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NOVEMBER 27, 2018

THE INDEPENDENT STUDENT NEWSPAPER OF THE UNIVERSITY OF CHICAGO SINCE 1892

Phi Delt Removes Two Founding Members for Misconduct

VOL. 130, ISSUE 17

Lawyer Likens Harvard Policy to “Racist Taser”

By PETE GRIEVE editor-in- chief

The Phi Delt fraternity house will undergo a $1 million-plus renovation. pete grieve

By WILLIAM YEE news reporter

Phi Delta Theta (Phi Delt) returned to the University of Chicago this fall, and the chapter is in the process of growing its membership while the fraternity house, located on 5625 South University Avenue, awaits a million-dollar-plus renovation.

Students and representatives of the national organization say the chapter is starting fresh, try-

ing to be an upstanding fraternity. The Phi Delt chapter went dormant for years in 2016 after a hazing incident. On induction night in 2015, pledges were served grain alcohol, then held in a basement room as part of an initiation ceremony. The events resulted in a $250,000 lawsuit in which Dylan Kanaan, a pledge who sustained significant injury, alleged that he was singled out and beaten by fraternity members. A September 11 court document shows that the

lawsuit ended in a settlement, the details of which are confidential.

In January 2016, the chapter began the process of “recolonization,” suspending Phi Delt’s presence on campus until all students who were members at the time of the incident have graduated. Following the graduation of the Class of 2018 this past spring, the fraternity began recruiting members for a new colony this fall.

But the process of recolonizing has not been so smooth: Phi Delt

has already removed multiple founding members due to reports of alleged sexual misconduct.

The Marooon learned that at least two brothers, who previously signed invitations from the organization’s national representatives to become Founding Fathers, had their membership rescinded after Phi Delt representatives became aware of reports that they had committed sexual misconduct, according to multiple continued on pg.

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At Kalven’s Invisible Institute, Telling a City’s Story

By ELLIE CITRON news reporter

In an era of “fake news,” Jamie Kalven’s alternative form of honest, thorough journalism runs sharply counter to such currents. Sporting a thick beard, Gregory Peck glasses, and notebook in hand, he sits at Build Coffee, the coffee shop located within the Experimental Station—an incubator for burgeoning nonprofits in the Hyde Park–Woodlawn community. The Invisible Institute, of which he is the executive director, is located just above the coffee shop.

Kalven is a Chicago native. His father, Harry Kalven, was a professor at the University of Chicago Law School, a constitutional lawyer, leading First Amendment scholar, and the author of the Kalven Report, a controversial guiding document of the University’s involvement in political issues since 1967. One of Jamie Kalven’s earlier projects was completing his father’s unfinished book on the First Amendment and free speech, which took about 10 years. The completion

Immigration Through a Taxi Driver’s Eyes: Yvan Alagbé Discusses His Comic Book

By ZOE WILLIAMS

page 6

of the book, A Worthy Tradition: Freedom of Speech in America, introduced Kalven to the world of free expression, and ultimately journalism.

Since the 1980s, he has reported on major political and social issues in the city of Chicago, such as matters of public housing, gang violence, and police abuse. In recent years, Kalven was awarded the 2015 Polk Award for Local Reporting, the 2016 Ridenhour Courage Prize, and the 2017 Hillman Prize for Web Journalism.

In 2014 he became the focal point of the Kalven v. City of Chicago court decision, which “opened a number of police misconduct records to the public...to secure about 11 years worth of city data through Freedom of Information Act requests and civil rights litigation,” most about the death of 16-year-old Laquan McDonald, according to the Hyde Park Herald. Kalven’s reporting on McDonald’s death was significant in that it led to the conviction of the responsible on-duty Chicago police officer, the first decision of its kind for more than 50 years, according to the

Jamie Kalven. courtesy of indiana public media .

RSVP page of Kalven’s upcoming talk at the University. From the press coverage of the decision arose the need for more: a bigger staff, real investors, and a deliberate push to enhance the values.

As a journalist, Kalven aims to build a body of work that reflects the

essence of Chicago. He cites David Simon, the creator of The Wire, as he reflected on his initial goals for the show as it neared the end of the final season: “[Simon] said something to the effect that, from the start, he planned continued on pg.

An Outstanding Victory Followed by a Tough Loss

By AUDREY MASON page 8

Like our Facebook page at facebook.com/chicagomaroon and follow @chicagomaroon on Instagram and Twitter to get the latest updates on campus news.

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Law School lecturer Adam Mortara, lead trial counsel representing plaintiffs in Students for Fair Admissions v. Harvard, likened the bias of Harvard University’s admissions office against Asian-American students to an imaginary Taser that kills Black people but only stuns white, Hispanic, and Asian people.

He made the analogy at a University of Chicago Federalist Society event on Monday to stress his claim that Harvard knowingly used an admissions process biased against Asian-American applicants. Mortara’s team says that white, Hispanic, and Black applicants averaged higher marks that Asian-American applicants in the “personal rating” component Harvard used to evaluate applications.

The plaintiffs Mortara represents allege that Harvard routinely discr iminates aga inst Asian-American applicants by imposing informal quotas to restrict their admissions numbers.

Mortara’s presentation to more than a hundred students focused on data that Students for Fair Admissions has used in the lawsuit to argue that Asian-American students are disadvantaged in the personal rating component of application evaluations.

Mortara acknowledged in his talk that it’s possible Harvard did not know Asian students were disadvantaged until internal reports showed so in 2013, before the lawsuit began. However, he argues that after the internal reports were produced that year, they knew they were using an unfair system.

“One way in which I’ve discussed this with [my] team from time to time is whether it’s possible that Harvard didn’t know that any of this stuff was happening before they got all these reports. Is it possible it was just sort of implicit bias, unconscious bias operating?” he said.

In Mortara’s analogy, the person using the Taser is told it kills Black people, but uses it anyway to shoot criminals at night. His point was to emphasize that Harvard knew its system disadvantaged Asian-American students and that Harvard was content with this.

“It’s true that we don’t know what Harvard knew about how continued on pg.

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THE CHICAGO MAROON - NOVEMBER 27, 2018

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Events 11/27–11/29

Tuesday Race in Latin America Saieh Hall 21, 8—9 p.m.

Professor Larissa Brewer-Garcia and MEChA de UChicago discuss the effects of colonization and the African diaspora on modern race relations in Latin America and Latinx identity. Manolo’s Tamales will be providing catering.

Health Equity for Chicago 2.0: Health Equity for LGBTQ Chicagoans Harris School of Public Policy Student Lounge, 12:30—1:30 Researcher and epidemiologist Kingsley Weaver will present on the first LGBTQ+ centered report by the Chicago Department of Public Health, followed by a discussion. This report also marks the first LGBTQ+ census in Chicago.

Wednesday Grad Labor Day of Visibility Regenstein Library, 10 a.m.— 4 p.m.

GSU hosts a “work in” on the first floor of the Reg to call attention to the value of graduate student work in all areas of the University.

There will be three two-hour shifts, and the event will include lunch, tabling by members of GSU, and social media oportunities.

What’s the Tea? Metcalf and Financial Aid with SDA UChicago Bartlett Trophy Lounge, 6—7 p.m.

UChicago’s Socioeconomic Diversity Alliance is hosting a discussion of issues with Metcalf Funding and Financial Aid with the goal of improving both programs. Tea will be available.

Thursday Oeconomica Faculty Dinner: Alessandra González Saieh Hall 203, 7—8p.m.

Join Oeconomica for a faculty event with professor Alessandra González from the Department of Economics! Professor González is an economic sociologist with specializations in gender, organizations, and development; her research focuses on how culture affects gender inequality and how such inequality can be measured by economic outcomes. Food will be provided!

The Bee Movie with Harper Hives Kent Hall, Room 107, 7—8:30 p.m.

Harper Hives hosts an evening of “memery and bees” with a screening of Bee Movie in Kent 107. Attendees should register online before the event.

Chicago’s Narrative, One Dataset at a Time continued from front

to build a city through narrative. And, in thinking about how the show unfolds, the first season shows encounters between the police and young men in the drug trade. Successive seasons build more and more context around that dynamic; the education system, the politics, the economic conditions in Baltimore, the press….

They build a city…. So, my aspiration [for the Invisible Institute] is that we do our work in such a way that it accumulates; it too builds a city through storytelling. It helps us understand the city of Chicago that we live in,” he said.

Enter the Invisible Institute, a journalism production company located within Hyde Park.

Founded in 2014, the Institute’s central aims are as follows: “Our work coheres around a central principle: we as citizens have co-responsibility with the government for maintaining respect for human rights and, when abuses occur, for demanding redress,” according to its website.

The Institute, a “band of gypsies,” as he calls it, is comprised of investigative journalists, mixed-media producers, data analysts, and more. Their work manifests in many ways: human rights documentation and investigative reporting, through in-depth stories as found on The Intercept; civil rights litigation; the curating of public information, such as The Citizens Police Data Project; conceptual art projects; and the orchestration of difficult public conversations, like the spread of the Institute’s Code of Silence.

The work that Kalven and his team have done has impacted the City of Chicago, in ways both large and small. On the micro scale, his narrative style hones in upon the individual; he reports on singular citizens in Chicago as a means of representing larger, systemic issues affecting citizens of the city. “The fundamental issues in the City of Chicago, with respect to racial justice and equality, are in plain sight—but we don’t see them,” Kalven told The Maroon.

“We have an extraordinary ability to not see them. That is the contemporary malaise: We can be incredibly well informed in one sense, and know things, but also not know them at the same time. What’s the role of journalism? Well,

mats, libraries, community centers…and it continues to be an unfolding thing. It initially drove our tip lines for future stories; now it’s being made into a featured movie,” he said.

The Institute’s forthcoming projects center around data collection for common good used both privately and publicly. In August, the Institute released the Citizens Police Data Project (CPDP.co). “The Citizens Police Data Project is a tool for holding police accountable to the public they serve. CPDP takes records of police interactions with the public that would otherwise be buried in internal databases and opens them up to make the data useful to the public, creating a permanent record for every police officer and a public record for every civilian complaint,” according to the Institute’s website.

Kalven noted the potential for future expansion to other cities. “Not overreaching, but identifying other partner cities where something like this could be useful,” he said.

Additionally, the Institute is crafting a new project that focuses on the work of public defenders, establishing a gated (and therefore private) database that public defenders can use to gain information on the cops that they eventually cross-examine in court, rather than having such information be spread solely through word of mouth.

“The idea would be to create something that is tailored to the needs of public defenders that maximizes utility in obtaining and sharing information about problematic offers. Potentially, prior to when a public defender goes into a first appearance with a client, they can go to these integrated databases, find the names of the cops involved in these cases and immediately understand the past of these officers....

This information could then be presented to the judge in an initial hearing to immediately challenge the quality of the arrest,” Kalven said.

Kalven will be speaking at the University on December 6, 2018 in Ida Noyes Hall. He will engage in a Q&A discussion with Maira Khwaja A.B. ’16, the head of Outreach and Development at the Invisible Institute, discussing “his reporting, the role of a free press in a democracy, and the First Amendment today.”

Platonists For Latkes, Economists for Hamantash at Annual Debate

By TONY BROOKS news editor

UChicago Hillel hosted the 72nd Annual Latke-Hamantash Debate in Mandel Hall last Monday. Three University professors argued either in favor of the latke, a fried potato pancake, or the hamantash, a triangular cookie with a pocket in the middle for filling.

Support Our Advertisers “This evening, we will frame our question through the lens of the cosmos,” Hillel Page Three: Kaufman Dental has a 10 percent Rabbi Anna Levin Rosen said before the dediscount on dental work for patients without bate began. “Which of these Jewish holiday insurance. foods is the most out of this world?”

Philosophy lecturer Ben Callard took Page Seven: The Law School will host an event the stage first, framing the question as a about the relationship between national securi- metaphysical one. He based his argument ty and the Supreme Court. on the observations of Plato, Ludwig Wittgenstein, and Jerry Seinfeld.

Page Eight: Brent House will host a reading and He argued that the hole is the closest a discussion of gender in Shakespeare’s plays. A human can come to comprehending nothvegetarian dinner will also be provided. ingness, even though the hole itself is not nothing, but merely an imitation of it. The If you want to place an ad in The Maroon, hamantash is a pocket, he argued, and a pocket is nothing more than an imitation of a hole.

“Holes are made of nothing, but this does not mean that they are nothing. You Subscribe to the Maroon newsletter for can make something out of nothing, as I am e-mails every Tuesday and Friday doing tonight,” Callard said. “Hamantashen sort of are simulation of a simulation of nothingness. What better proof that hamantashen are out of this world?” chicagomaroon.com/newsletter Hamantash, he concluded, belong to the

subscribe!

it’s to subvert that dynamic, breaking through, and making visible what’s in plain sight but not seen.”

Kalven sees a discrepancy between policy discourse and observable, individual experience: Legal practitioners do not fully understand the issues which they aim to ameliorate, and the needs of those they aim to address are not being addressed.

“One thing that has really shaped the Invisible Institute is the sense that there is too often, particularly with respect to issues of poverty and race, a disconnect between the policy discourse, which takes place in a kind of mid-level, abstract place, and observable reality on the ground. That the things that are observable need to be part of that mid-level discourse but often aren’t,” he said.

Through up-close examinations of these issues, often by highlighting those individual stories seldom heard, the Invisible Institute tries to combat this central issue. In this way, the Institute’s work exists as “the view from the ground”; Kalven is neither a policymaker nor a journalist for a conventional newspaper.

By crafting unique stories that shed light on individual experiences, he aims to create conditions for a larger open discourse. He reports on the issues as seen from lived experiences, a simple yet often overlooked way to get individuals’ stories across, ones which are affected by policy changes in the government.

The Institute’s work centers around “deep, narrative explorations.” The team’s work can be found both on- and offline: on The Intercept, First Look Media’s online news platform, and in various locations across the city. The most notable example of this is the Institute’s 2016 Code of Silence, a 20,000 word novella-like investigative article on police corruption in Chicago’s public housing, of which 40,000 copies were distributed throughout the city with the help of The Intercept. According to Kalven, Code of Silence best exemplifies the major investigative work that Kalven and the Invisible Institute aim to produce.

“Having made a physical artifact and distributing it widely, we put it everywhere throughout the city: churches, bars, laundro-

realm of Platonic forms, while the latke is more Aristotelian in nature.

“The only question that remains is this: ‘Should food be out of this world? Is it a virtue in food to be otherworldly?’ And the answer of course is no. Who wants some abstract coffee or ethereal ice cream cone?”

Callard said in his conclusion. “The very fact that hamantashen are out of this world entails, I think, that latkes win the contest.”

After Callard, Leslie Kay, a psychology professor, also argued in favor of the latke.

She claimed to have discovered a previously unknown dialogue of Plato in which Socrates discusses the merits of both dishes.

Her argument, she said, was a summary of Socrates’s argument.

Citing the book of Genesis, she said that the sense of smell is the only sense uncorrupted by the fall of man in the Garden of Eden.

“Eve heard the serpent, she saw the fruit, she touched the fruit, and she tasted it. Nowhere is smell mentioned.”

“All neural stimuli except for odors are processed in thalamus before being distributed to the cortex,” she said. “We can now assign the thalamus as the origin of sin and the distribution of sinful thoughts.”

Since the sense of smell bypasses the thalamus, she argued that smell should be the most significant factor in determining the superiority of the latke.

She continued to cite examples from the

Hebrew Bible in which God asks for burnt offerings and incense. Drawing upon these texts, she concluded that the latke smells most similar to the ancient incense and is thus the superior dish.

Harris senior lecturer Paula Worthington conducted a cost-benefit analysis of the two foods and was the only debater to favor the hamantash.

She analyzed the prices of a serving of each good and came to the conclusion that latkes are not only more expensive, but also carry significant shadow costs due to complements like applesauce and cottage cheese. However, she argued that since one cannot eat just one latke, the true price was four times that of a hamantash.

After applying the Cobb–Douglas utility function to the two goods, she concluded that consumers still prefer latkes.

“On a per serving basis, the enjoyment per latke is $20, while the enjoyment per hamantash is only $5,” she said.

She went on to examine various shadow costs and externalities associated with both goods, including health impacts, odors, and pollution. She concluded that, societally, the hamantash was preferable to the latke.

After the debate, members of the audience voted on their preferred dish. Hillel held a reception in which they served both latkes and hamantash. On Wednesday, the latke was announced as the winner of the 2018 debate on Hillel’s Facebook page.

THE CHICAGO MAROON - NOVEMBER 27, 2018

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Fraternity Members Removed After Misconduct Rumors continued from front

founding members. A Phi Delt representative confirmed that they removed these two students, whom The Maroon will not name due to limited information about the reports.

“A Fresh Start” The Maroon sat down with both “expansion consultants,” the national representatives of Phi Delt who are leading the recolonization process at UChicago: Justin Holmes, a 2017 graduate of the Phi Delt chapter at Campbell University in North Carolina, and Andrew Norrie, a 2018 alumnus of the Phi Delt chapter at Western University in Ontario.

Holmes discussed the application process for its “Founding Fathers,” the students who will form the first pledge class of the new chapter. The chapter ran advertisements on social media to generate interest, which prompted applicants to submit a form containing contact information. Applicants were then interviewed by both Holmes and Norrie.

Norrie elaborated upon the selection process. “It’s completely based on what you’re looking to get out of your campus or your fraternity experience,” he explained.

“So, if I sit down with someone who’s looking to join Phi Delt because they want to throw a rager and ‘frat it up’ throughout their college career, they’re probably not the right fit for the group. We really look for guys who are a little bit more driven than that and want to get more out of their experience than just the social aspect. So that means the community service, the philanthropy, the leadership.”

When asked for information about the

Two Phi Delt expansion consultants, Andrew Norrie and Justin Holmes. recruitment process, the “Founding Fathers” interviewed by The Maroon declined to comment.

As of November 7, Phi Delt said it had received interest from around 90 applicants, 38 of whom were invited to become “Founding Fathers.” Phi Delt’s plan is to cap the number of founding members at around 50.

Since the start of the quarter, around two to three students have been joining the new chapter per week, according to a founding member. The fraternity has been meeting on campus at 7:30 p.m. every Thursday.

Norrie said the fact that UChicago, unlike many other universities, does not

courtesy of phi delt.

recognize Greek organizations made the selection process challenging, specifically mentioning his inability to access information about whether applicants have had disciplinary cases with the University.

“Here at the University of Chicago, the Greek life is completely separated from the University,” he said. “At a school with a lot of support for Greek life, we would be able to go to the fraternity and sorority life advisor and say, ‘Hey, can I have a list of your members? Can I see their GPAs? Can I see their past histories on school for violations of misconduct and whatnot?’ There’s no relationship with the University here, so we have to do that all ourselves.”

Cracks in the System According to a founding member, every prospective brother was asked two questions during his interview: “Were you previously in a fraternity?” and “Have you ever had a Title IX case against you?”

However, this information is self-reported. Some founding members were removed when the fraternity was made aware of allegations against them.

One of the two students removed by Phi Delt acknowledged rumors that he sent inappropriate text messages—asking someone for sex and suggesting a threesome—telling The Maroon that the reference to a threesome was a joke and not something that would amount to a Title IX matter.

He denies that he was ever a member of Phi Delt, saying the fact that he didn’t ever pay dues means he wasn’t technically removed. Holmes confirmed that the student was removed, noting that he had signed the invitation to join, which was then rescinded.

The other removed student said in a message, “To my knowledge I dont have any title IX complaints against me…. I was kicked from phi delt for ‘sexual misconduct’ less than a week after I joined, and I still dont know why. I just got an email out of the blue that I was out. I don’t know what I did but I would really like to work it out with anyone who has a problem with me.”

A Frat House to Call Home According to Norrie, more than $1 million will be spent on the house renovation, funded by the Walter B. Palmer Foundation, the financial capital and investment arm of Phi Delt. When the house completes its renovation, a “resident master,” likely a Ph.D. student, will live alongside the brothers and be responsible for enforcing the no-alcohol policy, according to a founding member.

The fraternity house is currently undergoing renovation and will not be available to the brothers until the 2019–20 academic

year. It has remained unoccupied since its closure following an investigation into the hazing incident.

At the moment, there are no social events. There is discussion about an event occurring in the spring, although it is more probable that social gatherings will commence next academic year, when the house becomes available, a founding member said.

The Future of Phi Delt Asked how Phi Delt plans on earning back schoolwide trust after the events that resulted in the shuttering of the chapter, Holmes said, “The first thing that we’re trying to create is a fresh start. With the exception of our name, there is no prior affiliation with the previous group.”

He discussed current reforms and programs intended to complement the recolonization process, highlighting three initiatives of the organization: alcohol-free housing, an anti-hazing policy, and the Fraternity Health and Safety Initiative, which encompasses bystander intervention and preventing sexual misconduct. These initiatives are formally in place at all Phi Delt chapters, including the former Phi Delt chapter on campus. Alcohol-free housing, in particular, is a widespread policy that is flouted by many fraternities nationally.

When pressed for specifics on new or unique programming given the chapter’s previous history at the University, Norrie reiterated the importance of enforcing the aforementioned initiatives and declined to elaborate further.

“All the new members are different.

We’re starting this group in a new generation of Phi Delt,” he said.

At least one new member has a formal tie to the old chapter: Third-year George Reuter is the younger brother of Nick Reuter (A.B. ’18) who was a member of the original Phi Delt chapter at the time it was shut down. George Reuter declined The Maroon’s request for comment.

“When we start the group from the ground-up with those values, we find that these groups are very successful and they really fit into 2018 a lot better than the other organizations. None of the Phi Delt colonies built within the last ten years have been shut down. They’re all doing quite well,” Norrie said.

In an interview, founding member Gage Bayless, a second-year, stressed the importance of regaining community trust.

“Everyone that joined is aware of the fraternity’s past. But the fact that it happens to be named Phi Delt is, for all intents and purposes, 100 percent a coincidence. Nothing from this frat that we’re starting up is continued on pg.

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Mortara: Harvard Used Unfair System

“Recolonized” Fraternity Faces Challenges in Bid for Reformed Image continued from pg.

Adam Mortara poses with protesters. courtesy of amy li for the harvard crimson. continued from front

the system was operating before it got these reports. But I’ve made the analogy…. I sort of go outside and I’m Batman at night, and I go out and I have a Taser. And I try to tase criminals,” he said. “And somebody comes up to me, as I’ve been doing it for a couple years, and says, ‘Adam, you know that Taser you’re using—it actually kills Black people, and it stuns whites, and Hispanics, and Asians, but it kills Black people. And I say, ‘Looks like a good Taser to me.’ And I pick it back up and keep using it.”

Mortara argued that regardless of what you think about Harvard’s practices prior to the internal reports on race in admissions,

the problem was obvious when they continued to use their admissions system with no changes.

“They demonstrated that they actually like the results they’re getting from the racist Taser, from their admissions process, and their deployment of this personal rating,” he said.

During the Q&A session after his talk, Mortara cited an e-mail Yale University’s director of admissions sent out saying its admissions office doesn’t use a personality rating, and then suggested in a joking manner that Yale thinks Students for Fair Admissions would bring legal action against them next.

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similar [to the old Phi Delt] in any way. That said, we already know that we’re going to be on everyone’s radar,” Bayless said.

“We’re going to be identical to all the other fraternities, but with more pressure on us. That means we have to act all the more responsible…how an ideal frat should look. I think the pressure is going to push us more towards that ideal.”

Bayless also suggested the creation of an oversight board with members from other RSOs on campus, such as the Organization of Black Students, MEChA (El Movimiento Estiduantil Chicanx de Aztlan), and UChicago United, along with a brother from Phi Delt. He said the idea has been previously discussed with a small group of other members, albeit not yet with the full fraternity.

He criticized internal fraternity oversight and investigations as ineffective. “I’m calling DU [Delta Upsilon] out,” he said, although he did not elaborate further.

Bayless said, “In other colleges where fraternities are recognized, the colleges themselves have oversight boards and a hand in risk-management…. All other RSOs have oversight,” he told The Maroon.

Bayless was unsure of future plans for the fraternity. He added that the induction process has not yet started, since the full fraternity will officially launch in the spring.

There will be eight members on the executive board and 15 lower-tier leadership positions, which include roles such as

parents’ club chair and intramural chair.

However, no executive board has been established yet, for the new chapter remains in the recruitment phase. The “men of the colony” will apply for the positions, providing résumés and partaking in formal interviews with Norrie and Holmes, who will then make the selection.

In response to a Maroon request for comment, second-year Alexander Qu explained his decision to be a part of the new chapter: “I wanted to be a part of a fraternity where individual personalities could thrive and we could work together to become something larger than ourselves.”

Second-year Alec Gleason commented on his decision to join Phi Delt in spite of its former history in an e-mail to The Maroon. “Although Phi Delt has earned a negative reputation over the last few years, I feel nothing that has happened in the past defines what will become of the new fraternity,” he said.

“We join the scene with positive ambitions. I joined Phi Delt with the intention of collaborating with my friends and peers to work on projects that can bring us closer together in the stressful school environment.

The first project will involve bringing the fraternity under an encouraging light while also providing the opportunity for me to get to know my colleagues better and form relationships that will last for life.”

VIEWPOINTS In No Mood to Connect Responding to Relatable Situations, Online and Off, With “Mood” Is More Popular Than Ever.

But Is Such a Simple Word the Best Way to Respond to Complex Situations?

MAYA HOLT A papier-mâché Michael Jackson with a red leather jacket and a sinister painted smile? Mood. Janet from The Good Place excusing herself to “go to my void for a little while?” Big mood. Oprah hefting up an enormous basket of freshly harvested produce? A n entire mood. “Mood” has become the great equalizer of content: Anything and everything can be a mood, both online and off.

“Mood” is nothing we haven’t seen before—it’s just the latest and most trendy iteration of “same,” “relatable,” or “it me.” Like its predecessors, “mood” had its roots in T w itter before eventua lly making the leap from the virtual world to the real, where it has become incredibly prolific. Online, the word made sense, but when used conversationally, “mood” is like a fish out of water—it adds little to conversation and serves only as a way to dismiss people.

At its conception, people used “mood” to define themselves online. “Mooding” emo Janet, like above, is in an effort to appear as a particularly edgy fan of The Good Place; “mooding” fruit-laden Oprah shows you revere her and her gardening (or that you can’t wait to live out your agricultural dreams). There’s a sense of implicit ownership here—to “mood” is to say this is my mood, this is how I’m feeling, how I’d like to be perceived.

Online, this makes sense. There’s an

Stephanie Zhang

overwhelming amount of digital content available to us, so “mooding” has evolved as an efficient means of panning for our own personal gold. It allows us to quickly sift through content and denote what we think is representative of ourselves.

This isn’t as introspective as it sounds,

because “mooding” is much more about dat a-processing tha n a na lysis. A f ter I “mood” an image of Kermit the Frog huddled in a bathtub, for example, I’m not then going to spend time considering why this particular image spoke to me.

I’m also not going to start a conversation

by for warding it to a friend captioned with “Mood! So what are your thoughts on this?” “Moods” are about efficiency, about claiming pieces of the Internet for your feed only to immediately abandon them in pursuit of more. What “moods” continued on pg.

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THE CHICAGO MAROON - NOVEMBER 27, 2018

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“While there is something to be said for validating people’s experiences, comments like these don’t exactly open the door to further discussion about...the underlying issues with our school.” continued from pg.

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are not about is stimulating discourse, and this is what makes them so useless in real life.

A s a n exa mple, imag ine a person at the farthest possible end of the “mood”-use spectrum.

This person (we all know at least one) meet s seem i ng ly e ver y thing they hear with an emphatic “mood!” This can be vaguely funny in more lighthearted contexts, but there comes a point when it ’s ex tremely fr ustrating. Even basic conversations require some back-a nd-for th,

some question-asking, some idea expansion. When every sentence you say is met only with “mood!” it feels more like being retweeted in real life rather than actually being heard.

A nd somet i mes t here a re conversations that need to be had rather than dismissed. Take, for example, a certain ty pe of post in the UChicago Facebook meme group. Anything along the lines of “UChicago gives me depression” is guaranteed at least a few “moods” in the comment section. W hile there is some-

thing to be said for validating people’s experiences, comments like these don’t exactly open the door to further discussion about the poster’s wellbeing or the underlying issues with our school.

This is the dismissive sentiment that “mood” carries over into real life, as ingrained as it is in our vocabularies. If someone were to say, “ Wow, I just slept through my class. Fifth time this week!” it only takes a “mood” to shut down what could have been a more lengthy and conversation that included checking in with

that person about how they were actually doing.

There is and will continue to be a bleed-over from Internet slang to real life slang for the foreseeable future; there isn’t exactly a distinct boundary between the vocabulary we use on and of f line. A lthough “mood” seems to be t he word of t he year, no doubt it will soon be replaced, and we will be faced with the similar challenge of using an Internet-transplant in daily conversation. There’s no reason to try to excise “mood” entirely

from our collective vocabulary, just to be more thoughtful when using it on an individual scale.

If you f ind that you yourself are on the “moodier” side of the spectr um, it ’s easy enough to consider the effects this may be having on your conversations, and readjust. Self-awareness?

That’s a mood.

Maya Holt is a first-year in the College.

The Complexities of Turning a House into a Home The University’s New Housing Policy Is Imperfect, Reducing Barriers to Low-Income Students But Still Overemphasizing the Value of House Culture

BRINDA RAO The early bird gets the best housi ng…or so t hey say. For years, the University rewarded the incoming f irst-yea rs who s ubm it t e d t hei r en r ol l ment deposits first with the highest preference in the housing lottery.

This system facilitated the development of distinct “dorm personalities” like the “quintessential

UCh ic ago ex per ience dor m,” the “ath letic dor m,” a nd the self-declared “people’s dorm.”

St udents seek ing a so-ca lled stereot y pica l housing experience (think castles and LOTS of Gothic architecture) might chose Snell-Hitchcock or Burton-Judson Courts over the megadorm style of Campus North Residen-

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tia l Com mons. However, the University has decided that for graduating classes following the Class of 2022, dorm assignments will be made in a completely random order, not based on time of enrollment deposit. While this reform emphasizes impartiality to socioeconomic status, it compromises core values associated with UChicago’s student community. The University’s intention to promote the continuity of house culture does not take into account the influence social media has on admitted students.

A rg uably, the combination of larger class sizes and the inevitable closing of satellite dorms puts UChicago’s beloved house culture at risk.

The random housing policy comes with one concrete benefit: It promotes equality of access to every type of housing for students of all socioeconomic backgrounds. A major f law in the University’s standard housing policy is the marginalization of students who rely on financial aid. These students do not have the luxury of being able to apply and commit to universities in the early application cycle. Rather, many have to weigh all their options and choose a school that makes the most financial sense for their fa mily. In prev ious years, this has meant that these students commit to UChicago closer to the May 1 deadline. As a result, they are ranked low on the housing lottery and often end up in a dorm they did not select.

The reality is that our current housing policy privileges st udents of hig her socioeconomic backgrounds. According to a sur vey conducted by The Maroon, 40 percent of respondents from the Class of 2021 attended private high schools, and approximately 70 percent of students in the Class of 2021 ranked Campus North or Ma x Palevsky as their first choice.

Applicants able to apply under a binding early decision agreement are often either athletes, who have no entitlement to choosing

dorm preferences earlier than others, or come from wealthier backgrounds. Because of this, there’s a number of athletes, private school students, and boarding school students in North and Max P. The new housing policy also aids the University in adjusting to larger class sizes. The Class of 2022, the University’s largest incoming class of all time, was hit hard with the adverse effects of this year’s policy. Several students were placed into dorms that were not even among their top three and immediately took to the Class of 2022 Facebook group to find someone willing to exchange dorms with them.

Such posts seeking new housing accommodations continue well into eighth week. With a longterm plan to expand class sizes to 1,700 students, a random housing policy enables the University to operate with impartiality.

While this reform will enable students of all social and economic backgrounds to have an equal opportunity when it comes to get t i ng t hei r f i r st- choice dorm, there are still some major f laws in the housing system.

Houses create a safety net for students, giving them an instant social sphere. This net can be both beneficial and frustrating in the age of social media. Engaging with people from a variety of academic and geographic backgrounds provides a holistic social scene for students. However, many admitted students reach out to each other months before arriving on campus, establishing friendships and networks of communication long before college starts. For these students, house culture can stif le more organic ways of making friends.

The future of house culture is indeed uncer ta in w ith the University’s recent push toward megadorms over satellite dorms.

Megadorms represent the University’s newest plan to consolidate housing, following in the footsteps of many other elite schools. A decade ago, UChicago

was notorious for propagating its Harry Potter–esque housing style. A slew of satellite dorms were scattered across the Hyde Park and Woodlawn areas, promising intimate house culture and a “home away from home.” In the past decade, however, the University has unified these satellite dorms into three main residential commons, with a fourth on its way. The spatial networks of these residential commons enable students to seek out inter-house relationships in a way that would have been difficult under the satellite dorm structure. On the other hand, building dorms for 800+ students puts house culture (what’s considered by many to be the hallmark of the UChicago undergraduate experience) at risk.

Ultimately, it’s unclear what the effects of the University ’s new housing reforms w ill be.

The University’s random housing policy has the potential to create a new era of dorms with less rigid stereotypes. However, this potential can’t be fully realized until current students move out of housing; dorm stereotypes will persist for the time being. Furthermore, the University’s intention to promote diverse house life and culture fails to acknowledge the ubiquitous presence of social media; students, inevitably, will reach out to each other on these platforms over the summer and form organic friendships before the year even begins. The intentions of the new housing policy can only be brought about if the University acknowledges the demographics of early applicants, the fluid nature of house culture, and the connectivity of incoming classes.

Brinda Rao is a third-year in the College.

THE CHICAGO MAROON - NOVEMBER 27, 2018

6

ARTS Immigration Through a Taxi Driver’s Eyes: Yvan Alagbé Discusses His Comic Book

By ZOE WILLIAMS arts reporter

On November 18, French author Yvan Alagbé appeared at the Seminary Co-Op for a book reading and discussion of his acclaimed comic, Yellow Negroes and Other Imaginary Creatures. Recently translated into English, Alagbé’s story explores the intersections of race, love, immigration, and politics in France.

A lagbé was born in Paris but spent his early years in West Africa and is wellversed in the struggles of the immigrant experience in France. The selection he read, in French and English, was about an immigrant cab driver. As he put it, he wanted to “bring you in the head of an African cab driver who works at night, who’s just driving and driving and driving.” His comic puts a unique twist on the stream of consciousness style; the panels focus on the thoughts that pass by the cab driver’s mind instead of the scenes that pass by his window. Alagbé stressed the importance of honesty in portraying the cab driver’s thoughts.

Moreover, Alagbé spoke of the social reality of many immigrants of color in Fra nce, citing the of ten-fa lse perception people tend to have of them. Not many people, he noted, are fully aware of the hardships of being an illegal immigrant. For example, he talked about how many Black immigrants spend decades in France, and even have the appropriate documentation, but still might not be considered citizens. By contrast, Polish immigrants are often accepted by French society after living there for only a year

or two.

According to Alagbé, Yellow Negroes is a blend of fiction and reality, and as he blatantly proclaimed, “he is all the characters.” A deeply personal account of his experiences, the comic serves as a way to enrich the immigrant’s narrative as it currently stands formed by mainstream news outlets. Even the title itself is supposed to be disconcerting; Alagbé discussed how he considered calling it by another, more derogatory name to ref lect the shock he felt at the historical context of such slurs.

Alagbé’s goal with the book, it seems, is to challenge the widely accepted portrayal of immigrant France.

The comic, which is an antholog y of short stories, was written between 1994 and 2017. Many other comics at the time of Yellow Negroes’s inception were rooted in the superhero paradigm. Alagbé challenged the genre by grounding his story in a deeply political plot and setting.

Working as his own publisher, Alagbé was able to have total control over his book. Through veiled criticism, he discussed the role money plays in large publishing companies. The integrity of a story can be compromised by what publishers think will make the most money. Alagbé wanted to “serve” his book, not just exploit it for economic purposes.

Alagbé also emphasized that he consider s h i m sel f a w r iter rat her t ha n a painter; for the innovative author, images can be used to enrich the story he is telling. On his aesthetic choice, A lagbé recalled that while the pictures are captured in black and white, he did not want that to entirely ref lect the race of his

Yvan Alagbé discussed his new comic book at the Seminary Co-Op. courtesy of penguin random house

characters. In other words, characters drawn with black ink are not necessarily Black.

In reference to contemporary French politics, Alagbé explained how “even the good guy is kind of mean, actually,” referring to French politicians. The rise of farright political ideologies targets immigrants not only in the U.S., but in France as well. Alagbé expressed his concern for the strength of the far-right’s inf luence in conversations about immigration, and the shallow perception of immigrants by those in the political world. Citizens and politicians alike fail to take into consideration the hardships that lead people to

The book follows an immigrant taxi driver, challenging the often apolitical nature of comic books. courtesy of yvan alagbé leave their home country in the first place.

Although Alagbé spoke grimly on the political state of affairs, he had bright eyes when he described the new wave of politically and socially inspired comics and graphic novels. This new wave of storytelling can be used to give voice to experiences which have been hidden away by oppressive and overpowering structures.

Now, Alagbé believes, those stories can be heard.

MCA Exhibition Maps Out Midwestern Beat History Exhibit Spans Nearly Seven Decades of Artistic Collaboration

By MATTHEW HERSKOWITZ arts reporter

No mat ter where you end up, don’t forget where you came from. This seems to be the underlying mantra of the Museum of Contemporary Art’s West by Midwest exhibit, which opened on November 17. Looking back to the 1950s and working its way to the present century, the exhibition traced several artists’ journeys from the Midwest to California, where many of them found success in their careers. The works on display highlighted the nascent talent in many of these once young, hungry artists and their desires to leave home for a better life.

The exhibit is mainly set around the Beat movement, which came about when a new interstate highway system made traveling to California a novel and exciting possibility. A rtists were especially attracted to the thriving art schools and galleries, burgeoning with new ideas. It seems as though young artists are, in a few of the pieces, trying to emulate the new schools of artistic media with glossy finishes, large, bright lettering, and slick finishes, evoking the Warholian pop art style that would become popular in the 1960s. However, the vast majority of the works are meant to showcase their characteristically Midwestern inf luences.

One such work is “Cradle of Filth,”

created in 2013 by Chicago-native Amanda Ross-Ho. After finding a backpack on the side of the road in Chicago, vandalized by what could only be the wandering mind of a curious teenager, Ross-Ho wa s st r uck by t he det a i l a nd complex illustrations on the backpack. So, using nylon and foam, she created a massive replica of the backpack to showcase the a nony mous va nda l’s a r tistr y. Nir va na lyrics and profanity, staples of Midwestern and nationw ide teenage angst, can be seen scribbled on the bag. I found the piece significant for what it says about education, creativ it y, a nd the restless optimism of Midwestern youth. There is also a noticeable parallel between the backpack and Ross-Ho’s life: a young artist trapped in the Midwest and eager to express herself makes a hajj to a sunnier part of the world, hoping it will give her a better life.

The ex hibit spea ks to the relationships forged between young artists before they moved out west. Jim Shaw and Mike Kelley were both students at the University of Michigan when they formed the band Destroy All Monsters. Later on, both moved to the West Coast to study at California Institute of the Arts. In West

by Midwest, Kelley ’s large-scale installation, consisting of many sock monkeys displayed like artifacts in a museum, is an interesting commentary on the muse-

um’s role in preserving history.

Meanwhile, other pieces serve as testaments to the early friendships formed bet ween a r tists. One piece documents now-famed artists Ed Ruscha and Billy Al Bengston at a bar facing the camera while exchanging business cards. Interestingly, those business cards were entirely com-

ical and facetious: Ruscha and Bengston had a tradition of creating fake business cards to exchange with each other.

Like many good exhibits, West by Midwest has a unique message, beyond the significance of individual pieces. W hile most of Western a r t is told in a linea r continued on pg.

7

The exhibit traces some artists’ journeys from the Midwest to California. catherine o’carroll

THE CHICAGO MAROON - NOVEMBER 27, 2018

7

Don’t Be a Stranger, Let Aminé Be Your Dr. Whoever

By ERIC GUZMAN arts reporter

“ T hese i nt ros a i n’t mea nt to be bangers / They meant for you and me so we’ll never end up as strangers.” Such are the lyrics to Aminé’s “Dr. Whoever,” a song about suicida l depression, toxic masculinit y, a nd stra ined relationships. For all intents and purposes, the song should play as a sad and sorrowful tune, but instead is performed live as a cathartic and uplifting anthem. W hile some rapper s tend to avoid sen sit ive issues like mental health, Aminé opens up about his own emotional turmoil in order to encourage a nd a ssure others with similar struggles that it indeed gets better. “Dr. W hoever” is, itself, framed as a conversation between a patient and a therapist—in this case Aminé and the audience—in par t, because in times of need, the best help a person can get is often from a friend who listens. And so, taking the stage at the House of Blues on November 17 with the opener “Dr. Who-

ever,” A miné shined a ray of love a nd support, beaming positivity and making sure that no one in the crowd went home a stranger.

It ’s not so much t hat A m i né ha s a loud or com m a nd i ng st age presence, but rather that he has a unique ability to turn the stage into a warm and familiar env ironment, a kin to one’s ow n liv ing room. In fact, most of A miné’s performa nces involve stripping away a ll the glitz and glamour ty pically associated w ith rap st a rdom to a l low for a more intimate a nd honest ex perience. This means no wild entrances, no crazy light shows, and no elaborate stage design. It’s just A miné and a mic. Even when performing his most commercially successful hit, “Caroline” (a point of recognition for any bar night regular), Aminé strips the song of its bouncy pop beats in favor of a simple piano instrumental, letting the strong lyricism of his verses do the work. It seems as if ever y time A miné ha s t he oppor t u n it y to lau nch i nto a bombastic display of showmanship, he

opts for a more personal per formance, preferring strong rapport over excessive theatricality.

Ma ke no m i st a ke, however —t here are plenty of bangers to be enjoyed at an Aminé concert. W hen Aminé wants you to go off the wall, you will. On more indulgent tracks like “R EDMERCEDES,” “Campfire,” and “Stfu2,” Aminé gets the crowd bumping, jumping, and wilin’ out.

At one point, after rapping his playfully catchy song “Spice Girl,” Aminé started a full-on dance party to the Spice Girls’ all-time classic “Wannabe.” Getting the crowd to dance, moreover, seems to be of cr itica l impor t a nce for t he rapper.

Throughout his set, Aminé used the large screen beh i nd h i m to d isplay va r ious clips of people dancing, including a f lash mob of ger iatr ic g ra nnies, Will Smith from his Fresh Prince of Bel-Air days, and R ickey Thompson, a socia l media sta r from Vine and YouTube who also serves as a narrator on Aminé’s latest studio album, ONEPOINTFIVE. As emotionally vulnerable as he can be on stage, Aminé

is equally capable of letting loose.

This sense of happy-go-lucky escapism seems to be at the core of A miné’s music and musical performance. Life can be tough—really, really tough—so why not have fun while you still can? During one of his songs, A miné even projected the phrase “Life’s too short, smile” behind h im. It may not be a n entirely new or unique perspective, but upon seeing the earnestness with which Aminé presents himself and his message, one can’t help but smile back. Throughout the night, Aminé regularly shouted, “You’re beautiful,” to the crowd, to which they all replied, “I know!” It was a heartwarming gest u re t hat encapsu lated t he wholesomeness of the night. And so, if you’re in need of a pick-me-up, or even if you just want to listen to some solid bangers, I urge you to listen to ONEPOINTFIVE. Don’t be a stranger—let A miné be your Dr. Whoever.

“It tackles the image of artists as singular, almost isolated figures.” continued from pg.

6

succession of one artist inf luencing another, the exhibit plays with the concepts of both time and place in the history of art. It tackles the image of artists as singular, almost isolated figures who simply

stand alone. Nonetheless, the concept of collaboration and friendship from one a r t ist to a not her per vades t he ent i re show, and that to me was an incredible thing.

The University of Chicago Law School presents the 2018 Ulysses and Marguerite Schwartz Memorial Lecture

The Supreme Court and National Security: Lessons from History Neal Katyal, Paul and Patricia Saunders Professor of Law at Georgetown University and Partner at Hogan Lovells

Thursday, November 29 12:15 p.m.- 1 :15 p.m., Classroom II Lunch will be provided University of Chicago Law School 1111 E. 60th Street Chicago, Illinois 60637

This lecture is free and open to the public, but seating may be limited.

For special assistance or needs please contact Cassey Limgenco at 773.834.4326.

MCA’s West by Midwest exhibit opened on November 17. catherine o’carroll

Exhibit [A]rts Wednesday [11/28] Pet Love Reynolds Club, 11:30 a.m.–1 p.m., free Chill with a bunch amazing therapy dogs to escape the stress of finals for a while.

Thursday [11/29] Born in F lames w ith K a ra Keel ing, Cauleen Smith, and Robert Bird Harper Theater, 7 p.m., free A screening of Born in Flames, which portrays the coalition of women that emerges when the founder of the Black radical Women’s A rmy is mysteriously k illed.

Following the screening, there will be a discussion with Grey Center fellows Cauleen Smith and Robert Bird, and associate professor of cinema and media studies Kara Keeling.

Tea Time: Chamber Music Collage Fulton Hall, 4:30 p.m., free Take a break from work this Thursday afternoon and enjoy a cozy concert, complete with tea and cookies! As part of the

music depa r tment ’s week ly Tea Time Concert series, students in the chamber music program will be performing pieces

by Brahms and Shostakovich.

Friday [11/30] Measure for Measure FXK Theater, Reynolds Club, 7:30 p.m., $6 advance/$8 door Join the Dean’s Men, UChicago’s Shakespearean student group, for their quarterly performance. This quarter will feature Shakespeare’s beloved comedy about power and sin, creatively adapted to be set in Prohibition-era Chicago.

Saturday [12/1] Men in Drag Present: Yule Ball Bond Chapel, 7:30 p.m., $5 advance/$7 do or The female a cappella group is holding its annual fall concert, this year with a Harry Potter theme.

THE CHICAGO MAROON - NOVEMBER 27, 2018

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Pop Songs and Porn: Off-Off Campus Delivers a Duet

By LYNN CHONG & SEBASTIAN VON STAUFFENBERG arts reporters

The Revival was booming last Friday with Off-Off Campus’s seventh week show, Journey’s Over, You Can Stop Believing Now. Every week, Off-Off manages to bring a rare wash of light to the brutalist lifestyle of the UChicago community, but this week was particularly notable for the group’s music-themed lineup. The show opened with two pre-glows featuring thirdyear Zavior Phillips’s (31st Generation) repertoire of intoxicating love songs and a guest performance by Voices in Your Head. Enjoying the warm melodies, the audience sipped their drinks and sat back in their chairs, unaware of the storm of laughter that was to ensue.

The student-written sketches were saturated with classic dirty jokes reminiscent of middle school silliness. Watching the “Per-

vert” and “Stupid” blurt explicit punchlines about various types of sexual intercourse while “Grandparents” were grinding to Jason Derulo, the audience could not help but let out a few giggles. Though subdued at first, soon the place was bursting with laughter at the shenanigans onstage. Despite the throwback to preteen humor, Off-Off managed to relate to an older audience.

In addition, many audience members could identify with their sketch about intellectualizing pop culture. In it, a group of men were frantically arguing about the symbolic nature of the lyrics “mix your milk with my Cocoa Puffs,” resulting in a series of profound statements about genitalia and semen coupled with a deep philosophical analysis of the music’s structure and theme. It is a topic familiar to many students of the millennial generation, whose world is both the overly sexualized rap ballads and the meditations of Descartes; the

joke was so ridiculous because of the fact that many viewers have probably had a similar discussion in the dining hall or during a late night.

Charming, witty performances were coupled with bouts of the absurd. In one skit, robots went into random spasms of intense dancing and the elderly suddenly forgot their frailty when met with the rhythmic beat of Jason Derulo’s “Talk Dirty.” The performances were made all the more entertaining by the contrasts between the different sketches: Witty content, riddled with clever puns, was interspersed with slapstick humor.

Despite the successful sketches, there were moments when jokes fell flat and left the audience in awkwardly silent lulls. Maybe it was the more choreographed nature of this week’s performance that made it hard to brush off the under-rehearsed impression given by certain sketches. In one such sketch impersonating a One Direction interview, the actors forgot

some lyrics or dance steps, and it was harder for them to redeem themselves with improvised jokes.

In spite of the minor mishaps, Off-Off’s music-inspired seventh week show was particularly notable because of the expanse of talent on display. Slow and soulful guitar ballads were propped next to pornographic impressions of Dora the Explorer. The audience would be in awe at an a cappella performance and moments later guffawing at dentists that scare children into receiving Halloween dental kits.

Of f-Of f Campus embodies the f un, self-deprecating, and original humor that finds a home at UChicago, where people can embrace in song at the library or laugh at the terrible, dark-hearted tales that a mother “thoughtfully” tells her child. This sketch comedy troupe is truly a campus jewel deserving of one’s Friday night.

SPORTS

An Outstanding Victory Followed by a Tough Loss MEN’S BASKETBALL

By AUDREY MASON sports reporter

After a great start to the season, the UChicago men’s basketball team competed twice in the past week, first against North Park University on Tuesday, and then against Lake Forest on Saturday. On Tuesday night, the men improved their season record to 3–1 with a huge victory, but on Saturday, they suffered a loss to bring their overall record to 3–2.

The Maroons went into their game against North Park confidently after two straight wins, with the opponents showing a season record of 0–4. Things began with a 6–1 lead by North Park, but UChicago quickly overcame the Vikings with multiple three-pointers in a row by fourth-year Noah Karras. Karras recorded very impressive statistics throughout the game, ending with a total of 27 points, a season best for the team. After the first few points, North Park never stood a chance. Halftime showed a score of 41–29 for the Maroons, and the second half of the game played out similarly.

Third-year Jordan Baum was alongside Karras in leading statistics against North Park.

As in the previous game against Ohio Wesleyan, Baum led the team in both rebounds and assists, with 13 and 10 respectively. He scored seven points in total, while third-year Cole Schmitz recorded 12 points. Fourth-year Justin Jackson and second-year Dominic Laravie each recorded nine points. The Maroons over-

came North Park in every statistic, raising the team’s confidence as they looked toward their weekend game against Lake Forest. UChicago demolished the Vikings with an impressive final score of 87–68.

Although their confidence was high after three-straight wins, the game against Lake Forest was a disappointment for the Maroons.

Undefeated Lake Forest improved their season record to 3–0 after taking UChicago down with a final score of 75–61. Like their game against North Park, the Maroons tried to rely heavily on three-pointers, but were not nearly as successful this time, making only five of 27 three-pointer attempts. The Foresters made a total of 11 threes, showing the disparity between the teams.

The first half of the game remained close: With UChicago barely losing at halftime 27–23, hopes of a comeback still high. In the second half, the Maroons had much more possession than the Foresters but were having trouble making their shots. Lake Forest quickly pulled ahead at the beginning of the second half, and UChicago never came close to victory again.

Schmitz was the top scorer this time, with a total of 17 points, his career best. Fourthyear Ryan Jacobsen led rebounds in this game with a total of eight, as well as 10 points scored.

After this loss, the Maroons will look to make a comeback against Wheaton College on Thursday at 7 p.m.

Third-year Cole Schmitz avoids his defender to tip the ball into the hoop. zoe kaiser

UPCOMING GAMES SPORT

DAY

Opponent

TIME

Women’s Basketball

Wednesday

Wheaton

6 p.m.

Men’s Basketball

Thursday

Wheaton

7 p.m.

Calvin

11 a.m.

Men’s Soccer

Friday

Men’s Tennis

Thursday

ITA Cup

TBA

Saturday

MSOE Invite

9 a.m.

Wrestling