Chiswick-Auctions-Asian-Art-November-2018 by Chiswick Auctions

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Asian Art

12th & 13th November 2018

1 Colville Road, London W3 8BL +44 (0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk

Asian Art London 12th - 13th November 2018

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SPECIALISTS

SALE CALENDAR

OCTOBER

WEDNESDAY

Old Masters

Lazarus Halstead

Yasuko Kido

Head of Department Asian Art lazarus@chiswickauctions.co.uk

Japanese Art Specialist Asian Art yasuko@chiswickauctions.co.uk

NOVEMBER

MONDAY

Fine Chinese Paintings Kangxi: Porcelain and Decorative Arts

TUESDAY

Asian Art

TUESDAY

Jewellery Veronica Li

Tricia Cui

Senior Department Coordinator Asian Art veronica@chiswickauctions.co.uk

Department Coordinator Asian Art tricia.cui@chiswickauctions.co.uk

Watches Interiors & Design

WEDNESDAY

Designer Handbags & Fashion

WEDNESDAY

Printed Books & Manuscripts BUYER’S PREMIUM The buyer shall pay Chiswick Auctions Ltd a premium on the hammer price of 25% plus VAT on that commission. TELEPHONE BIDDING Please note that requests for telephone bids should be submitted no later than 5pm on the day prior to the sale.

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invaluable.co.uk Please note there is a 5% +VAT surcharge for using this service. COLLECTION OF LOTS Buyers are asked to collect their lots on the day of the sale or between 10.00 and 18.00 up until close of business on Friday following the sale.

IMPORTANT INFORMATION

CITES

Please be aware that all lots marked with the symbol ƀ are subject to CITES regulations. Please see our Terms & Conditions for more information. ARTIST’S RESALE RIGHT/DROIT DE SUITE

Lots marked with ARR indicates that an additional levy may apply for this lot. Please see our Terms & Conditions for more information.

Photographica

DECEMBER

TUESDAY

Fine Rugs & Carpets Wine & Spirits

WEDNESDAY

Fine European Works of Art & Clocks Designer Handbags & Fashion

Lot 232

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Asian Art I Monday 12th November 2018, 12.30 Lots 188 - 315

Amber Monday 12th November 2018, 14.30 Lots 316 - 368

Asian Art II Tuesday 13th November 2018, 11.00 Lots 370 - 807

VIEWING AT CHISWICK full sale Friday Saturday Sunday Monday Tuesday Wednesday Thursday Friday Saturday Sunday Monday Tuesday

2 November 3 November 4 November 5 November 6 November 7 November 8 November 9 November 10 November 11 November 12 November 13 November

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PHOTOGRAPHERS GENERAL ENQUIRIES +44(0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk 1 Colville Road, London W3 8BL

Steven McCauley Jordan Salzmann Darrell Russell Monika Olek

Basak Ulukose Front cover: Lot 225 Back cover: Lot 234

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Asian Art I

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Monday 12th November 2018, 12.30 Lots 188-315

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JADES FROM THE COLLECTION OF EMANUEL SNOWMAN (lots 188 to 191) 188 A CARVED JADE ‘LOTUS’ HANDLED BOWL. Qing Dynasty, 18th to 19th Century. The tall rounded sides rising to an everted rim, from a high spreading foot, the body finely worked as a lotus bloom with overlapping petals, lappets also incised to the foot, the twin handles naturalistically carved and pierced in the form of leafy bamboo stems, a double headed bamboo pod emerging from the centre of the wellhollowed interior, 7cm H, 9cm diameter. Provenance: Collection of Emanuel Snowman (1886 - 1970), thence by descent to a member of the Wartski family. £2,000 – 3,000 清十八 / 十九世紀玉雕竹蓮紋盌

189 A JADE ‘BATS AND CLOUDS’ VASE, GU. Qing Dynasty, 18th to 19th Century. Of archaistic gu shape, a pattern of finely incised bats among clouds extending over the tall foot, mid-section and everted neck, enclosed by lotus lappets on the rim and raised lappets around the foot, 15cm H, 10.5cm diameter. Provenance: Collection of Emanuel Snowman (1886 - 1970), thence by descent to a member of the Wartski family. £1,500 – 2,000 清十八 / 十九世紀玉雕雲蝠紋觚式瓶

*See inside front cover for information regarding fees

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190 A CARVED JADE TRIPOD INCENSE BURNER. Qing Dynasty. The rounded body with three rows of raised bosses, supported on three cylindrical feet each incised with stylised cicadas, the lipped rim supporting loop handles, incised with key scrolls, 13cm H, 11cm diameter. Provenance: Collection of Emanuel Snowman (1886 - 1970), thence by descent to a member of the Wartski family. £1,000 – 2,000 清玉雕雙活環兒三足爐

191 A CARVED JADE TRIPOD INCENSE BURNER. Early 20th Century. The smooth globular body rising to a waisted neck and everted rim, the shoulders applied with twin rectangular handles, the tripod cabriole feet finely incised with lion heads, 12cm H, 10cm diameter. Provenance: Collection of Emanuel Snowman (1886 - 1970), thence by descent to a member of the Wartski family. £1,500 – 2,000 二十世紀早期玉雕雙耳三足爐

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192 A YELLOW GLASS BOTTLE VASE. Qing Dynasty, Qianlong mark and of the period. The globular body supported on a flared foot, surmounted by a long tubular neck, the glass of a deep yellow colour, incised four character Qianlong mark to base, 17cm H. £2,000 – 3,000 清乾隆黃料長頸瓶，陰文「乾隆年製」楷书款

193 A GREEN GLASS SPITTOON, ZHADOU. Qing Dynasty, Qianlong mark and probably of the period. With a globular body and a tall flared neck, incised four character Qianlong mark to base, 9.5cm H. £3,000 – 5,000 清約乾隆綠料渣斗，陰文「乾隆年製」楷書款

*See inside front cover for information regarding fees

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194 AN INCISED WHITE-GLAZED DISH. Qing Dynasty, Qianlong mark and of the period. The interior with a circular roundel enclosing flowers emerging from ornamental rockwork, similar decoration around the exterior, six character Qianlong mark to base in underglaze blue, 21cm diameter. £800 – 1,200 清乾隆白釉印花紋碟，青花「大清乾隆年製」篆書款

195 A MONOCHROME TURQUOISE DISH. Qing Dynasty. The exterior enamelled in ox-blood red, six character Qianlong mark to base, 26.5cm diameter. £400 – 600 清綠松地碟，青花「大清乾隆年制」篆書款

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196 A DOUCAI ‘FLOWER BASKET’ DISH. Qing Dynasty, Yongzheng era. Decorated with a central roundel of a basket of flowers on a rootwork base, within a band of coiled dragons among foliage, six character Chenghua mark to base, 21cm diameter. £2,000 – 3,000 清雍正鬥彩花籃紋碟，青花「大明成化年製」楷書款

197 A YIXING ZISHA TEA CADDY. Ming Dynasty. The globular body rising to wide shoulders and an upright neck, pewter cover, 13cm H. (2) £2,000 – 3,000 明宜興紫砂茶葉罐連錫蓋

*See inside front cover for information regarding fees

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A HAN ZHEN YIXING TEAPOT FROM AN ENGLISH PRIVATE COLLECTION (lot 198) 198 A YIXING ZISHA TEAPOT AND COVER. Qing Dynasty, 18th to 19th Century, signed Han Zhen. The cylindrical body incised with a calligraphic inscription ban shanshui zhi furen and signed Han Zhen, the loop handle opposite an S-shaped handle, the cover with a cylindrical finial carved and pierced to the top with two coiled qi dragons one with a spray of lingzhi fungus held in the mouth, the interior of the cover with impressed Han Zhen mark, 14cm H, 13cm diameter. (2) Provenance: English private collection, acquired in London in 1992. £10,000 – 15,000 清十八 / 十九世紀宜興茶蓋壺，「伴山水之父人」、「渼珍」款

Han Zhen teapots are generally enamelled such as the example in Patrice Valfré, Yixing: Teapots for Europe, 2000, p 240, cat no 321, and an example including Han Zhen’s calligraphy is extremely rare and appears to be unrecorded. For a Fang Henlu teapot of similar shape and with a similar finial see David Howard and John Ayres, China for the West: Chinese Porcelain & other Decorative Arts for Export illustrated from the Mottahedeh Collection, 1978, cat no 86.

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199 TWO WUCAI MONTH CUPS. Qing Dynasty, Tongzhi mark and of the period. With steep rounded sides rising to a flared rim, each painted to the exterior in underglaze-blue and overglaze enamels with figures in a landscape, among trees with mountains in the distance, the reverse inscribed Qing xiang he su yu. Jia se chu qing yan (The fragrance blends with the flavour of evening rain. The beautiful colour stands out in clear weather like in mist), ending with a single-character seal mark, shang, six-character mark to base in underglaze blue, 7cm diameter. (2) Provenance: Sotheby’s Hong Kong, 2nd November 1998, lot 325. £6,000 – 8,000 清同治十月芙蓉花闘彩杯兩只，青花「大清同治年製」楷書款款識：清香和宿雨，佳色出晴烟

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A DOUCAI CHICKEN CUP FROM A EUROPEAN PRIVATE COLLECTION (lot 200) 200 A DOUCAI CHICKEN CUP. Qing Dynasty, 18th Century. Finely potted with rounded sides rising from a countersunk base to a gently flared rim, the exterior delicately outlined in underglaze blue and painted in bright translucent enamels of yellow, green, olive green and iron-red tones, one side with a cockerel turned back to see the hen lowered to observe one of the three surrounding chicks, the reverse with a further cockerel leading a hen and three chicks, the two scenes divided on one side by jagged underglaze-blue rocks with flowers emerging from them, the base inscribed in underglaze blue with a six-character Chenghua mark within a double square, 4cm H, 9.5cm diameter. Provenance: European Private Collection, acquired in the 1960s. £5,000 – 8,000 清十八世紀鬥彩雞缸杯，青花「大明成化年製」楷書款

(interior)

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201 A CANTON ENAMEL TRAY. Qing Dynasty, Qianlong era. Of rectangular form with cut corners, the central panel depicting a garden with a lady with attendant beside a lotus pond, within a floral border, the reverse painted with a bouquet of peaches and peonies with an attendant bat, with a border of kui dragons, 19 x 30cm. £1,000 – 2,000 清乾隆廣東銅胎琺瑯人物故事圖紋托盤

202 A CANTON ENAMEL WINE POT AND COVER. Qing Dynasty, Qianlong period. The body lobed into six sections, with each face painted with a figurative panel, the flat shoulders painted with a pair of butterflies around the upright neck, the domed cover painted with a flower head, around the central finial, the overhead handle with floral panels, the handle painted as emerging from a mythical beast’s head, 17.5cm H. (2) £800 – 1,200 清乾隆廣東銅胎琺瑯人物故事圖紋提壺

*See inside front cover for information regarding fees

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203 A FAMILLE VERT TIBETAN-STYLE ‘DRAGON’ EWER. Qing Dynasty. The globular lower body supported on a wide splayed foot, rising to a bulbous knopped neck surmounted by a disc-shaped mouth of angled profile, the shoulder potted with a curved spout issuing from a moulded dragon head, the body finely moulded with coiled fiveclawed dragons gripping a pearl among waves and flames, encircled by bats, with further bats up the shoulders and mouth, 21cm H. £12,000 – 15,000 清五彩龍紋軍持

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204 A FAMILLE ROSE FIGURATIVE DISH. Qing Dynasty, early 19th Century. Enamelled with figures on a terraced garden, encircled by a band of meticulously rendered butterflies flying amidst various floral branches, the underside with four iron-red bats reserved on a turquoise ground, four character Jiang Zhenglong zhi mark to base, 20cm diameter. £1,500 – 2,000 十九世紀早期粉彩人物庭院圖紋盤，礬紅「江正隆製」篆書款

205 A FAMILLE ROSE MOULDED BOWL. Qing Dynasty, Jiaqing mark and of the period. The short rounded body rising to an everted rim, moulded as a band of lappets each enamelled with a lotus flower with attendant scroll, below moulded swirling rectangular panels and a foliate rim enamelled with chi dragons and flowers, the interior enamelled with a roundel of pumpkins, borne on foliage, six character Jiaqing mark to base, 18cm diameter. £2,000 – 3,000 清嘉慶粉彩印模描金繪蓮紋螭龍花口盌，礬紅「大清嘉慶年製」篆書款

206 A FAMILLE ROSE LIME-GREEN GROUND BOWL. Qing Dynasty, Jiaqing mark and of the period. Of octagonal section with an everted rim, decorated with lotus scroll, six character Jiaqing mark to base, 7cm H, 13cm diameter. £800 – 1,200 清嘉慶綠地粉彩繪纏枝蓮紋盌，礬紅「大清嘉慶年製」篆書款

*See inside front cover for information regarding fees

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207 A TURQUOISE-GROUND FAMILLE ROSE VASE. 19th to 20th Century. Decorated with brightly enamelled flowering plants, six character Qianlong mark to base, 24cm H. £1,500 – 2,000 十九 / 二十世紀綠松地粉彩繪花紋瓶，礬紅「大清乾隆年製」篆書款

208 A FAMILLE ROSE ‘PEONIES’ BOTTLE VASE. Qing Dynasty. Of pear-shaped form, rising from a splayed foot to a tall slender neck terminating in a lipped rim, brightly decorated with flowering pink, yellow, blue and orange peonies emerging from behind rockwork, 28cm H. £2,000 – 3,000 清粉彩牡丹紋長頸瓶

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209 A FAMILLE ROSE PINK-GROUND VASE. Qing Dynasty, Qianlong era. The tall ovoid lantern-shaped body decorated with flowers on scrolling foliage on a pink sgraffito ground, 37cm H. £4,000 – 6,000 清乾隆粉地繪粉彩纏枝蓮紋瓶

*See inside front cover for information regarding fees

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210 A FAMILLE ROSE GREEN-GROUND LOTUS SCROLL VASE. Qing Dynasty, Qianlong era, or later. Of yuhuchun form, the swollen pear-shaped body rising gently to a waisted neck and flared mouth, finely enamelled to depict dragons among lotus scroll, six character Qianlong mark to base, 30 cm H. (2) Provenance: Beijing Hanhai Auction, Spring Auction of Chinese Works of Art, 1st July, lot 2000. £20,000 – 30,000 清乾隆或更晚松石綠地纏枝蓮紋雙耳瓶

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211 A SILHOUETTE AGATE ‘MONKEYS’ SNUFF BOTTLE. Qing Dynasty. Of flattened ovoid form, carved on one side using brown inclusions to depict two monkeys sitting beneath a rock, coral stopper, 7cm H. (2) £400 – 600 清瑪瑙巧雕靈猴鼻煙壺

212 A CARVED AGATE SNUFF BOTTLE. Qing Dynasty. Incised around the body with a continuous scene of figures in a landscape including Liu Hai, coral stopper, 6cm H. (2) £400 – 600 清瑪瑙雕劉海鼻煙壺

213 A STUDY COLLECTION OF SEALS. Qing Dynasty, and later. Carved from various hardstones, generally carved with a rectangular or circular base surmounted by an animal finial, variously inscribed, 3.5 - 11cm H. (33) £1,000 – 2,000 清或更晚印章一組三十三件

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214 A YELLOW JADE ‘DRAGON’ CARVING. Qing Dynasty. Naturalistically carved as a jagged rock, a scaly dragon with bulbous eyes, coiled around its length, 13cm H. £2,000 – 3,000 清黃玉雕盤龍擺件

215 A JADE ‘ANIMAL GROUP’ CARVING. Ming Dynasty. Carved to depict a seated mythical animal coiled with the head turned to the right and holding a spray of lingzhi fungus in the mouth, a smaller companion animal climbing up its left side, 6.5cm long. £7,000 – 8,000 明玉雕瑞獸靈猴

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216 A FAMILLE ROSE ‘BATS AND CLOUDS’ BRUSH HOLDER. Republican era. Of hollow cylindrical form, decorated with iron red bats among scrolling blue clouds and auspicious symbols, 22cm. £800 – 1,200 民國時期粉彩雲蝠紋筆筒

217 A FAMILLE ROSE ENAMELLED UNDERGLAZEBLUE WATER POT AND COVER. Qing Dynasty, Qianlong mark and of the period. Of rectangular form with rounded sides, supported on four short ruyi head feet, the body with four panels decorated in enamels with figurative scenes, beneath a moulded underglaze blue ruyi head band on the shoulders, the cover enamelled with scrolling floral foliage below a further ruyi head band, four character Qianlong mark to base, 6cm H. (2) £1,000 – 2,000 清乾隆青花描金加彩人物故事圖水滴，礬紅「乾隆年製」篆書款

218 A FAMILLE ROSE DECORATED BOX AND COVER. Qing Dynasty, Qianlong mark and of the period. The top enamelled with figures crossing a bridge below clouds through which is visible a group of ladies looking down from a balcony, the sides of the cover and base decorated in underglaze blue foliage and heightened in gilt, the interior and base decorated in turquoise, four character Qianlong mark to base, 3.5cm H, 6cm diameter. (2) £500 – 800 清乾隆青花描金粉彩繪人物故事圖四方蓋盒，礬紅「乾隆年製」篆書款

219 A GRISAILLE-DECORATED BOX AND COVER. The cover painted en grisaille with a mountainous landscape scene, the sides enamelled and gilt in simulation of marble, the base turquoise with four character Qianlong mark, 4cm H, 6cm diameter. (2) £500 – 800 墨彩秒進繪山景圖紋蓋盒，礬紅「乾隆年製」篆書款

*See inside front cover for information regarding fees

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220 A SMALL ‘BOYS’ VASE. Late 19th to early 20th Century. Finely enamelled with a group of boys playing with a three-legged toad, 15cm H. Provenance: German family collection resident in Shanghai and Tianjin prior to 1945. £200 – 300 十九世紀晚期 / 二十世紀早期嬰戲圖瓶

221 A FAMILLE ROSE ‘PEACH’ BOX AND COVER. Qing Dynasty, Daoguang era. The circular cover decorated with a large peach on a leafy branch, four character Shen De Tang Zhi mark to base, 8cm diameter. (2) £800 – 1,200 清道光粉彩桃紋蓋盒，礬紅「慎德堂製」款

222 A FAMILLE ROSE WRIST REST. Qing Dynasty. Of S-shaped scrolling form the top finely enamelled with a lady and boy on a garden veranda, four characters Qianlong mark to the base, 6cm long. £600 – 800 清粉彩仕女童子圖臂擱，礬紅「乾隆年製」篆書款

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223 A FAMILLE ROSE ‘LOTUS SCROLL’ BRUSH POT, BITONG. Qing Dynasty, Qianlong mark and of the period. Of cylindrical form, brightly enamelled to the exterior with Buddhist symbols interspersed amongst lotus blooms borne on intertwining foliate strapwork, below a ruyi band at the rim and above overlapping lappets at the foot, the interior and base turquoise, four character Qianlong mark to base, 11cm H. £3,000 – 5,000 清乾隆粉彩繪纏枝蓮紋筆筒，礬紅「乾隆年製」篆書款

224 A SET OF TEN FAMILLE ROSE GRADUATED NESTING BOWLS. Qing Dynasty, 19th Century. Each decorated with figurative scenes, 4-11cm diameter. (10) £1,000 – 2,000 清十九世紀粉彩人物故事圖碗一套十件

*See inside front cover for information regarding fees

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225 A FAMILLE ROSE ‘BOYS AT PLAY’ BOTTLE VASE. Qing Dynasty, Jiaqing mark and period. The ovoid body finely painted with a continuous scene of boys and attendants in a garden, set between pendant and upright ruyi-heads draping the shoulder and skirting the blue key-fret foot, all below a tall slender waisted neck with an everted rim, painted on a yellow ground with floral scrolls, the shoulders set with twin stylised dragon handles in iron red and heightened in gilt, the interior and the underside glazed in turquoise, the base inscribed with a six-character Jiaqing mark in iron-red reserved on a white ground, 26cm H. £30,000 – 50,000 清嘉慶粉彩嬰戲圖雙耳瓶，礬紅「大清嘉慶年製」篆書款

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226 A COPPER RED-GLAZED BOTTLE VASE. Qing Dynasty, 18th Century. Raised on a splayed foot, the pear-shaped body rising to a bulbous mouth, covered with a rich copper-red glaze, 39cm H. £3,000 – 5,000 清十八世紀紅釉蒜頭口瓶

227 A ROBIN’S-EGG GLAZED PEAR-SHAPED VASE. Qing Dynasty. The globular body rising to a tall slender columnar neck, standing on a slightly splayed foot, covered in a brilliantly mottled turquoise and blue glaze, 37cm H. £2,000 – 3,000 清爐鈞釉油槌瓶

*See inside front cover for information regarding fees

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228 AN ‘EEL-SKIN’ GLAZED VASE. Qing dynasty, Tongzhi mark and of the period. The compressed globular body supported on a splayed foot, sweeping up to a broad cylindrical neck and a rounded mouthrim, covered overall with an olive-coloured glaze in imitation of eel skin, six character Tongzhi mark to base, 33cm H. £3,000 – 5,000 清同治鱔魚黄釉長頸瓶，陰文「大清同治年製」楷書款

229 A CELADON-GLAZED VASE, YUHUCHUN. Qing Dynasty, Qianlong mark and possibly of the period. The swollen pear-shaped body rising gently to a waisted neck and flared mouth, moulded with a band of chrysanthemum petals above the rounded foot, the neck encircled with a raised rib above a band of elongated pendant petal lappets, six character Qianlong mark to base in underglaze blue, 24cm H. £4,000 – 6,000 清約乾隆青釉玉壺春瓶，青花「大清乾隆年製」篆書款

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230 A BRONZE ‘LOTUS SCROLL’ PHOENIX TAIL VASE. Qing Dynasty, 18th Century. Of rectangular yenyen form, the body decorated in relief with lotus scroll, the flowers heightened in gilt below a band of lappets to the shoulders, the base of the neck with two raised bands below similar lotus scroll decoration a band of key scroll to the neck, the shoulders set with handles emerging from dragon heads, 60cm H. £15,000 – 20,000 清十八世紀銅纏枝蓮紋雙耳四方鳳尾尊

*See inside front cover for information regarding fees

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231 A PAIR OF UNDERGLAZE BLUE AND RED ‘DRAGON’ VASES. Qing Dynasty, 19th Century. Each of rouleau-form, painted all round with dragons coiled over the body, shoulders and neck among clouds and flames, the rim decorated with prunus flowers, 62cm H. (2) £6,000 – 8,000 清十九世紀青花釉里紅雲龍紋棒槌瓶一對

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232 A BLUE AND WHITE SECTIONAL ALTAR VASE. Qing Dynasty, Qianlong era. The shouldered body decorated with floral scroll, below a border of ruyi heads, with a further scrolling foliage to the shoulders, with a collar above and below the body each with a further band of pendant ruyi heads, the upper collar supporting the separately potted neck, the trumpet neck and a wide band of floral scroll, above a band of lappets, and below a further ruyi head band, the foot of the vase horizontally ridged, with bands of waves, floral scroll and pendant lappets, 38cm H. (2) £30,000 – 50,000 清乾隆青花纏枝蓮紋貢瓶

The present lot relates to the monumental blue and white alter pieces famously created under the direction of Tang Ying of which at least six sets were made, mostly dedicated to temples in Beijing. Lam (1998) compiles a table of such pieces which were created between 1740 and 1741 all around 64cm H. The present piece, smaller in scale and lacking a temple dedication may have been an earlier trial piece. Credibility is added to this theory by the existence of lamp stand of similarly small scale (10cm H) and made for personal use being inscribed for Tang Ying’s birthday of the 5th day of the 5th month of 1734. The piece is currently in the collection of the Shanghai Museum. (Lu, 1996, Qingdai qinghua ciqi jiansheng [Connoisseurship of Blue and White Porcelain of the Qing Dynasty] p 65 no 76). Another vase of the same size but slightly different decoration from the present lot is illustrated as Eldon Worrall, Precious Vessels: 2000 Years of Chinese Pottery, 1980, no 105. The piece was from the collection of Sir Charles Bell and was listed as having been acquired in Tibet.

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A SPINACH JADE VASE FROM THE COLLECTION OF WILLIAM WARD, 4TH EARL OF DUDLEY (lot 233) 233 A SPINACH JADE ‘FINGER CITRON’ VASE. Qing Dynasty, 18th to 19th Century. The deeply hollowed vase carved in the form of a finger citron with curling ends supported on a tall foot formed as gnarled, leafy branches also supporting an attendant fruit, the main fruit inscribed to the centre with a four character tang zhi si gong mark, 25cm H. Provenance: From the collection of William Ward, 4th Earl of Dudley (1920 – 2013). £4,000 – 6,000 清十八 / 十九世紀碧玉佛手柑式花插，陰文「潭柘寺共」篆書款

(the jade vase in situ in Ward’s home)

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234 A JADE VASE GROUP. Qing Dynasty, 18th Century. The flattened baluster vase set with ring handles with incised S-scroll decoration, supporting a domed cover surmounted by a finial, the body incised with a pendant ruyi head band, the vase flanked by a thick gnarled stem of lingzhi fungus with emerging smaller branches, the stem entwined with a flowering lily branch supported by a carved and pierced wood stand, 11cm H, 30cm width. (3) £12,000 – 15,000 清十八世紀巧玉雕牽牛花靈芝蓋瓶連木座

A related vase and stand from the Chinese Imperial collection is illustrated in Art in Quest of Heaven and Truth, Chinese Jades through the Ages, 2012, see p 151, plate 7-4-3.

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235 A WHITE JADE TABLE SCREEN WITH SPINACH JADE STAND. Qing Dynasty. Finely carved and deeply incised to one side with an expansive watery landscape, the foreground with figures on a bridge, a further figure in the middle distance below a path between rocky outcrops, interspersed with gnarled pine trees, the reverse incised with a similar landscape scene populated with figures within a key scroll band and filled with gilt, supported within a spinach jade stand, incised with archaistic panels, 35cm H. (2) £12,000 – 15,000 清白玉雕人物山水紋描金插屏連碧玉雕底座

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236 A JADE ‘DEER GROUP’ CARVING. Qing Dynasty. The two deer naturalistically carved seated with their legs trapped beneath their bodies curled and faces almost touching, a spray of lingzhi fungus in the mouth, stand, 12cm long. (2) £6,000 – 8,000 清玉雕臥鹿擺件

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A RHINOCEROS HORN LIBATION CUP FROM THE COLLECTION OF FREDERICK LINDSAY LLOYD (lot 237) 237 λ A RHINOCEROS HORN LIBATION CUP. Qing Dynasty, 18th Century. The exterior alternately adorned with circular and bracket-lobed cartouches of diaper design, the horn of an attractive honey brown colour, supported on a wood stand carved and pierced as lotus branches, 5cm H, 8cm diameter at the rim. (2) Provenance: Collection of Frederick Lindsay Lloyd (1866 – 1940) prior to 1895. £5,000 – 8,000 清十八世紀犀角雕供盃連木座

For a rhinoceros horn cup with similar ‘earth’ diaper decoration from the Chester Beatty Library collection see Jan Chapman, The Art of Rhinoceros Horn Carving in China, 1999, pl 175.

(photograph of the cup in 1895)

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238 λ A RHINOCEROS HORN “POMAGRANATES’ LIBATION CUP. 17th Century. Well-hollowed the rounded bowl rising to an everted foliate rim, naturalistically carved to the exterior with reticulated branches bearing curved leaves and a pomegranate fruit, enclosing the body and forming the feet of the bowl, the body further incised with leaves extending over the rim to the interior of the bowl, 6.5cm H, 13cm diameter. £10,000 – 15,000 十七世紀犀角雕石榴紋供盃

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239 A CHENGXIANGMU ‘MOUNTAIN SCENE’ CARVING. Qing Dynasty. Carved to depict a scholar seated beside a boy attendant below a pine tree and overhanging rocks, 11cm H. £1,000 – 2,000 清沉香木雕人物松石擺件

240 λ A CARVED IVORY TOOL VASE. Ming Dynasty. Of rectangular form with vertical ribs supported on four short feet, the horizontal shoulders terminating in a narrow lipped rim, 10cm H. £2,000 – 3,000 明象牙雕瓶

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241 A CARVED BAMBOO ‘BIRD AND POMEGRANATE’ CUP. Qing Dynasty, 18th to 19th Century. The uneven rounded sides tapering to the foot, incised around the body with a bird eating seeds from a pomegranate fruit beside another bird, within a leafy tree, 7.5cm H, 11cm diameter. £2,000 – 3,000 清十八 / 十九世紀竹雕石榴鳥紋盃

242 A PAIR OF CARVED COCONUT CUPS. Qing Dynasty. Each with deeply rounded sides and slightly hollowed base, finely carved around the exterior with butterflies in flight separated by flowers, white metal lining to interior, 5cm H, 12cm diameter. (2) Provenance: English private collection. £1,500 – 2,000 清椰殼雕花蝶紋白鐵膽盃一對

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243 A ZITAN WOOD ‘DRAGON’ DOCUMENT BOX AND COVER. Qing Dynasty, 18th Century. Of rectangular section, modelled with a hinged cover resting on four straight sides and a recessed base, flanked by a pair of metal loop handles, the top and sides powerfully carved with a ferocious fiveclawed dragon soaring amidst dense cloud scrolls, the corners of the chest decorated and reinforced with cloisonné enamel cusped and mounts, 38 x 21 x 16cm. £12,000 – 15,000 清十八世紀紫檀雕龍紋書箱

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244 A CARVED HARDWOOD STAND. Qing Dynasty. The rectangular top set with a diagonally set cover finely incised with lotus scroll, above a thinly waisted base with upward and pendant lappet bands, and supported on four ruyi head feet, in each corner below a mythical beast head, inlaid overall in soapstone with small bats and scrolling clouds, 13 x 20 x 38cm. £800 – 1,200 清木雕底座

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245 AN EXPORT SILVER BOX. Circa 1900. Of rectangular form, heavily cast, the cover modelled with exterior mountainous scene with figures beside a rive, the sides similarly decorated below a border of birds and prunus, 24 x 16 x 8.5cm. 1.410g. £6,000 – 8,000 約一九零零銀製外銷人物故事紋蓋盒

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246 A THREE-COLOUR CINNABAR LACQUER ‘LOTUS’ FLOWER BOX AND COVER. Qing Dynasty, 18th Century. Of irregular section, the cover carved in varying relief with lotus flowers pods and leafy steams, in ochre, red, and green, on finely carved geometric diaper ground, the sides of the box carved with geometric patterns, 5cm H, 11.5cm diameter. £500 – 800 清十八世紀剔彩蓮紋蓋盒

247 A PAIR OF ‘SHAO SHEN’AN’-STYLE BLACK LACQUERED WOOD VASES. Qing Dynasty, 19th Century. Each with an; ovoid body with rounded shoulders and a lipped rim, rising from an attached carved and pierced rockwork wood stand, the body finely painted in lacquer and gilt to depict a watery landscape populated by figures, 22cm H. (2) £200 – 300 清十九世紀勝紹安木刻黑漆描金人物山水圖瓶一對

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248 A CINNABAR LACQUER BRUSH POT, BITONG. Qing Dynasty, Qianlong era. Of cylindrical corm, finely carved around the exterior with a continuous garden scene filled with pines and decorative rocks, and populated with three ladies outnumbered by a large group of mischievous boys at play, 17cm H, 11cm diameter. Provenance: English private collection, acquired from Gerard Levy, Paris, by repute. £6,000 – 10,000 清乾隆剔紅人物故事紋筆筒

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249 A REVERSE GLASS PAINTING OF A LADY. Qing Dynasty, 18th Century. The well-dressed lady in a blue-ground floral garment with translucent sleeves, the hair tied back with elaborate jewellery, the face with a pale ivory white complexion, the right hand holding a fan decorated with wispy foliage through which is visible the left hand which supports the fan on the other side, framed, 26 x 20cm. £5,000 – 8,000 清十八世紀漆金木框嵌仕女圖鏡畫

According to analysis of similar works the present painting may be considered brimming with erotic subtext. In Beauty Revealed: Images of Women in Qing Dynasty Chinese Painting, 2013, James Cahill suggests that the direct gaze of a female subject and translucent clothing are both commonly used to suggest sexual availability. Furthermore, according to him, a lady’s hand, viewed through a fan, is a symbol of the female genitalia. The finger citron, often present in paintings of women in this genre and which the human hand visually echoes, has been more widely mooted as anatomically symbolic in this regard (for example by Philip Rawson, Erotic Art of the East: the Sexual Theme in Oriental Painting and Sculpture, 1968, fig 100).

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250 A HARDWOOD BRUSH POT, BITONG. 17th to 18th Century. Of slightly waisted cylindrical form, the interior of the base fitted with a separate, circular plug. 17cm H, 16cm diameter. (2) Provenance: Grace Wu Bruce [label] £2,000 – 3,000 十七 / 十八世紀木雕筆筒

251 A LARGE WOOD BRUSH POT, BITONG. Qing Dynasty. Of waisted cylindrical form, supported on modestly shaped tripod foot, 24cm H, 23cm diameter. £1,200 – 1,500 清木雕筆筒 252 A PAIR OF HARDWOOD ARMCHAIRS. Late Qing Dynasty. The back panel deeply and ornately carved and pierced around an oval cushion to depict figures playing go beneath pine trees raised on splayed back legs, the stepped cylindrical front legs each formed as a seated figure of Shou Lao on a lotus base supporting the arms each formed with lion head terminals, the front legs connected by a shaped apron incised with lotus scroll, 130cm H. (2) £4,000 – 6,000 清晚期木雕扶手椅一對

253 A PAIR OF MARBLE-TOPPED WOOD BARREL STOOLS. Qing Dynasty. Each modelled in the form of a barrel, the circular dream-stone top resting on a shaped apron extending into four curved legs bulging near the centre of the stool, all resting on a shaped ring base supported on four trefoil pad feet, 48cm H, 34cm diameter. (2) £6,000 – 8,000 清嵌雲石木凳一對

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254 A JADE-INSET TABLE SCREEN AND STAND. Qing Dynasty, or later. The rectangular jade panel finely incised to both sides one with a mountainous landscape with two figures beneath a pine tree and overhanging rocks, the reverse with a river beneath a mountainside with a lone fisherman in a boat on the water, calligraphic inscriptions to top left, set within a wood frame on a base with a pierced panel above aprons similarly pierced and carved to depict scrolling foliage, 33 x 27cm. (2) £5,000 – 8,000 清或更晚嵌玉雕人物山水圖紋「秋林亭子」、「煙波釣艇」御製詩插屏「御製秋林亭子詩寒筱枯槎間幾株夕陰朝靄萬千殊無多邱壑有多趣妙處天然是老迂」、「御製煙波釣艇詩煙波萬頃澹迷離七尺青竿一丈絲不有元真苕霅趣何殊樵子在山時」楷書款

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254a A JADE AND HARDSTONE INLAID PANEL MOUNTED AS A TABLE. Qing Dynasty. Of hexagonal form, the top glazed panel inlaid with jade lohan figures, 62 x 66cm. £5,000 – 8,000 清嵌玉及硬石雕矮桌

(detail)

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255 AN IMPERIAL YELLOW-GROUND KESI ‘DRAGON’ THRONE CUSHION. Qing Dynasty, Qianlong era. The centre decorated with a full-frontal gold dragon clutching a flaming pearl, flanked by four ferocious dragons in different poses, all leaping amongst interlinked floral medallions reserved on a pale yellow ground, the rim similarly decorated and the back covered in pale rusty-red silk embroidered with medallions, 72 x 74cm. £15,000 – 20,000 清乾隆御製黃地緙絲五龍戲珠紋墊

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256 A BROWN-GROUND EMBROIDERED ‘DRAGON’ ROBE, JIFU. Qing Dynasty. The brown silk ground couched in gold-wrapped threads with eight five-clawed dragons surrounded by colorful ruyi clouds, bats, babao, and flames, all above lishui stripes, bordered with a navy blue-ground silk repeating the motif, navy blue ribbed silk sleeves, 150 x 225 cm. £6,000 – 8,000 清醬地繡龍紋吉服

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257 A BRONZE FIGURE OF AMITAYUS. Qing Dynasty, 18th Century. Seated in vajraparyankasana on a double-lotus base, with a serene expression framed by an elaborate headdress and a pair of pendulous earlobes adorned with ornamental earrings, the elaborate jewellery of the figure accentuated with inlaid turquoise, 18cm H. 1.716kg. Provenance: From the collection of Margaret Stuteley (1917 – 2015). £5,000 – 8,000 清十八世紀銅阿彌陀佛坐像

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258 A GILT BRONZE FIGURE OF A SEATED SHAKYAMUNI BUDDHA. Qing Dynasty, Kangxi era. Seated in vajraparyankasana, the right hand held in bhumisparshamudra and the left in dhyanamudra, wearing a pleated robe draped over the left shoulder with the undergarment gathered at the chest, the serene face with downcast eyes and a meditative expression, flanked by long pendulous ears cut with vertical slots, the head and domed ushnisha covered with tight curls and surmounted by an ovoid jewel, all supported on a double lotus pedestal with beaded edges, 41cm H, 10.15kg. £12,000 – 15,000 清康熙銅鎏金釋迦牟尼佛坐像

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259 A GILT BRONZE RITUAL BELL, BIANZHONG. The cylindrical form boldly surmounted by a pair of addorsed fiveclawed dragons, the gently convex sides cast in sharp relief with a pair of dragons striding amidst roiling seas and fiery clouds, cast to either side with an upright rectangular cartouche, one enclosing an incised reign mark Qianlong banian zhi, dated in accordance with 1743, the opposing similar panel incised with three characters beinanlu, the low octave of the tenth note, the bell’s musical pitch, all below bands of stylized clouds, and above a band of circular striking discs, 25cm H. 15.15kg. £12,000 – 15,000 銅鎏金雲龍紋編鐘，陽文「倍南呂」、「清乾隆八年」楷書款

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260 A CLOISONNÉ ENAMEL EWER. Qing Dynasty, 18th to 19th Century. With a pear-shaped body, set with a tea-shaped panel enclosing a shou character encircled by five bats, rising from a tall spreading foot to a waisted and knopped neck flaring towards the mouth to an everted rim, supporting a domed cover, set with a loop handle opposite a curved spout attached to the body through a dragon-form strut, decorated overall with lotus scroll, 35cm H. (2) £6,000 – 8,000 清十八世紀 / 十九世紀銅胎掐絲琺瑯壽字纏枝蓮紋執壺

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261 A CLOISONNÉ ENAMEL TOOL VASE WITH LION HEAD RING HANDLES. Qing Dynasty, Qianlong mark and of the period. The baluster vase with stepped shoulders, and a spreading neck, supported on an everted foot, decorated to the body with lotus scroll, the neck and foot with stylised daisies among foliate scrolls, the base with incised seven-character Qianlong mark, 13cm H. Provenance: European private collection. £10,000 – 15,000 清乾隆掐絲琺瑯纏枝蓮紋三獅鈕瓶，陰文「大清乾隆年製」、「鳳」楷書款

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262 A CLOISONNÉ ENAMEL TRIPOD INCENSE BURNER. Qing Dynasty, Qianlong mark and of the period. The compressed globular body rising from three cabriole feet to a short waisted neck and flat everted rim, flanked by two upright Sshape handles, brightly gilded and enamelled on a turquoise ground with lotus scroll, incised seven character Qianlong mark to base, 7cm H, 9cm diameter. £15,000 – 20,000 清乾隆銅胎掐絲琺瑯纏枝花紋朝冠耳三足爐，陰文「大清乾隆年製」、「草」楷書款

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263 A CLOISONNÉ ENAMEL DISH. Ming Dynasty. Decorated on the interior with a central flower head surrounded by floral scrolls, all in blue, red, yellow, white and green reserved on a turquoise ground together with a further dish, 12 / 18cm diameter. (2) £1,500 – 2,000 明銅胎掐絲琺瑯纏枝花紋碟

264 A CLOISONNÉ ENAMEL ‘LIONS’ BOWL. Ming Dynasty. With a splayed foot and flared rim, decorated around the exterior with four multi-coloured lions frolicking among turquoise clouds chasing auspicious objects, the interior decorated with scrolling lotus, 10cm H, 21cm diameter. £600 – 800 明銅胎掐絲琺瑯瑞獅紋盌

265 A CLOISONNÉ ENAMEL BOWL. Qing Dynasty, Qianlong era. The rounded sides rising to an everted rim supported on a cylindrical foot, decorated with kui dragons against a turquoise ground below a keyscroll border to the rim and a similar band to the foot, 12.5cm diameter. £2,000 – 3,000 清乾隆銅胎掐絲琺瑯夔紋盌 For a similar piece from the Chinese Imperial collection see The Complete Collection of Treasures of the Palace Museum. Metal-bodied Enamel Ware, Hong Kong, 2002, pl 153.

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266 A LARGE JADE VASE AND COVER. Qing Dynasty, 18th Century. Of flattened baluster form, the shoulders flanked by a pair of loop handles emerging from dragon heads and suspending rings, the high domed cover surmounted by a circular finial supported by a stepped waisted pedestal, the body incised with taotie masks enclosed within lotus lappet bands, the cover also with a pendant lappet band, 25cm H. (2) £12,000 – 15,000 清十八世紀玉雕饕餮紋雙活環耳蓋瓶

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267 A JADE-INSET CLOISONNÉ ENAMEL RUYI SCEPTRE. Qing Dynasty. Elaborately decorated with lotus blooms and archaistic scrolls on a turquoise ground, the ruyi head inset with a jade plaque incised with peaches on a branch, the midsection with a crystal plaque with a finger-citron pattern and the end, with a jade plaque with pomegranate fruit, 46cm long. £5,000 – 8,000 清嵌玉銅胎掐絲琺瑯如意

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268 A CELADON JADE INSET SPINACH JADE RUYI SCEPTRE. Qing Dynasty. The circular terminal set with a white jade circular panel carved with raised bosses, the shaft incised with archaistic patterns, and with a raised rectangular inset jade panel, a further piece of jade set to the end, 27cm long. £3,000 – 5,000 清嵌青白玉雕碧玉如意

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268a A PAIR OF LARGE FAMILLE ROSE PORCELAIN PLAQUES. Qing Dynasty, Qianlong era. Each enamelled with a figurative panel within a thin gilt border, against a green sgraffito ground, the figurative garden scene depicting deities in a garden setting, framed, 53 x 38.5cm. £100,000 – 120,000 清粉彩人物故事圖瓷板一對，「五老太極圖」楷書款

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269 A PAIR OF RECTANGULAR ‘FISH’ DISHES. 20th Century, signed Deng Bishan (18741930). Of rounded rectangular form, finely painted with black and orange fish swimming among water weeds, inscription to upper left, signed to base in iron red, 12 x 19cm. (2) £4,000 – 6,000 二十世紀粉彩魚藻紋長方碟一對，「鄧碧珊」款

270 A PAIR OF FAMILLE ROSE ‘LANDSCAPE’ PANELS. Republican era. Each finely painted with figures within a watery landscape each panel bearing a four character Qianlong seal mark to bottom right, each within a wood frame carved in simulation of bamboo branches, 25 x 38cm. (2) £3,000 – 5,000 民國時期粉彩山水圖紋瓷板連木框一對，礬紅「大清乾隆年製」篆書款

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271 A FAMILLE ROSE DISH. 20th Century, dated 1959. Decorated with a warrior and lady beneath a tied back curtain with an interior filled with a desk and scholar visible through a circular archway, within three borders of ruyi heads, scrolling foliage on a yellow ground and a pink key-scroll border, Zhongguo Jindezhen yijiuwujiu mark to base, 33.5cm diameter. £500 – 800 一九五九年粉彩人物故事碟，「中國景德鎮一九五九」款

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272 A PAIR OF YELLOW-GROUND GREEN AND AUBERGINEENAMELLED ‘DRAGON’ DISHES. Qing Dynasty, Guangxu mark and period. Each incised and enamelled to the centre of the interior with a green and an aubergine dragon contesting a flaming pearl amidst fire scrolls, six character Guangxu mark to base, 13cm diameter. (2) £2,000 – 3,000 清光緒黃地紫綠彩雙龍戲珠紋盤一對，黑字「大清光緒年製」楷書款

273 A BLUE AND WHITE ‘DRAGON’ DISH. Qing Dynasty, Tongzhi period mark and of the period. The interior centrally painted with a five-clawed dragon in pursuit of a flaming pearl amidst stylised clouds and flames, encircled by two similar dragons, the underside similarly painted above a band of lappets, 25cm diameter. £7,000 – 9,000 清同治青花雲龍紋盤，「大清同治年製」款

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274 AN INCISED YELLOW ‘DRAGON’ BOWL. Qing Dynasty, Daoguang mark and of the period. The rounded sides supported on a straight foot, the exterior incised with two dragons each pursuing a ‘flaming pearl’, six character Daoguang mark to base, 12.5cm diameter. Provenance: Sotheby’s Hong Kong, 6th December 1979, lot 833. Dr. Simon Kwan Collection, Hong Kong, no 75, by repute. Christie’s Singapore, 30th March 1997, lot 300. £5,000 – 8,000 清道光黃地龍紋盌，青花「大清道光年製」篆書款 Literature: Imperial Porcelain of Late Qing from the Kwan Collection, Hong Kong, 1983, pp 23 and 24, and cat no 75.

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275 A PAIR OF BLUE AND WHITE ‘LOTUS SCROLL’ TEABOWLS AND COVERS. Qing Dynasty, Guangxu mark and of the period. Each bowl with deeply U-shaped sides rising from a slightly tapering foot, each base and cover with a six character Guangxu mark, 4cm H, 10cm diameter. (4) £500 – 800 清光緒青花纏枝蓮紋茶蓋碗一對，青花「大清光緒年製」楷書款

276 A FAMILLE ROSE ENAMELLED ‘LOTUS SCROLL’ JARDINIERE. Qing Dynasty, Xianfeng mark and of the period. Of square section with cut corners, decorated around the body with lotus flower born on scrolling foliage above a rectilinear trellis, a scrolling blue band to the rim and foot, two sides set with a pair of grotesque mask handles, six character Xianfeng mark and of the period, 10cm H, 15cm diameter. £6,000 – 8,000 清咸豐粉彩纏枝蓮紋西洋穴怪圖耳花盆，礬紅「大清咸豐年製」楷書款

277 AN IRON RED ‘TRIGRAMS’ WASHER. Qing Dynasty, Xianfeng mark and of the period. Of octagonal section, with flared body supported on a spreading foot, moulded and decorated in gilt and iron red with a trigram on each face above a key scroll band and below a further geometric band, six character Xianfeng mark to base, 8cm H, 19cm diameter. £500 – 800 清咸豐樊紅描金八卦文八方筆洗，礬紅「大清咸豐年製」篆書款

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278 AN IRON-RED AND UNDERGLAZE-BLUE ‘MYTHICAL BEAST’ BOWL. Qing Dynasty, Daoguang mark and of the period. The deep rounded sides rising to a flared rim, the exterior adorned in underglaze blue with a band of nine fabulous sea creatures, including a dragon and carp, leaping against vivid turbulent waves in iron-red, the rim and the foot encircled by key fret bands, the interior with a central medallion of a winged dragon amongst ironred waves, six character Daoguang mark and of the period, 10cm H, 21cm diameter. £10,000 – 20,000 清道光青花樊紅海水龍紋盌，青花「大清道光年製」篆書款

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279 A PAIR OF INCISED YELLOW-GLAZED BOWLS. Qing Dynasty, Qianlong mark and of the period. Each with deep rounded sides incised with four stylised flower heads evenly spaced between lightning cloud scrolls, set between a band of lappets above the circular foot and double borders at the rim, the interior further incised with a centralised five-petalled flower within double circles, six character Qianlong mark to base, Japanese box, 12cm diameter. (4) £15,000 – 20,000 清乾隆黃釉暗刻花紋盌一對，青花「大清乾隆年製」篆書款

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280 A COPPER-RED GLAZED DOUBLE GOURD VASE. Qing Dynasty. The compressed globular lower bulb rising to a waisted neck and a smaller upper bulb tapering to a narrow mouth, covered in a deep regd glaze which thins on the lower bulb and below the rim, 14cm H. £2,000 – 3,000 清紅釉葫蘆尊

281 A ROBIN’S EGG GLAZED VASE, HU. Qing Dynasty, Qianlong mark and possibly of the period. Of archaistic hu form, the ovoid body tapering to a waisted flared neck, set to either side with an elephant head loop handle at the shoulder, Japanese box and cover, 11cm H. (3) £15,000 – 20,000 清約乾隆爐鈞釉雙象耳瓶，陰文「大清乾隆年製」篆書款木盒簽條：「大清乾隆年製」、「呂鈞窯卷入」楷書款

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282 A CELADON BLUE-GLAZED INCENSE BURNER. Qing Dynasty, 18th Century. Thickly potted, the rounded rectangular base supported on four splayed feet, with twin lug handles on the rim, 7cm H. £400 – 600 清十八世紀青釉雙系爐

283 A MONOCHROME BLUE GLAZED NARCISSUS ‘DRAGON’ BOWL. Qing Dynasty, 18th Century. Of oval form supported on four cabriole feet, modelled with two chilong clambering on the rim forming the handles each holding a lingzhi spray in the mouth which extends over the body, 4cm across, 12cm H. £400 – 600 清十八世紀藍釉浮雕如意螭龍紋盌 For a celadon bowl of similar form but with a celadon glaze and Qianlong mark see The Baur Collection Geneva: Chinese Ceramics, volume 3, 1972, cat no A374.

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284 A COPPER-RED GLAZED TRIPOD INCENSE BURNER. Qing Dynasty. Of globular form, supported on three short conical feet, 8cm H, 6cm diameter. £3,000 – 5,000 清紅釉三足爐

285 A MONOCROME YELLOW ‘FRUIT’ WATER DROPPER. Qing Dynasty, 18th Century. The rounded body with vertical ribbing, 11cm H. £400 – 600 清十八世紀黃釉瓜棱紋水滴

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286 A MINIATURE JADE TEAPOT AND COVER. Qing Dynasty. Of rectangular section, rising from a white metal mounted foot, to angular rounded shoulders, and a stepped cover, the body on either side finely incised with a taotie mask, the spout naturalistically carved as a bird’s head with open mouth, the finial to the cover and loop handle each carved as a stylised chi dragon, 6cm H, 12cm long. (2) £2,000 – 3,000 清玉雕饕餮紋鳥式蓋壺

287 A CARVED JADE BOWL. Qing Dynasty, 18th Century. Delicately carved with deep rounded sides rising from a slightly spreading foot to a flared rim, 6cm H, 13cm diameter. £2,000 – 3,000 清玉雕盌

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288 AN ARCHAISTIC JADE ‘CHILONG’ RHYTON. Yuan to Ming Dynasty. The body of slender baluster form, with an arching spout formed on the rim, carved and pierced with a chi dragon on the rim forming the handle, the body incised with archaistic patterns below a band of spirals on the shoulders, with a key-scroll band on the rim, 11.5cm H. £10,000 – 15,000 元至明玉雕螭龍紋供盃

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289 TWO JADE ‘FIGURATIVE’ PLAQUES. Qing Dynasty, 18th Century. Finely incised with the figures standing in long flowing robes, 9-10.5cm H. (2) £500 – 800 清十八世紀玉雕人物紋牌兩枚

290 A WHITE JADE ‘BOYS’ CARVING. Qing Dynasty. Carved to depict a large boy standing with a raised ruyi sceptre held in his hand, a tiny little boy clambering over his shoulders, wood stand, 6cm H. (2) £500 – 800 清白玉雕嬰戲圖紋擺件

291 THREE JADE CARVINGS. Qing Dynasty. Comprising a finely carved and pierced oval panel depicting a chi dragon entwined with foliage, together with a carving of a fisherman and a Shou Lao carving, wood stands, 4-9cm H. (6) £500 – 800 清玉雕三件

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292 A LARGE MUSTARD-GLAZED JAR. Ming Dynasty. Robustly potted, with the ovoid body rising to a waisted neck with lipped rim, with incised lotus scroll to the shoulders which are also set with four equally spaced lug handles, the body modelled on one side with the head of Buddha, a finger citron on the reverse, 45cm H. £3,000 – 5,000 明醬釉暗刻纏枝蓮僧面紋四系罐

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293 A BLUE AND WHITE ‘LOTUS POND’ JAR. Ming Dynasty. The ovoid body rising from a short foot to a tapering neck, painted to the exterior with birds swimming among pond weed and flowering lotus plants, all between a lotus scroll band on the shoulders below a band of stylised clouds on the neck, and a lappet band at the foot, 30cm H, 21cm diameter. £18,000 – 22,000 名青花蓮池野鴨紋罐

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294 A BLUE AND WHITE JAR. Probably Ming Dynasty, 15th Century. Of compressed globular form, the rounded sides rising from a recessed base to a short tapering neck, painted around the exterior with heavily fruiting melon branches, the large fruit, leaves and tendrils, painted below a ruyi head band, and a lappet band above the foot, 9.5cm H. £20,000 – 30,000 明約十五世紀青花瓜果紋罐

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295 A BLUE AND WHITE JAR. Ming Dynasty, Wanli era. Stoutly potted, painted with alternating shaped rectangular panels of peony and lotus plants below panels of peaches at the shoulder, all reserved on a fretwork ground, 35cm H. £2,000 – 3,000 明萬曆青花開光花卉紋罐

296 A FAMILLE VERTE FIGURATIVE JAR. Transitional era. Of baluster form, painted with a figurative scene below a band of cracked ice on the border, and flowers beside ornamental rocks around the rim, 44cm H. £1,000 – 2,000 明末清初青花加五彩人物故事圖紋將軍罐

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297 A BLUE AND WHITE DRAGON VASE. Ming Dynasty, Wanli era, or later. The pear-shaped body supported on a high tapered foot, rising to a tapering neck, the body painted with a coiled dragon above waves below a band of cranes, the foot painted with lions above waves, the neck with a raised band below a honey-comb band, and above a band of phoenixes, all among clouds and flames, 60cm H. £6,000 – 8,000 明萬曆或更晚青花龍鳳紋瓶

298 A BLUE AND WHITE SLEEVE VASE. Transitional era. Painted around the exterior with a phoenix in flight turning back to confront a qilin standing on a garden veranda, European gilt metal mounts to the rim and base, 51cm H. £6,000 – 8,000 明末清初嵌鎏金青花鳳麟紋象腿瓶

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299 A PAIR OF MOULDED BLUE AND WHITE DISHES. Ming Dynasty, Tianqi era. The central roundel painted in underglaze blue with a grass hopper on a rock beside flowers, within a patterned border, enclosed by an unpainted finely moulded floral band, 15.5cm diameter. (2) £400 – 600 明天啟青花花蟲紋碟一對

300 A SMALL LONGQUAN CELADON DISH. Song Dynasty. With shallow sides and an everted rim, supported on a short foot, applied with a thick celadon glaze, 12cm diameter. £200 – 300 宋青釉折沿碟

301 A SMALL JUN DISH. Song Dynasty. With shallow sides and an everted rim, supported on a short foot, 11cm diameter. £300 – 500 宋鈞釉碟

302 A SMALL LONGQUAN CELADON GLAZED JAR. Song Dynasty. The compressed globular body rising to a short neck and a lipped rim, the shoulders incised with flowers on scrolling foliage, 6cm H, 8cm diameter. £1,500 – 2,000 宋龍泉青釉罐

303 A PAIR OF QINGBAI ‘BOYS’ WHISTLES. Song Dynasty. Each boy standing with a necklace of cash coins about his neck, the face with a wide-eyed grin, 7cm H. (2) Provenance: Collection of Louise Hawley Stone [label] £300 – 500 宋青白釉童子形口哨一對

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304 A GUAN-TYPE BOWL. Yuan to early Ming Dynasty. With deep rounded sides resting on a short tapered foot, covered overall with a thick opaque glaze of greyish blue-green tone suffused with an intricate matrix of iron-wire crackle and golden threads, 4cm H, 10cm diameter. £10,000 – 15,000 元至明仿官釉盌

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SONG CERAMICS FROM THE COLLECTION OF BRIAN MORGAN (lots 305 – 306)

305 A PERSIMMON-COLOUR STONEWARE TEA BOWL. Song Dynasty. With conical sides decorated with satiny glaze of reddish-brown tone stopping short of the foot, 5cm H, 11cm diameter. Provenance: Collection of Brian Morgan (1930 – 2018), formerly director at Bluetts. £2,000 – 3,000 宋醬釉茶盌

306 A QINGBAI BOWL. Song Dynasty. Of conical form, the thinly-potted vessel with wide flaring sides rising from a slightly tapered foot to an everted rim, carved to the interior with floral patterns, the glaze stopping neatly at the foot, the unglazed base fired to a buffed tone at the centre, 6cm H, 14cm diameter. Provenance: Collection of Brian Morgan (1930 – 2018), formerly director at Bluetts. £800 – 1,200 宋青白暗刻花紋折沿盌

307 A QINGBAI ‘BOYS’ BOWL. Song Dynasty. Of conical form, carved to the interior with two boys dressed in loose robes, amongst a lush ground of scrolling peonies, the petals with furled edges and freely incised with stylised wavy veins, 7cm H, 20.5cm diameter. £2,000 – 3,000 宋青白暗刻嬰戲圖紋盌

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308 A SMALL JIAN ‘HARE’S FUR’ BOWL. Song Dynasty. Covered inside and out with a lustrous blackish-brown glaze finely streaked with russet ‘hare’s fur’ markings flowing from the russet band below the rim, 4.5cm H, 8cm diameter. £5,000 – 6,000 宋建窯兔毫盌

309 A GLAZED STEM BOWL. The rounded bowl with an everted neck raised on a tall spreading foot, 6cm H, 10cm diameter. Provenance: George Eumorfopoulos collection [label]. £200 – 300 印模高足盌

310 A PURPLE-SPLASHED JUN BOWL. Yuan Dynasty. With deep rounded sides rising from a short foot to the slightly incurved mouth rim, covered with a thick glaze of milky-blue tone thinning to mushroom colour at the rim, decorated with brilliant purple splashes on both the interior and exterior, 10cm H, 24cm diameter. £12,000 – 15,000 元鈞釉盌

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311 A DINGYAO LOBED BOWL. Song Dynasty. The widely flaring sides divided into six lobes, supported on a short foot and an angled base, 20cm diameter. £2,000 – 3,000 宋定窯花口折沿盌 The form of the current dish is closely related to lacquer dishes of the Song period, for an example see Hai-wai Yi-chen, Lacquerware, Taipei, 1987, p 33, no 33.

312 A RUSSET-SPLASHED CONICAL BOWL. Song Dynasty. Delicately potted with wide, flaring sides, and covered inside and out with a lustrous black glaze streaked the exterior with russet splashes, 7cm H, 17cm diameter. £6,000 – 8,000 宋黒釉褐斑盌

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313 A LONGQUAN CELADON VASE. Song Dynasty. The mallet-shaped body with sides tapering towards the foot from the canted shoulder, the tall neck is flanked by a pair of moulded and carved serpentine dragon-fish handles below the widely flared mouth with upturned rim, 29cm H. (2) £12,000 – 15,000 宋龍泉窰青瓷雙耳瓶

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314 A DINGYAO EWER. Song Dynasty. The ovoid body rising from a spreading foot to a tall neck and flaring rim, modelled with a gently curved spout emerging from the shoulder, 27cm H. £8,000 – 12,000 宋定窯執壺

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315 A QINGBAI EWER AND COVER. Yuan Dynasty. The bulging cylindrical body surmounted by a lobed crown rim, set with a short curving spout of square section opposite a loop handle emerging from a mythical beast’s head, the body with three horizontal raised bands with three knops on either side of the body where the horizontal overlay a vertical band, the domed cover with a circular finial, 27cm H. (2) £7,000 – 9,000 元青白釉多穆壺執壺

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Amber

Monday 12th November 2018, 14.30 Lots 316-368

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316

317

316 AN AMBER NECKLACE. Comprising a single row of graduated oblong 1.2-4cm amber beads, 44cm long. 102g. £1,000 – 2,000 琥珀項鏈一條 317 AN AMBER NECKLACE. Comprising a single row of graduated oblong 1.9-4cm amber beads, 42cm long. 128g. £1,000 – 2,000 琥珀項鏈一條 318 THREE AMBER NECKLACES. Three graduated strands of 1.2-3cm oblong amber beads, 33-34cm long. 167g. £500 – 800 琥珀項鏈三條 319 AN AMBER NECKLACE. A graduated strand of 1.2-2.3cm round amber beads, 37cm long. 96g. £600 – 800 琥珀項鏈一條 320 AN AMBER NECKLACE. A graduated strand of 1.2-3.3mm oblong amber beads, 41cm long. 75g. £2,000 – 3,000 琥珀項鏈一條 321 AN AMBER NECKLACE. A graduated strand of 1.2-3.5cm oblong amber beads, 46cm long. 88g. £1,200 – 1,500 琥珀項鏈一條 322 A CHINESE CARVED AMBER WATER-DROPPER AND COVER. Qing Dynasty, 18th to 19th Century. The body supported on a short recessed foot, and deeply carved with the handle carved to form a branch of flowering prunus extending over the body with an attendant bird, the handle opposite a short spout, the circular cover supporting a finial formed as a monkey carrying a peach, a mischievous expression on the face, 7cm H, 8cm width, 44g. (2) £500 – 800 清十八 / 十九世紀琥珀雕’歲寒三友’水滴連蓋

318 323 A CHINESE AMBER CARVING OF A DOG. Qing Dynasty, 17th to 18th Century. Standing with the head lowered and turned to the right, on a base, the hair made out in incised patterns, 6cm H, 59g. £500 – 800 清十七 / 十八世紀琥珀雕狗 324 A EUROPEAN AMBER ‘LIZARD’ CARVING. 19th to 20th Century. The coiled reptile with naturalistically carved scaly back, seated on a rock, 6.5cm long. 18g. (2) £400 – 600 十九 / 二十世紀西洋琥珀雕蜥蜴 325 A EUROPEAN AMBER CARVING OF A FROG TOGETHER WITH A CARVING OF A MONKEY. 19th to 20th Century. The monkey seated with the knees raised and the hands by the side, with finely incised fur, the face with a cheeky expression, the frog seated with the head raised bearing a sombre expression, 3-5cm H, 23g, 26g. (2) £600 – 800 十九 / 二十世紀西洋琥珀雕青蛙及猴 326 A COLLECTION OF VARIOUS AMBER CARVINGS. Comprising an oval panel incised to depict a young girl, a buckle carved in the form of a grotesque mask, a carving of seated Buddha, a ring and a brooch, 1-5cm H, 4 - 16g. (5) £500 – 800 琥珀雕件一組五件 327 A SPECIMEN CASE CONTAINING AMBER CABOCHONS. The rectangular case lined with cream velvet containing twenty-nine 1.7-4.5cm amber cabochons in four rows, total weight approx 116g. £800 – 1,200 各式琥珀標本一盒 328 AN AMBER NECKLACE. Thirteen graduated 2.8-3.9cm amber beads, 137g. £1,000 – 2,000 琥珀項鏈一條 Accompanied by a report from GCS stating that the amber is natural, of Baltic origin, with no indication of heating, certificate no 79181-19. 329 THREE BURMESE AMBER EARRINGS. 18th to 19th Century. The three earrings of graduated size, carved with a cylindrical shaft, tapering to a point at one end, 8cm H. 48g. (3) Provenance: Formerly in the Donald Simmonds Collection. £300 – 500 十八 / 十九世紀緬甸琥珀耳環三枚

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325

322

330

328

330 A EUROPEAN AMBER ‘DOG AND GAME’ CARVING. 18th to 19th Century. Well carved to depict a dog seated with the head turned to the left, beside a tree trunk hung with game, and a whip, below leafy branches, 10 x 9.5 x 4.5cm. 171g. £800 – 1,200 十八 / 十九世紀西洋蜜蠟雕狗 331 A EUROPEAN AMBER ‘DOG GROUP’ CARVING. 19th to 20th Century. Carved to depict a dog and a pup seated facing one another, 23.5cm H, 11g. £500 – 800 十九 / 二十世紀西洋琥珀雕 332 A EUROPEAN MEERSCHAUM ‘LADY’ PIPE WITH AMBER STEM. The bowl carved to depict a reclining nude, boxed, 14.5cm long. 34g. (2) £400 – 600 嵌琥珀煙管海泡石雕仕女型煙斗

333 A EUROPEAN MEERSCHAUM ‘HORSES’ PIPE WITH AMBER STEM. The bowl carved to depict two cavorting horses, boxed, 12.5cm long. 26g. (2) £200 – 300 嵌琥珀煙管海泡石雕馬型煙斗 334 A EUROPEAN MEERSCHAUM PIPE WITH AMBER STEM. The bowl carved and pierced with foliate scroll, boxed, 15cm long. 33g. (2) £290 – 350 嵌琥珀煙管海泡石雕煙斗 335 TWENTY AMBER NECKLACES. The variously sized necklaces of graduated oblong beads, 7mm - 2cm amber beads, 337g. (20) £2,000 – 3,000 琥珀項鏈二十條 336 TWENTY AMBER NECKLACES. The variously sized necklaces of graduated oblong beads, 8mm - 2cm amber beads, 418g. (20) £2,800 – 3,200 琥珀項鏈二十條 91

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337

337 TWENTY AMBER NECKLACES. The variously sized necklaces of graduated oblong beads, 8mm-1.7cm amber beads, 410g. (20) £2,800 – 3,200 琥珀項鏈二十條 338 A CHINESE AMBER CARVING OF A MONKEY. Qing Dynasty, 19th Century. Seated with the hands and legs tucked into the body, the head turned to the left a pendulous fruit held to the mouth in the left hand, 8cm H. 56g. £200 – 300 清十九世纪琥珀雕靈猴 339 A CHINESE AMBER CARVING OF A PINDOLA WITH A TIGER. Qing Dynasty, 18th to 19th Century. The figure in long flowing robes seated with his feline companion standing at his side beneath his right leg, the curved tail pressed against his master’s arm, 4cm H. 11g. £100 – 200 清琥珀雕宾头卢騎虎像 340 A CHINESE AMBER ‘LOTUS SCROLL’ OVAL PANEL. Qing Dynasty, 18th Century. Incised to depict a lotus flower among floral foliage, 5.5cm. 20.5g. £800 – 1,200 清十八世紀琥珀雕纏枝蓮紋牌 341 A CHINESE AMBER ‘BOY AND OX’ CARVING. 17th Century. The animal seated with the legs tucked beneath and the head turned back to observe the smiling boy perched in his back, 7cm long. 32g. £2,000 – 3,000 十七世紀琥珀雕童子戲牛像 342 A CHINESE AMBER ‘DEER’ CARVING. 17th Century. The recumbent creature carved with the legs tucked beneath and the head turned back to the left, sprays of lingzhi fungus emerging from the base on the reserves side, 9cm long. 53g. £800 – 1,200 十七世紀琥珀雕臥鹿像

341

343 A CHINESE CARVED AMBER ‘FINGER CITRON’ PENDANT. Qing Dynasty, 19th Century. Naturalistically yet compactly carved to depict the fruit with curving tendrils borne on a leafy stem, 8.5 x 5.5cm. 48g. £300 – 500 清十九世紀琥珀雕佛手柑吊墜 344 A CHINESE AMBER ‘SQUIRREL AND GRAPES’ CARVING. Qing Dynasty. The beady-eyed animal reclining on a vine bearing leaves and fruit, the fur made out in incised details, 7cm long. 18g. £400 – 600 清琥珀雕松鼠葡萄紋擺件 345 A CHINESE AMBER ‘LOTUS GROUP’ CARVING. Qing Dynasty, 18th Century. Naturalistically carved as a lotus pod, leaf and attendant flower borne on entwined stems, carved and pierced wood stand, 5cm H. 108g. (2) £2,000 – 3,000 清十八世紀琥珀雕蓮紋擺件 346 A LARGE AND IMPRESSIVE CHINESE AMBER ‘MOUNTAIN’ CARVING. Qing Dynasty, 18th Century. Deeply carved and pierced to depict a stepped pathway through overhanging jutting rocks, with two scholars standing in flowing robes whilst a young attendant crouches below them and a further figure stands further up the path holding a fly wisp, below a gnarled pine tree topped by a seated bird the trunk and branches wrapping over the mountainside to the reverse side of the carving where three further birds perch on its branches, supported on a wood stand carved and pierced to depict lingzhi fungus emerging from rockwork, 19cm H. £8,000 – 12,000 清十八世紀琥珀雕山形擺件 347 A CHINESE AMBER ‘LANDSCAPE’ CARVING. Qing Dynasty, 19th Century. Carved to depict a watery landscape carving, a figure on a boat in the foreground, beneath overhanging trees, another figure beside a large bell, gated buildings visible in the far distance, 9cm H. 94g. £1,000 – 2,000 清十九世紀琥珀雕山水圖擺件

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345

348 A CHINESE AMBER ‘MOUNTAIN LANDSCAPE’ CARVING. Qing Dynasty, 19th Century. Carved in the round to depict a mountainous landscape through which a meandering path with overhanging pine trees leads up to a distant pagoda, one side populated by two figures one playing a qin the other feeding a crane, the reverse with an old man beside a crane and a boy attendant, 3.5 x 9.5 x 7cm. 100g. £800 – 1,200 清十九世紀琥珀雕人物山石松鶴紋擺件 349 A CHINESE AMBER ‘LANDSCAPE’ CARVING. Qing Dynasty, 19th Century. Carved to depict two warriors beneath tree, the reverse with a figure riding a horse beneath a coiled dragon, 6cm H. 55g. £800 – 1,200 清十九世紀琥珀雕人物故事紋擺件 350 A COLLECTION OF CHINESE AMBER SNUFF BOTTLES. Qing Dynasty, 18th Century and later. One deeply incised with a crane on one side and a deer on the other beneath overhanging rocks and pine trees, tourmaline stopper, together with a flattened rounded bottle incised with lingzhi spray, and a clear bottle with circular panels incised with a standing figure of Buddha, 4-7cm H. 104g. (4) £1,000 – 2,000 清十八世紀或更晚琥珀雕鼻煙壺三只

346

351 A CHINESE AMBER SNUFF BOTTLE. Qing Dynasty. The faceted body of octagonal section rising from a short base to a cylindrical neck, coral stopper carved to depict a frog seated on a domed base, 7cm H. 33g. (2) £500 – 800 清琥珀雕六方形鼻煙壺 352 AN AMBER SNUFF BOTTLE. Qing Dynasty. Of uneven oval form, well hollowed, with a green glass stopper formed in the shape of a stem, 6cm H. 33g. (2) £800 – 1,200 清琥珀雕鼻煙壺 353 AN AMBER NECKLACE. Comprising a length of graduated 1.3-3.5cm oblong amber beads, 39cm long. 49g. £800 – 1,200 琥珀項鏈一條 Accompanied by a report from GCS stating that the amber is natural, of Baltic origin, with no indication of heating, certificate no 79181-18. 354 AN AMBER NECKLACE. A graduated strand of 2-3cm oblong amber beads, 46cm long. 92g. £1,200 – 1,500 琥珀項鏈一條

354

353

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360 AN AMBER AND BLACK BEAD NECKLACE. 1cm-2.4cm amber beads, 62cm long. 71g. £600 – 800 琥珀及黑珠項鏈一條 361 A EUROPEAN MEERSCHAUM PIPE WITH AMBER STEM. Of S-shaped form, 20.5cm long. 38g. (2) £200 – 250 西洋嵌琥珀煙管海泡石雕煙斗 362 AN AMBER HOOKA FITTING. 19th Century. 15cm long. 35g. £1,000 – 1,500 十九世紀琥珀雕水煙罐

359

355 FOUR AMBER NECKLACES AND A PENDANT. The four strand of graduated 8mm-2.2cm oblong amber beads, the 4.3cm pendant of thick annular form. 136g. (5) £600 – 800 琥珀項鏈四條及吊墜一件 356 A MIXED COLLECTION OF AMBER BRACELETS. 451g. (11) £300 – 500 琥珀手鏈一組 357 AN AMBER NECKLACE. Comprising a single row of graduated oblong 9mm-2.5cm amber beads, 31cm long. 32g. £600 – 800 琥珀項鏈一條 358 AN AMBER NECKLACE. Comprising a single row of graduated oblong 1.3-3.2cm amber beads, 43cm long. 73g. £1,000 – 2,000 琥珀項鏈一條 359 AN AMBER PRAYER BEAD NECKLACE. Comprising a single row of graduated oblong 1.3-1.8cm amber beads, 95g. £600 – 800 琥珀念珠一條

363 A COLLECTION OF AMBER PENDANTS AND BROOCHES. 3-5cm. 80g. (6) £200 – 300 琥珀雕吊墜及胸針一組 364 TWO CHINESE AMBER ‘ANIMAL’ CARVINGS. 20th to 21st Century. Comprising of a three-legged toad carrying a string of cash in his mouth, together with a pebble carving incised with a monkey borne on trunk of an elephant. 9cm long. 194g. (2) £300 – 500 二十 / 二十一世紀琥珀雕動物兩件 365 A COLLECTION OF CHINESE AMBER PENDANT CARVINGS. 20th to 21st Century. Comprising carvings of lingzhi fungus and other auspicious subjects, 2-5.5cm long. 130g. (22) £300 – 500 二十 / 二十一世紀琥珀雕吊墜一組 366 A COLLECTION OF CHINESE AMBER PENDANT CARVINGS. 20th to 21st Century. Comprising carvings of lingzhi fungus and other auspicious subjects, 2.9-5.1cm long. 102g. (15) £200 – 300 二十 / 二十一世紀琥珀雕吊墜一組 367 A LARGE COLLECTION OF AMBER BEADS. The beads unstrung and of various sizes and shapes, 6.3mm-3.1cm long. 618g. (qty) £1,500 – 2,000 琥珀珠一組

*See inside front cover for information regarding fees

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Lots 370-807

Asian Art II

Tuesday 13th November 2018, 11.00

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370

371

370 A PAIR OF IMARI VASES AND COVERS.

371 A SMALL IMARI GARNITURE.

Late 17th century.

Late 17th/early 18th century.

Each of hexagonal baluster shape, decorated in iron-red, blue and gilt with a butterfly amongst chrysanthemums and peonies in two shaped panels, reserved on a black ground with scattered flower heads, the domed cover with a conical finial, 29.5cm H. (4) £600 - 800 伊万里壺一対

Comprising three oviform jars and covers and two beaker vases, all decorated in iron-red and gilt on underglaze blue, with peonies and chrysanthemums issuing from rocks, the shoulder with three panels enclosing a birds and flowers motif, the cover similarly decorated with peonies and chrysanthemums, the finial modelled as a karashishi, the jars and covers approx. 25.5cm H, the vases 18cm H. (8) £800 – 1,200 伊万里小型沈香壺一対花瓶一対 *See inside front cover for information regarding fees

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372

373

372 AN IMARI BARBER’S BOWL.

373 AN IMARI BARBER’S BOWL.

374 A LARGE IMARI CHARGER.

Edo period, 17th/18th century.

Possibly 19th Century.

17th Century.

Decorated in iron-red, green enamels and gilt on underglaze-blue with two karashishi frolicking around a flower pot on a balcony, encircled to the rim with various shells and seaweed divided by three cartouches, 25.8cm diameter. £300 – 400 伊万里髭剃り皿

Elegantly painted in underglaze-blue, ironred and gilt with a standing Kanbun bijin pulling a rope attached to a flower cart, looking at a dog playing with a tassel, the everted rim decorated with maple trees and deer in a mountain landscape, 27.8cm diameter. £600 – 700 伊万里髭剃り皿

Decorated in underglaze-blue, iron-red, black enamels and gilt, with cherry blossom beneath a curtain within long-tailed birds and chrysanthemums, reserved on peonies, 56cm diameter. £1,500 – 2,000 伊万里焼大壺、１７世紀

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376 376

377 375 A SATSUMA EARTHENWARE BOWL BY SHOZAN. Meiji period.

Painted to the interior with young women and a boy under a wisteria tree in an oval panel reserved on a ground with kiku blooms, the exterior with a continuous design of wisteria and flying butterflies, signed Shozan, 15.2cm, diameter. £300 – 400 薩摩焼茶碗 98

376 TWO TEA BOWLS. 19th/20th Century.

An earthenware bowl with slightly flared sides, decorated in colour enamels and gilt with hozuki (Chinese lantern fruits), 6cm H, 14.5cm diameter, and an Imari bowl painted in iron-red and enamels with rabbits amongst bush clovers, 12cm diameter. (2) £200 – 300 茶碗二点

377 A SET OF TWELVE EARTHENWARE TEA BOWLS FOR THE TWELVE MONTHS. 20th Century.

Each painted in various enamels with seasonal flowers and plants, the storage box signed Matsuzaka Banko game, Shozan, each approximately, 7cm H, 12.5cm diameter, with a fitted box. (13) £400 – 500 万古窯茶碗セット

*See inside front cover for information regarding fees

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378

378 A CALLIGRAPHIC SCROLL.

379 A HANGING SCROLL.

Daishin Gito (attributed to, 1657 - 1730).

Tachibana Daiki (1898 -2005).

In ink on paper, mounted as a hanging scroll, inscribed with a large character ‘Mu’ (void), and further five characters, signed Daishin, with two seals. (2) £1,500 – 2,000 紙本書、無、趙老錯用� Daishi Gito was the 273th abbot at Daitokuji temple in Kyoto, and had a close link with the masters of Chanoyu (Way of Tea). The character ‘Mu” is a symbolic word of Zen teaching, which can be interpreted as ‘transcending all perceptions’, and it was first used by the Chinese priest Zhaozhou (728 - 897). Calligraphy like this would have been displayed at the tokonoma alcove during a tea ceremony.

Humorously painted in ink and slight colour on paper with temples dotted around Mt. Yoshino, the inscription reads, Kono tokoro, shoben suruna, Yoshino yama (Please do not use this place as a toilet, Mt Yoshino is a beautiful place), mounted as a hanging scroll, 29 x 46.2cm with a fitted box. (2) Provenance: The collection of Brian Morgan(1930 – 2018), former director of Bluett and Sons, Oriental Art. £200 – 300 書幅銘橘大亀 Tachibana Daiki was the head priest at the Daitokuji temple of the Rinzai Buddhist sect and an author of books on Zen philosophy.

379 99

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380

381 (part) 380 THREE HANGING SCROLLS.

382 A BUDDHIST PAINTING OF ‘DESCENT OF AMIDA’

19th/20th Century.

Possibly Muromachi period.

Comprising two paintings, each depicting a country landscape with a mountain/river in ink and colour on silk, 50 x 110cm, 47.5 x 51.5cm, and a copy of the Hannya Shinkyo (Heart Sutra) hand written in ink on paper, 33.5 x 132cm. (3) £200 – 300 掛軸三本、風景、般若心経

381 A HANDSCROLL PAINTING. Attributed to Takashima Hokkai (1850-1931).

A landscape with a lake in ink and slight colour on paper, a front piece signed Tamura and dated 1893, a long colophon variously signed, approx. 24.5 x 680cm. £600 – 800 手巻物銘高島北海

100

Painted in ink, colour, gofun and gold on silk, depicting the Amida with twenty-five Bodhisattvas descending with the clouds, mounted as a hanging scroll, 129.5 x 64cm. Provenance: The collection of Brian Morgan (1930 – 2018), former director of Bluett and Sons, Oriental Art. £2,000 – 3,000 絹本著色阿弥陀二十五菩薩来迎図 Depictions of Amida (the Buddha of infinite light) and the Pure Land, are popular Buddhist images in Japan, and until the twelfth century, Amida was usually represented seated. However during the Kamakura period (1185 – 1333), the concept of raigo (the welcoming descent) flourished and Amida became more approachable to people, depicted standing, and in action, coming down from his ‘Pure Land’ to fetch his devotees. Jyodokyo (the Pure Land Buddhism) permeated the Japanese soil during the Kamakura period, after a long war between two strong clans (the Genpei war), which resulted in a shift of power from the Emperor to Shogun (the samurai lord). People were anxious, and were seeking salvation; they wanted to be reborn in a utopia where they were free from all the sufferings in this world. In this painting, Amida is standing on a lotus pedestal in the centre, accompanied by heavenly dancers and musicians, descending on the clouds from the top left. His attendant, Kannon (Guanyin) at the front, is kneeling to offer the lotus throne on which the deceased will be transported back to the Pure Land. Numerous lotus petals and small deities are flying around them. Another example of the raigo-zu painting with a similar composition is in the Shojuraigo-ji temple at Hiei, which is illustrated in Joji Okazaki, Jyodokyo-ga, Nihon no Bijutsu series, no 43, pl 80. *See inside front cover for information regarding fees

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382

101

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383 A CARVED WOOD FIGURE OF JIZO BOSATSU (BODHISATTVA). Edo period.

Seated with the eyes downcast, holding the hoju (wish-fulfilling jewel) in his left hand, wearing a loose robe painted in gilt, the eyes inlaid with glass, 37cm H. £3,000 – 4,000 地蔵菩薩像

384 A PAIR OF CARVED WOODEN FIGURES OF BUDDHIST DEITIES. Edo period.

Representing Bodhidharma (Daruma) and Daigen Garanjin, both seated on a stand, finely carved and painted in polychrome and gilt over gesso, with inlaid eyes, 43.8cm. (4) £800 – 1,200 達磨、伽藍人木像 Literature: Gerard Hawthorn Ltd., Chinese and Japanese Sculpture, 2003. Budhidharma, the patriarch of Buddhism was born in India, and said to have spreaded the meditation teaching (zazen) of Zen Buddhism in China, whereas Garanjin was a Chinese Buddhist scholar who studies Buddhist scriptures in order to attain an enlightenment. Both are worshipped as the guardian of Buddhism in Japan.

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*See inside front cover for information regarding fees

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385

386

388

389

385 A RARE EMBROIDERED HANGING OF GUANYIN.

387 A LENGTH OF SILK BROCADE.

Edo period.

19th/20th Century.

Finely embroidered in silk and gold metallic threads to depict a standing Guanyin holding a sprig of lotus flower, wearing a loose robe over a loincloth decorated with tama. Above the figure are orbs representing the sun and the moon, 62 x 132cm. £600 – 800 刺繍仏観音 386 A BUDDHIST PAINTING OF KOSHIN BELIEF. Edo period.

Painted in ink, colour and gofun on silk, the centre with Shomei-Kongo, the many-armed blue faced deity, surrounded by attendants and three wise monkeys, 91 x 36cm. £200 – 300 仏画庚辛信仰画

387 (part)

Woven in yellow, green, pink and gold threads on blue ground with Buddhist floral patterns, approx. 72.5x 600cm. £200 – 300 織物反物 388 AN EMBROIDERED HANGING. Meiji period.

Worked in coiled threads in green, yellow, grey, beige and white with two confronted dragons amongst clouds, embellished with tassels at the corners, 129 x 126cm. £800 – 1,000 刺繍壁掛 389 A COPPER KEKO. Edo period.

A Buddhist ceremonial flower basket, pierced and carved with lotus flowers, engraved inscription dated Hoei 3 (1706), 27cm diameter. £250 – 300 華籠

103

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390

391

390 A SILK BROCADE BUDDHIST PRIEST’S ROBE (KESA).

391 A DEERSKIN FIREMAN’S COAT (KAJIBANTEN).

19th Century.

Edo period.

The rectangular ceremonial robe made from nine patchwork columns, woven in gold threads on a purple ground with stylised dragon and clouds, 113 x 207cm. £500 – 700 絹織袈裟

104

Dyed with smoke, a family crest of a stylized plum flower on the back worked in rice-paste resist dye techniques, 110 x130cm. £600 – 800 皮羽織火消装束

*See inside front cover for information regarding fees

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392

393 (part)

392 A SIX-FOLD SCREEN.

393 TWO JAPANESE SHUNGA HAND SCROLLS.

Kano school, 19th/20th Century.

19th/20th Century.

Painted in ink, colour, gofun, and splashed gold on paper, depicting Chinese court ladies and groups of karako (Chinese children) playing in a terraced garden, which overlooks rocky mountains and a river, with two red seals, one of which reads ‘Takaoka’, 150cm H. £600 – 800 六曲屏風唐子

Painted in ink and colour on silk, with narrative pictures of a widow’s love affair, unsigned, 19 x 560cm, and another scroll in ink and slight colour on paper, entitled ‘Iroha Bunko’ with the orgy scenes, 19.5 x 600cm. (2) £200 – 300 春画巻物２点

105

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394 (part)

395 (part)

396 (part) 394 A SET OF TWELVE PRINTS.

395 A SET OF TWELVE PRINTS.

396 A SET OF TWELVE PRINTS.

Meiji period.

Yosai Rekishi gafu (Pictures of Japanese history by Kikuchi Yosai), woodblock prints after the paintings by Kikuchi Yosai (1788 1878) with the original wrapper, published by Aoki Kozando, dated Meiji 27 (1894). (12) £200 – 300 錦絵１２枚容斎歴史画譜

106

Okyo Shubi gfu, woodblock prints after the paintings by Maruyama Okyo, designed by Fukui Gessai, printed by Aoki Kozando, dated Meiji 25 (1892), with the original wrapper. (12) £200 – 300 錦絵１２枚聚美画譜

Entitled ‘Naniwa Meisho gafu’, by Hakuho, depicting famous places in Osaka including Tenman Shrine, Dotonbori theatre street, Midosuji Toranomon gate, published by Aoki Kozando, with the original wrapper. (12) £200 – 300 錦絵１２枚浪花名所画譜

*See inside front cover for information regarding fees

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397

398 (part)

399

400

397 UTAGAWA TOYOKUNI II (1777 - 1835). A woodblock print, surimono, kakuban format, from a series of Portraits of Danjuro, depicting the actor Ichikawa Danjuro XII, in his role of Soga Goro from the kabuki play Shibaraku, with a poem by Rokujoen Futaba, signed Toyokuni hitsu. £200 – 300 摺物二代豊国

399 UTAGAWA KUNISADA (1786 - 1865). Woodblock prints, two oban triptychs, each depicting a scene from the tale of Genji, the prince leaning against a palanquin whilst his servant is receiving flowers from a lady standing in front of her house; the prince Genji and his ladies on a pleasure boat, framed and glazed. (2) £250 – 300 錦絵三枚続源氏絵国貞

398 UTAGAWA KUNISADA (1786 - 1865). Woodblock prints, four oban triptychs, a complete set of the play, Chushingura series, mounted as a handscroll, approx. 38 x 300cm, with a wood fitted box. (2) £750 – 900 錦絵忠臣蔵国貞

400 TOYOHARA KUNICHIKA (1835 - 1900) A woodblock print, tanzaku format, depicting two ladies under a cherry tree, surprised by a gust of wind, signed Toyohara Kunichika hitsu. £100 – 120 錦絵国周

107

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401 (part)

402 (part) 401 TSUKIOKA YOSHITOSHI (1839 - 1892) AND MIZUNO TOSHIKATA (1866 - 1908). Woodblock prints, oban tate-e, two prints by Yoshitoshi, the princess Yaegaki following fox fire from the series “New form of thirty-six ghosts’, and the Heian court lady on a boat, from the series ‘One hundred aspects of the moon’; one print by Toshikata, a beauty enjoying the snow covered landscape from a boat, from the series Sanjurokkasen (Thirty six selected beauties), framed and glazed. (3) £300 – 400 錦絵３枚月岡芳年、水野年方

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402 TOYOHARA CHIKANOBU (1838 - 1912). Woodblock prints, three oban triptychs, from the series Chiyoda no Ooku (The inner palace of Chiyoda), dated Meiji 38 (1915), signed Yoshu Chikanobu, framed and glazed, (3). £250 – 300 錦絵周宜

*See inside front cover for information regarding fees

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403 CHIKANOBU (1838 -1912) AND NOBUKAZU (1874 1944). 19th/20th Century.

Woodblock prints, each with elegantly dressed women playing musical instruments, one with a title ‘Azuma Fuzoku Bijin no Ongaku’ (The music by fashionable women in the East) by Nobukazu, and two by Chikanobu. (9) £200 – 250 錦絵周宜、延一 403 (part) 404 WATANABE NOBUKAZU (1874 -1944). Woodblock prints, two oban triptychs, each depicting young ladies practicing musical instruments in a room with the garden view, entitled ‘Kajin Onkyoku kurabe’ and ‘Kajin Yukimi no Seikyoku’, signed Yoshu Nobukazu hitsu, dated Meiji 34. (2) £250 – 300 錦絵延一 404 (part) 405 TOYOHARA CHIKANOBU (1838 - 1912). Woodblock prints, three oban triptychs, all from the series Chiyoda no Ooku (The inner palace of Chiyoda). (9) £200 – 300 錦絵周宜

406 TOYOHARA CHIKANOBU (1838 - 1912). Woodblock prints, two oban triptychs, entitled Tsukiyo no sankyoku (Three songs at the full moon night), female musicians seated in a room opens to the garden at night, another triptych, showing women at the open-air theatre. (6) £180 – 200 錦絵周宜

405 (part)

406 (part)

109

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407 TOYOHARA CHIKANOBU (1838 1912). Woodblock prints, oban triptych entitled ‘Fuke no besso’ (a summer house for an affluent family), and one oban print depicting a woman holding a mandolin, from the series Azuma Fuzoku (New Fashion of the East, September). (4) £200 – 300 錦絵周宜

407 (part)

408 TOYOHARA CHIKANOBU (1838 1912), AND OTHERS. Woodblock prints, oban triptych depicting the woman warrior, Tomoe Gozen, on a horse fighting against the armour-clad samurai Hatakeyama Shigetada, and three oban prints, each showing a beauty with a musical instrument, from various series. (6) £250 – 300 錦絵周宜

408 (part)

409 TSUKIOKA YOSHITOSHI (1839 1892). Woodblock prints, oban tate-e, from the series Kokoku Nijyushiko, depicting the Princess Chujyo and a snake, another print from the series ‘One hundred aspects of the moon’, with a sub-title, Ginga no tsuki (The moon and the Milky Way). (2) £300 – 400 錦絵芳年

409 (part) 110

*See inside front cover for information regarding fees

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410 (part)

413 (part) 410 FIVE WOODBLOCK PRINTS. 20th Century.

Each with a kacho-e (Pictures of Birds-and-Flowers) design, by Bairei, Keinen, Gakutei and others. (5) £200 – 250 花鳥絵版画 411 FOUR WOODBLOCK PRINTS. 20th Century.

Square format, each with kacho-e (Pictures of Birds-and-Flowers), by Jyakko, Shonen, Takeishi and other. (4) £200 – 250 花鳥絵版画４枚 412 THREE WOODBLOCK PRINTS. One tanzaku format print, a pheasant and plum blossom, two oban prints by Shodo Kawarazaki, published by Unseido. (3) £150 – 200 花鳥絵版画３枚

411 (part)

412 (part)

414 (part) 413 UTAGAWA KUNISADA (1786 - 1865) AND UTAGAWA SADATSUNA (act. 1830- 1844). Woodblock prints, four oban tate-e, three by Kunisada from various series, each with a woman playing a musical instrument, and one by Sadatsuna, depicting the courtesan Omotagawa of Daimonjiya house seated playing the shamisen. (4) £200 – 300 錦絵４枚国貞、貞綱 414 UTAGAWA HIROSHIGE (1799 - 1858) AND HIROSHIGE II (1826 - 1869). Woodblock prints, oban yoko-e, from the Edo Meisho series, Oji Inari shrine, and Kanda Myojin shrine by Hiroshige, and further two prints by Hiroshige II, A view of Hongo street, and Tea-houses at Atago, variously signed. (4) £250 – 350 錦絵4枚、広重、二代広重江戸名所

111

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415 (part)

417

416

418

415 UTAGAWA HIROSHIGE II (1826 - 1869). Wood block prints, oban tat-e, the garden of Narita yama shrine at Shimofusa province from the series ‘One Hundred Famous Places in Various provinces’, and the sunrise at the Futamigaura, Ise Province. (2) £120 – 150 錦絵2枚、二代広重諸国名所百景 416

UTAGAWA HIROSHIGE (1797 - 1858).

A woodblock print, oban yoko-e, ‘Shono’, the sub-title, Haku-u (Sudden Summer Shower) from Hoeido’s Tokaido series, ‘The Fifty-three Stations on the Tokaido Road’, depicting travellers being caught by a sudden shower, and scurrying off to a hill slope, signed Hiroshige ga, the publisher’s seal, Hoeido. £2,000 – 2,500 錦絵安藤広重庄野東海道五十三次 417

UTAGAWA HIROSHIGE (1797 - 1858).

A woodblock print, oban tate-e, from the series ‘Meisho Edo Hyakkei’ (One Hundred Famous Views of Edo), the subtitle, ‘Haneda no watashi, Benten no yashiro’ (Haneda ferry and Benten shrine), signed Hiroshige ga, the publisher’s seal, Uoei. £120 – 150 錦絵広重名所江戸百景 112

419

420 (part)

418 UTAGAWA HIROSHIGE (1797 - 1858). A woodblock print, oban tate-e, from the series ‘Meisho Edo Hyakkei’ (One Hundred Famous Views of Edo), the Sanno Festival Procession at Kojimachi’. £120 – 150 錦絵、広重、名所江戸百景 419 UTAGAWA HIROSHIGE (1797 - 1858). A woodblock print, oban tate-e, from the series ‘Meisho Edo Hyakkei’ (One Hundred Famous Views of Edo), the Sanno Festival Procession at Kojimachi’. £120 – 150 錦絵、広重、名所江戸百景 420 UTAGAWA HIROSHIGE II (1826 - 1869) Woodblock prints, oban tate-e from the series ‘Thirty-six Views of the Eastern Capital’, Hongo Street, A canal at Ochanomizu, both signed Hiroshige ga, the publisher’s mark, Ai-to. (2) £120 – 150 錦絵2枚、二代広重東都三十六景

*See inside front cover for information regarding fees

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421

422 421 UTAGAWA KUNIYOSHI (1798 - 1861). Woodblock prints, oban triptych, depicting the warrior Minamoto no Raiko and his retainers about to slay the drunken ogre, Shuten-doji, in his lair at Mt. Oe, signed Ichiyusai Kuniyoshi with the publisher’s seal, Amatsu. (3) Provenance: A private European collection. £1,500 – 2,500 錦絵国芳 According to the legend, the great warrior, Raiko was sent by the emperor to destroy the man-eating demon, Shuten-doji, who abducted many young women from the city of Kyoto. Raiko disguised as mountain priest offered Shuten-doji the magic sake, which made the demon incapacitated from fighting against the warriors.

422 UTAGAWA YOSHIKAZU (fl.1870). Woodblock prints, oban triptych, entitled ‘Raiko Sanchuni Yokai wo miru’, Minamoto no Raiko encountering a giant serpent attacking a bear in the mountain, signed Ichijusai Yoshikazu, the publisher’s seal, Tsujiokaya. (3) Provenance: A private European collection. £600 – 800 錦絵芳員 423 A WAR PROPAGANDA PRINT BY TOSHIMITSU (act. 1876 1904). Oban triptych, depicting the battle of Weihaiwei during the SinoJapanese war in 1895, signed Toshimitsu, framed and glazed. Provenance: A private European collection. £300 – 400 錦絵戦争絵年光 113

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424 (part)

423 424 YOSHITOSHI MORI (1898 - 1992). Kappazuri (stencil printing), each showing the medieval warriors, Benkei and Ushiwakamaru in a combat, framed and glazed, 68 x 60, 77 x 81cm. (2) £300 – 400 合羽刷り版画2点森義利

425 A MINO WAKIZASHI.

426 A MINO WAKIZASHI.

Edo period, circa 1800

Edo period, circa 1800.

A polished blade in black lacquer saya, the blade of midare hamon, a tsuba decorated with dragons and coins in soft metal inlay, a sentoku kozuka with a heron among reeds, unsigned, nagasa 43.5cm. £1,000 – 1,200 美濃伝脇指

A polished blade with suguha hamon, in handachi koshirae, all mounts are the matching designs of karakusa, a tsuba signed Kosai ju, Tatsunao, nagasa, 44cm. £850 – 950 美濃伝脇指

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*See inside front cover for information regarding fees

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427 A WELL-MOUNTED MINO-DEN TANTO. Early Edo period.

The blade of hirazukuri with groove, midare hamon, nakago with one menuki-ana, mounted in black ribbed saya decorated with maple leaves in red lacquer, silver and shibuichi mounts including kozuka signed Nagasone Kotetsu II, Okimasa, nagasa 29.2cm. £1,500 – 1,700 美濃伝短刀

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428 A KATANA, SINGED TSUNAHIRO.

430 A COLLECTION OF SWORD FITTINGS.

Blade; late Muromachi/early Edo period.

Edo period.

The blade with Toran midare hamon, with a groove, o-suriage nakago signed Soshu ju Tsunahiro, the saya re-mounted during World War II, nagasa 68cm. £800 – 1,000 刀銘綱紘、江戸時代初期

Comprising five iron tsuba and twelve fuchi, decorated in copper, sentoku and shakudo inlay, and two metal kanamono in the form of a lobster and a minogame turtle, various sizes. (19) £600 – 800 刀装具

429 A SMALL WAKIZASHI. Edo period. The blade of shinogi-zukuri, suguha hamon, unsigned, in a black lacquer saya mounted with an iron tsuba engraved with stylised clouds, a kozuka signed Toshimitsu, nagasa 45cm. £200 – 300 美濃伝脇指

431 A BLACK LACQUERED IRON DO.

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Edo period.

The Yokohagi Okegawa do (cuirass) of lacquered iron plates, the edges decorated in stencil dyed deerskin, 40cm H. £200 – 300 横剥桶側胴

*See inside front cover for information regarding fees

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435 A BRONZE CENSER. 19th Century.

438 432 A SMALL LACQUER CABINET. Edo period.

Of rectangular form with three drawers, decorated in gold lacquer hiramaki-e on a roiro ground with sprigs of chrysanthemums, metal handles in the form of kiku, a tray attached on the top, 31 x 31 x 22cm. £250 – 300 漆塗り鼻紙台 433 A BLACK LACQUER TEA-CADDY.

The globular body supported on tripod feet emerging from lion head mask, decorated in high relief with running karashishi , the domed cover pierced with ‘shippo’ design, a separately cast stand, 37cm. (2) £500 – 700 銅製香炉 436 A BRONZE VASE. 19th Century. Of globular body rising from a tall foot, crisply cast with archaistic designs of taotai motifs, 21cm H. £300 – 500 銅製花瓶 437 A BRONZE CENSER. 20th Century.

19th/20th Century.

Decorated in gold hiramaki-e with a willow tree against a roiro ground, 6.2cm H. £150 – 200 蒔絵棗

The body of a flying saucer shape, separately cast handles modelled as bamboo leaves, raised on three feet, the neck pierced with square windows, 20cm H. £100 – 200 銅製花瓶

434 A BRONZE HAND-WARMER.

438 TWO BRONZE CENSERS AND A CANDLE STAND.

19th Century.

Of rounded rectangular form with a swing handle, decorated in high relief with ho-o birds, a pierced cover with dragon and clouds, 16cm H. £500 – 700 銅器手あぶり

19th Century.

A small tripod censer with twin upright handles, a pierced cover topped with shishi dog, 11.5cm H, another censer of a similar form, 10cm H, and a double-gourd shape candle stand, 15cm. (4) £100 – 200 銅製香炉、蝋燭立 117

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441 439 A BRONZE MODEL OF AN EAGLE. Meiji period. Perched on rocks with wings outstretched, its head looking downwards while a dragon half-entering in a hole on the side of the rock, the wings and rocks separately cast, signed Sachiyuki, 57cm H. £500 – 700 銅製鷲 440 A LARGE BRONZE VASE BY SEIUN. 19th Century.

Finely cast in high and low relief with a lobster and two small fish emerging from the water, the fish eyes and shells are painted in gilt, signed Seiun, 24cm H. £2,000 – 2,500 銅製花瓶銘晴雲

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442 441 A JAPANESE BRONZE CARP. 19th Century.

Modelled as a leaping carp resting on its tail, incised details on scales and fins, signed Seiun chu, 30cm H. £200 – 300 銅製鯉銘清雲 442 A PAIR OF INLAID BRONZE VASES. Meiji period.

Each chiselled and inlaid in high and low relief in copper, gilt and sentoku with pheasants under flowering cherry trees, the reserve with squirrels amongst grapevine, stylised foliage patterns to the neck, a wooden fitted box, 27cm H. (2) £400 – 600 象嵌銅製花瓶一対

*See inside front cover for information regarding fees

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443 A SILVER AND CLOISONNÉENAMEL MIRROR FRAME. Meiji period.

The reticulated frame intricately worked in silver filigree and cloisonné enamels, with the birds-and-flowers motifs including ‘herons and irises’, ‘pheasants and chrysanthemums’, ‘swallows and wisterias’, mounted on a red velvet, with a Victorian mirror, 52 x 45m. £3,000 – 3,500 銀七宝製鏡縁

444 A SMALL SILVER BOX AND COVER. Meiji period. Of hexagonal shape raised on three legs, the cover engraved with flowering irises, two ring handles in the form of chrysanthemum, signed Maruki-sei with Jungin (pure silver) mark, 4cm H. (2) £300 – 400 銀製小箱銘丸喜製

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BRONZE INCENSE BURNERS FROM AN ENGLISH PRIVATE COLLECTION (lots 445 - 452)

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445 A BRONZE INCENSE BURNER AND STAND. 17th Century. Of archaistic liding form, the compressed globular body supported on three conical feet with loop handles to the rim and six character Xuande marks to the base, set on a stand in the form of a stylised mallow flower resting on three ruyi head-form feet, 6cm H, 10cm diameter. (2) Provenance: English Private Collection. £800 – 1,200 十七世紀銅沖耳乳足爐連花瓣紋底座，「大明宣德年製」款

446 A BRONZE INCENSE BURNER. Qing Dynasty. Of baluster form, the waisted neck set with lion head handles, six character Xuande mark to base, wood cover and stand, 9.5cm H, 8cm diameter. (3) Provenance: English Private Collection. £800 – 1,200 清雙獅耳銅爐連木座及蓋，陽文「大明宣德年製」楷書款

*See inside front cover for information regarding fees

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447 A BRONZE INCENSE BURNER. Qing Dynasty, 18th Century. Of tripod form with loop handles, the base set with a coiled dragon roundel, wood stand, 5cm H, 9.5cm diameter. (2) Provenance: English Private Collection. £600 – 800 清十八世紀橋耳乳足爐連木座

448 A BRONZE INCENSE BURNER. Of archaistic liding form, the globular body supported on three short tapering feet, the slightly flared mouth-rim surmounted by a pair of arched handles, the base with six character Xuande mark, wood stand, 6cm H, 11cm diameter. (2) Provenance: English Private Collection. £600 – 800 銅橋耳乳足爐，陽文「大明宣德年製」楷書款

449 A BRONZE INCENSE BURNER. Qing Dynasty, 18th Century. Of rounded rectangular form, the bulging body supported on an upright foot and rising to a waisted neck with everted rim, the foot with a leiwen band, the neck encircled with a pair of confronting phoenixes each side against a leiwen ground, set on either side with a mythical beast mask, six character Xuande mark to base, wood cover and stand, 6.5cm H, 10cm diameter. (3) Provenance: English Private Collection. £1,500 – 2,000 清十八世紀銅雲雷紋雙獸耳爐連木座及蓋，陽文「大明宣德年製」楷書款

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452 450 A BRONZE JUE. Qing Dynasty, Qianlong san nian mark and of the period, 1738. Of archaistic jue form, the deep ‘U’-shaped body raised on three splayed legs of triangular section tapering towards the feet, the broad mouth surmounted by a pair of capped posts, the main body decorated with three leiwen bands, the underside of the rim inscribed Qianlong san nian zhong dong ji dan zhi, 16cm H, 17cm diameter. Provenance: English Private Collection. £600 – 800 清乾隆一七三八銅雲雷紋爵，陽文「乾隆三年仲冬吉旦製」楷書款

453 452 A PAIR OF BRONZE FIGURES OF BUDDHA. Qing Dynasty. Each seated in flowing robes with the chest bare, a rosary held in the right hand, wood stands, 4.7cm H. (4) Provenance: English Private Collection. £200 – 300 清銅佛像連木座一對

451 A BRONZE GUI. Ming Dynasty. Of archaistic gui form, cast with a taotie mask on each side and flanked by mythical beast projecting loop handles, mark in archaic seal script to base, 10cm H, 11cm diameter. Provenance: English Private Collection. £600 – 800 明銅饕餮紋雙耳簋式爐

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453 A BRONZE INCENSE BURNER. Qing Dynasty, 18th Century. Of cylindrical form with ruyi head handles, six character Xuande mark to base, 8cm H, 9.5cm diameter. £500 – 800 清十八世紀雙如意耳筒式爐，「大明宣德年製」

*See inside front cover for information regarding fees

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454 A PAIR OF PARCEL-GILT BRONZE FIGURES OF OFFICIALS. Ming Dynasty. Each figure standing in long flowing robes on a square base, holding a ritual hu, the faces heightened in gilt, 35 / 36cm. (2) £3,000 – 5,000 明銅局部鎏金士大夫立像一對

454

455 A LARGE BRONZE TRIPOD INCENSE BURNER. Cast with a deep basin rising to a wide rim set, supported on three gilt cabriole legs in the form of caparisoned elephant heads, the main body comprising two detachable cylindrical chimneys, the domed cover surmounted by a gilt openwork dragon knop seated on a double-lotus pedestal, the body and cover with pierced panels enclosing deer, the body decorated all over with incised patterns, 59cm H. (5) £3,000 – 5,000 銅吉鹿紋象首三足爐

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456 A BRONZE VASE. 17th Century. Of pear-shaped form, with loop handles emerging from mythical animal heads, the body incised on one side to outline a mountain, the reverse with a flower borne on a stem with two leaves, 24cm H. £800 – 1,200 十七世紀銅雙獸耳瓶 457 A BRONZE EWER AND COVER. 17th Century. The pear-shaped body supported on a spreading foot and surmounted by a tall domed cover, the spout issuing from the mouth of a mythical beast, opposite an ‘S’-curved dragon handle, the body, foot and cover incised with figurative and floral decoration, the cover set with a lion finial, 27cm H. (2) £300 – 500 十七世紀銅暗刻人物故事紋獅蓋執壺 458 A PAIR OF PARCEL GILT BRONZE ‘DRAGON’ VASES. 17th Century. The pear-shaped body supported on a spreading foot, rising to a tall waisted neck with a garlic mouth, the neck and shoulders encircled by a sinuous chi dragon modelled in high relief, 24cm H. (2) £1,500 – 2,000 十七世紀銅局部鎏金浮龍紋蒜頭口瓶一對

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457

459 A PAIR OF YELLOW GROUND ‘DRAGON’ VASES. Qing Dynasty. Of baluster form, rising from a tall spreading foot to a garlic neck, enamelled in black, heightened in gilt and white with coiled dragons among large flowering chrysanthemums on a yellow ground, 62cm H. (2) £2,000 – 3,000 清黃地花卉龍紋瓶一對 460 A PAIR OF FAMILLE ROSE VASES AND COVERS. 19th Century. Of rectangular baluster form with panels of figures to the shoulders and body, surrounded by scrolling fruit, flowers and foliage, the shoulders set with handles well modelled as two ladies standing on a lotus flower, the domed covers decorated with fruiting pomegranate branches and with a finial modelled as a cloaked figure, 45cm H. (4) £1,200 – 1,500 十九世紀粉彩繪‘無雙譜’四方雙耳蓋瓶 461 A RETICULATED FAMILLE VERTE HEXAGONAL LANTERN. Qing Dynasty. Each of faceted ovoid-form with flared crowns, the pierced sides with a figurative medallion in the centre, the borders and horizontal registers with yellow and aubergine diaper patterns, with conforming stands, 33cm H. (2) £1,200 – 1,500 清五彩鏤空開光繪人物故事紋燈罩

458 *See inside front cover for information regarding fees

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461

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462 A FAMILLE VERTE MOON FLASK. Qing Dynasty, 19th Century. Of flattened circular form, each side with a circular roundel enclosing a figurative scene against a green stipple ground decorated with flowers and butterflies, the shoulders set with chi dragon handles, 44cm H. £800 – 1,200 清十九世紀五彩開光繪人物故事圖紋抱月瓶

463 463 A FAMILLE VERTE CHARGER. Qing Dynasty, Kangxi era. Decorated with a figurative scene beneath pines and rocks, within a diaper border divided by four panels enclosing auspicious symbols, 38cm diameter. £1,500 – 2,000 清康熙五彩人物故事圖紋大盤

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464 A FAMILLE ROSE DRUM STOOL. Qing Dynasty. Decorated with panels of ladies in a garden, enclosed by bands of studs among floral scroll, 28cm H, 21cm diameter. £2,000 – 3,000 清粉彩繡墩 465 A PAIR OF FAMILLE VERTE VASES. Late Qing Dynasty. Of baluster form, with a trumpet neck, decorated in mirror image with figurative scenes, against a ground of scrolling foliage, the neck painted with birds and peonies, wood stands, 45cm H. (4) £2,000 – 3,000 清五彩開光繪人物山水圖紋棒槌瓶連木座一對

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466 A PAIR OF FAMILLE ROSE VASES, GU. Qing Dynasty. Enamelled with copper red dragon roundels among floral sprays, the interior enamelled turquoise, wood stands, 40cm H, 23cm diameter. (4) £300 – 500 清粉彩繪花卉龍紋觚式瓶連木座一對 467 A LARGE FAMILLE ROSE VASE. Qing Dynasty. The globular body with rounded shoulders and a trumpet neck, decorated with a figurative panel surrounded by a border of dragons, qilin and toads, against a flower head diaper border, the neck similarly decorated between moulded panels formed as a lion with a pup holding a ball between their forepaws, the shoulders set with moulded qi dragons, 91cm H. £500 – 800 清粉彩開光繪人物故事圖浮雕螭龍紋雙獅耳大瓶

*See inside front cover for information regarding fees

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BLUE AND WHITE PORCELAIN FROM THE COLLECTION OF MARTIN BOLSTAD (lots 468 – 469)

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469

468 A BLUE AND WHITE ‘LANDSCAPE’ TRIPLE GOURD VASE. Qing Dynasty, 19th Century. Decorated across the three lobes of the body with a continuous landscape scene, 44cm H. Provenance: Collection of Martin Bolstad (1892 – 1956). The Consul General in Shanghai from December 1948 to 1956, he held many other senior posts in the Foreign Service including Consul in New York and Consul General in Bombay. He received numerous medals and distinctions for his service including Knight of St. Olav’s Order handed him by the King of Norway. £2,000 – 3,000 清十九世紀青花人物樓台山水紋圖葫蘆瓶 469 A PAIR OF BLUE AND WHITE ‘LOTUS SCROLL’ DISHES. Qing Dynasty, Yongzheng mark and of the period. Decorated to the interior with lotus scroll interspersed with circular roundels composed of the characters fu and shou, six character Yongzheng mark to base, 16cm diameter. (2) Provenance: Collection of Martin Bolstad (1892 – 1956). £1,000 – 2,000 清雍正青花纏枝蓮紋福祿壽碟，青花「大清雍正年製」楷書款

470 470 A BLUE AND WHITE VASE, CONG. Qing Dynasty, 18th Century. Modelled after an archaic jade cong, each long edge of the squaresectioned body with four raised horizontal bands within a raised rectangular frame against a diaper ground painted in underglaze blue, all supported on a short foot and surmounted by a gently tapered neck, decorated down the central panel with painted floral panels enclosed within fruit and fan-shaped roundels, the neck and foot decorated with a pendant ruyi head band, 34cm H. £2,000 – 3,000 清十八世紀青花開光繪花卉紋琮式瓶 471 TWO BLUE AND WHITE TILES. Qing Dynasty, Kangxi era. Each with a central floral roundel enclosed by a floral band, 20cm diameter. (2) £300 – 500 清康熙青花花卉紋方磚兩塊 472 A BLUE AND WHITE PORCELAIN ‘WATERY GARDEN’ PLAQUE. Qing Dynasty, 19th Century. Of fan-shaped form, depicting palatial garden structures, framed, 45cm wide. £300 – 500 清十九世紀青花人物山水圖紋扇形瓷板

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473 474 475 476 473 A BLUE AND WHITE EWER. A BLUE AND WHITE VASE Qing Dynasty, 19th Century. Qing Dynasty, Kangxi. Of pear-shaped form, the body painted with a phoenix on Decorated with ladies and boys at play, some sitting studiously at a ornamental rocks set with an S-shaped spout opposite an ear-form desk, others mischievously scrumping fruit from a tree, 23cm H, handle, four character Qianlong mark to base, 16cm H. 20cm diameter. £400 – 600 £100 – 200 清十九世紀青花鳳紋執壺，青花「乾隆年製」楷書款清康熙青花繪仕女童子圖紋瓶 474 A BLUE AND WHITE ‘LIONS’ DISH. Qing Dynasty. Decorated with a central roundel with two lions encircling a ribboned ball, the exterior similarly decorated, 18cm diameter. £300 – 500 清青花雙獅戲球圖紋碟

477 TWO BLUE AND WHITE VASES. Qing Dynasty, 19th Century. Each decorated with landscape scenes, one with cover, 34 / 59cm H. (3) £500 – 800 清十九世紀青花繪人物故事圖紋及山水圖紋瓶兩支

475 A POWDER BLUE GROUND BLUE AND WHITE ‘BEASTS’ JAR. 19th Century. Of ovoid form, with quatrefoil panels enclosing qilin, wood cover, 24cm H. (2) £1,000 – 2,000 十九世紀灑藍地青花開光繪麒麟紋罐連木蓋

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*See inside front cover for information regarding fees

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JADES FROM AN ENGLISH PRIVATE COLLECTION OFFERED WITHOUT RESERVE (lots 478 – 494)

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480 478 [lot offered without reserve] A JADE ‘BOY’ CARVING. Qing Dynasty. Carved clambering over a double gourd borne on a leafy stem, 5cm H. £300 – 500 清玉雕握抱葫蘆童子像

480 [lot offered without reserve] A JADE ‘DOUBLE GOURD’ CARVING. Qing Dynasty. Carved to depict a monkey crouching over a double gourd carving borne on a stem also supporting a smaller fruit, 6cm H. £500 – 800 清玉雕握抱葫蘆靈猴

479 [lot offered without reserve] A JADE ‘MELONS’ CARVING. Qing Dynasty. Carved to depict a larger and smaller melon bore on a branch, with butterfly resting on the larger fruit, 6cm H. £500 – 800 清玉雕瓜果擺件

481 [lot offered without reserve] A JADE CARVING OF A DEER. Ming Dynasty. Seated with the head raised and the legs tucked beneath, 4cm wide. £500 – 800 明玉雕臥鹿像

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482 [lot offered without reserve] A JADEITE ‘MONKEY’ CARVING. Early 20th Century. Seated with the shoulders hunched, resting on a pierced wood rockwork stand, 7cm H. (2) £300 – 500 二十世紀初翡翠雕靈猴連木座

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483 [lot offered without reserve] A SPINACH JADE DOUBLE HANDLED CUP. Qing Dynasty. The rounded sides on a short foot and carved with three layers of bosses, with twin square handles to the sides, 7cm diameter. Provenance: Sydney Moss [label] £300 – 500 清碧玉雕雙耳盃

484 [lot offered without reserve] A JADE HANDLED CUP. Ming Dynasty. Of slightly flattened baluster form, wellhollowed, with a single loop handle to one side, all supported on a splayed foot, neck wrapped with a band of coiled chi dragons, the body and foot with a key scroll band, 8.5cm H. £500 – 800 明玉雕龍紋盃

*See inside front cover for information regarding fees

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485 [lot offered without reserve] A JADE SEAL. Qing Dynasty. The rectangular seal with a finial formed as a coiled chi dragon, the base uncut, 5cm H, 6cm wide. £200 – 300 清玉雕螭龙印

488 [lot offered without reserve] A JADE ‘MANDARIN DUCK’ CARVING. 17th / 18th Century. Seated, with incised plumage, pierced with a hole below the beak to be worn as a pendant, 6cm H. £300 – 500 十七 / 十八世紀玉雕鴛鴦

486 [lot offered without reserve] A JADE SEAL. Ming Dynasty. Of oval section, carved in the form of an animal seated with the head turned to the right, 4cm H. £400 – 600 明玉雕獸形印

489 [lot offered without reserve] A JADE ‘THREE-LEGGED TOAD’ CARVING. 19th / 20th Century. Together with a further jade carving, 4-6cm long. (2) £300 – 500 十九 / 二十世紀玉雕金蟾及其他玉雕一件

487 [lot offered without reserve] A JADE ‘BAT AND LINGZHI’ CARVING. Qing Dynasty. 7cm H. £300 – 500 清玉雕靈芝蝙蝠

490 [lot offered without reserve] A COLLECTION OF THREE JADE CARVINGS. Qing Dynasty. Comprising a lock-form carving, an axe-form carving and a pierced two-part dragon pendant, 4.5-10cm H. (3) £300 – 500 清玉雕三件 131

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491 [lot offered without reserve] A CARVED JADE ‘BAT AND PEACHES’ OVAL PANEL. Qing Dynasty. Incised to depict a bat beside fruiting peach branches, 8cm H x 9cm width. £300 – 500 清玉雕蝠寿纹牌

493 [lot offered without reserve] A CARVED JADE GIRDLE HOOK. Qing Dynasty, 18th Century. Carved in the form of an Ouroboros, its tail turned back to its lowered mouth, 7cm H. (2) £500 – 800 清十八世紀玉雕銜尾蛇帶扣

492 [lot offered without reserve] A JADE ‘DOUBLE CAT’ CARVING. Qing Dynasty. Each cat facing the other with the body curled round, the mouth of each clasping a leafy branch, 4cm H. £500 – 800 清玉雕双猫

494 [lot offered without reserve] A WHITE JADE PEA POD PENDANT. Qing Dynasty, 18th Century. Naturalistically carved to depict two pods borne on a single stem, one open to reveal a row of circular peas, 7cm H. £500 – 800 清十八世紀白玉雕豌豆莢吊墜

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*See inside front cover for information regarding fees

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495 496 495 AN EMBROIDERED PILLOW. Tibet, 19th Century. Of rectangular form, each face with a red-ground panel decorated with bats, within a blue-ground border, 23 x 26 x 72cm. £400 – 600 西藏十九世紀刺繡長方枕 496 A KINGFISHER FEATHER HEAD DRESS. Qing Dynasty. Decorated with a band of bats and shuangxi applied with models of phoenix birds, 30 x 20cm long. £2,000 – 3,000 清雙喜紋點翠頭飾

498 AN EMBROIDERY OF A GARDEN VERANDA. Qing Dynasty. Depicting a garden, inscribed with a poetic inscription, 36 x 40cm. £600 – 800 清繡花園博古紋掛屏「鳳凰臺上鳳凰遊鳳去臺空江自流吳宮花草埋幽徑晉代衣冠成古邱」、「小玩」款 499 TWO FRAMED TEXTILES. Comprising an embroidery of a pheasant on rockwork, together with a Meiji-era image of a country scene, 34 x 45, 16 x 36cm. (2) £200 – 300 繡品兩件

497 A KESI-WOVEN RANK BADGE, BUZI. Qing Dynasty. Woven to depict a bird shown facing the sun as it alights on a rock protruding beside a river and flanked by further rockwork with a flowering peach tree, the sky filled with ruyi-shaped clouds and bats, 29cm x 30cm. £300 – 500 清緙絲仙鶴紋補子

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500 A RED-GROUND ‘HUNDRED TREASURES’ EMBROIDERED PANEL. Qing Dynasty. Embroidered to depict various bronze scholarly objects, between a border of floral spray and a leiwen band, mounted, 62 x 46cm. £200 – 300 清紅地繡博古紋掛屏 500a A RED-GROUND EMBROIDERED PANEL. Qing Dynasty. Embroidered to depict a pavilion surrounded by waves, with emerging rocks from which emerge flower and flowering peach trees, with two cranes one perched on a rock, the other flying overhead, among clouds and bats, mounted, 161 x 56cm. £200 – 300 清紅地繡仙鶴庭院紋掛屏

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501 A YELLOW-GROUND ‘LOTUS SCROLL’ CUSHION COVER. Qing Dynasty. Decorated with a quatrefoil panel enclosing cranes encircling a flowering peach tree among rocks and waves, within a border of lotus scroll, mounted, 91 x 74cm. £2,000 – 3,000 清黃地繡纏枝蓮紋仙鶴圖枕套 502 A KESI-WOVEN ‘FIVE IMMORTALS’ TEXTILE PANEL. Qing Dynasty. The figures standing beside cranes and deer, bordered on three sides with a band of butterflies and floral spray, mounted, 178 x 42cm. £200 – 300 清緙絲五神仙圖掛屏 503 A KESI-WOVEN ‘FIVE IMMORTALS’ TEXTILE PANEL. Qing Dynasty. Woven to depict Shoulao with boys and other figures, beneath a pine tree with mountains and clouds in the background, mounted, 104 x 85cm. £200 – 300 清緙絲’福祿壽三星報喜圖’掛屏

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504 A KESI-WOVEN TEXTILE PANEL. Qing Dynasty. Woven to depict various registers of figures, riders on horseback, boys and lions, within a rocky landscape, bordered with a band of scrolling panels, 188 x 39cm. £200 – 300 清緙絲人物故事圖掛屏

*See inside front cover for information regarding fees

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504a A PURPLE-GROUND GOLD THREAD ‘DRAGON’ ROBE, JIFU. Qing Dynasty. Embroidered with eight five-clawed dragons surrounded by ruyi clouds, bats and babao, all above lishui stripes and waves, 149 x 141cm. £800 – 1,200 清紫地金絲繡龍紋袍

506 A BLUE-GROUND ‘DRAGON’ ROBE, JIFU. Qing Dynasty. Embroidered with eight five-clawed dragons surrounded by colourful ruyi clouds, bats, shou characters and flames, all above lishui stripes, 140 x 207cm. £1,500 – 2,000 清藍地繡龍紋吉服

505 AN EMBROIDERED DRAGON ROBE, JIFU. Qing Dynasty. Embroidered with eight five-clawed dragons surrounded by colourful ruyi clouds, bats, babao, and flames, all above lishui stripes, 149cm x 139cm. £1,500 – 2,000 清繡龍紋吉服

507 A RED-GROUND ‘DRAGON’ ROBE, JIFU. Qing Dynasty. Embroidered with five-clawed dragons amid clouds and auspicious emblems, above the terrestrial diagram and lishui border at the hem, with later added sleeve bands, 107 x 140cm. £1,500 – 2,000 清紅地繡龍紋袍

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508 A SET OF SIX EXPORT PAINTINGS. Qing Dynasty. Finely painted with figurative scenes, framed and glazed, 20 x 29cm. (6) £2,000 – 3,000 清外銷人物故事圖通草畫六幅

508 (part) 509 FOUR EXPORT PAINTINGS. Qing Dynasty. Two depicting ladies, together with images of labourers, framed, 24 x 29cm, 25 x 25cm, 33 x 25cm, 33 x 25cm. (4) £500 – 800 清外銷‘十三行’通草畫四幅

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511 (part)

510 AN ALBUM OF EXPORT FLOWERS AND BUTTERFLY PAINTINGS. Qing Dynasty. Containing twelve leaves brightly painted with butterflies beside floral bouquets, 34 x 22cm. £800 – 1,200 清通草繪蝴蝶花卉紋十二開冊

511 AN ALBUM OF EIGHT EXPORT PAINTINGS. Qing Dynasty, 19th Century. Comprising four leaves painted with fruits or flowers, two of tea production scenes, one of a boat and one of antiques on stands, bound in black silk covered boards, 32 x 24.5cm. £600 – 800 清十九世紀通草繪人物故事圖紋及花卉圖紋八開冊

512 AN ALBUM OF TWELVE EXPORT PAINTINGS. Qing Dynasty. Brightly painted with figurative scenes of festivals and processions, 19 x 31cm. £800 – 1,200 清通草繪人物故事圖紋十二開冊

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513 A MINIATURE ALBUM OF EXPORT PAINTINGS. Qing Dynasty. Containing twelve leaves, each painted with a landscape scene, 11 x 14cm. £500 – 800 清繪山水漁夫圖外銷畫十二開冊 513 (part)

514 AN ALBUM OF EXPORT PAINTINGS OF SEA SHELLS. Qing Dynasty. The silk brocade bound album containing twelve leaves, each painted with approximately five exotic sea shells, 28 x 19cm. £600 – 800 清通草繪貝類圖十二開冊 514 (part)

515 THREE MINIATURE ‘HARBOUR’ EXPORT PAINTINGS. Qing Dynasty Variously labelled ‘Whampoa Anchorage’, ‘Boca Tigris’ and ‘Praya Grande from North’, framed, 14 x 9cm. (3) £400 – 600 清描繪黃埔錨地、虎門、澳門銷畫三幅

515 (part) 516 FOUR ‘TEA PRODUCTION’ EXPORT PAINTINGS. Qing Dynasty. Framed, 29 x 18cm. (4) £400 – 600 清 ‘製茶圖’繪畫連描金木框

517 FOUR BOTANICAL EXPORT PAINTING. Qing Dynasty. Framed, 20 x 25cm, 21 x 27cm, 28 x 39cm, 38 x 31cm. (4) £400 – 600 清蝴蝶花卉紋畫四幅

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519 518 TWO EXPORT PAINTINGS DEPICTING EUROPEANS. Qing Dynasty. Framed, 19 x 32cm, 33 x 22cm. (2) £300 – 500 清通草繪西洋人物公示圖紋畫兩幅

519 LAM QUA (attributed to, 1801-1850) Portrait of a lady and girl, oil on canvas, framed, 32 x 25cm. £600 – 800 婦女及女童布面油畫連框

520

520 AN OIL PAINTING OF A LADY WITH A DOG. Framed, 58 x 96cm. £800 – 1,200 仕女與狗油畫

521 AN OIL PAINTING OF MACAU HARBOUR. Qing Dynasty. Framed, together with another similar work, 19 x 23cm. (2) £100 – 200 清繪澳門港口油畫連木框兩幅

521 (part) *See inside front cover for information regarding fees

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522 A REVERSE GLASS PAINTING OF MACAU HARBOUR. Qing Dynasty, 19th Century. Framed, 28 x 38cm. £400 – 600 清十九世紀木框嵌澳門港口鏡畫

523 FONG QUA. Qing Dynasty, 19th Century. A junk off the coast, artist’s label verso, oil on canvas, framed, 22 x 15cm. £300 – 500 清十九世紀楊帆起航帆布油畫連鎏金木框

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524 A VIEW OF HONG KONG FROM THE HARBOUR. Second half of 20th Century. Oil on canvas, framed, 59 x 90cm. £800 – 1,200 二十世紀後半葉香港港灣景圖帆布油畫連木框

525 A LARGE PAINTING OF LADIES IN GARDEN. Qing Dynasty. Depicting three ladies in the foreground beneath trees, in front of a lotus filled pond, and opposite a high-walled garden terrace on which stands two further ladies, framed, 98 x 107cm. £1,400 – 1,800 清仕女園景圖連木框

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526 A REVERSE GLASS PAINTINGS MOUNTED AS A CABINET. Qing Dynasty. Depicting a scholar seated beside rocks with three female attendants, a phoenix flying overhead and a pagoda visible in the middle distance, 43 x 43cm. £1,800 – 2,000 清人物故事圖描金鏡箱畫 527 A GILT-DECORATED BLACK LACQUERED FIGURE BOX AND COVER. Qing Dynasty, 19th Century. The front side deeply carved and pierced to depict a figurative scene, within a border of squirrels and grapes, the reverse incised with plum blossom branches, the top painted with a calligraphic inscription, all supported on an ornate stand similarly decorated and supported on four feet resting on lions, 15 x 30 x 38cm. (2) £1,000 – 2,000 清十九世紀黑漆描金蓋盒「萬物靜觀皆自得，四時佳興與人同道，通天地有形外思入風雲變態中」、「時」、「梅月中浣題」款

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528 AN EXPORT GILT-DECORATED BLACK LACQUER TEA CADDY. Qing Dynasty, early 19th Century. Of rectangular form with rounded corners, supported on four short dragon feet, with figurative scenes within shaped panels, against a ground decorated variously with dragons, auspicious symbols and floral patterns, pewter boxes to the interior, 12.5 x 16.5 x 20.5cm. £500 – 800 清十九世紀初黑漆描金茶葉罐連錫製茶葉蓋罐兩支 529 A GILT-DECORATED BLACK LACQUERED TEA CADDY. Qing Dynasty, early 19th Century. Painted in gilt with figurative scenes within shaped panels among scrolling foliage, 25 x 17.5 x 11cm. £300 – 500 清十九世紀初黑漆描金人物故事圖茶葉罐

*See inside front cover for information regarding fees

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LATER CHINESE BRONZES FROM AN ENGLISH PRIVATE COLLECTION (lots 530 – 542)

530 531 530 A BRONZE ARCHAISTIC VASE, GU. Yuan Dynasty. The hexagonal body cast with a globular mid-section, flaring to a trumpet lobed mouth, supported on a splayed foot, 17cm diameter, 26cm H. Provenance: English private collection. £1,500 – 2,000 元銅觚

532 533 A BRONZE ‘LION’ INCENSE BURNER. Ming Dynasty. Seated crouching with the head raised and open for the release of smoke, the tail slightly raised behind him, a compartment in the back open for the insertion of incense, 39cm long. Provenance: English private collection. £600 – 800 明臥獅形熏爐

531 A BRONZE VASE. Qing Dynasty, 18th Century. Of baluster form, with the rounded body supported on a splayed foot and rising to a waisted neck, the body with a band of taotie masks on a stipple ground, the two sides divided by vertical raised ridges, the neck set on either side with a taotie mask handle, 16cm H. Provenance: English private collection. £800 – 1,200 清十八世紀銅饕餮紋瓶

534 A BRONZE ‘LION’ INCENSE BURNER. Ming Dynasty. Seated with the head raised, the head hinged to form the cover and the mouth open for the release of smoke, 26cm H. Provenance: English private collection. £1,500 – 2,000 明獅形熏爐

532 A BRONZE RITUAL WINE VESSEL AND COVER, YOU. Ming Dynasty. The pear-shaped body supported on a waisted foot, the body applied with flowers on scrolling foliage, the shoulders with an overhead handle, stepped flanges to the body, foot and domed cover, the cover set with a circular robe-effect finial, 24cm H. (2) Provenance: English private collection. £500 – 800 明銅花紋卣

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535 A BRONZE INCENSE BURNER AND COVER. 18th / 19th Century. Of cylindrical form raised on three feet with heart-shaped panels, the cover also set with heart-shaped panels and surmounted by a lion dog, with head and tail raised and one paw resting on a pierced ball, 24cm H. (2) Provenance: English private collection. £1,000 – 1,500 十八 / 十九世紀銅蓋爐

537 A BRONZE ‘LION’ INCENSE BURNER AND A ‘DUCK’ INCENSE BURNER. Ming Dynasty. The lion dog seated resting on a pierced ball with the head raised and hinged to form the cover, the duck standing with the head dramatically raised skywards, 11-15cm H. (2) Provenance: English private collection. £500 – 800 明銅獅形熏爐及鴨熏爐

536 A BRONZE ‘DU FU’ INCENSE BURNER. Ming Dynasty. The figure seated side-saddle on his long-legged steed with its long neck lowered, 15cm H. (2) Provenance: English private collection. £300 – 500 明杜甫騎驢式熏爐

538 A GOLD-AND-SILVER-INLAID BRONZE ‘BIRD’ INCENSE BURNER. Ming Dynasty. Standing on tall legs, with the head turned to the right and bearing a fearsome expression, a handled vessel supported on the back, 19cm H. Provenance: English private collection. £800 – 1,200 明銅嵌金銀鳥形熏爐

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539 A BRONZE ‘BAMBOO’ INCENSE BURNER. Qing Dynasty. The cylindrical body set with bamboo stem handles with leafy branches extending over the body, supported on tripod feet formed as looped bamboo branches, six character Xuande mark to base, 10cm H, 9cm diameter. Provenance: English private collection. £300 – 500 清銅竹紋三足筒式爐，陽文「大明宣德年製」楷書款

541 A PEWTER INCENSE BURNER. Qing Dynasty. Of rectangular section, supported on four wide feet, rising to a stepped waisted neck, the shoulders supporting upright curling handles, attached to the neck by pierced cash coins, Yong Feng mark to base, 22cm H. Provenance: English private collection. £500 – 800 清錫雙朝冠耳爐

540 A BRONZE INCENSE BURNER AND COVER. Of rounded rectangular form, with bird-form handles and a qilin finial to the cover, wood stand, 14cm H, 1.4kg. (3) Provenance: English private collection. £500 – 800 銅麒麟雙鳳耳蓋爐連木座 For a related censer see Jinghong Ma, Antieke bronzen: meesterwerken uit het Shanghai Museum, 2008.

542 A BRONZE FIGURE OF A SEATED OFFICIAL. Ming Dynasty. Seated in flowing robes, the hands drawn together and holding a ritual hu, wood stand, 32cm H. (2) Provenance: English private collection. £600 – 800 明銅官員坐像連木座

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543 A BRONZE FIGURE OF BUDDHA. Ming Dynasty. Seated on a double lotus throne with hands together and eyes lowered in contemplation, 35cm H. £4,000 – 6,000 明銅佛坐像

546 A BRONZE FIGURE OF GUANDI. Ming Dynasty Standing in armour with the left hand raised, a ribbon trailing over the shoulders to the rectangular base on which he stands, 15cm H. £300 – 500 明銅關帝立像

544 A BRONZE FIGURE OF A SEATED OFFICIAL. Ming Dynasty. Seated in long flowing robes with the eyes downcast, the hands held together holding a ritual hu, wood stand, 40cm H. (2) £3,000 – 4,000 明銅官員坐像連木座

547 A LACQUERED BRONZE ‘DU FU’ INCENSE BURNER. Ming Dynasty. The scholar seated in flowing robes holding a scroll in front of him with two hands, balanced on his slender-legged stead, whose head is raised to the left, 40cm H. (2) £2,000 – 3,000 明銅漆彩杜甫騎驢式熏爐

545 A GILT BRONZE BUDDHA. Qing Dynasty, Qianlong mark and of the period. Seated in dhyanasana on a pedestal with foliate supports and centered with a lotus blossom, his hands resting in his lap, the robe draped over one shoulder and billowing over the edge of the base, adorned with various foliate jewellery, the face serene with downcast eyes, head surmounted by a tiara, the hair pulled into a high chignon, nine character Qianlong mark along the base, 19cm H. £1,500 – 2,000 清乾隆銅鎏金佛坐像，陰文「大清乾隆庚寅年敬造」楷書款 144

548 A BRONZE INCENSE BURNER. Ming Dynasty. Of rectangular form, with upward curving handles, supported on four cabriole feet emerging from lion head masks, surmounted by a lion and pup finial to the cover, the body with incised taotie mask decoration, together with a further bronze censer and cover with wood stand, 35 / 43cm H. (5) £500 – 800 明銅雙螭龍耳獅蓋三足爐連木座及朝冠耳獅蓋爐 *See inside front cover for information regarding fees

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548 (part)

551 549 A BRONZE ‘DRAGON AND TIGER’ INCENSE BURNER. Ming Dynasty. The body of oval section with cabriole legs emerging from mythical animal head masks, the shoulders set with upward curving handles, the cover surmounted by well modelled figures of a dragon grasping a pearl beside a tiger perching on a rock, wood stand, 30cm H. (3) £1,000 – 2,000 明銅朝冠耳‘龍虎鬥’蓋爐 550 A BRONZE CENSER. Ming Dynasty The tripod feet emerging from animal masks, the body with applied chi dragons two further dragons connecting the shoulders to the rim to form twin handles, the domed cover surmounted by a qilin, 36cm H. £200 – 300 明銅雙螭龍耳三足蓋爐連座 551 A BRONZE VASE. Qing Dynasty. The rounded body supported on a tall splayed foot, rising to a trumpeted rim, the waisted neck set with loop handles, three raised bands to the neck and two to the foot, 26cm H, 16cm diameter. £500 – 800 清銅雙耳瓶

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552 A BRONZE VASE BASE. Qing Dynasty,18th Century. Of rectangular baluster form, each side incised with a figurative scene below a band of lotus lappets on the shoulders and a band of ruyi heads above the foot, two character Xuande mark to base, 22cm H. £800 – 1,200 清十八世紀銅人物故事紋瓶底座，陽文「宣德」篆書款 553 A GOLD-SPLASHED STYLE BRONZE JAR. Qing Dynasty. Of globular form with a waisted neck and everted rim, the base with six character Xuande mark, 28cm H. £800 – 1,200 清銅灑金罐，陽文「大明宣德年製」楷書款 554 FOUR BRONZE ITEMS. Ming Dynasty and later. Comprising a boy holding a ball with a ribbon billowing over his shoulders, an archaistic vase and two stirrups, 16-36cm. (4) £500 – 800 明或更晚銅童子立像、雙耳瓶及馬鐙一對

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558 555 A PAIR OF BRONZE VASES, FANGHU. Ming Dynasty. Decorated with an archaistic band to the body and a leiwen band to the neck, the shoulders set with taotie mask handles suspending rings, 14cm H. (2) £800 – 1,200 明銅雙活環鋪首耳方壺一對

557

559 558 A BRONZE HAND WARMER AND COVER. Ming Dynasty, signed Wang Xu (1725 - 1806). Of circular section, the cover pierced with a figurative scene, the base inscribed and signed Wang Xu, 8cm H, 11cm diameter, 835g. (2) £300 – 500 明銅人物故事紋手爐，陰文「夜深倩夢履鶯語野店香魂到草稍」、「王旭」草書款

556 A PAIR OF MINIATURE CLOISONNÉ ENAMEL VASES. Qing Dynasty, 18th / 19th Century. Each of meiping-form, decorated with scrolling flowers and butterflies on a turquoise ground, 8cm H. (2) £600 – 800 清十八 / 十九世紀銅胎掐絲琺瑯纏枝花蝶紋梅瓶一對 557 A SMALL CLOISONNÉ ENAMEL CENSER AND COVER, FANG DING. Qing Dynasty, 18th / 19th Century. Of tapering rectangular section, raised on four blade-shaped legs emerging from dragon-heads, each side is decorated with a taotie mask below a band of confronted dragons, separated by gilt vertical flanges on four sides and corners, the mouth rim is set with a pair of upright loop handles, the domed cover with pierced lotus scroll panels, and surmounted by a finial decorated with scrolling clouds, 14cm H, 10cm long. (2) £1,200 – 1,500 清十八 / 十九世紀銅胎掐絲琺瑯方鼎式蓋爐

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558 559 A CHAMPLEVÉ ENAMEL DRAGON JARDINIÈRE. The deep rounded sides enamelled to depict coiled dragons among lotus scrolls, 13cm H, 15cm diameter. £1,200 – 1,500 銅鏨胎龍紋花盆

*See inside front cover for information regarding fees

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560 A GILT BRONZE BELT SET. Qing Dynasty. The hook cast with a dragon-head terminal, each side with an oval double walled panel with a pierced diaper pattern, 11cm long. (2) £500 – 800 清銅鎏金龍紋帶扣 561 A GILT BRONZE BELT SET. Qing Dynasty. The hook cast with a ruyi head terminal, the two sides symmetrical with a flower head within a pierced quatrefoil panel surrounded by a bat, 8cm long. (2) £500 – 800 清銅鎏如意紋帶扣

562 A BRONZE ‘DRAGON’ INCENSE-STICK HOLDER. 17th Century. Of cylindrical form with a lipped rim and foot, with raised bands separating the pierced body depicting a continuous scene of dragons among swirling clouds, from a leiwen band above and a band of frothing waves below, 11cm H, 9cm diameter. £800 – 1,200 十七世紀銅鏤空雲龍紋香插 563 A SILVER CRICKET CAGE AND COVER. Qing Dynasty, 19th Century. Decorated with panels of phoenixes, on a stipple ground, the base with a pierced basket weave pattern, 10cm diameter. (2) £500 – 800 清十九世紀銀蟋蟀蓋盒

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566 564 A BRONZE ‘QILIN’ WATER DROPPER. Ming Dynasty. Seated with the head raised, the scaly body applied with flames, 8cm H. £100 – 200 明銅麒麟形水滴 565 A BRONZE INCENSE BURNER. Qing Dynasty. Of bombé form on a spreading foot, with a short rim, four character Xuande mark to base, 18.5cm diameter. £100 – 200 清銅爐，陽文「宣德年製」篆書款

567 566 A CELADON GLAZED TRIPOD INCENSE BURNER. Ming Dynasty. The rounded body supported on three lion head paw feet, decorated with geometric patterns to the body and neck, 17.5cm H, 29cm diameter. £2,000 – 3,000 明青釉獅首三足爐 567 A CELADON ‘TRIGRAM’ TRIPOD CENSER. Ming Dynasty. With banded rounded sides supported on three short feet, decorated to the body with eight trigrams, 9cm H, 18cm diameter. £1,500 – 2,000 明青釉八卦紋三足爐

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569 568 TWO BRONZE FIGURES AND A PAIR OF BUDDHIST LION DOGS. Ming Dynasty and later. Comprising of a figure of a bearded official holding a hu, a seated figure of Guandi, and a pair of Buddhist lion dogs, 16-27cm H. (4) £800 – 1,200 明或更晚銅人物立像兩尊及瑞獅像兩尊 569 A BLUE AND WHITE ‘BUDDHIST LION DOGS’ CHARGER. Ming Dynasty, Jiajing to Wanli era. Painted with four lions with bared teeth, chasing each other around a beribboned ball, 9.5cm H, 44cm diameter. £200 – 300 明嘉靖至萬曆青花瑞獅紋大盤 569a A LARGE ‘KRAAK’ CHARGER. Ming Dynasty, Wanli period. Decorated with a central roundel enclosing various vases and small objects, within eight panels alternately decorated with antiques, various flowers and a pomegranate spray, 51cm diameter. £800 – 1,200 明萬曆青花克拉克大盤

569a 570 570 A STONE JARDINIÈRE AND STAND. Ming Dynasty or early. The rounded sides rising to a lipped rim, the exterior deeply incised with a floral spray, supported on a hexagonal stand, with carved and pierced rectangular friezes, all supported on six bowed legs, 16cm H, 29cm diameter, 13cm H, 28cm diameter. (2) £2,000 – 3,000 明或更早石雕花紋花盆連座 571 A CELADON GLAZED FIGURATIVE GROUP. Ming Dynasty. Modelled with a figure seated before a mandorla, above two standing attendants, 28cm H. £600 – 800 明青釉人像 572 A CELADON STONEWARE WINE CUP AND STAND. The lobed dish raised on a flaring petal-shaped base, with a central raised flange supporting a stem bowl with a rounded bowl supported on a short foot and moulded into petals, 12cm H. (2) £1,500 – 2,000 青釉粗陶酒盃連座 573 A CELADON RITUAL FOOD VESSEL AND COVER, DOU. The bowl, flanked by a pair of lug handles, raised on a stem foot on a spreading base with a scrolling band around the body, foot and cover, 15cm H. (2) £5,000 – 8,000 青釉豆

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576 574 AN ENAMELLED BLUE AND WHITE JAR. Decorated with a band of lotus scrolls within lappet bands on the shoulders and around the foot, six character Jiajing mark to rim, 17cm H, 9cm diameter. £500 – 800 青花加彩繪花紋罐，青花「大明嘉靖年製」楷書款 575 A WUCAI ‘DRAGON’ DISH. Decorated with a front-facing five clawed dragon among scrolls and flames, six character Wanli mark to base, 15cm diameter. £100 – 200 五彩龍紋碟，青花「大明萬曆年製」楷書款

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577 576 A PURPLE-SPLASHED ‘JUN’ MEIPING. The tapering body rising to rounded shoulders, surmounted by a short waisted neck with galleried rim, with a lavender-blue glaze, the shoulders with a bold violet-purple splash, 26.5cm H. Provenance: Sotheby’s London, Important Chinese Art, 13 May 2015, lot 265. £1,000 – 2,000 鈞釉梅瓶 577 A WUCAI WALL VASE TOGETHER WITH A BLUE AND WHITE JAR. Ming Dynasty. The wall vase decorated with a deer below a pine tree, the globular jar with a figurative design, 10cm H, 23cm H. (2) £800 – 1,200 明五彩松鹿紋瓶及青花罐

*See inside front cover for information regarding fees

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578

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578 A SOAPSTONE ‘LUOHAN’ CARVING. Early Qing Dynasty. Seated in flowing robes, the chest bare and the left arm raised behind the head, supported on a green waisted rectangular stand with stepped foot and neck, 26cm H. £800 – 1,200 清初壽山石雕羅漢像連座 579 A CARVED SOAPSTONE PAILOW. Qing Dynasty, 19th Century. Carved to depict a pillared gate with a two-layered roof, the four pillars inscribed, 36cm wide, 41cm H. £200 – 300 清十九世紀壽山石雕牌樓

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580 A PINK SOAPSTONE ‘BOYS’ CARVING. Qing Dynasty. Carved to depict two boys holding a vase full of lotus leaves, beside a crouching lion in front of rocks, 8cm H, 11cm long. £300 – 500 清壽山石雕嬰戲圖紋擺件 581 A SOAPSTONE ‘FIGURE AND ELEPHANT’ GROUP. Qing Dynasty. The figure seated in long flowing robes holding a bat, reclining on the back of an elephant on a rocky base, 7cm H. £800 – 1,200 清描金漆彩人物持蝠吉象雕件

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588 582 THREE SOAPSTONE FIGURES. Qing dynasty. Comprising of a standing official holding a fly wisp, a sleeping scholar lying with the head resting on a pillow, and a standing figure of Liu Hai, the toad resting above his left hand, 13-16cm H. (3) £800 – 1,200 清壽山石雕人像三件

586 THREE SOAPSTONE CARVINGS. Qing Dynasty, 19th Century. One depicting a lady beside a boy, another a scholar drinking beside a pile of books, together with a carving of a boy holding a peach, 1012cm H. (3) £800 – 1,200 清十九世紀壽山石雕人像三尊

583 A SOAPSTONE ‘GUANYIN AND CHILD’ CARVING. Seated with a boy held to her right side, supported on a rocky base, 15cm H. (2) £500 – 800 壽山石雕觀音童子像

587 TWO SOAPSTONE CARVINGS. Second half of 20th Century. Comprising a group of six buffaloes swimming in a pool, together with a carving of scholars, 13 x 28, 13cm H. (2) £400 – 800 二十世紀後半葉壽山石雕人物群像及水牛嬉戲擺件, 陰文「三蘇探獄入晚恆龍金王」楷書款

584 A SOAPSTONE CARVING OF BUDDHA WITH ATTENDANT BOYS. Qing Dynasty, 19th Century. The seated bare-chested figure holding a ruyi sceptre while three boy attendants stand around, 15cm H, 25cm long. £400 – 600 清十九世紀壽山石雕壽佬童子群像 585 TWO SOAPSTONE CARVINGS. Qing Dynasty, 19th Century. Comprising a large monkey carving with smaller monkeys clambering up him, and carving of a man holding a dog with a look of terror in his eyes, 21-23cm H. (2) £300 – 500 清十九世紀壽山石雕靈猴及人物像

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588 A COLLECTION OF SEALS. Qing Dynasty, and later. Comprising crystal, tianhuang, soapstone and agate seals, 3-4cm. (8) £300 – 500 清或更晚印章一組 589 A HARDWOOD SCROLL-FORM STAND Qing Dynasty. Carved from a single piece of wood, the top continuing to a rounded scroll at either end, 37 x 25 x 8cm. £500 – 800 清木雕捲軸式底座

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590 A WOOD STAND. Ming Dynasty. Carved in the form of a thick rectangular panel supported on four inward curving feet, 10 x 20 x 8cm. £500 – 800 明描金木雕底座

592 A SOAPSTONE-INLAID ZITAN BOX AND COVER. Qing Dynasty. The rectangular box, inlaid to the cover with three figures seated at a table, 11 x 17 x 7cm. (2) £800 – 1,200 清嵌壽山石雕人物故事圖紫檀蓋盒

591 A PAINTED BLACK LACQUER STAND. Qing Dynasty. The interior painted with birds and chrysanthemums within a scrolling border, supported by cabriole feet borne on stretchers, 9 x 19 x 31cm. £1,000 – 2,000 清黑漆加彩花鳥壽桃紋底座

593 A MOTHER-OF-PEARL INLAID LACQUER BOX AND COVER, Qing Dynasty. Of rectangular form, the cover inlaid to depict a watery mountain landscape, 20 x 25cm. (2) £100 – 200 清漆器嵌螺鈿蓋盒

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596 594 A CARVED WOOD BRUSH POT, BITONG AND A RAFT CARVING. The brush pot incised with figures below a foliate rim, the raft tapering to a point at one end and with various figures on the deck, 11cm H, 7cm diameter; 23cm long. £300 – 500 木雕筆筒及船各一件 595 TWO BAMBOO BRUSH POTS. Qing Dynasty. One of cylindrical form carved to depict a rocky landscape filled with figures, the other of rounded rectangular form, incised to depict a lotus plant, 12cm H, 6-8cm diameter. (2) £400 – 600 清竹雕筆筒兩支 596 A BAMBOO ‘HORSES OF MU WANG’ BRUSH POT, BITONG. Of cylindrical form, the exterior carved in low relief with eight horses frolicking in a rocky landscape, 11cm diameter, 14cm H. £600 – 800 竹雕八駿圖紋筆筒

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597 597 THREE BAMBOO BRUSH POTS. 19th / 20th Century. Variously incised with pine trees and figures, 12-14cm H. (3) £500 – 800 十九 / 二十世紀竹雕筆筒三支 598 A COLLECTION OF WOOD STANDS. 9-29cm diameter. (11) £100 – 200 木雕底座一組十一支 599 A COLLECTION OF WOOD STANDS. 3-33cm diameter. (qty) £100 – 200 木雕底座一組若干件

599

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600 A MOULDED GOURD BOWL. The rounded sides supported on a short foot rising to a slightly everted rim, the exterior crisply moulded with five medallions interspersed with meandering scrolls, all between key-fret borders encircling the mouth-rim and foot, the interior lacquered black, four character Qianlong shangwan mark to base, 13cm diameter. £2,000 – 3,000 葫蘆印如意紋盌，陰文「乾隆賞玩」楷書款 601 A MOTHER-OF-PEARL INLAID BLACK LACQUER BOX AND COVER. Ming Dynasty. Of hexagonal form, the top inlaid with a garden scene of figures seated at a table with attendants standing below them, the sides with panels of flowers and figures against a diaper ground, 7cm H, 13cm diameter. (2) £3,000 – 5,000 明黑漆嵌螺鈿八方人物故事紋雙環耳蓋盒 602 A CINNABAR LACQUER BOX AND COVER. Qing Dynasty. Of circular form, the top carved with a stylised phoenix, the base with a lotus flower head within a S-scroll band, 6cm diameter. (2) £200 – 300 清剔紅蓮紋圓形蓋盒

602

603 A RECTANGULAR INSCRIBED DUAN INKSTONE Qing Dynasty. The upper side incised with a bat among clouds and framed on three sides with a band of scrolling clouds, the reverse with a qilin above a recessed rectangular panel with a calligraphy inscription, 10 x 14cm. £300 – 500 端硯，「惟公勛業彪炳人群，文章道德卓卓令名，清風亮節寰宇景欽，方隆大年遽返本真，滇海浩浩昆華蒼蒼，緬懷遺風山高水長」，「馮玉祥敬題」款 604 THREE INK STONES. 9-13cm long. (4) £300 – 500 硯台三件 604a THREE INK STONES. 6.5-17cm long. (3) £300 – 500 硯台三件 605 AN INSCRIBED LINGZHI FUNGUS. Boxed, 19cm long. (2) £800 – 1,200 題詞靈芝

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606 A PAIR OF ZITAN PANELS WITH HARDSTONE INLAY. Qing Dynasty, 18th Century, or later. Inlaid in lapis, wood and jade to depict figures wandering through a rocky watery landscape filled with pines, with two cranes flying overhead, the panel carved in relief with scrolling decoration, 68 x 46cm. (2) £18,000 – 22,000 清十八世紀或更晚嵌硬石雕紫檀掛板一對

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607 607 A LARGE SIX-PANEL GILT-DECORATED BLACK LACQUERED SCREEN. Qing Dynasty, 19th Century. Painted in gilt across the six panels to depict a mountainous landscape scene decorated with figures and a large lake filled with islands populated with boats, with various figures along the shorelines, all within a trellis border interspersed with birds, flowers and butterflies, 183 x 55.5cm, 196 x 50.5cm £2,000 – 3,000 清十九世紀黑漆描金人物山水圖紋六開屏

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608 608 A HARDSTONE-INLAID SPINACH JADE TABLE SCREEN. Inlaid with nephrite and lapis to depict two cranes beneath pines and plum blossoms, and reaching down to drink from a gushing stream, the other with the head raised, the reverse of the panel incised to depict a bird on a branch, the carving infilled with gilt, wood stand, 36.5 x 33cm. (2) £2,000 – 3,000 嵌硬石雕碧玉插屏，陰文「松鶴延年」楷書款 609 A FOLK PAINTING OF ANIMALS. Korea, 20th Century. Ink and colour on paper, framed, 89 x 58cm. £200 – 300 朝鮮二十世紀設色紙本繪動物圖

609 611 A WOOD SHRINE WITH JADE FIGURES. The rectangular shrine with three registers each containing a jade carving of a seated Buddha, 42 x 46 x 14cm. £1,000 – 2,000 嵌玉雕僧像佛龕 612 A TWO-PANEL CARVED WOODEN SCREEN. Qing Dynasty, 19th Century. Each panel comprising of two rectangular panels incised to depict bronze vessels on a desk, the reverse incised to depict stylised rectangular kui dragons around a stylised circular shou character, 56 x 111cm. (2) £1,200 – 1,500 清十九世紀木雕博古紋二連屏

610 A MOTHER-OF-PEARL INLAID BLACK LACQUER SCREEN. Qing Dynasty, 18th Century. The panel inlaid to depict a watery landscape, within a wood frame, wood stand, 49cm H, 25 x 36cm. (2) £500 – 800 清十八世紀黑漆嵌螺鈿山水松柏紋插屏

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613 A PAIR OF ROSEWOOD ARM CHAIRS. Late 19th / early 20th Century. Carved in the form of scrolling bamboo stems, the back boards with a circular panel incised to depict Shoulao above a scroll incised with bats among clouds, 63 x 108 x 52 cm. (2) £800 – 1,200 十九世紀末 / 二十世紀初木雕扶手椅一對

613

614 A HARDWOOD DISPLAY CABINET. Early 20th Century. The rectangular cabinet divided into six variously shaped compartments, the edges carved as bamboo stems each panel with a carved and pierced border of bamboo leaves, 77 x 170 x 31cm. £1,200 – 1,500 二十世紀初木雕櫃

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615 A HARDWOOD LOW TABLE. Early 20th Century. Set with incised panels of fruiting vines, with bowed scrolling legs carved as stems of bamboo, with aprons carved and pierced as fruiting grape vines, 14 x 42 x 72cm. £400 – 600 二十世紀初木雕矮桌

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616 TWO LIMESTONE EPITAPHS. Tang Dynasty. One of square form with an long calligraphic inscription, the other with a square panel raised on angular shoulders, the top incised with a nine-panel inscription among scrolling foliage, 56 x 56cm. (2) £4,000 – 6,000 唐石刻碑一對 See China: Dawn of a Golden Age, 200–750 A.D, 2004, p 334, pl 233 for a similar example of Tang dynasty Epitaph dated 742 AD.

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621 617 DÉCORATION TIBÉTAINE. 1925. Paris: Calavas Librairie des Arts Décoratifs, by Bacot, Jaques. 12 pages, 42 photographic plates, 8 coloured, loose as issued in cloth backed boards with string ties. Rare catalogue of bronzes, Tangka paintings and other artworks from the Guimet Museum and private collections, 33 x 25cm. £200 – 300 一九二五《西藏裝飾藝術》圖錄 618 CHINESE ARMORIAL PORCELAIN. 1974. London: Faber and Faber, 1034 pages, illustrated throughout. £200 – 300 一九七四《中國徽章瓷》

619 ORIENTAL CERAMICS. THE WORLD’S GREAT COLLECTION 1976-. Tokyo: Kodansha, 11 volumes + 1 volume not uniformly bound, boards in slipcases, colour and black and white plates throughout, illustrating ceramics from the Tokyo National Museum, National Museum of Korea, Seoul, Museum Pusat, Jakarta, Iran Bastan Museum, Teheran, the British Museum, London, the Percival David Foundation of Chinese Art, Museè Guimet, Museum of Far Eastern Antiquities, Stockholm, The Freer Gallery of Art, Washington, D.C., Museum of Fine Arts, Boston, The Metropolitan Museum of Art, New York, the Victoria & Albert Museum, 38 x 27cm. (12) £400 – 600 一九七六《東方陶瓷》十二冊 620 A COLLECTION OF CHINESE AND JAPANESE ART AUCTION CATALOGUES. (101) £100 – 200 中國及日本拍賣圖錄一組 621 A COLLECTION OF CHINESE ART REFERENCE BOOKS. (31) £200 – 300 中國藝術史料書籍一組

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625 622 A GILT-BRONZE FIGURE OF AMITAYUS. Seated in dhyanasana on a double-lotus base with the hands held in the lap holding the vase of amrita, dressed in loose-fitting robes decorated and adorned with jewellery, the hair pulled up into a topknot behind a five-point foliate crown, 21.5cm H. £2,000 – 3,000 銅鎏金阿彌陀佛坐像 623 A GILT BRONZE SEATED FIGURE OF A BODHISATTVA. Seated on a double lotus base with bearded edges, the right hand raised and holding an attribute, 16.5cm H. £2,000 – 3,000 銅鎏金佛坐像

624

626 625 A PARCEL-GILT FIGURE OF A LAMA. Seated in flowing robes on a double lotus base in vajrasana with hands in dharmacakramudra, clad in monastic robes with the borders incised hems, the head is topped with a cap, 17cm H. £500 – 800 銅局部鎏金佛坐像 626 A BRONZE SEATED FIGURE. Seated in loosely fitting robes, the hands pressed together and the head lowered, seven character Qianlong mark to reverse,15cm H. £400 – 600 銅人物坐像

624 A GILT BRONZE STANDING FIGURE. Qing Dynasty. Standing in armour with a trailing ribbon around his shoulders, on a lotus lappet base, 15cm H. £1,000 – 2,000 清銅鎏金人物立像

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631 627 A GILT COPPER SEATED FIGURE. 27cm H. £5,000 – 8,000 铜人物坐像 628 A GILT BRONZE FIGURE OF BUDDHA. Seated in vajraparyankasana on a double-lotus base, with hands held in dhyanamudra, wearing a flowing robes draped over the left shoulder and falling in loose folds over his legs, with the undergarment gathered at the chest, the serene face with downcast eyes and a meditative expression flanked by long pendulous ears, 10cm H. £600 – 800 銅鎏金釋迦牟尼佛坐像 629 No lot 630 A BRONZE STUPA. 18th Century. Cast in the Kadampa style, the domed base rising from a double-lotus frieze and a series of lightly beaded rims supporting the stepped harmika, surmounted by a tapered parasol and ending in a canopy with protruding lotus bud pointed finial, 16cm H. £2,000 – 3,000 十八世紀銅佛塔

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631 A GILT BRONZE FIGURE OF BUDDHA. Burma, 19th Century. Cast with his right hand in bhumisparshamudra, his gentle face in a meditative expression, flanked by elongated earlobes, seated on highly decorated stepped base, 28cm H. £700 – 900 緬甸十九世紀銅鎏金佛坐像 632 A GILT BRONZE FIGURE OF SEATED BUDDHA. Thailand, 18th Century. Cast with his right hand in bhumisparshamudra, his gentle face with a meditative expression, flanked by elongated earlobes, his hair rising over the ushnisha and topped by a flaming chintamani, supported on a tripod lotus base, 43cm H. £2,000 – 3,000 泰國十八世紀銅鎏金佛坐像 633 A LACQUERED BRONZE WINGED DEITY FIGURE. 33cm H. £600 – 800 銅漆彩神像

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634 AN EMBROIDERED THANGKA. 19th / 20th Century. Embroidered to depict a deity seated beside attendants and below two monkeys, 57 x 33cm. £1,200 – 1,500 十九 / 二十世紀刺繡唐卡

637 A GILT BRONZE LEFT HAND. 17th Century. Held in karana mudra, with the thumb resting on the curved middle fingers, 15cm. £1,200 – 1,800 十七世紀銅鎏金佛手

635 TWO WHITE METAL PLAQUES AND A KAPALA. Tibet 19th / 20th Century. 12cm H, 18cm diameter. (5) £500 – 800 西藏白鐵牌兩只及嘎巴拉

638 A BRONZE STUPA. Qing Dynasty. The stepped domed base rising to a series of lightly beaded rims supporting the stepped harmika, 17cm H. £200 – 300 清銅佛塔

636 A SILVER-ALLOY AND BRONZE STEM CUP Tang Dynasty, or later. The bowl with rounded sides mounted to the rim and with a spreading foot incised with scrolling foliage designs, 5cm H, 9cm diameter. £200 – 300 唐或更晚銀合金包銅高足盃

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639 640 639 A SILVER BUTTER LAMP. Tibet, 19th Century. The rounded bowl with four parcel gilt quatrefoil panels decorated with Buddhist Emblems, the stem elaborately worked with lappets and incised floral motifs, 21cm H. £500 – 800 西藏十九世紀銀鎏金嵌寶暗刻花卉龍紋油燈 640 FIVE WHITE METAL BUTTER LAMPS. Tibet, 19th Century. The cup of each supported on a knopped stem decorated with lotus lappets, 1012.5cm H. (5) £500 – 800 西藏十九世紀白鐵油燈五支 641 A THANGKA PAINTING DEPICTING GREEN TARA. 18th Century. Seated in lalitasana, wearing elegant jewelry and rich brocades, the right hand extended in varada mudra and the left hand raised holding a lotus, framed, 52 x 36cm. £500 – 800 十八世紀繪綠度母唐卡 642 A CLOISONNÉ ENAMEL TIBETANSTYLE EWER AND COVER, DUOMUHU. 20th Century. The cylindrical body divided into four sections by horizontal gilt-copper bands, all below a lobed crown rim resembling a monk’s cap, set with an enamelled curved spout issuing from the mouth of a gilded mythical beast, opposite an ‘S’-curved handle emerging from a dragon head and terminating with a scaly up-turned fish tail, enamelled with lotus scroll on a turquoise ground, four character Qianlong mark to base, 53cm H. (2) £1,200 – 1,500 二十世紀銅胎掐絲琺瑯鎏金多穆壺，陰文「乾隆年製」楷書款

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645 643 A CLOISONNÉ ENAMEL DOUBLE VASE WITH STAND. The similarly shaped vases conjoined at the body, decorated with lotus scroll on a similarly decorated base, incised Qianlong mark to base, 26cm H, 31cm wide. (2) £3,000 – 5,000 銅胎掐絲琺瑯描金雙管瓶連座，陰文「大清乾隆」、「丙午年製」楷書款 644 A CLOISONNÉ ENAMEL TRIPOD CENSER AND COVER. Qing Dynasty. Raised on three gilt copper cabriole legs surmounted by dragon heads that support the body decorated around the sides with bats and lotus scroll and set with gilt copper lion head mask handles suspending rings, the cover with a pierced gilt-copper band of ruyi heads shape, with flower scroll below a knob decorated with clouds, Qianlong mark, 19cm H. (2) £2,000 – 3,000 清銅胎掐絲琺瑯描金雙活環耳三足蓋爐，陽文「乾隆年製」楷書款

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647 645 A CLOISONNÉ ENAMEL BOX AND COVER. The sides decorated in lotus scroll on a turquoise ground, 8.5cm diameter. (2) £500 – 800 銅胎掐絲琺瑯纏枝蓮紋圓形蓋盒 646 No lot 647 A CLOISONNÉ ENAMEL ‘PUMPKIN’ BOX AND COVER. 20th Century. Lobbed into six sections, decorated with taotie masks on a turquoise ground, the top with a stalk finial bearing two leaves, 7.5cm diameter. (2) £100 – 200 二十世紀銅胎掐絲琺瑯鎏金南瓜式蓋盒

*See inside front cover for information regarding fees

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651 648 A PAIR OF SLIP DECORATED HAWKS. Qing Dynasty, 18th Century. Each perched on a rocky base, in mirror images, the feathers incised and detailed in slip, 15cm H. (2) £1,000 – 1,500 清十八世紀飾堆白鷹一對 649 A WHITE METAL HANGING ‘PARROT’ INCENSE BURNER AND COVER. The bird seated on a perch, the head tilted to the left and cover formed as the bird’s wings, the bird 43cm long. (2) £500 – 800 白鐵鳥形熏爐

650 A PAIR OF SHIWAN FIGURES ON LIONS. 19th Century. Each seated on the red glazed lion squatting with the head raised and the tail arched over its rider, seated with his legs pulled up and covered in a thick blue glaze, 21cm H. £800 – 1,200 十九世紀石灣窯僧人騎獅像一對 651 A COPPER-RED GLAZED MONKEY. Qing Dynasty, 18th Century. Seated on a rocky outcrop with one hand resting on the knee, the other holding a miniature monkey, 28cm H. £2,000 – 3,000 清十八世紀紅釉靈猴

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652

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652 A PAIR OF CELADON VASES. Qing Dynasty. Each of square section, the rounded body supported on a stepped foot, the shoulder giving way to a waisted tapering neck with twin handles, with a lipped rim, moulded archaistic decoration to the sides, six character Qianlong mark to base, 23cm H. (2) Provenance: From the collection of Captain W. H. Adgey-Edgar (1887-1977). £2,000 – 3,000 清青釉瓶方瓶一對，陰文「大清乾隆年製」篆書款 653 A COPPER-RED GLAZED BOWL. Qing Dynasty. The rounded body rising to an everted from a spreading foot, 11cm H, 25cm diameter. £500 – 800 清紅釉盌 654 A GILT-DECORATED POWDER BLUE BARBER’S BOWL. Qing Dynasty, Kangxi era. 8cm H, 30cm diameter. £300 – 500 清康熙灑藍地描金刮臉盆

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655 A PAIR OF CELADON-GLAZED ‘TRIGRAM’ VASES, CONG. Each with straight sides of the archaistic quadrangular form moulded with bagua arranged in two columns, applied overall with a pale bluish-celadon glaze, six character Guangxu mark to base in underglaze blue, 24cm H. (2) £800 – 1,200 青釉八卦文琮式瓶一對，青花「大清光緒年製」楷書款 656 A GILT-DECORATED POWDER BLUE KENDI. Qing Dynasty, 18th Century. 25cm H. £500 – 800 清十八世紀灑藍地描金軍持 657 A GILT-DECORATED BLACK GLAZED BUDDHIST LION VASE. Qing Dynasty. Of baluster from, the body decorated with lions chasing ribboned balls among flames, a diaper band to the shoulders, the neck similarly decorated, six character Kangxi mark to base, 30cm H. £4,000 – 6,000 清烏金釉描金繪瑞獅紋瓶觀音尊，「大清康熙年製」楷書款

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658

661

659

662

660

663

658 A LANGYAO VASE. Qing Dynasty. With a long slender body above a spreading stepped foot, 38cm H. £800 – 1,200 清郎窯紅釉瓶

661 A GILT-DECORATED POWDER BLUE VASE. Qing Dynasty, Kangxi era. Of rouleau-form decorated with panels of flowers in gilt, 43cm H. £1,200 – 1,500 清康熙灑藍地描金花卉紋棒槌瓶

659 A MONOCHROME YELLOW VASE. Qing Dynasty. The long slender body with rounded shoulders and spreading neck with a stepped rim, the neck encircled by a raised band, 40cm H. £2,000 – 3,000 清黃釉瓶

662 A GREEN-GLAZED BOTTLE VASE. Qing Dynasty, Guangxu era. The globular body rising from a short foot to a flared neck, with concentric bands to the shoulders, covered overall with a green crackle glaze, 35cm H. £600 – 800 清光緒綠釉長頸瓶

660 A POWDER-BLUE GLAZED YENYEN VASE. Qing Dynasty, 18th Century. Of tall baluster form with an ovoid body tapering to the splayed foot and surmounted by a tall trumpet neck and flaring rim, 44.5cm H, 21.5cm diameter. £200 – 300 清十八世紀灑藍地鳳尾尊

663 A COPPER-RED GLAZED VASE. Qing Dynasty. Of pear-shaped form, with a rounded body on a short foot, rising to a thin cylindrical neck, covered in a thick glaze pooling towards the foot, 36cm H. £800 – 1,200 清紅釉膽式瓶

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664

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668 664 A LANGYAO VASE. Qing Dynasty. The slender baluster body rising from a spreading foot to a waisted neck with a raised band, and a flared rim, covered with an attractive copper-red glaze thinning at the neck, wood stand, 38cm H. (2) £500 – 800 清郎窯紅釉觀音尊連木座 665 A COPPER-RED GLAZED VASE. Qing Dynasty. The globular body supported on a tapering foot and rising to a waisted neck with everted rim, covered overall in a thick red glaze, 35cm H. (2) £500 – 800 清紅釉長頸瓶 666 A ‘REALGAR’ GLASS VASE. 19th / 20th Century. Of baluster form, the glass of ruby-red colour, 22cm H. £400 – 600 十九 / 二十世紀雄黃料瓶

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667 A SLIP-DECORATED CELADON VASE. Of pear-shaped form, decorated with floral spray, 37cm H. £800 – 1,200 青釉飾堆白花卉紋荸薺瓶 667a A LARGE INCISED CELADON DISH. Qing Dynasty. Decorated with a central flower head roundel, enclosed by a band of peonies borne on scrolling foliage, 40cm diameter. £200 – 300 清青釉暗刻花紋碟 668 A CRACKLE-GLAZE ‘LEAF’ WASHER. Qing Dynasty, 18th / 19th Century. Naturalistically modelled with a foliate rim and a network of veins running through the leaf, the interior carved with a beetle decorated in slip, 27cm diameter. (2) £2,000 – 3,000 清十八 / 十九世紀冰裂紋樹葉型筆洗

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672

669 A CELADON GLAZED INCENSE BURNER. Qing Dynasty. The compressed globular body supported on three triangular feet, rising to a waisted neck, the rim set with twin loop handles, six character Chenghua mark to base in underglaze blue, 10cm diameter. £2,000 – 3,000 清青釉三足爐，青花「大明成化年製」楷書款 670 A GUAN STYLE WASHER. With a waisted cylindrical body and spreading rim and base supported on four short feet, 5.5cm H, 12.5cm diameter. £500 – 800 仿官窑笔洗 671 A CREAM-GLAZED TRIPOD INCENSE BURNER. Of compressed globuarl form, supported on three short conical feet, with looped handles on the rim, six character Qianlong mark to base in underglaze blue, 6cm H, 10cm diameter. £2,000 – 3,000 米白釉冲耳三足炉

670

671

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674

672 A CLARE-DE-LUNE GLAZED ‘CHILONG’ WATER POT. Of globular form, with a chi dragon moulded clambering over the rim, and finely painted in purple tones, 7cm H, 6cm diameter. £800 – 1,200 天藍釉粉彩螭龍洗 673 A YIXING WASHER. 20th Century. Of lobed ovoid form, carved to one side with flowers, the reverse side with a calligraphic inscription, 7.5cm diameter, 7cm H. £300 – 500 二十世紀宜興紫砂瓜棱紋筆洗，「缽中堪貯火指下自生春逸定刻」，「永泰製造發行」款 674 A BLUE AND WHITE JAR. Qing Dynasty, 18th Century. The flattened rounded body on a spreading foot of rectangular section rising to a waisted everted rim, the shoulders set with lug handles, the body minimally painted in underglaze blue with flowers, 11cm H. £500 – 800 清十八世紀青花雙系扁壺

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677 677 A FLAMBÉ-GLAZED WASHER. Qing Dynasty. Of circular form sturdily potted with rounded sides supported on a short tapered foot, decorated overall in an attractive mottled glaze, 12cm diameter. £800 – 1,200 清窯變釉筆洗

675 A WHITE-GLAZED DOUBLE GOURD VASE WITH STAND. Six character Qianlong mark to base, 11.5cm H. (2) £2,000 – 3,000 白釉葫蘆尊連木座，青花「大清乾隆年製」專屬款 676 A BLUE AND WHITE INK STONE WITH COVER. Late Ming Dynasty. Of circular form, the top painted with a bird sitting on a branch among flowers, 11cm diameter. (2) £300 – 500 明末青花圓形硯台連蓋

678 A PEACH-BLOOM GLAZED CUP. Qing Dynasty. Kangxi mark and possibly of the period. Finely potted, of beaker form, supported on a tall straight foot, the steep, gently flaring sides rising to an everted rim, six character Kangxi mark to base, 7cm H. £6,000 – 8,000 清約康熙豇豆紅釉盃

678 172

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679 680

679 A BLANC DE CHINE SHOE. Qing Dynasty, 18th Century. Modelled with a high heal and an upturned tapering toe, 14cm diameter. £400 – 600 清十八世紀德化窯鞋子模型 680 A WHITE GLAZED ‘LOTUS’ WASHER. Qing Dynasty. The body with deeply rounded sides modelled as a leaf with foliate rim, with attendant leafy branches and buds modelled over the surface in relief, wood stand, 10cm H, 21cm diameter. (2) £400 – 600 清白釉荷葉形筆洗連木座

681

681 TWO BLANC DE CHINE LIBATION CUPS. 17th Century. 6cm H, 10cm diameter. (2) £200 – 300 十七世紀德化窯供盃兩支 682 THREE BLANC DE CHINE ITEMS. Qing Dynasty, and later. Comprising a flowering plum tree, a seated deity, and a bottle vase, wood stand, 16-23cm H. (4) £500 – 800 清或更晚德化窯器物三件

682

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685 683 A BLANC DE CHINE GUANYIN AND CHILD. Qing Dynasty, 19th Century. The deity seated in royal ease, a ruyi sceptre in her left hand, with lotus buds and stems growing up around her, an attendant boy standing below her, four character impressed seal mark to back, impressed su shi man ji mark to back, 24cm H. (2) £2,000 – 3,000 清十九世紀德化窯觀音童子像，陽文「蘇泗滿記」篆書款 684 TWO BLANC DE CHINE FIGURES OF GUANYIN. Late Qing Dynasty. One seated in flowing robes, a fly wisp held in the left hand, a dragon crouching below the raised right foot, impressed Chen Wei zhi yin seal mark to back, fitted box, 23cm H, the other standing in flowing robes with a jewelled necklace, a fly wisp held in the left hand, a basket of fish beside the right foot, impressed Tongde mark to back, fitted box, 27cm H. (4) £600 – 800 清末德化窯觀音坐像及立像各一尊，陽文「陳偉之印」、「同德」篆書款 174

684

686 685 A BLANC DE CHINE GUANYIN. Qing Dynasty, 19th Century. Seated on a rocky base with one knee raised, with two attendants standing below her on either side, 24cm H. £500 – 800 清十九世紀德化窯觀音童子像 686 A BLANC DE CHINE GUANYIN. Qing Dynasty, 19th Century. Seated on a rocky base, with two attendants standing below her on either side, 25cm H. £500 – 800 清十九世紀德化窯觀音童子像

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687 688

689 687 TWO SMALL CIZHOU PAINTED FIGURES. The male and female figures each painted in red, green and black, 14cm H. (2) £200 – 300 磁州窯加彩人像兩尊 688 AN UNGLAZED STANDING FIGURE. Tang Dynasty. Standing in flowing robes with the head raised and turned to the left, the left hand raised and the right outstretched and lowered, 31cm H. £300 – 500 唐陶俑立像

689 TWO POTTERY RELIEF TILES. Yuan Dynasty. Each of rectangular form, moulded in relief to depict a Buddha, 22 x 28cm. (3) £2,000 – 3,000 元雕佛像陶磚兩塊 Sold together with an Oxford Authentication Thermoluminescence Analyis Report, sample no C108p23 for one of the tiles, consistent with the above date.

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691

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693

694 690 TWO JIZHOU PAPER-CUT RESIST-DECORATED BOWLS. Song Dynasty. The interior decorated in resist technique with paper-cut decoration, 11cm diameter. (2) £500 – 800 宋吉州窯剪紙貼花盌兩支 691 AN INSCRIBED ‘JIAN’ ‘HARE’S FUR’ TEA BOWL. Song Dynasty, or later. Of conical form with flaring sides slightly bulging below the rim, applied on the exterior and interior with a black glaze mottled with russet streaks evoking hare’s fur, Gong Yu mark to base, 7cm H, 12cm diameter. £800 – 1,200 宋或更晚建窯兔毫盌，陽文「供禦」楷書款 692 A PAPER-CUT RESIST-DECORATED BOWL. 7cm H, 13cm diameter. £100 – 200 剪紙貼花盌

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695 693 A CELADON TRIPOD CENSER TOGETHER WITH A QINGBAI DISH. Song Dynasty, or later. The dish of stepped form, the incense burner supported on three feet, with shallow rounded sides and a raised dish to the base, 13.5cm diameter. (2) £200 – 300 宋或更晚青釉三足爐及青白釉碟一支 694 A FIGURE OF A BOY WITH A CHICKEN, A CIZHOU FIGURE OF A DOG AND A YUEYAO ‘CRAB’ JARLET. Song Dynasty, and later. 8cm H, 7cm H, 7cm diameter. (3) £200 – 300 宋或更晚童子持雞像、磁州窯狗及越窯蟹紋罐 695 A CELADON-GLAZED JAR AND COVER TOGETHER WITH A CIZHOU-WARE JAR. 8-12cm H. (3) £200 – 300 青釉蓋罐及磁州窯罐

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698

700

696 A SANCAI ‘EGRET’ DISH. Liao dynasty. Boldly incised with an egret standing on a lotus pond, within a border of lotus flowers, decorated with russet, cream and ochre glazes, 19cm diameter. £200 – 300 遼三彩白鷺紋折沿碟 697 No lot 698 A BRONZE FIGURE OF A BIRD. Standing on a circular base with long legs, 12cm H. Provenance: formally in the Sackler Collection. £100 – 200 銅鳥

699 (part)

701

700 A ‘HARE’S FUR’ TEA BOWL AND A JUN BOWL. Song Dynasty, or later. 5cm H, 10cm diameter, 6cm H, 12cm diameter. (2) £200 – 300 宋或更晚兔毫盌及鈞窯釉盌 701 A JUN STYLE BOWL. 7cm H, 13cm diameter. £200 – 300 仿鈞窯釉盌 702 A GOLD AND SILVER INLAID ‘PHOENIX’ BELT HOOK. 18.5cm long. £400 – 600 嵌金銀鳳紋帶扣

699 A MINIATURE QINGBAI VASE. Song Dynasty. The ribbed globular body supported on a spreading base set with a band of pendant lappets, a similar band to the shoulders below the trumpet neck, together with a green and red glazed dish, 9cm H, 12cm diameter. (2) £400 – 600 宋青白瓜棱紋瓶

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703

704

706

703 A COLLECTION OF PHOTOGRAPHIC PORTRAITS OF CHINESE PEOPLE BY SHANGHAI STUDIOS. Circa 1930s. Comprising a photograph of a lady in traditional dress by Wei Fong and three portraits by Ah Fong, 10 x 7, 10 x 15cm. (4) Provenance: German family collection resident in Shanghai and Tianjin prior to 1945. £400 – 600 約一九三零中國老照片四張 704 A LARGE PHOTOGRAPH ACROSS THE BUND, SHANGHAI. Early 20th Century. By the studio CH Wong, together with various other photographic prints, 12 x 17, 33 x 42cm. (5) Provenance: German family collection resident in Shanghai and Tianjin prior to 1945. £300 – 500 二十世紀初上海老照片及其他照片共五張

705

707

706 A COLLECTION OF CHINESE SILVER TROPHIES. Early 20th Century. 6-14cm H. (23) Provenance: German family collection resident in Shanghai and Tianjin prior to 1945. Note that a number of the trophies are visible in one of the photographs in the previous lot. £600 – 800 二十世紀初銀製獎杯一組 707 A COLLECTION OF EXPORT SILVER ITEMS. Early 20th Century. Comprising two pairs of vases, cruet sets, and tea ware items, 4-19cm. (qty) Provenance: German family collection resident in Shanghai and Tianjin prior to 1945. £200 – 300 二十世紀初外銷銀器一組

705 A COLLECTION OF PHOTOGRAPHS OF RELATING TO MEMBERS OF THE RIFLE CLUB, SHANGHAI. Early 20th Century. 13 x 9cm, 24 x 29cm. (qty) Provenance: German family collection resident in Shanghai and Tianjin prior to 1945. £400 – 600 二十世紀初中國上海射擊俱樂部文獻照片一組

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708 709

710 (part)

713 (part)

711

712

708 A GREEN OVERLAY WHITE GLASS BOWL TOGETHER WITH A CINNABAR LACQUER BOX AND COVER. Late 19th / early 20th Century. 15cm H, 15.5cm diameter. (3) Provenance: German family collection resident in Shanghai and Tianjin prior to 1945. £300 – 500 十九世紀末 / 二十世紀初套料花紋盌及剔紅人物故事紋圓形蓋盒 709 A FAMILLE ROSE VASE TOGETHER WITH A WHITE-GLAZED ‘CHI DRAGON’ LIBATION CUP. Qing Dynasty. The famille rose vase of octagonal section, decorated with a continuous garden scene depicting scholars and ladies in a garden veranda, mounted with a European gilt metal base; the libation cup of rectangular section, moulded with a spreading foot and rim, with a short mid-section moulded with chi dragons, the handle also formed as a group of clambering dragons, all glazed in iron-red, 11-12cm H. (3) £400 – 600 清粉彩人物故事圖紋八方圖瓶及白釉螭龍紋供杯連木座 710 TWO FAMILLE ROSE WALL VASES AND TWO WUCAI SWEET MEAT DISHES. Qing Dynasty. The sweat meet dishes of hexagonal form and decorated to the interior variously with a Buddhist lion dog and a qilin, the handled wall vases decorated variously with a lady and gentleman each in a garden with a boy attendant, 12-16cm H. (4) £400 – 600 清粉彩描金人物故事圖掛瓶一對及五彩攢碟兩只

711 AN IRON-RED ‘TRIGRAMS’ WASHER. Qing Dynasty, Xianfeng mark and of the period. Of octagonal section, with flared body supported on a spreading foot, moulded and decorated in gilt and iron-red with a trigram on each face above a key scroll band and below a further geometric band, six character Xianfeng mark to base, 8cm H, 19cm diameter. £500 – 800 清咸豐內松石綠地外礬紅描金八卦紋八方筆洗，礬紅「大清咸豐年製」篆書款 712 A PAIR OF FAMILLE ROSE STEM BOWLS. Qing Dynasty. The exterior of the lobed body decorated with a continuous figurative garden scene, the foot enamelled with a band of waves, 23 x 18cm. (2) £500 – 800 清粉彩人物故事圖紋花瓣紋折沿盌 713 A SQUARE BOWL AND A DISH. The bowl of square form with canted sides, Daoguang mark to base, together with a sgraffito decorated dish with six character Qianlong mark, 14 x 7 x 15cm, 15cm. (2) £300 – 500 藍地粉彩四方盌及碟一支，礬紅「道光年馮氏製」楷書款、青花「大清乾隆年製」篆書款

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715

717 718

714 A FAMILLE ROSE ‘WATERSIDE SCENE’ DISH. Qing Dynasty, Daoguang mark and of the period. Painted with pavilions on a riverside, the water filled with boats, six character Daoguang mark and of the period, 18cm diameter. £800 – 1,200 清道光粉彩描金‘潯陽秋泊’圖文花口碟，礬紅「大清道光年製」篆書款

716 A PAIR OF FAMILLE ROSE ‘BUTTERFLIES’ FOLIATE RIM DISHES. Painted to the interior with five butterflies interspersed with floral bouquets, the exterior with five bats in iron red, six character Qianlong mark to base, 13cm diameter. (2) £200 – 300 粉彩花蝶紋花口碟一對，礬紅「大清乾隆年製」篆書款

715 AN IRON-RED AND UNDERGLAZE-BLUE ‘DRAGON’ SWEET MEAT BOWL. Qing Dynasty, Qianlong to Jiaqing period. The exterior decorated with a pair of iron-red five-clawed dragons, each in pursuit of a flaming pearl and striding amidst clouds, the interior comprised of five lappets around a central circular area, four character yuyan shuwu mark to base in black enamel, 13.5cm diameter. £1,200 – 1,500 清乾隆青花礬红龙纹攒碟，「浴硯書屋」楷书款

717 A FAMILLE ROSE BOWL. Qing Dynasty, Yongzheng period. The exterior painted with a continuous figurative garden scene, 6cm H, 12cm diameter. £2,000 – 3,000 清雍正粉彩射猎图盌

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718 A FAMILLE ROSE ‘TREASURES’ VASE. The ovoid body painted with antique treasures, within pink borders to the foot and mouth, 31cm H. £300 – 500 粉彩繪博古圖紋花插

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720

719

721

722

723

721 A ‘BAISHOU’ SNUFF BOTTLE. Of flattened oval form, the two faces decorated in iron red enamels with various forms of the character shou, edges decorated with floral patterns in underglaze blue, four character Qianlong mark to base also in underglaze blue, 6cm H. (2) £800 – 1,000 青花礬紅書‘百壽’紋鼻煙壺，青花「乾隆年製」楷書款

719 A YELLOW-GROUND ‘DRAGON’ VASE. Qing Dynasty, 19th Century. Of meiping form, painted with two coiled dragons among flames, 14cm H. £500 – 800 清十九世紀黃地雙龍戲珠紋梅瓶

722 NINE GLASS OVER GLAZED AND ONE FAMILLE ROSE SNUFF BOTTLES. 19th / 20th Century 7-9cm H. (20) £500 – 800 十九 / 二十世紀料鼻煙壺九只及粉彩鼻煙壺一隻

720 A PAIR OF FAMILLE ROSE ‘DRAGON’ VASES. Qing Dynasty. Each similarly decorated with two coiled dragons among floral bouquets, six character Yongzheng mark to base, 13cm H. (2) £300 – 500 清粉彩龍紋瓶一對，青花「大清雍正年製」楷書款

723 FIVE INSIDE PAINTED SNUFF BOTTLES. With stoppers, 7-9cm H. (10) £500 – 800 玻璃內畫鼻煙壺五支

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725 (part)

727 724 A JADEITE PENDANT. 20th Century. The rectangular pendant with rounded sides carved to depict a squirrel among lingzhi fungus, fruiting and flowering gourds, 3.5 x 2.5cm. £400 – 600 二十世紀翡翠雕松鼠靈芝花果紋珮 725 TWO JADEITE PENDANTS TOGETHER WITH A PAIR OF TOURMALINE EARRINGS. 20th Century. The pendants of rectangular and rounded rectangular form, variously incised, the earrings with pendants naturalistically carved as fruits, 2-4cm H. (4) £300 – 500 二十世紀翡翠雕吊墜兩枚及碧璽耳環一對

726

728 726 A ROSE QUARTZ ‘FRUITS’ PENDANT. Qing Dynasty. Carved and pierced to depict branches of pomegranates and finger citron fruits, 7cm H. £600 – 800 清粉晶雕瓜果紋吊墜 Compare to a pendant from the Chinese Imperial collection illustrated in Chen Xiasheng, Studying National Palace Museum Jewelries, 2012, p 136. 727 TWO HARDSTONE CARVINGS. 20th Century. Comprising an ornately carved vase and cover together with an amethyst carving of Li Bai drinking beside an attendant, 5 / 10cm H. (3) £300 – 500 二十世纪硬石雕蓋瓶及紫晶雕詩仙像 728 FOUR HARD STONE CARVINGS. Early 20th Century. Comprising a carving of two birds on a branch, a lady holding a flowering branch beside a bird, a lion and cub carving and a vase formed as a flower borne on a leafy branch, 8-18cm H. (4) £100 – 200 二十世纪初硬石雕四件

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730

729

731

729 A SPINACH JADE ‘BUFFALO’ CARVING. Seated with the legs tucked beneath, the head slightly raised, wood stand, 11cm H, 21cm long. (2) £600 – 800 碧玉雕水牛連木座 730 A JADE ‘HORSE’ CARVING. 20th Century. The larger horse seated with the legs tucked beneath, the head turned to the left, its companion clambering up over its back, 10 x 15cm. (2) £300 – 500 二十世纪玉雕群馬連木座

732

733

732 A JADE ‘MONKEY AND HORSE’ CARVING. Carved in the form of a recumbent horse, its head turned sharply to the left with its legs tucked beneath, with a small monkey clambering on its back, 7cm H. £3,000 – 5,000 玉雕‘馬上封侯’擺件 733 A JADE CARVING OF A DEER. Ming Dynasty. Seated with the legs tucked beneath and the head tilted back over the body, carved and pierced wood stand, 5.5cm long. (2) £1,000 – 2,000 明玉雕鹿連木座

731 A CARVED JADE ‘HORSE’ PLAQUE. Qing Dynasty. Carved to depict a reclining horse, wood stand, 10.5cm long. (2) £1,000 – 2,000 清玉雕馬牌連木座

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736 734

735

737

738

734 A WHITE JADE BEAD CARVED IN THE FORM OF A LOHAN. Qing Dynasty. The smiling figure standing with an open book spread across his chest, 4cm H. £500 – 800 清白玉雕羅漢形珠

736 TWO JADE CARVINGS. Qing Dynasty. One depicting a boy standing, holding a lotus spray, the other carved to depict a cicada, 5.5-6cm long. (2) £100 – 200 清玉雕童子及蟬蛹

735 AN AGATE CARVING OF A BOY. Qing Dynasty, 18th Century. Standing with pomegranates and lingzhi fungus strung over his back, 4cm H. (2) £800 – 1,200 清十八世紀瑪瑙雕童子像

737 A JADE ‘BOY AND LION’ CARVING. 19th / 20th Century. The boy standing with the attendant lion seated next to him with the head raised and the mouth open, silk stand, 9cm H. (2) £2,000 – 3,000 十九 / 二十世紀玉雕童子與獅像 738 A JADE ‘FIGURES’ CARVING. Qing Dynasty. One standing in long flowing robes against rocks, the other seated and holding a small box from which emerge swirly clouds, 9cm H, 13cm long. £2,000 – 3,000 清玉雕人物故事圖擺件

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739

742

740

743

739 A CARVED YELLOW JADE ‘FINGER CITRON’ VASE. Qing Dynasty. Naturalistically carved, the fruit with curving tendrils, borne on a leafy stem, silk covered stand, 10cm H. (2) £6,000 – 8,000 清黃玉雕佛手柑式花插 Compare for example a yellow jade small vase in the Palace Museum Beijing illustrated in Qinggong Yanyue Cangzhen, Beijing, 2002, pl.12. 740 A CELADON JADE ‘HANGING BASKET’ INCENSE BURNER AND COVER. Qing Dynasty. The hanging basket with an overhead linked-chain handle and high domed cover carved and pierced with scroll patterns, wood stand, boxed, 15cm H. (4) £400 – 600 清青玉雕‘吊籃‘式蓋爐連木架 741 A JADE EWER. Qing Dynasty. The rounded body supported on a narrow spreading foot to an everted rim, the surface smooth save for a key-scroll band to the rim and foot, a curving scroll-form handle suspending a freely moving ring below the spout, 9cm H. £600 – 800 清玉雕活環耳酒壺

741

744 742 A CARVED AGATE BRUSH POT. 19th /20th Century. Modelled as a gnarled hollow trunk with attendant pine branches with bats, a crane and qi dragon clambering over the surface, 12cm H. £300 – 500 十九 / 二十世紀瑪瑙雕筆筒 743 A JADE ‘PINE TREE’ DOUBLE VASE. Carved and pierced to depict a hollow bifurcated trunk, with attendant branches bearing plum flowers on one side, the other side with an attendant pine branch, lingzhi fungus climbing up the trunk from the base, 14.5cm H. £2,000 – 3,000 玉雕松紋雙管花插 744 A JADE ‘BAMBOO AND BIRD’ VASE. The vase formed as a nodular trunk with attendant leafy branches, supported on a base of clouds with a phoenix carved and pierced in high relief, a spray of lingzhi fungus in the mouth resting against the trunk, 11cm H. £1,000 – 1,500 玉雕竹鳥紋花插

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746 745

747

748 745 A JADE WATERPOT. Qing Dynasty. Of globular form, supported on a short foot, the sides incised with taotie masks, set with dragon head masks on the shoulders, 4cm H. £600 – 800 清玉雕饕餮紋雙龍耳水滴 746 A PAIR OF JADE WASHERS WITH ELEPHANT HEAD HANDLES. 20th Century. Each with rounded shoulders, rising to a lipped rim, the shoulders set with three equally spaced elephant heads the exterior carved around with petals, 7cm H, 7.5cm diameter. (2) £3,000 – 5,000 二十世紀玉雕象首耳筆洗一對 747 A COLLECTION OF THREE JADES. Comprising a rectangular panel incised with a dragon among clouds, a carving of a seated qilin and a seated lion with the head turned sharply over the shoulders, 5.5-8cm long. (3) £300 – 500 玉雕三件

186

749 750 748 A JADE ‘DRAGON’ PENDANT. Qing Dynasty. Of rectangular form carved and pierced to depict a kui dragon with an S-shaped body, dividing at right angles into smaller scrolls, 5 x 4cm. £300 – 500 清玉雕龍紋吊墜 749 A JADE ‘ZIGAN’ PENDANT. Qing Dynasty. Carved to one side with a figurative scene, the reverse with a calligraphic inscription, signed at the end Zigan, 6cm H, 4cm width. £400 – 600 清玉雕吊坠 750 A JADE ‘ZIGAN’ PENDANT. Qing Dynasty. Incised to one side with a scene of a scholar beside bamboo, the reverse with a poetic inscription, signed at the end Zigan, 6cm H, 4cm width. £400 – 600 清玉雕吊坠 *See inside front cover for information regarding fees

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751 752

754 753

755 756 751 TWO JADE CARVINGS OF FISH. Qing dynasty. One carved to depict a scaly fish with a dragon’s head, the other carved as a fish with attendant leaves, 6-8cm H. (2) Provenance: English private collection, one acquired from Gerard Hawthorn, by repute. £1,500 – 2,000 清玉雕魚兩件 752 A JADE ‘LION AND CUB’ CARVING. Qing Dynasty. The creature seated with the legs tucked beneath and the head turned to the left, clutching a ball between the front paws, a small pup clambering over the back, 5cm H, 9cm long. £600 – 800 清玉雕獅紋擺件 753 TWO JADE CARVINGS. One carved to depict two seated cats, one with a spray of lingzhi fungus in the mouth, the other formred as a seated unicorn, 7-9cm long. (2) £600 – 800 玉雕雙貓及甪端擺件

754 TWO AGATE BELT HOOKS. Qing Dynasty. Each with a dragon head terminal, one carved and pierced with an attendant chi dragon, 9-13cm long. (2) £200 – 300 清瑪瑙雕龍紋帶扣兩只 755 A JADE ‘LOTUS LEAF AND CATFISH’ WASHER. Qing Dynasty. Carved to depict a lotus leaf with foliate edges, borne on a branch with attendant lotus pod, the interior incised with cavorting cat fish, 15cm long, 7cm wide. £300 – 500 清玉雕蓮葉鯰魚紋筆洗 756 A JADEITE BEAD NECKLACE, A BANGLE AND THREE PENDANTS. 29cm L, 5-8cm diameter. (5) £400 – 600 翡翠項鏈、鐲子及吊墜三件

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757 TWO GLASS ITEMS. 19th / 20th Century. Comprising a red-overall clear glass bottle vase carved with scrolling flowers, and a globular yellow glass washer, 7cm H, 17cm H. (2) £800 – 1,200 十九 / 二十世紀套料花紋瓶及黃料筆洗

757

758

758 A CRYSTAL POURING VESSEL AND COVER, YI. 19th / 20th Century. Of archaistic yi form, with a globular body rising from a splayed foot to an everted neck, set with a handle in the form of a stylised kui dragon, the cover carved as the head and back of a mythical beast, its mouth resting on the rim, 1cm H. (2) £1,000 – 2,000 十九 / 二十世紀水晶雕匜連蓋

759 A CANTON ENAMEL JARDINIÈRE WITH HARD STONE PLANT. Qing Dynasty, 19th Century. The rectangular jardinière with a flaring body, decorated with flowers and bats on a yellow ground, and filled with two leafy branches bearing berries, 34cm H. £500 – 800 清十九世紀廣東銅胎琺瑯寶石盆景

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*See inside front cover for information regarding fees

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760 A JADE ‘PEACH’ BOX AND COVER. The box and cover carved as two halves of a peach fruit borne on a leafy branch, the two halves connected by a freely moving ring, 9cm diameter. £1,000 – 1,500 玉雕桃形蓋盒

760

761 A JADE ‘DUCK’ CARVING. Carved and pierced to depict three ducks with reeds borne on waves below lotus leaves, wood stand carved to simulate waves, 5.5cm H, 9cm long. (2) £1,500 – 2,000 玉雕荷葉野鴨紋擺件連木雕海水紋座

761

762 A PAIR OF JADE CUPS, COVERS AND SAUCERS. Each bowl carved with steep curved sides rising from a low foot to a slightly everted mouth supporting a slightly domed cover supporting a hollow flaring circular knop, all incised with vertical ribbing, the saucers similarly carved, 8cm H, 11cm diameter (cup). (6) £3,000 – 5,000 玉雕蓋碗連托盤一對 763 No lot 762

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764

765

764 A JADE ‘MOUNTAIN’ CARVING. Qing Dynasty. Carved to depict jagged peaks, one side with two cranes and two deer beneath a pine tree, the reverse with a dwelling visible between rocky peaks and a deer seated on a rocky outcrop above a lingzhi fungus spray growing from the mountainside, wood stand, 9cm H. (2) £2,000 – 3,000 清玉雕山形擺件連木座

765 A PAIR OF SPINACH JADE VASES AND COVERS. 20th Century. Of elongated form, the compressed globular body resting on spreading feet with scrolling handles to the shoulders and a domed cover supporting a globe finial, finely incised with a rocky and pinefilled landscape scene to the body and neck, fitted boxes, 25cm H. (6) £500 – 800 二十世紀碧玉雕人物古松山水圖紋蓋瓶一對 766 TEN JADE CARVINGS. Qing Dynasty, and later. Comprising a leaf-form washer, a ribbed vase and cover, an oval pendant, a belt hook and various carved pendants, 4-10cm H. (11) £1,000 – 2,000 清或更晚玉雕十件

766

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767

769

768

770

771

767 A PAIR OF TEA BOWLS AND COVERS. Enamelled to the exterior with figurative garden scenes, the interiors decorated with erotic scenes, six character Qianlong mark, with married blue and white stands, 11cm H, 11cm diameter. (6) £3,000 – 5,000 粉彩人物故事圖紋茶蓋碗，青花「富貴白頭時在丁未下月書為」，礬紅「大清乾隆年製」篆書款 768 A PAIR OF BLUE AND WHITE ‘DRAGONS’ TEA BOWLS AND COVERS. Decorated with coiled five-clawed dragons chasing flaming pearls among flames and scrolling clouds, six character Qianlong mark to base and cover, 9cm H, 12cm diameter. (4) £500 – 800 青花龍紋茶蓋碗，青花「大清乾隆年製」篆書款 769 TWO BLUE AND WHITE BOWLS. Early 20th Century. Decorated with floral bouquets below a pendant leafy border, Jiangxi huamei gongsi mark to base, 3cm H, 13cm diameter. (2) £200 – 300 二十世紀初青花花紋盌一對，青花「江西華美公司」楷書款

772

770 THREE FAMILLE ROSE TEA BOWLS AND COVERS. 19th / 20th Century. 8cm H, 10.5cm diameter. (6) £300 – 500 十九 / 二十世紀粉彩茶蓋盌三套 771 A BLUE AND WHITE CUP. Delicately painted with fruit, six character Yongzheng mark to base, 5cm H, 8cm diameter. £3,000 – 5,000 青花瓜果紋盃，青花「大清雍正年製」楷書款 772 TWO FAMILLE ROSE CUPS. Qing Dynasty. One painted with buildings and a calligraphic inscription, six character Jiaqing mark to base, the other enamelled with flowering branches, 5.5 / 7cm H. (2) £400 – 600 清粉彩盃兩只

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773

776

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778 (part)

773 TWO TEAPOTS. Comprising a tall yixing zisha teapot and cover of rectangular form, enamelled with a lion, together with a ‘dragon’ teapot and cover, shendetang zhi mark to base, 10 / 24cm H. (4) £500 – 800 茶蓋壺兩只，礬紅「慎德堂製」楷書款

776 A PAIR OF WUCAI WALL VASES. 17th Century. Moulded to depict a floral spray below a lion head mask, covered in a green, yellow and aubergine glaze, 15cm H. (2) £300 – 500 十七世紀五彩繪花紋獅耳掛瓶一對

774 A MONOCHROME TURQUOISE-GLAZED BOWL. Qing Dynasty, Yongzheng mark and possibly of the period. The thinly potted rounded sides rising from a short tapered ring foot, the exterior covered with turquoise enamel, the interior and base applied with a transparent glaze, six character Yongzheng mark to base, 3.5cm H, 7.5cm diameter. £8,000 – 12,000 清約雍正綠松地盌，青花「大清雍正年製」楷書款

777 A FAMILLE VERTE VASE, GU. Qing Dynasty, Kangxi era. Decorated to the upper section with a bird perched on ornamental rockwork among flowering peonies, with prunus flowers and attendant branches on the midsection and flared base, 19cm H. £500 – 800 清康熙粉彩繪花鳥紋觚式瓶

775 A TEA-DUST GLAZED TEAPOT AND COVER. Of high domed bell-shaped form, the shoulders set with two lugs to support a metal overhead handle, 14cm H. (2) £300 – 500 茶葉末釉提壺

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778 A VASE AND OCTAGONAL DISH. Qing Dynasty, early 18th Century. The vase of baluster form, lobed into four sections, clobbered over panels of qilin, the octagonal dish decorated in and Imari palette, 16cm H, 22.5cm diameter. (3) £300 – 500 清十八世紀初青花加彩麒麟紋蓋瓶及八方碟

*See inside front cover for information regarding fees

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779

780

781

782 (part)

779 A FAUX-BOIS GROUND FAMILLE ROSE ‘DEERS’ DISH. Qing Dynasty, Yongzheng era. Decorated with a pair of deer between a lingzhi fungus and a rock from which emerges plum blossom, within a border of flying cranes and peaches against a ground painted in simulation of tree bark, the reserve similarly decorated, 21cm diameter. £1,200 – 1,500 清雍正木紋釉粉彩繪靈芝鶴鹿紋碟 780 A FAMILLE ROSE BASKET. Qing Dynasty, Yongzheng era. The basket of oval section with deep everted pierced sides set with a handle on either side of the rim, the interior painted with a lady with a deer beneath a pine tree on a garden veranda, within a border of floral panels, with an ice crackle prunus band to the rim, 7 x 22 x 31cm. £500 – 800 清雍正鏤空粉彩繪花籃

781 A GRISAILLE-DECORATED ‘EUROPEAN LADY WITH LAMB’ DISH. Qing Dynasty, Qianlong era, circa 1740. The central roundel with the lady seated staring directly at the viewer, within two gilt borders, 22.5cm diameter. £300 – 500 清乾隆約一七四零墨彩繪人物與羊羔碟 782 A SET OF TWELVE FAMILLE ROSE ‘BIRDS AND FLOWERS’ DISHES. Qing Dynasty, Yongzheng era. Painted with a central roundel with a pair of birds on blue rockwork among flowering peonies, within a border of flowers among scrolls, 23cm diameter. (12) Provenance: From the collection of H.E. Leetham, thence by descent. £2,000 – 3,000 清雍正描金粉彩繪花鳥紋圖碟十二支

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783 (part)

784

785 (part)

783 A COLLECTION OF FIVE DISHES. Qing Dynasty, 18th Century. Comprising three blue and white dishes, and two decorated in famille rose, one with a figurative scene of two ladies in a garden, 20-25cm diameter. (5) £600 – 800 清十八世紀碟五支 784 A GRISAILLE-DECORATED ‘OTTER’ DISH. Qing Dynasty, circa 1810. The centre delicately and naturalistically painted with an otter standing four-square, within a decorative border in over-glaze blue, 24cm diameter. £500 – 800 清約一八一零墨彩繪水瀨碟 The dish appears to be based on an engraving from the first edition of the very rare “English Encyclopedia”, made for George Kearsley in London in 1802. 786

785 A PAIR OF ‘LE PÊCHEUR’ DISHES. Painted en grisaille with a man fishing in a river with rural buildings on the far bank, the rim with a grisaille and gold cell diaper ground reserved with four Chinese riverscape panels heightened in iron-red and alternating with gilt chrysanthemum blossoms within a floral vine border, 23cm diameter. (2) £1,500 – 2,000 墨彩描金人物山水圖紋碟一對 786 A CANTON FAMILLE ROSE PUNCH BOWL. Qing Dynasty, 18th Century. The exterior enamelled with panels of ladies and boys on a garden veranda, 13cm H, 29cm diameter. £600 – 800 清十八世紀廣彩人物園景圖潘趣盌 787 A FAMILLE ROSE PIERCED BASKET AND STAND. Qing Dynasty. Decorated with brightly coloured pierced bands, with figurative panels and floral decoration, 8cm H, 21cm diameter. (2) £400 – 600 粉彩繪鏤空花籃連托

787

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788

788 TWO FAMILLE ROSE HORSE AND BOYS WATER DROPPERS. 18th Century. Each formed as a boy to the left of a horse, the animal standing foursquare with the head slightly lowered, 13cm H. (2) £2,000 – 3,000 十八世紀粉彩童子馬形水滴兩只

789

790

789 A BLUE AND WHITE BOTTLE VASE. Qing Dynasty, Kangxi era. Of pear-shaped form, the body decorated with peony flowers borne on leafy stems, 13cm H. £200 – 300 清康熙青花長頸瓶

790 A PAIR OF CANTON ENAMEL SQUARE CUPS. Qing Dynasty, 19th Century. Each with straight slightly flaring sides supported on four short feet, flanked by two dragon handles, the faces with figurative scenes within scrolling pattern bands, 5cm H, 8cm diameter. (2) £100 – 200 清十九世紀廣東銅胎琺瑯開光繪人物園景圖四方雙耳盃一對

791 A PAIR OF FAMILLE VERTE VASES, GU. Qing Dynasty, Kangxi era. The mid-section decorated with peonies and chrysanthemums, the flaring foot with flowering pomegranates and the flaring rim with a bird among flowers on ornamental rockwork, European gilt metal mounts, 40cm H, 18cm diameter. (2) £400 – 600 清康熙嵌鎏金五彩繪花鳥紋觚式瓶一對

791

792 A FAMILLE ROSE SLEEVE VASE. Qing Dynasty, Yongzheng era. Of cylindrical form rising to a short wide neck with everted rim, painted around the body with an aristocratic lady sitting reading at a marble-top writing table filled with books, 26cm H, 10cm diameter. £800 – 1,200 清雍正粉彩繪人物筒瓶

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793 A FAMILLE ROSE FISH BOWL. Qing Dynasty, 19th Century. Decorated with figurative panels against a yellow ground below pendant ruyi heads, the interior painted with fish, 22.5cm H, 25cm diameter. £500 – 800 清十九世紀黃地粉彩開光繪人物故事圖魚缸

793

794 A FAMILLE VERTE FIGURATIVE FISH BOWL. Qing Dynasty, 19th Century. The deeply rounded sides painted with a continuous figurative scene, above a lappet band and below a yellow-ground band with shaped ruyi head edges, and a further wan band below an everted rim, 30cm H, 36cm diameter. £2,000 – 3,000 清十九世紀五彩開光繪人物故事圖魚缸

794

795 A LARGE FAMILLE ROSE ‘BIRD AND FLOWERS’ FISH BOWL. Qing Dynasty, 19th Century. The deeply rounded sides decorated with four panels, two of rectangular shape and two of fan-shaped form, enclosing birds and flowers, against an iron red ground of lotus scroll, below a pendant ruyi head band at the rim, and a lapped band at the foot, 41cm H, 45cm diameter. £2,000 – 3,000 清十九世紀粉彩繪花鳥紋魚缸

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796 A FAMILLE ROSE FISH BOWL. Qing Dynasty, 18th Century, or later. Of lobed form raised on four ruyi-form feet, the flaring sides rising to an everted lipped rim, the sides brightly enamelled with Buddhist emblems and bats among swirling clouds against a puce-pink ground, the interior enamelled turquoise, 9.5cm H, 25cm diameter. £5,000 – 8,000 清十八世紀或更晚粉彩開光繪花鳥紋魚缸 796

797 A LAVENDER-GROUND FAMILLE ROSE BOWL. The thickly potted low rounded sides painted with brightly coloured flowers, inscribed in iron-red with the three character mark Dayazhai, beside an oval Tian Di Yi Jia Chun seal, the interior and base turquoise, iron-red Yong Qing Chang Chun mark on the base, 28.5cm diameter. £4,000 – 6,000 紫地繪粉彩山石花卉圖紋盌，礬紅「大雅齋」、「天地一家春」、「永慶長春」款

797

798 A CELADON-GROUND GLAZED BLUE AND RED GLAZED JARDINIÈRE. Decorated with the free friends of winter and a calligraphic inscription, 23.5 x 15.5cm. £500 – 800 青釉青花釉里红长方花盆，「黄菊一开财地」款 798

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799

800

801 802 799 A FAMILLE VERTE ‘BOYS’ PUNCH BOWL. 20th Century. The exterior with rounded sides rising to an everted rim, decorated with boys flowers and foliage on a yellow ground, below a pendant ruyi head band, a similarly decorated roundel to the interior, six character Xuande mark to base, 15.5cm H, 37.5cm. £800 – 1,200 二十世紀粉彩繪童子纏枝花紋潘趣盌 800 A BLUE AND WHITE ‘DRAGON’ VASE. Decorated with coiled dragons among clouds and flames confronting a flaming pearl, 49cm H. £800 – 1,200 青花龍紋天球瓶

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801 A FAMILLE ROSE TRIPOD INCENSE BURNER. 20th Century. The globular body supported on cabriole feet, with S-shaped handles on the shoulders, the body decorated with lotus scroll and auspicious emblems on a red ground, six character horizontal Qianlong mark, 28cm H, 18cm diameter. £800 – 1,200 二十世紀粉彩朝冠耳纏枝蓮博古紋三足爐，礬紅「大清乾隆年製」篆書款 802 A YELLOW-GROUND ‘BATS AND PEACHES’ CHARGER. Decorated to the interior with bats, peaches, stylised shou characters and ribboned ruyi sceptres against a yellow ground, the base with six character Guangxu mark to base, 40cm diameter. £200 – 300 黃地蝙蝠壽桃紋大盤

*See inside front cover for information regarding fees

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803

804

805 806 (part) 803 A FAUX-BOIS-GROUND VASE. 20th Century. Of baluster form with rounded shoulders and a flared neck, the body with two heart-shaped panels one finely painted with two dogs in a rocky landscape, the reverse side with panel enclosing a calligraphic inscription, four character zhen de tang zhi mark to base, 34cm H. £300 – 500 二十世紀木紋釉開光繪粉彩松樹狗紋瓶 804 A PAIR OF BLUE AND WHITE PLAQUES. Second half of 20th Century. Each of rectangular form, painted to depict ladies in a watery landscape, 26 x 36cm. (2) £200 – 300 二十世紀後半葉青花仕女園景圖瓷板兩幅

805 TWO BLANC DE CHINE FIGURES OF GUANYIN. 20th to 21st Century, by Lian Zihua. Each seated in flowing robes on a double lotus base, 19.5cm H. £200 – 300 二十至二十一世紀德化窯觀音像兩尊，連紫華造 806 A PAIR OF FAMILLE ROSE DISHES. Decorated with a scholar with ladies in an interior within a giltdecorated border, 23cm diameter. (2) £400 – 600 粉彩描金人物故事圖紋碟一對

199

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807 807 A LARGE PORCELAIN PANEL. 19th / 20th Century, signed Wang Li. Depicting a figurative scene, framed, 35 x 53cm. £6,000 – 8,000 十九 / 二十世紀粉彩 ‘福祿壽三星報喜圖’紋瓷板連木框，樊紅「汪棣」、「曉棠」款 200

*See inside front cover for information regarding fees

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Kangxi: Porcelain & Decorative Arts

A LARGE FAMILLE VERTE CHARGER. Qing Dynasty, Kangxi era. 46.5cm diameter. £30,000 – 50,000

12 NOVEMBER 2018 FOR ENQUIRIES CONTACT Head of Department, Lazarus Halstead Lazarus.halstead@chiswickauctions.co.uk

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AN INVITATION TO CONSIGN TO FORTHCOMING SALES

A CHINESE COPPER RED ‘DEER AND PEACHES’ BOWL

Qing Dynasty, Yongzheng era, base unmarked. 6.5cm H, 13cm diameter. Realised: £50,000 incl. premium, November 2017

For a complimentary valuation contact Head of Department, Lazarus Halstead lazarus.halstead@chiswickauctions.co.uk

+44 (0)20 8992 4442 | chiswickauctions.co.uk 1 Colville Road, London W3 8BL | 127 Fulham Road, London SW3 6RT

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<MZU[ IVL +WVLQ\QWV[ NWZ *]aMZ[ I\ +PQ[_QKS )]K\QWV[

1. BEFORE THE SALE 1.1 Agent for the seller Unless otherwise agreed, Chiswick Auctions Ltd, hereafter referred to as CA LTD acts as agent for the seller. The contract for sale of the property is therefore made between the Seller and the Buyer. ,MĂ&#x2026;VQ\QWV[ For the purposes of the current Terms and Conditions, the Seller shall JM LMĂ&#x2026;VML I[ \PM W_VMZ WN \PM /WWL[ 1\ Q[ QUXTQML \PI\ \PM ;MTTMZ Q[ \PM legitimate owner and is authorised to sell the Lot. The Bidder is any registered person participating in the auction, and the Buyer is the successful Bidder for a particular Lot. The Lot means the item(s) put up for sale by CA Ltd and to which the present Terms and Conditions apply. +I\ITWO]M LM[KZQX\QWV[ Any representation in any catalogue or otherwise as to the origin, date, age, attribution, genuineness or estimated selling price of any lot is a statement of opinion only. Such statements do not constitute a representation warranty or assumption of liability by CA Ltd in relation to the Lot. Any prospective Buyer should satisfy themselves prior to the sale as to the reliability of the catalogue description. The absence of mention related to prior restorations in the Catalogue descriptions does not imply that the good is exempt thereof. Photographs of any Lot provided by CA Ltd are for indicative purposes only and are not deemed to be a precise representa-tion of the said Lot. The Buyer is advised to seek independent expert advice in order to be assured of the authenticity and true state of the good. 1V[XMK\QWV Prior to auction, prospective purchasers are strongly advised to personally examine personally any property in which they are interested to satisfy themselves in relation to matters which may concern them. +WVLQ\QWV ZMXWZ\ CA Ltd may issue a Condition Report on request prior to the sale. <PQ[ +WVLQ\QWV :MXWZ\ Q[ NWZ QLMV\QĂ&#x2026;KI\QWV X]ZXW[M[ WVTa IVL KIVVW\ JM considered as giving a precise account of the Lotâ&#x20AC;&#x2122;s true state. Thus, some imperfections and faults may not be accounted for in the Condition Report. As aforementioned, and in the absence of any contractual value of the Condition report, it is the Buyerâ&#x20AC;&#x2122;s sole duty to inspect in person the Lot in order be assured of its true condition and CA Ltd shall not be responsible for assertions within the Condition Report hereto. -TMK\ZQKIT[ )TT MTMK\ZQKIT Q\MU[ IZM [WTL I[ [MMV IVL +) 4\L Wâ&#x20AC;ŤŮşâ&#x20AC;ŹMZ[ VW O]IZIV\MM I[ \W the working condition of such items or their safety. 1\ Q[ \PM *]aMZÂź[ L]\a \W \ISM VMKM[[IZa [\MX[ \W JM I[[]ZML \PI\ \PM 4W\ is safe for normal use. -[\QUI\M[ Estimates are based on various factors inherent to the situation of the market at the time of the sale, as well as considerations such as the

condition, rarity, or quality of the item etc. Estimates are only indicative and represent the opinion of CA Ltd. Estimates provided by CA Ltd cannot constitute a guarantee as to the value of the good. Subsequently, goods may sell at prices lower or higher than the provided estimates. 1.8 Reserves 5IVa 4W\[ IZM Wâ&#x20AC;ŤŮşâ&#x20AC;ŹMZML []JRMK\ \W I ZM[MZ^M _PQKP Q[ \PM KWVĂ&#x2026;LMV\QIT minimum sale price. The reserve will never exceed the low estimate printed in the catalogue. CA Ltd may open the bidding on any Lot below the reserve by placing a bid on behalf of the seller, and may in their discretion continue to bid up to the reserve price. This can be achieved by bidding in response to other bidders or alternatively by placing consecutive bids. ! :MOQ[\ZI\QWV \W \PM [ITM 6M_ JQLLMZ[ _QTT VMML \W ZMOQ[\MZ XZQWZ \W \PM [ITM 1\ Q[ [\ZWVOTa advised bidders register at least 24 hours before the sale. Registration thereafter shall be at the auctioneerâ&#x20AC;&#x2122;s entire discretion. 1V\MZVI\QWVIT JQLLMZ[ UIa JM ZMY]QZML \W ZMOQ[\MZ PW]Z[ JMNWZM \PM sale and to submit bank details. A deposit may be requested prior to each sale. Failure to register shall result in the impossibility for the bidder to purchase a Lot. 8ZWWN WN QLMV\Q\a Bidders not previously known to CA Ltd will be required to provide: Â&#x152; 7â&#x20AC;ŤŮťâ&#x20AC;ŹKQIT XZWWN WN QLMV\Q\a QV \PM NWZU WN I XI[[XWZ\ WZ XPW\WKIZL LZQ^QVO TQKMVKM 6W W\PMZ NWZU[ WN 1, IZM IKKMX\IJTM Â&#x152; 8ZWWN WN ILLZM[[ WN UIQV ZM[QLMVKM 7VTa Wâ&#x20AC;ŤŮťâ&#x20AC;ŹKQIT LWK]UMV\[ showing name and address will be accepted. â&#x20AC;˘ Both landline and mobile telephone numbers â&#x20AC;˘ A bank reference for foreign bidders may be requested Â&#x152; +WZXWZI\M KTQMV\[ _QTT PI^M \W XZW^QLM I KMZ\QĂ&#x2026;KI\M WN QVKWZXWZI\QWV XZQWZ \W \PM I]K\QWV ITWVO _Q\P \PM ZMXZM[MV\I\Q^MÂź[ 1, QV IKKWZLIVKM with the abovementioned requirements for proof of identity. Any Bidder that does not match the provided identity for registration may not purchase during the sale. 2. DURING THE SALE )\\MVLIVKM I\ I]K\QWV Attending the auction in person is recommended. CA Ltd has the right in their absolute discretion to refuse participation QV IVa I]K\QWV \W ZMRMK\ IVa JQL IVL \W ZMN][M ILUQ[[QWV \W \PM XZMUQ[M[ Bidders are not obliged to be present in person at the auction. Absentee bidders shall be required to make necessary arrangements with CA Ltd prior to the sale. 8MZ[WVIT JQLLQVO Bidders attending the auction in person shall be required to collect a number plate prior to the sale.

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+WUUQ[[QWV JQL[ +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ \W KIZZa W]\ +WUUQ[[QWV JQL[ received by them prior to the sale for the convenience of clients who are not present at the auction in person. Execution of Commission bids is a free service provided to help clients and CA Ltd does not accept liability for any failure to execute a Commission bid or for errors and omissions in connection with it. +WUUQ[[QWV JQL[ [PITT JM M`MK]\ML I\ \PM TW_M[\ XW[[QJTM XZQKM []JRMK\ to competing bids and reserves. Although CA Ltd will endeavour to inform Buyers, it is the Buyerâ&#x20AC;&#x2122;s responsibility to check if they have been successful in purchasing a Lot. 1V \PM M^MV\ WN U]T\QXTM KWUUQ[[QWV[ I\ \PM [IUM XZQKM \PM KWUUQ[[QWV set at the older date shall be taken into account.

<ZIV[NMZ WN ZQ[S[ Purchased Lots shall be at the Buyerâ&#x20AC;&#x2122;s risk in all respects from the fall of the hammer, and neither CA Ltd nor their agents shall be responsible for any loss or damage of any kind, whether caused by negligence or otherwise.

<MTMXPWVM JQL[ 1N I JQLLMZ Q[ VW\ IJTM \W I\\MVL QV XMZ[WV IV I]K\QWV +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ \W KWV\IK\ XZW[XMK\Q^M *]aMZ[ _PW UISM IZZIVOMUMV\[ prior to commencement of the sale to bid by telephone. +) 4\L KIVVW\ JM PMTL ZM[XWV[QJTM QV \PM M^MV\ WN Q[[]M[ Iâ&#x20AC;«Ùºâ&#x20AC;¬MK\QVO KWVVMK\Q^Q\a resulting in the loss of a chance of purchasing the Lot for the Bidder.

/ZW]VL[ NWZ KIVKMTTI\QWV ]VLMZ \PM XZM[MV\ [MK\QWV [PITT QVKT]LM J]\ VW\ be limited to any dispute relating to the attribution or provenance of the Lot, ownership and title, fraud or deceit, lack of relevant licences WZ KMZ\QÃ&#x2026;KI\M[ IVa []J[MY]MV\ KPIVOM[ QV LWUM[\QK WZ QV\MZVI\QWVIT legislations restricting the sale of export of goods etc. 1V \PM M^MV\ WN QV\MZVM\ WVTa I]K\QWV[ \PM *]aMZ [PITT PI^M I LIa right to retract, after reception of the Lot, under EU Consumer Law. Public auctions are not covered by this right to retract.

1V\MZVM\ JQL[ Some sales may be available to internet bidding, as well as personal I\\MVLIVKM 1V \PQ[ M^MV\ +) 4\L [PITT VW\ JM PMTL ZM[XWV[QJTM NWZ Q[[]M[ Iâ&#x20AC;«Ùºâ&#x20AC;¬MK\QVO KWVVMK\QWV *QLLQVO WV JMPITN WN [WUMWVM ) *]aMZ UIa JQL Ja XZW`a 1V \PQ[ M^MV\ XZWWN WN QLMV\Q\a WN JW\P \PM Buyer and the proxy must be communicated to CA Ltd prior to the sale. A copy of the mandate shall also be required. *QLLQVO WV IV Q\MU Bid incrementing is at the auctioneerâ&#x20AC;&#x2122;s entire discretion. >QLMW \ZIV[UQ[[QWV For the purpose of the sale, Lots may be displayed on video during the I]K\QWV 1V \PM M^MV\ WN \ZIV[UQ[[QWV Q[[]M[ +) 4\L [PITT VW\ JM PMTL responsible for any subsequent outcome. ! 7VTQVM WVTa I]K\QWV[ Some auctions may be available to bidders only through an online XTI\NWZU 1V \PQ[ M^MV\ *]aMZ[ PI^M I LIa XMZQWL I\ ZMKMX\QWV WN \PM Lot to withdraw from the sale, in accordance with EU Consumer Law. ,Q[X]\M ZM[WT]\QWV L]ZQVO \PM I]K\QWV Any dispute shall be settled at the auctioneerâ&#x20AC;&#x2122;s absolute discretion. Under no circumstances will a sale be cancelled after the fall of the hammer, except at the auctioneerâ&#x20AC;&#x2122;s entire discretion. 3. CONTRACT FORMATION AND EFFECTS 3.1 Contract of sale The contract of sale is between the Buyer and the Seller. The Buyer shall be the bidder at the highest price at the fall of the hammer. The sale is deemed complete once the auctioneer announces its completion by the fall of the hammer and the contract shall be binding thereafter between the Buyer and the Seller and CA Ltd. ?PMV I *]aMZ X]ZKPI[M[ U]T\QXTM 4W\[ MIKP 4W\ Q[ \PM []JRMK\ WN I separate contract of sale. <ZIV[NMZ WN XZWXMZ\a Property of the goods shall pass to the Buyer only once CA Ltd has received full payment for the goods, this includes the price at the fall of the hammer as well as Buyerâ&#x20AC;&#x2122;s premium, relevant taxes, and costs in relation to shipping.

+IVKMTTI\QWV WN \PM [ITM At the fall of the hammer, the contract is formed between the Buyer and CA Ltd and is binding thereafter. Under no circumstances can the Buyer cancel the sale. CA Ltd may at its entire discretion, during or after the auction, cancel \PM [ITM WN \PM 4W\ WZ ZMWâ&#x20AC;«Ùºâ&#x20AC;¬MZ IVL ZM[MTT \PM 4W\ QN Q\ JMKWUM[ I_IZM WN any error or dispute of any nature, whether or not title has passed to the Buyer, and up to a period of 6 months after the said sale.

3.5 Returns and refunds CA Ltd will only issue a refund using the same method of payment originally used by the Buyer to pay for the purchase, or by bank transfer. The Buyerâ&#x20AC;&#x2122;s refund will be processed without undue delay and in any M^MV\ _Q\PQV VW UWZM \PIV LIa[ WN \PM LIa \PM *]aMZ OI^M +) 4\L notice of cancellation. 1N \PM *]aMZ M`MZKQ[M[ \PMQZ ZQOP\ WN ZM\ZIK\QWV _PMV I]\PWZQ[ML \W LW [W by Law, CA Ltd shall proceed to issue a complete refund, comprising the hammer price of the Lot, buyerâ&#x20AC;&#x2122;s premium and shipping fees. However return fees shall remain at the expense of the Buyer. 4. AFTER THE SALE 8IaUMV\ All purchased lots must be paid for on the day of the auction. Commission bids must be paid for no later than the day after the auction. Payment must be in cash, debit, credit card or bank transfer. Cheques are not accepted. +I[P XIaUMV\[ [PITT VW\ JM ZMKMQ^IJTM NWZ IUW]V\[ W^MZ Ã&#x201A; ZMOIZLTM[[ of the payment being for one or multiple Lots. Payments made by someone other than the registered Buyer shall not be accepted. Title will not pass to the Buyer until CA Ltd has received all amounts due to them in cleared funds even if the Lot has been released to the Buyer. *]aMZÂ¼[ 8ZMUQ]U The Buyer will pay CA Ltd a premium of 25% on the hammer price XT][ >)< WV \PI\ KWUUQ[[QWV WV \PM Ã&#x2026;Z[\ Â&#x160; IVL XT][ >)< WV \PM JITIVKM \PMZMIN\MZ ) *]aMZÂ¼[ 8ZMUQ]U WN ! XT][ >)< Q[ charged on Wine & Spirits Lots. The VAT payable varies by symbol as below: No Symbol: The standard rate of VAT is charged on the premium under the Auctioneers Margin Scheme in accordance with Art. 333 WN -+ ;\IVLIZL =3 >)< _QTT JM KPIZOML WV \PM J]aMZ[Â¼ premium and invoiced on an inclusive basis. â&#x20AC; : Normal VAT rules apply and the standard rate of VAT will be charged on both hammer price and premium. *: These lots have been imported from outside the EU for sale and XTIKML ]VLMZ \PM <MUXWZIZa )LUQ[[QWV ZMOQUM 1UXWZ\ >)< Q[ XIaIJTM I\ WV \PM PIUUMZ XZQKM >)< I\ _QTT JM ILLML \W \PM J]aMZÂ¼[ premium but will not be shown separately on the invoice.

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1V WZLMZ \W ZMKMQ^M I ZMN]VL WN >)< IUW]V\[ 1UXWZ\ >)< I[ applicable) non-EU buyers must: (a) have registered to bid with an address outside of the EU; and J M`XWZ\ \PM TW\ NZWU \PM -= _Q\PQV LIa[ WN KWTTMK\QWV NWZ TW\[ IVL 3 months of collection for all other lots and immediately afterwards provide us with satisfactory proof of export. (c) Details of the documents which you must provide to us to show [I\Q[NIK\WZa XZWWN WN M`XWZ\ [PQXXQVO IZM I^IQTIJTM NZWU W]Z .QVIVKM \MIU ) XZWKM[[QVO NMM WN Â&#x160; XMZ QV^WQKM Q[ KPIZOML \W KPMKS [PQXXQVO M`XWZ\ LWK] UMV\[ L 6W >)< IUW]V\[ WZ 1UXWZ\ >)< _QTT JM ZMN]VLML _PMZM \PM \W\IT ZMN]VL IN\MZ LML]K\QVO \PM XZWKM[[QVO NMM Q[ ]VLMZ Â&#x160;

CA Ltd as collateral for any outstanding sums owed and to exercise all the rights and remedies of a person holding security over any such property, whether by way of pledge, security interest or in any other way to the extent permitted by Law. â&#x20AC;¢ To commence legal proceedings for the recovery of the total amount due together with interest, legal fees and costs. â&#x20AC;¢ To take such other action as is permissible by Law and in the discretion of CA Ltd. +WTTMK\QWV Purchased Lots can be collected from the auction room after the sale PI[ MVLML WZ JM\_MMV IU IVL XU ]X ]V\QT KTW[M WN J][QVM[[ WV the Friday following the sale. Special arrangements may be made for collection on Saturday at CA Ltdâ&#x20AC;&#x2122;s discretion.

4.3 Taxes The Buyer is responsible for paying VAT on any Lot, above hammer price and Buyerâ&#x20AC;&#x2122;s premium. The rate applicable shall be the legal rate at the date of the sale. /WWL[ []KP I[ JWWS[ IVL IV\QY]M JWWS[ U][QK UIX[ IVL KPIZ\[ M\K IZM []JRMK\ \W bMZW ZI\ML >)< 1V ILLQ\QWV IVa QUXWZ\ \I`M[ \PI\ UIa JM QVK]ZZML [PITT JM XIQL Ja \PM Buyer above hammer price, VAT and Buyerâ&#x20AC;&#x2122;s premium. The present paragraph applies in particular to imports within the United-States and Australia. The Buyer is advised to verify such matters prior to the sale.

4.7 Storage Purchased Lots not collected before 6pm on the day after the sale shall QVK]Z [\WZIOM KPIZOM[ WN Â&#x160; XMZ 4W\ XMZ LIa WZ XIZ\ \PMZMWN +) 4\L shall be entitled to retain purchased Lots sold until all sums due have been XIQL \W +) 4\L 1N IVa X]ZKPI[ML TW\ ZMUIQV[ ]VKWTTMK\ML LIa[ IN\MZ \PM [ITM [\WZIOM KPIZOM[ [PITT \PMZMIN\MZ JM Â&#x160; XMZ LIa IVL +) 4\L [PITT in accordance with the Law, have the right to sell the purchased Lot to recover payment of storage charges outstanding. Any balance proceeds of sale received after payment of all sums outstanding and due to CA Ltd shall be held for the account of the Buyer.

)Z\Q[\ :M[ITM :QOP\[ ,ZWQ\ LM ;]Q\M 4W\[ UIZSML _Q\P Â»)::Â¼ UIa JM []JRMK\ \W I TMâ Droit de Suite is a royalty payable to a qualifying artist or to the artistâ&#x20AC;&#x2122;s heir each time a work is resold during the artistâ&#x20AC;&#x2122;s lifetime and up to I XMZQWL WN aMIZ[ IN\MZ \PM IZ\Q[\Â¼[ LMI\P :WaIT\QM[ IZM KITK]TI\ML on a cumulative sliding percentage scale based on the hammer price excluding the buyerâ&#x20AC;&#x2122;s premium. The royalty does not apply to Lots [MTTQVO JMTW_ \PM [\MZTQVO MY]QÎTMV\ WN Ã&#x201A; IVL \PM UI`QU]U ZWaIT\a XIaIJTM WV IVa [QVOTM 4W\ Q[ \PM [\MZTQVO MY]QÎTMV\ WN Ã&#x201A; Royalties for Droit de Suite are as follows:

;PQXXQVO Any shipping costs that may arise subsequently to the sale shall be at the Buyerâ&#x20AC;&#x2122;s expense. Such costs may include but not limited to postage, import and export permits where required and any other licence necessary for goods to be shipped outside of the European Union. +) 4\L LWM[ VW\ Wâ&#x20AC;«Ùºâ&#x20AC;¬MZ QV[]ZIVKM NWZ [PQXXQVO 0W_M^MZ +) 4\L UIa arrange insurance upon the Buyerâ&#x20AC;&#x2122;s request and at the Buyerâ&#x20AC;&#x2122;s expense. CA Ltd cannot be held responsible for any damages that may be incurred to goods prior to the fall of the hammer.

Â&#x152; .ZWU \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; -`KMMLQVO Ã&#x201A; :MUMLQM[ NWZ VWV XIaUMV\ 1N \PM *]aMZ NIQT[ \W UISM N]TT XIaUMV\ QV KTMIZML N]VL[ _Q\PQV \PM \QUM required as aforementioned, CA Ltd shall be entitled to exercise any one or more of the following rights or remedies additional to such other rights or remedies available: â&#x20AC;¢ To cancel the sale â&#x20AC;¢ To charge interest at 4% per annum above the base rate of Lloyds Bank Plc. â&#x20AC;¢ To resell the Lot on such terms by auction or otherwise entirely at CA Ltdâ&#x20AC;&#x2122;s discretion. The Buyer will be liable for all costs including legal fees incurred in the sale and will remain liable for any shortfall arising upon sale. Â&#x152; <W Wâ&#x20AC;«[Ùºâ&#x20AC;¬M\ IOIQV[\ IVa []U[ _PQKP +) 4\L UIa W_M \PM *]aMZ \PM outstanding sums unpaid by the said Buyer Â&#x152; ?PMZM \PM *]aMZ W_M[ []U[ \W +) 4\L QV ZM[XMK\ WN LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ transactions, to discretionarily apply any sum paid by the Buyer for discharge of any owed sums. Â&#x152; <W ZMN][M MV\Za \W \PM *]aMZ I\ IVa N]\]ZM I]K\QWV IVL WZ ZMRMK\ IVa N]\]ZM JQL[ Ja \PM *]aMZ IVL WZ [MMS I LMXW[Q\ NZWU \PM *]aMZ entirely in the discretion of CA Ltd. â&#x20AC;¢ To exercise a lien over the Buyerâ&#x20AC;&#x2122;s property in the possession of

! 4W[[ WZ ,IUIOM CA Ltd does not accept liability for loss or damage occurring to Lots after \PM [ITM +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ _PMV PIVLTQVO XIKSQVO IVL shipping of Lots purchased, but shall not be responsible for any loss or damages that may occur whilst the said Lot is in any third partyâ&#x20AC;&#x2122;s care. +]T\]ZIT /WWL[ QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +]T\]ZIT OWWL[ UIa JM []JRMK\ \W QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ =VLMZ EU Regulations related to the trade of cultural goods, export licences may be required for export outside of the European Union if the itemâ&#x20AC;&#x2122;s ^IT]M M`KMML[ \PM -= \PZM[PWTL =VLMZ =3 4I_ I TQKMVKM UIa IT[W JM required for intra-EU trade. Licenses are issued by Arts Council England and it is the Buyerâ&#x20AC;&#x2122;s duty to WJ\IQV \PMU ;WUM KW]V\ZQM[ ZM[\ZQK\ \PM QUXWZ\ WN [XMKQÃ&#x2026;K K]T\]ZIT OWWL[ For example, the United States prohibits the import of pre-Columbian monumental or architectural sculpture or murals, as well as any cultural OWWL[ QV XZW^MVIVKM NZWU [WUM KW]V\ZQM[ []JRMK\ \W IZUML KWVÃ&#x2020;QK\[ The Buyer must verify local legislation prior to the sale in order to be assured that import or export is possible. +1<-; QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +MZ\IQV MVLIVOMZML [XMKQM[ IZM TQ[\ML QV \PM +1<-; +WV^MV\QWV 4Q[\ML [XMKQUMV[ IVL IVa XIZ\[ WZ XZWL]K\[ \PMZMWN IZM []JRMK\ \W Q[[]IVKM WN IV export permit when leaving the European Union. )XXMVLQ` 1 [XMKQM[ IZM IT[W []JRMK\ \W Q[[]IVKM WN I XZQWZ QUXWZ\ XMZUQ\ from the country in which the goods are to be imported. Such permits are necessary before applying for export permits and it is the Buyerâ&#x20AC;&#x2122;s duty to initiate the proceedings with the relevant authority. The Buyer must be aware that certain countries prohibit the import of

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some species or any parts or products derived thereof. For example, the United States prohibit all import of African elephant ivory, and any item containing parts that may merely resemble African elephant ivory must be accompanied by relevant documentation stating it is not the latter. ?WZSML Q\MU[ \PI\ IZM LI\ML JMNWZM ! IZM M`MUX\ NZWU QUXWZ\ restrictions for intra-EU trade and shall not require export licences. Please be aware that all Lots marked with the symbol Æ&#x20AC; IZM []JRMK\ \W +1<-; ZMO]TI\QWV[ 4QUQ\I\QWV WN TQIJQTQ\a ZMOIZLQVO +1<-; M`XWZ\ TQKMV[M[ Where licences are required for importing or exporting outside of the European Union, it is the Buyerâ&#x20AC;&#x2122;s duty to obtain them. CA Ltd cannot be held responsible if the Buyerâ&#x20AC;&#x2122;s application for an export permit is unsuccessful. Subsequently, in the event of failure thereof, CA Ltd shall not permit cancellation or rescission of the sale. ?IZZIV\QM[ CA Ltd does not provide the Buyer with warranties relating to any Lot, unless required by Law. )]\PMV\QKQ\a _IZZIV\a 1V \PM M^MV\ WN I 4W\ JMQVO [WTL I[ I]\PMV\QK ]VLMZ \PM KI\ITWO]M description and the Buyer provides evidence in the form of a written report by a recognised expert or test results that the said Lot is not, CA Ltd will refund the purchase price. <PM *]aMZ [PITT OQ^M VW\QKM \W +) 4\L _Q\PQV LIa[ NZWU SVW_TMLOM or any event giving reasons for suspecting that the item is not authentic, and within one year of the said sale. Any claim thereafter shall not be receivable. For the purposes of the present paragraph, authenticity shall JM LMÃ&#x2026;VML I[ \PM [\I\M WN I 4W\ \PI\ Q[ OMV]QVM IVL VW\ I NWZOMZa WZ I KWXa 5. ANTIQUITIES AND TRIBAL ART 1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ IVL ZMO]TI\QWV[ )ZKPIMWTWOQKIT OWWL[ W^MZ aMIZ[ WN IOM ]VTM[[ KW^MZML Ja M`MUX\QWV WN TQUQ\ML [KQMV\QÃ&#x2026;K QV\MZM[\ _QTT ZMY]QZM IV -= 4QKMVKM NWZ M`XWZ\ \W I third country, regardless of their value. 1\ Q[ ZMKWUUMVLML \PI\ \PM *]aMZ KWV\IK\ \PM -`XWZ\ 4QKMV[QVO =VQ\ at Arts Council England in order to be assured the good is or not of TQUQ\ML IZKPIMWTWOQKIT WZ [KQMV\QÃ&#x2026;K QV\MZM[\ )ZKPIMWTWOQKIT OWWL[ NW]VL WV =VQ\ML 3QVOLWU [WQT WZ QV =3 \MZZQ\WZQIT _I\MZ[ W^MZ aMIZ[ WN IOM [PITT ZMY]QZM I =3 4QKMVKM regardless of their value and regardless of the export destination. 7\PMZ IZKPIMWTWOQKIT WJRMK\[ ZMOIZLTM[[ WN \PMQZ WZQOQV _QTT ZMY]QZM IV 1VLQ^QL]IT 4QKMVKM WZ 7/-4 LMXMVLQVO WV \PMQZ ^IT]M *W\P -]ZWXMIV =VQWV IVL =3 4QKMVKM[ UIa JM ZMY]QZML [QU]T\IVMW][Ta NWZ [WUM Q\MU[ 1\ Q[ \PM *]aMZÂ¼[ L]\a \W ]VLMZ\ISM \PM VMKM[[IZa [\MX[ CA Ltd cannot be held responsible and the sale cannot be cancelled in the event of failure to obtain the relevant licences. 6. JEWELLERY /MU[\WVM \ZMI\UMV\ IVL M[\QUI\M[ Many gemstones on the market have been treated so as to augment their appearance, in a reversible or permanent manner. Treatments under the present section may be but not limited to: â&#x20AC;¢ Heat treatment to enhance sapphires and rubiesâ&#x20AC;&#x2122; clarity and colour Â&#x152; 7QT IVL ZM[QV \ZMI\UMV\[ NWZ MUMZITL[ IXXTQML QV LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ _Ia[ \W enhance clarity of the stone â&#x20AC;¢ Staining Â&#x152; 1ZZILQI\QWV â&#x20AC;¢ Coating Estimates provided by CA Ltd are deemed to be based on the fact that the

OMU[\WVM UIa PI^M JMMV []JRMK\ \W IVa \aXM WN \ZMI\UMV\ QV \PM XI[\ +) Ltd shall not be responsible in the absence of mention thereof. ) KMZ\QÃ&#x2026;KI\M UIa JM Q[[]ML Ja I TIJWZI\WZa XZW^QLQVO _Q\P LM\IQTML information on the condition of the gemstone and any treatment applied \PMZM\W <PM *]aMZ U][\ JM I_IZM \PI\ LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ TIJWZI\WZQM[ PI^M LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ approaches as to the degree or type of treatment for a particular gemstone. 1N I KMZ\QÃ&#x2026;KI\M IKKWUXIVQM[ \PM 4W\ \PM *]aMZ U][\ JM I_IZM \PI\ Q\ Q[ merely a statement of the laboratoryâ&#x20AC;&#x2122;s opinion and in no way can CA Ltd JM PMTL ZM[XWV[QJTM NWZ IVa UMV\QWV[ \PMZMQV ;]KP KMZ\QÃ&#x2026;KI\M[ IZM LMMUML to be delivered with the Lot for informative purposes only. -[\QUI\ML _MQOP\[ 1N I [\WVMÂ¼[ M`IK\ _MQOP\ IXXMIZ[ _Q\PQV \PM JWLa WN \PM LM[KZQX\QWV \PM [\WVM PI[ JMMV ]V UW]V\ML IVL _MQOPML Ja +) 4\L 1N \PM _MQOP\ WN a stone is stated to be approximate, the stone has been assessed by CA 4\L _Q\PQV Q\[ [M\\QVO IVL \PM LMÃ&#x2026;VML _MQOP\ Q[ I [\I\MUMV\ WN WXQVQWV only. This information is given as a guide and bidders should satisfy themselves with regard to this information as to its accuracy. ;QOVI\]ZM[ â&#x20AC;&#x2DC;) LQIUWVL ZQVO Ja @â&#x20AC;&#x2122;: When the makerâ&#x20AC;&#x2122;s name appears in the title, in Chiswick Auctionsâ&#x20AC;&#x2122; opinion the piece is by that maker. â&#x20AC;&#x2DC;) LQIUWVL ZQVO [QOVML @â&#x20AC;&#x2122;: Has a signature that, in Chiswick Auctionsâ&#x20AC;&#x2122; opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered. â&#x20AC;&#x2DC;) LQIUWVL ZQVO UW]V\ML Ja @â&#x20AC;&#x2122;: Has been created by the RM_MTTMZ QV +PQ[_QKS )]K\QWV[Â¼ WXQVQWV J]\ ][QVO [\WVM[ WZ LM[QOV[ supplied by the client. â&#x20AC;&#x2DC;5ISMZÂ¼[ UIZS NWZ @â&#x20AC;&#x2122;: Has a makerâ&#x20AC;&#x2122;s mark which in Chiswick Auctionsâ&#x20AC;&#x2122; opinion is authentic. Some items may include parts or products derived from endangered [XMKQM[ []KP I[ Q^WZa WZ KWZIT ;]KP Q\MU[ UIa JM []JRMK\ \W QUXWZ\ WZ M`XWZ\ ZM[\ZQK\QWV[ ;MM [MK\QWV WV +1<-; ZMO]TI\QWV[ NWZ UWZM LM\IQT[ 7. CLOCKS AND WATCHES All Lots are sold as seen. Clocks and watches are therefore not deemed to be sold in working condition. Absence of reference thereof in the description does not imply that the Lot is in good condition and _Q\PW]\ LMNMK\[ WZ PI[ JMMV []JRMK\ \W ZMXIQZ WZ ZM[\WZI\QWV CA Ltd makes no representation or warranty that any clock or watch Q[ QV _WZSQVO WZLMZ )[ KTWKS[ IVL _I\KPM[ WN\MV KWV\IQV Ã&#x2026;VM IVL complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Most clocks and watches are likely to have been repaired in the past, and as a result may include parts that are not original thereto. The United-States restrict the importation of watches such as Rolex, Frank Muller or Corum. Such models can only be imported personally by the Buyer and CA Ltd cannot assist with shipping thereof. Some watches may include leather straps derived from endangered species. Buyers may be required to obtain appropriate permits for QUXWZ\ WZ M`XWZ\ X]ZXW[M[ QV IKKWZLIVKM _Q\P +1<-; ZMO]TI\QWV[ CA Ltd acts in compliance with such legislations and shall take necessary steps where required. Subsequently, watches may be deemed sold without their straps. 8. FURNITURE =XPWT[\MZML N]ZVQ\]ZM IN\MZ ! According to The Furniture and Furnishings (Fire Safety) Regulations ! N]ZVQ\]ZM \PI\ _I[ ]XPWT[\MZML IN\MZ \PM [\ WN 2IV]IZa ! Q[ []JRMK\ \W ZM[\ZQK\QWV[ QV \PM =VQ\ML 3QVOLWU Exempt upholstered furniture that does not meet such requirements

Chiswick Asian Art Part 1 and 2.qxp_Layout 2 25/10/2018 16:19 Page 207

is deemed sold for purely aesthetic purposes.CA Ltd shall not be ZM[XWV[QJTM NWZ TI\MZ IT\MZI\QWV[ \W \PM N]ZVQ\]ZM UISQVO Q\ ]VÃ&#x2026;\ NWZ [ITM 9. GLOSSARY OF PICTURE CATALOGUING TERMS Any Statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. 1 JMW Turner: 1V W]Z WXQVQWV I _WZS Ja \PM IZ\Q[\ ?PMV \PM IZ\Q[\Â¼[ forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. )\\ZQJ]\ML \W 25? <]ZVMZ" 1V W]Z WXQVQWV XZWJIJTa I _WZS Ja \PM artist, but less certainly as to the authorship expressed than in the preceding category. ;\]LQW WN 25? <]ZVMZ" 1V W]Z WXQVQWV XZWJIJTa I _WZS Ja IV unknown hand in the studio of the artist, which may or may not have been executed under the artistâ&#x20AC;&#x2122;s direction. +QZKTM WN 25? <]ZVMZ" 1V W]Z WXQVQWV I _WZS Ja IV I[ aM\ ]VQLMV\QÃ&#x2026;ML but distinct hand, closely associated with the named artist and of the period, but not necessarily his pupil. ;\aTM WNÂ°# .WTTW_MZ WN 25? <]ZVMZ" 1V W]Z WXQVQWV I _WZS Ja I painter working in the artistâ&#x20AC;&#x2122;s style, but not necessarily his pupil. 6 Manner of JMW Turner: 1V W]Z WXQVQWV I _WZS QV \PM [\aTM WN \PM artist and of a later date. 7 After JMW Turner: 1V W]Z WXQVQWV I KWXa WN IVa LI\M WN I SVW_V work of the artist. 8 <PM \MZU Â»[QOVMLÂ¼ IVL WZ Â»LI\MLÂ¼ IVL WZ Â»QV[KZQJMLÂ¼ UMIV[ \PI\ QV W]Z WXQVQWV \PM [QOVI\]ZM IVL WZ LI\M IVL WZ QV[KZQX\QWV IZM NZWU \PM PIVL of the artist. 9 <PM \MZU Â»_Q\P [QOVI\]ZMÂ¼ IVL WZ Â»_Q\P LI\MÂ¼ IVL WZ Â»_Q\P QV[KZQX\QWVÂ¼ UMIV[ \PI\ QV W]Z WXQVQWV \PM [QOVI\]ZM IVL WZ LI\M IVL WZ QV[KZQX\QWV have been added by another hand than that of the artist. 10 Pictures are framed unless otherwise stated.

Printed books may be returned for a full refund only if they prove to be defective in text or illustration. This shall not apply to the absence of blanks, half titles or advertisements, to un-named books or to books sold under the heading of â&#x20AC;&#x2DC;bindingâ&#x20AC;&#x2122; or â&#x20AC;&#x2DC;bindingsâ&#x20AC;&#x2122;. 12. WINES AND SPIRITS 1V IKKWZLIVKM _Q\P IOZMML [\IVLIZL[ QV \PM \ZILM M[\QUI\M[ [PITT JM LMMUML \W PI^M \ISMV QV\W IKKW]V\ \PM Ã&#x2026;TT TM^MT For the purposes of the present Terms and Conditions, the â&#x20AC;&#x2DC;Fill Levelâ&#x20AC;&#x2122; refers to the space between the base of the cork and the liquid in the bottle. Fill levels may vary with age or depending on the condition of the wine or spirit. Lack of mention thereof in the description is not a representation of IV Â»IKKMX\IJTMÂ¼ Ã&#x2026;TT TM^MT NZWU +) 4\L CA Ltd offers no guarantee as to suitability for drinking of the wine or spirit. The Buyer must be aware of the risk that the taste of a wine or spirit may be altered due to factors such as age, storage conditions, oxidation, etc. 13. COPYRIGHT CA Ltd shall own the copyright on all images, illustrations and written material produced by or for CA Ltd relating to a Lot, including catalogue contents. Such copyright shall remain at all times the property of CA Ltd. Neither the Buyer nor anyone else shall use the abovementioned materials without the prior written consent of CA Ltd. ;WUM 4W\[ UIa JM []JRMK\ \W KWXaZQOP\ XZW\MK\QWV +) 4\L LWM[ VW\ guarantee said Lots are free thereof. 14. DATA PROTECTION The Buyer agrees that personal information transmitted to CA Ltd may be disclosed exclusively for the purposes of business, or as required by Law. CA Ltd shall not use personal information for any other purpose without the Buyerâ&#x20AC;&#x2122;s prior consent. CA Ltd never sell, lend or trade in personal data provided by any Bidder.

10. ASIAN ARTS

15. SEVERABILITY

1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ ?PMV LMITQVO _Q\P )[QIV )Z\[ IVL UWZM [XMKQÃ&#x2026;KITTa _Q\P Q\MU[ UILM WN exotic wood (e.g. all species of rosewood) or elephant ivory, the Buyer must JM I_IZM WN QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ QV IKKWZLIVKM _Q\P +1<-; Regulations. As aforementioned in the Section relating to such matters, QUXWZ\ IVL M`XWZ\ XMZUQ\[ WZ ZM M`XWZ\ KMZ\QÃ&#x2026;KI\M[ UIa JM ZMY]QZML >MZQÃ&#x2026;KI\QWV TM\\MZ[ _QTT JM ZMY]QZML NWZ ZM M`XWZ\ WN _WZSML ZPQVWKMZW[ Q\MU[

Whenever and to the extent that any provisions of these terms would or might contravene the provision of any relevant legislation, []KP XZW^Q[QWV Q[ \W \ISM Mâ&#x20AC;«Ùºâ&#x20AC;¬MK\ WVTa QV [W NIZ I[ Q\ UIa LW [W without contravening such legislation and the legality, validity and enforceability of any of the remaining provisions are not in any way \W JM Iâ&#x20AC;«Ùºâ&#x20AC;¬MK\ML WZ QUXIQZML I[ I ZM[]T\ 16. AMENDMENTS

.QVM +PQVM[M 8IQV\QVO[ +]ZZMV\ [KPWTIZ[PQX QV \PM Ã&#x2026;MTL WN +PQVM[M 8IQV\QVO[ IVL +ITTQOZIXPa LWM[ VW\ XMZUQ\ ]VY]ITQÃ&#x2026;ML [\I\MUMV\[ I[ \W \PM I]\PWZ[PQX WZ LI\M WN execution. The limited right of rescission contained in the present terms and conditions does not apply to Chinese paintings. 6W\_Q\P[\IVLQVO QN _Q\PQV LIa[ WN \PM [ITM WN IVa []KP 4W\ \PM original purchaser gives written notice to CA Ltd that the Lot is a forgery and within fourteen days after giving such notice, the original purchaser returns the lot to us in the same condition as at the time of sale and demonstrates to our satisfaction that the lot is a forgery, CA Ltd will rescind the sale and refund the purchase price received. For this purpose, I Â»NWZOMZaÂ¼ Q[ LMÃ&#x2026;VML I[ I _WZS KZMI\ML _Q\P \PM QV\MV\ \W LMKMQ^M 11. BOOKS AND MANUSCRIPTS *WWS[ IVL UIV][KZQX\[ [WTL I[ QVKWUXTM\M IZM VW\ []JRMK\ \W ZM\]ZV[

The current Terms and Conditions may be amended, verbally or in writing, prior to the sale. 17. LAW AND JURISDICTION The rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with the Law of England and Wales. .WZ \PM JMVMÃ&#x2026;\ WN +) 4\L ITT JQLLMZ[ IVL [MTTMZ[ IOZMM \PI\ \PM +W]Z\[ WN -VOTIVL IZM \W PI^M M`KT][Q^M R]ZQ[LQK\QWV \W [M\\TM ITT LQ[X]\M[ IZQ[QVO QV connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship warranty relate or apply. All parties agree that CA Ltd shall retain the right to bring proceedings in any court other than the Courts of England.

Chiswick Asian Art Part 1 and 2.qxp_Layout 2 25/10/2018 16:19 Page 208

SPECIALISTS

20th CENTURY DECORATIVE ARTS & DESIGN James Nurse, Head of Department james@chiswickauctions.co.uk

JEWELLERY Sarah Duncan, Head of Department sarah@chiswickauctions.co.uk

ANTIQUITIES & TRIBAL ART Alice King, Head of Department alice.king@chiswickauctions.co.uk

Charlotte Peel, Specialist charlotte.peel@chiswickauctions.co.uk

ASIAN ART Lazarus Halstead, Head of Department lazarus@chiswickauctions.co.uk

PHOTOGRAPHICA Austin Farahar, Specialist austin.farahar@chiswickauctions.co.uk PRINTED BOOKS & MANUSCRIPTS

Yasuko Kido, Japanese Art Specialist yasuko@chiswickauctions.co.uk

Clive Moss, Head of Department

CERAMICS & GLASS Dr. Jim Peake, Head of Department jim@chiswickauctions.co.uk

Andrew Kerr, Specialist

CONTEMPORARY & URBAN ART Harry Parkinson, Sales Coordinator harry@chiswickauctions.co.uk DESIGNER HANDBAGS & FASHION Meg Randell, Head of Department meg@chiswickauctions.co.uk Winnie McGee, Specialist winnie.mcgee@chiswickauctions.co.uk EUROPEAN WORKS OF ART & CLOCKS Rachael Osborn-Howard, Head of Department rachael@chiswickauctions.co.uk FINE ART Suzanne Zack, Head of Department suzanne@chiswickaucions.co.uk Rohan McCulloch, Specialist rohan@chiswickauctions.co.uk Krassi Kuneva, Head of Sales - Modern & Post-War British Art kkuneva@chiswickauctions.co.uk Melissa Van Vliet, Head of Sales - Old Masters melissa.vanvliet@chiswickauctions.co.uk ISLAMIC & INDIAN ART Beatrice Campi, Head of Sales beatrice.campi@chiswickaucions.co.uk

clive.moss@chiswickauctions.co.uk

andrew.kerr@chiswickauctions.co.uk

Dr. Carmen Donia, Specialist carmen.donia@chiswickauctions.co.uk

Nicholas Worskett, Specialist nicholas@chiswickauctions.co.uk

Valentina Borghi, Head of Sales - Autographs & Memorabilia valentina.borghi@chiswickauctions.co.uk RUGS & CARPETS Mark Henry LampÃ©, Head of Department mark.lampe@chiswickauctions.co.uk Chris Vin, Consultant chris@chiswickauctions.co.uk SILVER & OBJECTS OF VERTU John Rogers, Head of Department john.rogers@chiswickauctions.co.uk Amicie de Villenfagne, Specialist amicie@chiswickauctions.co.uk WATCHES Matthew Caddick, Head of Department matt@chiswickauctions.co.uk Tomas Aznar watches@chiswickauctions.co.uk WINE & SPIRITS Peter Mansell, Head of Department peter.mansell@chiswickauctions.co.uk

Chiswick Asian Art Part 1 and 2 Cover.qxp_Layout 1 23/10/2018 17:23 Page 2

SPECIALISTS

SALE CALENDAR

OCTOBER

WEDNESDAY

Old Masters

Lazarus Halstead

Yasuko Kido

Head of Department Asian Art lazarus@chiswickauctions.co.uk

Japanese Art Specialist Asian Art yasuko@chiswickauctions.co.uk

NOVEMBER

MONDAY

Fine Chinese Paintings Kangxi: Porcelain and Decorative Arts

TUESDAY

Asian Art

TUESDAY

Jewellery Veronica Li

Tricia Cui

Senior Department Coordinator Asian Art veronica@chiswickauctions.co.uk

Department Coordinator Asian Art tricia.cui@chiswickauctions.co.uk

Watches Interiors & Design

WEDNESDAY

Designer Handbags & Fashion

WEDNESDAY

LIVE BIDDING

the-saleroom.com Please note there is a 3% +VAT surcharge for using this service.

IMPORTANT INFORMATION

CITES

Please be aware that all lots marked with the symbol ƀ are subject to CITES regulations. Please see our Terms & Conditions for more information. ARTIST’S RESALE RIGHT/DROIT DE SUITE

Lots marked with ARR indicates that an additional levy may apply for this lot. Please see our Terms & Conditions for more information.

Photographica

DECEMBER

TUESDAY

Fine Rugs & Carpets Wine & Spirits

WEDNESDAY

Fine European Works of Art & Clocks Designer Handbags & Fashion

Lot 232

Chiswick Asian Art Part 1 and 2 Cover.qxp_Layout 1 23/10/2018 17:23 Page 1

Asian Art

12th & 13th November 2018

1 Colville Road, London W3 8BL +44 (0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk

Asian Art London 12th - 13th November 2018