chenchaochi portfolio JUN.2012

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陳 兆 琦 簡 歷 0 92 8 9 51187 cha oc hi 3 2 0@ya ho o . co m . t w


台南應用科技大學 視覺傳達設計

崑山科技大學 視覺傳達設計

朱墨形象設計廣告有限公司 設計師

20 0 7~ 20 0 9

2 00 2 ~2 007

20 11 ~2 0 1 2

Stu di o 2 3 D 動 畫師 20 0 9~ 20 1 1


陳 兆 琦 作 品 集


九十一 Student

九十八


街拍文字海報 壹 貳 参

Ph o to g rap h y

P h o to shop

Ku n S ha n U n ive rs i t y of Te ch nolog y ( 2007)

8


Wor ds_1

9


Wor ds_2

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Wor ds_3

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下雨的房間 導演 海報設計

M a ya

P h o to sh o p

Gra d u a t i o n P ro j e c t (2 0 09 )

12


R ainy House

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Dir ector

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Maya

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號鋪行 書籍設計 展場 名片 L O G

Il l u strato r

P ho to sh op

Gra d u a t i o n P ro j e c t (2 0 07 )

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O

設計


S i gn a tur e Tr ade Shop

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台南老 工藝

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採訪 、 紀錄 、 設計

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平面設計 小作業

Il l u strato r

P ho to sh op

Ta i n a n U ni ve rs i t y of Te ch nolo gy ( 200 2~2 007) K u nS h a n U n ivers i ty of Te ch nolog y ( 2007 ~20 09)

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自我介紹 K u nS h a n U n ivers ity of Te ch n o log y ( 20 07)

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電影經典名句 壹

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Ta i n a n U n i ve rs i ty of Te ch nology (2 00 3)


電影經典名句 貳 Ta i n a n U n i ve rs i ty of Tech n olog y ( 200 3)

23


手繪

速寫

精描

Ta i n a n U ni ve rs i t y of Te ch nolo gy ( 200 2~2 007) K u nS h a n U n ivers i ty of Te ch nolog y ( 2007 ~20 09)

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精描 色鉛筆 水 彩

Ta i na n U ni ve rs i ty of Tec hnolog y (2 0 05 )

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精描 水彩

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Ta in a n U n i ve rs i t y of Tech n olog y (20 03)


速寫 炭 精筆

Kun S ha n Uni ve rsit y o f Tec h no log y ( 2 00 8)

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速寫 毛筆

速寫 毛筆 速寫 炭精筆

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Ta i n a n U n i ve rs i ty of Te ch nology (2 00 7)


互動多媒體

DI RECTOR K unS h a n U n ivers i ty of Te ch n o log y ( 20 07~ 200 9)

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互動多媒體設計

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K u n S h a n U n i ve rs ity of Te c hn o log y ( 20 08)


數位作品集 K u n S h a n U n i ve rs ity of Te c hn o log y ( 20 08)

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數位攝影

P h o to g rap h y

P h o to shop

K unS h a n U n ivers i ty of Te ch n o log y ( 20 07~ 200 9)

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Image_01

Image_02 33


Image_03

Image_04

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Image_05

Image_06

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Image_07

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九十八 Studio2

一百 37


動畫師

3D

M aya

P h o to sh o p

St u d i o 2 ( 20 0 9 ~ 2 0 1 1 )

3D 38


角色模型

39


周大觀

40


角色模型

41


周大觀

42


角色模型

43


黑頭轎車

44


阿帕契

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46


場景模型

47


小貓巴克里

48


場景合成

49


道具模型

漁船

50


平面

動畫

51


一百

RB

一零一

52


台灣知微 網站設計 包裝設 計 re db l a c kd e s i gn s (2 0 1 1~ 20 1 2 )

53


網站設計

54


h tt p : / / micronala b.co m

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金絲蜜飲

56


包裝設計

57


58


T

C

O

海報設 計 re d b la c kd e s ign s (2 0 1 1 ~2 01 2 )

59


民樂雙城記

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浮生若夢

61


台北市觀傳局 環保購物袋

圖案設 計 re d b la c kd e si g n s ( 2 01 1~ 20 1 2)

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63


64


一百 Cases

一零一 65


憸 :(67 *ROG

Heish, LanFan

B ra n d i s h W i t h U rba n C olors In Kinme n ( 2011 )

66


㰛 1257+ :DWHU

0,''/( (DUWK

($67 :RRG

䁒 6287+ )LUH

封面設計 67


⹶ 上 敞

005

㜵㱪⣒

COLOR SPECTRUM OF URBAN KINMEN

˙˙⻆⭮˚䤽⎄˚⭬䬓˚⏋幆˚䈳✱Ə⤁Ọ⻡䮰⻶㨊⑳䩡敺㠣⻶䬰䙫塏总Əḍ⻝἟凚㼉Ịṻ堳˚ṻ 㖠˚ṻ剙䙫剙⽐妧⿜坴⏯˛敪䇴俧䜣Ḳⳝ££憸敧Ə㽂㱰吾㷘⎁䄈㮻䙫㕮⋽ⅎ㶜Ə㥜⅞㕮⋽䙫⋬坴『 Ə⥤ἣ⽉ㇷ㭞ὭḔ⎆ₚ䵘㼉㕮⋽䙫丕⽘Ə暽䵺㭞⤁㬈㈗䈔㳾䦕Ə䵙㯒㜑㏴⅝剙⽐Ə⎴俳㛛ẕ湾俳殕 㗵˛㗉䂡㈗✗䙫㛧∴䷁Ə㛰ᷧ⤒䕝旃Ə吓⤒厒㕜䙫㰊㥩ƞ⎯䂡Ḕ⎆怺䵘ᷧ僯䛟㉦˛㭞Ὥ㕮梏滵䛂Ə Ⱜ㯸䳻㨟Ə憴䦕㕀˚⤁婐㛟Ə䜆㘖≂㞻Ⅳ὜⽉ㇷḲ˥㖗㕮⋽Ḳⳝ˦˛

˙˙⾅㕮䍢姿廰Ə㭞Ị䙢䦸怙⣒˚凰ạ˚⇡⯮⅌䛟˚⏴⮍惰峉俬䔁⤁Ə䚱桖⮫姾好妡㖣⻡䮰Ə⥩敧㥊˚䓃䬹˚㕾㋘˚㕾 ⺎˚䥅潼˚㧿㝦˚䩾㫡˚㟘䏇˚䆼Ⱕü䬰壄棥⑳⽐乑Ə䛲⇡⅝⮳湾⟩䙮ƞ暼∢怇❲塏⾜⏰䥌˚⮳岛˚⹚⭰˚䙢䦸䙫ヶ侐 ˛✏⭾䥇⟩ᷱ䙫⌥栴Ə晋㕮⬾ⅎ⮠䙫⬾婅ヶ侐˚㛟㲼˚䳲棥˚㠣⻶䛟䕝嬂䩝ƞ✏˥剙⽐˦䉠㭱ヶ侐塏䏥ᷱƏ⥩Ɲ怙⣒⌥ 栴㛰䂡朹剙⬾˚憸剙⹼ƞẍ㛰溸剙⹼˚憸剙⬾˛˥朹剙˦䂡ṻ堳Ḕⱓ㜏Ə䂡㝘㖠Ə愴㘌Ə㛰ℰ㗵˚喴⤐Ḳヶƞ˥憸剙˦ ∮塏˥ṥ˦Ə屈⾜⟬⛡˛⅝ẽ⥩䛊⯆⾈⏙˚㵞悍吾严˚曮⧨⯮庴䙫䶇剙⹼Ə憸⬾䙫⌥栴Ə⥤ἣ䤽ℯ䙫弄䄳ㇷⰘƏ桖塏䪲 Ọ䂡⽳᷽⅟䮫Ə㭋ㇽ䂡⣒⮍˚䤥䨞˚⭾㖶䙫塏⾜㛰旃˛

˙˙˥⪤䤽˦吾㩀溪剙˚˥旃⸄␂˦吾䶇塴Ə˥憸敧梏䌬䈡˦㊒梏⸟奲Ọ䳬剙䙫ü⤁䙭㹷㖣䔆㴢˚Ṳ䉐㥩⿜⎱⯴凑䄝凮 䔆⑤˚⭾㕀䙫䛲㲼˛㖣ṳ⌨᷽ᷧ䳧䙫憸敧㘩Ị梏屳Əḍ⁁⇡ᷴ⏳場侐˛嬄嘔劓⠘娔姯ⰼ⾅≜㖗剙⽐ヶ侐敲⦲㎉姵Əẍ忶 䔘好妡⋽Ḳ弰⋽怵䧲⭳ㇷỌ㖗憸敧ẕ䜣剙⽐䂡⇡䙣滅䙫㵞⠘娔姯˛

。Color 。Humanities 。Art 。Island

B ra n d i s h W i th U rban Colors In Ki nmen (2 01 1)

68


006 PREFACE

From the Magistrate of Kinmen County Lee, Wo-Shih Temples, houses of inheritance, residences, historical landmarks, and monumental gateways enrich the island of Kinmen with architectures expressing styles of forms and spaces. These ancient treasures speak the concepts of Five-elements,Five-directions, and Five-colors from the philosophy of Han Dynasty. With such vivid heritage, Kinmen not only is embedded with cultural cultivations but also open to diverse mores. Although she has suffered from warfare through out history, Kinmen nonetheless stands still to the confrontations of military threats with respectful courage and dignity. The conflicts didn’t shadow her beauty. In the contrary, she shines even more with splendid colors and unique characteristics of traditional Chinese people’s legacy. Yet, this culturally enriched land cultivates her people with the quality of conventional Chinese ethnicity of honoring the wisdom of simplicity, honesty, and literature. With mild disposition along with resolute spirits, the people of Kinmen help irrigate this land further to a whole new paradise of culture. According to historical documentations, Kinmen was the birthplace of many extinguished intellectuals, government officials, and persons of virtue. These outstanding achievements were reflected in the vivid styles of local architectures, such as the designs and decorations on doors, arches, altars, windows, columns and so on. These brilliant elements are turned to symbols that indicate luck, prosperity, wellbeing, and success that their ancestors had accomplished. The calligraphy carved on the tablet hung in the front of the ancestral shrine was delicately composed with specific meanings, decorations, and forms. In terms of color applications, the blue Chinese characters on golden tablet, or golden characters on black one represents the imperial honors on academic achievements. According to the concept of Five-elements, the color of blue indicates wood, meaning east, spring, brightness, and sky. In addition, the color of gold represents firmness. There are also tablets with golden characters on green background specifies the great attainments of the ancestors that have become the lasting honors that the families hold and follow. The conventional appearances of the Goddess of Ma-Zhu wearing in yellow and the God of Guan-Gon in green are all derived from the daily customs, concepts of things and the points of view on nature, lives, and religions. In addition, the lion statue in red scarf often seen in the island has developed new meanings in the twenty-first century. The exhibitor, Ms. Hsieh, Lan-fen, has created her poster design works by first studying the new meanings of colors seen and applied in the daily lives in modern Kinmen. Through the process of transforming these visual representations of Kinmen into graphic design elements, Ms. Hsieh has brought us a wonderful collection of art works celebrating the fabulous colors of the spanking island.

序 設計 69


Preface

Chapter Three

Chapter Three

Kinmen city and cultural overview of the visual environment

Kinmen city and cultural overview of the visual environment

Kinmen city and cultural overview of the visual environment

007

007

好妡䒗⡪凮ạ㕮㥩㲨 憸敧➵ⷩ

013

Foreword

Ⱗ敞⹶

007

1

Prologue

Geographical Environment

014 ✗䏭䒗⡪

凑⹶

008

2 Causes And Characteristics Of Human

014 ạ㕮ㇷ⛇凮䉠峑 3

Chapter One Introduction

Historical Background And Evolution

014 㭞⏙傳㙖⑳㲦材 4

䶹媽

011

Current Situation And Future

014 䏥㲨凮㜑Ὥ

䏥⯍凮好妡 憸敧➵ⷩ剙⽐Ḳ

Chapter Two

䏥⯍凮好妡 憸敧➵ⷩ剙⽐Ḳ

上敞⹶

006

䛕拫

005

1

1

Theoretical Study

Theoretical Study

2

2

The Nature And Performance Of The Color

The Nature And Performance Of The Color

3

3

The Traditional Color Of Colored

The Traditional Color Of Colored

Characterization And Significance Of Color In Kinmen

Characterization And Significance Of Color In Kinmen

Urban Aesthetics And Cultural Features

Urban Aesthetics And Cultural Features

014 ⭟䏭㎉姵

014 剙⽐㜓峑凮塏䏥

014 ṻ剙Ḳₚ䵘剙⽐ 4

014 憸敧剙⽐塏⾜凮ヶ侐 5 014 ➵ⷩ併⭟凮㕮⋽剙⽐

014 ⭟䏭㎉姵

014 剙⽐㜓峑凮塏䏥

014 ṻ剙Ḳₚ䵘剙⽐ 4

014 憸敧剙⽐塏⾜凮ヶ侐 5 014 ➵ⷩ併⭟凮㕮⋽剙⽐

B ea n d i s h W i th U rb an C o lors In Kinme n ( 20 11)

70


006 APPENDIX

Preface

Kinmen city and cultural overview of the visual environment

007

007

013

Foreword

Ⱗ敞⹶

007

Prologue

凑⹶

008

1 Geographical Environment

014 ✗䏭䒗⡪ 2

Causes And Characteristics Of Human

014 ạ㕮ㇷ⛇凮䉠峑 3

Chapter One Introduction

Historical Background And Evolution

014 㭞⏙傳㙖⑳㲦材 4

䶹媽

011

Current Situation And Future

014 䏥㲨凮㜑Ὥ

䏥⯍凮好妡 憸敧➵ⷩ剙⽐Ḳ

Chapter Three

Kinmen city and cultural overview of the visual environment

䏥⯍凮好妡 憸敧➵ⷩ剙⽐Ḳ

Chapter Three

Kinmen city and cultural overview of the visual environment

好妡䒗⡪凮ạ㕮㥩㲨 憸敧➵ⷩ

上敞⹶

006

Chapter Two

1

1

Theoretical Study

Theoretical Study

014 ⭟䏭㎉姵

014 ⭟䏭㎉姵

2

2

The Nature And Performance Of The Color

The Nature And Performance Of The Color

014 剙⽐㜓峑凮塏䏥

014 剙⽐㜓峑凮塏䏥

3

3

The Traditional Color Of Colored

The Traditional Color Of Colored

Characterization And Significance Of Color In Kinmen

Characterization And Significance Of Color In Kinmen

Urban Aesthetics And Cultural Features

Urban Aesthetics And Cultural Features

014 ṻ剙Ḳₚ䵘剙⽐ 4

014 憸敧剙⽐塏⾜凮ヶ侐 5 014 ➵ⷩ併⭟凮㕮⋽剙⽐

014 ṻ剙Ḳₚ䵘剙⽐ 4

014 憸敧剙⽐塏⾜凮ヶ侐 5 014 ➵ⷩ併⭟凮㕮⋽剙⽐

目錄設計 71


無限度攝影展 海報設計 P h o t o g r a p h i c E x h i b i t i o n o f 2 0 1 1 FJ U K ol k a ta S e r v i ce -L ea rn ing Poster ( 2 011 )

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73


K A JA K LO GO

74


初稿 提案

75


h ttp:/ / ww w.f li ckr.com

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m/ p h o tos / ch en cha o c h i /

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未 ( 完 待 續 ‧ ‧ ‧ ) 0 92 8 9 51187 cha oc hi 3 2 0@ya ho o . co m . t w




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