janub
J.A.N.U.B. is an idea that starts from the need of sharing knowledge. It’s a digital platform that develops into an interpretative container of information. It deals with exchanging looks able to keep track of different themes through a multidisciplinary approach. The first scope is to develop analysis capable of interpret contemporary matters on a global scale. Than to apply that observations to the “Southern part” of the World. The second and main scope is to carry out and focus the results of the analysis process experimenting and developing real projects, artworks or exhibitions as well as archiving, communicating, and contextualizing our work. The projects become authentic holder of otherwise ideological concepts.
multidisciplinary
rail road to janub 2009
The Sud Est Railways nowadays are no longer functional and comfortable. In
purpose taking part to KUBLAI project
spite of that for J.A.N.U.B. they continue
(Italian Department of Economic
to have their fundamental importance in
Development)
the process of decrypting Salento and its landscape, in each one of its parts.
Lecce, Italy
They represent an historic binder that links different identities. In our idea,
team
the rail cars should become vehicle of
Afro C. Carpentieri
information, some kind of blog interface,
Enrico Clerici
wagon of a new urban development. Slow
Claudia Mollese
vehicles (50kmh) that reflect a slow way
Piero Maruccia
of living. A new type of vanguard where chaos and congestion takes their time to become former values. Our scope is to create activities inside Sud Est rail cars in order to extend the catchment area of the railways, reducing directly the environmental impact (more trains, less cars) and transforming the commuter train users into active actors of this change.
multidisciplinary
artigianub 2010
J.A.N.U.B. (south, in Arabic) wants itself to be an urban research laboratory, that
purpose taking part to PRINCIPI ATTIVI
faces the matters of contemporary cities
project (Regione Puglia)
with a multidisciplinary approach. After a social-economic analysis of the
Lecce, Italy
city of Lecce, J.A.N.U.B. starts up a relation system between the work market
team
(and its matters), the actual problems
Afro C. Carpentieri
coming from migrations, the capability of
Claudia Mollese
art-crafts, specially if applied to public spaces. The project idea is to enhance the historical workers ability and the traditional hand-crafted techniques. The scope is to hand down traditional techniques to young generations, including the ethnic minorities as to lead them to a real social inclusion. In a second time the project plans an urban yard that will realize two catalyst artworks, looking glass for the citizens’ hope.
architecture
ashesi os/House 2010
The starting point of the project is that the endogenous development is a process
competition
generated from the existing connections between two macro areas: the environment
Cape Cost, Ghana
sustainability and the integration between urban politics and the economic fabric of
designed by
society. The architectural project is the
Afro C. Carpentieri
result of research of raw local materials
Enrico Clerici
and hand crafted techniques in relation to the analysis of costs. The adopted typology is an interpretation of the ‘courtyard house’ in which the vital spaces are transformed places of socialisation and of economic production through the dialogic relationship between the internal and the external dimensions. These nuclei foresee an expansion through an ‘A-B’ relationship, related to the economic concept of Bataille that projects a utilisation of the land without the need of building.
architecture
architecture
odradek v/zoo 2009
Puerto Madero. The prosperous area of Buenos Aires has become a metropolitan
competition
battlefield: here within the speculative schizophrenia of the contemporary
Buenos Aires, Argentina
market economy, capital vices are clearly conveyed in architectural terms.
designed by
As a parody, it may appear as a suggestion
Afro C. Carpentieri
for Post-Humanity: “Roll up! Roll
Enrico Clerici
up! All creatures great and small, the cities need you”. Like an Architekton, our project explores gravity’s force transforming the three bio-zones into artificial planets meeting by chance on earth’s surface, having the ability to be conquered in a programmed manner by a future civilisation that is perhaps more deserving inhabitants of this terrestrial globe. A succession of “dialectic” rooms for living, naturally powered by sun, and sanitised, creating a healthy refuge for the characters of the comedy: the animals.
architecture
architecture
benetton Mall 2009
The image of a metropolis spilled over its territory extend itself below the ancient
competition
plateau: the result is a tangled urban diversity, hard to be defined because of its
Teheran, Iran
fluid structure. From this point on starts the challenge
designed by
of Architecture: how can you foresee and
Afro C. Carpentieri
form a place, or a spatial organization,
Enrico Clerici
sometimes even a cultural mood, without putting everything into a concrete form. Plug in the node, the articulation, the woof able to encourage the dialogue between pre-existing non-homogeneous parts becomes now the main spot. Building up new possible universes, our architecture structures the plot through geometrical harmonies, based on synchronized forms and dimensional rhythms able to generate volumetric complexity and a multiplicity of views.
architecture
This represents a neutral linguistic choice, at least an abstract one, that melts itself with an opposite concept: the will of express symbolical meanings through the geometry built. The shapes of the residential roof, representing some parasitic splinters that try to join themselves to the main volumes, become some kind of molecules, as much as the dried crack designed at the ground level, that symbolize the arid urban patterns typical of the urban structure of middle-eastern cities, are clear samples of our design process.
architecture
archeological musem 2008 thesis Cremona, Italy designed by Amir Samara
architecture
urban
giocoso poi 2010
The architect, like a traveler getting off the new train below the new station,
competition
decide to go out towards the new complexity, free from the smell of
Lecce, Italy
baroque, hanging all over him. Coming out from the new terminal, he want to
designed by
uncover the constitutional elements of the
Afro C. Carpentieri
history of that places: the stone, with its
Enrico Clerici
hardness and its color, light, porosity has been revalued from the old garbage dump to the new architectonic front. The stones, one by one, steel over steel, glass and ceramics, every material joined to the rest into a sort of “jam session�, expressing the rhythm of the architectonic recover. Multifaceted forms anchor themselves to the crag border; sometimes they become pure volumes, sometimes they will appear carved with small crossings of light, that dilate into the open space of the new park and the new city.
urban
urban
mediterranean ecotones 2008 thesis
Our work takes as test cities Istanbul and
be a matter that goes over some purely
After designing the technical architecture
Alexandria of Egypt, two metropolis in the
technical aspects, involving different
of the excavation for the rail track and
Eastern Mediterranean with a legendary
scales: first of all, we obviously need to
the platforms, our project set up a
background, nowadays about to face a
consider the regional network plugged in
general reorganization of the ground
Al Iskandariya, Egypt
reorganization of the rail network that
with the new railway service, on the other
level, increasing the public facilities of
Istanbul, Turkey
will involve the construction of a new rail
side we also have to foresee the urban
the whole area. The intervention grows
terminal.
and functional structure due to the new
mainly under the ground level as to set
designed by
The comparative approach we used made
conditions of accessibility.
direct connections between the new
Afro C. Carpentieri
much of our thesis: both the future train
Consistently with all this premises,
underground station, the old rail terminal
Enrico Clerici
stations will vest their crucial areas with
the thesis carries on a project over the
and the archeological area of the theater
new functions, because of their proximity
new railway terminal of Al Iskandariya,
and the forum. We suggest through our
to the present terminal but also for the
in Egypt, starting from the hypothesis
project an access tunnel that will lead
closeness to the historical heritage of
to lay underground the tracks coming
to the archeological excavations. The
Istanbul (Topkapi Imperial Palace) and
from Il Cairo, essential to let the train
rhythm is measured thanks to a sequence
Alexandria (archeological venues).
to pass through the city and reach the
of different spaces that, as a real public
We think that designing a new rail station
new settlements in the western side of
gallery, will receive modern artworks
in Istanbul and Alexandria of Egypt will
Alexandria.
besides the historic memorabilia.
urban
urban
ex falck m/plan 2007
Imagine now to pass through the wall of the brownfield land of the ex “Acciaierie
competition
Falck�, where the production line was used to time and limit every kind of
Sesto San Giovanni (MI), Italy
action. In this empty space, nowadays we can lose the meaning of our behavior.
designed by
Right here new landscapes appears, more
Afro C. Carpentieri
similar to some kind of a new logical
Enrico Clerici
sequence, than the ones that we knew before. We perceive the need to imagine there a project, never stiff into old pattern, but able to slough off following the infinite changes of the context. This feature find its direct representation thanks to the concept of the fold. The park we designed becomes, through its concave and convex shapes, an unique element able to build up new hierarchies between the focal points of the project.
urban
We believe that, coping with the matters of a certain city or region, we should try to get through all the different scales that represent the spatial phenomenon we are facing. Right for this reason we look for every architectonic chance taken in our project, investigating their ability to solve social and urban problems.
filmmaking
sukh dev May 2010
The daily life of an Indian man, shown through his slow walk and his still look,
Lecce, Italy
is set against one of the old gate of Lecce and the passing movement of the facing
a film by
square.
Giuseppe Frisino
Sukdev get everyday started in the shadow
Afro Carpentieri
of a narrow street in the historical center of Lecce. Just accompanied with his
Video footage by
squeaky stand, he get till his square ready
Luisa Lapacciana
for another workday. Lights and shadows all over this man’s face, still ornament
Production
to the transitory, stand like echoes of a
Muud Produzioni
different South, told through the eager wait for the comeback to India.
with Sukhdev Singh
filmmaking
encantado June 2009
An audio-visual archive starts up from an occasional encounter with a film: the need
Venezia, Italy
of self safeguard is mixed up with the politic demand of information.
a film by Giuseppe Frisino
During the early eighties, Rodrigo Diaz
Ana Laura Pascale
take on own the film over El Salvador, a
Sara Poli
documentary on the politic situation in Central America. It’s a film shoot by a
Audio Editing by
Dutch troupe in 1980, with a voice over in
Roberta D’Angelo
Spanish. Rodrigo takes with him all around Italy
Video footage by
this 16mm copy, translating every time
C.A.L.A. /
the text. This particular experience
A.P.C.L.A.I.
takes him to collect more and more material, until he could build up the
with Rodrigo Diaz
foot of the archive of the “Associazione per la Promozione della Cultura Latino Americana in Italia”.
industrial design
penrose desk 2009 for Carpentieri e Architetti designed by Afro C. Carpentieri Enrico Clerici
industrial design
nihon mirrors 2010 for Carpentieri e Architetti designed by Afro C. Carpentieri Enrico Clerici exposed at Salone del Mobile 2010 Milan, Italy
industrial design
graphic design
sottobosco posters October 2009
Fondazione Bevilacqua La Masa Atelier 7 Palazzo Carminati Santa Croce, 1882 A 29 ottobre 2009, ore 18.30
Fondazione Bevilacqua La Masa Atelier 7 Palazzo Carminati Santa Croce, 1882 A 29 ottobre 2009, ore 18.30
Fondazione Bevilacqua La Masa Atelier 7 Palazzo Carminati Santa Croce, 1882 A 29 ottobre 2009, ore 18.30
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Rodeo n#10 plans Sottobosco to follow a personal exhibition of a no-contemporary
for Sottobosco Art Collective
artist, that doesn’t necessary need to show off. Blauer Hase give the links of four
7 photocopied posters
eligible persons. The graphic concept of the publishing
designed by
“You need an artist to make an exhibition”
Giuseppe Frisino
has been made specially for Sottobosco,
Fondazione Bevilacqua La Masa Atelier 7 Palazzo Carminati Santa Croce, 1882 A 29 ottobre 2009, ore 18.30
Fondazione Bevilacqua La Masa Atelier 7 Palazzo Carminati Santa Croce, 1882 A 29 ottobre 2009, ore 18.30
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together with seven analogical posters. “You need an artist to make an exhibition” is a self product by Sottobosco, published in 50 special copies, that contains a text compilation over the concept of artist, curator and exhibition, partially written by Sottobosco and partially photocopied. Fondazione Bevilacqua La Masa Atelier 7 Palazzo Carminati Santa Croce, 1882 A 29 ottobre 2009, ore 18.30
Fondazione Bevilacqua La Masa Atelier 7 Palazzo Carminati Santa Croce, 1882 A 29 ottobre 2009, ore 18.30
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graphic design
graphic design
bioritmo / biorithm 2010
Bioritmo is a festival that has brought eco-friendly. The communications
graphic communication developed
project proposal pushed further by using
using waste paper and drilling tools
waste paper and a process that involved the press but drilling support. The
BioRitmo/EcoFestival
communication including postcards and
Circolo Arci Lamaserena
posters, whose final form was developed
Minervino Murge (BT), Italy
after a series of practical tests on the materials being drilled and drilling tools.
designed by
The example of Biorhythm is a significant
Maria Rosaria Digregorio
desire for communication that goes
Vincenzo Ruta
beyond the classic printing industry, to
Ana Laura Pascale
bring nearer ecological requirements and communication process, maximizing the potential of the different resources out of the mainstream press, paying attention a issues related not only to environment but to human and social context, using tools and items that can be found at hand. A visual communication that can used printing systems self dependent.
interaction design
cube mapping September 2008
Hyperbasic! workshop cube > 100x100x100 cm
3D mapping video projection
programming language > Processing professor > Andreas Gysin
IUAV, Venezia, Italy designed by Maria Rosaria Digregorio
interaction design
visual keyboard April 2009
Each uppercase letter key in the computer keyboard turns on or off a different
interactive video projection
visualization, simple shapes that change their formal features according to the
Venezia, Italy
sound in the environment captured by a microphone.
designed by
Each visualization can be layered with
Maria Rosaria Digregorio
one or more other visualizations, allowing several combinations. programming language > Processing
visual art
painting / portrait Selfportrait
She
2006
2005
painting
painting
acrylic on paper
acrylic on paper
artist
artist
Amir Samara
Amir Samara
visual art
tra sè 2010 Tra sè / Within herself 16 illustrations black china handmade paper 12 cm X 15 cm artist Chiara Dellerba
curricula
“Since each of us was several, there was already quite a crowd.” A thousand plateaus, Deleuze and Guattari
curriculum vitae
afro c. carpentieri professional and formative experiences
personal data
birth address telephone email nationality
27.02.1983 in Nardò (LE) - Italy
ongoing
architect at C.A. | Carpentieri e Architetti | Laboratorio degli Errori 7, via Zanardelli, I-73100 Lecce
7, via zanardelli, I-73100 Lecce (0039) 333 258 32 28 afro@carpentieriarchitetti.it
ongoing
landscape and urban studies over Lecce – New Lecce Urban Plan
ongoing
a film over south-est coast of Salento
Italian
linguistic skills
Italian
mother tongue
2010
documentary workshop “Città Invisibili”
English
advanced
Muud Produzioni – Principi Attivi – Regione Puglia
Spanish
advanced
documentary realization: “Sukh Dev”
computer skills
op. system
MS-DOS, Windows (95/98, 2000, XP, Vista, 7) MAC OS X
office suite
Excel, Word, PowerPoint, Publisher, OpenOffice
3D modelling cad drawing graphic
international documentary workshop of music and landscape “ Musiki” Cinema del Reale – master teacher: Paolo Pisanelli
AutoCAD, ReVit, 3d Studio Max, Sketch Up AutoCAD, ReVit, ArchiCAD Adobe Photoshop, Illustrator
last education degree
at
2010
2007
international workshop “Alexandria” Bibliotheca Alexandrina – Politecnico di Milano
2006
international workshop “Taorminaland”
Master of Civil Architecture - grading 110/110
Politecnico di Milano, Dipartimento di Architettura e Pianificazione
Politecnico di Milano - Facoltà di Architettura Civile
– Lab AIP
10, via Durando, I-20158 Milano thesis
“Mediterranean Eco-tones. New infrastructural sceneries for
2005
Universitat Politecnica de Valencia
Istanbul and Alexandria of Egypt” year
scholarship UE “Socrates-Erasmus”
April 2008 2005
trainee at Arch. Umberto Riva I-20100 Milano
curriculum vitae
enrico clerici professional and formative experiences
personal data
birth address telephone email nationality
31.08.1983 in Como (CO) - Italy 87, via XX settembre, I-22075 Lurate Caccivio (CO) chiccoclerici@gmail.com
7, via Zanardelli, I-73100 Lecce 2008
Italian 2007 advanced
Spanish
good
French
basic
2006
MS-DOS, Windows (95/98, 2000, XP, Vista, 7) MAC OS X
office suite
Excel, Word, PowerPoint, Publisher, OpenOffice
web editors
EditPlus, Dreamweaver, Flash, Fireworks, HomeSite, Apache AutoCAD, ReVit, 3d Studio Max (basic), Sketch Up AutoCAD, ReVit, ArchiCAD Adobe Photoshop, Illustrator, InDesign
last education degree
Master of Civil Architecture - grading 110/110 at
Politecnico di Milano - Facoltà di Architettura Civile 10, via Durando, I-20158 Milano
thesis
“Mediterranean Eco-tones. New infrastructural sceneries for Istanbul and Alexandria of Egypt”
year
international workshop “Taorminaland” Politecnico di Milano, Dipartimento di Architettura e Pianificazione – Lab AIP
op. system
graphic
international workshop “Alexandria” Bibliotheca Alexandrina – Politecnico di Milano
computer skills
cad drawing
trainee at Arch. Stelvio Carpentieri 2A, via Giuseppe Giusti, I-73100 Lecce
mother tongue
English
3D modelling
architect at C.A. | Carpentieri e Architetti | Laboratorio degli Errori
(0039) 338 580 44 30
linguistic skills
Italian
ongoing
April 2008
2005
scholarship UE “Socrates-Erasmus” Universitat Politecnica de Catalunya, ETSAValles
2005
trainee at Arch. Alberto Novati / Arch. Franco Pagani 10, via Cermenate Giovanni, I-22063 Cantù (COMO)
curriculum vitae
roberta d’angelo professional and formative experiences
personal data
birth address
27.04.1984 in Atri (TE) - Italy 6, via Piana di Voltigno, I-65125 Pescara (PE)
telephone
(0039) 320 884 31 99
rbt.dangelo@gmail.com
nationality
ongoing
working for a documentary ¬film commissioned by Studio Calcogra¬co Urbino of Pescara
2010
Italian
presentation of the video “Istanbul a colori” at the exhibition “Tra-In between-Arada”, Istanbul
linguistic skills
Italian
mother tongue
2010
international documentary workshop of music and landscape “
English
advanced
Musiki”
German
basic
Cinema del Reale – master teacher: Paolo Pisanelli
computer skills
op. system
Windows (95/98, 2000, XP, Vista, 7) MAC OS X
office suite
Excel, Word, PowerPoint, Publisher, OpenOffice
graphic
Adobe Photoshop, Illustrator, InDesign, Fontlab
video editing
Final Cut, Adobe Premiere
audio editing
Logic pro 8, Audacity, Reason Propellerhead, Cubase SX Steinberg
2009
Andria (BAT) 2009
University IUAV of Venice, Design and Art department I-30135 Venezia
thesis year
“Archival voices. Project for a sound documentary” March 2010
workshop “Teach me fast forward, the video issue” Venice
last education degree
Master in Visual Art - grading 110/110 et lode
scholarship UE “Socrates-Erasmus” Hochschule fuer Kuenste Bremen
2008
at
sound editing of the spot “Festival Castel dei Mondi”,
2005
workshop “Sound Atmoshere” with Carsten Nicolai aka Alva Noto Venice
curriculum vitae
chiara dellerba professional and formative experiences
personal data
birth address telephone email nationality
06.01.1984 in Carbonara (BA) - Italy
ongoing
17, via F. Turati, Capurso (BA)
Archive curator Alessandra Bonomo Gallery, Rome
(0039) 347 304 67 20 chiarapepper@libero.it
2010
Italian
Artist drawer of Wall Drawing “No stright lined from end lines. 1973”, Sol Lewitt in cooperation with Nicolai Angelov Galleria Alessandra Bonomo, Rome
linguistic skills
Italian English
mother tongue
computer skills
op. system
Windows (95/98, 2000, XP, Vista, 7) MAC OS X
office suite
Excel, Word, PowerPoint, Publisher, OpenOffice
graphic
Adobe Photoshop, Illustrator, InDesign, Fontlab
3D modelling
2010
good
Rhinoceros
Cooperation for the show “The real thing”, Juliao Sarmento Galleria Alessandra Bonomo, Rome
2010
Artist of Galleria Bonomo Bari Artefiera, Bologna
2009
Collective show for “GAP, giovani artisti pugliesi”, curator Lia De Venere, Antonella Marino, Marilena Tursi Bari, Sala Murat
last education degree
Master of Industrial Design, grading 110/110 at thesis year
IUAV - Facoltà di Design e Arti
2009
Collective show for “Biennale off del Mediterraneo”, curator
I-30135 Venezia
Marilena Bonomo
“Zilo sport: l’occhiale in plastica fra le due guerre”
Bari, Spazio Tre R
November 2009 2008
Collective show “H20”, curator Marilena Bonomo Galleria Bonomo, Bari
2007
Collective show “Segni”, curator Giuseppe Apicella Galleria Dueffe, Bari
curriculum vitae
maria r. digregorio professional and formative experiences
personal data
birth address telephone email nationality
05.09.1983 in Bari (BA) - Italy
ongoing
graphic designer freelance I-70029 Santeramo in Colle
37, via f. s. mercadante, I-70029 Santeramo in Colle (0039) 347 138 26 43 mariaro.saria@libero.it
2008
Hyperbasic!, workshop about video projections – master teacher: Andreas Gysin
Italian
I-30135 Venezia linguistic skills
Italian
mother tongue
English
advanced
French
advanced
German
good
Spanish
basic
2008
scholarship UE “Socrates-Erasmus” Hochschule für künste Bremen
2008
Observatoire européen de l’Objet OO.3 Moving in Paris, workshop for european schools about urban space analysis
computer skills
op. system
MS-DOS, Windows (95/98, 2000, XP, Vista, 7) MAC OS X
office suite
Excel, Word, PowerPoint, Publisher, OpenOffice
graphic
Adobe Photoshop, Illustrator, InDesign, Fontlab
interaction
Processing, Arduino
2007
I-25121 Brescia 2005
Master of Interaction and Communication Design IUAV - Facoltà di Design e Arti
2005
Typography on a solitary beach, workshop about environmental typography
I-30135 Venezia year
GARBa workshop for young european artists and designers I-75024 Montescaglioso (MT)
last education degree
at
international workshop about urban space analysis
master teacher: Luciano Perondi
March 2010 2005
trainee at InsideOut, graphic design studio I-10121 Torino
curriculum vitae
giuseppe frisino professional and formative experiences
personal data
birth address telephone email nationality
01.06.1983 in Gioia Del Colle (BA) - Italy
ongoing
2, via Niccolini, I-74019 Palagano (TA)
I-73100 Lecce
(0039) 349 75 64 669 g.frisino@yahoo.it
ongoing 2010
English
2010 MS-DOS, MAC OS X, Windows (95/98, 2000, XP, Vista)
office suite
Excel, Word, PowerPoint, Publisher, OpenOffice Adobe Illustrator, InDesign, Photoshop
2D animation
Adobe AfterEffects, Flash
3D animation
Cinema 4D
video postproduction
Cinema del Reale – master teacher: Paolo Pisanelli
advanced
op. system
video editing
documentary realization: “Sukh Dev” 2009
layout of the periodical “Just for culture not for profit” digitally edited on teknemedia.net 2009
Università Iuav di Venezia - Facoltà di Design e Arti 2009
international workshop “Follie d’archivio” - master teacher: Marco Bertozzi
“Tempi di raccolta. Il lavoro contadino in tre documentari sull’Altra
documentary realization: “Encantado”
Italia (1955-1967)” year
workshop “Musikì - Filmare la musica e il territorio” (Sternatia) directored by Paolo Pisanelli.
Master of Visual Arts - grading 110/110
thesis
partnership with the art collective “Sottobosco” graphic design works
Adobe AfterEffect
2206, Dorsoduro, I-30123 Venezia
documentary workshop “Città Invisibili” Muud Produzioni – Principi Attivi – Regione Puglia
FinalCut
last education degree
at
international documentary workshop of music and landscape “ Musiki”
mother tongue
computer skills
graphic
a film over south-est coast of Salento
Italian
linguistic skills
Italian
filmmaker and graphic designer freelance
March 2010 2007
interview of the artists taking part to the 52nd Biennale d’Arte in Venice editing activity for A.S.A.C. - Fondazione La Biennale di Venezia. supervisor: Massimo Magrì
curriculum vitae
benedetta marangio professional and formative experiences
personal data
birth address telephone email nationality
19.09.1984 in Maglie (LE) - Italy
ongoing
1, via Tasselli, I-73100 Lecce
36, via Imbriani, I-73100 Lecce
(0039) 338 716 43 06 benedettamarangio@hotmail.com
ongoing 2008
English
applications of ICT technology to land, study of digital cities advanced
2007
Windows (95/98, 2000, XP, Vista, 7) MAC OS X
office suite
Excel, Word, PowerPoint, Publisher, OpenOffice
3D modelling
AutoCAD, ReVit
cad drawing
AutoCAD, ReVit Adobe Photoshop, Illustrator, InDesign
Master of Urban Planning - grading 104/110 Politecnico di Milano - Facoltà di Architettura 2, via Ampere, I-20131 Milano thesis
“Expo 2015 the the effects of major events on the urban transformation and development of host cities”
year
Politecnico di Milano, Dipartimento di Architettura e Pianificazione 2007
October 2008
Workshop “International Summer School” at Ivrea (To) Urban Project and Landscape transformations Politecnico di Milano, Dipartimento di Architettura e Pianificazione
ArcGis, AutocadMap
last education degree
at
International workshop “Urban development for competitiveness and cohesion – The Expo 98 Urban Project in Lisbon”
op. system
graphic
trainee at Netconsulting s.r.l consulting and market analysis ICT
mother tongue
computer skills
georeferencing
landscape and urban studies over Lecce – New Lecce Urban Plan
Italian
linguistic skills
Italian
architect at STUDIO TECNICO Ing. Marangio
2006
trainee at Milan City offices SIT 39, via Pirelli, I 20125 MIlan Cataloguing of documents, study of maps and mapping in digital. Preparation of a website. Training and research.
curriculum vitae
piero maruccia professional and formative experiences
personal data
birth address telephone email nationality
05.11.1983 in Lecce (LE) - Italy
ongoing
30, via milizia, I-73100 Lecce
Università del Salento – Lecce
(0039) 349 421 42 22 siffiero@gmail.com
ongoing 2009
“ex-qualcosificio party” Roma
mother tongue
English
good
French
good
computer skills
op. system
Windows (95/98, 2000, XP, Vista, 7) MAC OS X
office suite
Excel, Word, PowerPoint, Publisher, OpenOffice
audio editing
“Resistenza Funk” sound project
Italian
linguistic skills
Italian
studies Biologic Sciences - Ecology
Logic pro 8, Audacity, Reason Propellerhead, Cubase SX Steinberg
artistic profile
2008
“Terra Bruciata” reggae crew soul outta salento
2007
“Indie & Soul connection” with Alan Wichers
2006
promoter for RedBullMusic Academy
2005
Salento “Ultrabeat djs” Several djset and cooperations
Soulfiero (Lecce,1983) is basically a dj selector operating all around Italy in the last decade, cooperating with different independent music channels.
2005
Cultural Association that deals with migrations matters
His selections space out from new and rare funk to soul and reggae, till more modern electronic sound works. His eclectic style makes him to be a kind of alchemist of sounds, able to investigate into retro atmospheres mixing them with more contemporary sounds.
founder of “Esportazione Senza Filtro”
2003
“International reggae night” With MeiWentiSound - Roma
CURRICULUM VITAE
ANA LAURA PASCALE PROFESSIONAL AND FORMATIVE EXPERIENCES
PERSONAL DATA
birth address telephone email nationality
28.07.1978 in Bahía Blanca (Bs.As.) - Argentina
ongoing
Freelance Graphic Designer
207 A, Santa Croce, 30135 Venezia (VE) (0039) 346 475 22 32
2010
“Retype” workshop of typography composition. Altamura. (BA)
analaurapascale@yahoo.com Argentinian
“Musiki” International documentary workshop of music and landscape. Master teacher: Paolo Pisanelli.
LINGUISTIC SKILLS
Spanish
mother tongue
“Bioritmo EcoFestival” Graphic communication developed using waste
Italian
advanced
paper and drilling tools. Minervino Murge. (BT)
English
advanced
French
basic
2009
workshop. Master teacher: Marco Bertozzi. Università IUAV di Venezia.
COMPUTER SKILLS
op. system
MS-DOS, Windows (95/98, 2000, XP, Vista) MAC OS X
“Intervals” short documentary on the homonymous by Peter Greenaway.
Excel, Word, PowerPoint, OpenOffice graphic
Master teacher: Lewis Baltz. Università IUAV di Venezia.
Adobe Illustrator, InDesign, Photoshop
video editing
FinalCut
3D modelling
AutoCAD (basic), Cinema 4D
cad drawing
“23 Latin American Film Festival of Trieste” short documentary screened in the final evening of the Festival, Trieste. (TS)
AutoCAD (basic)
LAST EDUCATION DEGREE
2008
thesis
Università IUAV di Venezia - Facoltà di Design e Arti “Archival graphic cinema. The Latin American Audiovisual Center,
2007
“Theory of Communication Design” postgraduate course. Facultad de Arquitectura, Diseño y Urbanismo. University of Buenos Aires.
between personal memories and public stories”. year
“Summer School Delta del Po” International workshop about construction of scenarios in fragile areas. Università IUAV, Porto Viro. (VE)
Master in Visual Communications and Multimedia Design at
“Encantado” documentary produced at “Follie d’archivio” documentary
April 2010
Furniture design for Steel & Glass. Buenos Aires. 2006
2nd Prize at the Regional Fair Industry and Trade (FISA) for the Design of the city institutional stand. Bahía Blanca, Argentina.
curriculum vitae
amir samara professional and formative experiences
personal data
birth address telephone email nationality
16.07.1982 in Tira – Israel
asamirsamara33@gmail.com
mother tongue advanced
English
advanced
Italian
advanced
computer skills
op. system
MS-DOS, Windows (95/98, 2000, XP, Vista, 7)
office suite
Excel, Word, PowerPoint, Publisher, OpenOffice
cad drawing graphic
I-20100 Milano 2008
Israeli
Hebrew
3D modelling
AutoCAD, Sketch Up AutoCAD
2007
Bachelor of Architecture - grading 110/110 Politecnico di Milano - Facoltà di Architettura Civile 10, via Durando, I-20158 Milano year
April 2008
cultural mediator I-92010 Lampedusa
2006
designer and illustrator at “Esterni - Milano” I-20100 Milano
2005
internship at Arch. Carmelo Bagalà I-20100 Milano
2005
trainee at Arch. Caterina Mantegna I-20100 Milano
Adobe Photoshop, Illustrator
last education degree
designer at Itai lewin architects Tel Aviv – Israel
2000
at
designer at Bellagamba s.r.l.
(0039) 345 449 52 16
linguistic skills
Arabic
ongoing
13, via Giulio Romano, I-20135 Milano
teacher of painting Municipality of Tira- Israel
janub.wordpress.com www.carpentieriarchitetti.it www.zabar.it progettokublai.ning.com www.os-house.org www.sottobosco.net www.muud.it amirsamara.blogspot.com http://www.bioritmo.org/