Jewellery 9 July 2019
1 Colville Road, London W3 8BL +44 (0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk
Jewellery Tuesday 9th July 2019
SPECIALISTS
SALE CALENDAR
JULY 10 Wednesday (IWMKR -RXIVMSVW
16 Tuesday -WPEQMG -RHMER %VX MRGPYHMRK *MRI 6YKW 'EVTIXW 'EVTIXW ;IZIP ,]VKIV /,
Inez Flynn FGA
Head of Department Jewellery [IZIP L]VKIV(KPQ[_QKSI]K\QWV[ KW ]S
Specialist Jewellery QVMb ÆaVV(KPQ[_QKSI]K\QWV[ KW ]S
17 Wednesday Urban & Contemporary Art Modern Design
%9+978 13-14 Tuesday - Wednesday Chiswick Summer Sale including (IWMKR -RXIVMSVW Rugs & Carpets Affordable Luxury Books & Works on Paper
SEPTEMBER 03 Tuesday Asian Art
10 Tuesday BUYER’S PREMIUM The buyer shall pay Chiswick Auctions Ltd a premium on the hammer price of 25% plus VAT on that commission. TELEPHONE BIDDING Please note that requests for telephone bids should be submitted no later than 5pm on the day prior to the sale.
LIVE BIDDING
&MH SRPMRI [MXL 'LMW[MGO 0MZI XS FIRI½X JVSQ Chiswick Auctions’ standard buyer’s premium terms with no additional surcharges.
COLLECTION OF LOTS Buyers are asked to collect their lots on the day of the sale or between 10am and 6pm up until close of business on Friday following the sale.
(IWMKR -RXIVMSVW MRGPYHMRK 4LSXSKVETLMGE
CITES Please be aware that all lots marked with the symbol λ are subject to CITES regulations. Please see our Terms & Conditions for more information.
17 Tuesday
11 Wednesday Silver & Objects of Vertu
Jewellery Watches *Please note that auction dates are subject to change
Lot 16
Jewellery
Tuesday 9thh July 2019, 11am
VIEWING AT SOUTH KENSINGTON selected highlights only Thursday Friday Saturday Sunday
27th June 28th June 29th June 30th June
11am - 8.30pm 11am - 5.30pm 11am - 4pm 11am - 4pm
VIEWING AT CHISWICK full sale Saturday Sunday Monday Tuesday
6th July 7th July 8th July 9th July
11am - 5pm 11am - 5pm 10am - 6pm 10am - 11am
Chiswick Auctions kindly request the pleasure of your company at our forthcoming Luxury events at our South Kensington gallery; Chiswick Lates: Thursday 27th June, 6pm - 8.30pm Luxury Brunch: Sunday 30th June, 11am - 1pm Join us for a complimentary refreshment and explore a preview of forthcoming highlights. Please kindly RSVP at events@chiswickauctions.co.uk
GENERAL ENQUIRIES +44(0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk SOUTH KENSINGTON 127 Fulham Road, London SW3 6RT CHISWICK 1 Colville Road, London W3 8BL EDINBURGH 93 George Street, Edinburgh EH2 3ES
PHOTOGRAPHERS Steven McCauley Jordan Salzmann Darrell Russell Basak Ulukose Front cover: Lot 203 Back cover: Lot 3 Sale Calendar: Lot 16
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1 A snake ring, circa 1825 The wide band, designed as a stylised snake eating its tail, with rubbed engraved decoration, the hoop inscribed ‘ R.D. from W.H.M.July 1827’, ring size P £250-£350 2λ A turquoise-set necklace, second half of the 19th century Of negligeé form, the cable-link chain terminating in carved ivory flowerbuds, with scrolling decoration and circular cabochon turquoise accents, to a quatrefoil slider of matching design, necklace length 45.1cm £250-£350
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3 An enamel and gem-set snake necklace, circa 1860 The head decoratively applied with blue enamel, inset with half pearls and collet-set circular cabochon ruby eyes, a blue enamel heart-shaped locket suspended from the snake’s mouth, centrally highlighted by a half pearl, the reverse with a glazed compartment containing plaited hair, to a snake-link chain, some enamel loss, length 39.5cm, fitted case £2,200-£2,800
*See inside front cover for information regarding fees
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4 An early 19th century gem-set ring The rectangular-cut emerald between circular and cushion-shaped pink sapphires, within a half-pearl surround, in closed back settings, between bifurcated shoulders of acanthus leaf design, to an engraved hoop, ring size N £250-£350 5 An amethyst cross pendant, circa 1840 The arms set with scissor-cut amethysts, in pinched collet-settings, later bale, length 6.0cm £500-£700 6 A mid 18th century amethyst mourning ring The cushion-shaped foiled amethyst in a closed-back mount, between fleur-delys shoulders, to an undulating hoop decorated with white enamel and the words ‘In Mem Of Mrs Margaretta Travel’, some enamel loss, ring size J £250-£350
7 A pair of late 19th century bangles Each engraved with foliate and floral motifs, damaged, inner diameter 5.8cm (misshapen) (2) £250-£350 8 A mid 19th century mourning ring Centrally-set with a crescent-shaped glazed hairwork plaque, within an openwork surround set with circular-cut onyx and half-pearls, the reverse engraved ‘Isabella I. T.’ between engraved bifurcated shoulders of foliate design, one onyx deficient, ring size Q £250-£350 9 An early 20th century diamond ring The navette-shaped plaque set throughout with rose-cut diamonds, the largest to the centre all in closed-back settings, to a later shank, ring size M £300-£500 10 A pearl bangle, second half of the 19th century The wide hinged bangle, decorated with ivy leaf motifs set with half pearls, inner diameter 5.9cm £400-£600
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11 A diamond bracelet, first half of the 20th century Of openwork design, the central rosette millegrain-set with an old brilliant-cut diamond within a rose-cut diamond surround, between similarly-set geometric links, to a later backchain, diamonds approx. 0.30 carat total, length 16.6cm, fitted case £300-£500 12 An emerald, pearl and diamond brooch, circa 1900 The step-cut emerald, accented by cushion-shaped diamonds at the cardinal points, within a double circlet surround highlighted by 3.0-3.1mm boutonshaped pearls, diamonds approx. 0.40 carat total, pearls untested, length 2.4cm £600-£800 13 A Belle Epoque diamond necklace, circa 1905 The front of swag design, with rose and single-cut diamond ribbons and millegrain-set old brilliant-cut diamond lines, to a central old brilliant-cut diamond pendant, on a later spectacle-set brilliant-cut diamond chain, principal diamond approx. 1.35 carats, remaining single and old brilliant-cut diamonds approx.1.60 carats total, length 43.0cm £5,000-£7,000
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14 A pair of diamond cufflinks Double-sided: Each disc finely pierced and set throughout with rose-cut diamonds with a central single-cut diamond highlight, maker’s mark, French assay mark, terminal length 1.4cm £500-£700 15 A pearl and onyx bar brooch, by Boucheron, circa 1910 Centrally set with a 7.3mm pearl, between courses of calibré-cut onyx with fleury terminals, signed Boucheron Paris, rubbed maker’s mark, numbered, French assay mark, pearl untested, length 5.1cm, maker’s case £1,500-£2,000 16 An album of jewellery designs, circa 1910-1930 Containing approximately 160 jewellery designs and photographs, some gouache on acetate with stamps for various Spanish workshops, including Barrero and JM Batalla, within a leather-bound album embossed ‘Dibujos Joyeria’ to the cover £600-£800
*See inside front cover for information regarding fees
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17 A gem-set dress ring, by Valente The square cushion-shaped citrine, within a circular-cut citrine surround, between shoulders pavé-set with brilliant-cut diamonds and circular-cut citrines, signed Valente, ring size O £300-£500 18 A pair of gold ‘President’ cufflinks, by Rolex, circa 1995 Double-sided: Each baton terminal with a central raised polished accent, between chain-link connectors, signed Rolex SA, Rolex logo, European convention mark, Swiss assay mark, terminal length 2.0cm, maker’s case and box £700-£900
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19 A pair of gem-set leaf earclips Each carved jasper leaf, accented by a circular cabochon chrysoprase, clip fittings, length 3.1cm £250-£350 20 An emerald and diamond dress ring The circular cabochon emerald, within an octagonal surround of brilliant-cut diamonds, diamonds approx. 0.55 carat total, ring size M½ £1,800-£2,500
*See inside front cover for information regarding fees
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21 A hinged bangle Of textured finish, with a ridged crisscross pattern throughout, maker’s mark LCB, inner diameter 6.0cm £250-£350
23 A collar necklace, by Marina B The sprung tapered collar of geometric linking, signed Marina B, maker’s mark MB, numbered, French assay mark, length 31.0cm (sprung) £2,000-£3,000
22 A diamond single-stone ring The brilliant-cut diamond, in a six-claw 18 carat gold setting, diamond approx. 1.00 carat, partial UK hallmark, European convention mark, ring size L £500-£600
24 A pair of citrine earrings, by Pomellato Each collet-set with a pear-shaped cabochon citrine, to a polished mount, hook fittings, signed Pomellato, French assay marks, length 2.3cm £300-£500
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25 A pair of diamond and gem-set pendent earrings Each circular cabochon pink tourmaline surmount in a brilliant-cut diamond star-shaped surround, suspending a line of navette-shaped links, set with cabochon aquamarine, amethyst and pink tourmaline centres, between brilliantcut diamonds, post and clip fittings, diamonds approx. 0.40 carat total, length 4.4cm £700-£900
28 A diamond single-stone ring The brilliant-cut diamond, weighing 0.51 carat, in a half collet-setting, mounted in platinum, partial UK hallmark, European convention mark, ring size J
26 A pink tourmaline and diamond pendant necklace The circular-cut pink tourmaline and brilliant-cut diamond flowerhead cluster, to a slightly graduated similarly-cut pink tourmaline line surmount, suspended from a double trace-link chain, lengths: pendant 2.9cm, chain 45.0cm £400-£600
29 A pair of amethyst and diamond pendent earrings Each oval cabochon amethyst and brilliant-cut diamond cluster, to a graduated brilliant-cut diamond line surmount, post fittings, diamonds approx. 2.00 carats total, length 4.2cm £1,200-£1,500
27 A pair of pink sapphire and diamond hoop earrings The channel-set princess-cut pink sapphires, within brilliant-cut diamond borders, post fittings, diamonds approx. 0.80 carat total, length 1.5cm £700-£900
30 A diamond single-stone ring The brilliant-cut diamond, weighing 0.93 carat, in a four-claw setting, ring size M
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Accompanied by a printout of a GIA report check stating that the diamond is F colour, VS2 clarity. Report number 14046894, dated 16th June 2005. £700-£900
Accompanied by a printout of a GIA report check stating that the diamond is J colour, VVS2 clarity. Report number 2185309594, dated 13th April 2017. £1,500-£2,000
*See inside front cover for information regarding fees
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31 A pair of diamond and gem-set tassel earrings Each oval cabochon amethyst and brilliant-cut diamond cluster, suspending a triple line drop composed of alternating oval cabochon pink tourmaline and amethysts, between brilliant-cut diamond spacers, diamonds approx. 1.60 carats total, length 9.7cm £2,000-£2,500
33 A gem-set ‘Orme’ pendant necklace, by Pasquale Bruni The pendant designed as a foot, pavé-set with circular-cut pink sapphires, the reverse pierced with heart, moon and star motifs, on a trace-link chain with heart-shaped loops, to a sapphire set clasp, signed Pasquale Bruni, lengths: pendant 2.0cm, chain adjustable, maximum length 61.0cm £400-£600
32 A diamond dress ring Set with three graduated brilliant-cut diamonds, within a single-cut diamond surround, to a ropetwist frame, between collet-set brilliant-cut diamond shoulders, to a ropetwist hoop, diamonds approx. 0.95 carat total, ring size P £250-£350
34 A kunzite and diamond dress ring The horizontally collet-set oval-cut kunzite, within a border of brilliant-cut diamonds, diamonds approx. 0.45 carat total, ring size Q½ £1,000-£1,500 35 A pair of kunzite and diamond pendent earrings Each triangular-cut kunzite, to a brilliant and baguette-cut diamond surmount, mounted in 18 carat white gold, post fittings, diamonds approx. 0.95 carat total, UK hallmarks, length 3.5cm £700-£900
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36 A pair of gold cufflinks, by Cartier Each of 18 carat tri-coloured gold hinged design, decorated with C motifs, signed Cartier, numbered, European convention mark, Swiss assay mark, length 1.6cm £600-£800 37 A pair of sodalite pendent earrings Each sodalite drop, suspended from a textured reeded cap, to a hammered oval surmount, post and clip fittings, maker’s marks J.27, length 4.1cm £400-£600
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39 A diamond single-stone ring The brilliant-cut diamond, to an 18 carat gold band, diamond approx. 0.95 carat, UK import mark, ring size T £700-£900 40 A diamond dress ring, circa 1975 Of bi-coloured pierced design, centrally set with a cushion-shaped diamond, to a textured band, diamond approx. 0.50 carat, ring size I £600-£800
38 A diamond brooch, circa 1975 The pear-shaped convex form consisting of twisted wirework, accented by lines of brilliant and single-cut diamonds, diamonds approx. 0.50 carat total, maker’s mark, French assay mark, length 4.1cm £2,000-£2,500
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*See inside front cover for information regarding fees
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41 A pair of gold and sapphire-set cufflinks, by Kurt Weiss, 1978 Double-sided: Each hinged 9 carat gold ropetwist oval loop terminal, to a bar connector set with cabochon sapphire finials, maker’s mark Kw, UK hallmark, terminal length 1.8cm £250-£350 42 A gem-set pendant Designed as a large lapis lazuli bead between textured mounts set with alternating square-cut garnets and cabochon sapphires, to a bombé base set with circular cabochon sapphires and circular-cut rubies, and an alternately-set circular-cut ruby and single-cut diamond cap, one sapphire deficient, length 5.3cm £400-£600
43 A hinged sodalite bangle and collar suite The collar designed as a reeded ridged torc centrally set with a spherical sodalite bead, flanked by caps with ropetwist decoration, accompanied by a bangle en suite, maker’s marks Z.75, inner diameters: collar 11.8cm, bangle 5.7cm (2) £1,000-£1,500 44 A pair of gem-set cufflinks Each 18 carat gold baton with cabochon sapphire terminals, with chain-link connections, partial London hallmark, terminal length 2.3cm £250-£300
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45 A citrine and diamond pendant necklace The necklace set to the front with an abstract openwork swirl design set with brilliant-cut brown diamonds, suspending two pendants, each oval-cut citrine and brilliant-cut diamond three-stone surmount, to a bombé section pavé-set with brilliant-cut brown diamonds, terminating in a fan-shaped drop composed of five graduated pear-shaped citrines on brilliant-cut diamond-set knife-edge bars, to a circlet-link necklace with similarly-cut diamond and citrine accents, diamonds approx. 3.15 carats total, length 42.0cm £1,500-£2,000 46 A spinel and diamond three-stone ring The oval-cut spinel, weighing 2.78 carats, between brilliant-cut diamonds, to an 18 carat white gold hoop, diamonds approx. 0.70 carat total, UK hallmark, European convention mark, ring size M £1,200-£1,500 47 A diamond-set wristwatch, by Zenith The circular silvered dial with baton hour markers, within a single-cut diamond bezel, to an integral-link bracelet, dial signed Zenith, case numbered, diamonds approx. 0.45 carat total, length 16.7cm £1,000-£1,500
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48 A fire opal and diamond dress ring The oval-shaped fancy-cut fire opal, overlaid with a diagonal brilliant-cut diamond line, and twin diamond-set lines underneath, to a triple hoop of crossover design, diamonds approx. 0.30 carat total, ring size M £600-£800 49 A citrine and diamond dress ring The faceted citrine bead, raised between brilliant-cut diamond shoulders, diamonds approx. 0.30 carat total, signed Mihail, ring size M £300-£500 50 A pair of citrine and diamond pendent earrings Each circular-cut citrine and brilliant-cut diamond cluster suspending a pearshaped citrine and similarly-cut diamond cluster drop, post and clip fittings, diamonds approx. 1.50 carats total, length 2.8cm £350-£450
*See inside front cover for information regarding fees
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51 A garnet and diamond cluster ring The square cushion-shaped garnet, within a brilliant-cut diamond surround, to an 18 carat white gold hoop, diamonds approx. 0.80 carat total, London hallmark, ring size M £1,000-£1,500 52 λ A pair of coral and diamond earrings Each square cabochon coral Corallium Rubrum, to a brilliant-cut diamond surmount, length 3.4cm £400-£600 53 A ‘Happy Elephant’ diamond pendant necklace, by Chopard The pendant designed as an openwork 18 carat white gold elephant set with brilliant-cut diamonds, with a central glazed compartment containing three ‘floating’ diamond collets, to a brilliant-cut diamond suspension loop and long cable link chain, diamonds approx. 1.80 carats total, signed Chopard, pendant numbered, European convention marks, Swiss assay marks, lengths: pendant 3.6cm, chain 80.0cm £1,500-£2,000
54 A ruby and diamond eternity ring Channel-set with step-cut rubies and diamonds, diamonds approx. 0.30 carat total, ring size I £300-£500 55 A pair of yellow diamond and diamond hoop earrings Centred by a row of cushion-shaped yellow diamonds, between brilliant-cut diamond borders, mounted in 18 carat white gold, diamonds approx. 2.75 carats total, diamonds untested, UK hallmarks, length 2.5cm £2,800-£3,200 56 A ruby and diamond cluster ring The cushion-shaped ruby, in a split-claw setting, within a surround of brilliantcut diamonds, to an openwork hoop, diamonds approx. 0.70 carat total, ring size I £800-£1,200
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57 A garnet and diamond ring The oval-cut garnet, in a four claw setting, to a naturalistic openwork surround set with brilliant-cut diamonds, mounted in 18 carat gold, London hallmark, ring size O £300-£500 58 A gold ring, by Chaumet, 1976 The tapered bombé 18 carat gold band of reeded design, maker’s mark CLd, UK import mark, ring size M £600-£800 59 An enamel, ruby and diamond flower brooch, 1970 The 18 carat gold flower, the petals decorated with pink and red enamel, with a central circular cabochon ruby, with single-cut diamond accents, perched on a realistically modelled gold stem, sponsor’s mark RDP, UK import mark, enamel loss, length 5.6cm £300-£4,000 60 A spinel and diamond cluster ring The oval-cut spinel, weighing 2.03 carats, within a brilliant-cut diamond surround, between bifurcated shoulders, diamonds approx. 0.90 carat total, ring size O £1,200-£1,500
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61 A gold and enamel novelty ring, probably by Frascarolo, retailed by Asprey & Co., 1972 The red enamel pather’s head, set with circular-cut emerald eyes and a singlecut diamond muzzle, mounted in 18 carat gold, sponsor’s mark A&Co.Ltd, UK import mark, ring size J, Asprey case £400-£600 62 A diamond-set necklace, by Mauboussin Composed of graduating square links of textured basket-weave design, the front links each centrally-set with a brilliant-cut diamond, diamonds approx. 1.00 carat total, signed Mauboussin Paris, maker’s mark, numbered, French assay mark, length 37.5cm, maker’s case £7,000-£9,000 63 A citrine and diamond dress ring The mixed cushion-shaped citrine in a double four-claw setting, between brilliant-cut diamond shoulders, ring size N £800-£1,200 64 A gold, ruby and diamond ring, by Chaumet, 1970 Designed as a cluster of 18 carat gold nuggets, offset with brilliant-cut diamonds and ruby beads, signed Chaumet, maker’s mark CLd, London hallmark, ring size L £1,200-£1,500 *See inside front cover for information regarding fees
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65 A diamond necklace, ring and earring suite The necklace set to the front with interlinked openwork leaf-shaped links set with single and baguette-cut diamonds, to a brick-link backchain, the ring and earrings en suite, earrings with screwback post fittings, diamonds approx. 5.15 carats total, one diamond deficient, lengths: necklace 45.0cm, earring 3.9cm, ring size M (3) £2,800-£3,200
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66 An emerald and diamond cluster ring The oval-cut emerald in a four-claw setting, within a surround of brilliant-cut diamonds, diamonds approx. 1.55 carats total, ring size N½ Accompanied by a report from GCS stating that the emerald, weighing approx. 8.0 carats, is of Colombian origin, with indications of moderate clarity enhancement. Report number 79215-27, dated 20th May 2019. £3,000-£3,500 67 A diamond single-stone ring The brilliant-cut diamond, in a four-claw setting, to a polished hoop, diamond approx. 1.55 carats, ring size J £800-£1,200
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*See inside front cover for information regarding fees
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68 A peridot and diamond ring and pendant necklace, by Pasquale Bruni The heart-shaped peridot, within a surround of brilliant-cut diamonds, to a belcher-link chain, accompanied by a ring en suite, diamonds approx. 0.75 carat total, necklace signed Pasquale Bruni, ring unsigned, ring size N, lengths: pendant 2.1cm, chain 42.0cm (2) £400-£600 69 A green onyx and cultured pearl necklace The articulated fancy-link chain set with spherical green onyx beads and 5.75.9mm cultured pearls, length 64.1cm £450-£500
70 A diamond dress ring Of undulating design, set with baguette-cut diamonds, to a polished hoop, diamonds approx. 0.60 carat total, ring size K £250-£350 71 A pair of diamond-set earrings Each triangular surmount, centered by a collet-set brilliant-cut diamond, suspending a navette-shaped plaque with ridged decoration, diamonds approx. 0.65 carat total, length 5.2cm £250-£350
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72 A pair of pink tourmaline and emerald earrings Each designed as a mirrored line of pear-shaped pink tourmalines and marquise-cut emeralds, post fittings, length 4.0cm £1,800-£2,500 73 An emerald and diamond ballerina ring The step-cut emerald, in a four-claw setting, within an undulating surround of tapered baguette-cut diamonds, to a polished bifurcated hoop, diamonds approx. 1.35 carats total, ring size J £1,000-£1,500 74 An emerald and diamond pendant necklace The collet-set pear-shaped emerald, suspended from an articulated line of similarly-set brilliant-cut diamonds, to a filed belcher-link chain, diamonds approx. 0.70 carat total, lengths: pendant 2.2cm, necklace 40.6cm £400-£600
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75 An emerald, ruby and diamond dress ring The rectangular brilliant-cut diamond plaque, centrally set with a circular -cut emerald, and accented by channel-set calibré-cut ruby lines, diamonds approx. 0.50 carat total, ring size O½ £1,200-£1,500 76 A gem-set novelty brooch / pendant Designed as a stylised fish, pavé-set throughout with circular-cut tsavorite garnets, mounted in 18 carat blackened gold, UK hallmark, length 3.3cm £450-£500 77 A diamond novelty ring, by Currado Designed as a brilliant-cut diamond tree frog, sitting on a polished shank, diamonds approx. 0.55 carat total, signed Currado, ring size M £250-£350
*See inside front cover for information regarding fees
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78 An emerald and coloured diamond pendant necklace The cut-cornered rectangular-cut emerald to a surround and gallery pavé-set with circular-cut black diamonds, to a trace-link chain, diamonds untested, lengths: pendant 2.2cm, chain 45.0cm £700-£900 79 An emerald and diamond cluster ring The cut-corner step-cut emerald, within a slanting gallery of brilliant and baguette-cut diamonds, to a platinum band, diamonds approx. 1.20 carats total, London hallmark, ring size P½ Accompanied by a report from GCS stating that the emerald, weighing approx. 2.0 carats, is of Colombian origin, with indications of moderate clarity enhancement. Report number 79215-28, dated 20th May 2019. £800-£1,200 80 An emerald and diamond ring Set with five rectangular mixed-cut emeralds between brilliant-cut diamond three-stone spacers, ring size L £300-£400
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81 An emerald and diamond ring The rectangular step-cut emerald between stepped baguette-cut diamond shoulders, ring size M £600-£800 82 A pair of gem-set earrings Each oval-cut citrine within a raised pear-shaped mount, pavé-set with circularcut tsavorite garnets, accented with brilliant-cut diamond and black diamond foliate and line motifs, post and clip fittings, one tsavorite garnet deficient, length 2.5cm £800-£1,200 83 An emerald and diamond ring The cut-cornered square-cut emerald, raised between curved shoulders set with princess-cut diamonds, with banded hoop detail, diamonds approx. 0.50 carat total, ring size J £700-£900
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84 A diamond ring The central old brilliant-cut diamond in a box collet setting, between stepped similarly-cut diamond shoulders, principal diamond approx. 0.90 carat, ring size N £350-£450
86 An amethyst and diamond brooch and a pair of earrings, circa 1910 The heart-shaped amethyst, surmounted by a rose and old brilliant-cut diamond bow; accompanied by a pair of earrings of similar design, lengths: brooch 3.2cm, earring 2.5cm, earrings cased (2) £250-£350
85 An aquamarine ring, circa 1900 and an aquamarine necklace 1st: The cushion-shaped aquamarine in a six-claw setting, 2nd: The pendant of scrolling design, set with a pear-shaped aquamarine drop and a cushion-shaped aquamarine, accented by circular-cut paste, suspended from a Boston-link backchain, ring with Russian assay mark, necklace with partially struck assay mark, two pastes deficient, ring size P½, lengths: pendant 6.3cm, necklace 40.1cm (2) £600-£800
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*See inside front cover for information regarding fees
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87 An emerald and diamond bracelet, first quarter of the 20th century Composed of a graduating series of collet-set sugarloaf emeralds and rose-cut diamonds links, between cable-link connectors, later clasp, length 17.5cm £250-£350 88 Four mid 19th century jewels Comprising: 1st: A circular cabochon turquoise pendant inset with a half-pearl and rose-cut diamond star motif, within a woven-design frame, the reverse with a glazed hairwork locket, in a frame engraved ‘From Mamma, 12th Jan. 1869’; 2nd: A brooch set with a glazed hairwork compartment, within an alternating cabochon turquoise and half-pearl surround; 3rd: A brooch set with an oval green chalcedony within an old brilliant-cut diamond surround, in a closed-back mount; 4th: A brooch set with an oval-cut topaz, within a half-pearl surround, later mounted on a fancy-shaped link with a cut-cornered rectangular emerald terminal, both in foiled closed-back settings, lengths: 3.2cm, 1.5cm, 2.5cm and 2.7cm (4) £300-£400
89 An opal ring The oval cabochon opal, claw-set between engraved shoulders, ring size M £400-£600 90 A diamond brooch The central old brilliant-cut diamond within a pierced geometric surround set throughout with rose-cut diamonds, principal diamond approx. 0.80 carat, length 5.4cm £350-£450 91 A diamond and blue zircon three-stone ring, early 20th century Centred by an old brilliant-cut diamond, flanked on either side by a circular-cut blue zircon, to a polished hoop, diamond approx. 1.00 carat, ring size O £1,200-£1,800
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92 A hardstone intaglio ring Collet-set with an oval hardstone intaglio, depicting an amorous couple, to a polished hoop, ring size N £250-£350 93 An Archaeological Revival intaglio bracelet, circa 1875 The circular carnelian intaglio, carved to depict Hermes in profile looking right holding a caduceus and wearing a winged cap, to a finely woven bracelet decorated with ropetwist detail, terminating in a hook clasp, length 18.8cm £300-£500 94 A mid 19th century seed pearl pendant, and a pair of pearl earrings 1st: The seed pearls forming a pendant of stylised foliate design, on a motherof-pearl backing, to a later seed pearl suspension loop; 2nd: Each suspending a 6.9-7.0mm pearl, to an articulated 3.6-4.2mm pearl surmount, pearls untested, lengths: pendant 5.9cm, earring 2.3cm (2) £250-£350
96 A natural pearl stickpin The 11.5-12.5x14.1mm flattened drop-shaped natural pearl, to a polished stick pin, length 7.2cm Accompanied by a report from The Gem & Pearl Laboratory stating the pearl is natural, saltwater. Report number 17336, dated 24th May 2019. £1,200-£1,500 97 A hardstone cameo brooch, 19th century The oval agate cameo, circa 1800-1825, carved in low relief, depicting Vespasian looking left, crowned with a laurel wreath and the leg of a deer over his left shoulder, to a later decorative frame highlighted by ropetwist detail, circa 1865, partially struck Italian assay mark, cameo measurements 3.1x2.1cm, some ropetwist decoration deficient, brooch length 4.8cm, fitted case £500-£700 There is no known classical artistic reference for Vespasian (9-79AD) carrying a deer. However, coinage from the Vespasian reign (69-79AD) does feature a stag on the reverse of certain examples, with a laureate head of Vespasian on the obverse.
95 An agate cameo depicting Hayreddin Barbarossa, probably Italian, late 16th century The oval agate, carved in low relief depicting the bearded figure in profile, looking left, set within a later late 18th / early 19th century gold ring, dimensions of cameo 2.0x1.5cm, ring size L½, cased £8,000-£12,000 Provenance: Reputedly purchased by a previous owner from a noble family in Paris. For a similar example of an important agate cameo depicting Barbarossa and dating to the 16th century, see Sotheby’s, London, 24 April 2012, lot 123. The similar example sold through Sotheby’s, depicts the Turk in an almost identical manner to the cameo illustrated here, except that he is facing right and this example faces left. For example, the distinctive turban with twisted tie running over the top and tied in a knot at the base and trailing down his neck. The rest of the turban is white, as are his robes which highlight his dark skin and white beard and eyebrows, the individual hairs on his face each delineated. Both depictions feature the sitter’s distinctive hook nose and upward tilting chin.
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98 λ An onyx, coral and diamond pendant The circular onyx plaque with the applied single-cut diamond inscription “Ma Sha’Allah” (As willed by God), to an entwined coral Corallium rubrum and brilliant-cut diamond border, suspended from a bi-coloured hoop with brilliantcut diamond highlight, diamonds approx. 2.15 carats total, length 5.0cm £400-£600 99 A fancy-link bracelet Of articulated thick curb-linking, length 19.0cm £2,000-£3,000 100 A pair of gem-set earrings, by Chanel Each hoop set with vari-cut gemstones, including pink, blue and yellow sapphires and rubies, in polished geometric mounts, signed Chanel, maker’s marks, numbered, French assay marks, length 2.1cm £2,500-£3,000
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101 A diamond-set alligator bracelet, by B. Kieselstein-Cord, 1996 The links designed as realistically modeled alligator’s heads, with brilliant-cut diamond-set collars, diamonds approx. 0.40 carat total, signed B. Kieselstein-Cord, length 20.0cm £1,000-£1,500 Barry Kieselstein-Cord is a New York-based designer who first rose to prominence in the 1970s when his first collection of sterling silver jewellery was acquired by Georg Jensen and presented at the brand’s Madison Avenue boutique. His work can be found in the permanent collections of the Louvre, Paris, and the Metropolitan Museum of Art, New York. Notable collectors include Sir Elton John, Andy Warhol and Oprah Winfrey. 102 A ruby and diamond cluster ring The oval-cut ruby, within a tiered brilliant-cut diamond surround, diamonds approx. 0.90 carat total, ring size O £600-£800
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103 A ruby and diamond ring The collet-set oval-cut ruby, flanked either side by a similarly-set pear-shaped diamond, to a polished 18 carat gold hoop, diamonds approx. 0.40 carat total, maker’s mark AWJLD, London hallmark, ring size N £250-£350 104 A ruby and diamond pendant necklace and a pair of earrings Each set with an oval-cut ruby within a brilliant-cut diamond surround, earrings with hinged post fittings, pendant suspended from a foxtail-link chain, diamonds approx. 0.90 carat total, lengths: earring 1.7cm, pendant 2.1cm, chain 44.0cm (2) £600-£800
105 A pair of pink tourmaline earclips Each sugarloaf pink tourmaline, within a collet-setting, above reeded decoration, signed Mihail, length 2.4cm £500-£700 106 A diamond necklace The central plaque, of geometric foliate design, set with brilliant, marquise and baguette-cut diamonds, to a brick-link chain, diamonds approx. 3.20 carats total, length 41.5cm £700-£900 107 A gem-set and cultured pearl crossover ring Each tapered conical shoulder pavé-set with circular-cut rubies, pink sapphires and brilliant-cut diamonds, terminating in a line of oval-cut rubies and a 12.412.5mm cultured pearl, to a sprung segmented band, diamonds approx. 0.40 carat total, ring size approx. Q (shank flexible) £1,200-£1,500
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108 A sapphire and diamond ring The collet-set oval-cut sapphire between similarly-set brilliant-cut diamond shoulders, in a bi-coloured 18 carat gold mount, diamonds approx. 0.60 carat total, UK hallmark, ring size K £700-£900 109 A diamond-set dress ring, by Giovanni Ferraris Designed as a navette-shaped white chalcedony, surmounted by raised crossover terminals, pavé-set on two sides with brilliant-cut diamonds, diamonds approx. 1.10 carats total, signed Giovanni Ferraris, ring size O £1,200-£1,500 110 A multi-coloured sapphire bead necklace Composed of five strands of graduating white to dark blue sapphire beads, with sapphire bead trio spacers, centring on a similarly-set tassel, to a 14 carat gold clasp, European convention mark, length 45.0cm £400-£600
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111 A diamond dress ring Of squared quatrefoil design, pavé-set with brilliant-cut diamonds, diamonds approx. 0.65 carat total, ring size N £600-£800 112 A pair of diamond cluster earstuds Each a flowerhead cluster of collet-set brilliant-cut diamonds, post fittings, diamonds approx. 1.15 carats total, length 1.1cm £400-£600 113 A sapphire, onyx and diamond dress ring Of pierced navette form, within a brilliant-cut diamond line surround and onyx border, set with a pair of pear-shaped sapphires, ring size L½ £600-£800
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114 A diamond ring The emerald-cut diamond, in a four-claw setting, between tapered baguette-cut diamond shoulders, to a polished 18 carat white gold hoop, principal diamond approx. 0.60 carat total, UK hallmark, ring size M £800-£1,200 115 A diamond-set bangle Of crossover design, set to the front with twin princess-cut diamonds, within openwork brilliant-cut diamond surrounds, to similarly-cut diamond line shoulders, diamonds approx. 1.10 carats total, inner diameter 5.6cm £600-£800 116 An iolite and diamond ring, by Piaget The collet-set oval-cut iolite, to a ridged hoop, inset with a brilliant-cut diamond, signed Piaget, ring size N £500-£700 117 A diamond line bracelet The articulated line of brilliant-cut diamonds, each in a four-claw setting, to a similarly-cut diamond spherical clasp, diamonds approx. 2.45 carats total, length 16.4cm £1,500-£2,000
118 A diamond dress ring Of swirling design, set with lines of brilliant-cut diamonds, diamonds approx. 1.05 carats total, ring size O £600-£800 119 A sapphire-set cross pendant, by Theo Fennell The 18 carat white gold Latin cross collet-set to the centre with a circular-cut sapphire, signed Fennell, maker’s mark, UK hallmark, length 4.4cm £500-£700 120 A sapphire and diamond ring The cushion-shaped colour change sapphire, weighing 7.33 carats, in a polished mount set with brilliant-cut diamonds, diamonds approx. 0.55 carat total, ring size J½ Accompanied by a report from The Gem & Pearl Laboratory stating that the sapphire appears blue in daylight and bluish purple in incandescent light, is of Sri Lankan origin, with no indications of heat treatment. Report number 14952, dated 7th November 2017. £3,000-£5,000
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121 A ruby and diamond dress ring The oval cabochon ruby collet-set within an openwork surround of stylised Imperial Eagle design, set with rose-cut diamonds, above a hardstone plaque, to a gallery of engraved laurel wreath design, mounted on a scale design tapered hoop, spurious workmaster’s mark A H, Russian marks, ring size V £500-£700 122 A charm bracelet The tapered 9 carat gold curb-link bracelet, suspending seven egg-shaped gem pendants, including citrine, green chalcedony, amethyst, tiger’s eye quartz, rhodochrosite and aventurine quartz, bracelet with UK hallmarks, six charms with various Russian marks, length 18.cm £400-£600
123 A diamond brooch Designed as three tiered lines of cushion-shaped diamonds, diamonds approx. 3.25 carats total, converted from a clasp, length 3.7cm £500-£700 124 An amethyst ring In the style of a Bishop’s ring, collet-set with a fancy cushion-shaped amethyst, the shoulders engraved with a bishop’s crosier and a Latin cross, rubbed hallmarks, ring size X £250-£350 125 A charm bracelet The curb-link bracelet, suspending various charms, including a lighthouse, an abacus and a boat, one charm detached, length 18.8cm £700-£900
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126 A sapphire and diamond ring Of vertical design, set with a cushion shaped sapphire, flanked on either side by old brilliant-cut diamonds, diamonds approx. 1.00 carat total, ring size M £600-£800 127 A turquoise bracelet, early 20th century and a brooch The fancy-link bracelet set at intervals with circular cabochon turquoise, in closed-back settings, accompanied by a later brooch of similar design, lengths: bracelet 19.2cm, brooch 2.5cm (2) £250-£350
128 An early 20th century paste, sapphire and diamond negligée necklace Composed of two circular cabochon blue paste in millegrain settings, suspending three graduated knife-edge bar pendants terminating in similarly-set oval cabochon blue paste, with old brilliant-cut diamond accents, and a central circular cabochon sapphire, suspended from a later trace-link chain, diamonds approx. 0.35 carat total, length 42.5cm £350-£400 129 A hardstone cameo ring The late 19th century oval carnelian cameo, of a maiden in profile looking left, to a later bi-coloured mount, ring size M½ £250-£350
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130 A gem-set necklace The thin belcher-link chain, accented at intervals with spectacle-set faceted gems, including green garnet, onyx, iolite, and lemon quartz, length 45.7cm £250-£300
132 A colour change sapphire single-stone ring The oval-cut colour change sapphire, weighing 4.14 carats, in a four-claw setting, to a tapered hoop, ring size N1⁄2 £400-£600
131 A pair of amethyst, turquoise and diamond earrings Each surmount designed as a cluster of vari-sized turquoise and amethyst spheres inset and accented by brilliant-cut diamonds, suspending an amethyst sphere with a brilliant-cut diamond highlight, post fittings, diamonds approx. 0.40 carat total, length 4.3cm £300-£500
133 A pair of turquoise and diamond earclips, by Antonini Each spherical turquoise surmount, atop a polished curving mount accented with a line of brilliant-cut diamonds, clip fittings, signed Antonini, length 2.5cm £500-£700
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134 A single-stone diamond ring The brilliant-cut diamond, between single-cut diamond shoulders, to an 18 carat gold polished hoop, principal diamond approx. 0.65 carat, maker’s mark A&GL, London hallmark, ring size P £400-£600
136 A pair of amethyst, citrine and diamond earrings Of bi-coloured design, each circular-cut citrine surmount in a floral mount, suspending a similarly-set triple amethyst drop, to a brilliant-cut diamond line connection, post fittings, length 4.0cm £600-£800
135 An enamel and gem-set brooch Of pierced foliate design, set with an undulating line of circular cabochon turquoise, accented by circular-cut ruby, single-cut diamond and enamel flowerheads, length 5.0cm £250-£350
137 A sapphire and diamond crossover ring Each terminal set with a brilliant and triangular-cut diamond cluster, between calibré-cut sapphire shoulders, diamonds approx. 1.20 carats total, ring size M £400-£600 138 A sapphire and diamond necklace Designed as a graduated line of polished sapphire beads with vari-shaped spacers, centring on a butterfly motif with single-cut diamond wings, to a diamond-set clasp, diamonds approx. 0.30 carat total, length 42.5cm £250-£350
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139 A pair of diamond earstuds, by Cartier The brilliant-cut diamonds, weighing 1.00 and 1.01 carats, each in a platinum four-claw setting, post fittings, signed Cartier, maker’s marks JC, numbered, London hallmarks, European convention marks, maker’s case and box £6,000-£8,000
143 A diamond three-stone ring The graduated brilliant-cut diamonds, the largest to the centre, each in a fourclaw platinum setting, principal diamond approx. 0.95 carat, remaining diamonds approx. 1.00 carat total, London hallmark, ring size K½ £2,000-£2,500
140 A diamond single-stone ring, by Cartier The brilliant-cut diamond, weighing 1.52 carats, in a four-claw platinum setting, signed Cartier, maker’s mark JC, numbered, partial UK hallmark, European convention mark, ring size J½ (sizing beads), maker’s case, box and certificate of authenticity
144 A pair of rose quartz and blue topaz pendent earrings Each 18 carat white gold bead surmount suspending a blue topaz briolette from a trace-link chain, each butterfly suspending a similarly-cut rose quartz drop, post fittings, UK hallmark, European convention mark, length 6.0cm £250-£300
Accompanied by a report from HRD stating that the diamond is E colour, VS1clarity. Report number 20023042602, dated 15th January 2002. £8,000-£10,000 141 A diamond and gem-set pendant necklace Designed as a pear-shaped cabochon grey agate drop, with an openwork varigem cap, to an oval cabochon pink opal surmount within a gem-set floral design frame accented with brilliant-cut diamonds and cultured pearls, to a bead-link chain, lengths: pendant 7.6cm, chain 42.0cm £700-£900 142 A pair of diamond-set B.Zero1 earrings, by Bulgari Each hoop set to the front with brilliant-cut diamonds, the galleries engraved ‘BVLGARI’, post fittings, diamonds approx. 0.45 carat total, signed Bulgari, length 2.0cm, maker’s case and box £1,200-£1,500
145 A white gold ‘Love’ bracelet, by Cartier The 18 carat white gold band decorated with screwhead motifs, signed Cartier, numbered, European convention mark, Swiss assay mark, Cartier size 18, inner diameter 5.9cm, maker’s pouch, case, box, screwdriver and certificate of authenticity £1,800-£2,200 146 An aquamarine and diamond ring The rectangular step-cut aquamarine between brilliant-cut diamond threestone shoulders, diamonds approx. 0.40 carat total, ring size M £1,500-£2,000
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147 A pair of sapphire and diamond earstuds Each oval-cut sapphire in a four-claw setting, within a surround of brilliant-cut diamonds, mounted in 18 carat white gold, diamonds approx. 0.30 carat total, UK hallmarks, length 1.0cm £800-£1,200 148 A cultured pearl and diamond pendant The 15.9mm cultured pearl, to a cap and bale set with brilliant and single-cut diamonds, diamonds approx. 0.65 carat total, length 3.1cm £300-£500 149 A sapphire and diamond cluster ring The cushion-shaped sapphire, within a brilliant and tapered baguette-cut diamond surround, mounted in 18 carat white gold, diamonds approx. 0.60 carat total, London hallmark, ring size M £1,000-£1,500
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150 A pair of cultured pearl and diamond earrings Each 10.9mm cultured pearl, to a surround pavé-set with brilliant-cut diamonds, clip and post fittings, diamonds approx. 0.60 carat total, length 1.4cm £250-£300 151 A cultured pearl necklace and bracelet with sapphire and diamond clasps The double-strand necklace set with 7.2-7.8mm cultured pearls, to a foliate clasp set with circular-cut sapphires and single-cut diamonds, accompanied by a three-strand cultured pearl bracelet with matching clasp, diamonds approx. 1.30 carats total, maker’s marks L, lengths: shortest necklace strand 38.5cm, bracelet 18.0cm (2) £700-£900 152 A diamond dress ring The central old brilliant-cut diamond, collet-set within an openwork surround of scroll design, set with single-cut diamonds and accented with collet-set single and brilliant-cut diamonds, diamonds approx. 0.80 carat total, ring size O £600-£800
*See inside front cover for information regarding fees
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153 A diamond single-stone ring The brilliant-cut diamond in a four-claw mount, to a platinum hoop, diamond approx. 0.50 carat, UK hallmark, ring size K £400-£600
156 A sapphire and diamond dress ring The two oval-cut sapphires, within a surround of marquise and brilliant-cut diamonds, diamonds approx. 2.20 carats total, ring size L £1,000-£1,500
154 A sapphire and diamond cluster ring, 1985 The cushion-shaped sapphire, within a radiating surround of baguette and marquise-cut diamonds, to a polished 18 carat white gold hoop, diamonds approx. 2.00 carats total, maker’s mark, London hallmark, European convention mark, ring size Q £600-£800
157 A diamond-set wristwatch, first half of the 20th century The rectangular dial, with Arabic numerals, within a single-cut diamond bezel, to a later fancy-link strap, maker’s mark AS, French assay mark, length 16.5cm £250-£350
155 A diamond cluster ring, by Tiffany & Co. The brilliant-cut diamond, weighing 0.72 carat, to a surround and shoulders of similar-cut diamonds, signed Tiffany & Co., numbered, ring size J, maker’s case
158 A diamond dress ring Of cluster design, set with brilliant-cut diamonds, between similarly-set shoulders, diamonds approx. 1.05 carats total, ring size N £300-£500
Accompanied by a report from Tiffany & Co. stating that the principal diamond is F colour, VVS2 clarity. Report number 26703026/K03170128. £1,200-£1,500
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159 An emerald and diamond ring The collet-set step-cut emerald, between shoulders set with brilliant-cut diamonds, diamonds approx. 0.40 carat total, ring size M½ Accompanied by a report from GCS stating that the emerald, weighing approx. 7.0 carats, is of Zambian origin, with indications of significant clarity enhancement. Report number 79215-24, dated 20th May 2019. £700-£900 160 A synthetic emerald and diamond necklace The black square matrix decorated with tiny synthetic emerald crystals, accented on one side with a line of brilliant-cut diamonds, to a multi-strand necklace, length 45.9cm £300-£500
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162 An emerald and diamond dress ring The tapering band set throughout with oval and circular-cut emeralds, the largest to the centre, the gallery pavé-set with single-cut diamonds, diamonds approx. 0.25 carat total, ring size M½ £1,500-£2,000 163 A cultured pearl and diamond dress ring The 17.0mm cultured pearl, within a brilliant-cut diamond surround, between openwork shoulders, to a polished 18 carat gold hoop, diamonds approx. 0.25 carat total, UK hallmark, ring size N £300-£500
161 A cultured pearl dress ring Designed as multiple bands, each terminating in a 7.7mm cultured pearl, ring size K½ £400-£600
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164 An emerald and diamond bar brooch Centrally collet-set with a step-cut emerald, between lines of brilliant-cut diamonds, diamonds approx. 0.40 carat total, length 5.4cm £300-£500 165 A malachite lion necklace The tapered malachite links, with central lions’ heads, to a 9 carat gold back chain, chain with UK import mark, length 45.5cm £600-£800
166 An emerald and diamond pendant and diamond necklace The oval cabochon emerald within a brilliant-cut diamond surround, to a diamond-set surmount, suspended from a box-link chain, diamonds approx. 0.50 carat total, lengths: pendant 2.3cm, chain 42.5cm £600-£800 167 A pair of ceramic and gold cufflinks, by Deakin & Francis, 1994 Each oval ceramic cameo depicting a football player, to a t-bar connector, mounted in 18 carat gold, maker’s marks D&F, UK hallmarks, European convention marks, plaque length 2.0cm £250-£350
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168 A ruby and diamond ring, circa 1950 The clover of brilliant-cut diamonds, accented by a collet-set similarly-cut diamond, between courses of single-cut diamonds with a crescent of circularcut rubies, diamonds approx. 0.50 carat total, ring size L £350-£450
170 A diamond flower ring The petals inset with single-cut diamonds, to a central similarly-cut diamond cluster, to a later undulating shank, diamonds approx. 0.65 carat total, converted from a brooch, shank with maker’s mark and French assay mark, ring size O £400-£600
169 A fancy-link bracelet, circa 1945 The articulated line of concave and reeded links, to a concealed clasp, length 18.1cm £800-£1,200
171 A gold charm bracelet, 1955 The 9 carat gold fancy-link bracelet, suspending various charms including a 9 carat gold cuckoo clock, a stage coach and a red enamel mushroom opening to reveal a figure dining, enamel loss, various UK hallmarks, length 17.9cm £250-£350
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172 A pair of ruby and diamond earclips Each ridged disc, offset with a channel-set line of calibré-cut rubies and Frenchcut diamonds, screwback fittings, two rubies deficient, length 2.3cm £500-£700 173 A ruby dress ring The bombé cluster set with circular-cut rubies, to a shoulder composed of three textured leaves, mount damaged, ring size L £300-£500 174 A citrine and diamond pendant, by Sterlé, circa 1950 The large heart-shaped citrine in a claw mount, each claw accented with a brilliant-cut diamond, suspended from a collet-set pear-shaped diamond surmount in a ropetwist frame, diamonds approx. 1.00 carat total, signed Sterlé Paris, maker’s mark, numbered, French assay marks, length 5.1cm £2,000-£3,000
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175 A lady’s diamond-set wristwatch, 1919 The cushion-shaped dial with Arabic numerals, within a rose-cut diamond bezel, mounted in 18 carat gold, with a cabochon onyx crown, to an associated adjustable mesh-link bracelet, numbered, sponsor’s mark AGR, London import mark, case width 2.1cm, bracelet length adjustable £250-£350 176 A citrine and diamond dress ring, by Sterlé, circa 1950 The circular-cut citrine in a raised claw mount above a ropetwist gallery with brilliant-cut diamonds, interspersed by foxtail linking, to a tapered hoop with applied ropetwist decoration, signed Sterlé Paris, numbered, French assay marks, ring size K £2,000-£3,000
Pierre Sterlé (1905-1978) was known as the “couturier of jewellery” and his work achieved its zenith in the 1940s and 50s. Following the death of his father in the First World War, he was sent to live with his uncle, a Parisian jeweller. Before the age of 30 he established his own workshop and was designing for established French jewellery houses such as Boucheron and Chaument. Earlier supporters of his work included the writer Sidonie-Gabrielle Colette and then later King Farouk of Egypt and the Begum Aga Khan.
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177 An unmounted diamond The brilliant-cut diamond, weighing 1.15 carats Accompanied by a report from IGI stating that the diamond is K, Faint Brown, colour, I1 clarity. Report number R1D93107, dated 3rd August 2018. Please note this lot will carry VAT on the hammer price as well as the buyer’s premium £800-£1,200 178 A diamond and coloured diamond ‘Anaconda’ ring, by Roberto Demeglio The band composed of oval links pavé-set with brilliant-cut diamonds, between pavé-set circular-cut black diamond concave connectors, with panel borders pavé-set with brilliant-cut diamonds, brilliant-cut diamonds approx. 2.50 carats total, diamonds untested, signed Roberto Demeglio, maker’s mark, ring size O £1,200-£1,500 179 A cultured pearl necklace with a diamond clasp The single-strand of graduated 11.8-14.8mm grey cultured pearls, to a spherical screw clasp set with brilliant-cut diamonds, diamonds approx. 0.70 carat total, length 45.5cm £2,500-£3,000
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180 A diamond single-stone ring The cushion-shaped diamond, weighing 1.57 carats, in a four-claw setting, between shoulders pavé-set with brilliant-cut diamonds, partial UK hallmark, ring size N Accompanied by a printout of a GIA report check stating that the diamond is D colour, VS1 clarity. Report number 2224097248, dated 22nd March 2016. £7,000-£8,000 181 A pair of diamond cluster earstuds Each square plaque centrally set with princess-cut diamonds, within a frame of brilliant-cut diamonds, diamonds approx. 0.40 carat total, length 0.7cm £400-£500 182 A diamond band ring The wide openwork band composed of brilliant-cut diamond sections of columnar design, diamonds approx. 2.05 carats total, ring size K £1,000-£1,500
*See inside front cover for information regarding fees
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183 An aquamarine and diamond cluster ring The oval-cut aquamarine within a brilliant-cut diamond surround, between tapered baguette-cut diamond shoulders, to an 18 carat white gold hoop, diamonds approx. 0.75 carat total, UK hallmark, ring size N £1,800-£2,200 184 A diamond five-stone ring Set with a graduated row of brilliant-cut diamonds, with line spacers, diamonds approx. 0.75 carat total, ring size P £250-£350
187 λ A wood and cultured pearl ring The carved wooden ring, centrally concave and inset with a 13.9mm cultured pearl of pink tint, ring size M £250-£300 188 A diamond single-stone ring The brilliant-cut diamond in a four-claw mount, diamond approx. 1.80 carats, ring size O £2,000-£3,000
185 A pair of cultured pearl pendent earrings Each surmount set with a 13.0-13.2mm cultured pearl of grey tint, suspending a detachable tassel of 2.9-3.2mm cultured pearls, length 7.1cm £250-£350 186 An aquamarine and diamond ring The cut-cornered rectangular-cut aquamarine, between brilliant-cut diamond three-stone shoulders, to a quadruple hoop, diamonds approx. 0.25 carat total, ring size O £700-£900
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189 A diamond-set bangle, ring and earrings, by Fope Each designed as a brick-link chain eternal knot, with central bands pavé-set with brilliant-cut diamonds of brown tint, diamonds approx. 3.40 carats total, diamonds untested, each signed Fope, bangle inner diameter 5.6cm, earring length 2.8cm, ring size P (3) £2,200-£2,500 190 A diamond crossover ring Each terminal set with a triangular-cut diamond, to baguette-cut diamond shoulders, diamonds approx. 2.10 carats total, ring size L £700-£900
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191 A pair of fancy coloured sapphire earrings Each elongated hoop spectacle-set with an oval-cut pink-orange sapphire, length 3.2cm £700-£900 192 A citrine dress ring Designed as multiple bands, each terminating in a faceted citrine bead, ring size K £400-£600
*See inside front cover for information regarding fees
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193 A prasiolite ‘Nudo’ ring, by Pomellato The square fancy-cut prasiolite, in a collet closed-back setting, to a polished band, signed Pomellato, ring size N £500-£700 194 A citrine ‘Nudo’ ring, by Pomellato The square fancy-cut citrine, in a collet closed-back setting, to a polished band, signed Pomellato, ring size O £500-£700 195 A smoky quartz ‘Nudo’ ring, by Pomellato The square fancy-cut smoky quartz, in a collet closed-back setting, to a polished band, signed Pomellato, ring size N £500-£700
196 A diamond necklace and earring suite The necklace collet-set to the front with twin rows of brilliant-cut diamonds, to a foxtail-link back chain, accompanied by earrings en suite, screw back post fittings, diamonds approx.1.15 carats total, lengths: necklace 41.5cm, earring 2.0cm (2) £1,500-£2,000 197 A pair of gold, rock crystal and diamond cufflinks, by Dunhill, 1994 Each set with a frosted rock crystal baton, secured by a brilliant-cut diamond loop, to an 18 carat gold t-bar connector, signed Dunhill, maker’s marks AD, UK hallmarks, European convention marks, baton length 1.8cm £600-£700 198 A rock crystal and diamond flower brooch The carved rock crystal flowerhead, accented by polished leaves, centrally decorated with a spiral set with cushion-shaped and single-cut diamonds, diamonds approx. 0.25 carat total, Austrian assay marks, length 5.4cm £1,200-£1,500
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199
201
199 A pair of sapphire and diamond earclips Of tapering curved design, each set with circular-cut sapphires and brilliant-cut diamonds, diamonds approx. 1.20 carats total, length 2.1cm £350-£450 200 An amethyst and diamond watch, by Sterlé, circa 1945 The bombé centre, set throughout with circular-cut amethysts, between pavéset brilliant-cut diamond twin push buttons, opening to reveal a circular gilt dial with baton hour markers and Roman quarters, on a wrap-around fancy-link bracelet, two diamonds and one amethyst deficient, signed Sterlé Paris, rubbed maker's mark, numbered, French assay marks, length 16.5cm £5,000-£7,000 201 A sapphire bombé ring Set throughout with circular-cut sapphires, signed Grea, one sapphire deficient, ring size M½ £700-£900
44
202 An emerald ring The square cut-corner step-cut emerald, in a tiered collet-setting, to a wide polished band, ring size S½ Accompanied by a report from GCS stating that the emerald, weighing approx. 2.7 carats, is of Colombian origin, with indications of moderate clarity enhancement. Report number 79215-25, dated 20th May 2019. £1,800-£2,200 203 A diamond-set bow brooch, by Van Cleef & Arpels, circa 1940 The scrolling ribbon centrally-set with three old brilliant-cut diamond rows and accented by opposing slightly graduated old brilliant-cut diamond lines, diamonds approx. 4.10 carats total, signed Van Cleef et Arpels, numbered, French assay mark, length 7.0cm £5,000-£7,000 For a similar example see Sotheby’s Magnificent Jewels, New York, 6th December 2006, lot 263.
*See inside front cover for information regarding fees
203
200
45
Unredeemed Pawnbroker Pledges Please note the following lots may be withdrawn from auction at any time. Illustrations are available as part of the online catalogue. 210 A pair of tourmaline and diamond pendent earrings, one diamond detached £350-£400
221 A diamond three-stone ring, diamonds approx. 1.00 carat total £600-£700
211 A single-strand cultured pearl necklace, to a polished spherical clasp £450-£500
222 A sapphire and diamond half-eternity ring, diamonds approx. 0.25 carat total £450-£500
212 An aquamarine and diamond ring, diamonds approx. 0.75 carat total £800-£1,200 213 A diamond ring, principal diamond approx. 0.45 carat, remaining diamonds approx. 0.40 carat total £600-£700
223 A pair of sapphire and diamond cufflinks, diamonds approx. 0.40 carat total, French assay marks £550-£600 224 A diamond five-stone ring, mounted in 18 carat gold, diamonds approx. 1.20 carat total £2,000-£2,500
214 A diamond ring, principal diamond approx. 1.35 carat £2,700-£3,000
225 A sapphire and diamond cluster ring, mounted in 18 carat gold, partial UK hallmark £180-£220
215 A single strand cultured pearl necklace, suspending a diamond-set bow pendant, diamonds approx. 0.80 carat total £800-£850
226 A peridot, amethyst and tourmaline dress ring £750-£800
216 A single-stone diamond ring, set with a round brilliant-cut diamond, weighing approximately 0.90 carat £1,700-£2,000 217 A diamond ring, mounted in platinum, principal diamond approx. 0.35 carat, remaining diamonds approx. 0.25 carat total £450-£500 218 A sapphire, ruby and diamond ring. diamonds approx. 0.35 carat total £600-£650 219 A pair of tourmaline and diamond earrings £350-£400
227 A diamond half eternity ring, mounted in white gold, diamonds approx. 0.50 carat total, UK hallmark £450-£500 228 A diamond half eternity ring, mounted in 18 carat white gold, diamonds approx. 0.50 carat total, partial UK hallmark, European convention mark £500-£550 229 A diamond single-stone ring, mounted in 18 carat gold, diamond approx. 0.50 carat, UK hallmark £700-£800 230 A diamond single-stone ring, diamond approx. 0.50 carat £550-£600
231 A diamond single-stone ring, mounted in 18 carat gold, diamond approx. 0.45 carat, European convention mark £650-£700 232 A diamond ring, mounted in 18 carat gold, principal diamond approx. 0.35 carat, UK hallmark £450-£500 233 A diamond cluster ring, mounted in 18 carat white gold, UK hallmark, European convention mark, diamonds approx. 0.80 carat total £500-£550 235 A diamond eternity ring, mounted in 18 carat white gold, diamonds approx. 0.50 carat total £400-£500 236 A pair of amethyst pendent earrings £80-£120 237 A citrine and diamond ring, mounted in 18 carat gold, partial UK hallmark, European convention mark, diamonds approx. 0.40 carat total £400-£450 238 A ruby and diamond cluster ring £280-£320 239 A group of jewellery, comprising of a clarified amber ring and four clarified amber bracelets, and an orange paste dress ring (6) £380-£420 240 A pair of 11.6 mm cultured pearl earclips £380-£420 241 A cultured pearl necklace and pair of earrings £1,000-£1,500
220 A diamond eternity ring, diamonds approx. 1.40 carats total £1,000-£1,500
46
*See inside front cover for information regarding fees
Jewellery Tuesday, 17th September An invitation to consign for the for thcoming auction.
Specialist Valuation Day at South Kensington Saturday, 29th June 2019 FOR A COMPLIMENTARY VALUATION Sarah Duncan, Head of Jewellery sarah.duncan@chiswickauctions.co.uk
Index of Makers Maker
Lot Number
Antonini ...................................................................................................... 133 Asprey & Co. ................................................................................................ 61 B. Kieselstein-Cord .................................................................................... 101 Boucheron .................................................................................................... 15 Bulgari ........................................................................................................ 142 Cartier .................................................................................. 36, 139, 140, 145 Chanel ........................................................................................................ 100 Chaumet.................................................................................................. 58, 64 Chopard ........................................................................................................ 53 Currado ........................................................................................................ 77 Deakin & Francis ........................................................................................ 167 Dunhill ........................................................................................................ 197 Fope ............................................................................................................ 189 Frascarolo...................................................................................................... 61 Giovanni Ferraris........................................................................................ 109 Kurt Weiss .................................................................................................... 41 Marina B ...................................................................................................... 23 Mauboussin .................................................................................................. 62 Pasquale Bruni........................................................................................ 33, 68 Piaget .......................................................................................................... 116 Pomellato .............................................................................. 24, 193, 194, 195 SterlĂŠ .......................................................................................... 174, 176, 200 Theo Fennell .............................................................................................. 119 Tiffany & Co. .............................................................................................. 155 Roberto Demeglio ...................................................................................... 178 Rolex ............................................................................................................ 18 Valente .......................................................................................................... 17 Van Cleef & Arpels...................................................................................... 203 Zenith ............................................................................................................47
48
*See inside front cover for information regarding fees
Diamond Grading GIA Colour Grade Colourless
D E F
Diamond appears colourless both table-down and face-up.
Near Colourless
G H I J
Diamond displays a slight tint of colour when viewed table-down and appears colourless when viewed face-up.
Faint
K L M
Diamond displays obvious colour when viewed table-down and a slight tint of colour when viewed face-up.
Very Light
N O P Q R
Diamond displays obvious colour in both the table-down and face-up position.
Light
S T U V W X Y Z
Diamond displays obvious colour in both the table-down and face-up position.
Fancy Colours
Z+
Diamond displays darker tone or more colour saturation than a Z masterstone.
GIA Clarity Grading IF Internally Flawless
No inclusions or blemishes visible at 10x magnification.
VVS1 -VVS2
Very Very Slightly Included
No inclusions and only insignificant blemishes visible at 10x magnification.
VS1 -VS2
Very Slightly Included
Minute inclusions that range from extremely difficult to very difficult to see at 10x magnification.
SI1 -SI2
Slightly Included
Noticeable inclusions that are easy or very easy to see at 10x magnification.
I1 – 13
Included
Obvious inclusions visible at 10x magnification.
49
Tuesday 9th July ly 22019, 019, 22pm pm
ENQUIRIES Meg Randell, Head of Designer Handbags & Fashion meg@chiswickauctions.co.uk
Terms and Conditions for Buyers at Chiswick Auctions 1. BEFORE THE SALE 1.1 Agent for the seller Unless otherwise agreed, Chiswick Auctions Ltd, hereafter referred to as CA LTD acts as agent for the seller. The contract for sale of the property is therefore made between the Seller and the Buyer. 'H¼QLWLRQV For the purposes of the current Terms and Conditions, the Seller shall FI HI½RIH EW XLI S[RIV SJ XLI +SSHW -X MW MQTPMIH XLEX XLI 7IPPIV MW XLI legitimate owner and is authorised to sell the Lot. The Bidder is any registered person participating in the auction, and the Buyer is the successful Bidder for a particular Lot. The Lot means the item(s) put up for sale by CA Ltd and to which the present Terms and Conditions apply. &DWDORJXH GHVFULSWLRQV Any representation in any catalogue or otherwise as to the origin, date, age, attribution, genuineness or estimated selling price of any lot is a statement of opinion only. Such statements do not constitute a representation warranty or assumption of liability by CA Ltd in relation to the Lot. Any prospective Buyer should satisfy themselves prior to the sale as to the reliability of the catalogue description. The absence of mention related to prior restorations in the Catalogue descriptions does not imply that the good is exempt thereof. Photographs of any Lot provided by CA Ltd are for indicative purposes only and are not deemed to be a precise representa-tion of the said Lot. The Buyer is advised to seek independent expert advice in order to be assured of the authenticity and true state of the good. ,QVSHFWLRQ Prior to auction, prospective purchasers are strongly advised to personally examine personally any property in which they are interested to satisfy themselves in relation to matters which may concern them. &RQGLWLRQ UHSRUW CA Ltd may issue a Condition Report on request prior to the sale. 8LMW 'SRHMXMSR 6ITSVX MW JSV MHIRXM½GEXMSR TYVTSWIW SRP] ERH GERRSX FI considered as giving a precise account of the Lot’s true state. Thus, some imperfections and faults may not be accounted for in the Condition Report. As aforementioned, and in the absence of any contractual value of the Condition report, it is the Buyer’s sole duty to inspect in person the Lot in order be assured of its true condition and CA Ltd shall not be responsible for assertions within the Condition Report hereto. (OHFWULFDOV All electrical items are sold as seen and CA Ltd offers no guarantee as to the working condition of such items or their safety. -X MW XLI &Y]IV´W HYX] XS XEOI RIGIWWEV] WXITW XS FI EWWYVIH XLEX XLI 0SX is safe for normal use. (VWLPDWHV Estimates are based on various factors inherent to the situation of the market at the time of the sale, as well as considerations such as the condition, rarity, or quality of the item etc. Estimates are only indicative
and represent the opinion of CA Ltd. Estimates provided by CA Ltd cannot constitute a guarantee as to the value of the good. Subsequently, goods may sell at prices lower or higher than the provided estimates. 1.8 Reserves 1ER] 0SXW EVI SJJIVIH WYFNIGX XS E VIWIVZI [LMGL MW XLI GSR½HIRXMEP minimum sale price. The reserve will never exceed the low estimate printed in the catalogue. CA Ltd may open the bidding on any Lot below the reserve by placing a bid on behalf of the seller, and may in their discretion continue to bid up to the reserve price. This can be achieved by bidding in response to other bidders or alternatively by placing consecutive bids. 5HJLVWUDWLRQ WR WKH VDOH 2I[ FMHHIVW [MPP RIIH XS VIKMWXIV TVMSV XS XLI WEPI -X MW WXVSRKP] EHZMWIH bidders register at least 24 hours before the sale. Registration thereafter shall be at the auctioneer’s entire discretion. -RXIVREXMSREP FMHHIVW QE] FI VIUYMVIH XS VIKMWXIV LSYVW FIJSVI XLI sale and to submit bank details. A deposit may be requested prior to each sale. Failure to register shall result in the impossibility for the bidder to purchase a Lot. 3URRI RI LGHQWLW\ Bidders not previously known to CA Ltd will be required to provide: 3J½GMEP TVSSJ SJ MHIRXMX] MR XLI JSVQ SJ E TEWWTSVX SV TLSXSGEVH HVMZMRK PMGIRGI 2S SXLIV JSVQW SJ -( EVI EGGITXEFPI 4VSSJ SJ EHHVIWW SJ QEMR VIWMHIRGI 3RP] SJ½GMEP HSGYQIRXW showing name and address will be accepted. • Both landline and mobile telephone numbers • A bank reference for foreign bidders may be requested 'SVTSVEXI GPMIRXW [MPP LEZI XS TVSZMHI E GIVXM½GEXI SJ MRGSVTSVEXMSR TVMSV XS XLI EYGXMSR EPSRK [MXL XLI VITVIWIRXEXMZI´W -( MR EGGSVHERGI with the abovementioned requirements for proof of identity. Any Bidder that does not match the provided identity for registration may not purchase during the sale. 2. DURING THE SALE $WWHQGDQFH DW DXFWLRQ Attending the auction in person is recommended. CA Ltd has the right in their absolute discretion to refuse participation in any auction, to reject any bid, and to refuse admission to the premises. Bidders are not obliged to be present in person at the auction. Absentee bidders shall be required to make necessary arrangements with CA Ltd prior to the sale. 3HUVRQDO ELGGLQJ Bidders attending the auction in person shall be required to collect a number plate prior to the sale. &RPPLVVLRQ ELGV CA Ltd will use reasonable efforts to carry out Commission bids received
by them prior to the sale for the convenience of clients who are not present at the auction in person. Execution of Commission bids is a free service provided to help clients and CA Ltd does not accept liability for any failure to execute a Commission bid or for errors and omissions in connection with it. Commission bids shall be executed at the lowest possible price, subject to competing bids and reserves. Although CA Ltd will endeavour to inform Buyers, it is the Buyer’s responsibility to check if they have been successful in purchasing a Lot. -R XLI IZIRX SJ QYPXMTPI GSQQMWWMSRW EX XLI WEQI TVMGI XLI GSQQMWWMSR set at the older date shall be taken into account. 7HOHSKRQH ELGV -J E FMHHIV MW RSX EFPI XS EXXIRH MR TIVWSR ER EYGXMSR '% 0XH [MPP YWI reasonable efforts to contact prospective Buyers who make arrangements prior to commencement of the sale to bid by telephone. CA Ltd cannot be held responsible in the event of issues affecting connectivity, resulting in the loss of a chance of purchasing the Lot for the Bidder. ,QWHUQHW ELGV Some sales may be available to internet bidding, as well as personal EXXIRHERGI -R XLMW IZIRX '% 0XH WLEPP RSX FI LIPH VIWTSRWMFPI JSV MWWYIW affecting connection. %LGGLQJ RQ EHKDOI RI VRPHRQH % &Y]IV QE] FMH F] TVS\] -R XLMW IZIRX TVSSJ SJ MHIRXMX] SJ FSXL XLI Buyer and the proxy must be communicated to CA Ltd prior to the sale. A copy of the mandate shall also be required. %LGGLQJ RQ DQ LWHP Bid incrementing is at the auctioneer’s entire discretion. 9LGHR WUDQVPLVVLRQ For the purpose of the sale, Lots may be displayed on video during the EYGXMSR -R XLI IZIRX SJ XVERWQMWWMSR MWWYIW '% 0XH WLEPP RSX FI LIPH responsible for any subsequent outcome. 2QOLQH RQO\ DXFWLRQV Some auctions may be available to bidders only through an online TPEXJSVQ -R XLMW IZIRX &Y]IVW LEZI E HE] TIVMSH EX VIGITXMSR SJ XLI Lot to withdraw from the sale, in accordance with EU Consumer Law. 'LVSXWH UHVROXWLRQ GXULQJ WKH DXFWLRQ Any dispute shall be settled at the auctioneer’s absolute discretion. Under no circumstances will a sale be cancelled after the fall of the hammer, except at the auctioneer’s entire discretion. 3. CONTRACT FORMATION AND EFFECTS 3.1 Contract of sale The contract of sale is between the Buyer and the Seller. The Buyer shall be the bidder at the highest price at the fall of the hammer. The sale is deemed complete once the auctioneer announces its completion by the fall of the hammer and the contract shall be binding thereafter between the Buyer and the Seller and CA Ltd. When a Buyer purchases multiple Lots, each Lot is the subject of a separate contract of sale. 7UDQVIHU RI SURSHUW\ Property of the goods shall pass to the Buyer only once CA Ltd has received full payment for the goods, this includes the price at the fall of the hammer as well as Buyer’s premium, relevant taxes, and costs in relation to shipping. 7UDQVIHU RI ULVNV
Purchased Lots shall be at the Buyer’s risk in all respects from the fall of the hammer, and neither CA Ltd nor their agents shall be responsible for any loss or damage of any kind, whether caused by negligence or otherwise. &DQFHOODWLRQ RI WKH VDOH At the fall of the hammer, the contract is formed between the Buyer and CA Ltd and is binding thereafter. Under no circumstances can the Buyer cancel the sale. CA Ltd may at its entire discretion, during or after the auction, cancel the sale of the Lot or reoffer and resell the Lot if it becomes aware of any error or dispute of any nature, whether or not title has passed to the Buyer, and up to a period of 6 months after the said sale. +VSYRHW JSV GERGIPPEXMSR YRHIV XLI TVIWIRX WIGXMSR WLEPP MRGPYHI FYX RSX be limited to any dispute relating to the attribution or provenance of the Lot, ownership and title, fraud or deceit, lack of relevant licences SV GIVXM½GEXIW ER] WYFWIUYIRX GLERKIW MR HSQIWXMG SV MRXIVREXMSREP legislations restricting the sale of export of goods etc. -R XLI IZIRX SJ MRXIVRIX SRP] EYGXMSRW XLI &Y]IV WLEPP LEZI E HE] VMKLX to retract, after reception of the Lot, under EU Consumer Law. Public auctions are not covered by this right to retract. 4. AFTER THE SALE 3D\PHQW All purchased lots must be paid for on the day of the auction. Commission bids must be paid for no later than the day after the auction. Payment must be in cash, debit, credit card or bank transfer. Cheques are not accepted. Cash payments shall not be receivable for amounts over €10,000, regardless of the payment being for one or multiple Lots. Payments made by someone other than the registered Buyer shall not be accepted. Title will not pass to the Buyer until CA Ltd has received all amounts due to them in cleared funds even if the Lot has been released to the Buyer. %X\HU³V 3UHPLXP The Buyer will pay CA Ltd a premium of 25% on the hammer price plus :%8 SR XLEX GSQQMWWMSR SR XLI ½VWX † ERH TPYW :%8 SR XLI balance thereafter. A Buyer’s Premium of 19.5% plus VAT is charged on Wine & Spirits Lots. The VAT payable varies by symbol as below: No Symbol: The standard rate of VAT is charged on the premium under the Auctioneers Margin Scheme in accordance with Art. 333 of 2006/112/EC. Standard UK VAT will be charged on the buyers’ premium and invoiced on an inclusive basis. †: Normal VAT rules apply and the standard rate of VAT will be charged on both hammer price and premium. *:These lots have been imported from outside the EU for sale and placed YRHIV XLI 8IQTSVEV] %HQMWWMSR VIKMQI -QTSVX :%8 MW TE]EFPI EX SR the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on the invoice. -R SVHIV XS VIGIMZI E VIJYRH SJ :%8 EQSYRXW -QTSVX :%8 EW ETTPMGEFPI non-EU buyers must: (a) have registered to bid with an address outside of the EU; and (b) export the lot from the EU within 30 days of collection for * lots and 3 months of collection for all other lots and immediately afterwards provide us with satisfactory proof of export. (c) Details of the documents which you must provide to us to show satisfactory proof of export/shipping are available from our Finance team. % TVSGIWWMRK JII SJ † TIV MRZSMGI MW GLEVKIH XS GLIGO WLMTTMRK export documents.
H 2S :%8 EQSYRXW SV -QTSVX :%8 [MPP FI VIJYRHIH [LIVI XLI XSXEP
VIJYRH EJXIV HIHYGXMRK XLI TVSGIWWMRK JII MW YRHIV †
Saturday at CA Ltd’s discretion.
4.3 Taxes The Buyer is responsible for paying VAT on any Lot, above hammer price and Buyer’s premium. The rate applicable shall be the legal rate at the date of the sale. +SSHW WYGL EW FSSOW ERH ERXMUYI FSSOW QYWMG QETW ERH GLEVXW IXG EVI subject to zero-rated VAT. -R EHHMXMSR ER] MQTSVX XE\IW XLEX QE] FI MRGYVVIH WLEPP FI TEMH F] XLI Buyer above hammer price, VAT and Buyer’s premium. The present paragraph applies in particular to imports within the United-States and Australia. The Buyer is advised to verify such matters prior to the sale.
4.7 Storage CA Ltd offers a discretionary 14 days free storage on purchased Lots from the date of the sale. Thereafter Lots not collected shall incur WXSVEKI GLEVKIW SJ † TIV PSX TIV HE] SV TEVX XLIVISJ '% 0XH WLEPP be entitled to retain purchased Lots sold until all sums due have been TEMH XS '% 0XH -J ER] TYVGLEWIH PSX VIQEMRW YRGSPPIGXIH HE]W EJXIV XLI WEPI WXSVEKI GLEVKIW WLEPP XLIVIEJXIV FI † TIV HE] ERH '% 0XH shall, in accordance with the Law, have the right to sell the purchased Lot to recover payment of storage charges outstanding. Any balance proceeds of sale received after payment of all sums outstanding and due to CA Ltd shall be held for the account of the Buyer.
$UWLVW 5HVDOH 5LJKWV 'URLW GH 6XLWH Lots marked with ‘ARR’ may be subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or to the artist’s heir each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a cumulative sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to Lots selling below the sterling equivalent of â‚Ź1,000 and the maximum royalty payable on any single Lot is the sterling equivalent of â‚Ź12,500. Royalties for Droit de Suite are as follows: • From 0 to â‚Ź50,000 4% • From â‚Ź50,000.01 to â‚Ź200,000 3% • From â‚Ź200,000.01 to â‚Ź350,000 1% • From â‚Ź350,000.01 to â‚Ź500,000 0.5% • Exceeding â‚Ź500,000 0.25% 5HPHGLHV IRU QRQ SD\PHQW -J XLI &Y]IV JEMPW XS QEOI JYPP TE]QIRX MR GPIEVIH JYRHW [MXLMR XLI XMQI required as aforementioned, CA Ltd shall be entitled to exercise any one or more of the following rights or remedies additional to such other rights or remedies available: • To cancel the sale • To charge interest at 4% per annum above the base rate of Lloyds Bank Plc. • To resell the Lot on such terms by auction or otherwise entirely at CA Ltd’s discretion. The Buyer will be liable for all costs including legal fees incurred in the sale and will remain liable for any shortfall arising upon sale. • To offset against any sums which CA Ltd may owe the Buyer the outstanding sums unpaid by the said Buyer • Where the Buyer owes sums to CA Ltd in respect of different transactions, to discretionarily apply any sum paid by the Buyer for discharge of any owed sums. • To refuse entry to the Buyer at any future auction and/or reject any future bids by the Buyer and/or seek a deposit from the Buyer entirely in the discretion of CA Ltd. • To exercise a lien over the Buyer’s property in the possession of CA Ltd as collateral for any outstanding sums owed and to exercise all the rights and remedies of a person holding security over any such property, whether by way of pledge, security interest or in any other way to the extent permitted by Law. • To commence legal proceedings for the recovery of the total amount due together with interest, legal fees and costs. • To take such other action as is permissible by Law and in the discretion of CA Ltd. &ROOHFWLRQ Purchased Lots can be collected from the auction room after the sale has ended or between 10am and 6pm up until close of business on the Friday following the sale. Special arrangements may be made for collection on
6KLSSLQJ Any shipping costs that may arise subsequently to the sale shall be at the Buyer’s expense. Such costs may include but not limited to postage, import and export permits where required and any other licence necessary for goods to be shipped outside of the European Union. CA Ltd does not offer insurance for shipping. However, CA Ltd may arrange insurance upon the Buyer’s request and at the Buyer’s expense. CA Ltd cannot be held responsible for any damages that may be incurred to goods prior to the fall of the hammer. /RVV RU 'DPDJH CA Ltd does not accept liability for loss or damage occurring to Lots after the sale. CA Ltd will use reasonable efforts when handling packing and shipping of Lots purchased, but shall not be responsible for any loss or damages that may occur whilst the said Lot is in any third party’s care. &XOWXUDO *RRGV LPSRUW DQG H[SRUW UHVWULFWLRQV Cultural goods may be subject to import and export restrictions. Under EU Regulations related to the trade of cultural goods, export licences may be required for export outside of the European Union if the item’s value exceeds the EU threshold. Under UK Law, a licence may also be required for intra-EU trade. Licenses are issued by Arts Council England and it is the Buyer’s duty to SFXEMR XLIQ 7SQI GSYRXVMIW VIWXVMGX XLI MQTSVX SJ WTIGM½G GYPXYVEP KSSHW For example, the United States prohibits the import of pre-Columbian monumental or architectural sculpture or murals, as well as any cultural KSSHW MR TVSZIRERGI JVSQ WSQI GSYRXVMIW WYFNIGX XS EVQIH GSRžMGXW The Buyer must verify local legislation prior to the sale in order to be assured that import or export is possible. &,7(6 LPSRUW DQG H[SRUW UHVWULFWLRQV 'IVXEMR IRHERKIVIH WTIGMIW EVI PMWXIH MR XLI '-8)7 'SRZIRXMSR 0MWXIH specimens and any parts or products thereof are subject to issuance of an export permit when leaving the European Union. %TTIRHM\ - WTIGMIW EVI EPWS WYFNIGX XS MWWYERGI SJ E TVMSV MQTSVX TIVQMX from the country in which the goods are to be imported. Such permits are necessary before applying for export permits and it is the Buyer’s duty to initiate the proceedings with the relevant authority. The Buyer must be aware that certain countries prohibit the import of some species or any parts or products derived thereof. For example, the United States prohibit all import of African elephant ivory, and any item containing parts that may merely resemble African elephant ivory must be accompanied by relevant documentation stating it is not the latter. Worked items that are dated before 1947 are exempt from import restrictions for intra-EU trade and shall not require export licences. Please be aware that all Lots marked with the symbol Ν are subject to '-8)7 VIKYPEXMSRW /LPLWDWLRQ RI OLDELOLW\ UHJDUGLQJ &,7(6 H[SRUW OLFHQVHV Where licences are required for importing or exporting outside of the European Union, it is the Buyer’s duty to obtain them.
CA Ltd cannot be held responsible if the Buyer’s application for an export permit is unsuccessful. Subsequently, in the event of failure thereof, CA Ltd shall not permit cancellation or rescission of the sale. :DUUDQWLHV CA Ltd does not provide the Buyer with warranties relating to any Lot, unless required by Law. $XWKHQWLFLW\ ZDUUDQW\ -R XLI IZIRX SJ E 0SX FIMRK WSPH EW EYXLIRXMG YRHIV XLI GEXEPSKYI description and the Buyer provides evidence in the form of a written report by a recognised expert or test results that the said Lot is not, CA Ltd will refund the purchase price. 8LI &Y]IV WLEPP KMZI RSXMGI XS '% 0XH [MXLMR HE]W JVSQ ORS[PIHKI SV any event giving reasons for suspecting that the item is not authentic, and within one year of the said sale. Any claim thereafter shall not be receivable. *SV XLI TYVTSWIW SJ XLI TVIWIRX TEVEKVETL EYXLIRXMGMX] WLEPP FI HI½RIH EW the state of a Lot that is genuine and not a forgery or a copy. 5. ANTIQUITIES AND TRIBAL ART ,PSRUW DQG H[SRUW UHVWULFWLRQV DQG UHJXODWLRQV Archaeological goods over 100 years of age, unless covered by exemption SJ PMQMXIH WGMIRXM½G MRXIVIWX [MPP VIUYMVI ER )9 0MGIRGI JSV I\TSVX XS E third country, regardless of their value. -X MW VIGSQQIRHIH XLEX XLI &Y]IV GSRXEGX XLI )\TSVX 0MGIRWMRK 9RMX EX Arts Council England in order to be assured the good is or not of limited EVGLEISPSKMGEP SV WGMIRXM½G MRXIVIWX Archaeological goods found on United-Kingdom soil or in UK territorial waters over 50 years of age shall require a UK Licence regardless of their value and regardless of the export destination. Other archaeological SFNIGXW VIKEVHPIWW SJ XLIMV SVMKMR [MPP VIUYMVI ER -RHMZMHYEP 0MGIRGI SV 3+)0 HITIRHMRK SR XLIMV ZEPYI Both European-Union and UK Licences may be required simultaneously JSV WSQI MXIQW -X MW XLI &Y]IV´W HYX] XS YRHIVXEOI XLI RIGIWWEV] WXITW CA Ltd cannot be held responsible and the sale cannot be cancelled in the event of failure to obtain the relevant licences. 6. JEWELLERY *HPVWRQH WUHDWPHQW DQG HVWLPDWHV Many gemstones on the market have been treated so as to augment their appearance, in a reversible or permanent manner. Treatments under the present section may be but not limited to: • Heat treatment to enhance sapphires and rubies’ clarity and colour • Oil and resin treatments for emeralds applied in different ways, to enhance clarity of the stone • Staining ˆ -VVEHMEXMSR • Coating Estimates provided by CA Ltd are deemed to be based on the fact that the gemstone may have been subject to any type of treatment in the past. CA Ltd shall not be responsible in the absence of mention thereof. % GIVXM½GEXI QE] FI MWWYIH F] E PEFSVEXSV] TVSZMHMRK [MXL HIXEMPIH MRJSVQEXMSR on the condition of the gemstone and any treatment applied thereto. The Buyer must be aware that different laboratories have different approaches as to the degree or type of treatment for a particular gemstone. -J E GIVXM½GEXI EGGSQTERMIW XLI 0SX XLI &Y]IV QYWX FI E[EVI XLEX MX MW QIVIP] a statement of the laboratory’s opinion and in no way can CA Ltd be held VIWTSRWMFPI JSV ER] QIRXMSRW XLIVIMR 7YGL GIVXM½GEXIW EVI HIIQIH XS FI delivered with the Lot for informative purposes only.
(VWLPDWHG ZHLJKWV -J E WXSRI´W I\EGX [IMKLX ETTIEVW [MXLMR XLI FSH] SJ XLI HIWGVMTXMSR XLI WXSRI LEW FIIR YR QSYRXIH ERH [IMKLIH F] '% 0XH -J XLI [IMKLX SJ E stone is stated to be approximate, the stone has been assessed by CA Ltd [MXLMR MXW WIXXMRK ERH XLI HI½RIH [IMKLX MW E WXEXIQIRX SJ STMRMSR SRP] This information is given as a guide and bidders should satisfy themselves with regard to this information as to its accuracy. 6LJQDWXUHV ‘$ GLDPRQG ULQJ E\ ;’: When the maker’s name appears in the title, in Chiswick Auctions’ opinion the piece is by that maker. ‘$ GLDPRQG ULQJ VLJQHG ;’: Has a signature that, in Chiswick Auctions’ opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered. ‘$ GLDPRQG ULQJ PRXQWHG E\ ;’: Has been created by the jeweller, in Chiswick Auctions’ opinion, but using stones or designs supplied by the client. ‘0DNHU³V PDUN IRU ;’: Has a maker’s mark which in Chiswick Auctions’ opinion is authentic. Some items may include parts or products derived from endangered species, such as ivory or coral. Such items may be subject to import or I\TSVX VIWXVMGXMSRW 7II WIGXMSR SR '-8)7 VIKYPEXMSRW JSV QSVI HIXEMPW 7. CLOCKS AND WATCHES All Lots are sold as seen. Clocks and watches are therefore not deemed to be sold in working condition. Absence of reference thereof in the description does not imply that the Lot is in good condition and without defects, or has been subject to repair or restoration. CA Ltd makes no representation or warranty that any clock or watch is MR [SVOMRK SVHIV %W GPSGOW ERH [EXGLIW SJXIR GSRXEMR ½RI ERH GSQTPI\ mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Most clocks and watches are likely to have been repaired in the past, and as a result may include parts that are not original thereto. The United-States restrict the importation of watches such as Rolex, Frank Muller or Corum. Such models can only be imported personally by the Buyer and CA Ltd cannot assist with shipping thereof. Some watches may include leather straps derived from endangered species. Buyers may be required to obtain appropriate permits for MQTSVX SV I\TSVX TYVTSWIW MR EGGSVHERGI [MXL '-8)7 VIKYPEXMSRW CA Ltd acts in compliance with such legislations and shall take necessary steps where required. Subsequently, watches may be deemed sold without their straps. 8. FURNITURE 8SKROVWHUHG IXUQLWXUH DIWHU According to The Furniture and Furnishings (Fire Safety) Regulations JYVRMXYVI XLEX [EW YTLSPWXIVIH EJXIV XLI WX SJ .ERYEV] MW subject to restrictions in the United-Kingdom. Exempt upholstered furniture that does not meet such requirements is deemed sold for purely aesthetic purposes. CA Ltd shall not be VIWTSRWMFPI JSV PEXIV EPXIVEXMSRW XS XLI JYVRMXYVI QEOMRK MX YR½X JSV WEPI 9. GLOSSARY OF PICTURE CATALOGUING TERMS Any Statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.
1 JMW Turner: -R SYV STMRMSR E [SVO F] XLI EVXMWX ;LIR XLI EVXMWX´W forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. $WWULEXWHG WR -0: 7XUQHU -R SYV STMRMSR TVSFEFP] E [SVO F] XLI artist, but less certainly as to the authorship expressed than in the preceding category. 6WXGLR RI -0: 7XUQHU -R SYV STMRMSR TVSFEFP] E [SVO F] ER YRORS[R hand in the studio of the artist, which may or may not have been executed under the artist’s direction. &LUFOH RI -0: 7XUQHU -R SYV STMRMSR E [SVO F] ER EW ]IX YRMHIRXM½IH but distinct hand, closely associated with the named artist and of the period, but not necessarily his pupil. 6W\OH RI¨ )ROORZHU RI -0: 7XUQHU -R SYV STMRMSR E [SVO F] E TEMRXIV working in the artist’s style, but not necessarily his pupil. 6 Manner of JMW Turner: -R SYV STMRMSR E [SVO MR XLI WX]PI SJ XLI EVXMWX and of a later date. 7 After JMW Turner: -R SYV STMRMSR E GST] SJ ER] HEXI SJ E ORS[R [SVO of the artist. 8 The term ‘signed’ and/or ‘dated’ and/or ‘inscribed’ means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. 9 The term ‘with signature’ and/or ‘with date’ and/or ‘with inscription’ means that in our opinion the signature and/or date and/or inscription have been added by another hand than that of the artist. 10 Pictures are framed unless otherwise stated.
the wine or spirit. Lack of mention thereof in the description is not a representation of ER ³EGGITXEFPI´ ½PP PIZIP JVSQ '% 0XH CA Ltd offers no guarantee as to suitability for drinking of the wine or spirit. The Buyer must be aware of the risk that the taste of a wine or spirit may be altered due to factors such as age, storage conditions, oxidation, etc. 13. COPYRIGHT CA Ltd shall own the copyright on all images, illustrations and written material produced by or for CA Ltd relating to a Lot, including catalogue contents. Such copyright shall remain at all times the property of CA Ltd. Neither the Buyer nor anyone else shall use the above mentioned materials without the prior written consent of CA Ltd. Some Lots may be subject to copyright protection, CA Ltd does not guarantee said Lots are free thereof. 14. DATA PROTECTION The Buyer agrees that personal information transmitted to CA Ltd may be disclosed exclusively for the purposes of business, or as required by Law. CA Ltd shall not use personal information for any other purpose without the Buyer’s prior consent. CA Ltd never sell, lend or trade in personal data provided by any Bidder.
10. ASIAN ARTS
15. SEVERABILITY
,PSRUW DQG H[SRUW UHVWULFWLRQV ;LIR HIEPMRK [MXL %WMER %VXW ERH QSVI WTIGM½GEPP] [MXL MXIQW QEHI SJ exotic wood (e.g. all species of rosewood) or elephant ivory, the Buyer QYWX FI E[EVI SJ MQTSVX ERH I\TSVX VIWXVMGXMSRW MR EGGSVHERGI [MXL '-8)7 Regulations.As aforementioned in the Section relating to such matters, import ERH I\TSVX TIVQMXW SV VI I\TSVX GIVXM½GEXIW QE] FI VIUYMVIH :IVM½GEXMSR letters will be required for re-export of worked rhinoceros items.
Whenever and to the extent that any provisions of these terms would or might contravene the provision of any relevant legislation, such provision is to take effect only in so far as it may do so without contravening such legislation and the legality, validity and enforceability of any of the remaining provisions are not in any way to be affected or impaired as a result.
)LQH &KLQHVH 3DLQWLQJV 'YVVIRX WGLSPEVWLMT MR XLI ½IPH SJ 'LMRIWI 4EMRXMRKW ERH 'EPPMKVETL] HSIW RSX TIVQMX YRUYEPM½IH WXEXIQIRXW EW XS XLI EYXLSVWLMT SV HEXI SJ execution.The limited right of rescission contained in the present terms and conditions does not apply to Chinese paintings. 2SX[MXLWXERHMRK MJ [MXLMR HE]W SJ XLI WEPI SJ ER] WYGL 0SX XLI SVMKMREP purchaser gives written notice to CA Ltd that the Lot is a forgery and within fourteen days after giving such notice, the original purchaser returns the lot to us in the same condition as at the time of sale and demonstrates to our satisfaction that the lot is a forgery, CA Ltd will rescind the sale and VIJYRH XLI TYVGLEWI TVMGI VIGIMZIH *SV XLMW TYVTSWI E ³JSVKIV]´ MW HI½RIH as a work created with the intent to deceive. 11. BOOKS AND MANUSCRIPTS Books and manuscripts sold as incomplete are not subject to returns. Printed books may be returned for a full refund only if they prove to be defective in text or illustration. This shall not apply to the absence of blanks, half titles or advertisements, to un-named books or to books sold under the heading of ‘binding’ or ‘bindings’. 12. WINES AND SPIRITS -R EGGSVHERGI [MXL EKVIIH WXERHEVHW MR XLI XVEHI IWXMQEXIW WLEPP FI HIIQIH XS LEZI XEOIR MRXS EGGSYRX XLI ½PP PIZIP For the purposes of the present Terms and Conditions, the ‘Fill Level’ refers to the space between the base of the cork and the liquid in the bottle. Fill levels may vary with age or depending on the condition of
16. AMENDMENTS The current Terms and Conditions may be amended, verbally or in writing, prior to the sale. 17. LAW AND JURISDICTION The rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with the Law of England and Wales. *SV XLI FIRI½X SJ '% 0XH EPP FMHHIVW ERH WIPPIVW EKVII XLEX XLI 'SYVXW SJ England are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship warranty relate or apply. All parties agree that CA Ltd shall retain the right to bring proceedings in any court other than the Courts of England.
SPECIALISTS
Antiquities & Tribal Art
Jewellery
Alice King, Head of Department antiquities@chiswickauctions.co.uk
Sarah Duncan, Head of Department jewellery@chiswickauctions.co.uk
Arms, Armour & Militaria
Modern Design
Matthew Easton, Head of Department armsandarmour@chiswickauctions.co.uk
Bruce Addison, Head of Department bruce.addison@chiswickauctions.co.uk
Asian Art
Photographica
Lazarus Halstead, Head of Department asian@chiswickauctions.co.uk
Design & Interiors Liz Winnicott, Head of Department design@chiswickauctions.co.uk
Austin Farahar, Head of Department photographica@chiswickauctions.co.uk
Rare Books & Works On Paper Clive Moss, Head of Department books@chiswickauctions.co.uk
Designer Handbags & Fashion
Valentina Borghi, Head of Sales – Autographs & Memorabilia autographs@chiswickauctions.co.uk
Meg Randell, Head of Department fashion@chiswickauctions.co.uk
Rugs & Carpets
European Works Of Art & Clocks
Mark Henry LampĂŠ, Head of Department rugs@chiswickauctions.co.uk
Rachael Osborn-Howard, Head of Department worksofart@chiswickauctions.co.uk
Silver & Objects of Vertu
Fine Art
John Rogers, Head of Department silver@chiswickauctions.co.uk
Adrian Biddell, Head of Department adrian.biddell@chiswickauctions.co.uk
Urban Art
Suzanne Zack, Head of Sale, British and European Fine Art suzanne.zack@chiswickauctions.co.uk Krassi Kuneva, Head of Sale, Modern & Post-War British Art krassi.kuneva@chiswickauctions.co.uk Natasha Broad, Acting Head of Sale, Old Masters natasha.broad@chiswickauctions.co.uk Luke Price, Specialist, Paintings & Fine Art luke.price@chiswickauctions.co.uk
Islamic & Indian Art Beatrice Campi, Head of Department islamic@chiswickauctions.co.uk
Penelope Sonder, Head of Department urbanart@chiswickauctions.co.uk
Watches Tomas Aznar, Head of Department watches@chiswickauctions.co.uk
Wine & Spirits Sam Hellyer, Head of Department wine@chiswickauctions.co.uk
SPECIALISTS
SALE CALENDAR
JULY 10 Wednesday (IWMKR -RXIVMSVW
16 Tuesday -WPEQMG -RHMER %VX MRGPYHMRK *MRI 6YKW 'EVTIXW 'EVTIXW ;IZIP ,]VKIV /,
Inez Flynn FGA
Head of Department Jewellery [IZIP L]VKIV(KPQ[_QKSI]K\QWV[ KW ]S
Specialist Jewellery QVMb ÆaVV(KPQ[_QKSI]K\QWV[ KW ]S
17 Wednesday Urban & Contemporary Art Modern Design
%9+978 13-14 Tuesday - Wednesday Chiswick Summer Sale including (IWMKR -RXIVMSVW Rugs & Carpets Affordable Luxury Books & Works on Paper
SEPTEMBER 03 Tuesday Asian Art
10 Tuesday BUYER’S PREMIUM The buyer shall pay Chiswick Auctions Ltd a premium on the hammer price of 25% plus VAT on that commission. TELEPHONE BIDDING Please note that requests for telephone bids should be submitted no later than 5pm on the day prior to the sale.
LIVE BIDDING
&MH SRPMRI [MXL 'LMW[MGO 0MZI XS FIRI½X JVSQ Chiswick Auctions’ standard buyer’s premium terms with no additional surcharges.
COLLECTION OF LOTS Buyers are asked to collect their lots on the day of the sale or between 10am and 6pm up until close of business on Friday following the sale.
(IWMKR -RXIVMSVW MRGPYHMRK 4LSXSKVETLMGE
CITES Please be aware that all lots marked with the symbol λ are subject to CITES regulations. Please see our Terms & Conditions for more information.
17 Tuesday
11 Wednesday Silver & Objects of Vertu
Jewellery Watches *Please note that auction dates are subject to change
Lot 16
Jewellery 9 July 2019
1 Colville Road, London W3 8BL +44 (0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk
Jewellery Tuesday 9th July 2019