CAIRO
Omar Elsharawy
domes & minarets in the dust
Ancient treasures
Outside, Cairo thrummed with energy. The traffic was sluggish and antagonistic, belting out exhaust fumes and a cacophony of horns. My taxi swept past dingy shop fronts, but above were wrought iron balconies and green shutters like Paris. Seconds later, as we swept over a flyover, I looked down on a gaudy market street that was 100% African. We drove to the Egyptian Museum, Cairo’s current home for antiquities, housed in a pink stone building. Inside is an astounding collection of
In Restaurant Naguib Mahfouz, fez-topped waiters serve chargrilled ans Naomi Koelem
chicken, crisp falafel and silky hummus with warm, crusty flat breads
The Egyptian Museum
The labyrinthine Khan El Khalili Bazaar is filled with dimly-lit stalls, piled high with brass lanterns, carpets, silk scarves and spices
Spencer Davis
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By Laura Gelder
Grand plans
On a tour of the Grand Egyptian Museum (GEM), I saw Tutankhamun’s flip flops! Golden and jewelled, the thong sandals wouldn’t look out of place in my local branch of Accessorize, yet they’re over 3,000 years old. When it finally opens, after years of delays, GEM will be the largest archaeological museum in the world and house the first full collection of the young pharaoh’s treasures. The vast, ultramodern building is a short drive from the pyramids, monolithic Toblerone tombs that stand like ancient sentries between the city and the desert. Behind the scenes in GEM’s restoration labs, I saw delicate papyruses painted with mesmerising hieroglyphics, and ornate furniture intended for a luxurious afterlife. Off clinical corridors were various rooms, signs indicating a speciality: ‘wood’, ‘fabric’ and ‘human remains’. I spied a whitecoated Egyptologist bent over a wizened mummy through the tiny window in the last. And in the chilled still of the stone restoration room, rows of statues – kings and queens, gods and goddesses – stood together and stared.
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Postcard from
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statues, some so huge and monolithic it’s hard to imagine how they got inside. Upstairs, vaulted ceilings and archways gave way to galleries lined with dusty wooden cabinets displaying artefacts ranging from broken pottery to scarab beetles studded with softly gleaming gems. The pièce de résistance was Tutankhamun’s gold mask. The eyes are lined with lapiz lasuli, making the whites sparkle and his huge, obsidian pupils stare defiantly. The opening of GEM will be exciting but this evocative treasure trove will surely never be replaced.
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