chen
chao 陳兆琦
'12
CHAO-CHI CHEN Portfolio Designer chi
作品
'02
3D Animator
Visual Communication Design student
Chen Chao Chi's Portfolio from 2002 to 2012 1986 / 09 / 08 0928 951 187 chenchaochi98@gmail.com Portfolio
About
陳兆琦 1986 09 08 0928 951 187 chenchaochi98@gmail.com 學歷 Kun Shan University of Technology
Visual Communication Design
'07 - '09
Tainan University of Technology
Visual Communication Design
'02 - '07
工作 Studio 2
3D animator
'09 - '11
Redblackdesigns
Designer
'11 - '12
Visaul Solution
Designer
'12
Flash AU G . 2012
Creative Work
Flight brain AU G . 2 0 1 1
05
Personal Birth / MAY.3 SEP. 2012
Creative Work
Personal Birth / MAY.22 S EP. 2012
07
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Heish, LanFan 㰛
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6287+ )LUH
($67 :RRG
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Brandish with Urban Colors in Kimen / Book Cover Design NO V. 2 0 1 1
Soho Work
Preface
007
007
Foreword
ᵊ
Geographical Environment
014 ✗䏭䒗⡪ 2
Causes And Characteristics Of Human
014 ạ㕮ㇷ⛇凮䉠峑 3
Chapter One Introduction
Historical Background And Evolution
014 㭞⏙傳㙖⑳㲦材 4
Current Situation And Future
014 䏥㲨凮㜑Ὥ
ᷧ
Chapter Three
Kinmen city and cultural overview of the visual environment
Kinmen city and cultural overview of the visual environment
007
007
▙
Foreword
1
1
Theoretical Study
Theoretical Study
014 ⭟䏭㎉姵
014 ⭟䏭㎉姵
Prologue
2
2
The Nature And Performance Of The Color
The Nature And Performance Of The Color
3
3
The Traditional Color Of Colored
The Traditional Color Of Colored
014 剙⽐㜓峑凮塏䏥
014 ṻ剙Ḳₚ䵘剙⽐ 4
Characterization And Significance Of Color In Kinmen
014 憸敧剙⽐塏⾜凮ヶ侐 5 Urban Aesthetics And Cultural Features
014 ➵ⷩ併⭟凮㕮⋽剙⽐
014 剙⽐㜓峑凮塏䏥
Characterization And Significance Of Color In Kinmen
014 憸敧剙⽐塏⾜凮ヶ侐 5 Urban Aesthetics And Cultural Features
014 ➵ⷩ併⭟凮㕮⋽剙⽐
ᵊ
1 Geographical Environment
014 ✗䏭䒗⡪ 2
Causes And Characteristics Of Human
014 ạ㕮ㇷ⛇凮䉠峑
014 ṻ剙Ḳₚ䵘剙⽐ 4
上 敞
005
008
3
Chapter One Introduction
Historical Background And Evolution
014 㭞⏙傳㙖⑳㲦材 4
011
䶹媽
䶹媽
011
Chapter Three
Kinmen city and cultural overview of the visual environment
013
凑
凑
008
Chapter Two
007
1
Prologue
ᷰ
006
Ⱗ敞
Ⱗ敞
007
䏥⯍凮好妡 憸敧➵ⷩ剙⽐Ḳ
好妡䒗⡪凮ạ㕮㥩㲨 憸敧➵ⷩ
013
Preface
Current Situation And Future
ᷧ
014 䏥㲨凮㜑Ὥ
ᷰ
䏥⯍凮好妡 憸敧➵ⷩ剙⽐Ḳ
Kinmen city and cultural overview of the visual environment
䏥⯍凮好妡 憸敧➵ⷩ剙⽐Ḳ
Chapter Three
Kinmen city and cultural overview of the visual environment
好妡䒗⡪凮ạ㕮㥩㲨 憸敧➵ⷩ
Chapter Three
Kinmen city and cultural overview of the visual environment
APPENDIX
上敞
Chapter Two
䏥⯍凮好妡 憸敧➵ⷩ剙⽐Ḳ
上敞
006
006
䛕拫
005
▙
1
1
Theoretical Study
Theoretical Study
014 ⭟䏭㎉姵
014 ⭟䏭㎉姵
2
2
The Nature And Performance Of The Color
The Nature And Performance Of The Color
3
3
The Traditional Color Of Colored
The Traditional Color Of Colored
Characterization And Significance Of Color In Kinmen
Characterization And Significance Of Color In Kinmen
Urban Aesthetics And Cultural Features
Urban Aesthetics And Cultural Features
014 剙⽐㜓峑凮塏䏥
014 ṻ剙Ḳₚ䵘剙⽐ 4
014 憸敧剙⽐塏⾜凮ヶ侐 5 014 ➵ⷩ併⭟凮㕮⋽剙⽐
014 剙⽐㜓峑凮塏䏥
014 ṻ剙Ḳₚ䵘剙⽐ 4
014 憸敧剙⽐塏⾜凮ヶ侐 5 014 ➵ⷩ併⭟凮㕮⋽剙⽐
006 PREFACE
㜵㱪⣒
From the Magistrate of Kinmen County COLOR SPECTRUM OF URBAN KINMEN
˙˙⻆⭮˚䤽⎄˚⭬䬓˚⏋幆˚䈳✱Ə⤁Ọ⻡䮰㨊⑳䩡敺㠣䬰䙫塏总Əḍ⻝凚㼉Ịṻ堳˚ṻ 㖠˚ṻ剙䙫剙⽐妧坴⏯˛敪䇴俧䜣Ḳⳝ££憸敧Ə㽂㱰吾㷘⎁䄈㮻䙫㕮⋽ⅎ㶜Ə㥜⅞㕮⋽䙫⋬坴『 Ə⥤ἣ⽉ㇷ㭞ὭḔ⎆ₚ䵘㼉㕮⋽䙫丕⽘Ə暽䵺㭞⤁㬈㈗䈔㳾䦕Ə䵙㯒㜑㏴⅝剙⽐Ə⎴俳㛛ẕ湾俳殕 㗵˛㗉䂡㈗✗䙫㛧∴䷁Ə㛰ᷧ⤒䕝旃Ə吓⤒厒㕜䙫㰊㥩ƞ⎯䂡Ḕ⎆怺䵘ᷧ僯䛟㉦˛㭞Ὥ㕮梏滵䛂Ə Ⱜ㯸䳻㨟Ə憴䦕㕀˚⤁婐㛟Ə䜆㘖≂㞻Ⅳ⽉ㇷḲ˥㖗㕮⋽Ḳⳝ˦˛
Lee, Wo-Shih Temples, houses of inheritance, residences, historical landmarks, and monumental gateways enrich the island of Kinmen with architectures expressing styles of forms and spaces. These ancient treasures speak the concepts of Five-elements,Five-directions, and Five-colors from the philosophy of Han Dynasty. With such vivid heritage, Kinmen not only is embedded with cultural cultivations but also open to diverse mores. Although she has suffered from warfare through out history, Kinmen nonetheless stands still to the confrontations of military threats with respectful courage and dignity. The conflicts didn’t shadow her beauty. In the contrary, she shines even more with splendid colors and unique characteristics of traditional Chinese people’s legacy. Yet, this culturally enriched land cultivates her people with the quality of conventional Chinese ethnicity of honoring the wisdom of simplicity, honesty, and literature. With mild disposition along with resolute spirits, the people of Kinmen help irrigate this land further to a whole new paradise of culture.
˙˙⾅㕮䍢姿廰Ə㭞Ị䙢䦸怙⣒˚凰ạ˚⇡⯮⅌䛟˚⏴⮍惰峉俬䔁⤁Ə䚱桖⮫姾好妡㖣⻡䮰Ə⥩敧㥊˚䓃䬹˚㕾㋘˚㕾 ⺎˚䥅潼˚㧿㝦˚䩾㫡˚㟘䏇˚䆼Ⱕü䬰壄棥⑳⽐乑Ə䛲⇡⅝⮳湾⟩䙮ƞ暼∢怇❲塏⾜⏰䥌˚⮳岛˚⹚⭰˚䙢䦸䙫ヶ侐 ˛✏⭾䥇⟩ᷱ䙫⌥栴Ə晋㕮⬾ⅎ⮠䙫⬾婅ヶ侐˚㛟㲼˚䳲棥˚㠣䛟䕝嬂䩝ƞ✏˥剙⽐˦䉠㭱ヶ侐塏䏥ᷱƏ⥩Ɲ怙⣒⌥ 栴㛰䂡朹剙⬾˚憸剙ƞẍ㛰溸剙˚憸剙⬾˛˥朹剙˦䂡ṻ堳Ḕⱓ㜏Ə䂡㝘㖠Ə愴㘌Ə㛰ℰ㗵˚喴⤐Ḳヶƞ˥憸剙˦ ∮塏˥ṥ˦Ə屈⾜⟬⛡˛⅝ẽ⥩䛊⯆⾈⏙˚㵞悍吾严˚曮⧨⯮庴䙫䶇剙Ə憸⬾䙫⌥栴Ə⥤ἣ䤽ℯ䙫弄䄳ㇷⰘƏ桖塏䪲 Ọ䂡⽳᷽⅟䮫Ə㭋ㇽ䂡⣒⮍˚䤥䨞˚⭾㖶䙫塏⾜㛰旃˛
˙˙˥⪤䤽˦吾㩀溪剙˚˥旃⸄␂˦吾䶇塴Ə˥憸敧梏䌬䈡˦㊒梏⸟奲Ọ䳬剙䙫ü⤁䙭㹷㖣䔆㴢˚Ṳ䉐㥩⎱⯴凑䄝凮
According to historical documentations, Kinmen was the birthplace of many extinguished intellectuals, government officials, and persons of virtue. These outstanding achievements were reflected in the vivid styles of local architectures, such as the designs and decorations on doors, arches, altars, windows, columns and so on. These brilliant elements are turned to symbols that indicate luck, prosperity, wellbeing, and success that their ancestors had accomplished. The calligraphy carved on the tablet hung in the front of the ancestral shrine was delicately composed with specific meanings, decorations, and forms. In terms of color applications, the blue Chinese characters on golden tablet, or golden characters on black one represents the imperial honors on academic achievements. According to the concept of Five-elements, the color of blue indicates wood, meaning east, spring, brightness, and sky. In addition, the color of gold represents firmness. There are also tablets with golden characters on green background specifies the great attainments of the ancestors that have become the lasting honors that the families hold and follow.
䔆⑤˚⭾㕀䙫䛲㲼˛㖣ṳ⌨᷽ᷧ䳧䙫憸敧㘩Ị梏屳Əḍ⁁⇡ᷴ⏳場侐˛嬄嘔劓⠘娔姯ⰼ⾅≜㖗剙⽐ヶ侐敲⦲㎉姵Əẍ忶 䔘好妡⋽Ḳ弰⋽怵䧲⭳ㇷỌ㖗憸敧ẕ䜣剙⽐䂡⇡䙣滅䙫㵞⠘娔姯˛
。Color 。Humanities 。Art 。Island
The conventional appearances of the Goddess of Ma-Zhu wearing in yellow and the God of Guan-Gon in green are all derived from the daily customs, concepts of things and the points of view on nature, lives, and religions. In addition, the lion statue in red scarf often seen in the island has developed new meanings in the twenty-first century. The exhibitor, Ms. Hsieh, Lan-fen, has created her poster design works by first studying the new meanings of colors seen and applied in the daily lives in modern Kinmen. Through the process of transforming these visual representations of Kinmen into graphic design elements, Ms. Hsieh has brought us a wonderful collection of art works celebrating the fabulous colors of the spanking island.
Brandish with Urban Colors in Kimen / Layout Design N O V. 2011
09
KAJAK Logo / Draft J U N . 2012
Soho Work
KAJAK Logo / Finalized JU N . 2012
11
A Dialogue with the Space and Time (Naitonal Taiwan Museum of Fine Arts ) / Visual Design J UN. 2 0 12
Soho Work
Character Design JUN. 2 0 12 13 School Work
Hand-Painted / Speed Painting MAR . 2 0 08 / 2006 / 2006
School Work
Hand-Painted / Speed Painting M A R. 2 0 08 15
Hand-Painted / Watercolor Painting J UN. 2 0 03
School Work
Hand-Painted / Handpainted Technique JUN. 2 0 04 17
Texture Experiment / Chaos N OV. 2 0 07
School Work
Texture Experiment / Non-vertical and horizontal NOV. 2 0 07 19
Texture Experiment / Simple N OV. 2 0 07
School Work
Signature Trade Shop / Book Design M AY. 2 0 07 21
Signature Trade Shop / Book Design MAY. 2 0 07
Graduation Project Work
Signature Trade Shop / Book Design M AY. 2 0 07 23
Rainy House/ Animation Poster MAY. 2 0 09
Graduation Project Work
Rainy House/ Animation Scenes M AY. 2 0 09 25
Watkins Honey Drink /Logo Design APR . 2 0 12
redblackdesigns
Watkins Honey Drink / Packing Design A P R. 2 0 12 27
Graphic Text / Sightseeing in Taipei APR . 2 0 12
redblackdesigns
29
3D Modeling MAR . 2 0 10
Studio2
3D Modeling F EB. 2 0 11 31
3D Modeling J UL. 2 0 1 1
Studio2
3D Modeling JUL. 2 0 1 1 33
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