89th Anniversary Auction by Charlton Hall Auctioneers

CHARLTON HALL

89TH ANNIVERSARY AUCTION Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs

31 May & 1 June 2018

IMPORTANT ESTATE, MUSEUM & PRIVATE COLLECTIONS Estate of Beaumont Palmer Cathcart Estate of Richard & Katherine Leach Estate of Betty Mathews Mattox Estate of Ruth McClintock Ravasz Property Descended in the Edward Hicks Family Simon Benson Offit Collection Thomas Malin Rodgers Culinary Mould Collection Property from a South Carolina Estate Also Including Property from California, Colorado, Georgia, Florida, Illinois, Maryland, New Jersey, New York, North Carolina, Ohio, South Carolina, Tennessee, Texas, and Virginia

Discover Extraordinary Objects, Since 1929 www.CharltonHallAuctions.com

89TH ANNIVERSARY AUCTION

SESSION I

Preview Exhibition Opening Cocktail Reception Saturday 26 May | 4-7pm

Thursday 31 May

Wednesday 30 May | 10am-5pm Thursday 31 May | 10 -11am Friday 1 June | 10 -11am and by prior appointment

11:00am (Lots 1-363)

SESSION II

Property Pick Up Hours Saturday 2 June | 10am-2pm

Friday 1 June

and weekdays by appointment Mornings (10:00 -11:30am) Afternoons (1:00 - 4:30pm)

11:00am (Lots 1000-1316)

CULINARY MOULDS Friday 1 June following session II (Lots 1317-1458)

7 Lexington Drive West Columbia, SC 29170 803-779-5678

CATALOGUE $35 BY MAIL SALE NO. 290 WWW.CHARLTONHALLAUCTIONS.COM

The Leach Collection River Run Farm, Saratoga Springs

Charlton Hall is pleased to offer Dick and Kay Leaches’ collection of English, Italian Renaissance, French, and American furniture, accessories, and objects of virtu from their 1798 Federal house, River Run Farm, in Saratoga Springs, New York. The collection was garnered from their New York apartment and their country place in Stone Ridge, New York. The Leaches bought River Run when Dick was recruited from his position as program director of the Lincoln Center to launch the Saratoga Performing Arts Center. Dick Leach arranged to make the Saratoga Performing Arts Center the summer home of the New York City Ballet and the Philadelphia Orchestra and River Run’s guest cottage became the go-to place to stay for the great Russian choreographer, Georges Balanchine, and Eugene Ormandy, conductor of the Philadelphia Orchestra. River Run hosted guests from the world of classical music, the ballet, Hollywood, and Thoroughbred racing. The great Russian ballet dancer, Mikhail Baryshnikov, Agnes DeMille, Alfred Gwynne Vanderbilt, Admiral and Mrs. Gene Markey, Mr. and Mrs. Cornelius Vanderbilt Whitney and Blythe Danner and her daughter, Gwyneth Paltrow, were among a long list of frequent visitors. During one “off-season”, the guest house was occupied by actor Walter Douglas while filming “Ghost Story” in Saratoga with Fred Astaire and Douglas Fairbanks, Jr. Prior to the Leaches’ purchase of River Run, the house had been occupied by the Fitch family from 1798 until the 1930’s when it was purchased by Liz Altemus Whitney, former wife of John Hay Whitney. Subsequently, it went to the Stevens family, owners of the New York commercial sports catering firm Harry M. Stevens, Inc. and then to the Leach family.

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

Session I Lots 1- 363

31 MAY 2018 THURSDAY AT 11AM

WWW.CHARLTONHALLAUCTIONS.COM

Extraordinary Museum Deaccessioned Property Gift of Gladys Walton Dudley T HURSDAY 31 M AY

Some with William Randolph Hearst Provenance

1 (and detail)

THE SOUTHEASTâ&#x20AC;&#x2122;S OLDEST AUCTION FIRM - SINCE 1929

1 SUPERB PAIR CHINESE TRANSLUCENT JADE MARRIAGE BOWLS Qing Dynasty, lotus-form carved body raised on four splay ruyi-head feet, flanked by leaf and blossom pierce-carved handles with rings, on pierce-carved stands of later date; the translucent stone of pale celadon tone with mottled inclusions; H2” W9 1/4” D6 3/4” (4pcs)

SESSION I

$15,000-25,000 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.13a-c)

2 LARGE CHINESE WHITE JADE GRAPE AND SHREW VASE AND COVER

Qing Dynasty, flatted urn-form vase, encased in pierced gnarled branches with berries with four babies, the cover surmounted by mother shrew; well-carved and polished pale celadon tone with some light veins; H12” W5” D3”

$4,000-6,000 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.16)

3 CHINESE WHITE JADE PHOENIX AND DRAGON VASE AND COVER Qing Dynasty, carved flattened ovoid body encircled by five-clawed dragon and perched bird; the cover and shoulder with blossoming vine; very pale greenish-gray white stone, on pierce-carved wood stand H2”, and vase H7” (2pcs)

$3,000-5,000 Provenance: with Christie’s (GX307-L.96) Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.30)

4 PAIR CHINESE JADE LUI HAI AND TOAD VESSELS, FOUR-CHARACTER MARK Qing Dynasty, finely carved and polished pale celadon jade in form of a large three-legged toad, cover is a seated figure of Liu Hai holding gold coin, aloft wood bases; underside with four-character mark; H6” L6 1/2” W4” (4pcs)

$3,000-5,000 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.20a-b)

4 WWW.CHARLTONHALLAUCTIONS.COM

5 CHINESE CARVED CELADON JADE BRUSHPOT Qing Dynasty, wide cylindrical form on footed base, intricately carved exterior with continuous scene of two figures in mountainous landscape; carved and polished stone in even celadon tone; H4 3/4” Dia.3 3/4”

T HURSDAY 31 M AY

$3,000-5,000 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.10)

6 CHINESE CELADON JADE ARCHAISTIC TRIPOD CENSER

Qing Dynasty, scroll-carved compressed body flanked by outturned handles, raised on three masked legs with paw feet, on carved wood stand; carved polished pale celadon stone has some mottled white inclusions; H5 1/2” W8 3/4” (2pcs)

$3,000-5,000 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.44a-b)

7 7 LARGE CHINESE CELADON JADE ARCHAISTIC TRIPOD CENSER Qing Dynasty, Ding form vessel, mythical bird finial on carved dome lid and deep bowl on three cuffed legs, carved with bird on geometric band divided by flanges and with D-shape handles, on carved wood stand; the polished stone with gray-green tone; H12 1/2” W6 1/2” (2pcs)

$3,000-4,000 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.15)

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

8 FINE LARGE CHINESE WHITE JADE BOWL Qing Dynasty, deep rounded sides rising from the finely finished ring foot and slightly everted rim; well-polished, semi-translucent stone with even tone; H2 3/4” Dia.6 1/2”

$2,000-3,000 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.14)

SESSION I

9 CHINESE WHITE JADE PEACH BOWL Qing Dynasty, carved hollow peach standing on leafy branch with bats and monkeys; softly polished stone of even greenish-white tone with russet inclusions; H2 1/2” W6” D6”

$2,000-3,000 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.18)

10 LARGE CHINESE CELADON JADE PEACH AND BAT VESSEL

Qing Dynasty, large and small peaches borne on gnarled leafy branch, one stone fruit hollowed to covered compartment; bat with outstretched wings perched on one side and another on lid, on conforming peach-and-branch pierce-carved hardwood stand; polished mottled coloration and russet inclusions, pale gray-green celadon tone; H3 1/2” L8” D4 1/2”

$2,000-3,000 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.21a)

11 CHINESE WHITE JADE MYTHICAL BEAST LU TRIPOD CENSER Qing Dynasty, battling qilin on flattened dome cover, ovoid body raised on carved cabriole legs, flanked by beast-mask and ring handles, mounted on carved wood stand; finely polished and carved even white hues; overall H5 1/2”

$1,500-2,000 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.26)

11 WWW.CHARLTONHALLAUCTIONS.COM

12 CHINESE WHITE JADE MELON AND VINE INKSTAND Qing Dynasty, bird finial atop hollowed melon nestled in vines and fronted with cupped leaf-form well, on carved wood platform stand; carved and polished even white tone; H1 3/4” W4” D3 1/2” (2pcs)

T HURSDAY 31 M AY

$1,500-2,000 Provenance: with Christie’s (GX307-L.76) Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.25)

13 CHINESE CELADON JADE LOTUS-LEAF WATER COUPE Qing Dynasty, bound leaf and blossom-form bowl with bird; carved and polished stone in even celadon tone; H1 1/4” L5 1/2” W1 1/2”

$1,000-2,000 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.24)

14 CHINESE GRAYISH-WHITE JADE ARCHAISTIC YI POURING VESSEL

Qing Dynasty, wide spout and dragon-carved handle, sides carved with mythical creatures, on bulbous nipple-pattern body, raised notched flanges, and carved spreading pedestal, on carved wood stand; the stone mottled light to dark brown tones, H3 3/4” W6” D3 1/2” (2pcs)

$1,000-1,500 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.2a) Literature: Nott, Stanley C. CHINESE JADE. Japan: Tuttle Co., 1962. plate XXXIII (see related vessel)

15 CHINESE TRANSLUCENT WHITE JADE LOTUS BOWL ON STAND, FOUR-CHARACTER MARK Qing dynasty, lotus petal-carved flared bowl on lotus flower-carved wood stand; bowl H2 1/4” Dia.4 1/4” and stand H1 1/4” Dia.4 1/4”(2pcs)

$1,000-1,500 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.23a-b)

16 CHINESE WHITE JADE VASE AND COVER ON CHAIN Qing Dynasty, flattened ovoid vase surrounded by pierce-carved exotic birds on blossoming branches, the cover attached by loose ring chain, mounted on pierce-carved wood stand, overall H6” W6 1/2” D2”(2pcs)

$1,000-2,000 Provenance: with Christie’s (GX307-L.94) Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.28)

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

SESSION I

16 18

17 CHINESE PALE CELADON JADE DUCK AND LOTUS BRUSH

20 CHINESE WHITE JADE

WASHER

PENDANT

Qing Dynasty, bird with head turned backwards grasping lotus in its beak, and head resting on leaf, the vine tucked and coiled under the feet, the stone a gray-green tone with russet highlights; H1 1/4” L3” W2 1/2”

Qing Dynasty, round pierced openwork carved with fish, vine and star designs; the polished pale buff white stone with some mottling and verso with calcification; Dia.2 1/8” D1/4”

$1,000-2,000 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.7)

18 CHINESE WHITE JADE VASE AND COVER Qing Dynasty, qilin-surmounted shaped cover on flattened vasiform, flanked by deer and ring handles, mounted on carved wood base; overall H7” W2 3/4” D1/2”(2pcs)

$800-1,200 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.31a)

19 CHINESE WHITE JADE ARCHAISTIC JUE WINE CUP Qing dynasty, flared mouth with elongated spout opposed by shorter spout, rim set with pair posts, the exterior carved in lowrelief band with single chilong handle, supported by three splay blade legs, on later metal-inlaid wood base; H6 1/2” W4 1/4” D1 3/4”(2pcs)

$800-1,200 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.29)

21 WWW.CHARLTONHALLAUCTIONS.COM

$800-1,200 Provenance: Gift of 20 Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.168)

21 CHINESE PALE CELADON JADE RECUMBENT STAG Qing Dynasty, finely carved with its antlered head raised, legs tucked underneath the plump body; smoothly polished graygreenish tone; H7” L6 1/4” W2 1/4”

$700-1,000 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.35)

22 CHINESE WHITE JADE MINIATURE VASES AND COVERS Qing Dynasty, each carved in polished pale celadon jade, with phoenix birds on stand H3 1/2”; the other with bird finial and budding vines H4” (2pcs)

$300-500 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.22 and 1993.17.27b)

T HURSDAY 31 M AY

26 23 CHINESE CARVED SPINACH-GREEN JADE VASE Qing or Republic period, modeled in the form of an archaic bronze Hu, carved in relief with medallion and flowering vines, flanked by pierce-carved handle; H12 1/4” W6 1/2” D4”

$4,000-6,000 Provenance: New York collection

24 PAIR CHINESE TRANSLUCENT GREEN JADE BOWLS Qing Dynasty, deep bowl with outturned rim on round base, on later near pair pierce-carved wood stands; the polished mottled green stone with even tone; H2” Dia.5 1/2” (4pcs)

$3,000-4,000 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.41)

25 CHINESE CELADON JADE VASE AND COVER WITH CHAIN 23

Qing Dynasty, high relief-carved flattened body vase, fruit finials on domed cover attached by loose carved chain, above four mask-and-ring ornaments, leaf-and-bird carved body, flanked by beast-and-ring handles, on later wood stand; the polished stone in pale celadon with russet spots; H11 1/5” W5 3/4” D2 1/2” (2pcs)

$1,500-2,500 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.1)

26 CHINESE PALE GREEN JADE BOAT Qing Dynasty, pagoda-shape barge with seven figures, including deckhands holding long pole, paddles, fish net, servant with tea, lady with fan, seated Buddha holding beads, and creatures, on wave-carved wood stand; the polished lightly mottled greenwhite stone with slightly uneven tone; H4” L5 3/4” D1 1/4”

$1,500-2,500 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.19)

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

27 CHINESE SPINACH-GREEN JADE BOY WITH BUFFALO

29 CHINESE TRANSLUCENT GREEN JADE LOTUS BOWL

GROUP

Qing Dynasty, lobed ovoid deep quatrefoil bowl and conforming foot, flanked by peony blossom-and-ring handles; the fine olive green-tone stone with minor inclusions; H2 1/2” W5” D3 3/4”

Qing Dynasty, recumbent buffalo with boy playfully clambering onto its back holding rope, on carved wood stand; the polished mottled deep green stone with veining and inclusions; H2 1/2” W4 1/2” D2 3/4” (2pcs)

$1,000-1,500 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.45a-b) Literature: Knight, Michael. LATE CHINESE JADE: MING TO EARLY TWENTIETH CENTURY. San Francisco: Asian Art Museum, 2007. p.281, no.311

Other Notes: Similar carving sold Christie’s Hong Kong 28 Nov. 2006, lot 1423, The Hartman Collection; and the other related examples at the Metropolitan Museum (1902.18.438 and 2015.500.5.15).

28 CHINESE TRANSLUCENT JADE FINGER CITRON-FORM BRUSH WASHER

SESSION I

$1,000-1,500 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.8)

30 CHINESE JADE MANDARIN DUCK GROUPING Qing Dynasty, two ducks facing one another and seated on lotus leaves, grasping furled stem with touching beaks, mounted on pierce-carved wood stand; of carved polished buff-brown stone, one side with black and russet inclusions; overall H2 1/4” W4” D1 1/4”(2pcs)

$1,000-1,500 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.33)

Qing Dynasty, hollowed Buddha’s hand fruit to form shallow basin, on pierce-carved wood stand; the polished deep green-tone stone with russet and mottled inclusions; H1/2” L4 1/2” W3”(2pcs)

31 31 CHINESE CARVED SERPENTINE DOUBLE VASE

$1,000-1,500 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.46)

Qing Dynasty, peony vine and bamboo-covered tree trunk to form two vases, mounted on two-tone carved wood stand; the polished mottled green-hued stone with veining and inclusions; overall H7 1/2” W6” D2 1/4” (2pcs)

$1,000-2,000 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.12)

30 WWW.CHARLTONHALLAUCTIONS.COM

T HURSDAY 31 M AY

32 CHINESE PALE-GREEN JADEITE TREE TRUNK AND BIRD

35 CHINESE WHITE JADE DRAGON PENDANT

VASE

Qing Dynasty, oval plaquette, pierce-carved with two dragons coiled amongst vines encircling disc, the reverse with incised decoration; the pale near white stone with small russet inclusions; H2 1/4” L3 1/4” D1/4”

Qing Dynasty, pierce-carved flowering vine encasing trunk with birds, mounted on carved openwork wood stand; the polished pale green stone with even tone and russet inclusion; overall H7 1/8” W4” D2 1/2” (2pcs)

$1,000-1,500 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.5)

33 CHINESE CALCIFIED JADE DRAGON AND QILIN VASE Qing Dynasty, dragon-carved vessel supported by crouching qilin, mounted on carved wood stand; the polished pale celadon stone with calcified areas; overall H7” W3 1/4” D2” (2pcs)

$1,000-2,000 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.34)

$1,500-2,500 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.167)

36 CHINESE TRANSLUCENT WHITE JADE INSCRIBED PENDANT Qing Dynasty, rectangular plaquette carved in low relief on one side depicting boy with ruyi septer, the other side with fivecharacter inscription; the polished white stone with hints of very pale green coloration; H1 3/4” W1 1/8” D1/8”

$1,500-2,500 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.159)

34 CHINESE GREEN JADE CHILONG CUP, FOUR-CHARACTER MARK

Qing dynasty, probably Qianlong, four dragons climbing up cup handle and rim, marked on base; H2” W4 1/2” D3 1/4”

$1,000-1,500 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.6)

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

37 CHINESE GREEN JADE DOUBLE-LEAF DISH Qing Dynasty, Mughal-style shallow form, thinly sectioned and carved conjoined curved leaves with stems and loose rings on carved wood stand, the translucent mottled green stone with some minor streaked russet inclusions; H3/4” L6 1/8” W6 1/8” (2pcs)

SESSION I

$1,500-2,500 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.57)

38 CHINESE TRANSLUCENT WHITE JADE INSCRIBED PENDANT

Qing Dynasty, shaped relief-carved plaquette, one side depicting seated boy with lotus, the other side with four-character inscription; the polished white stone of near colorless even tone H2 1/8” W2” D1/4”

$1,500-2,500 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.161)

39 CHINESE GREEN AND WHITE JADEITE VASE AND COVER Qing Dynasty, flatted vasiform, adorned with pierce-carved flowering vine and phoenix birds; the polished stone with mottled rich green and white coloration; H4 3/4” W4 3/4” D1 1/4”

$1,500-2,500 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.17a-b)

40 CHINESE TRI-COLOR JADE GRASSHOPPER ON LOTUS WATER COUPE

Qing Dynasty, carved leaf with pod and insect, on pierce-carved wood stand; the carved and polished stone with white, green and russet mottled coloration; H1 1/4” W5” D4”

$1,500-2,500 Provenance: with Christie’s (GX307-L.69) Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.3a-b) Literature: Knight, Michael. LATE CHINESE JADE: MING TO EARLY TWENTIETH CENTURY. San Francisco: Asian Art Museum, 2007. p.300, fig.343

41 CHINESE SPINACH-GREEN JADE DRAGON VASE AND COVER WITH CHAIN

Qing Dynasty, round-body vase, qilin finials on domed cover attached by loose carved chain, above four mask-and-ring ornaments, the body a pierce-carved dragon, on later wood stand; the polished stone in mottled rich green tones; H9” W3”(2pcs)

41 WWW.CHARLTONHALLAUCTIONS.COM

$1,500-2,500 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.4)

T HURSDAY 31 M AY

42 CHINESE CELADON JADEITE VASE AND COVER WITH CHAIN

45 CHINESE SPINACH-GREEN JADE BAT VASE AND COVER

Qing Dynasty, flattened vasiform, pierce-carved cherry and blossom with loose carved chain, flanked by mask-and-ring handles, supported by rockwork and with carved wood stand; the polished mottled pale green and white stone with even tone; H7 1/4” W3 1/2” D1 3/4”(2pcs)

Qing Dynasty, pierce-and-relief carved flattened vase with loose ring handles, with scrolling vine and bat design, on later wood stand; the polished green stone with lightly mottled even tone; H7” W2 1/2” D1 1/2”(2pcs)

43 CHINESE WHITE JADE BOWL

46 CHINESE JADE BUDDHA

Qing Dynasty, deep footed vessel with outturned rim; on carved wood stand; mottled slightly pale green-hued stone; H2” Dia.5 3/4”(2pcs)

Qing or Republic period, seated in dhyanasana, with hands held in dhyanamudra supporting orb, clad in loose robes, with tightly curled hair and serene meditative face, on lotus-carved wood stand; the stone of mottled gray-green with white inclusions; H7 1/2” W4 1/2” D2 3/4”(2pcs)

$1,500-2,500 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.36)

$1,000-2,000 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.52A)

44 CHINESE GREEN JADEITE VASES Qing Dynasty, phoenix and bamboo, H6 1/2” W3 1/2” D1 3/4”; and the other vase and cover with peony vine and bird, H7” W4” D2”; each on carved wood stand; each mottled polished stone, one pale green and the other deep green with russet and vein inclusions (4pcs)

$1,000-2,000 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17. 9 and 38)

$1,000-2,000 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.42)

$1,000-2,000 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.37)

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

48 CHINESE TRANSLUCENT JADE LEAF AND SPIDER DISH Qing Dynasty, two finely carved leaves form shallow bowl supporting blossoming prunus branch, on carved wood stand; the polished russet and mottled green stone with even coloration; H1 1/8” L5” W3 1/4”(2pcs)

$1,000-2,000 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.40)

SESSION I

49 CHINESE GREEN JADE FLORAL PENDANT

49 47 CHINESE SPINACH-GREEN JADE VASE AND COVER Qing Dynasty, urn on flowering prunus and rockwork, on carved wood stand; the polished stone in deep green coloration with minor inclusions; H5 3/4” W5 1/2” D2”(2pcs)

$1,000-2,000 Provenance: with Christie’s (GX307-L.109) Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.43a-c)

Qing Dynasty, pierce-carved shaped form of scrolls supporting blossoming vine; the polished stone in even green coloration with inclusions; H2 1/8” W2 7/8” D1/8”

$800-1,200 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.160)

50 CHINESE GREEN JADEITE GUANYIN Qing Dynasty, tall slender standing figure with serene expression and wearing long layered falling robe, holding flowering branch and standing beside crane, on carved wood stand; the mottled green stone with some russet and veining; H10 1/2” W3 3/4” D1 3/4”(2pcs)

$800-1,400 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.47)

51 CHINESE WHITE JADE VASE AND COVER Qing Dynasty, crane finial atop dome cover, the urn-form body carved with bird and dog, on carved wood stand; the polished pale celadon of white coloration and spot of darker green; H5 3/4” W2” D1 1/2”(2pcs)

$800-1,200 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.63) Other Notes: Stand bearing old label Ovington’s New York (92-411).

51 WWW.CHARLTONHALLAUCTIONS.COM

52 CHINESE CARVED JADE BOWL

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Qing Dynasty, deep bowl with flared rim and round foot; carved with flowering branches, divided by ruyi-head and Chinese characters, on carved wood stand; the polished mottled buff brown stone with inherent inclusions; H2 3/8” Dia.4 3/8”(2pcs)

$600-900 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.11)

53 CHINESE JADE MINIATURE VASE AND COVER Qing Dynasty, qilin finial on flattened dome cover and conforming leaf-carved body, flanked by mask and loose ring handles, on pierce-carved stand; the polished mottled green stone with russet and veining; H3 3/4” W2 1/8” D3/4”(2pcs)

$500-800 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.188)

52 54 CHINESE CARVED SERPENTINE ARCHAISTIC GUI-FORM VESSEL

carved deep brown on pedestal foot, flanked by phoenix-head carved handles; carved and polished mottled green and brown stone; H4 1/2” W8 1/2” D5 1/2”

$500-800 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.32)

55 CHINESE CARVED JADE ARCHAISTIC YI POURING VESSEL

Qing dynasty, brown-green jade in the Ming style with dragon handle and bird motifs; H3 1/2” L5 1/2” W2”

56 JAPANESE SCHOOL, 18TH CENTURY

$400-700 Provenance: Gift of Gladys Walton Dudley (1897-1992) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1993.17.39)

PROCESSION SCENE watercolor, framed, unsigned sight H13 1/4” W57 1/2”

$800-1,200 Provenance: Purchased Joseph Rondina Antiques, New York, 1973 Simon Benson Offit collection

Literature: Knight, Michael (et al). LATE CHINESE JADE. San Francisco: Asian Art Museum, 2007. p.182, fig.185 (illustrated similar example)

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

John Caldwell Calhoun (1782-1850)

SESSION I

57 CHARLESTON MARBLE BUST OF JOHN C. CALHOUN, ATTRIBUTED CLARK MILLS Clark Mills (Charleston and New York, 1810-1883) H30” W19” D9 1/2”

$15,000-25,000 Provenance: Descended through the Smythe family to present heir

Literature: Rutledge, Anna Wells. TRANSACTION OF THE AMERICAN PHILOSOPHICAL SOCIETY: ARTIST IN THE LIFE OF CHARLESTON THROUGH COLONY AND STATE FROM RESTORATION TO RECONSTRUCTION. APS, 1949 p. 237. Clark Mills’s works discussed. Other Notes: This marble bust of John C. Calhoun has descended through the Smythe family of Charleston, South Carolina to the current heir. The Smythe family is also known to have in its collection other busts executed by such prominent sculptors as Hiram Powers. John C. Calhoun (1782-1850) was born in the Abbeville district of South Carolina. Calhoun entered Yale and graduated with distinction in the class of 1804. As a United States political leader he was a Congressman, Secretary of War, seventh Vice President (1825 - 1832), serving under John Quincy Adams and Andrew Jackson, a Senator and Secretary of State of the United States. Clark Mills (1810-1883) operated a studio in Charleston South Carolina from 1839 to 1848 at 51 Broad St. It is here that he executed marble and plaster busts of many prominent South Carolinians. Clark Mills was the first American sculptor who did not study abroad and the first to cast his own bronzes. Also, he was the first sculptor of an equestrian figure to be erected in the United States. Mills’s first major commission came in 1848 from the Jackson Monument Committee for a statue of Andrew Jackson, unveiled in 1853, in Lafayette Square, Washington D.C. His other commissions include a bronze of George Washington erected in Washington Circle, Washington D.C.

Calhoun house, Fort Hill at Clemson, SC WWW.CHARLTONHALLAUCTIONS.COM

Gilcease Museum (0926.1)

58 CHARLESTON INLAID MAHOGANY SECRETARY BOOKCASE South Carolina, circa 1790, broken-arch dentil-molded and inlaid crown with finial, over divided glazed-panel doors, lower part with hinged fall-front opening to fitted interiors, above three long drawers and bracket feet; H103” W47 1/2” D24 1/2”

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$4,000-8,000 Provenance: Laurence S. Barringer and Louise D. Barringer, at Airy Hall Plantation, Fenwick, Colleton County, South Carolina Estate of Beaumont Barringer Palmer Cathcart

Other Notes: Mr. Laurence S. Barringer purchased this Charleston secretary bookcase for Airy Hall Plantation sometime between 1941-1965, as part of the furnishing for the plantation established in 1701 in the lowcountry of South Carolina. Mr. Barringer engaged prominent interior designer Mr. Otto Zenke to assist him with the furnishings of the house. Wood sample analysis indicates cedar secondary woods (report available upon request).

59 FEDERAL MAHOGANY PEMBROKE TABLE, POSSIBLY SOUTHERN circa 1800, drop leaves over single drawer and tapered legs; H27 1/2” W22” D31”

$400-700 Provenance: Laurence S. Barringer and Louise D. Barringer, at Airy Hall Plantation, Fenwick, Colleton County, South Carolina Estate of Beaumont Barringer Palmer Cathcart

60 FEDERAL MAHOGANY DROP-LEAF TABLE, POSSIBLY SOUTHERN circa 1790, rectangular top over drop leaves, H28” W40 1/2” L43 1/4” open

$400-700 Provenance: Laurence S. Barringer and Louise D. Barringer, at Airy Hall Plantation, Fenwick, Colleton County, South Carolina Estate of Beaumont Barringer Palmer Cathcart

60A AMERICAN ROCOCO REVIVAL ROSEWOOD FOUR-POST BED, ATTIB. PRUDEN MILLARD mid 19th century, quatrefoil post on square column with chamfered corner molded base, arched paneled headboard with fruit and scrolling shield applied carving, and with slat canopy; H104” W73” L83 3/4”

$1,500-2,500 Provenance: South Carolina collection

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

The Middleton Entrée Dishes

61 PAIR GEORGE IV SILVER ENTREE DISHES AND COVERS, OF SOUTH CAROLINA INTEREST Paul Storr, London, dated 1825, sterling dishes with gadroon rim with foliate and shells intervals, complete hallmarks and engraved crest; domed fused-plate covers with heraldic crest finial above arms of SIR WILLIAM FOWLE MIDDLETON with motto: REGARDEZ MON DROIT, marked; H7 1/2” Dia.12”, and 62.6.0ozT weighable (2pcs)

SESSION I

$6,000-9,000 Provenance: Sir William Fowle, 2nd Bt., by descent to: Sir George Nathaniel Broke (-Middleton), 3rd Bt., by descent to: Jane-Ann Broke, Hon. Mrs. James Saumarez, by descent to: James St. Vincent Broke Saumarez, 5th Baron de Saumarez, by descent to: James Victor Broke Saumarez, 6th Baron de Saumarez, by descent to: Eric Douglas Saumarez, 7th Baron de Saumarez, Victor Thomas Saumarez and Louisa Saumarez Sold, Sotheby’s, London, Shrubland Park, 19-20 September 2006, Lot 832.

Other Notes: The arms are those of Middleton impaling Cust for Sir William Fowle Middleton, 2nd Bt., who married Anne, daughter of Brownlow, 1st Baron Brownlow of Belton, in 1825. Sir William Fowle Middleton inherited his family’s country estate, Shrubland Park, upon the death of his father, Sir William Middleton, 1st Bt., in 1829. Upon his inheritance, Middleton commissioned architect James Gandy-Deering, a student of James Wyatt, to expand the house. GandyDeering’s plans, which included raising terraces and extending the garden facades, altered the entire character of the house, and thus required extensive reorganization and simplification of the interior floor plan. The house was again expanded and remodeled as an Italianate villa circa 1837 to the designs of Sir Charles Barry, architect of the Palace of Westminster.

Sir William Fowle Middleton and his wife Anne

Middleton family archives and inventories reveal that Sir William Fowle Middleton and his wife Anne were avid collectors. Shrubland Park was largely furnished with paintings purchased on their repeated tours of the Continent, and silver, furniture, carpets and textiles from the most notable firms in London. Accounts indicate that regular payments were made to Storr & Mortimer and Garrard for silver and jewelry. Upon Sir William’s 1860 death, Shrubland Park and his extensive collection were inherited by his nephew Sir George Nathaniel Broke (-Middleton), 3rd Bt. This branch of the Middleton family is directly linked to those of Charleston, South Carolina and Middleton Place. Sir William Fowle Middleton, 1st Baronet was born in Charleston in 1748, and returned to England in claim his inheritance and title. He had one son, who inherited the titled Sir William Fowle Fowle Middleton, 2nd Baronet (1784-1860).

61 (engraved arms and heraldic finial)

Shrubland Park

WWW.CHARLTONHALLAUCTIONS.COM

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62 SAVANNAH COIN SILVER FORK SET AND PAIR SALTS, H.P. HORTON (Georgian, circa 1850) beaded pattern engraved AKL, together with pair salt shovels; incise marked: H.P. HORTON; L7” and L4” and 7.8ozT (8pcs)

$300-500 Provenance: South Carolina estate

63 CHARLESTON SILVER FLATWARE, EWAN, HAYDEN, & CARRINGTON William H. Ewan mustard ladle (wk.1849-1859) mulberry pattern engraved KL; L5 1/2” pair Hayden Brothers & Co forks (wk. 1852-1855) engraved JJJ, L6 1/2” pair William Carrington (active 1830-1901) salt shovels, engraved KL, L4” three William Carrington (active 1830-1901) teaspoons, engraved KL, L6” Total 6.7ozT (8pcs)

64 CHARLESTON SILVER FLATWARE, JAMES E. SPEAR (South Carolina, wk. 1846-1871) unidentified pattern, engraved AEH, comprising: fork, L7 1/2” 5 forks, L6 3/4” 4 spoons, L8 1/4” 4 spoons, L6 3/4” 2 teaspoons, L5 3/4” Total 23.5ozT (16pcs)

$300-500 Provenance: South Carolina estate

65 SOUTHERN SILVER CUP, CARRINGTON, THOMAS & CO. retailed Charleston, 1872-1920, engraved with initials RW, marked: STERLING W&H, CARRINGTON, THOMAS & CO.; H3 1/2”, and 6.5ozT

$200-400 Provenance: South Carolina estate

$300-500 Provenance: South Carolina estate

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

SESSION I

67 68 ANNE WORSHAM RICHARDSON (South Carolina, 1919-2012) MOURNING DOVES AND PINE gouache, framed, signed & dated: 1954 sight H19” W15”

$1,000-1,500 Provenance: South Carolina collection

69 VIRGINIA FOUCHE BOLTON (South Carolina, 1929-2004) FISHING BOAT ON SHEM’S CREEK, CHARLESTON watercolor in original frame, signed sight H23” W16”

66 66 ALFRED HUTTY

$700-900 Provenance: Texas collection

(New York/South Carolina, 1877-1954) LOWCOUNTRY MARSH SCENE oil on canvas, framed, signed H16” W20”

$8,000-12,000 Provenance: Robert B. Fraser, 1992 South Carolina private collection Exhibitions: Charleston, Gibbes Museum of Art. LURE OF THE LOWCOUNTRY, 3-Feb.-1 May, 1994 Charleston, Gibbes Museum of Art. THE ART OF ALFRED HUTTY: WOODSTOCK TO CHARLESTON, 20 Jan-22 April, 2012 Greenville, Greenville County Museum of Art, 30 May-29 July, 2012 Augusta, Morris Museum of Art, 4 Aug.- 28 Oct., 2012 Athens, Georgia Museum of Art. Nov. 2012-Jan. 2013

67 ALFRED HUTTY (New York/South Carolina, 1877-1954) FIGURE IN AUTUMN LANDSCAPE oil on canvasboard, framed, signed H8 1/4” W10”

$1,000-1,500 Provenance: Maryland collection

68 WWW.CHARLTONHALLAUCTIONS.COM

70 EDMUND K. YAGHJIAN

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(South Carolina, 1903-1997) SNOW’S CREATION, 1984 acrylic on panel, framed, signed H24” W36”

$600-900 Provenance: South Carolina collection

71 ALICE SCOTT (South Carolina, 1924-2005) FLORIDA EGRET watercolor on board, unframed, signed & dated: 91 overall H17 1/2” W15”

$600-900 Provenance: Private collection

72 AMERICAN CHERRY CHEST-ON-STAND

71 75 AMERICAN CHERRY SLANT-FRONT DESK

New England, circa 1770, molded crown, two over three drawers; the lower part with with three drawers, scalloped skirt, cabriole legs; H59” W37” D19”

circa 1790, fall front opening to fitted interiors, above long drawers and bracket feet; H42” W38” D19”

$700-1,000 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

$1,000-2,000 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

73 73 AMERICAN INLAID MAHOGANY SERPENTINE CHEST

OF DRAWERS

circa 1825, paneled sides and splay feet; H38 3/4” W37 1/2” D20 1/4”

$700-900 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

74 PAIR FEDERAL HEPPLEWHITE CHERRY ARMCHAIRS circa 1780, arched crest, serpentine seat, tapered legs on spade feet; BH35 1/2” SH16 1/2” W22” D19” (2pcs)

$400-600 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

Edward Hicks (1780-1849)

76 THE EDWARD HICKS FEDERAL TIGER MAPLE HIGHBOY circa 1780, molded crown over four drawers, lower part with configuration of drawers, scalloped skirt, shell-carved cabriole legs on pad feet; H74” W40” D20”

$2,000-3,000 Provenance: Edward Hicks (1780-1849) collection, by descent to as detailed: Edward Hicks to his son Isaac Worstall Hicks in 1849 Isaac Hicks to his son William Penrose Hicks in 1898 William Penrose Hicks to his daughter Hannah Brown Hicks in 1916 Hannah Brown Hicks to her daughter Eleanor Hicks Lee in 1976 Eleanor Hicks Lee to her daughter Diana Lee Guttenberg in 1986 Diana Lee Guttenberg to her daughter Jennifer Anne Thomas in 2013 Other Notes: Edward Hicks (1780-1849) was a Pennsylvania-born Quaker artist and is considered the most well-known and beloved of America’s folk painters. Born in Langhorne, Bucks County, Pennsylvania, the orphaned Hicks was apprenticed to local coachmakers William and Henry Tomlinson where he learned the art of ornamental painting. By 1803 he had married Sarah Worstall of Newtown, Pennsylvania. Hicks is best-known for his Peaceable Kingdom painting, of which he painted various versions. Today there are 62 versions currently known. WWW.CHARLTONHALLAUCTIONS.COM

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77 FEDERAL CHERRYWOOD SLANT-FRONT DESK circa 1790, hinged lid, fitted interiors, long drawers, and bracket feet; H41” W36” D18 1/2”

$700-1,000 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

78 FEDERAL MAHOGANY SERVER, ATTRIB. TO DUNCAN PHYFE New York, circa 1820, outturned corners, turned rope-twist legs, configuration of drawers, platform base and brass feet; H37” W36” D21”

$1,000-1,500 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

79 FEDERAL MAHOGANY CHEST OF DRAWERS circa 1800, two over four drawers and bracket feet; H45 1/2” W39 1/2” D20 1/4”

$600-900 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

80 CLASSICAL CARVED MAHOGANY GAMES TABLE, POSSIBLY ANTHONY QUERVELLE Philadelphia, circa 1825, hinged top, chamfered corners, acanthus-carved pedestal, carved saber legs with hairy-paw feet; H30” W34 3/4” D17 1/4”

$700-1,000 Provenance: Laurence S. Barringer and Louise D. Barringer, at Airy Hall Plantation, Fenwick, Colleton County, South Carolina Estate of Beaumont Barringer Palmer Cathcart

81 FEDERAL CARVED MAHOGANY CHAIRS late 19th century, trefoil crestrail, pierce-carved bellflower splat, tapered legs and splayed feet; BH39” SH18” W23 1/4” D21” (2pcs)

$300-500 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

82 FEDERAL CHERRY SLANT-FRONT DESK circa 1800, fall-front lid, fitted interiors, over long drawers, bracket feet; H42” W42” D21”

$700-1,000 Provenance: South Carolina collection

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

83 CLASSICAL MAHOGANY GAMES TABLE circa 1825, hinged swivel top, baluster pedestal, saber legs on brass paw feet; H28” W36” D18”

$400-700 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

SESSION I

84 AMERICAN OR ENGLISH CARVED OAK COURT CUPBOARD

17th/early 18th century, molded crown, drop finials, raised panel doors, square legs; H70” W55 1/2” D22 3/4”

$1,000-1,500 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

85 SOUTHERN PINE CORNER CABINET, POSSIBLY GEORGIA late 18th/early 19th century, arched raised panel doors; H91” W44” D23 1/2”

$1,000-2,000 Provenance: Estate of Betty Mathews Mattox

86 COLONIAL AMERICAN WALNUT TABLE 18th century, rectangular pinned top, two drawers, turned legs, joined by molded stretcher; H29” W60” D33”

$800-1,400 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

86 WWW.CHARLTONHALLAUCTIONS.COM

87 AMERICAN HICKORY CORNER

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CABINET

late 18th century, architectural molded crown and frieze, molded side panels, raised panel doors, on base of later date; H97” W50” D18”

$1,000-2,000 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

88 AMERICAN PINE TABLE/BENCH late 19th century; H30” W48” D27 1/2”

$300-600 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

89 AMERICAN PINE DOUGH BOX 19th century, divided hinged lid and interior; H32” W40” D19”

$300-400 Provenance: Estate of Betty McLeod Mattox

90 FEDERAL MAHOGANY DROP-LEAF BREAKFAST TABLE

Boston, circa 1820, manner of John & Thomas Seymour, D-shape molded edge drop leaves, concave skirt, turned beehive pedestal, saber legs on brass casters; H28 5/8” W22” D42 1/4”

$500-800 Provenance: Private collection

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

Joseph Dufour (Paris, 1754-1827)

SESSION I

91 91 FRENCH PAPIER PEINT PANELS, BY DUFOUR Paris, circa 1820, from the series Paysage de Telemaque dans l’ile de Calypso, the specific subject depicts Telemachus and Mentor talking to Calypso and her nymphs, within continuous landscape vignette of Roman life; approx. 10 panels mounted on canvas in various size scenes H81 1/4” W110 1/4”, H81 1/4” W50 5/8”, and H81 1/4” W52 1/4” (3pcs)

$3,000-5,000 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

River River Run Farm Dining Room WWW.CHARLTONHALLAUCTIONS.COM

92 AMERICAN COLONIAL SILVER TANKARD, JOSEPH RICHARDSON, SR. Philadelphia, circa 1760, tapered cylindrical on molded rim, stepped domed cover with ornate peak, scroll thumbpiece and handle, shield-form terminal; engraved arms of LAWRENCE over initials ENL AL to FNL, and marked twice on body left of handle IR, the base engraved with scratch weight 30=2 oz dwt; H7 1/4” W8”, and 29.0ozT

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$7,000-9,000 Provenance: New York collection

Literature: Related to example sold Sotheby’s New York, 28-29 Oct. 2004, Lot 651. Other Notes: Joseph Richardson, Sr. (1711-1784) was the son of silversmith Francis Richardson and inherited his father’s tools in 1729. In 1741 he bought a house on Front Street shortly before he married Hanna Worril, and later acquired a summer home, as well as extensive real estate holdings. After his wife’s death in 1746/7, he married Mary Allen in February 1748 and had two sons Joseph Junior and Nathaniel. Richardson had a thriving business, was patronized by important Philadelphia families and was by far the most prolific silversmith in the region. His sons continued in the tradition and took over his tools in 1777 when Richardson retired.

93 AMERICAN SILVER TEA AND COFFEE SERVICE, SAMUEL WILLIAMSON Philadelphia, circa 1795-1802, Classical design with gooseneck spouts, carved wood handles, engraved with initials MH, comprising: coffeepot H11 1/2” teapot H9” covered sugar H8 1/2” creamer H6 1/4” wastebowl H5” marked: WILLIAMSON in rectangle, and PHILADELPHIA in ring Total 93.0ozT all in (5pcs)

$2,500-3,500 Provenance: New York collection

Literature: Hollan, Catherine B. PHILADELPHIA SILVERSMITHS. McLean, VA: Hollan Press, 2013. p.219

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

SESSION I

97 94 EARLY AMERICAN SILVER SUGAR URN, JOHN VERNON

95 PAIR AMERICAN SILVER GOBLETS, MARQUAND & CO

New York, circa 1787, covered vasiform on pedestal, engraved with initials JMP; marked twice; H10” D4 1/4”, and 13.5ozT

New York, circa 1830, paneled tulip-form bowl on pedestal with ornate band, engraved W, marked: MARQUAND & CO; H5 1/4” W3 1/4” and 16.5ozT (2pcs)

$700-1,000 Provenance: New York collection

Other Notes: See related examples of John Vernon (17551845) silver wares, Metropolitan Museum of Art (13.41.96; 33.120.225; ; 33.120.604; and 2005.462.10).

$600-900 Provenance: New York collection

96 AMERICAN SILVER GOBLET, DANIEL DUPUY Philadelphia, circa 1785, beaded bands on urn form with square base, marked: D.DUPUY in rectangle; H6” Dia.4” and 9.9ozT

$400-600 Provenance: New York collection

Literature: Hollan, Catherine B. PHILADELPHIA SILVERSMITHS AND RELATED ARTISANS TO 1861. McLean, VA: Holland Press, 2013. pp.62-63

97 EDMUND HENRY OSTHAUS (German/American, 1858-1928) AT POINT (setters in landscape) oil on canvas, framed, signed H21 1/4” W33”

$8,000-12,000 Provenance: Laurence S. Barringer and Louise D. Barringer, at Airy Hall Plantation, Fenwick, Colleton County, South Carolina Estate of Beaumont Barringer Palmer Cathcart

96 WWW.CHARLTONHALLAUCTIONS.COM

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98 FRANKLIN BROOKE VOSS (New York, 1880-1953) set of ten: FAMOUS AMERICAN THOROUGHBREDS, plates 1-10 handcolored etchings, framed as set; Published New York: 1934, edition 58/260, each pencil signed lower left, plate H13 1/2” W15 1/4” and frame size H24” W26” together with pair by Voss from the same series: TWENTY GRAND (pl8) 15/260 and TOP FLIGHT (pl10) 26/260, framed size H20” W21 1/2” (12pcs)

$4,000-6,000 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

99 CHARLES PAUL GRUPPE

(Massachusetts/New York, 1860-1940) VOORBURG, HOLLAND oil on canvas, framed, signed H24” W30”

$2,500-4,000 Provenance: South Carolina collection

100 CHARLES HARRY (HENRY) EATON (American, 1850-1901) TWIN SPIRES oil on canvas, framed, signed H12” W18”

$2,000-3,000 Provenance: South Carolina collection

102

101 GEORGE HENRY SMILLIE (New York/California, 1840-1921) BOATS ALONG RIVERBANK oil on canvas, framed, signed H14” W20”

100

$1,500-2,500 Provenance: South Carolina collection

102 DONALD SPAULDING (New York, b. 1926) HONOR ANSWERING HONOR (Gen. Gordon surrendering Confederate Army to Gen. Chamberlain at Appomattox) oil on board, framed, signed H3 1/4” W4”

$1,500-2,500 Provenance: with Germanton Gallery, NC in 1975 South Carolina collection Other Notes: This is the original Honor Answering Honor, later issued in limited edition prints. Accompanied by original invoice.

103 103 DONALD SPAULDING (New York, b. 1926) SURVIVOR oil on board, framed, signed H3 1/4” W4”

$500-900 Provenance: with Germanton Gallery South Carolina collection

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

101

SESSION I 104 MAGNIFICENT TIFFANY & CO SILVER CENTERPIECE

New York, circa 1880, square dish supported by chrysanthemum, shell and acanthus-laden lattice openwork frames, issuing four scrolling arms holding dishes, on shell and fruit-adorned base with Scottish crest of STEWART with motto VIRESCIT VULNERE VIRTU; marked: TIFFANY & CO, 5598 M 2358, STERLING-SILVER; H16 1/4” W18 1/2”, and 172.0ozT

104 WWW.CHARLTONHALLAUCTIONS.COM

$18,000-24,000 Provenance: New York collection

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105 TIFFANY & CO SILVER PUNCH SET WITH TRAY New York, circa 1947-1956, wide reeded border, interlocking engraved initials MOBR, comprising: punch bowl, H8 1/2” Dia.15 1/4” tray, Dia.24” 15 footed cups, H2 1/2” marked: TIFFANY & CO, 54556, STERLING Total 386.ozT (17pcs)

$15,000-18,000 Provenance: New York collection

106 RARE PAIR TIFFANY & CO SILVER AND GLASS DECANTERS, PAULDING FARNHAM New York, circa 1905, Renaissance pattern figural finials and winged caryatid handles, engraved Fontainebleau glass vessels in openwork frame on pedestals; marked: TIFFANY & CO., 16185-781, STERLING, H12” W4 1/4”, and 55.5ozT all in (2pcs)

$9,000-12,000 Provenance: New York collection

Literature: THE MAGAZINE ANTIQUES , CXXXIX, No.4, April 1991, pp.718-729, illustrated pl. XV

105 107 TIFFANY & CO SILVER FOOTED WAITER, OF NEW YORK INTEREST New York, circa 1887, ornate pierced gallery with handles and hairy-paw supports, centering GALLATIN armorial with motto: PRO PATRIA DEVOTI, underside engraved: Almy Goelet Gallatin from her Grandfather Albert Rolaz Gallatin, April 12th, 1887; underside marked: TIFFANY & CO, 9038-2731, STERLING; H2 1/2” L24 1/4” W18 3/4”, and 142.0ozT

$8,000-12,000 Provenance: New York collection

Literature: Matthews, John. COMPLETE AMERICAN ARMOURY AND BLUE BOOK (1903-1923); p.93 Other Notes: Mr. Albert Rolaz Gallatin (1800-1890) was a prominent New York banker. He presented this tray to his granddaughter Almy Goelet Gallatin (c. 1841-1917) upon her marriage to Howland Pell (b. 1856).

106

107

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SESSION I

109

108

110

108 TIFFANY & CO CHRYSANTHEMUM SILVER CANDLESTICK

110 TIFFANY & CO SILVER GRADUATED PLATTERS

SET

New York, 1892-1902, ornate scrolling acanthus border centering unidentified armorial with coronet; marked: TIFFANY & CO, 10628-4556, STERLING, L14”, 16”, 18”; total 135.0ozT (3pcs)

New York, circa 1925, Charles Grosjean design, detachable bobeche on baluster stem and footed base adorned with blossoms and vines; engraved with heraldic device, marked: TIFFANY & CO, 1658-8271, STERLING, M; H9 1/2” W4”, and 46.0ozT (4pcs)

$6,000-8,000 Provenance: New York collection

109 FINE TIFFANY & CO JAPANESQUE SILVER CENTERPIECE New York, circa 1895, nautical design probably by Charles Osborne, shell and seaweed design on hammered body and bowl flanked by anchor-form handles and raised on knotted rope feet; marked: TIFFANY & CO, 7475/319, STERLING SILVER, 2332; H5 1/2” L13 1/2” W9 1/2”, and 57.5ozT

$4,000-6,000 Provenance: New York collection

$4,000-5,000 Provenance: New York collection

111 TIFFANY & CO CHRYSANTHEMUM SILVER DEMITASSE SET

New York, circa 1900, design by Charles Grosjean, comprising: coffeepot H9 1/2” creamer H3” covered sugar H4” marked: TIFFANY & CO, 6718-8330, STERLING total 36.0ozT (3pcs)

$4,000-5,000 Provenance: New York collection

111 WWW.CHARLTONHALLAUCTIONS.COM

114 TIFFANY & CO SILVER WORLD’S FAIR SERVING PIECES New York, 1937, marked; pie server L12”, and serving spoon L10”, and 9.5ozT (2pcs)

$600-900 Provenance: New York collection

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Other Notes: This pattern commonly referred to as the Tomato or Pumpkin Vine, was first introduced in 1937, and was featured in Tiffany’s display in the House of Jewels pavilion at the New York World’s Fair (1939-40). It was designed three years earlier by Norwegian staff designer Olaf Wilford (1894-1980). This well-liked pattern was produced in limited numbers until the early 1950’s, and is illustrated in Jewel Stern’s Modernism in American Silver, p.177 fig. 8.15 and 8.16.

115 TIFFANY & CO SILVER FOOTED BOWL

112

New York, circa 1900, vermeil flared bowl on Rococo supports leading to straps; marked: TIFFANY & CO., 13413-9774, STERLING; H6” Dia.11 1/2”, and 48.0ozT

112 TIFFANY & CO SILVER JARDINIERE OR

$3,000-4,000 Provenance: New York collection

CENTERPIECE BOWL

New York, circa 1922, round shell-and-leaf strapwork flared basin, engraved with initials, with removable silverplate liner and gilt-brass flower grid; each marked, jardiniere: TIFFANY & CO., 19839H-6736, STERLING, and liner and grid with matching numbers; H4” Dia.17”, and 68ozT weighable

$3,000-5,000 Provenance: New York collection

113 TIFFANY & CO SILVER WORLD’S FAIR SILVER BOWL AND PLATE

New York, 1937, one engraved BBC; marked: TIFFANY & CO, 22888 and 22565, STERLING; H3 1/2” Dia.9 1/8”, H1” Dia.10”, and 45.5ozT (2pcs)

$3,000-4,000 Provenance: New York collection

Other Notes: This pattern commonly referred to as the Tomato or Pumpkin Vine, was first introduced in 1937 and was featured in Tiffany’s display in the House of Jewels pavilion at the New York World’s Fair (1939-40). It was designed three years earlier by Norwegian staff designer Olaf Wilford (1894-1980). This well-liked pattern was produced in limited numbers until the early 1950’s, and is illustrated in Jewel Stern’s Modernism in American Silver, p.177 fig. 8.15 and 8.16.

115

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THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

113

118 TIFFANY & CO SILVER COCKTAIL SET

SESSION I

New York, circa 1930, twelve stems on elongated silver-mounted tray, engraved initial S; marked: TIFFANY & CO, 188852365, STERLING; stems H4” and tray H2” L25 1/2” W4”, and 65.0ozT all in (13pcs)

$1,800-2,400 Provenance: New York collection

116 116 TIFFANY & CO KING PATTERN SILVER FLATWARE SERVICE New York, circa 1885, comprising: 12 spoons, L8 1/2” 12 spoons, L7” 12 teaspoons, L5 3/4” 12 forks, L7 1/2” 12 forks, L6 3/4” most engraved with initials EWN and TFS; in fitted Tiffany & Co box and 155.5ozT all in (60pcs)

$3,000-4,000 Provenance: New York collection

117 ART DECO SILVER TRAY, TIFFANY & CO New York, circa 1930, linear modern design, marked: TIFFANY & CO, 51382, STERLING, L23” W15”, and 79.0ozT

$2,200-2,800 Provenance: New York collection

119 TIFFANY & CO SILVER-MOUNTED CUT-CRYSTAL PITCHER New York, circa 1897, grapevine-adorned mount, on brilliant-cut trumpet foot vessel; engraved MNJ and 1897; marked: TIFFANY & CO, STERLING SILVER; H13 3/4” W6”

$1,400-1,800 Provenance: New York collection

120

120 TIFFANY & CO SARATOGA PATTERN SILVER FISH SET New York, circa 1870, engraved MGL, marked: TIFFANY & CO STERLING PAT 1870; 12 knives L7 3/4” and 12 forks L6 1/2”, and 40.4ozT (24pcs)

$1,400-1,800 Provenance: New York collection

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123 121

122

121 TIFFANY & CO RICHELIEU PATTERN SILVER SERVING

124 TIFFANY & CO SILVER CENTERPIECE

PIECES

New York, circa 1907-1947, flared dodecagon rim adorned with bound leaves, fitted with plated liner, engraved initials HJF; marked: TIFFANY & CO, 20466-9073, STERLING; H2 1/2” Dia.12”, and 29.0ozT

New York, circa 1892, Paulding Farnham design, fork and server engraved ALS and MRC, marked: TIFFANY & CO STERLING PAT 1892 T; ladle L11 1/4” slice L11 1/4” flat server L9” fork L10”, and 18.0ozT (4pcs)

$1,000-1,500 Provenance: New York collection

122 TIFFANY & CO CENTURY PATTERN SILVER SERVING PIECES AND SET

New York, circa 1937, comprising: cream and sugar set, H2 3/4” pierced flat server, L7 3/4” gravy ladle, L7 1/4” serving spoon, L7 1/4” meat fork, L9” marked: TIFFANY & CO STERLING total 21.0ozT (6pcs)

$1,000-1,500 Provenance: New York collection

123 TIFFANY & CO SILVER HOT WATER KETTLE AND SALVER first half 20th century, kettle 18897/5650, and salver 18508/2683; and TIFFANY & CO STERLING SILVER; kettle H12 1/2”, salver Dia.6”, and 43.5ozT all in (2pcs)

$700-1,000 Provenance: New York collection

125 GORHAM ATHENIC SILVER TEA AND COFFEE SERVICE WITH TRAY

Rhode Island, circa 1912-1915, unengraved, comprising: kettle on stand, H14” coffeepot, H11” teapot, H9” covered sugar, H7” creamer, H6” waste bowl, H3 1/2” waiter, L31” marked: Gorham lion and anchor, ATHENIC, STERLING, and some dated, and retailed by THE FORD COMPANY Total 307.0ozT (7pcs)

124

$14,000-18,000 Provenance: New York collection

$900-1,400 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

125

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

126 IMPRESSIVE AMERICAN SILVER TABLE GARNITURE, J.E. CALDWELL & CO

SESSION I

Philadelphia, dated 1897, Rococo scroll, foliate and lattice design, engraved with initials HAL, comprising: centerpiece, H8 1/2” Dia.11 1/2” tray, Dia.15 1/2” large tazza, H5” Dia.13 3/4” 2 tazzas, H3 1/2” Dia.9 1/8” 4 tazzas, H2 1/4” Dia.7 1/2” marked: J.E. CALDWELL & CO, STERLING, PHILADELPHIA, 602S, 7178, 7357, 7141, 7148 Total 257.0ozT (9pcs)

$7,000-10,000 Provenance: New York collection

127 MASSIVE HOWARD & CO ARMORIAL SILVER SALVER New York, dated 1908, round scalloped rim spaced by masque and shell designs, raised on four scrolled acanthus feet; centering engraved ONSLOW family armorial with crest and motto: FESTINA LENTE; verso marked: HOWARD & CO, NEW YORK, STERLING and 1908; H2” Dia.25”, and 164.0ozT

$7,000-9,000 Provenance: New York collection

128 FINE GORHAM SILVER WELL-AND-TREE FOOTED MEAT PLATTER

126

Rhode Island, 20th century, engraved initials MBW; marked: Gorham lion-anchor-G, STERLING, A585; H2” L21 1/2” W15 1/2”, and 111.5ozT

$2,500-3,500 Provenance: New York collection

127 (and detail)

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131 129 129 REED & BARTON FRANCIS I SILVER TEA AND COFFEE

132 GORHAM VERSAILLES PATTERN SILVER FLATWARE

SERVICE

circa 1888, comprising: 12 hollow handle knives, L8 3/4” 12 spreaders, L5 3/4” 12 forks, L6 1/2” 12 forks, L6” 16 teaspoons, L5” 2 tablespoons, L8 1/2” condiment spoon, L6 1/8” master butter, L6 3/4” lion/anchor mark, some engraved and marked heavy Total 60.5oz Troy weighable (68pcs)

dated 1940, comprising: coffeepot H10” teapot H9” covered sugar H7” creamer H6” wastebowl H4” engraved with initials BPB (Beaumont Barringer Palmer); each with Reed & Barton marks, all but teapot with date mark; Total 122.0ozT (5pcs)

$2,500-3,500 Provenance: Estate of Beaumont Barringer Palmer Cathcart

$1,500-2,000 Provenance: South Carolina collection

132

130 REED & BARTON FRANCIS I SILVER TEA AND COFFEE

133 AMERICAN ART NOUVEAU SILVER PITCHER, SHREVE & CO

SERVICE

dated 1939, comprising: coffeepot H10” teapot H9” covered sugar H7” creamer H6” engraved with initials LDB (Louise Dulin Barringer); each with Reed & Barton marks, coffee and teapot with date mark; Total 107.0ozT (4pcs)

San Francisco, circa 1900, baluster form adorned with poppies contained within tendrils; engraved with initials CHBT; marked: SHREVE & CO, SAN FRANCISCO, STERLING, 5 1/2 PINTS; H13 3/4” W8 1/2”, and 37.5ozT

$2,000-3,000 Provenance: Laurence S. Barringer and Louise D. Barringer, at Airy Hall Plantation, Fenwick, Colleton County, South Carolina Estate of Beaumont Barringer Palmer Cathcart

$1,200-1,800 Provenance: New York collection

131 WHITING MFG SILVER PUNCH BOWL New York, wk. 1866-1926, ornate scrolling foliate top rim and wave openwork base; marked: Lion with W, STERLING, 3050, 11 PINT; H6” Dia.12”, and 56.0ozT

$1,800-2,200 Provenance: New York collection

130

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133

136 ANTIQUE PERSIAN HERIZ CARPET circa 1900, 8’2” x 11’10”

$2,500-4,000 Provenance: Estate of Betty McLeod Mattox

137 ANTIQUE PERSIAN HERIZ CARPET

SESSION I

late 19th century, 10’8” x 13’8”

$1,500-2,500 Provenance: South Carolina collection

138 PERSIAN HERIZ CARPET

135

8’9” x 12’10”

$900-1,200

134 134 AMERICAN SILVER BEVERAGE PITCHER, LEBKUECHER & CO Newark, NJ wk. 1896-1909, retailed by Whelan, Aehle, Hutchinson Jewelry Co., Saint Louis; ornate foliate design, unengraved, marked; H10” W9”, and 32.5ozT

140 PERSIAN KERMAN CARPET

139 PERSIAN HERIZ CARPET

circa 1930, 9’ x 11’7”

$800-1,200

8’9” x 11’9”

$900-1,200

$600-900 Provenance: New York collection

135 AMERICAN AESTHETIC MOVEMENT SILVER CENTERBOWL, JOHN WANAMAKER Philadelphia, circa 1910, Japanesque design, flared bowl adorned with scenic vignettes; marked: JW eagle C, STERLING & 14K; H3 3/4” Dia.8”, and 15.7ozT

$600-900 Provenance: New York collection

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140

T HURSDAY 31 M AY 141 VIENNESE ENAMEL AND SILVER NEF, LUDWIG POLITZER circa 1880, modeled as three-masted ship with enameled sail, with seven silver sailors in rigging and on deck; enamel hull painted with mythological scenes; supported by mermaid stem and enameled dome foot stem; marked: LP and and another indistinguishable; H20” L14” W5”

$25,000-35,000 Provenance: Purchased Sotheby’s New York, 24 Oct. 2007, Lot 55 New York collection

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

19th Century Viennese Enamel Work

SESSION I

142 VIENNESE SILVER, ENAMEL, AND LAPIS LAZULI TOWER CLOCK, ATTRIB. BOHM attributed to Hermann Bohm, circa 1880, surmounted with figural finial, atop enameled openwork and polished lapis architectural case, on square base set with four spiral columns, raised on claw feet; no marks found; H15” W6” D6”

$10,000-15,000 Provenance: New York collection

Other Notes: Related to clock sold Christie’s New York, 21 Oct. 2015, Lot 158; and 22 March 2001, Lots 44 & 45.

143

143 VIENNESE ROCK-CRYSTAL, ENAMEL, AND SILVER FIGURAL COMPOTE

circa 1900, seated figure atop shell-form carved crystal bowl supported by kneeling figure on carved crystal base with enameled and gem-set rim; unmarked, H10 1/2” 1/2” D5 1/4”

$9,000-12,000 Provenance: New York collection

144 VIENNESE SILVER-GILT, ENAMEL AND ROCK CRYSTAL COUPE

circa 1870-1880, engraved rock crystal scalloped shell-form bowl with scrolled handle surmounted by dragon, supported by winged dragon stem, on crystal and enamel base; H7 1/2” W4 1/2” D3”

$2,200-2,800 Provenance: New York collection

142

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146

145 SUPERB PAIR FRENCH SILVER FOUR-LIGHT CANDELABRA

150 DUTCH SILVER-MOUNTED CRYSTAL CLARET JUG Leeuwarden, dated 1886, ornate Rococo-inspired mounted top and openwork base; duty, assay, date, and maker’s mark; H12 1/4” W4”

late 19th century, intricate Rococo design, scrolling acanthus, bellflowers and shell stem issuing candlearms; bobeche and base marked with 1st standard Minerva’s head punch; H17 1/2” Dia.10”, and total 257.0ozT

$700-900 Provenance: New York collection

$9,000-12,000 Provenance: New York collection

145 146 STORCK & SINSHEIMER SILVER CENTERBOWL WITH LINER

Hanau, working 1874-1926, (Jacob Storck and Louis Sinsheimer) oval garland and festoon-adorned openwork frame with ram’s-masque handles and feet; one vacant and one heraldic engraved cartouche; fitted with gilded-plate liner; marked; H7 1/2” L19” W11”, and 77.0ozT

$3,500-4,500 Provenance: New York collection

149 CHINESE EXPORT SILVER BOWL, SHING FAT Canton & Shanghai, circa 1880-1930, applied exotic birds amongst blossoming prunus branches, engraved with conjoined initials SGH; marked: SHINGFAT, 90 and ideogram, H6” Dia.9”, and 29.5ozT

$1,200-1,800 Provenance: Purchased New Orleans Auction, 6 Dec. 2011, Lot 468 New York collection

147 FRENCH SILVER-MOUNTED CORNELIAN

147

CENTERBOWL

late 19th century, ornate openwork frame supporting large oval polished stone basin flanked by openwork handles and base, adorned with cornelian cabochons; French first standard Minerva’s head mark, H7 1/2” L18 1/2” W9”, and 51.5ozT all in

$2,000-3,000 Provenance: New York collection

148 CONTINENTAL SILVER JARDINIERE flared openwork border on cartouche-form body supported on winged dragon caryatids; fitted with vermeil liner, marked: 800 crescent and crown POSEN, H6” L13 1/4” W11 1/2” and 54.5ozT weighable

$2,000-3,000 Provenance: New York collection

149

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148

151 ITALIAN WALNUT REFECTORY TABLE 18th century, rectangular crossbanded plank top, carved molded edge, baluster supports and dolphin brackets; H32 1/2” W31 1/2” L105 3/4”

$3,000-5,000 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

SESSION I

152 ITALIAN RENAISSANCE STYLE CARVED WALNUT DINING CHAIRS

late 18th/early 19th century, leafy corbel finials, upholstered back and seat, carved stretcher, square legs; BH47 3/4” SH20” W25” D23” (9pcs)

$1,000-2,000 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

Other Notes: Bearing old label, reads: : Remade and renovated by William J. Heina & Son, 319 East 91st St, New York City: For Mrs. Leach, 33 West 54th St. (circa 1965)

153 ITALIAN RENAISSANCE CARVED WALNUT CREDENZA CABINET

17th century, molded edge top above three short drawers, carved panel doors divided by terminal figures, carved molded base and feet; stamped GtS; H40 1/2” W69” D21 1/2”

$2,000-3,000 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

151 154 ITALIAN BAROQUE WALNUT TABLE 17th/early 18th century, molded edge top, chamfered corners above two short drawers, turned legs, X-brace stretcher and bun feet; H33” W42” D20 1/2”

$1,000-1,500 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

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156 157 CONTINENTAL CARVED OAK BOOKCASE

158 ITALIAN RENAISSANCE CARVED WALNUT CLOTHESPRESS

mid 19th century, carved scroll and leaf design, figural supports, ram’s-head and fruit carvings, lower part with drawer, hound and fox decorations on molded base; H86” W102” D18”

17th/early 18th century, carved crown, paneled doors, fitted interior, long drawer and turned feet; crown of later date; H93” W57” D27”

$2,000-3,000 Provenance: Estate of Betty McLeod Mattox

$800-1,200 Provenance: South Carolina collection

158 155 ITALIAN CARVED WALNUT CABINET circa 1800, carved molded edge, above two-drawer frieze, doors, and molded bracket base; H36” W36” D14 1/2”

$800-1,200 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

156 BAROQUE ELM TRESTLE TABLE

17th/early 18th century, three-plank top, lyre-form supports, molded stretcher; H32 3/4” W30” L82”

$3,000-4,000 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

155

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157

159 WILLIAM & MARY OAK TAVERN TABLE circa 1700, long drawer, turned legs joined stretcher on bun feet; H26” W34” D22”

$600-900

160 ITALIAN BAROQUE STYLE NEEDLEWORK AND

SESSION I

CARVED WALNUT ARMCHAIR

early 20th century, BH44” SH17” W29 1/2” D27”

$300-500 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

159

161 GEORGIAN OAK CHEST

162

late 18th/19th century, hinged top, paneled front and sides, with two drawers; H28” W51” D21”

$400-600

162 PAIR ITALIAN BAROQUE CARVED GILTWOOD GIRANDOLE MIRRORS

mid 18th century, cartouche-shape plate bordered by scrolling acanthus-and-shell carved frame, issuing two scrolling candlearms ending with floriform bobeches; H23 1/2” W15 1/2” (2pcs)

$700-1,000 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

163 PAIR BAROQUE STYLE CARVED GILTWOOD MIRRORS late 19th century, pierce-carved basket pediment; H41 3/4” W20 1/4”

$700-1,000 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

163 160

164 PAIR CONTINENTAL PRESSED BRASS SCONCES late 18th century, H17 1/2” W14 1/2” (2pcs)

$500-700 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

161

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166 167 SPANISH GALLEON SHIPWRECK-RECOVERED CERAMIC VESSEL circa 1724; amphora-form vessel, encrusted with silica and barnacles; H9 1/2” Dia.8 1/2”

$600-900 Provenance: Georgia collection

165 165 ERNST STUVEN

Other Notes: Accompanied by National Geographic, December 1979 (Vol.156, No.6). Signed letter with photographs of this vessel reads:

(German, 1657-1712) FLORAL AND NATURE MORTE STILL LIFE oil on canvas, original frame, signed mid-center H34” W27”

$5,000-7,000 Provenance: Purchased in the 1950s and descended through a Southern collection to present family members Other Notes: The matching pair to this still life sold in these rooms, 4 December 2015, Lot 208.

166 ANCIENT GREEK TERRACOTTA BLACK-FIGURE VOLUTE KRATER South Italian, Apulian, 6th century BC., beautifully decorated ceremonial scene and obverse with chariot scene, amphora-form vessel on pedestal base and flanking scroll handles; H17” W6 1/2”

$3,000-5,000 Provenance: Georgia collection

In July of 1724 the galleons Nuestra Senora de Guadalupe and Conde De Tolosa sailed from Cadiz, Spain. Their destination was Veracruz, Mexico via Havana. The main cargo they were carrying was mercury, which was necessary for refining processes. This was the yearly shipment for the gold and silver mines in Mexico. On August 24, 1724 the two galleons were passing by the bay of Samana on the Northeast coast of Hispaniola when they were hit by a hurricane and both ships were sunk. The story of their sinking and the salvage efforts were featured in the December 1979 issue of The National Geographic and in the book ‘Arqueologia Submarina en la Republica Dominicana’ by Pedro J. Borrell. This clay car or olive jar was recovered from the Nuestra Senora de Guadelupe and is one of nine brought to the United States by Susan Hendrickson between 1978-1984.

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

167

168 BALDWIN MODEL R BLACK LACQUER GRAND

172 LOUIS XVI STYLE PAINTED CARVED WOOD

PIANO

FAUTEUILS AND CHAISE SUITE

circa 1975, serial no. 208904, with matching stool, H38 1/2” W6’5” (2pcs)

mid to late 19th century, oval back with musical trophy=carved crestrail of differing instruments, bowed seatrail, tapering fluted legs; BH39 1/2” SH18” W25 D24” (4pcs)

$2,000-4,000 Provenance: Ruth McClintock Ravasz estate

$1,000-1,500 Provenance: Georgia collection

SESSION I

173 PAIR LOUIS XVI STYLE CARVED WOOD CONSOLES late 19th century, white marble top, heavily carved lamb’stongue border, pierced skirt, tapered trumpet legs, rabbit ear-molded stretcher, and mirror backplate of later date; H28 3/4” W47 1/4” D14” (2pcs)

$900-1,200 Provenance: Georgia collection

169 ENGLISH CRYSTAL FIVE-LIGHT CHANDELIER, ATTRIBUTED TO BACCARAT

168

late 19th/early 20th century, H42” Dia.32”

$1,000-2,000 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

170 LOUIS XVI STYLE SILVERPLATE URN, CONVERTED TO LAMP

circa 1900, romantic Arabesque-decorated panels on baluster body, raised on cherub and dolphin feet, gilt accents; overall H37”

172

$700-1,000 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

171 CRYSTAL CHANDELIER early 20th century, H45” Dia.18”

$800-1,500 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

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175

174 PAIR BIEDERMEIER EBONIZED BIRCH ARMCHAIRS

178 CONTINENTAL WALNUT DINING TABLE

first half 19th century, scrolling backrest, bowed seatrail, tapered legs; BH34 1/2” SH18” W33” D22” (2pcs)

late 19th century, oval molded-edge top, turned taper legs with casters, fitted with three 15 1/4” leaves; H28 3/4” W44 1/4” L43 1/2” to 89 1/4” (4pcs)

$800-1,200 Provenance: Simon Benson Offit collection

$400-800 Provenance: Simon Benson Offit collection

175 LOUIS XVI STYLE STRIPED BEECH FAUTEUILS late 19th/early 20th century, BH37” SH18” W23” D18” (4pcs)

$700-900 Provenance: Georgia collection

176

179 ITALIAN CHINOISERIE-PAINTED CORNER CABINET 19th century, H58” W35” D35”

$700-1,000 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

176 CONTINENTAL WALNUT SIDE OR WRITING TABLE

possibly Austrian, circa 1780, leather-inset top, skirt with drawer, on cabriole legs; H28” W29 3/4” D24 1/2”

179

$400-700 Provenance: Simon Benson Offit collection

177 LOUIS XVI STYLE BALLOON-BACK BEECHWOOD SIDE CHAIRS

late 19th century, molded frame, pierced splat in the form of a hot-air balloon, oval seat, fluted taper legs; BH36 1/2” SH18” W18” D22” (4pcs)

$600-900 Provenance: Simon Benson Offit collection

177

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178

SESSION I

181

182

184

180 PAIR CONTINENTAL CARVED GILTWOOD AND MIRRORED

183 PAIR CHARLES X GILT-BRONZE FOUR-LIGHT CANDELABRA

PEDESTALS

early 19th century, reeded standard supporting leaf-capped candlearms, raised on lion’s-paw feet and trefoil base; H25” W7”

late 19th century, H47 1/2” W9” D8 3/4” (2pcs)

$400-600 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

180A FRENCH PROVINCIAL CARVED FRUITWOOD DRESSER 18th century, four-tier shelves with plate rails, molded panle and shaped feet, H90” W54” D24”

$600-1,200 Provenance: North Carolina collection

181 PAIR FRENCH BRONZE-MOUNTED ROUGE GRIOTTE MARBLE URNS, STAMPED 19th century, ovoid polished stone body adorned with ornate mounts of ribbons, swags and acanthus leaves; one stamped on base: HERBERT; H16 3/4” W8” (2pcs)

$2,000-3,000 Provenance: Eastover Villa, Palm Beach Georgia collection

$700-1,000 Provenance: Georgia collection

184 PAIR ORMOLU-MOUNTED BLACK MARBLE OBELISKS 20th century, Neoclassical design, H27” W4 3/4” D4 3/4” (2pcs)

$600-900 Provenance: Georgia collection

184A SLATE AND METAL CLASSICAL TEMPLE domed top, round base with 8 fluted columns and figure; H13 1/2” Dia.7 1/2”” D4 3/4”

$300-500 Provenance: Georgia collection

182 PAIR FRENCH EMPIRE ORMOLU AND BRONZE FIGURAL CANDELABRA

circa 1820, A LA VICTOIRE allegorical figures supporting basket issuing five candlearms, standing aloft dome and plinth; H21 1/2” W4 1/4” D4 1/4” (2pcs)

180

$800-1,500 Provenance: Estate of Julia Brewer Ballard

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185

187

185 PAIR CHARLES X PARCEL-GILT BRONZE CANDELABRA

187 PAIRS FRENCH BRONZE CANDLESTICKS

188 PAIR FRENCH ORMOLU URNS ON PEDESTALS

first half 19th century, removable flame finial on reeded column icings, scrolling arms ending in candlelights; H17 1/2” W7 1/4” (2pcs)

late 19th/early 20th century pair H9 1/2” pair two-light H7” W8” (4pcs)

19th century, Neoclassical design; H10 1/2” W3 1/2” (2pcs)

$500-1,000 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

$300-500 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

$300-400 Provenance: Georgia collection

186 PAIR FRENCH GILT-BRONZE AND WHITE MARBLE COVERED URNS

19th century, bulbous bodies with fruit finial and pendent drop, pierced rim, tripod supports, surmounted by goat’s-masque head tripod supports and plinth; H14” W6 1/2” (2pcs)

$500-800 Provenance: Georgia collection

188

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189 PAIR GEORGE III GILTWOOD ARMCHAIRS, STAMPED: MORANT & CO circa 1850, arched upholstered back and scrolled arms above shaped seat, covered in brass-nailed damask fabric, on scrolled and foliate cabriole legs with scrolling dolphin feet; stamped: Morant & Co, 91 New Bond St., London, and also inscribed: R-3428 & R-3429, 20th C-Fox, 3-13-36; BH43 1/2” SH17 1/2” (2pcs)

Exhibitions: These chairs were featured in the 20th Century Fox film Lloyd’s of London starring Tyrone Power in 1936. One of these chairs can be seen in Lord Everett Stacy’s foyer. They are early replicas of an 18th century gilt-walnut upholstered armchair in the Donaldson Collection; see reference under Literature. During recent reupholstery the present owner inserted an additional piece onto the crestrail to modify the shape which can easily be removed.

192 191 GEORGE III MAHOGANY CHEST ON CHEST circa 1790, dentil-molded crown, fluted chamfered corner, pullout brush slide, ogee bracket feet; H73” W42” D21”

Literature: Edwards, Ralph. THE SHORTER DICTIONARY OF ENGLISH FURNITURE. Middlesex, 1984-88, pp.136, photo 76 Ivy, Judy Crosby. CONSTABLE AND THE CRITICS 1802-1837. Woodbridge, 1991, pp.159, and 116-7 Other Notes: The firm of Morant, Boyd & Morant was established in 1790 by George Morant and located at 88 New Bond Street, London. By 1852 the firm had become known as Morant & Boyd and had premises at 91 New Bond Street. Another move to 81 New Bond Street took place in 1858. The firm merged with Lenygon & Co. in 1912 and then became known as Lenygon & Morant.

SESSION I

$2,000-4,000 Provenance: Bobby Dodd collection

$1,000-2,000 Provenance: Estate of Betty Mathews Mattox

192 GEORGIAN INLAID MAHOGANY SECRETARY 191 190 PAIR GEORGE III GILTWOOD ARMCHAIRS, STAMPED: MORANT & CO circa 1850, arched upholstered back and scrolled arms above shaped seat, covered in brass-nailed damask fabric, on scrolled and foliate cabriole legs with scrolling dolphin feet; stamped: Morant & Co, 91 New Bond St., London, and also inscribed: R-3430 & R-3431, 20th C-Fox, 3-13-36; BH43 1/2” SH17 1/2” (2pcs)

circa 1800, slant lid opening to fitted satinwood interiors, above drawers and bracket feet; H43 1/4” W47” D22”

$700-1,000

193 GEORGIAN INLAID MAHOGANY BREAKFRONT SIDEBOARD first quarter 19th century, crossbanded top, center drawer flanked by deep drawers; H36” W72” D28 3/4”

$1,200-1,800

$2,000-4,000 Provenance: Bobby Dodd collection

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194 194 PAIR GEORGIAN STYLE BURL AND SATINWOOD CHESTS OF

196 GEORGE III TAPESTRY-UPHOLSTERED MAHOGANY

DRAWERS

WINGBACK CHAIR

H35” W34” D18 1/4” (2pcs)

first quarter 19th century, molded square legs joined by stretcher; BH44” SH18” W34” D27 1/2”

$1,000-2,000

$1,000-2,000 Provenance: Estate of Betty McLeod Mattox

195 GEORGIAN MAHOGANY GAMES TABLE last quarter 18th century, hinged top, gateleg with pad feet; H23” W32 3/4” D13 1/2”

$400-800 Provenance: Otto Zenke, Greensboro, North Carolina Laurence S. Barringer and Louise D. Barringer, at Airy Hall Plantation, Fenwick, Colleton County, South Carolina Estate of Beaumont Barringer Palmer Cathcart

197 GEORGE III MAHOGANY CHEST ON CHEST first quarter 19th century, dentil-molded crown, configuration of nine drawers on bracket feet; H73” W42 1/2” D21 1/2”

$900-1,400 Provenance: Ruth McClintock Ravasz estate

197 198 GEORGE III INLAID MAHOGANY CHEST OF DRAWERS circa 1800, configuration of short and long drawers on bracket feet; H36” W42 1/4” D21”

$600-800

Other Notes: Bears old Otto Zenke label.

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200

199

199 VICTORIAN MAHOGANY QUARTER-ROLL TAMBOUR DESK

202

201

circa 1850, tambour slide, fitted interiors, pullout writing surface over drawers, on fauxbamboo legs; H39” W42” D21 1/2”

$800-1,200

200 CHINESE CHIPPENDALE STYLE LADDERBACK DINING CHAIR

202 ENGLISH MAHOGANY CURIO CABINET ON STAND 19th century/20th century, dentil and blind-fret crown and skirt, chamfered molded square legs on Marlborough feet; H71” W88” D13 1/2”

$600-900

SET

circa 1830, yoke-shaped toprail, pierced shell-carved splats, concave seatrails, square legs with molded stretchers; six side and two arm chairs; BH37” SH17” W25” D24” (8pcs)

$1,500-2,500

201 GEORGE III MAHOGANY GAMES TABLE circa 1810, hinged top and gateleg, H30” W36 1/2” D18”

$300-400

203 GEORGE III MAHOGANY CHEST ON CHEST first half 19th century, Gothic arch dentil-molded crown, pullout brush slide, configuration of short and long drawers on splay feet; H81 1/2” W45” D21 1/2”

$900-1,200 Provenance: Laurence S. Barringer and Louise D. Barringer, at Airy Hall Plantation, Fenwick, Colleton County, South Carolina Estate of Beaumont Barringer Palmer Cathcart

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205

206

204 GEORGE III STYLE CARVED WALNUT STOOL

206 GEORGE III MAHOGANY TILT-TOP TABLE

208 GEORGIAN STYLE MAHOGANY CHEST OF DRAWERS

possibly Irish, late 19th century, heavily carved legs with hairy-paw feet; H18” W24” D21”

circa 1820, piecrust-molded top, saber legs and snakepad feet; H27 1/2” Dia.26 3/8”

circa 1840, H43” W49” D21 1/2”

$400-600 Provenance: Estate of Betty McLeod Mattox

$300-500 Provenance: Estate of Betty McLeod Mattox

205 GEORGIAN INLAID MAHOGANY BOWFRONT CHEST OF

207 QUEEN ANNE STYLE CARVED MAHOGANY CORNER CHAIR

DRAWERS

circa 1780, pierced splats, serpentine seatrail, shell-carved cabriole legs and pad feet; BH32” SH18” W25” D25”

circa 1830, short over long drawers and splay feet; H39” W46” D22 1/2”

$700-900

$300-500 Provenance: Estate of Betty McLeod Mattox

$600-800

209 HEPPLEWHITE INLAID MAHOGANY PEMBROKE TABLE circa 1820, two drawers, drop leaves, and tapered legs; H27” W20 1/2” D26”

$400-600

209A SHERATON STYLE MAHOGANY DINING CHAIRS late 19th/early 20th century, swag and bow carved crestrail, tapered legs, molded stretchers, one arm and five side arms; BH37” SH18” W21 1/4” D18” (6pcs)

$500-700 Provenance: Property of a gentleman

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210 ENGLISH MAHOGANY CHEST OF DRAWERS circa 1850, short over long drawers on bracket feet; H42 1/2” W43” D22 1/2”

$500-700

211 GEORGIAN MAHOGANY TILT-TOP TABLE

SESSION I

circa 1810, piecrust molded top, reeded column supports carved paw feet; H28 1/4” Dia.32”

$300-500

212 GEORGIAN CARVED MAHOGANY CORNER CHAIR 210

213

circa 1820, BH32” SH19” W31” D25”

$300-400 Provenance: Ruth McClintock Ravasz estate

213 PAIR GEORGE III CARVED MAHOGANY ARMCHAIRS circa 1810, pierce-carved splats, BH36” SH17” W23 1/2” D20” (2pcs)

$300-500

214 SHERATON STYLE MAHOGANY BUTLER’S DESK circa 1830, hinged front, opening to satinwood fitted interior, over drawers and splay feet; H44 1/2” W47 1/4” D21 1/4”

$600-900

214

215 ENGLISH MAHOGANY CORNER CABINET mid to late 19th century, H74” W30” D17”

$400-700

216 ENGLISH INLAID MAHOGANY HANGING CORNER CABINET

211

early 19th century, dentil-molded and reeded crown, fluted chamfered corners; H42” W30 1/2” D17”

$400-600 Provenance: Estate of Betty Mathews Mattox

217 GEORGE III MAHOGANY PEMBROKE TABLE circa 1790, drop leaves over drawers, tapered legs joined by stretcher and platform; H27 1/4” W21” D30”

$400-600

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218 IMPORTANT GEORGE III BRITANNIA SILVER CANDLESTICKS, PARKER & WAKELIN London, dated 1768 and 1790, design attributed to Sir William Chambers (1722-1796), leaf-bound urn-form socket, reeded stem applied with husk swags, on stepped base with sweeping reed and bound-leaf band; three engraved with crest of Sir William Bagot, 6th Baronet (1728-1798); set of four dated 1768 with complete Britannia standard hallmarks: John Parker I & Edward Wakelin (wk. 1760-1776), each marked underneath with scratchweight inventory Nos. 2, 3, 4, and 6; together with later pair made to match with candelabra tops, complete Britannia standard hallmarks, dated 1790 by John Wakelin & William Taylor (wk. 1776-1792), each marked underneath with scratchweight inventory Nos. 1 and 2. Four H11” and two H14 1/2” W12 1/4”, and total 230.0ozT (6pcs)

$25,000-35,000 Provenance: Sir William Bagot, 6th Baronet (1728-1798) New York collection

Literature: Clifford, Helen. SILVER IN LONDON, THE PARKER AND WAKELIN PARTNERSHIP 1760-1776, Yale, 2004, pp.168-170, 208, and fig.141 Rowe, Robert. ADAM SILVER, 1765-1795. New York: Taplinger, 1965. Fig.71A and 71B Young, Hilary, introductory essay in the 1997 Somerset House exhibition, SIR WILLIAM CHAMBERS, ARCHITECT TO GEORGE III, SILVER, ORMOLU AND CERAMICS, pp.149-162 Other Notes: These candlesticks relate to an important service made for George Spencer, Duke of Marlborough based on designs by Sir William Chambers. The firm was founded in 1735 by John Wickes. Over its nearly 300 years of history and numerous name changes, the firm is better known today as Asprey & Gerrard or Gerrard & Co. Gerrard was the Crown Jeweler of Great Britian and was charged with the upkeep of the British Crown jewels from 1843 to 2007.

218

220 GEORGE III SILVER PRESENTATION TUREEN, JOHN EMES London, dated 1803, gadroon border, anthemion and rosette band over basin on pedestal, flanked by lion’s-masque and ring handles, complete hallmarks, H13 1/2” W13 1/2” D11”, and 115.0ozT engraved armorial and verso with dedication: PRESENTED TO ROBERT OSBORNE ESQE RECORDER, BY THE CORPORATION OF THE MAYOR AND BURGESSES OF KINGSTON UPON HULL AS A MEMORIAL AS A MEMORIAL OF THE HIGH SENSE THEY ENTERTAIN OF HIS CONDUCT IN DISCHARGING THE VARIOUS DUTIES THAT IMPORTANT STATION; NON SINE PULVERE PALME; JOHN WRAY, ESQR, MAYOR 1803.

$8,000-12,000 Provenance: New York collection

Special thanks to Angela Howard, Heirloom & Howard for research and identification of Bagot crest.

219 GEORGE III SILVER EPERGNE, THOMAS PITTS London, dated 1787, reticulated oval bowl engraved with heraldic device supported on stand with Vitruvian scroll and bellflower-decorated legs ending in hairy-paw feet, issuing scrolling arms ending in pedal forms supporting baskets; complete hallmarks, H14” L22 3/4” W20 1/2” and 69ozT

$8,000-12,000 Provenance: New York collection

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SESSION I

225 224 GEORGE III SILVER SALVER, CROUCH & HANNAM

221

222

London, dated 1786, reeded oval border centering bright-cut band and heraldic device, raised on four scroll feet, underside engraved with dedication: CHRIST CHURCH-FORREST HILL, PRESENTED TO CHARLES FITCH KEMP, ESQRE, BY HIS FELLOW PARISHIONERS, IN ACKNOWLEDGEMENT OF MANY YEARS KIND SERVICES AS THEIR CHURCH WARDEN, 1866, H1 1/2” L16 3/4” W12 1/2”, and 42.7ozT

$2,000-3,000 Provenance: New York collection

221 GEORGE III SILVER AND CRYSTAL CRUET SET, PAUL STORR London, dated 1818, ornate leaf and reed-bound frame accented with lion’s-masques and shell motifs, fitted with four matching silver-mounted crystal bottles, complete hallmarks; H9 1/4” W6 1/4” D6 1/4” and 23.7ozT weighable

$4,000-5,000 Provenance: New York collection

222 VICTORIAN SILVER CANDLESTICK SET, THOMAS BRADBURY & SONS

224 (and detail)

London, dated 1893, reeded and beaded diamond design; complete hallmarks; H11” W4 1/2”, and 88.0ozT all in (4pcs)

225 EDWARDIAN SILVER MONTEITH BOWL, CHARLES STUART HARRIS & SON

$3,000-4,000 Provenance: New York collection

London, circa 1920, mask and scrolling shaped rim over deep bowl and round foot; flanked by lion’s-masque and bail handles; rubbed marks; H9” Dia.12 1/2”, and 72.5ozT

223 IRISH GEORGE III SILVER OPENWORK BASKET, ATTRIBUTED JOHN LOCKER

$2,000-2,500 Provenance: New York collection

Dublin, second half 18th century, openwork Rococo frame with gadroon and floral scrollwork, swing handle, centering engraved impaled arms of JOHNSTONE, on openwork base; partial rubbed marks; H12” L15 1/2” W13”, and 40.0ozT

$2,500-3,500 Provenance: New York collection

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227

228

226 GEORGE III BAKER ARMORIAL SILVER SALVER, JOHN HUTSON

230 GEORGE III SILVER TEA CADDY, WILLIAM VINCENT London, dated 1774, hinged cylinder design with foliate finial, stipple and bright-cut decorated swag and ribbon motifs and heraldic pendant, complete hallmarks, H5” Dia.4” and 12.6ozT

London, dated 1790, round reeded rim centering engraved crest and arms of BAKER, and motto: FINIS CORONAT OPUS, raised on four scroll feet, complete hallmarks; D1 1/2” Dia.14”, and 33.0ozT

$1,500-2,000 Provenance: New York collection

$1,800-2,400 Provenance: New York collection

231 PAIR REGENCY SILVER CANDLESTICKS, JOHN WATSON

227 GEORGE III SILVER TANKARD, JOHN KING

Sheffield, dated 1819, profusely chased floral-and-scroll design, original bobeches and pitch-loaded base; bobeche engraved with MOSELY crest with motto: MOS LEGEM REGIT; complete hallmarks and scratchweight 17.13 and 17.8; H12” base Dia.5 1/2”, and total 95.5ozT all in (2pcs)

London, dated 1772, domed cover, openwork thumbpiece, on baluster form, spreading foot, and strap-capped scroll handles with shield-form terminal, engraved with initials B over S*M, complete hallmarks; H8 1/4” W6 1/2”, and 27.4ozT

$1,500-2,500 Provenance: Laurence S. Barringer and Louise D. Barringer, at Airy Hall Plantation, Fenwick, Colleton County, South Carolina Estate of Beaumont Barringer Palmer Cathcart

$1,800-2,400 Provenance: New York collection

228 RARE GEORGE III SILVER COVERED CONDIMENT SET, JOHN KIDDER London, dated 1791, acorn finial, paneled vasiform flanked by elongated leaf-cap reeded handles, complete hallmarks; H9 1/2” W6” and H8” W5” and 31.3ozT (3pcs)

$1,800-2,200 Provenance: New York collection

230

229 PAIR GEORGE IV SILVER CHAMBERSTICKS WITH SNUFFERS, R & S GARRARD & CO London, dated 1828, floral-inspired design engraved with crest, leaf-capped handle, complete hallmarks; H4 1/2” W6 1/2” D5 1/2”, and 31.3ozT (2pcs)

$1,800-2,200 Provenance: New York collection

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234 GEORGE III SILVER SAUCE BOATS, WILLIAM SKEEN London, circa 1765, gadroon rim oval body, leading to acanthus-capped scrolling handle, on shell and hoof feet; rubbed hallmarks; H4 1/2” L6 1/2” W3 1/2”, and 18.5ozT

$900-1,400 Provenance: New York collection

SESSION I

235 REGENCY SILVER TEA CADDY, ROBERT & SAMUEL HENNELL London, dated 1809, floral finial, hinged cover opening to divided compartment on reeded bulbous body and ball feet, engraved initials DNP, complete hallmarks; H5 1/2” W6 1/2” D5 1/4” and 19.2ozT

232

233

$700-900 Provenance: New York collection

236 CHINESE PORCELAIN PHOENIX Qing dynasty, vibrantly-enameled figure resting on rock formation; H14 1/2”

$600-900 Provenance: Estate of Betty McLeod Mattox

234 232 GEORGE III SILVER BASKET, ROBERT HENNELL & DAVID HENNELL London, dated 1799, swing handle on stipple-decorated oval bowl on pedestal base, underside engraved B and opposing side MHMcL; complete hallmarks; H9 1/2” L12 3/4” W8 1/4”, and 17.7ozT

$800-1,200 Provenance: New York collection

233 PAIR GEORGE III SILVER MUGS, THOMAS OLIPHANT London, dated 1802, reeded flared cylinder engraved with crest, armorial and initial M; H4 1/2”, and 23.5ozT (2pcs)

$1,000-1,500 Provenance: New York collection

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237

238

237 CHINESE EXPORT BASSET ARMORIAL

239 CHINESE BLUE-AND-WHITE PORCELAIN

PORCELAIN TANKARD

COVERED TUREEN

Qianlong period, circa 1780, oversized mug form, decorated with arms of BASSET impaling COXE above motto PRO REGE ET POPULO; H5 3/4” D4 1/2”

circa 1780, underglaze-blue Canton scene with wave finial, flanked by boar’s-head handles, H9 1/2” W12” W8 1/2”

$500-900 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

Literature: Howard, David S. CHINESE ARMORIAL PORCELAIN. London: Faber & Faber, 1974, p.647 Other Notes: The arms are of Basset of Tehidy in Cornwall and of Devonshire. In 1779 Francis Basset was created Baron of Dunstanville. He married Frances Susanna Coxe of Ston Easton, Somerset. See Christie’s-London 9 Dec. 2011, lot 401; and Sotheby’s-New York, 21-23 Nov. 2014 the Mellon Collection, lot 600 for pieces from this sample service.

238 PAIR CHINESE MANDARIN PALETTE

239

$500-800 Provenance: James Gallery, Lederach, PA New York collection

240 CHINESE CERAMIC ARCHITECTURAL ORNAMENTS

Republic period, each in the form of figures riding animals; H13” W13” D5 1/2” (4pcs)

$400-600 Provenance: Estate of Betty McLeod Mattox

240

241 PAIR CHINESE ARMORIAL PORCELAIN SAUCE BOATS

circa 1735, famille rose and chain pattern centering heraldic device; H3 1/2” L7 1/2” W3 3/4” (2pcs)

$400-600 Provenance: New York collection

PORCELAIN CHICKEN SKIN VASES

circa 1780, baluster form vessels adorned with pictorial vignettes on flower vine and chicken skin ground; H11 1/8” (2pcs)

$500-800 Provenance: New York collection

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242 CHINESE EXPORT FAMILLE ROSE PORCELAIN CIDER JUG circa 1780, underglaze-blue decorated molded barrel-form pitcher accented with bamboo, garlands, basket of flowers, and sprigs; with overlap strap handle ending in leaf cluster; H9” W8 1/2”

$400-700 Provenance: New York collection

SESSION I

243 CHINESE EXPORT PORCELAIN CHARGER 18th century, floral and butterfly decorated-border centering harbor scene; Dia.14 1/4”

$400-700 Provenance: Estate of Betty McLeod Mattox

246 244 CHINESE EXPORT JAQUEMAN/GOUGHTON ARMORIAL PORCELAIN MUG

Qianlong. circa 1700, flower sprays and spearhead design centering ornate arms; H4 1/4”

242

$200-400 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York Literature: Howard, David S. CHINESE ARMORIAL PORCELAIN II. Wiltshire: Heirloom & Howard, 2003. p.281; and related earlier service CAP, Vol.1, p. 585

246 CHINESE EXPORT WORTHINGTON ARMORIAL PORCELAIN TEAPOT

Qianlong, circa 1745, spearhead and floral designs centering arms; H5 1/2”

$200-400 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York Literature: Howard, David S. CHINESE ARMORIAL PORCELAIN. London: Faber & Faber, 1974. p.477

245 CHINESE EXPORT SAYER ARMORIAL PORCELAIN PLATE Qianlong, circa 1765, spearhead and floral spray centering arms, Dia.9”

$200-400 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

243

Literature: Howard, David S. CHINESE ARMORIAL PORCELAIN. London: Faber & Faber, 1974. p.515

247 247 CHINESE EXPORT PORCELAIN TEAPOTS AND PLATES Qianlong, circa 1780, pair of famille rose plates Dia.9 1/4”, and teapot H6” W9 1/4”; and American market teapot H5” L8 3/4” (4pcs)

$200-400 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

244

245 WWW.CHARLTONHALLAUCTIONS.COM

248 GEORGIAN INLAID MAHOGANY SERPENTINE BRANDY BOARD

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first half 19th century, shell and fan-inlaid decorations, short center drawer flanked by bottle drawers, on tapered legs and spade feet; H36” W52 1/2” D26 1/4”

$1,000-2,000

249 GEORGIAN MAHOGANY BUREAU BOOKCASE circa 1810, dentil-molded crown, raised panel doors, slant front, fitted interiors, over short and long drawers, on ogee bracket feet; BH84” W46” D24”

$1,500-2,000

250 GEORGE III MAHOGANY CHEST OF

248

DRAWERS

last quarter 18th century, molded edge top, two over four drawers, fluted quarter columns, bracket feet; H48” W42” D23”

$700-1,000

251 HEPPLEWHITE INLAID MAHOGANY PEMBROKE TABLE first quarter 19th century, H28 1/2” W22” D37 1/2”

$300-500

249

252 GEORGE III MAHOGANY CHEST ON STAND circa 1790, broken arch, pierce-carved crown, blind fretwork frieze, pullout slide, shell-carved skirt, on cabriole legs with ball-and-claw feet; H80” W41” D19 1/2”

$1,000-1,800 Provenance: South Carolina collection

250 253 GEORGIAN MAHOGANY SECRETARY DESK

circa 1810, slant top, fitted interior, four long drawers, on bracket feet; H43” W42” D23”

$600-900 Provenance: Ruth McClintock Ravasz estate

253

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254 GEORGE III MAHOGANY BOWFRONT SIDEBOARD

circa 1800, configuration of drawers and doors, on tapered legs; H36” W70” D27”

SESSION I

$1,500-2,500 Provenance: Laurence S. Barringer and Louise D. Barringer, at Airy Hall Plantation, Fenwick, Colleton County, South Carolina Estate of Beaumont Barringer Palmer Cathcart

255 PAIR GEORGIAN MAHOGANY AND LEATHER CHAIRS

late 18th/early 19th century, pierced carved splat, saddle seat, and square legs; BH35” SH18” W22” D22” (2pcs)

$400-700

258

254 256 REGENCY MAHOGANY SOFA TABLE circa 1825, drop leaves over two drawers and turned legs ending with casters; H28” W36” D22”

$600-900

257 GEORGIAN INLAID MAHOGANY SECRETARY BOOKCASE circa 1830, molded crown, divided upper part, drop front with fitted interiors, on bracket feet; H89” W43” D21”

$1,800-2,500

259 255

258 QUEEN ANNE STYLE CARVED MAHOGANY STOOL late 19th century, shell-carved cabriole legs with ball-and-claw feet; H18” W26” D20”

$300-500 Provenance: Estate of Betty McLeod Mattox

259 GEORGIAN STYLE MAHOGANY SERPENTINE BACHELOR’S CHEST

mid 19th century, molded edge top, pullout brush slide over long drawers, flanked by quarter columns, on splay bracket feet; H31” W36” D20”

$700-900

256

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260 WILLIAM IV CARVED MAHOGANY TALL-POST BED

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circa 1835, carved rope-twist, pineapple and reeded design with canopy, fitted to queen size; H88” W67 1/2” L89”

$1,000-1,500 Provenance: Estate of Betty McLeod Mattox

261 GEORGE III MAHOGANY SECRETARY BOOKCASE

first quarter 19th century, pierced broken-arch crown, slant front with fitted interiors, above short and long drawers and bracket feet; H91 1/2” W36” D22”

$1,400-2,000

262 REGENCY STYLE MAHOGANY ARCHITECT’S DESK

third quarter 19th century, hinged top, adjustable hinged top with drawer and candlearms; H31” to 44 1/2” W39 1/2” D25”

$700-1,000 Provenance: Ruth McClintock Ravasz estate

263 QUEEN ANNE STYLE MAHOGANY DINING CHAIRS

handmade by Scholte Furniture Co. of Georgia; 2 arm and 6 side chairs; BH41” SH17” W27” D20” (8pcs)

260

261

$1,400-2,000 Provenance: Estate of Betty Mathews Mattox

Architect’s Desk

263

262

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264

266

264 GEORGIAN INLAID MAHOGANY LINEN PRESS

266 ENGLISH INLAID MAHOGANY TESTER BED

first quarter 19th century, panel doors, long drawer and turned feet; H62” W48” D18 1/4”

late 19th century, molded tester over bellflower-inlaid posts and turned legs; H84” W58” L84”

$600-900 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

265 GEORGE III MAHOGANY PIECRUST TILT-TOP TABLE first quarter 19th century, H28” Dia.29 1/2”

$400-500

$700-1,000 Provenance: Southern private collection

267 GEORGIAN STYLE INLAID MAHOGANY BOWFRONT CHEST OF DRAWERS

mid 19th century, shell and quarter-fan inlaid top, ogee bracket feet; H44 1/2” W41” D21 1/2”

$700-900

269 268 GEORGE III INLAID MAHOGANY BOWFRONT CHEST OF DRAWERS

first quarter 19th century, two over three drawers, on bracket feet; H39” W42 1/2” D23”

$700-900

269 UNUSUAL PAIR GEORGE III OAK CORNER CHAIRS circa 1790, C-shaped crest, urn splats, turned legs; BH31” SH18” W25” D24” (2pcs)

$500-700

265

267 WWW.CHARLTONHALLAUCTIONS.COM

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270

271

272

270 ENGLISH MAHOGANY BOOKCASE late 19th century, dentil-molded crown, arched glazed-panel doors, on bracket feet; H71 1/2” W60” D15”

$600-900

271 HEPPLEWHITE STYLE INLAID MAHOGANY SERPENTINE WRITING TABLE

early 20th century, H29 3/4” W42 1/2” D22”

$400-600 Provenance: South Carolina collection

272 GEORGIAN UPHOLSTERED MAHOGANY CHAIR circa 1800, with associated stool and cushion; BH39” SH18” W24” D26” (2pcs)

274

$300-500 Provenance: Estate of Betty Mathews Mattox

273 GEORGIAN STYLE MAHOGANY CORNER CABINET late 19th century, H82” W35” D19”

$400-700

274 SHERATON MAHOGANY WHEEL-BACK ARMCHAIR last quarter 18th century, BH37” SH16” W22” D18”

$300-500

275 GEORGIAN OAK AND MAHOGANY HANGING CORNER CABINET

circa 1790, molded crown, blind fretwork frieze, fluted chamfered corners; H45” W33” D20”

$400-700

275

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SESSION I

276 276 GEORGIAN INLAID MAHOGANY PEMBROKE TABLE

278

280

$300-500

278 BENJAMIN MARSHALL (ATTRIBUTED TO)

280 THOMAS GAINSBOROUGH (AFTER)

277 GEORGIAN MAHOGANY AND CARVED GILTWOOD MIRROR

(British, 1768-1835) OLD ENGLISH GAME FOWL oil on panel, framed, unsigned H19” W15 1/2”

(British, 1727-1788) THE COTTAGE DOOR oil on canvas, framed, unsigned H59” W48”

circa 1820, H27 3/4” W20” D30”

first quarter 19th century, pierce-carved finial on broken-arch crown; H55” W29”

$1,000-2,000 Provenance: Estate of Betty McLeod Mattox

$4,500-5,500 Provenance: Oakleigh Thorne estate, Brookville, NY Dorothy Forbes Thorne South Carolina collection

$2,000-4,000 Provenance: California collection

Other Notes: The original is in the collection of the Huntington Museum and Library, San Marino, California.

279 SIR THOMAS LAWRENCE (ATTRIBUTED TO) (British, 1769-1830) PORTRAIT OF A LADY (traditionally identified as Mrs. Wood) oil on canvas, frame, unsigned H20” W16”

$3,000-5,000 Provenance: Newhouse Galleries, New York Laurence S. Barringer and Louise D. Barringer, at Airy Hall Plantation, Fenwick, Colleton County, South Carolina Estate of Beaumont Barringer Palmer Cathcart Exhibitions: Columbia Museum of Art (B-4, #4) Other Notes: Verso bearing old Newhouse Galleries labels, stock #15407.

277

279 WWW.CHARLTONHALLAUCTIONS.COM

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281

282 283 CONTINENTAL SCHOOL, 19TH/20TH CENTURY

(British, 1734-1802) PORTRAIT OF MRS. DORTHEA JORDON oil on canvas, framed unsigned H12” W9 1/2”

PORTRAIT OF A BOY IN RED oil on canvas, unsigned H31 3/4” W23 3/4”

$1,500-3,000 Provenance: Newhouse Galleries, New York Laurence S. Barringer and Louise D. Barringer, at Airy Hall Plantation, Fenwick, Colleton County, South Carolina Estate of Beaumont Barringer Palmer Cathcart Exhibitions: Columbia Museum of Art (B-3, #3) Other Notes: Verso bearing old Newhouse Galleries labels, stock #15300. Dorothea Bland (1761-1816) also known as Mrs. Dorothea Jordan, was an Anglo-Irish actress, courtesan, and the mistress and companion of the future English King William IV for 20 years while he was Duke of Clarence. Together they had ten illegitimate children, all of whom took the surname FitzClarence.

282 CONSTANTINE KLUGE (Russian/French, 1912-2003) PARISIAN FLOWER MARKET oil on canvas, framed, signed H21 1/2” W25 1/2”

$1,500-2,000 Provenance: Roberts Art Gallery, Toronto Private collection

$500-700 Provenance: Estate of Betty McLeod Mattox

284 SABATINO ANGELIS (Italian, b.1838) NARCISSUS (from the antiquities, Vicolo del Balcon Pensile in Pompeii) bronze with dark brown patina, signed & dated: 1905 H23 1/4” W9 1/2”

$800-1,200 Provenance: Georgia collection

286

285

285 EUGENE MARIOTON (French, 1857-1933) VAINQUEUR bronze with gold brown patina, signed, titled & foundry stamp H22” W8 1/2” D5 1/2”

$600-900 Provenance: Georgia collection

286 FERDINAND BARBEDIENNE (French, 1810-1892) APOLLO BELVEDERE, after Leochares from Italian antiquities, bronze with dark brown patina, unsigned, H17 1/2” W12”

$600-900 Provenance: Georgia collection

283

281 GEORGE RAMSEY (ATTRIBUTED TO)

284

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287 ALBERT-ERNEST CARRIER-BELLEUSE (French, 1824-1887) ENFANTS A LA SOURCE patinated terracotta, signed H14” W23”

SESSION I

$500-800 Provenance: Georgia collection

288 LUIS DOMENECH (Spanish, b.1873) DEFENSE DU SOL cast-metal, signed, titled & foundry stamp H31” W9” D11 1/2”

288

$400-700 Provenance: Georgia collection

289 GIOVANNI BOLOGNA (AFTER) (Italian, 1529-1608) MERCURY bronze on marble base H37”

$500-800 Provenance: Georgia collection

290 BRONZE BUST OF DIONYSUS (French 19th century) after the antique, bronze with deep green patina on marble base, unsigned, H16” W8 1/2”

289

290

291

291 CONTINENTAL SCHOOL, LATE 19TH CENTURY

293 ISIDORE JULES BONHEUR (AFTER)

BACCHUS AND HIS OLD GOAT bronze on marble base, unsigned H8” W9 1/2” D5 1/2”

(French, 1827-1901) HORSE bronze, cast signature H6 1/4” L7” W2 1/2”

$400-600 Provenance: Georgia collection

292 PAIR CLASSICAL SCULPTURES (19th century) MAN AND WOMAN WITH HORSES, after the Classical, patinated metal on ebonized base; H14 1/2” W13 1/2” (2pcs)

$300-500 Provenance: Georgia collection

$200-300 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

294 FRENCH EMPIRE BRONZE LABORS OF CUPID 19th century, standing figure forging an arrow on an anvil raised on floral garden flint; unmarked; H11” W7 1/2” D5”

$200-400 Provenance: Georgia collection

$400-700 Provenance: Georgia collection

292

293 WWW.CHARLTONHALLAUCTIONS.COM

294

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Estate Jewelry

296

295

295 SOUTH SEA BAROQUE PEARL NECKLACE

297 ZAMBIAN EMERALD, DIAMOND AND PLATINUM RING

10-12mm cultured irregular white pearls, L37”

6.78ct oval natural emerald, accented by 1.47ctw diamonds, in platinum setting, size 7.5, and 9.5g all in

$1,000-1,500 Provenance: Private collection

$6,000-8,000 Other Notes: Accompanied by AIG report 000717338015.

296 CHANEL STYLE DOUBLE-STRAND PEARL NECKLACE 7-10mm white cultured pearls, spaced by 14K and crystal interlocking Cs; L36”

$800-1,200 Provenance: Private collection

298 ART DECO DIAMOND BOW-FORM BROOCH 14K two-tone gold design set with old European-cut diamonds and four 5mm pearls; H1 3/4” W1 1/8”, and 10.2g all in

$800-1,200 Provenance: Estate of Beaumont Barringer Palmer Cathcart

298 299 ART DECO GOLD CIGARETTE CASE, UDALL & BALLOU New york, 1888-1940, envelope design 14K gold case decorated with millegrain-set cabochon blue sapphire and engine-turned bands, the interior with hinged clips; stamped: UDALL & BALLOU, 14K; H2 5/8” W3” D1/2”, and 91.0g all in

297

299

$1,500-1,800 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

SESSION I

301 301 VINTAGE SAPPHIRE, DIAMOND, RUBY AND BI-COLOR GOLD FISH-FORM BROOCH nine oval deep blue sapphires from 4.5x6.0mm to 5.1x6.9mm, accented by thirty-five small diamonds, and twelve diamonds in 18K goldfish form; unmarked; H5/8” L2 1/4”, and 16.0g all in

$2,500-4,500 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

302 UNUSUAL PLATINUM AND DIAMOND COLLAR-FORM NECKLACE

intricate platinum openwork design in the form of a shirt collar, set with approx. 12.0ctw round brilliant-cut diamonds, color G-H, clarity VS1-SI2, L16” and 117.5g all in

$15,000-20,000

300 300 DAVID WEBB PEARL AND DIAMOND NECKLACE approx. one hundred twenty-nine baroque pearls 10.8-11.6mm, ending in 18K gold clasp set with 3.6ctw diamonds and pearl; stamped: 18K WEBB; L18”

$3,000-5,000 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

302 WWW.CHARLTONHALLAUCTIONS.COM

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304

303 303 COLOMBIAN EMERALD AND DIAMOND

306 VINTAGE DIAMOND AND GOLD BAR PIN

RING

10K gold bar with prong-set 5.8mm round diamond, L2 5/8”, and 5.0g all in

approx. 9.8ct emerald-cut natural emerald, measuring 13.5 x 12.6 x 7.8mm, accented by 0.85ctw round diamonds in 18K yellow gold setting, size 6.5 and 8.3g all in

$12,000-18,000 Provenance: Property of a gentleman Other Notes: Accompanied by AGL laboratory report # 1084384.

305

$600-900 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

307 PEARL, DIAMOND AND SAPPHIRE BRACELET

304 NATURAL SAPPHIRE, DIAMOND AND PLATINUM RING

3.3ct octagonal step-cut natural blue sapphire, color B6/3, accented by 0.69ctw round brilliant-cut diamonds, color D-F clarity VS1VS2 in platinum setting, size 7 and 5.4g all in

$5,500-7,500 Other Notes: Accompanied by GIA report 5172489162 and AIG report 000716307056.

305 ITALIAN GOLD AND DIAMOND HORSE BROOCH

leaping stallion with diamond-set mane and tail and ruby eye; stamped: 18K ITALY, H1 1/4” L2”, and 13.2g all in

$400-700 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

approx. eighty-four round pearls 5.5-6.2mm in four strands ending in ornate 18K gold clasp with safety, set with one 4.0mm center diamond, eleven 3.2mm diamonds, and ninety-three side diamonds, and blue sapphire accents; unmarked L7”

307

$1,500-2,500 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

308 DIAMOND LINE BRACELET fifty-two round brilliant-cut diamonds, approx. 7.0ctw, color G-H, clarity VS1-SI1, L7” and 15.7g all in

306

$8,000-12,000 Provenance: Property of a gentleman

308

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311

309 ART DECO PLATINUM, SAPPHIRE AND DIAMOND

311 DIAMOND AND WHITE GOLD RING

BRACELET

1.6ct round brilliant-cut diamond accented by six channel-set baguette diamonds, 0.3ctw color G-H clarity VS1-VS2; and twenty-four round diamonds, 0.46ctw color G-H clarity VS2-SI1, size 6.75 and 6.4g all in

approx. 11.0ctw emerald-cut natural deep blue sapphires, clarity SI1-MI1, accented by 3.9ctw round diamonds, color F-J, clarity VS1-I2, in an intricate openwork platinum setting, L7” and 23.5g all in

$7,000-10,000 Provenance: Property of a gentleman

Other Notes: Accompanied by PGS laboratory report #43030111.

SESSION I

309

313

$6,000-8,000 Other Notes: Accompanied by AIG report 000716246029.

312 PAIR PLATINUM, TANZANITE AND DIAMOND PENDENT EARRINGS

310 PAIR VAN CLEEF & ARPELS STYLE DIAMOND SNOWFLAKE EARRINGS

approx 8ctw round brilliant-cut diamonds, color H-I, clarity SI, H2 1/4” W1 1/4” and 26.5g all in (2pcs)

two prong-set pear-shape natural tanzanites, 9.23ctw, accented by 1.3ctw diamonds, color F-H, clarity SI2-I2, in platinum setting; H1 1/8” W1/2”, and 10.1g all in (2pcs)

$4,000-5,000 Other Notes: Accompanied by AIG report 000717011040.

$7,000-9,000 Provenance: Property of a gentleman

314 313 FRENCH PORTRAIT MINIATURES, SIGNED 19th century, oval portraits of ladies, signed and contained within ormolu frames; overall H3 1/2” W2 5/8” and H5 5/8” W4” (2pcs)

$300-500 Provenance: Georgia collection

314 FRENCH SCHOOL PORTRAIT MINIATURES 19th century, oval and round portraits of ladies, within ormolu frame and the other in carved wood, overall H5 1/4” W3 3/4” and Dia.5 5/8” (2pcs)

$300-500 Provenance: Georgia collection

310

312 WWW.CHARLTONHALLAUCTIONS.COM

315 VICTORIAN PORTRAIT MINIATURE OF A LADY 19th century, oval likeness contained within ormolu frame, unsigned, overall H7 1/4” W5 1/2”

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$300-500 Provenance: Georgia collection

316 CONTINENTAL PORTRAIT MINIATURE IN SHAGREEN CASE (early 19th century) PORTRAIT OF LADY WITH PEARLS AND ORNATE HEADDRESS, watercolor, in hinged shagreen case, overall H2 3/4” W2 3/8”

$300-500 Provenance: Museum purchase Estate of Salma Alexander Pou (1891-1969) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1970.76)

Other Notes: The purchaser of this lot will be provided with letter from the Columbus Museum.

317 PORTRAIT MINIATURE OF MADAME RECAMIER, SIGNED MOROT

315

318

316

319

317

320

19th century, portrait of Juliette Recamier after Francois Gerard (1770-1837), watercolor in ormolu and fabric framed, signed; overall H6” W4 3/4”

$300-400 Provenance: Georgia collection

318 CONTINENTAL PORTRAIT MINIATURE 18th/19th century FREDERICK V, LANDGRAF VON HESSE-HOMBURG watercolor, framed, unsigned sight H2 1/2” W1 3/4”

$300-400 Provenance: Estate of Betty McLeod Mattox

319 TAJ MAHAL WATERCOLOR MINIATURE 19th century, oval view with reflecting pool; H1 5/8” W2”

$200-300 Provenance: Georgia collection

320 FRENCH ENAMEL PORTRAIT MINIATURES, SIGNED GAMET LA FAYETTE and MARIE ANTOINETTE, in pendent frames, overall H3 1/2” W2 1/4” and H3 1/4” W1 5/8” (2pcs)

$200-400 Provenance: Simon Benson Offit collection

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

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321

322

323

321 PAIR CONTINENTAL ROCK CRYSTAL CANDLESTICKS

323 PAIR CARVED DERBYSHIRE SPAR AND ONYX

325 CARVED STONE FLAMINGO, AND CRYSTAL GEODE

geometric paneled design, H12” W4” (2pcs)

CANDLESTICKS

quartz, lapis, malachite and onyx bird perched atop amethyst geode H9” W5” D3”; and crystal geode (2pcs)

$600-900 Provenance: New York collection

322 CONTINENTAL GILT-BRONZE BUST ON ROCK CRYSTAL PEDESTAL

late 19th/early 20th century, Madame du Barry (1743-1793), after Augustin Pajou (1730-1809); on stepped pedestal; unsigned; H11 1/2” W4” D3 1/8”

$400-600 Provenance: Simon Benson Offit collection

late 19th/early 20th century, hint of blue veining on socket and pan, twist-carved stem; H8 1/2” Dia.3” (2pcs)

$400-600 Provenance: Simon Benson Offit collection

324 DERBYSHIRE SPAR AND ONYX COMPOTE AND CLOCK first half 20th century, lobed bowl atop pedestal, H4 3/4” Dia.6”; and Richard Marcell quartz movement desk clock, H5 1/8” W3 3/4” (2pcs)

$400-600 Provenance: Simon Benson Offit collection

$300-500 Provenance: Simon Benson Offit collection

326 CONTINENTAL GILT-METAL TRINKET BOX, FIGURE OF YOUNG WARRIOR

late 19th century, ornate framed case lined with fabric H6” W3” D3”; and figure H9 1/4” W4” D4” (2pcs)

$300-400 Provenance: Estate of Betty McLeod Mattox

Other Notes: This bust is cast after the original marble of Louis XV’s mistress, which Pajou exhibited in the Salon of 1773, and which is now housed in the Louvre.

324

325 WWW.CHARLTONHALLAUCTIONS.COM

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327 HENRI DE TOULOUSE-LAUTREC (AFTER) (French, 1864-1901) AMBASSADUERS-ARISTIDE BRUANT, 1892 color lithograph, framed, unmarked sight H35” W24”

$1,000-2,000 Provenance: Simon Benson Offit collection

328 IDA RITTENBERG KOHLMEYER (Louisiana/Georgia, 1912-1997) FINDLAY’S PRINT, dated 1979 color screenprint, unframed, mounted as one, signed, titled & numbered: 133/150 sheet H30” W42 1/2”

329

$600-800 Provenance: Texas collection

332 GUSTAVO NOVOA

329 RASTISLAW RACOFF

327

(Russian/Polish, 1902-1982) COIN DE RUE A PARIS oil on Masonite, framed, signed & dated: 67 H13 3/4” W10 1/2”

333 ITALIAN BRONZE SCULPTURE YOUNG BOY, c. 1980 unsigned, H22 1/2” W3 1/2” D5 3/4”

330 TADASHI NAKAYAMA

$400-600 Provenance: Ruth McClintock Ravasz estate

(New York/Chilean, b.1943) AUDIENCE, 1980 lithograph on Japon paper, framed, signed & titled in pencil: 21/25 sheet H24 3/4” W31 1/2”

$300-400 Provenance: Purchased Marson Galleries, FL, 1980 Simon Benson Offit collection

$500-800 Provenance: Ruth McClintock Ravasz estate

(Japanese, 1927-2014) RED COAT, 1957 wood block with mica accents, framed, signed & dated in pencil image H24” W15”

332

$200-400 Provenance: Purchased in Venice, c. 1980 Simon Benson Offit collection

328 331 KATHLEEN HOLMES (Florida, b.1953) YELLAH, 1997 oil and mixed media, on associated plexiglass pedestal, signed, titled & dated H14” W11” D1 1/2”

$300-500 Provenance: Purchased from the artist in 1998 Simon Benson Offit collection

330

Exhibitions: Masur Museum of Art. KATHLEEN HOLMES - SAINTS AND HAINTS: ILLUMINATED LIVES. Oct. 5-Nov. 15, 1997 (illustrated in exhibition catalogue)

331

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338

334 334 JEAN SARIANO (American, b.1943) NEW JERSEY LANDSCAPE and WHOOPEE! THE EMBARGO IS OVER... intaglio and aquatint, framed, signed, titled and numbered in pencil, trail proof, and 55/150 sight H19” W25” and H25” W25” (2pcs)

$200-400 Provenance: Simon Benson Offit collection

335 ROBERT MOTHERWELL (New York, 1915-1991) LINCOLN CENTER’S MOSTLY MOZART FESTIVAL, 25TH ANNIVERSARY, 1991 lithograph and silkscreen, framed sight H38” W26 1/2”

336 JAMES HARRILL

338 ESTHER SHIMAZU

(New Mexico/North Carolina, 1936-1996) HOUSE IN ATHENS, 1994 lithograph, framed, signed in pencil sight H25 1/2” W21 1/4”

(American, b.1957) SMOOTH SWIMMER, 2001 ceramic, on associated metal pedestal, signed H7” L21” W6”

$200-400 Provenance: Simon Benson Offit collection

337 KENNETH NORTON (American, 20th century) WHITE FLOWERS impasto oil on canvas, framed, signed & dated: 74 H15” W15”

$200-400 Provenance: Private collection

339 AURORA CANERO (Spanish, b.1940) SOCORRISTAS DE BIARRITZ bronze and copper, signed & numbered: 22/25 H34 1/2” W8 1/2” D8 1/2”

$1,000-1,500 Provenance: Simon Benson Offit collection

$200-400 Provenance: Purchased Lincoln Center, 1991 Simon Benson Offit collection

335

$1,000-2,000 Provenance: Purchased Gallery Camino Real, Florida, 2003 Simon Benson Offit collection

336 WWW.CHARLTONHALLAUCTIONS.COM

337

339

340 EMANUELE DE REGGI

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(Italian, b.1957) PETALO NON INSISTERE, 1996 bronze, on associated plexiglass pedestal, signed, dated & numbered: 1/6 H13 1/2” W9 1/2” D12 1/4”

$600-900 Provenance: Simon Benson Offit collection

341 EMANUELE DE REGGI (Italian, b.1957) UNTITLED, 1997 terracotta, on associated plexiglass pedestal, signed & dated H26 1/2” W16” D11

$600-900 Provenance: Simon Benson Offit collection

342 KATHLEEN HOLMES (Louisiana/ Florida, b.1953) ACME MOTHER, 1998 mixed media, signed and dated H22” W11 1/2” D9”

$300-500 Provenance: Simon Benson Offit collection

340

341

345 FRANK HORVAT

342 346 JOHN PATRICK DUGDALE

(French, b.1928) GRES FASHION archival pigment print, executed in 1984, later printing, signed & number 3/30 H23 1/4” W17”

(New York, b. 1960) IN THE STUDIO gelatin chloride, framed, printed in 2007, number 1/12 H10” W8”

$800-1,200 Provenance: Purchased Holden Luntz Gallery, 2007 Simon Benson Offit collection

343 JOHN PATRICK DUGDALE (New York, b. 1960) IN THE SHADOW OF HIS BELOVED gold-tone silver gelatin, framed, printed in 2010, number 1/6 H20” W16”

346

$1,000-2,000 Provenance: Purchased Holden Luntz Gallery, 2010 Simon Benson Offit collection

344 JOHN PATRICK DUGDALE (New York, b. 1960) THREE GRACES gelatin chloride, framed, printed in 2007, number 1/12 H10” W8”

$800-1,200 Provenance: Purchased Holden Luntz Gallery, 2007 Simon Benson Offit collection

343

344

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345

348 CLYDE BUTCHER (Florida/California, b.1942) LOXAHATCHEE RIVER #1, 2000 photograph, framed, signed, dated & numbered: 5/10 H11” W14”

$600-900 Provenance: Simon Benson Offit collection

SESSION I

349 CLYDE BUTCHER (Florida/California, b.1942) LOOSESCREW GATOR, 2000 photograph, framed, signed, dated & numbered: 4/10 H11” W14”

$600-900 Provenance: Simon Benson Offit collection

350 BEN SCHONZEIT

347 347 JOHN PATRICK DUGDALE (New York, b. 1960) JACOB’S LADDER gelatin chloride, framed, printed in 2007, number 1/12 H10” W8”

$800-1,200 Provenance: Purchased Holden Luntz Gallery, 2008 Simon Benson Offit collection

(New York, b. 1942) ACADEMY, 1994 cibachrome photograph, framed, signed, dated & numbered: AP 1/5 H30” W24”

$500-800 Provenance: Purchased Holden Luntz Gallery, 2005 Simon Benson Offit collection

350

351 BRIAN RILEY (New Jersey, b. 1972) SEATED MAN IN PROFILE digital chromogenic c-print, mounted, signed & dated on mount verso: 2005 H40” W30”

$500-800 Provenance: Purchased Holden Luntz Gallery, 2006 Simon Benson Offit collection

349

348 WWW.CHARLTONHALLAUCTIONS.COM

351

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354 354 PAIR DANISH MODERN TEAK CHESTS OF DRAWERS, ARNE WAHL IVERSEN (Danish, mid century) marked on back: Arne Wahl Iversen for Vinde Mobelfabrik, H29 1/2” W71 1/2” D18” (2pcs)

$500-800 Provenance: Georgia collection

355 PAIR DANISH MODERN TEAK CHESTS OF DRAWERS, ARNE WAHL IVERSEN

352 352 BRIAN RILEY (New Jersey, b. 1972) STILL LIFE WITH EGGS, BLUE TABLE digital chromogenic c-print, mounted, signed & dated: 2005 on mount verso, number 1/7 H36” W27”

$500-800 Provenance: Purchased Holden Luntz Gallery, 2006 Simon Benson Offit collection

(Danish, mid century) marked on back: Arne Wahl Iversen for Vinde Mobelfabrik, H29” W36” D18” (2pcs)

355

$500-700 Provenance: Georgia collection

356 PAIR MID-CENTURY MODERN UPHOLSTERED ARMLESS CHAIRS

circa 1975, BH28 1/2” SH129” W25” D28”

353 LES PRISMATIQUES MID-CENTURY LUCITE AND GLASS

$300-500 Provenance: Simon Benson Offit collection

COFFEE TABLE

H16 1/2” W48” D30”

$400-600 Provenance: Simon Benson Offit collection

356A LAWSON STYLE UPHOLSTERED SOFACHAIRS

356

BH28” SH16 1/2” L84 3/4” D32 3/4””

$300-500 Provenance: Simon Benson Offit collection

357 NEAR PAIR ENGLISH MAHOGANY AND SLATE-TOP CHESTS OF DRAWERS

H24 3/4” W39 3/4” D18” (2pcs)

353

$500-700 Provenance: Simon Benson Offit

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

357

358 ITALIAN CAST-METAL AND MARBLETOP GARDEN TABLE 20th century,, H28 1/4” W46 3/4” D23 3/4”

$300-500 Provenance: Simon Benson Offit collection

359 MID-CENTURY SWEDISH TEAK AND CHROME BAR TABLE

SESSION I

H27 1/2” W27 3/4” D15 3/4”, paper label, JOHANSSON, ASPO ASSOCIATES, SWEDEN

$200-300 Provenance: Simon Benson Offit collection

360 PAIR VAN TEAL MODERNIST LUCITE AND GILT-METAL

358

SCULPTURAL FLOOR LAMPS

H69 3/4” Dia.18 3/4” (2pcs)

$300-500 Provenance: Simon Benson Offit collection

361

361 ART DECO STYLE GILT-METAL AND MARBLE CHANDELIER H40” Dia.32”

$300-500 Provenance: New York collection

362 MASSIMO VIGNELLI, VENINI ART GLASS NEON LETTER D dated 1984, colorless and blue glass, signed; H6” W5 1/4”

$100-200 Provenance: Simon Benson Offit collection

359

Other Notes: With original suede pouch and card.

362

363 ITALIAN MID-CENTURY MODERN ART GLASS SCULPTURE, SIGNED

ABSTRACT TORSO, signed: Simon Foster, 1373 Murano; H14 1/2” W5 1/2” Dia.5”

$200-300 Provenance: Simon Benson Offit collection - END OF SESSION I -

360

363 WWW.CHARLTONHALLAUCTIONS.COM

THE SOUTHEASTâ&#x20AC;&#x2122;S OLDEST AUCTION FIRM - SINCE 1929

Session II Lots 1000 -1458

1 JUNE 2018 FRIDAY AT 11AM

WWW.CHARLTONHALLAUCTIONS.COM

F RIDAY 1 J UNE 84

1000

1001

1002

1003

1004

1005

1006

1007

1008

1009

1010

1011

1012

1013

1014

THE SOUTHEASTâ&#x20AC;&#x2122;S OLDEST AUCTION FIRM - SINCE 1929

1015

1000 LOUIS VUITTON CABIN TRUNK

1004 AFRICAN CARVED WOOD CHIWARE

early 20th century, bearing label with serial number 7688800, and initials K.S.T. (Katherine Sands Thatcher, later Katherine T. Leach); H14” W40” D21”

HEADDRESS

1001 LYNDON B. JOHNSON: SHADY OAK FELT HAT

Peters Bros., in associated box, leather inner rim marked: SHADY OAK BANKERS SPECIAL MADE EXPRESSLY FOR: (signed Lyndon B. Johnson), THE TEXAS HAT, PETERS BROS., and HOOD, size 7 3/8, and Mr. Bill Richards press pass.

$800-1,200 Provenance: President Lyndon B. Johnson gifted to William T. Richards in 1965, hence by decent through the family to present owner

Other Notes: This hat was given to William T. Richards, Jr. (1913-2008) in 1965 at the LBJ Ranch. Mr. Bill Richards was part of the White House Press Corp for NBC News from 1960 to 1972 and was a guest at the President’s ranch numerous times.

1002 FRENCH PRESSED BRASS HORSE HEAD WALL MOUNT

H18” W13” D14 1/2”

$300-400 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

1003 BAMBARA TRIBE TERRACOTTA LIFE-SIZE GOAT

Djenne, Mali, stylized standing figure, H26 1/2” L22” W11”

$500-800 Provenance: Purchased Gallery Camino Real, Florida, 2001 Simon Benson Offit collection

$300-400 Provenance: Purchased Somerset Maugham Collection, 1969 Simon Benson Offit collection

1005 PAIR ENGLISH CAST-STONE RECUMBENT HORSE GARDEN FIGURES

early 20th century, H22” W10” L30” (2pcs)

$500-700 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

1006 PAIR CAST-STONE WHIPPET GARDEN FIGURES

H16” W10” L27” (2pcs)

$300-500 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

Tiffany & Co 18406-1942 dish with glass bowl, Dia.10 1/2” Tiffany & Co 18678C-7335 pierced dish, Dia.9 1/2” Tiffany & Co covered dish, H5 1/4” Dia.4” International pattern La Paglia 133 footed bowl, H3 1/8” Dia.4 3/4” each marked: STERLING and makers’ marks; 42.4ozT weighable (4pcs)

$800-1,200 Provenance: New York collection

1010 TIFFANY & CO CHYSANTHEMUM PATTERN SILVER DEMITASSES SPOONS

New York, circa 1880, Charles Grosjean design, engraved BW, marked: TIFFANY & CO STERLING PAT 1880 M; L4 1/2” and 8.7ozT (12pcs)

$700-900 Provenance: New York collection

1011 PAIR TIFFANY & CO FIVE-LIGHT CANDELABRA

1007 TIFFANY & CO SILVER OVAL PLATTERS New York, 20th century, one with initials C over DD; and the other with shaped rim; marked: TIFFANY & CO, 19920-8852 and 12567F1-5890, STERLING; L14” W10”, L16” W11 3/4”, and 59.5ozT (2pcs)

$1,200-1,600 Provenance: New York collection

1008 TIFFANY & CO SILVER TRAYS New York, first half 20th century, one engraved GPC and the other MRM; marked: TIFFANY & CO, STERLING; Dia.13”, 13 1/3”, and 63.0ozT (2pcs)

$900-1,200 Provenance: New York collection

first half 20th century, ornate Rococo design with removable top, marked: TIFFANY & CO, 8861/150, SILVER-SOLDERED, E.P.; H18 1/2” Dia.17 1/2” (2PCS)

$700-900 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

1014 TIFFANY & CO VINE PATTERN SILVER GRAPEFRUIT SPOONS

New York, circa 1872, gourd design, engraved H, marked: TIFFANY & CO STERLING M; L6” and 11.7ozT (12pcs)

$600-800 Provenance: New York collection

SESSION II

$2,000-3,000 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

Bamana peoples, Guinea West Africa first half 20th century, H46” W12”

1009 AMERICAN SILVER TABLE ARTICLES, INCLUDING TIFFANY & CO

1015 AMERICAN SILVER FLATWARE, RETAILED BY TIFFANY & CO New York, circa 1855 and 1870, set 12 Oriental pattern forks designed by Hebbard & Polhamus, engraved WJS, L7”; together with Italian pattern master butter, L8” and 21.0ozT

$500-700 Provenance: New York collection

1016 TIFFANY & CO SILVER PEACOCK TRAY New York, circa 1897, pierced trellis, shellwork and floral design leading to openwork handle, engraved cartouche with crest Edward Charles Fletcher, Esq with motto MARTIS NON CUPIDINIS, ending on waisted foliate feet, marked: TIFFANY & CO 1114-8988, STERLING, with English sponsor’s and import marks of Albert William Feavearyear; H1 1/2” L11 3/4” W7”, and 12.5ozT

$500-700 Provenance: New York collection

Other Notes: Albert William Feavearyear was the manager of Tiffany’s London branch.

1012 TIFFANY & CO CHYSANTHEMUM PATTERN SILVER SOUP LADLE

New York, circa 1880, Charles Grosjean design, marked: TIFFANY & CO STERLING PAT 1880 M; L12” and 12.4ozT

$600-800 Provenance: New York collection

1013 TIFFANY & CO OLYMPIAN PATTERN SILVER SANDWICH TONGS

New York, circa 1878, marked: TIFFANY & CO STERLING PAT 1878, with English sponsor’s and import marks of Albert William Feavearyear; L7 1/4” W3” and 6.6ozT

$600-800 Provenance: New York collection WWW.CHARLTONHALLAUCTIONS.COM

1016

F RIDAY 1 J UNE 86

1017

1018

1019

1020

1021

1022

1023

1024

1025

1026

1027

1028

1029

1030

1031

1032

THE SOUTHEASTâ&#x20AC;&#x2122;S OLDEST AUCTION FIRM - SINCE 1929

1017 TIFFANY & CO OLYMPIAN PATTERN

1023 TIFFANY & CO SILVER PRESENTATION

1028 TIFFANY & CO VINE PATTERN SILVER

SILVER SOUP LADLE

BOWL

SLICE

New York, circa 1878, engraved initials LAS and marked: TIFFANY & CO STERLING PAT 1878; L11” and 8.1ozT

New York, circa 1954, Revere style bowl, engraved dedication: DECEMBER BRIDE 1954-1959 VERNA FELTON WITH DEEP APPRECIATION FROM YOUR FRIENDS AT GENERAL FOODS; underside marked: TIFFANY & CO STERLING 23618L, H4 1/4” Dia.8 1/2” and 19.4ozT

New York, circa 1872, grapevine design, marked: TIFFANY & CO STERLING M; L11 1/2” and 4.6ozT

$500-700 Provenance: New York collection

$400-600 Provenance: New York collection

SILVER SALAD SERVING SET

New York, 1878, vermeil ends, engraved initials BBS, marked: TIFFANY & CO STERLING, L10” and 9.0ozT (2pcs)

$500-700 Provenance: New York collection

1019 TIFFANY & CO KING PATTERN SILVER KNIVES

New York, circa 1885, hollow handle blunt blade, unengraved, L10” (12pcs)

SILVER SERVING PIECES

New York, circa 1905, olive fork L7”; jelly spoon L6”, and 2.4ozT (2pcs)

$400-600 Provenance: New York collection

1025 TIFFANY & CO OLYMPIAN PATTERN SILVER CHEESE SCOOP

1020 TIFFANY & CO CHYSANTHEMUM

$300-500 Provenance: New York collection

New York, circa 1878, vermeil end, engraved with initials ML, marked: TIFFANY & CO STERLING PAT 1878; L7 1/4” and 2.2ozT

PATTERN SILVER MEAT FORK AND CHEESE

New York, circa 1880, Charles Grosjean design, one engraved ED, marked: TIFFANY & CO STERLING PAT 1880 M; fork L8 1/2” scoop L7 1/4” and 5.6ozT (2pcs)

$500-700 Provenance: New York collection

1021 TIFFANY & CO STRAWBERRY PATTERN SILVER BERRY SPOONS

New York, circa 1930, one engraved FAH, marked: TIFFANY & CO STERLING M; L9 1/2” and 8.1ozT (2pcs)

$500-700 Provenance: New York collection

1022 AMERICAN SILVER DISH, RETAILED BY TIFFANY & CO circa 1909, Renaissance style openwork border, engraved center, marked: STERLING 2909/47 MADE FOR TIFFANY & CO, H1 1/2” Dia.10 1/2” and 16.0ozT

1029 TIFFANY & CO OLYMPIAN PATTERN SILVER SERVING FORK

1024 TIFFANY & CO RENAISSANCE PATTERN

$500-700 Provenance: New York collection

SCOOP

SESSION II

1018 TIFFANY & CO OLYMPIAN PATTERN

$300-500 Provenance: New York collection

1026 TIFFANY & CO SILVER YOUTH SET, AND

New York, circa 1878, engraved with initials EP, marked: TIFFANY & CO STERLING PAT 1878; L9” and 4.6ozT

1030 TIFFANY & CO SILVER SERVING FORK AND TEASPOONS

New York, 1895 and 1865, comprising: Colonial pattern cold meat fork, L9” 3 teaspoons Diamond pattern (J. Polhemus) retailed by Tiffany, L6” fork engraved S and spoons engraved Kate, each marked Total 5.7ozT (4pcs)

$200-300 Provenance: South Carolina estate

SPOON

1031 ENGLISH ROSEWOOD WORK/SEWING BOX

New York, circa 1890, three-piece lovebird pattern engraved RSR, L7 1/2”, together with squirrel and oak tree pattern, spoon engraved MEF, L6” and 3.7ozT weighable (4pcs)

$300-400 Provenance: Estate of Betty McLeod Mattox

$300-500 Provenance: New York collection

1027 TIFFANY & CO SILVER-GILT BON BON AND DEMITASSE SET

New York, circa 1872 & 1916, Grapevine design bon bon, engraved BL, L5” and set of 6 San Lorenzo pattern demitasse spoons, L4 1/4”, and total 4.0ozT (7pcs)

$300-500 Provenance: New York collection

1033

$300-500 Provenance: New York collection

mid 19th century, inlaid and covered fitted interiors; H5 1/2” W13 1/4” D10”

1032 GEORGIAN INLAID SATINWOOD KNIFE/LETTER BOX first quarter 19th century, H16” W9 1/4” D13 3/8”

$300-400 Provenance: Estate of Betty McLeod Mattox

1033 MINIATURE AMERICAN WALNUT CHEST OF DRAWERS

early to mid 19th century, H18” W17 1/2” D9 1/4”

$300-500 Provenance: Estate of Betty McLeod Mattox

1034 1033A AMERICAN MAHOGANY SEWING/DRESSING TABLE

circa 1835, H29” W26 1/2”

$150-300 Provenance: North Carolina collection

1034 SHERATON STYLE MAHOGANY CANTERBURY

late 19th/early 20th century, fitted with drawer; H22” W18” D13”

$300-400 Provenance: Estate of Betty McLeod Mattox

1035 ENGLISH INLAID MAHOGANY TEA CADDIES, AND LAP DESK 19th century, shell caddy H5” W10” D5 1/8”; other H5” W7 1/8” D5”; and desk H6” W11 1/2” D9” (3pcs)

$300-500

$400-600 Provenance: New York collection

WWW.CHARLTONHALLAUCTIONS.COM

F RIDAY 1 J UNE

1036

1037

1038

1039

1042

1043

1044

1045

1046

1047

1048

1049

1052

1054

1050

1051

THE SOUTHEASTâ&#x20AC;&#x2122;S OLDEST AUCTION FIRM - SINCE 1929

1036 ENGLISH SILVER-MOUNTED MAHOGANY

1042 GEORGE III MAHOGANY TEA BOX

1048 CONTINENTAL SCHOOL, 20TH CENTURY

1053 IRA MONTE

BOX ON STAND

circa 1810, H6 1/2” W14 1/2” D9”

FLORAL STILL LIFE oil on canvas, framed, signed illegibly H24” W20”

(Spanish, b. 1918) SHOREBIRDS IN TROPICAL LANDSCAPE oil on canvas, framed, signed H36” W48”

19th century, fitted interiors, on later stand; H22” W12 1/4” D8 1/4”

$200-300 Provenance: Estate of Betty McLeod Mattox

$200-300

1043 ENGLISH BURL WALNUT SEWING BOX

$200-400 Provenance: Estate of Betty McLeod Mattox

mid 19th century, H5” W11 1/4” D8”

late 18th/early 19th century, H13 1/2” W24 1/2” D17”

$200-300

1038 ENGLISH MAHOGANY TABLE TRAY late 19th century, H18 1/2” W23 1/2” D16 1/2”

$200-400

1038A TOLE PAINTED TRAY ON STAND/COFFEE TABLE

H20 1/2” W32” D22”

$150-250 Provenance: Simon Benson Offit collection

1039 ENGLISH PAPIER-MACHE TRAY 19th century, decorated with peacock and parrots in landscape; H25” W32”

$200-400 Provenance: Estate of Betty Mathews Mattox

1040 ENGLISH MAHOGANY TEA CADDIES 19th century, small caddy H4” W6” D4 1/4”; and larger H5 1/4” W10” D5 1/4” (2pcs)

$200-400 Provenance: New York collection

1041 ENGLISH INLAID MAHOGANY LADY’S

1049 CONTINENTAL SCHOOL, LATE 19TH CENTURY

1044 GEORGIAN MAHOGANY TEA CADDY circa 1800, hinged lid, brass bail handle, divided interiors with mahogany-inserted caddies; H6 1/4” W9 1/2” D6 1/4”

$200-300 Provenance: Georgia collection

1045 ERNST JUGEL

TAVERN MAIDEN AND SUITOR oil on board, framed, unsigned H10 1/2” W8 1/4”

$200-400 Provenance: Estate of Betty McLeod Mattox

1050 W. MANDER (Continental school, 20th century) PARISIAN CAFE SCENE oil on canvas, framed, signed H40” W30”

(German, b. 1913) HAY GATHERING oil on canvas, framed, signed H24” W36”

$600-900 Provenance: South Carolina collection since 1965

1046 LEON WILLIAM TOUBLANC (French, 20th century) COASTAL SCENE WITH FIGURE oil on canvas, framed, signed H18 1/4” W22 1/8”

$500-700 Provenance: Estate of Betty McLeod Mattox

1047 GIOVANNI BATTISTA PIRANESI (AFTER) (Italian, 1720-1778) Pair works: VEDURA DI CAMPO VACCINO and VEDUTA DEL TEMPIO engravings, framed, unsigned overall H28 1/2” W37 1/2” (2pcs)

$300-500 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

$300-400 Provenance: Estate of Betty McLeod Mattox

1051 B. HOFFMANN (Continental school, mid 20th century) six works: EUROPEAN VIEWS AND SCENE watercolors, framed, signed and some dated: 66 sight H13 1/2” W9 1/2” to H9 1/2” W13” (6pcs)

$1,500-3,000 Provenance: Wendy Robinson collection Ohio collection

SESSION II

1037 GEORGIAN MAHOGANY BIBLE BOX

$200-400 Provenance: Estate of Betty McLeod Mattox

1054 FERNANDO BRIONES (Spanish, 1905-1988) POTATOES, POTTERY AND CASK oil on board, framed, signed H16” W22”

$300-500 Provenance: Ruth McClintock Ravasz estate

1055 FERNANDO BRIONES (Spanish, 1905-1988) three works: PEACHES, APPLES and GRAPES oil on board, framed, signed H13” W16” (3pcs)

$300-500 Provenance: Ruth McClintock Ravasz estate

$300-500 Provenance: South Carolina collection

1052 FERNANDO BRIONES (Spanish, 1905-1988) BASKET OF LEMONS oil on board, framed, signed H20” W25”

$300-500 Provenance: Ruth M. Ravasz estate

1053

BOXES

19th century, with fitted interiors and tray; geometric H5” W10” D7”; and marquetry H5” W12” D8 3/4” (2pcs)

$200-400 Provenance: New York collection

1040 WWW.CHARLTONHALLAUCTIONS.COM

1041

F RIDAY 1 J UNE 90

1056

1057

1058

1059

1060

1061

1062

1063

1064

1065

1066

1067

1068

1069

1070

1071

THE SOUTHEASTâ&#x20AC;&#x2122;S OLDEST AUCTION FIRM - SINCE 1929

1056 BERTON

1062 SPANISH SCHOOL, MID 20TH CENTURY

1068 ENGLISH PIERCED BRASS FIRE FENDER

(Italian, 20th century) FOX HUNT SCENE oil on canvas, framed, signed H16” W20”

THE MUSICIAN oil on canvas, framed, unsigned H30” W24”

AND ANDIRONS

$200-400 Provenance: South Carolina collection

(German, mid 20th century) HERBST BEI ASCHOLDING (Autumn at Ascholding, Bavaria) oil on canvas, framed, signed, dated & titled on verso H39” W36”

1063 CONTINENTAL SCHOOL, 20TH CENTURY FRUIT STILL LIFE oil on Masonite, framed, unsigned H6” W8 1/2”

$100-200 Provenance: Estate of Betty McLeod Mattox

$200-400 Provenance: Illinois collection

1064 DUTCH SCHOOL, 18TH/19TH CENTURY

1058 ORIENTALIST SCHOOL, 20TH CENTURY

VILLIAGE SCENE WITH FIGURES PLAYING MUSIC & DANCING oil on canvas, signed H24” W27 5/8”

MIDEASTERN STREET SCENE watercolor, framed, signed: D. Vassiliez sight H20” W12 1/2”

$200-300 Provenance: Illinois collection

1059 FERNANDO BRIONES (Spanish, 1905-1988) two works: EGGS and ONIONS oil on board, framed, signed H13” W16” and H12” W16” (2pcs)

$200-400 Provenance: Ruth McClintock Ravasz estate

1060 PIETER JOHANNES ALEXANDER WAGEMANS (Dutch, 1879-1955) CATHEDRAL INTERIOR oil on canvas, framed, signed, H19” W28 1/4”

$200-400 Provenance: Private collection

$400-700 Provenance: Estate of Betty Mathews Mattox

1065 CONTINENTAL SCHOOL, 19TH CENTURY GRANDFATHER’S GIFT oil panel, framed, unsigned H12 1/2” W10 1/2”

$400-600 Provenance: Estate of Betty McLeod Mattox

(French/Yugoslavian, b. 1907) FONTAINEBLEAU SOUS-BOIS oil on canvas, framed, signed H10 3/4” W8 1/2”

1069 FEDERAL BRASS ANDIRONS circa 1790, steeple finial, scrolling legs on ball feet; H22 1/4”

$300-500 Provenance: Private collection

1070 PAIR BRASS AND WROUGHT-IRON FIRE IRONS

H24” (2pcs)

$200-300 Provenance: Estate of Betty McLeod Mattox

1073 1071 CONTINENTAL CHINOISERIE RED-LACQUER JARDINIERE 19th century, brass lion’s-masque and ring handles; H19” W21” D14”

$200-300 Provenance: Estate of Betty McLeod Mattox

1072 ENGLISH BRASS COAL HOD AND FIRE TOOL SET

1066 ENGLISH BRASS AND LEATHER CLUB FENDER

early 20th century, H24” W56” D23”

$500-800 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

1074 FRENCH GILT-ORMOLU FIGURAL MANTEL CLOCK, DURU A PARIS 19th century, standing gentleman in architectural landscape with bird and fox, atop Rococo case with white marble front, and works marked: DURU A PARIS; H19” W12” D5”

$500-800 Provenance: Colorado collection

19th century hod H18 1/2” W12” D12”; together with 20th century Egyptian Revival tool set H38” (6pcs)

$200-300 Provenance: Estate of Betty McLeod Mattox

1073 LOUIS PHILIPPE ORMOLU-MOUNTED SLATE PORTICO CLOCK

1067 ENGLISH PIERCED BRASS FENDER AND PAIR ANDIRONS

1061 JOSEPH KOUTACHY

$300-400 Provenance: Estate of Betty McLeod Mattox

SESSION II

1057 H. FISCHER

$150-300 Provenance: Ruth McClintock Ravasz estate

19th/20th century, fender H8 1/2” W48 1/2” D12”; together with andirons H22” (3pcs)

19th century fender H10” W50” D14”; and Regency style brass andirons H21 1/2” (3pcs)

$300-500 Provenance: Estate of Betty McLeod Mattox

19th century, gilt-brass dial with painted numerals concealing bell-strike movement; ornate pendulum, and keys; H21” W9 3/4” D5”

$700-1,000 Provenance: Georgia collection

$100-200 Provenance: Ruth McClintock Ravasz estate

1074 WWW.CHARLTONHALLAUCTIONS.COM

F RIDAY 1 J UNE 92

1075

1076

1077

1079

1080

1081

1082

1083

1084

1085

1086

1087

1088

1089

1090

1091

THE SOUTHEASTâ&#x20AC;&#x2122;S OLDEST AUCTION FIRM - SINCE 1929

1079 A.G. SCHULTZ & CO SILVER INDIVIDUAL COFFEE SERVICE

$600-900 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

1078 1075 FRENCH GILT-BRONZE CASED CARRIAGE CLOCK

circa 1900, ornate case with beveled glass; H8” W3 3/4” D3 1/4”

$300-400 Provenance: Estate of Betty McLeod Mattox

1076 GEORGE III INLAID MAHOGANY BAROMETER

first quarter 19th century, signed: F. Amadio, St. John Street Road; H39” W12”

$200-400 Provenance: Estate of Betty McLeod Mattox

1077 FRENCH STYLE ORMOLU AND BURL WALNUT MANTEL CLOCK, FRANZ HERMIE H23” W1” D5 1/2”

$150-250 Provenance: Estate of Betty McLeod Mattox

1078 GORHAM SILVER GOBLET SET marked: GORHAM, STERLING, 272; unengraved, H6 1/2” and total 70.5ozT (12pcs)

$1,000-1,500 Provenance: Illinois collection

1080 ART NOUVEAU ANTLER-MOUNTED SILVER LOVING CUP, GEORGE W. SHIEBLER & CO. New York, 1876-1910, baluster form on pedestal flanked by three antler handles, engraved with initial P, marked: Wing S punch, STERLING, 140B, 2 1/2PT; H10” and 28.0ozT all in

$600-900 Provenance: South Carolina estate

1081 AMERICAN SILVER PITCHER, LADLES, AND DISH

Gorham pitcher #231; H8” Graff, Washbourne & Dunn engraved ladle, L13” Concord Silver Co. trefoil dish, H3” W9 1/2” Simpson, Hall, Miller & Co plated ladle, L9” Total 43.0ozT weighable (4pcs)

Baltimore, circa 1930, floral repousse-chased wide rim, engraved initials LWS; marked, H1 1/4” Dia.7”; together with French 19th century wine taster L4 1/4”; and 9.0ozT (2pcs)

$400-600 Provenance: New York collection

1085 AESTHETIC MOVEMENT SILVER CENTERPIECE, FORD & TUPPER New York, circa 1867-1874, oval basin on pedestal base, centering vacant medallion and flanked by adornments of oakleaf and pheasants, marked: 925 STERLING, and FORD; H8” L13” W8”, and 22.5ozT

$400-700 Provenance: Laurence S. Barringer and Louise D. Barringer, at Airy Hall Plantation, Fenwick, Colleton County, South Carolina Estate of Beaumont Barringer Palmer Cathcart

1086 WHITING MFG SILVER CREAM AND SUGAR SET, FOR JE CALDWELL & CO New York, circa 1900, flowering vine pattern, engraved initials CL, marked: lion with W, 1476A, STERLING; H2 1/2” W5 1/2”, and 5.3ozT

$300-400 Provenance: New York collection

$600-800 Provenance: Illinois collection

1087 S. KIRK & SON REPOUSSE SILVER BOWL

1082 SILVER VASE, BREAD TRAY, AND ROUND

Baltimore, MD, circa 1896-1924, wide alternating floral sprig border, engraved MDN, marked: S. KIRK & SON CO; H3 1/2” Dia.9 1/4”, and 11.5ozT

TRAY

Art Deco design vase, H6” W5” reticulated bread tray L11” W7” reticulated round tray, Dia.10” each marked: STERLING, Total 26.5ozT (3pcs)

1088 ART NOUVEAU SILVER OVERLAY DECANTER, BLACK, STARR & FROST

1083 S. KIRK & SON REPOUSSE SILVER

New York, circa 1900, paneled stopped and shaped neck, bulbous body clad in sterling openwork, SMS over T engraved cartouche, marked: BLACK, STARR & FROST, 44 FINE 925-1000 SILVER; H12 1/2”

PEDESTAL BOWL

20th century, scrolling handle, marked: 58, HAMILTON, STERLING; H8 1/4” W9”, and 22.0ozT

$300-500 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

1090 ALVIN SILVER BEVERAGE PITCHER pattern S83/1, unengraved, marked: STERLING, 4 1/2 PINT; H9” and 22.5ozT

$300-500 Provenance: South Carolina estate

1091 GORHAM JAPONESQUE MIXED-METAL FRUIT KNIVES

circa 1880, bright-cut engraved sterling blade and cast handle; marked; L7 3/4” (7pcs)

$200-400 Provenance: Georgia collection

Literature: Carpenter, Charles. GORHAM SILVER. San Francisco, 1997. p.83

1092 DOMINICK & HAFF ROCOCO PATTERN SILVER ICE CREAM FORKS

circa 1888, design by Gilbert L. Crowell, Jr., unengraved, marked: PAT. 1888, STERLING L5 1/2”, and 8.0ozT (12pcs)

$200-300 Provenance: South Carolina collection

$300-500 Provenance: New York collection

$500-700 Provenance: Simon Benson Offit collection

Baltimore, MD, early 20th century, wide floral rim and base, marked: K. KIRK & SON, STERLING, 32AF, H5” Dia.10”

1089 AMERICAN SILVER BEVERAGE PITCHER

SESSION II

(Baltimore, Maryland, 1899-1950) three-piece repousse design, with ram’s-head handles, engraved cartouche with initials KLT (Katherine Thatcher Leach); each marked with Schultz insignia, 1908 and STERLING; comprising: coffeepot H8 3/4” covered sugar H5 1/4” and creamer H5 1/2”, and 30.5ozT (3pcs)

1084 S. KIRK & SON SILVER BOTTLE COASTER, AND FRENCH WINE TASTER

$300-500 Provenance: New York collection

$500-600 Provenance: New York collection

WWW.CHARLTONHALLAUCTIONS.COM

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1100

1104

1108

1093 PAIR ANTIQUE SILVERPLATE BOOT PULLS

1098 UNUSUAL SILVERPLATE SHIRT-FORM

1105 QUEEN ANNE STYLE MAHOGANY DINING

late 19th century, handles engraved with crest and initials A.P.; L8” W3 1/2” (2pcs)

VESTA CASE WITH COMPASS

CHAIRS

late 19th century, hinged case for matches with strike base, unmarked; H2 1/2” W1” D1/2”

circa 1900, BH42” SH18” W21” D20” (6pcs)

$200-300 Provenance: Georgia collection

Gorham: 9 Tipt forks L6 1/2”, and 6 Chantilly citrus spoons L5 3/4” Whiting: 8 Fiddle spoons L8”, 4 Louis XV cocktail forks L5 1/2”, 6 Duke of York teaspoons L5 3/4” 3 Towle Old Master ice cream forks L5 1/2” marked: STERLING, and Total 33.0ozT (36pcs)

$200-400 Provenance: Illinois collection

1095 AMERICAN COIN SILVER FLATWARE 19th century, comprising: Daniel Booth Hempsted (CT & GA) spoon, L8 1/2” 4 Albert Coles (NY) spoons, L8” 2 Bailey & Co (PA) spoons, L7” and others 2 spoons, L8 1/4”; 2 teaspoons, L6”; and 2 forks, L6 1/2” various engraved initials and names, Total 18.2ozT (13pcs)

$200-400 Provenance: South Carolina estate

1096 WHITING SILVER PRESENTATION SET, OF LOUISIANA INTEREST circa 1899, looking glass and hat brush set, engraved: Q, 1874-1899, NEW ORLEANS; together with Gorham clothesbrush, engraved: JAMES, CHRISTMAS, 1909 (3pcs) $100-200

Provenance: James B. Quinn, by descent and gifted to non-profit Proceeds to benefit an upstate South Carolina non-profit

1097 SILVERPLATE EGG WARMER AND FRENCH OPALINE COVERED DISH

egg warmer, H11 1/2” W5 1/2” French covered dish, H12” W6 1/2” (2pcs)

$200-300 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

$500-700

1106 ENGLISH MAHOGANY CURIO/BOOKCASE

1099 GEORGIAN MAHOGANY SLANT-FRONT

CABINET

DESK

$400-600

circa 1810, hinged lid, fitted interiors over drawers and bracket feet; H43” W42” D20”

$600-900

late 19th century, H47” W61” D16 1/2”

1111 1107 GEORGIAN FIGURED WALNUT SIDE CHAIR

1100 WILLIAM IV MAHOGANY CHAIRS

circa 1800, BH41 1/4” SH17 1/4” W23” D19”

1110 GEORGIAN MAHOGANY DINING CHAIRS circa 1790-1810, assembled suite of two arm and four side chairs; BH37” SH19” W25” D19” (6pcs)

$400-600

$200-400 Provenance: Estate of Betty Mathews Mattox

1101 GEORGIAN MAHOGANY FIVE-DRAWER

1108 SHERATON STYLE SERPENTINE-FRONT

1111 GEORGIAN STYLE MAHOGANY CORNER

CHEST

SIDEBOARD

circa 1810, H43 1/2” W48 1/2” D20 1/2”

CABINET

late 19th/early 20th century, H37” W60” D23 1/2”

19th century, H36” W47” D29”

circa 1835, BH33” SH18” W19” D20” (4pcs)

$500-800 Provenance: Ruth McClintock Ravasz estate

$400-600

1102 DUTCH STYLE MARQUETRY-INLAID

1109 SHERATON STYLE INLAID

MAHOGANY CENTER TABLE

MAHOGANY DINING TABLE

H30” Dia.41 1/2”

crossbanded top fitted with 24” leaf, on turned pedestals with reeded saber legs and brass paw feet; H29 1/2” W44” L96”

$400-700 Provenance: South Carolina collection

1103 GEORGIAN STYLE MAHOGANY HANGING

SESSION II

1094 AMERICAN SILVER FLATWARE

$100-200 Provenance: Simon Benson Offit collection

$500-800

$400-600

$400-600 Provenance: Private collection

CORNER CABINET

first half 19th century, H47” W29” D17”

$300-500

1104 ENGLISH MAHOGANY CHEST OF DRAWERS, POSSIBLY SCOTTISH

1110

late 18th/early 19th century, crossbanded top, short over long drawers, fluted quarter columns and turned feet; H39 1/2” W43 1/2” D20 1/2”

$500-700

1109 WWW.CHARLTONHALLAUCTIONS.COM

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1112 ITALIAN STYLE WROUGHT-IRON, POLISHED-METAL AND BRASS STOOL

1119 GEORGIAN STYLE MAHOGANY HINGE-TOP GATELEG SIDE TABLE

1126 GEORGIAN STYLE MAHOGANY SCALLOPED PIECRUST TILT-TOP TABLE

leopard’s-head handles on paw feet; H19” W28” D17”

H29” W18” D9”

H29 1/2” Dia.24”

$300-400 Provenance: Simon Benson Offit collection

late 19th century, octagonal top, ebony and gilt-decorated pedestal; H27” Dia.27”

$300-500 Provenance: Estate of Betty McLeod Mattox

1114 PAIR GEORGE III MAHOGANY CHAIRS circa 1820, BH37” SH18” W19 1/2” D16 1/2” (2pcs)

$200-300

1115 ENGLISH MAHOGANY BOWFRONT CHEST OF DRAWERS

19th century, H41” W40” D20 1/2”

$500-800 Provenance: Estate of Betty Mathews Mattox

1116 BEVELED MIRROR FOUR-PANEL SCREEN H85” W73”

$300-600 Provenance: North Carolina collection

1117 GEORGIAN MAHOGANY DROP-LEAF BREAKFAST TABLE

19th century, H29” W36” D16 1/2” and 41” open

$200-300 Provenance: Estate of Betty McLeod Mattox

1118 GEORGE III MAHOGANY CHEST OF DRAWERS

first quarter 19th century, short over long drawers and bracket feet; H38 3/8” W46” D21 3/4”

$500-700

1120 ENGLISH INLAID MAHOGANY ROUND NEST-OF-TABLES early 20th century, H27” Dia.12” to 20”

$200-400 Provenance: Estate of Betty McLeod Mattox

$200-300 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

SESSION II

1113 CONTINENTAL INLAID WALNUT TABLE

$200-300

1127 ENGLISH MAHOGANY LINGERIE CHEST with pullout slide, H46” W19” D16 1/4”

$300-500 Provenance: Ruth McClintock Ravasz estate

1121 LOUIS XVI STYLE MAHOGANY AND 1131

MARBLETOP GUERIDON TABLE

circa 1900, rouge mottled marble top, pierced gallery, two drawers; H30 1/2” W34” D25”

1131 SHERATON STYLE MAHOGANY CORNER

$300-500 Provenance: Simon Benson Offit collection

WASHSTAND

late 19th century, H41” W23” D16”

$200-300 Provenance: Estate of Betty McLeod Mattox

1121A LOUIS XV STYLE HERRINGBONE-INLAID MAPLE ARMCHAIR

BH39 1/2” SH17” W27” D25”

$150-250 Provenance: North Carolina collection

1122 PAIR GEORGIAN MAHOGANY CHAIRS late 18th century, BH34” SH18 1/2” W20” D18” (2pcs)

$200-300

1123 GEORGIAN UPHOLSTERED MAHOGANY STOOL

first quarter 19th century, H18 1/2” W20” D16 1/2”

$200-300

1124 CHIPPENDALE STYLE CARVED MAHOGANY CHILD’S CHAIR BH26” SH13” W18 1/2” D16”

$150-200 Provenance: Estate of Betty McLeod Mattox

1128 1128 GEORGIAN MAHOGANY TILT-TOP TABLE early 19th century; H28” Dia.28 3/4”

$200-300 Provenance: Estate of Betty Mathews Mattox

1129 GEORGIAN MAHOGANY ARMCHAIR circa 1780, BH38 1/2” SH17 1/2” W26” D21”

$200-400

1129

1130 ENGLISH BRASS-MOUNTED MAHOGANY CHEST ON STAND

H19 3/4” W36 3/4” D19 1/2”

1125 GEORGIAN MAHOGANY DEMILUNE TABLE circa 1820, H28” W46” D23”

$300-400 Provenance: Estate of Betty Mathews Mattox

$300-500

1130 WWW.CHARLTONHALLAUCTIONS.COM

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1132 GEORGIAN MAHOGANY SIDE CHAIR circa 1790, BH39” SH18” W22” D18”

$150-250 Provenance: Estate of Betty McLeod Mattox

1133 GEORGE III STYLE PARCEL-GILT WALNUT

1137 PAIR VICTORIAN SILVER WINE COASTERS, MARTIN, HALL & CO London, dated 1874, Neoclassical design of medallions joined by swags and cut-decorated leaves, turned base; complete hallmarks; H2” Dia.6 1/2”, and 26.0ozT all in (2pcs)

$1,800-2,400 Provenance: New York collection

circa 1900, H37” W48” D20”

$400-700

1138 VICTORIAN SILVER EWER, ROBERTS & BELK

1134 GEORGIAN CARVED MAHOGANY SIDE

Sheffield, dated 1871, Renaissance Revival ewer adorned with Bacchanalian scene, beaded tight spout issuing scrolling handle terminating in claw, complete hallmarks, H15” and 28.0ozT

CHAIR

possibly Irish, first quarter 19th century, crestrail, unusual carved scroll and leaf feet; BH38 1/2” SH17” W24” D23”

$200-400 Provenance: Estate of Betty Mathews Mattox

1135 PAIR HIGH WYCOMBE CARVED ELM CHILD’S WINDSOR CHAIRS circa 1910, stamped: MILES HIGH WYCOMBE; BH25 1/4” SH12 1/4” W11 1/2” D12 1/2” (2pcs)

$150-250 Provenance: Estate of Betty Mathews Mattox

1136 ENGLISH ELM AND YEW ARMCHAIRS late 18th and 19th century; BH42” SH16” W24 1/2” D19”, and BH36 1/2” SH18” W22” D17” (2pcs)

$200-400 Provenance: Estate of Betty Mathews Mattox

$1,000-1,500 Provenance: New York collection

1139 IRISH SILVER LIGHTHOUSE COFFEEPOT, ROYAL IRISH SILVER LTD Dublin, dated 1969, acanthus-capped spout, scrolling thumbpiece, wood handle, complete hallmarks; H12” W8”, and 37.5ozT all in

$700-1,000 Provenance: New York collection

1140 EDWARDIAN SILVER DISH RING, GEORGE NATHAN & RIDLEY HAYES Chester, dated 1900, intricate Rococo openwork design with fox, dolphin and bird among scrolling foliate and vacant cartouches, associated sterling burner, complete hallmarks, H4 1/2” Dia.8” and 19.7ozT all in

$500-700 Provenance: New York collection

1146 EDWARDIAN SILVERPLATE MEAT DOME

19th century, whimsical twig-bound leaf and floral design, in the Rococo taste, underside with indistinct marks; H5” W8” D5”, and 23.5oz (2pcs)

early 20th century, engraved shield with initials ANW, H10 1/2” W16” D13 1/2”

$600-900 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

1142 GEORGE III SILVER SAUCE TUREEN, STEPHEN ADAMS London, dated 1802, engraved with initials TMJ, complete hallmarks, H7” W9 1/4” D4 1/2”, and 19.5ozT (2pcs)

$300-500 Provenance: South Carolina estate

1143 ENGLISH SILVERPLATE CANDLESTICK SET 19th century, Corinthian column form, marked: MB & CO; H9 1/2” W5” (4pcs)

$300-500 Provenance: Georgia collection

1144 JUDAICA: CONTINENTAL SILVER KIDDUSH CUPS

Eastern European, 20th century, various makers and marks, some with dedications, most marked: STERLING; H3” to 4 3/4”, and total 10.5ozT (6pcs)

$100-200

1147 ENGLISH SILVERPLATE TEA AND COFFEE SERVICE, SESSIONS late 19th century, in the Georgian taste, engraved with crest, comprising: hot water kettle H12 1/4” coffeepot H8 1/4” teapot H5 1/4” creamer H3 1/2” open sugar H4” and waiter L29” marked on bases (6pcs)

$400-800 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

1148 PAIR GEORGE V SILVER CANDLESTICKS, FORDHAM & FAULKNER Sheffield, dated 1914, in classical taste with loaded bases, complete hallmarks, H10” W4 1/2” D4 1/2” (2pcs)

$300-400 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

$200-300 Provenance: Simon Benson Offit collection

1149 PAIR GEORGE V SILVER GLASTONBURY BOWLS, J. GILLMORE

1145 SILVERPLATE FIGURAL CANE HANDLE, AND

Birmingham, dated 1919, complete hallmarks and J. GILLMORE GLASTONBURY, and registration number, H2 1/2” Dia.4 1/4”, and 9.5ozT (2pcs)

STAMP BOX

circa 1900, man carrying bundle of wheat with child H5”; and Meriden bear-form stamp box H1 1/2” L6” W3 1/2” (2pcs)

SESSION II

CABINET

1141 PAIR GERMAN SILVER CACHEPOTS

$200-300 Provenance: Simon Benson Offit collection

1137

1141 WWW.CHARLTONHALLAUCTIONS.COM

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1165

1150 ENGLISH SILVER TAPERSTICKS AND SALTS

1155 PAIR JAPANESE BRONZE LOBSTERS

1161 JAPANESE CLOISONNE ENAMEL

pair Thomas Bradbury & Sons tapersticks, (London, dated 1894), in the Georgian taste, weighted bases; H5 1/2” W3” pair Eames & Bernard salts, (London, dated 1825), floral pattern; H2” Dia.3 1/2”; hallmarked, total 19.7ozT all in (4pcs)

early 20th century, unsigned, H9” L13 1/2” and H8” L13” (2pcs)

VASE

1151 VICTORIAN MOORISH REVIVAL SILVER SALVER, JOHN HUNT & ROBERT ROSKELL London, dated 1871, interlocking stylized leaf border, centering bands of flowers, leaves and rosettes, on four scroll feet; complete hallmarks; H1 1/4” Dia.17”, and 67.5ozT

$1,200-1,800 Provenance: New York collection

1152 GEORGE III SILVER LADLES AND TEAPOT STAND, ROYES & DIX AND ADAMS London 1802 and 1819, Stephen Adams ladle, L7 1/4”; and stand H1” L6 1/2” W4 3/4” Solomon Royes & John East Dix ladle, L13 1/2” initials engraved, Total 13.3ozT (3pcs)

$300-400 Provenance: South Carolina estate

1153 JAPANESE ENAMELED BRONZE VASE Taisho/Showa Period, chrysanthemum and trumpet vine-decorated baluster-form vessel; H9 1/2”

$600-900 Provenance: New York collection

1154 JAPANESE MIXED-METAL AND BRONZE VASE

Taisho/Showa Period, elongated taper form adorned with inlaid phoenix birds, and verso with sparrows amongst bamboo; H11 1/2” W6”

$600-900 Provenance: New York collection

1156 JAPANESE LACQUER-DECORATED TRAVELING SHRINE

Meiji period, mica-lacquered, nacre and shelladorned round case with two doors, opening to painted-decorated wood-carved depictions of Buddhas; H1 1/2” Dia.5 1/2”

$400-600 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.58)

1157 JAPANESE MIXED-METAL PAGE KNIFE OR TURNER

Meiji period, one with bird designs L13 1/4”; and the other with fish designs L11 1/2” (2pcs)

$200-300 Provenance: Thomas Malin Rodgers, Jr. collection

Meiji or Showa period, blossoming peony branch on vibrant yellow ground, unmarked; H8 1/2”

$200-300 Provenance: Ruth McClintock Ravasz estate

1162 CHINESE CARVED POLYCHROME GUANYIN Republic period, on later lacquer stand; H37 1/4” and stand H19”

$300-500 Provenance: Estate of Betty McLeod Mattox

1163 CHINESE CLOISONNE KORO (INCENSE BURNER) Qing or Republic period, archaic form, finely pierced cover, tripod legs and flanked by shaped handles; H8 1/2” W8”

$300-500 Provenance: Georgia collection

1164 CHINESE PIERCE-CARVED GILTWOOD PANELS

1158 JAPANESE BRONZE CRUSTACEANS Meiji period, lobster L7 1/2” and crab W6” (2pcs)

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

1159 JAPANESE GILT-METAL ANIMALS, SIGNED Meiji period, cow H3 1/8” L7”; and lamb H3 3/4” L5 1/2” (2pcs)

$200-300 Provenance: Thomas Malin Rodgers, Jr. collection

1160 JAPANESE MIXED-METAL MINIATURE VASE Meiji period, H3 1/2”

$150-250 Provenance: Thomas Malin Rodgers, Jr. collection

Republic period, each depicting birds amongst flowers, and contained within later frames, overall H8 3/4” W16 3/4” (3pcs)

1167 1167 CHINESE EXPORT LACQUERED TEA CADDY AND COLLECTOR’S BOX

SESSION II

$700-900 Provenance: New York collection

$400-600 Provenance: Thomas Malin Rodgers, Jr. collection

19th century double caddy H5 1/2” W11” D8 1/2”; and inlaid and lacquered tabletop box with small drawers, H14” W12” D5 1/4” (2pcs)

$300-500 Provenance: Estate of Betty McLeod Mattox

1168 CHINESE RED-LACQUER CHEST-ON-STAND Republic period, decorated with flowers and birds; H18” W36” D27”

$300-600 Provenance: Estate of Betty McLeod Mattox

$200-300 Provenance: Georgia collection

1165 TOYOKAWA YOSHIKUNI (Japanese, fl.1803-1840) two works: KABUKI ACTORS color woodblocks, framed, signed sight H14 1/4” W9 1/2” (2pcs)

$200-300 Provenance: Simon Benson Offit collection

1166 CHINESE CARVED RED-LACQUER FOLDING ELDER’S CHAIR Qing dynasty, BH40” SH21 1/4” W19” D24”

$300-500 Provenance: Estate of Betty McLeod Mattox

1166 WWW.CHARLTONHALLAUCTIONS.COM

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Important Collections Deaccessioned from the Columbus Museum 1182

102

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1176 CHINESE CARVED JADE COVERED URN, CONVERTED TO

1180 JAPANESE CARVED IVORY BOX

LAMP

Qing dynasty, stand of later date; H26 1/2” W19 1/2” D14 1/4”

probably Republic period, lion’s-masque and ring design; urn H6” and overall H20”

Meiji period, 19th century, Thousand Face decorated on ruyihead feet, the lid interior with large face; H3” L4” W3 1/4”

$300-400 Provenance: Estate of Betty McLeod Mattox

$600-900 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.54a-b)

1170 CHINESE CERAMIC VASE AND JARS

1177 CHINESE CARVED SOAPSTONE DEER AND FAWN FIGURE

Other Notes: The purchaser of this lot will be provided with letter from the Columbus Museum.

late Qing dynasty or later, gilt-bronze-mounted porcelain vase, H12 1/4”; and pair of Kangxi style jars, H5 1/4” (2pcs)

Republic period, in later glass case, H4” W4” D2”, and overall H6” W6 1/4” D5”

$300-400 Provenance: Estate of Betty McLeod Mattox

$200-300 Provenance: Georgia collection

$200-300 Provenance: Simon Benson Offit collection

1171 CHINESE PORCELAIN COVERED URN

1178 FINE JAPANESE IVORY FISHERMAN OKIMONO, SIGNED

Republic period, serpentine-molded ovoid body, signed; H9 1/4”

Meiji period, 19th century, finely-carved fisherman standing on rocky shore drawing in full net, underside with with signature in red lacquer reserve; H5” W6 1/4” D4”

$200-400 Provenance: Estate of Betty McLeod Mattox

1172 CHINESE ROSE MEDALLION PORCELAIN PUNCH BOWL 19th century, traditional vignettes of flowers and birds spaced by figural scenes; H4 1/2” Dia.11”

$200-300

1173 JAPANESE DECORATED PORCELAIN VASE, SIGNED Meiji period, vignettes painted with scenes of figures in landscape and birds with flowers, on ornate brocade ground, signed on underside; H23” W10 1/4”

$400-700 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

1174 PAIR JAPANESE IMARI PORCELAIN DISHES AND PUNCH

$800-1,200 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.55) Other Notes: The purchaser of this lot will be provided with letter from the Columbus Museum.

1179 CHINESE CARVED IVORY BUDDHA WITH BAT Qing Dynasty, seated laughing Deity, holding beads and pouch with billowing smoke and bats; H7 1/2” W4 1/4” D4”

$800-1,200 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.51) Other Notes: The purchaser of this lot will be provided with letter from the Columbus Museum.

1181 JAPANESE NETSUKE, OJIME, AND INROSET Meiji period, Buddha and boy-carved ivory nutsuke suspended on silk cord with cloisonne enamel silver ojime, ending in rooster-decorated gold hiramaki-e and takamaki-e five-part nested boxes; netsuke H1 1/2”, ojime Dia.5/8”, inro H3 1/2” W2 1/4” D1”

SESSION II

1169 CHINESE EXPORT BLACK-LACQUER CHINOISERIE-DECORATED BOX ON STAND

$500-800 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.163a-b)

1182 JAPANESE CARVED IVORY OKIMONO Meiji period, 19th century, depicting an old man working beside young boy, underside side; H4 3/4” W5” W2”

$400-700 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.56)

Other Notes: The purchaser of this lot will be provided with letter from the Columbus Museum.

1183 CHINESE EXPORT CARVED SHELL CARD CASE Qing Dynasty, allover high-relief carved tortoise carapace, depicting figures in garden, H4 1/2” W3” D1/2”

$300-500 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.113a-b)

BOWL

Meiji period, traditional floral design; dishes H1 3/4” Dia.10 3/4” bowl H6 1/2” Dia.12” (2pcs)

$400-700 Provenance: Estate of Betty McLeod Mattox

Other Notes: The purchaser of this lot will be provided with letter from the Columbus Museum.

1175 PAIR JAPANESE IMARI PORCELAIN COVERED URNS,

1184 PAIR ASIAN PICTORIAL CARVED IVORY PANELS

SIGNED

probably India, 19th century, bisected tusk carved with stacked Buddha on lotus with cloud ground, on later wood stands; H9 3/4” W2 1/4” D1/4” (4pcs)

Meiji period, foo lion finials on domed lid, molded body with paneled designs, signed; H14 1/4”

$300-400 Provenance: Estate of Betty McLeod Mattox

1178 WWW.CHARLTONHALLAUCTIONS.COM

$300-500 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.53a-b)

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1188

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1193

1194

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1199

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THE SOUTHEASTâ&#x20AC;&#x2122;S OLDEST AUCTION FIRM - SINCE 1929

1185 JAPANESE CARVED CABBAGE AND GRASSHOPPER

1190 CHINESE CARVED ROCK CRYSTAL SNUFF BOTTLE

1195 CHINESE CARVED WOOD AND HORN FIGURES

Meiji period, highly-carved leaves with insect, on silk stand; H2 1/2” L4” W1 1/2”

Qing Dynasty, cleverly carved imperfections to reveal scene of crane amongst flowering water plants, cabochon stopper; H3” W1 3/4” D1”

Qing or Republic period, depicting deities and elder; five carved wood and one carved horn; H4” to 8 1/4” (6pcs)

$300-500 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.60a-b)

Qing Dynasty, dragon and scrolling carved compartment on scrolling round base; H4” Dia.1 7/8”

$300-400 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.173)

1187 CHINESE EXPORT IVORY CARD CASE Qing Dynasty, two-part case, one side with vasiform vignette carved with figures in landscape, and verso with two cartouches with conforming motifs and vacant monogram reserve; H4 1/2” W3” D3/8”

$200-300 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.162)

Other Notes: The purchaser of this lot will be provided with letter from the Columbus Museum.

1188 CHINESE EXPORT IVORY CALLING CARD CASE Qing Dynasty, two-part pierce-carved cartouche form with floral border, on each side figures in landscape on reticulated lattice ground; H3 3/4” W2 1/4” D3/8”

$200-300 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.158a-b) Other Notes: The purchaser of this lot will be provided with letter from the Columbus Museum.

1189 CHINESE CARVED SUZHOU AGATE SNUFF BOTTLE Qing Dynasty, compressed spherical form, cleverly carved in low relief using the different tones of the stone to depict monkey with butterfly beneath tree, with cabochon jade and silver stopper; H2 3/4” W2 1/8”

1191 CHINESE PAINTED GLASS AND PORCELAIN SNUFF BOTTLES Qing Dynasty, signed painted glass with coral stopper, H2 1/2” W2” D1”; together with decorated porcelain with jade stopper, H2 3/4” D1 1/4” (2pcs)

$300-500 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.66 and 154a)

1192 CHINESE CARVED JADE SNUFF BOTTLE Qing Dynasty, celadon and russet carved figures on horseback with metal and polished stone stopper; H2 5/8” W1 1/2”

$300-500 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.67)

$300-500 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.130, 131, 133 and 135)

1196 NATIVE AMERICAN BLACKWARE OLLA, MARIA AND SANTANA MARTINEZ (San Ildelfonso, 20th century) etched with repeating feathers motif on shoulder; signed on underside: MARIA+SANTANA, H4 1/2” Dia.6 1/4”, with contemporary plexiglass case H7 1/2” W8 1/2” D8 1/2” (3pcs)

$600-800 Provenance: Purchased Andrea Fisher Fine Pottery, 2004 Simon Benson Offit collection Literature: Spivey, Richard L. THE LEGACY OF MARIA POVEKA MARTINEZ. Santa Fe, NM: Museum of NM Press, 2003 (author signed) Peterson, Susan. THE LIVING TRADITION OF MARIA MARTINEZ. Santa Fe, NM: THE SUNSTONE, 1981 Other Notes: Accompanied by forementioned two volumes.

SESSION II

1186 CHINESE PIERCE-CARVED IVORY CRICKET BOX

$300-500 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.64)

1197 SOUTHERN ALKALINE-GLAZED STONEWARE CHURN AND JUG

1193 RARE CHINESE INSIDE-PAINTED ROCK CRYSTAL SNUFF BOTTLE, SIGNED Qing Dynasty, one signed with expansive mountainous landscape, the verso with flowering rock formation cann, with calligraphy and artist seal; cabochon stopper; H3” W1 3/4” D1”

$500-800 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.65)

1194 CHINESE CARVED WOOD LINGZHI AND PEACH RUYI SCEPTER

Qing Dynasty, naturalistically pierce-carved S-shaped handle with flowering vines, peach and fungi, entwined leaf and peach head; H15 1/4” W3 1/2” D2 1/8”

$400-700 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.177)

$300-500 Provenance: Gift of Frank Judson Dudley, Jr (1891-1962) Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund (1966.151a)

19th/20th century, brown-black glazed churn with strap and lug handles; H19 1/4”; and other rich brown glazed double-handle jug, H17” (2pcs)

$200-300 Provenance: Ruth McClintock Ravasz estate

1198 BLUE-DECORATED STONEWARE CANNING AND STORAGE JARS

Pennsylvania and Ohio, one marked: HAMILTON & JONES , H 9 3/4”; and other stamped: S. PURDY, OHIO, H12” (2pcs)

$200-300 Provenance: Ruth McClintock Ravasz estate

1199 CLASSICALLY-DECORATED PICTORIAL TILE depicting Greek warriors, H7 7/8” W7 7/8”

$100-200 Provenance: Georgia collection

1200 CHINESE FAMILLE ROSE AND MANDARIN PORCELAIN BOWLS

18th century Mandarin bowl H4 1/2” Dia.10 1/4”; and later basin H3 3/4” Dia.11 1/2” (2pcs)

$200-300 Provenance: Estate of Julia Brewer Ballard

WWW.CHARLTONHALLAUCTIONS.COM

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1211

1212

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THE SOUTHEASTâ&#x20AC;&#x2122;S OLDEST AUCTION FIRM - SINCE 1929

1204

1208

1201 DIAMOND AND GOLD BAND

1206 AMETHYST AND GOLD PENDANT AND

1212 PAIR SOUTH SEA BAROQUE PEARL

18K two-tone gold band, channel-set with approx. 0.5ctw baguette diamonds, size 5.75, and 4.4g all in

RING

EARRINGS

approx. 17.8 x 13.8mm pear-shape amethyst in 14K gold openwork pendant H1 1/2” W3/4”; together with 14K gold ring with 12.1 x 15.9mm oval amethyst, size 7.5, and 9.9g all in (2pcs)

approx. 14 x 23mm well-matched pink irregular pearls with 14K gold pierced earring hook; overall H1 1/4” (2pcs)

$300-500 Provenance: Estate of Beaumont Barringer Palmer Cathcart

AND BROOCHES

14K gold pendant/brooch inset with painted porcelain portrait of Beatrice Cenci (after Guido Reni), H2” W1 1/2” 10K rose gold and seed pearl fleur-de-lis brooch, H1 1/8” 14K gold bee stickpin, L2 3/4” gold-fill grape cluster brooch, H2” W1 1/2” Total weighable 28.4g all in (4pcs)

$400-700 Provenance: Estate of Beaumont Barringer Palmer Cathcart

1203 MOONSTONE AND CORAL BEAD NECKLACE 8mm moonstones, spaced by 4mm coral and 14K gold beads, ending with carved coral and gold-filled clasp, L32”

$300-400 Provenance: Estate of Beaumont Barringer Palmer Cathcart

1204 GEMSTONE AND GOLD RINGS 9.8 x 12.1mm oval spessartite garnet, size 9 9.5 x 12.5mm oval opal, size 8.75 12.1 x 15.0mm iolite and diamond ring, size 7 in 14K ornate settings, total 15.7g all in (3pcs)

$500-900 Provenance: Virginia collection

1205 GOLD, SILVER AND PEARL EAR CLIPS pair octothorp design, marked AOB, 18K, H1” W1” pair pearl and sterling screwbacks, Dia.1/2” pair 7.4mm pearl and 14K screwbacks pair silver and 10K-plate, H1” W5/8” Total weighable 16.0g all in (8pcs)

$300-500 Provenance: Estate of Beaumont Barringer Palmer Cathcart

1207 PERIDOT AND GOLD RING, PENDANT AND EARRINGS

10.0 x 12.0mm oval ring, size 8 9.5 x 12.5mm oval pendant pair 7.1mm round studs total 7.5g all in (4pcs)

$500-900 Provenance: Virginia collection

1208 DOUBLE STRAND OF PEARLS 8-9mm near round white pearls ending in 14K clasp, L17” and 20”

$500-800 Provenance: Virginia collection

1209 SINGLE STRAND PEARLS 9.2-9.5mm round white pearls ending in 14K gold claps, L28”

1213 SOUTH SEA ENDLESS STRAND PEARLS

11-12mm white cultured pearls, L81”

$1,000-1,500 Provenance: Private collection

1214 DOUBLE STRAND BLACK PEARLS 9.2-10.2mm pearls ending in 14K clasp, L17 1/2” and 20”

$600-900 Provenance: Virginia collection

1215 SINGLE STRAND SHAPED PEARLS 10-11mm white button pearls ending in 14K gold clasp, L26 1/2”

$400-700 Provenance: Virginia collection

$600-900 Provenance: Virginia collection

1216 VINTAGE PLATINUM AND DIAMOND LADY’S WRISTWATCH, PERY WATCH CO.

1210 TIGER’S-EYE BEAD NECKLACE

serial no. 69415, Swiss 17-jewel movement in diamond-set platinum case and 14K white gold bracelet, L5”

thirty-six 14.7mm round beads ending with plated clasp; L24”

$200-300 Provenance: Simon Benson Offit collection

1211 SOUTH SEA PEARL NECKLACE 12-16mm white cultured graduated pearls, with 10K gold clasp; L18”

$1,000-1,500 Provenance: Private collection

SESSION II

1202 ANTIQUE AND VINTAGE PIN, PENDANT,

$300-500 Provenance: Virginia collection

$300-500 Provenance: Private collection

1218

1218 MONTOYA (American/Spanish, 20th century) LANDSCAPE oil on canvas, framed, signed H60” W40”

$800-1,200 Provenance: Georgia collection

$300-500 Provenance: Estate of Beaumont Barringer Palmer Cathcart

1217 GEORGE HOWELL GAY (New York, 1858-1931) THE BATHERS oil on canvas, framed, signed H24” W30 1/2”

$600-900 Provenance: South Carolina collection WWW.CHARLTONHALLAUCTIONS.COM

1217

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1223

108

1220

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1226

1227

1228

1229

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1231

1233

1234

1236

THE SOUTHEASTâ&#x20AC;&#x2122;S OLDEST AUCTION FIRM - SINCE 1929

1219 WILLIAM SLOCUM DAVENPORT

1224 WILLIAM M. MACKAY

1229 DONALD SPAULDING

(New York/French, 1868-1938) LANDSCAPE, LOOKING OUT FROM PATIO oil on canvas, framed, signed H29” W39 1/2”

(California, b. 1918) STREET SCENE oil on canvas, framed, signed H20” W24”

(New York, b. 1926) THE PRAIRIE COMPANION oil on board, framed, signed H5 1/2” W7”

$400-600 Provenance: Property of a gentleman

(Arizona, b. 1935) HUNTERS RETURN oil on panel, framed, signed & titled H8” W12”

$400-600 Provenance: with Germanton Gallery, NC in 1998 South Carolina collection

Other Notes: Accompanied by original invoice.

1225 WILLIAM M. MACKAY (California, b. 1918) THE NOYO RIVER oil on canvas, framed, signed & titled H24” W36”

$200-400 Provenance: Ruth McClintock Ravasz estate

1226 PAUL LONGENECKER (Massachusetts, 1920-2008) PALM BEACH FOUNTAIN oil on canvas, framed, signed H16” W20”

1221 PHILIP STANDISH READ

$200-400 Provenance: Private collection

(New York, 1927-2000) RED & WHITE LADIES mixed media, framed, signed H15 1/2” W11 1/2”

1227 J.D. LIDDELL

$300-500 Provenance: Purchased Ann Norton Sculpture Gardens, FL, 1999 Simon Benson Offit collection

1222 ALEXANDER POPE, JR. (Massachusetts, 1849-1924) Three works: DUCKS IN LANDSCAPE color lithographs, framed overall H20 1/2” W26 1/4” (3pcs)

$300-500 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

1223 AMERICAN OR BRITISH SCHOOL, LATE 19TH CENTURY PORTRAIT OF YOUNG CHILD BESIDE WALL oil on canvas laid to board, framed, signed & dated: Witz, 97 H30” W20 1/2”

$300-500 Provenance: Illinois collection

$200-400 Provenance: with Germanton Galleries, NC in 2002 South Carolina collection Other Notes: Accompanied by original invoice.

1230 HENRY HALL (AFTER) (British, 19th century) PORTRAITS OF HORSES (19th century St Leger & Derby Winners) prints mounted to canvas in gilt frames overall H17” W22” (6pcs)

$400-700 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

1231 CHARLES EDWARD JOHN LESLIE (ATTRIB. TO)

(American school, 20th century) HARBOR AT DUSK oil on board, framed, signed H12” W18”

$200-400 Provenance: South Carolina collection

1228 DONALD SPAULDING (New York, b. 1926) JUST LIKE HOME oil on Masonite, framed, signed H7 1/4” W9”

$300-500 Provenance: with Di Tommaso Galleries, AZ in 2003 South Carolina collection Other Notes: Accompanied by original invoice.

SESSION II

1220 BILL MITTAG

$200-400 Provenance: Ruth McClintock Ravasz estate

(British, 1839-1886) ANGLERS BY A LOCH oil on canvas, framed, unsigned H8” W14”

$300-500

1232 WITHDRAWN 1233 BRITISH OR AMERICAN SCHOOL, 19TH CENTURY

PORTRAIT OF A LADY HOLDING HAT oil on panel. framed, unsigned H12” W10”

$300-400 Provenance: Estate of Betty McLeod Mattox

1235

1235 BRITISH SCHOOL, 18TH/19TH CENTURY PORTRAIT OF WILLIAM PETRIE oil on copper, framed, unsigned H10 3/4” W8 3/4”

$300-400 Provenance: Estate of Betty McLeod Mattox

Other Notes: William Petrie (1784ñ1816) was a British officer of the East India Company in Chennai. In 1809 he was appointed the Governor of Prince of Wales Island in British Columbia, where he died in 1816.

1236 BRITISH SCHOOL, 19TH CENTURY POND WITH COTTAGE AND FIGURES oil on canvas, framed, unsigned H20” W24”

$300-500 Provenance: Estate of Betty McLeod Mattox

1234 MARY ENSOR (British, fl.1863-1897) pair works: FRUIT STILL LIFE and BIRD’S NEST AND FLOWER oil on board, framed, signed H10” W12”

$300-400 Provenance: Estate of Betty McLeod Mattox

WWW.CHARLTONHALLAUCTIONS.COM

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110

1251

1252

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1249

1253

1237 BRITISH SCHOOL, 19TH CENTURY

1241 JIM HARRISON

1245 RUTH MCCLINTOCK RAVASZ

1250 AMERICAN CARVED GILTWOOD BEVELED

PORTRAIT OF A GENTLEMAN IN RED COAT oil on canvas, framed, unsigned H10” W8”

(South Carolina, CAROLINA COASTAL SCENE oil on Masonite, framed, signed H11” W18”

(South Carolina, 1927-2017) CABIN IN THE WOODS oil on canvas, framed, signed H18” W24”

MIRROR

$200-400 Provenance: Estate of Betty McLeod Mattox

$300-400 Provenance: Ruth McClintock Ravasz estate

1246 RUTH MCCLINTOCK RAVASZ

(South Carolina, 1924-2005) four works: PAIR FLOWER VENDORS and PAIR CHILDREN gouache, framed, signed & dated: 47 & 50 sight H5 3/4” W4” and H4 3/4” W3 1/2” (4pcs)

(South Carolina, 1927-2017) two works: RAINBOW ROW and COTTAGE SCENE oil on canvas, framed, signed & one titled H16” W20” (2pcs)

(South Carolina, 1927-2017) COTTAGE IN THE WOOD oil on canvas, framed, signed H16” W20”

1239 ALICE SCOTT (South Carolina, 1924-2005) INTERIOR SCENE watercolor on paper, unframed, signed & dated: 90 overall H15” W17”

$400-600 Provenance: Private collection

1240 ANN CADWALLADER COLES (South Carolina, 1882-1969) GENERAL MAXCY GREGG (1814-1862) oil on canvas, framed, signed, titled & dated on verso: 1949 H24” W20”

1243 RUTH MCCLINTOCK RAVASZ (South Carolina, 1927-2017) BETTER TIMES oil on canvas, framed, signed & titled H16” W20”

$150-250 Provenance: Ruth McClintock Ravasz estate

1244 RUTH MCCLINTOCK RAVASZ (South Carolina, 1927-2017) SENIOR CITIZEN oil on canvas, framed, signed & titled H16” W20”

$150-250 Provenance: Ruth McClintock Ravasz estate

1251 CONTINENTAL CARVED GILTWOOD MIRROR

bow pediment, oval looking glass, H47” W22”

$300-400 Provenance: Georgia collection

$150-250 Provenance: Ruth McClintock Ravasz estate

1252 CHIPPENDALE STYLE PARCEL-GILT MAHOGANY MIRROR

19th century, H39 1/4” W21 1/2”

1247 ENGLISH PICTORIAL NEEDLEWORK

$200-400 Provenance: Private collection

FRAMED

late 19th century, young girl with dog, in bird’s-eye maple frame, overall H31” W25 1/2”

$200-400 Provenance: Estate of Betty McLeod Mattox

19th century, with bedding and two dolls; H27” W36 1/2” D24”

$200-300 Provenance: Estate of Betty Mathews Mattox

early 20th century, H53 1/4” W33 1/4”

bear H2 L4 1/4”; snail H2” L3”; pear H1” L2”; organic form H1” L3 3/4”; bronze monkey H4 1/4” W2 3/4” D2 1/8”; rectangular box H1 3/4” W4” D2 1/2”; hexagonal box H1” Dia.1 3/4”; and base H1/2” Dia.2” (8pcs)

$400-700 Provenance: Estate of Betty McLeod Mattox

1238

TRUMEAU MIRROR

1254 MALACHITE BOXES AND FIGURES

MIRROR

late 19th/early 20th century, H50” W30”

1253 FRENCH PAINTED AND GILT-DECORATED $200-400 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

1248 AMERICAN WALNUT CRADLE

1249 ITALIAN CARVED GILTWOOD BEVELED

$400-600 Provenance: Laurence S. Barringer and Louise D. Barringer, at Airy Hall Plantation, Fenwick, Colleton County, South Carolina Estate of Beaumont Barringer Palmer Cathcart

SESSION II

1242 RUTH MCCLINTOCK RAVASZ

$400-600 Provenance: Virginia collection

$400-600 Provenance: Estate of Betty McLeod Mattox

$150-250 Provenance: Ruth McClintock Ravasz estate

1238 ALICE SCOTT

$200-400 Provenance: Ruth McClintock Ravasz estate

late 19th century, H57” W41 1/2”

$400-600 Provenance: Simon Benson Offit collection

1254 WWW.CHARLTONHALLAUCTIONS.COM

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THE SOUTHEASTâ&#x20AC;&#x2122;S OLDEST AUCTION FIRM - SINCE 1929

1255 PAIR EROTIC BRONZE BOOKENDS

1262 ANTIQUE DOOR KNOCKER

1268 MARIONETTE PUPPET

circa 1900, profile pirates with hidden nude figures; H5 1/2” W4 1/2” D1 1/4” (2pcs)

19th century, mounted on panel; overall H15” W10 D4”

COLLECTION

$200-300 Provenance: Thomas Malin Rodgers, Jr. collection

decorated paper-mache comprising: Jester H24 1/2” W19” D5 1/2” Jester H18” W8 1/2” D15 1/2” Comedy & Tragedy H20” W14” D3 1/2” Pulcinella Napoli H16 1/2” W7” D3 1/2” (4pcs)

$300-500 Provenance: Simon Benson Offit collection

1263 CARVED WOOD DECORATIONS 19th century, figural bracket, H15 1/2” W7” D8”; together with later gilt eagle, H12” W9” D8 1/2” (2pcs)

$200-300 Provenance: Georgia collection

1264 VINTAGE GRUMBACHER TRAVEL EASEL AND MANIKIN

1257 LEATHER FIGURE OF PIGLET H6” L10 1/2” W3 3/4”

$200-300 Provenance: Simon Benson Offit collection

1258 VINTAGE HERMES BEACH TOWEL AND BLANKET

leopard design, 34” x 57” and 54” x 65” (2pcs)

$200-400 Provenance: Simon Benson Offit collection

1259 WHIMSICAL DOOR HEADER FIGURAL

Grumbacher No. 286 easel, H4” L21” W12” closed; and unmarked manikin H13 1/2” (2pcs)

$100-200 Provenance: Ruth McClintock Ravasz estate

1265 LANCEL, FERRAGAMO, AND BOTTEGA VENETA LEATHER WALLETS AND CLUTCHS Lancel brown clutch H6” W9” Lancel black clutch H6” W9” Salvatore Ferragamo Nero Pebble calf wallet H4 3/4” W9” Bottega Veneta woven brown wallet H4 1/4” W7 3/4” (4pcs)

$300-500 Provenance: Simon Benson Offit collection

ORNAMENTS

carved painted wood comprising: four swimmers, signed Yuens, H9 1/2” L10”; and five seated figures, signed Moroici, H8” (9pcs)

$200-300 Provenance: Simon Benson Offit collection

1260 ITALIAN CARVED GILTWOOD CROWN ORNAMENT

mid 29th century, fleur-de-lis and rosette design; H10” W13” D4”

$150-250 Provenance: Simon Benson Offit collection

1261 PAIR ITALIAN CARVED GILTWOOD WALL BRACKETS

shell and floral design; H18” W13 3/4” D7” (2pcs)

$300-400 Provenance: Estate of Betty McLeod Mattox

1266 LOUIS VUITTON MONOGRAMMED CANVAS AND LEATHER BIFOLDS AND CLUTCH

bifold case H7 1/2” W5 1/2” bifold case H9” W7 1/8” zip clutch H5” W7” (3pcs)

$300-500 Provenance: Simon Benson Offit collection

1267 TIFFANY & CO AND CARTIER LEATHER BELTS WITH BUCKLES

Tiffany & Co black leather belt with sterling and 14K gold buckle, L44” Cartier interchangeable ostrich belt and green leather belt with panther buckle, L40”; with original boxes (3pcs)

$300-400 Provenance: Simon Benson Offit collection

Czech witch H17” Czech sorcerer H19 1/2” Czech violinist L23” medieval warrior with shield H18” jester H14 1/2” (5pcs)

$300-400 Provenance: Simon Benson Offit collection

SESSION II

1256 VENETIAN HANDMADE CARNIVAL MASKS

$150-250 Provenance: Georgia collection

1269 EARLY MAPS: BELLIN’S LATIN AMERICA Jacques N. Bellin (1703-1772) CARTE DE L’AMERIQUE MERIDIONALE, sight H18 1/2” W14” CARTE DU GOLPHE DU MEXIQUE ET DES ISLES DE L’AMERIQUE, sigh H11 1/2” W15 1/4” CARTE DE L’EMPIRE DU MEXIQUE, sight H8 1/2” W11 3/4” PLAN DE LA VILLE DE LIMA OU DES ROIS CAPITALE DU PEROU, sigh H9 1/8” W14” CARTE DE L’ISTHME DE PANAMA ET DES PROVINCES DE VERAGUA TERRE FERME ET DARIEN, sight H8 1/2” W11” CARTE DU LAC DE MEXICO ET DES SES ENVIRONS, sight H8 1/2” W6 1/4” most handcolored, engraving, framed (6pcs)

$500-800 Provenance: South Carolina collection

1270 MAPS: EUROPEAN CITY PANORAMIC BIRD’S-EYE VIEWS 18th/19th century, comprising: Jakob Clausner (1744-1797) PLAN DE STOCKHOLM, sight H12 1/4” W10 1/2” Nicolas de Fer (1646-1720) PLAN DE LA VILLE DE ROME, sight H9 3/4” W12 1/4” Nicholas de Fer (1646-1720) VENISE VILLE CAPITAL, sight H8 1/2” W13” J.J. Orlers, JJ DE STAD LEYDEN, sight H14” W14 1/2” Rigobert Bonne (1727-1794) CARTE DE LA HOLLANDE, sight H8” W12” C.W. Clarke (19th century) AMSTERDAM, sight H13 1/4” W15” some handcolored, all framed (6pcs)

$400-700 Provenance: South Carolina collection

WWW.CHARLTONHALLAUCTIONS.COM

1271 1271 EARLY SOUTHERN MAPS: BELLIN’S VIRGINIA, AND CAROLINA Jacques Nicolas Bellin (1703-1772) CARTE DE LA VIRGINIE, DE LA BAYE DE CHESAPEACK ET PAYS VOISINS, and CARTE DE LA CAROLINE ET GEORGIE, handcolored engraving, c. 1746-89; framed, image H7 1/2” W11 1/4” (2pcs)

$300-500 Provenance: South Carolina collection

1272 MAPS: WORLD, EUROPEAN, AND COPERNICUS PLANETARY 18th/19th century, comprising: Rigobert Bonne (1727-1795) PLANISPHERE, sight H8 1/4” W12 1/2” Jacques Chiquet (1673-1721) LE NOM DE SYSTEME, sight H8 12” W12” A. van Krevelt (18th century) MAPPEMONDE OU DESCRIPTION DU GLOBE TERRESTRE, sight H10” W14 1/2” some handcolored, framed (3pcs)

$300-500 Provenance: South Carolina collection

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1273 EARLY MAPS OF EUROPE

$300-500 Provenance: South Carolina collection

1274 SOUTHERN MAP, ROBERT MILLS circa 1838, (Robert Mills, 1781-1855) FAIRFIELD DISTRICT, SOUTH CAROLINA, (from Atlas of the State of South Carolina) engraved by Tanner & Associates, contained within frame H24” W31”

$300-400 Provenance: South Carolina collection

1275 EARLY EUROPEAN MAPS: SCANDINAVIA AND ITALY 18th century, comprising: Jacques N. Bellin (1703-1772) CARTE REDUITE DES MERS DU NORD, sight H13 1/2” W18”, and LES ROYAUMES DE SUEDE DE DANEMARK ET DE NORWEGE, sight H14” W9 3/4”; together with Rigobert Bonne (1727-1794) L’ITALIE, sight H13” W8 1/2” handcolored engravings, framed (3pcs)

$300-500 Provenance: South Carolina collection

1276 ATLAS OF SOUTH CAROLINA BY ROBERT MILLS published 1965, limited edition reproduced from the original engraved Mills Atlas with introductions by Charles E. Lee, Director, South Carolina Archives Department. Published by Robert Pearce Wilkins & John D. Keels, Jr. Gilt-cloth binding, H29 1/2” W23 3/4”

$200-300 Provenance: South Carolina collection

1282 RARE SOUTHERN BOOKS: INCLUDING RUTLEDGE, WILSON AND NORTON

1285 PAIR CONTINENTAL CUT-CRYSTAL

Amsterdam, circa 1739, engraved by Jan Van Jagen, and published by Isaak Tirion and Jacobus Loveringh; together with Rigobert Bonne CARTE DE L’ARABIE DU GOLFE PERSIQUE, ET DE LA MER ROUGE AVEC L’EGYPTE, LA NUBIE ET L’ABISSINIE, copper engraving, c.1770; uncolored, sheet H15” W18 3/4” and sight H9 1/4” W13” (2pcs)

Norton, John N. THE LIFE OF BISHOP GADSDEN OF SOUTH CAROLINA. New York, 1859. Rutledge, Archibald. BRIGHT ANGEL AND OTHER POEMS. Columbia, SC: R.L. Bryan, 1955. With DJ and author signed. Rutledge, Archibald. THE SONNETS. Private printing, 1938. Author signed. Wilson, John Lyde. CUPID AND PSYCHE: A MYTHICAL TALE. Charleston, SC, 1842. (4vols)

probably French 19th century, ornate cut-work design with silver-mounted rim, bearing unidentifiable marks; H10 1/4” Dia.5 1/8” (2pcs)

$200-400 Provenance: South Carolina collection

1278 GUILLAUME L’ISLE MAP: CARTE DE PROVINCES DES PAYS BAS Paris, circa 1780, handcolored engraved map; delinating topographical details, titled with pictorial cartouche; framed H28” W33”

$200-300 Provenance: South Carolina collection

1279 RIGOBERT BONNE MAPS FROM ATLAS ENCYCLOPEDIQUE published: Paris in1787, comprising: EGYPTE, NABIE ET ABISSINOE ETATS DE ROI DE MAROC IMPERIA ANTIQUA individually framed to match, overall H20” W16” (2pcs)

$200-300 Provenance: South Carolina collection

1280 PERSIAN ISLAMIC ILLUMINATED

$300-400 Provenance: South Carolina collection

1283 RARE SOUTHERN BOOKS: INCLUDING PINCKNEY, RAVENEL AND BENNETT Bennett, John. THE DOCTOR TO THE DEAD: GROTESQUE LEGENDS & FOLK TALES OF OLD CHARLESTON. New York: Rinehart & Co., 1946. With DJ and author signed. Bond, Col. O.J. THE STORY OF THE CITADEL. Richmond, VA: Garrett & Massie, 1936. Conroy, Pat. THE BOO. New York: Pinnacle, 1981. Paperback Ravenel, Beatrice St.J. (et al) CHARLESTON MURDERS. New York: Duell, Sloan & Pearce, 1947. Pinckney, Josephine. THREE O’CLOCK DINNER. New York: Viking Press, 1945. With DJ and author signed. Pinckney, Josephine. THREE O’CLOCK DINNER. New York: Viking Press, 1945. Author signed. (6vols)

$200-300 Provenance: South Carolina collection

MANUSCRIPT LEAVES

19th century, large pictorial panel framed by text, verso with text, on cream paper, H12” W8 1/4” (3pcs)

$300-500 Provenance: Purchased Isfahan Iran, in 1975 North Carolina collection

1281 PERSIAN ISLAMIC ILLUMINATED MANUSCRIPT LEAVES

1284 STUEBEN, BACCARAT, LALIQUE, AND CHRISTOFLE CRYSTAL VASES AND DISHES 4 Stueben dishes H1 1/2” W5 1/2” to H3” Dia.7 1/4” Baccarat bulbous vase H7 1/2” Baccarat tall vase H8” Lalique deep bowl H4” W5” Christofle urn-form vase H7” (8pcs)

$300-400 Provenance: Simon Benson Offit collection

19th century, large pictorial panel framed by text, verso with text, on glue paper, H12” W8 1/4” (3pcs)

$300-500 Provenance: Purchased Isfahan Iran, in 1975 North Carolina collection

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COVERED URNS

$300-500 Provenance: Laurence S. Barringer and Louise D. Barringer, at Airy Hall Plantation, Fenwick, Colleton County, South Carolina Estate of Beaumont Barringer Palmer Cathcart

1286 COLLECTION OF DECORATIVE ART GLASS VASE, CANDLESTICK, AND OBELISKS

SESSION II

18th/19th century, comprising: EUROPE, sight H7 1/4” W8 3/4” L’EUROPE DIVISEE SUIVANT SES PRINCIPAUX ETATS, sight H8” W10 1/2” L’EUROPE SURVIANT LES NOUVELLES OBSERVATIONS CARTE DE LA ROUTE D’ANNIBAL DANS LES GUALES ET DESON PASSAGE EN ITALIE, sight H9” W11 1/4” L’EUROPE SUIVANT LES NOUVELLES OBSERVATIONS, sight H9 1/2” W12 1/2” (4pcs)

1277 EARLY MAPS: NEW MAP OF CANAAN, AND ARABIA

Murano vase, signed H10” Murano candlestick, signed H12” pair cut-and etched pagoda obelisks H12” (4pcs)

$200-400 Provenance: Simon Benson Offit collection

1287 PAIR ENGLISH CRYSTAL COMPOTES, ATTRIBUTED TO WATERFORD 19th century, shaped finial on thumbprintdecorated dome cover, supported on scalloped edge urn on pedestal; H14” Dia.6 1/2” (2pcs)

$200-300 Provenance: Estate of Richard & Katherine Leach, River Run Farm, Saratoga Springs, New York

1288 CRYSTAL OBELISKS AND MARBLE ORBS 6 obelisks H8 1/2” to 14”; and 2 orbs Dia.4 1/2” (8pcs)

$200-300 Provenance: Georgia collection

1289 COLLECTION GLASS PAPERWEIGHTS AND EGGS

Stueben shell L3 1/2” Baccarat bunny H3” Tiffany & Co box H2 1/8” Stueben bear H2 1/2” Stueben egg H4 1/2” 2 Murano eggs H3” & 4” each signed (7pcs)

$200-300 Provenance: Simon Benson Offit collection

115

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1290

1291

1292

1293

1294

1295

1296

1297

1298

1299

1300

1301

1302

116

1303

1304

THE SOUTHEASTâ&#x20AC;&#x2122;S OLDEST AUCTION FIRM - SINCE 1929

1311

1290 MEISSEN PORCELAIN CHINOISERIE

1295 ROYAL WORCESTER PARTIAL DESSERT

1302 TABRIZ CARPET

1312 PERSIAN TRIBAL CARPET

CREAMER AND COVERED SUGAR

SERVICE

3’ x 4’6”

4’3” x 6’6”

19th/20th century, probably J.J. Kandler model; each marked with underglaze blue crossed swords and incised: 907 and 105; H7 1/2” W5 1/2” D7” (2pcs)

early 20th century, Japanesque design, comprising: 2 plates, Dia.9” 10 plates, Dia.7” 9 cups 12 saucers creamer H5” bowl H3 1/2” Dia.5 3/4” each marked (35pcs)

1303 TWO ORIENTAL CARPETS

$400-600 Provenance: Estate of Betty McLeod Mattox

SWEETMEAT DISHES

Germany, late 19th/20th century, gilded and iron-red accented Blue Onion pattern basins, supported by reclining male or female figure; blue crossed swords and incised: 2863, H8” L13” W8 3/4” (2pcs)

$300-500 Provenance: Illinois collection

1292 FRENCH EMPIRE YELLOW-GLAZE PLATES, CREIL ET MONTEREAU circa 1815, one with scene of children playing, Dia.8”; one titled LA BOUQUETIERE ET LE CROQUE-MORT, Dia.8 1/2”; and another LE BON VIEILLARD, DIa.8 1/2”; each marked (3pcs)

$200-300 Provenance: Purchased Serhe Matt Antiques, San Francisco, 1996 Simon Benson Offit collection

1293 ENGLISH PORCELAIN TUREEN ON STAND probably Coalport, circa 1825, unusual Imari pattern, unmarked; H9 1/2 L13” and underplate L14” (2pcs)

$300-500 Provenance: Estate of Betty McLeod Mattox

1294 ENGLISH PORCELAIN CACHEPOT AND DISHES

19th century. comprising: 3 Imari Dollar pattern, Dia.7” and 10” Derby Bloor plate, Dia.9” Derby heart-shaped dish, L10” and a later cachepot with similar coloration, H6” (6pcs)

$300-500 Provenance: Estate of Betty McLeod Mattox

$200-400 Provenance: Simon Benson Offit collection

3’1” x 4’10” and 2’7” x 4’2”

$300-400

1304 KAZAK CARPET 5’ x 6’8”

1296 CHELSEA DERBY PORCELAIN JOHN MILTON FIGURE circa 1800, typically modeled leaning on plinth, vibrant enamels and gilt accents on Rococo base, marked with gilt anchor, H12 1/2”

$200-400 Provenance: Estate of Betty McLeod Mattox

1297 ENGLISH CERAMIC TURRET-FORM CHEESE

$200-300

1305 KAZAK RUNNER 2’7” x 6’5”

$200-300

1306 KAZAK CARPET

$100-200

$200-300

1307 KAZAK CARPET 3’3” x 4’10”

$200-300

1298 WEDGWOOD BLUE JASPER BISCUIT BOX AND PITCHER

20th century, with plated mounts, and each impressed: WEDGWOOD; H9” Dia.5 1/2”, and 6” W4 1/4” (2pcs)

1313 ANTIQUE MALAYER CARPET circa 1910, 3’3” x 6’5”

$200-300

1314 ANTIQUE PERSIAN SARAB RUNNER circa 1910, 3’3” x 7’4”

$200-300

1315 PAIR CHINESE PORCELAIN VASES, CONVERTED TO LAMPS

Qing dynasty, electrified and mounted on base; H15 1/2” (2pcs)

$300-500 Provenance: Simon Benson Offit collection

2’9” x 4’2”

DOME

1846 registration mark, and impressed: WB; H12 1/2” Dia.9”

$200-400 Provenance: Ruth McClintock Ravasz estate

SESSION II

1291 PAIR MEISSEN PORCELAIN FIGURAL

$200-300

1316 PAIR CANDLESTICK WITH HURRICANE SHADES, AND ANOTHER 19th/20th century, brass candlesticks with prisms and shades, H20”; and etched hurricane shade, H20” (3pcs)

$300-500 Provenance: Estate of Betty McLeod Mattox

1308 KAZAK RUNNER 2’ x 5’7”

$200-300

$100-200

1299 PERSIAN HUNTING TABRIZ CARPET 4’3” x 6’7”

$500-700 Provenance: Ruth McClintock Ravasz estate

1300 PERSIAN HAMADAN RUNNER

1309 GABBEH CARPET 3’3” x 4’6”

$200-300

1310 TWO KAZAK CARPETS both 2’1” x 3’

$300-400

2’11” x 22’8”

$400-600

1301 TABRIZ CARPET

1311 TURKISH KONYA CARPET 3’3” x 4’6”

$200-300

2’6” x 3’10”

1316

$200-300

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1317 BENHAM & FROUD COPPER MOULDS

1322 ENGLISH COPPER CULINARY MOULDS

19th century, comprising: pattern 650, H2 1/2” L7 1/2” W2 1/4” pair pattern 541, H4” Dia.4 1/2” pattern 20, H4 1/2” L7” W4 1/2” pattern 388, H5 1/2” Dia.5 1/2” (5pcs)

19th century, comprising: pattern 12, H4” Dia.4 3/4” pattern 38, H5” Dia.5 3/4” pattern 293, H4” Dia.5” pattern 12, H4” Dia.4 3/4” pattern 447, H6 1/2” Dia.4 3/4” pattern 480, H4” Dia.4 3/4” pattern 307, H4” Dia.5 1/2” pattern 612, H2 3/4” L7 1/2” (8pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1318 BENHAM & FROUD COPPER MOULDS 19th century, comprising: pattern 182, H4” L6” W4” pattern 375, H4 3/4” Dia.5” pattern 433, H5” Dia.4 1/2” pattern 479, H4” Dia.4 1/2” pattern 500, H4 1/2” Dia.4 1/2” (5pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1319 BENHAM & FROUD COPPER MOULDS 19th century, comprising: pattern 223, H4 1/2” Dia.5 3/4” pattern 459, H4” Dia.4 1/2” pattern 481, H4 1/2” Dia.5” pattern 615, H3” L7 1/2” W7” (4pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1320 BENHAM & FROUD COPPER MOULDS 19th century, comprising: pattern 8A, H3 1/2” L6 1/2” W4 1/4” pattern 12, H3 1/2” L6” W4” 3 pattern 76A, H3” L3 3/4” W4 1/4” pattern 398A, H3 1/2” Dia.4 1/4” pattern 519, H2 1/2” Dia.6” marked (7pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1321 BENHAM & FROUD COPPER MOULDS 19th century, comprising: pattern 369, H4” Dia.5 1/2” pattern 400, H4” Dia.6 1/2” pattern 497, H5 1/2” Dia.4 3/4” pattern 511, H5” Dia.5” pattern 571, H4” Dia.4” and another, H4” Dia.5 1/4” (6pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr.

118

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1323 ENGLISH AND EUROPEAN COPPER CULINARY MOULDS

19th/20th century, various patterns and designs, from H2 1/2” Dia.3 1/4” to H6” Dia.5 3/4” (15pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1324 ENGLISH COPPER CULINARY MOULDS 19th century, comprising: pair pattern 132, H4” L6 1/2” W4” pair pattern 131, H4” L6 1/2” W3 3/4” pattern 3675, H5” Dia.7” (5pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1325 ENGLISH AND EUROPEAN COPPER CULINARY MOULDS

19th/20th century, various patterns and designs, from H4 1/2” L16 1/4” W4” to H7 1/2” Dia.6 1/2” (15pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1326 CONTINENTAL COPPER MOULDS 19th century, various makers and designs, some marked, comprising: 5 ring moulds, H2” Dia.5 1/4” to H3” Dia.7 1/4” 7 small moulds, H3” Dia.2 3/4” to H4” Dia.4” (12pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1332 CONTINENTAL COPPER MOULDS

19th century, comprising: G & H Ousden, H4 1/2” Dia.4 3/4” J. Ousden, H4” Dia.5” Benham & Froud, H3 3/4” L6 1/2” 5 Jones Bros, H3 1/2” Dia.4 1/2” to H6” Dia.5 1/2” (8pcs)

19th century, comprising: meat pie, H3 1/2” L6 1/2” W4 1/2” crown motif, H4” L6” sheaf of wheat, H3 1/2” L5 1/2” W4” and two others, H3” L5” and H3” L5 1/2” (5pcs)

1328 CONTINENTAL COPPER MOULDS

1333 CONTINENTAL COPPER CULINARY MOULDS

19th century, various makers and designs, and some numbered: 228, 123, 117, 508, 3280, 229, 250, and 479; H5” Dia.4” to H5” Dia.5 1/4” (12pcs)

19th/20th century, various floral, fruit, and lion designs, H2” L6 1/2” W4” to H4” Dia.8” (7pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1329 ENGLISH OR CONTINENTAL PEWTER ICE CREAM MOULDS

19th century, various fruit and floral designs, H5 1/2” Dia.4” to H5 1/2” Dia.5 1/2” (7pcs)

$200-300 Provenance: Thomas Malin Rodgers, Jr. collection

1330 ANTIQUE EASTER BUNNY MOULDS 19th century, H10” W7 1/2” D2” (3pcs)

$200-300 Provenance: Thomas Malin Rodgers, Jr. collection

1331 ENGLISH AND CONTINENTAL MELON-FORM

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

Culinary Mold Collection

1327 ENGLISH COPPER MOULDS, MARKED

1334 AMERICAN AND EUROPEAN COPPER COOKWARE

19th century, comprising: shell-shape with handle, L18” oval dish, L14 1/2” biscuit pan, Dia.12 1/2” 2 serving pans, W7” (5pcs)

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

1335 CONTINENTAL COPPER CULINARY MOULDS 19th century, various makers and designs, some marked, H4” L6” W4” to H3” Dia.9 5/8” (10pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

COPPER MOULDS

19th century, comprising: 4 two-part designs, H4 1/2” Dia.5” to H5” L8 1/2” W6 1/4” dome design, H3 1/4” Dia.5 3/4” half-melon design, H4” L10 1/2” W8” (6pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

WWW.CHARLTONHALLAUCTIONS.COM

1336 ENGLISH AND CONTINENTAL COPPER MOULDS

19th century, various makers and designs including Benham & Froud and Bonnet, some numbered: 78, 404, 371, 245, 354, 295, and 255; H3” Dia.4” to H5” Dia.6” (12pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

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1337 ENGLISH COPPER MOULDS, MARKED

1341 CONTINENTAL FISH AND LOBSTER-FORM

19th century, comprising: Temple & Crock, H1 1/2” Dia.6” Wilson & Smith, H3 1/2” Dia.5” F.W. & Co, H4 1/2” L7 5/8” 2 Benham & Sons, H3 1/2” Dia.4 3/4” and H5 1/2” Dia.5 1/2” A.F. Leale, H3 3/4” Dia.5” W.R. Walker, H4 1/4” Dia.5 3/4” W.S. Adams & Son, H3 1/2” Dia.4 1/2” (8pcs)

COPPER MOULDS

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1338 RARE ENGLISH CROWN-FORM PEWTER ICE CREAM MOULD

19th century, pinned hinge design with two handles, H6 1/2” W10”

$200-300 Provenance: Thomas Malin Rodgers, Jr. collection

1339 ANTIQUE PEWTER ICE CREAM MOULDS 19th century, various makers and designs, comprising: 3 ring designs, W4” candlestick, H4” L6” Maltese cross, W4” bell, H3 1/2” grape cluster, L5” banana, L4” heart, W2 1/2” sailboat, H4 1/2” love birds, H3 1/2” egg, W3 1/2” 4 flower designs, Dia.3 1/2” 10 birds, H2” to H4 1/2” 6 animals, H2 1/2” to H4 1/2” 2 fish, H2” and H4 1/2” 3 ovals, L3” (37pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1340 ENGLISH STAR PATTERN COPPER CULINARY MOULDS

19th century, comprising: Benham & Froud 471, H6” Dia.4 3/4” pair 454, H6” Dia.5 1/2” probably European, H4 1/2” W8” (4pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

120

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

19th/20th century, comprising: 4 lobster motif, H2” L6” to H4” Dia.8 1/2” fish, H1 1/2” L11” dolphin, H7” W5 1/2” (6pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1342 ENGLISH HEN-FORM COPPER MOULDS 19th century, two-part designs, H4 1/2” L8 3/4” W5 1/2” (3pcs)

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

1343 TWO CANDY OR BUTTER COPPER MOULDS late 19th/20th century, sheet with 24 petunia buds, L13 1/2” W10” and other in warrior form, H7 3/4” W3 1/2” (2pcs)

$150-250 Provenance: Thomas Malin Rodgers, Jr. collection

1344 CONTINENTAL COPPER CULINARY MOULDS 19th/20th century, various patterns and designs including some numbered: 121, 26, 170, 99, 60, 153, 53, 13, and 1080, H3” Dia.3 3/4” to H5” Dia.9 3/4” (24pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1345 ENGLISH COPPER FINGER MOULDS 19th century, various patterns and designs including some numbered: 14, 330, 98, 116, 285, 476, 5, 364, and 378; H4 1/4” Dia.4 1/2” to H6 1/4” Dia.5 1/2” (13pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

19th/20th century, H3” Dia.8 1/4 “ to H3 1/4” Dia.10 1/4” (7pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1347 ENGLISH AND CONTINENTAL OVAL COPPER MOULDS

19th century, various patterns and designs including some numbered: 638, F302, 51, 995, and 106; H2 1/2” L6 1/4” W4” to H5” L6” W3 1/2” (15pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1348 CONTINENTAL MINIATURE CULINARY MOULDS

19th/20th century, various patterns and designs, H1/2” L1” W1” to H2 1/8” Dia.2 1/2” (19pcs)

$200-300 Provenance: Thomas Malin Rodgers, Jr. collection

1349 CONTINENTAL COPPER RING CULINARY MOULDS

19th/20th century, various designs and patterns, H3” Dia.3 1/8” to H3 1/2” Dia.7 1/2” (21pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1350 ENGLISH ALEXANDRA CROSS COPPER MOULDS

19th century, some marked: Benham & Froud and some with 1863 registration marks, pair H5 1/2” Dia.4 3/4” and three H6 1/2” Dia.5 1/2” (5pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

WWW.CHARLTONHALLAUCTIONS.COM

1351 ENGLISH NAUTICAL THEME COPPER CULINARY MOULDS, BENHAM & FROUD 19th century, Rock of Gibraltar, numbered: pair 443, M443, 470, 452, 488, 425, 461, some marked; H2 1/2” Dia.5 3/4” to H5 1/2” Dia.5 3/4” (9pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1352 TROTTIER COPPER CULINARY MOULDS Paris, 19th century, comprising: number 17, H7 1/2” Dia.6 3/4” 2 number 14, H4 1/2” Dia.5 3/4” number 12, H4” Dia.5” number 11, H3 1/2” Dia.4 1/2” (5pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

Culinary Mold Collection

1346 CONTINENTAL COPPER CAKE MOULDS

1353 CONTINENTAL COPPER CULINARY MOULDS 19th century, various patterns and designs including some numbered: 246, 5180, 559, 302, 242, 301, 398, and 10/13, H2” Dia.3 1/2” to H6 1/2” Dia.5 1/2” (17pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1354 CONTINENTAL COPPER CULINARY ROASTING PAN

19th century, marked: W, 49; L21 1/2” W12”

$150-250 Provenance: Thomas Malin Rodgers, Jr. collection

1355 ENGLISH COPPER FINGER MOULDS 19th century, various patterns and designs including some numbered: 49, 231, 242, 237, 227, 240, 35, 155, 439, 453, and 15; H4” L6” W3 3/4” to H6” Dia.6” (14pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

121

1356 CONTINENTAL MINIATURE COPPER CULINARY MOULDS

19th/20th century, various patterns and designs, H1” Dia.1 3/4” to H1 1/4” W4” D3 1/2” (32pcs)

F RIDAY 1 J UNE

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1357 JONES BROTHERS TIN-LINED COPPER GREEK-KEY MOULD, STAMPED

19th century, three-tired round forms, one stamped: N.B.F; H10” Dia.8 1/2”; the other unmarked; H8 1/2” Dia.7” (2pcs)

$300-400 Provenance: Thomas Malin Rodgers, Jr. collection

1362 RARE TIN-LINED COPPER MAN WITH CLAY PIPE MOULD

19th century, high-relief design on round body, stamped: JONES BROS, DOWNS ST, RTB and K&M, H2 1/4” Dia.5 3/4”

19th century, round molded top, tiered sides, unmarked; H5 1/2” Dia.6 1/4”

1358 EXTRA LARGE TIN-LINED COPPER MOULD

1363 EXTRA LARGE TIN-LINED COPPER

19th century, three-tiered design with brass handle; unmarked; H9 1/2” Dia.8”

CULINARY MOULD

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1359 EXTRA LARGE BENHAM & FROUD TIN-

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

19th century, architectural tiered design, unmarked; H8” Dia.8 1/4”

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

LINED COPPER MOULD

1364 ENGLISH COPPER MILK JUG

19th century, four-tiered design, stamped: cross and orb mark, 208B; H9 1/4” Dia.7 1/2”

19th/20th century, marked: S.M. & B.P. LTD, 5 gallons, H24 1/2” W10 1/2”

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

$100-200 Provenance: Property of a lady

1365 EXTRA LARGE TIN-LINED COPPER

1360 PAIR VICTORIAN TIN-LINED COPPER MOULDS, HL & CO

CULINARY MOULD

second half 19th century, ornate oval design, stamped: H.L. & Co (possibly Henry Loveridge), C, 05 1/2 and 1 1/2; size H5” L6” W3 3/4”; and another unmarked of similar design; H4” L6 1/2” W4” (3pcs)

$400-600 Provenance: Thomas Malin Rodgers, Jr. collection

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

122

1361 EXTRA LARGE VICTORIAN TIN-LINED COPPER MOULDS, ONE MARKED

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

19th century, architectural tiered design, unmarked; H11” Dia.10”

MOULD

19th century, bird-molded oval top over scalloped deep body, unmarked; H4 1/4” L10”6”

$500-800 Provenance: Purchased from Ruth Troiani Thomas Malin Rodgers, Jr. collection

1367 LARGE TIN-LINED COPPER ‘FLOWER BASKET’ MOULD

1371 BENHAM & FROUD COPPER ‘PRINCE OF WALES FEATHER’ MOULD English, 19th century, plume top, scalloped flared sides, stamped cross and orb mark, 451, and sunburst; H4 1/2” Dia.5”

$300-400 Provenance: Thomas Malin Rodgers, Jr. collection

1372 ROYAL HOTEL TIN-LINED COPPER SHELL

19th century, high-relief floral oval top, flared scalloped body, with ring, unmarked; H4 1/4” L11” W6 1/2”

19th century, shell top, half scalloped oval body, stamped: ROYAL HOTEL; H3” L5” W3 1/2”

1368 LARGE HEAVY TIN-LINED COPPER MOULD

1373 ANTIQUE TIN-LINED COPPER MOULDS

mid 19th century, rope-twist oval hollow-center top, over flared scalloped body; unmarked; H5” W11” W6 3/4”

19th century, one stamped: P over 124; H3 1/4” Dia.5 1/4”, and 3 1/4” Dia.5” (2pcs)

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

$300-400 Provenance: Thomas Malin Rodgers, Jr. collection

1369 BENHAM & FROUD TIN-LINED COPPER VR MOULD

English, late 19th century, VR and crown (Queen Victoria, 1837-1901) top over tiered sides; stamped cross and orb mark, 550, and Rd No. 293905; H4 1/2” Dia.5”

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1370 RARE PAIR TIN-LINED COPPER MOULDS 19th century, decorated round form with flared sides, stamped: M404; H4” Dia.4 1/4” (2pcs)

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

WWW.CHARLTONHALLAUCTIONS.COM

MOULD

$150-250 Provenance: Thomas Malin Rodgers, Jr. collection

Culinary Mold Collection

1366 RARE TIN-LINED COPPER ‘LOVE BIRDS’

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

1374 RARE BENHAM & FROUD TIN-LINED CROWN MOULD

19th century, round reeded flared sides, stamped: cross and orb mark, 584; H3” Dia.3”

$100-200 Provenance: Thomas Malin Rodgers, Jr. collection

1375 RARE PAIR ANTIQUE TIN-LINED COPPER MOULDS

19th century, three-tired design, stamped: 212; H8 1/2” Dia.7 1/2” (2pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

123

1376 EXTRA LARGE VICTORIAN TIN-LINED

1381 LARGE VICTORIAN TIN-LINED COPPER

COPPER MOULD

MOULDS

19th century, three-tiered design, unmarked; H8 1/2” Dia.8 1/4”

19th century, three-tied design marked: 213A and initials FH; H8 1/2” Dia.9 1/2”; and another two-tier marked: D; H8 1/2” Dia.7 1/2” (2pcs)

F RIDAY 1 J UNE

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

1377 LARGE VICTORIAN TIN-LINED COPPER MOULDS, ONE MARKED 19th century, three-tiered marked: J*T, No.13; H8” Dia.6 1/2”; and another swirl design unmarked; H7 1/2” Dia.7 3/4” (2pcs)

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

1378 LARGE BENHAM & FROUD TIN-LINED COPPER MOULD

1382 RARE PAIR COPPER BOMBE PUDDING MOULDS

19th century, each lid and bowl engraved with crown over W; H5 1/8” Dia.4 3/4” (2pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1383 LARGE ANTIQUE COPPER PUDDING MOULD

19th century, stamped cross and orb mark, 256 over B; H7 1/4” Dia.6 1/2”

19th century, ring-style design, marked: 196; H8 1/2” Dia.6 1/2”

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

$200-300 Provenance: Thomas Malin Rodgers, Jr. collection

1379 BENHAM & FROUD TIN-LINED COPPER VR

1384 BENHAM & FROUD COPPER BALMORAL

MOULD

CAKE MOULD

late 19th century, VR and crown (Queen Victoria, 1837-1901) top over tiered sides; stamped cross and orb mark: 550, and Rd No. 293905; H4 1/2” Dia.5”

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1380 COPPER COOKWARE 4 graduated saucepans 4 graduated frying pans, Dia.4 1/4” to 12 1/2” 2 oval pans, L9 1/2” & 12” (10pcs)

$200-300 Provenance: Property of a lady

124

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

19th century, ornate pattern, orb and cross stamp, #185, and marked: Barron & Wilson, H4” L6 1/4” W4”

$200-300 Provenance: Thomas Malin Rodgers, Jr. collection

1385 VICTORIAN COPPER RAISED GAME PIE MOULDS

19th century, also known as ‘Pate de Gibier a la Francaise’ molds, various patterns, round H5” Dia.6 1/4”, oval H3” L7 1/4” W5”, 3 1/2” L11 1/4” W5 3/4” (3pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1391 VICTORIAN COPPER BOMBE ICE MOULDS,

MOULD

SIGNED

mid 19th century, engraved with heraldic coronet over DeG&R; H4” L10 3/4” W6”

19th century, comprising: Harrods Ltd #7, H5 1/2” Benham & Son, H4 3/4” 2 unmarked, H4 1/2” and 6” (4pcs)

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

1387 VICTORIAN COPPER RAISED GAME PIE AND PUDDING MOULDS

mid 19th century, ivy-decorated round form, H5 1/4” Dia.8”; and swirl top food mold, H7” Dia.5 1/2” (2pcs)

$300-400 Provenance: Thomas Malin Rodgers, Jr. collection

1388 LARGE BENHAM & FROUD TIN-LINED COPPER MOULD

19th century, stamped cross and orb mark, 211 and initials SIR. B.L.G; 8 1/2” Dia.7 1/2”

$200-300 Provenance: Thomas Malin Rodgers, Jr. collection

1389 LARGE ANTIQUE TIN-LINED COPPER ‘BEEHIVE’ MOULD 19th century, swirl design with scalloped rim with hook; unmarked; H6” Dia.9”

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

1390 ANTIQUE CONTINENTAL COPPER ‘SCHAMALZGEBACKE’ DESSERT MOULD 19th century, nine shaped compartments in round pan flanked by elongated handles and raised on three feet; H6 1/2” W15 1/2”

$200-400 Provenance: Purchased from Ruth Troiani Thomas Malin Rodgers, Jr. collection

WWW.CHARLTONHALLAUCTIONS.COM

$300-400 Provenance: Thomas Malin Rodgers, Jr. collection

1392 VICTORIAN COPPER BALMORAL CAKE MOULDS

19th century, various patterns and designs, H3” L5 3/4” to 6 1/4” W3 1/4” (4pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

Culinary Mold Collection

1386 VICTORIAN COPPER RAISED GAME PIE

1393 BENHAM & FOUD COPPER RAISED GAME PIE MOULD

19th century, high-relief fruit design, orb and cross stamp, #24, and marked: ROBERT CAMPBELL, EAST BOURNE; H5” L9 1/2” W5”

$300-400 Provenance: Thomas Malin Rodgers, Jr. collection

1394 LARGE VICTORIAN COPPER RAISED GAME PIE MOULD

mid 19th century, reeded design, unmarked, H5” L11” W7 1/4”

$300-400 Provenance: Thomas Malin Rodgers, Jr. collection

1395 AMERICAN COPPER WASH BOILERS late 19th century, one marked: ROCHESTER; H13” W26” D12”, and the other H13” W27 1/2” W12 1/2” (2pcs)

$200-300 Provenance: Southern private collection

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1396 COPPER HOT WATER URN WITH

1401 TROTTIER COPPER CULINARY MOULDS

UNDERPLATE

Paris, 19th century, comprising: number 15, H5” Dia.6 1/4” number 14, H5” Dia.5 3/4” and two others, H4” Dia.4 1/2” and H2 1/2” Dia.6” (4pcs)

19th century, H16 1/2” Dia.18 1/2” (2pcs)

F RIDAY 1 J UNE

$150-250 Provenance: Estate of Betty Mathews Mattox

1397 ENGLISH COPPER LION-FORM CULINARY

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

MOULDS

19th century, H5” L7” W4 1/4” to H5 1/2” L7 1/2” W5 3/4” (3pcs)

$200-300 Provenance: Thomas Malin Rodgers, Jr. collection

1398 SET EIGHTEEN CORNCOB-FORM CULINARY

1402 ENGLISH COPPER CULINARY MOULDS 19th century, various patterns and designs, from H3 1/2” Dia.4 3/4” to H6 1/4” Dia.5 1/2” (17pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

MOULDS

19th/20th century, L3 1/4” W1 1/8” (18pcs)

$100-200 Provenance: Thomas Malin Rodgers, Jr. collection

1399 ENGLISH SALT-GLAZED CERAMIC MOULDS 19th century, various patterns and designs, H3 1/4” L7” W5” to H6” L7 1/4” W6” (4pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1400 ENGLISH BRUNSWICK STAR COPPER MOULDS

19th century, unmarked, H6 1/2” Dia.5 1/2” (4pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1403 ENGLISH BIRD’S-NEST FORM COPPER CULINARY MOULDS

19th century, each H3” Dia.7” (3pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1404 BENHAM & FROUD NAUTICAL COPPER MOULDS

19th century, comprising: one Rock of Gibraltar, H5” Dia.5 1/2” flag design 542, H2” Dia.5 3/4 cannon and ball design, unmarked, H2 1/4” Dia.5 1/2” pattern 651, H3 1/2” L4 3/4” W3 1/2” (4pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1405 ENGLISH LION-FORM COPPER MOULDS 19th century, H.L. & Co, H5 1/2” L6” W4” and two unmarked H5 1/2” L7” (3pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

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THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

1411 ENGLISH AND EUROPEAN COPPER

CULINARY MOULDS

19th century, comprising: 1 round, H5” Dia.6 1/2” 2 oblong, H3 1/2” L5” 2 three-piece rectangular, H3” L6 1/2” and L7 1/2” (5pcs)

19th/20th century, various patterns and designs, from H2 1/2” Dia.3 1/4” to H4 1/2” Dia.7 1/2” (17pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1407 CONTINENTAL FRUIT PATTERN COPPER CULINARY MOULDS

19th century, comprising: 2 pear design, H4 1/2” Dia.4 3/4” and H3 1/2” L5 1/2” W4” plum design, H2 1/2” L4 1/2” W2 1/2” bushel of fruit, H4 1/4” L7 1/2” W4 1/4” (4pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1408 CONTINENTAL MOON-FACE PATTERN COPPER CULINARY MOULDS

19th century, comprising: 3 round, Dia.6 3/4” to 7 1/2” halfmoon design, H1 1/2” L8” W4” (4pcs)

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

1409 LARGE CONTINENTAL OVAL COPPER POT 19th century, H7” L22” W10 1/2”

$200-300 Provenance: Thomas Malin Rodgers, Jr. collection

1410 ENGLISH AND EUROPEAN COPPER CULINARY MOULDS

19th/20th century, various patterns and designs, from H2 1/2” L4 1/2” W2 3/4” to H8 1/2” Dia.5 1/4” (18pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

WWW.CHARLTONHALLAUCTIONS.COM

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1412 ENGLISH BIRD-FORM COPPER CULINARY MOULDS

19th century, pair H3” L5 1/4” W4” and single with eagle design H4” L7” W5” (3pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

Culinary Mold Collection

1406 CONTINENTAL GOURD PATTERN COPPER

1413 ENGLISH ANIMAL PATTERN COPPER MOULDS

19th century, comprising: elephant 106, H3” L5 1/2” W4” water buffalo 96, H4 1/2” L7” W5” (2pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1414 ENGLISH COPPER PINEAPPLE PATTERN MOULDS

19th century, from H4 1/2” L6 1/2” to H5” L7” (4pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1415 CONTINENTAL GRAPE PATTERN COPPER CULINARY MOULDS

19th century, comprising: pair Benham & Froud number 1A, H3 1/2” L6” W4 3/4” oval, H4 1/2” L6 1/2” W5” three-part, H4” L5 1/2” W3 3/4” (4pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

127

1416 CONTINENTAL THISTLE PATTERN COPPER

1421 BENHAM & FROUD COPPER MOULDS

CULINARY MOULDS

19th century, comprising: pattern 33, H3 3/4” L6” W3 3/4” pattern 312, H4 1/4” Dia.6” pattern 465, H5 1/2” Dia.4 1/2” pattern 490, H2 1/2” Dia.6 1/2” pattern 503, H4 1/4” Dia.3 1/4” pattern 610, H4 1/2” L6 1/2” W4 1/2” marked (6pcs)

F RIDAY 1 J UNE

19th century, comprising: oval, H4” L6” W4 1/2” oblong, H3 1/2” L5 1/2” W4” three-part design, H3 1/2” L5 1/2” W3 3/4” (3pcs)

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

1417 CONTINENTAL FISH-FORM COPPER CULINARY MOULDS

19th/20th century, L9 1/4” to 13 1/2” (3pcs)

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

1418 BENHAM & FROUD COPPER MOULDS 19th century, comprising: pattern 4, H5” Dia.4 1/2” pattern 385, H3” Dia.6 3/4” pattern 531, H4 1/4” Dia.4 1/2” pattern 625, H4 3/4” L6” W4 1/2” pattern 634, H4 41/2” L6 1/2” W4 1/2” marked (5pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1419 BENHAM & FROUD COPPER MOULDS 19th century, comprising: pattern 162, H4 1/2” L7” W5” pattern 506, H5 1/2” Dia.4 1/2” pattern 529, H4” Dia.4 “ pattern 609, H2 1/2” L7 1/2” W4 3/4” (4pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1420 BENHAM & FROUD COPPER MOULDS 19th century, comprising: pattern 223, H4 1/4” Dia.5 1/4” pattern 482, H7 1/2” Dia.6” pattern 485, H7” Dia.6” pattern 491, H6 1/2” Dia.5” (4pcs)

$300-600 Provenance: Thomas Malin Rodgers, Jr. collection

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THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1422 BENHAM & FROUD COPPER MOULDS 19th century, comprising: pattern 57, H4 1/2” L6 1/2” W4 1/2” pattern 247, H4” Dia.5 1/4” pattern 491, H6 1/2” Dia.5” pattern 617, H4 1/2” L6” W4 1/4” marked (4pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1423 BENHAM & FROUD COPPER MOULDS 19th century, comprising: pattern 144, H4 1/2” L6 1/2” W4 1/4” pattern 182, H4” L5 1/2” W4” pattern 229, H6 1/4” Dia.5 1/4” pattern 448, H4 1/2” Dia.5 1/4” pattern 500, H4 1/2” Dia.4 1/2” (5pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1424 ENGLISH AND EUROPEAN COPPER CULINARY MOULDS

19th/20th century, unmarked moulds, various designs and patterns from H3” Dia.3 3/4” to H6 1/2” W3 1/2” D3” (15pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1425 ENGLISH AND EUROPEAN COPPER CULINARY MOULDS

19th/20th century, various patterns and designs, from H2 1/2” Dia.2 1/2” to H2 1/4” Dia.8 1/2” (16pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1431 BENHAM & FROUD COPPER MOULDS

19th century, H7” Dia.6 1/4” to H8” Dia.7” (3pcs)

19th century, comprising: pattern 447, H6 1/2” pattern 410, H4” pattern 15, H3 1/2” L6 3/4” pattern 598, H3 3/4” Dia.4 1/2” marked (4pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1427 BENHAM & FROUD COPPER CULINARY

$300-400 Provenance: Thomas Malin Rodgers, Jr. collection

MOULDS

19th century, comprising: four-tier No.1, H8” Dia.6” seven slot, H6 1/2” Dia.6” together with two unmarked, a two-tier dome H8” Dia.6 1/2”, and five-slot H5 1/2” Dia.5 1/2” (4pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1428 LARGE ANTIQUE COPPER ELEPHANT-FORM MOULD

early 20th century, hinged and pinned form, unsigned, H7” L8 1/2” W4”

$200-300 Provenance: Thomas Malin Rodgers, Jr. collection

1429 CONTINENTAL COPPER CASTLE-TURRET MOULD

20th century, five-tier design, unmarked, H10” Dia.9”

$150-250 Provenance: Thomas Malin Rodgers, Jr. collection

1430 PAIR BENHAM & FROUD COPPER ‘PENNY TOP’ MOULDS 19th century, pattern 397, with partial marks, and stamped: HAARER and K&M; H4” Dia.4 1/2” (2pcs)

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

1432 BENHAM & FROUD COPPER MOULDS 19th century, set of three, pattern 458, H3 3/4” Dia.4 1/2”, marked (3pcs)

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

Culinary Mold Collection

1426 ENGLISH COPPER LARGE CULINARY MOULDS

1433 BENHAM & FROUD COPPER MOULDS 19th century, comprising: pattern 442, H4” Dia.3 1/2” pattern 145, H4 1/2” L7” pattern 459, H4” Dia.4 1/2” pattern 465, H5” Dia.4 1/2” pattern 502, H2” Dia.5 1/4” marked (5pcs)

$400-600 Provenance: Thomas Malin Rodgers, Jr. collection

1434 BENHAM & FROUD COPPER MOULDS 19th century, comprising: pattern 539, H5” Dia.4 1/4” pattern 510, H5” Dia.5” pattern 566, H4 1/4” Dia.4 1/4” one unnumbered, H3 1/2” Dia.6” marked (4pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1435 BENHAM & FROUD COPPER MOULDS 19th century, comprising: pattern 492, H6” Dia.5 1/8” pattern 481, H5” Dia.5” pattern 455, H4” Dia.4 3/4” pattern 3, H6” Dia.4 1/2” marked (4pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

WWW.CHARLTONHALLAUCTIONS.COM

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F RIDAY 1 J UNE

1436 BENHAM & FROUD COPPER MOULDS

1441 CONTINENTAL COPPER CASTLE-TURRET

19th century, comprising: pattern 229, H6 1/2” Dia.5 1/4” pattern 292, H2 1/2” Dia.6 1/2” pattern 486, H4 1/2” Dia.4 1/4” pattern 497, H5 3/4” Dia.4 3/4” marked (4pcs)

MOULD

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1437 BENHAM & FROUD COPPER MOULDS 19th century, comprising: pattern 315, H3” Dia.6 1/2” pattern 398, H4” Dia.4” pattern 491, H6 1/2” Dia.4 3/4” pattern 643, H4 1/4” L5 1/2” W4” marked (4pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1438 BENHAM & FROUD COPPER MOULDS 19th century, comprising: pattern 106, H4” L6 1/2” W5” pattern 145, H5” L6 1/2” W4 3/4” pattern 235, H2 1/8” Dia.6 1/2” pattern 476, H4 1/2” Dia.4 1/4” marked (4pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1439 VICTORIAN COPPER RAISED GAME PIE AND PUDDING MOULDS

mid 19th century, chevron pattern game pie mould, H5 1/2” Dia.7 1/2”; and tall pudding mould, 8 1/2” Dia.7 1/4” (2pcs)

$300-400 Provenance: Thomas Malin Rodgers, Jr. collection

1440 LARGE ANTIQUE COPPER CORNUCOPIAFORM MOULD, SIGNED HINE late 19th/early 20th century, two-part pinned form, H9” W10” D6 1/2”

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

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THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

20th century, five-tier design, unmarked, H10” Dia.9”

$150-250 Provenance: Thomas Malin Rodgers, Jr. collection

1442 CONTINENTAL COPPER CASTLE-TURRET MOULD

20th century, five-tier design, unmarked, H10” Dia.9”

$150-250 Provenance: Thomas Malin Rodgers, Jr. collection

1443 PAIR BENHAM & FROUD OVAL ‘PENNY TOP’ COPPER MOULDS 19th century, pattern 669, one marked: 3RD E.K.; and both stamped with maker and pattern; H2 1/4” L6 1/2” W3 2/3” (2pcs)

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

1444 BENHAM & FROUD COPPER MOULDS 19th century, comprising pattern 486, H4” Dia.4 1/4” pattern 289, H4 1/4” Dia.5 1/4” pattern 142, H4” L6 1/2” marked (3pcs)

$300-400 Provenance: Thomas Malin Rodgers, Jr. collection

1445 BENHAM & FROUD COPPER MOULDS 19th century, comprising: pattern 376, H5” Dia.5” pattern 466, H6” Dia.5” pattern 457, H3 3/4” Dia.4 3/4” pattern 181, H3 1/2” L6” marked (4pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1451 CONTINENTAL COPPER MOULDS

COPPER MOULDS

19th century, comprising: three-part floral cylinder, H5 1/2” three-part cylinder, H10” 3 cake moulds, H7” Dia.6 1/4” to H9” Dia.8” (5pcs)

19th century, two stamped: Registered September 15 1864, H7” Dia.5 1/2” and H5 1/2” Dia.5”, and pair miniature, numbered 128, H3” Dia.2 3/4”; stamped with maker’s mark (4pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1447 BENHAM & FROUD COPPER MOULDS

1452 EXTRA LARGE TIN-LINED COPPER ‘FLOWER BASKET’ MOULD

19th century, comprising: pattern 621, H4” L6” W4 1/4” pattern 641, H4” L5 1/2” W4” pattern 433, H5” Dia.4 1/2” pattern 462, H2 1/2” Dia.6 1/4” pattern 423, H2 1/2” Dia.6 1/2” marked (5pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1448 BENHAM & FROUD COPPER MOULDS 19th century, comprising: pattern 198, H3” L6 1/2” W5” pattern 881, H4 1/2” L7” W4 3/4” pattern 600, H5 1/2” L6 3/4” W4 1/2” pattern 457, H4” Dia.4 1/2” marked (4pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1449 BENHAM & FROUD COPPER MOULDS 19th century, comprising: pattern 180, H4” L6” W4” pattern 249, H6 1/4” Dia.5 1/4” pattern 266, H4 1/2” Dia.5 1/2” pattern 567, H4 1/4” Dia.4 1/4” marked (4pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection

1450 BENHAM & FROUD COPPER MOULDS

19th century, high-relief floral oval top, tiered architectural body, with ring, unmarked; H7” L12 1/2” W8 1/2”

$300-400 Provenance: Thomas Malin Rodgers, Jr. collection

Culinary Mold Collection

1446 BENHAM & FROUD BRUNSWICK STAR

1453 LARGE TIN-LINED COPPER ‘PENNY TOP’ MOULD

mid 19th century, tiered body, unmarked; H6” Dia.7 1/2”

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

1454 LARGE TIN-LINED COPPER FLORAL MOULD possibly Griffiths & Browett, mid 19th century, round rose-decorated top, scalloped sides, stamped: G.B; H3 3/4” Dia.6 3/4”

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

1455 LARGE COPPER FIGURAL CHOCOLATE MOULD

19th/20th century, nesting bird, unmarked; H6” L11 W4 1/2”

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

19th century, comprising: pattern 65, H3 3/4” L5 1/2” W4” pattern 295, H4 1/2” Dia.5 1/2” pattern 455, H4” Dia.4 1/2” pattern 472, H3 1/2” Dia.3 3/4” pattern 490, H4 1/2” Dia.6 1/2” marked (5pcs)

$300-500 Provenance: Thomas Malin Rodgers, Jr. collection WWW.CHARLTONHALLAUCTIONS.COM

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F RIDAY 1 J UNE

1456 ANTIQUE TIN-LINED COPPER FANCY MOULD 19th century, ornate three-tier design, stamped: O; H6” Dia.6”

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

1457 BENHAM & FROUD COPPER ‘PRINCE OF WALES FEATHER’ MOULDS English, 19th century, plume top, scalloped flared sides, 2 stamped cross and orb marks, 451, and 127, 127A; H5” Dia.5”, pair H3” Dia.2 3/4”, and pair H3” Dia.2 1/4” (5pcs)

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

1458 RARE TIN-LINED COPPER CENTURION’S HELMET MOULD

19th century, round top and flared scalloped body, unmarked; H3 1/2” Dia.5 5/8”

$200-400 Provenance: Thomas Malin Rodgers, Jr. collection

- END OF AUCTION -

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THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

Charlton Hall is the Southeast’s oldest auction firm offering extraordinary estates and collections at auction. Interested in consigning?

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THE SOUTHEASTâ&#x20AC;&#x2122;S OLDEST AUCTION FIRM - SINCE 1929

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3. Bid Live Online

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Click on

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ON AUCTION DAY: go to www.charltonhallauctions.com Click Sign In (upper right corner) Login with email and password, and click Login Go back to the home page and click

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Information for Bidder & Buyers

Terms & Conditions of Sale REGISTRATION FOR BIDDING. All prospective bidders must have an active Charlton Hall Account in good standing, sign Registration Form and provide government issued photo ID for each sale. *If you would like to establish an account with our firm, please complete Account Setup Form and provide government issued photo ID. *At the discretion of Charlton Hall Galleries, Inc., prospective bidders may be required to provide a deposit against bids. 1.

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ALL SALES ARE FINAL and all lots are sold as shown and “AS IS”, “WHERE IS”, with all faults, imperfections, and errors of description. Charlton Hall Galleries, Inc., their employees and/or agents are not responsible for errors of description, genuineness or authenticity, and fault or defect in any lot. No warranties or representations whatsoever are given by Charlton Hall Galleries, Inc., its employees and/or agents, to any buyer in respect to any lot. ALL PAYMENTS ARE DUE IMMEDIATELY FOLLOWING AUCTION, and all merchandise must be removed from the premises the day of the auction. Payment can be made with cash, money order, cashier’s check, bank wire transfer, or local pre-approved checks. Merchandise paid for with US bank drawn pre-approved check or foreign cashier’s check will be held for 10 banking days. Charlton Hall Galleries, Inc. accept credit cards from domestic buyers up to $2000. International buyers are required to pay bank wire transfer. We do not give refunds. Charlton Hall Galleries, Inc. represents and sells consigned property on behalf of sellers, estates, public and private institutions and other entities. Charlton Hall Galleries, Inc. recommends prospective bidders examine all items in which they have an interest. All lots offered are available for your examination prior to auction date. Registering for a sale and placing bids on any lot signifies that you or your agent have examined the property as fully as you desire. Written and oral descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, materials or any other feature of any lot being sold. If you require absolute certainty in all areas of authenticity, and the results of your evaluation leave uncertainty in your mind, we recommend you not bid on the lot in question. All sales are final, and no refunds will be given. No statement written or oral made by the auctioneer shall be deemed a warranty or assumption of liability by Charlton Hall Galleries, Inc. or by any seller represented by Charlton Hall Galleries, Inc. The highest bidder acknowledged by the auctioneer will be the buyer of that lot. In the event of any dispute, the auctioneer shall have sole discretion to either determine the successful bidder or to re-offer for bidding, the lot in dispute. Charlton Hall Galleries, Inc. has sole discretion to refuse any bid, to divide any lot, to combine any two or more lots, and to withdraw any lot or lots from the sale. Some lots may be offered subject to a reserve, which is a minimum price below which such lot will not be sold. Charlton Hall Galleries, Inc. may implement such reserves by bidding on behalf of the seller. Charlton Hall Galleries, Inc., reserves the right to allow its employees to bid competitively at all auctions. A buyer’s premium of 20% of the successful bid price will be added to each lot thereto and is payable by the purchaser as part of the total purchase price of each lot. Credit card payment will include an additional 4% surcharge. All purchases, including buyer’s premium, are subject to the collection of South Carolina state and local sales taxes. Buyers will be required to pay 7% sales tax at the time of payment unless one of the two following conditions is

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met: 1) Items purchased will be shipped out of the State of South Carolina by a registered ICC carrier, or 2) The registered buyer provides Charlton Hall Galleries, Inc. with a valid South Carolina Retail License Number or valid sales tax exception number from another state and properly fills out form ST-8A Resale Certificate submitted with a copy of said retail license. CONDITION REPORTS: Charlton Hall Galleries, Inc., and its employees will provide, upon request, condition reports and additional photographs for items contained within the current auction catalog. This service is provided as a courtesy only and requesting a condition report in no way changes article #1 of Conditions of Sale. Since we are not professional conservators or restorers, we urge you to inspect each lot yourself or have an agent do so on your behalf. Prospective buyers should satisfy themselves as to condition and must understand that any statement made by Charlton Hall Galleries, Inc., or its employees is merely a subjective qualified opinion, notwithstanding written reports or any discussion concerning condition in this catalog. Condition reports are provided by request on a “first come, first served” basis, making it imperative that requests are submitted early. Requests submitted close to auction date may not be completed. NOTICE TO BIDDER: Estimated Weights and Measurements: All weights in our catalogue descriptions have been estimated through volumetric proportions and are to be considered approximations and are not to be relied on to be exact. The term “all-in” relating to weight means the weight includes all the components of the item. Jewelry: Unless stated otherwise, all diamonds and other precious stones have been measured and graded in their settings. Some jewelry and/or stones are accompanied by certificates prepared by gemological laboratories. These certificates are provided as a convenience to our clients and are not warranted by Charlton Hall Galleries, Inc. Metal weights given for jewelry includes stones unless stated otherwise. Buyers should be reminded that many colored gemstones have historically been treated to enhance their appearance. Clocks and Watches: No guarantee is given as to the working order of clocks or watches. Most of these items have been repaired over the course of time and may now have parts not original to them. Unless stated otherwise, weight measurements include the works. TELEPHONE & ABSENTEE BIDDING: As a service, Charlton Hall Galleries, Inc. provides several absentee bidding formats to those who cannot or choose not to attend the auction in person. Written absentee bids are accepted and must be submitted on a Charlton Hall Absentee Bid Form, copies of which can be found in the printed catalog or on our website. Bidding by telephone can also be arranged by completing the Charlton Hall Bid Form which can also be found in the printed catalog or on our website. Due to processing time constraints, these bid forms must be submitted before 24-hours prior to the auction. Additional terms are outlined on these Absentee Bid Forms. By submitting an Bid Form, prospective purchasers consent and agree to the Conditions of Sale. Absentee bidding is a convenience offered to Charlton Hall Galleries, Inc. customers and while we make every effort to execute your instructions regarding your Absentee or Telephone Bid, Charlton Hall Galleries, Inc. is not liable or responsible for any errors or failure to execute such instructions. LIVE INTERNET BIDDING: Live internet bidding is also possible through our website www.CharltonHallAuctions.com and via Invaluable. Online bidders will pay a Buyer’s Premium of 25% in addition to the hammer price. Charlton Hall undertakes the execution of online bidding as a convenience for clients and is not responsible for any failure or error in the execution of bids.

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

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In the event of a tie bid, the floor bidder will be the winning bidder of record. SHIPPING: Charlton Hall Galleries does not ship any merchandise purchased at auction. We will be pleased to provide a list of shippers and packers that our worldwide base of clients has successfully used, or you can have your own shipper handle your purchases. Please contact the shipper of your choice to arrange for pick up and packing of your items. Your items will be released as soon as payment clears our bank. We request that your shipper schedules pick up times at least 24 hours in advance; this will ensure no delays in pick up, and release of your purchases. EXPORT LICENSES AND PERMITS: Certain property sold at auction may be made of or contain elements of endangered and other protected species of wildlife. Such material includes, among other things, tortoiseshell, ivory, crocodile skin, whale bone, certain species of coral and other animal bone. These materials may be subject to laws governing export from the United States or import into a foreign country (i.e.: endangered species). Several countries prohibit the importation of property containing these materials altogether and other countries require a permit (e.g., a CITES permit) from their respective regulatory agency. For example, the United States generally prohibits the importation of articles less than 100 years of age that contain material from any species listed as endangered or threatened. It is the buyer’s responsibility to obtain any and all export or import licenses, permits or documentation required by any local authority for export from the United States or import into any other country for any object requiring same. The denial or delay in obtaining any license or permit from any agency shall not justify the cancellation or rescission of any sale or any delay in making payment for the total purchase price of any lot in accordance with these Conditions of Sale. FIREARMS: All post-1898 firearms must be registered in compliance with Federal and South Carolina State Laws. Buyers of post-1898 firearms must complete State and Federal registration forms at Charlton Hall Galleries, Inc., unless otherwise specified; processing of such forms may require a waiting period. Dealers and out-of-state buyers must have in their possession, on the day of sale, signed copies of their FFL (Federal Firearms License) in order to accept same-day delivery of modern weapons. Buyers who act as agents for FFL dealers must have a letter as well as an original signed copy of the dealer’s FFL, and must present it to Charlton Hall Galleries, Inc., no less than 24 hours prior to auction date. Such lots may be denoted with special symbols and or verbiage in printed and digital catalogues. Charlton Hall Galleries, Inc. makes no warranties or representations whatsoever and no employee or consultant of Charlton Hall Galleries, Inc. has the authority to do otherwise, concerning the operation or firing condition, fitness of use, safety to store, or reliability of any firearms, ammunition, or parts. Use of any firearms purchased at Charlton Hall Galleries, Inc. is entirely at the user’s risk. Charlton Hall Galleries, Inc. offers for sale the lots as COLLECTOR items only. We strongly recommend that all weapons, ammunition, etc. purchased at auction be examined by a competent gunsmith. Charlton Hall Galleries, Inc. expressly disclaims any liability whatsoever for accidents, injury and damage resulting to any person from the storage or subsequent use of any such lots. While Charlton Hall Galleries, Inc., their employees and representatives, make every effort to accurately describe all lots offered for sale, it is incumbent upon the bidder to satisfy themselves in all areas of authenticity, originality, condition and imperfections. Bidders should also acknowledge that condition reports are often subjective and any item offered at auction may be subject to normal wear consistent with age that may not be specified in a condition report. If a bidder is uncertain about any of these issues, we would recommend that they not bid on lots in question. We would further urge that all potential bidders become familiar with “Commonly Used Terms and

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Abbreviations” printed in each catalog or available upon request. These Conditions of Sale and the purchaser's and our respective rights and obligations hereunder are governed by the laws of the State of South Carolina. By bidding at an auction, each purchaser and bidder agrees to be bound by these Conditions of Sale. Any dispute, controversy, or claim arising out of or relating to this agreement, or the breach, termination, or validity thereof, brought by or against Charlton Hall Galleries, Inc., (but not including claims brought against the consignor by the purchaser of lots consigned hereunder) shall be resolved by the West Columbia, South Carolina legal system. In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor(s) by law, including without limitation the right to hold the purchaser liable for the total purchase price, with the purchaser to be responsible for all costs of collection (including attorneys' fees and disbursements), we, at our option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser or (b) resell the property at public auction without reserve, and the purchaser will be liable for any deficiency, costs including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder, and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser's obligations to us, any property in our possession, owned by such purchaser. We shall have all of the rights accorded a secured party under the South Carolina Uniform Commercial Code with respect to such property, and we may apply against such obligations all monies held or received by us for the account of, or due from us to, such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier's checks, we have con firmed their authenticity. All property must be removed from our premises by the purchaser at their expense no later than 5 business days following its sale and, if it is not removed, Charlton Hall Galleries, Inc., reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser's expense. Charlton Hall Galleries, Inc., shall have no liability for any damage to property left on its premises for more than 5 days following the sale. If property is uncollected within 60 days of auction purchase date, buyer authorizes Charlton Hall to re-sell ALL purchases. Storage fees, handling charges, and seller’s commission rate of 25% will be deducted from the proceeds. Your bid is a legally binding contract. If you are the successful bidder, you have entered into a contract to purchase the property which you bid from the seller. You should contact Charlton Hall Galleries, Inc. to resolve any questions prior to placing any bids. The use of a live internet bidding service will subject your bid to an additional buyer’s premium. Please be aware of this and be sure to read all the terms published by the service providing online bidding. The Conditions of Sale as written in this printed catalog will take precedence over any other conditions, whether printed or posted on internet websites. Conditions of Sale may be amended by posted notices in the salesroom or by announcement from the auctioneer. Bid increments: Bidding generally opens at half the low estimate and generally advances as indicated on bid sheet. All bids submitted out of increment will be rounded to the nearest increment.

WWW.CHARLTONHALLAUCTIONS.COM

Information for Bidder & Buyers

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Guide for Prospective Buyers Bidding and buying at auction is an exciting and fast-paced process. If you have never participated in a live sale before, we encourage you to consult with one of our staff members to discuss how the process works. Terms & Conditions of Sale: Charlton Hall encourages prospective buyers to read the Conditions of Sale printed in the back of this catalogue for more complete information. Registration: All prospective bidders must have an active Charlton Hall account in good standing, complete a Registration Form and provide a government-issued photo ID for each sale. First-Time Registration: If you have never registered to bid at Charlton Hall, you must complete our Account Setup Form, present a government-issued photo ID and be approved. At the discretion of Charlton Hall, prospective bidders may be required to provide a deposit against bids. Preview Exhibition: Charlton Hall offers auction previews leading up to every sale. Galleries are open to the public for preview during printed dates and by appointment. Condition Reports: Charlton Hall and its staff will be pleased to issue Condition Reports for any lot offered. Please note that our staff and specialists are not professional conservators, and that statements of condition are only our opinion. Please remember all lots are sold “AS IS”, and as stated in the Terms & Conditions governing each sale. We strongly encourage bidders or their agents to examine property first-hand prior to bidding. Bidding: We are pleased to offer various bidding platforms at Charlton Hall. You may wish to attend and bid in person, or make prior arrangements to bid by Phone, Absentee, or view the sale live via Live Internet bidding. Please keep in mind the highest bidder acknowledged by our auctioneer will be the purchaser of the item. Although our auctioneer is highly skilled and competent, due to technology and human error, there is always the possibility a bid may be seen or entered too late, and the bidder must acknowledge that once the auctioneer closes bidding, the sale is final. Please see Terms & Conditions of Sale for bid increments, and additional information governing each sale. Payment: In addition to the hammer price, the winning bidder agrees to pay Charlton Hall a buyer’s premium, as well as any applicable taxes. All payments are due immediately following the auction. Payment may be made with cash, money order, cashier’s check, bank wire transfer or a pre-approved US bank-drawn check. Charlton Hall accepts credit cards from domestic buyers up to $5000, a 4% surcharge will apply. International buyers are required to pay bank wire transfer. Pickup & Shipping: We request all purchased lots be removed from the premises within 5 business days. Charlton Hall and its staff will provide a list of recommended shippers and packers whom our worldwide clients have successfully used. For prompt service, we request 24-hour notification of a scheduled pickup appointment.

UPS Store Breeland Couriers Navis BGX US Art, Inc.

803-407-7704 803-936-0148 704-399-1036 803-563-7669 800-872-7826

Plycon Artex Richard Wright Ltd. Westbrook Deliveries Wintersteen Trucking

336-854-1832 (or) 954-978-2000 800-652-7839 800-247-9744 404-877-2870 (or) 843-991-6738 785-543-5999

Should you have additional questions, please feel free to contact our client services specialists at 803-779-5678

138

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

ac: Active

one of his students.

after: This work is a later copy of one of the artist’s works.

g: Grams

after the antique: A later facsimile.

H: Height

attributed to: This work is probably by the named artist. Technically, this work is of the period and may be wholly or even partly by this artist.

HH: Hollow handle

BH: Back height

K: Karat, the fineness of gold. L: Length manner of: Although this work is in the appropriate manner or style of the artist, it is probably of a later period.

circa: Approximate date of object.

note: Additional information we are able to provide about any particular item.

circle of: This work is of the correct period, and exhibits the stylistic influence of the named artist.

oz Troy: Unit of measuring precious metals.

b: Date of birth

ct: Carat (single gemstone weight) ctw: Carats (total gemstone weight)

Information for Bidder & Buyers

Commonly Used Terms and Abbreviations

period: Works will be followed by a date, which means that the object is, in our opinion, the date indicated, and made in the time frame. provenance: History of ownership, or additional information which we have obtained.

D: Depth d: Date of death

studio of: This work is of the correct period, and may have been made under the artist’s supervision.

dates: All dates are approximate. The absence of a date for any item indicates that the item is either modern or we are uncertain of the age.

school of: This work is of the general style of the artist, and may possibly even be by a student of the artist, even if from a slightly later, but not too distant period.

Dia: Diameter

SH: Seat height

DJ: Dust jacket

sizes: All sizes, weights and other measurements are approximate; we are not responsible for mis-measurements or typographical errors.

fl: Flourished follower of: This work is executed in the artist’s style, but is not necessarily by

Sq: Square style: The inclusion of the word “style” in the heading indicates that, in our opinion, the object was made as an intentional reproduction of an earlier form. W: Width wk: Worked

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First Name

Last Name

C HARLTON H ALL Discovering Extraordinary Objects Since 1929

Client ID#

BID DEADLINE: SALE 290 Company Name (Only if you are purchasing for a business)

WEDNESDAY 30 MAY (12NOON) Important Information •Please complete this form to ensure that your bids are accepted.

Billing Address

•Bid forms are to be accompanied by a copy of your Government Issued photo ID and credit card.

City

State

Postal Code

•Please fax bids to 803-733-1701. •All bids are processed in the order in which they are received and are bid competitively during the sale.Email Confirmation will be sent, usually within a few hours.

Country

•All bids must be placed following the increments listed below; we will automatically round-up to the next increment.

Primary Phone

Secondary Phone

Fax

•Your credit card will be charged the invoice amount plus surcharge if payment in not received in accordance with Terms & Conditions.

My signature below indicates my willingness to open bidding at half the low estimate and bid as indicated below. I have read and understand the Terms & Conditions governing this sale.

Valid Credit Card Number

Signature

Lot Number

Expiration Date

CV Code

Bid Range $0-99 $100-499 $500-999 $1,000-2,999 $3,000-4,999 $5,000-9,999 $10,000-19,999 $20,000-49,999 $50,000-99,999 $100,000-199,999 over $200,000

WE DO NOT ACCEPT BIDS THAT ARE LESS THAN HALF THE LOW ESTIMATE

Date

Phone Bid

Lot Description

Phone Bidding Services for Thursday’s Auction ONLY!

(Please Check)

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Increment $10 $25 $50 $100 $200 $500 $1,000 $2,000 $5,000 $10,000 Auctioneer’s discretion

THE SOUTHEAST’S OLDEST AUCTION FIRM - SINCE 1929

Back-Up Bid (Required for all phone bids)

Wish List & Lot Notes

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Charlton Hall is the Southeastâ&#x20AC;&#x2122;s oldest auction firm offering extraordinary estates and collections at auction

Interested in consigning?

CHARLTON HALL AUCTIONEERS Staff Directory

Specialists for this Sale Ronald D. Long Kinga Bender Erica E. Guillebeau Administrative Assistants Jenn S. Robertson Client Services Specialist Vicky L. Smith 803-779-5678 Consignments Director Erica E. Guillebeau 803-779-5678 ext 37 Consulting Specialists Prof. Ronald E. Bridwell Donnie F. Garrett Roger W. Powell Regional Representative Joseph E. Aulisi International Representative Hermann L.A. Sommersell

Gallery & Offices 7 Lexington Drive West Columbia, SC 29170 Tel: 803-779-5678 Fax: 803-733-1701 email: info@CharltonHallAuctions.com www.CharltonHallAuctions.com Gallery & Office Hours Monday - Friday morning 10:00 to 11:30am afternoon 1:00 to 4:30pm Please schedule pickup at least 24 hours in advance of arrival Corporate Officials Charlton F. Hall, Jr., Director Ronald D. Long, President Auctioneer & Firm Licenses Charlton Hall Galleries, Inc., Firm 1316F Ronald D. Long, SCAL No. 509 Erica E. Guillebeau, SCAL No. 4585 Betsy J. Hackett-Davis, SCAL No. 4229 Jeffery C.D. Long, SCAL No. 3942

Photography Director Stephen W. Ivey Support Staff Larry A. Byrd Anthony Mack Cody Wood Perry Shumpert

Printed with green products

THE SOUTHEASTâ&#x20AC;&#x2122;S OLDEST AUCTION FIRM - SINCE 1929

Seeking Quality Consignments For Upcoming Auctions

Live Online Only

Private & Estate Fall 2018

International Sale Winter 2018

Consignment Deadline: June 8

Consignment Deadline: Sept. 7

Style + Design Fall 2018 Consignment Deadline: June 8

Style + Design Winter 2018 Consignment Deadline: Sept. 7

Collect Online Fall 2018

Collect Online Winter 2018

Consignment Deadline: June 8

Consignment Deadline: Sept. 7

Live Online Only

Winter & Spring Sale Sessions 2018-2019 Consignment Deadline: Oct. 5

For more information, please contact consignment specialists Kinga Bender â&#x20AC;˘ Erica Guillebeau 803-779-5678 or info@charltonhallauctions.com

CHARLTON HALL The Southeast’s Oldest Auction Firm, Since 1929

7 Lexington Drive • West Columbia, South Carolina 29170 Tel: 803.779.5678 Fax: 803.733.1701