studio air yifan tao 2017
studio10 NAME:yifan tao 2017 TUTOR:manuel
contents PAGE 1 4-7 8-11 12-15 16-17 18-19 20 21
CONTENT introduction a.1 design fituring A.2 DESIGN COMPUTATION A.3 COMPOSITION /GENERATION A.4 CONCLUSION A.5 LEARNING OUTCOMES APPENDIX-ALGORITHMIC SKETCHES BIBILOGRAPHY
My name is yifan Tao. I am a third year student of architecture in university of Melbourne. Enthusiasm in new knowledge from various fields, learning traditional opera, digital painting, karate... during my nonworking period. Also keep passions to digital music, art and interactive media. In past few years, I use rhinoceros in my design studios. and start to touch grasshopper during the summer holiday. I join the AA visiting school, allow me to practice digital design. we working in group to generate the reuse of water cube after the Olympic game. the parametric design helps us to analysis the problem. unlike many of my peers who want to be an architect during their childhood. I only enjoy the process of fabrication, design and acquiring new techniques. I enjoy they process of working in a group, in the past semester, group studying gives me an indelible impression, I find friends in my group members, work out my potentialities. Learning skills not limited in the study area, that benefit for my life, look forward to work with peers in this design studio air.
A.1.1 QINGDAO WORLD HORTICULTURAL EXPO THEME PAVILION Location: Qingdao, China Programme: Main Expo Pavilion including Expo Hall, Grand Theater, Conference Center and Media Hub Architects: UNStudio
The Qingdao word horticultural expo theme pavilion was built in 2014, the aim of this project is to encourage people to communicate, exchange culture and knowledge. The pavilion also includes theme of function programming, facade intelligence, user comfort and sustainability. In this way, the pavilion has a smooth shape and the form was response to the surrounding mountain in order to merge into the landscape. Each room of this pavilion has more than two entrance, it keeps a food circulation and the grease will guide people to walking along others, contribute to increase the communication. The shape of this pavilion reveal its theme of flowing out. The inspiration got from the action of flowing out, which could attract and invite through the senses. Just like what designer said:” it alludes to the notion that a building can open itself up and encourage the public interaction.” For the colour of the project, I find the design have vertically folded aluminium panels. When standing in different view point, the building facade will appear and disappear. Minimum its existence and help it merge into landscape and keep the balance of its surrounding nature environment. This pavilion was still being appreciate in nowadays, as its future life circle was already been considered at the beginning of this design. This theme pavilion will be reused after the exposition. it will be open to the public again as a venue help promote the local tourism. And for the future possibilities, some function of the building will transform into hotel, teaching facilities ….
A.1.2 World Exposition: Spanish Pavilion location:Aichi, Japan year: 2005 architect: Foreign Office Architects (FOA)
This pavilion is a good example of how digital design architecture could represent the culture and religion. the theme of this architecture is to combine the European Jewish-Christian cultures and the Islamic influence on Iberian Peninsula. This building also being a good case teach us how to pick representation architecture features in one space. The arches, vaults lattices and traceries are both from Christian and Islamic culture, just like the lattices it is a traditional architecture element in Spain also reflect the fusion of Christian and Islamic, and including the Japanese engawa concept. The pillion was put in a central space, surrounding by seven themed exhibition area. The special arrangement as similar to a Christian cathedral, For the faรงade of the pavilion, as six hexagonal ceramic tile pieces, each one has different shape and colours. In this way, trying to mimic the Christian and Islamic traceries. however, the process of making those blocks was a tradition ceramic from japan.
A.2.1 HEALING GARDEN PAVILION California, USA Project details Client: Ball-Nogues Studio Architect: Ball-Nogues Studio Project value: Confidential Duration: Completed in 2016 In personal view, the benefit of engaging with contemporary computational design techniques will help us to address our initial goals. For instance, the healing garden pavilion was a design project for medical center. The goal of this project was to provide a peaceful retreat for patient and their visitors. In order to achieve that, this project need to increase the vibrancy and color to the surrounding. (1. computational techniques help to share knowledge. Hence also assist to achieve the initial design goals. The process of finish one project need the effort from designer, manufacturer, engineer ... communication is a majority part for design. communication connect different part of design, use a medium that can share the information and transfer ideas. in this way, contemporary computational design tools are the medium allow everyone involving in this design process address the same goals. this team work with the artist to refine and realize the form and concept. When artist give the concept new definition, designer is able to transfer the pattern and form soon. (2. computational techniques help individuals in a group to get accuracy information. people will be more essay to understand and avoid unnecessary delays. the computational techniques would help to represent it into graphically and numerical information. it could then help keep track of the goals, in this case, the pavilion has “ 13,000-pound installation features two elements; a 15 ft. high steel lattice sculpture and a steel platform anchored to the existing concrete building.� which is a complex project involving people from various fields. they analysis the weather, surrounding effect and transfer those data into graphic allow the artist and client to comprehend at a glanced. (3. also, computer help to fabricate and finally built the project. it could control the connection joint of different part and the rotary angle in constructing procedure. the engineers of HEALING GARDEN PAVILION use computational analysis to define the geometry of the art installation, which consists of nearly 3,000 pieces, hay mark each part of the design in a specific dimension and the data of material was sent to the manufacturer. Following this they advised the use of 2-inch wide mild steel tube for the lattice structure, which is then doubly curved to add strength. the quality of being accuracy was important to maintain the initial goals.
A.2.2 Elbphilharmonie Hamburg Address: Platz der Deutschen Einheit 1, 20457 Hamburg, Germany Opened: 11 January 2017 Architectural style: Modern architecture Capacity: 2,100 Architects: Pierre de Meuron, Jacques Herzog
2. 02computational techniques will refine our initial goals. like Kaley, Yehuda E.the said “ the design process is the ‘ satisficing” solution, we use many tools to test the possibility of result, those potential opportunities may in return refine and develop the goals. HAMBURG ELBPHILHARMONIE was an art central, multifunction music venue in the downtown area. the high-rise, glass clad venue built above an existing factory building. it provides hotel, residential apartments, restaurant, and a large concert hall. designers use computational tool to solve the issue about circulation and explore the design possibilities. (1. computational tools will help us to analysis problem, that is to identify all issues relevant to the goals. the possibilities of different effects and the solutions for some potential effects. computer will help us in the environment impact study. Engineer in the group of HAMBURG ELBPHILHARMONIE used data gathered in the surrounding alongside BIM software to create a virtual environment. people movement strategy in the concert venue could be tested. this model picks out some space may gather people like the ticket counter, gates, and bar...all arranged in a logic, that is to welcome those audience members to stay when they come out from the venue. (2. computational tool could optimize the design geometry. by using those find out solution from computer, architects refine their initial goals gradually in the design process. because the design is a progress of discovery, reveal the opportunities and limitation not known at the beginning. for instance, parametric design would help to mimic the circulation and trend of design develop at the beginning. in grasshopper, using the lunchbox to represent the interior space. the designer need to map out one entrance and put the “ants” in, set some bait in the existing service which may attract people, like cinema, car park, avenue. and set and set obstructer for the toilet, fire passage. then click start, we could watch how the stream of people will move. we could use the information to draft out the geometry of our design, transport in the building and basic steps for the special arrangement. in this example, the smart space team also decide the time ticket entry, control the flow of people in peak period. also, Elbphilharmonie’s management team study the exact use and adjust where needed. this group cooperate with the transport team, the car park operator, and event organizers to conduct a survey of pedestrian and vehicle. then use computation tool to graphic those information, help to understand the impact of the operation on its transport flow.
A3.1 The Chrysalis | Outdoor Amphitheatre | Merriweather Park, Columbia, MD | 2013 Design: MARC FORNES / THEVERYMANY Engineering: ARUP Local Architect of Records: Living Design Lab Specialty Fabrication: Zahner Commissionned by: Inner Arbor Trust Structural Form finding: MARC FORNES / THEVERYMANY
The Chrysalis was a monumental amphitheater, designed by architecture studio MARC FORNES/ THEVERYMANY to satisfy the programmatic needs of a structure used for a live performance. But the reused function also be involving in the beginning, the desk at bottom could become a shelter allow people to relax and enjoy nature after official events.it features a dual-curved steel and aluminum shell over a concrete base, from curved tubes to custom shingles, the project is a wide-ranging, geometric display made up of many unique panel-types. Computation could simulate building performance and including the performance analysis. also test the material, tectonics. this kind of design tools will receive performance feedback from the architecture project at each steps. And designer use those data to explore deign options and make design desertions. In this example, The Chrysalis also operate in a simulation tool. Shannon Cole, Senior Project Engineer at Zahner, “We’ve been using CATIA for modeling in some form or another for over a decade. The 3DEXPERIENCE platform brings CATIA to the next level.” to explore the geometries and put all instructing runs together to make sure it fit everything together in the field, the shell was tested in a 3D -modelling environment. The 3d tool, could identify the clash issue between the requested concrete slab and the steel base steel locations.
A3.2 MITSUBISHI ALPOLIC FAIR STAND Munich, Germany, 2014-2015 Client: Mitsubishi Plastics Location: Messe München, Germany Building surface: 105m² Building volume: 735m³
Studio’s Fair Stand was designed as a temporary pavilion for Mitsubishi Plastics ALPOLIC (TM). this pavilion was made by ultra-light aluminium layered panels which are employed to create the sculptural clad wall. algorithmic thinking explores the design potentials. In this example. The computational techniques enabled the optimization of fabrication by developing a set of parameters in jointing, seaming and with the correct selection of panel size. The wall installation was the focal point, the pattern of this wall was interpolate hexagonal elements on the surface. And transformed from a straight to a double-curved geometry When visitors walking around the platform, the perceptions of the wall are changing while their watch perspective is moving. light, reflection and depth looks different in the experience. The wall is bended to enclose a private lounge. And the front wall reflects the geometry pattern into the floor and table, give tourist a version impact. It tests the dynamic potentials when using the algorithmic thinking and the parametric modelling was used to define the prototype. The curvature of the wall enclosed a two-level private lounge while the front wall organised the public space by reflecting hexagonal patterns onto the flooring and tables. The pavilion represented the dynamic potentials of parametric design with integrated production and processing and defined a prototype for future façade developments.
A.4 CONCLUSION
conclusion ; A.1 DESIGN FUTURING Generally, discuss the state of world and the state of design, and both issue need to be relevant through climate change nature environment impact. also explore the nature of practice and design, both brought to the imperative of redirection. thus, the practicing a large frame of consideration to reflect the culture, economy redirection. A.2 DESIGN COMPUTATIN design was the process of purposeful activity, aim to achieve some goal .it mainly involving the problem list, problem analysis and solution finding method. in this way, computer may help designer to test various possibility and potential limitation, when we got those feedbacks. we could develop our initial goals. the process could be called as puzzle making. in each step: goals, results, evaluating are not independent. they bring influence to each part. and synthetic, to use that information make a new whole. Another benefit that computation design bring is develop the communication. especially the accuracy of some specific information. increase the efficiency and also it works in practice aspect, like sent each section of the model to the manufacturer. Also computer could use graphical or 3d modeling tool let the client or consultant to know the overall Impact before it is built. Help people do the evaluation.
A.3COMPOSITION/GENERATION the trend of architecture was shifting from composition to generating. use algorithmic thinking, parametric modeling and scripting method involving in our design process, design group start to have a consultancy of computational designers, as they can assist the practice and fabrication process, and some group even create their own design software. the computation increases the complexity but also multitude of parameters that are instrumental in an architecture formation. when computation actually merge into our design, the action of generating some algorithmic itself would be a part of the design process.
A.5 LEARNING OUTCOME
1.design goals is not consistence stable. design goals only provide a general direction, and designer will then take an insight into the problem, and do problem analysis to find solutions. in the process many potential imitations or problem are reveal, then, we could return back to develop our initial goals. 2.goal, problem, and solution are 3 main steps in design. works like a circle and effect each other, 3.nowdays, architecture is shift from drawing to the algorithm. through that, architect would be able to increase the complexity and efficiency of a designing project. 4.architecture concepts and form could come out from the process of generating algorithms. thus the computation could become integral to the design. 5.computation enable a new way of thinking that expand the complexity of a project, it could simulate building performance and analysis the material tectonics and allow feedback at different stages, help architecture to explore new design opportunities. 6.design is usually a group task. thus communication is the glue to stick individuals of various fields in a design progress, computer would help people to transfer ideas and share knowledge. sometimes, we can’t use a 2d drawing to represent my design concept. When working with my classmate, using of script tool will help us increase efficiency.
7.The form of a project could come from the computation. In the digital, we could simulate the surrounding environment, material, tectonics. The data from the performance in the design process can be a parameter in the creation of the form and geometry. 8.Computers will help people keep tracking of the design goal, Computation cannot replace human do some decision at the beginning, especially the experiment and culture id an architect cannot be simulate, but we need algorithms help us do the following work, and need consider beyond that.
A.6 APPENDIX-ALGORITHMIC SKETCHES
BIBILOGRAPHY: Text reference: retrived from: http://digiitalarchfab.com/portal/wp-content/uploads/2012/01/Spanish-Pavilion retrived from: http://www.galinsky.com/buildings/spainaichi/ retrived from: http://www.farshidmoussavi.com/node/27 retrived from: http://www.suckerpunchdaily.com/2014/05/30/qingdao-world-horticultural-expo-theme-pavilion/ retrived from: https://theverymany.com/buildings/13_merriweather-park/ retrived from: http://blog.azahner.com/2015/10/06/bandshell-design-uses-building-technology-for-dual-curves/ retrived from: http://perspectives.3ds.com/architecture-engineering-construction/the-chrysalis-amphitheater-transforming-aec-through-collaboration/ retrived from: http://www.designboom.com/architecture/chrysalis-marc-fornes-theverymany-sturetrived from: dio-amphitheater-merriweather-park-09-24-2015/ retrived from: http://www.unstudio.com/projects/mitsubishi-alpolic-fair-stand retrived from: https://www.nytimes.com/2017/01/10/arts/music/elbphilharmonie-an-architectural-gift-to-gritty-hamburg-germany.html?_r=0 retrived from: http://www.burohappold.com/projects/healing-garden-pavilion/ image reference: retrived from: http://www.suckerpunchdaily.com/2014/05/30/qingdao-world-horticultural-expo-theme-pavilion/ retrived from: https://www.google.com.au/url?sa=i&rct=j&q=&esrc=s&source=images&cd=&cad=rja&uact=8&ved=0ahUKEwiR2vjIwMPSAhXEn5QKHRKOAuQQ retrived from: https://www.google.com.au/url?sa=i&rct=j&q=&esrc=s&source=images&cd=&cad=rja&uact=8&ved=0ahUKEwiR2vjIwMPSAhXEn5QKHRKOAuQQjhwIBQ&url=http%3A%2F%2Fwww.keyword-suggestions.com%2FbDcgYXJjaGl0ZWN0cw%2F&psig=AFQjCNF4TVAgJjt3ycBKDkOJMlz3Jl5O6Q&ust=1488922417688492 retrived from:http://www.ceramicarchitectures.com/obras/spanish-pavilion-expo-2005/