86th Anniversary Auction

86th Anniversary Auction The Dial & Roebling-DeHope Estates CHARLTON HALL

10 & 11 April 2015

Important Estates & Private Collections Estate of Mrs. J. Donald Dial Estate of Margot Roebling DeHope Estate of Dr. Waddell Barnes Estate of Norman Citron Estate of Benjamin Bates James, Jr. Collection of the late Dr. Edward and Helen McConnell Walter & Harriet Keenan Collection Property descended in the Belmont Family Property descended in the Gourdin and Young Families Property De-accessioned from the Columbus Museum, Columbus, Georgia Florida private collection Georgia private collection Illinois private collection New York private collection North Carolina private collection Ohio private collection Pennsylvania private collection South Carolina private collection Tennessee private collection Texas private collection Virginia private collection West Virginia collection

Discovering Extraordinary Objects For 86 Years Explore With Us at www.CharltonHallAuctions.com

86th Anniversary Auction Great Collections & Estates

SALE DATES & TIMES: Friday 10 April, beginning at 1pm (Lots 1-299) Saturday 11 April, beginning at 10am (Lots 300-648)

PREVIEW EXHIBITION: Opening Reception: Saturday 4 April (4pm–7pm) Wednesday 8 April (12noon–8pm) Thursday 9 April (10am–6pm) Friday 10 April (10am–6pm) Saturday 11 April (9am–12noon) and by prior appointment

CHARLTON HALL AUCTIONEERS 7 Lexington Drive West Columbia, South Carolina 29170 Tel: 803-779-5678

Catalogue $30 at gallery Sale No. SC276

Always Accepting Quality Consignments WWW.CHARLTONHALLAUCTIONS.COM

Estate of Margot Roebling DeHope Property Descended in The Roebling Family

Helen Roebling with baby Margot, 1939

John Augustus Roebling (1806-1869)

Johanna Herting Roebling (1817-1864)

Born in Mülhausen, Prussia, John A. Roebling immigrated to western Pennsylvania in 1835 after studying at the Royal Building Academy in Berlin.

He experimented with twisted wire roping, which led to a very successful family business and a distinguished career in suspension bridge engineering. He conceived the design of the Brooklyn Bridge, but died before the project got underway.

Emily Warren Roebling (1843-1903) Emily was introduced to Washington by her brother, Kemble Warren, who served as his commanding officer during the Civil War. She was instrumental in the construction of the Brooklyn Bridge, serving as a liaison between her husband and his building crew when he fell ill.

She was a stylish and ambitious woman, who wrote and published books and completed her law degree from New York University in her 50’s.

Washington Augustus Roebling (1837-1926) Soon after graduating from Rensselaer Polytechnic Institute in Troy, NY, Washington joined his father’s profession in suspension bridge engineering and assisted in many of his projects. He is most noted for overseeing the successful construction of his father’s complicated designs for the Brooklyn Bridge.

John Augustus Roebling II (1867-1952) Margaret Shippen McIlvaine Roebling (1867-1930)

Helen Price Roebling (1889-1969) Helen came from a prominent and large New Jersey family and became John A. Roebling II’s second wife.

John was born in Mülhausen, Prussia, his grandfather’s hometown, while his mother and father studied the principles of caisson foundations in preparation for the construction of the Brooklyn Bridge. He earned a degree in civil engineering from Rensselaer Polytechnic Institute and pursued independent research and experimentation in his home laboratory at the family estate in Bernardsville, NJ. He is remembered for his generous philanthropy to that town.

Margot Roebling DeHope (1939-2014) After her parent’s deaths, Margot was adopted by her Aunt Helen and raised at the Roebling family estate, Boulderwood in Bernardsville, NJ.

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Estate of Mrs. J. Donald Dial Charlton Hall is pleased and honored to offer objects from the estate of Mrs. J. Donald Dial. Mrs. Dial was a favorite at our gallery. She was an elegant and stylish host in both of her homes in Columbia, South Carolina, and Palm Beach, Florida, where she was a winter resident for 35 years.

Mr. and Mrs. Dial’s years of European travel cultivated and honed their tastes. They lived life to the fullest and enjoyed creative and stylish decors in their warm and welcoming houses, where they took pleasure in entertaining their family and friends.

The sale date of April 10, 2015 would have been her 95th birthday. We remember her fondly.

Ronald D. Long

President, Charlton Hall

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Important American Fine & Decorative Arts American & English Furniture, Silver, Fiine Art and Decorative Arts

Session I 10 April Friday at 1pm

Lots 1-299

CHARLTON HALL AUCTIONEERS West Columbia, SC

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Rare Pair Lancaster Double Rifles for Dangerous Animals

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1 RARE BOXED PAIR CHARLES LANCASTER .360 CAL BOXLOCK SXS SPORTING RIFLES circa 1905, SN 012305 and 012306, walnut checkered forearm, half pistol grip stock, top lever action, scrolling floral engraving, extractors; double triggers, marked 1 & 2 in gold lettering, in fitted case with some equipment, barrels marked CHARLES LANCASTER 11 PATTON ST. HAYMARKET, LONDON, NON-FOULING & SMOOTH OVAL BORE RIFLING; barrel L26” overall L42 1/4” trigger pull, 14 1/2” (2pcs) ***FFL REQUIRED***

$6,000-9,000 Provenance: South Carolina private collection

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2 CHARLES BOSWELL 20 BORE BOXLOCK SXS

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4 ARMY NAVY 20 BORE SXS HAMMER SPORTING

SPORTING GUN

GUN

SN3603, walnut checkered forearm with Anson & Deeley release, Prince of Wales grip, top lever action, extractors, scroll and flower engraving, double triggers, barrels nitro proof, not for ball, right barrel Modified, left cylinder, 2 1/2” chamber numbered 2, barrel marked: CHARLES BOSWELL MAKER 126 STRAND.LONDON W.C.; barrel L28” overall L44 3/8” trigger pull 14 3/8” ***FFL REQUIRED***

circa 1880, SN 50687, walnut checkered forearm, straight English stock, rounded top lever action, extractors, double triggers, barrels marked: ARMY & NAVY C.S.L. LONDON; barrel L28” overall L44 3/8” trigger pull 14 1/4”

5 JOSEPH LANG & SON 280 CAL SXS SIDELOCK DOUBLE RIFLE, BOXED SET circa 1912, SN 15193, forearm, full pistol grip, raised cheek rest, scroll engraving, double triggers, extended tang, ejectors, nitro proved, bird front sight; in fitted case with some equipment; barrels marked: JOSEPH LAND & SON, 102 NEW BOND STREET, LONDON; barrel L26” overall L43” trigger pull 14 1/2” ***FFL REQUIRED***

$400-700 Provenance: South Carolina private collection

$3,000-4,000

$1,000-1,800

Provenance: South Carolina private collection

Provenance: South Carolina private collection

3 I HOLLIS & SON 20 BORE BOXLOCK SXS SPORTING GUN

SN 115370, walnut checker forearm with Anson & Deeley release, half pistolgrip stock, top lever action, extractors, double triggers, 2 1/2” chambers, right barrel Full, choke left Full, barrel marked: I HOLLIS & SON.BIRMINGHAM & LONDON; barrels L30” overall L46” trigger pull 13 3/4” ***FFL REQUIRED***

$900-1,400 Provenance: South Carolina private collection

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6 MANTON 12GA SIDELOCK HAMMER SPORTING GUN mid 19th century, SN 19, extractors, engraved with birds and marked: MANTON, rib marked: LAMINATED STEEL, 2 1/2” chambers, right barrel Modified, left Modified, walnut checkered forearm, half pistol grip stock. barrel L32” overall L48” trigger pull 14 1/4”

$300-500 6

7 GUSTAV GENSCHOW & CO. G. 4 M.M. BOXLOCK SXS DOUBLE RIFLE SN1184, walnut checkered forearm, half pistolgrip stock with cheekrest, top lever action, extractors, scroll engraving, double triggers, three flip-up rear sights, barrels marked: GUSTAV GENSCHOW & CO. A.G. HAMBURG, MADE IN GERMANY; barrel L26 1/8” overall L41 5/8” trigger pull 13 1/2” ***FFL REQUIRED***

$500-1,000 Provenance: South Carolina private collection 7

8 BELGIUM .32-40 CALIBER BOXLOCK SXS DOUBLE RIFLE

SN 2104, walnut checkered forearm, straight English stock with cartridge case, top lever action, extractors, double gold triggers, four flip-up rear sights, flats marked: B BLINDEE, barrels marked: ACIER COMPRIME CAP MADE IN BELGIUM; barrel L28 1/4” overall L44 3/8” trigger pull 14 1/4” ***FFL REQUIRED***

$800-1,500 Provenance: South Carolina private collection 8

9 GERMAN GUILDMADE 22 HORNET SCALLOPED BOXLOCK SXS DOUBLE RIFLE SN16671, Anson & Deeley release, checkered walnut forearm, full pistolgrip stock with cheekrest, scroll engraving, extractors, top lever action, cocking indicators, double triggers, claw scope mounts, nitro proved barrel marked: PRIMA KRUPP ST.M.G. 2.69 G.B.P.; barrel L25 1/2” overall L42 1/2” trigger pull 14 1/8” ***FFL REQUIRED***

$700-1,000 Provenance: South Carolina private collection 9

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10 RAICK FRERES .22 HORNET BOXLOCK SXS DOUBLE RIFLE

SN2453, walnut checkered forearm, full pistolgrip stock, top lever action, extractors, floral scroll engraving, double triggers, flip-up rear sight, barrel marked: RAICK FRERES LIEGE BELGIUM, ACIER SECURITAS FUR W .22 HP; barrel L26 1/8” overall L42 1/4” trigger pull 14 1/8” ***FFL REQUIRED***

$700-1,000 Provenance: South Carolina private collection 10

11 GERMAN BOMBAY ARMOURY .333 BORE BOXLOCK SXS DOUBLE RIFLE SN 1187, walnut checkered forearm with Anson & Deeley release, full pistolgrip stock with cheekrest, top lever action, extractors, double triggers, scroll engraving, five flip-up rear sights, barrels marked: SPEZIALLY MADE FOR THE BOMBAY ARMOURY, 333 BORE MADE IN GERMANY; barrel L24” overall L40 1/2” trigger pull 14 1/2” ***FFL REQUIRED***

$800-1,500 11

Provenance: South Carolina private collection

12 RAICK FRERES .375 CALIBER BOXLOCK SXS DOUBLE RIFLE

SN 23782, walnut checkered forearm, full pistolgrip stock, top lever action, extractors, double triggers, scroll and flower engraving, four folding rear sights, barrel marked: RAICK FRERES-LIEGE BELGIUM NITRO PROVED SPECIAL QUALITY; barrel L26 1/8” overall L42 1/2” trigger pull 14 1/2” ***FFL REQUIRED***

$1,000-2,000 12

Provenance: South Carolina private collection

13 CARL STIEGELE 10.7MM CALIBER BOXLOCK SXS DOUBLE RIFLE

SN12669, Anson & Deeley checkered walnut forearm, straight English stock with cheekrest, carved horn trigger guard, extractors, top lever action, cocking indicators, double triggers, barrels marked: WITTENER EXCELSIOR STHAL ST. M.G. 179 KUNIGL.BAYR.HOFGEWEHRFABRIK CARL MUNCHEN STIEGELE; barrel L24 3/4” overall L41 7/8” trigger pull 14 3/4” ***FFL REQUIRED*** 13

$800-1,400 Provenance: South Carolina private collection

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17 ZEBRA HIDE RUG 102” x 69”

$500-800 Provenance: Charleston, South Carolina private collection

18 PARKER BROS 12GA V-GRADE BOXLOCK SXS SHOTGUN

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14 C. KRUMEL 32 BORE SXS HAMMER SPORTING

SN 168909, checkered walnut forearm, straight English stock, scroll engraving, extractors, marked: PARKER BROTHERS, MAKERS, MERIDON, CONN. VULCAN STEEL; barrel L30” overall L46 1/2” trigger pull 14 1/4” ***FFL REQUIRED***

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$800-1,200 Provenance: New York private collection

GUN

circa 1860, SN 17276, walnut checkered forearm with Anson & Deeley release, half pistolgrip stock with cheekrest, top lever action, extractors, double triggers, barrel marked: C. KRUMEL EBERSWALDE; barrel L27 1/2” overall L44” trigger pull 14 1/8”

$300-500 Provenance: South Carolina private collection

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(British, 1930-2001) CHARGING ELEPHANTS oil on canvas, framed, signed lower right H36” W54”

$1,500-3,000 Provenance: Estate of C. Heath Manning, Columbia, South Carolina

16 ZEBRA HIDE RUG 123” x 79”

$500-800 Provenance: Charleston, South Carolina private collection 16

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19 BOXED TWO-BARREL SET PERCUSSION SXS SPORTING GUN NVSN, 16ga and one set with 16ga barrel and .36 cal rifle, one barrel set marked: S.A. VANHORN, ONEIDA, N.Y.; barrels L31”

$1,000-1,500 20 ITHACA 12GA BOXLOCK SXS SHOTGUN SN 193244; marked: ITHACA GUN CO. ITHACA, N.Y., 2 1/2” chambers, right barrel Full, left Cylinder, extractors, checkered forearm, full pistol grip stock; barrel L28” overall L43 3/4” triger pull 13 7/8” ***FFL REQUIRED***

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$300-600 21 L.C. SMITH 12GA FIELD GRADE SIDELOCK SXS SHOTGUN SN 517908, walnut forearm, full pistol stock, extractors, chamber 2 3/4” right barrel Improved Modified; marked: L.C. SMITH-FIELD GRADE ARMOR STEEL; barrel L26”; overall L42 3/8”; trigger pull 14” ***FFL REQUIRED***

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$500-800 Provenance: New York private collection

22 PARKER BROS. TROJAN 20GA BOXLOCK SXS SHOTGUN circa 1924, SN 207260, frame size 0, rib marked: PARKER BROS. MAKERS, MERIDEN, CT. USA, TROJAN STEEL, PATD AUG 15, 1905, PATD OCT 25, 1910, 2 1/2” chambers, right barrel Improved, left Full, walnut checkered forearm, full pistol grip stock; barrel L28” overall L44 1/2” trigger pull 14 5/8” ***FFL REQUIRED***

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$400-700 23 HARRINGTON & RICHARDSON TOPPER MODEL SHOTGUNS SN AM228972, Topper model 58 410ga shotgun (3” FULL) SN AU556965, Topper model 88, 20ga (3” MOD) SN AM266795, Topper model 58, 12ga (3” MOD) barrel L43”, 41”, and 43” (3pcs) * **FFL REQUIRED***

$300-500 Provenance: South Carolina private collection 23

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Lincoln White House Dining Chair s

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24 ABRAHAM LINCOLN RENAISSANCE REVIVAL CARVED MAHOGANY CHAIRS, SET OF EIGHT

American, circa 1860, arched crestrail flanked by rosette and carved drop designs, molded arched backrest and overupholstered seat, on tapered turned legs; BH38 1/2” SH19” W20” D18” (8pcs)

$20,000-30,000 Provenance: President Abraham and Mary Todd Lincoln, The White House Robert Todd Lincoln (1843-1926) Hildene, Manchester, Vermont, son Robert Todd Lincoln Beckwith (1904-1985), Manchester, Vermont, grandson Owen Moon, Woodstock, Vermont, purchase Woodstock Country School, purchase Whitney’s Antiques, Woodstock, Vermont, by trade Pearl Williams Conn, Bethlehem, New Hampshire, 1962 purchase Roberta M. Carr, Concord, New Hampshire, 1976 purchase Mr. & Mrs. Beverland, Florida private collector (Suite of 14 remained intact until Mr. Beverland sold through the years to various collectors) Lindsay George Durham, Athens, Georgia (obtained these side chairs) Greenville, South Carolina private collection Danny’s Antiques, Greenville, South Carolina Present owner acquired chairs in 1988 Other Notes: These chairs originally from a suite of fourteen which were used at The White House in the formal dining room during the Lincoln administration.

Their succession of ownership is documented by several bills of sale and related papers, copies of which are available to purchaser.

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Parts of this chair set have sold in these rooms, as well as Christie’s New York .

25 ABRAHAM LINCOLN LIFE MASK RUBBER CASTING, AFTER LEONARD WELLS VOLK H10” W9 1/2” D7”

$1,000-2,000 Provenance: Florida private collection Other Notes: This casting was from an original 1860 bronze life mask in the 1970s. The present owner sold the rare bronze to a museum but not before taking it to Paul King Foundries in Rhode Island to create this rubber cast made with rare 1860 date on chin.

26 ORIGINAL PLASTER MOLD ABRAHAM LINCOLN LIFE MASK,

BY LEONARD W. VOLK (Illinois/Wisconsin, 1828-1895) plaster casting, unsigned, H14” W12” D7 1/2”

$3,000-4,000 Provenance: Florida private collection 26

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27 AMERICAN MAHOGANY BONNET-TOP HIGHBOY

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late 18th/early 19th century, broken-arch crown with flame-twist finial, above configuration of drawers with shell carving, lower part with three short drawers and shaped skirt, on shell-carved cabriole legs with bracket feet; H88” W42 1/2” D26”

29 AMERICAN MAHOGANY BRASS-INLAID CARD TABLE, MANNER OF DUNCAN PHYFE

$1,000-1,500

circa 1820-1830, probably New York, hinged rectangular top with canted corners, above conforming skirt and twist-turned columns to quadripartite platform, on acanthus-carved legs with paw feet and casters; H27 3/4” W36 3/8” D35 3/4” open

Provenance: Georgia private collection

$2,000-3,000 Provenance: South Carolina private collection

28 FEDERAL INLAID MAHOGANY SERPENTINE FRONT SIDEBOARD

shaped breakfront top over configuration of long and short drawers, doors and wine drawer, on reeded tapered legs; H42 3/4” W42” D25”

circa 1830, rectangular top over graduated drawers and splayed feet; H39” W40” D20”

$3,000-4,000

Provenance: Georgia private collection

Provenance: South Carolina private collection

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30 AMERICAN CHERRY CHEST OF DRAWERS $700-900

33 AMERICAN MAHOGANY BLANKET CHEST, PROBABLY PENNSYLVANIA circa 1760, hinged top with molded edge, with interior till, having two short drawers, on bracket feet, retaining original hinges; H28” W50” D23”

$800-1,200 Provenance: South Carolina private collection

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31 FEDERAL SQUARE-BACK CARVED MAHOGANY SOFA, PHILADELPHIA circa 1795, fully-upholstered back raised in center, with downswept arms and reeded vase-turned supports flanking bench seat, on tapered bead-and-channel legs; BH36” SH19” D33” L73 1/2”

$2,000-4,000 Provenance: Charleston, South Carolina private collection Purchased from 1740 House Antiques, Charlottesville, Virginia

32 AMERICAN HEPPLEWHITE STYLE INLAID MAHOGANY TWO-PART DINING TABLE

19th century, demilune and drop-leaf tops, with conforming skirt on tapered legs with brass caps and casters; H29 1/4” W53” D47” closed L85” open (2pcs)

$600-900 Provenance: Columbia, South Carolina collection

Literature: A similar example is depicted in HORNER’S BLUE BOOK, PHILADELPHIA FURNITURE by W. M. Horner, ppl.424 & 425

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34 FEDERAL MAHOGANY WORKTABLE circa 1825, rectangular top, outturned corners, over two drawers on turned and fluted legs and feet; H27 1/2” W18 1/4” D15 1/4”

$300-400 Provenance: Columbia, South Carolina private collection

35 FEDERAL INLAID MAHOGANY CARD TABLE circa 1800, folding elliptical top over conforming skirt centered with banded tablet, on tapered reeded legs extending to elongated feet with brass caps and casters; cherry and white pine secondary woods; H30 7/8” W36” D36” open

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$1,000-2,000 Provenance: Atlanta, Georgia private collection Literature: See DUNCAN PHYFE AND THE ENGLISH REGENCY, 1795-1830, by Nancy McClelland, p.149, pl.129.

Other Notes: The five-leg arrangement is characteristic of New York City, and is seen on card tables made by both Duncan Phyfe and John Dolan.

36 PAIR HEPPLEWHITE INLAID MAHOGANY AND UPHOLSTERED LOVESEATS

arched wingback, on tapered inlaid legs joined by molded stretchers; BH38 1/2” SH20” W58 1/2” D25” (2pcs)

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37 FEDERAL MAHOGANY CARD TABLE circa 1800, shaped elliptical top with chevron banding, over conforming skirt on reeded legs headed by flattened ball turnings and leaf-carved flange, with ring-and-ball turned feet upon brass ball caps; tulip poplar and white pine secondary woods; H30 1/4” W36” D37” open

$1,000-2,000 Provenance: Atlanta, Georgia private collection Literature: See DUNCAN PHYFE AND THE ENGLISH REGENCY, 1795-1830, by Nancy McClelland, p.149, pl.129.

Other Notes: The five-leg arrangement is characteristic of New York City, and is seen on card tables made by both Duncan Phyfe and John Dolan.

$900-1,200 Provenance: Atlanta, Georgia private collection

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38 NEW YORK FEDERAL MAHOGANY CHEST OF DRAWERS circa 1820, rectangular top over four long drawers, with deep top drawer and shaped bottom blade on splay feet; H44 3/4” W44 1/2” D18 1/2”

$900-1,400 Provenance: South Carolina private collection

39 RARE NEW YORK CHIPPENDALE MAHOGANY CHEST ON CHEST circa 1760-1770, heavy molded cornice with canted corners over conforming case with three short over three long graduated drawers flanked by chamfered fluted corners, on waist-molded lower case with shell-carved corners and corresponding fluting extending to lamb’s tongues, with four long graduated drawers, on molded base with ball-and-claw feet; H81 3/4” W51” D23 1/2”

$5,000-10,000 Provenance: Charleston, South Carolina private collection Purchased from Ann Woods Ltd., 1211 West Main Street, Charlottesville, Virginia, in February 1989

40 AMERICAN CHERRY PEMBROKE TABLE

early 19th century, drop-leaf top over drawer and square legs joined by X-stretchers; H29” W22 1/4” D31”

$400-600 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families 40

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41 MASSACHUSETTS MAHOGANY SERPENTINE CHEST OF DRAWERS, NORTHSHORE circa 1780, molded edge top over four graduated drawers, on bracket feet; H36” W43 1/2” D21 1/2”

$3,000-4,000

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44 AMERICAN CLASSICAL MAHOGANY SIDEBOARD, PHILADELPHIA circa 1825, inset top with architectural backboard, short drawers and pullout slides over three drawers, four paneled doors and reeded carved half columns, on carved, turned feet; H52 1/2” W75” D26 1/2”

$800-1,200 Provenance: South Carolina private collection

Provenance: South Carolina private collection

42 SHERATON MAHOGANY SETTEE, MANNER OF SLOVER & TAYLOR, NEW YORK circa 1820, double-tablet back with reeded spindles, scrolling arms flanking overupholstered bench seat, on tapered fluted legs with brass cups and casters; BH35 3/4” SH18 1/2” W22 1/2” L44”

$800-1,200 Provenance: South Carolina collection

43 AMERICAN CLASSICAL MAHOGANY BREAKFAST TABLE circa 1830, rectangular top with butterfly drop leaves over drawer, on carved turned legs with brass casters; H29” W26” W53 3/4” open D38”

$400-600 Provenance: South Carolina private collection

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45 NEW JERSEY MAHOGANY TALL CASE CLOCK, SIGNED ISAAC BROKAW BRIDGE TOWN circa 1810, broken-arch bonnet with brass finials and fluted colonettes, enclosing eight-day works with painted dial and spandrels, central case flanked by quarter columns, on waist-molded lower part with shaped base and feet, with oval and circular panels, line inlay and boxwood purfling; H91 1/2” W18 3/8” D10”

$4,000-8,000 Provenance: Charleston, South Carolina private collection

49 AMERICAN HOUSE OF REPRESENTATIVES OAK DESK circa 1900, hinged slant front with leather writing surface, on shaped trestle base unified by medial shelf; brass plates read: JAMES ADAIR PATENTED OCT 2ND 1866/REISSUED AUG 4TH 1868/B & P LAWRENCE PROPRIETORS and 55/E; H34” W23” D21 3/4”

$500-800 Provenance: Tarpon Springs, Florida private collection Used by Representative Edward De Veaux Morrell (1863-1917), Republican from Pennsylvania, served in the 56th-59th Congress (1899-1906)

46 PAIR AMERICAN FANCY PAINTED AND STENCILED BEDS early 19th century, shaped headboard with floral, scrolling and leaf gilt decorations, on green ground, joined by posts; H41” W42 1/4” L79 1/2”

$1,000-2,000 Provenance: South Carolina private collection

47 AMERICAN MAHOGANY PEMBROKE TABLE circa 1800, rectangular top with D-shape leaves, with single-drawer frieze on tapered legs with cups and casters; H28” W38 1/2” open D36”

$800-1,200 Provenance: South Carolina private collection 49

48 RARE AMERICAN CLASSICAL MAHOGANY WRITING DESK, BALTIMORE OR PHILADELPHIA

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circa 1830, form of a diminutive sideboard, top with gallery, small drawer and pullout slide, over long drawer, paneled doors and column supports, on turned feet; H35” W31” D18”

$1,000-1,500 Provenance: South Carolina private collection

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Property Descended in the Belmont Family 51 COMMODORE MATTHEW CALBRAITH PERRY PHOTOGRAPHY BY MATHEW B. BRADY (New York, 1822-1896) three-quarter length portrait, standing, facing slightly left with left hand resting on sword, circa 1854-58, framed, sight H18 1/2” W15 1/2”

$400-700

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Provenance: Matthew C. Perry Caroline Perry Belmont Bessie Morgan Belmont Timmerman Hence by descent to present heir

50 ANTIQUE PEARL, DIAMOND AND RUBY WINGED-INSECT BROOCH

52 JAPAN EXPEDITION SCENES BY SARONY & CO

late 19th century, 7.5ct natural Baroque pearl forms the body of the stylized Queen bee, the wings and head set with diamonds and rubies, marked: 1874 which may indicate date; L1 1/8” W2 1/4”

published 1855, two works: FIRST LANDING OF AMERICANS IN JAPAN and LANDING OF COMMODORE PERRY, OFFICERS & MEN OF THE SQUADRON, colored lithographs, framed, sight H19 3/4” W31 1/2” (2pcs)

$1,500-3,000

$500-800

Provenance: Caroline Perry Belmont Bessie Morgan Belmont Timmerman Hence by descent to present heir

Provenance: Caroline Perry Belmont Bessie Morgan Belmont Timmerman Hence by descent to present heir

Other Notes: Accompanied by GIA certificate 2155017437

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53 MASSIVE JAPANESE IMARI PORCELAIN CHARGER Meiji period, Dia.24 1/4”

$500-900 Provenance: Oliver Hazzard Perry Caroline Perry Belmont Bessie Morgan Belmont Timmerman Hence by descent to present heir

54 GEORGE III STYLE CARVED MAHOGANY CORNER CHAIR

last quarter 19th century, foliate carved crestrail, pierced splat, slip seat on bellflower carved legs, BH31” SH17 1/2” W29” D24”

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55 BRITISH SCHOOL (18TH CENTURY )

$200-400 Provenance: Caroline Perry Belmont Bessie Morgan Belmont Timmerman Hence by descent to present heir

PORTRAIT OF SEATED LADY IN BLUE SILK DRESS oil on canvas, framed, unsigned H66” W42”

$2,000-3,000 Provenance: Atlanta, Georgia private collection

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56 AMERICAN/BRITISH SCHOOL CHILD PORTRAIT PAINTING

(19TH CENTURY ) YOUNG GIRL WITH BATTLEDORE AND SHUTTLECOCK oil on canvas, framed, unsigned H33” W25”

$1,500-2,000 Provenance: Estate of Dr. Waddell Barnes, Macon, Georgia

57 AMERICAN SCHOOL PORTRAIT, 19TH CENTURY YOUNG GENTLEMAN IN YELLOW WAISTCOAT oil on canvas, framed, unsigned H30” W25”

$1,000-2,000 58

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Provenance: Georgia private collection

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58 BRITISH SCHOOL PORTRAIT, 19TH CENTURY LADY IN RED COAT WITH PORTRAIT MINIATURE oil on canvas, framed, unsigned H30” W25”

$800-1,200 Provenance: Georgia private collection

Fine Southern Objects

The only known Charleston example of a double bellflower inlaid sideboard

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59 RARE CHARLESTON FEDERAL INLAID MAHOGANY SIDEBOARD South Carolina, circa 1790, serpentine top with triple-line inlays and single lightwood along the edge, over configuration of short, long and wine drawers, all with line inlays and banding, incurved shelf below the center drawer, on six square tapered legs, each with large diamond inlay on the upper stile followed by unusual double bellflower drops on upper and lower part of legs outlined with line inlays, above wide ankle banding; H39” W66” D24 1/4”

$15,000-25,000 Provenance: Descended through a Charleston family, name of family is private but will be shared with the purchaser.

Literature: Related to figs. NT3 & 4 in THE FURNITURE OF CHARLESTON 1680-1820 by Bradford Rauschenburg and John Bivins and to figs. 59 & 60 in CHARLESTON FURNITURE 1700-1825 by Milby Burton. This board, with an incurved shelf below the center drawer, is a transition between the open arch and a fully enclosed lower cupboard of later boards. Of the mentioned figures, this example is by far the most elaborate with inlay, stringing and fine veneers.

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60 CHARLESTON MAHOGANY SECRETARY DESK late 18th century, rectangular molded top over secretary drawer fitted with prospect door, drawers and valanced pigeonholes, over three long graduated drawers, on ogee-bracket feet; H44 1/4” W47 1/2” D22 1/4”

$20,000-40,000

Rare Charleston example of a desk make without bookcase top

Provenance: Information accompanying this piece indicates it was made for Thomas Smith (1719-1790), a wealthy Charleston banker, importer, and merchant, who was a descendant of Thomas Smith (1648-1694), a Landgrave and 10th colonial governor of South Carolina. Upon Smith’s (1719-1790) death, the piece went to his granddaughters, the Grimke sisters, well-known Charleston abolitionists. The Grimke sisters left Charleston, and sold the piece to Martin Warring Simmons of Slanns Island near Edisto. At his death, the piece then went to his daughter, Isabelle Simmons King. Upon her death, the piece went to her son, Ernest W. King, Jr. Upon his death, the piece went to his daughter, Mary Hatcher. Hatcher sold the piece to a Charleston antique dealer in 1989. The present owner, of Charleston, South Carolina, purchased the piece in 1995.

Literature: Depicted in THE FURNITURE OF CHARLESTON 1680-1820 by Bradford L. Rauschenberg and John Bivins, Jr., pp.516-517, fig.NC-29d.

Other Notes: Almost no Charleston secretaries without bookcases survive, much in contrast to similar pieces of Philadelphia or the lower Chesapeake area of Virginia.

Most Charleston secretaries with bookcases are fully in the Neoclassical style, while this example belongs to the period immediately following the Revolution when Rococo furniture forms had not yet seen transformation to the new style.

60

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1993 examination by John Bivins available upon request.

61 TENNESSEE FEDERAL INLAID CHERRY SLANTFRONT DESK, SIGNED THOMAS KINNARD Jonesborough, Washington Country, Tennessee, circa 1819-1825, eagle and oval inlaid fallboard, opening to fitted interiors, over inlaid graduated drawers, shaped skirt and splayed feet; interior drawer signed: Thomas Kinnard; and long drawer bearing MESDA label, verso inscribed: A.P. Thomas, Wytheville; H45” W42” D19”

$6,000-8,000 Provenance: Descended in the Thomas family to present owner Literature: McPherson, Anne S. FANS, FISH AND TASSELS: IDIOSYNCRATIC INLAID FURNITURE OF NORTHEASTERN TENNESSEE. Antiques & Fine Art Magazine, Winter/Spring 2015, Vol. XIV, Issue 1, pp.200-207, fig.8 (illustrated) Sturgill, Mack H. ABIJAH THOMAS AND HIS OCTAGONAL HOUSE. Marion: Tucker Printing, 1990. pp.75-97 (illustrated) Other Notes: Abijah Preston Thomas (1857-1939) Wytheville, Wythe County, Virginia MESDA label: 3-30-81 Ref# S-11036

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62 CHARLESTON INLAID MAHOGANY DROP-LEAF DINING TABLE

circa 1795-1805, single board tops with four-bead edge, over skirt with three-line inlaid panels, leg stiles with satinwood panels extending to turned and reeded legs with trumpet feet; ash flyrail and white pine secondary wood; H28 1/2” D59 1/2” L68 1/2” open

$2,000-3,000 Provenance: South Carolina private collection

63 SOUTHERN CHIPPENDALE WALNUT BIRD-CAGE TRIPOD TABLE, NORTH CAROLINA OR VIRGINIA circa 1750-1790, circular top on bird-cage support, pillar shaft issuing three cabriole legs terminating in padded Dutch feet; H27 1/2” Dia.31 7/8”

62

63

$2,500-4,500 Provenance: Charleston, South Carolina private collection Purchased from 1753 House Antiques, 22 Morse Street, Westborough, Massachusetts

64 RARE COLONIAL CHIPPENDALE MAHOGANY LOWBOY, VIRGINIA circa 1760, rectangular molded top with cut corners over case with single drawer and shaped pendent drop, on cabriole legs with ball-and-claw feet, secondary woods white cedar, yellow pine, and poplar; H29” W26 1/2” D19 3/8”

$7,000-10,000 Provenance: Charleston, South Carolina private collection Purchased from 1740 House Antiques, Charlottesville, Virginia Literature: Similar example depicted in THE MAGAZINE ANTIQUES, June, 1969, p.745.

Other Notes: Report by Alden Identification Service available as the source of identification of secondary woods.

64

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65

65 ALFRED HEBER HUTTY (South Carolina, 1877-1954) CHARLESTON STREET SCENE watercolor on paper, framed, signed sheet H20” W25 1/2”

$10,000-15,000 Provenance: Florida private collection

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66 THOMAS WIGHTMAN (ATTRIBUTED TO) (South Carolina, 1811-1888) FRUIT STILL LIFE oil on board, framed, unsigned H25” W30”

$1,500-2,000 Provenance: Estate of Dr. Waddell Barnes, Macon, Georgia Other Notes: Verso bearing old framer’s label-Means, Charleston, SC

66

67 EDWARD VON SIEBOLD DINGLE (South Carolina, 1893-1975) PAINTED BUNTING watercolor, framed, signed sight H12” W10”

67

$1,000-1,500 Provenance: South Carolina private collection

68 EDWARD VON SIEBOLD DINGLE (South Carolina, 1893-1975) BROWN THRUSH ON FORSYTHIA watercolor, framed, signed sight H10 1/2” W8”

$1,000-1,500 Provenance: South Carolina private collection

69 VIRGINIA FOUCHE BOLTON (South Carolina, 1929-2004) RAINBOW ROW IN CHARLESTON watercolor, framed, signed & titled sight H9 1/2” W7”

$300-500 Provenance: South Carolina private collection 68

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70

71

70 ALICE SCOTT

72 CONTEMPORARY SCULPTURE, ROGER FINCH

(South Carolina, 1924-2005) FLOWER VENDORS watercolor, framed, signed sight H10” W6 1/2”

(Georgia, 20th century) ORIENTAL LANTERN, 1989 painted welded steel, signed & dated H115 1/2” W22” D18”

$600-900

$2,000-4,000

Provenance: Ohio private collection

Provenance: South Carolina private collection Purchased from the artist in 1990

71 ALICE SCOTT

Other Notes: Mr. Finch’s work can be found in several public and corporate collections, including: Albany Museum of Art, Albany, Georgia Georgia Southern University, Statesboro, Georgia Augusta State University, Augusta, Georgia

(South Carolina, 1924-2005) FLOWER VENDOR WITH CHILDREN watercolor, framed, signed sight H10” W6 1/2”

73 CONTEMPORARY SOUTHERN SCULPTURE, ALICE MASSENGALE

$600-900 Provenance: Ohio private collection

(South Carolina, 20th century) MOTHER AND CHILD, 1991 carved soapstone, signed & dated H18” W8 1/2” D4 1/2”

$200-400 Provenance: South Carolina private collection 73

72

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74 WILLIAM LEDYARD (ATTRIBUTED TO) (South Carolina, b. 1915) ABSTRACT sculpture alabaster, unsigned H13” W4 1/2” D6”

$200-300 Provenance: South Carolina private collection

75 WILLIAM MELTON HALSEY (South Carolina, 1915-1999) REFLECTIONS, August 1994 oil on board, framed, signed, titled & dated H72” W48”

$5,000-8,000 Provenance: South Carolina private collection 74

76 WILLIAM MELTON HALSEY (South Carolina, 1915-1999) DANCERS, 1938 gouache, framed, signed & dated: Wm. Halsey, Feb.-38 sight H22” W13 1/2”

76

$3,000-4,000 Provenance: South Carolina private collection Gift to present owner from the artist

77 JESSE REDWIN BARDIN (South Carolina, 1923-1997) SIGNS OF SPRING, 1988 oil on canvas, framed, signed & dated H60” W40”

$2,000-3,000 Provenance: South Carolina private collection Purchased from the artist

75

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78 JESSE REDWIN BARDIN (South Carolina, 1923-1997) CREATION OF EVE, 1988 oil on canvas, framed, signed & dated H60” W48”

$2,000-3,000 Provenance: South Carolina private collection Purchased from the artist Exhibitions: Gibbes Museum of Art, Charleston, SC; BEYOND REPRESENTATION: ABSTRACT ART IN THE SOUTH, May 6- Aug. 14, 2005 (Label on verso)

79

79 JESSE REDWIN BARDIN (South Carolina, 1923-1997) SOUTHWEST VISION, 1982 oil on canvas, framed, signed H50” W40”

$1,500-2,500 Provenance: South Carolina private collection Purchased from the artist

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Horsehaven Views Thomas Hastings, Winter Cottage 80 ANDRE KERTESZ PHOTOGRAPHS OF SOUTHERN INTEREST (American/Hungarian, 1894-1985) HORSEHAVEN INTERIOR VIEWS (Thomas Hastings Winter Cottage, Aiken, South Carolina) c.1930 photographs, framed, stamped on verso sight H9 1/2” W7 1/2” to H13” W10 1/2” (6pcs)

$3,000-5,000 Provenance: Aiken, South Carolina private collection Other Notes: The 50-foot by 150-foot lot on Newberry Street in Aiken, South Carolina, was presented as a challenge to Thomas Hastings. The distinguished New York architect, known for such projects as the New York Public Library and the Frick Mansion, was challenged to construct a home that met all the requirements of an affluent 1920’s winter estate on this small lot. The impetus for such a project was Mrs. Hastings’s interest in horses, which frequently brought the couple to enjoy the warm climate and equestrian-focused community of Aiken. By 1929, two years after purchasing the small property, the Hastings’ winter home was constructed.

Impressively, Hastings was able to accommodate a five-bedroom house, along with a garden, stables, a garage, and a buggy shed. The house featured five bedrooms, each with their own bathroom, including a maid’s quarters. Three of these bedrooms were on the first floor, along with a living room, dining room, kitchen, a butler’s pantry, and four fireplaces. The second floor included a storage area, a bedroom and bathroom for the maid, and an additional guest room. A porch on the first level functioned as an entrance to the home as well as an area in which to sit and gaze over the landscaped courtyard and the stables, which held four to six horses. Over the years the house has passed through nine different owners and renovations to the property have accommodated modern conveniences. To a large extent, however, the design has remained essentially the same. Perhaps the largest adjustment was made to the stables in the late 1980s, when they were transformed into a social space, including a ballroom and dining room.

80 (one of six)

Thomas Hastings’s creative solution to a unique design challenge remains a beacon of architectural ingenuity in Aiken’s Historic District. The estate was beautifully captured in a still and quiet photo series from the 1930’s by the inimitable photojournalist, Andre Kertesz.

81 ANDRE KERTESZ PHOTOGRAPHS OF SOUTHERN INTEREST, AND BOOK (American/Hungarian, 1894-1985) HORSEHAVEN EXTERIOR VIEWS (Thomas Hastings Winter Cottage, Aiken, South Carolina) c.1930 photographs, framed, stamped on verso sight H9 1/2” W7 1/2” to H13” W10 1/2” accompanied by one volume: De Paume, Jeu. ANDRE KERTESZ. New Haven, CT: Yale Univ. Press, 2010. (7pcs)

$3,000-5,000 Provenance: Aiken, South Carolina private collection

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81 (one of seven)

84 EDWARD Z. WIMBERLY (South Carolina, b. 1942) SIZZERS acrylic on Masonite, framed, signed, titled & dated on verso: 87 H9” W12”

$300-500

82

82 J. BOYD SAUNDERS (South Carolina, b. 1937) two works: CATARACT I and THE BEDROOM (from The Farm series) etching and aquatint, and intaglio, framed, signed, titled & dated lower margin in pencil, sight H17 1/2” W21” and H21 1/2” W26” (2pcs)

$500-800 Provenance: South Carolina private collection Purchased from the artist in 1995

83 BRUCE WINSTON HAFLEY (Georgia, 1920-2011) BARKING BALLOON, 1964 tempera panel, framed, signed, titled & dated on verso H7 1/2” W5”

$300-500 Provenance: Georgia private collection

Provenance: South Carolina private collection Purchased from the artist in 1995 84

85 RAY GOODBRED

88

(South Carolina, 1928-2011) GATHERING DUST/PATTERNS oil on canvas, framed, signed verso H20” W24”

88 RAY GOODBRED (South Carolina, 1928-2011) SELF PORTRAIT, 1960 oil on canvas, framed, signed upper right & inscribed on verso H20” W16”

$500-1,000 Provenance: Charleston, South Carolina private collection

$200-400 Provenance: Charleston, South Carolina private collection

86 RAY GOODBRED

85

(South Carolina, 1928-2011) ROOFTOPS, CHARLESTON oil on canvas, framed, titled & signed one verso H8” W10”

$300-500 Provenance: Charleston, South Carolina private collection 89

89 RAY GOODBRED 86

87 RAY GOODBRED (South Carolina, 1928-2011) STILL LIFE WITH OLD MASTER oil on canvas, framed, signed lower right H12” W16”

$300-500

(South Carolina, 1928-2011) THE ARTIST pastel, framed, signed lower right & inscribed on verso sight H11” W17 1/2”

$200-400 Provenance: Charleston, South Carolina private collection

Provenance: Charleston, South Carolina private collection 83

87

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90 (detail)

90 RARE CHARLESTON DOUBLE-ARM ARGAND LAMP, RETAILED BY EYLAND & HAYDEN circa, 1832-35, bird and urn on leaf-decorated pedestal issuing arms filled with period globes and chimney; marked: Messenger & Sons, London & Birmingham, Manufactured for Eyland & Hayden, Charleston, S.C.; H20” W19”

$3,000-4,000

90

Provenance: South Carolina private collection Literature: Burton, E. Milby. SOUTH CAROLINA SILVERSMITHS. Charleston, SC: Charleston Museum, 1991, p.49 Gowitt, Gerald T. 19TH CENTURY ELEGANT LIGHTING. Atglen, PA: Schiffer, p.149

91 TENNESSEE COIN SILVER MUG, W.H. CALHOUN Nashville, Davidson County, wk. 1835-65, Medallion flared body, engraved: Abbie Marion Homes from Papa, Dec.. 25th, 1865, underside marked: W.H. Calhoun, Coin, 12; H3 1/4”, and 3.0ozT

$800-1,200 Provenance: South Carolina private collection Literature: Caldwell, Jr. Benjamin H. TENNESSEE SILVERSMITH. Winston-Salem, NC: MESDA, 1988, pp.49-51 91

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92

94

93

92 TENNESSEE COIN SILVER JULEP CUP, J.S. CURTIS

94 SOUTHERN SILVER MUG, JOHN VEAL

Memphis, Shelby County, circa 1850, tapered beaker form, decorated with unidentified crest and motto: DREAD GOD; H3 1/2” and 4.5ozT

$800-1,200

Columbia, South Carolina, wk. before 1827-c.1857, banded cylinder form with scrolling handle, engraved with initials: WFT and marked: J. VEAL within rectangle; H4” and 8.4ozT

Provenance: South Carolina private collection

$500-800 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

Literature: Caldwell, Jr. Benjamin H. TENNESSEE SILVERSMITH. Winston-Salem, NC: MESDA, 1988, p.69

95 CHARLESTON SILVER CREAMER, HAYDEN & WHILDEN

93 SOUTHERN SILVER MUG, RADCLIFFE & GUIGNARD

South Carolina, wk. circa 1855-63, chased floral cartouche on baluster form with vine-capped handle, centering engraving: SMcG to RMS, marked: Hayden & Whilden, G&W (Grosjean & Woodward, New York City, wk. 1840-53); H4 1/2” and 3.5ozT

Columbia, South Carolina, wk. circa 1855-58) beaded and banded cylinder form with leaf-capped scrolling handle, engraved with initials: AHT and marked: RADCLIFFE & GUIGNARD incised; H4 1/4” and 6.5ozT

$300-500 Provenance: South Carolina private collection

$500-900 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina 95

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96 SOUTHERN DECORATED STONEWARE STORAGE JAR, THOMAS CHANDLER Edgefield District, circa 1850, ovoid body with kaolin decorated loop and swag flanked handles, H16”

$2,000-3,000 Provenance: South Carolina private collection

97 SOUTHERN STONEWARE STORAGE JAR, PROBABLY NORTH CAROLINA, DANIEL SEAGLE Catawba Valley, 1805-67, dark brown alkaline glazed tall cylinder flanked by handles, incised: 3; H15”

$400-600 Provenance: North Carolina private collection

96

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97

98 RARE CHARLESTON SLAVE TAG, DESCENDED IN GOURDIN FAMILY dated 1851, diamond shape with suspension hole at top, dark brown patina, stamped: CHARLESTON, 1851, SERVANT, 1650; H2 1/4” W2”

$1,500-2,000 Provenance: Property descended in the prominent early Charleston, South Carolina Gourdin and Young families to present owner

98

99 RARE SOUTHERN MAP OF NORTH CAROLINA BY A.W. SHAFFER published Raleigh, NC, 1886, NEW TOWNSHIP MAP OF NORTH CAROLINA. 2nd ed. A.W. Shaffer: containing two fold-out lithographic maps on bank-note paper, bound as book, each H30” W26”

$500-1,000 Provenance: Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund

100 BOOK: A HISTORY OF MARION COUNTY SOUTH CAROLINA, W.W. SELLERS

101

Sellers, William. A HISTORY OF MARION COUNTY, SOUTH CAROLINA FROM ITS EARLIEST TIMES TO THE PRESENT, 1901.

Columbia, SC: R.L. Bryan Co., 1902; encased in shrinkwrapping

$200-400 Provenance: South Carolina private collection

101 RARE AMERICAN NEEDLEWORK SAMPLER, WORKED BY MATILDA WAUGH dated May 15th 1802, floral and vine worked above alphabet, numerals and verse; contained within frame; overall H25” W16 1/2”

$1,000-2,000

99

Provenance: Matilda Waugh (1780-1807) Flora A. Waugh Dufphey (1844-1895) Ella May Dufphey Dobyns (1872-1931) Ruth Waugh Dobyns Thomas (1902-1984) Descended in the family to present owner

100

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102

102 AUGUSTIN PERRENOUD GOLD POCKET WATCH, OF SOUTHERN INTEREST circa 1860, ornate enameled case, opening to reveal dial signed: Augstin Perrenoud, and dustcover engraved: E.M.G to J.C.B, Sept. 25th, 1860; case marked: G.W. & Co., 18 and 6598; H2 1/4”

$1,000-1,500

104

Provenance: Edward Montague Grimke (1832-1896) gift to wife upon their wedding Julia Catherine Bridges (1839-1928)

104 IMPORTANT CLASSICAL MAHOGANY PIER TABLE, ATTRIBUTED TO JOSEPH MEEKS & SONS

Property descended in the prominent early Charleston, South Carolina Gourdin and Young families to present owner

New York, circa 1825, marble top over gilt-mounted and stenciled skirt, on marble columns and pilasters, mirrored backplate, incurvate platform base ending on elaborately carved paw feet issuing trailing cornucopia; H38 3/4” W44” D19 1/4”

103 FRENCH GOLD OPENFACE POCKET WATCH, OF SOUTHERN INTEREST

$7,000-9,000

late 19th century, engraved openface dial, case engraved: HGY (Henry Gourdin Young) dial marked: squirrel punch, 14K, 1865960; and works marked: 17jewel, adjusted, 1865960; on chain and HGY engraved fob; H2 1/2”, chain marked: 1855; L12”, and fob, H1 1/2”

Provenance: South Carolina private collection Other Notes: A similar pier table bearing Meeks label in the collection of The Metropolitan Museum of Art, New York.

$1,000-1,500 Provenance: Property descended in the prominent early Charleston, South Carolina, Gourdin and Young families to present owner

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103

106

105

105 AMERICAN MARQUETRY AND ROSEWOOD CENTER

107 AMERICAN CLASSICAL MARBLETOP MAHOGANY

108 EASTLAKE CARVED WALNUT DESK circa 1880, shaped and molded hinged top with leather writing insert above conforming frieze and valanced drawer, on trestle base unified by medial shelf, on casters; H30” W34” D19 3/4”

TABLE

SIDEBOARD

third quarter 19th century, exaggerated serpentine top decorated with fleur de lis within scrolling and floral cartouche, over conforming frieze with single drawer, cabriole legs with leaf scroll and bellflower marquetry, feet fitted with ormolu mounts; H38 1/4” W47” D28”

circa 1835, tall backboard with bookmatched veneer, on black marble top with rounded corners, case with pair ogee-molded drawers over three doors with shaped flat panels, on bracket feet; H53 3/4” W67 1/2” D23”

$1,000-2,000

Provenance: South Carolina private collection

$1,000-2,000

$300-500 Provenance: South Carolina private collection

Provenance: South Carolina private collection

106 RENAISSANCE REVIVAL INLAID MIXED WOOD CENTER TABLE

circa 1865, molded shaped top enclosing recessed panel inlaid with instruments, sheet music, bellflowers, birds and leafy tendrils, conforming valanced skirt with corresponding inlay, on turned legs with leaf-capped vases, joined by stretcher centering vase-form finial; H32” W47” D31 1/2”

$1,500-3,000 Provenance: South Carolina private collection

107

108

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109 GODDARD & TOWNSEND STYLE BLOCKFRONT CHEST ON CHEST

late 19th century, swan’s-neck bonnet with rosettes and flame finials, two-part case with configuration of drawers, on molded base with ball-and-claw feet; H87 1/2” W39” D21 1/2”

$900-1,800 Provenance: Isle of Palms, South Carolina private collection

110 AMERICAN INLAID MAHOGANY WRITING TABLE circa 1850, superstructure of pigeonholes, doors and drawer, with storage wells for stationery, frieze with two drawers, on spinneret legs; H33 3/4” W50” D25”

110

$500-800 Provenance: South Carolina private collection

111 FEDERAL MAHOGANY BOWFRONT CHEST OF DRAWERS circa 1800, bowed top over graduated drawers on splayed feet; H33 3/4” W41 1/2” D23”

$900-1,200 Provenance: Georgia private collection

112 FEDERAL CHERRY SLANT-FRONT DESK, NEWPORT, RHODE ISLAND circa 1780, brass three-quarter gallery, fallboard concealing interior fitted with drawers and valanced pigeonholes, case with four long graduated drawers, on bracket base; overall H42 3/4” W37 1/4” D20 1/2”

113

109

$1,500-3,000 Provenance: Charleston, South Carolina private collection Purchased from 1740 House Antiques, Charlottesville, Virginia

113 FEDERAL CHERRY PEMBROKE TABLE, NEW ENGLAND circa 1790, serpentine top with butterfly drop leaves, over opposing drawers with maple cockbeading, on tapered legs; H28 3/4” W34 7/8” open D35 3/4”

$1,000-2,000 Provenance: Charleston, South Carolina private collection Purchased from 1740 House Antiques, Charlottesville, Virginia

112

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115 REGENCY STYLE MAHOGANY DINING TABLE AND SIX ACCOMPANYING CHAIRS

circular top and conforming skirt, on quadripartite pedestal base with gilded scroll feet, accompanied by six side chairs with saber legs; table H31” Dia.60”, chairs BH25 3/4” SH20” W20 1/2” D20” (7pcs)

$2,500-3,500 Provenance: South Carolina private collection Made by Joseph Bruno, New Orleans, Louisiana, in June 1997

114

116 REGENCY GILT BULL’S-EYE MIRROR

114 MAHOGANY CHEST OF DRAWERS, MANNER OF MICHAEL ALLISON, NEW YORK first half 19th century, rectangular top and case with bonnet drawer over three long graduated drawers, with scalloped skirt and splay feet; H46 1/4” W46 3/8” D21 3/4”

$1,200-1,600

early 19th century, eagle and acanthus cresting, molded circular frame with spherical mounts and black slip enclosing beveled mirror; H34 1/2” W22 1/2”

$1,200-1,800 Provenance: South Carolina collection

Provenance: South Carolina collection

116

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117

118

119

120

117 QUEEN ANNE STYLE MIRROR 19th century, scrolling crest above molded frame looking glass, H38 1/2” W24 1/4”

$500-800 Provenance: Estate of Dr. Waddell Barnes, Macon, Georgia

118 QUEEN ANNE STYLE WALNUT MIRROR 18th/19th century, two-part beveled looking glass contained within ornate frame; H42” W17 1/2”

$500-800 Provenance: Estate of Dr. Waddell Barnes, Macon, Georgia

119 QUEEN ANNE STYLE PARCEL-GILT MAHOGANY 121

MIRROR

H35” W14 1/2”

$200-400 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

120 GEORGIAN MAHOGANY WALL MIRROR mid to late 18th century, scrolling frame enclosing mirror plate; H41” W21 1/2”

121 JAMES HAMILTON (Pennsylvania/California, 1819-1878) AFTER THE STORM oil on canvas, framed, signed & dated on verso: 1874 H16 1/2” W30”

$3,000-5,000 Provenance: South Carolina private collection Sothebys-New York, October 30, 1996, Lot 39

$800-1,200 Other Notes: Also bearing old Christie’s New York label on verso

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124 JANE PETERSON (MANNER OF) (Massachusetts/New York, 1876-1965) DAY AT THE BEACH oil on board, framed, bearing signature H7” W9”

$1,000-2,000 Provenance: Florida private collection

125 ROBERT HENRI (New York/Pennsylvania, 1865-1929) PORTRAIT OF YOUNG GIRL IN POLKA DOT DRESS oil on canvas, framed, signed lower left & stamped on verso H14” W12”

$1,000-2,000 Provenance: Florida private collection Purchased form the Leona Robbins estate Acquired from Robert Henri 122

122 JOHN GADSBY CHAPMAN (New York/Italian, 1808-1889) LAKE OF ALBANO, PILGRIMS TO THE MADONNA DEL TUFO ON ASSUMPTION DAY, circa 1873 oil on canvas, framed, unsigned H27” W43”

$3,000-4,000 Provenance: Property deaccessioned from a South Carolina museum to benefit the collections fund Christie’s-New York, Nov. 14, 1991, Lot 50

124

Other Notes: Original canvas (now relined) bears inscription identifying the subject as Madonna painted for an A.O. Bigelow Esq of Boston in Rome in 1873.

123 CHARLES MARION RUSSELL (Montana/California/Missouri, 1864-1926) COWBOY carved wood, signed H14 1/2” W4 1/2” D3 1/2”

$2,000-3,000 Provenance: Florida private collection

123

125

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128 BRUCE CRANE (Connecticut/New York, 1857-1937) SUMMER LANDSCAPE oil on board, framed, signed H9” W12”

$1,000-1,500 Provenance: Florida private collection

129 FEODOR ZAKHAROV (New York/Russian, 1882-1967) THE NURSEMAID, CENTRAL PARK, 1925 watercolor and pencil, signed, titled & dated lower right and verso, and Heydenryk label sight H12 1/4” W9”

128

$800-1,200 Provenance: Georgia private collection

126

126 MANE KATZ (New York/Russian, 1894-1962) PORTRAIT OF A WOMAN oil on board, framed, signed upper right H25” W18”

130 GAYLE TATE (Wyoming/Florida, b. 1944) CHILKAT MOUNTAINS NEAR HAINES ALASKA oil on board, framed, signed & titled lower right and verso H18” W24”

$500-800 Provenance: Florida private collection

$1,000-2,000 Provenance: Florida private collection

127 RACHEL V. HARTLEY

129

(New York, 1884-1955) five works: WAITING FOR CUSTOMER, MODERN & CHILD, MUSICAL MAN, SHIP AT SEA, and TWO COCONUT TREES oil on paper, framed, some signed and titled H6 1/2” W4 1/8” to H4 3/4” W6 1/2” (5pcs)

$1,000-1,500 Provenance: British private collection

127 (one of)

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130

131 RIFKA ANGEL (New York/Russian, 1899-1988) THE GARDEN OF EDEN mixed media on canvas, framed, signed & dated 1939 H20” W10”

$400-700 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

132 MICHAEL A. VENEZIA

135

(American, 20th century) CONVERSING WITH LIGHT oil and mixed media on board, framed, signed, titled & dated on verso H38” W29”

135 SYCAMORE KEY BOX 19th century, raised panel sliding lid, dovetailed case on bracket base; H6” W13 3/4” D7 1/5”

$300-600

$300-500

Provenance: Charleston, South Carolina private collection

Provenance: Estate of Norman Citron, Atlanta, Georgia

133 RAPHAEL SOYER (ATTRIBUTED TO)

131

(New York, 1899-1987) STUDY (male and female heads) watercolor and pencil on paper, framed, unsigned sheet H10” W7 1/2”

133

$300-500 Provenance: Estate of Norman Citron, Atlanta, Georgia

134 SYD J. BROWNE (New York, 1907-1991) OLD NEW YORK etching, unframed, signed & titled in pencil sheet H11” W15 1/2”

$200-300

132

Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

134

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138 US 1859 $2 1/2 GOLD COIN AND CONFEDERATE STATES OF AMERICA CURRENCY

featuring Lady Liberty and 13 stars, obverse with American eagle and shield, together with handwritten note on Gourdin, Matthiessen & Co paper: Coins used to closes [sic] the eyes of light, Harry, also Julia Eveleyn. Feb. 17th 1907. Joseph Rutledge Jr. Sept 26th 1909 together with: 2 $1 notes, Apr. 6th, 1863 and Feb. 17th, 138 (one of) 1864 issues 8 $5 notes, Feb. 17th, 1864 issue 5 $10 notes, Feb. 17th, 1864 issue $100 State of Georgia loan coupon, Jan 15th, 1862 (18pcs)

$400-600 Provenance: Property descended in the prominent early Charleston, South Carolina, Gourdin and Young families to present owner

136

136 VICTORIAN ORDER OF THE GARTER DRUM, SIGNED A. JORDAN circa 1875, paint-decorated with Royal coat of arms with mottos: Honi Soit Qui Mal y Pense, rope and strap-bound body, marked: A. Jordan, 42 Manchester St. Liverpool; H18” Dia.33”

$400-800 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

137 AMERICAN ROPE TENSION DRUM, SIGNED CHAS. & HICKS 19th century, probably regimental, calfskin heads bound by painted hoops and pictorial and nail-head design body; H10 1/2” Dia.16 1/4”

$500-800 Provenance: West Virginia collection

137

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139 FIGURAL PAINT-DECORATED METAL LETTER BOX early 20th century, molded cut-out standing sheep with bells in floral landscape concealing letter box; H10 1/4” W12” D5”

$200-300 Provenance: Estate of Margot Roebling DeHope

140 VICTORIAN PICTORIAL WOOL NEEDLEWORK late 19th century, depicting blackamoor with dogs with agricultural landscape, in bird’s-eye maple frame; overall H25” W29” 139

$400-600 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families Other Notes: Related to example sold at Sotheby’sNew York, 13 October 2013, Lot 243

141 TWO PAINT-DECORATED LEATHER FIRE BUCKETS late 18th century, with handles; overall H19” and 20” (2pcs)

$500-1,000 Provenance: Charleston, South Carolina private collection

143

143 MINIATURE AMERICAN FOUR-POSTER BEDSTEAD AND FOOTSTOOL

19th century, bed with turned posts and shaped headboard, H11 3/4” W12” L17 7/8”; oval walnut footstool, H6 1/4” 15 3/8” D8 3/4” (2pcs)

$400-800 Provenance: Charleston, South Carolina private collection

144 MINIATURE AMERICAN CHIPPENDALE STYLE WALNUT SLANT-FRONT DEST late 19th century, fallboard conceals fitted interior over chest with three drawers, on bracket base; H15” W14 1/2” D9”

$500-800

140

Provenance: Charleston, South Carolina private collection

142

142 MINIATURE FIR CHEST OF DRAWERS 19th century, rectangular three-drawer case, on splay feet; H12 5/8” W13 5/8” D7 7/8”

$500-800 141

Provenance: Charleston, South Carolina private collection

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147 TIFFANY & CO TRAVELING ALARM CLOCK, OF ROEBLING FAMILY INTEREST circa 1945, blue leather case with gilt initials: H.P.R. (Helen Price Roebling, 1889-1969), opening to hinged square clock marked: Tiffany & Co, Swiss; H4 1/8” W3 1/2” D1 1/8”

$200-300 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

145

147

145 MINIATURE AMERICAN WALNUT BLANKET CHEST early 19th century, hinged molded top over dovetailed case, on short turned legs; H9” W13 1/8” D7 1/4”

$300-500 Provenance: Charleston, South Carolina private collection

146 EARLY 20TH CENTURY AMERICAN AND ENGLISH HAND-CUT PUZZLES collection of 26 boxed lithographed and hand-cut interlocking wood puzzles, made by The Picture Puzzle Mart, Pastime Puzzles, and Tuck’s Zag-Zaw (26pcs)

$200-400 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

146 (one of)

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148

148 RARE COIN-STEM COLORLESS GLASS LOVING CUP, ATTRIBUTED TO THOMAS CAINS, PHOENIX GLASS WORKS

150 AMERICAN FREE-FORM BLOWN COLORLESS AND GREEN GLASS SALTS

late 19th/early 20th century, swan form wells on lemon squeeze pedestals, the green pair in uranium glass, H5 1/2” W3 1/2” (4pcs)

$300-500

Massachusetts, circa 1828-35, hollow knopped stem containing 1821 Capped Bust dime surmounted by double ribbed-handle vase; H8” W7 1/2”

Provenance: South Carolina private collection

151 PAIR FRENCH STYLE CRYSTAL GIRANDOLES late 19th century, blue crystal prisms supported by four-light ornate candelabra, H24” Dia.14” (2pcs)

$1,200-1,800 Provenance: South Carolina private collection

$600-900

149 (part of)

Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

Literature: Cooper, Wendy CLASSICAL TASTE IN AMERICA, 1800-1840. New York: Abbeville Press, p.174.

Spillman, Jane . GLASSMAKING AMERICA’S FIRST INDUSTRY. Antique & Fine Art Magazine Wilson, Kenneth M. AMERICAN GLASS (vol I) New York: Hudson Press, 1994, p.203

Other Notes: Spillman, Jane . GLASSMAKING AMERICA’S FIRST INDUSTRY. Antique & Fine Art Magazine

149 COLLECTION ENGLISH AND AMERICAN

152

DECORATED GLASS VESSELS

151

late 19th/20th century, comprising: pair cut-decorated vases, H9 1/2” pair geometric vases, H11 1/2” pair wine coolers, H8” pair decanters, H10” Neoclassical vase, H10” brilliant-cut vase, H12” compote, H6” Dia.10” blown vase, H5 1/2” (12pcs)

152 PAIR ENGLISH GIRANDOLES late19th/early 20th century, gilt-metal and glass standard supporting stylized floriform sockets draped with prisms on marble base; H20” W17” (2pcs)

$800-1,200 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

$400-600 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

150

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153

155

153 PAIR IRISH CRYSTAL LUSTERS, PROBABLY WATERFORD

155 FRENCH GILT-DECORATED AND ETCHED GLASS

circa 1900, baluster standard on shaped base draped with long prisms, H14” (2pcs)

early 20th century, comprising three matching pairs; H8”, 7” and 4 1/2” (6pcs)

$600-900

$300-500

Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

154 BACCARAT CRYSTAL AND BRONZE-MOUNTED URN

156 PAIR IRISH CRYSTAL VASES CONVERTED TO TABLE

TOILETRY DECANTER SET

late 19th century, H14 1/2”

LAMPS

$700-1,000

late 19th/early 20th century, vase H16” (2pcs)

Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

$200-400

156

Provenance: South Carolina private collection

157 PAIR REVERSE-DECORATED GLASS VASES, CONVERTED TO LAMPS

late 19th century, bird and butterfly sprays on cream ground, electrified; H8” overall H19 1/4” (2pcs)

$200-400 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

154

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157

158 GORHAM VERSAILLES STERLING FLATWARE AND SERVING PIECES

circa 1888, comprising: 3 hollow handle knives, L9 3/4” 12 blunt blade hollow handle knives, L9 3/4” hollow handle knife, L9 5/8” 3 blunt blade hollow handle knives, L9 5/8” 10 hollow handle knives, L9 3/8” 12 blunt blade hollow handle knives, L8 1/2” blunt blade hollow handle knife, L7 3/4” 12 hollow handle fruit knives, L7 1/8” 3 hollow handle spreaders, L6 1/4” 5 hollow handle butters, L6 1/4” 1 solid silver butter spreader, L5 3/4” 10 solid silver spreaders, L5 1/2” 12 serving spoons, L8 1/2” 12 soups, L7 1/2” 33 teaspoons, L5 7/8” 12 grapefruit spoons, L5 3/4” 11 shell-end spoons, L5 3/4” 12 4-o’clock spoons, L5 1/8” 3 coffee spoons, engraved:1843-1893, L5 1/8” 12 bouillons, L5” 12 demitasse, L4 3/8” 24 dinner forks, L7 3/4” 13 forks, L6 3/4” 12 fish forks, L6 3/4” youth fork, L6” 12 cocktail forks, L5 3/4” 12 salad forks, L5 3/4” hollow handle meat carver, L14 1/4” hollow handle steel, L14” 2-pc hollow handle salad serving set, L12” hollow handle meat fork, L11” ice cream slice, L10 3/4” pie server, L10 1/2” hollow handle cheese server, L10 1/4” steak fork, L8 3/4” 2-pc olive serving set, L8 1/2” and 8 1/8” cold meat fork, L8 3/8” master butter, L7 1/2” gravy ladle, L6 1/2” olive fork, L6 1/4” condiment serving spoon, L6” sardine fork, L5 1/2” mustard ladle, L5 1/8” nut scooop, L4 3/4” assembled service engraved with various initials, many bearing initials: LAP Total 271.6ozT weighable (285pcs)

$5,000-8,000 Provenance: South Carolina private collection

158

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161 159

159 A.G. SCHULTZ & CO STERLING TEA AND COFFEE SERVICE

160 GORHAM STERLING DOUBLE-HANDLED SERVING TRAY, OF ROEBLING FAMILY INTEREST

Maryland, circa 1899-1950, finely repousse-chased floral pattern, engraved with initials CPN, comprising: coffeepot, H9” teapot, H7 1/2” covered sugar, H5 1/2” creamer, H5 1/2” wastebowl, H4 1/2” Total 83.0ozT all in (5pcs)

early 20th century scroll and shell pattern, engraved with initials: MSR (Margaret Shippen McIlvaine Roebling, 1867-1930); L24” and 74.0ozT

$1,000-1,500

161 AMERICAN SILVER TABLE ARTICLES, OF ROEBLING

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

$1,000-1,500 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family

FAMILY INTEREST

pair of dishes, Dia.7 1/2” 2 footed dishes, H2 3/4” and 2 1/2” glass-lined center bowl, H4” creamer, H3 1/2” 3 dishes, Dia.3” to 5” salt, H1 1/2” leaf-form scoop, L4 3/4” sugar tongs, 5 3/4” 11 iced tea spoons, L8 1/4” 5 teaspoons, L5 1/2” Tiffany fork, engraved with initials: H*P (Helen Price Roebling, 1889-1969), L7” spoon, engraved: Ethel 1-16-15 (Ethel Mary Price Covell), L6” 4 souvenir spoons, L2 1/2” to 4 1/4” 4 salts, L2 1/2” to 3 1/2” total 56.0ozT (38pcs)

$700-900 160

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Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

162

162 TIFFANY & CO STERLING COFFEE SERVICE AND TRAY

coffeepot, H8” open sugar, H3” creamer, H3 1/2” marked: Tiffany & Co 8500 and associated round tray, marked: Tiffany & Co 16985/3853, Dia.12” Total 45.0ozT (4pcs)

$700-900 Provenance: Ridgeway, South Carolina private collection

164 A.G. SCHULTZ & CO STERLING BEVERAGE PITCHER

Maryland, circa 1899-1950, ornate floral repousse-chased ovoid form, marked on base; H10” and 29.0ozT

$600-900 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

165 AMERICAN STERLING TABLE ARTICLES, OF ROEBLING FAMILY INTEREST 163

163 SHIEBLER STERLING FLATWARE, OF ROEBLING FAMILY INTEREST

circa 1879, Montezuma pattern, engraved with initials: MR (Margaret Shippen McIlvaine Roebling, 1867-1930), comprising: 6 forks, L8” 6 forks, L7” 6 spoons, L9” 5 spoons, L7” 5 spoons, L6” 6 spoons, L4” total 44.0ozT (34pcs)

$700-900 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family

each engraved with initials: MSMcI or MSR (Margaret Shippen McIlvaine Roebling, 1867-1930), comprising: Gorham reticulated dish, Dia.9 1/2” 12 Gorham butter pats, Dia.3” Gorham Colonial pattern serving spoon, L8 3/4” Gorham footed bowl, H2 1/4” Dia.5 1/4” Gorham sugar tongs, L5” Gorham olive fork, L7 1/2” Dominick & Haff salver, Dia.6 1/4” total 38.0ozT (18pcs)

166

$600-800 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family

166 AMERICAN STERLING BOWL AND PLATTER, OF ROEBLING FAMILY INTEREST Gorham reeded bowl, engraved with initials: MSM (Margaret Shippen McIlvaine Roebling, 1867-1930), H4”, Sq.8”, together with International Minuet pattern platter, L16” and 34.0ozT (2pcs)

$500-800 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family

167

167 AMERICAN STERLING BEVERAGE PITCHER, THEODORE B. STARR New York, active 1900-24, repousse-chased floral design flanked by leaf and floral-capped scrolling handle; marked; H7 1/2” and 28.0ozT

$500-800 Provenance: Estate of Margot Roebling DeHope

164

165

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170

168

168 TIFFANY & CO STERLING TRAY, OF ROEBLING FAMILY INTEREST

circa 1902-1907, engraved with initials: MSR (Margaret Shippen Roebling, 1867-1930), marked: 5765/3396; Dia.13 1/2” and 33.5ozT

$500-800 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family

169 AMERICAN SILVER TABLE ARTICLES, TIFFANY AND BLACK, STARR & FROST 19th century, comprising: Tiffany, Young & Ellis plate, Dia.6 1/2” set of 4 Tiffany & Co shakers, H5 3/4” Black, Starr & Frost sugar caster, H8 1/4” Total 25.5ozT (6pcs)

$500-800 Provenance: Charleston, South Carolina private collection

169

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170 GORHAM VERMEIL SILVER DRESSER SET, OF ROEBLING FAMILY INTEREST

171 AMERICAN STERLING DESK ARTICLES, OF ROEBLING FAMILY INTEREST

circa 1887-1889, floral repousse pattern, engraved with initials: EWR (Emily Warren Roebling, 1843-1903), comprising: 2 hand mirrors, L12” 3 boxes, Dia.3” to 4” box, L5 1/2” round tray, Dia.6” oblong tray, L7” glove stretcher, L6 1/2” nail buffer stand, W8” nail file handle, L4 1/4” total 29.0ozT weighable (11pcs)

many with engraved initials: EWR (Emily Warren Roebling, 1843-1903), comprising: Gorham postage scale, H3 1/4” scale, H3 1/2” 2 Gorham pen trays, L10” case, L3 1/4” 2 ink pots, H2 1/2” and 1 3/4” seal, H2 1/2” 7 burners, Dia.3” and L6 1/2” and H6 1/2” 2 tapersticks, W4 1/2” and 3 1/2” duster, H4 1/4” tool, L7” Gorham thermometer, H8 1/2” hook, Dia.3 1/4” picture frame, H4” W6 1/4” letter opener, L5” blotter, L4 1/2” total 25.0ozT weighable (20pcs)

$400-700 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family

$400-600 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family

171

174 TIFFANY & CO STERLING TABLE ARTICLES, OF ROEBLING FAMILY INTEREST most engraved with initials: EWR (Emily Warren Roebling, 1843-1903), comprising: thermometer, H6 1/2” bell, H4” dish, Dia.4 1/4” stand, L7 1/2” set of 6 Olympian cream soups, L5 1/2” pair of shakers, H4” total 21.5ozT all in (12 pcs)

$300-500 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family

172

172 GORHAM STERLING SERVING PIECES, OF ROEBLING FAMILY INTEREST

173 AMERICAN STERLING OVERLAY AND SILVER SCENT BOTTLES, OF ROEBLING FAMILY INTEREST

circa 1894, Cluny pattern, all engraved: MSMcI (Margaret Shippen McIlvaine, 1867-1930), comprising: pastry server, L11 1/2” cake knife, L10 1/2” berry spoon, L8 1/2” cheese scoop, L8” 2 master butters, L8” condiment fork, L6” sugar sifter, L6” sugar spoon, L6 1/2” sugar tongs, L5 1/4” condiment ladle, L5” 2 master salts, L3 1/2” total 27.5ozT (13pcs)

engraved with initials: EWR (Emily Warren Roebling, 1843-1903) and dated October 10 pair Gorham scent bottles, H5 1/2” Gorham perfume atomizer, H5 1/2” together with silverplate overlay decanter, H6” (4pcs)

$300-600 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family

$400-600

175 AMERICAN STERLING AND PLATED LADIES’ DRESSING IMPLEMENTS, OF ROEBLING FAMILY INTEREST

various makers and patterns, many engraved with initials: EWR (Emily Warren Roebling, 1843-1903), comprising: 6 dresser jars, H2” to 4 1/2” 3 boxes, Dia.2 1/2” to 3 1/2” brush, L8 1/2” comb, L7” hair curler, L7” nail clippers, L4 1/2” nail buffer, L3” shoe hook, L8” clothesbrush, L3 1/2” 2 silverplate pin cushions, L3 1/2” and Dia.4 1/4” total 9.0ozT weighable (18pcs)

$300-500

Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family

Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family 174

173

175

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178 AMERICAN BASKET AND COVERED SUGAR reticulated oval basket, dated 1909, H2” L10 1/2” W8 1/4”; and K. Kirk & Son “11oz” silver footed sugar pot, circa 1861-1868, H5” W3 1/4”; Total 12.0ozT (2pcs)

$300-500 Provenance: South Carolina private collection

179 AMERICAN STERLING INFANT AND CHILD’S ARTICLES, OF ROEBLING FAMILY INTEREST rattle, engraved: Music for Margot, L3 1/2” christening cup, engraved: Margo, Cousin Bob, Mar 21, 1939, H2 1/4” 2 infant spoons, L3” and 4 1/2” infant fork, L4 1/4” set of 4 barettes, L1 3/4” total 6.3ozT (9pcs)

176

176 AMERICAN STERLING LADIES ARTICLES, OF ROEBLING FAMILY INTEREST late 19th/early 20th century, various repousse patterns by various makers, many engraved with initials: EWR (Emily Warren Roebling, 1843-1903) and dates March 14 and October 10, comprising: scent flask, H6” canister, H7” powder canister, H3 1/2” tray, L8 1/2” 2 boxes, Dia.2 1/4” 2 oblong boxes, L3” to 5” buffer, L5” clothesbrush, H6” comb, L4 1/2” brush, L2 1/2” Total 22.5ozT weighable (12pcs)

$300-500 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family

$200-400 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

178

177 STERLING TRUMPET VASES, OF ROEBLING FAMILY

180

INTEREST

pair Edwardian vases, H8” American vase with dedication: From your friends in the Bernardsville Bank, H9” vase, engraved HPR (Helen Price Roebling, 1889-1969), H6” each with weighted base (4pcs)

$300-500 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

177

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179

180 AMERICAN STERLING LADIES SEWING ARTICLES, OF ROEBLING FAMILY INTEREST some pieces with initials: EWR (Emily Warren Roebling, 1843-1903), some with initials: MSM or MSR (Margaret Shippen McIlvaine Roebling, 18671930), comprising: 2 spool cases, H1 1/2” and 1” Gorham spool keeper, L6 1/2” yarn keeper, H3 1/2” tape measure, Dia.1 1/2” pocket knife, L3 1/2” silverplate sewing pendant, H2 1/2” total 6.5ozT weighable (7pcs)

$200-400 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family

181 J.E. CALDWELL & CO. STERLING SALVER, OF ROEBLING FAMILY INTEREST

182

182 AMERICAN AESTHETIC SILVERPLATE COVERED WARMING DISHES, OF ROEBLING FAMILY INTEREST late 19th century, H8 1/2” W12 1/2” and H9” W14” (2pcs)

$200-300 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

early 20th century, floral repousse and stippled design, square footed dish, engraved with initials: MSMcI (Margaret Shippen McIlvaine, 1867-1930), H1”, Sq.8 1/4” and 12.5ozT

$200-300 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family

184

184 AMERICAN COIN SILVER CUP AND SPOONS, OF ROEBLING FAMILY INTEREST 183

183 AMERICAN STERLING CARD CASE AND BUTTER PICK, OF ROEBLING FAMILY INTEREST shaped hinged engine-turned decorated case, engraved: E.W.R., Jan. 18, 1866, H3 1/2”; together with ornate butter pick engraved: R and 1865-1890, L6 1/4” and total 1.4ozT (2pcs)

$200-400 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family

181

New York, circa 1850-65, engraved: Emily, EW, or Emily Warren (Emily Warren Roebling, 1843-1903) Platt and Brother mug, H4 1/2” spoon, L6” Gorham Medallion pattern sugar spoon, L6” napkin ring, Dia.1 1/2” together with 3 sterling spoons, L8 1/4” total 10.0ozT (7pcs)

$150-300 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family

Other Notes: The card case date is the one-year wedding anniversary of Emily Warren Roebling (1843-1903) and Washington Roebling (1837-1926) and the butter pick dates signify their 25th anniversary.

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186 EMILE GALLE CLEMATIS CAMEO VASE circa 1920, gourd-form body decorated with lavender and green flowering vine on shaded and molded ground; signed in cameo: Galle, H9 1/4”

$4,000-6,000 Provenance: Columbia, South Carolina private collection

187 GALLE CAMEO GLASS VASE first quarter 20th century, five-color acid-etched hydrangea pattern on elongated neck and flared base form, signed in cameo; H17”

$1,000-1,500 Provenance: Collection of a Southern lady

188 DAUM CAMEO GLASS VASE circa 1900, chartreuse and aubergine coloration in leaf, signed; H8”

$500-800 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

186

185

185 EMILE GALLE FUSCHIA MOLD-BLOWN CAMEO VASE early 20th century, flared rim over elongated ovoid form, decorated with flowering, leafy branches, signed in cameo: Galle, H12”

$8,000-12,000 Provenance: Columbia, South Carolina private collection 187

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188

191 TIFFANY STYLE BLUE FAVRILE GLASS JACK-IN-THE PULPIT VASE 20th century, bearing signature, H13”

$1,000-1,500 Provenance: Estate of Norman Citron, Atlanta, Georgia

192 TIFFANY STUDIOS GILT-BRONZE DISH AND CANDLESTICK, AND NEAR PAIR DECANTERS 189

189 DAUM ACID-ETCHED AND ENAMELED MINIATURE GLASS PITCHER

early 20th century, lavish forest and lake scene with applied handle; signed: Daum, Nancy with the cross of Lorraine; H3 1/4”

$300-500

early 20th century, dish marked: Tiffany Studios New York, 1708, Dia.9”; and candlestick marked: TIFFANY STUDIOS NEW YORK 21100 with Tiffany Glass & Decorating Co.; H19”; together with near pair Art Nouveau iridescent glass and cast-iron decanters, probably early 20th century, marked: S&S and shield; H13” and 13 1/2” (4pcs)

$600-900 Provenance: Estate of Norman Citron, Atlanta, Georgia

Provenance: Georgia private collection

190 TIFFANY STUDIOS TWO-ARM CANDLESTICK

193

circa 1910, patinated bronze and glass design, stamped mark: TIFFANY STUDIOS NEW YORK D886 with Tiffany Glass & Decorating Co. monogram; H13” W10”

193 AMERICAN BRASS LIGHT FIXTURE WITH STEUBEN SHADES

early 20th century, shaped medallion support for hanging arms ending with gold glass shades signed: Steuben; H23” Dia.17 1/2”

$1,500-2,500 Provenance: Estate of Norman Citron, Atlanta, Georgia

$1,000-2,000 Provenance: West Virginia collection

190

191

192

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194

194 PAIR QUEZAL IRIDESCENT ART GLASS SHADES

196 STEUBEN GOLD THREADED GREEN GLASS VASE

squat vasiform with lustrous white exterior and gold interior; signed; H3 1/2” Dia.5” (2pcs)

first quarter 20th century, footed trumpet form, etched mark on underside; H10”

$200-300

$300-400

195 STEUBEN ACID CUT-BACK DRAGON VASE

Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

first quarter 20th century, gloss and matte yellow vase revealing fine depiction of floating dragon, unmarked; H7 1/2”

197 LALIQUE BLACK GLASS DISH

$800-1,200

$200-300

Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

Provenance: Estate of Norman Citron, Atlanta, Georgia

Laure pattern, marked: Lalique France, L10 3/4” W9”

198 ART GLASS SCULPTURE, LOREDANO ROSIN

196

(Italian, 1936-1992) COBRA polychrome glass, signed H20” W10 1/2” D12 1/2”

$500-800 Provenance: Estate of Norman Citron, Atlanta, Georgia

195

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198

197

200 ART GLASS EGG SCULPTURE, PROBABLY MURANO (20th century) signed illegibly, H12” W6 1/2” D6 1/2”

$300-500 Provenance: South Carolina private collection

201 STUDIO GLASS VASES, DANIEL SALAZAR, LOTTON AND HUDIN & BEYERS Daniel Salazar, Lundberg Studio floral vase, signed: 1992, H4 1/4” Lotton Cypriot Lava, signed: 1974, H5” Ophir millefiori vase, signed: L. Hudin & S. Beyers, 1981, H9” (3pcs)

$300-500 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

199

199 VISTOSI MURRINE GLASS VASE mid century, probably Gino Vistosi design, multi-green hued base leading to colorless flared rim, signed: Vistosti, H7”

$300-500 Provenance: Estate of Norman Citron, Atlanta, Georgia

202 BRENT KEE YOUNG INTERNAL DECORATION CASED GLASS VASE

(American, b. 1946) signed, titled & dated: Brent Young, FS Bones, 1982; H8 1/2” W6”

$200-400 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

202

200

201

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Fine Coromandel Twelve-Panel Screen

203

203 CHINESE TWELVE-PANEL COROMANDEL SCREEN Qing dynasty, probably Kangxi/Qianlong period-18th century, double-decorated each side with expansive elaborate scenes; the first depicting the Imperial Gardens, festive scenes of elegant ladies and children in sweeping terraced pavilions amongst ornamental rocks and gardens, with fanciful ladies depicted in the pursuits of nobles; framed by border decorated with the Hundred Treasures; the verso depicting similar scene of mainly male figures attending to the Emperor all in lake landscapes with pavilions contained within floral border above scroll and floral lower section; in rich brown-black ground lacquer; H112” L228” (each panel is 19” wide)

$10,000-20,000 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina Literature: De Kesel, W. COROMANDEL LACQUER SCREENS. Ghent: Snoekck, 2002.

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206 CHINESE CARVED HARDWOOD PLANT STAND circa 1880, inset marble top, stand with intricate piercework carving on shaped legs unified by undertier; H18” Dia.20”

$300-500 Provenance: South Carolina

private collection

207 CHINESE FAMILLE ROSE PUNCH BOWL 18th century, decorated with scrolling cartouches containing figural court scenes on ruyi-head ground, centering floral sprig; H5” Dia.12 1/2”

206

$1,500-1,800 Provenance: South Carolina private collection

208 CHINESE TEA-DUST AND GREEN GLAZED VASES, SIGNED

204

204 CHINESE BLACK LACQUER AND PAINT-DECORATED STORAGE CABINET

tea-dust glazed vessel with lion’smask handles, bearing Qianlung mark, H9 1/2” and a green-glaze example with markings, H8” (2pcs)

$500-800 Provenance: South Carolina private collection 207

circa 1880, flat cornice over case with upper cabinet doors, small doors accessing lower storage compartment, decorated with scenes of figures in gardens, urns, vases and paint pots; H72” W50” D23 5/8”

$500-1,000 205 PAIR CHINESE CARVED MAHOGANY DEMILUNE LAMP TABLES

circa 1900, semicircular top over floral pierce-carved skirt, on cabriole legs with paw feet; H30 1/8” W30” D18 1/2” (2pcs)

$500-800

205

208

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211

212 CHINESE FAMILLE ROSE PORCELAIN FIGURES

PEDESTALS

19th century, deities in ornate robes on lotus-decorated pedestals; H8 3/4”

18th or 19th century, scenic famille rose electrified and mounted on later fluted pedestal bases; vase H23” overall H60” (2pcs)

$500-800 209

212

209 PAIR CHINESE PORCELAIN VASES ON CUSTOM

Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

$300-500 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

213 PAIR CHINESE PORCELAIN VASES

210 PAIR CHINESE PORCELAIN VASES

Republic period, scenic cartouches on mottled celadon ground flanked by gilt handles, signed; H12” (2pcs)

late Qing or Republic period, paneled design decorated with floral and figural scenes divided by poem and mask-ring handles; H22” (2pcs)

$300-500 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

$400-700 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

211 CHINESE FAMILLE ROSE PORCELAIN VASE, SIGNED 19th century, long flared neck on bulbous body and flared base, adorned with expansive garden scene and floral vignettes and bands, signed on base; H10”

$300-500 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

210

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213

214

214 PAIR CHINESE PORCELAIN FAMILLE ROSE “DOG”

216 CHINESE FAMILLE ROSE PORCELAIN HO HO

CANDLESTICK HOLDERS

BOY FIGURE

late 18th/early 19th century, H4 1/2” W6” D4 1/4” (2pcs)

18th/19th century, standing figure with knotted hair, expressive face, holding vase of lotus, on pedestal base; H11 1/4”

$300-500 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

215 CHINESE EXPORT PORCELAIN BOWL AND DISHES 18th/19th century, comprising: Robert Parrot Warren (1847-1876) bamboo pattern saucers, Dia.4 3/4” lotus saucer, Dia.5 1/2” punch bowl, H3 1/2” Dia.7 3/4” oblong dish, L8” pair peony plates, Dia.10” lotus plate, Dia.8 1/2” floral plate, Dia.8 1/2” (8pcs)

$300-500 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

217

216

218 CHINESE FAMILLE ROSE PORCELAIN TEAPOT

217 CHINESE FAMILLE ROSE PANELED VASE late 19th century, extensive figural scenes flanked by shishi handles; H16”

$300-500 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

circa 1820, crown finial loop handle, scene of figure on river; H5”

$200-300 Provenance: Columbia, South Carolina private collection

$300-500 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family

215

218

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219 CHINESE PORCELAIN VASE, CONVERTED TO LAMP

223 SOUTHEAST ASIAN BRONZE AND METAL FIGURES

probably Republic period, decorated with pictorial vignettes; H12 1/4” and overall H27”

seated Buddha, H6 1/2” elephant on cart, H5 1/4” elephant carriage, H7” L13” rocking elephant, H3 1/2” (4pcs)

$200-300 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

$300-500 Provenance: Estate of Margot Roebling DeHope

220 ASIAN FIGURAL BRONZE CENSER Qing dynasty, seated scholar on koi, H10 1/4” L11 1/2”

$300-500 Provenance: Charleston, South Carolina private collection

221 JAPANESE BRONZE MIRRORS, CASES AND STAND Edo period, pair polished and ornamented bronze hand mirrors, H11 1/4”, with decorative case and lacquered stand, H19 1/4”; together with larger mirror, H16 1/2” (2 cased sets)

$300-500 Provenance: Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund

222 CHINESE CANTON ENAMEL CHARGER 223

early 19th century, dragon medallion within flowering vine border on turquoise ground; Dia.13 1/4”

$300-500

219

Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

220

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221

222

225 MIDEASTERN PIERCE-CARVED ALABASTER LANTERN

early 20th century, ornate panel design, H11” Dia.8 1/2” overall H18 1/2”

$300-500 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

226 CHINESE PICTORIAL SCROLL 18th century, God of Longevity Shou Xing with men and children in landscape; H78” W41”

$1,500-2,500 Provenance: South Carolina private collection

227 TIBETAN THANKA MAHAKALA PICTORIAL PANEL 18th/19th century, black Yamari figure with fire background, inscribed on verso; H22 1/2” W16”

$600-800 224

224 SOUTH ASIA CARVED STONE SCULPTURE probably 18th century or earlier, lady seated aloft peacock and playing tanpura, mounted on wood stand; H14” W7” D4”

$300-500 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

Provenance: South Carolina private collection

228 PAHARI AND MEWAR SCHOOL MINIATURES 226

(India, 18th/19th century) three works: VISHNU RIDING GARDUA, LADY SMOKING HUQQA, and LADIES DANCING watercolor and gouache, framed, unsigned sight H9 3/4” W7 1/4”, H7” W5” and H8” W5 3/4” (3pcs)

$400-700 Provenance: Estate of Margot Roebling DeHope

225

228 (one of)

227

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231

229

229 UTAGAWA HIROSHIGE

231 WHITING KING ALBERT PATTERN STERLING

(Japanese, 1797-1858) AWA NARUTO NO FUHA (Wind and waves at Naruto, Awa Province), from the series Rokujuyoshu meisho zue (Pictures of famous places in the sixty-odd provinces) woodblock, framed sheet H14 1/4” W9 1/4”

FLATWARE SERVICE

$1,000-1,500 Provenance: South Carolina private collection

230 JAPANESE WOODBLOCK COLLECTION (19th/20th century) TRIPTYCH SET, H14 1/2” W10” 3 KABUKI ACTORS, H14 1/2” W10” 3 GEISHA, H14 1/2” W10” LANDSCAPE, H14 1/2” W10” MONKEY 2 DEITIES 5 FIGURAL SCENES unframed, most signed, H5 1/4” W7 1/2” and H14 1/2” W10” (19pcs)

$300-500 Provenance: Tennessee private collection 230 (one of)

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circa 1919, engraved with ornate initials comprising: 12 forks, L7 3/4” 17 forks, L7” 11 forks, L6 1/4” 5 cocktail forks, L5 1/4” 12 soups, L7” 11 cream soups, L5” 12 teaspoons, L5 1/2” 6 demitasse, L4” 11 flat spreaders, L5 1/2” gravy ladle, L6 1/2” 2 piece hollow handle roast carving set, L13 1/2” together with 12 associated silverplate knives by Christofle, L9 3/4” Total 97.0ozT weighable (112pcs)

$1,500-2,000 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

232

232 INTERNATIONAL LORD NELSON STERLING COFFEE AND TEA SERVICE

comprising: coffeepot, H10 1/2” teapot, H9 1/4” sugar, H7” creamer, H6 1/4” waste bowl, H3 1/2” Total 76.0ozT (5pcs)

$1,000-1,500 Provenance: Columbia, South Carolina private collection

233 TIFFANY & CO STERLING TEA AND COFFEE SERVICES

first half 20th century, comprising: coffeepot, H9 1/2” teapot, H6 1/2” covered sugar, H5”; marked: Tiffany & Co Sterling 17085; and another beaded pattern comprising: teapot, H5 1/2” creamer, H3” covered sugar, H4” Total 45.0ozT all in (6pcs)

234

234 PAIR AMERICAN STERLING THREE-LIGHT CANDELABRA, BLACK STARR & GORHAM New York, circa 1940-1962, marked on case; H12” Dia.10”, and 63.0ozT

$800-1,200 Provenance: North Carolina private collection

235 STIEFF STERLING COFFEE SERVICE, AND OTHER AMERICAN REPOUSSE SILVER floral pattern, comprising: coffeepot, H10” creamer, H5” covered sugar, H6 1/2” together with J.E. Caldwell & Co coffeepot, H9”; and Theodore Starr bowl, H3” Dia.6 1/2”; Total 59.0ozT (5pcs)

235

$800-1,000 Provenance: North Carolina private collection

$1,000-1,500 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

233

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236 AMERICAN STERLING SILVER TABLE ARTICLES, INCLUDING KALO Kalo footed bowl, H2 1/2” Dia.7” 2-pc Kalo salad serving set, L10” Gorham reticulated bowl, H2 1/2” W8 1/4” Wallace tray, Dia.10” Durgan pitcher, H8 1/2” FTG porringer, W6 1/2” Alvin serving fork, L9” Whiting serving spoon, L9” pair nut dishes, W4” Total 59.0ozT (11pcs)

$700-1,000 Provenance: South Carolina private collection

237 AMERICAN STERLING GOBLETS

236

239 PAIR WALLACE STERLING CENTERBOWLS

assembled set, H6 1/2” to 7”, and 48.0ozT (12pcs)

gadroon border over Rococo band, marked and pattern: 4260-1; H3” Dia.11”, and Total 31.0ozT (2pcs)

$700-900

$500-800

Provenance: North Carolina private collection

Provenance: South Carolina private collection

238 AMERICAN STERLING FLATWARE SERVING PIECES

240 GORHAM PLYMOUTH PATTERN STERLING

early 20th century, comprising: Whiting Lily asparagus server, L10 1/4” Alvin Orange Blossom serving spoon, L9” Kirk & Sons Repousse berry server, L9” Kirk & Sons Repousse pastry server, L9 1/2” Total 16.0ozT (4pcs)

237

BEVERAGE PITCHER

dated 1924, engraved with initials: EAB, complete marks, H10” and 24.5ozT

$500-800 Provenance: Charleston, South Carolina private collection

$500-800

240

Provenance: North Carolina private collection

238

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239

243 ART DECO STERLING CASE BY EVANS circa 1930, stag and foliate-decorated hinged top, marked Evans sterling, H3” W5 1/2”, and 7.0ozT

$300-500 Provenance: New York City private collection

244 POOLE STERLING WATER PITCHER marked: Poole 990 Total 28.0ozT

$300-400 Provenance: Columbia, South Carolina private collection

241

241 REED & BARTON STERLING HOT WATER KETTLE ON STAND

Classical design with scrolling support and round base, H13” Total 49.0ozT

$500-700 Provenance: Columbia, South Carolina private collection

242 GORHAM AND WALLACE SERVING PIECES comprising: Gorham flower vase, H10” Dia.6 1/4” Wallace Grand Baroque serving bowl, Dia.10 3/4” Total 44.0ozT (2pcs)

$400-600

245 FISHER AND MANCHESTER STERLING CUP AND GOBLETS

comprising: 2 Fisher goblets, H6 5/8” 6 Manchester cups, H5 1/2” Total 41.0ozT (8pcs)

244

$300-400 Provenance: Columbia, South Carolina private collection

246 WALLACE STERLING WATER PITCHER H9”; together with Gorham sterling chocolate pot, H9 1/4” Total 32.0ozT (2pcs)

$300-400 Provenance: Columbia, South Carolina private collection

245

Provenance: Columbia, South Carolina private collection

242

243

246

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248 ZIMMERMAN (German, 19th century) PORTRAIT OF A SPANISH LADY oil on board, framed, signed & located lower right H7 1/4” W5 1/2”

$400-600 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

249 LOUISE ELISABETH DE FRANCE PORTRAIT MINIATURE

(Continental, 19th century) watercolor in later metal frame, sight H3” W4”

$400-800 247

247 TUTTLE STERLING FORKS AND KNIVES, OF ROEBLING FAMILY INTEREST circa 1931, Onslow pattern, comprising: 12 hollow handle knives, L8 1/2” 6 forks, L7” total 12.0ozT weighable (18pcs)

Provenance: Charleston, South Carolina private collection

250 MADAME RECAMIER PORTRAIT MINIATURE, AFTER FRANCOIS GERARD (French, 1770-1837) Jeanne-Francois Julie Adelaide Bernard Recamier (1777-1849) watercolor, framed, signed: May, overall H10 1/4” W7 1/2”

$200-400

$400-600

Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

250

251 DUCHESS OF RUTLAND MINIATURE, AFTER SIR JOSHUA REYNOLDS (British, 19th century) full length portrait of Mary Isabella Somerset (1756-1831), watercolor in ormolu frame, overall H10” W7 1/2”

$400-600 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

248

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249

251

254 BOOKS: TRAVEL, OF ROEBLING FAMILY INTEREST

252

252 PIETRA DURA PICTORIAL MOSAIC PLAQUE, EMILIO QUADRELLI (Italian, 1863-1925) Italian landscape, incised: Quadrelli, in gilt frame, overall H10” W13 1/2”

$200-300 Provenance: Estate of Norman Citron, Atlanta, Georgia

253 CONTINENTAL PORTRAIT MINIATURE first half 19th century, LADY IN BLUE DRESS, and leather frame, overall H4” W3 1/2”

$200-300 Provenance: Estate of Norman Citron, Atlanta, Georgia

Freshfield, Douglas W. THE EXPLORATION OF THE CAUCASUS. Vols. I & II. 1st ed. London: Edward Arnold, 1896.

Glaisher, James, et al. TRAVELS IN THE AIR. 2nd and revised ed. London: Richard Bentley & Son, 1871.

Inscribed: W.A. Roebling.

Keller, Franz. THE AMAZON AND MADEIRA RIVERS. London: Chapman and Hall, 1875.

Prejevalsky, Nikolai. MONGOLIA, THE TANGUT COUNTRY, AND THE SOLITUDES OF NORTHERN TIBET. Vols. I & II. Trans. E.D. Morgan. 1st ed. London: Sampson Low, Marston, Searle, & Rivington, 1876.

Yule, Henry. THE TRAVELS OF MARCO POLO. Vols. I & II. 3rd ed. London: John Murray, 1926.

(8pcs)

$1,000-1,500 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family

255 BOOKS: MARK TWAIN, INSCRIBED FIRST EDITIONS, OF ROEBLING FAMILY INTEREST THE INNOCENTS ABROAD, or THE NEW PILGRIMS PROGRESS. 1st ed. Hartford, CT: American Publishing Company, 1869. Inscribed: Charles Kingsley.

A TRAMP ABROAD. 1st ed. Hartford, CT: American Publishing Company, 1880. Inscribed: Yours Truly Mark Twain, John A. Roebling August 10th 1880.

(2pcs)

255

256 BOOKS: THE INGOLDSBY LEGENDS Ingoldsby, Thomas (R.H. Barham). THE INGOLDSBY LEGENDS. 1st ed. London: Richard Bentley, 1840. Three parts, each in paper-backed linen wrapper, housed in divided container. Bearing bookplates of Henry W. Poor and Walter Thomas Wallace and note: Mrs. William Louis Fisk, Happy Christmas to you both, 1932. together with: Ingoldsby, Thomas (R.H. Barham). THE INGOLDSBY LEGENDS. 3rd edition. 1st series.

London: Richard Bentley, 1846. (2pcs)

$600-800 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

$800-1,200 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family

253

254

256

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257

257 BOOKS: JULES VERNE AND OTHER ADVENTURE NOVELS, OF ROEBLING FAMILY INTEREST FROM THE EARTH TO THE MOON. Trans. Louis Mercier and Eleanor E. King. New York: Scribner, Armstrong, & Company, 1874. Inscribed: John A. Roebling from Mamma, Nov. 21st, 1877.

HECTOR SERVADAC. Trans. Ellen E. Frewer. New York: Scribner, Armstrong & Co., 1878. Inscribed: Master John A. Roebling from Aunt Emily, Christmas 1877.

DICK SANDS, OR THE BOY CAPTAIN. Trans.

Ellen E. Frewer. New York: Charles Scribner’s Sons, 1879. Inscribed: Master John A. Roebling from Aunt Eliza, Christmas 1878.

CELEBRATED TRAVELS AND TRAVELLERS. Trans. Dora Leigh. 3 Vols. New York: Charles Scribner’s Sons, 1879-1881.

THE STEAM HOUSE, PART II: TIGERS AND TRAITORS. Trans. Agnes D. Kingston. New York: Charles Scribner’s Sons, 1881. together with: Ballantyne, R.M. THE GIANT OF THE NORTH, or POKINGS ROUND THE POLE. New York: Thomas Nelson and Sons, 1882.

Pyle, Howard. THE MERRY ADVENTURES OF ROBIN HOOD. New York: Charles Scibner’s Sons, 1899. (9pcs)

258

258 BOOKS: NATURE, OF ROEBLING FAMILY INTEREST Lowe, E.J., FERNS: BRITISH AND EXOTIC. 1st ed.

Vols. I-VIII. London: Groombridge and Sons, 1856.

Marshall, Nina L. THE MUSHROOM BOOK. New York: Doubleday, Page & Co., 1901. Inscribed: Margaret S. Roebling from J.A.R. June 12, 1902.

Roberts, Charles G.D. THE KINDRED OF THE WILD. Boston: L. C. Page & Company, 1902.

Inscribed: Paul Roebling.

Roberts, Charles G.D. THE WATCHERS OF THE TRAILS. Boston: L.C. Page & Company, 1904.

Inscribed: Paul Roebling.

Roberts, Charles G.D. MORE KINDRED OF THE WILD. London, Melbourne and Toronto: Ward, Lock & Co., 1911.

Sage, Dean, et al. SALMON AND TROUT. New York: The MacMillan Company, 1904. Inscribed: Henry H Covell from his friend Dr. Robert L. Carson Christmas 1905. (13pcs)

259

259 BOOKS: FAMOUS BRITISH SPEECHES, FROM THE MANIGAULT LIBRARY, CHARLESTON, SOUTH CAROLINA Philadephia, published 1810, THE BRITISH CICERO OF A SELECTION OF THE MOST ADMIRED SPEECHES IN THE ENGLISH LANGUAGE (in three volumes, printed for and published by Birch and Small; interior with bookplate bearing the Manigault family arms and Charles J. Manigault (1795-1874) (3pcs)

$500-800 Provenance: South Carolina private collection

$500-800 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family

$500-900 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family 260

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260 BOOKS: CHARLES DICKENS’ LITTLE DORRIT SERIAL NOVEL London: Bradbury & Evans, 1855-1857.

Comprising 20 parts in 19 installments, December 1855 to June 1857. Housed in cloth cases, Parts I-IX and X-XX. (2pcs)

$400-600 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

261 BOOKS: ART HISTORY AND ANTIQUE REFERENCE, OF ROEBLING FAMILY 263

INTEREST

Bell, J. Munro. THE FURNITURE DESIGNS OF GEORGE HEPPLEWHITE. London: Gibbings and Company, 1910. Inscribed: Margaret Shippen Roebling, 1914.

Beurdeley, Michel. CHINESE TRADE PORCELAIN. Rutland, VT: Charles E. Tuttle Company, 1962.

Hyde, J.A. Lloyd, ORIENTAL LOWESTOFT CHINESE EXPORT PORCELAIN. 3rd ed.

Monmouthshire, UK: The Ceramic Book Company, 1964.

Guillim, John. A DISPLAY OF HERALDRIE. London: T.R. for Jacob Blome, 1660. Inscribed with notes on inside front cover.

Perrot, Georges and Charles Chipiez. HISTORY OF ART, 7-part series in 12 vols. Trans. Walter Armstrong.

London: Chapman and Hall, Limited. 1883-1894.

FRENCH CABINETMAKERS OF THE EIGHTEENTH CENTURY. Collection Connaissance des Arts: “Grands Artisans d’Autrefois.”

New York: French & European Publications, Inc., 1965.

IMPORTANT FRENCH AND CONTINENTAL FURNITURE, OBJECTS OF ART, TAPESTRIES, EASTERN RUGS AND CARPETS. Christie’s New York auction catalogue, April 10, 1980.

OBJECTS OF ART, IMPORTANT FRENCH AND CONTINENTAL FURNITURE AND SCULPTURE. Christie’s New York auction catalogue, Nov. 16-17, 1979. (19pcs)

$400-600 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

262 BOOK: POETRY, SIGNED AND FIRST EDITION Williams, John. THE BROKEN LANDSCAPE. Denver: Alan Swallow, 1949. Inscribed: For Joanne, Affectionately, John Williams, Feb. 12, 1954 Columbia, MO

262

$400-600 Provenance: South Carolina private collection

263 BROOKLYN BRIDGE AND ROEBLING FAMILY EPHEMERA

comprising: Roebling, John A. REPORT OF JOHN A. ROEBLING TO THE PRESIDENT AND DIRECTORS OF THE NEW YORK BRIDGE COMPANY, ON THE PROPOSED EAST RIVER BRIDGE. Brooklyn: Eagle Book and Job Printing Department, 1884.

Tiffany Brooklyn Bridge Opening Ceremonies invitation 261 National Geographic, Vol. 163, No. 5, May 1983, commemorating the centennial of the Brooklyn Bridge.

Roebling II, John A. Mechanical and engineering journals, Dec. 19, 1890- Oct. 25, 1902 and Feb. 15, 1892- Feb. 6, 1903. (5pcs)

$300-400 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family

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265 BOOKS: CHILDREN’S TITLES, OF ROEBLING FAMILY INTEREST

264

264 SCRAPBOOKS AND EPHEMERA, OF ROEBLING FAMILY INTEREST

decorated and mother-of-pearl inlaid album containing notes, signatures, poetry, engravings, lithographs, and drawings, inscribed: Presented to Emily on her twelfth birthday (Emily Warren Roebling, 1843-1903) together with 5 photo albums and 16 other photographs (22pcs)

$300-400 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

GRIMM’S FAIRY TALES. Trans. H.B. Paull. London: Frederick Warne and Co. 1890. Inscribed: Paul Roebling from his affectionate father John A. Roebling, May 1st 1899.

R. CALDECOTT’S COLLECTION OF PICTURES & SONGS. London: George Routledge & Sons.

Inscribed: W. Gordon Conyers d’Arcy with love from his brother (.5) Godfrey Creswick Jackson, Dec. 30th 1881.

Butterworth, Hezekiah. ZIGZAG JOURNEYS IN EUROPE. Boston: Estes and Lauriat, 1880.

Butterworth, Hezekiah. ZIGZAG JOURNEYS IN CLASSIC LANDS. Boston: Estes and Lauriat, 1881.

Inscribed: John A. Roebling from Aunt Eliza.

Christmas 1880.

Butterworth, Hezekiah. ZIGZAG JOURNEYS IN THE ORIENT. Boston: Estes and Lauriat, 1882.

Inscribed: Margaret S. McIlvaine, from Uncle Edward, Christmas 1882.

Praeger, S. Rosamond. THE ADVENTURES OF THE THREE BOLD BABES. New York: Longmans, Green, & Co., 1897. (6pcs)

$200-300

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Jarrell, Randall. New York: Harcourt, Brace, and Company, 1951. With lengthy poetic inscription, ending: For Joanne, from a poem about a very different sort of Womans College girl. Randall Jarrell.

$200-300 Provenance: South Carolina private collection

Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family

266 BOOKS: OF ROEBLING FAMILY INTEREST Roebling, Emily Warren. THE JOURNAL OF THE REVEREND SILAS CONSTANT. Limited ed.

Philadelphia: J.B. Lippencott Company, 1903. 4 copies, numbers 68, 85, 131, and 189 of 300 printed.

Roebling, Johann August. DIARY OF MY JOURNEY TO AMERICA IN THE YEAR 1831. Trans. Edward Underwood. Trenton, NJ: The Roebling Press, 1931.

Schleicher, William A. and Susan J. Winter. IMAGES OF AMERICA: IN THE SOMERSET HILLS THE LANDED GENTRY. Charleston, SC: Arcadia Publishing, 1997.

Schuyler, Hamilton. THE ROEBLINGS: A CENTURY OF ENGINEERS, BRIDGE-BUILDERS AND INDUSTRIALISTS. Princeton: Princeton University Press, 1931. Inscribed: Compliments of J.A. Roebling Jr. Case, Clarence E., ed. SOME ROEBLING LETTERS (1821-1927) AND INCIDENTAL MATTERS. 11th carbon impression. New Jersey? 1955. (9pcs)

$200-300 265

266

267 BOOK: THE SEVEN-LEAGUE CRUTCHES

Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family

267

268 CHRISTIE BROTHERS WHITE MINK FULL-LENGTH COAT

L46” sleeve L23”

$300-500 Provenance: Georgia private collection

269 CHRISTIE BROTHERS MINK MID-LENGTH COAT L32” sleeve L22”

$200-400 Provenance: Georgia private collection

270 LAVA STONE CAMEO PARURE IN CASE part 18th century, high-relief carved cameo busts mounted in later gold settings, one marked: 750, comprising: pendant, H2”; pair earrings, H2 1/4”; and bracelet, L7 1/2” all in antique fitted leather case.

$500-1,000 Provenance: Estate of Norman Citron, Atlanta, Georgia 270

271 PEARL NECKLACE AND PAIR EARRINGS 5.5-8.4mm graduated double strand ending with diamond and pearl-set 14K white gold clasp, L20”; together with well-matched pair of 8mm double pearl and diamond earrings with ear hooks; H1 1/4” (3pcs)

$500-800 Provenance: Estate of Margot Roebling DeHope

272 DIAMOND AND GOLD BRIDAL SET approx. 1.0ct marquise cut diamond, color J-K, clarity SI2 in 14K gold setting, size 6.5

271

$300-500 268

273 VINTAGE GEMSTONE AND GOLD JEWELRY COLLECTION

pair deep blue 7.3 x 6.3mm oval sapphire, diamond and 14K gold screwback earrings, H1/2” pair Retro aquamarine and ruby ear clips, H1” pair 6mm cabochon turquoise, diamond and 14K screwback earrings, H1/2” cabochon turquoise 9mm, seed pearl and 14K ring, size 4 platinum and diamond bar pin, L1 1/2” pearl and diamond pendant on 14K white gold chain diamond and 14K gold baby ring, size 2 (10pcs)

272

$700-1,000 Provenance: Estate of Margot Roebling DeHope

269

273

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275

274

274 PERIDOT AND GOLD PENDANT AND EARRING SET oval-cut gems in 14K gold setting, approx. 5.5ctw.

(3pcs)

276 CULTURED PEARL NECKLACES 8.5mm triple graduated strand of cream pearls ending in 14K white gold clasp, L17”, and 13-14mm Baroque pearl necklace, L24” (2pcs)

$400-700 Provenance: Virginia private collection

$300-500 Provenance: Virginia private collection

275 SHELL AND LAVA STONE CAMEO JEWELRY COLLECTION

carved shell David bust pendant/brooch on chain, H3” carved shell with laboring putti scenes pendant/brooch, H2 1/2” W3 1/2” accompanied by seven shell and three lava stone cameos, most in gold or silver mounts (12pcs)

$500-1,000 Provenance: Estate of Norman Citron, Atlanta, Georgia

277 ANTIQUE JEWELRY COLLECTION pair scarab earrings, H1” mourning brooch, H1 3/4” 3 Art Nouveau hat pins, H3” to 3 1/2” Italian gold and gemstone bee brooch, W1 1/4” Tiffany & Co vermeil pendant, H1 1/2” pair micro-mosaic earrings, H3/4” (10pcs)

$300-500 Provenance: Estate of Norman Citron, Atlanta, Georgia

277

278 GOLD SEAL FOB, AND GEM-SET STICKPIN 19th century, intaglio-carved citrine with unidentified arms and motto Confido Conquiesco, marked: 18c, H1 3/4”; together with opal and emerald stickpin; L3 1/4” (2pcs)

$400-600 Provenance: South Carolina private collection

276

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278

279

280

279 NATIVE AMERICAN POTTERY Dolores Lewis, Acoma seed pot, H2 1/2” Annette Silas, Hopi bowl, H1 3/4” Dia.3” George Teague, Hopi Sikyatki Revival pot, H3 1/2” Dia.7 1/2” small vessel, probably Navajo, H3” (4pcs)

$400-600 282 (part of)

Provenance: Camden, South Carolina private collection

282 CUZCO SCHOOL (19TH/20TH CENTURY )

280 ZIA POLYCHROME POTTERY JAR New Mexico, Native American, early 20th century, with traditional Zia bird and flower design; H5 1/2” Dia.7”

$300-500 Provenance: Camden, South Carolina private collection

CARVED HARDWOOD DOOR PANELS

circa 1800, high-relief carved with lappett and gadroon embellishments, with embossed metal straps and flowerhead bosses; H36” W75” (2pcs) Provenance: South Carolina private collection

$1,000-1,500 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

283 CUZCO SCHOOL (19TH/20TH CENTURY )

281 PAIR SPANISH COLONIAL METAL-MOUNTED

$800-1,200

ARCHANGEL ELIEL WITH HARQUEBUS and SAN MIGUEL oil on canvas, frame, unsigned H20” W27” (2pcs)

VIRGIN & CHILD and SAINT GABRIEL oil on canvas, framed, unsigned H26 1/2” W22” and H30” W20 1/2” (2pcs)

$500-800 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina 281

283 (part of)

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284

285

286

287

284 TURKISH AZARI CARPET

286 INDO TABRIZ CARPET

288 PORTUGESE NEEDLEPOINT

291 CHINESE KASHAN CARPET

293 PERSIAN JOSHEGAN CARPET

circa 1940, 5’5” x 8’3”

Dia.6’1”

RUG

3’1” x 5’1”

circa 1930, 4’4” x 6’9”

$700-1,000

$400-700

4’11” x 7’4”

$300-500

$300-500

$300-500

Provenance: Charlotte, North Carolina collection

Provenance: Charlotte, North Carolina collection

285 PERSIAN HEREKE SILK

287 PERSIAN ENJILAS CARPET

CARPET

4’3” x 6’10”

signed in border, 2’6” x 5’2”

$300-500

$600-800

Provenance: Charlotte, North Carolina collection

Provenance: Georgia private collection

289 NO LOT 290 ANTIQUE PERSIAN MALAYER CARPET

circa 1920, 3’11” x 7’

$300-500

288

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291

292 CHINESE KERMAN CARPET 3’1” x 5’

$300-500 Provenance: Charlotte, North Carolina collection

292

293

294

295

296

297

294 PERSIAN HAMADAN CARPET

295 RUSSIAN SHIRVAN CARPET

296 INDIAN SAROUK CARPET

2’11” x 4’9”

circa 1915, 3’6” x 4’7”

5’6” x 7’9”

$200-400

$200-400

$200-400

Provenance: Charlotte, North Carolina collection

Provenance: Charlotte, North Carolina collection

297 ANTIQUE PERSIAN MALAYER CARPET circa 1920, 3’5” x 6’4”

$100-200 298 CLASSICAL CARVED MARBLE SPINARIO SCULPTURE H16 1/2”

$300-500 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

299 ITALIAN CARVED MARBLE SCULPTURE OF VENUS late 19th/early 20th century, with putti and dolphin at her feet; H21 1/2”

$400-700 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

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298

299

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Important Fine & Decorative Art European Furniture, Jewelry, Fine and Decorative Art

Session II 11 April Saturday at 10am

Lots 300-648

CHARLTON HALL AUCTIONEERS West Columbia, SC

302

301

300 EARLY TIFFANY & CO TRAVELING DRESSER SET

303 GEORGE III INLAID DOUBLE TEA CADDY

New York, circa 1865, gilt-metal bound leather case, plaquette engraved: ASP, 7th Sept. 1865; opening to velvet-lined fitted case of dressing implements and compartments; marked: Tiffany & Co, New York, 550 Broadway; H5” W12” D11 1/4”

19th century, shell and bellflower-inlaid hinged lid and banded case edge, with sterling escutcheon and handle; H7 1/2” W10” D5 1/2”

$1,000-1,500

303

$400-700 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

Provenance: Charleston, South Carolina private collection

301 REGENCY SHELL-CLAD TEA CADDY first quarter 19th century, pressed molded sunburst pattern on hinged box, with silver mounts, brass finial and ball-and-claw feet, opening to double caddy; H7” W6 1/2” D3 1/2”

304

$600-800 Provenance: Georgia private collection

304 RENAISSANCE REVIVAL GILT-BRONZE BOX, PROBABLY J.E. CALDWELL & CO

302 GEORGE III ROLLED-PAPER FILIGREE TEA CADDY

Philadelphia, late 19th century, ornate framed hinged lid and case inset with polished bone panels; H3 1/4” W6” D4”

circa 1790, hexagonal-form stained wood frame adorned with intricate oval gilt and painted roundels inset with printed miniatures; H5” W7” D3 3/4”

$300-500 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

$400-600 Provenance: Georgia private collection Literature: Cummins, Genevieve. ANTIQUE BOXES: INSIDE AND OUT. Woodbridge, UK: Antiques Collectors Club, 2006. p.141 300

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305

305 ENGLISH BURL WALNUT, BRASS AND BONE MOUNTED TEA CADDY

late 19th century, dome hinged top with covered divided interior and conforming body; H7” W9” D5 1/2”

$200-300 Provenance: Columbia, South Carolina private collection

306 ART DECO BRONZE AND MARBLE INKSTAND AND BLOTTER

stand H5” W14” D8 1/2” and H4 1/4” W6 1/4” D3 1/4” (2pcs)

$300-500 Provenance: Walter & Harriet Keenan collection

309

308 TOLE PAINTED TRAY ON STAND late 19th century, paint-decorated with urn of fruit and leafy designs, on faux-bamboo associated stand; overall H18 3/4” W28 1/4” D21 1/4”

$300-500 307 ENGLISH MAHOGANY OVAL SERVING TRAY

Provenance: South Carolina private collection

309 RARE EARLY JOHN SPEED’S MAP OF THE COUNTY OF SHROPSHIRE London, printed circa 1612-1616, SHROPSHYRE DESCRIBED THE SITTUATION OF SHROWESBURY SHEWED, colored engraving, framed within double glass, sight H17” W21 1/2”

$300-500 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

19th century, full gallery with pierced handles; H2 3/4” W24 3/8” D19”

$200-300

306

308

307

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310

310 ROLEX 6236 DATO-COMPAX TRIPLE-CALENDAR CHRONOGRAPH WRISTWATCH circa 1960, signed Rolex, Oyster Chronograph, Anti Magnetic, ref. 6236, Cal 72C mechanical movement, 17 jewels, silvered dial, applied faceted numerals with luminous accents, luminous hands, outer date ring with blue Arabic numerals, central arrow date hand, two windows for day and month, three subsidiary dials; with Rolex leather wristband; works marked: Rolex 17-rubies, Swiss Made, inside back cover marked: Montres, Rolex S.A., Geneva, Switzerland, Patented, Stainless Steel, Swiss Made 6236; dial W1 5/8” overall L10 1/4”

$40,000-60,000 Provenance: South Carolina private collection Other Notes: The Rolex Ref. 6236 is one of the most desirable models of the Dato-Compax series. It is one of the most complex references that Rolex ever produced.

These Anti-magnetic chronograph with triple date was produced in few examples from 1958 to the early 1960s in yellow, pink gold and very few in stainless steel, with various dial designs and hand shapes.

Known among collectors as the ‘Jean-Claude Killy.’ Mr. Killy is an internationally renowned French World Cup alpine ski champion of the 1960s and remains as the ambassador of Rolex in numerous advertising campaigns.

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311 EARLY ENGLISH REPEATING DOUBLE-CASED OPENFACE WATCH, WILLIAM WEBSTER 18th/19th century, white enamel dial with Roman numerals and quarter-hour repeat movement, within finely decorated pierced case, and repousse outer case signed: G. Moser (George Michael Moser, 1706-1783); and watch signed: Wm Webster, Exchange Alley, 2120; H2 3/4” W2”

$3,000-5,000 Provenance: Estate of Norman Citron, Atlanta, Georgia

312 FRENCH VERGE REPEATING WATCH IN UNUSUAL CARVED BOX first half 19th century, carved burl box depicting Napoleon on horseback, opening to reveal shell-lined interior and portrait-painted lid of Napoleon I and Marie Walewska, above French quarter-repeating decimal dial watch, possibly 18th century, H1” L4 1/2” D2 1/2”

$1,000-2,000 Provenance: Estate of Norman Citron, Atlanta, Georgia

313 HOWARD OPEN-FACE GOLD POCKET WATCH AND WATCH CASE E. Howard Watch Co 14K white gold watch on chain, marked and numbered: 12126 and 217198, engraved: Eva to Trv. our 1st anniversary Nov. 2, 1925; together with associated wood case, H2 1/2” W2 1/2” (2pcs)

312

$300-500 311

Provenance: Estate of Norman Citron, Atlanta, Georgia

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Important Pair Terrestrial & Celestial Library Globes

314

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314 PAIR J&W CARY 21-INCH TERRESTRIAL AND CELESTIAL LIBRARY GLOBES circa 1790 and 1825, each sphere in brass meridian with printed horizon ring denoting amplitude, azimuth, 32-compass point and Latin zodiac names and symbols; each ring supported by brackets above turned mahogany column and tripod base with later carving and ending on casters.

The celestial globe with cartouche in oval mount printed: Cary’s New and Improved CELESTIAL GLOBE on which is carefully laid down the whole of the stars and nebulae &c, contained in the astronomical works of the Revd. Mr Wollaston, FRS, De La Caille, Herschel, Hevelius, Mayer, Flamstead, Bradley, &c. LONDON Made and sold by J & W Cary, Strand, March 1799.

The terrestrial globe bears a cartouche in circular mount printed: Cary’s New TERRESTRIAL GLOBE the Tracks and Discoveries made by Captain Cook; Also those of Captain Vancouver on the North West Coast of America & M. De La Perouse, on the coast of Tartary, Together with every other Improvement collected from Various Navigators & Travellers to the present time. LONDON. Made and sold by J & W Cary, Strand, March 1st, 1815, with Correction & Editions to 1825.

H47” Dia.27” (2pcs)

$30,000-50,000 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina Other Notes: In the late eighteenth and early nineteenth centuries, the Cary family of cartographers produced some of the finest Georgian globes, celebrated for their quality and accuracy. Founded by John Cary (c.1754-1835), a map engraver and seller, and his brother William Cary (c.1759-1825), a specialist in scientific instruments, the Cary firm published their first globes in 1791, advertising them in the Traveller’s Companion as “terrestrial and celestial globes in 3, 9, 12, and 21 inch diameter sizes, from entire new plates.” All their globes were printed on high-quality papers using modern printing techniques. They even devised a way to incorporate new cartographical updates to their globes with patches and overlays, rather than have old versions replaced. Such updates were issued in 1806, 1815, and 1825. The terrestrial globe of this set includes the 1825 correction, though the original issue year for both was 1799. Production of the 21-inch globes such as these ended in 1825, and were then replaced by an 18-inch model. Despite their age and their massive size, the Cary family’s commitment to quality production has insured their globes survive in exceptional condition.

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315 WALNUT BREAKFRONT BOOKCASE mid 19th century, molded domed central cornice and stepped-back side cabinets with astragal-glazed doors and adjustable shelves, on lower case with configuration of drawers over doors with applied molding, on plinth; H106 3/4” W98” D20”

$4,000-7,000 Provenance: Charleston, South Carolina private collection

316 SHERATON MAHOGANY DINING CHAIRS, SET OF EIGHT

circa 1800, comprised of: two arms, six sides; bead and channel frame with stick splats, slip seat in plain rails, on tapered legs with H-stretcher; BH36 7/8” SH18 1/2” W21 1/2” D20” (8pcs)

$1,000-1,500 317 GEORGIAN STYLE MAHOGANY DOUBLE-PEDESTAL DINING TABLE

rectangular top with beaded edge and rounded corners, on urn-form pedestals with three saber legs with cups and casters, fitted with two 18” leaves; H28 1/8” W43 1/2” L131” open

$1,500-2,500

315

316

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317

319 318

318 ENGLISH INLAID MAHOGANY BOWFRONT

319 ENGLISH INLAID MAHOGANY BOWFRONT CHEST

SIDEBOARD

OF DRAWERS

first quarter 19th century, shaped top with three-quarter gallery over conforming case with configuration of doors and drawers with ebony inlay, on tapered legs; H39 3/4” W59 3/4” D18 7/8”

mid 19th century, shaped crossbanded top over conforming case with configuration of two short over three long drawers, on splay feet; H41 1/4” W40 3/8” D20 1/4”

$1,000-1,800

$700-1,000 Provenance: South Carolina collection

320 GEORGIAN MAHOGANY FOOTSTOOL 18th/19th century, needlepoint slip seat, on cabriole legs; H18” W17 1/2” D16 1/2”

$300-400 321 GEORGE III CARVED MAHOGANY BUREAU BOOKCASE

circa 1820, dentil-molded crown over blind fretwork cornice, with pair of fifteen-light doors, on lower part with fallboard concealing fitted interior, four long graduated drawers, on bracket base; H82” W39 1/2” D22 1/2”

$1,000-2,000

321

320

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322

326

324 ENGLISH INLAID MAHOGANY CHEST OF DRAWERS 19th century, rectangular crossbanded top over case fitted with three shallow drawers, over two short and three long graduated drawers, on bracket base; H48 3/4” W46 1/4” D21 1/4”

$600-900 325 GEORGE III INLAID MAHOGANY SLANT-FRONT DESK

circa 1790, inlaid fallboard concealing interior fitted with drawers and valanced pigeonholes, over case with two short and three long drawers, on bracket base; H39 5/8” W45 3/4” D21 1/4”

323 325

322 OVERSIZED UPHOLSTERED SOFA, ATTRIBUTED TO DE ANGELIS Lawson style in blue and terracotta floral fabric with seven large cushions and pillows; BH32” SH17” W95” D52”

$1,000-2,000 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

323 CHINESE CHIPPENDALE OAK FOOTSTOOL circa 1900, blind fretwork stand, with slip seat; H18 1/2” W20 5/8” D15 5/8” 324

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$200-300

$700-1,000 326 GEORGIAN INLAID MAHOGANY HANGING CORNER CABINET

early 19th century, molded canted crown over conforming inlaid frieze and single thirteen-light door, with molded plinth; H48 5/8” W34 3/4” D18 1/2”

$400-600

330 327

327 GEORGIAN MAHOGANY TEA TABLE

328 GEORGIAN STYLE MAHOGANY BOOKCASE ON

330 PAIR REGENCY STYLE MAHOGANY SIDE CABINETS

STAND

circa 1900, rectangular molded top over case with pair of doors with metalwork lattice, on plinth; H36 1/4” W40 1/8” D12 1/4” (2pcs)

circa 1800, folding top over single frieze drawer, on tapered reeded legs; H29 1/4” W33 5/8” D33 1/4” open

third quarter 19th century, dentil-molded crown over divided glazed panel door and sidelights on stand with cabriole legs and ball-and-claw feet; H83 3/4” W47” D13”

$400-600

$800-1,200 Provenance: Columbia, South Carolina private collection

329 ENGLISH INLAID MAHOGANY BOWFRONT SIDE

$1,000-1,500 331 REGENCY MAHOGANY DROP-LEAF TABLE circa 1810, rectangular top with D-shape drop leaves and opposing frieze drawers, on reeded legs with cups and casters; H29 1/2” W47 1/2” open D39 7/8”

$200-400

TABLE

first half 19th century, shaped and crossbanded top over two frieze drawers, on tapered legs with boxwood purfling; H29 5/8” W31 3/4” D19 3/4”

$400-600

328

329

331

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332 GEORGIAN MAHOGANY CORNER CABINET circa 1800, canted dentil-molded crown over conforming case with pair astragal-molded doors before shaped shelves, on waist-molded lower part with flat-panel doors, on plinth; H97” W43 1/4” D22 3/4”

$1,000-2,000 Other Notes: Paper label on verso: Rev. O. Kenneth McFadden, The Manse Yetholm, N(?) Kelso, Roxburghshire Scotland.

333 HEPPLEWHITE STYLE INLAID MAHOGANY GAMES TABLE

mid 19th century, D-shape crossbanded folding top, corresponding skirt and single frieze drawer, on tapered legs with cups and casters; H29 5/8” W38” D37 3/4” open

334

$400-700 334 PAIR REGENCY CARVED MAHOGANY ARMCHAIRS circa 1820, shaped crest extending to volutes, with acanthus-carved splat and scrolling arms flanking slip seat, on saber legs; BH33 3/4” SH18 1/2” W20” D19 1/2” (2pcs)

$500-700 332

335 REGENCY STYLE PIETRA DURA CIRCULAR SIDE TABLE

19th century, stone top with checkerboard panel, on faux bamboo-turned stand; H21” Dia.28 1/4”

335

$400-600 336 ENGLISH MAHOGANY CHEST OF DRAWERS/BLANKET CHEST 19th century, rectangular molded top lifting to reveal storage well, with two faux and two long drawers, on bracket base; H35 1/2” W39 1/4” D20 1/4”

$500-800

333

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336

338 GEORGIAN POLYCHROME-DECORATED CONSOLE TABLE

late 18th century, D-shaped top painted with allegorical scenes, over skirt with floral decorations, on tapered legs with molded feet; H31 3/4” W36 1/4” D18 1/4”

$500-700 Provenance: Camden, South Carolina collection

339 ENGLISH MAHOGANY KNEEHOLE DESK circa 1790, rectangular integrated top over frieze drawer and central valanced drawer, flanked by banks of three drawers, door backing kneehole space, on ogee bracket feet; H30 1/4” W33” D21”

339

$800-1,200

337 ENGLISH MARQUETRY-INLAID MAHOGANY TORCHERE

mid 19th century, octagonal galleried top with floral panel, on turned standard and tripod base with snakepad feet; H35 1/2” Dia.13 1/2”

337

$300-500

340 NORTH WALES OAK DRESSER late 18th century, molded crown, tiered back above spice drawers, lower part with configuration of drawers and arched panel doors on bracket feet; H76 1/2” W55” D19 3/4”

$1,000-2,000 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

340

338

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341

342

341 RARE PAIR ENGLISH CARVED GILTWOOD MIRRORS late 18th/early 19th century, asymmetrical Rococo design frame, balanced by the mirror image of the other; H64” W37” (2pcs)

$3,000-5,000 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina Literature: Schiffer, Herbert F. THE MIRROR BOOK. Exton, PA: Schiffer, 1983. p.115 (illustration 265)

342 CHIPPENDALE STYLE CARVED GILTWOOD OVERMANTEL MIRROR first half 19th century, rocaille-decorated frame accented with birds and flowers; H84” W72”

$3,000-6,000 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina Literature: Schiffer, Herbert F. THE MIRROR BOOK. Exton, PA: Schiffer, 1983. pp.289 and 291.

343 GEORGIAN STYLE GILT-DECORATED MIRROR early 20th century, urn pediment with floral and garland embellishments centering looking glass; H46” W22”

$400-700 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

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343

346 ROYAL CROWN DERBY OLDE AVESBURY PATTERN PARTIAL DINNER SERVICE

comprising: 12 plates, Dia.10 1/2” 12 plates, Dia.8 1/2” 12 bread & butter plates 11 cream soups with 12 saucers 12 cups with 9 saucers (80pcs)

$1,000-1,500 Provenance: South Carolina private collection

344

344 PAIR CHIPPENDALE STYLE CARVED WOOD

345 CHINESE CHIPPENDALE CARVED GILTWOOD PIER

MIRRORS

MIRROR

scroll, shell and leaf design with floral decorations; H82” W52” (2pcs)

early 19th century, pediment of phoenix on pyre above segmented C-scroll and foliate frame and pendent drop, enclosing mirrored panels; H71” W44”

$1,000-2,000

$2,000-3,000

Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

Provenance: Walter & Harriet Keenan collection

346

345

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347

347 DERBY IMARI PATTERN PARTIAL SERVICE many retailed by Tiffany & Co, comprising: 32 plates, Dia.8 1/2” 2 covered tureens, H6 1/2” W9” teapot covered sugar creamer square dish, W8 1/2” 14 teacups with 13 saucers 6 teacups with 6 saucers 9 coffee canns with 9 saucers 8 coffee cups with 7 saucers 8 demitasse with 8 saucers 5 coffee cups with 5 saucers (136pcs)

349 ENGLISH PORCELAIN PICKLE STAND, PROBABLY WORCESTER 18th/19th century, tripartite-tiered shell form adorned with mollusks, corals, and other marine crustaceans; H7 1/2” Dia.9”

349

$1,000-1,500 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families Other Notes: Sweetmeats and pickles were an essential part of 18th century dining. The single pickle dishes were amongst some of the earliest forms in English porcelain.

$1,000-2,000 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

350 COALPORT HONG KONG PATTERN DINNER PLATES

350

20 dinner plates, Dia.10 7/8” (20pcs)

348 WORCESTER BLIND EARL PATTERN

$800-1,200 Provenance: South Carolina private collection

PORCELAIN DESSERT SERVICE

20th century, comprising: 10 dessert plates, Dia.8” compote, H5” 2 shell-form dishes, W8 1/2” oval dish, W11” 2 leaf-shaped dishes, W6 1/4” 2 oval dishes, W6 1/2” coffeepot, H9” teacup and saucer 10 demitasse with 10 saucers (41pcs)

early 20th century, reticulated gilt border centering bird scenes on rose ground, marked and retailed by Davis Collamore & Co, New York; Dia.9 1/2” (10pcs)

$500-800 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

$1,000-1,500 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

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351 MINTON PATE-SUR-PATE CABINET PLATE SET

348

353 ROSENTHAL PORCELAIN DINNER SERVICE AND RELATED PIECES

Medley pattern, comprising: 12 plates, Dia.10 1/4” 12 plates, Dia.7 1/2” 10 soup bowls, Dia.7 1/4” 12 bread & butters 12 cups with 13 saucers platter, L15” oblong dish, L7 1/2” butter pat bowl on stand round serving bowl, Dia.8 1/2” coffeepot, H8” together with Rosenthal Studio Line Bjorn Wiinblad design, Die Zauberflote (The Magic Flute) pattern, comprising: centerbowl, H4” Dia.8 1/4” cream and sugar on tray 8 cups with 6 saucers and similar centerbowl, H5” Dia.11” (96pcs)

351

352 WEDGWOOD COLUMBIA PATTERN PARTIAL

$600-900

SERVICE

Provenance: Estate of Norman Citron, Atlanta, Georgia

comprising: 18 plates, Dia.10 3/4” 12 plates, Dia.8” 6 soup bowls, Dia.8” 9 cream soups with 12 saucers 14 teacups 11 saucers 7 coffee cups with 7 saucers 2 round platters, Dia.13” and 15 1/2” (87pcs)

354

355 ENGLISH PORCELAIN PUNCH BOWL, DISHES, CUPS AND SAUCERS

19th century, comprising: Chelsea punch bowl, H4” Dia.10” pair oblong dishes, L11 1/2” 4 cups with saucers (11pcs)

$400-600 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

354 ENGLISH BOTANICAL PORCELAIN PLATES

first quarter 19th century, Dia.9 3/4” (20pcs)

$500-800

$800-1,200

Provenance: South Carolina private collection

Provenance: South Carolina private collection

355

352

353

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356

359

356 ROYAL STAFFORDSHIRE DINNER PLATES heavily gilt Neoclassical design on mottled wide green border, Dia.10 1/8” (12pcs)

$300-500 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

357

357 COLLECTION CREAM SOUPS AND CABINET PLATES set of 17 Tiffany & Co retailed cream soup cups with 18 saucers set of 12 Doulton floral cabinet plates, Dia.9 1/4” set of 9 Dresden cabinet plates, Dia.8 3/4” (56pcs)

$300-500 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

358 PAIR DERBY PORCELAIN SHAKESPEARE AND MILTON FIGURES late 18th/early 19th century, William Shakespeare and John Milton, H11 1/2” and H11” (2pcs)

$200-400 359 FLORA DANICA STYLE PORCELAIN TUREEN ON STAND, CHELSEA HOUSE tureen, H12” W17 1/2” D11”, and underplate, L18” W14” (2pcs)

$300-400 Provenance: Walter & Harriet Keenan collection

358

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360 PAIR BURTONDALE IMARI URNS H10 1/4” W10” (2pcs)

$200-300 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

361 LENNOX FOUNTAIN PATTERN PARTIAL DINNER SERVICE

360

10 plates, Dia.10” 12 plates, Dia.8 1/2” 13 plates, Dia.7 1/2” 9 bread plates, Dia.6 1/4” 11 soup bowls, Dia.7 1/2” 11 egg cups, H3 1/2” 3 cups with 5 saucers 2 open vegetables, L10 1/4” 2 round trays, W11” 3 platters, L13 1/2” and 15 1/2” serving bowl, W10” tazza, Dia.10 1/2” (83pcs)

$200-400 Provenance: Estate of Margot Roebling DeHope

362 MINTON AND WEDGWOOD DINNER PLATES 12 Minton, Dia.10 1/2” and 18 Wedgwood plates, Dia.10” (30pcs)

$200-400 Provenance: Estate of Margot Roebling DeHope

363 PAIR METAL-MOUNTED PORCELAIN MONKEY FIGURES

361

H21” (2pcs)

$100-200 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

363

362

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Gillows of Lancaster & London 102

364

364 GEORGE IV CARVED MAHOGANY WINE COOLER ON PEDESTAL, ATTRIBUTED TO GILLOWS circa 1825, circular molded lipped edges above lobed body with lead-lined interior, above carved molded socles and square plinths, on molded graduated short column pedestal of later date; H38” Dia.27 1/2”

$3,000-5,000 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina Literature: Stuart, S. GILLOWS OF LANCASTER AND LONDON, Suffolk, 2008, p.93, plate 640 Other Notes: Other related coolers have been sold by Christie’s London, 6 July 1995, Lot 41, Christie’s London 29 July 2012, Lot 52 and Phillips London, 16 April 1985, Lot 117. A pair of related coolers with the addition of brass mounts were sold by Phillips London, 13 June 1995, Lot 213.

WWW.CHARLTONHALLAUCTIONS.COM

365 REGENCY STYLE INLAID MIXED WOOD RENT TABLE mid 19th century, octagonal top with leather writing surface, three sham and five working drawers, one fitted for coins and currency, on urn-form pedestal with four saber legs ending with cups and casters, decorated overall with bellflowers, scrolling tendrils and panels of classical figures; H30 1/2” Dia.50”

$2,000-4,000 366 PAIR GEORGIAN MAHOGANY BACK STOOLS circa 1780, serpentine crest and padded seat on straight legs, joined by H-stretcher; BH39 3/4” SH19 1/2” W23” D28” (2pcs)

$800-1,200 367 GEORGIAN WALNUT CHEST OF DRAWERS circa 1800, crossbanded top over short and long drawers, on bracket feet; H36 1/2” W37 1/4” D20”

$900-1,400 Provenance: Georgia private collection

365

367

366

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368

368 GEORGE III INLAID MAHOGANY

369

371 GEORGIAN CARVED MAHOGANY

SERPENTINE SIDEBOARD

BREAKFAST TABLE

circa 1820, superstructure of shelf and candleholders, shaped top over case with central drawer and valance flanked by doors, on fluted tapered legs with spade feet; H35” W66 1/4” D25 1/2”

circa 1800, scalloped dish top over fluted urn-form column, on three S-curve legs with acanthus knees and feet; H28” Dia.30”

$400-600

$1,400-2,000 369 GEORGE III STYLE MAHOGANY DINING CHAIRS

first half 19th century, comprised of: one arm, four sides; domed crest and pierced splat, slip seat in plain rails, on tapered legs with H-stretcher; BH37 1/4” SH18 1/2” (5pcs)

$600-900 370 MAHOGANY QUEEN-SIZE TALL POST BED fluted posts and shaped headboard, with cornice; H99 1/2” W68” L88”

$1,000-1,500 Provenance: South Carolina private collection Made by Benjamin Hobbs in 1991 371

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370

372 GEORGE II INLAID WALNUT SLANT-FRONT DESK

374 GEORGE III MAHOGANY PEMBROKE TABLE

late 18th century, fallboard conceals interior fitted with prospect door, fluted pullout pilasters, drawers and pigeonholes, over case with four long graduated drawers, on bracket base, with crossbanding and herringbone inlay; H41 3/4” W37 1/4” D21”

circa 1820, molded top with square-edge drop leaves and single frieze drawer, on tapered legs with Marlborough feet; H28 1/4” W37 5/8” open D29 7/8”

$500-800

$1,000-1,500 373 GEORGIAN STYLE MAHOGANY BUTLER’S CHEST

372

mid 19th century, rectangular molded top over case with fall-front secretary drawer with fitted interior of small drawers, valanced pigeonholes and baize writing surface, over three pairs of short drawers, on plinth; H40” W46 5/8” D21 1/4

$800-1,200

375 QUEEN ANNE STYLE BLACK-LACQUER FOURPOSTER CANOPY BEDSTEAD

urn-form finials on pagoda canopy supported by tapered fluted posts joining headboard, ending on block feet; H120” W93” L93”

$2,000-4,000 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina Purchased from David Weisz-MGM Studios auction in 1970

373

374

375

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378

379

376 GEORGIAN STYLE MAHOGANY BOWFRONT CHEST

378 GEORGE III CARVED MAHOGANY DINING CHAIRS,

380 REGENCY STYLE INLAID MAHOGANY DINING TABLE

OF DRAWERS

SET OF SIX

circa 1850, bowfront top over two short and two long drawers, on splayed feet; H33 3/4” W41 1/2” D21”

circa 1800, comprised of: one arm, five sides; framed rectangular back with reeded vertical stick splats, overupholstered seat on tapered legs, with H-stretcher; arm BH36 1/2” SH20” W22 5/8” D20” (6pcs)

round crossbanded top supported on carved urn pedestal and saber legs with brass paw casters; H29 3/4” Dia.60”

376

$500-800 Provenance: Columbia, South Carolina private collection

379 DIMINUTIVE HEPPLEWHITE STYLE INLAID

circa 1880, shaped top over conforming frieze with central drawer flanked by faux drawers, on tapered legs; H32 1/8” W37 1/4” D19 3/4”

MAHOGANY CHEST OF DRAWERS

$500-800

$500-700

Provenance: South Carolina collection

Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

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Provenance: South Carolina private collection

$800-1,200

377 ENGLISH BOWFRONT MAHOGANY SERVER

377

$1,500-2,500

mid 19th century, rectangular top over four drawers and splayed feet; H30” W24 1/2”

381 GEORGE III INLAID MAHOGANY BOWFRONT SIDEBOARD

circa 1820, shaped top over conforming case with central drawer over valance flanked by cellarette drawers with circular panels, on tapered legs with spade feet; H36 5/8” W56 1/2” D24 1/2”

$1,000-2,000

380

Unusual Georgian Table

382

384

382 GEORGE III INLAID MAHOGANY CHEST ON CHEST circa 1820, molded crown, chamfered corners upper case with long and short drawers, lower part with three long drawers on bracket feet; H75” W45” D21”

$900-1,500 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

384 RARE AND UNUSUAL GEORGIAN TRIPLE-TOP MAHOGANY TEA AND GAMES TABLE

circa 1780, rectangular inverted breakfront top, opening to plain surface which can be flipped to felt-lined surface with squared corners candlestands, over drawer, on round tapered legs and paw feet; H29” W31” D15 1/2” D30 1/2” open

$1,500-2,500 383 ENGLISH INLAID MAHOGANY BOWFRONT CHEST OF DRAWERS

first half 19th century, bowed top over conforming case with four string-inlaid graduated drawers, with shaped skirt and feet; H48 1/4” W47 1/2” D23 1/4”

$700-1,000

Provenance: Georgia private collection

385 ENGLISH MAHOGANY BOWFRONT CHEST OF DRAWERS

first half 19th century, bowed top over case with two short and four long graduated drawers, with shaped skirt and French feet; H46 3/4” W41 1/4” D22 3/8”

$700-1,000

383

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386 GEORGIAN STYLE CARVED MAHOGANY CHAIRS, SET OF SIX

last quarter 19th century, waved floral-carved crest and latticework splat, slip seat in serpentine rails, on tapered legs with H-stretcher; BH36 1/2” SH19” W19 1/2” D20” (6pcs)

$800-1,200 387 ENGLISH MAHOGANY DROP-LEAF TABLE 1st quarter 19th century, rectangular top with D-shape leaves, over frieze drawer with opposing faux drawer, on turned legs with casters; H28 3/4” W59 7/8” open D42 3/4” 386

389

$200-400 388 SERAPI CARPET late 19th century, 9’3” x 12’8”

$5,000-8,000 389 SEMI-ANTIQUE PERSIAN TABRIZ CARPET circa 1930, 11’ x 17’3”

$3,000-5,000 390 ANTIQUE PERSIAN HERIZ CARPET circa 1920, 11’4” x 14’5”

387 390

$3,000-5,000 391 ANTIQUE PERSIAN MOHAJERAN CARPET circa 1880, 10’11” x 18’6”

$7,000-9,000 392 PERSIAN HERIZ CARPET 8’2” x 12’10”

$1,000-2,000

388

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391

393 PERSIAN KERMAN CARPET 11’3” x 17’4”

$1,000-2,000 Provenance: Property of a Southern gentleman 395

394 PERSIAN MAHAL CARPET

392

9’10” x 13’8”

$1,000-1,500 395 PERSIAN MAHAL CARPET circa 1930, 10’2” x 13’6”

$800-1,500 Provenance: Charlotte, North Carolina collection

396

396 PORTUGESE NEEDLEPOINT RUG 9’2” x 11’10”

$700-1,000 Provenance: South Carolina private collection

393

397 AUBUSSON STYLE NEEDLEPOINT CARPET 9’9” x 13’6”

$700-900 Provenance: South Carolina private collection

394

397

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398 GEORGIAN STYLE CARVED GILTWOOD CENTER TABLE

mid 19th century, elaborately carved top and skirt leading to mask-head carved cabriole legs; H33” W43” D27”

$2,000-3,000 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

399 PAIR GEORGIAN CARVED MAHOGANY SIDE CHAIRS, POSSIBLY IRISH late 18th century, shaped crestrail and urn splat, with molded seatrails and needlepoint slip seats, on carved cabriole legs with pad feet; BH38 1/2” SH18” W23” D19”

$700-900 Provenance: South Carolina private collection

400 GEORGIAN MAHOGANY BOWFRONT CHEST OF DRAWERS

circa 1840, shaped top over conforming case fitted with two short and three long graduated drawers, on splayed feet; H38 3/4” W40 5/8” D20 1/2”

398

401 GEORGE III INLAID MAHOGANY SIDEBOARD circa 1810, rectangular top with boxwood purfling over central drawer and valance flanked by cellarette drawers, on tapered legs headed with linenfold ovals; H37 1/4” W71 3/8” D28 3/8”

$1,500-2,200

$800-1,200

399

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400

401

402

403

402 SHERATON STYLE INLAID MAHOGANY PEDESTAL DINING TABLE, E. J. VICTOR crossbanded inlaid top with shaped ends and molded edge, carved urn-shaped pedestals, on saber legs with brass paw casters; fitted with three 22” leaves, H29” W47” L140” open

$1,500-2,500 Provenance: Dallas, Texas private collection

403 QUEEN ANNE STYLE CARVED WALNUT ARMCHAIRS, SET OF SIX

late 19th/early 20th century, shaped upholstered back and seat, molded armrests, on acanthus-carved cabriole legs; BH41” SH20” W24” D23” (6pcs)

$1,200-1,800

405

Provenance: South Carolina private collection

405 ENGLISH INLAID MAHOGANY BOWFRONT CHEST

404 PAIR ENGLISH STRIPPED PINE PEDESTALS

OF DRAWERS

MOUNTED AS LANTERNS

early 19th century, integrated crossbanded top, case with two short over three long drawers, with shaped skirt and splay feet; H41 1/4” W41” D21 3/4”

mid 19th century, graduated top mounted with brass and glass candle lanterns, mounted on fluted tapered pedestals of later date; H68” W16” D13” (2pcs)

$700-1,000

$1,500-3,000 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

404

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406 GEORGE III STYLE MAHOGANY BREAKFRONT BOOKCASE mid 19th century, stepped and molded crown over conforming case with four astragal-glazed doors, on stepped-out lower part with corresponding cabinet doors with applied molding, on molded base with C-scroll bracket feet; H84 1/4” W84” D20 1/2”

$2,000-3,000 407 GEORGE III INLAID MAHOGANY KIDNEY-SHAPED CONSOLE TABLE

circa 1820, crossbanded shaped top over conforming two-drawer frieze, on turned and inlaid legs with pad feet; H32 3/4” W59 1/2” D30”

$2,000-3,000 408 CHINESE CHIPPENDALE STYLE MAHOGANY TEA TABLE last quarter 19th century, pierce-carved gallery, skirt and legs on block feet; H30 3/4” W33” D22”

$700-1,000 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

409 GEORGIAN STYLE MAHOGANY CHEST OF DRAWERS mid 19th century, rectangular molded top over case with configuration of two over three drawers, on bracket base; H37 1/2” W43 3/8” D23 3/8” 406

$700-900

407

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408

409

410 GEORGIAN MAHOGANY BUREAU BOOKCASE late 18th century, dentil-molded crown, raised panel doors, fitted lower part with hinged lid, opening to shell and bellflower-carved fitted interior; above configuration of long and short drawers, on bracket feet; H87” W38” D23”

$2,000-3,000 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

411 RARE GEORGE III INLAID MAHOGANY BREAKFAST/PEMBROKE TABLE circa 1790, crossbanded molded edge and chamfered drop-leaf top, single drawer on chamfered legs with carved drape feet, joined

by X-brace stretcher, on casters; H28 1/2” open W39” D36”

411

$1,000-1,500 Provenance: Columbia, South Carolina private collection Literature: THE SHORTER DICTIONARY OF ENGLISH FURNITURE by Ralph Edwards, pp.516-517

412 PAIR WALNUT ROPE-TWIST BEDS 19th century, tall posts with turned finials, slats and canopy, headboard with rope-twist spindles, unified by plain rails; H91 1/4” W48 1/2” L80 1/2” (2pcs)

$800-1,200 Provenance: Walter & Harriet Keenan collection 410

413 GEORGE III MAHOGANY CHEST OF DRAWERS circa 1800, rectangular molded top over case with four long graduated drawers, on molded base with bracket feet; H43 5/8” W44 1/4” D21 3/4”

$700-900

413

412

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415 ENGLISH BRASS-BOUND EBONIZED WOOD PARTNER’S DESK late 19th century, campaign style design with leather inset writing surface, on pedestals of drawers with molded base, H30” W66” D42”

$1,500-2,000 Provenance: South Carolina private collection

416 ENGLISH MAHOGANY TILT-TOP BREAKFAST TABLE

circa 1820, rectangular top over turned pedestal issuing three S-curve legs, with spade feet; H27 7/8” W24 1/2” D35 3/8”

$200-400 417 GEORGIAN STYLE INLAID MAHOGANY LINEN PRESS

414

circa 1840, molded cornice over pair of doors with crossbanded oval panels before linen slides, on waist-molded lower part with four long graduated drawers, with scalloped skirt and shaped feet; H80 1/2” W50” D21 3/4”

414 CHINOISERIE-DECORATED COLLECTOR’S CABINET ON STAND

last half 19th century, Oriental garden scene on black lacquer ground, on later stand with cabriole legs; H44” W22 1/2” D13 1/2”

$1,400-1,800

417

$400-600 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

415

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416

420 REGENCY INLAID MAHOGANY TEA TABLE circa 1800, folding top with rounded corners cover conforming frieze with string inlay, on turned and reeded legs with ankle collars; H29 3/8” W33 7/8” D16 3/4” open

$500-700 421 ENGLISH INLAID MAHOGANY BRANDY BOARD

19th century, bowed top with outturned corners, over three drawers and door, on tapered legs; H34” W48” D23”

$800-1,200

421

Provenance: Georgia private collection 418

418 GEORGE III MAHOGANY SLANT-FRONT BUREAU circa 1790, fallboard conceals fitted interior, over case with four long drawers, on bracket base; H42” W39” D21 1/4”

$700-900 419 ENGLISH CARVED OAK ARMCHAIR late 19th century, concave plank splat, scrolling arms, shell-carved legs with ball-and-claw feet; BH36” SH16 1/2” D20”

$200-300 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

423 420

422 QUEEN ANNE STYLE MAHOGANY CHAIRS, SET OF SIX

19th century, serpentine crest and pierced splat, slip seat in plain rails, on cabriole legs with pad feet; BH40 1/2” SH19” W19” D18 1/4” (6pcs)

$800-1,200 Provenance: South Carolina private collection

423 PAIR ELIZABETHAN STYLE CARVED OAK FOOTSTOOLS

circa 1900, H18 3/4” W16 1/2” D11” (2pcs)

$300-400 419

422

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424 GEORGIAN SILVER MUG AND TEAPOT STAND, FULLER WHITE AND HENRY NUTTING George II (London, dated 1752) by Fuller White, baluster mug, complete hallmarks and engraved B over I*E; H5” together with George III footed teapot stand (London, dated 1796) by Henry Nutting with wood substrate, marked twice, H1” L8” W5 1/2” Total 22.0ozT all in (2pcs)

424

$800-1,200 Provenance: South Carolina private collection

428

425 GEORGE III STERLING MUG

428 SCOTTISH ARMORIAL PENDANT ON CHAIN

London, dated 1771, repousse-chased hunt scene centering vacant cartouche on round footed base and with leaf-capped scroll handle; complete hallmarks and unidentified maker’s mark F.C; H5” and 12.0ozT

19th century, part solid silver depicting the Athole clan armorial, H3” W3” and 6.3ozT all in 426

$400-600 Provenance: North Carolina private collection

426 GEORGE III STERLING TEAPOT, ROBERT AND DAVID HENNELL

$300-500 Provenance: Estate of Norman Citron, Atlanta, Georgia

London, dated 1796, oval form with straight spout, wood handle and finial, engraved with crest; complete marks; H7” W11” and 13.5ozT all in

$400-700 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

427 GEORGE III STERLING TABLE ARTICLES, OF ROEBLING FAMILY INTEREST comprising: Joseph Willmore snuff box, Birmingham, dated 1818, H1/2” W2 1/2” D1 3/4” London creamer, maker TH, dated 1802, H3” set of 6 London spoons, dated 1804-1809, L5” together with Edwardian pair of sugar nips, dated 1907, L4” total 11.9ozT (9pcs)

$300-500 425

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Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

427

432 429

432 DANISH AND ENGLISH SILVER TABLE ARTICLES

429 ENGLISH SILVERPLATE SERVING TRAY, WILLIAM ADAMS

Danish silver cream and sugar set, circa 1900, S&M Benzen, H3” Georgian sterling creamer, dated 1814, H4 1/2” Total 22.0ozT (3pcs)

late 19th century, ornate reticulated floral border flanked by handles, marked; L27” W18”

$300-400

$250-350

Provenance: South Carolina private collection

Provenance: South Carolina private collection

430 IMPRESSIVE TURKISH STERLING TEA AND COFFEE SERVICE, MEVLANA

433 DUTCH SILVER TRINKET BOX, OF ROEBLING FAMILY INTEREST

ornate pattern with swan’s-head spouts, comprising: hot water kettle, H17” coffeepot, H10” teapot, H10” covered sugar, H8” creamer, H6” Total 165.0ozT all in (5pcs)

431

early 20th century, Baroque-inspired chased design on lion’s-paw feet, engraved with initials: MSR (Margaret Shippen McIlvaine Roebling, 1867-1930), marked with Dutch second-standard punch; H4 1/2” W4 1/2” D3 1/2” and 7.5ozT

$200-300 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family

$4,000-7,000 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

431 SILVER-GILT FIGURAL PLACECARD HOLDERS SET

figures in 18th-century European costume holding serving trays, standing on pedestals with card slots, fitted in original case; H1 1/2”, total 8.9ozT (12pcs + case)

$300-400 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

433

430

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434 RARE ANTIQUE PERSIAN SERAPI

437 PERSIAN HERIZ CARPET

CARPET

circa 1950, 10’ x 14’8”

circa 1880, 12’ x 21’1”

$2,000-3,000

$20,000-25,000 438 ANTIQUE PERSIAN SAROUK

435 ANTIQUE PERSIAN SAROUK

CARPET

CARPET

circa 1920, 8’8” x 11’7”

10’5” x 13’5”

$1,500-3,000

$2,000-4,000 436 ANTIQUE PERSIAN BIDJAR

435

438

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13’7” x 23’7”

CARPET

$1,500-2,500

circa 1920, 8’10” x 11’6”

Provenance: Atlanta, Georgia private collection

$3,000-5,000

434

439 PERSIAN KERMAN CARPET

436

437

439

440 444

445

440 INDIAN AMRITZAR CARPET

442 PERSIAN KASHAN CARPET

circa 1890 13’9” x 19’3”

9’8” x 12’6”

$1,200-1,800

$3,500-5,000 Provenance: Atlanta, Georgia private collection

441 ANTIQUE PERSIAN TABRIZ

443 INDO SERAPI CARPET 9’8” x 13’6”

$1,000-2,000

11’10” x 8’10”

$1,500-2,500 441

Provenance: Columbia, South Carolina private collection

444 ART DECO DIAMOND RING 1.8ct Old European cut diamond, color H-I, clarity VS1, in 18K white gold filigree setting, size 6

$10,000-15,000 Other Notes: Accompanied by UGS certificate US911990502D.

445 DIAMOND ENGAGEMENT RING 1.11ct marquise-cut center diamond, color G-H, clarity VS1, flanked by 1.09ctw diamonds, color F-G, clarity SI1-SI2, in 14K white gold setting, size 6

$5,000-8,000 Other Notes: Accompanied by UGS certificate US911628801D.

442

443

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450

446

446 TIFFANY & CO AQUAMARINE AND ENAMEL BROOCH

first quarter 20th century, plique-a-jour enameled 18K gold openwork design, set with 10 small diamonds, 40 cabochon opals and 17.5 x 12.2 x 6.0mm rounded rectangular cut aquamarine; stamped: Tiffany & Co; W1 1/4” D1 1/8”

$2,000-3,000 Provenance: Estate of Margot Roebling DeHope

447 PAIR EMERALD AND DIAMOND EARRINGS 12.7ctw pear-shaped natural emerald, flanked by 2.25ctw round diamonds in 18K yellow gold setting, H1” W1/2” (2pcs)

$12,000-18,000 Other Notes: Accompanied by GIA certificate 5161720777.

448

448 BRIOLETTE DIAMOND PENDANT ON CHAIN 2.3ct diamond, color K-L, clarity VS1, on 14K white gold chain, L16”

$6,000-9,000 449 DIAMOND AND SAPPHIRE BRACELET 14K white gold openwork flexible setting encrusted with small diamonds and blue sapphires, L7 1/2”

$800-1,200 Provenance: South Carolina private collection

447

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449

450 CARTIER STYLE EMERALD, RUBY, SAPPHIRE AND DIAMOND TUTTI-FRUTTI BRACELET 75.0ctw leaf-carved rubies, blue sapphires and emeralds, accented by 8.0ctw diamonds in articulated design with enameled accents, L7 1/2”

$12,000-18,000

451 455

451 DIAMOND ETERNITY BAND

453 PAIR DIAMOND EARRINGS

5.5ctw marquise-cut diamonds in conforming 18K white gold band, size 8.5

12.5ctw round diamonds, color H-I, clarity VS, set in 18K yellow and white gold entwined loop swing drop design, H1 3/4” (2pcs)

$5,000-8,000

$8,000-12,000 452 DIAMOND AND ONYX BROOCH

454 FABERGE EGG-FORM PENDANTS

approx. 1.0ct round diamond centering filigree 18K white gold setting encrusted with diamond and black onyx accents; approx. 4.0ctw, color L-M; L3”

enameled ladybug design, H1”; and gold-mounted wood egg, H1 1/4” (2pcs)

$1,000-2,000

$1,000-2,000

Provenance: South Carolina private collection

Provenance: Estate of Norman Citron, Atlanta, Georgia

452

455 RUBY AND DIAMOND NECKLACE 12.5ctw cabochon rubies accented by 5.0ctw diamonds in 18K gold open link design, marked: T. O., L15 1/2”

$7,000-10,000

453

454

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456

457

456 PAIR DIAMOND AND PLATINUM DROP EARRINGS 4.25ctw pear, marquise and baguette diamonds in free-form design, H1 1/4” (2pcs) 460

$6,000-8,000

460 SOUTH SEA PEARL NECKLACE

457 DIAMOND DOME DINNER RING

11-12mm strand of cream pearls ending in 14K gold clasp, L27”

8.0ctw round diamonds, color F-G, clarity VS, in 14K white gold setting, size 9

$800-1,200

$5,000-8,000 458 GOLD TASSEL BRACELET AND BROOCH SET 14K double rope-twist design bracelet ending with tassels, L7”; and brooch, H3” W1 1/2” (2pcs)

Provenance: Virginia private collection

459

$1,000-1,500 Provenance: Estate of Margot Roebling DeHope

459 TANZANITE AND DIAMOND RING 12.1ct emerald-cut vibrant tanzanite, flanked by 1.0ctw round diamonds in 18K white gold setting, size 7

$9,000-12,000

458

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463 PEARL NECKLACES similar design graduated cream pearls ending with sapphire, diamond 14K white gold clasps, comprising: 5-8.5mm strand, L21” 4.5-8mm strand, L15” 6-8.5mm strand, L20” (3pcs)

461

$800-1,200

461 DIAMOND LINE BRACELET

Provenance: Estate of Margot Roebling DeHope

10.0ctw round diamonds, color G-H, clarity VS-SI, in 18K white gold setting, L7”

$12,000-18,000

12.65ct oval sapphire surrounded by 1.15ctw diamonds in 18K gold, size 6.5

462 DIAMOND AND PLATINUM RING

$12,000-16,000

2.2ct Old European-cut diamond, color I-J, clarity VS1, within platinum setting set with 2.15ctw diamonds, color G-H, clarity VS1-VS2, size 6.5

$13,000-18,000 462

464 YELLOW SAPPHIRE AND DIAMOND RING

Other Notes: Accompanied by UGS certificate US905976604D.

Other Notes: Accompanied by GIA certificate 1162338944.

465 SAPPHIRE AND DIAMOND RING 7.0ct oval sapphire surrounded by 1.0ctw diamonds in 18K white gold setting, size 6.5

$9,000-12,000 466 ART DECO DIAMOND AND PLATINUM BRACELET 4.0ctw round and marquise diamonds, approx. color E-F, and clarity VS, in intricate openwork platinum links, L7”

$5,000-8,000 463

465

464

466

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469 HENRI MATISSE (French, 1869-1954) FIGURE DEVANT TAPA AFRICAIN, 1929 lithograph, framed, signed & numbered in pencil 22/50 sheet H25 1/2” W19 1/2”

$7,000-9,000 Provenance: South Carolina private collection Meyerovich Gallery, San Francisco, California, 1988

470 PABLO PICASSO (Spanish, 1881-1973) ETREINTE VI, 1963 aquatint and drypoint, framed, signed & numbered in pencil 38/50 plate H12 1/2” W16”

$4,000-6,000 Provenance: South Carolina private collection 467

469

467 MARC CHAGALL

468 PABLO PICASSO

(French/Russian, 1887-1985) LE REVE, 1960 gouache and crayon on paper, framed, signed lower right: Marc Chagall, and verso in pencil D360/1958 sheet H26 1/2” W20 1/2”

(Spanish, 1881-1973) SCULPTEUR ET TROIS DANSEUSES SCULPTEES, from: La Suite Vollard, 1934 etching, framed, signed in pencil, sheet H13 1/2” W17 1/2”

$15,000-30,000 Provenance: South Carolina private collection Meyerovich Gallery, San Francisco, purchased in 1989 Gerald Cramer collection

468

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$7,000-10,000 Provenance: Estate of Norman Citron, Atlanta, Georgia

470

471 JOAN MIRO

474 JOAN MIRO

(Spanish, 1893-1983) PYGMEES SOUS LA LUNE, 1972 etching and aquatint, hors couleurs edition, framed, signed in pencil plate H21” W26 1/2”

(Spanish, 1893-1983) PARADE, 1948 lithograph, framed, signed, dated & numbered in pencil 19/50 and 1948 sight H13 1/2” W19”

$3,000-5,000

$1,000-2,000

Provenance: Estate of Norman Citron, Atlanta, Georgia

Provenance: South Carolina private collection

475 HELEN FRANKENTHALER

472 MARC CHAGALL (French, Russian, 1887-1985) DE MAUVAIS SUJETS, c.1958 and later color etching/aquatint and lithograph, framed as one, unsigned sheets H18” W12 1/2” and H15” W11”

(New York/Connecticut, 1928-2011) WHAT RED LINES CAN DO, 1970 silkscreen, framed, signed, dated & numbered in pencil SS 11/75 sheet H39 1/2” W26”

471

$1,000-2,000

$1,500-2,000

Provenance: South Carolina private collection Clerestoery Gallery, Philadelphia

Provenance: Estate of Norman Citron, Atlanta, Georgia

473 PABLO PICASSO (Spanish, 1881-1973) LES PORTRAITS IMAGINAIRES (one from a series), 1969 color lithograph, framed, signed in plate sheet H26” W19 1/2”

$1,500-2,500 Provenance: Estate of Norman Citron, Atlanta, Georgia

473

472

474

475

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477 SALVADOR DALI

479 MARC CHAGALL

(Spanish, 1904-1989) LES SONGS DROLANTIQUES DE PANTAGRUEL (two from the suite), 1973 color lithograph, signed & numbered in pencil 65/250 image H26 1/2” W19” (2pcs)

(French, Russian, 1887-1985) LE BOUQUET ILLUMINANT LE CIEL, 1981 color lithograph, framed, signed & numbered in pencil US1031/2000 image H27” W22”

$800-1,200

Provenance: Estate of Norman Citron, Atlanta, Georgia

Provenance: Estate of Norman Citron, Atlanta, Georgia

478 GEORGES BRAQUE 476

476 HENRI DE TOULOUSE-LAUTREC (French, 1864-1901) YVETTE GUILBERT, A MENILMONTANT DE BRUANT lithograph, framed, signed in plate image H12 1/2” W9 1/2”

(French, 1882-1963) VERRE ET JOURNAL, 1914 color lithograph, framed, numbered 37/300 image H15 1/4” W11”

$800-1,200 Provenance: Estate of Norman Citron, Atlanta, Georgia

$800-1,200 Provenance: South Carolina private collection Associated American Artists, c.1995

$800-1,200

480 MATISSE, BUFFET, AND STEINLIN PRINTS

Henre Matisse (French, 1869-1954) PORTRAIT OF A WOMAN, lithograph, signed Bernard Buffet (French, 1920-1999) LAMPE TEMPTE, 1949, print Theophile Alexandre Steinlin (Swiss/French, 1859-1923) PEASANTS, 1914, etching, signed unframed, images H24 1/2” L19”, H16” W21 3/4”, and H12” W16 1/4” (3pcs)

478

$700-1,000 Provenance: Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund

479

477

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480

484 SONIA TERK DELAUNAY (French/Russian, 1885-1979) GREEN AND BLACK COSTUME watercolor, framed, signed sight H6 1/2” W5 1/2”

$400-600 Provenance: Florida private collection Purchased from the estate sale of Robert S. Brown, Clearwater, Florida

483

483 WASSILY KANDINSKY 481

481 CLAES THURE OLDENBURG (New York, b. 1929) RAY GUN, 1972 color silkscreen, framed, signed & numbered in pencil 69/200 sight H39 1/2” W29 1/2”

$600-900 Provenance: South Carolina private collection

(Russian, 1866-1944) CERCLE NOIR (from Derriere Le Mirior) color lithograph Maeght edition, framed, numbered in pencil 67/300 image H11” W11”

485

$500-800 Provenance: Estate of Norman Citron, Atlanta, Georgia Other Notes: Verso bearing old Mollie Bayroff, New Jersey gallery label.

484

485 SALVADOR DALI

482 PABLO PICASSO

(Spanish, 1904-1989) DON QUIXOTE, 1973 etching, framed, unsigned plate H9” W5 3/4”

(Spanish, 1881-1973) GUERNICA, 1990 cloth-bound slipcase containing 42 offset lithographs and text folio (26 in folio and 16 framed), Philippe LeBaud edition, number 1878 overall folio H25” W16 1/4” D3” (folio + 16 framed)

$300-500 Provenance: Estate of Norman Citron, Atlanta, Georgia

486 ROMAIN DE TIRTOFF ERTE

$500-800 Provenance: Estate of Norman Citron, Atlanta, Georgia

(Russian, 1892-1990) PAN’S TEMPTATIONS cold-painted bronze, stamped: Erte, 173/375, Fine Art Acquisitions, 1985 H18” W10 1/2”

$2,000-3,000 482

Provenance: Atlanta, Georgia private collection

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489

487 KENNETH RODNEY BUNN

489 PABLO PICASSO

(Colorado, b. 1938) COUGAR bronze with brown patina, signed, dated & numbered 21/250 H4 1/8” overall H9”

$800-1,200

(Spanish, 1881-1973) JOIE DE VIVRE, 1956 ceramic charger, inscribed and stamped on verso: Madoura Plein Feu/Empreinte Originale de Picasso, c. 102, 90/100 Dia. 16”

Provenance: Florida private collection

$5,000-7,000

488 SERGIO BUSTAMANTE

487

Provenance: Estate of Norman Citron, Atlanta, Georgia

(Mexican, b. 1942) MASCARA FEMENINA CON SERPIENTE and MASCARA FEMENINA CON CARACOLES polychrome ceramic, signed & numbered 1/100 and 7/100 H15 1/2” W10 1/2” and H8” W9” (2pcs)

$600-900 Provenance: Estate of Norman Citron, Atlanta, Georgia 488

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490 ART DECO BRONZE SCULPTURE, PIERRE LE FAGUAYS (French, 1892-1962) DANCER bronze with two-tone bronze patina on marble base, signed: Fayral H15 1/2” W10”

$400-700 Provenance: Estate of Norman Citron, Atlanta, Georgia

491 AMERICAN BRONZE SCULPTURE, DONALD LIARDI

490

(Canadian, b. 1951) GLORIANNA bronze on marble base, signed with cipher and numbered 7/24 H29 1/2” W22” D13 1/2”

$500-800 Provenance: Estate of Norman Citron, Atlanta, Georgia

492 SALVADOR DALI (Spanish, 1904-1989) ALICE AUX PAYS DES MERVEILLES (Alice in Wonderland), 1984 bronze vert and gold patina, signed and with Jemelton foundry stamps, 152/350 H36” W17 1/2” D8”

491

493 ELLEN BRENNER-SORENSEN (American, 20th century) MOTHER AROUND CHILD, 1983 carved polished marble on pedestal, signed H25” W24” D20” overall H73”

$5,000-8,000 Provenance: Estate of Norman Citron, Atlanta, Georgia

$2,000-4,000 Provenance: South Carolina private collection

492

493

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496

495

494

497

494 CONTEMPORARY GRANITE SCULPTURE

495 LIP SERIES SCULPTURE, DON DOUGAN

496 PHILIP AND KELVIN LAVERNE PATINATED BRONZE

(African, 20th century) MOTHER AND CHILD, carved polished marble, unsigned, H16 1/2” W7 1/2” D4 1/2”

(American, 20th/21st century) GREENQUAKE YEARNING (To the Moon, Sofia) cast and carved plaster, shadowbox frame, signed & label on verso overall H13 3/4” W14 3/4” D2 1/2”

New York, 1908-1988 and b. 1936, from the Chan series, signed; H16” W20” L53”

$300-500 Provenance: South Carolina private collection Purchased from the San Francisco gallery

$200-300 Provenance: Estate of Norman Citron, Atlanta, Georgia

AND PEWTER LOW TABLE

$3,000-5,000 Provenance: Georgia private collection

497 JOE D’URSO GRANITE TOP AND METAL TABLE FOR KNOLL round gray granite top on molded metal base; H28” Dia.48”

$500-800 Provenance: Georgia private collection

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498 EMIL NOLDE (German, 1867-1956) BOUQUET OF FLOWERS, 1940 watercolor, framed, signed & dated lower right, Nolde, 7.40 sight H13 1/2” W11 1/2”

$30,000-50,000 Provenance: Florida private collection Appraised by Alex Rosenberg & Associates LLC in 2014 Purchaseed from the estate sale of Robert S. Brown, Clearwater, FL

498

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499

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500 ISAAC ISRAELS (Dutch, 1865-1934) STANDING NUDE, study oil on canvas, framed, signed H24” W12”

$2,000-4,000 Provenance: Florida private collection Other Notes: Related to painting sold at Christie’s Amsterdam, October 31, 1989, Lot 184.

501 LIUBOV POPOVA (MANNER OF) (Russian, early 20th century) ABSTRACT COMPOSITION mixed media on paper, framed, signed lower right with Cyrillic initials: CPN sight H17” W13”

$1,000-2,000 Provenance: Florida private collection

502

502 DEBORAH AZZOPARDI (British, b. 1958) HOT DOG acrylic on board, self framed, signed middle left H42 1/2” W26 1/2”

500

499 KEN HOWARD

$800-1,200 Provenance: Estate of Norman Citron, Atlanta, Georgia

(British, b. 1932) ST BOTOLPH’S IN BISHOPSGATE oil on canvas, framed, signed, titled and labels on verso H68” W68”

$10,000-20,000 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina Purchased at Royal Academy exhibition in June 1972 Exhibitions: New Grafton Gallery, London, exhibition # 14.06.72 501

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505 WILLIAM MEYEROWITZ (New York, 1887-1981) BATHER oil on canvas, framed, signed H20” W16” (2pcs)

$500-800 Provenance: Florida private collection Purchased from the estate sale of Robert S. Brown, Clearwater, Florida Other Notes: Accompanied by Mr. Meyerowitz’s acceptance certificate to the National Academy of Design, February 15, 1943.

503

503 DEBORAH AZZOPARDI

504 MODERNIST ENCAUSTIC DIPTYCH

(British, b. 1958) MYSTERY MAN acrylic on board, self framed, signed upper center H42 1/2” W26 1/2”

PANELS

$600-900 Provenance: Estate of Norman Citron, Atlanta, Georgia

(American, 20th century) LARGE EQUESTRIAN two-part encaustic on Tycor, framed, signed illegibly & titled on verso H89 1/2” W95”

$500-900 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

506 JULIO GIRONA

505

(Cuban, 1914-2002) UNTITLED oil on board, framed, signed and with old label on verso H24” W30”

$400-600 Provenance: South Carolina private collection

507 SCOTT HADFIELD (Rhode Island, b. 1953) LAW LIKE LOVE, 1986 enamel on wood, signed, dated & titled on verso H48 1/2” W35”

506

$300-500 Provenance: South Carolina private collection Other Notes: Verso bearing Barbara Krakow Gallery, Boston Massachusetts, gallery label, inventory # 2358.

504

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507

508 FRENCH ORMOLU-MOUNTED VERNIS MARTIN VITRINE, FRANCOIS LINKE late 19th century, shaped top with gallery, above conforming cabinet with elaborate bronze mounts, glazed panel door and sidelights, over pictorial panels, on cabriole legs terminating with sabots, stamped on mount verso: FL for Francois Linke; H57 7/8” W24 3/4” D14 3/4”

$6,000-8,000 Provenance: South Carolina private collection Purchased from the deaccession auction of the Centennial Museum collection (#69.26.423), sold in these rooms, December 2009 508

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510 ITALIAN NEOCLASSICAL STYLE PAINTED URN-FORM DRUM TABLE with gilt accents, tendrils and scenes of nature, with small drawer and door, on stepped base; H30” Dia.17 1/4”

$500-800 Provenance: South Carolina private collection Purchased from Nicole Maleine Antiques, Inc., Montgomery, Alabama in April 1993

511 PAIR FRENCH EMPIRE INLAID ROSEWOOD CHAIRS, STAMPED FOR JACOB DESMALTER first quarter 19th century, arched toprail, X-brace splat, on saber legs, stamped on underside of seatrail: Iacob (Jacob); BH34 1/4” SH18 1/2” W18” D17” (2pcs)

$1,800-2,500 Provenance: South Carolina private collection Literature: Verlet, Pierre. FRENCH CABINETMAKERS OF THE EIGHTEENTH CENTURY. New York: Hachette, 1963, pp.229-241

510

509

509 FRENCH EMPIRE PARCEL-GILT MAHOGANY BERGERE, ATTRIBUTED TO JACOB FRERES “JACOB DESMALTER” circa 1810, reeded and leaf-decorated crestrail, padded back, armrest and seat with cushion, turned carved column supports with gilt bronze figural mounts, bowed seatrail, turned legs, frame decorated with rosettes and bellflowers; BH38 1/2” SH17” W28” D24”

$7,000-10,000 Provenance: South Carolina private collection Literature: Verlet, Pierre. FRENCH CABINETMAKERS OF THE EIGHTEENTH CENTURY. New York: Hachette, 1963, pp.229-241 Other Notes: This bergere can be considered the blend of the Neoclassical, Consulate and French Empire styles. The monumental form and gilt decoration against patinated mahogany and bronze heads are characteristic of the firms Jacob-Freres and Jacob-Desmalter of this period.

Pair of matching fauteuils stamped Jacob R. Meslee weres sold at Christie’s-Paris, June 24, 2009, Lot 476.

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511

515

515 PAIR LOUIS XV STYLE UPHOLSTERED CARVED 513

GILTWOOD HEADBOARDS

late 19th century, scrolling leaf and shell-carved crest; H51” W44” D4” (2pcs)

$900-1,500 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

516 ITALIAN MARBLE SPECIMEN TOP AND GILT-METAL SIDE TABLE

late 19th century, scrolling leaf and ribbon inlaid round top supported by leaf-clad base; H29” Dia.34 1/2”

$800-1,200 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

514

513 FRENCH UPHOLSTERED AND PAINTED CARVED 512

512 FINE LOUIS XV STYLE BRONZE-MOUNTED MAHOGANY MARBLETOP VERNIS MARTIN VITRINE late 19th century, shaped Breche d’Alps marble top above conforming cabinet with inset bronze wavecrest cornice and drape and swag frieze over glazed door flanked by canted corners with bronze masks and pendants, over painted angelic scene, on bronzemounted cabriole legs with sabots; H59” W29 3/4” D15”

$1,500-2,500 Provenance: South Carolina private collection Descened in the family of Mary Jane & John H. Saylors, Anderson, South Carolina

WOOD BERGERE AND OTTOMAN

Louis XV style upholstered frame and fitted with cushions and bolster; armchair BH34” SH20” W38” D30” ottoman H20” W36” D24”

$600-900 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

514 CONTINENTAL WALNUT CHEST OF DRAWERS late 17th/early 18th century, rectangular top with thumbnail edge over two short and three long drawers, on square legs with block feet; H39 5/8” W51 3/8” D22 1/4

$2,000-4,000 Provenance: South Carolina private collection

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517 FRENCH BRONZE-MOUNTED MAHOGANY WRITING CABINET

late 19th century, marble top with brass gallery above lattice-inset doors, short drawers, hinged writing surface, above drawer and doors, on fluted legs; H46” W26” D15 1/4”

$500-700 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

518 CONTINENTAL PAINTED AND MARBLEIZED WRITING DESK

serpentine faux-painted top, scroll and bellflower decorations above three drawers and cabriole legs; H31” W53 1/2” D29”

$600-900 Provenance: South Carolina private collection 519

519 FRENCH GILTWOOD DUCHESSE BRISEE 19th century, in the Louis XV taste, comprising: two upholstered lowback bergeres and tabouret, assembled size BH37” SH20” W33” L87” (3pcs)

$1,000-1,800 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

518

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517

522

522 ADRIANUS EVERSEN (Dutch, 1818-1897) pair of works: SUMMER and WINTER oil on panel, unframed, signed H7 1/2” W6” (2pcs)

$1,500-3,000 520

Provenance: Pennsylvania private collection

520 EDOUARD VUILLARD (French, 1868-1940) PIANO SERENADE watercolor, framed, signed lower right sight H12 1/2” W10”

$8,000-12,000 Provenance: Florida private collection

521 JAN FRANS VAN DAEL (Flemish, 1764-1840) pair works: FLORAL STILL LIFES oil on vellum mounted to panel, framed, signed & dated lower left: J. Vandael, 1795 H10 1/2” W8”

$2,000-3,000 Provenance: Isle of Palms, South Carolina private collection

521

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525

523 PAUL JACOULET

526 PAUL JACOULET

(French, 1902-1960) PREPARATIFS POUR L’HIVER. POUHH-ZAN. COREE (Preparations for Winter) FUMEES DE SANTAL. MANDCHOUKUO (Sandalwood Smoke.

Manchuria) TEMPETE DU COEUR. SEOUL, COREE. (Tempest of the Heart. Seoul, Korea) color woodcut, framed, signed & titled image H11 3/4” W15 1/2” (3pcs)

(French, 1902-1960) LA PRIERE DE MINUIT. LAMA MONGOL (The Midnight Prayer.

Mongolian Lama) color woodcut, framed, signed & titled image H16” W11 1/2”

$1,500-2,000

523

$800-1,200 Provenance: Columbia, South Carolina private collection

Provenance: Columbia, South Carolina private collection

524 PIERRE JOSEPH REDOUTE (French, 1759 -1840) three works from LES LILIACEES, c. 1802-16 handcolored stipple engraving, framed, marked in margins sight H19 1/2” W13”

$1,000-1,500 Provenance: Georgia private collection

525 RUSSIAN BRONZE BEAR SCULPTURE, ATTRIBUTED TO NIKOLAI LIBERICH (Russian, 1828-1883) RECLINING BEAR, bronze with dark brown patina, unsigned, H4” L12” D6 1/2”

$800-1,200 Provenance: Estate of Margot Roebling DeHope Purchased in Saint Petersburg, Russia

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524

526

529 F. G. GRUST (Dutch, b. 1889) MOTHER WITH CHILDREN IN KITCHEN INTERIOR oil on canvas, framed, signed lower left H25” W30”

$700-1,000 Provenance: South Carolina private collection

527

527 GIAMPAOLO TALANI

529

(Italian, b. 1955) IL BAMBINO E IL MARINAIO, 1995 mixed media on board, framed, signed, dated & titled lower left and verso H39 1/2” W39 1/2”

531 GINETTE RAPP (French, 1928-1998) BAIE D’AUDIERNE oil on canvas, framed, signed lower left H19 3/4” W29”

$800-1,200 Provenance: Estate of Norman Citron, Atlanta, Georgia

$600-800 Provenance: Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund

528 DORUS ARTS (Dutch, 1901-1961) SUMMER LANDSCAPE WITH FIGURES oil on canvas, framed, signed lower right H24” W36”

$800-1,200 Provenance: Spartanburg, South Carolina private collection

530

530 FRENCH DOG SCULPTURE, AFTER JOSEPH PAUL RAYMOND GAYRARD (French, 1807-1855) RECUMBENT CHIHUAHUA bronze with dark brown and green patina, unsigned H4 1/8” W6” D4”

$600-900 Provenance: Estate of Margot Roebling DeHope

528

531

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534 F. V. D BEEK (Continental, 19th century) LONG WINTERS TRAVEL oil on canvas, framed, signed & dated 1856 H20” W24”

$300-500 Provenance: South Carolina private collection

535 ANTIQUE DOG PAINTINGS probably 19th century, KING CHARLES and TERRIER, oil on board, framed, unsigned, overall H11” W12 1/2” and H13 1/2” W16” (2pcs) 534

$300-500 532

532 ITALIAN STILL LIFE PAINTING (early 20th century) TULIPS AND FRUIT oil on canvas, framed, unsigned H33” W35”

$500-800 Provenance: Walter & Harriet Keenan collection Picriccorn House, Columbia, SC Galleria Masini, Florence, Italy

533 CONTINENTAL SCHOOL, LATE 19TH CENTURY COUNTRY LANDSCAPE oil on canvas, framed, unsigned H19 3/4” L24”

$400-700

Provenance: North Carolina private collection

536 MYRON LECHAY (Russian/ New York, 1898-1972) FLORAL STILL LIFE oil on canvas, framed, signed lower left H36” W24”

$300-500 Provenance: New York private collection

537 ORIENTALIST SCHOOL (19TH CENTURY ) TRAVEL SCENE oil on board, framed, signed lower right illegibly H8” W10 1/2”

$300-500 Provenance: North Carolina private collection

Provenance: Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund

533

142

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536

535

537

539

540 FRENCH BRONZE-DORE MOUNTED AND INLAID KINGWOOD BUREAU late 19th century, in the Louis XVI style, leather inset kidney-shape top above short drawers and cabriole legs; H30” W38” D21”

$800-1,200 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

541 NAPOLEON III BRASS AND MAHOGANY CHEST OF DRAWERS late 19th century, four graduated drawers flanked by fluted supports, on tapered legs; H40” W21” D14” 538

538 PAIR PARCEL-GILT AND POLYCHROME BLACKAMOORS, SIGNED J. MULLNEN, SALZBURG

$400-600 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

first half 20th century, standing figures on rocky ground holding torcheres aloft, on hexagonal paneled base, signed; H70” (2pcs)

$3,000-5,000 Provenance: Walter & Harriet Keenan collection

539 FRENCH CARVED BEECHWOOD CANAPE last half 19th century, serpentine crestrail and frame fitted with cushions and bolster; BH40” SH21” D33” L71”

$1,000-2,000 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina 540

541

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542 CONTINENTAL STYLE FAUX-MARBLE CENTERTABLE urn and plinth legs and carved edge, H32 1/2” W52” D29 1/2”

$500-800 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

543 FRENCH BRONZE-MOUNTED TULIPWOOD

545 CAST-IRON FIGURAL UMBRELLA STAND, STAMPED O.W. second half 19th century, Classical design depicting putto holding snake; H33” W18” D10”

$300-500 Provenance: South Carolina private collection

SEMAINIER

third quarter 19th century, in the Louis XV taste, rouge marble top over graduated drawers, shaped sides and feet with sabots; H56” W35” D16 1/2”

$800-1,200 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

542

546 PAIR ART NOUVEAU WROUGHT-METAL

544 PAIR FRENCH CARVED WOOD ARMCHAIRS

HEADBOARDS

early 20th century, Louis XVI style carved frame with upholstered backrest, seat cushion and padded arms on fluted tapered legs; BH36” SH18” W24” D20” (2pcs)

$400-700

first half 20th century, entwined scrolling and foliate designs; H65” W48” D3” (2pcs) Provenance: South Carolina private collection

$300-600 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

545

546

144

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544

543

547 FRENCH PROVINCIAL CARVED OAK

550 LOUIS XV STYLE CARVED BEECHWOOD BENCH

SIDE CABINET

late 19th/early 20th century, shaped and upholstered back and armrest, around seat, ending with cabriole legs, BH32 1/2” SH16” W30” D19”

third quarter 18th century, molded edge top, over raised panel doors flanking row of three short drawers, on cabriole legs; H35” W57” D19 1/2”

$400-700

$1,000-2,000

Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

551 FRENCH STYLE UPHOLSTERED STOOL tiered cushion seat on molded base with scroll feet; H16” W26” D26”

548 FRENCH PROVINCIAL PAINTED SIDE

$200-300

547

Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

TABLE

late 18th/19th century, H27” W21 1/2” D17”

$400-700 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

552 LOUIS XVI STYLE CARVED AND PAINTED TRUMEAU

549 FRENCH INLAID FRUITWOOD SECRETAIRE A

mid 19th century, carved bellflower molded frame, inset with painted putti scene above beveled looking glass; H89 1/2” W45”

ABATTANT

$1,200-1,800

last half 19th century, gray-veined marble top, over configuration of drawers, doors and fall front with fitted interiors; H26 1/2” W17 1/2” D10 3/4”

Provenance: South Carolina private collection

MIRROR

$500-700 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

552

548

549

550

551

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553 CONTINENTAL MARQUETRY INLAID MIRROR late 19th/early 20th century, floral inlays centering beveled looking glass; H29 1/2” W21 1/4”

$400-600 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

554 CONTINENTAL GILTWOOD MIRROR early 19th century, segmented rectangular frame enclosing looking glass; H20” W17 1/2”

$500-800 Provenance: South Carolina private collection Purchased in New Orleans, Louisiana

555 PAIR FRENCH BRONZE-DORE SIX-LIGHT CANDELABRA, F. BARBEDIENNE circa 1870, in the Louis XVI taste with garland and bellflower draped frame, stamped on base; H22 1/2” Dia.10” (2pcs)

$2,000-3,000

553

Provenance: Walter & Harriet Keenan collection

554

556 FRENCH BRONZE-DORE JARDINIERE

19th century, shell and scrolling foliate-adorned reeded rectangular planter with lead liner; H8” W21” D7 1/2”

$500-800 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

556

557 PAIR FRENCH PORCELAIN-MOUNTED GILT-BRONZE CANDLEHOLDERS first half 19th century, twig and leaf-form frame mounted with porcelain blossoms enveloping figures; H10 1/2” W10” D7” (2pcs)

$500-800 Provenance: Georgia private collection

146

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557

555

558 PAIR FRENCH BRONZE-DORE MUSICIAN FIGURES

560 CLASSICAL SCULPTURES MOUNTED

AND CANDLESTICKS

AS LAMPS

late 19th century, of the Louis XVI style, each H6” (4pcs)

pair ceramic on faux marble base, H12” and overall H23 1/2”; and similar on carved wood base, H13 1/2” and overall H25 1/2”; electrified (3pcs)

$500-900 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

559 PAIR LOUIS XV STYLE GILT-BRONZE CHENETS

$300-500 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

late 19th century, putti aloft rocaille wave; H19” W19” D10”

558

561 PAIR LOUIS XVI STYLE BRONZE-DORE SIX-LIGHT

$1,500-2,500 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

CANDELABRA

last quarter 19th century, entwined scrolling foliate design supporting floriform bobeches, H27 1/2” W14” (2pcs)

$1,000-1,500 Provenance: South Carolina private collection

562 PAIR BRONZE AND CRYSTAL WALL SCONCES early 20th century, urn-form draped with prisms; H27” W12” D7” (2pcs)

$400-600 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

561

560

559

562

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563 CONTINENTAL PORCELAIN AND GLASS-MOUNTED WROUGHT-METAL CANDLEHOLDERS late 19th century, entwined leaf and vine frame adorned with porcelain blossoms and glass pendants with two candlesockets; H10” W10 1/2” D4” (2pcs)

$300-500 Provenance: Georgia private collection

564 EMPIRE STYLE GILT-BRONZE EIGHT-LIGHT

563

CHANDELIER

first half 20th century, crystal swags and prisms, anthemion corona issuing scrolling candlearms; H32” Dia.30”

$500-800

566

Provenance: South Carolina private collection

565 PAIR CARVED MARBLE URN-FORM TABLE LAMPS urn, H22”

$300-500 Provenance: South Carolina private collection Purchased from Anne Koerner Antiques in New Orleans, Louisiana

566 PAIR NAPOLEON GILT-BRONZE AND MARBLE CANDELABRA

last quarter 19th century, flowing twigs issuing candlesockets on ram’s-mask and garland-adorned urn; H16 1/2” W8” D7” (2pcs)

564

$500-800 Provenance: Georgia private collection

567 NAPOLEON III PARCEL GILT-BRONZE SEVEN-LIGHT CANDELABRUM

scrolling arms supported by fluted column and trefoil base, electrified; H48” Dia.14”

$800-1,200 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

567

568 PAIR LOUIS XV STYLE BRASS CANDLESTICKS early 20th century, three scrolling arms on ornate base; H14” Dia.9” (2pcs)

$200-400 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

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565

569 NORTHERN EUROPEAN QUEEN ANNE PARCEL-GILT CARVED WALNUT ARMCHAIRS 18th century, shell and leaf cresting, with urn-form splat and outscrolled arms flanking serpentine seat, on cabriole legs with pad feet and shell-carved knees unified by turned H-stretcher; BH49 1/2” SH21” W26 1/2” D24” (4pcs)

$2,000-3,000 Provenance: South Carolina private collection

570 CONTINENTAL WROUGHT-IRON AND MARBLE CONSOLE TABLE

serpentine green-veined marble top on conforming scrolling and leaf base; H36” W124 1/2” D21”

$1,500-2,500 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

573 569

571 PAIR LOUIS XV CARVED BEECHWOOD ARMCHAIRS

573 LOUIS XVI MARQUETRY INLAID POUDREUSE

late 18th/early 19th century, floral crest over carved molded frame on cabriole legs; BH35 1/2” SH16” W25” D22” (2pcs)

first quarter 20th century, decorated with inlaid musical motifs, three-part hinged top, short drawers and tapered legs; H29 1/2” W32” D18”

$500-900

$500-700

Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

572 CONTINENTAL BRONZE-MOUNTED FRUITWOOD AND MARBLETOP SIDE TABLE

late 19th century, round gray-veined marble top, pierced brass gallery, fitted with small drawers and slides, on tapered legs; H27” Dia.25 1/2”

571

$400-600 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

570

572

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574 FRENCH UPHOLSTERED CARVED BEECHWOOD CANAPE

late 19th century, carved molded frame on fluted and tapered legs; BH36 1/2” SH20” W78” D29”

$700-1,000 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

575 ITALIANATE CARVED AND EBONIZED GILTWOOD JARDINIERE

carved molded flared rim, over acanthus-decorated urn supported by scrolled saber legs on trefoil base; H38” W27” D25” Dia.24”

$800-1,200 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

576 FINE FRENCH ORMOLU AND PARQUETRY BREAKFRONT VITRINE, STAMPED BASTET, LYON last half 19th century, rectangular form Louis XVI style cabinet with brass-bound stepped pediment cornice, above central glazed door, applied floral garland and ribbon mount above jasper plaquette, flanked by three-quarter glazed doors above parquetry veneer and metal mounts, mirrored interior with two adjustable shelves, raised on fluted trumpet and cabriole legs; opening to fabric lined interior fitted for shelves; hardware stamped: A. Bastet, Lyon.

H86” W67” D20”

576

$2,500-4,000 Provenance: South Carolina private collection Property deaccessioned from the Centennial Museum (#1969.26.14) Literature: D. Ledoux-Lebard, LE MOBILIER FRANCAIS DU XIXe SIECLE, 1984, p.41

575

150

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574

577

577 ITALIAN CARVED WALNUT CASSONE

579 FRENCH BRONZE-MOUNTED KINGWOOD AND

17th century, rectangular top with fluted overhang, flat-paneled case centered with carved crest, with molded base and bracket feet; H20 3/4” D19 3/4” L64 1/2”

late 19th century, gallery and marble top, above single drawer and elongated cabriole legs, in the Louis XVI style; H26 1/2” W7 3/4” D11 1/2”

$1,000-1,200

$300-400

Provenance: South Carolina private collection

Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

578 LOUIS XV STYLE KINGWOOD SEWING OR WORKTABLE

MARBLETOP SIDE TABLE

581

580 FRENCH EMPIRE ORMOLU-MOUNTED WALNUT

late 19th century, leather-inset serpentine hinged top over short drawer and fitted interior, on cabriole legs with sabots; H27 1/2” W25 3/4” D10 1/4”

circ 1820, with outscrolled arms, on bracket feet with ormolu mounts; H31 1/2” W30” L79”

$500-700

$1,000-2,000

Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

Provenance: South Carolina private collection Purchased in New Orleans, Louisiana in July 1998

578

DAYBED

581 ITALIAN CARVED GILTWOOD MIRROR third quarter 19th century, in the 18th century Roman style, surmounted with piercework pediment of C-scrolls, foliage and flowerheads, molded frame within a frame enclosing looking glass; H70 1/2” W35 3/4”

$1,500-2,500 Provenance: South Carolina private collection Purchased in New Orleans, Louisiana in July 2002

579

580

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582 NAPOLEON III CARVED GILTWOOD MIRROR 19th century, wreath, quiver and torch pediment, floral swag decorations on egg-and-dart carved molded frame; H89” W53”

$1,500-2,500 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

583 IMPRESSIVE LOUIS XV STYLE GILT-BRONZE MANTEL CLOCK late 19th century, putto finial above shell, scroll and lattice case centering enamel dial; H23 1/2” W16” D7 1/2”

$1,500-3,000 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

584 EGYPTIAN REVIVAL GILT-METAL AND ONYX FIGURAL MANTEL CLOCK, S. MARTI ET CIE late 19th century, cherub aloft architectural case flanked by winged sphinx on onyx base; works marked: S. Marti et Cie; H21” W17” D8”

$1,000-2,000 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

585 FRENCH BRONZE-MOUNTED MARBLE MANTEL CLOCK

582

last quarter 19th century, heavily veined rouge marble case centering dial and flanked by figures, housing later works; H11 3/4” W25 1/2” D5 1/2” 583

$300-600 Provenance: Georgia private collection

585

152

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584

588 W. ALLEMANN-MONTREUX SWISS EIGHT-DAY HANGING CLOCK early 20th century, painted gouache enameled and vermeil silver case housing round dial clock suspended on silk rope and tassel hanging; marked: W. Allemann-Montreux, 935 (silver standard) 57634; H15” W3”

$400-700 Provenance: Estate of Norman Citron, Atlanta, Georgia

589 GERMAN ENAMELED SILVER

588

586 LOUIS XVI STYLE GREEN BOULLEWORK MANTEL CLOCK, JAPY & CIE late 19th century, brass inlaid greenstained shell case, center gilt dial with enameled numerals; works marked: L.E.P. Japy & Cie Medailles; H13 1/2” W7 1/2” D4 1/2”

586

$500-800

590

Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

587 FRENCH PARCEL-GILT BRONZE CLOCK, SIGNED GUILLET A PAYERNE 19th century, pineapple finial above ornately cased clock on urn-form pedestal supported by columns on rectangular footed base; works marked: Guillet a Payerne; H11 1/2” W5 1/2” D4”

$400-600 Provenance: Georgia private collection

587

MINIATURE CLOCK

early 20th century, portico design with garland motif and onyx base; crescent and crown mark and 900 standard; H5” W2 1/2” D1 1/2”

$300-400 Provenance: North Carolina private collection

590 ENGLISH MAHOGANY BAROMETER, SIGNED PASTORELLI early 19th century, molded architectural crown, over body with shell inlays; H38” W10”

$300-500 Provenance: Georgia private collection

591 CARVED OAK CASED BAROMETERS early 20th century, German oakleaf and acorn design, Dia.9 1/4”; and English rope-twist decorated case, Dia.11” (2pcs)

$200-400 Provenance: Estate of Norman Citron, Atlanta, Georgia

589

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592 PAIR LOUIS XVI STYLE PAINTED BERGERES last half 19th century, gray-painted and carved lamb’s-tongue molded frame, on fluted tapered legs; BH 37 1/2” W17 1/2” W27” D24” (2pcs)

595 CONTINENTAL WALNUT CHEST OF DRAWERS

$700-1,000

late 18th century, molded edge and bowfront case with configuration of drawers on molded feet; H32” W40 1/2” D22 1/4”

Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

$800-1,200

593 ITALIAN GILT AND PAINT-DECORATED CENTER TABLE first half 20th century, floral-decorated top above long drawers and cabriole legs; H29” W33 1/2” D33 1/2”

$300-500 Provenance: South Carolina private collection

594 PAIR FRENCH CHINOISERIE-DECORATED BLACK LACQUER PANELS

Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

596 PAIR FRENCH STYLE UPHOLSTERED AND PAINTED SIDE CHAIRS, YALE R. BURGE Louis XV style frame fitted with cushion, bearing label; BH35 1/2” SH19” W27” D21” (2pcs)

$500-800 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

late 19th/early 20th century, elaborate pavilion and landscape scene with figures and animals, contained within frame; overall H62 1/2” W26 3/4” (2pcs)

$800-1,400 Provenance: South Carolina private collection

592 595

594

154

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593

596

597 MARBLE AND GLASS DINING TABLE

599 CONTINENTAL PAINTED AND MARBLEIZED

601 LOUIS XV STYLE CARVED GILTWOOD PEDESTAL

rounded corner rectangular glass top, supported by rouge double column pedestals; H30” L85 1/2” W42”

CONSOLE TABLE

mid 19th century, round carved molded top supported by bellflower-carved trefoil base and scroll feet; H25 1/2” W23” D23” top Dia.11 1/4”

$800-1,200 Provenance: South Carolina private collection

598 RESTAURATION FRUITWOOD COMMODE circa 1825, frame-and-panel construction, rectangular top over chest with four-drawer configuration, with brass mounts; H33 3/4” W40 1/2” D22 1/2”

$800-1,200 Provenance: South Carolina private collection Purchased in New Orleans, Louisiana in May 1996

late 19th century, kidney-shaped top, molded skirt with center drawer, on bellflower and leaf carved cabriole legs, joined by molded stretcher with central finial; H34 3/4” W96” D29”

$1,000-2,000 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

$400-600 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

602 LOUIS XVI STYLE CARVED BEECHWOOD

600 CONTINENTAL BLACK LACQUERED SIDE TABLE late 18th/19th century, molded edge top, scalloped skirt with drawers on cabriole legs with brass sabots; H26 1/2” W26” D21”

$300-500

ARMCHAIR

late 19th century, oval backrest with overupholstered seat and tapered legs; BH34” SH15” W25” D19”

$200-400 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

597

598

600

601

599

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603 ITALIAN CARVED WOOD AND FAUX MARBLETOP OCCASIONAL TABLE

early 20th century, round faux-painted top supported on carved pedestal with entwined snakes on trefoil base; H25 1/2” Dia.22 1/2”

$500-700 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

604 CONTINENTAL PAINTED CARVED WOOD SIDE CABINET

early 20th century, white-veined marble top over drawers and panel doors, flanked by carved caryatids on molded base; H36 1/2” W48” D18 1/2”

604

$200-400

603

Provenance: South Carolina private collection

605 CONTINENTAL PAINTED CABINET late 19th century, molded crown over panel door and long drawer, ending on molded base, interior fitted with 18 modern drawers; H97” W55 1/2” D16 1/2”

$500-700 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

606 WALNUT AND MARBLETOP SIDE TABLE early 20th century, with carved turtle feet; H20” W27” D16 1/2”

606

$200-400 Provenance: South Carolina private collection

607 UPHOLSTERED X-BRACE STOOL H19” W24” D18”

$200-300 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

607

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605

608 PAIR FRENCH PORCELAIN URNS CONVERTED TO LAMPS

19th century, portraits of ladies in elaborate cartouches with gilt accents on vivid green ground and with ormolu mounts, electrified; H16” (2pcs)

$1,500-3,000 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

609 MEISSEN THE CAPTURE OF THE TRITONS PORCELAIN FIGURAL GROUPING

19th century, after the model by J.J. Kandler, scantily draped maidens assisted by putto pulling fishnet filled with the day’s catch and captured infant; marked with underglaze-blue crossed swords, impressed: 132, and inscribed: C35; H13 1/4” W10” D6”

$800-1,200 Provenance: Columbia, South Carolina private collection

611

611 MOTTAHEDEH SWAN SERVICE COFFEE SERVICE circa 1985-99, comprising: coffepot, H6 1/2” covered sugar, H7” creamer, H6” (3pcs)

$500-800

608

610 NAPOLEON III SEVRES STYLE PORCELAIN CABINET PLATES AND URNS

second half 19th century, gilt and celeste blue border centering romantic scenes, various marks on verso and Chateau des Tuileries; Dia.9” accompanied by pair Sevres style urns, H7”, and Samson inkstand, H4” L10” (13pcs)

Provenance: Columbia, South Carolina private collection Other Notes: These Mottahedeh pieces are replicas of the famous Schwanenservice (Swan Service). The Meissen original service (c.1737-43) was made for Count von Bruhl, and eventually numbered over 2,200 pieces.

$500-800 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

612 CONTINENTAL PORCELAIN CENTERBOWL early 20th century, flowering vine encrusting reticulated basket on pedestal, underglaze-blue mark on base, H12” Dia.12”

$400-600 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

609

610

612

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613

613 CONTINENTAL PARIANWARE FOUR SEASON FIGURES 19th century, probably French, standing figures holding the attributes of seasons on pedestal base; H10” (4pcs)

$400-600 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

614 CONTINENTAL FLORAL-PAINTED PORCELAIN PLAQUE

19th century, ornate gilt-carved wood frame encased in shadowbox, H16 1/2” W14 3/4” D3 1/2”

$300-600 Provenance: Isle of Palms, South Carolina private collection

617

615 MEISSEN HEINRICH SCHWABE LABOR’S OF CUPID FIGURE, AND GERMAN FIGURE circa 1880, Amor als Bettler (Love as a Beggar); marked: underglaze-blue crossed swords, incised L112; H8 1/2”; together with German figure, H9” W6” (2pcs)

$300-500

617 PORCELAIN FIGURINE COLLECTION Meissen child, H5 1/2” Meissen girl, H4 1/2” pair Meissen birds, H3 1/2” pair English hunting scenes, H3” W5” (6pcs)

$200-400

Provenance: North Carolina private collection

Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

616 PAIR MEISSEN PORCELAIN CHINOISERIE MUSICAL

618 DUTCH DELFT PICTORIAL TILE PANEL

FIGURES

first half 20th century, twelve tiles depicting canal scenes contained in frame, overall H25 1/2” W32”

19th century, female and male in 18th-century costumes holding musical instruments, underglaze-blue crossed swords; H7 1/2” (2pcs)

$300-400

$500-800 Provenance: Estate of Norman Citron, Atlanta, Georgia

Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

614

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615

616

621 SPANISH PORCELAIN URN, BIDASOA H24”

$200-300 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

622 ROYAL COPENHAGEN PLATTER AND PLATES

9 plates, Dia.9 3/4” 5 plates, Dia.9 1/2” platter, L18 3/4” (15pcs) 618

619 EARLY DUTCH DELFT CHARGER 18th century, floral-decorated shallow basin, Dia.13 1/2”

$300-500 Provenance: Estate of Norman Citron, Atlanta, Georgia

620 FRENCH FAIENCE JARDINIERES footed urn design, H14 1/4” and swan figure, H20” L22” (2pcs)

$200-400 Provenance: Estate of Margot Roebling DeHope

623 PAIR ZSOLNAY CERAMIC VASES last quarter 19th century, vibrant iridescent glaze over entwined vine and Moorish motifs, marked on underside; H10 1/2” (2pcs)

623

$400-700 Provenance: South Carolina private collection

$200-300 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

620

619

621

622

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624

625

624 HUNGARIAN CERAMIC CENTERPIECE AND VASE, FISCHER Budapest, late 19th century, reticulated Rococo-form centerbowl, H7 1/2” L14”; and floral and vine-decorated moon flask-form vase, H13 1/2” (2pcs)

$300-500

627 PAIR ONYX PEDESTALS

628 FRENCH CARVED GILTWOOD VALANCE SET

square top with rounded corners on tapered molded columns on square base; H31 1/2” W14” D14” (2pcs)

19th century, Louis XVI style with cartouche pediment and scroll designs, comprising: pair L77” D12 1/2” single L56 1/2” D14” (3pcs)

$300-500 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

Provenance: South Carolina private collection

$800-1,200 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

625 ZSOLNAY CERAMIC VASE, CENTERBOWL AND TRAY circa 1873-99, vibrantly decorated design, comprising: early floral decorated trays, Dia.14” reticulated vase, H10” reticulated center bowl, Dia.11 1/2” (3pcs)

$300-500 Provenance: South Carolina private collection

626 ZSOLNAY CERAMIC LARGE VASE circa 1888, reticulated body with turquoise and gilt accents on cream ground, marked and impressed: 2203; H17”

$300-500 Provenance: South Carolina private collection

627

628 (one of)

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626

629

630

631

629 OUSHAK CARPET

631 PERSIAN TABRIZ CARPET

633 PERSIAN HERIZ CARPET

7’10” x 9’11”

circa 1940, 9’10” x 10’7”

6’5” x 9’5”

$1,200-1,800

$1,000-1,500

$600-900

Provenance: Charlotte, North Carolina collection

630 HAMADAN CARPET 8’2” x 10’10”

632 INDIAN AGRA CARPET

$1,000-1,500

8’ x 9’9”

Provenance: Walter & Harriet Keenan collection

$700-1,000

634 KAZAK CARPET 6’8” x 9’10”

$500-800

Provenance: Beaufort, South Carolina private collection

635 ROMANIAN TABRIZ CARPET 6’11” x 9’9”

$400-600 Provenance: Charlotte, North Carolina collection

632

633

634

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636 ENGLISH BRASS AND WOOD FIRE FENDER

late 19th century, acorn finials atop column supports, pierced lower frame and molded wood base; H23 1/2” W48” D17 1/2”

$600-900 Provenance: South Carolina private collection

637 REGENCY STYLE BRASS

636

AND GLASS FIRE SCREEN

ornate two-panel brass frame fitted with beveled glass; H45” W48” D3/4”

$300-500 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

638 ENGLISH EMBOSSED BRASS JARDINERE/WINE COOLER

basin form, with lion’s-head ring pulls, on three legs surmounted with mask heads and terminating on hooved feet; H25 1/4” Dia.20”

640

$600-900 638

640 TURKISH OUSHAK RUNNER

639 CONTINENTAL BRASS AND

2’5” x 29’6”

MIRRORED SCREEN

$700-1,000

last half 19th century, molded decorative frame with scrolling pediment over revolving panel on shaped legs; H48 1/2” W26” D10”

641 KESHMIRI HERIZ RUNNER 2’6” x 16’1”

$200-300

$500-800

Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

642 RUSSIAN KAZAK RUNNER 4’5” x 10’5”

$500-800

637

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639

641

645 PAIR CONTINENTAL CAST-STONE CLASSICAL URNS ON PEDESTALS

646 PAIR CLASSICAL TERRACOTTA BUSTS ON PEDESTALS

first half 20th century, flared urn decorated with romantic scenes, on accompanying pedestal; urn H41” Dia.29” pedestal H14” W22 1/2” D22 1/2” (4pcs)

H35” W16” D11” (2pcs)

$500-800 Provenance: Walter & Harriet Keenan collection

$800-1,200 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

647 PAIR AMERICAN PAINTED CARVED WOOD NEWEL POSTS

late 19th century, basket of fruit design, H20” W12” (2pcs)

$300-600 Provenance: South Carolina private collection

648 CAST-STONE FIGURAL GARDEN URN H24 1/2” Dia.11”

$100-200 Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina 645

643 ITALIAN CARVED MARBLE CHERUBSFIGHTING OVER HEART SCULPTURE, AFTER PIGALLE

644 CAST-STONE PUTTI SCULPTURE

late 19th century, H17 1/2” W12” D8”

Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

$200-400

- End of Auction -

late 19th/early 20th century, H41”

$300-500

Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina

643

648

644

646

647

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Terms & Conditions of Sale REGISTRATION FOR BIDDING. All prospective bidders must have an active Charlton Hall Account in good standing, sign Registration Form and provide government issued photo ID for each sale. *If you would like to establish an account with our firm, please complete Account Setup Form and provide government issued photo ID. *At the discretion of Charlton Hall Galleries, Inc., prospective bidders may be required to provide a deposit against bids.

1.

ALL SALES ARE FINAL and all lots are sold as shown and “AS IS”, “WHERE IS”, with all faults, imperfections, and errors of description.

Charlton Hall Galleries, Inc., their employees and/or agents are not responsible for errors of description, genuineness or authenticity, and fault or defect in any lot. No warranties or representations whatsoever are given by Charlton Hall Galleries, Inc., its employees and/or agents, to any buyer in respect to any lot.

2.

ALL PAYMENTS ARE DUE IMMEDIATELY FOLLOWING AUCTION, and all merchandise must be removed from the premises the day of the auction. Payment can be made with cash, money order, cashier’s check, bank wire transfer, or pre-approved US bank drawn check. Merchandise paid for with US bank drawn pre-approved check or foreign cashier’s check will be held for 10 days banking days. Charlton Hall Galleries, Inc. DOES NOT accept credit cards for auction purchases. International buyers are required to pay bank wire transfer.

3.

We do not give refunds. Charlton Hall Galleries, Inc. represents and sells consigned property on behalf of sellers, estates, public and private institutions and other entities. Charlton Hall Galleries, Inc. recommends prospective bidders examine all items in which they have an interest. All lots offered are available for your examination prior to auction date. Registering for a sale and placing bids on any lot signifies that you or your agent have examined the property as fully as you desire. Written and oral descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, materials or any other feature of any lot being sold. If you require absolute certainty in all areas of authenticity, and the results of your evaluation leave uncertainty in your mind, we recommend you not bid on the lot in question. All sales are final, and no refunds will be given. No statement written or oral made by the auctioneer shall be deemed a warranty or assumption of liability by Charlton Hall Galleries, Inc. or by any seller represented by Charlton Hall Galleries, Inc. 4.

The highest bidder acknowledged by the auctioneer will be the buyer of that lot. In the event of any dispute, the auctioneer shall have sole discretion to either determine the successful bidder or to re-offer for bidding, the lot in dispute. Charlton Hall Galleries, Inc. has sole discretion to refuse any bid, to divide any lot, to combine any two or more lots, and to withdraw any lot or lots from the sale.

5.

Some lots may be offered subject to a reserve, which is a minimum price below which such lot will not be sold. Charlton Hall Galleries, Inc. may implement such reserves by bidding on behalf of the seller.

6.

Charlton Hall Galleries, Inc., reserves the right to allow its employees to bid competitively at all auctions.

7.

A buyer’s premium of 20% of the successful bid price will be added to each lot thereto and is payable by the purchaser as part of the total purchase price of each lot.

8.

All purchases, including buyer’s premium, are subject to the collection of South Carolina state and local sales taxes. Buyers will be required to pay 7% sales tax at the time of payment unless one of the two following conditions is

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met: 1) Items purchased will be shipped out of the State of South Carolina by a registered ICC carrier, or 2) The registered buyer provides Charlton Hall Galleries, Inc. with a valid South Carolina Retail License Number or valid sales tax exception number from another state and properly fills out form ST-8A Resale Certificate submitted with a copy of said retail license.

CONDITION REPORTS: Charlton Hall Galleries, Inc., and its employees will provide, upon request, condition reports and additional photographs for items contained within the current auction catalog. This service is provided as a courtesy only and requesting a condition report in no way changes article #1 of Conditions of Sale. Since we are not professional conservators or restorers, we urge you to inspect each lot yourself or have an agent do so on your behalf. Prospective buyers should satisfy themselves as to condition and must understand that any statement made by Charlton Hall Galleries, Inc., or its employees is merely a subjective qualified opinion, notwithstanding written reports or any discussion concerning condition in this catalog. Condition reports are provided by request on a “first come, first served” basis, making it imperative that requests are submitted early. Requests submitted close to auction date may not be completed.

TELEPHONE & ABSENTEE BIDDING: As a service, Charlton Hall Galleries, Inc. provides several absentee bidding formats to those who cannot or choose not to attend the auction in person. Written absentee bids are accepted and must be submitted on a Charlton Hall Absentee Bid Form, copies of which can be found in the printed catalog or on our website.

Bidding by telephone can also be arranged by completing the Charlton Hall Bid Form which can also be found in the printed catalog or on our website.

Due to processing time constraints, these bid forms must be submitted before 24-hours prior to the auction. Additional terms are outlined on these Absentee Bid Forms. By submitting an Bid Form, prospective purchasers consent and agree to the Conditions of Sale. Absentee bidding is a convenience offered to Charlton Hall Galleries, Inc. customers and while we make every effort to execute your instructions regarding your Absentee or Telephone Bid, Charlton Hall Galleries, Inc. is not liable or responsible for any errors or failure to execute such instructions.

LIVE INTERNET BIDDING: Live internet bidding is also possible through our website www.CharltonHallAuctions.com and via Invaluable. Online bidders will pay a Buyer’s Premium of 25% in addition to the hammer price. Charlton Hall undertakes the execution of online bidding as a convenience for clients and is not responsible for any failure or error in the execution of bids. In the event of a tie bid, the floor bidder will be the winning bidder of record.

SHIPPING: Charlton Hall Galleries does not ship any merchandise purchased at auction. We will be pleased to provide a list of shippers and packers that our worldwide base of clients has successfully used, or you can have your own shipper handle your purchases. Please contact the shipper of your choice to arrange for pick up and packing of your items. Your items will be released as soon as payment clears our bank. We request that your shipper schedules pick up times at least 24 hours in advance; this will ensure no delays in pick up, and release of your purchases.

EXPORT LICENSES AND PERMITS: Certain property sold at auction may be made of or contain elements of endangered and other protected species of wildlife. Such material includes, among other things, tortoiseshell, ivory, crocodile skin, whale bone, certain species of coral and other animal bone.

These materials may be subject to laws governing export from the United States or import into a foreign country (i.e.: endangered species). Several

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countries prohibit the importation of property containing these materials altogether and other countries require a permit (e.g., a CITES permit) from their respective regulatory agency. For example, the United States generally prohibits the importation of articles less than 100 years of age that contain material from any species listed as endangered or threatened. It is the buyer’s responsibility to obtain any and all export or import licenses, permits or documentation required by any local authority for export from the United States or import into any other country for any object requiring same.

The denial or delay in obtaining any license or permit from any agency shall not justify the cancellation or rescission of any sale or any delay in making payment for the total purchase price of any lot in accordance with these Conditions of Sale.

FIREARMS: All post-1898 firearms must be registered in compliance with Federal and South Carolina State Laws. Buyers of post-1898 firearms must complete State and Federal registration forms at Charlton Hall Galleries, Inc., unless otherwise specified; processing of such forms may require a waiting period. Dealers and out-of-state buyers must have in their possession, on the day of sale, signed copies of their FFL (Federal Firearms License) in order to accept same-day delivery of modern weapons. Buyers who act as agents for FFL dealers must have a letter as well as an original signed copy of the dealer’s FFL, and must present it to Charlton Hall Galleries, Inc., no less than 24 hours prior to auction date. Such lots may be denoted with special symbols and or verbiage in printed and digital catalogues. Charlton Hall Galleries, Inc. makes no warranties or representations whatsoever and no employee or consultant of Charlton Hall Galleries, Inc. has the authority to do otherwise, concerning the operation or firing condition, fitness of use, safety to store, or reliability of any firearms, ammunition, or parts. Use of any firearms purchased at Charlton Hall Galleries, Inc. is entirely at the user’s risk.

Charlton Hall Galleries, Inc. offers for sale the lots as COLLECTOR items only. We strongly recommend that all weapons, ammunition, etc. purchased at auction be examined by a competent gunsmith. Charlton Hall Galleries, Inc. expressly disclaims any liability whatsoever for accidents, injury and damage resulting to any person from the storage or subsequent use of any such lots.

While Charlton Hall Galleries, Inc., their employees and representatives, make every effort to accurately describe all lots offered for sale, it is incumbent upon the bidder to satisfy themselves in all areas of authenticity, originality, condition and imperfections. Bidders should also acknowledge that condition reports are often subjective and any item offered at auction may be subject to normal wear consistent with age that may not be specified in a condition report. If a bidder is uncertain about any of these issues, we would recommend that they not bid on lots in question. We would further urge that all potential bidders become familiar with “Commonly Used Terms and Abbreviations” printed in each catalog or available upon request.

These Conditions of Sale and the purchaser's and our respective rights and obligations hereunder are governed by the laws of the State of South Carolina.

By bidding at an auction, each purchaser and bidder agrees to be bound by these Conditions of Sale. Any dispute, controversy, or claim arising out of or relating to this agreement, or the breach, termination, or validity thereof, brought by or against Charlton Hall Galleries, Inc., (but not including claims brought against the consignor by the purchaser of lots consigned hereunder) shall be resolved by the Columbia, South Carolina legal system.

In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein.

If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor(s) by law, including without limitation the right to hold the purchaser liable for the total

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purchase price, with the purchaser to be responsible for all costs of collection (including attorneys' fees and disbursements), we, at our option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser or (b) resell the property at public auction without reserve, and the purchaser will be liable for any deficiency, costs including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder, and incidental damages.

In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser's obligations to us, any property in our possession, owned by such purchaser. We shall have all of the rights accorded a secured party under the South Carolina Uniform Commercial Code with respect to such property, and we may apply against such obligations all monies held or received by us for the account of, or due from us to, such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier's checks, we have con firmed their authenticity.

All property must be removed from our premises by the purchaser at their expense no later than 5 business days following its sale and, if it is not removed, Charlton Hall Galleries, Inc., reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser's expense. Charlton Hall Galleries, Inc., shall have no liability for any damage to property left on its premises for more than 5 days following the sale.

If property is uncollected within 60-days of auction purchase date, buyer authorizes Charlton Hall to re-sell ALL purchases. Storage fees, handling charges, and seller’s commission rate of 20% will be deducted from the proceeds.

Your bid is a legally binding contract. If you are the successful bidder, you have entered into a contract to purchase the property bid on from the seller.

You should contact Charlton Hall Galleries, Inc. to resolve any questions prior to placing any bids.

The use of a live internet bidding service will subject your bid to an additional buyer’s premium. Please be aware of this and be sure to read all the terms published by the service providing online bidding.

The Conditions of Sale as written in this printed catalog will take precedence over any other conditions, whether printed or posted on internet websites.

Conditions of Sale may be amended by posted notices in the salesroom or by announcement from the auctioneer.

Bid increments: Bidding generally opens at half the low estimate and generally advances in the following increments: Bid Range Increment $0-99 $10 $100-499 $25 $500-999 $50 $1,000-2,999 $100 $3,000-4,999 $200 $5,000-9,999 $500 $10,000-19,999 $1,000 $20,000-49,999 $2,000 $50,000-99,999 $5,000 $100,000-199,999 $10,000 $200,000 Auctioneer’s discretion

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Commonly Used Terms and Abbreviations ac: Active

manner of: Although this work is in the appropriate manner or style of the artist, it is probably of a later period.

after: This work is a later copy of one of the artist’s works. note: Additional information we are able to provide about any particular item. after the antique: A later facsimile. oz Troy: Unit of measuring precious metals. attributed to: This work is probably by the named artist. Technically, this work is of the period and may be wholly or even partly by this artist.

period: Works will be followed by a date, which means that the object is, in our opinion, the date indicated, and made in the time frame.

b: Date of birth BH: Back height circa: Approximate date of object. circle of: This work is of the correct period, and exhibits the stylistic influence of the named artist.

provenance: History of ownership, or additional information which we have obtained. studio of: This work is of the correct period, and may have been made under the artist’s supervision. school of: This work is of the general style of the artist, and may possibly even be by a student of the artist, even if from a slightly later, but not too distant period.

ct: Carat (single gemstone weight) SH: Seat height ctw: Carats (total gemstone weight) D: Depth

sizes: All sizes, weights and other measurements are approximate; we are not responsible for mis-measurements or typographical errors.

d: Date of death

Sq: Square

dates: All dates are approximate. The absence of a date for any item indicates that the item is either modern or we are uncertain of the age.

style: The inclusion of the word “style” in the heading indicates that, in our opinion, the object was made as an intentional reproduction of an earlier form.

Dia: Diameter

W: Width

DJ: Dust jacket

wk: Worked

fl: Flourished

**: Property approved for de-accession

follower of: This work is executed in the artist’s style, but is not necessarily by one of his students. g: Grams H: Height K: Karat, the fineness of gold.

L: Length

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Guide for Prospective Buyers Bidding and buying at auction is an exciting and fast-paced process. If you have never participated in a live sale before, we encourage you to consult with one of our staff members to discuss how the process works.

Terms & Conditions of Sale: Charlton Hall encourages prospective buyers to read the Conditions of Sale printed in the back of this catalogue for more complete information.

Registration: All prospective bidders must have an active Charlton Hall account in good standing, complete a Registration Form and provide government-issued photo ID for each sale.

First-Time Registration: If you have never registered to bid at Charlton Hall, you must complete our Account Setup Form, present a government-issued photo ID and be approved. At the discretion of Charlton Hall, prospective bidders may be required to provide a deposit against bids.

Preview Exhibition: Charlton Hall offers auction previews leading up to every sale. Galleries are open to the public for preview during printed dates and by appointment.

Condition Reports: Charlton Hall and its staff will be pleased to issue Condition Reports for any lot offered. Please note that our staff and specialists are not professional conservators, and that statements of condition are only our opinion. Please remember all lots are sold “AS IS”, and as stated in the Terms & Conditions governing each sale. We strongly encourage bidders or their agents to examine property first-hand prior to bidding.

Bidding: We are pleased to offer various bidding platforms at Charlton Hall. You may wish to attend and bid in person, or make prior arrangements to bid by Phone, Absentee, or view the sale live via Live Internet bidding. Please keep in mind the highest bidder acknowledged by our auctioneer will be the purchaser of the item. Although our auctioneer is highly skilled and competent, due to technology and human error, there is always the possibility a bid may be seen or entered too late, and the bidder must acknowledge that once the auctioneer closes bidding, the sale is final. Please see Terms & Conditions of Sale for bid increments, and additional information governing each sale.

Payment: In addition to the hammer price, the winning bidder agrees to pay Charlton Hall a buyer’s premium, as well as any applicable taxes.

All payments are due immediately following the auction. Payment may be made with cash, money order, cashier’s check, bank wire transfer or a pre-approved US bank-drawn check. Charlton Hall does NOT accept credit cards as payment.

Pickup & Shippings: We request all purchased lots be removed from the premises within 5 business days. Charlton Hall and its staff will provide a list of recommended shippers and packers whom our worldwide clients have successfully used. For prompt service, we request 24-hour notification of a scheduled pickup appointment.

UPS Store Breeland Couriers Richard Wright Ltd. US Art, Inc.

803-254-1601 803-936-0148 800-247-9744 800-872-7826

Plycon Artex Atelier 4 Westbrook Deliveries

336-854-1832 (or) 954-978-2000 800-652-7839 305-685-9797 404-877-2870 (or) 843-991-6738

Should you have additional questions, please feel free to contact our client services specialists at 803-779-5678 11 APRIL 2015 -

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Classical American Homes Preservation Trust and The Richard Hampton Jenrette Foundation

Map out your own Grand Tour to classical destinations this year! www.classicalamericanhomes.org

EDGEWATER BAKER HOUSES

AYR MOUNT

MILLFORD PLANTATION ROPER HOUSE

ESTATE CANE GARDEN

Before you set sail, explore our new website to plan your visit to our six houses. History, fun and adventure with old houses lie ahead...

Classical American Homes Preservation Trust and The Richard Hampton Jenrette Foundation • 69 East 93rd Street, New York, NY 10128 • (212) 369-4460

11 APRIL 2015 -

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C HARLTON H ALL

First Name

Last Name

Discovering Extraordinary Objects Since 1929

Client ID#

BID FORM - SALE 276 Company Name (Only if you are purchasing for a business)

BID DEADLINE THURSDAY 9 APRIL AT 12NOON Billing Address

Important Information •Please complete this form to ensure that your bids are accepted.

City

State

Postal Code

•Bid forms are to be accompanied by a copy of your Government Issued photo ID and credit card.

•Please fax bids to 803-733-1701.

Country

•All bids are processed in the order in which they are received and are bid competitively during the sale.

Primary Phone

•Email Confirmation will be sent to the email address on this form, usually within a few hours.

Secondary Phone

Fax

Email My signature below indicates my willingness to open bidding at half the low estimate and bid as indicated below. I have read and understand the Terms & Conditions governing this sale.

Expiration Date

Valid Credit Card Number

Date

Signature

Lot Number

170

CV Code

Lot Description

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•All bids must be placed following the increments listed below.

Bid Range Increment $0-99 $10 $100-499 $25 $500-999 $50 $1,000-2,999 $100 $3,000-4,999 $200 $5,000-9,999 $500 $10,000-19,999 $1,000 $20,000-49,999 $2,000 $50,000-99,999 $5,000 $100,000-199,999 $10,000 over $200,000 Auctioneer’s discretion

WE DO NOT ACCEPT BIDS THAT ARE LESS THAN HALF THE LOW ESTIMATE

Absentee Bid (Top Limit, not including

Phone Bid

premium)

(Please Check)

Back-Up Bid (Required for all phone bids)

Always Accepting Quality Consignments

To submit property for consideration, please visit Consignment Inquiries page at www.CharltonHallAuctions.com 11 APRIL 2015 -

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C H A R LT O N H A L L A U C T I O N E E R S Staff Director y Specialists for this Sale Ronald D. Long Kinga Bender Catherine A. Carlisle Jenn S. Robertson Administrative Assistant Margaret E. Malik Consulting Specialists Prof. Ronald E. Bridwell Thomas P. Crowther Donnie F. Garrett Roger W. Powell Hermann L.A. Sommersell Consignments Director Erica E. Guillebeau Erica@CharltonHallAuctions.com 803-779-5678 Client Services Specialist Vicky L. Smith Tel: 803-779-5678 Fax: 803-733-1701 info@CharltonHallAuctions.com Business Development Carroll S. Weston Carroll@CharltonHallAuctions.com 803-779-5678

Gallery & Offices 7 Lexington Drive West Columbia, SC 29170 Tel: 803-779-5678 Fax: 803-733-1701 Email: info@CharltonHallAuctions.com Website: www.CharltonHallAuctions.com Gallery & Office Hours Monday - Friday 10am to 5pm (Please note pickup hours below) Property Pickup Hours Please schedule pickup at least 24-hours in advance of arrival Monday - Friday morning 10:00 to 11:30am afternoon 1:00 to 4:30pm Corporate Officials Charlton F. Hall, Jr., Director Ronald D. Long, President Auctioneer & Firm Licenses Charlton Hall Galleries, Inc., Firm 1316F Ronald D. Long, SCAL No. 509 Erica E. Guillebeau, SCAL No. 4523 Betsy J. Hackett-Davis, SCAL No. 4229 Photography Director Stephen W. Ivey

Support Staff Larry A. Byrd Justin E. Keisler Anthony Mack Michael McNeil Perry Schumpert

Printed with green products

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WWW.CHARLTONHALLAUCTIONS.COM

Now Accepting Quality Consignments for Scheduled Sales

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Important Collections June 2015

Great Collections December 2015

Consignment Deadline: April 1

Consignment Deadline: October 1

Style + Design June 2015 Consignment Deadline: April 1

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Style + Design December 2015 Consignment Deadline: October 1

Magnificent Antiques September 2015

Americana at Auction March 2016

Consignment Deadline: July 1

Consignment Deadline: January 2

Style + Design September 2015 Consignment Deadline: July 1

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Style + Design March 2016 Consignment Deadline: October 1

For more information, please contact consignment specialists Kinga Bender â&#x20AC;˘ Erica Guillebeau 803-779-5678 or info@charltonhallauctions.com

CHARLTON HALL

7 Lexington Drive â&#x20AC;˘ West Columbia, South Carolina 29170 Tel: 803.779.5678 Fax: 803.733.1701

www.CharltonHallAuctions.com