eu chof yn barhaol. Yn anffodus, mae’r meddyliau hynny bellach mewn ffos yn rhywle, mewn gwter yn un o faestrefi Buenos Aires. Yn ystod diwrnod cyfan, ar y cyd â delweddau teledu cylch cyfyng o’r digwyddiad, bydd Davey’n ceisio cofio ac ail-fyw’r syniadau hynny a ddygwyd ganddi. www.hollydavey.com
Nicholas McArthur & Robert Molly Vaughan: THE DANCING PLAGUE OF 1518 Man Cyntaf, 6PM Mae’r perfformiad corfforol unigryw ac egnïol hwn yn gyfeiriad at achosion dirgel o ddawnsio-hyd-farwolaeth yn Strasbourg. I gyfeiliant plaengan Gregoraidd a cherddoriaeth ‘trance’ electronig, mae’r darn yn ein harwain ar daith drwy ecstasi crefyddol a diwylliant clwb, cyfalafiaeth a gofid seicolegol. Coctel bywiog o berygl, gwallgofrwydd a llawenydd cinetig! www.nicholasmcarthur.com
MATTHEW DE KERSAINT GIRAUDEAU: ARTWORKS THAT DIDN’T QUITE WORK OUT FOR ONE REASON OR ANOTHER STIWDIO, 7PM Perfformiad am bethau sydd ddim yn dilyn y cynllun gwreiddiol. Yn cynnwys fideos, caneuon, dawns ac ‘actio’, mae Matthew de Kersaint Giraudeau yn cynnig golwg newydd fywiog, aml-gyfryngol ar brosiectau o’r gorffennol na ddilynodd y cynllun gwreiddiol, am ryw reswm neu’i gilydd. dekersaint.blogspot.co.uk
PIL & GALIA KOLLECTIV: TERMINAL: A MIRACLE PLAY WITH POPULAR MUSIC FROM THE END OF THE WORLD THEATR, 9PM Gyda defnydd o ffilm a pherfformiadau byw, mae’r darn hwn yn dwyn ynghyd recordiadau sain cydamserol o ddeialog, gwisgoedd, cerddoriaeth a naratif. Mae’r prosiect yn archwilio gwleidyddiaeth, sinema a llenyddiaeth ôl-apocalyptaidd. Yn seiliedig ar ethos o oroesi waeth beth fyddo’r gost a diffiniadau Rousseau-aidd o fyd natur, mae’r darnau ffuglennol hyn yn cyflwyno sefyllfaoedd treisgar, lle mae Holocost niwclear, trychinebau amgylcheddol a thrychinebau eraill yn arwain at wleidyddiaeth ryddfrydol a phragmatiaeth bur, ac at ddileu’r posibilrwydd o drafodaeth ddemocrataidd. www.kollectiv.co.uk
Clockwise from left / Gyda’r cloc o’r chwith: Holly Davey, If Only I Could Remember, 2013; Pil & Galia Kollectiv, Terminal: A Miracle Play With Popular Music From The End Of The World; Matthew de Kersaint Giraudeau, Artworks That Didn’t Quite Work Out For One Reason Or Another, photo / llun Carwyn Evans
SATURDAY 9 NOVEMBER MIKE PEARSON & HEIKE ROMS CHAPTER & OFFSITE, 2PM A performative guided tour to sites in the east of the city where experimental performance was ‘born’ in Cardiff in the 1970s. On the model of natural history, geology and archaeology visits, the event takes the form of a field trip to places in Splott, Adamsdown and Cathays. It highlights the work of former Cardiff-based theatre companies such as Transitions, Cardiff Laboratory Theatre and The Keith Wood Group; visiting groups such as The People Show and the Pip Simmons Group and of performance artists John Gingell, Shirley Cameron, Roland Miller and Yoko Ono.
good cop bad cop: wylaf wers, tawaf wedy THEATRE, 6PM Perhaps there is a Welsh dresser? There might be flash frame video projection It might be a shedding / shredding of history It might remind one of Exx-1 It is noisy and brutal, it is happening here, now, under your nose, it is not an object of desire, it swims in the overflowing bloody water of the hand-basin blocked with soggy tissue. One man cries This has something to do with piano smashing as a school fete attraction, popular entertainment, philistinism, ‘nice’ art, pure rage, people freezing harps in blocks of ice, the death of Newport, some or none of the above, ...and possibly the non performance of Napalm Death at the Victoria & Albert Museum.
DYDD SADWRN 9 TACHWEDD RICHARD JAMES & ANTHONY SHAPLAND: THE COLOUR OF SAYING CINEMA, 8.30pm Musician and song-writer Richard James (Gorky’s Zygotic Mynci) and artist Anthony Shapland have joined forces to create a short original film and music score exploring the vocal, lyrical, rhythmic and literary strands of Dylan Thomas’ west Wales world. Content will include footage of engagements with relevant locations as well as an original music score inspired by Thomas, his work and the urban, rural and cultural landscapes that inspired him. The screening will be followed by a Q&A with Hannah Ellis, granddaughter of Dylan Thomas and Honourable Patron of the DYLANTHOMAS100 Festival. www.inchapters.com www.anthonyshapland.com Commissioned by Chapter and Literature Wales www.literaturewales.org
www.gcbccentral.com
MIKE PEARSON & HEIKE ROMS CHAPTER A LLEFYDD ERAILL, 2PM Taith dywysedig berfformiadol i safleoedd yn Nwyrain y ddinas lle “ganwyd” perfformio arbrofol yng Nghaerdydd yn y 1970au. Yn seiliedig ar fodelau o hanes naturiol, daeareg ac ymweliadau archeolegol, mae’r digwyddiad yn daith i leoliadau yn Sblot, Adamsdown a Cathays. Mae’n tynnu sylw at waith cwmnïau theatr Caerdydd — cwmnïau fel Transitions, Cardiff Laboratory Theatre a Grŵp Keith Wood. Bydd yna ymweliadau â grwpiau fel The Show Pobl a Grŵp Pip Simmons ac fe fydd y darn yn tynnu sylw at waith John Gingell, Shirley Cameron, Roland Miller a Yoko Ono.
good cop bad cop: wylaf wers, tawaf wedy THEATR, 6PM Bydd yna ddresel Gymreig, efallai. Ac efallai y bydd yna dafluniad fideo ‘flash frame’. Mae’n bosib y bydd y digwyddiad yn diosg neu’n rhwygo hanes yn ddwy. Fe allai eich hatgoffa chi o Exx-1 A bod yn swnllyd ac yn greulon. Mae e’n digwydd fan hyn, nawr, dan eich trwyn. Dyw e dim yn beth hardd, mae’n arnofio yn y dŵr gwaedlyd sy’n gorlifo o’r basn ymolchi lle mae twll y plwg wedi’i flocio â phapur tŷ bach. Mae dyn yn crio. Mae’r cwbl yn ymwneud â phiano sy’n cael ei falu yn rhan o ffair ysgol, adloniant poblogaidd, philistiaeth, celfyddyd ‘neis’, dicter pur, pobl yn rhewi telynau mewn blociau o iâ, marwolaeth Casnewydd ac unrhyw rai o’r elfennau uchod ... bydd yna stori hefyd, efallai, am gyngerdd arfaethedig gan Napalm Death yn Amgueddfa Victoria & Albert. www.gcbccentral.com
Clockwise from left / Gyda’r cloc o’r chwith: good cop bad cop: wylaf wers, tawaf wedy; Mike Pearson & Heike Roms, Shirley Cameron, Roland Miller and Bath Arts Workshop, ‘Out of Place’, Cardiff 1973; Richard James & Anthony Shapland, The Colour of Saying (production still) / (delwedd cynhyrchiad), 2013
RICHARD JAMES & ANTHONY SHAPLAND: THE COLOUR OF SAYING SINEMA, 8.30PM Mae’r cerddor a’r cyfansoddwr Richard James (Gorky’s Zygotic Mynci) a’r artist Anthony Shapland wedi dod at ei gilydd i greu ffilm fer wreiddiol a sgôr gerddorol sy’n archwilio elfennau lleisiol, telynegol, rhythmig a llenyddol gorllewin Cymru Dylan Thomas. Bydd y darn yn cynnwys lluniau o leoliadau perthnasol yn ogystal â sgôr wreiddiol a ysbrydolwyd gan Thomas, ei waith a’r tirweddau trefol, gwledig a diwylliannol a oedd yn ysbrydoliaeth iddo. Yn dilyn y ffilm bydd sesiwn holi-ac-ateb gyda Hannah Ellis, wyres Dylan Thomas a Noddwraig Fygedol o Ŵyl DYLANTHOMAS100. www.inchapters.com www.anthonyshapland.com Comisiynwyd gan Chapter a Llenyddiaeth Cymru www.llenyddiaethcymru.org
SUNDAY 10 NOVEMBER BEN EWART-DEAN CINEMA, 3PM A live music event and premiere screening of a film exploring Cardiff’s rich improvisatory experimental music scene. benewartdean.tumblr.com
MAMORU IRIGUCHI: ONE MAN SHOW STIWDIO, 5PM Mamoru Iriguchi enchanted us in 2012 with ‘Projector/Conjector’ and he’s back this year with ‘One Man Show’. What starts as a one man show turns out to be a colourful ensemble as the result of real-time mutual communication between patrons, the performer and his döppelgangers. The Place Prize commission, sponsored by Bloomberg. www.iriguchi.co.uk
DYDD SUL 10 TACHWEDD NIGEL BARRETT & LOUISE MARI: PROBING ELVIS THEATRE, 6PM In September Nigel and Louise took 13 artists to the 10th Annual Elvis Festival in Porthcawl and did a workshop with accomplished Elvis Tribute Artist Juan Lazano. Inspired by their experiences they will spend the weekend at Experimentica exploring ideas that they will share with the audience at Chapter. www.nigelandlouise.com www.elvies.co.uk Supported by LADA, National Theatre Wales and Chapter. It was selected through DIY10. DIY is an opportunity for artists working in Live Art to conceive and run unusual training and professional development projects for other artists.
S MARK GUBB: BONFIRE OF THE VANITIES
BEN EWART-DEAN SINEMA, 3PM Digwyddiad cerddoriaeth fyw a dangosiad cyntaf ffilm sy’n archwilio sin gerddoriaeth arbrofol fyrfyfyr hynod gyfoethog Caerdydd. benewartdean.tumblr.com
MAMORU IRIGUCHI: ONE MAN SHOW STIWDIO, 5PM Fe’n swynwyd ni gan sioe Mamoru Iriguchi yn 2012, ‘Projector/Conjector’, ac mae e’n dychwelyd eleni â’i waith ‘One Man Show’. Ond mae’r hyn sy’n dechrau fel sioe un dyn yn troi’n ddarn ensemble lliwgar o ganlyniad i gyfathrebu byw rhwng gwylwyr, y perfformiwr a’i döppelgangers. Comisiynwyd gan The Place Prize, gyda nawdd gan Bloomberg. www.iriguchi.co.uk
CHAPTER, 8PM This piece refers to the historic practice of burning objects that are deemed as a temptation to sin. The work does not propose that art is a sin, but that there is a vanity in hoarding work in the hope that it may one day sell or be seen again. Culling work often feels like a waste or a perverted act; the passing of the work feels like it should, at least, be celebrated in some way. This is the starting point for ‘Bonfire of the Vanities’....
NIGEL BARRETT & LOUISE MARI: PROBING ELVIS THEATR, 6PM Yn dilyn taith a wnaed gan Nigel & Louise - ar y cyd â 18 o gyfranogwyr dethol eu gweithdy - i 10fed Gŵyl Elvis Flynyddol Porthcawl, bydd yr artistiaid yn cymryd rhan yn Experimentica ar y cyd â mwy fyth o artistiaid sy’n talu teyrnged i artistiaid eraill. Byddan nhw’n treulio’r penwythnos yn creu gwaith newydd i’w gyflwyno’n gyhoeddus ar ddydd Sul 10 Tachwedd. www.nigelandlouise.com www.elvies.co.uk Gyda chefnogaeth gan LADA, National Theatre Wales a Chapter, a gyda chydweithrediad DIY10. Mae DIY yn gyfle i artistiaid sy’n gweithio yn y Celfyddydau Byw i greu a threfnu prosiectau hyfforddiant a datblygiad proffesiynol anarferol ar gyfer artistiaid eraill.
S MARK GUBB: BONFIRE OF THE VANITIES CHAPTER, 8PM Mae’r darn yn gyfeiriad at yr arfer hanesyddol o losgi gwrthrychau yr ystyrir eu bod nhw’n temtio pechod. Nid yw’r gwaith yn haeru bod celfyddyd yn bechod — ond y mae’n awgrymu bod yna wagedd yn y syniad o gadw gwaith yn y gobaith y gellir ei werthu neu ei ddangos eto. Mae cael gwared ar waith yn aml yn teimlo fel gwastraff neu weithred wyrdroëdig; mae yna deimlad y dylid dathlu mewn rhyw ffordd waith sy’n darfod. Dyma fan cychwyn ‘The Bonfire of the Vanities’...
www.smarkgubb.com
www.smarkgubb.com
Clockwise from left / Gyda’r cloc o’r chwith: S Mark Gubb, Bonfire Of The Vanities, 2013; Nigel Barrett & Louise Mari, Probing Elvis, 2013; Mamoru Iriguchi, One Man Show
GOTHIC CINEMA / SINEMA GOTHIG CHAPTER GOES DARK GOTHIC: SEASON OF THE WITCH
CHAPTER YN Y TYWYLLWCH GOTHIG: TYMOR Y WRACH
For updates on new events here and around Wales, as they are confirmed, please visit: www.chapter.org/chaptergoesdark
I gael y newyddion diweddaraf am ddigwyddiadau newydd fan hyn ac o amgylch Cymru, wrth iddyn nhw gael eu cadarnhau, ewch i: www.chapter.org/chapter-yn-y-tywyllwch
SOME SORT OF MONSTER: PETER CUSHING CENTENARY
HÄXAN: WITCHCRAFT THROUGH THE AGES
SOME SORT OF MONSTER: CANMLWYDDIANT PETER CUSHING
HÄXAN: WITCHCRAFT THROUGH THE AGES
An evening’s celebration of the life a man who was in turns a monster maker and monster destroyer - but never a monster. Includes:
SUNDAY 3 NOVEMBER, 5PM
Noson arbennig i ddathlu bywyd dyn a oedd yn greawdwr angenfilod, yn ddinistriwr angenfilod, ond byth yn anghenfil ei hun. Yn cynnwys:
DYDD SUL 3 TACHWEDD, 5PM
November’s season of the witch explores the world of the Dark Arts with some wicked reissues of British classic horror films, silent film with musical accompaniment together with an event to mark Peter Cushing’s centenary.
HOUND OF THE BASKERVILLES SUNDAY 17 NOVEMBER, 5PM UK/1959/87mins/PG. Dir: Terence Fisher. With: Peter Cushing, Andre Morell, Christopher Lee
Sherlock Holmes and his assistant Dr Watson are brought in to investigate the mystery of the supernatural hound that supposedly takes revenge upon the Baskerville family.
PETER CUSHING AND THE STRANGE CASE OF THE CONCERTINA FACTOR 7PM (APPROX. 45MINS) Join author Tony Earnshaw for an evening on Peter Cushing as Sherlock Holmes, as he lifts the deerstalker on the star’s interpretation of the great detective.
THE BEAST MUST DIE SUNDAY 17 NOVEMBER, 8.30PM UK/1974/93mins/15. Dir: Paul Annett With: Peter Cushing, Charles Gray, Michael Gambon
When a string of bloody murders suggests the mark of a werewolf, the house guests of rich businessman Tom Newcliffe and we are given a 30 second “Werewolf Break” to consider the evidence and decide who the lycanthrope really is in this horror classic. Tickets for Some Sort of Monster: Peter Cushing Centenary night can be bought separately at our regular cinema prices or for £12 / £10 / £8 for the whole event.
Sweden/1922/105mins/15. Dir: Benjamin Christensen
A deliriously imaginative masterpiece dramatising satanic rituals with live music ranging from chilling electrical/concrète passages to ecstatic antique clockwork electronica with Bronnt Industries Kapital. www.bronnt.com £12/£10/£8
THE WICKER MAN SUNDAY 10, 5PM + TUESDAY 12 NOVEMBER, 2.30PM UK/1974/84mins/12A. Dir: Robin Hardy. With: Edward Woodward, Christopher Lee, Britt Ekland
Sargeant Howie is brought to Summerisle to investigate the disappearance of a young girl whom the island inhabitants deny ever existed. An intelligent and unsettling film that plays on the repressed fears of British folklore, the atmosphere builds to a terrifying climax.
Bydd ‘Tymor y Wrach’ mis Tachwedd yn archwilio byd o Gelfyddydau Tywyll ac yn cynnwys cyfle i weld rhai o glasuron sinema arswyd Prydain, ffilmiau mud a chyfeiliant cerddorol byw a digwyddiad i nodi canmlwyddiant Peter Cushing.
HOUND OF THE BASKERVILLES DYDD SUL 17 TACHWEDD, 5PM DG/1959/87mun/PG. Cyf: Terence Fisher. Gyda: Peter Cushing, Andre Morell, Christopher Lee.
Daw’r ditectif enwog Sherlock Holmes a’i gynorthwyydd Dr Watson i ymchwilio dirgelwch y ci goruwchnaturiol sydd, medden nhw, yn dial ar deulu Baskerville.
PETER CUSHING AND THE STRANGE CASE OF THE CONCERTINA FACTOR 7PM (TUA 45MUN) Ymunwch â’r awdur Tony Earnshaw am noson yn seiliedig ar Peter Cushing a’i bortread o’r ditectif enwog Sherlock Holmes.
THE BEAST MUST DIE DYDD SUL 17 TACHWEDD, 8.30PM
SILENT HORROR SHORTS WITH LIVE PIANO ACCOMPANIMENT SUNDAY 24, 5PM + TUESDAY 26 NOVEMBER, 2.30PM A selection of silent short horror films from the dawn of the 20th century, featuring brand new scores especially commissioned by the Abertoir Horror Festival. Composed and performed by Paul Shallcross.
DG/1974/93mun/15. Cyf: Paul Annett. Gyda: Peter Cushing, Charles Gray, Michael Gambon.
Mae nifer o lofruddiaethau yn awgrymu bod yna flaidd-ddyn gerllaw. Tua diwedd y ffilm mae toriad o hanner munud yn wahoddiad i’r gwesteion a’r gynulleidfa ystyried y dystiolaeth a phenderfynu pwy neu beth yw’r drwg yn y caws. Gellir prynu tocynnau ar gyfer Some Sort of Monster: Peter Cushing ar wahân (prisiau tocyn arferol) neu ar gyfer y digwyddiad cyfan — £12/£10/£8.
CHAPTER WAILS: BLOOD ON SATAN’S CLAW
www.bronnt.com £12/£10/£8
THE WICKER MAN DYDD SUL 10, 5PM + DYDD MAWRTH 12 TACHWEDD, 2.30PM DG/1974/84mun/12A. Cyf: Robin Hardy. Gyda: Edward Woodward, Christopher Lee, Britt Ekland.
Mae’r Rhingyll Howie yn dod i Summerisle i ymchwilio i ddiflaniad merch ifanc ac yn synnu o weld bod poblogaeth yr ynys yn gwadu bodolaeth y ferch goll. Ffilm ddeallus ac ysigol sy’n chwarae ag ofnau dan-yr-wyneb ac agweddau ar len gwerin Prydain – a’r cyfan yn arwain at uchafbwynt arswydus.
FFILMIAU BYRION ARSWYD MUD GYDA CHYFEILIANT PIANO BYW DYDD SUL 24, 5PM + DYDD MAWRTH 26 TACHWEDD, 2.30PM Detholiad o ffilmiau byrion arswyd mud o wawr yr 20fed ganrif, gyda sgorau cerddorol newydd sbon wedi’u comisiynu gan Ŵyl Arswyd Abertoir. Cyfansoddi a pherfformio gan Paul Shallcross.
DYDD IAU 28 TACHWEDD, 8.30PM
UK/1971/93Mins/18. Dir: Piers Haggard. With Patrick Wymark, Linda Hayden, Barry Andrews
Soundcloud/zeuk
Campwaith gorffwyl a dychmygus sy’n dramateiddio gweithgareddau a defodau satanaidd, gyda cherddoriaeth byw sy’n amrywio o ddarnau trydanol/concrete oeraidd i weithiau o electronica ecstatig gyda hen gloc. Gyda Bronnt Industries Kapital.
CHAPTER WAILS: BLOOD ON SATAN’S CLAW
THURSDAY 28 NOVEMBER, 8.30PM In a 17th century England village riven with superstition, the children fall under the spell of a satanic coven. Ben Ewart-Dean introduces this powerful folk horror classic together with a performance of acoustic music by gothic folk band Zeuk, inspired by the extraordinary original soundtrack.
Sweden/1922/105mun/15. Cyf: Benjamin Christensen.
DG/1971/93mun/18. Cyf: Piers Haggard. Gyda: Patrick Wymark, Linda Hayden, Barry Andrews.
Left to right / O’r chwith i’r dde: Peter Cushing, Häxan, The Wicker Man
Mewn pentref yn Lloegr yn ysfod y 17eg ganrif — gwlad sy’n llawn ofergoeliaeth a drygioni, mae plant yn cwympo’n raddol dan ddylanwad cwfen o addolwyr y diafol. Bydd Ben EwartDean yn cyflwyno’r ffilm arswyd bwerus hon ynghyd a pherfformiad gan y band gothig gwerin, Zeuk, sy’n chwarae cerddoriaeth acwstig gothig wedi’i hysbrydoli gan y trac sain anghyffredin wreiddiol. Soundcloud/zeuk
Experimentica calendar / CALENDR EXPERIMENTICA What’s on / Digwyddiad Location / Lleoliad Throughout the Festival / TrWY Gydol Yr Ŵyl
Time / Amser
Ticket / Tocyn
Artists’ Resource / Adnodd i Artistiaid Almut Linde: Radical Beauty Ian Watson: Brain Blood Volume
Caffi Bar Gallery / Oriel Caffi Bar
Daily / Dyddiol Daily /Dyddiol Daily /Dyddiol
Free / Rhad ac am ddim Free / Rhad ac am ddim Free / Rhad ac am ddim
Stiwidio Media Point / Pwynt Cyfryngol Common Room / Ystafell Gyffredin Theatre / Theatr
11am-8pm 4.30pm 6pm 9pm
Ticket / Tocyn Ticket / Tocyn Ticket / Tocyn Ticket / Tocyn
Offsite / Man Arall Common Room / Ystafell Gyffredin Stiwdio Theatre / Theatr
1-5pm 6pm 7pm 9pm
Free / Rhad ac am ddim Ticket / Tocyn Ticket / Tocyn Ticket / Tocyn
Common Room / Ystafell Gyffredin First Space / Man Cyntaf Stiwdio Theatre / Theatr
11am-6pm 6pm 7pm 9pm
Ticket / Tocyn Free / Rhad ac am ddim Ticket / Tocyn Ticket / Tocyn
Chapter Theatre / Theatr Cinema / Sinema
2pm 6pm 8.30pm
Ticket / Tocyn Ticket / Tocyn Ticket / Tocyn
Cinema / Sinema Stiwdio Theatre / Theatr Chapter
3pm 5pm 6pm 8pm
Ticket / Tocyn Ticket / Tocyn Free / Rhad ac am ddim Free / Rhad ac am ddim
5pm
Ticket / Tocyn
5pm 2.30pm
Ticket / Tocyn Ticket / Tocyn
5pm
Ticket / Tocyn
7pm
Ticket / Tocyn
8.30pm 5pm
Ticket / Tocyn Ticket / Tocyn
2.30pm
Ticket / Tocyn
5pm
Ticket / Tocyn
06.11.13 Richard Bowers Nicholas McArthur & Robert Molly-Vaughan Off The Page Jerusalem in my Heart 07.11.13 Roy Brown Off The Page Cian Donnelly Tim Bromage 08.11.13 Holly Davey Nicholas McArthur & Robert Molly Vaughan Mathew de Kersaint Giraudeau Pil and Galia Kollectiv 09.11.13 Mike Pearson & Heike Roms good cop bad cop Richard James & Anthony Shapland 10.11.13 Ben Ewart-Dean Mamoru Iriguchi Nigel Barrett & Louise Mari S Mark Gubb GOTHIC CINEMA / Sinema Gothic 03.11.13 Häxan: Witchcraft Cinema / Sinema Through the Ages 10.11.13 The Wicker Man Cinema / Sinema 12.11.13 The Wicker Man Cinema / Sinema 17.11.13 Some Sort of Monster: Peter Cushing Centenary event night / Noson i ddathlu Canmlwyddiant Peter Cushing The Hound of Cinema / Sinema the Baskervilles Peter Cushing and The Cinema / Sinema Strange Case of The Concertina Factor The Beast Must Die Cinema / Sinema 24.11.13 Silent Horror Shorts Cinema / Sinema with live piano accompaniment 26.11.13 Silent Horror Shorts Cinema / Sinema with live piano accompaniment 28.11.13 Chapter Wails: Cinema / Sinema Blood On Satan’s Claw
029 2030 4400 • www.chapter.org Market Road, Canton, Cardiff CF5 1QE, UK • Heol y Farchnad, Treganna, Caerdydd CF5 1QE, UK