4 December 2015 Auction by Charlton Hall Auctioneers

International Sale ANNUAL MUSEUM VAULTS AUCTION

CHARLTON HALL - 4 December 2015

Museum, Estate & Private Collections

Southern Museum Deaccessions South Carolina Museum Deaccessions Virginia Institution Deaccessions Property from the Estate of Norman Citron Ocala Florida Estate also including private and public collections from Alabama Arizona Florida Georgia Illinois Kansas Minnesota New York Ohio Oklahoma Texas Virginia and The Carolinas

Discovering Extraordinary Objects For 86 Years Explore With Us at www.CharltonHallAuctions.com

International Sale SALE DATE & TIME: Friday 4 December, beginning 10am (Lots 1- 429)

PREVIEW EXHIBITION: Opening Reception: Saturday 28 Nov. (4–7pm) Wednesday 2 Dec. (12noon–8pm) Thursday 3 Dec. (10am–6pm) Friday 4 Dec. (9am–12noon) and by prior appointment

CHARLTON HALL AUCTIONEERS 7 Lexington Drive West Columbia, SC 29170 Tel: 803-779-5678 Catalogue $20 at gallery Sale No. SC279

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1 WILLIAM IV CARVED MAHOGANY CELLARETTE circa 1840, carved molded rim, tapered case with reeded decoration, on reeded bulbous feet, H17 1/2” W32 1/2” D22 1/2”

$800-1,200 Provenance: South Carolina private collection

2 WILLIAM IV ROSEWOOD TEAPOY circa 1835, molded edge hinged top, fitted interiors on turned pedestal and saber legs with snakepad feet; H30” W15” D12 3/4”

$400-600 Provenance: South Carolina collection

3 BOULLEWORK LETTERBOX late 19th century, with dome lid, H6 3/4” W9” D4 3/4”

$400-500

Provenance: South Carolina private collection

4 ENGLISH BRASS-BOUND MAHOGANY SERVING TRAY 19th century, oval shape with two brass straps, carved molded handles; H2 1/2” W21” D14”

$300-400 5 FRENCH BRASS AND MARBLE INKSTAND 19th century, H7” L16” D9”

$300-500 Provenance: Virginia private collection 3

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8 ENGLISH BRASS-BOUND MAHOGANY WRITING BOX circa 1860, double-hinged folding box with fitted interior; H8” W18” D10”

$300-500 Provenance: South Carolina private collection

9 COLLECTION OF BOXES 9

6 ENGLISH LETTER/WRITING BOXES

late 19th/early 20th century, comprising: lady’s shell-clad note card case, H2 3/4” W4 1/8” silverplate cigarette box, H2 1/4” W3 1/4” German silver cigarette box, H3 1/2” W3” brass-inlaid burl snuff box, H1” W4” D2 1/4” (4pcs)

$300-400 Provenance: South Carolina private collection

10 SWISS CYLINDER MUSIC BOX

19th century, comprising: scrolling brass-decorated, 4 5/8” W11” D7 1/2” silver-inlaid, H5” W14” D10” mahogany with fitted interiors, H5 1/2” W15” D9” (3pcs)

circa 1880, inlaid rosewood covered box, opening to reveal 15 1/4” ten-tune cylinder and original tune card; H7” W24 3/4” D8 3/4”

$300-500

$700-1,000

Provenance: South Carolina private collection

Provenance: Florida collection

7 ENGLISH MAHOGANY SERVING TRAY

11 GEORGIAN MAHOGANY BUTLER’S TRAY ON STAND

mid 19th century, rectangular form with pierce-carved gallery; H2” W25” D18”

mid 19th century, hinged sides on panel top with handles, on X-brace stand of later date; H34 1/2” W30 1/2” D21 1/2”

$200-400

$300-500 Provenance: South Carolina private collection 11

4 DECEMBER 2015 -

International Sale

12 ENGLISH ROSEWOOD AND MAHOGANY BOXES 19th century, tea caddy, H5 1/2” W10” D6”; and mahogany box, H6” W14 1/2” D9 1/4” (2pcs)

$300-500 Provenance: South Carolina private collection

13 L’ARBRE A PAIN AUTOMATON MUSIC BOX cat playing cello, H13 1/2” W6” D8”

$500-800 Provenance: South Carolina private collection

14 ANTIQUE VIOLIN AND NURNBERGER BOW IN ALLIGATOR CASE 14

early 20th century, violin, L23”; Albert Nurnberger stamped bow, L29” (49.3g); and G&S horned-back alligator skin case, L31” (3pcs)

$500-800 Provenance: South Carolina private collection

15 THEO FABERGE DRAGON EGG IN CASE

circa 1985, jet black crystal egg, hand-painted raised 23K gold dragon with faceted ruby eye, signed and numbered: 678, in original fitted case; egg H3” L4 1/4” D3 1/4” and case H6” W6 1/2” D6 1/2”

$300-500 Provenance: South Carolina private collection

16 KORBEL CUVEE, MILLENNIUM COMMEMORATIVE BALTHAZAR IN FITTED CASE

12-liter champagne bottle in numbered case: K0387 of 2000, and accompanied by certificate and documents dated December 31, 1999; overall case size H31 3/4” W12” D11 1/4”

$800-1,200 15

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Provenance: Florida collection

17 CHARLESTON MAHOGANY SECRETARY DESK late 18th century, rectangular molded top over secretary drawer fitted with prospect door, drawers and valanced pigeonholes, over three long graduated drawers, on ogee-bracket feet; H44 1/4” W47 1/2” D22 1/4”

$10,000-15,000 Provenance: Information accompanying this piece indicates it was made for Thomas Smith (1719-1790), a wealthy Charleston banker, importer, and merchant, who was a descendant of Thomas Smith (1648-1694), a Landgrave and 10th colonial governor of South Carolina. Upon Smith’s (1719-1790) death, the piece went to his granddaughters, the Grimke sisters, well-known Charleston abolitionists. They left Charleston and sold the piece to Martin Waring Simmons of Slanns Island near Edisto. At his death, the piece went to his daughter, Isabelle Simmons King. Upon her death, the piece went to her son, Ernest W. King, Jr. Upon his death, the piece went to his daughter, Mary Hatcher. Hatcher sold the piece to a Charleston antique dealer in 1989. The present owner, of Charleston, South Carolina, purchased the piece in 1995. Literature: Depicted in THE FURNITURE OF CHARLESTON 1680-1820 by Bradford L. Rauschenberg and John Bivins, Jr., pp. 516-517, fig. NC-29d. Other Notes: Almost no Charleston secretaries without bookcases survive, much in contrast to similar pieces of Philadelphia or the lower Chesapeake area of Virginia. Most Charleston secretaries with bookcases are fully in the Neoclassical style, while this example belongs to the period immediately following the Revolution when Rococo furniture forms had not yet seen transformation to the subsequent style. 1993 examination by John Bivins available upon request.

4 DECEMBER 2015 -

International Sale

18 AMERICAN INLAID MAHOGANY SIDEBOARD, POSSIBLY VIRGINIA circa 1820, rectangular top over central drawer and spandrels flanked by doors, on tapered legs with fine stringing and spade feet; H38 3/4” W65 3/4” D26 3/8”

$2,000-3,000 19

Provenance: Virginia private collection

19 SOUTHERN WALNUT TILT-TOP TABLE, NORTH CAROLINA OR VIRGINIA circa 1750-90, circular top on bird-cage support, pillar shaft issuing three cabriole legs terminating in padded Dutch feet; H27 1/2” Dia.31 7/8”

$1,200-1,800

Provenance: Charleston, South Carolina private collection Purchased from 1753 House Antiques, 22 Morse Street, Westborough, Massachusetts

21 FEDERAL INLAID MAHOGANY DEMILUNE TABLE

20 AMERICAN HEPPLEWHITE INLAID MAHOGANY

early 19th century, shaped and crossbanded top with floral medallion, conforming skirt with shell paterae, on tapered legs with spade feet; H29 7/8” W38 3/4” D16 3/4”

BOWFRONT CHEST OF DRAWERS

$500-700

early 19th century, shaped top and conforming case with deep upper drawer over three long drawers, with shaped skirt and splay feet; H38 3/4” W41 7/8” D20 3/4”

Provenance: Virginia private collection

$700-1,000 Provenance: Virginia private collection

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22 AMERICAN CLASSICAL MAHOGANY GENTLEMAN’S DRESSING TABLE, DAVID FLEETWOOD Philadelphia, circa 1830-40, arched pediment above pivoting looking glass and column supports, over marble-inset surface flanked by lidded compartments over drawers, column supports joined by platform stretcher base; H84 1/2” W36” D20”

$1,000-2,000

25 AMERICAN FIGURED MAHOGANY DROP-LEAF TABLE circa 1800, oval hinged top, gatelegs, shaped skirt, on tapered legs with pad feet; H29” W47 1/2” L50 3/4” open

$700-1,000 Provenance: South Carolina private collection

Provenance: Deaccessioned property from a Southern museum

26 AMERICAN CLASSICAL GILT-STENCILED MAHOGANY SOFA, PROBABLY NEW YORK

Literature: Boor, Allison et al. PHILADELPHIA EMPIRE FURNITURE. West Chester, PA: Boor Mang., 2006. pp. 65 and 471, fig. 309

circa 1825, round toprail with scrolling ends leading to Grecian armrests, molded skirt, on carved eagle’s-head and grape-carved legs on paw feet; BH35” SH16” L93” D25”

23 AMERICAN MAHOGANY CHEST OF DRAWERS

$500-1,000 Provenance: Deaccessioned property from a Southern museum

circa 1835, rectangular top, configuration of drawers on turned feet; H49” W45” D21”

$700-900 Provenance: South Carolina private collection

24 FEDERAL CARVED WALNUT WORKTABLE circa 1825, turret top over two drawers, on spiral-turned legs carved with pineapples; H30 3/8” Sq.20 1/8”

$200-300 Provenance: Virginia private collection 22

4 DECEMBER 2015 -

International Sale

27 AMERICAN CLASSICAL MAHOGANY BOOKCASE

30 AMERICAN MAHOGANY CORNER CHAIR

19th century, architectural molded crown, divided glazed panel doors, molded base on splayed feet; H79 1/2” W45 1/2” D16 1/2”

late 18th century, shaped crestrail, pierced splat, arched skirt, on square chamfered legs; BH32” SH17” W26” D26”

$700-1,000

$400-700

Provenance: Deaccessioned property from a Southern museum

Provenance: South Carolina private collection

31 NEW ENGLAND PAINTED SHERATON DRESSING

28 SOUTHERN SHERATON WALNUT TALL POST BED

TABLE

circa 1830, pediment-shaped and paneled headboard, joining tapered octagonal and urn posts, on turned legs; H88” W62” L83”

circa 1830, top riser with two drawers, base with long drawers on tapered legs, painted with floral designs; H38” W37” D20”

$700-1,000

$500-800

Provenance: South Carolina private collection

Provenance: Florida estate

29 FEDERAL TWO-DRAWER WORKSTAND circa 1830, rope-twisted turned legs; H28 3/4” W21 1/2” D16 1/2”

$300-400 Provenance: South Carolina private collection

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32 LATE FEDERAL CARVED EBONIZED GILTWOOD MIRROR circa 1835, half-turned column-decorated frame with eglomise landscape panel; H36 1/2” W18”

$300-400 Provenance: South Carolina private collection

33 VICTORIAN MAHOGANY LIBRARY OR BED STEPS last half 19th century, leather inset steps, commode drawer, on turned feet; H27” W18 1/2” D29”

$500-700 Provenance: South Carolina private collection

34 AMERICAN SHERATON CARVED MAHOGANY POSTER BED

circa 1830, acanthus and reeded turned posts and feet; H89” W65 3/4” L80 1/4”

$500-1,000 Provenance: Deaccessioned property from a Southern museum

35 AMERICAN RENAISSANCE REVIVAL TAPESTRY-UPHOLSTERED MAHOGANY CHAIRS late 19th century, BH42 1/2” SH18” W21 1/2” D21” (4pcs) 32

$400-700 Provenance: South Carolina private collection

4 DECEMBER 2015 -

International Sale

36 BAKER INLAID MAHOGANY DINING CHAIR SET, HISTORIC CHARLESTON

38 CLASSICAL STYLE CARVED CHERRY SOFA OR

Chippendale style with pierced splat and square molded legs with stretchers; BH37 1/2” SH18” W22” D20” (8pcs)

leather-inset top above drawers, lyre-carved supports joined by stretcher, on acanthus-carved feet; H30” W60” D30”

$1,200-1,800

$500-800

Provenance: South Carolina private collection

Provenance: Georgia private collection

37 BANKS COLDSTONE CO CARVED WALNUT SILVER TABLE

LIBRARY TABLE

39 THE COUNCIL OF WAR, BY JOHN ROGERS

rectangular top with canted corners and gadroon edge, over conforming pierce-carved skirt with bellflower drops, bundled reed legs on corresponding square feet and X-stretcher; H28 3/4” W38 1/2” D25”

(American, 1829-1904) Grant, Lincoln, and Stanton, plaster casting, titled, signed and patented on base; H24” W15”

$600-900

Provenance: Florida collection

$1,000-1,500

Provenance: Ohio private collection

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40 CONRAD WISE CHAPMAN (South Carolina/Virginia/Mexico, 1842-1910) MONTERREY, FROM THE CERRO DEL CHIPINQUE ( View of the Palacio del Obispado, Monterrey valley) oil on panel, framed, signed & dated lower left: Chapman, New York, 1901 and verso titled, also inscribed: Granville G. Valentine, Richmond, along with 46.117.2 and Cat No. 191 H6 1/8” W13 1/4”

$50,000-80,000 Provenance: Property deaccessioned from a Virginia institution to benefit the collections and conservation funds Exhibitions: CONRAD WISE CHAPMAN, 1942-1910: AN EXHIBITION OF HIS WORKS IN THE VALENTINE MUSEUM. Richmond, VA. 1962. Cat. No. 191 Literature: CONRAD WISE CHAPMAN, 1842-1910: AN EXHIBITION OF HIS WORKS IN THE VALENTINE MUSEUM. Richmond, VA. 1962, catalogue no. 191, illustrated p. 24 (exhibition catalogue) Bassham, Ben L. CONRAD WISE CHAPMAN. Kent, OH: Kent State Press, 1998. Illustrated Color Plates page K, Plate XIV

4 DECEMBER 2015 -

International Sale

41 CONRAD WISE CHAPMAN (South Carolina/Virginia/Mexico, 1842-1910) CITY OF MEXICO FROM THE HACIENDA DE LOS MORALES oil on canvas, framed, signed & dated lower left: CW Chapman, Richmond VA, 1899 and verso titled, also inscribed: for MESSRS Valentine by C.W.Chapman Richmond, Virginia 1899; along with 1898.39 on original frame and stretcher H23 1/2” W48”

$50,000-80,000 Provenance: Property deaccessioned from a Virginia institution to benefit the collections and conservation funds Literature: Bassham, Ben L. CONRAD WISE CHAPMAN. Kent, OH: Kent State Press, 1998. pg. 267, fig. 129

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42 CONRAD WISE CHAPMAN (South Carolina/Virginia/Mexico, 1842-1910) VIEW OF MEXICO, (valley view of Popcatepetl and Izaccihuatl mountains) oil on panel, framed, signed & dated lower left: Chapman, New York, 1902 and verso titled, also inscribed: Granville G. Valentine, Richmond, along with 46.117.1 and Cat No. 192 H6 1/4” W13 1/4”

$50,000-80,000 Provenance: Property deaccessioned from a Virginia institution to benefit the collections and conservation funds Exhibitions: CONRAD WISE CHAPMAN, 1942-1910: AN EXHIBITION OF HIS WORKS IN THE VALENTINE MUSEUM. Richmond, VA. 1962. Cat. No. 192 Literature: CONRAD WISE CHAPMAN, 1842-1910: AN EXHIBITION OF HIS WORKS IN THE VALENTINE MUSEUM. Richmond, VA. 1962, catalogue no. 192 (exhibition catalogue) Bassham, Ben L. CONRAD WISE CHAPMAN. Kent, OH: Kent State Press, 1998. Illustrated Color Plates page L, Plate XVI

4 DECEMBER 2015 -

International Sale

43 JOHN JAMES AUDUBON

44 ANDREW MELROSE

45 ARTHUR VIDAL DIEHL

(New York, 1785-1851) ROSEATE SPOONBILL, Pl. CCCXI (from Birds of America folio) hand-colored aquatint on J. Whatman 1836 watermarked sheet, framed image H22” W35 1/2” and sheet H25 1/4” W37”

(New Jersey/California, 1836-1901) LAKE COMO, ITALY oil on canvas, framed, signed H22” W36”

(Massachusetts/New York, 1870-1929) ORIENTALIST STREET SCENE oil on board, framed, signed & dated lower right 1928 H20” W17 1/4”

$6,000-8,000

$3,000-5,000

Provenance: Florida collection

$40,000-60,000 Provenance: Descended in a prominent South Carolina family

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46 JOHANN BERTHELSEN (New York/Connecticut, 1883-1972) CENTRAL PARK, NEW YORK (Walter Scott Sculpture) oil on board, framed, signed lower right H16” W12”

$4,000-6,000 Provenance: Florida collection

4 DECEMBER 2015 -

International Sale

47 BRUCE CRANE (Connecticut/New York, 1857-1937) SUMMER LANDSCAPE oil on panel, framed, signed and verso inscribed: For Betty.....from...Ann Crane....daughter of Bruce Crane H10” W12 1/2”

$2,000-3,000 Provenance: Florida collection

48 LOUIS HOVEY SHARP (California/New Mexico, 1875-1946) GRAND CANYON oil on canvasboard, framed, unsigned H16 1/2” W20 1/2”

$2,000-3,000 Provenance: Florida collection

49 ELLA (NELLIE) HOPPS HOWARD (California, 1855-1956) DAPPLED SUNLIGHT, FOREST PATH oil on board, framed, signed lower right H17 1/2” W12”

$1,500-2,500 Provenance: Florida collection 49

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50 52

50 MEL DOBSON (Arizona, b. 1934) AFRICAN BEE-EATERS oil on canvas, framed, signed & dated 1989 H16” W20”

$1,500-2,500 Provenance: Wolfwalker Galleries, Sedona, Arizona South Carolina private collection

52 NEW ORLEANS SCHOOL (EARLY 20TH CENTURY ) JES DOZIN, A SIESTA ON THE LEVEE AT NEW ORLEANS, 1904 oil on panel, framed, signed: E.J.G, NOL, 1904 and titled on verso H12” W8 1/2”

$1,000-1,500 Provenance: Florida collection

51 WILLIAM MARK FISHER (Massachusetts, 1841-1923) MEDITERRANEAN COAST oil on canvas, framed, signed lower right H29” W39”

$1,000-2,000 Provenance: North Carolina private collection 51

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International Sale

53 EDMUND WILLIAM GREACEN (MANNER OF)

54 JOHN A. JUDSON

(New York, 1876-1949) FLORAL STILL LIFE, oil on board, framed, unsigned, H20” W23”

(American, late 19th century) TUNNEL UNDER EAST PARK, OSWEGO, NEW YORK (South Entrance to RR tunnel) watercolor, framed, signed & dated lower left 1884 sight H13” W9 1/2”

$1,000-1,500 Provenance: North Carolina private collection

$800-1,200 Provenance: Florida collection

55 JOSEPH HENRY BOSTON (New York/Connecticut, 1860-1954) WOMAN IN GREEN DRESS ON FRENCH SETTEE oil on board, framed, signed lower right H16” W12”

$800-1,200 Provenance: Florida collection

56 HELEN ALTON FARNSWORTH SAWYER (American, 1900-1999) GARDEN PARTY oil on board, framed, signed lower right H10 1/4” W11 3/4”

$800-1,200 Provenance: Florida collection 53

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59 AMERICAN OR BRITISH SCHOOL (EARLY 20TH CENTURY ) COUNTRY LANDSCAPE WITH FIGURES oil on canvas, framed, signed: W. Corgin H23 3/4” W35 1/4”

$600-900 Provenance: Florida collection

57 CHARLES M. LESAAR (AFTER) (California, 1884-1941) CALIFORNIA LANDCAPE oil on board, framed, bearing signature H13” W15 1/2”

$800-1,200 Provenance: Florida collection 59

60 MAXFIELD PARRISH (MANNER OF) (New Hampshire, 1870-1966) ILLUSTRATION oil on board, framed, signed illegibly H19” W9”

$500-800 Provenance: North Carolina private collection 58

58 WILLIAM MARK FISHER (Massachusetts, 1841-1923) COASTAL SCENE WITH FIGURES oil on canvas, framed, signed lower right H9” W14”

$700-1,000 Provenance: North Carolina private collection

61 JOSEPH WALLACE KING VINCIATA (North Carolina/Washington, DC, 1911-1996) PORTRAIT OF JENNIFER oil on canvas, framed, signed lower left H30” W40”

$400-800 Provenance: Georgia private collection

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International Sale

62 TERUKO WILDE

63 J. CHARLES ARTER

65 NORMAN ROCKWELL

(New Mexico, 20th century) SOUTHWEST SUNSET oil on canvasboard, framed, signed lower right H8 1/2” W10 1/2”

(New York, Ohio/Europe, 1860-1923) FLORAL STILL LIFE IN CHINESE VASE, 1892 watercolor, framed, signed & dated lower right sight H21 1/2” W14 1/4”

$400-700

(New York/Massachusetts, 1894-1978) THE MASTER’S ARM (from the Tom Sawyer Series) lithograph, framed, pencil-signed artist proof from the 1977 edition of 200 image H17 1/2” W13 1/2”

Provenance: Virginia private collection

Provenance: South Carolina private collection

$300-500 Provenance: South Carolina private collection

64 ALFRED HEBER HUTTY (South Carolina, 1877-1954) CAROLINA PINES, c. 1935 drypoint, framed, unsigned sight H15” W10 1/2”

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early to mid 19th century, rectangular two-board top, above drawers and tapered legs; H44” W53 1/2” D22”

$300-500

$3,000-6,000

Provenance: Kansas private collection

Provenance: South Carolina private collection Descended through the family of current owner Purchased by owner’s mother in McCormick, South Carolina in 1948

Literature: Arnold, Sara C. THE LIFE AND ART OF ALFRED HUTTY. Columbia: USC Press, 2012. p. 148, fig. 142

66 SOUTHERN HEART PINE AND POPLAR HUNTBOARD, PROBABLY SOUTH CAROLINA

67 CHERRY FARM TABLE early 20th century, oval plank top, molded skirt on tapered legs; H30” W47 1/2” L84”

$700-1,000 Provenance: South Carolina private collection

68 AMERICAN PAINTED PINE CABINET mid 19th century, molded crown over panel door, and long drawer on turned feet; paint of later date; H66” W40 1/4” D18”

$600-900 Provenance: Florida estate

4 DECEMBER 2015 -

International Sale

69 AMERICAN PAINTED POPLAR FARM TABLE

70 SOUTHERN WALNUT CABINET, POSSIBLY VIRGINIA

19th century, two-plank top on painted base with tapered legs; H29 1/2” W36” L50”

$400-700

second quarter 19th century, paneled door, fitted interiors, scalloped apron and bracket feet; H75” W56” D18”

Provenance: Florida estate

$500-800 73

Provenance: Florida estate

71 SOUTHERN WALNUT SIX-LEG GATELEG TABLE, POSSIBLY VIRGINIA circa 1820, hinged molded top, turned legs with trumpet feet; H29 1/4” W32” L38 1/2” open

$400-600 Provenance: Florida estate

72 AMERICAN MAPLE AND MIXED WOOD SECRETARY BOOKCASE

circa 1840, molded crown, panel doors, slant front with fitted interiors, three drawers, half columns extending to turned feet; H73” W43” D21”

$500-800 Provenance: Florida estate

73 AMERICAN CHERRY CORNER CABINET, MID ATLANTIC STATES circa 1830, molded crown, divided glazed panel door, lower panel doors on bracket feet; H85” W44” D22”

$800-1,200 70

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Provenance: Florida estate

74 SHAKER ARMCHAIR, YOUTH CHAIR AND STOOL 19th century, armchair, BH46 3/4” SH14” W23 1/4” D19”; youth chair, BH28 5/8” SH17” W17” D17”; and stool of later date, H12 1/2” W11” D11” (3pcs)

$400-600 Provenance: Florida estate

75 AMERICAN LATE CLASSICAL TIGER MAPLE CHEST OF DRAWERS

circa 1830, rectangular top over long drawers, half-column decorations on turned legs; H49 1/2” W43 1/2”D19” 78

$500-800

78 AMERICAN FOLK ART PAINTED LIBRARY STEPS

Provenance: Florida estate

early 20th century, ten-step treads, framed with Gothic arch decorated in green paint, with brass casters; H45” W22 1/2” D57 1/2”

76 AMERICAN PAINTED PINE PIE SAFE 19th century, gallery top, punched tin-panel doors, tapered legs; H49 1/2” W41” D18”

$500-700 Provenance: South Carolina collection

$400-600 Provenance: Florida estate

79 ARTS & CRAFTS PAINT-DECORATED

77 AMERICAN PRIMITIVE PINE AND POPLAR CABINET mid 19th century, divided panel door; H68 1/2” W38” D12 1/2”

$500-800 75

Provenance: Florida estate

DOCUMENT CASE

late 19th century, nine waterfall tiers on shaped legs; H55 3/4” W18 1/2” D12”

$200-400 Provenance: Deaccessioned property from a Southern museum

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International Sale

80 AMERICAN WALNUT WATERFALL BOOKCASE late 19th century, five shelves supported by pierced gallery and sides; H63 1/2” W32” D14”

$400-600 Provenance: Deaccessioned property from a Southern museum

83 AMERICAN CLASSICAL MARBLETOP MAHOGANY SIDEBOARD

circa 1835, tall backboard with bookmatched veneer, black marble top with rounded corners, case with pair ogee-molded drawers over three doors with shaped flat panels, bracket feet; H53 3/4” W67 1/2” D23”

$500-1,000 Provenance: South Carolina private collection

81 SOUTHERN PINE BANK DESK, CHARLESTON, SOUTH CAROLINA 80

third quarter 19th century, round molded-edge top fitted with letter slots and inkwells, stepped molded skirt, on turned legs and feet joined by stretchers; H41 1/2” Dia.39”

$500-800 Provenance: Deaccessioned property from a Southern museum Other Notes: This desk was a customer service desk at The Merchants Bank in Charleston, South Carolina.

84 MINIATURE BEDSTEAD, TABLE, AND CHEST OF DRAWERS

19th century, comprising: American four-poster bedstead, H11 3/4” W12” oval walnut table, H6 1/4” W15 3/8” D8 3/4” fir chest of drawers, H12 5/8” W13 5/8” D7 7/8” (3pcs)

$400-800 Provenance: Charleston, South Carolina private collection

82 AMERICAN CARVED WALNUT LIBRARY TABLE circa 1875, molded-edge top with out-turned ends, above drawer and turned fluted legs and feet, joined by molded stretcher base; H30” W48” D27 1/2”

$400-600 Provenance: Deaccessioned property from a Southern museum 81

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85 TURKISH OUSHAK CARPET

87 ANTIQUE PERSIAN MALAYER

88 ANTIQUE PERSIAN HERIZ

circa 1900, 14”3” x 26’4”

CARPET

$12,000-18,000

late 19th century, decorated with Genies in each corner and Shah’s crown protected by dragons, 11’8” x 16’2”

circa 1925, 9’5” x 12’5”

$10,000-18,000

89 ANTIQUE PERSIAN LILLIHAN

Provenance: Illinois collection

86 RARE ANTIQUE PERSIAN PICTORIAL KERMAN LAVAR

$4,000-6,000

CARPET

circa 1900, 8’6” x 16’10”

late 19th/early 20th century, scene of Shar Hooshang, 5’ x 7’7”

$3,000-4,000

$6,000-8,000

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International Sale

90 PERSIAN MAHAL CARPET

93 INDO TABRIZ CARPET

circa 1920, 8’9” x 12’4”

12’2” x 14’5”

CARPET

$2,500-3,500

$1,500-2,500

circa 1940, 9’ x 11’8”

circa 1920, 8’5” x 11’10”

Provenance: South Carolina private collection

$1,000-2,000

$1,000-1,500

91 ANTIQUE PERSIAN TABRIZ CARPET

Provenance: North Carolina private collection

94 SEMI-ANTIQUE PERSIAN SAROUK

circa 1920, 9’10” x 13’2”

$2,000-3,000 92 TURKISH OUSHAK CARPET 12’ x 15’

$1,800-2,500

CARPET

96 HERIZ STYLE CARPET

circa 1940, 10’4” x 13’9”

11’10” x 15’9”

$1,000-2,000

Provenance: North Carolina private collection

Provenance: South Carolina private collection

95 SEMI-ANTIQUE PERSIAN SAROUK

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97 ANTIQUE PERSIAN BAKHTIARI

98 INDO OUSHAK CARPET 8’6” x 11’10”

$800-1,200 Provenance: South Carolina private collection

96 101

102 100

99 HERIZ CARPET

101 PAKISTANI TABRIZ

9’11” x 13’9”

CARPET

$800-1,200

9’2” x 12’10”

$800-1,200 100 PERSIAN HAMADAN

Provenance: South Carolina private collection

CARPET

8’3” x 11’4”

$800-1,200 Provenance: South Carolina private collection

102 CHINESE NEEDLEWORK CARPET

103

11’9” x 14’6”

$800-1,200 Provenance: Virginia private collection

103 SAROUK CARPET 9’3” x 11’10”

$700-1,000 Provenance: South Carolina private collection 98

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Asian Fine & Decorative Arts

104 FINE PAIR CHINESE CARVED SPINACH JADE COVERED VASES

Qing dynasty, guardian lion finial atop paneled cover, resting aloft leaf and vine-carved baluster-form vessel flanked by twin monster-head handles with loose rings; H15” W7 1/4” D1 3/4”

$20,000-30,000 Provenance: Florida collection 104

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105 RARE PAIR CHINESE BLUE-AND-WHITE BEAKERFORM GARDEN SEATS

Qing dynasty, unusual scene of peacock and exotic birds in coastal landscape, signed; H21” (2pcs)

$8,000-12,000 Provenance: Florida collection

106 CHINESE DRAGON-CARVED JADE BOULDER late Qing or Republic period, finely carved and stained creature on polished surface of boulder; H7 1/4” W12” D4 1/2”

$3,000-5,000 Provenance: Florida collection

107 FINE CHINESE BLUE-GLAZED CONG VASE, SIGNED Guangxu period, paneled body flanked by elephantmask and ring handles; on metal stand; underglazeblue six-character mark; H12”

$5,000-8,000 Provenance: Florida collection Other Notes: See similar vase, Christie’s-London, Nov. 12, 2010, Lot 1201.

105

106

107

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International Sale

109

108

110 CHINESE PIERCE-CARVED JADE FRAME late Qing dynasty, ornate frame with variegated jade central medallion, H16 1/2” W13”

$1,000-2,000 Provenance: Florida collection

111 PERSIAN GOUACHE PAINTINGS late 19th century, Bird Trainer, Hawk Trainer, Musician, Servant and Master, and Elderly Man, in vibrant colors with floral-painted border, overall H12 1/2” W8” (5pcs)

$1,000-1,500 Provenance: Florida collection

112 MASSIVE CHINESE CARVED GILTWOOD BUDDHA 110

108 JAPANESE BRONZE JARDINIERE

Qing dynasty, 19th century, seated figure with polychromed hair, lips and eyes; H35” W22” D15”

$1,000-1,500 Provenance: Connecticut estate, South Carolina private collection

Meiji/Edo period, lobed bulbous form decorated with birds in landscapes, signed, H12 1/2” Dia.17 1/4”

$2,000-2,500 Provenance: Florida collection

109 JAPANESE COPPER FULLY-ARTICULATED LOBSTER Meiji period, life-size and highly detailed, signed, L31” W9”

$1,500-2,000 Provenance: Florida collection

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111

112

113 CHINESE PAINTED POTTERY LOKAPALA FIGURES Tang dynasty, guardian general in full battle regalia, stands upon demon resting on plinth, H19 1/2” W8” D4 1/4”

$1,000-1,500 Provenance: Estates of Marilyn and Milton Myers South Carolina private collection

114 CHINESE HUANGHUALI OR ELM CARVED STOOL Qing dynasty, square molded seat, carved cloud-design skirt on cylinder legs; H13” W12 1/2” D12 1/2”

$600-1,000

116 CHINESE PAINTED AND PARCEL-GILT BUDDHA HEAD Qing dynasty, tufted hair, elongated ear lobes, on later stand; H17” W9” D10” and overall H25”

$500-800 117 CHINESE IMARI PORCELAIN COVERED

Provenance: Georgia private collection

115 PAIR CHINESE SILK AND METALLIC THREAD EMBROIDERED PANELS

Qing dynasty, dragon and fire pearl-worked metallic threads on deep blue silk ground, contained within frame; sight H58 1/2” W21 1/2”, framed H73 1/2” W35” (2pcs)

$700-900 Provenance: South Carolina private collection Other Notes: Early 20th century partial notes on verso.

URN

Qing dynasty, foo lion finial on domed cover and baluster vase; H21 1/2”

117

$500-800 Provenance: Georgia private collection

118 CHINESE CARVED STONE BUDDHA HEAD possibly Tang Dynasty, on lucite base, H15” W12” D12”

$500-700 Provenance: Gary Weiss collection South Carolina private collection

113

114

115

116

118

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120 CHINESE FAMILLE VERTE AND ROSE PORCELAIN DISHES

Qing dynasty, comprising: covered canister, H4 1/2” covered dish, H5 1/2” Dia.6 1/2” footed dish, H2 1/2” Dia.6 3/4” shaped dish, H2 1/2” L8 1/4” W5 1/4” covered dish, H2” W4 1/2” (5pcs)

$400-600 Provenance: North Carolina private collection

121 ASIAN RED-LACQUER ALTAR TABLE

119

mid 19th century, top with scrolled ends, with carved lattice and floral motifs, on shaped legs; H33” W49” D17 1/2”

119 CHINESE PAINTED AND GILT GUARDIAN BUST Ming or Qing dynasty, stern-faced figure in full regalia and dragon helmet; straw and ceramic construction; H11” W13” D7”

$400-700

123

124

$400-600 122 PAIR CHINESE CARVED STONE AND JADE TABLE

Provenance: South Carolina private collection

SCREENS

Qing dynasty, on carved wood stands; H15” W11” Dia.10 1/2” (2pcs)

$400-700 Provenance: South Carolina private collection

123 CHINESE POLYCHROME CARVED WOOD HEAD OF GUANYIN

120

Qing dynasty, serene Bodhisattva with pendulous ear lobes and headdress, on later stand; H19 1/2” W9 1/2” D10” and with stand H29”

$300-600 124 CHINESE POLYCHROME-DECORATED STUCCO GUANYIN HEAD late Ming dynasty, with serene expression, on later stand; H16” W8” D9” and on stand H20”

$300-500 Provenance: Dragon House Antiques, San Francisco South Carolina private collection 121

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122

126 CHINESE PAPIER-MACHE SEATED GUANYIN Qing dynasty, white, red and green painted figure seated on rock; H21” W15” D8”

$300-500 Provenance: South Carolina private collection

127 CHINESE DRAGON-CARVED HORN Qing or Republic period, on wood base, overall H14 1/4”

$300-500 Provenance: Florida collection

128 JAPANESE BLUE-AND-WHITE PORCELAIN PEDESTAL 125

125 CHINESE PICTORIAL SILK NEEDLEWORK late Qing dynasty, wise men under pine tree, in gold and muted tones on teal ground, framed, H27” W25”

early 20th century, extensive landscape depicting birds amongst bamboo and blossoming trees; signed on base, H25 1/4” Dia.13 1/4”

128

$300-500 Provenance: South Carolina private collection

129 TIBETAN THANGKA 19th century, painted panel depicting central figure surrounded by figures and animals on silk damask, signed on verso; overall H37” W24”

$300-500 Provenance: South Carolina private collection

$300-500 Provenance: New York private collection

126

127

129

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130 THAI BAHT GOLD OPENWORK BRACELET

133 THAI BAHT GOLD BRACELETS

heart pendant on chain, L10”; and openwork wide bracelet, L7 1/2”; tests 22K and total 68.0g (2pcs)

2 with heart charms, L7 and 7 1/2” 2 openwork, L7 and 7 1/2” lozenge and link design, L6 1/2” tests 22K, and total 91.0g (5pcs)

$2,000-2,500 Provenance: South Carolina private collection

$2,500-3,500 131 FANCY YELLOW AND COLORLESS DIAMOND RING 2.01ct oval yellow diamond, clarity VS2; flanked by 2 half-moon and 30 round brilliant diamonds, approx. 1.23ctw, color F-I, clarity VS1-I1, in 18K white gold setting, size 6.5

$4,000-6,000 Provenance: South Carolina private collection Other Notes: Accompanied by PGS certificate #3108004745.

Provenance: South Carolina private collection

134 DIAMOND BY THE YARD NECKLACE

thirty seven marquise cut diamonds, approx. 15.0ctw, color F-G, clarity VS-SI, set in 18K white gold chain, L37”

$15,000-20,000 132 DIAMOND AND PLATINUM ENGAGEMENT RING 4.92ct emerald-cut center diamond, color I-J, clarity VS1, flanked by two .05ctw tapered baguette-cut diamonds, color J-K, clarity VVS2-VVS1, size 6.75

$40,000-50,000 Other Notes: Accompanied by EGL gemological report #US913998701D.

130

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135 THAI BAHT GOLD NECKLACES heart pendant on chain, L12”; and another chain, L12 1/4”; tests 22K, and 75.0g (2pcs)

$2,000-2,500

132

Provenance: South Carolina private collection

131

133

136 EMERALD AND DIAMOND RING AND PENDANT 5.8 x 6.2mm emerald-cut emerald accented by approx. 1.5ctw round and baguette diamonds in 14K gold setting, size 7.5; together with well-matched 5.0 x 7.0mm teardrop emerald and small diamonds in 14K gold geometric pendant, H1” W1 1/2” (2pcs)

$800-1,200 Provenance: South Carolina private collection

137 ART DECO DIAMOND AND EMERALD BRACELET approx. 3.0ctw small diamonds accented by emeralds in platinum, L7”

$1,000-2,000 Provenance: South Carolina private collection

135 134

136

137

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140 ART DECO DIAMOND AND SAPPHIRE BRACELET diamond-set oval links spaced by sapphire-set links in platinum, in original leather box, L7”

$800-1,400 Provenance: Property of a gentleman 138

141 PAIR DIAMOND STUD EARRINGS 2.45ctw round brilliant-cut diamonds, color H-I, clarity VS2, in 14K white gold (2pcs)

$9,000-12,000 Other Notes: Accompanied by UGS gemological report #US914341701D.

142 THAI BAHT GOLD NECKLACES 4 heart pendant, L8” to 9 1/2”; and other with scroll, L9 1/2”; tests 22K and total 72.0g (5pcs)

$2,000-2,500 Provenance: South Carolina private collection

139

140

138 DIAMOND LINE BRACELET

142

thirty-six round brilliant-cut diamonds, approx. 12.0ctw, color G-H, clarity VS-SI, in 18K white gold, L7”

$14,000-17,000 139 RUBY AND DIAMOND NECKLACE nine 4.5 x 2.5mm oval rubies accented by nine diamonds, approx. 0.9ctw and diamond-set links in 14K white gold setting, L15 1/2”

$800-1,200 Provenance: South Carolina private collection 141

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143

145 DIAMOND AND GOLD RING round center diamond (approx. 1.5ct, color M-N, clarity SI) accented by smaller round and baguette-cut diamonds in 14K setting, size 6

$1,000-1,500 Provenance: South Carolina private collection

146 DIAMOND AND PLATINUM ETERNITY BAND approx. 4.0ctw round brilliant-cut diamonds, color G-H, clarity VS-SI, size 6.5

$5,000-7,000 148 144

143 AMETHYST AND TOURMALINE COCKTAIL RING 12.2x15.2mm oval amethyst accented by pink tourmalines in 14K gold setting, size 8

$800-1,200 Provenance: South Carolina private collection

147 YELLOW DIAMOND PENDANT ON CHAIN

three oval diamonds measuring 4.3x5.2mm, 4.3x6.0mm, and 4.7x6.6mm, accented by colorless diamonds in 14K white gold setting, on 18K white chain, L16â&#x20AC;?

$1,000-2,000 144 DIAMOND ENGAGEMENT RING 1.65ct round brilliant-cut center diamond, color G-H, clarity VS2, accented by 0.63ctw diamonds, color F-G, clarity VS2-SI1, in 14K white gold, size 6.5

$10,000-15,000 Other Notes: Accompanied by UGS gemological report #US908819201D.

Provenance: South Carolina private collection

148 EMERALD AND DIAMOND RING 5.9x8mm center and two 3x5mm side emeralds accented by small diamonds in 14K white gold setting, size 7

149

$1,000-2,000 Provenance: South Carolina private collection

145

146

147

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149 MULTI-COLOR SAPPHIRE AND DIAMOND BRACELET

fifteen yellow, blue, and pink oval sapphires approx. 30.0ctw, accented by approx. 2.1ctw round diamonds in two-tone 18K gold flexible links, L7”

$9,000-12,000 150 THAI BAHT GOLD BRACELETS AND NECKLACE

heart design bracelet, L7”; filigree bracelet, L7 1/2”; and floriform pendant necklace, L9 1/2”; tests 22K and total 76.0g (3pcs)

152

$2,000-3,000 Provenance: South Carolina private collection

151 BLUE SAPPHIRE AND DIAMOND NECKLACE forty-six oval sapphires, approx. 36ctw, accented by 10.0ctw round brilliant-cut diamonds, L17” and 44.5g all in

$12,000-15,000 152 EMERALD AND DIAMOND NECKLACE four oval emeralds, each measuring 5.0x3.0 to 4.9x3.0mm and accented by small diamonds in intricate 14K yellow gold link and chain setting; drop L7” and 15.5g all in

$1,000-2,000 Provenance: South Carolina private collection

153

153 FANCY YELLOW AND COLORLESS DIAMOND ENGAGEMENT RING

2.08ct natural fancy intense yellow rectangular brilliant-cut diamond, clarity VS2, accented by 0.69ctw diamonds, color F-G, clarity VS1-VS2, in platinum, size 6.5

$10,000-15,000 Other Notes: Accompanied by EGL gemological report #US913267701D. 151

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150

154

154 ART DECO DIAMOND AND PLATINUM BRACELET

156 VINTAGE 18K BRAIDED GOLD MESH BRACELET

approx. 90 small round diamonds in platinum setting, L7”

$800-1,400

side-by-side double-strand joined orbs accented by small ovals, ending with box clasp with safety, marked: 750, L7 1/4”, and 30.0g

Provenance: Property of a gentleman

$800-1,200 Provenance: North Carolina private collection

155 PAIR EMERALD AND DIAMOND EARRINGS

157 EMERALD AND DIAMOND RING

two pear-shaped natural green emeralds, 6.21ct and 6.49ct, accented by 2.25ctw round diamonds in 18K white gold setting, H1” W3/4” and 12.3g all in (2pcs)

6x8mm emerald-cut emerald accented by marquise-cut diamonds in 14K yellow gold setting, size 7

$12,000-15,000

$1,000-2,000

Other Notes: Accompanied by GIA gemological report #5161720777.

Provenance: South Carolina private collection

156

157

155

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158 RUBY AND DIAMOND-ACCENTED ORNATE NECKLACE

approx. 240.0ctw cabochon rubies, 2.5ctw cognac and colorless diamond-studded woven design, in 18K gold mesh collar necklace, approx.18â&#x20AC;? with extension 162

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$12,000-15,000

160 ART DECO DIAMOND AND PLATINUM RING 2.0ct center old European-cut diamond, color G-H, clarity VS1, accented by 1.05ctw baguette and round single-cut diamonds, color F-G, clarity VS1-VS2, size 7

$14,000-18,000 Other Notes: Accompanied by EGL gemological report #US909268702D.

161 DIAMOND BRIDAL SET marquise-cut diamond (approx. 1.0ct color L-M, clarity SI3) in 14K gold setting, size 6.5

162

$1,000-1,500 Provenance: South Carolina private collection

162 DIAMOND LINE BRACELET approx. 5.0 carat round brilliant-cut diamonds, color G-H, clarity VS, 18K white gold, L7”

$5,000-7,000 163 THAI BAHT GOLD HEART PENDANT ON CHAIN

159

159 THAI BAHT GOLD BRACELETS heart design, L7 1/2”, tests 22K and 61.0g (2pcs)

tests 18K, overall L14”, and 91.0g

$2,000-2,500 Provenance: South Carolina private collection

$1,800-2,200 Provenance: South Carolina private collection

160

161

163

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164 BLUE SAPPHIRE AND DIAMOND COCKTAIL RING 10.11ct oval natural blue sapphire surrounded by 1.31ctw diamonds, color E-G, clarity VVS2-VS2, in 18K white gold, size 6.5

$12,000-15,000 Other Notes: Accompanied by PGS gemological report #3910004378.

165 SAPPHIRE AND DIAMOND NECKLACE AND BRACELET SET

eight 3.02x4.0 to 5.0x7.0mm oval sapphires accented by diamond-set pendant necklace, L16 1/4”; and matching bracelet with ten 3x5mm oval sapphires, L7 1/2”; in 14K white gold (2pcs)

165

$2,000-3,000 Provenance: South Carolina private collection

166 PAIR ORNATE DIAMOND AND TWO-TONE GOLD

168 ART DECO DIAMOND AND PLATINUM FILIGREE

EARRINGS

RING

18K white and yellow gold knot design, set with 248 round brilliant-cut diamonds, approx. 7.0ctw, color F, clarity VS, H1 1/4” W1” and 29.5g all in (2pcs)

1.25ct old European-cut diamond, color D-E, clarity VS1, surrounded by .025ctw small diamonds, color E-F, clarity VS2-SI2, size 6

$7,000-9,000

$8,000-12,000

167 SAPPHIRE AND DIAMOND RING

Other Notes: Accompanied by UGS gemological report #US913118401D.

10.1x8.3mm oval blue sapphire accented by diamonds in 18K gold setting, size 7

168

$1,000-1,500 Provenance: South Carolina private collection

164

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166

167

169 DIAMOND AND PLATINUM RING 4.2x5.4mm emerald-cut diamond accented by baguette-cut diamonds, center diamond approx. 0.5ct, color L-M, clarity VSI, size 7

$800-1,200 Provenance: South Carolina private collection

170 ART DECO DIAMOND AND PLATINUM FILIGREE PENDANT ON CHAIN

169

171

approx. 5.0ctw old European-cut diamonds, color G-H, clarity VS-SI, in openwork pendant, H2 1/4”, on later chain L16” and 15.5g all in

$5,000-7,000 171 HARRY WINSTON STYLE DIAMOND AND PLATINUM COCKTAIL RING

approx. 7.5ctw round and marquise-cut diamonds, color E-F, clarity VS1, size 8

$5,000-7,000 172 EMERALD AND DIAMOND COCKTAIL RING 5x7mm emerald-cut emerald accented by diamonds in 14K two-tone gold setting, size 6.5

$800-1,200 Provenance: South Carolina private collection

173 DIAMOND CROSS PENDANT ON CHAIN approx. 5.5ct round brilliant-cut diamonds, color H, clarity VS, in 18K white gold openwork cross pendant, H2” W1 1/2”; accompanied by 16” 18K white gold chain

170 173

$3,500-4,500 174 THAI BAHT GOLD BRACELETS 2 with globe charm, L7” heart design, L7 1/2” enameled floral design, L7” tests 22K, and total 80.0g (4pcs)

$2,200-2,800 Provenance: South Carolina private collection 172

174

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175 BLUE SAPPHIRE AND DIAMOND CUFF BRACELET

nine 5.2x5.9mm oval sapphires accented by small diamonds, in 14K white gold hinged bangle; W2 1/2”

$700-1,000 Provenance: South Carolina private collection 175

176 ART DECO DIAMOND BRACELET approx. 4.75ctw old European-cut diamonds, color F-G, clarity VS1, in 14K white gold double-line design, L7 1/4”

$5,000-7,000 177 THAI BAHT GOLD CHAIN WITH TIGER’S-EYE PENDANT

2” x 1 1/2” oval stone set in sterling and suspended on 22K tested gold chain; approx. 40.0g weighable

$1,000-1,500 Provenance: South Carolina private collection 178

178 PAIR BELLE EPOQUE DIAMOND DEMANTOID

177

179 BLUE SAPPHIRE AND DIAMOND RING

AND OPAL EARRINGS

circa 1900, approx. 3.5ctw old European-cut diamonds in intricate swing-drop pendant earrings, accented by oval opal cabochons and demantoid garnets, H2” and 16.5g all in (2pcs)

7.9x9.9mm oval sapphire accented by small diamonds in 14K gold setting, size 8

$800-1,200 Provenance: South Carolina private collection

$5,000-7,000

176

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179

184 CARTIER STYLE DIAMOND ETERNITY BAND approx. 10.0ctw round brilliant-cut diamonds, color D-E, clarity VS in 18K white gold band, size 7 and 10.5g all in

$7,000-10,000 185 AMETHYST AND DIAMOND BRACELET seventeen 7.2x6.7mm square-cut deep purple amethysts accented by diamonds in 14K white gold, L17 1/4, and 18.5g all in

$800-1,200 181

184

Provenance: South Carolina private collection

181 RUBY NECKLACE one hundred and seventeen graduated round rubies, 4.5 to 2.4mm in 14K gold setting, L17”

$1,000-1,500 Provenance: South Carolina private collection

182 PAIR DIAMOND SWING-DROP EARRINGS each with well-matched diamonds, 1.35ctw round, .55ctw marquise, 2.6ctw pear-shaped diamonds, color H-I, clarity VS-SI, in 14K white gold, H1” (2pcs)

$6,000-8,000 185

183 THAI BAHT GOLD PENDANT ON CHAIN heart pendant on chain, L13”; tests 22K and 60.5g

$1,500-2,000 Provenance: South Carolina private collection

182

180 VINTAGE BLUE SAPPHIRE AND GOLD FLEXIBLE BRACELET

eleven graduated cushion-cut blue sapphires, approx. 22.5ctw, in 18K yellow gold band

$7,000-10,000 180

183

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186

187

188

186 PINK SAPPHIRE AND DIAMOND RING

188 RUBY AND DIAMOND COCKTAIL RING

190 GARNET AND PERIDOT RINGS

7.2 x 8.0mm emerald-cut sapphire, accented by small diamonds; in 18K gold setting, size 7

6.5x9mm oval ruby accented by diamonds in 14K setting, size 6

$1,000-2,000

$800-1,200

10x14mm oval garnet in 14K setting, size 7.75 10.5x15.5mm faceted peridot in 18K setting, size 8 Total 25.0g all in (2pcs)

Provenance: South Carolina private collection

$700-1,000 Provenance: South Carolina private collection

187 RUBILITE AND DIAMOND COCKTAIL RING

189 AMETHYST AND TOPAZ COCKTAIL RING

approx.. 11.5ct emerald-cut rubilite, accented by 1.0ct baguette cut diamonds in platinum setting, size 6.5, and 11.5g all in

9.5x14.5mm oval amethyst accented by pink topaz in 14K white gold setting, size 7

$800-1,200

round diamond (approx. 1.0ct, color L-M, clarity SI) in 14K gold, size 6.5 and 7.4g all in

$5,000-7,000

Provenance: South Carolina private collection

$700-1,000

191 DIAMOND AND GOLD RING

Provenance: South Carolina private collection

189

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190

191

192 ANCIENT GREEK RED-FIGURE LOUTROPHOROS OR CEREMONIAL VASE probably South Italian, Apulian, 4th century B.C., ornate anthemion and winged figure ground centering woman with attendants in naiskos and verso with figures standing beside column; H33” W11 1/2”

$20,000-30,000 Provenance: Florida collection Other Notes: For similar examples of red-figure decorated Apulian vessels see Metropolitan Museum of Art collection, 1995.45.1, 1995.45.2, 06.1021.228, and 69.11.7.

193 ANCIENT GREEK STYLE POTTERY PITCHER, AND CAMPANIAN FISH PLATE black-figure pitcher, H8”; and red-figure plate, H2 1/2” Dia.10” (2pcs)

$600-900 Provenance: Frank Capra, Jr. collection

194 ANCIENT EASTERN CARVED STONE ARCHITECTURAL RELIC

probably India, figure with elongated ear lobes standing within archway, H10 1/2” W5” D2 1/2”

$500-800 Provenance: South Carolina private collection

194

192

193

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195 FINE CONTINENTAL FAIENCE VASE probably 17th/18th century, vibrant enamels and Classical vignettes on baluster form, flanked by scroll, leaf and winged figural handles, signed; H17 1/2” W14 1/2” D6 1/2”

$10,000-15,000 Provenance: Florida collection

196 REIGN PHILIP III 8 REALES COIN, RECOVERED FROM THE ATOCHA SHIPWRECK circa 1598-1621, TSI Number: 85A-183010 Denomination: 8 Reign: Philip III Mint: P Assayer: NV Weight: 25.0g Origin: LT 1250

$400-600 Provenance: South Carolina private collection Other Notes: Accompanied by copies of the Treasure Salvors Inc. certificate of authenticity.

197 SPANISH COLONIAL PHILIP V 8 REALES SILVER COIN

circa 1712 Denomination: 8 Reign: Philip V Mint: Mexico Assayer: J Weight: 17.5g Grade: XF

$300-500 Provenance: South Carolina private collection Other Notes: Accompanied by copies of the certificate of authenticity of the Historic Artifact from a Spanish Galleon 1715 fleet; signed Jack Haskins, Jr.

195

198 GEORGE III COIN, NORTH WALES 1 FARTHING dated 1793, NORTH WALES FARTHING and PRO BONO PUBLICO, with smooth edges

$100-200 Provenance: South Carolina private collection 196

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197

198

199

199 ITALIAN RENAISSANCE WALNUT REFECTORY TABLE

201 CHARLES II OAK CHEST OF DRAWERS

probably Florentine, 16th/17th century, plank top with carved frieze, end supports profusely carved with rosettes, heraldic device on shield, lion’s-paw feet, joined by shaped stretcher; H33 1/2” L128” W39”

last half 17th century, molded-edge top over drawers, on turned feet; H38” W40” D21”

$1,000-1,500 Provenance: South Carolina private collection

$3,000-5,000 Provenance: Property deaccessioned from a South Carolina museum to benefit the collections fund

200 WILLIAM & MARY OAK OR ELM SIDE TABLE 200

late 17th century, rectangular molded edge top, long drawer, and barley-sugar twist legs with stretchers on bun feet; H24” W33” D23 1/2”

202 ENGLISH ELM DRESSER 17th/18th century, rectangular case with drawers on turned legs joined by stretcher; H31” W75” D19 3/4”

$1,500-2,500 Provenance: South Carolina private collection

$800-1,200 Provenance: South Carolina private collection

201

202

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203

203 ENGLISH OAK CLOTHESPRESS

206 GEORGE III MAHOGANY LANCASHIRE MULE

17th/18th century, rectangular top with molded edge above drawers on molded base and bracket feet; H35 1/2” W36 1/2” D14 1/2”

CHEST

$2,000-3,000 Provenance: South Carolina private collection

18th century, carved molded crown, arched molded panel door and short drawers, on bun feet; H76 1/2” W58” D21”

205 JACOBEAN OAK TAVERN TABLE

$500-800

205

204 ITALIAN RENAISSANCE WALNUT CREDENZA

late 17th/early 18th century, molded edge top, long drawer, scalloped skirt, turned legs and feet joined by stretchers; H28” W30 1/2” D19”

$600-900

circa 1790, hinged molded edge top over faux drawer front and configuration of seven drawers, fluted quarter-round supports, shaped skirt on ogee bracket feet. H46 1/2” W71 1/2” D23”

$500-800 Provenance: Georgia private collection

207 ENGLISH PINE BLANKET CHEST 18th century, hinged lid, till drawer, long drawer marked: T.H. 1776; H30” W43” D20”

$200-400

206

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207

208 ERNST STUVEN (German, 1657-1712) FLORAL STILL LIFE WITHIN LANDSCAPE WITH BIRD AND BUTTERFLY oil on canvas, framed, signed lower left H34” W27”

$5,000-7,000 Provenance: Purchased in the 1950s Descended through a Southern collection to present family member, a Georgia private collector

209 ANTOINE BLANCHARD (French, 1910-1988) MOULIN ROUGE, PARIS oil on canvas, framed, signed lower right H24” W36”

$4,000-6,000 Provenance: Florida collection

211

208

210 WILFRID CONSTANT BEAUQUESNE (French, 1847-1913) LES SOLDATS BLESSES oil on panel, framed, signed lower right H14” W10 1/2”

$3,000-5,000 Provenance: Florida collection

211 GERONE KAZACSAY (Hungarian, b. 1871) THE LOVERS oil on board, framed, signed lower left H36” W24 1/2”

$4,000-6,000 Provenance: Florida collection 210

209

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214

212

212 CHARLES DOERR (French, 1815-1894) FULL ATTACK! oil on canvas, framed, signed lower right: C. Doerr H17 1/2” W26”

$3,000-6,000 Provenance: Florida collection

213 ALEXANDER VAN GAELEN (Dutch, 1670-1728) THE SIEGE OF A CITY (Possibly the The Burning of Hiedelberg) oil on canvas, framed, signed lower right H45” W54”

$5,000-8,000 Provenance: North Carolina private collection

214 PIERRE EMMANUEL EUGENE DAMOYE (French, 1847-1916) PAYSAGE D’ETE oil on canvas, framed, signed & dated 1908 H19” W29”

$2,500-3,500 Provenance: Florida collection

213

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215 PAUL PASCAL (Washington, DC/France, 1832-1903) CARAVAN AT WELL watercolor, framed, signed & dated lower left 1896 sight H17” W12”

$3,000-4,000 Provenance: Florida collection

216 JOSEFINE SWOBODA

215

(Austrian, 1861-1924) THE LETTER oil on canvas, framed, signed & dated 1886, upper right H27” W22”

218

218 DUTCH SCHOOL (19TH CENTURY )

$2,500-3,000

THE POET’S MUSE oil on canvas laid to panel, framed, unsigned H27 1/2” W37 1/2”

Provenance: Florida collection

$2,500-4,500 Provenance: Florida collection

217 DANIEL CASEY (French, 1820-1885) LES CHEVAUX, LE PAYSAGE oil on canvas, framed, signed lower right H18” W21 3/4”

219 JEAN JOSEPH XAVIER BIDAULD

$3,000-4,000

(French, 1758-1846) ITALIANATE LANDSCAPE oil on panel, signed lower left H13 1/4” W18 1/4”

Provenance: Florida collection

$2,000-3,000 Provenance: South Carolina private collection

216

217

219

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220 CIPRIANO CEI (Italian, 1867-1922) BAMBINO oil on canvas, framed, signed upper left H19” W11”

$2,000-3,000 Provenance: Florida collection

221 ALBERT PUTZ (German, 1886-1961) NACHT TANZER (Night Nymphs) oil on canvas, framed, signed & dated, lower left 1917 H27” W22”

$1,500-2,500 Provenance: Florida collection Other Notes: Verso old exhibition label “Standige Gemalde-Ausstellung, L. van Hees Saar.....”.

222 FELIX HARTA (Hungarian/Austrian, 1884-1967) BARONESS TONET WITH HER SONS, 1958 oil on canvas, framed, signed & dated upper left H42” W29 1/2”

223 220

$1,200-1,800 Provenance: Property deaccessioned from a South Carolina museum to benefit the collections fund

223 FRANCESCO BRUNERY (MANNER OF) (Italian. 1849-1926) ENTERTAINING THE CARDINAL oil on canvas, framed, unsigned H30” W22 1/2”

$1,200-1,800 Provenance: Florida collection

221

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222

225 JENO KRUPKA (Hungarian, fl. 1930) PAIR OF PORTRAITS, DUTCH PEASANTS oil on canvas, framed, signed & dated lower right 1927 H14” W10” (2pcs)

$800-1,200 Provenance: Florida collection

226 GEORGES DUVAL

224

(French, 1920-1993) YOUNG LOVE oil on canvas, framed, signed lower right H20” W16”

$600-900 Provenance: Florida collection 228

224 FRITZ VOGLER (French, 19th century) THE TAMBOURINE DANCER oil on canvas, framed, signed lower right H20” W24”

$1,000-2,000 Provenance: Florida collection

225

227 ERNST KOLBE

228 THEODORE ALEXANDER WEBER

(German, 1876-1945) RELIQUARY WITH FLOWERS oil on board, framed, signed lower left H23” W19”

(German, 1838-1907) LONG DAY FISHING watercolor, framed, signed sight H19 1/2” W13”

$500-800

Provenance: Florida collection

226

227

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232

229

229 LOUIS XVI STYLE CARVED FRUITWOOD SIDE CHAIRS, SET OF EIGHT

230 CONTINENTAL EBONIZED CARVED GILTWOOD

231 FRENCH WALNUT DAYBED

JARDINIERE BENCH

circa 1850, reed and ribbon frame, with oval cane back and topnailed leather seat, on tapered fluted legs; BH40” SH20” W20” D18” (8pcs)

19th century, removable padded top, over frieze with gilt latticework, quarter-round ends and molded base; H17” W72” D18”

last half 19th century, paneled out-turned frame with short tapered legs, with topnailed upholstery, bench seat cushion and bolsters; H38 3/4” D32” L81 1/2”

$2,000-3,000

$700-1,000

Provenance: Ohio private collection

Provenance: South Carolina private collection

$1,000-1,500 Provenance: Ohio private collection

232 BIEDERMEIER EBONIZED BIRD CHAIRS first half 19th century, straight toprail, feather splat, upholstered seat, and tapered legs; BH37” SH20” W18” D16” (4pcs)

$400-700 Provenance: South Carolina private collection

230

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231

233 PAIR FRENCH KINGWOOD AND PARCEL-GILT TWIN BEDS

late 19th century, shaped and paneled headboard with reed and ribbon molding, corresponding rails and footboard with artichoke finials; H44” W42 1/4” L79” (2pcs)

$500-700 Provenance: North Carolina private collection

234 CONTINENTAL MAHOGANY PEDESTAL CABINET last half 19th century, molded crown above drawers, door and block feet; H59” W28 1/2” D18 1/4”

$500-700 Provenance: South Carolina collection

235 PAIR CONTINENTAL GILT AND PAINTED SIDE

233

CHAIRS

late 19th century, interlocking back and overupholstered serpentine seat, on tapered reeded legs with ankle collars; BH34” SH19” W17 3/4” D20”(2pcs)

236 CONTINENTAL MARQUETRY INLAID KINGWOOD DRESSING TABLE

$200-300

$300-500

Provenance: North Carolina private collection

Provenance: South Carolina private collection

234

late 19th century, triple-panel hinged top, floral marquetry inlays, fitted interiors, on tapered legs; H29 1/2” W31 1/4” D19”

235

236

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237

238

239

237 PAIR LOUIS XVI STYLE GILTWOOD FAUTEUILS

239 ITALIAN BAROQUE WALNUT CHEST

241 CONTINENTAL PAINTED PINE BLANKET CHEST

20th century, bowfront bead-and-channel frame with padded back, arms and seat, on stop-fluted legs with elongated ball feet; BH39 3/4” SH19 1/2” W26 1/2” D27 1/2” (2pcs)

18th century, rectangular molded top with mitered corners, over case with pair of shallow drawers over doors, on plinth with block feet; H39 3/4” W50 1/2” D21”

early 19th century, hinged lid, floral-painted panels, on turned feet; H26 1/2” W48” D25”

$500-700

$800-1,200

Provenance: Georgia private collection

Provenance: Ohio private collection

238 LOUIS XV STYLE CARVED GILTWOOD AND MARBLE

240 PAIR LOUIS XVI STYLE CARVED FRUITWOOD

CONSOLE TABLE

ARMCHAIRS

gray and rust-veined marble top, pierced scrolling and floral skirt, carved molded cabriole legs with paw feet, joined by molded stretchers with shell decoration; H38” W63” D29”

last half 19th century, reed and ribbon frame, cartouche back and serpentine seat, on tapered fluted legs; BH38 3/4” SH21” W24” D26”(2pcs)

$1,000-2,000

Provenance: Virginia private collection

$400-700 Provenance: South Carolina private collection

242 FRENCH GILT AND GESSO OVERMANTLE MIRROR 19th century, floral and leafy cresting flanked by putti, above rectangular leaf and ribbon frame enclosing glass plate; H69” W45”

$800-1,200 Provenance: North Carolina private collection

$300-500

Provenance: South Carolina collection

240

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241

242

243 PAIR CONTINENTAL STYLE CARVED GILTWOOD MIRRORS

elaborately carved floral pediment on molded frame; H58” W35” (2pcs)

$700-1,000 Provenance: South Carolina private collection

244 CONTINENTAL

243

FIGURAL LANDSCAPE TAPESTRY

19th century, depicting figures in garden picking apples, H50” W48”

244

$500-800 Provenance: Florida estate

245 EASTERN CHRISTIAN PHELONION AND EPITRACHELION

19th century, high-collared liturgical vestment with floral metallic and crewel brocade on damask cloak, and back panel embroidered with IHS Christogram, accompanied by red stole; L54 1/2” (2pcs)

$1,500-2,200 Provenance: South Carolina private collection

246 EASTERN CHRISTIAN PHELONION 19th century, high-collared liturgical vestment with scroll, floral metallic thread and brocade, and back panel depicting Lamb of God; L48”

$2,000-3,000 Provenance: South Carolina private collection 245

246

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247 RAIMONDO PEREDA (Swiss/Italian, 1840-1915) CAUGHT IN LOVE’S NET marble, signed at base: R. Pereda, Milano H67”

$10,000-20,000 Provenance: North Carolina private collection Literature: Panzetta, Alfanso. DIZIONARIO DEGLI SCULTORI ITALIANI DELL’OTTOCENTO. Turin, U. Allemandi: 1994, vol. II, p. 623

247

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Other Notes: Raimondo Pereda (1840-1915) was born in Lugano and studied at Accademia de Brera in Milan. He exhibited in Munich from 1870 to 1884, and the Paris Salon (1879-80); his works were shown in Milan, Parma and London, at the 1876 Philadelphia Centennial Exhibition and the 1889 Paris Exposition Universelle.

249 CHARLES-OCTAVE LEVY

250 CONTINENTAL CARVED MARBLE BUST OF DAVID

(French, 1820- 1899) LE FANEUR bronze with dark brown patina, signed on base, and bearing plaquette “Mention Honarable Salon de 1887, Le Faneur, Charles Levy” H39 1/2”

on stone pedestal, H26” W17” D11”, and overall H51”

$3,500-4,500

251 MARBLE SCULPTURE, AFTER ANTONIO CANOVA

Provenance: Florida collection

$500-800 Provenance: South Carolina collection

(Italian, 1757-1822) ENFANT ECRIVANT, H23” W9” D9 1/2”

$400-700 Provenance: South Carolina private collection

252 CONTINENTAL CARVED CARRARA MARBLE PROFILE BUST OF YOUNG WOMAN

19th century, unsigned, H16” W14” D4”

$400-600 Provenance: South Carolina private collection

248

248 FERDINAND BARBEDIENNE, AFTER JEAN-ANTOINE HOUDON (French, 1810-1892) L’HIVER, circa 1886 cold-painted bronze with brown patina on marble base, F. Barbedienne (French, 1810-1892) foundry stamp, and cast signature (after Jean-Antoine Houdon, French 1741-1828, FRILEUSE) H16 1/4”

251

$1,000-1,500 Provenance: South Carolina private collection Literature: Berman, Harold. BRONZES: SCULPTORS & FOUNDERS, 1800-1930. Chicago: Abage, 1981. Vol. II, p. 459, fig. 1809 BRONZE D’ART F. BARBEDIENNE. Paris-1886 catalogue, p. 40 (illustrated)

249

250

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253

254

259 TURKISH OUSHAK RUNNER

261 AFGHAN KAZAK RUNNER

5’3” x 10’

RUNNER

circa 1940, 3’1” x 11’10”

2’8” x 13’9”

$500-800

circa 1930, 3’3” x 10’1”

$600-900

$500-700

$700-900

Provenance: Illinois collection

Provenance: Florida estate

255 PERSIAN SHIRAZ CARPET

circa 1920, 4’9” x 8’10”

$1,000-2,000

254 PERSIAN TABRIZ CARPET

256

257 PERSIAN SULTANABAD

253 RUSSIAN KONYA CARPET

Provenance: North Carolina collection

255

256 ISFAHAN STYLE CARPET

Provenance: Illinois collection

258 KASHMIR HERIZ RUNNER

6’2” x 9’

$500-700

260 INDO TABRIZ RUNNER 3’2” x 11’9”

4’7” x 7’4”

2’7” x 19’9”

$500-800

$600-800

$600-900

Provenance: South Carolina private collection

Provenance: Florida estate

257

258

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259

260

261

262 GEORGE III MAHOGANY BUREAU BOOKCASE early 19th century, top section with molded broken arch pediment and carved rosettes, over pair of doors opening to reveal bookshelves, pigeonholes, mirrored prospect door and candleslides, upon lower part with fallboard concealing fitted interior and case with two short over two long drawers, on molded base with bracket feet; H100 1/2” W50” D24 3/4”

$4,000-6,000 Provenance: Florida private collection

263 GEORGE III CARVED MAHOGANY DOUBLE-CHAIRBACK SETTEE early 19th century, yoked toprail, urn splat, shepherd’s-crook arms, cabriole legs with pad feet; BH39” SH17” W49” D23”

$600-800 264 PAIR GEORGE III MAHOGANY SIDE CHAIRS circa 1790, shaped toprail, pierced splat, square legs joined by stretchers; BH37 1/2” SH18” W20” D17” (2pcs)

$300-500

262

263

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266 268

265 GEORGE III MAHOGANY PEMBROKE TABLE first quarter 19th century, oval drop-leaf top, two short drawers, on inlaid tapered legs; H27” W22 1/2” D39 1/4”

$400-600

267 PAIR ADAM STYLE CARVED MAHOGANY DEMILUNE CONSOLE TABLES

19th century, D-shaped carved molded-edge top, skirt with carved rosettes, tapered legs with bellflowers and spade feet; H29 1/2” W44 1/2” D23” (2pcs)

$800-1,200 266 GEORGIAN WALNUT CHEST ON CHEST last half 18th century, molded crown, configuration of drawers, lower part with graduated drawers and bracket feet; H68” W39” D22”

268 REGENCY BRASS-INLAID ROSEWOOD DINING CHAIRS, SET OF EIGHT

$2,500-4,500

circa 1820, brass inlaid crestrail and splat-cane seats on saber legs; BH33” SH16 1/2” W20” D18” (8pcs)

Provenance: South Carolina private collection

$2,000-3,000 Provenance: South Carolina collection

265

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272

269

271 GEORGE III CARVED MAHOGANY PIECRUST TILT-TOP TABLE

272 QUEEN ANNE STYLE CHINOISERIE-DECORATED

$1,000-1,500

early 19th century, scalloped top on carved pedestal and cabriole legs with ball-and-claw feet; H27 3/4” Dia.29 1/2”

late 19th/early 20th century, tooled leather writing surface, long drawer over configuration of drawers and doors, and molded base; H30” W55” D30”

Provenance: South Carolina private collection

$300-500

$1,000-2,000

Provenance: Florida collection

Provenance: South Carolina private collection

269 GEORGIAN WALNUT CHEST OF DRAWERS circa 1780, crossbanded inlaid molded-edge top, configuration of drawers, on bracket feet; H36 1/2” W37” D20”

KNEEHOLE DESK

270 CHINESE CHIPPENDALE STYLE PAINTED TRIPLEBACK SETTEE

19th century, arched strapwork back, shaped arms flanking needlepoint bench seat, seatrail with floral tablets, on straight legs with stretchers and pierced corner blocks; BH41” SH20” D24” L64 3/8”

$1,000-2,000 Provenance: Virginia private collection

270

271

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273 LATE REGENCY INLAID ROSEWOOD AND EBONIZED SOFA

second quarter 19th century, upholstered back, Grecian-form arms, turned reeded legs with brass casters; BH35 1/2” SH20” W84” D32”

$800-1,200 274 VICTORIAN MAHOGANY LIBRARY STEPS late 19th century, leather inset three-tier design; H27” W18 1/2” D30”

$500-800 Provenance: South Carolina private collection

276

275 GEORGIAN MAHOGANY CORNER WASHSTAND circa 1820, unusual hinged top opening to fitted interior, drawers, tapered legs joined by platform stretcher base; H48” W25 1/2” D19” open

$300-500 Provenance: South Carolina private collection

276 ENGLISH WALNUT AND LEATHER-TOPPED RENT\DRUM TABLE 273

mid to late 19th century, octagonal molded top with gilt-tooled leather writing surface, over conforming frieze with drawers, on four beaded saber legs, turnip feet with casters, unified by stretchers; H30” Dia.54”

$2,000-3,000 Provenance: Florida private collection

274

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275

277 CHINESE CHIPPENDALE STYLE CARVED

280 QUEEN ANNE STYLE DINING CHAIRS, SET OF SIX

MAHOGANY SILVER TABLE

late 19th/early 20th century, yoke crestrail, urn splat, cabriole legs with pad feet; five sides, one arm; BH39 1/2” SH19” W21” D17” (6pcs)

late 19th/early 20th century, swelled top with ribbon and flowerhead-carved edge, conforming skirt with pendent drops, straight chamfered legs with Marlboro feet; H29 1/2” W48” D20 3/8”

$800-1,200 Provenance: Virginia private collection

$700-900 281 SHERATON STYLE INLAID MAHOGANY BOWFRONT SIDEBOARD

278 SMALL GEORGE III MAHOGANY BACHELOR’S CHEST

277

circa 1800, molded-edge top, brushing slide, four long drawers, bracket feet; H32” W37 1/2” D18 1/2”

late 19th century, concave step back with tambour slides, bow front above configuration of drawers, doors and tambour slides, on tapered legs; H44” W68” D32”

$1,500-2,500 Provenance: South Carolina private collection

$600-900 279 BAKER INLAID MAHOGANY DINING TABLE, HISTORIC CHARLESTON

crossbanded inlaid top, fitted with two 20” leaves; on urn pedestal with reeded saber legs, brass casters; with Baker, Historic Charleston label; H29 1/2” W45 1/2” L107 1/2” open

$1,500-2,500 Provenance: South Carolina private collection 278

281

279

280

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282 ENGLISH MAHOGANY FOLIO CABINET

late 19th century, molded edge hinged top, fold-down raised panel front with hinged supports, on casters; H52 1/2” W57 1/2” D25”

$800-1,200 283 GEORGIAN MAHOGANY CHAIRS, SET OF FOUR

circa 1830, arched crestrail, pierced splat, square molded legs, joined by stretchers; BH38” SH18” W21” D18” (4pcs)

$500-700 284 SET OF CLASSICAL GARDEN

287

286

SCULPTURES

suite of female figures with attributes of music and painting, and male figures with attributes of architecture and stone carver, on pedestals, figures H49” and pedestals H19 1/2” W16” D16” (4pcs)

$1,500-2,500 Provenance: North Carolina private collection

285 PAIR CONTINENTAL CARVED MARBLE URNS 20th century, circular basin embellished with grape clusters, on stepped pedestal base; H20” Dia.19”

$1,000-1,500 Provenance: Florida private collection

282

286 SOUTHERN LEADED STAINED GLASS WINDOW PANEL

late 19th/early 20th century, arched panel depicting lobster and fish; H101” W45” D6”

$1,000-1,500 Provenance: Recently discovered during renovations at the Amen Street Building, Charleston South Carolina private collection

285

287 CLASSICAL MARBLEIZED PEDESTAL

19th century, column form on molded base; H47 1/4” Dia.12”

$400-600 Provenance: South Carolina private collection

283

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284

289

288 ALABASTER URN ON PEDESTAL urn H7 1/2” Dia.12” and pedestal H36” Dia.13” (2pcs)

$400-600 Provenance: North Carolina private collection

289 WILLIAM JOSEPH SHAYER (CIRCLE OF) (British, 1811-1892) FOXHUNTING SCENES oil on panel, framed, unsigned H15 1/2” W20 1/2” (2pcs)

$6,000-8,000 Provenance: Florida collection

290 AUGUSTE BORGET (French, 1808-1877) ORIENTALIST ARCHITECTURE LANDSCAPE (Oosters Stadsgezicht Met Figuren) oil on canvas, framed, signed & dated lower right 1865 H16” W11”

$6,000-9,000

288

Provenance: Florida collection Other Notes: Roelfs Roelofs Kunsthandels, Amsterdam, gallery label on verso.

290

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291

291 ALFRED POLLENTINE (British, 1836-1890) THE GRAND CANAL, VENICE oil on canvas, framed, signed lower right H16” W24”

$4,000-6,000 Provenance: Florida collection

292 JOHN SYER (British, 1815-1885) NEAR DOVERDALE, DERBYSHIRE oil on canvas, framed, signed & dated 1882 H24” W36”

$4,000-6,000 Provenance: Florida collection

WWW.CHARLTONHALLAUCTIONS.COM

294

293

293 HENRY CHARLES BRYANT

295 CHARLES HUNT, SR.

(British, 1835/36-1915) FARMER’S DAUGHTER WITH COWS oil on canvas, framed, signed lower left H20” W30”

(British, 1803-1877) YOUNG BOYS FISHING oil on panel, framed, signed lower left H16” W20”

$2,000-3,000

Provenance: Florida collection

294 THOMAS HARDY

296 BRITISH SCHOOL (19TH CENTURY )

(British, 1842-1897) ROUGH SEAS, DOVER HARBOR sight H21” W41”

SPORTING DOGS oil on board, framed, unsigned H11” W18 1/2”

$3,000-4,000

$2,000-3,000

Provenance: Florida collection

Provenance: Florida collection 295

292

296

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297 W.H. MANNING (British, late 19th century) ALONG THE RIVERBANK oil on canvas, framed, signed H16” W26”

$2,000-3,000 Provenance: Florida collection 300

298 DAVID ROBERTS (Scottish, 1796-1864) MOORISH STREET SCENE watercolor, framed, unsigned sight H21” W14 1/2”

$1,000-1,500 Provenance: Florida collection

297

299 A. MACDONALD (British, 19th/20th century) FLORAL STILL LIFE oil on canvas, period frame, signed lower right H25” W30”

$800-1,200 Provenance: South Carolina private collection

300 BRITISH SCHOOL (LATE 19TH CENTURY )

301

HARBOR SCENE oil on panel, framed, unsigned H11” W14 1/2”

$700-900 Provenance: Florida collection

301 BRITISH SCHOOL (LATE 18TH CENTURY ) RETURN FROM THE FIELDS oil on canvas, unframed, unsigned H27 1/2” W35 1/2”

$500-900 Provenance: Property deaccessioned from a South Carolina museum to benefit the collections fund

298

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299

302 HEPPLEWHITE PAINTED SATINWOOD WRITING DESK

circa 1820, molded crown above painted frieze, oval inlaid doors opening to shelves and drawers; on lower part with fitted drawers, tapered legs and molded feet; all-over painted bellflower, swag and floral work; H65 1/2” W32” D21”

$1,500-2,500 Provenance: South Carolina private collection

303 PAIR REGENCY STYLE CARVED MAHOGANY ARMCHAIRS

tablet crest and stick splats centering pierced medallion, with downswept arms flanking cane seat with cushion, on tapered legs with ankle collars; BH32 1/4” SH17” W22” D20 1/2” (2pcs)

$500-700

306

305 QUEEN ANNE WALNUT CHEST OF DRAWERS first half 18th century, crossbanded top, above long and short drawers and bracket feet; H38 1/2” W39” D20 1/2”

$1,500-2,500

Provenance: Florida private collection

Provenance: South Carolina private collection

304 LATE REGENCY MAHOGANY SOFA TABLE

306 GEORGE III CARVED MAHOGANY CHAIRS

second quarter 19th century, molded-edge drop-leaf top, skirt with chamfered corners, two drawers, on plinth supports, with saber legs and brass casters joined by stretcher; H29” W36 1/2” D29 1/2”

$500-700

$700-900

late 18th century, carved toprail, pierce-carved splat, square molded legs joined by stretchers; BH38” SH18” W21 1/2” D19” (4pcs) Provenance: South Carolina private collection

302

303

304

305

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307

308

311

307 DIMINUTIVE GEORGIAN MAHOGANY CHEST OF

309 GEORGIAN STYLE MAHOGANY DINING TABLE

311 GEORGIAN STYLE MAHOGANY DIMINUTIVE CHEST

DRAWERS

drape-carved edge on round-corner top and turned pedestal base with saber legs and ball-and-claw feet; fitted with two 16” leaves; H29” W48” L120” open (4pcs)

OF DRAWERS

$1,000-1,800

Provenance: South Carolina private collection

circa 1810, molded-edge top, graduated drawers, on bracket feet; H33” W38” D19”

$700-900

circa 1850, rectangular top, configurations of drawers on bracket feet; H35” W34 1/2” D19 1/2”

$500-800

Provenance: South Carolina private collection

308 REGENCY CROSSBANDED SATINWOOD PEMBROKE TABLE

early 19th century, oval drop-leaf top, single frieze drawer, tapered legs with casters; H27 7/8” W37 1/2” D33” open

$500-700

early 19th century, stepback with sliding doors, shaped front and four drawers, one fitted for wine, on turned reeded legs; H45” W69” D28”

$1,000-1,500

309

310 SHERATON INLAID MAHOGANY SIDEBOARD

WWW.CHARLTONHALLAUCTIONS.COM

310

312 SHERATON STYLE MAHOGANY DINING CHAIRS, SET OF SIX 19th century, wheat-carved crestrails, pierced splat, square tapered legs joined by molded stretcher; 2 arms, four sides; BH38 1/2” SH18” W23” D19” (6pcs)

$800-1,100 313 HEPPLEWHITE INLAID MAHOGANY FOLDING CARD TABLE

314 WALNUT BREAKFRONT BOOKCASE mid 19th century, domed central cornice and stepped-back side cabinets with astragal-glazed doors and adjustable shelves; on lower case with configuration of drawers over doors with applied molding, on plinth; H106 3/4” W98” D20”

$2,000-3,000 Provenance: Charleston, South Carolina private collection

315 GEORGIAN INLAID MAHOGANY RENT TABLE

early 19th century, D-shaped crossbanded and hinged top, skirt with long drawer, on tapered legs with spade feet; H29 1/4” W38” D18 3/8”

circa 1810, leather-inset top, skirt with small drawers, turned pedestal, and saber legs on casters; H28 1/4” Dia.41 1/2”

$400-600

Provenance: Deaccessioned property from a Southern museum

$1,000-2,000

312

313

314

315

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International Sale

316

316 GEORGE III MAHOGANY CHAIRS, SET OF FOUR

318 GEORGE III MAHOGANY DROP-LEAF TABLE

first quarter 19th century, arched toprail, pierced urn splat, leather seat, tapered legs with stretchers, BH37” SH18” W22” D18” (4pcs)

early 19th century, butterfly drop leaves with carved rope edge, square molded legs, joined by pierced stretcher; H27” W39 1/2” L35” open

$500-700

$300-500 319

Provenance: South Carolina private collection

317 GEORGIAN MAHOGANY BACHELOR’S CHEST OF

320 GEORGIAN STYLE CARVED MAHOGANY

DRAWERS

319 ENGLISH MAHOGANY LINEN PRESS

DUMBWAITER

circa 1790, molded edge top above brush slide and graduated drawers on bracket feet; H32” W33” D18 1/2”

early 19th century, molded crown, flat-panel doors before slides, lower part with two short and two long drawers, on turned feet; H84” W52 1/4” D24 1/2”

$300-500

$800-1,200

$900-1,400

mid 19th century; H40” Dia.22”

321 GEORGIAN

Provenance: Deaccessioned property from a Southern museum

MAHOGANY TILT-TOP TABLE

first half 19th century, round top, turned pedestal, saber legs with snakepad feet; H27 3/4” Dia.30 1/2”

$200-300

317

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318

320

323 GEORGE II STYLE WALNUT AND CARVED GILTWOOD TRUMEAU MIRROR

early 19th century, carved molded crown above inset painting depicting English hunt scene, with beveled mirror panel; H48 1/2” W63”

$800-1,200 Provenance: Georgia private collection

322

322 GEORGE III MAHOGANY WORK TABLE early 19th century, molded edge top, long drawer, square legs; H29 1/2” W26 3/4” D17 3/4”

$300-500

Literature: Schiffer, Herbert F. THE MIRROR BOOK: ENGLISH, AMERICAN, & EUROPEAN. Exton, PA: Shiffer, 1983. p. 123, fig. 286

324 CONTINENTAL INLAID WALNUT OVAL LOOKING GLASS

late 19th century, leafy cresting atop molded frame inlaid with nuts and tendrils, enclosing mirror; H34” W23 1/4”

$300-400

323

325 ROCOCO CARVED GILTWOOD MIRROR mid 19th century, pierce-carved pediment and scrolling frame centering looking glass; H31” W58”

$500-1,000 Provenance: South Carolina private collection

Provenance: Virginia private collection

324

325

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International Sale

326 ENGLISH NEEDLEPOINT PICTORIAL TAPESTRY

circa 1840, finely-worked stitches depicting Oliver Cromwell and the seige of Basing House, the home of John Paulet, Fifth Marquess of Winchester, during the English Civil War; framed H42” W54”

$1,000-2,000 Provenance: North Carolina private collection

327 ENGLISH CRYSTAL EIGHT-LIGHT CHANDELIER, POSSIBLY WATERFORD last half 19th century, urn-shaped stem issuing scrolling arms adorned with prisms; H46” Dia.38”

$3,000-5,000 Provenance: South Carolina private collection

326

328 ENGLISH BRONZE FOUR-LIGHT HALL LANTERN last quarter 19th century, hexiform, scrolling leaf supports; H31” Dia.19”

$800-1,200 Provenance: South Carolina private collection

329

329 JOHN GILES ECCARD (British, fl. 1740-1779) PORTRAIT OF AN OFFICER oil on canvas, framed H30” W25”

$3,000-5,000 Provenance: Florida collection

330 CARL PISCHINGER (Austrian, 1823-1886) PORTRAIT OF MAN IN ARMOUR (Probably Francesco Maria I della Rovere, Duke of Urbino) oil on board, framed, signed lower right H24” W18”

$3,500-4,500 Provenance: Florida collection

327

WWW.CHARLTONHALLAUCTIONS.COM

328

331 HENRI RONDEL (ATTRIBUTED TO) (French, 1857-1919) RED HAIRED BEAUTY IN INTERIOR oil on canvas, framed, unsigned H44” W32”

$3,000-4,000 Provenance: South Carolina private collection

332 AMERICAN SCHOOL (19TH CENTURY ) WOMAN WITH CORAL NECKLACE oil on canvas laid to board, framed, unsigned H30 1/4” W25 1/4”

$1,500-2,500 Provenance: North Carolina private collection

333 BRITISH OR AMERICAN SCHOOL (19TH CENTURY ) PORTRAIT OF SISTERS READING oil on canvas, framed, unsigned H34 1/2” W27” 331

$1,000-1,500 Provenance: Florida collection

333

334 SIR GODFREY KNELLER (MANNER OF) (British, 1646-1723) PORTRAIT OF QUEEN ANNE oil on canvas, framed, unsigned H24 1/4” W18 1/2”

$600-800 Provenance: North Carolina private collection

330

332

334

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International Sale

336

339

335 FINE CONTINENTAL

338 AMERICAN SMALL-SCALE PORTRAIT

PORTRAIT MINIATURE

19th century, GENTLEMAN WITH YELLOW TIE, oil on canvas, unsigned, framed, H14” W12”

early 19th century, GENTLEMAN IN BLUE COAT, watercolor, unsigned, illegibly inscribed on verso (b. 27 Marz. 1779 -d. 26 April 1834), framed, H5 1/2” W4 1/4”

$500-800 Provenance: South Carolina private collection

$400-600 Provenance: South Carolina private collection

339 AMERICAN CHILD PORTRAIT MINIATURES 335

19th century, ROBERT JAMBHIR, 1846, AGED 4 YEARS and YOUNG GIRL, watercolor on paper, one inscribed, framed, H6 1/2” W5” and H7 1/2” W6 1/4” (2pcs)

$300-500 336 PAIR PROFILE PORTRAITS, AMOS DOOLITTLE

Provenance: South Carolina private collection

(Connecticut/Pennsylvania, 1754-1832) GENTLEMEN, ink and watercolor, framed, one signed: A.B. Doolittle, sight H10 1/4” W7 3/4” (2pcs)

340 PAIR FRENCH MILITARY

$500-800

late 19th century, MOREAU and LASALLE, watercolors in decorated brass frames, signed illegibly; H2 3/4” W1 3/4”

Provenance: South Carolina private collection

337 AMERICAN PORTRAIT MINIATURE 19th century, STATELY GENTLEMAN, oil on board, framed, unsigned, H7” W6”

$400-600 Provenance: South Carolina private collection Other Notes: Old label on verso, The Old Print Shop, Lexington Ave, New York.

WWW.CHARLTONHALLAUCTIONS.COM

340

PORTRAIT MINIATURES

$200-300 Provenance: Florida estate

337

338

341

341 EARLY IMPRESSIVE GEORGE III STERLING SALVER, JAMES MORRISON London, dated 1761, scalloped shell and scroll border centering engraved unidentified crest with motto PRO PATRIA, on tri-footed base; complete maker’s hallmarks; H20” Dia.17 1/2”, 73.0ozT

$4,000-6,000 Provenance: Descended in a South Carolina family to present owner

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International Sale

342

342 AMERICAN COIN SILVER TEA SERVICE, WILLIAM FORBES

343 KIRK & SON STERLING FLATWARE AND SERVING

New York, active 1773-1830, chased grapevine pattern, comprising: coffeepot, H10” covered sugar, H8” creamer, H6” wastebowl, H4 1/2” associated well-matched silverplate waiter, L25 1/2” Total 77.5ozT (5pcs)

well-matched repousse patterns engraved with various initials, comprising: serving spoon, L8” 3 ladles, L6” and 6 1/2” 2 serving forks, L8 1/2” 3 berry spoons, L7 1/2” to 9 1/2” 5 dessert spoons, L6” 2 bon bon scoops, L5 1/4” letter opener, L6” 2 lemon forks, L4 3/4” olive spoon, L5 3/4” baby spoon, L4 1/2” hollow handle pastry server, L10 1/4” hollow handle cheese, L6 1/4” 3 two-piece carving sets, L10” to 13 1/2” 7 soup spoons, L7 3/4” 3 iced tea spoons, L7 1/2” 5 teaspoons, L5 1/2” 9 demitasse, L4 1/4” 5 cocktail forks, L5 1/2” to 6” 2 forks, L6” and 6 1/4” Total 68.0ozT weighable (60pcs)

$2,000-3,000 Provenance: South Carolina private collection

PIECES

$1,400-2,000 Provenance: South Carolina private collection

344

344 AMERICAN STERLING GOBLET SET, FRANK WHITING & CO pattern 44, marked on underside, H6 1/2”, and total 63.0ozT (12pcs)

$1,000-1,500 Provenance: South Carolina private collection

345 GORHAM ETRUSCAN PATTERN STERLING FLATWARE SERVICE

circa 1913, comprising: 12 hollow handle knives, L9” 11 hollow handle knives, L8 1/2” 11 flat spreaders, L5 3/4” 5 round soups, L6 1/4” 30 teaspoons, L6” 20 forks, L7” 12 forks, L6 1/2” 2 condiment spoons, L4 3/4” and 5 3/4” serving spoon, L8 1/2” 3 tablespoons, L8 1/2” some engraved with various initials Total 84.0ozT weighable (107pcs)

$1,000-1,500 Provenance: Florida estate

343

WWW.CHARLTONHALLAUCTIONS.COM

349 346

346 REED & BARTON FRANCIS I STERLING FLATWARE

347

8 hollow handle knives, L9” 8 forks, L7” 8 forks, L6” 8 soup spoons, L6” 8 teaspoons, L6” Total 45.0ozT weighable (40pcs)

Provenance: Georgia private collection

350 SET ENGLISH SILVERPLATE CANDLESTICKS late 19th/early 20th century, in the Regency taste, H12 1/2” (4pcs)

Provenance: South Carolina private collection

$400-800

347 AMERICAN STERLING BEVERAGE PITCHER

$500-800 Provenance: South Carolina private collection

marked on underside, H3 3/4” L5 1/4”, and 6.5ozT

$500-800

$700-1,000

first half 20th century, baluster form with scroll handle on stepped circular foot, engraved with initials WRL; marked. H9 1/2”, and 23.0oz Troy

349 GERMAN STERLING COW CREAMER

Provenance: Virginia private collection

348

348 GOLD AND SILVER LADY ’S ARTICLES

two 14K gold pens, L4” and 4 1/4” English sterling brush, L5” American sterling purse on chain, L9” (4pcs)

$500-700 Provenance: South Carolina private collection

345

350

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International Sale

354

352 AMERICAN STERLING CENTERBOWL circa 1900, lily and pierced scroll design, marked: Sterling 2027; H3” Dia.13”, and 27.5ozT

$400-600 Provenance: South Carolina private collection 352

353 DURGIN STERLING COFFEE POT, RETAILED BY MARCUS & CO

351 SILVERPLATE CANDELABRA, PLATEAU AND

etched and decorated, marked: Durgin, sterling and Marcus & Co; H10 1/2” and 19.5ozT

COMPOTE

French silverplate plateau, H3 1/2” L19” W10 1/2” Continental glass and silverplate compote, H10” pair American 3-light candelabra, H15 1/2” (4pcs)

$400-500 Provenance: South Carolina private collection

$400-700

354 AMERICAN STERLING FLATWARE AND BOWLS

Provenance: Virginia private collection

7 Reed & Barton Francis I forks, L7” 4 Reed & Barton Francis I dishes, Dia.3 1/2” Shreve & Co poppy bowl, Dia.6” Shreve & Co floral bowl, Dia.7 3/4” Total 30.0ozT (13pcs)

$400-600 Provenance: South Carolina private collection

354A GEORGE III STERLING RICE/STUFFING SPOONS pair with engraved crest dated 1805, marked: SH or HS, L12”; and another with engraved initials BAW dated 1809, marked RC/GS (Richard Crosley & George Smith), L12”; Total 15.0ozT (3pcs)

$200-300 351

WWW.CHARLTONHALLAUCTIONS.COM

353

Provenance: South Carolina private collection

355 PAIR BRASS SIX-LIGHT CANDLE CHANDELIERS late 19th century, scrolling arms on baluster stem; H22” Dia.24” (2pcs)

$800-1,200 Provenance: South Carolina private collection

356 ITALIAN GILT WROUGHT-METAL SIX-LIGHT CHANDELIER

20th century, hot air balloon issuing scrolling arms,; H32” Dia.18”

$400-600 Provenance: South Carolina private collection 357

357 PAIR ENGLISH BRASS LANTERNS, DAVEY & CO probably early 20th century, domed top with ring finial, beveled glass case; applied labels: DAVEY & Co LONDON LTD/LONDON/ENGLAND; H18” W9” D7” (2pcs)

$300-500 Provenance: South Carolina private collection

358 BRASS FLOOR LAMP with pleated and fringed shade; H66” Dia.22”

$300-500 Provenance: Florida collection 356

355

358

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International Sale

361

359 GEORGE III INLAID MAHOGANY SECRETARY BOOKCASE

DRAWERS

circa 1820, molded crown, inlaid molded panel doors, hinged lid, fitted interiors, two short over three long drawers, bracket feet; H82 1/2” W42” D22”

circa 1830, crossbanded top, configuration of drawers on bracket feet; H43” W43 1/2” D21”

$1,200-1,800

Provenance: South Carolina private collection

360 QUEEN ANNE STYLE CHINOISERIE-DECORATED

362 GEORGE III MAHOGANY DRESSING TABLE

WRITING DESK

circa 1780, molded-edge top, long drawer, tapered legs with pad feet; H27 3/4” W27” D17 1/4”

mid 19th century, molded-edge top with black and gold Chinese landscape with figures, over configuration of drawers, on cabriole legs with pad feet; H30” W48” D24” 359

362

361 LATE GEORGIAN INLAID MAHOGANY CHEST OF

$700-1,000

$500-700 Provenance: South Carolina private collection

$1,000-2,000 Provenance: South Carolina private collection

360

WWW.CHARLTONHALLAUCTIONS.COM

363

365

366

363 GEORGIAN MAHOGANY CHEST OF DRAWERS

365 GEORGE III MAHOGANY GAMES TABLE

first quarter 19th century, molded-edge top, two short and three long graduated drawers, bracket feet; H35” W39” D20 1/2”

circa 1790, hinged molded-edge top and skirt, pierced bracket supports, on chamfered square legs; H29” W29” D28 1/4” open

$700-900

$400-600

19th century, serpentine top, three drawers, tapered legs; H33” W68” D30”

Provenance: South Carolina private collection

$800-1,200

364 GEORGE III STYLE MAHOGANY DINING CHAIRS first half 19th century, comprised of: one arm, four sides; domed crest and pierced splat, slip seat in plain rails, on tapered legs with H-stretcher; BH37 1/4” SH18 1/2” (5pcs)

$300-500

367 GEORGIAN STYLE MAHOGANY SERPENTINE SIDEBOARD

366 SMALL GEORGIAN STYLE MAHOGANY BOWFRONT CHEST OF DRAWERS

19th century, crossbanded top, two short over three long drawers, bracket feet; H35” W38” D22 1/2”

$700-900

364

367

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International Sale

368 GEORGIAN STYLE MAHOGANY CORNER CABINET 19th century, canted crown and case, astragal-glazed upper door, paneled lower door, on plinth; H79 1/4” W35 1/2” D21”

$500-700 369 REGENCY STYLE MAHOGANY SOFA TABLE 19th century, hinged drop-leaf top, two drawers, lyre supports, saber legs with brass casters and turned stretcher; H29” W35” D24 1/2”

$700-900 369

370 QUEEN ANNE STYLE CHINOISERIE-DECORATED CHAIRS, SET OF SIX yoke toprail, baluster splat, bowed seatrail, cabriole legs joined by stretchers, all in gilt black lacquer; BH38 1/2” SH18” W19” D17” (6pcs)

$500-700 Provenance: South Carolina private collection

371 GEORGIAN STYLE MAHOGANY CHEST OF DRAWERS circa 1850, molded-edge top, two over three drawers, on ogee bracket feet; H39” W43” D21”

$700-900 370

372 QUEEN ANNE STYLE INLAID WALNUT DINING 368

TABLE

late 19th century, crossbanded and inlaid top, with rectangular center section with cabriole gatelegs with shell-carved knees, fitted with two 19 1/2” leaves and demilune banquet ends; H29 1/2” W47” L104 1/2” open

$700-1,000 Provenance: South Carolina private collection

372

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371

375 SHERATON MAHOGANY PEMBROKE TABLE circa 1820, hinged drop-leaf top, short drawer, tapered legs; H27” W19 1/2” D33”

$400-600 376 GEORGIAN STYLE MAHOGANY BOOKCASE mid 19th century, H48” W43” D15”

$400-600 377 ENGLISH MAHOGANY DROP-LEAF TABLE early 19th century, rectangular top and drop leaves, on square legs; H29 1/4” W60” open D48 7/8”

$500-700 373

376

378 WILLIAM IV MAHOGANY SERPENTINE SIDEBOARD circa 1830, shaped top over conforming case with central curved drawer over wine drawers and pair of doors, flanked by bowfront drawers over doors, on turned and beaded legs; H42 3/4” W68” D25 3/8”

$1,000-1,500 Provenance: South Carolina private collection

377 374

373 GEORGIAN INLAID MAHOGANY HANGING CORNER CABINET

first quarter 19th century, molded crown, inlaid divided glazed panel door; H43” W30 1/2” D19”

$300-500 374 GEORGE III MAHOGANY FALL-FRONT DESK first quarter 19th century, hinged lid, fitted interiors, four long drawers, on bracket feet; H43 1/2” W40” D21” 375

$600-800

378

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International Sale

379

379 LLADRO ORIENTAL HORSE IN MATTE FINISH

381 RENE LALIQUE PERRUCHES COUPE OR PARAKEET BOWL

382 LALIQUE DEUX POISSONS CRYSTAL SCULPTURE $800-1,000

$2,000-3,000

circa 1931, parakeets and blossoming branch, in opalescent and stain colorations; etched signature: R. Lalique, France; H4 1/2” Dia.9 1/2”

Provenance: South Carolina private collection

$2,000-3,000

circa 1971-83, designed by Salvador Furio, signed and numbered N. 223 issued in 350 edition; H25” W30” D13 1/2”

Provenance: South Carolina private collection

380 RARE PAIR LALIQUE CYGNE TETE DROIT SWANS marked: Lalique France; H9 1/2” W7” L12”; and H7” W8 1/2” L14” (2pcs)

$2,000-4,000 Provenance: South Carolina private collection

WWW.CHARLTONHALLAUCTIONS.COM

Literature: Marcilhac, Felix. RENE LALIQUE, 1860-1945. Paris: Les Editions De l’Amateur, 1994. p. 302 fig. 419 (illustrated)

entwined fish, marked: Lalique France; H11” W10” Provenance: Georgia private collection

382

380

381

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International Sale

383 STEUBEN VASES, CARAFE AND CENTERBOWL

Verre De Soie footed centerbowl, H7” Dia.11” Verre De Soie vase, H12” Grotesque vase, H11” blue carafe, H12 1/2” some signed (4pcs)

$400-700 Provenance: Florida estate

384 FRENCH CRYSTAL FIGURES, BOWLS AND VASES

387 MOSER “MACHINE AGE” ART DECO GLASS VASES, JOSEF HOFFMAN

Val St. Lambert, comprising: Rembrant and P.P. Rubens plates, Dia.8”; oblong dish, L11”; pair vases, H3”; eagle, H9 1/4”; and pair candlesticks, H9 1/2” Steuben, comprising: 2 dishes, Dia.6 3/4” and 8”; eagle, H2”; and vase, H6”; Baccarat eagle, H10”; and dish, L6”; Daum bowl H5 1/2” and vase H8”; Orrefors pelican, H4 1/4”; Tiffany & Co vase, H8”; and Swedish blue vase, H9” (19pcs)

circa 1935-40, facet-cut band design, in smoke H10 1/4”; green, H7 3/4”; and two colorless, H6” and 8” (4pcs)

$300-500 Provenance: Florida estate

$400-700 384

Provenance: Florida estate

385 ETCHED AND CUT GLASS, INCLUDING LIBBEY, HAWKES, WEBB, AND STEUBEN Libbey centerbowl, H3 3/4” Dia.10” 3 Hawkes cruets, H7” Hawkes compote, H5” Dia.6 1/2” Hawkes bowl, H3” Dia.6 3/4” Hawkes vase, H8” 14 Hawkes stems, H4 1/4” to 6 1/2” Webb vase, H8” 2 Steuben lattice baskets, H3 1/2” W6 1/4” and H5” W9 1/4” pair vases, H8 3/4” (26pcs)

$500-700 Provenance: Florida estate

386

383

388 SWAROVSKI CRYSTAL PARADISE BIRDS COCKATOO, DESIGNED BY ROLAND SCHUSTER No. 718565, metal-mounted kakadu red crystal bird perched on wood stand, in original fitted box; H9 1/2”

$300-500 Provenance: Georgia private collection

388 385

386 ST. LOUIS TOMMY PATTERN CRYSTAL STEMS 15 stems H7 1/2”, and 15 stems H7” (30pcs)

$300-500 Provenance: Georgia private collection

387

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390

391

389 EMILE GALLE CAMEO GLASS VASE

392 STEUBEN COLORED GLASS VASES, PITCHER,

(French, 1846-1904) tri-color overlaid and cut with amber over green hogweed against pale pink and frosted ground, signed in cameo: Galle; H17 1/2”

COMPOTE AND CRUET

$4,000-6,000 Provenance: Florida collection

390 D’ARGENTAL CAMEO GLASS PERFUME ATOMIZER

early 20th century, comprising: Cintra vase, signed, H9 1/2” amber and topaz pitcher, signed, H9 1/2” together with unsigned amber and blue compote, H5” Dia.8”; vase, H5”; and cruet, H7 1/2” (5pcs)

$500-900 Provenance: Florida estate

circa 1930, overlaid and acid-etched with red maple leaves against a yellow ground, signed in cameo: D’Argental with Lorraine cross; H10”

$700-900 Provenance: Florida collection

391 GALLE CAMEO GLASS MINIATURE VASE

first half 20th century, purple budding branches against peach to colorless glass ground, signed in cameo Galle, H3 1/2”

$300-500 Provenance: Florida estate 389

392

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International Sale

393

396

394

393 TIFFANY STUDIOS FAVRILE VASE

395 FINE MOSER DECORATED AMBER GLASS PEDESTAL BOWL, SIGNED

circa 1900, lobed top on ovoid blue body, signed and numbered; H10 1/2”

early 20th century, faceted and cut amber vessel, wide band with continuous-painted figural landscape, signed: Moser, H9” Dia.11 1/4”

$500-800 Provenance: Florida estate

$400-700 Provenance: Florida estate

394 FRENCH ENAMELED GLASS BOWL, POSSIBLY DAUM

396 RARE IRIDESCENT GLASS VASE, ATTRIBUTED TO THOMAS WEBB

early 20th century, oval bowl decorated with fine winter scene and gilt scalloped rim, unsigned, H2 3/4” W8” L12”

$500-800

late 19th century, flared rim ovoid body, unsigned; H11 1/4”

Provenance: South Carolina private collection

$400-600 Provenance: Florida collection

395

WWW.CHARLTONHALLAUCTIONS.COM

397

397 STEUBEN GROTESQUE GLASS VASES

399 DURAND ART GLASS VASES

circa 1930, ivory, one engraved with initial S; H6” L12” D6 1/2” and 5” W8 1/2”; and unsigned amethyst and colorless, H5” W8” (3pcs)

$400-600

pulled-feather design on ribbed iridescent blue ovoid body, signed: Durand, 110R-10; H10 1/2”; and another in heart-and-vine design, signed: Durand; H12” (2pcs)

Provenance: Florida estate

$400-600 Provenance: Florida estate

Literature: Dimitroff, Thomas. FREDERICK CARTER AND STEUBEN GLASS. Atglen, PA: Schiffer, 1998. p. 130, fig. 5.54

398 DURAND ART GLASS VASES, SIGNED iridescent blue vase, 1700-4, H6 1/2” iridescent gold vase, H6 1/4” red and white cased glass, 1700-6, H6 3/4” (3pcs)

400 QUEZAL THREAD AND ONION SKIN GLASS VASES, SIGNED

threaded heart vine, H7” gold iridescent, H7 1/2” (2pcs)

$400-600 Provenance: Florida estate

399

398

400

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International Sale

401

401 MOSER ENAMELED AND APPLIED GLASS VASE, EWER AND CANDLEHOLDER, SIGNED early 20th century, vibrant floral and leaf designs with applied ornaments; signed: Royo; vase H11”, ewer H11” and candleholder H6” (3pcs)

404

403 STEUBEN CLUTHRA VASE OR CACHEPOT, SIGNED

405 MOSER ENAMELED AND GILT GLASS VASE

first half 20th century, underside signed with initial S, H6”

circa 1900, paneled form decorated with trees on green glass ground, unsigned; H12 1/2”

$300-500

$300-400

Provenance: Florida estate

Provenance: South Carolina private collection

$400-600 Provenance: Florida estate

402 TIFFANY FAVRILE GLASS VASE circa 1900, ribbed squat design in iridescent gold, signed; H4 1/2” Dia.6”

$300-500 Provenance: Florida estate

404 STEUBEN PLATES first half 20th century, comprising: 10 celeste blue plates, Dia.8 1/2” cut-decorated colorless plates, Dia.8 1/2” set of 3 green thread plates, Dia.8 1/2” some signed (15pcs)

$300-500 Provenance: Florida estate

402

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405

406 BOAZ VAADIA (New York, b. 1951) YIG’AL, 1998 bronze, bluestone, and boulder, signed & marked on base: BV, AP H26” W19 1/2” D19 1/2”

$10,000-15,000 Provenance: Georgia private collection

406

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409 MEXICAN STERLING COFFEE SERVICE, BY P. LOPEZ G. highly designed set with wood handles, comprising: coffeepot, H9 1/2” creamer, H5 1/2” sugar, H5 1/2” tray, L25” marked: P. LOPEZ G., MADE IN MEXICO, STERLING 0.925 Total 117.0ozT (4pcs)

$2,000-3,000 Provenance: Georgia private collection

410 JESSE REDWIN BARDIN (South Carolina, 1923-1997) SIGNS OF SPRING, 1988 oil on canvas, framed, signed & dated H60” W40”

$1,000-2,000 407

408

Provenance: South Carolina private collection Purchased from the artist

407 PABLO PICASSO, AFTER (Spanish, 1881-1973) TETE DE FAUN, 1955 color etching and aquatint, printed in color by Ateliers, signed in pencil: Picasso and numbered 76/300 plate H12” W9 1/2”

$3,000-5,000 Provenance: Georgia private collection

408 RAQUEL FORNER (Argentinian, 1899-1968) LOS QUE NERON LA LUNA, 1961 oil on canvas, framed, signed, dated & titled, lower right and verso H20” W15 1/2”

$3,000-4,000 Provenance: Georgia private collection

409

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411 IDA RITTENBERG KOHLMEYER (Louisiana/Georgia, 1912-1997) FINDLAY’S PRINT, dated 1979 color screenprint, unframed & mounted as one, signed, titled & numbered 132/150 sheet H30” W42 1/2”

$600-800 Provenance: Georgia private collection

412 HAKAN REHNBERG (Swedish, b. 1953) UNTITLED, 1989 oil on concrete, signed & dated on verso H15 3/4” W14” D2 1/2”

411

$500-800 Provenance: Georgia private collection 410

413 NORBERTINE BRESSLERN-ROTH (Austrian, 1891-1978) HANDDRUCK color linoleum cut, framed, signed & titled in pencil sight H8 1/2” W9 1/2”

$500-800 Provenance: South Carolina private collection

413

414 STEPHEN MCKEOWN (Irish, 20th century) UNDER OBSERVATION carved and polychrome pressboard, signed, titled & dated on verso, 1982 H35” W21 1/2” D17”

$500-800 Provenance: Property deaccessioned from a South Carolina museum to benefit the collections fund

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412

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415 MID-CENTURY MODERN SCULPTURE BY WILLIAM FRIEDLE (New York, circa 1960s), FISH, copper and glass, signed H25” W25” D10”

$400-600 Provenance: Georgia private collection

417 JOHN A. OKULICK (California, b. 1947) ROUNDABOUT carved wood and painted metal construction, signed & marked on base: J. Okulick, Roundabout, F6-07-08 H38” W16”

$300-500 Provenance: Georgia private collection

416 YAACOV AGAM (Israel, b. 1928) COORDINATION I, c. 1979 multicolor kinetic screenprint and gold paper, framed, signed sheet H28 1/2” W51”

418 EMILIA CASTILLO MOSAIC-INSET SILVERPLATE CENTERBOWL

H4 1/2” W17”

$200-300 Provenance: Georgia private collection

$400-600 Provenance: Georgia private collection

417

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419 CONTEMPORARY STEEL, GLASS AND STONE CABINET, BY MICHAEL MCCLATCHY

420 PAIR WARREN PLATNER SIDE TABLES FOR KNOLL

rectangular top with inset polished stone, above drawers and doors with inset stained glass panels, on tapered legs; H37 1/2” W58” D21”

circa 1966, pattern #3710, wire and glass design, H18 1/2” Dia.16” (2pcs)

$1,500-2,500

$800-1,400

Provenance: South Carolina private collection

Provenance: Georgia private collection

421 CONTEMPORARY LUCITE BAR AND PAIR CHAIRS

S-shaped top, molded base with footrest and bottle rack; matching pair bar chairs; H40” W60” D20” and BH44” SH30” W20” D20” (3pcs)

$800-1,200 Provenance: South Carolina private collection

420

421

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424

422

422 PAIR MANNING MEDIA CONSOLES WITH BOOKSHELVES, MITCHELL GOLD + BOB WILLIAMS frame installed with three shelves and lower bank of three drawers, on console with corresponding doors with European hinges, stainless steel and stained ash veneers; H70” W62 1/8” D20” (2pcs)

$800-1,200 Provenance: North Carolina private collection 425

423 ART DECO STYLE ROSEWOOD AND IRON DINING TABLE, RALPH LAUREN BY HENREDON

rectangular square-edge top fitted with 22” leaf, on iron trestle base with wood plinth; accompanying table pads; H29 3/4” W50 1/8” L112” open

$1,000-2,000 Provenance: Georgia private collection

424 DAYSTROM TABLE AND CHAIR SET dated 1969, octagonal chrome and glass table with four wood, chrome and upholstered chairs, labeled: Daystrom Furniture, No. 470820; table frame H29” W25” (5pcs)

$500-700 Provenance: South Carolina private collection

423

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427

427 ART DECO CARVED, PARQUETRY AND COPPER DRAW-LEAF TABLE, BY DE COENE FRERES Belgium, circa 1930, bowed ends, crossbanded and parquetry top, conforming skirt with floral and starburst-carved panels, supported on rectangular base with ornate panels, on hand-hammered copper-clad plinth and carved feet; H30” W39” L63”, 107” open

$1,500-2,500 Provenance: Georgia private collection

428 ART DECO BIRCH AND MARBLETOP SIDE CABINET 20th century, black and white-veined marble top over case with two doors before fitted interior, on molded base; H40 1/4” W72” D21 1/2”

428

425 EVERLAST RED-PAINTED STATIONARY EXERCISE

$600-800 Provenance: Georgia private collection

BIKE CONVERTED TO BAR

early 20th century and later, bike marked: EVERLAST SPTG. GDS. MFG. CO. N.Y.; with glasstop frame of later date; H43” W48” D24 1/2”

$500-900 Provenance: South Carolina private collection

429 MID-CENTURY MODERN CHROME AND GLASS THREE-LIGHT LAMP circa 1945, H32”

426 CONTEMPORARY INLAID SATINWOOD SIDE CABINET

inlaid coffer top, above doors, drawer, tambour slide, on turned legs; H33” W78” D24”

$200-300 Provenance: South Carolina private collection - End of Day One -

$1,000-2,000 Provenance: South Carolina private collection

429

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Plan a holiday visit to Millford The last open Saturday of the year! Saturday, December 5, 2015

Guided tours available on the hour at 10:00 am, 11:00 am, 12:00 noon, and 1:00 pm. Gates open at 9:30 am and close at 3:00 pm. Admission is $15 per person (16 years and under are free). Please call (803) 452-6194 to reserve a tour. Millford Plantation is considered one of America’s finest examples of early 19th century Greek Revival architecture. Built in 1839-41, in Sumter County, SC, Millford’s monumental Corinthian columns, high ceilings, and classical architectural details still evoke a sense of monumentality and grandeur which comes as a surprise in the house’s remote location. A registered National Historic Landmark, Millford was given to Classical American Homes Preservation Trust in 2008 by Richard Hampton Jenrette who restored the mansion and gardens and reassembled its original collection of Duncan Phyfe furniture. Classical American Homes Preservation Trust is a (501)(c)(3) non-profit organization with the mission to preserve, protect and open to the public examples of American residential classical architecture, surrounding landscapes and scenic trails, as well as fine and decorative arts from the first half of the 19th century. Please visit our website for more information about visiting Millford and our other sites.

Millford 7320 Millford Plantation Road, Pinewood, SC 29125 See our website for directions to and details about Millford. Milford is 45 minutes from Columbia, SC; 2 hours approximately from Charlotte, NC and Charleston, SC.

Classical American Homes Preservation Trust and The Richard Hampton Jenrette Foundation gratefully acknowledges the support of Charlton Hall Galleries

www.classicalamericanhomes.org Photo by Van Jones Martin

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Terms & Conditions of Sale REGISTRATION FOR BIDDING. All prospective bidders must have an active Charlton Hall Account in good standing, sign Registration Form and provide government issued photo ID for each sale. *If you would like to establish an account with our firm, please complete Account Setup Form and provide government issued photo ID. *At the discretion of Charlton Hall Galleries, Inc., prospective bidders may be required to provide a deposit against bids. 1. ALL SALES ARE FINAL and all lots are sold as shown and “AS IS”, “WHERE IS”, with all faults, imperfections, and errors of description. Charlton Hall Galleries, Inc., their employees and/or agents are not responsible for errors of description, genuineness or authenticity, and fault or defect in any lot. No warranties or representations whatsoever are given by Charlton Hall Galleries, Inc., its employees and/or agents, to any buyer in respect to any lot. 2. ALL PAYMENTS ARE DUE IMMEDIATELY FOLLOWING AUCTION, and all merchandise must be removed from the premises the day of the auction. Payment can be made with cash, money order, cashier’s check, bank wire transfer, or local pre-approved checks. Merchandise paid for with US bank drawn pre-approved check or foreign cashier’s check will be held for 10 days banking days. Charlton Hall Galleries, Inc. DOES NOT accept credit cards for auction purchases. International buyers are required to pay bank wire transfer. 3. We do not give refunds. Charlton Hall Galleries, Inc. represents and sells consigned property on behalf of sellers, estates, public and private institutions and other entities. Charlton Hall Galleries, Inc. recommends prospective bidders examine all items in which they have an interest. All lots offered are available for your examination prior to auction date. Registering for a sale and placing bids on any lot signifies that you or your agent have examined the property as fully as you desire. Written and oral descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, materials or any other feature of any lot being sold. If you require absolute certainty in all areas of authenticity, and the results of your evaluation leave uncertainty in your mind, we recommend you not bid on the lot in question. All sales are final, and no refunds will be given. No statement written or oral made by the auctioneer shall be deemed a warranty or assumption of liability by Charlton Hall Galleries, Inc. or by any seller represented by Charlton Hall Galleries, Inc. 4. The highest bidder acknowledged by the auctioneer will be the buyer of that lot. In the event of any dispute, the auctioneer shall have sole discretion to either determine the successful bidder or to re-offer for bidding, the lot in dispute. Charlton Hall Galleries, Inc. has sole discretion to refuse any bid, to divide any lot, to combine any two or more lots, and to withdraw any lot or lots from the sale. 5. Some lots may be offered subject to a reserve, which is a minimum price below which such lot will not be sold. Charlton Hall Galleries, Inc. may implement such reserves by bidding on behalf of the seller. 6. Charlton Hall Galleries, Inc., reserves the right to allow its employees to bid competitively at all auctions. 7. A buyer’s premium of 20% of the successful bid price will be added to each lot thereto and is payable by the purchaser as part of the total purchase price of each lot. 8. All purchases, including buyer’s premium, are subject to the collection of South Carolina state and local sales taxes. Buyers will be required to pay 7% sales tax at the time of payment unless one of the two following conditions is

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met: 1) Items purchased will be shipped out of the State of South Carolina by a registered ICC carrier, or 2) The registered buyer provides Charlton Hall Galleries, Inc. with a valid South Carolina Retail License Number or valid sales tax exception number from another state and properly fills out form ST-8A Resale Certificate submitted with a copy of said retail license. CONDITION REPORTS: Charlton Hall Galleries, Inc., and its employees will provide, upon request, condition reports and additional photographs for items contained within the current auction catalog. This service is provided as a courtesy only and requesting a condition report in no way changes article #1 of Conditions of Sale. Since we are not professional conservators or restorers, we urge you to inspect each lot yourself or have an agent do so on your behalf. Prospective buyers should satisfy themselves as to condition and must understand that any statement made by Charlton Hall Galleries, Inc., or its employees is merely a subjective qualified opinion, notwithstanding written reports or any discussion concerning condition in this catalog. Condition reports are provided by request on a “first come, first served” basis, making it imperative that requests are submitted early. Requests submitted close to auction date may not be completed. NOTICE TO BIDDER: Estimated Weights and Measurements: All weights in our catalogue descriptions have been estimated through volumetric proportions and are to be considered approximations and are not to be relied on to be exact. The term “all-in” relating to weight means the weight includes all the components of the item. Jewelry: Unless stated otherwise, all diamonds and other precious stones have been measured and graded in their settings. Some jewelry and/or stones are accompanied by certificates prepared by gemological laboratories. These certificates are provided as a convenience to our clients and are not warranted by Charlton Hall Galleries, Inc. Metal weights given for jewelry includes stones unless stated otherwise. Buyers should be reminded that many colored gemstones have historically been treated to enhance their appearance. Clocks and Watches: No guarantee is given as to the working order of clocks or watches. Most of these items have been repaired over the course of time and may now have parts not original to them. Unless stated otherwise, weight measurements include the works. TELEPHONE & ABSENTEE BIDDING: As a service, Charlton Hall Galleries, Inc. provides several absentee bidding formats to those who cannot or choose not to attend the auction in person. Written absentee bids are accepted and must be submitted on a Charlton Hall Absentee Bid Form, copies of which can be found in the printed catalog or on our website. Bidding by telephone can also be arranged by completing the Charlton Hall Bid Form which can also be found in the printed catalog or on our website. Due to processing time constraints, these bid forms must be submitted before 24-hours prior to the auction. Additional terms are outlined on these Absentee Bid Forms. By submitting an Bid Form, prospective purchasers consent and agree to the Conditions of Sale. Absentee bidding is a convenience offered to Charlton Hall Galleries, Inc. customers and while we make every effort to execute your instructions regarding your Absentee or Telephone Bid, Charlton Hall Galleries, Inc. is not liable or responsible for any errors or failure to execute such instructions. LIVE INTERNET BIDDING: Live internet bidding is also possible through our website www.CharltonHallAuctions.com and via Invaluable. Online bidders will pay a Buyer’s Premium of 25% in addition to the hammer price. Charlton Hall undertakes the execution of online bidding as a convenience for clients and is not responsible for any failure or error in the execution of bids. In the

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event of a tie bid, the floor bidder will be the winning bidder of record. SHIPPING: Charlton Hall Galleries does not ship any merchandise purchased at auction. We will be pleased to provide a list of shippers and packers that our worldwide base of clients has successfully used, or you can have your own shipper handle your purchases. Please contact the shipper of your choice to arrange for pick up and packing of your items. Your items will be released as soon as payment clears our bank. We request that your shipper schedules pick up times at least 24 hours in advance; this will ensure no delays in pick up, and release of your purchases. EXPORT LICENSES AND PERMITS: Certain property sold at auction may be made of or contain elements of endangered and other protected species of wildlife. Such material includes, among other things, tortoiseshell, ivory, crocodile skin, whale bone, certain species of coral and other animal bone. These materials may be subject to laws governing export from the United States or import into a foreign country (i.e.: endangered species). Several countries prohibit the importation of property containing these materials altogether and other countries require a permit (e.g., a CITES permit) from their respective regulatory agency. For example, the United States generally prohibits the importation of articles less than 100 years of age that contain material from any species listed as endangered or threatened. It is the buyer’s responsibility to obtain any and all export or import licenses, permits or documentation required by any local authority for export from the United States or import into any other country for any object requiring same. The denial or delay in obtaining any license or permit from any agency shall not justify the cancellation or rescission of any sale or any delay in making payment for the total purchase price of any lot in accordance with these Conditions of Sale. FIREARMS: All post-1898 firearms must be registered in compliance with Federal and South Carolina State Laws. Buyers of post-1898 firearms must complete State and Federal registration forms at Charlton Hall Galleries, Inc., unless otherwise specified; processing of such forms may require a waiting period. Dealers and out-of-state buyers must have in their possession, on the day of sale, signed copies of their FFL (Federal Firearms License) in order to accept same-day delivery of modern weapons. Buyers who act as agents for FFL dealers must have a letter as well as an original signed copy of the dealer’s FFL, and must present it to Charlton Hall Galleries, Inc., no less than 24 hours prior to auction date. Such lots may be denoted with special symbols and or verbiage in printed and digital catalogues. Charlton Hall Galleries, Inc. makes no warranties or representations whatsoever and no employee or consultant of Charlton Hall Galleries, Inc. has the authority to do otherwise, concerning the operation or firing condition, fitness of use, safety to store, or reliability of any firearms, ammunition, or parts. Use of any firearms purchased at Charlton Hall Galleries, Inc. is entirely at the user’s risk. Charlton Hall Galleries, Inc. offers for sale the lots as COLLECTOR items only. We strongly recommend that all weapons, ammunition, etc. purchased at auction be examined by a competent gunsmith. Charlton Hall Galleries, Inc. expressly disclaims any liability whatsoever for accidents, injury and damage resulting to any person from the storage or subsequent use of any such lots. While Charlton Hall Galleries, Inc., their employees and representatives, make every effort to accurately describe all lots offered for sale, it is incumbent upon the bidder to satisfy themselves in all areas of authenticity, originality, condition and imperfections. Bidders should also acknowledge that condition reports are often subjective and any item offered at auction may be subject to normal wear consistent with age that may not be specified in a condition report. If a bidder is uncertain about any of these issues, we would recommend that they not bid on lots in question. We would further urge that all potential bidders become familiar with “Commonly Used Terms and WWW.CHARLTONHALLAUCTIONS.COM

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Abbreviations” printed in each catalog or available upon request. These Conditions of Sale and the purchaser's and our respective rights and obligations hereunder are governed by the laws of the State of South Carolina. By bidding at an auction, each purchaser and bidder agrees to be bound by these Conditions of Sale. Any dispute, controversy, or claim arising out of or relating to this agreement, or the breach, termination, or validity thereof, brought by or against Charlton Hall Galleries, Inc., (but not including claims brought against the consignor by the purchaser of lots consigned hereunder) shall be resolved by the Columbia, South Carolina legal system. In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor(s) by law, including without limitation the right to hold the purchaser liable for the total purchase price, with the purchaser to be responsible for all costs of collection (including attorneys' fees and disbursements), we, at our option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser or (b) resell the property at public auction without reserve, and the purchaser will be liable for any deficiency, costs including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder, and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser's obligations to us, any property in our possession, owned by such purchaser. We shall have all of the rights accorded a secured party under the South Carolina Uniform Commercial Code with respect to such property, and we may apply against such obligations all monies held or received by us for the account of, or due from us to, such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier's checks, we have con firmed their authenticity. All property must be removed from our premises by the purchaser at their expense no later than 5 business days following its sale and, if it is not removed, Charlton Hall Galleries, Inc., reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser's expense. Charlton Hall Galleries, Inc., shall have no liability for any damage to property left on its premises for more than 5 days following the sale. If property is uncollected within 60 days of auction purchase date, buyer authorizes Charlton Hall to re-sell ALL purchases. Storage fees, handling charges, and seller’s commission rate of 20% will be deducted from the proceeds. Your bid is a legally binding contract. If you are the successful bidder, you have entered into a contract to purchase the property which you bid from the seller. You should contact Charlton Hall Galleries, Inc. to resolve any questions prior to placing any bids. The use of a live internet bidding service will subject your bid to an additional buyer’s premium. Please be aware of this and be sure to read all the terms published by the service providing online bidding. The Conditions of Sale as written in this printed catalog will take precedence over any other conditions, whether printed or posted on internet websites. Conditions of Sale may be amended by posted notices in the salesroom or by announcement from the auctioneer. Bid increments: Bidding generally opens at half the low estimate and generally advances as indicated on bid sheet. All bids submitted out of increment will be rounded to the nearest increment.

Commonly Used Terms and Abbreviations ac: Active

manner of: Although this work is in the appropriate manner or style of the artist, it is probably of a later period.

after: This work is a later copy of one of the artist’s works. note: Additional information we are able to provide about any particular item. after the antique: A later facsimile. oz Troy: Unit of measuring precious metals. attributed to: This work is probably by the named artist. Technically, this work is of the period and may be wholly or even partly by this artist.

period: Works will be followed by a date, which means that the object is, in our opinion, the date indicated, and made in the time frame.

b: Date of birth BH: Back height circa: Approximate date of object. circle of: This work is of the correct period, and exhibits the stylistic influence of the named artist.

provenance: History of ownership, or additional information which we have obtained. studio of: This work is of the correct period, and may have been made under the artist’s supervision. school of: This work is of the general style of the artist, and may possibly even be by a student of the artist, even if from a slightly later, but not too distant period.

ct: Carat (single gemstone weight) SH: Seat height ctw: Carats (total gemstone weight) D: Depth

sizes: All sizes, weights and other measurements are approximate; we are not responsible for mis-measurements or typographical errors.

d: Date of death

Sq: Square

dates: All dates are approximate. The absence of a date for any item indicates that the item is either modern or we are uncertain of the age.

style: The inclusion of the word “style” in the heading indicates that, in our opinion, the object was made as an intentional reproduction of an earlier form.

Dia: Diameter

W: Width

DJ: Dust jacket

wk: Worked

fl: Flourished

**: Property approved for de-accession

follower of: This work is executed in the artist’s style, but is not necessarily by one of his students. g: Grams H: Height K: Karat, the fineness of gold. L: Length

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Guide for Prospective Buyers Bidding and buying at auction is an exciting and fast-paced process. If you have never participated in a live sale before, we encourage you to consult with one of our staff members to discuss how the process works. Terms & Conditions of Sale: Charlton Hall encourages prospective buyers to read the Conditions of Sale printed in the back of this catalogue for more complete information. Registration: All prospective bidders must have an active Charlton Hall account in good standing, complete a Registration Form and provide a government-issued photo ID for each sale. First-Time Registration: If you have never registered to bid at Charlton Hall, you must complete our Account Setup Form, present a government-issued photo ID and be approved. At the discretion of Charlton Hall, prospective bidders may be required to provide a deposit against bids. Preview Exhibition: Charlton Hall offers auction previews leading up to every sale. Galleries are open to the public for preview during printed dates and by appointment. Condition Reports: Charlton Hall and its staff will be pleased to issue Condition Reports for any lot offered. Please note that our staff and specialists are not professional conservators, and that statements of condition are only our opinion. Please remember all lots are sold “AS IS”, and as stated in the Terms & Conditions governing each sale. We strongly encourage bidders or their agents to examine property first-hand prior to bidding. Bidding: We are pleased to offer various bidding platforms at Charlton Hall. You may wish to attend and bid in person, or make prior arrangements to bid by Phone, Absentee, or view the sale live via Live Internet bidding. Please keep in mind the highest bidder acknowledged by our auctioneer will be the purchaser of the item. Although our auctioneer is highly skilled and competent, due to technology and human error, there is always the possibility a bid may be seen or entered too late, and the bidder must acknowledge that once the auctioneer closes bidding, the sale is final. Please see Terms & Conditions of Sale for bid increments, and additional information governing each sale. Payment: In addition to the hammer price, the winning bidder agrees to pay Charlton Hall a buyer’s premium, as well as any applicable taxes. All payments are due immediately following the auction. Payment may be made with cash, money order, cashier’s check, bank wire transfer or a pre-approved US bank-drawn check. Charlton Hall does NOT accept credit cards as payment. Pickup & Shipping: We request all purchased lots be removed from the premises within 5 business days. Charlton Hall and its staff will provide a list of recommended shippers and packers whom our worldwide clients have successfully used. For prompt service, we request 24-hour notification of a scheduled pickup appointment. UPS Store Breeland Couriers Richard Wright Ltd. US Art, Inc.

803-254-1601 803-936-0148 800-247-9744 800-872-7826

Plycon Artex Atelier 4 Westbrook Deliveries

336-854-1832 (or) 954-978-2000 800-652-7839 305-685-9797 404-877-2870 (or) 843-991-6738

Should you have additional questions, please feel free to contact our client services specialists at 803-779-5678

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C HARLTON H ALL

First Name

Last Name

Discovering Extraordinary Objects Since 1929

Client ID#

BID FORM - SALE 279 (DAY ONE) Company Name (Only if you are purchasing for a business)

BID DEADLINE THURSDAY 3 DECEMBER

Billing Address

12NOON

Important Information •Please complete this form to ensure that your bids are accepted.

City

State

Postal Code

•Bid forms are to be accompanied by a copy of your Government Issued photo ID and credit card. •Please fax bids to 803-733-1701.

Country

•All bids are processed in the order in which they are received and are bid competitively during the sale.

Primary Phone

•Email Confirmation will be sent to the email address on this form, usually within a few hours.

Secondary Phone

Fax

Email My signature below indicates my willingness to open bidding at half the low estimate and bid as indicated below. I have read and understand the Terms & Conditions governing this sale.

Expiration Date

Valid Credit Card Number

Date

Signature

Lot Number

CV Code

Lot Description

•All bids must be placed following the increments listed below. Bid Range Increment $0-99 $10 $100-499 $25 $500-999 $50 $1,000-2,999 $100 $3,000-4,999 $200 $5,000-9,999 $500 $10,000-19,999 $1,000 $20,000-49,999 $2,000 $50,000-99,999 $5,000 $100,000-199,999 $10,000 over $200,000 Auctioneer’s discretion

WE DO NOT ACCEPT BIDS THAT ARE LESS THAN HALF THE LOW ESTIMATE

Absentee Bid (Top Limit, not including

Phone Bid

premium)

(Please Check)

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Always Accepting Quality Consignments To submit property for consideration, please visit the Consignment Inquiries page at www.CharltonHallAuctions.com or call 803-779-5678 110

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Introducing

Live Online Only Auctions with live auction & video

Monday 7 December at 10am

C H A R LT O N H A L L A U C T I O N E E R S Staff Director y

Specialists for this Sale Ronald D. Long Kinga Bender Erica E. Guillebeau Administrative Assistants Margaret E. Malik Jenn S. Robertson Consulting Specialists Prof. Ronald E. Bridwell Donnie F. Garrett Roger W. Powell Hermann L.A. Sommersell

Gallery & Offices 7 Lexington Drive West Columbia, SC 29170 Tel: 803-779-5678 Fax: 803-733-1701 Email: info@CharltonHallAuctions.com Website: www.CharltonHallAuctions.com Gallery & Office Hours Please note our offices will be closed Monday - Friday December 20 through January 3 morning 10:00 to 11:30am afternoon 1:00 to 4:30pm Please schedule pickup at least 24 hours in advance of arrival

Consignments Director Erica E. Guillebeau 803-779-5678

Corporate Officials Charlton F. Hall, Jr., Director Ronald D. Long, President

Regional Representative Joseph E. Aulisi

Auctioneer & Firm Licenses Charlton Hall Galleries, Inc., Firm 1316F Ronald D. Long, SCAL No. 509 Erica E. Guillebeau, SCAL No. 4585 Betsy J. Hackett-Davis, SCAL No. 4229 Jeffery C.D. Long, SCAL No. 3942

Client Services Specialist Vicky L. Smith 803-779-5678 Photography Director Stephen W. Ivey

Support Staff Larry A. Byrd Justin E. Keisler Anthony Mack Michael McNeil Perry Schumpert

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Accepting Quality Consignments 2016 Scheduled Sales

Americana at Auction Spring 2016

Great Estates at Auction Summer 2016

Consignment Deadline: December 14

Consignment Deadline: March 7

Style + Design Spring 2016 Consignment Deadline: December 14

Collection Online Spring 2016

Consignment Deadline: March 7

Collection Online Summer 2016

Consignment Deadline: December 14

Live Online Only Auction

Style + Design Summer 2016

Consignment Deadline: March 7

Live Online Only Auction

Important Collections (Three-Day Auction) Fall 2016 Consignment Deadline: July 18

Annual Museum Sale (Three-Day Auction) Winter 2016 Consignment Deadline: September 5

For more information, please contact consignment specialists Kinga Bender â&#x20AC;˘ Erica Guillebeau 803-779-5678 or info@charltonhallauctions.com

CHARLTON HALL Celebrating Our 86th Year

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