Chiswick Auctions Silver and Objects of Vertu October 2018

Silver & Objects of Vertu London 23rd October 2018

SPECIALISTS

John Rogers

Amicie de Villenfagne

Head of Department Silver & Objects of Vertu john.rogers@chiswickauctions.co.uk

Specialist Silver & Objects of Vertu amicie@chiswickauctions.co.uk

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Silver & Objects of Vertu

Tuesday 23rd October 2018, 11.00

VIEWING AT CHISWICK full sale Saturday Sunday Monday Tuesday

20 October 21 October 22 October 23 October

11.00 - 17.00 11.00 - 17.00 10.00 - 18.00 10.00 - 11.00

PHOTOGRAPHERS GENERAL ENQUIRIES +44(0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk 1 Colville Road, London W3 8BL 127 Fulham Road, London SW3 6RT

Steven McCauley Jordan Salzmann Darrell Russell Monika Olek Basak Ulukose

Front cover: Lot 369 Back cover: Lot 287

Contents Objects of Vertu & Boxes

Page 4 - 17

Flatware

Page 18 - 22

A pewter vase by Gilbert Marks

Page 24

Continental Silver

Page 23 - 33

Mixed Lots

See Online

British Hollowware

Page 59 - 62

Non – European Silver

Page 59 - 62

Judaica

Page 63 - 65

Heraldic Silver

Page 66 - 85

Paul Storr and the Shakerley Family

Page 86 - 89

The next Silver & Objects of Vertu Sale will take place on the 5th of March Entries are now invited.

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1λ A George V antique sterling silver guilloche enamel and coral cigarette case, Birmingham 1935 by Adie Brothers Of rectangular form with canted edges, the front in translucent while enamel boarded with niello work, with an applied coral floral coral carving mounted with marcasites, also with a shaped coral thumbpiece. The reverse with basket weave engine turned decoration. Gilt interior, fully and part-marked.

Length – 8.3 cm / 3.25 inches Weight – 96 grams / 3.09 ozt £100-200

2 A late 19th/early 20th century Austro-Hungarian 950 standard silver and guilloche enamel cigarette box, Vienna 1872-1922, maker’s mark KC Of rectangular form, decorated with white guilloche enamel with pale blue border, the centre of the lid embellished with a Turquoise and small diamonds, with gilt interior.

Length – 9 cm/3.5 inches Weight – 150 grams/4.8 ozt £150-250

3 3 An early 20th century Austrian silver and guilloche enamel cigarette box, Vienna circa 1920 makers marks KP interlaced?

Of rectangular form with pale blue guilloche enamel sides, the lid with a scene of two birds atop a flowering branch. The underside with engine turned decoration. The gilt interior with engraved signatures, Marked to both lid and base and also both stamped 365.

Length – 8.1 cm / 3.25 inches Weight – 104 grams / 3.34 ozt £120-160

4 4 A mixed group of antique sterling silver and enamel items, including an Art deco silver and enamel compact, Birmingham 1932, by Asprey Of square form, the front with pale blue guilloche enamel, the interior with a mirror and powder compartment, fully marked to the inside, together with a Norwegian silver-gilt and blue enamel spoon, Oslo circa 1930, by David Andersen. (2) £120-160

5 5 An early 20th century Austrian 935 standard silver, enamel and abalone shell inlaid cigarette case, Vienna circa 1930 by B&S Of rectangular form with canted edges, the top with an intricately inlaid abalone shell and mother of pearl Japanese scene showing a lady with a fan crossing a bridge underneath a cherry blossom, reserved in an opaque enamel border of cherry blossom. The sides and reverse with translucent green guilloche enamel. Gilt interior.

Stamped 935, Sterling, makers mark and standard mark.

Length – 8 cm / 3.2 inches £1000-1500

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6 6 An early 20th century German or Swiss 935 standard silver and guilloche enamel snuff box, circa 1910 Of rectangular form with rounded corners, the lid with central enamelled picture of a rural water mill with figure at work, reserved in opaque white enamel fillets and translucent green enamel bands with engraved decoration. The sides and base similarly reserved with central translucent blue enamel panels. Gilt interior. Stamped 935 to flange only.

Length – 9.5 cm / 3.75 inches Weight – 192 grams / 6.18 ozt £300-500 *See inside front cover for information regarding fees

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7 A George VI sterling silver and guilloche enamel Mc Murdo table lighter Birmingham 1947 by Alexander Clark & Co Ltd of rectangular form with base metal components, the silver sides with pale green translucent enamel with a Art Deco sunburst design.

Stamped underneath Mc Murdo PAT No 590958 Made in England, Length – 7.7 cm / 3 inches £150-250

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9 A small late 19th/early 20th century Austro-Hungarian 950 standard silver and guilloche enamel desk clock, Vienna 18721922, maker’s mark possibly ss Of semi-circular form on a rectangular base, decorated with musical trophies and flowers on a white enamel background with green enamel borders.

Length – 9.5 cm/3.7 inches £150-250

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8 A George VI sterling silver and guilloche enamel compact, Birmingham 1937 by Henry Clifford Davis Of circular form, the front with an enamel scene of a mallard duck and drake taking flight from a lakeside, encircled in engine turned decoration topped with translucent green enamel decoration. Engine tuned decoration to the reverse. Mirror to interior.

Diameter - 7 cm / 2.75 inches Weight – 81 grams / 2.6 ozt £100-200

10 A George V antique sterling silver and enamel clock, Birmingham 1934, by James Dixon & Sons Ltd Of domed rectangular form, the front decorated with blue guilloche enamel, raised on four bun feet.

Height – 11 cm/4.3 inches £100-200

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11 A George V sterling silver gilt and guilloche enamel desk clock / timepiece, Birmingham 1925 by Henry Clifford Davis Of circular form with engine turned decoration topped with translucent turquoise enamel. The 8-day wind up movement, stamped ‘Swiss Made’ with brass strut. Fully marked to reverse. Held in a later fitted leather bound presentation case.

Diameter - 9.1 cm / 3.5 inches £150-250 11

12 A mid- 18th century French enamel and silver mounted snuff box, Paris 1753, makers mark obscured With discharge mark of Julien Berthe. Of cartouche form decorated with raised gilt enamel of trailing flowers to the lid and base as well hounds in pursuit of prey to the sides, all against a yellow speckled ground. The reeded silver mount with plain thumbpiece.

Length – 8.3 cm / 3.25 inches £200-300 13 A mid to late 18th century English enamel etui, South Staffordshire circa 1760 Of tapering form with button release clasp lidded section, the case decorated with two gilt C scroll cartouches of figures at leisure, a fishing scene to one side and two figures in a landscape to the other. Gilt metal mounts to base lid and hinge. The gilt metal and steel fitted interior partially complete with bodkin with ribbon slot and thread eye no wax scoop, a snuff spoon, pencil holder, folding ruler, compass, scissors and tweezers/nail file.

Length – 10.9 cm / 4.25 inches £500-800 14 A late 18th century Continental unmarked silver-mounted enamel snuff box, circa 1780 Of rectangular form, the sides and lid decorated with courting scenes, the reverse of base with camaieu landscape, the inside of the lid painted with a depiction of a lady.

Length – 8.5 cm/3.3 inches £200-300 5

15 15 A rare Victorian antique sterling silver and enamel novelty match case / vesta, Birmingham 1886 by Horton & Allday Of rectangular form, the lid enamelled with a rebus puzzle with a vacant catouche reading ‘I am <blank>, who the Devil are you?’ formerly with a striker to the side.

Length – 6 cm / 2.2 inches Weight - 38 grams / 1.22 ozt £200-300

17 17 An early 20th century German or Swiss 935 standard silver, gold and enamel cigarette case, circa 1930 by BC? Of rectangular form with curved opaque enamel ends, the body with engine turned decoration, the top with applied unmarked rose gold mounts of a fox running and intials WR. Gilt interior, with inscription Dr Willy Reinecke, Salzkotten. Marked with 935 and incuse BC to flange, also with later Dutch import marks.

Length – 9.2 cm / 3.6 inches Weight – 158 grams / 5.08 ozt £300-500

16 16 A mixed group of items including a 9 carat gold mounted cheroot cutter Birmingham 1959, by S J Rose & Son With engine-turned decoration and stainless steel blade, together with a late Victorian silver-mounted tortoiseshell cigarette case, Birmingham 1894, by Henry Mathews Of square form with rounded corners, the front applied with silver initials, length 8.5 cm/3.3 inches. (2) £120-160

18 18 An early 20th century Austrian Art Deco 900 standard silver and enamel cigarette case, Vienna circa 1920 by Alexander Sturm Of rectangular form with rounded corners, the lid with engine turned decoration and an enamelled scene of a partially clothed nude female figure.

Length – 9.1cm / 3.6 inches Weight – 153 grams / 4.92 ozt £350-450

19 19 A group of three Austrian silver cigarette cases, including an early 20th century reeded 800 standard example, Vienna circa 1920 applied with the initials TR below a coronet, the gilt interior engraved with an inscription, length - 9 cm/3.5 inches, an early 20th century 900 standard example, probably Czech, inset with emeralds, and with sapphire push button, with gilt interior, one side engraved “Valerie” below a coronet, length 8.5 cm/3.3 inches and a 900 standard example, Vienna circa 1900, one side inscribed XXV in dark blue enamel, the other side engraved with coat-of-arms, with sapphire push button, length - 9.5 cm/3.7 inches. (3) Weight - 339 grams/10.9 ozt £200-300 6

*See inside front cover for information regarding fees

20 A mid - 20th century French 800 standard silver and gold vanity case / minaudière, by Boucheron circa 1940 Rectangular form, the lid decorated with an applied gold pierced grill of foliage, butterflies and birds with collet sets rubies opening to reveal a sprung dual mirror the base with two compartments, two lipstick holders, comb missing, in its brown suede carrying bag.

French standard mark and makers mark, signed Boucheron Paris, no 815012.

Length – 13 cm / 5.2 inches Weight – 504 grams / 16.2 ozt £4000-6000

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21 λ A French Art Deco silver-gilt and black enamel compact, circa 1925, maker’s mark AP with device between Of rectangular form with canted corners, the thumb clasp decorated with coral and small diamond, opening to reveal two compartments, a lipstick holder and a mirror, with gilt interior.

Length – 7.7 cm/3 inches £300-500 21

22 A George VI 9 carat gold Art Deco cigarette case, Birmingham 1938

by S Blanckensee & Son Ltd Of rectangular form with canted corners and push button release.

Engine turned decoration throughout.

Length – 12.8 cm / 5.1 inches Weight – 155 grams / 4.98 ozt £1200-1600

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23 λ An early to mid-18th century gold and abalone shell inlaid tortoiseshell bible binding, probably English circa 1720-40 the unmarked gold mounts with tortoiseshell panels inlaid with a scalloped design in gold and abalone shell, the corners with engraved gold grotesque masks, the cental section with similar gold and abalone shell inlay centred with a flower head. The spine and clasp with similar inlaid decoration, the clasp mounts with engraved winged masks in a turban. Later fitted interior as a note book containing notes on needlepoint and crochet. Housed in a later leather-bound velvet interior presentation case.

Length – 15.2 cm / 6 inches £3000-4000

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24 A late 18th century green shagreen etui with mother-of-pearl and rose gold implements Comprising a folding fork, a folding knife and a small pair of scissors.

Length of etui – 11.5 cm/4.5 inches £800-1200

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25 A 17th century Dutch silver-mounted powder horn circa 1680 All over carved with mythological scenes, the silver plaque engraved with a hunter spying on three female nudes dancing.

Length – 15 cm/5.9 inches £1500-2500

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*See inside front cover for information regarding fees

26 λ A late 19th century tortoiseshell singing bird box, circa 1890 possibly by Bontems With going-barrel movement, the bird with multi-coloured feathered plumage, moving beak, wings and tailfeather to continuous birdsong, rising through finely pierced gilt grille, the lid with inset enamelled plaque of a young woman reading a letter while attended by a bird.

Housed in a plain highly polished tortoiseshell case with key compartment to rear, start/stop button to front-right. In original green leather travelling case with key.

Length – 9.7 cm / 3.8 inches £2000-3000 26

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27 An early 20th century sterling silver-gilt singing bird box, by Karl Griesbaum circa 1930 Model 14b. with going-barrel movement, the bird with multicoloured feathered plumage, moving wings, beak and tail feather, rising through pierced gilt grille. The casket of shaped rectangular form on four compressed bun feet, decorated throughout with embossed scenes of musical trophies and putti musicians. Unmarked.

Length – 11 cm / 4.25 inches £1500-2500 For the same model sold at Bonhams Knightsbridge 29th January 2013, Lot 103 Also these rooms, Silver & Objects of Vertu, Oct 30th 2017 Lot 152 and 153

28 An early 20th century sterling silver singing bird box, by Karl Griesbaum circa 1920 with going-barrel movement, the bird rising through pierced gilt grille. The casket of rectangular form with bombe sides on four cabriole feet, decorated throughout with embossed foliate scrolls and flower heads with vacant cartouches, the hinged lid with putti musicians. Unmarked.

Length – 11.6 cm / 4.5 inches £1000-1500

29 A silver-gilt paper knife, the blade London 1791, maker’s mark WC over DC, associated with a late 19th century French porcelain handle The blade engraved with flowers, the handle decorated with flowers within a reserve on a blue background.

Length – 22.5 cm/8.8 inches £200-300

30 λ A 900 standard silver-mounted ivory, rose quartz and enamel page turner, circa 1900, stamped with Austrian import mark and with an illegible mark, probably Russian made With ivory blade, rose quartz handle with a pale green enamel band at the junction, mounted with silver swags and decorative bands.

Length – 28.5 cm/11.2 inches £300-500

31 A 19th century Continental silver-gilt filigree heart-shaped box, unmarked, possibly Portuguese The pull-off lid opening to reveal three silver-gilt mounted cut glass scent bottles.

Length – 4.5 cm/1.7 inches Weight – 51 grams/ £200-300

32 A late 19th / early 20th century Dutch miniature silver figure, with pseudo 18th century Amsterdam mark and pseudo 10 mark, circa 1900 Representing a male figure pushing a grinding wheel after a model

by Johannes Van Geffen. Also stamped with a later tax mark.

Length – 8.5 cm/3.3 inches Weight – 48 grams/1.5 ozt £100-200 9

33 33 An 18th century French Louis XV silver and vari-coloured gold inlay sealing wax/bodkin case, stamped for discharge mark only for J-J Prevost, Paris 1762-68 Of tapering form, decorated with flowers and scrolls.

Length – 11.2 cm/4.4 inches Weight – 52 grams/1.6 ozt £300-400

34 34 An 18th century French Louis XV gold sealing wax/bodkin case, stamped for discharge mark only for J-J Prevost, Paris 1762-68 Of slightly tapering shaped oval form, decorated with engraved bands near the rims.

Length – 7.5 cm/2.9 inches Weight – 12 grams/1.4 ozt £500-800

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35 A Modern Russian 84 zolotnik silver-gilt and enamel egg, St Petersburg Of conventional form, decorated with flower and heart shaped scrolls in shades of blue, green, red and white enamel, marked to the flange with the combined standard and town mark.

Height – 5.5 cm/2.1 inches Weight – 55 grams/1.7 ozt £100-200

36 Two Damascened iron and gold walking cane handles, probably 19th century Arabic/Middle eastern One of tapering form with circular finial, decorated with foliate scrolls and flowers within reserves, length 7 cm/2.7 inches, the other of scroll form, with similar decoration, length 5.5 cm/2.1 inches. (2) £350-450

37 An unusual Victorian travelling spoon, fork and knife set, jasper handled, Birmingham 1861 by Hilliard & Thompson The jasper (hardstone) handles with rounded terminals, the shaped ferals adjoining to spoon, fork and knife blade. Cased.

Knife length – 21.5 cm / 8.5 inches £250-350

38 Two 19th century Dutch 14 carat gold-mounted glass scent bottles, 1853-1906 With engraved mounts, one with oval glass body, the other with cylindrical glass body.

Height – 9.6 cm/3.7 inches and 9.3 cm/3.6 inches £150-250

39 A George III antique sterling silver snuff box, London 1805 by William Parker Of curved rectangular form with reeded decoration all over. Gilt interior. Fully and part-marked.

Length – 7.7 cm / 3 inches Weight – 67 grams / 2.15 ozt £100-200

40 A 20th century 935 standard silver and enamel cigarette case, possibly Swiss circa 1920, maker’s mark SL with device above Of rectangular form with rounded corners, the front with an enamel depiction of a reclining female nude.

Length – 9.7 cm/3.8 inches Weight – 134 grams/4.3 ozt £100-200

41 A first half of 19th century French gold mounted fruitwood toothpick box, circa 1820-50 Of rectangular form with rounded ends with applied gold scallop shell and vacant plaque. The plaque with indistinct French guarantee mark.

Length – 8.3 cm / 3.3 inches £100-200

42 A Russian imperial 84 Zolotnik silver cigarette case 1896-1908, maker’s mark A Of rectangular form with rounded corners, decorated with radient flutes, with red past button, the gilt interior engraved with a Russian inscription.

Length – 9 cm/3.5 inches Weight – 125 grams/4 ozt £120-160

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*See inside front cover for information regarding fees

43 43 λ An early 19th century Continental unmarked gold-mounted ivory portrait miniature snuff box Of circular form, the lid inset with a portrait of a lady in front of a seascape.

Diameter – 6.7 cm/2.6 inches £250-350

45 45 λ An early 19th century tortoiseshell and gold portrait snuff box, Paris 1819-38 by J L Struck with the Paris guarantee, 750/1000 Paris standard mark of 1819-38 later struck with a Parisian post-1838 restricted warranty marks for gold. Of circular form with tortoiseshell exterior, the lid inset with an earlier continental portrait miniature of a gentle man in oval gold mount, possibly Swiss circa 1750. Gold lined, marked throughout.

Diameter – 7 cm / 2.75 inches Weigh – 62 grams / 2 ozt £1200-1800

44 44 A late 18th century French vernis martin snuff box of circular form, the lid and the reverse of base decorated with gold/orange trophies amongst flower scrolls on a dark green ground, the lid opening to reveal a portrait miniature of a gentleman on an enamel medallion.

Diameter - 7 cm/2.7 inches £400-600

46 46 λ A Louis XVI late 18th century French blond tortoiseshell and gold pique snuff box, Paris circa 1780 Of circular form with applied gold rims, the body with inlaid stars and mullets. The lid with an inset portrait miniature on ivory of a young woman in a yellow and blue gown resting her arm on a gueridon holding in the hand a small bouquet of flowers, with a secretaire in the background. Set within a gold frame and glazed.

Diameter – 7.9 cm / 3.15 inches £1000-1500

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47 A George II unmarked gold and agate snuff box, circa 1750 Of oval form with simple thumbpiece and stand away hinge, with domed inset panels of brown agate.

Length – 5.6 cm / 2.25 inches Weight – 53 grams / 1.7 ozt £800-1200

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48 λ A George II gold-mounted mother of pearl and tortoiseshell snuff box, circa 1740 Of stylised cartouche form, the hinged tortoiseshell lid with silver and gold flowers inlay.

Length – 6.3 cm/2.5inches £800-1200

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49 λ An early 19th century English unmarked gold mounted ivory patch box circa 1800-1830 Of oblong form with plain gold mounts, the lid with an applied miniature painting of a cityscape bridge scene with a river, possibly Old London bridge (demolished 1831), edge in seed pearls Velvet lined interior. In a fitted Moroccan leather case.

Length – 7.5 cm / 3 inches £600-800

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50 λ A mid-18th century ivory and gold mounted snuff box, English circa 1740 Of shaped oval cylindrical form, the curved hinged top carved with a detail from William Hogarth’s ‘A Midnight Modern Conversation’ (1732). The gold mounts with scalloped mounts to the ends heightened with engraving, elsewhere highlighted with engraved foliate scroll decoration square form rosettes. The lid raised by a plain thumbpiece. Obliterated mark underneath, also stamped alongside a ligatured incuse HE. Length – 8.5 cm / 3.4 inches Weight – 97 grams / 3.12 ozt £400-600 50 12

*See inside front cover for information regarding fees

51 λ A late 18th / early 19th century French unmarked gold mounted tortoiseshell snuffbox, Circa 1800 Of circular form with plain and brattishing mounts, the lid centred with an oval Swiss enamel plaque of woman accosted by a solider and a man against a pink ground.

Diameter 6.4 cm / 2.55 inches £800-1200

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52 λ A late 18th / early 19th century French unmarked gold mounted tortoiseshell snuffbox, Circa 1800 Of circular form with moulded and brattishing mounts, the lid centred with an oval Swiss enamel plaque of Mars gesturing to Venus against a pink ground.

Diameter 6.8 cm / 2.7 inches £800-1200

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53 λ An early 18th century tortoiseshell and gold pique work snuff box continental circa 1710 Of shaped rectangular form the lid decorated in gold pique point with a bird overflying flowering scrubs, the base with a flowering shrub gilt metal mounts with gadrooned borders.

Length – 8.6 cm / 3.4 inches £600-800 Provenance: the honourable J.L. Shaw, Sotheby’s Arts of Europe, London 12th May Lot 136

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54 λ An early to mid-18th century tortoiseshell pique and gilt metal snuff box, Continental circa 1720-40 Of shaped rectangular form with canted corners, the lid with inset tortoiseshell panel pique inlaid with a flock of birds including a peacock, duck, herons and a parrot on a tree. The inside of lid with engraved intertwined monogram below a coronet. The base with lacquer panel to the inside and engraved strapwork the underside.

Length – 8.5 cm / 3.25 inches £600-800 54

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55 An early 19th century German gold snuff box, Hanau circa 1800-20 Of cartouche form with an embossed scene of a figures taking tea around a tea table with a dog seated underneath, reserved with rococo scrolls and shells. The sides with engraved decoration of foliate scrolls and flower bursts, the underneath with chased C scrolls and rocaille decoration. Marked to the lower rim with indistinct marks, possibly and incuse A. Length – 8.5 cm / 3.4 inches Weight – 106 grams / 3.41 ozt £3000-4000

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56 A George IV antique sterling silver wine peddler snuff box, London 1820 by John Linnit Of rectangular form with curved corners, the top with embossed scene of “The Wine and Spirit Peddler”, against a Teniers style background of a tavern scene. Gilt interior. Fully and part-marked.

Length – 10 cm / 4 inches Weight - 185 grams / 5.95 ozt £2000-3000

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57 WITHDRAWN

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*See inside front cover for information regarding fees

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58 A Louis XVI gold and enamel snuff box, Paris 1782 (?) by Pierre-Sylvain Mornay (active 1758-1793) Of oblong form, decorated throughout with scenes of classical figures en grissau, against a pink geometric lattice ground. The lid with a scene of satyrs dressing Bacchus in a garland while being attended to by a maiden. The underside showing Dionysus in his chariot being pulled by panthers with Dionysus as a bade atop, amongst Silenus and other figures and dancing satyrs. The sides with a continuous frieze of satyr’s and figures in actions. The gold mounts to the body with bright cut decoration, the lid with translucent blue fillets interspaced with opaque white quatrefoils. The stand away hinge opening to reveal a gold lined interior. Marked to both lid and base with charge mark, date and maker’s mark, partially obscured.

Length – 9.7 cm / 3.9 inches Weight – 164 grams / 5.27 ozt £10,000 – 15,000

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59 59 A 20th century sterling silver and enamel flower basket, stamped Cartier Realistically modelled as a woven basket with colourful flowers and leaves.

Height – 11 cm/4.3 inches £800-1200

61 61 A George V antique sterling silver hunting flask, Sheffield 1934, by James Dixon & sons Of tapering cylindrical form, the plain lid with bayonet fastening and inner cork.

Length – 25.5 cm/10 inches Weight – 232 grams/7.4 ozt £400-600

63 63 An Elizabeth II antique sterling silver lighter, London 1989, by William Comyns & Sons Ltd Modelled as a horse’s head.

Height – 11 cm/4.3 inches £400-600

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60 60 A Royal commemorative silver frame, London 1906, by the Goldsmiths & Silversmiths Company Of shaped rectangular form with domed top section and gadrooned rim, embellished with the portraits of members of the Royal House of Saxe Coburg Gotha within medallions, those on the top section represent King Edward VII and Queen Alexandra in the central medallion, between the future King George V and Queen Mary on either sides, the lower section with a portrait of Albert, Duke of Clarence and another, probably the first Duke of Fife, the centre with a depiction of an unidentified building, with wood easelback.

Length – 39 cm/15.3 inches £1800-2200

62 62 A rare pair of Victorian antique sterling silver and unmarked gold napkin rings, Sheffield 1882 by Martin, Hall & Co Each of square form with rounded corners, engraved with Aesthetic decoration of leaves and geometric forms, with applied rose and yellow gold geometric forms and birds. Each fully marked to the silver. (2) Length – 4.1 cm / 1.7 inches Weight – 76 grams / 2.44 ozt £120-160

64 64 λ A George V antique sterling silver and tortoiseshell mantel clock, London 1912 by Elkington & Co formed as a table clock, with rectangular body and pagoda top with carrying handle, raised on four spool feet with husk rim. The tortoiseshell front with a silver inlaid decoration of foliate scrolls and rose heads, the top with plain tortoiseshell panel. The plain white enamel dial with Arabic numerals, the single train movement with horizontal balance wheel escapement. Fully marked underneath and part-marked to door flange, the movement stamped Made in France.

Height – 19.5 cm / 7.7 inches £600-800 *See inside front cover for information regarding fees

65 65 λ A large mid-20th century Danish rosewood and sterling silver inlay box, by Alfred Klitgaard Of rectangular form the lid embellished with an inlay silver band, opening to reveal various compartments.

Length – 30.4 cm/11.9 inches £400-600

66 66 λ A mid-20th century Danish rosewood and sterling silver inlay double box, by Hans Hansen Of rectangular form with two lids embellished with an inlay silver roundel.

Length – 20.8 cm/8.2 inches £400-600

67 λ A mid-20th century Danish rosewood and sterling silver inlay desk set comprising a box and a pen tray, by Hans Hansen Both of rectangular form with silver square inlays.

Length – 21 cm/8.2 inches and 20.3 cm/7.9 inches £400-600

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68 A George V Art Deco sterling silver and lapis lazuli cigarette box, London 1934 by Garrards Of rectangular form with wooden interior, all over decorated with corrugated engine turning of quarter-circles and rectangles. The lid raised by a chamfered rectangular lapis lazuli thumbpiece, collet set in silver-gilt. The underneath with square point engine turned decoration. Fully marked along bas flange and part marked to lid interior, engraved ‘Garrard, Albemarle St . W1’. Together with a silver gelatin post card showing a similar design of box numbered 1030/46.

Length – 14.2 cm / 5.7 inches Gross weight – 497 grams / 15.98 ozt £500-800 68

69 A George V antique sterling silver and 9 carat gold Art Deco cigarette / cigar box, London 1912 by Asprey Of angular trapezoid form, engine turned decoration throughout with unmarked 9 carat gold stringing and a thumbpiece. The lid engraved with a crest of a Talbot’s head erased. Wooden interior, fully marked to outside.

Length – 25.5 cm / 10 inches £500-800

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70 λ Sandringham Pattern - An Elizabeth II modern sterling silver canteen / table service of flatware, Sheffield 1956 by Emile Viner With place settings for twelve, comprising; Twelve table forks Twelve soup spoons Twelver dessert forks Twelve dessert spoons Four serving spoons Ten teaspoons Four salt spoons Two mustard spoons One jam spoon One butter knife Also: Twelve table knives, twelve dessert knives, carving set, bread knife and fish servers, all with steel blades and ivorine handles.

All housed in the original three-drawer green baize lined rosewood Cado canteen chest. (70 silver) Weight – 3633 grams / 108.12 ozt £1000-1500

71 King’s Honeysuckle Pattern - An early Victorian antique sterling silver set of flatware, London 1842 by William Eaton Double struck with diamond heel, all engraved M in flourished cursive script.

Comprising: Twelve table spoons Twelve dessert spoons Two cream ladles A sauce ladle (27) Weight – 2353 grams / 75.6 ozt £600-800

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72 King’s Pattern - An early Victorian antique sterling silver part canteen / table service of flatware, London 1833/40 by William Eaton double struck with diamond heel, virginal erased. Comprising: Twelve table forks Twelve dessert spoons (eight for 1840, four for 1833) Six table spoons, Two sauce ladles Two basting spoons A soup ladle (35) Weight – 3549 grams / 114.1 ozt £1000-1500 72 18

*See inside front cover for information regarding fees

73 King’s Pattern - An extensive George IV Scottish antique sterling silver double canteen / table service of flatware, the majority Edinburgh 1827 by James McKay single struck, all engraved with a crest of a rock with the motto above tyde what may. Comprising: 36 table forks (three marked for 1826) 24 table spoons (twelve marked for 1824) 24 dessert forks (one marked for London 1871 by George Adams) 24 dessert spoons 19 dessert knives (Sheffield 1827 by Aaron Hadfield) 14 teaspoons 7 egg spoons (one for 1823 by James & Walter Marshall) 3 basting spoons 2 sauce ladles 2 toddy ladles 2 butter knives 1 fish slice 1 mustard 4 salt spoons, (two silver gilts, two marked for 1823 by James & Walter Marshall,, one for 1860 same maker, the other 1826 by James McKay) 11 table knives, with faceted handles, (ten Sheffield 1828 by CSC (Untraced), one London 1920) (174) Silver Weight – 8791 grams / 282.64 ozt £3000-5000 The crest and motto are for Haig For David Haig of Glenodgil, Forfar, Scotland, (1796 – 1848) married Elizabeth Price on the 17th March 1828.

Please see three sauceboats Lot 374 in this sale engraved with the same crest and motto.

73

74 Princess Number One Pattern - A Victorian antique sterling silver straight canteen / table service of flatware, London 1857/8

by John Whiting Double Struck, all initialled R in cursive script.

Comprising; 24 table forks (8 for 1857, 16 for 1858) 24 dessert forks (8 for 1857, 16 for 1858) 12 table spoons (1857) 12 dessert spoons (1857) 12 dessert spoons (8 for 1857, 4 for 1858) 11 teaspoons (1858) Pair of sugar tongs (1857) Sugar sifter (1857) 4 salt spoons 4 sauce ladles (1858) 2 Basting spoons (1858) Soup Ladle (1857) Also, to include Sheffield 1980 by C. J. Vander, filled handles with stainless steel blades 12 table knives 12 dessert / start knives (132) Weighable silver – 6515 grams / 209.46 ozt £5000-8000 Provenance – with facsimile receipt for The Cutlery Shop, H. Perovetz Ltd 24/12/1979 Princess pattern is listed in Pickford’s Silver Flatware (1983) page 138, the pattern appears in the Chawner & Co pattern book as made by George Adams.

74 19

75 75 A Victorian antique sterling silver gilt christening set, London 1851

by Henry & Henry Lias Comprising a fork, spoon and knife, each with an ornate handle.

Filled handle on the knife and fork. All fully marked. (3) Longest – 20 cm / 7.9 inches Weighable silver – 44 grams / 1.41 ozt £300-500

77 77 A George III Irish antique sterling silver basting spoon, Dublin 1775 by William Ward Hook end terminal, single drop bowl.

Engraved with a crest of a griffin sejant with a arrow in the dexter claw. Fully marked to stem.

Length – 31.3 cm / 12.25 inches Weight – 113 grams / 3.63 ozt £150-250

20

76 76 A Victorian antique sterling silver set of fish eaters, London 1895

by Holland, Aldwinckle & Slater In Elizabethan pattern, with settings for eight, comprising eight fish knives and eight fish forks, with silver blades and filled silver handles.

Each engrave with a crest of a double headed eagle displayed issuing from a naval coronet. (16) Length of knife – 23 c m / 9 inches £200-300

78 78 A George III antique sterling silver Irish provincial soup ladle, Cork circa 1785 by Carden Terry of Old English Feather Edge pattern, the unusual scalloped edge bowl with spiral fluted repousse decoration, the heel with rocaille and engraved C scroll decoration.

The terminal engraved with a crest of an ostrich proper. Marked to the reverse of the stem with makers marks CT twice and stamped sterling.

Length – 34.5 cm / 13.5 inches Weight - 154 grams / 4.95 ozt £800-1200 The crest is for Caldecot, Carrick, Haltridge, James , Lindsay, Milroy, Peckham, Ray, White and Wray

79 79 A Queen Anne Britannia standard silver basting spoon, London 1713, no maker’s mark Of Hanoverian pattern, with rat tail bowl, engraved with a crest of a bat displayed.

Marked to the stem.

Length – 35.2 cm / 13.9 inches Weight – 175 grams / 5.63 ozt £1000-1500 The crest is for Bugge, Colwich, De Rivers, Norrington, Novelle, Randall, Randolfe, Wakefield and Yellowley

*See inside front cover for information regarding fees

80 80 A set of six George II antique sterling silver ‘fancy back’ tablespoon, London 1754 by Ebenezer Coker Of Hanoverian pattern, virginal erased. Each with a shell and scroll fancy back. Fully marked to the stem with journeyman’s marks of two dots. (6) Length – 20 cm / 7.9 inches Weight – 420 grams / 13.5 ozt £600-800

81 81 A set of Six William IV antique sterling silver table forks, London 1834 by William Eaton of Scroll Rosette pattern, double struck with anthemion heel, initialled J in cursive script. Each fully marked and with journeyman’s mark of a numeral 4. (6) Length - 20.8 cm / 8.25 inches Weight - 633 grams / 20.34 ozt £200-300

82 82 A pair of George IV antique sterling silver grape scissors, London 1825, by Charles Rawlings The handles decorated with fruiting vine and foliate motifs.

With a decorated fulcrum, fully marked between the blades.

Length - 15.5 cm/6.1 inches Weight - 137 grams/4.4 ozt £200-300

84 84 A pair of Victorian antique sterling silver grapes scissors, Birmingham 1870 by Thomas Prime & Son With foliate scroll handles and acanthus fulcrum. The cutting blade of close plate. Engraved to the reverse of cutting blade with a crest of a griffin’s head couped between wings with a palm branch in its beak.

Length – 17.7 cm / 7 inches Weight - 118 grams / 3.79 ozt £100-150 The crest is for Fitz-Simon Gabb, Keyes and Turisden

83 83 A George IV antique sterling silver gilt pair of grape scissors, London 1824 by Charles Rawlings With ornately cast blades formed a cornucopia with gourds, pineapples and grapes, the blades plain. Fully marked across blades, maker’s mark partially covered.

Length – 15.8 cm / 6.25 inches Weight – 125 grams/ 4.02 ozt £200-300

85 85 A George IV/ William IV antique sterling silver pair of grape scissors, Birmingham date letter obscured circa 1830 by Joseph Wilmore The handles formed as bunches of grapes and vines, with engraved and matted decoration to the fulcrum.

Length – 18.7 cm / 7.25 inches weight – 107 grams / 3.44 ozt £150-250 See online section

21

Lots 86 - 110 online only

111

112

111 A cased 19th century German silver-gilt and porcelain-handled dessert set, the spoons marked for Augsburg 1806, no maker’s mark placings for twelve, comprising spoons, forks and knives, decorated with fruiting vine, the spoons also decorated with a lizard, the forks and knives with porcelain handles decorated with landscapes within reserves on a bright green background, in a leather fitted case. (36) Weight of spoons - 586 grams/18.8 ozt £500-800

112 A cased 20th century Italian 800 standard silver canteen of flatware Placings for twelve, including: table forks (24), table spoons, dessert forks, dessert spoons, fish forks, fish knives, teaspoons, coffee spoons, ice cream spoons, table knives (24) and dessert knives with steel blades, a soup ladle, a pair of serving spoon and fork, a pair of fish servers, a pair of salad servers, a sauce ladle, and four various preserve/fruit serving spoons, fitted in a felt lined wooden box. (Qty) Weight of weighable silver – 7578 grams/243.6 ozt £2000-3000

113

114

113 A 20th century German 800 silver canteen placings for nine, including: table forks, table spoons, dessert forks (8), dessert spoons, cake forks (8), teaspoons (6), table knives, dessert knives (6), cake knives, two pickle forks, one soup ladle, two pairs of salad servers, two cake slices, two fruit serving spoons, two sauce ladles and a serving spoon, the terminals engraved with an arrow within a shield. (Qty) Weight excluding knives - 3586 grams £400-600

22

115 114 A 20th century German 800 standard silver canteen, stamped E. Jsler Table forks, table spoons, dessert forks, dessert spoons, pastry forks, teaspoons, coffee spoons (six missing), table knives, dessert knives, pastry knives, four pickle forks, a pair of sauce ladles, a pair of basting spoons, a pair of salad servers, a pair of meat carvers, a fish serving knife, a ladle, a tea strainer, a hook and a pair of scissors, engraved with script initials. (Qty) Weight of weighable silver – 5569 grams/179 ozt £800-1200 *See inside front cover for information regarding fees

115 115 A late 19th/early 20th century German 835 standard silver circular tray, stamped Kuhn Of shaped circular form, the rim engraved with initials, with glass liner.

Diameter – 34 cm/13.3 inches Weight – 660 grams/21.2 ozt £150-250

116 116 A late 19th/early 20th century Austro-Hungarian 800 standard silver circular dish, Pest 1872-1922, stamped Schulz Of circular form with shell and scroll rim.

Diameter – 38.5 cm/15.1 inches Weight – 1166 grams/37.4 ozt £350-450

117 117 A late 19th/early 20th century Austro-Hungarian 900 standard silver meat platter, Vienna 1872-1922, maker’s mark BP Of shaped oval form with foliage and scroll rim.

Length – 42 cm/16.5 inches Weight – 841 grams/27 ozt £250-350

118 118 A late 19th/early 20th century Austro-Hungarian 800 standard silver meat platter, Pest 1872-1922, maker’s mark illegible Of shaped oval form, with flower and scroll rim.

Length – 45.5 cm/17.9 inches Weight – 1047 grams/33.6 ozt £300-500

119 119 A late 19th/early 20th century AustroHungarian 800 standard silver sandwich tray, Vienna 1872-1922, maker’s mark illegible Of rectangular form with canted corners, rope twist and bead rim.

Length – 36 cm/14.2 inches Weight – 472 grams/15.2 ozt £120-160

120 120 A late 19th/early 20th century AustroHungarian 800 standard silver sandwich tray, Pest 1872-1922, maker’s mark KKH Of rectangular form with shaped rim.

Length – 38 cm/14.9 inches Weight – 525 grams/16.8 ozt £150-250

121 121 A late 19th/early 20th century AustroHungarian 800 standard silver sandwich tray, Vienna 1872-1922, maker’s mark LM or LH Of elongated shaped rectangular form with beaded rim, engraved with initials near the rim.

Length – 48.5 cm/19 inches Weight – 655 grams/21 ozt £200-300 23

122 A late 19th century Continental silver two-handled tray, marked with unidentified mark four times, probably German Of oval form with rope twist rim and handles, raised on four claw feet.

Length – 52 cm/20.4 inches Weight – 1276 grams/41 ozt £200-300

122

123 A 19th century German silver three-piece tea/coffee service, Norden circa 1830, maker’s mark HI or IH Comprising a coffee pot/hot water jug, a teapot and a hot milk/water jug, of cylindrical form, with ribbed body and ebonised wood doublescroll handles.

Height of coffee pot/hot water jug – 21.5 cm/8.4 inches Total weight – 1566 grams/50.3 ozt £250-350

123

124 A pair of early 19th century Austrian silver candlesticks, Graz 1807, maker’s mark AR of circular section, with ribbed knop to the stem and band to the base.

Height - 24 cm/9.4 inches Weight - 633 grams/20.3 ozt £300-500

124

125 A Continental silver sponge box, probably Swiss, Neuenburg (Neuchatel) late 18th century, maker’s mark CG over B in a shaped punch Of conventional spherical form, the hinged lid pierced with a large band of scrolls, raised on a stepped spreading foot, with gilt interior.

Diameter - 9 cm/3.5 inches Weight - 220 grams/7 ozt £500-800

125 24

*See inside front cover for information regarding fees

126

126 An 18th century German parcel-gilt tankard, Breslau 1746-58, by Thomas Beyl Of cylindrical form, with shaped rims, scroll handle, the hinged domed lid with openwork thumbpiece, engraved with strapwork, fully marked underneath base and to the rim.

Height – 19 cm/7.5 inches Weight – 465 grams/15 ozt £2500-3500

25

127 A pair of early 20th century Empire style 950 standard silver sauceboats, Paris 190313 by Auguste Guyot Of oval form with pouring lip, with leaf rims, the handle modelled as a bird’s head and neck, raised on an oval spreading foot. (2) Length – 19 cm/7.5 inches Weight – 661 grams/21.2 ozt £500-800

127

128 A cased 18th century French silver-gilt beaker, Strasbourg 1759, by Jean-Louis Imlin III Of cylindrical form with flaring lip, raised on a stepped domed foot, in a leather fitted case stamped with floral motifs, fully marked underneath base.

Height – 10 cm/3.9 inches Weight – 143 grams/4.6 ozt £3000-5000

128

129 A 19th century French 950 standard silver second course dish, Paris, circa 1870, by Odiot Of shaped circular form, engraved with a coat-of-arms below a Count’s coronet.

Diameter – 31 cm/12.2 inches Weight – 838 grams/26.9 ozt £200-300

129 26

*See inside front cover for information regarding fees

130

130 A pair of late 18th/ early 19th century Italian silver sculptures, Rome circa 1800, by Vincenzo Contini Modelled as Poseidon/Neptune and Amphitrite/Salacia, each riding a hippocampus, with detachable head, raised on ebonised wood plinths applied with silver mythical creature plaques. (2) Length of plinth â&#x20AC;&#x201C; 32.5 cm/12.8 inches ÂŁ4000-6000

27

131 A late 18th century French Louis XVI silver bachelor’s coffee pot, Paris 1787, maker’s mark illegible Of baluster form, with wood side handle, fluted spout and hinged lid.

Height – 15.5 cm/6.1 inches Total weight – 287 grams/9.2 ozt Cafetière égoïste en argent d’époque Louis XVI, Paris 1787, poinçon d’orfèvre illisible De forme balustre, avec manche latéral en bois noirci.

Hauteur – 15.5 cm Poids total – 287 grammes £400-600

131 132 An 18th century Belgian silver coffee pot, Mons circa 1760, maker’s mark of a bearded man Of baluster form, spirally fluted, with ebonised wood handle and scroll thumbpiece, raised on three scroll feet.

Height – 23 cm/9 inches Total weight – 508 grams/16.3 ozt Verseuse en argent, Mons vers1760, poinçon d’orfèvre tête d’homme barbu De forme balustre, à cotes torses avec une anse en bois noirci.

Hauteur – 23 cm Poids total – 508 grams £1500-2000 132 133 A late 18th century French Louis XVI silver bachelor’s coffee pot, Paris 1783-89, maker’s mark FP, probably for Francois Picard Of baluster form with ebonised wood side handle, raised on three plain feet, engraved with a crest engraved “circa 1760” underneath the base.

Height – 16.5 cm/6.5 inches Total weight – 424 grams/13.6 ozt Verseuse égoïste tripode en argent d’époque Louis XVI, Paris 178389, poinçon d’orfèvre FP, probablement pour François Picard De forme balustre, avec manche latéral en bois noirci, gravé d’une armoirie, gravée « circa 1760 » sous la base.

Hauteur – 16.5 cm Poids total – 424 grammes £400-600 133 134 An 18th century French Louis XV silver coffee pot, Arras, probably 1767, by Bruno Gerlier Of baluster form, with fluted body and lid, with ebonised wood handle and finial, raised on three stylised hoof feet, the lower body later engraved with initials within a cartouche.

Height – 24 cm/9.4 inches Total weight – 800 grams/25.7 ozt Another example, by the same maker sold for EUR 1375 lot 803, Christie’s Paris 6 November 2015.

Verseuse tripode en argent d’époque Louis XV, Arras, probablement 1767, par Bruno Gerlier De forme balustre, a cotes droites, avec anse et prise en bois noirci.

Hauteur – 24 cm Poids total – 800 grammes Une autre verseuse, par le même orfèvre fut vendue pour 1375 euros, lot 803, Christie’s Paris, 6 novembre 2015 £800-1200 28

134 *See inside front cover for information regarding fees

135 An 18th century French Louis XV silver coffee pot, Aix 1763, by Jean-Joseph Bourgarel Of compressed baluster form, with wood handle, rocaille shell thumbpiece and plain finial, one side engraved with a coat-of-arms.

Height – 17.5 cm/6.8 inches Total weight – 617 grams/19.8 ozt Verseuse marabout en argent d’époque Louis XV, Aix 1763, par Jean-Joseph Bourgarel De forme balustre, avec anse en bois et poucier en forme de coquille rocaille, un cote gravé avec des armoiries.

Hauteur – 17.5 cm Poids total – 617 grammes £1500-2000

135

136 An 18th century French Louis XV silver milk jug, Rennes 1764-66,

by Antoine-Claude Rahier Of baluster form, with scroll handle, the hinged cover with plain thumbpiece and with stylised snail finial.

Height – 13,5 cm/5.3 inches Weight – 262 grams/8.4 ozt Another example, by the same maker, sold for EUR 5250, lot 84, Christie’s Paris 13th April 2010.

Crémier en argent, d’époque Louis XV, Rennes 1764-66, par Antoine-Claude Rahier De forme balustre, avec anse en argent, et prise en escargot, reposant sur une bâte.

Hauteur – 13.5 cm Poids – 262 grammes Un autre crémier, par le même orfèvre fut vendu pour 5250 euros, lot 84, Christie’s Paris, 13 avril 2010. £1500-2000

136

137 λ An 18th century French Louis XVI silver coffee pot, Saint Quentin/Valenciennes 1787, by Joseph Daulmery Of compressed baluster form, spirally fluted, with shell junctions and thumbpiece, with ivory handle, the hinged lid with flower bud finial.

Height – 21 cm/8.26 inches Total weight – 702 grams/22.5 ozt A similar example was sold for the equivalent of £22 000. Lot 592, Christie’s, 16-17 June 2001, Monaco.

Verseuse marabout d’époque Louis XVI en argent, Saint Quentin/Valenciennes 1787, par Joseph Daulmery A cotes torses, avec anse en ivoire et prise en forme de bourgeon sur terrasse feuillagée.

Hauteur – 21 cm Poids total – 702 grammes Une verseuse similaire fut vendue pour l’équivalent de £22 000. Lot 592, Christie’s, 16-17 juin 2001, Monaco. £3000-3500

137 29

139 An Italian sterling silver vase, Como circa 1970 In the shape of an amphora.

Height – 30.5 cm/12 inches Weight – 1459 grams/46.9 ozt £1000-1500

138 A 20th century Danish sterling silver vase, Copenhagen circa 1950, by Georg Jensen With planished surface, floral knop and domed foot.

Height – 14 cm/5.5 inches Weight – 98 grams/3.1 ozt £100-200

138

139

140 140 A pair of 20th century Italian 800 standard silver candelabra, Alessandria circa 1940, by Ricci & co Of shaped oval section, with central light and four branches, filled.

(2) Height – 26.5 cm/10.4 inches £500-700

141 141 A late 19th century German silver two-handled bowl, probably Hanau circa 1890 Of thistle form, the fluted lower body decorated with acorn swags, the upper body with a band of slant flutes and a depiction of a mythological scene within an oval medallion to both sides, raised on four acanthus leaf scroll feet.

Length – 26.5 cm/10.4 inches Weight – 1364 grams/43.8 ozt £1000-2000

142 A 20th century Spanish ewer, maker’s mark illegible, circa 1950 of helmet form, with female mask below the spout and at the junction with handle, the lower body, knopped stem and stepped domed foot decorated with bands of scrolls, beads and foliate motifs. height - 25.3 cm/9.9 inches Weight - 510 grams/16.4 ozt £200-250

142 30

143 A 20th century Italian silver ewer, Florence 1944-68 Of ovoid form, with gadrooned bands, the handle embellished with foliate motifs and terminating in a dolphin’s head.

Height – 36 cm/14.4 inches Weight – 628 grams/20.1 ozt £400-600

143 *See inside front cover for information regarding fees

144 144 A late 19th century French 950 standard silver four-piece tea and coffee service, by Charles Harleux and retailed by Marret Jarry of baluster form with engine-turned decoration, engraved with initials within reserve, the pots with ivory insulators, hinged lid and flower finial, including a coffee pot, a teapot, a sugar bowl and a cream jug.

Height of coffee pot - 23 cm/9 inches Weight - 1762 grams/56.6 ozt £300-500 145 A late 19th century French silver coffee pot, Paris circa 1880, by Alphonse Debain Of compressed baluster form, with simulated ebonised wood handle, the hinged lid with fruit finial, raised on four open work scroll feet.

Height – 23 cm/9 inches Weight – 513 grams/16.4 ozt £200-250 145 146 λ A mixed group of 19th century Austrian silver items, comprising a milk jug, Vienna 1840, maker’s mark AZ Of baluster form, all over engraved with flowers, with ivory handle, height – 15.3 cm/6 inches, together with a 19th century Austrian silver snuff box, Vienna 1845, maker’s mark probably TS, of rectangular form, engraved with foliate scrolls, with gilt interior, length 8.2 cm/3.2 inches. (2) Total weight – 367 grams/11.8 ozt £200-300

147 A late 19th/early 20th century 950 standard silver cream jug, Paris circa 1900, by Stanislas Pollet Of oval form with loop handle and bud finial, height 11 cm/4.3 inches, together with a small early 19th century Austrian cream jug, Klausenburg circa 1810, maker’s mark Szatkman?, of circular form with loop handle, height 6.8 cm/2.6 inches. (2) Weight – 300 grams/9.6 ozt £200-300

148 Two late 19th century Russian silver gilt beakers, including a Moscow example, 1875, by Khlebnikov, also marked with the Imperial warrant of plain cylindrical form with slightly flaring lip, engraved “Andre” within a flower embellished reserve, together with another Moscow example, 1885, maker’s mark obscured, of cylindrical form with slightly flaring lip, engraved with alternating depictions of a cityscape and plants, within reserves, height 6.8 cm/2.6 inches. (2) Weight - 162 grams/5.2 ozt £200-300

149 A group of four 19th century French silver beakers, comprising a Paris example, 1798-1809, by Louis-Jacques Berger of cylindrical form with slightly flaring lip and gilt interior, engraved “J*D” below the rim, height 9 cm/3.5 inches, another Paris example of the same period, maker’s mark JAG with a heart below, of cylindrical form with flaring lip, raised on a stepped domed foot, with gilt interior, height 9 cm/3.5 inches, a graduated pair, stamped with Minerva head, Paris, circa 1850, by Cesar Tonnelier, of cylindrical form, with slightly flaring lip and gilt interior. (4) Weight - 323 grams/10.3 ozt £250-350

150 Two unmarked silver items, including a 17th century figural knife handle, possibly Italian Depicting Hercules and the lion of Nemea, on a wooden plinth, height excluding plinth 9.5 cm/3.7 inches, and another silver element, possibly a 17th century finial of a German cup, mounted on a later silver plinth, height 13 cm/5.1 inches. (2) Weight – 157 grams/5 ozt £500-800

151 A pair of late 19th/early 20th century German 800 standard silver candlesticks, Breslau, by Julius Lemor of circular section, with tapering stems, the detachable nozzles with beaded edge, the circular bases engraved with flowers, foliate motifs and initials, raised on four scroll capped paw feet. (2) Height - 36 cm/14.1 inches Weight - 771 grams/24.7 ozt £250-350 31

152

153

152 A late 19th century Imperial Russian Plique-à-jour and 84 zolotnik silver Charka (vodka cup), Kostroma 1880-1890, maker AIM in a rectangular punch Of circular form, decorated with flowers and foliate scrolls in shades of dark blue, turquoise, green and maroon on a white ground, with semi-circular handle, raised on three ball feet, marked underneath base.

Height – 7.5 cm/2.9 inches £400-600

153 A late 19th/early 20th century Austrian 800 standard silver-gilt, enamel and crystal, Vienna 1867-1922, maker’s mark HR The compressed circular bowl and the rim of base decorated with enamel scrolls, the crystal stem and foot engraved with foliate scrolls.

Height – 5 cm/1.9 inches £350-450

154 154 A mid-19th century French silver-mounted agate tazza, stamped Morrel & Cie The agate bowl of oval form, the silver and enamel knopped stem and circular base decorated with foliate motifs, green enamel, and turquoise enamel scrolls.

Height – 10 cm/3.9 inches £600-800

155 155 A 19th century Austrian silver-mounted glass custard cup, date letter illegible, maker’s mark AB? The ruby and white glass with gilt decoration, the body of slender baluster form with plain handle, the lid with silver flower finial, on a silver saucer with foliate rim.

Diameter of saucer – 15 cm/5.9 inches £200-300

32

*See inside front cover for information regarding fees

156

156 A 19th century antique Imperial Russian 88 zolotnik silvermounted ceramic jug, stamped Faberge, by work master Julius Rappoport The green ceramic body of compressed baluster form, with silver rim and acanthus leaf below the spout, with silver ribbed circular foot.

Height â&#x20AC;&#x201C; 14 cm/5.5 inches ÂŁ5000-7000

33

Lots 157 - 197 online only

198 A pair of Victorian EPNS silver plated three light candelabra, circa 1870 Of shaped circular section, with tapering knopped stems, foliage and scroll embellished bases, the detachable upper section with two branches and a central light with detachable finial. (2) Height – 61 cm/24 inches £300-400

198

199

199 A pair of Victorian silver plated and cut glass Greco-Pompeian tazze/comport stands, circa 1865, by Elkington & co Of circular section decorated with anthemion friezes and anthemion pendants, with three scroll supports, the vase-shaped finial supporting a cut glass dish, the stepped base raised on three paw feet.

Height – 45.5 cm/17.9 inches £400-600 The Graeco-Pompeian service was originally designed for Elkington & Co. by Albert Willms and was shown at the International Exhibition of 1862 at which Elkington won a medal.

34

200

199

200 An early 20th century silver plated covered two-handled bowl, by the Duchess of Sutherland’s cripple’s guild Of circular form, the lower body embellished with a band of foliage, with leaf-embellished stepped lid and bud finial, Length – 37.5 cm/14.7 inches £300-500

*See inside front cover for information regarding fees

201

202

201 A pair of George IV Old Sheffield silver plate wine coolers, circa 1820-30 Of campana form with foliate drop ring side handles, decorated with bands of flowers and foliage, on a slightly domed stepped foot, with liners.

Height – 23 cm/9 inches £600-800

203 203 A George IV – William IV Old Sheffield Plate silver meat dome / cloche, English circa 1820-40 Of oval form with gadrooned upper rim, the removable finial with gadrooned edge and reeded acanthus handle. The side engraved with a crest of a stag’s head erased, ducally gorged with a rose slipped in the mouth. Unmarked.

Length – 41 cm / 16 inches £80-120

201

202 A set of four George IV - William IV Old Sheffield silver plate candlesticks circa 1820-40 Of circular section with tapering knopped stems and detachable nozzles, decorated with acanthus leaves and other foliate motifs.

Height – 31.5 cm/12.4 inches £200-400

204 204 A large Victorian antique EPNS silver plated meat or turkey dome and warming base, circa 1860 the base of oval form with gadrooned rim, raised on four foliate scroll feet with twin acanthus handles, the interior with a draining tree and well. Internal water jacket to side. The matched dome with beaded rim and removable handle by William Hutton and Sons Length – 63.5 cm / 25 inches £250-350 35

205

206

205 A pair of Victorian silver-plated candlesticks, Birmingham 1853, by Elkington & co Profusely decorated with the 18th century Rocaille style, with knopped stems, detachable nozzles, raised on shaped-circular bases.

Height – 26 cm/10.2 inches £100-200

206 A pair of large Victorian EPNS silver plate candlesticks Of shaped circular section all over decorated with leaves and tendrils, with tapering knopped stems.

Height – 36 cm/14.1 inches £150-250

207

208

207 A Victorian silver plated centrepiece, Birmingham 1854, by Elkington & co The stem and bowl support modelled as entwined fruiting vine branches, raised on a shaped triangular base decorated with leaves and with three foliate scroll feet.

Height – 55 cm/21.6 inches £200-300 36

208 A pair of Victorian silver plated comport stands, by Walker & Hall Modelled as an armed soldier holding a parasol under a palm tree, supporting cut glass bowls.

Height – 19.5 cm/7.6 inches £100-200

*See inside front cover for information regarding fees

210 209

209

209 A pair of 19th century electro-type plaques Of rectangular form, one representing a couple of lions in a landscape, the other representing a couple of tigers, each in an ebonised wood frame. (2) Length of plaque inside frame – 24 cm/9.4 inches Length of frame – 37.5 cm/14.7 inches £300-500

210 A very large Victorian silver plated candelabrum, Birmingham 1853, by Elkington & Co Of shaped square section, with tapering knopped stem, detachable upper section with a central light and four branches, with detachable nozzles.

Height – 75 cm/29.5 inches £600-800

211

212

211 A large late 19th / early 20th century silver plate mirror plateau Of circular form, the sides engraved with flowers and leaves, raised on four paw feet.

Diameter – 47 cm/18.5 inches £150-250

212 A George IV / William IV Old Sheffield silver plate egg cruet, circa 1830 Of shaped circular form with central carrying handle engraved with two crests of a unicorns head couped and a garb on it’s side, fitted with six egg cups with gilt interior, together with six silver teaspoons, London 1803, by Christopher & Thomas Wilkes Barker.

Diameter of cruet – 22 cm/8.6 inches £100-200

37

213 213 A George V sterling silver tea caddy, Birmingham 1911, by W & F Rabone Of tapering cylindrical form, the domed-hinged cover with ebonised wood finial.

Height – 10.5 cm/4.1 inches Weight – 139 grams/4.4 ozt £100-200

214 214 A late Victorian antique sterling silver tea caddy, Birmingham 1893,

by George Unite Of cylindrical form, with planished lower body, with a band of flowers, scrolls and vacant cartouches, the pull-off lid slightly domed and decorated with foliate scrolls.

Height – 7.5 cm/2.9 inches Weight – 134 grams/4.3 ozt £100-200

215 215 A late Victorian antique sterling silver tea caddy, Birmingham 1893, maker’s mark worn, probably NH Of oval form, with swirl fluted lower body and with pull-off lid.

Height – 8.5 cm/3.3 inches Weight – 118 grams/3.8 ozt £100-200

216 216 A George V antique sterling silver tea caddy, Birmingham 1919, by Elkington & Co Of oval form with reeded borders.

Height – 8 cm/3.1 inches Weight – 180 grams/5.8 ozt £150-250

217 217 An Edwardian antique sterling silver tea caddy, Birmingham 1907,

by George Unite Of bombe oval form, the hinged lid with ebonised wood finial, raised on four scroll feet.

Height – 11.5 cm/4.5 inches Weight – 184 grams/5.9 ozt £100-150 38

218 218 An Edwardian antique sterling silver tea caddy, Birmingham 1902,

by William Devenport Of shaped-oval form with reeded bands, with drop ring side handles, the hinged lid with green paste finial.

Length – 11 cm/4.3 inches Weight – 178 grams/5.7 ozt £100-120 *See inside front cover for information regarding fees

219 219 A late Victorian antique sterling silver tea caddy, London 1897, by Thomas Bradbury & Sons Of oval form, with gadrooned borders and pull-off lid.

Height – 9 cm/3.5 inches Weight – 126 grams/4 ozt £100-200

221 221 An Edwardian antique sterling silver tea caddy, Chester 1903, by George Nathan & Ridley Hayes Of rectangular form, embossed with a rural scene.

Height – 8 cm/3.1 inches Weight – 94 grams/3 ozt £100-200

223

220 220 A late Victorian antique sterling silver tea caddy, London 1896, by William Comyns & Sons Ltd Of square section, embossed with scrolls, flowers and rocaille cartouche, with pull-off lid and bud finial.

Height – 12.3 cm/4.8 inches Weight – 105 grams/3.3 ozt £100-200

222 222 An Edwardian antique sterling silver embossed tea caddy, Birmingham 1902, by Thomas Hayes Of square form, embossed with mythological scenes, with pull-off lid, raised on four paw feet.

Height - 9.5 cm/3.7 inches Weight - 126 grams/4 ozt £100-200

224

223 Two antique sterling silver tea caddies, comprising a globular example, Birmingham 1902, by William Davenport decorated with foliate arches, diameter 7 cm/2.7 inches and a late Victorian example, Birmingham 1899 by Henry Mathew, of oval form with floral decoration, height 8.5 cm/3.3 inches. (2) Weight - 189 grams/6 ozt £120-180

224 Two small silver tea caddies, including a German example, Hanau circa 1900, by Neresheimer, with import mark for Bertold Muller of rectangular form with rounded edges, embossed with courting scenes within reserves, height 7.5 cm/2.9 inches, the other Birmingham 1901, by Thomas Ducrow, of oval form embossed with rural scenes, height 6.2 cm/2.4 inches. (2) Weight - 173 grams/5.5 ozt £100-200

225 Two similar Dutch silver tea caddies, circa 1890, with the same maker’s mark HH Of navette form with flattened ovoid finial, all over embossed with local rural scenes and with foliate bands.

Height – 7.5cm/2.9 inches and 8.3 cm/3.2 inches Weight – 241 grams/7.7 ozt £150-250

226 Three antique sterling silver embossed tea caddies, comprising a late Victorian example, London 1890, maker’s mark illegible of cylindrical form embossed with foliate scrolls, height 7.5 cm/2.9 inches, another cylindrical embossed example, Birmingham 1894, by Deakin & Francis, height 6.5 cm/2.5 inches, and another, London 1896, maker’s mark WCJL, embossed with birds and foliate scrolls, height 8 cm/3.1 inches. (3) Weight - 314 grams/10 ozt £200-300 39

227 227 An Elizabeth II modern sterling silver salt, London 1962 by Richard Comyns In the 18th century naturalistic style, formed as a clam shell raised on three turbo shell supports. Fully marked to rim.

Length – 12 cm / 4.75 inches Weight – 209 grams / 6.72 ozt £100-200

229

228 228 A cased set of six Victorian antique sterling silver napkin rings, London 1859 by Johnson, Walker and Tolhurst Ltd. with an engraved number and decorations on each. Also to include a silver-gilt single sovereign case, Chester 1888 by William Neale of circular form with fluted decoration. (2) Sovereign diameter – 4 cm / 1.5 inches Weight – 152 grams / 4.89 ozt £150-250

230

229 A rare pair of Victorian novelty antique sterling silver pepper and salts pots, London 1882 by Sampson Mordan & Co In the form of cotton spools, with engine turning simulating thread.

Fully marked underneath and with registration lozenge for 7th December 1882 and inscribed W. Thornhill & Co, 144 New Bond Street. (2) Height – 3.9 cm / 1.5 inches Weight – 44 grams / 1.41 ozt £500-800

230 A George V antique sterling silver bread basket, Birmingham 1903

by J Sherwood & Sons Of navette form, with a gadrooned rim and asymmetrical shell and scroll terminals, the sides with pieced decoration and vacant cartouches. Fully marked to the inside.

Length – 32 cm / 12.5 inches Weight – 467 grams / 15.1 ozt £200-300

231 A pair of Victorian antique sterling silver desk / dwarf candlesticks, London 1892 by William Hutton & Sons In the neoclassical style with square form bases decorated with goat’s head masks linked by swags, with beaded edged. The open work Corinthian capital with columns with spiralling bellflowers. Filled.

Each fully marked to bases and to sconces. (2) Height - 15.5 cm / 6 inches £200-300

232 A pair of Elizabeth II sterling silver candlesticks, London 1963 by D J Silver Repairs The columns of hexagonal form with Corinthian capitals, with removable sconces and stepped and beaded bases. Engraved with the star of David. Fully marked to bases. (2) Height – 26 cm / 10.25 inches £250-350

233 An Edwardian antique sterling silver Jersey cream jug, Sheffield 1903, by James Deakin & Sons Of conventional form, one side engraved with initials, with pull-off lid.

Height – 13 cm/5.1 inches Weight – 396 grams/12.7 ozt £120-160

234 An Edwardian antique sterling silver muffin dish, Sheffield 1907,

by William Hutton & sons Of circular form, with gadrooned rim, the domed cover with spinning top finial and plain liner.

Diameter – 18.5 cm/7.3 inches Weight – 618 grams/19.8 ozt £200-300

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*See inside front cover for information regarding fees

235 235 A Victorian antique sterling silver muffin dish, London 1843 by Robert Garrard II Of circular form with gadrooned rim, the domed cover with moulded edge surmounted by a fluted finial. The interior with a Old Sheffield plate wire grill. The cover and base dish engraved with a crest of a lion passant with a saltire in the paw. The cover and base fully marked, the plated grill unmarked.

Diameter – 20.4 cm / 8 inches Weight - 746 grams / 23.98 ozt £500-800

236 236 A Victorian antique sterling silver cream jug, London 1898 by James Wakely & Frank Clarke Wheeler In the Paul de Lamerie taste. The body formed as a turbo shell on a central cast shell form foot, the knuckled looped handle with eagle’s head terminal. Gilt interior. Fully marked to rim and stamped underneath ‘Sussex Goldsmiths Co, Brighton’.

Height – 11 cm / 4.3 inches Weight – 309 grams / 9.93 ozt £400-600

237 237 A set of four Irish George III antique sterling silver salt cellars, Dublin 1793, maker’s mark MS Of navette form, raised on a stepped spreading foot, engraved with a crest below the rim. (4) Length – 9.5 cm/3.7 inches Weight – 356 grams/11.4 ozt £800-1200

238 238 A pair of William IV antique sterling silver mustard pots, London 1831 by Edward Edwards II (probably) Each of compressed circular form raised upon three shaped trifid feet with harebell and shell junctions. The bodies decorated with embossed scallop shells and acanthus leaves against a matted ground with shaped acanthus rims. The slightly domed lid with a spoon aperture and similar decoration beneath a knop finial. The cast handles with acanthus decoration. With fitted blue glass liners. Fully marked underneath, part-marked to one lid only. (2) Length – 13.5 cm / 5.3 inches £200-300

239 A pair of Edwardian antique sterling silver comports / fruit stands, Sheffield 1905 / Chester 1907 by Walker & Hall Of trefoil form raised upon a single pedestal foot, with pierced decoration throughout of foliage. Both fully marked. (2) Diameter – 25.5 cm / 10 inches Height – 15.5 cm / 6.15 inches Weight – 952 grams / 30.61 ozt £220-260

240 A mixed group of two sterling silver pierced dishes, comprising a George VI footed bowl, Sheffield 1944, by James Dixon & sons Of circular form, pierced with scrolls and reserves, raised on four paw feet, diameter 23 cm/9 inches, and a swing-handled basket, Birmingham 1908, diameter 17 cm/6.7 ozt 640 grams/20.5 ozt £250-350

241 A George V sterling silver fruit stand or comport, Sheffield 1910 by Walker & Hall Of circular form with shaped rim and pierced cavetto edge, plain flat field, raised on three pierced claw feet. Together with a pierced basket of shaped petal form Birmingham 1933 by G Bryan & Co. (2) Fruit stand diameter – 25.3 cm / 10 inches Total weight – 931 grams / 29.93 ozt £250-350

242 A George V sterling silver bread or cake basket, Sheffield 1925 by R F Mosley & Co Of shaped oval form with crimped edge and plain swing handle, raised on four ball feet. The body with pierced decoration of foliate scrolls. Fully and part marked.

Length – 31.5 cm / 12.5 inches Weight – 429 grams / 13.79 ozt £150-250 41

243 243 A George III antique sterling silver teapot, London 1816 by Thomas Robins Of circular form with half fluted decoration to the body and gadrooned rims, raised upon four ball feet. The spout with acanthus decoration, with wooden finial and handle. Fully marked underneath and part marked to lid.

Length – 25.5 cm / 10.25 inches Weight – 721 grams / 23.18 ozt £250-350

244 244 λ A George IV antique sterling silver teapot, London 1829 by Richard Pearce & George Burrows Of compressed circular form with lobed sides, raised on four anthemion and scroll bracket feet. The body with embossed decoration of slower heads between acanthus leaves. The gently domed lid with a finial formed as a gourd upon an open leaf calyx.

The loop handle with acanthus and husks decoration, also with ivory insulators. Fully marked underneath and part-marked to lid and lion passant only to finial.

Length – 29.5 cm / 11.5 inches Weight – 849 grams / 27.29 ozt £250-350

245 245 λ A George III antique sterling silver teapot on stand. London 1792

by Robert Hennell I Of oval form with straight spout and slightly domed lid with oval finial, the later (19th century) ivory handle with thumb piece. The oval teapot stand raised on four fluted feet. Bright cut decoration throughout, each engraved with later initial MD in gothic script surrounded by an elaborate cartouche. Each fully marked and partmarked, scratch weight to teapot 12’5. (2) Teapot length – 26.5 cm / 10.5 inches Weight – 553 grams / 17.78 ozt £200-300

246 246 λ A William IV antique sterling silver coffee pot, London 1834, by William Hewitt Of baluster form with fluted sides, the lower body embossed with flowers and reserves, the leaf-capped scroll handle with ivory insulators, the hinged lid with acorn finial.

Height – 22.2 cm/8.8 inches Weight – 830 grams/26.6 ozt £200-300

247 247 A George III antique sterling silver coffee pot, London 1764, makers mark obliterated possibly that of William & James Priest Of baluster form upon a circular spreading foot, the spout with shaped acanthus decoration. The lid with gadrooned border surmounted by a stylised organic form finial. Wooden handle. Fully marked to rim and with lion passant only to lid flange, with scratch weight underneath 28.7.

Height – 28 cm / 11 inches Weight – 883 grams / 28.39 ozt £600-800

248 λ A Victorian antique sterling silver coffee pot, Birmingham 1878 by Elkington & Co Of globular form with everted rim, plain spout and handle with ivory insulators. The body with dancetté half fluted decoration. Fully marked underneath and part-marked to lid.

Height – 23.5 cm / 9.25 inches Weight – 863 grams / 27.75 ozt £250-350

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248

*See inside front cover for information regarding fees

249 249 λ A George V antique sterling silver four-piece tea and coffee service, Sheffield 1908, 1911 and 1917, by Mark Willis & Son comprising a teapot a coffee pot, a cream jug and a sugar bowl, with gadrooned lower body, ivory finials and insulators.

Height of coffee pot - 21.5 cm/8.4 inches Length of teapot - 29 cm/11.4 inches Weight - 1855 grams/59.6 ozt £600-800

250 250 λ A George VI Art Deco sterling silver and ivory four-piece tea service on matched tray, Sheffield 1947 by Stower & Wragg Ltd Comprising a teapot, hot water pot, milk jug and twin handles sugar bowl. Each of gently lobed rectangular form, raised on shaped bracket feet, the pots with similarly shaped ivory handles and finials.

Bands of engraved foliate decoration around the rims and tops. The tray, Sheffield 1945 by Walker & Hall of elongated octagonal form with reeded edges interspaced with geometric motifs. The pots engraved with initials ARA and dated 1924 Nov 11 1949. (5) Tray Length - 62 cm / 24.3 inches Total weight – 3437 grams / 110.5 ozt £2000-3000

251 An Elizabeth II sterling silver four- piece tea and coffee service Sheffield 1964, the cream jug 1963, by E Viners of oval form with ribbed lower body, the pots with simulated ebony handles and finials.

Height of coffee pot - 23 cm/9 inches Total weight - 1917 grams/61.6 ozt £500-700 251

252 λ A cased Victorian antique sterling silver four-piece tea service, London 1877/78 by Dobson & Sons Comprising a teapot, hot water pot on stand and burner, milk jug and twin ring handled sugar bowl, also a pair of sugar tongs. Each of oval form with half fluted decoration and reeded handles, the pots with wooden handles and finials. The teapot with ivory finial. Gilt interiors. Each engraved with a crest of a dragon’s head erased with an eagles gamb in the mouth impaled by a spear, above the motto spe labor levis, the obverse engraved with a gothic script monogram MP. The sugar tongs in the 18th century Dutch style with twisted arms and shell bowls. All houses in a fitted oak case with felt lining and brass plaque to top. All fully marked, the hot water pot for 1877.

Hot water pot on stand height – 29 cm / 11.3 inches Weight - 1999 grams / 64.27 ozt £1200-1600

252 43

253 An Edwardian antique sterling silver tea kettle on stand, Birmingham 1908, by William Aitken Of oval form, with ribbed lower body and hinged lid, with ebonised wood finial and handle, raised on a stand with circular burner, raised on four ribbed feet terminating in stylised shells.

Height – 32 cm/12.6 inches Total weight – 950 grams/30.5 ozt £300-400

253

254

255 λ A matched George III antique sterling silver tea service, the teapot London 1807

by William Bennett Of oblong form, raised on four ball feet, the curved handle with acanthus thumb piece and ivory insulators, the slightly domed lid with later gourd and vine finial circa 1840 by Edward, Edward junior, John & William Barnard. Together with a milk jug and twin handled sugar bowl, of similar form with gilt interiors, London 1811 by Soloman Hougham. All fully and part-marked. (3) Teapot length – 29 cm / 11.5 inches Weight – 991 grams / 31.86 ozt £350-450

255

256 257 A George V antique sterling silver threepiece tea service, Birmingham 1918 by Mappin & Webb Comprising a teapot, milk jug and twin handled sugar bowl. Each of globular form raised upon a spreading pedestal foot, the bodies with applied strap work decoration in the Art & Crafts taste, gadrooned rims. The Teapot with fibre handle and finial, the handles with stylised leaf junctions. All fully and part marked. (3) Teapot length – 26 cm / 10 inches Weight – 915 grams / 29.42 ozt £300-500 44

254 An Edwardian antique sterling silver kettle on stand, London 1903, by the Goldsmiths & silversmiths Company Of compressed circular form, with ribbed lower body, with foliage embellished spout, gadrooned rim, the part wood handle with shell and leaf junctions, the slightly domed hinged lid with wood finial, on a stand, with circular burner and three feet terminating in a shell.

Height – 25 cm/9.8 inches Total weight – 1091 grams/35 ozt £300-400

256 A Victorian antique sterling silver threepiece bachelor tea service, Sheffield 1898

by James Dixon & Sons Comprising a teapot, milk jug and twin handle sugar bowl, of shaped oval form with half fluted decoration and gadrooned rims.

The teapot with fibre handle and finial. Each fully marked. (3) Teapot length – 23.6 cm / 9.25 inches Weight – 732 grams/ 23.53 ozt £150-250

257 *See inside front cover for information regarding fees

258

259 A late Victorian antique sterling silver teapot and sugar basket, London 1885/6 by Jacob Berman In the George III style, the teapot of oval form with fluted sides and bright cut decoration throughout, with wooden handle and silver mounted wood finial. The sugar basket of similar form with reeded swing handle. Both engraved with a crest of a demi-lion rampant above the motto nobilis ira. Together with a silver-plated waiter, also in the George III style engraved with the same crest and motto. (3) Teapot length – 25.5 cm / 10 inches Gross silver weight – 726 grams / 23.34 ozt £250-350 The crest and motto are for Stuart For Ninian Bannantyne Stewart (1865 - 1929) a director of his family’s drapery firm, Stewart & McDonald. The firm had a chain of shops in Scotland, England, Ireland, Canada, Australia and New Zealand, and eventually became a subsidiary of the House of Fraser chain. He married Maria Amelia Stewart in 1889, and commissioned architects John Honeyman and Kepple, for whom Charles Rennie Mackintosh worked, to extend Dunloe, their Scottish Baronial seaside home on the Clyde between 1889-1891. Thence by descent.

258 An Elizabeth II sterling silver four-piece tea service 1959 by Walker & Hall Comprising a teapot, hot water pot, milk jug and twin handled sugar bowl. Each of compressed circular form upon a spreading foot with beaded rims. The pots with fibre handles and finials. Fully marked to the shoulders. (4) Teapot length – 25.5 cm / 10 inches Total weight - 1576 grams / 50.67 ozt £450-550

259

260 A late Victorian/Edwardian antique sterling silver three-piece tea service, Birmingham 1901 and 1902, by Arthur Fenwick Of shaped oval form, with gadrooned lower body, the teapot with ebonised wood handle and finial. (3) Length of teapot – 25 cm/9.8 inches Total weight – 718 grams/23 ozt £200-300

261 A George V sterling silver bachelors three piece tea service, Birmingham 1919 by H V Pithey & Co Comprising a teapot, milk jug and twin handled sugar bowl each of oval form with half-fluted decoration and gadrooned rims, the teapot with fibre handle and finials. (3) Teapot length – 25 cm / 9.75 inches Total Weight 734 grams / 23.59 ozt £200-300

262 A George V Scottish sterling silver three-piece tea service, Edinburgh 1915, by Hamilton & Inches Of oblong bellied form with gadrooned lower body, the teapot with simulated ebony finial and wood handle. (3) Length teapot - 25 cm/9.8 inches Total weight - 813 grams/26.1 ozt £200-300

263 Two similar sterling silver hot water pots, the larger Elizabeth II London 1974 by Mappin & Webb Of baluster form with gadrooned rims, the stepped lid with pyriform finial. The smaller pot George V London 1931 by Nayler Brothers, similarly decorated. Both with fibre handles. Both fully marked and part-marked. (2) Tallest – 27.5 cm / 10.6 inches Weight – 1157 grams / 37.2 ozt £300-500

264 A George V antique sterling silver hot water jug, Birmingham 1926,

by S W Smith & Co Of tapering cylindrical form, with wood scroll handle, the hinged lid with wrythen finial, height 20 cm/7.8 inches, together with a late Victorian antique sterling silver teapot, Sheffield 1893, by Henry Atkin, of oblong form with fluted lower body and ebonised wood handle and finial, length 27.5 cm/10.8 inches. (2) Total weight – 1018 grams/32.7 ozt £200-300

265 A Victorian antique sterling silver trophy goblet, London 1872 by Barnard & Sons Ltd. on a single circular spreading foot, with engraved Greek key decoration. Fully marked to rim, also engraved Elkington & Co. Manchester on the base.

Height – 15cm / 10 inches Weight 505 grams / 16.24 ozt £200-300

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266

267

266 A George III antique sterling silver waiter / teapot stand, London 1818 by Rebecca Emes and Edward Barnard I Of circular form with gadrooned edge heptagonally interspaced with shell and acanthus motifs. The plain field with an initial C in flourished cursive script, all raised on three acanthus and shell bracket feet. Fully marked underneath.

Diameter – 18.6 cm / 7.25 inches Weight - 325 grams / 10.45 ozt £200-300

267 A George II antique sterling silver tea or coffee pot stand, London 1758 by William & Robert Peaston Of shaped circular form with scroll rim interspaced with stylised shells, raised on three pad feet. Fully marked to reverse.

Diameter – 15.7 cm / 6.25 inches Weight – 195 grams / 6.27ozt £300-500 Similar to a waiter, which is a smaller salver, these smaller items may likely have been used for the hot tea or coffee pot to prevent it from harming the wood table. Waiters typically are a bit larger and usually found in pairs if not sets of four.

268 268 A George II antique sterling silver salver, London 1733, no maker’s mark of circular form with pie crust rim, raised on three acanthus knurl feet. Marked to the underside.

Diameter – 31 cm / 12.25 inches Weight – 830 grams / 26.69 ozt £400-600

269 269 A George V sterling silver salver, Birmingham 1928 by Elkington & Co Of octofoil form with stylised border, plain field raised on four splay feet with stylised anthemion border. Fully marked underneath.

Diameter – 31.9 cm / 12.55 inches Weight – 930 grams / 29.9 ozt £250-350

270 270 A George V sterling silver salver, London 1922 by C S Harris & Sons Ltd In the 18th century manner, of square form with shaped rounded corners, moulded rim, raised on four scroll and pad feet, plain field.

Fully marked to the reverse.

Dimensions – 26.9 cm / 10.5 inches Weight – 787 grams / 25.3 ozt £300-500

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271 271 A George V antique sterling silver slaver, London 1913 by Thomas Bradbury & Sons In the neoclassical manner, of circular form with a pierced and Vitruvian scroll rim interspaced with classical busts and urns joined by swags. Raised on three hoof feet, plain field. Fully marked to the reverse.

Diameter – 25.7 cm / 10.5 inches Weight – 745 grams / 23.95 ozt £300-500 *See inside front cover for information regarding fees

272 A George V antique sterling silver tray or salver, Birmingham 1933

by Charles S Green & Co Ltd of square form with shaped rentrant corners. Plain field, engraved with a gothic monogram CW to the reverse. Fully marked to the front.

Diameter – 26.8 cm / 10.5 inches Weight - 497 grams / 15.97 ozt £150-250

273 An Edwardian antique sterling silver salver, Birmingham 1907 by Elkington & Co Of shaped circular form with gadrooned edge, the plain field engraved with initials RMB. Raised on three shell and scroll bracket feet. Fully marked on the field and also stamped Elkington to the reverse.

Diameter – 22 cm / 8.75 inches Weight – 391 grams / 12.57 ozt £150-250

274 A George VI antique sterling silver dressing table tray, Birmingham 1942, by Charles S Green & Co Ltd of rectangular form with rounded corners, with engine-turned bands and vacant central roundel.

Length - 30 cm/11.8 inches Weight - 491 grams/15.7 ozt £100-200

275 A George V sterling silver tray, Sheffield 1933 by Reid & Sons of Newcastle Of circular form with reeded rim and recessed centre. Fully marked to rim and stamped ‘Reid & Sons, Newcastle upon tyne’ to reverse.

Diameter – 28.75 cm / 11.3 inches Weight – 503 grams / 16.17 ozt £150-250

276 A pair of George V / Edward VIII sterling silver entrée dishes, Sheffield 1933 / 1936 by Emile Viner Each of lobed rectangular form with moulded rims, the lids with twin handles. All parts fully marked. (2) Length – 29.6 cm / 11.6 inches Weight – 2587 grams / 83.17 ozt £700-900

277 A George V antique sterling silver entrée dish, Birmingham 1931

by William Suckling Ltd Of rectangular form with rounded corners and moulded edges, the lid with twin handles. Base fully marked and the lid part-marked.

Length – 29 cm / 11.5n inches Weight – 1385 grams / 44.53 ozt £400-600

278

278 A matched George III antique sterling silver entrée dish and cover, London 1807 / 1810 both by William Bateman II Of rectangular form with rounded corners, with ovolo border to base and gadrooned border to lid. The lid with removable twin scroll handle. The lid engraved with a crest of a leopard statant upon a chapeau. The lid with numeral 2, marked for 1810 and the base with numeral 1 marked for 1807. Fully marked to each.

Length – 29 cm / 11.5 inches Weight – 1608 grams / 51.69 ozt £600-800 The crest is for the Bocking, Charlton, Delapoole, Knatchbull families

279 A George V sterling silver entrée dish, Sheffield 1923 by Joseph Rodgers & Sons Of slightly waisted rectangular form with rounded corners. Gadrooned rims and removable handle, fully marked to each.

Length – 27.5 cm / 10.8 inches Weight – 1590 grams / 51.12 ozt £600-800

279

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280 A George I antique sterling silver pepper caster, London 1725 by Thomas Bamford Of octagonal form, the body with girdle. The removable lid pierced with scroll and foliate motifs, surmounted with a knop finial. Scratch engraved underneath in Roman script H over R*E. Fully marked underneath and with lion passant and maker’s mark only to lid flange.

Height – 11 cm / 4.3 inches Weight – 95 grams / 3.05 ozt £300-500 Bamford registered his mark on June 1720 and was a specialised caster maker like others of this time such as Charles Adam, Christopher Canner I, and Samuel Welder 280 281 A mid - 17th century unmarked silver skillet converted to a porringer, probably English circa 1650 Circular form with slightly tapering sides, flat base, scratch engraved to the side with initials I E with a fleur de lis between in Roman script. With a single applied handle above strengthening repairs.

Diameter not including handle – 9.5 cm / 3.75 inches Height – 5.8 cm / 2.25 inches Weight – 147 grams / 4.73 ozt £300-500 Provenance - A New England family, thence by descent There is evidence to suggest that three legs have been removed from the base of this object and a single handle added circa 1700-1730, where a scroll handle would have been, an unmarked lemon strainer with near identical handles formed part of lot 998 at Woolley and Wallis, 19th July 2017.

Skillets are silver cooking utensils with a cover, known examples include; London 1653 by Nicholas Wollaston Christie’s, London, 3rd December 1969, lot 108; London 1634 by Valerius Sutton Sotheby’s New York, 26th October 2005, Lot 133. It is possible the conversion was performed in America, or that the apparent lack of hallmarks indicates it is all of American manufacture. The single handled porringer was a popular item for most of the 18th century in America.

281

282 282 A Queen Anne antique Britannia standard silver porringer, London 1704 by John Cory Of circular form with scroll side handles, fluted lower body, the central reserve later engraved with a crest of a fox passant upon a chapeau. Initialled I*G underneath in Roman script.

Length – 12 cm/4.7 inches Weight – 74 grams/2.3 ozt £500-800

283 283 A George III antique sterling silver snuffer’s tray, Sheffield 1775,

by Richard Morton & Co Of shaped form, with pierced sides, central loop handle, raised on four claw-and-ball feet.

Length – 19.5 cm/7.6 inches Weight – 135 grams/4.3 ozt £250-350

284 284 A George III antique sterling silver cream boat, London 1785 by Hester Bateman Of bellied form raised on three trifid feet and plain junctions, the double C scroll handle with fluted thumbpiece leading to a beaded border. Scratch engraved with marriage initials M over G : H in roman script. Fully marked underneath, with incuse duty mark also.

Length – 13 cm / 5 inches Weight – 85 grams / 2.73 ozt £120-160

285 285 A George II antique sterling silver butter shell, London 1742 by Peter Archambo I Of conventional plain shell form, the rim engraved with a crest of a stag trippant sable. Fully marked to the reverse.

Length – 11.8 cm / 4.7 inches Weight – 159 grams / 5.11 ozt £400-600 The crest is for Roberts, motto: successus a deo est

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*See inside front cover for information regarding fees

286 286 An Elizabeth I antique sterling silver-gilt mounted tigerware jug, London 1595, maker’s mark a stag’s head cabossed The body of globular form with cylindrical neck, loop handle and mottled brown glaze, the silver gilt circular spreading mount around foot chased with a strap-work border with foliate motifs. The collar engraved with intersecting strap-work and scrolling foliage, the cover chased in relief with bunches of fruit interspersed with cartouches centred by lion masks. The box hinge with double acorn and oak leaf thumb-piece. Fully marked to the centre of cover only, with makers mark twice also.

Height – 21 cm / 8.25 inches £5000-8000

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287 A pair of Edwardian Art Nouveau antique sterling silver and enamel candlesticks, London 1904 by William Hutton & Sons Each with bellied columns on circular gently domed bases, the columns with stylised organic form with opague blue and green enamel. Each with a removable circular sconce. Filled. Fully marked to bases and part-marked to sconces. (2) Height – 16.3 cm / 6.4 inches £600-800 For a similar pair of candlesticks by Hutton, sold at Bonhams, Chester, 6th March 2012, Lot 143

287

288 A pair of George III antique sterling silver sauce tureens, London 1804 and 1805, by Robert Garrard Of oval form with moulded angular handles and gadrooned rim, the pull-off lids with twig ring handle, raised on a stepped spreading foot, one side engraved with a coat-of-arms the lid engraved with a crest, together with a pair of sauce ladles, London 1816, by John Hawkins.

Length – 23 cm/9 ozt Weight – 1287 grams/41.3 ozt £1800-2200 The crest is that of the Cartwright family, the arms are for Cartwright impaling another.

289 289 A large pair of George III antique sterling silver candlesticks, Birmingham 1809 by Matthew Boulton the stepped bases of circular form with gadrooning and stylised decorative bands, the column with stylised gadrooning halfdecoration, the capital with stylised acanthus above a knop with egg and dart border. Each with a removable circlular sconce with egg and dart border. Filled. Fully marked to each base and to each sconce, with additional incuse markings ‘18’ and ‘17:15’ respectively. (2) Height - 34 cm / 13.4 inches £1500-2000

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288

290 290 A rare pair of George III antique sterling silver sauce tureen stands, London 1768 by Francis Batty and Nicholas Dumee Each of shaped oval form with re-entrant corners and gadrooned rims. Fully marked to the reverse, one set of marks on the rim the other transversing the crease, each stamped with a numeral 1 and 2 respectively in the gadrooned border. (2) Length – 24 cm / 9.5 inches Weight – 596 grams / 19.16 ozt £700-900

*See inside front cover for information regarding fees

291 291 A pair of George IV antique sterling silver-gilt dessert stands / tazzas, London 1822 by Edward Farrell Each of shaped circular form, raised on a single circular base. The cast rims with strapwork and foliate scrolls amongst anthemia, interspaced with flowerheads surrounded with matted arches. The field with engraved decoration of C scrolls and rocaille with a vacant cartouche. Each fully marked to the undersides. (2) Diameter – 28 cm / 11 inches Height – 12 cm / 4.5 inches £4000-6000 Edward Cornlius Farrell, British 1775 – 1850, (mark registered 1813) was a famed silversmith of the time, he collaborated with Kensington Lewis, a retailer and antiquarian, to supply his ornately and finely embossed and cast wares, often silver-gilt and unusually for the time offered Britannia standard between 1817-18. Popular with high society and royal circles, Farrell’s greatest commissions came from The Duke of York, Prince Fredrick Augustus the Hercules centrepiece of 1824, which was famously later auctioned at Christies in 1827 to pay for the Duke’s substantial debts, Christies sale 14193 ‘Robert de Balkany Rome & The Côte d’Azure’ March 22-23 2017, see Lot 200.

292 A set of four George IV antique sterling silver wine coasters, Sheffield 1828 by S C Younge & Co Each of circular form with waisted sides, the ornate cast rims with shell, scroll and flower heads, the sides with embossed decoration of trailing vines leaf and grapes. Each with a mahogany centre with central silver bosses. Fully marked along each base rim and to each boss, two marked for 1827. (4) Diameter – 16.5 cm / 6.5 inches £1500-2500

292

293 An Elizabeth II modernist sterling silver water jug, London 1977 by Christopher Nigel Lawrence Of plain conical dorm with textured handle and spout, presentation inscription underneath ‘To Professor I. L. Craft From a grateful patient Oct 30th 1977’. Fully marked to shoulder.

Height – 24.7 cm / 9.75 inches Weight – 636 grams / 20.45 ozt £2000-3000 Professor Ian Craft is a pioneering fertility expert and director of the London Gynaecology and Fertility Centre.

In 1976 Ian Craft was appointed Professor of Obstetrics & Gynaecology at the Royal Free Hospital. There he conducted ground-breaking work which resulted in Europe’s first IVF twins born in 1982.

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294 A large Victorian antique sterling silver amphora vase, London 1871 by Robert Hennell III The front and reverse faces with and engraved scene of Apollo in a horse drawn chariot, decorative bands of Greek Key, Vitruvian scroll and anthemion throughout, the rim with ovolo border. Fully marked to the neck.

Height – 48.5 cm / 18 inches Weight – 1417 grams / 45.56 ozt £1200-1500

294 295 An early Victorian antique sterling silver meat dish, London 1838 maker’s mark obscured, probably by William Bateman II Of oval form with gadrooned rim interspaced with double scallop shell and acanthus bursts between anthemion. Fully marked to the reverse.

Length – 43.5 cm / 14.25 inches Weight – 1816 grams / 58.39 ozt £800-1200 For a graduated pair of meat plates by William Bateman II with this form of rim, sold Christies South Kensington, 23rd September 2018, Lot 201.

295

296 λ A George III antique sterling silver tea urn, London 1763 by Daniel Smith and Robert Sharp of ovid form with raised upon a pierced square base with four claw feet, with a gadrooned edge, The body with twin handles with foliate applied castings with similar junctions, a central trap with ivory spigot present. The cover with a pyriform finial, decorated throughout with embossed foliage. Fully marked underneath and maker’s mark and lion passant only to lid flange.

Height – 52 cm / 20.5 inches Weight – 2532 grams / 81.41 ozt £1500-2500

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297 297 A rare set of four George III Irish antique sterling silver candlesticks, Dublin circa 1770 by Richard Williams Each with stepped square form bases with gadrooned edge below a shell and spiral fluted plateau. The columns with openwork Corinthian capitals and removable shaped square sconces with gadrooned edges. The bases filled. Each marked to the base with maker’s mark, town mark and standard mark only. Each candlestick also numbered and with scratch weight as follows; 1, 26:10, 2. 26:14. 3, 26:6 and 4, 26:7. The sconces also numbered 1-4 to the underside. (4) Height – 36.7 cm / 14.5 inches £7000-9000 A curious point about these candlesticks is to be found on sconces 2 and 4, in the interior of sconce 2 can be found the Dublin town mark and date letter for 1714, while on the exterior of the base of sconce 4 is a section of foliate engraving. It would appear that a George I Dublin made waiter or salver was repurposed some 60 years after manufacture in order to produce these candlesticks. While the melting of older silver wares in order to produce new designs was common practice, a palimpsest such as this is a most uncommon feature. The refashioning of older plate in order to make these larger and heavier neoclassical designs is referenced by Wilfred Cripps in Old English Plate (1878), where after the melting’s of 1697 “scarcely less must have been melted down a century afterwards to furnish the mere metal required for the immense dinner equipages which altered the fashions of the day then rendered indispensable. No new supply of silver was available, such as that which once poured in from Spanish America; whence then came the tons of silver which were fashioned into dinner services with their various appendages by the London silversmiths, from Lamerie to Rundell and Bridge.” (page 276) Richard Williams, was warden of the Dublin assay office in 1766-7 and master in 1768-9. It is not uncommon to find Irish silver lacking the date letter, particularly in the second half of the 18th century.

A pair of candlesticks of this exact from were sold Christies, King Street, 10th June 2010, Lot 343, £5000 premium inclusive.

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298 A heavy pair of Victorian antique sterling silver sauceboats, London 1879 by Charles Stuart Harris In the 18th century nautical manner, formed as an open shell raised on mer-creature supports with swirling tails, the handle formed as a mer-putto blowing a conch shell, sat atop an open scallop shell. The rims decorated with a cascade of shells and sea flotsam, the underside of the lip with vacant cartouche. Gilt interior. Fully marked underneath. (2) Length – 21 cm / 8.5 inches Weight – 3119 grams / 100.28 ozt £4000-6000

298

299 A heavy Victorian antique sterling silver-gilt comport fruit stand set, Sheffield 1870 by Roberts & Belk Comprising a larger stand and smaller example each of the same form. Formed as a shaped circular bowl with flat chased decoration of foliate scrolls against a matted ground, the centre with a similarly flat chased ornament of strap work centred with a quatrefoil. The single circular foot with a panelled stem and plain knop, decorated again with flat chased foliate scrolls against a matted ground. Each fully marked to the rim and with a maker’s mark only to foot rim. (2) Largest height – 22 cm / 8.7 inches Smaller height – 18.5 cm / 7.25 inches Weight – 3832 grams / 123.20 ozt £2000-3000

299

300 A pair of George II antique sterling silver candlesticks, London 1759 by John Cafe Shaped square form bases with stylised shell corners, the columns with shaped knops leading to capitals with gadrooned borders. Each with removable sconces, similarly formed. Fully marked underneath and part-marked to the capitals and sconces. (2) Height – 24.6 cm / 9.8 inches Weight – 1039 grams / 33.4 ozt £1200-1800

300

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*See inside front cover for information regarding fees

301 An Edwardian antique sterling silver stirrup cup, London 1901 by Holland, Aldwinckle & Slater In the form of a fox, open mouthed, with plain everted rim. Fully marked to underside.

Length – 14.3 cm / 5.75 inches Weight – 513 grams / 16.49 ozt £5000-7000

301

302 An Elizabeth II sterling silver stirrup cup, London 1976, by Alfred Dunhill, also stamped Dunghill Paris Modelled as the head of a fox, with flaring lip.

Height – 12.4 cm/4.88 Weight – 294 grams/9.4 ozt £300-500

302

303 A George III antique sterling silver stirrup cup, London 1809 by Thomas Holland II (likely) In the form of fox’s head, with moulded rim. Fully marked to the rim.

Length – 11.5 cm / 4.6 inches Weight – 106 grams / 3.41 ozt £3000-5000

303

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304 304 A George VI sterling silver sugar box, London 1941, by Peter Guille Ltd In the 17th century manner, of oval form, with hinged lid, the double ring handle terminating in a bird’s head and a pigtail, raised on four scroll feet.

Length – 18 cm/7 inches Weight – 698 grams/22.4 ozt £500-600

306 306 A Victorian antique sterling silver punch bowl, London 1899 by George Edward & Sons of Glasgow Of hemispherical form with wavy rim, on a circular pedestal foot, the body with spiral fluting below embossed decoration of a hunt scene showing hounds in pursuit of a stag, also with birds amongst garlands of fruit and a dolphin. Engraved to a reserve with initials NBS. Fully marked to the base and stamped Edward & Sons Glasgow underneath.

Diameter - 29.5 cm / 11.5 inches Weight – 1184 grams / 38.07 ozt £400-600 The initials are for Ninian Bannantyne Stewart (1865 - 1929) a director of his family’s drapery firm, Stewart & McDonald. The firm had a chain of shops in Scotland, England, Ireland, Canada, Australia and New Zealand, and eventually became a subsidiary of the House of Fraser chain. He married Maria Amelia Stewart in 1889, and commissioned architects John Honeyman and Kepple, for whom Charles Rennie Mackintosh worked, to extend Dunloe, their Scottish Baronial seaside home on the Clyde between 1889-1891. Thence by descent.

308 308 A George III antique sterling silver bread or cake basket, London 1764 by John Langford II & John Sebille Of oval form, with swing handle raised on a spreading foot, all with gadrooned rims. The body with spiral bead work and pierced sections of scrolls and quatrefoils. The foot similarly pierced. The centre basket with later applied cartouche with flourished cursive script initials. Fully marked to rim and with lion passant only to handle, also with scratch weight 33.18 to underside.

Length – 36 cm / 14.25 inches Weight – 1010 grams / 32.47 ozt £600-800 56

305 305 A George III antique sterling silver sugar basket or bowl, London 1798 Robert Jones II Of oval bellied form with a reeded rim and reeded swing handle. The body with engraved decorative bands, also with two cartouches, one engraved with the crest of a palm branch the other with initials in flourished cursive script J C. Fully marked to top rim and lion passant only to handle.

Length – 13.5 cm / 5.25 inches Weight – 195 grams / 6.23 ozt £120-160 The crest and initials are for Crawford, of Renfrewshire Scotland, motto: calcar honeste

307 307 An Edwardian antique sterling silver pierced bowl, Chester 1909,

by Nathan & Hayes Of circular form, the sides pierced with foliate scrolls and embellished with swags, with fluted lower body, raised on three hoof feet with ram’s mask junctions to the rim.

Diameter – 18 cm/7 inches Weight of silver – 687 grams/22 ozt £600-700

309 309 A pair of Edwardian silver bottle holders/coasters, London 1906, by William Comyns of cylindrical form with shaped flaring lip, the sides pierced and embossed with a large band of birds, flowers and scrolls. (2) Height - 10 cm/3.9 inches Weight - 273 grams/8.7 inches £100-200

*See inside front cover for information regarding fees

310 An Elizabeth II three-bottle sterling silver decanter cruet, with import marks for London 1988, Mappin & Webb The openwork sides and feet decorated with fruiting vine, with central carrying handle, fitted with three cut glass decanters.

Height – 46 cm/18.1 inches Weight of silver– 1078 grams/34.6 ozt £400-600

310

311 311 A pair of Elizabeth II sterling silver pheasant table ornaments, London 2010, by CJ Vander Ltd Realistically modelled as a standing pheasant and hen. (2) Length – 30 cm/11.8 inches Weight – 2160 grams/69.4 ozt £2500-3000

313 A George IV Scottish antique sterling silver wine funnel, Glasgow circa 1830, by David Crichton Rait Of thistle form, with floral rim and shell thumbpiece, engraved with the initial K. Length – 15 cm/5.9 inches Weight – 128 grams/4.1 ozt £500-600

312 A George III antique sterling silver wine funnel, London 1809, maker’s mark obscured Of plain circular form with reeded rims and applied straps to spout. With a removable strainer. Engraved with a crest of a cock stantant upon a trumpet. Fully marked to rim and part-marked to strainer.

Height – 14 cm / 5.5 inches Weight – 130 grams / 4.18 ozt £200-300 The crest is for the Acheson, Aitchison, Atcheson, Blackburn, Blackburne and Lever families 312

313

314 A George V antique sterling silver mounted historical revival tigerware jug, Chester 1911 by Nathan & Hayes In the Elizabeth I style, with embossed mounts of strapwork encircling lion masks interspaced with fruit sprays against a matted ground. The lid surmounted with a scrolling finial raised by a pierced openwork thumbpiece adjoining a box section hinge. The plain salt glazed stoneware body of plain bulbous from with strap handle. Fully marked to rim and part-marked to lid and base.

Height – 26.5 cm / 10.5 inches £250-350

315 A George V antique sterling silver mounted historical revival tigerware jug, Chester 1915 by Nathan & Hayes In the Elizabeth I style, with embossed mounts of strapwork encircling lion masks interspaced with fruit sprays against a matted ground. The lid surmounted with a scrolling finial raised by a pierced openwork thumbpiece adjoining a box section hinge. The plain salt glazed stoneware body of plain bulbous from with strap handle. Fully marked to rim and part-marked to lid and base.

Height – 26.5 cm / 10.5 inches £450-550

316 An Edwardian antique sterling silver mounted pair of decanters, London 1907 by Army & Navy Cooperative Society Ltd Each of slender tapering hexagonal form with cut edges. The plain silver mounts fully marked to the sides, the stoppers similarly decorated. (2) Height – 35 cm / 13.75 inches £80-120

317 A Victorian silver-mounted cut glass claret jug, London 1897, by John Grinsell & Sons, also stamped with a 20th century French import mark Of ovoid form the glass body cut with scroll flutes and stylised foliate motifs, with part fluted silver handle, the silver collar and spout decorated with floral motifs within scroll flutes, with hinged lid.

Height – 24 cm/9.4 inches £150-250

318 An Elizabeth II sterling silver goblet, Sheffield 1970, by P Ltd Of slightly tapering cylindrical form, with knopped stem, raised on a stepped domed foot with ovolo rim, the side engraved with the coatof-arms and motto for Harrow school, the foot engraved “1571-1971”.

Height – 16.5 cm/6.5 inches Weight – 303 grams/9.7 ozt £100-200

319 Two antique sterling silver goblets, including a William IV thistle shaped example, London 1837 by William Hewitt Embossed with a band of flowers, with gilt interior, and a Victorian goblet, London 1873 by Richards & Brown, decorated with scrolls, flowers and vacant reserves, on a spreading foot. (2) Hewitt example height 12.3 cm/4.8 inches Richards & Brown example height 15.5 cm / 6.1 inches Total Weight – 276 grams/ 8.87 ozt £150-250 57

320 320 A George III antique sterling silver goblet, London 1768 by Charles Aldridge & Henry Green The bowl of plain circular form, the central knop and foot rim with gadrooned decoration. Gilt interior. Fully marked underneath and with scratch weight 12:0 Height – 12.2 cm / 4.75 inches Weight – 190 grams / 6.1 ozt £200-300 For a goblet of similar form by these makers see these rooms, Silver & Objects of Vertu 19th July 2017, Lot 311.

321 321 A Victorian antique sterling silver goblet, London 1871, by Robert Hennell IV of cylindrical form, decorated with beaded-edged reserves and engraved with foliate bands, raised on a knoped domed foot also with beaded decoration, gilt interior. Fully marked to rim and with retailers’ mark.

Height 13.2 cm/5.2 inches Weight – 168 grams / 5.43 ozt £100-200

322

323

322 A George IV antique sterling silver christening mug, London 1823

by Paul Storr Of campana form on a single circular foot with acanthus rim. The reeded loop handle with acanthus section and trailing vine junctions.

Gilded interior. Fully marked to rim.

Height – 8.9 cm / 3.5 inches Weight – 184 grams / 5.92 ozt £400-600

323 A George III antique sterling silver mug, Newcastle 1778, by William Stalker & John Mitchison Of slightly tapering cylindrical form, with double scroll handle, plain girdle, raised on a skirting foot, the handle engraved with the initials O above GF. Height – 16 cm/6.3 inches Weight – 525 grams/16.8 ozt £800-1200

325 A George III antique sterling silver ewer, London 1781, by Charles Wright Of helmet form, bright-engraved with swags and stylised flower heads, with beaded rims and ebonised wood handle, the hinged lid with urn finial, raised on a circular spreading foot, the front engraved with a coat-of-arms within a reserve.

Height – 33 cm/12.9 inches Total weight – 878 grams/28.2 ozt £1000-1500

324 A Victorian antique sterling silver claret jug, Birmingham 1871 by Elkington & Co Of ovid form upon a single spreading base with beaded rims, with a plain handle. The body with engraved decoration of panels of acanthus leaves. The spout with flat lid.

Height – 29 cm / 11.75 inches Weight – 522 grams / 16.78 ozt £300-500

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325 *See inside front cover for information regarding fees

Lots 326-329 - Property of Ivor. G Allison Died 1990, Scottish born who lived in Shanghai in the late 1920’s early 1930’s, later living in Spain. Thence by descent.

326 326 λ An early 20th century Chinese export silver four-piece tea and coffee service, Shanghai circa 1930 mark of Zee Sung to coffee pot Comprising a coffee pot, teapot, milk jug and twin handled sugar bowl with unmarked sugar tongs. Each of bellied form with bamboo formed spouts and handles, the pots with ivory insulators, the bodies decorated with embossed trailing dragons against a mated ground, each with a vacant circular cartouche. The coffee pot with added wire decoration on the dragon’s head. The coffee pot with marked of Zee Sung and Silver and a character mark underneath, the teapot, milk jug and sugar bowl with character mark underneath only. Also, to include and early 20th century Chinese hardwood twin handled tray (AF) with galleried sided and bamboo formed base metal handles. (5) Height of coffee pot – 23 cm / 9 inches Weight – 1680 grams / 54.01 ozt £2000-3000

327

328

329

327 An early 20th century Chinese export silver condiment bottle coaster, Shanghai circa 1930 mark of Sing Kong of cylindrical form with a angular swing handle, the body decorated with an embossed trailing dragon against a matted ground, also with a vacant circular cartouche. Marked to the rim with Singkong only. Together with a mustard pot of hexagonal form with matted decoration and a vacant circular cartouche, mark of Zee Sung and charecter mark. (2) Height of bottle coaster - 20.5 cm / 8.25 inches Weight - 270 grams / 8.68 ozt £300-500

328 An early 20th century Chinese export silver sandwich tray, Shanghai circa 1930 mark of Zee Sung of rectangular form raised on four hemispherical feet, with bamboo form border decorated throughout with a mated ground. Marked to the reverse with Zee Sung Silver and character mark.

Length - 27 cm / 10.5 inches Weight - 397 grams / 12.76 ozt £300-500

329 A mixed group of early 20th century Chinese silver napkin rings, including three stamped sterling, by Sing Kwong One decorated with bamboos, one with flowers, the third with Chinese characters, and an unmarked example, engraved with a dragon. (4) Weight – 87 grams/2.8 ozt £120-160

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330 An early 20th century Chinese export silver cocktail shaker, Shanghai circa 1930 with mark of Zee Sung Of tall cylindrical form with domed removable cover and removable lid with internal drill pierced strainer. Decorated with a mated ground and a vacant cartouche. Marked underneath with a ‘silver’, retailers stamp and character mark only.

Height – 30 cm / 11.8 inches Weight – 460 grams / 14.79 ozt £800-1200

330

331 A set of ten Indian silver cups and saucers, Kutch circa 1920 All-over decorated with foliate scrolls and with shield shaped reserves, one reserve engraved with the initials AA. Diameter of saucer – 15 cm/5.9 inches Weight – 1940 grams/62.3 ozt £1200-1600

331

332 A 19th century Indian silver jardinière/bowl, Kutch circa 1890 Of circular form, decorated with bands of foliate scrolls and flower heads and with two vacant oval reserves.

Diameter – 42 cm/16.5 inches Weight – 2352 grams/75.6 ozt £1500-2500

332

333 A Turkish silver and niello coffee set, stamped 800, the pot and tray also stamped Sivas Comprising a two-handled rectangular tray, a coffee pot and six cups, all-over decorated with deep-engraved bands of foliate scrolls. (8) Length of tray – 34 cm/13.4 inches Height of teapot – 18 cm/7 inches Weight – 1440 grams/46.3 ozt £400-600

333

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334 λ A 20th century American sterling silver five-piece tea and coffee service with tray,

by Gorham circa 1930 comprising a coffee pot, a teapot, a covered sugar bowl, a cream jug, another bowl and a two-handled tray, of circular section, with bell-shaped finials, the pots with ivory insulators. (6) Weight - 3498 grams/112.5 ozt Length of tray - 51 cm/20 inches Height of coffee pot - 26.5 cm/10.4 inches £1200-1600 334

335 A 20th century American sterling silver cocktail set, New-York circa 1930, by Redlich & Company Comprising a cocktail shaker and six goblets, the shaker of cylindrical form, the detachable lid with elaborate foliate finial, raised on a stepped circular foot, the goblets of tapering form, on a circular spreading foot. (7) Height of shaker – 33 cm/12.9 inches Weight – 1192 grams/38.3 ozt £800-1200

335

336 336 A first half of the 20th century American sterling silver bowl by Tiffany & Co 19071947 Of rounded petal form. Fully marked underneath.

Diameter – 27.5 cm / 10.75 inches Weight – 675 grams / 21.7 £250-350

337 337 An early 20th century American sterling silver bowl, by Alvin Corporation Of plain circular form with flaring rim.

Diameter – 23 cm/9 inches Weight – 660 grams/21.2 ozt £200-300

338 338 A 20th century American sterling silver bowl Of shaped circular form with fluted sides.

Diameter – 21.5 cm/8.4 inches Weight – 442 grams/14.2 ozt £100-200

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339 λ An early 19th century American silver tea urn, circa 1800 - 20 Of dodecahedral form, the body supported on four reeded legs with lion paw terminals resting atop a base with waisted sides, reeded edge and four compressed circular ball feet, also with a burner recess. The body with two lion mask and ring handles, the panelled section with bright cut decoration of rosettes and floral sprays, each side with a cartouche with initials JL in flourished cursive script.

The lower half with panelled spout with turned ivory topped spigot. The domed cover surmounted with reded ball finial, indisictintly engraved with a presentation inscription possibly reading; ‘J. I. Lyme from R. Hilford. Berry, R. Rallray, as a token of their esteem for his kind attention to their demised, Friend I. G. Reid’. Marked underneath twice with unidentified makers mark eith B J or LJ in cursive script and rectangular punch.

Height – 39 cm / 15.3 inches Weight – 1694 grams / 54.46 ozt £1000-1500 339

340 340 A 19th century Mexican silver jug, marked for the assay master Cayetano Buitron, 1823-43, with assay scrape Of baluster form with fluted lower body and scroll handle, with pouring lip, raised on a skirting foot.

Height – 16.5 cm/6.5 inches Weight – 1011 grams/32.5 ozt £1000-1500

341 341 A 19th century South American unmarked silver mug, probably circa 1840 of baluster form with scalloped flaring rim, with a leaf-embellished double scroll handle raised on a circular foot.

Height - 14.5 cm/5.7 inches Weight - 692 grams/22.2 ozt £700-900

342 342 A South American unmarked silver chamber pot, probably circa 1800 of plain bulbous form with flared rim and with loop handle, raised on a collet foot.

Length - 21.5 cm/8.4 inches £1500-2500 For a similar example see lot 130, 14th June 2006 in Christie’s South Kensington.

343 A mixed group of Chinese silver items, including a pair of ashtrays, Shanghai circa 1930, stamped Zee Sung Of circular form, the inside engraved with Chinese characters, with coin cigarette rests, diameter 9.5 cm/3.7 inches, another ashtray stamped Nanking, a small circular dish, by the same maker, the centre inset with a coin and a small two-handled bowl stamped Zeewo. (5) Weight – 315 grams/10.1 ozt £150-350

344 An early 20th century silver cigarette box, possibly Japanese or American in the Japanese style, stamped sterling Of rectangular form, decorated with a Japanese landscape in varicolour metal inlay, with wood interior.

Length – 14 cm/5.5 inches £100-200

345 A mid-19th century Canadian pair of silver sugar tongs, Halifax Nova Scotia by Michael Septimus Brown, circa 1840 Of fiddle pattern, engraved with initials JAD in flourished cursive script.

Length – 14.5 cm / 6 inches Weight – 46 grams / 1.48 ozt £80-120

346 A silver and enamel menorah, stamped 925 The base and branches decorated with colourful flower scrolls on a blue background, with detachable ninth light, the underside of base gilt.

Height – 20 cm/7.8 inches Weight – 244 grams/7.8 inches £250-350

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*See inside front cover for information regarding fees

Judaica

347 347 Jewish London Interest - A George V antique sterling silver par of torah finials (rimonim), London 1910 by Abraham Benelisha Judaica, of hexagonal knopped baluster form, with filigree decoration throughout punctuated with disc and lozenges. Surmounted by an open filigree crown and finials, the lower tier with acorns, with tiewr with bell loops and some bell attachments. Inscription to each stem reading ‘Presented by the Honorary Workers of the Dalston Synagogue on the 25th Anniversary, 1885-1910’. Both fully marked to stem and part marked to bells. (2) Height – 32.9 cm / 12.8 inches Weight – 1169 grams / 37.58 ozt £4000-6000 The Dalston Synagogue was a Jewish place of worship in the London Borough of Islington, North London, from about 1885 to 1970. It was also known as the Poets Road Synagogue. Jews fleeing the pogroms of the Russian Empire, and those beginning to leave the East End of London and move northwards towards Stoke Newington and Stamford Hill established a congregation in the neighbourhood by 1876. The Victorian Gothic building was erected in Poets Road in 1885, and became one of the leading members of the United Synagogues.

At its height, the Poets Road Synagogue had hundreds of worshippers; it closed in the late 1960s, as the remaining Jewish population moved further afield. The synagogue site was eventually sold and the building, along with its stained-glass windows, was demolished in 1970, leaving no trace of the Jewish life which existed in this area. An Etrog box of 1928 by Abraham Benelisha was sold Sworders, 25th June 2013, Lot 20

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*See inside front cover for information regarding fees

348 348 Judaica – A fine Victorian antique parcel-gilt sterling silver torah breastplate (hoshen mishpat), London 1900 by Hieman Silverman (reg 1899) Of shaped outline with applied filigree decoration of scrolls, the tope with a filigree crown, with a ring attached acorn, populated with flowers heads and flowers on stalks surmounted by a ball finial. The Tablets of the Law below surmounted by a flower head, below this filigree ark doors containing a torah scroll engraved with the Star of David and below this a hinged festival plaque aperture with engraved decoration. Either side with filigree columns surmounted by flower heads and leaves with ball finials. With suspension chain. Fully marked to field and part marked throughout.

Height – 31.9 cm / 12.5 inches Weight – 1006 grams / 32.34 ozt £6000-8000 Provenance - possibly from Dalston Synagogue, please see previous lot 349 Judaica - An 18th century German/Polish silver spice box, Breslau 1776-1791, also stamped GR and JW, probably maker’s mark and assay master Of rectangular form, the hinged lid engraved with the Ten Commandments in the Tablets of the Law, with crown above and lion supporters, with Hebrew inscription to the lid and side, raised on four feet, with gilt interior.

Length – 6.2 cm/2.4 inches Weight – 80 grams/2.6 ozt £500-800 The engraved inscriptions on the lid above the Tablets of the Laws reads “belonging to Rachel”. Below is a Havdallah blessing, the first blessing is about separation of the day to day to the holy day (Shabbat).

Last part is the blessing for the spices smelled in the Havdalah service.

To the side is engraved the Hebrew year 5538 (equivalent of 1777).

Havdalah is the ceremony marking the end of Shabbat.

350 A late 19th century sterling silver menorah, stamped 925, with maker’s mark M.S.B, also stamped Blizinski or Ruzinski Fitted with eight baluster form lights and with one detachable, the back plate decorated with the Tables of the Law with crown above and lion supports, raised on four foliate feet.

Length – 18.5 cm/7.3 inches Weight – 272 grams/8.7 ozt £500-800

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Heraldic Silver Throughout the history of silver engravings or even castings placed upon an article of plate have been dedicated to the individuals and families who owned or commissioned these pieces. Ranging from a simple initial to an elaborate coat of arms of quarterings, which chart a noble or historic family’s ancestral journey, the visual combination of symbols and styles are endless. While initials are only attributable to precise individuals on rare occasions, the complex and somewhat mysterious art of heraldry, through coat of arms, coronets and crests, can allow us to access the identity of previous owners, through their marriages, titles and portraits. Though the annuals of history might survive inadequately, which can prevent certain names being directly discovered, others do and the heraldic devices reveal to us silver commissioned for; an important marriage, those repurposed from one century to the next perhaps by different families, or a component from a prestigious service owned and dined upon in a historically significant household. Heraldic silver provides a fascinating and rewarding avenue to link aspects of history that may otherwise lay forgotten and reminds us of the prominence those of the past placed upon their articles of precious metal which bedecked their daily lives.

351 An early George III antique sterling silver sugar vase, London 1760

by Pierre Gillois The body of ovid form upon a single circular foot with fluted stem and rope and reeded base. Applied ornament to upper rim of splayed shells connected by four outstretched handles. The removable domed blind lid with matted pyriform finial. Engraved to the side with a crest of a lion couchant upon a chapeau all below a baron’s coronet. Fully marked to base edge and lion passant and maker’s mark only to lid flange, also engraved with number and scratch weight – ‘No 1 18.18.0’.

Height – 15 cm / 6 inches Weight – 510 grams / 16.4 ozt £1500-2500 The crest is for Harbord For either; Sir William Harbord (1696-1770) 1st Baronet and MP for Dunwich between 1738-1741 and for Bere Alston in 1734 and 1741 1754, or his son Sir Harbord Harbord (1734-1810) who was created Baron Suffield in 1786 acting as MP for Norwich between 1756-1786, the family home was Gunton Hall, Norfolk.

A tea urn bearing the arms of William Assheton Harbord (1766-1821) 2nd Baron Suffield, marked for London 1788 by Andrew Fogelberg & Stephen Gilbert was offered in Sotheby’s Important Silver 11th November 1982, Lot 54.

A set of three vases of very similar design is shown in Waldron, P., Price Guide to Antique Silver. 1982 (fig. 997. page 307).

351 352 A pair of George III Irish antique sterling silver two-handled cups, Dublin 1806, possibly by Daniel Egan retailed by Mathew West Of circular section, with plain handles, raised on a stepped spreading foot, with brightengraved bands, each engraved with a presentation inscription ‘Captn Fullerton to the Hon.. the F.C. Annesley as a small mark of his sincere esteem & respect for him July 30th 1806’ to one side and with a coat-of-arms and motto Virtutis Amore, all below the crest of a Moor to the other side. Fully marked to rim.

Height – 19 cm / 7.5 inches Weight – 927 grams / 29.8 ozt £1200-1600 The crest is for Annesley The arms are for Francis Charles Annesley (1775-1832) of co. Down, Ireland, Royal Navy officer who was the eighth child of Richard Annesley, 2nd Earl Annesley and Anne Lambert.

He married on the 31st July 1813 Mary Radcliffe

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353 A George IV antique sterling silver cruet / condiment set, London 1829-30, by the Barnards Of shaped-rectangular form, the rim decorated with scrolls, shells and flowers, with foliage embellished central carrying handle, raised on four scroll and shell feet fitted with eight cut-glass bottles, the mustard pot London 1829 by the same maker, the pepper Chester 1907 by John Millward Banks. The base with a crest of a demi-stag rampant vulned with an arrow, with motto surround ‘Forward’, the underside with contemporary inscription ‘J. R. Smith to Francis & Mary Ann Smith 8th March 1832’. Fully marked to the underside (1830) and part marked to the handle base (1829).

Length - 23.5 cm / 9.2 inches Weight - 787 grams / 25.3 ozt £350-450 The crest and Motto are for Smith of Surrey Francis Smith (1806-1872) married Marry Anne Levin, Daughter of Zadic Levin. Levin bought the estate of Salt Hill Park, Chichester from John Newland for his daughter and son-in-law.

Their son, Sir Archibald Levin Smith, Lord Chief Justice of the Appeal, was born August 26th 1836. for two portrait miniatures of Francis Smith of Salt Hill, see Roseberry's Fine Art 24th March 2015 Lot 704

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354 λ A George IV Irish antique sterling silver coffee pot, Dublin 1821 by James Le Bas Of baluster form upon a single circular foot, the spout formed as a beats head gorged with a collar above a moustached male mask with fruiting vine and acanthus surround. They body with embossed decoration flower sprigs among C scrolls and rocaille forms, all against a matted ground. The handle formed as the bust of a barechested maiden with her hair in high coiffure, with ivory insulators.

The domed lid surmounted by a later cast flower and leaf sprig finial, marked for Sheffield 1851 by Roberts & Slater. Each side of the body with a cartouche, one vacant the other with a crest of a wolf ’s head erased quarterly per pale indented. Fully marked underneath, the lid with makers mark and duty mark, the handle with duty mark only.

Height - 29 cm / 11.5 inches Weight - 1281 grams / 41.19 ozt £1500-2500 The crest is for Cliffe For Anthony John Cliffe esq of Bellevue, county Wexford (1800 -78) married Isabella-Francis Leslie, daughter of Charles-Powell Leslie Esq of Glaslough, co. Monaghan M.P of Glaslough, on the 23rd June 1821. This coffee pot likely forming part of their marriage silver.

Anthony inherited his fathers estates in 1803 and became high sheriff of Wexford in 1823, in about 1825 he purchased Bellevue House, whose family seat was at Abbeybraney near Gusserane. He set about modernising and developing the building. In 1856 the family took the startling decision to convert to Roman Catholicism, whereby a private chapel to the design of Augustus Welby Pugin was built adjacent to the house in 1859.

Cliffe’s grandson Anthony Lotus Cliffe died in 1921, with his widow Lady Frances Power taking to London to live, leaving Bellevue unoccupied except for a caretaker. On the 28th January 1923 a group of armed men arrived at the building and set the building alight, reducing the mansion to a ruin, which was later demolished save for the chapel which escaped the blaze by act of the assailants dismantling the connecting corridor to the house.

James le Bas originally trained in London from 1786 to work for Samuel Merton of Foster Lane thence moved to Dublin circa 1800.

His first workshop was on Great Strand Street, Dublin until 1809 whereupon he moved to Ship Street besides Dublin Castle. William Middleton became his chief silversmith. Le Bas died in 1845.

Francis Smith of Salt Hill, Unknown Artist © Roseberys London, Fine Art Auctioneers & Valuers

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355 An exceptional and large George III antique sterling silver salver, London 1787 by Elizabeth Jones Of square form with re-entrant corners and a reeded edge, raised upon four curved reeded bracket feet. The field with engraved decoration of four cartouches depicting male and female masks as allegories of the seasons reserved in stylised foliate scrolls and shells interspaced with floral spray cartouches similarly reserved connected by rusticated strapwork with foliate motifs. The centre engraved with a crest of on a chapeau gules turned up argent a greyhound sejant erm. Fully marked to the reverse and with scratch weight 19-18.

Length – 49 cm / 19.25 inches Weight – 2860 grams / 91.95 ozt £10,000-15,000 The crest is that of the Hall family of London and Laventhorpe / Leventhorpe, Yorkshire The Halls were a prominent Yorkshire family which included Henry Hall (1541-1620) who was Lord Mayor of York, the descendants are listed as connected to Leventhorpe Hall, where a Henry Hall (16981762) ‘through gambling and other means he lost all the family property except a part known as “Hall’s Close”. This was left to his son John Hall (1734-1807), who due to misfortunes had to part ways with it. (Jordan,W. J., Colonial and revolutionary families of Pennsylvania; genealogical and personal memoirs, New York 1911, p.18-19) Elizabeth Jones registered her mark on January 15th 1783 of Bartholomew Close, she is believed to be the widow of Robert Jones.

She specialised in the production of waiters, salvers and trays. A waiter with the very rare duty drawback mark is recorded (The Arthur Holder Collection, Wooley and Wallis 25th October 2016, lot 383) showing that the business sold abroad. A tray is shown in the collection of The National Museum of Women in the Arts, see Women Silversmiths 1685 -1845 P49.

While a small amount of chambersticks and candlesticks are known bearing her mark the overwhelming aspect of her oeuvre appears to be oval and circular salvers, most commonly with a plain field or relatively simple engraved decorative bands. The present lot is exceptional on a multitude of fronts given the known corpus of surviving examples. This appears to be the only known example of a square salver by Jones, dating to a time when neoclassical design had led to much simplification of forms and ornament within silverware of the 1780’s, the square salver being most commonly encountered in the 1720’s-40’s. The anachronistic elements of the design of this salver can also be seen in the engraved decoration found upon the field, this rococo type ornament would more commonly have been found earlier in the 18th century when the square form was most popular. Similar large shells interspaced with masks can be seen on a rectangular salver of 1726 by Paul de Lamerie in the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts (Page 424 & 425). The extent to which both the shape and ornament depart from Elizabeth Jones more usual production may be explained by the present example being made to complement existing silver already owned by the family, or as patrons perhaps they did not care much for fashionable Neoclassical trends.

This also represents one of the largest known pieces of silver by Jones, a 56cm long oval twin handled tray on four feet also of 1787 bearing the arms of Lund was sold Bonhams New Bond Street 22nd November 2006 Lot 172.

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356 A large George II antique sterling silver salver, London 1736

by Richard Pargeter Of shaped circular form, with concave scalloped border raised on four knurl feet. The field with a later coat of arms of quartering to the centre amongst mantling and foliage with a mask below; the outer edge with probably later engraved decoration of scallop shells, lattice reserves against a snakeskin ground. Fully marked to the reverse and with scratch weight 93 = 0.

Diameter – 46 cm / 18 inches Weight – 2844 grams / 91.44 ozt £2500-3500

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357

358

357 A George IV antique sterling silver bread or cake basket, London 1824 by Joseph Angell Of oval form upon a single oval foot, with an ovolo rim, the reed swing handle with central flower burst and trailing buds either side.

The centre engraved with a marshalled coat of arms within mantling surmounted by a crest of a stag statant ducally gorged. Fully marked to the underside, and part-marked the handle.

Length – 36 cm / 14 inches Weight – 1598 grams/ 51.38 ozt £1200-1600

358 A George III antique sterling silver bread or cake basket, London 1761 by William Plummer Of oval form with gadrooned interspersed with closed and open work shells, raised on openwork band four splayed feet. The body with panels of finely panels decoration interspaced with beading, the swing handle with open lattice work and shell bead and scroll sides.

The centre engraved with a marshalled coat of arms within a foliate cartouche. Fully marked to side, the handle with lion passant only, also engraved with scratch weight 40:12.

Length – 36.5 cm / 14.5 inches Weight – 1236 grams / 39.74 ozt £2000-3000

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359 Royal Interest – A George II antique sterling silver beer jug, London 1753 by Gabriel Sleath & Francis Crump of baluster form upon a single spreading foot, the C scroll handle with acanthus thumbpiece and shell junction. Engraved decoration of C scrolls and foliage to rim and surround of spout. Engraved with the Royal Arms to one side and G.R III surmounted by the Royal Crown to the other. Traces of gilding. Inscription underneath ‘The Property of George (3rd) Lord Walsingham’. Fully marked underneath and with scratch weight 59:16.

Height – 31.3 cm / 12.4 inches Weight – 1711 grams / 55.01 ozt £5000-8000 Sir William de Grey, 1st Baron Walsingham (1719-1781) served as Lord Chief Justice of the Common Pleas between 1771 and 1780. He was educated at Trinity Hall, Cambridge, was called to the Bar, Middle Temple, in 1742, and became a King’s Counsel in 1758.

Between 1761 and 1763 he was Solicitor General to Queen Charlotte.

The family seat is Merton Hall, Norfolk.

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360 360 A large George III antique sterling silver salver, London 1784 by Daniel Smith and Robert Sharp Of oval form with cavetto edge and beaded rims, raised on four moulded bracket feet. The field later engraved with a coat of arms of eighteen quarterings within a contemporary robe of estate surmounted by a Duke’s coronet. Fully marked to the reverse.

Length – 57 cm / 22.3 inches Weight – 2910 grams / 93.56 ozt £3000-5000 The arms are those of Barnewell, Baronets of Crickstown Castle, County Meath possibly for Sir Reginald Aylmer John De Barneval Barnewell (1838-1909) 10th Baronet of Crickstown Castle.

There are several errors within the eighteen quarterings which differ from a known book plate of the Barnewell quarterings. It is likely that this salver once bore 18th century arms for a Duke and has subsequently been sold on and the arms of the Barnewells added to Dukes’s robe and coronet, both distinctions not befitted upon this family. It should be understood that long standing armigerous families may not have perfect knowledge of their arms nor engravers conversant in the art of heraldry thus discrepancies may enter in.

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361

Portrait of Harriot Coutts by William Beechey, c.1815-8 © Coutts & Co 2015

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361 Duchess of St. Albans - A pair of George III antique sterling silver dinner plates, London 1818 by Paul Storr Of shaped circular form, the rim with acanthus scroll and scallop shells interspaced with anthemia. Engraved to the border with initials HtM in flourished cursive script surmounted by a ducal coronet, the underside with a crest of a lion statant gardant crowned with a ducal coronet, gorged with a collar of the last, thereon three roses barbed and seeded, on a chapeau, all surmounted by a ducal coronet. Both fully marked to the reverse, one also stamped with numeral 386 and with a later French import mark (2) Diameter – 25.7 cm / 10.1 inches Weight – 1557 grams / 50.06 ozt £4000-6000

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The crest is for Beauclerk For Harriet Beauclerk, nee Mellon, Duchess of St. Albans, (1777-1837) famous as a child actress, born into a traveling theatre troupe. She married firstly Thomas Coutts (1735-1822) the founder of the Royal Bank Coutts & Co. They were married secretly in January 18th 1815 following the death of his first wife under much opposition from Coutt’s three daughters; the Countess of Guilford, the Marchioness of Bute and Lady Burdett.They remarried on April 12th 1815 as the first ceremony was illegal. Upon his death in 1822 she inheretid his whole fortune and share in the bank becoming senior partner in Coutt’s & Co, taking an active role in decisions made in the business.

The Morning Post recorded that “some time previous to his death he settled upon Mrs C the sum of £600,000 with the house in Stratton Street, all the plate, linen & c.- the service of plate is said to be the most valuable in any of the country- together with the house in Highgate, and all its appurtances...the whole makes her the richest widow in the United Kingdom.”

She married her second husband William Aubrey de Vere Beauclerk,9th Duke of St. Albans on the 16th June 1827. In a letter to Sir Walter Scott, in reply to his congratulations on this marriage, Harriet wrote: “What a strange eventful life has mine been, from a poor little player child, with just food and clothes to cover me, dependent on a very precarious profession, without talent or a friend in the world – first the wife of the best, the most perfect being thatever breathed...and now the wife of a Duke! You must write my life...my true history written by the author of Waverley.”

She died on 6 August 1837 at her home in London, and was buried in the parish church at Redbourne, Lincolnshire, the St Albans family seat. She left her husband an allowance of £10,000 a year for his lifetime, along with the use of two properties in London. The bulk of her estate, worth around £1.8m, was left to Angela Burdett (1814 – 1906), the youngest of Thomas’s grandchildren. However, the terms of Harriot’s will were written to exclude Angela from partnership in the bank. Angela was barred from touching the capital sum, but was given complete and independent control of the income from it. She was also required to take the additional surname of Coutts. Lastly, in the event of her marrying a foreigner, the fortune would pass to another member of the family. This last condition was Harriot’s response to the earlier marriage of one of Thomas’s grandsons to a member of the Bonaparte family; she could not countenance the prospect of the bank passing into French hands. Through all these conditions, Harriot did her utmost to protect the bank’s future, safeguarding the Coutts inheritance, even from beyond the grave.

Lady Angela Burdett-Coutts thus became one of the wealthiest women in England and in 1871, in recognition of her philanthropic work, Queen Victoria created her suo jure Baroness Burdett-Coutts of Highgate and Brookfield in the County of Middlesex, she was also the first woman to receive the Freedom of the City of London in 1872. Her lifelong companion and former governess Hannah Brown, to whom she was devoted, died in 1878. Lady BurdettCoutts wrote to a friend that she was utterly crushed by the loss of “my poor darling, the companion and sunshine of my life for 52 years”.

On the 12th of February when she was 67, she shocked polite society by marrying her 29-year-old secretary, the American-born William Lehman Ashmead Bartlett, who became MP for Westminster on 12th February 1881. Her new husband changed his surname to Burdett-Coutts. Because of her husband’s American birth the clause in her stepgrandmother’s (the 9th Duchess of St Albans) will forbidding her heir to marry a foreign national was invoked and Burdett-Coutts forfeited three-fifths of her income to her sister.

The Duchess of St Albans silver was stored in a vaults in Coutts until 1914. There upon some 35,000 ounces of silver formed part of the Coutts Heirloom sale, 14th May 1914, and various sales until 1920.

Auction Record for St Albans Silver (various makers): - A set of four wine coasters, Christie’s New York, 15th April 1997, lot 281 - A pair of sauce tureens of 1817, sold Christie’s, New York, 20th October 1997 lot 217 - A soup tureen and stand sold Sotheby’s, New York, 21st October 1997, lot 177 - A set of four entrée dishes sold Sotheby’s, New York, 14 April 1999, lot 217 (possibly the same as those below Christies 2012) - An argyle of 1814, sold Christie’s New York 20 April 2000 lot 210 - A set of four salts of 1813, sold Christies New York 19th April 2002 lot 346 - A bowl of 1812, Sold Christies New York 21 October 2003, Lot 354 - A pair of soup tureens of 1814 sold Sotheby’s, New York April 2006, lot 115, - A beer jug of 1817 sold Sotheby’s, New York April 2006, lot 116 - A warming stand of 1793, sold Sotheby’s New York, 29th November 2006 lot 85 - A set of four wine coolers, sold Sotheby’s London, 7 June 2007, lot 149 - A pair of three-light figural candelabra, sold Sotheby’s, New York, 17th October 2008, lot 163 - A pair of soup tureens and stands of 1821, sold Christies, London 7th June 2011, Lot 353 - A pair of wine coolers of 1823 sold Sotheby’s, New York, 4th November 2011 lot 249 - A set of four entrée dishes of 1817 sold Christie’s New York 21st June 2012, lot 1116 - A bread basket of 1810, sold Christie’s London 1st December 2015 Lot 675 - A pair of snuffers trays of 1816, sold Christie’s, New York 30th June 2015 Lot 69 - A pair of three-light candelabra of 1816, sold Sotheby’s, New York, 5 April 2016 Lot 194 - A cheese cradle of 1812, sold Christie’s New York, 23 - 24 August 2016 lot 240 - A pair of wine coolers of 1829, Sold Sotheby’s Hong Kong 30 September 2016 lot 8 - An entrée dish of 1820, sold Christie’s 29th November 2016, lot 151 - A pair of breakfast dishes and covers of 1817, sold Christie’s 29th November 2016, lot 152 Also A pair of Louis XVI dishes on stands made in Paris in 1785 and 1789

by Henri Auguste and Robert Joseph Auguste, the burners added by Paul Storr in 1811 All elements of the service bare Harriet’s monogram and ducal coronet in prominent position rather than the Beauclerk crest, testimony perhaps to her position and strength of character of rising to some of the highest ranks in British society at the time.

Provenance Thomas Coutts (1735-1822) Harriet Beauclerk, nee Mellon, Duchess of St. Albans, (1777-1837) Lady Angela Burdett-Coutts, Baroness Burdett-Coutts of Highgate (1814 – 1906) William Burdett-Coutts (1851-1921) Sold Christies 14th May 1914 (most likely) Private Ownership, thence by descent

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362 362 A George III antique sterling silver soup tureen, London 1789 by John Scofield Of oval neo-classical twin handled form, the body with half fluted decoration, repeated on the stepped lid with oval beeded finial. The bifurcated reeded handles with acanthus terminals. Double reeded and beaded borders throughout. The lid engraved with a contemporary dual crest of a talbot sejant and unicorn passant, the main body with a marshalled coat of arms flanked by supporters above a motto Pauca suspexi pauciora dexpexi. Fully marked to the base rim and part marked to the lid flange.

Length – 46.5 cm / 18.25 inches Weight – 3235 grams / 104.01 ozt £3500-4500 The arms are for Portman quartering Berkeley, impaling Wyndham for Henry William Portman (1737-1796) of Orchard Portman, Somerset, who married Anne Wyndham (b. circa 1746) daughter of William Wyndham, of Dinton in the County of Wiltshire, on 20th January 1766.

It is interesting to note that the Henry William Portman whose marital arms are upon this tureen also had a Wyndham descent through the marriage of his five times great grandfather, Sir William Portman, 5th Baronet of Orchard Portman (born circa 1610, died 1645 or 1648) to Elizabeth, (whom in had married circa 1644) daughter and co-heir of John Colles, of Barton and his wife, Elizabeth, daughter and co-heir of Humphery Wyndham, of Wiveliscombe. He developed 200 acres (0.81 km2) of meadow in London between Oxford Street and the present site of Regent’s Canal that he had inherited from his Tudor ancestor Sir William Portman, becoming the Portman Estate. The first building leases were issued in 1755, and building began in 1764 with Portman Square, which was to owe its popularity to buildings by Robert Adam and James ‘Athenian’ Stuart.

It is not known why Henry William Portman used supporters to his armorial bearings as these are usually the prerogative of peers, Knights of the Garter, Thistle and St Patrick and Knights Grand Cross or their equal at the time of the engraving. A few baronets were also allowed supporters to their arms. Certainly, Henry William Portman has a descent from the Barons Berkeley created 1295 in common with his distant kinsmen, the Barons Berkeley of Stratton (created 1659, but this barony fell into extinction upon the death of the 5th Baron in 1773) who used the supporters and motto as cited above. Although no direct connection existed between Henry William Portman and his Berkeley of Stratton kinsmen he may well have unofficially adopted their supporters and motto by way of remembrance. Today the Viscounts Portman, as created for the above’s grandson Edward Berkeley Portman (1799-1888) in 1873, still bear as their dexter supporter, a savage with its attendant club. for a pair of waiters of 1789 by Elizabeth Jones bearing these arms, supporters and motto, sold Bonhams Knightsbridge 6th Oct 2010, Lot 609 for a pair of candlesticks of 1764 by Parker & Wakelin bearing these arms, sold Christie’s London 29th Nov 2011, Lot 386 for a salver and waiter of 1766 by Hannam and Crouch, bearing these arms, offered at Woolley & Wallis, 21st Jan 2014, lot 1034 The rare presence of double reeded and beaded borders as a decorative feature may be a particular quality of Scofield’s better work at this date, a salver offered in these rooms by Scofield of 1788 also possessed this unusual border (April 4th 2017, Lot 737).

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363

363 A Victorian antique sterling silver soup tureen, London 1864 by Robert Harper of oval form upon a spreading circular foot with ovolo rims. The body with half fluted decoration and goat head mask handles joined by embossed swags and an oval bead cartouche with tied ribbon above. The cartouche engraved either side with a coat of arms with motto below Non Sibi Sed Patria all surmounted by an Earl’s coronet. The gently domed with half fluted decoration surmounted by a foliate finial upon an acanthus calyx, with engraved band of guilloche between two bands of wriggle-work borders to the rim. Fully marked to the shoulder and part-marked to the lid.

Length – 40 cm / 15.75 inches Weight – 2814 grams / 90.74 ozt £4000-6000 The coats of arms is for Charles Marsham, the 3rd Earl of Romney (1808-1874) Stylised as Viscount Marsham between 1811 and 1845, married Lady Margaret Harriett, daughter of Charles Montagu-Scott, 4th Duke of Buccleuch, in 1832. They had three sons and one daughter. Lady Romney died in London in June 1846, aged 34. Lord Romney remained a widower until his death in September 1874, aged 66. He was succeeded in the earldom by his eldest son, Charles.

The family seat was originally Moat House, Kent, this was sold in 1895 to the 2nd Viscount Bearsted, latterly it became Gayton Hall, King’s Lynn.

Robert Harper, registered Feb 1853 of Red Lion Street, Clerkenwell, London

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364 364 A heavy George III antique sterling silver soup tureen, London 1812 by William Bennett of oval bellied form with gadrooned rim interspaced with scrolls raised upon four lion paw feet with scallop shell and acanthus junctions, twin acanthus scroll and shell handles to either side. The stepped domed lid with fluted section surmounted by a serpent and acanthus scroll handle on an acanthus calyx. The lid engraved with duel crests of a demi-griffin segreant with a helmet between the paws and a griffins head erased, the main body with a cast and applied acanthus cartouche with engraved coat of arms of quarterings. Fully marked underneath and part-marked to the lid flange.

Length – 44 cm / 17.1 inches Weight – 5572 grams / 179.14 ozt £7000-9000 The crests are for Cholmondeley and Campbell The arms are for Cholmondeley impaling Campbell For George Horatio Cholmondeley, 2nd Marquess of Cholmondeley (1792 – 1870) who married his first wife Caroline Campbell (1795-1815) daughter of Lt- Gn, Sir Colin Campbell on the 20th October 1812.

Styled Viscount Malpas between 1792-1815, then Earl of Rocksavage between 1815-27, becoming the 2nd Marquess of Cholmondeley on the 10th April 1827. He was educated between 1804 and 1807 at Eton College. He held the office of Member of Parliament (Tory) for Castle Rising between 1817 and 1821. He participated in the coronation of King George IV in 1821, as one of eight eldest sons of peers holding the king’s train. The others were the Earl of Surrey, Marquess of Douro, Viscount Cranborne, Earl of Brecknock, Earl of Uxbridge, Earl of Rawdon, Viscount Ingestre and Lord Francis Conyngham.

The ancient office of Lord Great Chamberlain is a Cholmondeley inheritance The family seats are Houghton Hall in Norfolk, and Cholmondeley Castle, near Malpas, Cheshire This tureen no doubt made for the marriage in 1812, however Lady Cholmondeley’s died in 1815 at age 20 at Cholmondeley House, Piccadilly, London.

A soup tureen of 1809 by Bennett of most similar form, with the same vacant acanthus cartouche but with lion masks replacing the shell and acanthus junctions was sold Christies, London, May 30-31st 2012, Lot 368.

Four entrée dishes of 1817 by Robert Garrard with the crest and a marquess’ coronet for the 1st Marquess of Cholmondeley (1749-1827), the present lots’ father were sold from the Collection of HRH Princess Margret, Christies, London 14th June 2006 Lot 447.

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365

365 A pair of George III antique sterling silver tea caddies, London 1785 by TH, possibly Thomas Hemming Each of oval form with beaded borders, the lids with stand-away hinges raised by ring attachments. Each engraved to the lid ‘Green’ and ‘Bohea’. Engraved to the front with a crest of a griffin statant with wings elevated on of maintenance (chapeau), beneath of Baron’s coronet surrounded my mantling. Each with later keys. Fully marked to base, lids with maker’s mark and lion passant only. (2) Length – 9.9 cm / 4 inches Weight – 348 grams / 11.19 ozt £1000-1500 The crest is for Craven, for William Craven 6th Baron Craven (17381791) of Belham Park, who in 1780 built Craven Cottage in Fulham.

366 A George II Irish antique sterling silver tea or coffee pot stand, Dublin circa 1740 by John Laughlin Snr Of shaped circular form with scroll work rim, raised on three pad feet. The field engraved with a coat of arms within a rococo cartouche, below a crest of a hand apaumee. The reverse with contemporary Roman script initials E * V. Marked with town mark, standard mark and maker’s mark only, also scratch weight 7=6.

Diameter – 15.5 cm / 6.1 inches Weight – 208 grams / 6.69 ozt £200-300 Similar to a waiter, which is a smaller salver, these smaller items may likely have been used for the hot tea or coffee pot to prevent it from harming the wood table. Waiters typically are a bit larger and usually found in pairs if not sets of four.

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367 A set of four George III antique sterling silver second course dishes, London 1767 by Thomas Whipham & Charles Wright Of rectangular form with waisted sides, leaf-capped re-entrant corners and gadrooned rim, all later engraved with dual crests of heraldic tiger ducally gorged and a crest of an arm in armour holding a leg in armour couped at the knee. All fully marked and scratch numbered I-IIII, the reverse of base engraved with scratch weights; No 1 24:1, No 2 23:17, No 3 24:2, No 4 22:12. (4) Length – 25.5 cm / 10 inches Weight – 2751 grams / 88.44 ozt £2500-3500 The crests are for Ormsby-Gore For William Ormsby-Gore (1779 – 1860) who in 1815 married Mary Jane Ormsby, daughter and heiress of Owen Ormsby, and assumed by Royal licence the additional surname of Ormsby.

He was appointed High Sheriff of Shropshire for 1817–18 and High Sheriff of Caernarvonshire for 1820–21. He was elected as Member of Parliament for County Leitrim from 1806-07, then for Caernarvon from 1830-31 and North Shropshire from 1835-57.

His seat was Porkington Hall (welsh: Brogyntyn Hall), Oswestry, Shropshire. The Library of Brogyntyn was noted for its important collection of welsh language manuscripts, now in the National Library of Wales.

His son John Ormsby-Gore (1816 – 1876) M.P. for Caernarvonshire and created 1st Baron Harlech in 1876.

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368 Jewish interest - A George III antique sterling silver meat dish, London 1766 by Sebastian & James Crespell Of shaped-oval form with gadrooned rim, engraved below the rim with an impaled coat-of-arms with motto Non Nobis Solum, I all surmounted by a Baron’s coat of arms. The reverse engraved “N 18” and with the scratch weight 61//10. Fully marked to reverse.

Length – 46 cm / 18.1inches Weight – 1856 grams / 59.6 ozt £1200-1600 The arms are those of Eardley impaling Wilmot quartering Eardley For Sampson Eardley, 1st Baron Eardley (1744 – 1824), known as Sir Sampson Gideon from 1759 until 1789. In 1768, he married Maria Wilmot, the daughter of Sir John Eardley Wilmot, Chief Justice of the Common Pleas. On 17 July 1789 he legally changed his surname to that of Eardley.

He served as Tory Member of Parliament for Cambridgeshire from 1770 to 1780, Midhurst from 1780 to 1784, Coventry from 1784 to 1796, and Wallingford from 1796 to 1802. In 1789 he was created an Irish peer, with the title of Baron Eardley, of Spalding in the County of Lincoln. An Irish peerage carried no seat in the House of Lords and thus did not disqualify him from membership of the British House of Commons. In November 1789 he was elected a Fellow of the Royal Society (FRS) and he was also Fellow of the Society of Antiquaries (FSA).

He was the first Provincial Grand Master of Cambridgeshire Freemasons, appointed in 1796, until his death.

Lord Eardley was the son of Jewish banker Sampson Gideon (1699–1762) he the grandson of Portuguese immigrants. Under his influence his son was created a baronet, on 21st May 1759, aged only 13 years. Gideon Snr had lobbied for the same honour for himself from the prime minister, the Duke of Newcastle, but was denied it on account of his Jewish faith, as he remained a practising Jew. Sampson Gideon Jnr and his two sisters, on the contrary, whose mother was Christian, were baptised and brought up in the Church of England. Sampson Gideon Snr was a trusted “adviser of the Government,” and a supporter of the Jew Bill of 7th July 1753, which allowed for naturalisation of Jewish people.

The Jewish people had shown much support for the government during the Jacobite uprising of the 1740’s and Gideon Snr as their chief financier had strengthened the stock market. The bill was repealed only one year later due to a public outburst of antisemitism and Tory opposition in the House of Commons declaring it an “abandonment of Christianity”.

Sampson Gideon Snr, died at his home Belvedere House, near Erith, Kent, in October 1762, aged 63, having a gained a fortune recorded as £350,000. Lord Eardley died at 10 Marina Parade, Brighton, on Christmas Day, 1824, aged 80, his son’s predeceased him and the Barony thus became extinct.

Sampson Gideon and a companion, painted by Pompeo Batoni The dinner plates from the Eardley service of the same year and maker were sold Christie’s, New York, Important Silver 27th October 2005, Lot 430

Sir Sampson Gideon and an unidentified companion, 1767 (oil on canvas), Batoni, Pompeo Girolamo (1708-87) / National Gallery of Victoria, Melbourne, Australia / Everard Studley Miller Bequest / Bridgeman Images

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*See inside front cover for information regarding fees

368

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369 369 Jewish Interest - A George IV antique sterling silver soup tureen, London 1823 by Paul Storr of rectangular form with curbed sides and an acanthus scroll and shell rim. Raised on four lion paw feet with acanthus junctions, the twin handles with shell terminals and lion mask junctions. The stepped lid with gadrooned decoration against a matted ground, the handle with lion head junctions upon an acanthus calyx. Engraved either side with a marshalled coat of arms above the motto All For The Best. Fully marked underneath and part marked to lid underside and calyx.

Length – 43.5 cm / 17.1 inches Weight – 4246 grams / 136.51 ozt £12,000-16,000

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*See inside front cover for information regarding fees

The arms are for Cohen impaling Montefiore For Benjamin Cohen (1789 – 1867) and Justina Montefiore (17951873), married 3rd March 1819 Benjamin Cohen was the son of Levi Barent Cohen, a successful Dutch born British financier and merchant. Justina the daughter of Joseph Elias Montefiore and Rachel De Mattos Mocatta.

Justina was sister to the celebrated Sir Moses Montefiore (1784 – 1885) an important Italian and British Sephardic Jew, whose efforts in financing and philanthropy are seen as pivotal to the development of Proto-Zionism. Benjamin was brother to Judith Cohen, Sir Moses’s wife who was paramount to the philanthropic efforts of her husband raisng awareness of Jewish suffering worldwide. Benjamin’s other sister Hannah was married to Nathan Mayer Rothschild and Justina’s brother Abraham was married to Nathan’s sister Henriette Rothschild.

The Cohen – Montefiore – Rothschild marriages became the most important Jewish families in Britain.

A near identical tureen to the present lot is known with the same coat of arms, however the lid handle is formed as a stag’s head with a rose in the mouth. The exact form of handle on the present lot is found on many Storr pieces and also on an entrée dish and cover marked for London 1818 by Phillip Rundell bearing the arms of John Frewen Esq., of Brickwall House (Mary Cooke Antiques).

There are other recorded examples of tureens from the Montefiore / Cohen families; A soup tureen bearing the marriage arms of Abraham Montefiore and Henriette Rothschild, London 1837 by Robert Garrard was sold Christie’s, Important Silver & Objects of Vertu, New York, 19th October 2012 ($50,000 premium inclusive), similarly a pair of sauce tureens from this marriage of London 1813 by Craddock & Reid (Private Collection).

Also, a George IV dinner set, London 1829 by Benjamin Smith bearing the arms of Nathan Mayer Rothschild and Hannah Cohen, Christies Important Silver, London 14th June 2005 Lot 120 (£44,400 premium inclusive)

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370 λ A George III antique sterling silver tea urn, London 1771 by Richard Morson and Benjamin Stephenson Of ovoid form raised upon a pierced wavy square form base with four ball and claw feet, with a gadrooned edge and rope twist border.

The body with gadrooned twin handles with stylised foliate junctions, decorated with embossed swags of bellflowers, a central trap with ivory spigot present. The cover of domed form with an ivory finial.

The body with a later applied shield cartouche with a impaled coat of arms against engraved foliate decoration. The body with internal bayonet to reveal heating iron recess. Fully marked to base interior, body interior and with maker’s mark and lion passant only to lid flange.

Height – 50.5 cm / 19.75 inches Weight – 2495 grams / 80.21 ozt £1200-1600 The arms are for an unidentified family impaling Porter

370 371 A George III antique sterling silver tankard, London 1805 by John Robins Of cylindrical form with moulded rim and applied gridle, the stepped domed raised by a chair back thumbpiece. The C scroll handle terminating in a shaped shield terminal.

Gilt interior. Engraved t the front with an marshalled coat of arms with motto below Sola virtus reddit nobilem, surmounted by a crest of doe’s head couped with a spear in the mouth. Fully marked to the rimand part marked to the lid flange.

Height – 18 cm / 7 inches Weight – 1089 grams / 35.01 ozt £2500-3500 The arms are for Shawe impaling Bell These arms belonged to a yet unidentified gentleman of the family of Shawe who married a yet unidentified lady of the family of Bell. Although there is a dearth of genealogical information concerning any marriage between the family of Shawe and Bell it is highly possible that the gentleman concerned was connected to the family of Shawe-Storey, of Arcot in the County of Northumberland. Here there is a presumption that the arms of Shawe as engraved upon this tankard may well been without authority for when Laurence Paulet Shawe (baptised 6th February 1842), of Arcot, who had lately served as a Captain in the Bengal Marines took the additional arms and surname of Storey by Royal Licence in 1873 he undoubtedly obtained a new grant of arms and crest based upon the arms above in order to rectify any armorial inconsistencies before the Royal Licence as per its conditions was allowed to be recorded at the College of Arms. If this hypothesis is correct such a marriage between the families of Shawe and Bell would probably taken place around the time of the manufacture of the tankard.

Robert Storey (1732-1822) lived at Arcot Hall, Cramlington, Northumberland, England, and married a Miss Gillis of Madras in 1788.

Robert Storey was a medical student and emigrated early in life to India where he became the Physician to the Nabob of Arcot, and was also involved in the Battle of Arcot. It was here that he made his fortune, and on his return to England purchased land at Cramlington from Sir John Lawson in 1791. He built Arcot Hall in 1802 82

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*See inside front cover for information regarding fees

372 372 A set of four George III antique sterling silver open sauce tureens, London 1792 by William Fountain & Daniel Pontifex Each of oval form with twin reeded handles, each raised on a stepped oval base. The rims with bright cut engraved bands of florets and anthemions above a reeded girdle. Each sided engraved with a contemporary marshalled coat of arms within a bright cut engraved cartouche below a crest an arm embowed in armour issuing fesswise from clouds proper holding a sword over flames of fire issuant from the wreath. Each fully marked to the base rim. (4) Length – 24.5 cm / 9.7 inches Weight – 1671 grams / 53.76 ozt £2500-3500 The arms for Welby impaling Spry for Sir William Earle Welby (1768-1582) 2nd Baronet of Denton Manor, Lincolnshire who married Wilhelmina Spry (1772-1847) daughter and heir of William Spry, Governor of Barbados, on the 30th August 1792.

William was the eldest son of Sir William Earle Welby, the 1st Baronet and his first wife, Penelope Glynne, the daughter of Sir John Glynne, 6th Baronet of of Bisseter in the County of Oxfordshire and his wife, Honora Conway. Although William was admitted as a student at Emmanuel College, Cambridge he never took a degree. He worked for the family’s banking business Welby & Co in Newark until his father’s death in 1815 when he succeeded as the 2nd Baronet of Denton Manor. From 1806 he served in a local militia unit, the Ossington Volunteers in the rank of Lieutenant. Sir William also sat as the Member of Parliament in the House of Commons for the seat of Grantham from 1807 to 1820.

He was appointed as the High Sheriff of Lincolnshire for the year 1823 – 24. During their marriage he and Wilhelmina had ten children, seven daughters and three sons.

These sauce tureens undoubtedly were commissioned for the above marriage.

For a salver and waiter suite of 1792 by John Crouch and Thomas Hannam with these arms andwith identical engraved bands of florets and anthemions, sold Christie’s London 24th - 25th November 2014, lot 580 Also with the same arms: A pair of entree dishes of 1826 by William Ker Reid, sold at Christie’s South Kensington, 16th September 2016, lot 350 A pair of mazerines of 1811 by Paul Storr, sold Christies South Kensington, 16th September 2015, Lot 364

373 A George III antique sterling silver coffee pot, London 1762 by Lewis Herne & Francis Butty Of baluster form with upon a circular spreading foot, with embossed decoration of cartouche scrolls and stylised leaf work. The spout with stylised shell junction and the lid with a gadrooned urn finial.

Engraved to one cartouche with a coat of arms with another in pretence. Later wooden handle. Fully marked underneath and makers mark and lion passant only to lid flange.

Height – 25.5 cm / 10.25 inches Weight – 781 grams / 25.11 ozt £300-500 The arms are those of Hanvill with Hooper quartering Mackerell in pretence These armorial bearings undoubtedly commemorate the marriage of an unidentified gentleman of the family of Hanvill, possibly of the branch that was resident at one time in the County of Buckinghamshire or a descendant thereof to an unidentified daughter of the family of Mackerell. From an examination of the Heralds’ Visitation of the County of Wiltshire that took place 1565,2 there is a marriage of Jone Hooper the second son of John Hopper, of New Sarum in the County of Wiltshire and his wife, Agnes Porte who married a Richard Mackerell. Given this evidence there is a likelihood that another Mackerell daughter who was an heraldic heiress of a later generation married into the Hooper family and transmitted the arms of Mackerell quartered with Hooper to her descendants and it was this branch of the family who married a Hanvill. It was not unknown that marriages often occurred between cousins in a close-knit family circle. This may well be the case here. Sadly, there is a dearth of available genealogical information concerning the Hanvill family and its marital alliances that would ordinarily assist in identifying the couple whose arms these are.

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374 374 A set of three George IV antique sterling silver sauceboats, London 1826 by Joseph Wilson Each of bellied form with gadrooned rim, raised upon three shell and scroll feet with shell junction. The S scroll handle with acanthus thumbpiece, the bodies all over decorated with embossed decoration of foliage and C scrolls with rocaille against a matted ground. Each engraved with a crest of a rock with the motto above tyde what may beneath the lip. Each engraved underneath ‘Mrs Price to Mr & Mr David Haig 17 March 1828’. Each fully marked underneath. (3) Length – 21.3 cm / 8.5 inches Weight – 1347 grams / 43.31 ozt £500-800 The crest and motto are for Haig For David Haig of Glenodgil, Forfar, Scotland, (1796 – 1848) who married Elizabeth Price on the 17th March 1828.

Please see an extensive table service of flatware Lot 73 in this sale engraved with the same crest and motto.

For a pair of sauce tureens of 1820 by Wilson see these rooms, Silver & Objects of Vertu Feb 20th 2018, Lot 274.

375 A George III antique sterling silver epergne basket, London circa 1765 by Francis Butty & Nicholas Dumee Of shaped circular form with a scroll and foliage rim, the pierced decoration panels interspaced with beading, with an openwork partial swing handle. The base engraved with a crest of a stag’s head erased below an Earl’s coronet. Marked underneath with maker’s mark and lion passant only, the handle with lion passant only.

Together with a Victorian vinaigrette Birmingham 1855 by Alfred Taylor, of shaped rectangular form with engraved decoration and ring attachment. (2) Basket diameter – 13.5 cm / 5.35 inches Weight – 160 grams / 5.14 ozt £100-150 The crest is for Andrews-Windsor Likely for Other Lewis Windsor, 4th Earl of Plymouth (1731 - 1771) Francis Butty & Nicholas Dumee likely registered their mark in the lost register after 1758, declared bankrupt March 1773.

375

376

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376 A George III antique sterling silver meat dish, London 1813 by John Houle Of shaped oval form with gadrooned rim, the edge later engraved with a coat of arms and motto. Fully marked to the reverse.

Length – 46.2 cm / 18.25 inches Weight – 1969 grams / 63.3 ozt £800-1200 The arms and motto are for Napier This meat dish undoubtedly belonged to an unidentified gentleman of the family of Napier who resided in the main in Southern Scotland and particularly in the border counties. Perhaps associated with the Napiers, Baron Napier and Ettrick or the Napiers, Baronets of Napier in the County of Haddingtonshire or a descendant thereof.

These arms were also borne by the several families bearing the surname of Naper or Napier who settled in Ireland from Scotland.

*See inside front cover for information regarding fees

377

377 Welsh Interest - A Victorian antique sterling silver twin handled tray, London 1878 by Walter & John Barnard Of oval form with cavetto edge and reeded rim, the twin reeded hanlded with acanthus junctions/ The field engraved with a coat of arms with mantling, a motto below ‘Pro Patrria et rege’ all surmounted by a crest of a boars head erased in front of a dexter arm ebowed in armour brandishing a scimitar. Fully marked to the reverse, with numerals 314.

Length – 69.5 cm / 27.25 inches Weight – 3286 grams / 105.65 ozt £2000-3000 The crest is for Jones The arms and motto are for Jones those granted to Morgan Jones Esq (1787 - 1840). Son of Jacob Jones of Cilwendeg (Kilwendeage, alt) Pembrokeshire. In 1831 he was High Sheriff of Pembrokeshire. His income from the Skerries lighthouse had been estimated at £20,000 a year. Died without issue.

In 1841 Lighthouse purchase from family for £444,984/11/3d. About one third of this fortune is thought to have been invested for his sister Jane Martha Jones who lived at Cilwendeg until 1864 and the remainder to the family of the Rev. John Jones of Penylan who spent a lot on remodelling that house and puchasing Llanmiloe. Jane Martha Jones died and Cilwendeg inherited by Rev. John Jones’ daughter Margaretta Sutton Jones (died 1885). In 1844 she marries Mark Anthony Saurin, youngest son of the bishop of Dromore. They purchased Orielton Orielton in 1857. He became high Sheriff of Pembrokeshire in 1867, he died 1885.

It is unclear why the arms for Morgan Jones are found on a tray made some 38 years after his death with no male heirs. It is possible this tray was engraved to match armorials already found on the family silver or replace a damaged or lost original.

85

Paul Storr and the Shakerley Family

378

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*See inside front cover for information regarding fees

378 A pair of early Victorian antique sterling silver entrée dishes, London 1838 by Paul Storr Each of shaped oval form, with gadrooned rim and shell handles, the lids with removable entwined handles with an acanthus calyx. The base and lid engraved with a crest of a hare resting her fore-feet on a garb, the lids also engraved with an impaled and quartered coat of arms above the motto Nii Desperanim. The bases stamped 1 & 4, the lids stamped 1 & 3, the handles stamped 2 & 3. Each piece fully marked and part-marked to the handle, also stamped underneath Storr & Mortimer 303. (2) Length – 36.5 cm / 14.3 inches Weight - 4069 grams / 130.82 ozt £3000-5000 The crest is for Shakerley The arms are for Shakerley impaling Webster For Geoffrey Jospeh Shakerley (1800-1878), youngest son of Charles Watkin John Shakerley, previously Buckworth (1767-1834) of Somerford Park, who married Ellen Maria Webster (1809-1889), daughter of Rev. James Agneau Webster of Ashfield, Country Longford, Ireland on the 25th April 1827. They lived at Whatcroft Hall, Davenham, Cheshire. He was the younger brother of Sir Charles Peter Shakerley, 1st Bt of Somerford Park.

Whatcroft Hall is a Grade II property, built 1780 and enlarged in 1807 for James Topping (1756-1821).

For a Warwick vase wine cooler of 1811 by Storr with the crest of Shakerley see Christies, London, 23rd May 2012 Lot 19, the provenance trail for this piece is given as follows: Almost certainly Charles Watkin John Shakerley (1767-1834), of Somerford Park, Cheshire and then by descent to his second son Geoffrey Joseph Shakerley (1800-1878) of Whatcroft Hall, Cheshire and then by descent to his son Lt. Col. Geoffrey Charles Shakerley of Grove Park, Warwickshire (1869-1915) and then by descent to his son Geoffrey Peter Shakerley (1906-1982), by whom sold Christie’s London, 27 April 1938, lot 142.

Anonymous sale; Christie’s London, 24 November 1976, lot 22.

A twin handled tray of 1809 by Paul Storr was sold Christie’s New York 17th May 2012 lot 56, originally sold Christie’s, London, 27 April 1938, lot 141. (illustrated next page) A salt of 1810 by Paul Storr sold at Bonhams, Knightsbridge, 12th February 2014

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379 An important pair of George III antique sterling silver entrée dishes on Old Sheffield Plate warming stands, London 1810 by Paul Storr Of rectangular form with gadrooned rim and shell and acanthus scroll corners, interspaced with anthemion’s. The domed lids with fluted sections surmounted by a removable cast crest finial of a hare resting her feet on a garb beneath a gadrooned terrace. The lids engraved with a coat of arms of quarterings with a crest above and the motto Antiquum Obtinens below. The Old Sheffield Plate bain marie stands by Matthew Boulton, of rectangular form with twin handles and four legs with lion paw feet, the fluted water well with recessed lid. (2) Length – 32.5 cm / 12.75 inches Silver weight – 4805 grams / 154.48 ozt £15,000-20,000 The crest is for Shakerley The arms are for Shakerley For Charles Watkin John Buckworth (1767-1834) of Somerford Park, Cheshire, who assumed the name and arms of Shakerley by Act of Parliament in 1788. His mother, Eliza Shakerley (d. 1811), heiress of Peter Shakerley of Hulme, married Charles Buckworth in 1764.

Somerford Park, built circa 1720, extended circa 1800 and demolished in 1926 Heraldry The Shakerley coat of arms is displayed as a set of quarterings, The heraldry is as follows, Charles Watkin John Buckworth, who inherited from his mother the surname and arms of Shakerley, and the elaborate quarterings of his adopted coat-of-arms traces her family lineage back to the 14th century.

The central coat of arms is composed of 22 quarterings, each representing a different coat of arms in the Shakerley ancestry. While a coatof-arms was only conferred on the Shakerley family in 1610, this engraving incorporates the coats-of-arms of ancestors, in the female line, all the way back to 1314.

The first quartering (as seen in the upper left corner of the shield) corresponds to the coat-of-arms in the border at the 12 o’clock position, and is of course the Shakerley arms. The second quartering, at the 12:30 position on the border, represents the first in a very long series of heiresses that brought land, money, and ancient coats-of-arms in to the family. This one represents the marriage of Henry de Shakerley to Ellen, heiress of Shuttesworth, living in 1314.

Nine quarterings derive from the advantageous marriage of Peter Shakerley (b.c. 1516) to Elizabeth, daughter and heiress of John Legh, whose mother was co-heiress of Robert Grosvenor of Hulme near Allostock in Cheshire. The Legh arms are seen in the third quartering (1 o’clock on the border) and the Grosvenor arms appear in the 17th quarter (6:30 in the border). Two coats of arms to the left of the border (8:30-9 o’clock) represent Grosvenor marriages to heiresses of the Fesant and Pulford families in the 15th and the 17th centuries.

The Mainwaring coat just below these was brought in by the marriage of Peter Shakerley of Hulme (d. 1726) to Elizabeth, daughter and coheir to Sir Thomas Mainwaring, 1st baronet. Because they had no issue, the estate passed to his half-brother, George Shakerley. Even though Elizabeth Mainwaring was not an ancestor of Charles Watkin John Shakerley, the owner of these entrée dishes, her inheritance passed down to him and her distinguished family arms were incorporated into the impressive heraldic scheme so carefully researched and engraved for the family.

The Shakerley Tray, 1809, Parcel-Gilt Silver, Storr, Paul (1771-1844) / Private Collection / Photo © Christie's Images / Bridgeman Images

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*See inside front cover for information regarding fees

379

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AN INVITATION TO CONSIGN FOR

Silver & Objects of Vertu

A mid-19th century Russian 84 zolotnik silver bachelor’s teapot, Moscow 1846, by S. Stroganov £300-500

5 MARCH 2019 FOR A COMPLIMENTARY VALUATION CONTACT Head of Department, John Rogers John.Rogers@chiswickauctions.co.uk

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+WUUQ[[QWV JQL[ +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ \W KIZZa W]\ +WUUQ[[QWV JQL[ received by them prior to the sale for the convenience of clients who are not present at the auction in person. Execution of Commission bids is a free service provided to help clients and CA Ltd does not accept liability for any failure to execute a Commission bid or for errors and omissions in connection with it. +WUUQ[[QWV JQL[ [PITT JM M`MK]\ML I\ \PM TW_M[\ XW[[QJTM XZQKM []JRMK\ to competing bids and reserves. Although CA Ltd will endeavour to inform Buyers, it is the Buyerâ&#x20AC;&#x2122;s responsibility to check if they have been successful in purchasing a Lot. 1V \PM M^MV\ WN U]T\QXTM KWUUQ[[QWV[ I\ \PM [IUM XZQKM \PM KWUUQ[[QWV set at the older date shall be taken into account.

<ZIV[NMZ WN ZQ[S[ Purchased Lots shall be at the Buyerâ&#x20AC;&#x2122;s risk in all respects from the fall of the hammer, and neither CA Ltd nor their agents shall be responsible for any loss or damage of any kind, whether caused by negligence or otherwise.

<MTMXPWVM JQL[ 1N I JQLLMZ Q[ VW\ IJTM \W I\\MVL QV XMZ[WV IV I]K\QWV +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ \W KWV\IK\ XZW[XMK\Q^M *]aMZ[ _PW UISM IZZIVOMUMV\[ prior to commencement of the sale to bid by telephone. +) 4\L KIVVW\ JM PMTL ZM[XWV[QJTM QV \PM M^MV\ WN Q[[]M[ Iâ&#x20AC;«Ùºâ&#x20AC;¬MK\QVO KWVVMK\Q^Q\a resulting in the loss of a chance of purchasing the Lot for the Bidder.

/ZW]VL[ NWZ KIVKMTTI\QWV ]VLMZ \PM XZM[MV\ [MK\QWV [PITT QVKT]LM J]\ VW\ be limited to any dispute relating to the attribution or provenance of the Lot, ownership and title, fraud or deceit, lack of relevant licences WZ KMZ\QÃ&#x2026;KI\M[ IVa []J[MY]MV\ KPIVOM[ QV LWUM[\QK WZ QV\MZVI\QWVIT legislations restricting the sale of export of goods etc.

1V \PM M^MV\ WN QV\MZVM\ WVTa I]K\QWV[ \PM *]aMZ [PITT PI^M I LIa right to retract, after reception of the Lot, under EU Consumer Law. Public auctions are not covered by this right to retract.

1V\MZVM\ JQL[ Some sales may be available to internet bidding, as well as personal I\\MVLIVKM 1V \PQ[ M^MV\ +) 4\L [PITT VW\ JM PMTL ZM[XWV[QJTM NWZ Q[[]M[ Iâ&#x20AC;«Ùºâ&#x20AC;¬MK\QVO KWVVMK\QWV *QLLQVO WV JMPITN WN [WUMWVM ) *]aMZ UIa JQL Ja XZW`a 1V \PQ[ M^MV\ XZWWN WN QLMV\Q\a WN JW\P \PM Buyer and the proxy must be communicated to CA Ltd prior to the sale.

A copy of the mandate shall also be required. *QLLQVO WV IV Q\MU Bid incrementing is at the auctioneerâ&#x20AC;&#x2122;s entire discretion. >QLMW \ZIV[UQ[[QWV For the purpose of the sale, Lots may be displayed on video during the I]K\QWV 1V \PM M^MV\ WN \ZIV[UQ[[QWV Q[[]M[ +) 4\L [PITT VW\ JM PMTL responsible for any subsequent outcome. ! 7VTQVM WVTa I]K\QWV[ Some auctions may be available to bidders only through an online XTI\NWZU 1V \PQ[ M^MV\ *]aMZ[ PI^M I LIa XMZQWL I\ ZMKMX\QWV WN \PM Lot to withdraw from the sale, in accordance with EU Consumer Law. ,Q[X]\M ZM[WT]\QWV L]ZQVO \PM I]K\QWV Any dispute shall be settled at the auctioneerâ&#x20AC;&#x2122;s absolute discretion.

Under no circumstances will a sale be cancelled after the fall of the hammer, except at the auctioneerâ&#x20AC;&#x2122;s entire discretion.

3. CONTRACT FORMATION AND EFFECTS 3.1 Contract of sale The contract of sale is between the Buyer and the Seller.

The Buyer shall be the bidder at the highest price at the fall of the hammer. The sale is deemed complete once the auctioneer announces its completion by the fall of the hammer and the contract shall be binding thereafter between the Buyer and the Seller and CA Ltd. ?PMV I *]aMZ X]ZKPI[M[ U]T\QXTM 4W\[ MIKP 4W\ Q[ \PM []JRMK\ WN I separate contract of sale. <ZIV[NMZ WN XZWXMZ\a Property of the goods shall pass to the Buyer only once CA Ltd has received full payment for the goods, this includes the price at the fall of the hammer as well as Buyerâ&#x20AC;&#x2122;s premium, relevant taxes, and costs in relation to shipping.

+IVKMTTI\QWV WN \PM [ITM At the fall of the hammer, the contract is formed between the Buyer and CA Ltd and is binding thereafter.

Under no circumstances can the Buyer cancel the sale.

CA Ltd may at its entire discretion, during or after the auction, cancel \PM [ITM WN \PM 4W\ WZ ZMWâ&#x20AC;«Ùºâ&#x20AC;¬MZ IVL ZM[MTT \PM 4W\ QN Q\ JMKWUM[ I_IZM WN any error or dispute of any nature, whether or not title has passed to the Buyer, and up to a period of 6 months after the said sale.

3.5 Returns and refunds CA Ltd will only issue a refund using the same method of payment originally used by the Buyer to pay for the purchase, or by bank transfer.

The Buyerâ&#x20AC;&#x2122;s refund will be processed without undue delay and in any M^MV\ _Q\PQV VW UWZM \PIV LIa[ WN \PM LIa \PM *]aMZ OI^M +) 4\L notice of cancellation.

1N \PM *]aMZ M`MZKQ[M[ \PMQZ ZQOP\ WN ZM\ZIK\QWV _PMV I]\PWZQ[ML \W LW [W

by Law, CA Ltd shall proceed to issue a complete refund, comprising the hammer price of the Lot, buyerâ&#x20AC;&#x2122;s premium and shipping fees. However return fees shall remain at the expense of the Buyer.

4. AFTER THE SALE 8IaUMV\ All purchased lots must be paid for on the day of the auction. Commission bids must be paid for no later than the day after the auction. Payment must be in cash, debit, credit card or bank transfer. Cheques are not accepted. +I[P XIaUMV\[ [PITT VW\ JM ZMKMQ^IJTM NWZ IUW]V\[ W^MZ Ã&#x201A; ZMOIZLTM[[ of the payment being for one or multiple Lots.

Payments made by someone other than the registered Buyer shall not be accepted.

Title will not pass to the Buyer until CA Ltd has received all amounts due to them in cleared funds even if the Lot has been released to the Buyer. *]aMZ¼[ 8ZMUQ]U The Buyer will pay CA Ltd a premium of 25% on the hammer price XT][ >)< WV \PI\ KWUUQ[[QWV WV \PM Ã&#x2026;Z[\ Â&#x160; IVL XT][ >)< WV \PM JITIVKM \PMZMIN\MZ ) *]aMZ¼[ 8ZMUQ]U WN ! XT][ >)< Q[ charged on Wine & Spirits Lots.

The VAT payable varies by symbol as below: No Symbol: The standard rate of VAT is charged on the premium under the Auctioneers Margin Scheme in accordance with Art. 333 WN -+ ;\IVLIZL =3 >)< _QTT JM KPIZOML WV \PM J]aMZ[¼ premium and invoiced on an inclusive basis. â&#x20AC; : Normal VAT rules apply and the standard rate of VAT will be charged on both hammer price and premium. *: These lots have been imported from outside the EU for sale and XTIKML ]VLMZ \PM <MUXWZIZa )LUQ[[QWV ZMOQUM 1UXWZ\ >)< Q[ XIaIJTM I\ WV \PM PIUUMZ XZQKM >)< I\ _QTT JM ILLML \W \PM J]aMZ¼[ premium but will not be shown separately on the invoice.

1V WZLMZ \W ZMKMQ^M I ZMN]VL WN >)< IUW]V\[ 1UXWZ\ >)< I[ applicable) non-EU buyers must: (a) have registered to bid with an address outside of the EU; and J M`XWZ\ \PM TW\ NZWU \PM -= _Q\PQV LIa[ WN KWTTMK\QWV NWZ TW\[ IVL 3 months of collection for all other lots and immediately afterwards provide us with satisfactory proof of export. (c) Details of the documents which you must provide to us to show [I\Q[NIK\WZa XZWWN WN M`XWZ\ [PQXXQVO IZM I^IQTIJTM NZWU W]Z .QVIVKM \MIU ) XZWKM[[QVO NMM WN Â&#x160; XMZ QV^WQKM Q[ KPIZOML \W KPMKS [PQXXQVO M`XWZ\ LWK] UMV\[ L 6W >)< IUW]V\[ WZ 1UXWZ\ >)< _QTT JM ZMN]VLML _PMZM \PM \W\IT ZMN]VL IN\MZ LML]K\QVO \PM XZWKM[[QVO NMM Q[ ]VLMZ Â&#x160;

CA Ltd as collateral for any outstanding sums owed and to exercise all the rights and remedies of a person holding security over any such property, whether by way of pledge, security interest or in any other way to the extent permitted by Law. â&#x20AC;¢ To commence legal proceedings for the recovery of the total amount due together with interest, legal fees and costs. â&#x20AC;¢ To take such other action as is permissible by Law and in the discretion of CA Ltd. +WTTMK\QWV Purchased Lots can be collected from the auction room after the sale PI[ MVLML WZ JM\_MMV IU IVL XU ]X ]V\QT KTW[M WN J][QVM[[ WV the Friday following the sale. Special arrangements may be made for collection on Saturday at CA Ltdâ&#x20AC;&#x2122;s discretion.

4.3 Taxes The Buyer is responsible for paying VAT on any Lot, above hammer price and Buyerâ&#x20AC;&#x2122;s premium. The rate applicable shall be the legal rate at the date of the sale. /WWL[ []KP I[ JWWS[ IVL IV\QY]M JWWS[ U][QK UIX[ IVL KPIZ\[ M\K IZM []JRMK\ \W bMZW ZI\ML >)< 1V ILLQ\QWV IVa QUXWZ\ \I`M[ \PI\ UIa JM QVK]ZZML [PITT JM XIQL Ja \PM Buyer above hammer price, VAT and Buyerâ&#x20AC;&#x2122;s premium. The present paragraph applies in particular to imports within the United-States and Australia. The Buyer is advised to verify such matters prior to the sale.

4.7 Storage Purchased Lots not collected before 6pm on the day after the sale shall QVK]Z [\WZIOM KPIZOM[ WN Â&#x160; XMZ 4W\ XMZ LIa WZ XIZ\ \PMZMWN +) 4\L shall be entitled to retain purchased Lots sold until all sums due have been XIQL \W +) 4\L 1N IVa X]ZKPI[ML TW\ ZMUIQV[ ]VKWTTMK\ML LIa[ IN\MZ \PM [ITM [\WZIOM KPIZOM[ [PITT \PMZMIN\MZ JM Â&#x160; XMZ LIa IVL +) 4\L [PITT in accordance with the Law, have the right to sell the purchased Lot to recover payment of storage charges outstanding.

Any balance proceeds of sale received after payment of all sums outstanding and due to CA Ltd shall be held for the account of the Buyer.

)Z\Q[\ :M[ITM :QOP\[ ,ZWQ\ LM ;]Q\M 4W\[ UIZSML _Q\P »)::¼ UIa JM []JRMK\ \W I TM^a Droit de Suite is a royalty payable to a qualifying artist or to the artistâ&#x20AC;&#x2122;s heir each time a work is resold during the artistâ&#x20AC;&#x2122;s lifetime and up to I XMZQWL WN aMIZ[ IN\MZ \PM IZ\Q[\¼[ LMI\P :WaIT\QM[ IZM KITK]TI\ML on a cumulative sliding percentage scale based on the hammer price excluding the buyerâ&#x20AC;&#x2122;s premium. The royalty does not apply to Lots [MTTQVO JMTW_ \PM [\MZTQVO MY]Q^ITMV\ WN Ã&#x201A; IVL \PM UI`QU]U ZWaIT\a XIaIJTM WV IVa [QVOTM 4W\ Q[ \PM [\MZTQVO MY]Q^ITMV\ WN Ã&#x201A; Royalties for Droit de Suite are as follows:

;PQXXQVO Any shipping costs that may arise subsequently to the sale shall be at the Buyerâ&#x20AC;&#x2122;s expense. Such costs may include but not limited to postage, import and export permits where required and any other licence necessary for goods to be shipped outside of the European Union. +) 4\L LWM[ VW\ Wâ&#x20AC;«Ùºâ&#x20AC;¬MZ QV[]ZIVKM NWZ [PQXXQVO 0W_M^MZ +) 4\L UIa arrange insurance upon the Buyerâ&#x20AC;&#x2122;s request and at the Buyerâ&#x20AC;&#x2122;s expense.

CA Ltd cannot be held responsible for any damages that may be incurred to goods prior to the fall of the hammer.

Â&#x152; .ZWU \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; -`KMMLQVO Ã&#x201A; :MUMLQM[ NWZ VWV XIaUMV\ 1N \PM *]aMZ NIQT[ \W UISM N]TT XIaUMV\ QV KTMIZML N]VL[ _Q\PQV \PM \QUM required as aforementioned, CA Ltd shall be entitled to exercise any one or more of the following rights or remedies additional to such other rights or remedies available: â&#x20AC;¢ To cancel the sale â&#x20AC;¢ To charge interest at 4% per annum above the base rate of Lloyds Bank Plc. â&#x20AC;¢ To resell the Lot on such terms by auction or otherwise entirely at CA Ltdâ&#x20AC;&#x2122;s discretion. The Buyer will be liable for all costs including legal fees incurred in the sale and will remain liable for any shortfall arising upon sale. Â&#x152; <W Wâ&#x20AC;«[Ùºâ&#x20AC;¬M\ IOIQV[\ IVa []U[ _PQKP +) 4\L UIa W_M \PM *]aMZ \PM outstanding sums unpaid by the said Buyer Â&#x152; ?PMZM \PM *]aMZ W_M[ []U[ \W +) 4\L QV ZM[XMK\ WN LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ transactions, to discretionarily apply any sum paid by the Buyer for discharge of any owed sums. Â&#x152; <W ZMN][M MV\Za \W \PM *]aMZ I\ IVa N]\]ZM I]K\QWV IVL WZ ZMRMK\ IVa N]\]ZM JQL[ Ja \PM *]aMZ IVL WZ [MMS I LMXW[Q\ NZWU \PM *]aMZ entirely in the discretion of CA Ltd. â&#x20AC;¢ To exercise a lien over the Buyerâ&#x20AC;&#x2122;s property in the possession of

! 4W[[ WZ ,IUIOM CA Ltd does not accept liability for loss or damage occurring to Lots after \PM [ITM +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ _PMV PIVLTQVO XIKSQVO IVL shipping of Lots purchased, but shall not be responsible for any loss or damages that may occur whilst the said Lot is in any third partyâ&#x20AC;&#x2122;s care. +]T\]ZIT /WWL[ QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +]T\]ZIT OWWL[ UIa JM []JRMK\ \W QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ =VLMZ EU Regulations related to the trade of cultural goods, export licences may be required for export outside of the European Union if the itemâ&#x20AC;&#x2122;s ^IT]M M`KMML[ \PM -= \PZM[PWTL =VLMZ =3 4I_ I TQKMVKM UIa IT[W JM required for intra-EU trade.

Licenses are issued by Arts Council England and it is the Buyerâ&#x20AC;&#x2122;s duty to WJ\IQV \PMU ;WUM KW]V\ZQM[ ZM[\ZQK\ \PM QUXWZ\ WN [XMKQÃ&#x2026;K K]T\]ZIT OWWL[ For example, the United States prohibits the import of pre-Columbian monumental or architectural sculpture or murals, as well as any cultural OWWL[ QV XZW^MVIVKM NZWU [WUM KW]V\ZQM[ []JRMK\ \W IZUML KWVÃ&#x2020;QK\[ The Buyer must verify local legislation prior to the sale in order to be assured that import or export is possible. +1<-; QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +MZ\IQV MVLIVOMZML [XMKQM[ IZM TQ[\ML QV \PM +1<-; +WV^MV\QWV 4Q[\ML [XMKQUMV[ IVL IVa XIZ\[ WZ XZWL]K\[ \PMZMWN IZM []JRMK\ \W Q[[]IVKM WN IV export permit when leaving the European Union. )XXMVLQ` 1 [XMKQM[ IZM IT[W []JRMK\ \W Q[[]IVKM WN I XZQWZ QUXWZ\ XMZUQ\ from the country in which the goods are to be imported. Such permits are necessary before applying for export permits and it is the Buyerâ&#x20AC;&#x2122;s duty to initiate the proceedings with the relevant authority.

The Buyer must be aware that certain countries prohibit the import of

some species or any parts or products derived thereof. For example, the United States prohibit all import of African elephant ivory, and any item containing parts that may merely resemble African elephant ivory must be accompanied by relevant documentation stating it is not the latter. ?WZSML Q\MU[ \PI\ IZM LI\ML JMNWZM ! IZM M`MUX\ NZWU QUXWZ\ restrictions for intra-EU trade and shall not require export licences.

Please be aware that all Lots marked with the symbol Æ&#x20AC; IZM []JRMK\ \W +1<-; ZMO]TI\QWV[ 4QUQ\I\QWV WN TQIJQTQ\a ZMOIZLQVO +1<-; M`XWZ\ TQKMV[M[ Where licences are required for importing or exporting outside of the European Union, it is the Buyerâ&#x20AC;&#x2122;s duty to obtain them.

CA Ltd cannot be held responsible if the Buyerâ&#x20AC;&#x2122;s application for an export permit is unsuccessful. Subsequently, in the event of failure thereof, CA Ltd shall not permit cancellation or rescission of the sale. ?IZZIV\QM[ CA Ltd does not provide the Buyer with warranties relating to any Lot, unless required by Law. )]\PMV\QKQ\a _IZZIV\a 1V \PM M^MV\ WN I 4W\ JMQVO [WTL I[ I]\PMV\QK ]VLMZ \PM KI\ITWO]M description and the Buyer provides evidence in the form of a written report by a recognised expert or test results that the said Lot is not, CA Ltd will refund the purchase price. <PM *]aMZ [PITT OQ^M VW\QKM \W +) 4\L _Q\PQV LIa[ NZWU SVW_TMLOM or any event giving reasons for suspecting that the item is not authentic, and within one year of the said sale. Any claim thereafter shall not be receivable. For the purposes of the present paragraph, authenticity shall JM LMÃ&#x2026;VML I[ \PM [\I\M WN I 4W\ \PI\ Q[ OMV]QVM IVL VW\ I NWZOMZa WZ I KWXa 5. ANTIQUITIES AND TRIBAL ART 1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ IVL ZMO]TI\QWV[ )ZKPIMWTWOQKIT OWWL[ W^MZ aMIZ[ WN IOM ]VTM[[ KW^MZML Ja M`MUX\QWV WN TQUQ\ML [KQMV\QÃ&#x2026;K QV\MZM[\ _QTT ZMY]QZM IV -= 4QKMVKM NWZ M`XWZ\ \W I third country, regardless of their value.

1\ Q[ ZMKWUUMVLML \PI\ \PM *]aMZ KWV\IK\ \PM -`XWZ\ 4QKMV[QVO =VQ\ at Arts Council England in order to be assured the good is or not of TQUQ\ML IZKPIMWTWOQKIT WZ [KQMV\QÃ&#x2026;K QV\MZM[\ )ZKPIMWTWOQKIT OWWL[ NW]VL WV =VQ\ML 3QVOLWU [WQT WZ QV =3 \MZZQ\WZQIT _I\MZ[ W^MZ aMIZ[ WN IOM [PITT ZMY]QZM I =3 4QKMVKM regardless of their value and regardless of the export destination.

7\PMZ IZKPIMWTWOQKIT WJRMK\[ ZMOIZLTM[[ WN \PMQZ WZQOQV _QTT ZMY]QZM IV 1VLQ^QL]IT 4QKMVKM WZ 7/-4 LMXMVLQVO WV \PMQZ ^IT]M *W\P -]ZWXMIV =VQWV IVL =3 4QKMVKM[ UIa JM ZMY]QZML [QU]T\IVMW][Ta NWZ [WUM Q\MU[ 1\ Q[ \PM *]aMZ¼[ L]\a \W ]VLMZ\ISM \PM VMKM[[IZa [\MX[ CA Ltd cannot be held responsible and the sale cannot be cancelled in the event of failure to obtain the relevant licences.

6. JEWELLERY /MU[\WVM \ZMI\UMV\ IVL M[\QUI\M[ Many gemstones on the market have been treated so as to augment their appearance, in a reversible or permanent manner. Treatments under the present section may be but not limited to: â&#x20AC;¢ Heat treatment to enhance sapphires and rubiesâ&#x20AC;&#x2122; clarity and colour Â&#x152; 7QT IVL ZM[QV \ZMI\UMV\[ NWZ MUMZITL[ IXXTQML QV LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ _Ia[ \W enhance clarity of the stone â&#x20AC;¢ Staining Â&#x152; 1ZZILQI\QWV â&#x20AC;¢ Coating Estimates provided by CA Ltd are deemed to be based on the fact that the 94

OMU[\WVM UIa PI^M JMMV []JRMK\ \W IVa \aXM WN \ZMI\UMV\ QV \PM XI[\ +) Ltd shall not be responsible in the absence of mention thereof. ) KMZ\QÃ&#x2026;KI\M UIa JM Q[[]ML Ja I TIJWZI\WZa XZW^QLQVO _Q\P LM\IQTML information on the condition of the gemstone and any treatment applied \PMZM\W <PM *]aMZ U][\ JM I_IZM \PI\ LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ TIJWZI\WZQM[ PI^M LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ approaches as to the degree or type of treatment for a particular gemstone.

1N I KMZ\QÃ&#x2026;KI\M IKKWUXIVQM[ \PM 4W\ \PM *]aMZ U][\ JM I_IZM \PI\ Q\ Q[ merely a statement of the laboratoryâ&#x20AC;&#x2122;s opinion and in no way can CA Ltd JM PMTL ZM[XWV[QJTM NWZ IVa UMV\QWV[ \PMZMQV ;]KP KMZ\QÃ&#x2026;KI\M[ IZM LMMUML to be delivered with the Lot for informative purposes only.

-[\QUI\ML _MQOP\[ 1N I [\WVM¼[ M`IK\ _MQOP\ IXXMIZ[ _Q\PQV \PM JWLa WN \PM LM[KZQX\QWV \PM [\WVM PI[ JMMV ]V UW]V\ML IVL _MQOPML Ja +) 4\L 1N \PM _MQOP\ WN a stone is stated to be approximate, the stone has been assessed by CA 4\L _Q\PQV Q\[ [M\\QVO IVL \PM LMÃ&#x2026;VML _MQOP\ Q[ I [\I\MUMV\ WN WXQVQWV only. This information is given as a guide and bidders should satisfy themselves with regard to this information as to its accuracy. ;QOVI\]ZM[ â&#x20AC;&#x2DC;) LQIUWVL ZQVO Ja @â&#x20AC;&#x2122;: When the makerâ&#x20AC;&#x2122;s name appears in the title, in Chiswick Auctionsâ&#x20AC;&#x2122; opinion the piece is by that maker. â&#x20AC;&#x2DC;) LQIUWVL ZQVO [QOVML @â&#x20AC;&#x2122;: Has a signature that, in Chiswick Auctionsâ&#x20AC;&#x2122; opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered. â&#x20AC;&#x2DC;) LQIUWVL ZQVO UW]V\ML Ja @â&#x20AC;&#x2122;: Has been created by the RM_MTTMZ QV +PQ[_QKS )]K\QWV[¼ WXQVQWV J]\ ][QVO [\WVM[ WZ LM[QOV[ supplied by the client. â&#x20AC;&#x2DC;5ISMZ¼[ UIZS NWZ @â&#x20AC;&#x2122;: Has a makerâ&#x20AC;&#x2122;s mark which in Chiswick Auctionsâ&#x20AC;&#x2122; opinion is authentic.

Some items may include parts or products derived from endangered [XMKQM[ []KP I[ Q^WZa WZ KWZIT ;]KP Q\MU[ UIa JM []JRMK\ \W QUXWZ\ WZ M`XWZ\ ZM[\ZQK\QWV[ ;MM [MK\QWV WV +1<-; ZMO]TI\QWV[ NWZ UWZM LM\IQT[ 7. CLOCKS AND WATCHES All Lots are sold as seen. Clocks and watches are therefore not deemed to be sold in working condition. Absence of reference thereof in the description does not imply that the Lot is in good condition and _Q\PW]\ LMNMK\[ WZ PI[ JMMV []JRMK\ \W ZMXIQZ WZ ZM[\WZI\QWV CA Ltd makes no representation or warranty that any clock or watch Q[ QV _WZSQVO WZLMZ )[ KTWKS[ IVL _I\KPM[ WN\MV KWV\IQV Ã&#x2026;VM IVL complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Most clocks and watches are likely to have been repaired in the past, and as a result may include parts that are not original thereto.

The United-States restrict the importation of watches such as Rolex, Frank Muller or Corum. Such models can only be imported personally by the Buyer and CA Ltd cannot assist with shipping thereof.

Some watches may include leather straps derived from endangered species. Buyers may be required to obtain appropriate permits for QUXWZ\ WZ M`XWZ\ X]ZXW[M[ QV IKKWZLIVKM _Q\P +1<-; ZMO]TI\QWV[ CA Ltd acts in compliance with such legislations and shall take necessary steps where required. Subsequently, watches may be deemed sold without their straps.

8. FURNITURE =XPWT[\MZML N]ZVQ\]ZM IN\MZ !

According to The Furniture and Furnishings (Fire Safety) Regulations ! N]ZVQ\]ZM \PI\ _I[ ]XPWT[\MZML IN\MZ \PM [\ WN 2IV]IZa ! Q[ []JRMK\ \W ZM[\ZQK\QWV[ QV \PM =VQ\ML 3QVOLWU Exempt upholstered furniture that does not meet such requirements *See inside front cover for information regarding fees

is deemed sold for purely aesthetic purposes.CA Ltd shall not be ZM[XWV[QJTM NWZ TI\MZ IT\MZI\QWV[ \W \PM N]ZVQ\]ZM UISQVO Q\ ]VÃ&#x2026;\ NWZ [ITM 9. GLOSSARY OF PICTURE CATALOGUING TERMS Any Statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

1 JMW Turner: 1V W]Z WXQVQWV I _WZS Ja \PM IZ\Q[\ ?PMV \PM IZ\Q[\¼[ forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. )\\ZQJ]\ML \W 25? <]ZVMZ" 1V W]Z WXQVQWV XZWJIJTa I _WZS Ja \PM artist, but less certainly as to the authorship expressed than in the preceding category. ;\]LQW WN 25? <]ZVMZ" 1V W]Z WXQVQWV XZWJIJTa I _WZS Ja IV unknown hand in the studio of the artist, which may or may not have been executed under the artistâ&#x20AC;&#x2122;s direction. +QZKTM WN 25? <]ZVMZ" 1V W]Z WXQVQWV I _WZS Ja IV I[ aM\ ]VQLMV\QÃ&#x2026;ML but distinct hand, closely associated with the named artist and of the period, but not necessarily his pupil. ;\aTM WN°# .WTTW_MZ WN 25? <]ZVMZ" 1V W]Z WXQVQWV I _WZS Ja I painter working in the artistâ&#x20AC;&#x2122;s style, but not necessarily his pupil.

6 Manner of JMW Turner: 1V W]Z WXQVQWV I _WZS QV \PM [\aTM WN \PM artist and of a later date.

7 After JMW Turner: 1V W]Z WXQVQWV I KWXa WN IVa LI\M WN I SVW_V work of the artist.

8 <PM \MZU »[QOVML¼ IVL WZ »LI\ML¼ IVL WZ »QV[KZQJML¼ UMIV[ \PI\ QV W]Z WXQVQWV \PM [QOVI\]ZM IVL WZ LI\M IVL WZ QV[KZQX\QWV IZM NZWU \PM PIVL of the artist.

9 <PM \MZU »_Q\P [QOVI\]ZM¼ IVL WZ »_Q\P LI\M¼ IVL WZ »_Q\P QV[KZQX\QWV¼ UMIV[ \PI\ QV W]Z WXQVQWV \PM [QOVI\]ZM IVL WZ LI\M IVL WZ QV[KZQX\QWV have been added by another hand than that of the artist.

10 Pictures are framed unless otherwise stated.

Printed books may be returned for a full refund only if they prove to be defective in text or illustration. This shall not apply to the absence of blanks, half titles or advertisements, to un-named books or to books sold under the heading of â&#x20AC;&#x2DC;bindingâ&#x20AC;&#x2122; or â&#x20AC;&#x2DC;bindingsâ&#x20AC;&#x2122;.

12. WINES AND SPIRITS 1V IKKWZLIVKM _Q\P IOZMML [\IVLIZL[ QV \PM \ZILM M[\QUI\M[ [PITT JM LMMUML \W PI^M \ISMV QV\W IKKW]V\ \PM Ã&#x2026;TT TM^MT For the purposes of the present Terms and Conditions, the â&#x20AC;&#x2DC;Fill Levelâ&#x20AC;&#x2122; refers to the space between the base of the cork and the liquid in the bottle. Fill levels may vary with age or depending on the condition of the wine or spirit.

Lack of mention thereof in the description is not a representation of IV »IKKMX\IJTM¼ Ã&#x2026;TT TM^MT NZWU +) 4\L CA Ltd offers no guarantee as to suitability for drinking of the wine or spirit. The Buyer must be aware of the risk that the taste of a wine or spirit may be altered due to factors such as age, storage conditions, oxidation, etc.

13. COPYRIGHT CA Ltd shall own the copyright on all images, illustrations and written material produced by or for CA Ltd relating to a Lot, including catalogue contents. Such copyright shall remain at all times the property of CA Ltd. Neither the Buyer nor anyone else shall use the abovementioned materials without the prior written consent of CA Ltd. ;WUM 4W\[ UIa JM []JRMK\ \W KWXaZQOP\ XZW\MK\QWV +) 4\L LWM[ VW\ guarantee said Lots are free thereof.

14. DATA PROTECTION The Buyer agrees that personal information transmitted to CA Ltd may be disclosed exclusively for the purposes of business, or as required by Law. CA Ltd shall not use personal information for any other purpose without the Buyerâ&#x20AC;&#x2122;s prior consent.

CA Ltd never sell, lend or trade in personal data provided by any Bidder.

10. ASIAN ARTS

15. SEVERABILITY

1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ ?PMV LMITQVO _Q\P )[QIV )Z\[ IVL UWZM [XMKQÃ&#x2026;KITTa _Q\P Q\MU[ UILM WN exotic wood (e.g. all species of rosewood) or elephant ivory, the Buyer must JM I_IZM WN QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ QV IKKWZLIVKM _Q\P +1<-; Regulations. As aforementioned in the Section relating to such matters, QUXWZ\ IVL M`XWZ\ XMZUQ\[ WZ ZM M`XWZ\ KMZ\QÃ&#x2026;KI\M[ UIa JM ZMY]QZML >MZQÃ&#x2026;KI\QWV TM\\MZ[ _QTT JM ZMY]QZML NWZ ZM M`XWZ\ WN _WZSML ZPQVWKMZW[ Q\MU[

Whenever and to the extent that any provisions of these terms would or might contravene the provision of any relevant legislation, []KP XZW^Q[QWV Q[ \W \ISM Mâ&#x20AC;«Ùºâ&#x20AC;¬MK\ WVTa QV [W NIZ I[ Q\ UIa LW [W without contravening such legislation and the legality, validity and enforceability of any of the remaining provisions are not in any way \W JM Iâ&#x20AC;«Ùºâ&#x20AC;¬MK\ML WZ QUXIQZML I[ I ZM[]T\ 16. AMENDMENTS

.QVM +PQVM[M 8IQV\QVO[ +]ZZMV\ [KPWTIZ[PQX QV \PM Ã&#x2026;MTL WN +PQVM[M 8IQV\QVO[ IVL +ITTQOZIXPa LWM[ VW\ XMZUQ\ ]VY]ITQÃ&#x2026;ML [\I\MUMV\[ I[ \W \PM I]\PWZ[PQX WZ LI\M WN execution. The limited right of rescission contained in the present terms and conditions does not apply to Chinese paintings.

6W\_Q\P[\IVLQVO QN _Q\PQV LIa[ WN \PM [ITM WN IVa []KP 4W\ \PM original purchaser gives written notice to CA Ltd that the Lot is a forgery and within fourteen days after giving such notice, the original purchaser returns the lot to us in the same condition as at the time of sale and demonstrates to our satisfaction that the lot is a forgery, CA Ltd will rescind the sale and refund the purchase price received. For this purpose, I »NWZOMZa¼ Q[ LMÃ&#x2026;VML I[ I _WZS KZMI\ML _Q\P \PM QV\MV\ \W LMKMQ^M 11. BOOKS AND MANUSCRIPTS *WWS[ IVL UIV][KZQX\[ [WTL I[ QVKWUXTM\M IZM VW\ []JRMK\ \W ZM\]ZV[

The current Terms and Conditions may be amended, verbally or in writing, prior to the sale.

17. LAW AND JURISDICTION The rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with the Law of England and Wales. .WZ \PM JMVMÃ&#x2026;\ WN +) 4\L ITT JQLLMZ[ IVL [MTTMZ[ IOZMM \PI\ \PM +W]Z\[ WN -VOTIVL IZM \W PI^M M`KT][Q^M R]ZQ[LQK\QWV \W [M\\TM ITT LQ[X]\M[ IZQ[QVO QV connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship warranty relate or apply.

All parties agree that CA Ltd shall retain the right to bring proceedings in any court other than the Courts of England.

SPECIALISTS

20th CENTURY DESIGN James Nurse, Head of Department james@chiswickauctions.co.uk

JEWELLERY Sarah Duncan, Head of Department sarah@chiswickauctions.co.uk

ANTIQUITIES & TRIBAL ART Alice King, Head of Department alice.king@chiswickauctions.co.uk

Charlotte Peel, Specialist charlotte.peel@chiswickauctions.co.uk

ASIAN ART Lazarus Halstead, Head of Department lazarus@chiswickauctions.co.uk

Clive Moss, Head of Department

Yasuko Kido, Japanese Art Specialist yasuko@chiswickauctions.co.uk CERAMICS & GLASS Dr. Jim Peake, Head of Department jim@chiswickauctions.co.uk CONTEMPORARY & URBAN ART Harry Parkinson, Sales Coordinator harry@chiswickauctions.co.uk DESIGNER HANDBAGS & FASHION Meg Randell, Head of Department meg@chiswickauctions.co.uk EUROPEAN WORKS OF ART & CLOCKS Rachael Osborn-Howard, Head of Department rachael@chiswickauctions.co.uk FINE ART Suzanne Zack, Head of Department suzanne@chiswickaucions.co.uk Jan Leman, Specialist jan@chiswickauctions.co.uk Rohan McCulloch, Specialist rohan@chiswickauctions.co.uk Krassi Kuneva, Head of Sales - Modern & Post-War British Art kkuneva@chiswickauctions.co.uk Melissa Van Vliet, Head of Sales - Old Masters melissa.vanvliet@chiswickauctions.co.uk ISLAMIC & INDIAN ART Beatrice Campi, Head of Sales beatrice.campi@chiswickaucions.co.uk

PRINTED BOOKS & MANUSCRIPTS clive.moss@chiswickauctions.co.uk

Dr. Carmen Donia, Specialist carmen.donia@chiswickauctions.co.uk

Nicholas Worskett, Specialist nicholas@chiswickauctions.co.uk

Valentina Borghi, Head of Sales - Autographs & Memorabilia valentina.borghi@chiswickauctions.co.uk RUGS & CARPETS Mark Henry Lampé, Head of Department mark.lampe@chiswickauctions.co.uk Chris Vin, Specialist chris@chiswickauctions.co.uk SILVER & OBJECTS OF VERTU John Rogers, Head of Department john.rogers@chiswickauctions.co.uk Amicie de Villenfagne, Specialist amicie@chiswickauctions.co.uk WATCHES Matthew Caddick, Head of Department matt@chiswickauctions.co.uk WINE & SPIRITS Peter Mansell, Head of Department peter.mansell@chiswickauctions.co.uk

SALE CALENDAR

OCTOBER

17

WEDNESDAY

Printed Books: Travel, Natural History, Sporting & Sciences

23

TUESDAY

Summer Jewels Designer Handbags & Fashion

24

WEDNESDAY

Antiquities & Tribal Art

26

FRIDAY

Islamic & Indian Art to include a selection of Fine Rugs & Carpets

31

WEDNESDAY

Old Masters

NOVEMBER

12

MONDAY

Fine Chinese Paintings Kangxi

13

TUESDAY

Asian Art

20

TUESDAY

Jewellery Watches Interiors & Design

1 Colville Road, London W3 8BL +44 (0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk