Chiswick-Auctions-Modern-British-Post-War-Art-April-2019

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Modern & Post-War British Art 16 April 2019

1 Colville Road, London W3 8BL +44 (0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk

Modern & Post-War British Art London 16th April 2019

SPECIALISTS

Krassi Kuneva

Adrian Biddell

Melissa van Vliet

Head of Sale Modern & Post-War British Art kkuneva@chiswickauctions.co.uk

Head of Department Paintings & Fine Art adrian.biddell@chiswickauctions.co.uk

Head of Sale Old Master Paintings melissa.vanvliet@chiswickauctions.co.uk

Suzanne Zack

Julian Laurence Samuels

Luke Price

Head of Sale British & European Fine Art suzanne.zack@chiswickauctions.co.uk

Department Coordinator Paintings & Fine Art julian.samuels@chiswickauctions.co.uk

Specialist Paintings & Fine Art luke.price@chiswickauctions.co.uk

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ARTIST’S RESALE RIGHT/DROIT DE SUITE

Lots marked with ARR indicates that an additional levy may apply for this lot. Please see our Terms & Conditions for more information.

Modern & Post-War British Art

Tuesday 16th April 2019, 13.00

VIEWING AT SOUTH KENSINGTON selected highlights only 127 Fulham Road, London SW3 6RT Thursday 28th March - Wednesday 10th April 11.00 - 17.30

VIEWING AT CHISWICK full sale 1 Colville Road, London W3 8BL Saturday Sunday Monday Tuesday

13th April 14th April 15th April 16th April

11.00 - 17.00 11.00 - 17.00 10.00 - 18.00 10.00 - 12.00

PHOTOGRAPHERS GENERAL ENQUIRIES +44(0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk 1 Colville Road, London W3 8BL 127 Fulham Road, London SW3 6RT 93 George Street, Edinburgh EH2 3ES

Steven McCauley Jordan Salzmann Darrell Russell

Basak Ulukose

Front cover: Lot 102 Back cover: Lot 260 Index: Lot 111 Sales Calendar: Lot 214

101 ARR VICTOR PASMORE, R.A. (1908-1998) Vertical Development signed with initials and dated ‘VP 79’ (lower right), numbered ‘19/60’ (lower left) etching and screenprint Image: 251⁄4 x 12 in. (64.1 x 30 cm.) Sold together with a certificate of authenticity issued by Christie’s Contemporary. £700-£1,000

102 ARR WILLIAM SCOTT, R.A. (1913-1989) Still life with Lemon signed ‘W Scott’ (lower right), dated and numbered ‘8/100 1988’ (lower left) lithograph Sheet: 231⁄4 x 301⁄2 in. (59 x 77.5 cm.) Printed at the Curwen Studio and published by the William Scott Foundation. Provenance: with The New Academy Gallery, London. English Private Collection. Literature: B. Balfour-Oatts, William Scott: A Survey of his Original Prints, London, 2005, p. 48, no. 61, illustrated. £2,000-£4,000 2

*See inside front cover for information regarding fees

103 ARR JOHN WELLS (1907-2000) Blue and ochre ovals stamped twice with the studio stamp (on the reverse) oil on the artist’s prepared board 8¼ x 9¼ in. (21 x 23.5 cm.) Painted circa 1948. Provenance: with Jonathan Clark Fine Art, London, where purchased by the present owner. £2,000-£4,000

104 ARR TREVOR FLYNN (B. 1955) Sculpture studies pencil and watercolour on two sheets, framed together 14 x 141⁄4 in. (35.7 x 36.1 cm.) each Provenance: Arthur Anddersen & Co. Art Collection. The Deloitte Collection. Their sale, Lyon & Turnbull, 10 January 2008, lot 311, where purchased by the present owner. £80-£120

105 ARR ROY TURNER DURRANT (1925-1998) Abstract composition signed and dated ‘Durrant 10.VII.63’ (lower left) gouache, unframed 131⁄2 x 161⁄4 in. (34.3 x 41.2 cm.) £400-£600 3

106 ARR ANTHONY BENJAMIN (1931-2002) Untitled signed and dated ‘Benjamin 59’ (upper right), signed again and dated again ‘9th June 59/Anthony Benjamin’ (on the reverse) oil on canvas 13 x 16 in. (33 x 40.6 cm.) Provenance: Anonymous sale; Christie’s, South Kensington, 17 March 2016, lot 154, where purchased by the present owner. £1,000-£1,500

107 ARR HUGHIE O’DONOGHUE R.A. (B. 1953) Benedict signed and dated ‘O’Donoghue 1998’ (lower right), inscribed and numbered ‘Benedict 7/35’ (lower left) carborundum Sheet: 201⁄2 x 231⁄4 in. (52.1 x 59.1 cm.) This work is from the ‘On the Rapids’ set of prints. Provenance: with Purdy Hicks Gallery, London. English Private Collection. £600-£800

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108 ARR FRED CUMING, R.A. (B. 1930) Autumn garden signed and dated ‘Cuming/91’ (lower left) oil on canvas 191⁄2 x 231⁄2 in. (49.5 x 59.7 cm.) Provenance: with New Grafton Gallery, London. English Private Collection. £1,500-£2,500

109 ARR HARRY LORD (1915-1966) Pulsation oil on board 12 x 16 in. (30.5 x 40.7 cm.) Painted circa 1959. Provenance: Marie Walker Last. £200-£400 110 No lot

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111 ARR GRACE PAILTHORPE (1883-1971) Surrealist landscape signed ‘Grace Pailthorpe’ (lower right) watercolour and gouache, unframed 103⁄4 x 15 in. (27.4 x 38.2 cm.) Executed circa 1965. £300-£500

112 ARR JOHN BELLANY, R.A. (1942-2013) Suilven signed and inscribed ‘Suilven/Bellany’ (lower right) pencil and watercolour 22 x 291⁄4 in. (55.8 x 74.3 cm.) £1,000-£2,000

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113 ARR DESMOND MORRIS (B. 1928) The Rainmaker signed with monogram and dated ‘DM 88’ (lower left), inscribed ‘The Rainmaker’ (on the reverse) ink, gouache and metallic paint, unframed 12 x 81⁄4 in. (30.5 x 21 cm.) Provenance: Private collection, UK. We are grateful to Dr Silvano Levy for his assistance in cataloguing this lot. £800-£1,200

114 ARR RAYMOND COXON (1896-1997) Landscape in the Lake District colour lithograph Image: 181⁄4 x 24 in. (46.5 x 61 cm.) Literature: R. Artmonsky, Art For Everyone Contemporary Lithographs, Suffolk, 2010, pp. 72-73, illustrated. £150-£250

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115 ARR RONALD SEARLE (1920-2011) Bye-Bye signed ‘Ronald Searle’ (on the side), inscribed ‘Bye/Bye’ (on the bottom) bronze 31⁄2 x 21⁄2 x 1⁄2 in. (8.8 x 6.3 x 2 cm.) £150-£250

116 ARR DESMOND MORRIS (B. 1928) The Duel signed with monogram and dated ‘DM 12’ (lower right), signed with monogram, inscribed and dated again ‘8th Sept 12 DM/The Duel’ (on the reverse) pencil, ink and gouache, unframed 12 x 161⁄2 in. (30 x 41.5 cm.) Provenance: Private collection, UK. We are grateful to Dr Silvano Levy for his assistance in cataloguing this lot. £800-£1,200

117 ARR JOHN PIPER, C.H. (1903-1992) Blue faced man with woven signature and numbered ‘John Piper 10/10’ (on the reverse) wool tapestry 56 x 75 in. (142.5 x 188.5 cm.) £3,000-£5,000 8

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118 ARR SIR EDUARDO PAOLOZZI, R.A. (1924-2005) Newton after Blake signed, inscribed and dated ‘Tate Gallery/Newton after Blake/1994/Eduardo Paolozzi/For Sue’ (on the reverse) plaster 61⁄4 x 81⁄2 in. (15.9 x 21.6 cm.) Provenance: Sue Lloyd and by descent. £800-£1,200

119 ARR PAUL CANNELL (1963-2005) Untitled signed and dated ‘Cannell 90’ (on the reverse) oil on canvas 201⁄2 x 223⁄4 in. (52 x 57 cm.) Paul Cannell lived and worked in Cornwall. His most famous works include the covers of 'Screamadelica', 'Higher Than The Sun' 'Don't Fight It Feel It' by Primal Scream, the sleeve for Flowered Up's 'Phobia' and the Heavenly record label's bird logo. £300-£600

120 ARR JOHN PIPER, C.H. (1903-1992) Inglesham, Wiltshire: A rustic medieval interior with Curwen Studio blind stamp (lower left), and ink stamp (on the reverse) lithograph in colours, unframed Image: 193⁄4 x 28 in. (50.3 x 71 cm.) Published in 1964, this work is Plate XI from ‘A Retrospect of Churches’. Literature: O. Levinson, The Complete Graphic Works: a catalogue raisonné 1923- 1983, London, 1987, no.132. £250-£350 9

PROPERTY FROM THE COLLECTION OF CHRISTOPHER FRY Playwright, Educator, Poet, Actor 1907-2005 (Lots 121-130, 171)

Christopher Fry (18 December 1907 – 30 June 2005) was one of the most celebrated English poets and playwrights of the 20th century and the leading figure, together with T.S. Eliot, in the revival of poetic drama. In 1948 he emerged with his lively verse play, “The Lady’s Not for Burning” and was able to consolidate his position in the 1950’s and 1960’s with a series of plays in free verse, including Venus Observed, Ring Around the Moon and The Boy With the Cart. He worked with all the biggest names of the British stage, from John Gielgud to Laurence Olivier and occasionally lent his talents to Hollywood, helping with the script of Ben Hur and other movies. In the 1970’s and 1980’s he worked on several translations and wrote TV series and a short play about the early religious poet Caedmon for performance in Chelmsford Cathedral. He was a passionate collector of fine art and amassed a large collection with a focus on British 18th, 19th & 20th century artists. Christopher Fry had a tremendous respect and love for David Tindle. They communicated frequently and visited each other. The Fry house was filled with works by Tindle and the artist was regarded as part of the family. Lots 121-126 are a great selection from the collection and most of them have never been shown to the public before.

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PROPERTY FROM THE COLLECTION OF CHRISTOPHER FRY

121 ARR DAVID TINDLE R.A. (B. 1932) Self-portrait signed and dated ‘’David Tindle/1956’ (lower right) oil on canvas 18 x 14 in. (46 x 36 cm.) Provenance: Christopher Fry and by descent. Exhibited: London, The Tate Gallery, 30 Jan - 16 April 1989, no. 5, , according to a label on the reverse, catalogue untraced. £2,000-£4,000 11

PROPERTY FROM THE COLLECTION OF CHRISTOPHER FRY

122 ARR DAVID TINDLE, R.A. (B. 1932) Portrait of Phyl signed, inscribed ‘DAVID TINDLE/PORTRAIT OF PHYL’ (on the reverse) egg tempera on board 141⁄4 x 121⁄4 in. (36.2 x 31 cm.) Phyl Fry served as a model to Tindle on numerous occasions. Provenance: Christopher Fry and by descent. £600-£800

123 ARR DAVID TINDLE R.A. (B. 1932) Portrait of John Irwin signed ‘DAVID TINDLE’ (lower right), signed again, inscribed and dated ‘DAVID TINDLE 1955/PORTRAIT OF/JOHN IRWIN’ (on the reverse) oil on canvas laid on board, unframed 12 x 9 in. (30.5 x 23 cm.) Provenance: Christopher Fry and by descent. £300-£500 12

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PROPERTY FROM THE COLLECTION OF CHRISTOPHER FRY

124 ARR DAVID TINDLE, R.A. (B. 1932) Clare Bridge signed and dated ‘David Tindle 1954’ (lower right) ink and watercolour 101⁄2 x 141⁄4 in. (27 x 36.5 cm.) Provenance: with the Piccadilly Gallery, London. Christopher Fry and by descent. £600-£800

125 ARR DAVID TINDLE, R.A. (B. 1932) Mountain landscape signed and dated ‘David Tindle 1955./ May’ (lower right) watercolour 83⁄4 x 111⁄2 in. (22 x 29.2 cm.) Provenance: Christopher Fry and by descent. £400-£600

126 ARR DAVID TINDLE, R.A. (B. 1932) Landscape, East Anglia signed with initials ‘DT’ (lower right), signed again and inscribed ‘David Tindle Landscape East Anglia’ (on the stretcher) oil on canvas, unframed 45 x 361⁄2 in. (114.5 x 93.4 cm.) Provenance: Christopher Fry and by descent. £400-£600 13

PROPERTY FROM THE COLLECTION OF CHRISTOPHER FRY

127 WALTER RICHARD SICKERT, A.R.A. (1860-1942) Portrait of a young woman signed ‘Sickert.’ (lower left) pencil and ink on buff paper 8 x 41⁄4 in. (20 x 10.5 cm.)

128 WALTER RICHARD SICKERT, A.R.A. (1860-1942) Theatre balcony pencil and wash 141⁄4 x 103⁄4 in. (36.4 x 27.4 cm.) Executed in 1912, according to an inscription on the reverse.

Provenance: Christopher Fry and by descent.

Provenance: Christopher Fry and by descent.

£2,000-£4,000

£1,200-£1,800

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PROPERTY FROM THE COLLECTION OF CHRISTOPHER FRY

‘Life is hypocrite if I can’t life the way it moves me!’ Christopher Fry, A Sleep of Prisoners

129 ARR RONALD SEARLE (1920-2011) Sleep of prisoners signed ‘Ronald Searle’ (on an added piece of paper, lower left), pen and brown ink 111⁄2 x 91⁄4 in. (29 x 23.5 cm.) A sketch for the cover of A Sleep of Prisoners, at Winter Garden Theatre, January 1952. Provenance: Christopher Fry and by descent. £1,500-£2,500

130 SIR WILLIAM ORPEN, R.A. (1878-1931) Albert Rutherston with his model signed with initials and dated ‘WO. 99’ (lower right) red charcoal 12 x 153⁄4 in. (30.5 x 40 cm.) Provenance: Christopher Fry and by descent. £1,000-£2,000 15

131 ERIC GILL, A.R.A. (1882-1940) Female nude signed ‘Eric G.’ (lower centre), dated ‘17.5.32’ (lower right) pencil 18 x 111⁄4 in. (45.7 x 28.5 cm.) £1,000-£1,500

132 ARR SIR STANLEY SPENCER, R.A. (1891-1959) Cookham girl signed and inscribed ‘Stanley Spencer/Portrait study’ (on a label attached to the reverse) pencil on buff paper 17 x 12 in. (43 x 30.5 cm.) Provenance: with Ernest Brown & Phillips, Ltd, The Leicester Galleries, London. £600-£800 16

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133 ARR AUGUSTUS JOHN, O.M., R.A. (1878-1961) Esther signed ‘August.John’ (lower right in the margins), with inscription ‘Plate No.26/Esther’ Imp No. 16/25 etching Image: 7 x 51⁄2 in. (17.8 x 14 cm.) £100-£200

134 SIR WILLIAM ORPEN, R.A. (1878-1931) Bearded man in an antique costume signed ‘ORPEN’ (lower right) charcoal on buff paper 14 x 11 in. (35.5 x 28 cm.) Provenance: The Vincent Price Collection. £1,000-£1,500 17

135 ARR LAURENCE STEPHEN LOWRY, R.A. (1887-1976) Northern Townscape signed and dated ‘L S Lowry 1935’ (lower right) pencil 11 x 13 in. (27.9 x 33 cm.) Provenance: with William Weston Gallery, London. £40,000-£60,000

‘Few British painters have provided in their drawings so complete and revealing a conspectus of their aesthetic, intellectual, and intuitive objects, as L. S. Lowry. His drawings for the most part are intended to be complete in themselves… Lowry learned how to extract from the medium of pencil a rich, wide range of qualities. Even an approximation of ‘colour’…In his industrial drawings, the artist gradually refined a composite townscape which was to be no place in particular, and yet all places of its kind. At the same time he was evolving a race of people; no particular people, and yet all people, of their kind’. (See M. Levy, Drawings of L. S. Lowry, London, 1963, pp.7, 14.)

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136 ARR LAURENCE STEPHEN LOWRY, R.A. (1887-1976) The monument signed and dated ‘L S Lowry 1967’ (lower left) pencil 10 x 13 in. (25.4 x 33 cm.) This lot is sold together with a letter of authentication issued by The Lowry. £10,000-£15,000

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137 ARR SIR FRANK BRANGWYN, R.A. (1867-1956) Study of a labourer initialled ‘F.B.’ (lower left) charcoal 14 x 20 in. (35.5 x 51 cm.) £800-£1,200

138 ARR SIR DAVID MUIRHEAD BONE (1876-1953) Figure study charcoal and chalk 303⁄4 x 221⁄2 in. (78.5 x 56.8 cm.) Study for ‘Winter Mine-Laying off Iceland’ in the collection of the Imperial War Museum, London. £500-£700 21

139 ARR PAUL NASH (1889-1946) Spring wood signed and dated ‘Paul Nash/1923’ (lower left) pencil and watercolour 193⁄4 x 14 in. (50.2 x 35.5 cm.) Provenance: Anonymous sale; Sotheby’s, Billinghurst, 3 March 1983, lot 945. Anonymous sale; Christie’s, London, 15 August 1983, lot 46. Anonymous sale; Christie’s, South Kensington, 7 October 2008, lot 56, where purchased by the present owner. £2,500-£3,500

140 ARR GEORGE CAMPBELL (1917-1979) Landscape signed and dated ‘G CAMPBELL 46’ (lower right) watercolour 6 x 81⁄4 in. (15 x 20.6 cm.) £300-£500

141 AMBROSE MCEVOY, A.R.A. (1878-1927) Dieppe by the Quai ink and watercolour, squared for transfer 101⁄4 x 173⁄8 in. ( 26 x 43.8 cm.) Provenance: Mrs A.G. Bazell. Anonymous sale; Christie’s, London, 27 April 1995, lot 115. £250-£450 22

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142 ARR LAURENCE STEPHEN LOWRY, R.A. (1887-1976) View of a town signed ‘L.S.Lowry’ (lower right) offset lithograph, unframed Image: 17 x 211⁄4 in. (43.2 x 53.9 cm.) Printed in India by Botton Fine Art Litho Works Bombay 7. £600-£800

143 ARR LAURENCE STEPHEN LOWRY R.A. (1887-1976) His Family signed and dated ‘L.S. Lowry 1955’ (lower right) offset lithograph Limited edition of 575 Stamped by the Fine art Trade Guild 211⁄2 x 281⁄2 in. (54.5 x 72.5 cm.) £1,000-£2,000

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144 ARR JOHN NASH, R.A. (1893-1977) Lady with umbrella with studio stamp (on the reverse) 91⁄4 x 6 in. (23.5 x 15.3 cm.) Provenance: Gilbert Spencer estate. £300-£500

145 ARR DAME LAURA KNIGHT, R.A., R.W.S. (1877-1970) Trapeze artist signed ‘Laura Knight’ (lower right) charcoal on buff paper 14 x 10 in. (36 x 25.5 cm.) £500-£700 24

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146 ARR WILLIAM HEATH ROBINSON (1861-1945) Cowardly Manoeuvre by the First Lord to Kidnap Lord Haw Haw signed ‘W/HEATH/ROBINSON’ (lower left), inscribed as title (lower left, outside the margins) ink and wash 153⁄4 x 121⁄4 in. (40.3 x 31.1 cm.) Provenance: Anonymous sale; Bonhams, London, 17 September 2013, lot 81, where purchased by the present owner. £2,500-£3,500

147 ARR BARBARA JONES (1912-1978) Teas supplied signed ‘Barbara Jones’ (on the reverse) ink 6 x 81⁄4 in. (15.2 x 21 cm.) £100-£200 25

148 ARR IVON HITCHENS (1893-1979) Still life lithograph in colours, unframed Image: 24 x 181⁄2 in. (61 x 47 cm.) Literature: R. Artmonsky, Art For Everyone Contemporary Lithographs , Suffolk, 2010, pp. 76-77, illustrated. £400-£600

149 ARR ADRIAN RYAN (1920-1998) Still life with apples, pears, lemons and plumbs signed with studio stamp (on the reverse) oil on canvas 12 x 153⁄4 in. (30 x 39.7 cm.) This work was painted in Wood Farm, Fressingfield Provenance: Acquired directly from the artist by the present owner. £400-£600

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150 ARR MARY FEDDEN, R.A. (1915-2012) Portrait of Julian Trevelyan signed and dated ‘Fedden 1955’ (lower left) oil on canvas 58 x 231⁄2 in. (147 x 60 cm.) Provenance: ‘Painter’s Paradise Julien Trevelyan & Mary Fedden at Durham Wharf, Sotheby’s, London, 23 November 2016, lot 515, where purchased by the present owner. £12,000-£18,000 27

PROPERTY FROM THE ESTATE OF BERNARD MYERS (151-157)

151 BERNARD MYERS (19252007) Life study oil on canvas 20 x 16 in. (50.7 x 40.7 cm.) Painted circa 1947-52. This work is number 264 from the Bernard Myers Archive. £200-£400

152 BERNARD MYERS (19252007) Windsor from the studio window oil on board, unframed 21 x 293⁄4 in. (53.4 x 75.6 cm.) Painted circa 1950. This work is number 252 from the Bernard Myers Archive. £400-£600

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PROPERTY FROM THE ESTATE OF BERNARD MYERS (151-157)

153 BERNARD MYERS (1925-2007) Sea shore oil on board, unframed 153⁄4 x 25 in. (40 x 63.5 cm.) Painted circa 1950. This work is number 256 from the Bernard Myers Archive. £300-£500

154 BERNARD MYERS (1925-2007) Seascape signed ‘Myers’ (on the reverse) oil on board 11 x 16 in. (27.9 x 40.8 cm.) Painted circa 1947-52. This work is number 249 from the Bernard Myers Archive. £200-£400

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PROPERTY FROM THE ESTATE OF BERNARD MYERS (151-157)

155 BERNARD MYERS (1925-2007) Three nudes each signed ‘B Myers’ (on the reverse) oil on artist paper, unframed 111⁄2 x 9 in. (29.3 x 22.8 cm.); and similar

156 BERNARD MYERS (1925-2007) Three nudes each signed ‘B Myers’ (on the reverse) oil on artist paper, unframed 111⁄2 x 9 in. (29.3 x 22.8 cm.); and similar

157 BERNARD MYERS (1925-2007) Three nudes each signed ‘B Myers’ (on the reverse) oil on artist paper, unframed 111⁄2 x 9 in. (29.3 x 22.8 cm.); and similar

(3)

(3)

(3)

£120-£180

£120-£180

£120-£180

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158 ARR CLIFFORD HALL (1904-1973) Nude signed ‘Clifford Hall’ (on the canvas overlap) oil on canvas, unframed 10 x 14 in. (25.4 x 35.6 cm.) £150-£250

159 ARR RUSKIN SPEAR, R.A. (1911-1990) The artists studio signed ‘Ruskin Spear’ (lower left) oil on board 28 x 25 in. (71 x 63.5 cm.) Provenance: English Private Collection. £2,000-£4,000

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PROPERTY FROM THE ESTATE OF GILBERT SPENCER, LOTS 144, 160-169

160 ARR GILBERT SPENCER, R.A. (1892-1979) Ursula Spencer, the artist’s wife oil on canvas 26 x 20 in. (66 x 51 cm.) Provenance: The artist’s estate. £2,000-£4,000

161 ARR GILBERT SPENCER, R.A. (1892-1979) The Rose Lover of Mortlake signed with initials ‘GS’ (lower right), inscribed ‘THE ROSE LOVER OF MORTLAKE’ (on the stretcher) oil on canvas, unframed 18 x 141⁄4 in. (46 x 36 cm.) Provenance: The artist’s estate. £500-£700

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PROPERTY FROM THE ESTATE OF GILBERT SPENCER, LOTS 144, 160-169

162 ARR GILBERT SPENCER, R.A. (1892-1979) Homage to Bonnard signed with initials and inscribed ‘GS from SP 1966 More Homage to Bonnard!’ (on the stretcher) oil on canvas 12 x 10 in. (31 25.4 cm.) Provenance: with the Rowley Gallery, London. the artist’s estate. £700-£1,000

163 ARR GILBERT SPENCER, R.A. (1892-1979) Landscape sketch oil on canvas, unframed 14 x 22 in. (35 x 56 cm). Sold together with a small unfinished sketch of a lady, unframed, 10 x 14 in. Provenance: The artist’s estate. (2) £400-£600 33

PROPERTY FROM THE ESTATE OF GILBERT SPENCER, LOTS 144, 160-169

164 ARR GILBERT SPENCER, R.A. (1892-1979) C D Hamilton;’ and P Bray (i) signed, inscribed and dated ‘C D Hamilton/To Demilton, 1951/Gilbert Spencer/1951’ (lower right) (ii) signed, inscribed and dated ‘P Bray/Rugger XV 1957-58/Football XI 1957/Swimming Cup 1957/To Repton/Gilbert Spencer 1957’ (lower right) pencil (i) 101⁄2 x 7 in. (26.6 x 17.8 cm.) (ii) 121⁄4 x 93⁄4 in. (31 x 25 cm.) Provenance: The artist’s estate. (2) £200-£400

165 ARR GILBERT SPENCER, R.A. (1892-1979) Two head studies signed with initials and indistinctly inscribed (on a separate sheet) pencil (i) 83⁄4 x 61⁄4 in. (22.4 x 15.9 cm.) (ii) 73⁄4 x 8 in. (19.8 x 20.4 cm.) Provenance: The artist’s estate. £150-£200

166 ARR GILBERT SPENCER, R.A. (1892-1979) Portrait of an elderly gentleman signed and dated ‘Gilbert Spencer/1942’ (lower left) pencil 101⁄2 x 81⁄2 in. (26.7 x 21.6 cm.) Provenance: The artist’s estate. £80-£120 34

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PROPERTY FROM THE ESTATE OF GILBERT SPENCER, LOTS 144, 160-169

167 ARR GILBERT SPENCER, R.A. (1892-1979) D Hancock; R.S.W. Book (i) inscribed ‘D. Hancock/Prefect/Rugger/XV/195152./To Dundee’ (lower right) (ii) signed and inscribed ‘Gilbert Spencer/R.S.W. Brook/ Dundee Scholar’ (lower right) pencil (i)11 x 9 in. (28 x 18.5 cm.) (ii) 12 x 81⁄2 in. (30 x 21 cm.) Provenance: The artist’s estate. (2) £200-£300

168 ARR GILBERT SPENCER, R.A. (1892-1979) Ursula bathing Gillian; and Sleeping baby (i) signed and inscribed ‘Ursula bathing Gillian/Gilbert Spencer’ (on the reverse) (ii) signed and dated ‘Gilbert Spencer/1938’ (lower right) (i) pencil; (ii) pencil, unframed (i) 14 x 101⁄2 in. (35.5 x 26.7 cm.) (ii) 111⁄4 x 8 in. (28.5 x 20.3 cm.) Provenance: The artist’s estate. £120-£180

169 ARR GILBERT SPENCER, R.A. (1892-1979) Portrait of a young boy;J Stons-Fox (i) signed, inscribed and dated ‘Gilbert Spencer/Rugger XV/1953/To Trent’ (lower right) (ii) signed and inscribed ‘J StonsFox/Repton/Scholarship/Gilbert Spencer’ (lower right) pencil (i) 133⁄4 x 95⁄8 in. (34.8 x 24.5 cm.) (ii) 133⁄4 x 91⁄2 in. (34 x 24 cm.) Provenance: The artist’s estate. (2) £200-£300 35

170 ARR KEITH BAYNES (1887-1977) Vigo signed and dated ‘K.Baynes 1945’ (lower left), signed again, inscribed and dated ‘Vigo 1936’ (on the reverse) oil on canvas 301⁄4 x 20 in. (76.7 x 50.8 cm.) Provenance: Anonymous sale; Christie’s, South Kensington, 28 September 1989, lot 250, where purchased by the present owner. £400-£600

171 ARR BERNARD DUNSTAN, R.A. (19202017) Cricket Match, Richmond signed with initials and inscribed ‘BD. Richmond’ (lower right), indistinctly inscribed ‘..Richmond’ (on the reverse) oil on board 61⁄2 x 91⁄2 in. (16.5 x 24 cm.) Provenance: Christopher Fry and by descent. £700-£1,000

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172 ARR WILLIAM RATCLIFFE (1870-1955) The breakfast table signed ‘W. Ratcliffe.’ (lower right) oil on canvas 311⁄2 x 251⁄4 in. (80 x 64 cm.) Provenance: with Ernest, Brown, Phillips, Leicester Galleries, London. £8,000-£12,000

Ratcliffe spent almost 20 years designing wallpaper before turning to painting upon the strong encouragement of Harold Gilman who he met in 1908. In 1910 he attended the Slade School of Fine Art and in the meantime attended Fitzroy Street meetings. He was part of the Camden Town Group before World War I and amongst the founder members of the London Group. With the guidance and support of Gillman, Ratcliffe spent time with Sickert painting in Dieppe and also went to Sweden. He exhibited in a number of the leading London galleries at the time: Carfax, NEAC, Goupil, Roland, Browse and Delbanco and in America. Typical for his interiors, The breakfast table focuses on the domestic kitchen space and view behind. The paint is applied in a broken touch, a technique learned from Lucien Pissarro, who moved to London in 1890. His use of separate touches of pure colour inspired many of the Firzroy Street Artists. The breakfast table with its luminous palette and beautiful details is a great example of Ratcliffe’s own approach to still life and a showcase for the need of a wider appreciation of the talent of this lesser known Camden Town Group artist. (See R. Allwood, William Ratcliffe: paintings, prints and drawings, North Hertfordshire, 2011 pp 20-22.)

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173 ARR PAUL MOUNT (1922-2009) Quesada; and A landscape (one illustrated) (i) signed and inscribed ‘Quesada. Paul Mount.’ (lower left) pencil each 111⁄4 x 14 in. (28.5 x 35.6 cm.) Provenance: Acquired directly from the artist by the present owner. (2) £100-£150 (part)

174 ARR ELINOR BELLINGHAM-SMITH (1906-1988) Stream signed with initials ‘EBS’ (lower left) watercolour and charcoal, unframed 91⁄4 x 13 in. (23.7 x 33 cm.) £80-£120

175 ARR BENJAMIN GIBBON (1914-1989) The wood near Abberton Hall signed and dated ‘Benjamin Gibbon 1935’ (lower right), signed again, inscribed and dated again ‘Benjamin Gibbon/Abberton Hall Pershore/Wors/ Queen Elizabeth Terrace’ (on an artist label on the reverse), dated again ‘March 1935’ (on the reverse) oil on canvas, unframed 20 x 24 in. (51 x 61 cm.) £200-£400 38

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176 ARR OLWYN BOWEY, R.A. (B. 1936) Still-life with a hawkmoth signed ‘Olwyn Bowey’ (lower left) oil on canvas, laid down on board 195⁄8 x 235⁄8 in. (50 x 60 cm.) Provenance: English Private Collection. £3,000-£5,000

177 ARR JOHN MELVILLE (1982-1986) Country table oil on canvas 16 x 24 in. (41 x 61 cm.) Provenance: Acquired from the artist’s estate by the present owner. £700-£800

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178 ARR JACOB KRAMER (1892-1962) The Philosopher signed ‘Kramer’ (lower right) titled ‘The Philosopher’ (lower left) and numbered ‘19/50’ (lower right margin) lithograph 185⁄8 x 113⁄4 in. (46.5 x 30 cm.) Published circa 1919/1920. Provenance: Walter Walker. Dr W. Whitaker. Exhibited: Batley, Batley Art Gallery, Paintings by Jacob Kramer, 1949, no. 27. Leeds, Leeds City Art Gallery, 1960, no. 187. £1,000-£2,000

179 ARR JOSEF HERMAN (1911-2000) Harvesting pencil and ink 73⁄4 x 91⁄2 in. (19.5 x 24.5 cm.) Provenance: with Roland, Browse & Delbanco, London. £400-£600 40

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180 ARR HENRY MOORE, O.M., C.H. (1898-1986) Girl Seated at Desk II signed, inscribed, dated and numbered ‘For Cameron’ (lower left) ‘Moore’ (lower right) ‘II/Girl Seated at Desk II 1974/Edition of 50’ (lower left ) lithograph 17 x 133⁄4 in. (43.1 x 35 cm.) Literature: G. Cramer, Henry Moore: Catalogue of Graphic Work, Volume II, 1973-1975, Geneva, 1976, no. 338. £500-£700

181 ARR MICHAEL AYRTON (1921-1975) Mantic Figure II signed, and dated ‘Michael Ayrton .25.11.62.’ (lower left) ink 91⁄2 x 81⁄2 in. (24.1 x 21.6 cm.) £800-£1,200 41

182 ARR LAURENCE STEPHEN LOWRY, R.A. (1887-1976) An industrial Town signed ‘L.S. Lowry’ (lower right), numbered ‘352/500’ (lower left) offset lithograph Image: 171⁄4 x 231⁄4 in. (43.8 x 59.1 cm.) Offset Lithograph printed in colours, from an edition of 500. £1,500-£2,500

183 ARR LAURENCE STEPHEN LOWRY, R.A. (1887-1976) In the crowd signed in pencil ‘L.S.Lowry’ (in the margin, lower right) offset lithograph Image: 7 x 71⁄2 in. (17.8 x 19.1 cm.) £600-£800

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184 ARR JACOB KRAMER (1892-1962) Russian Peasants signed and dated ‘JACOB KRAMER/1915’ (lower right) coloured chalks and gouache on paper laid down on card 151⁄2 x 19 in. (40 x 50 cm.) Provenance: Wyndham T. Vint collection, Bradford. Exhibited: Bradford City Art Gallery, Bradford, catalogue untraced. British Institute of Adult Education, London, catalogue untraced. £700-£1,000

185 ARR JOSEF HERMAN (1911-2000) Three men crouching pencil and ink 73⁄4 x 91⁄2 in. (19.5 x 24.5 cm.) Provenance: with Roland, Browse & Delbanco, London. £500-£700

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186 ARR RONNIE COPAS (B. 1936) Communal Kashering signed and dated ‘COPAS - 85’ (lower right) egg tempera on panel 141⁄2 x 161⁄2 in. (37 x 42 cm.) This piece is from the Haggadeh Series. Provenance: with Portal Gallery, London. £400-£600

187 ARR DORIS VAUGHAN (1894-1974) Village Band, Porthmeor Square, St Ives signed oil on canvas laid down on board 10 x 133⁄4 in. (26.5 x 36.5 cm.) £400-£600

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189 ARR HANS SCHWARZ, N.E.A.C., R.W.S., R.B.A. (1922-2003) Boats in Spain signed with studio stamp (on the reverse) oil on board 351⁄2 x 48 in. (90.2 x 122 cm.) Painted circa 1960. Provenance: Acquired directly from the artist’s studio by the present owner. £1,000-£1,500

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190 ARR ALFRED DANIELS (1924-2015) Figures by a building signed and dated ‘Alfred Daniels 1965’ (lower right) oil on board 83⁄4 x 111⁄2 in. (22.3 x 29.3 cm.) £400-£600

191 ARR CLIFFORD HALL (1904-1973) Street view signed ‘Clifford Hall’ (lower right) oil on board 101⁄4 x 14 in. (26.1 x 35.6 cm.) £600-£800

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192 ARR JOHN MELVILLE (1982-1986) Preparing dinner oil on board 471⁄4 x 471⁄4 in. (121 x 121 cm.) Painted circa 1950. Provenance: Acquired from the artist’s estate by the present owner. £2,500-£3,500

193 ARR CLIFFORD HALL (1904-1973) Two women at a window signed and dated ‘Clifford Hall ‘66’ (lower right) oil on board 101⁄4 x 61⁄2 in. (26 x 16.6 cm.) Provenance: with Modern British Artists, London. Private collection, U.K. £300-£500 47

194 ARR ANDREW MACARA (B. 1944) The bridge Udaipur, India signed and titled ‘ANDREW MACARA’ (lower right) and ‘UNDIPUR RAJ INDIA’ on the reverse oil on canvas 12 x 16 in. (30.5 x 40.5 cm.) Provenance: with The New Academy Gallery, London. English Private Collection. £400-£600

195 ARR KEN HOWARD, R.A. (B. 1932) Harbour scene signed ‘Ken Howard’ (lower right) oil on board 71⁄2 x 91⁄2 in. (19 x 24 cm.) Provenance: English Private Collection. £600-£800

196 ARR JOHN ALDRIDGE, R.A. (19051984) Cain Fusimagn, Dey á signed ‘John Aldridge’ (lower right), signed again, inscribed and dated ‘John Aldridge/Cain Fusimagn/Dey á 1971’ (on the reverse) oil on board 101⁄2 x 14 in. (26.7 x 35.6 cm.) £1,500-£2,500 48

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197 ARR DAVID SAWYER (B. 1960) New College, Oxford signed ‘David Sawyer’ (lower right), titled ‘New College, Oxford’ (lower left) oil on artist board 16 x 83⁄4 in. (41.5 x 22cm) £600-£800

198 ARR JOHN ALDRIDGE, R.A. (19051984) San Giuseppe dei Falegnami signed and dated ‘John Aldrige ‘57’ (lower left), inscribed and dated again ‘San Giuseppe/dei Falegnami/Sep 1957’ (on the reverse) oil on board 103⁄4 x 14 in. (27.4 x 35.6 cm.) £1,500-£2,500 49

199 ARR PHILIP SUTTON, R.A. (B. 1928) Tree oil on canvas 221⁄2 x 18 in. (57.2 x 45.2 cm.) Provenance: English Private Collection. £1,000-£2,000

200 ARR NORMAN STEVENS (1937-1988) Priory Garden signed and dated ‘Norman Stevens 78’ (lower centre and right), numbered ‘41/150’ (lower left) lithograph Image: 141⁄2 x 173⁄4 in. (36.8 x 45 cm.) Sold together with a certificate of authenticity issued by Christie’s contemporary. £200-£400

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201 ARR JAMES LLOYD (1905-1974) Sheep crossing a river signed ‘J LLOYD’ (lower left) gouache on board 131⁄4 x 131⁄2 in. (34 x 35 cm.) Sold together with a letter to the artist attached to the reverse. £800-£1,200 202 No Lot 51

203 ARR HANS SCHWARZ, N.E.A.C., R.W.S., R.B.A. (1922-2003) Penmare, Britanny; Countryside path (i) signed ‘HSchwarz’ (lower right); (ii) signed ‘HSchwarz’ (lower left) (i) ink and charcoal, mounted, unframed; (ii) watercolour and gouache, mounted, unframed (i) 141⁄4 x 22 in. (36.2 x 55.8 cm.); and similar Provenance: Acquired directly from the artist by the present owner. (2) £250-£350 (part)

204 ARR DONALD BLAKE (1908-1997) Soft day in Cornwall signed ‘F DONALD BLAKE’ (lower right) ink and watercolour on clay-coated paper 171⁄2 x 271⁄4 in. (44.4 x 69.3 cm.) Provenance: with Thackeray Gallery, London. £500-£700

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205 ARR JOHN PIPER, C.H. (1903-1992) Abstract landscape signed and dated ‘John Piper/5 66’ (lower right) ink and watercolour 20 x 29 in. (51 x 73.5 cm.) £4,000-£6,000

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206 ARR PATRICK PROCKTOR, R.A. (1936-2003) Early morning, Venice lithograph, unframed Image: 193⁄4 x 133⁄4 in. (50.3 x 34.8 cm.) Produced by Watercolour Facsimiles Limited as a limited edition of 350 £100-£200

207 ARR JOHN PIPER, C.H. (1903-1992) Nursery Frieze Part II, Night scene lithograph, unframed Image: 18 x 471⁄2 in. (45.2 x 121.6 cm.) Executed in 1936. Literature: O. Levinson, The Complete Graphic Works: a catalogue raisonné 1923-1983, London, 1987, no.9, p. 23. Another example from the same edition is in the Tate Collection. £800-1,200 54

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208 ARR KEN HOWARD, R.A. (B. 1932) Basilica di Santa Maria della Salute dated ‘16/9/86’ (lower right) pencil, watercolour and gouache 71⁄2 x 81⁄4 in. (19.1 x 21 cm.) Provenance: English Private Collection. £400-£600

209 ARR SARA WICKS (B. 1965) Bosphorous signed ‘Sara Wicks’ (lower left) gouache and collage 9 x 103⁄4 in. (22.8 x 27.3 cm.) Provenance: with the Molesey Gallery, East Molesey. Sue and Michael Palmer. Private collection, UK. A work by the artist is part of the Canterbury City Council Museums and Galleries collection. £100-£150

210 JAMES DICKSON INNES (1887-1914) The lake pencil and oil on board 9 x 121⁄2 in. (22.9 x 31.8 cm.) Provenance: Wyndham T. Vint. Anonymous sale; Christie’s, South Kensington, 7 October 2008, lot 20, where purchased by the present owner. £2,000-£3,000 55

211 ARR BERNARD MYERS (1925-2007) Single Scull Evening signed with initials ‘BM’ (lower right), signed again ‘Bernard Myers’ (on the backboard), inscribed as title (on an artist label attached to the reverse) oil on paper, laid down on board 22 x 30 in. (55.8 x 76.2 cm.) £250-£350

212 ARR ANTHONY BETTS (1897-1980) View by a river oil on canvas 20 x 24 in. (50.8 x 61 cm.) £300-£500

213 ARR ANTHONY BETTS (1897-1980) Rawcliffe inscribed ‘RAWCLIFFE’ (on the reverse) oil on canvas 24 x 30 in. (61 x 76.3 cm.) £300-£500 56

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214 ARR MARY FEDDEN, R.A. (1915-2012) Still life with shell signed and dated ‘Fedden ‘03’ (lower right) oil on canvas 16 x 193⁄4 in. (40.8 x 50.3 cm.) Provenance: Acquired directly from the artist by the present owner. £8,000-£12,000

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215 ARR JOHN MELVILLE (1982-1986) Landscape signed and dated ‘John Melville/53’ (lower left) oil on canvas, unframed 251⁄4 x 241⁄4 in. (64 x 62 cm.) Provenance: Acquired from the artist’s estate by the present owner. £500-£700

216 ARR ANTHONY BETTS (1897-1980) Dordogne lanscape signed and inscribed ‘Anthony Butts/DORDOGNE LANDSCAPE’ (on the reverse) oil on canvas 25 x 30 in. (63.5 x 76.4 cm.) £300-£500

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217 ARR JOHN PIPER, C.H. (1903-1992) The red house, Painswick signed in pencil ‘John Piper’ (lower right), numbered ‘35/70’ (lower left) seriegraph in colours Image: 173⁄4 x 231⁄2 in. (45.4 x 60.2 cm.) Literature: O. Levinson, The Complete Graphic Works: a catalogue raisonné 1923-1983, London, 1987, no. 398. £700-£1,000

218 ARR GEOFFREY TIBBLE (1909-1952) Nativity inscribed ‘NATIVITY’ (lower right), signed ‘Tibble’ (on the reverse) oil on canvas 23 x 261⁄2 in. (47.5 x 67 cm.) £1,500-£2,500

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219 ARR EDWIN CRIPPS (B. 1949) The train station signed with initials and dated ‘EC ‘07’ (lower right) acrylic on canvas 50 x 70 in. (127.5 x 178.5 cm.) £3,000-£5,000

You are swept along, jostled from each side, forced to dodge the contents of an emptied piss-pot, screaming yoofs, bizarre all-about-me characters, transvestites, cross dressing military men as precise in lingerie as in combats or to step over an inebriated harlot or a cock-sure yob we also see corrupt clergy, and all other madness that Cripps sees as this world we live in. (See www.edwincripps.co.uk)

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220 ARR EDWIN CRIPPS (B. 1949) Zoot Kippers signed with initials and dated ‘EC ‘07’ (lower left) acrylic on canvas 491⁄2 x 291⁄2 in. (125.7 x 74.9 cm.)

221 ARR EDWIN CRIPPS (B. 1949) Eejit Aircabs signed with initials and dated ‘EC ‘07’ (lower left) acrylic on canvas 491⁄2 x 291⁄2 in. (125.7 x 74.9 cm.)

£2,000-£4,000

£2,000-£4,000

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221A LEON UNDERWOOD (1890-1975) Standing nude signed and dated ‘Leon U/40’ (lower right) black crayon 20 x 113⁄4 in. (51 x 30 cm.)

222 ARR GEOFFREY SQUIRE (1923-2012) Six nude studies (one illustrated) each signed ‘Squire’ (various places) various medium: pencil, crayon and watercolour, unframed 201⁄2 x 31 in. (52.1 x 78.7 cm.); and smaller

£300-500

(6) £500-£700

222A LEON UNDERWOOD (1890-1975) Seated nude signed and dated ‘Leon U/30’ (lower right) black ink and crayon wash 20 x 12 in. (51 x 37 cm.) £400-600 62

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‘In 1973 Christie began the first of about 40 large figure compositions. The influence of Henri Matisse, the later Pablo Picasso and even Giorgio de Chirico may be detected here, yet they remain unmistakably his own’. (D. Buckman, L. Jordanova, R. Radford, Nature and Humanity the works of Fyffe Christie, p.8)

223 ARR FYFFE CHRISTIE (1918-1979) Two Figures in Green Landscape oil on board 35 x 251⁄4 in. (88.8 x 64.1 cm.) Literature: D. Buckman, L. Jordanova, R. Radford, Nature and Humanity the works of Fyffe Christie, Bristol, 2004, p. 24, illustrated. £300-£500

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224 ARR JANE CORSELLIS (B. 1940) Caf é Champs-Élysées signed ‘Corselis’ (lower left), inscribed ‘Café /Champs-Élysées’ (on the reverse) oil on canvas-board 8 x 12 in. (20.3 x 30.5 cm.)

225 ARR TOM COATES (B. 1941) The art’s Class signed and inscribed ‘Tom Coates/Newbury Arts Workshops’ (on the frame) oil on canvas 24 x 36 in. (61 x 92 cm.)

Provenance: with The New Academy Gallery, London. English Private Collection.

Provenance: English Private Collection.

£300-£500

£1,000-£2,000

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226 BERNARD SICKERT, N.E.A.C. (1862-1932) At the Opera signed ‘B.Sickert’ (lower right) oil on canvas 12 x 10 in. (30.6 x 25.4 cm.) Provenance: Private collection, UK. £500-£700

227 ARR PETER KUHFELD (B. 1952) Many roses signed ‘Kuhfeld’ (lower right) oil on canvas board 111⁄2 x 181⁄2 in. (29.3 x 46.3 cm.) Provenance: with Island Fine Art, Bembridge. £300-£600

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228 ARR NORAH McGUINESS (1901-1980) Fishermen’s beach colour lithograph, unframed Sheet: 23 x 32 in. (59.5 x 81.8 cm.) Literature: R. Artmonsky, Art For Everyone Contemporary Lithographs, Suffolk, 2010, pp. 50-51, illustrated. £100-£150

229 ARR EDWARD ARDIZZONE, R.A. (1900-1978) The Bus Stop colour lithograph Image: 181⁄2 x 24 in. (47 x 61 cm.) Literature: R. Artmonsky, Art For Everyone Contemporary Lithographs, Suffolk, 2010, pp. 68-69, illustrated. £400-£600

230 ARR JOHN ALDRIDGE, R.A. (1905-1984) Mill in Essex signed within the plate and in pencil ‘John Aldridge’ (lower right margin) lithograph published by Contemporary Lithographs Ltd, London 19 x 241⁄2 in. (48.5 x 62 cm.) £200-£300 66

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231 ARR HAROLD WILLIAMSON (1892-1978) Bears at Tea colour lithograph, unframed Image: 20 x 30 in. (50.8 x 76.3 cm.) Literature: R. Artmonsky, Art For Everyone Contemporary Lithographs, Suffolk, 2010, pp. 62-63, illustrated. £100-£150

232 ARR GRAHAM SUTHERLAND, O.M. (1903-1980) The Sick Duck colour lithograph, unframed Image: 20 x 30 in. (50.8 x 76.3 cm.) Literature: R. Artmonsky, Art For Everyone Contemporary Lithographs, Suffolk, 2010, p. 60-61, illustrated. £100-£150

233 ARR EDWARD WADSWORTH, A.R.A. (1889-1949) Imaginary Harbour lithograph Image: 18 x 24 in. (45.6 x 61 cm.) £300-£500 67

234 ARR PATRICK PROCKTOR, R.A. (1936-2003) Boy with carnation signed ‘Procktor’ (lower right), numbered 359/500’ (lower left) lithograph Image: 211⁄4 x 131⁄2 in. (54 x 34.2 cm.) Provenance: English Private Collection. £200-£400

235 ARR PATRICK PROCKTOR, R.A. (1936-2003) Mirrors signed ‘P Procktor’ (lower right), inscribed ‘PP’ (lower left) aquatint in colours Image: 173⁄4 x 291⁄2 in. (45 x 74 cm.) Printer’s proof, aside from the edition of 100. From the China series. Provenance: English Private Collection. £300-£500 68

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236 ARR FIONNUALA BOYD & LESLIE EVANS (B. 1944) Balcony signed & dated ‘Boyd Evans ‘74’ (on the reverse), according to a label attached to the backboard ink 14 x 10 in. (35.5 x 25.4 cm.) £200-£400

237 PHIL BOOTH (British, 20th Century) Untitled signed and dated ‘Phil Booth’ 77’ (lower right) pencil, watercolour and collage 201⁄2 x 23 in. (52.1 x 58.5 cm.) Provenance: Acquired directly from the artist by the present owner. £100-£200

238 ARR GRAHAM OVENDEN (B. 1943) The final reproach signed ‘Graham Ovenden’ (lower right), inscribed ‘The final reproach’ (lower centre), numbered ‘V/XII A.P.’ (lower left) etching in colours Image: 13 x 171⁄2 in. (33 x 44.3 cm.) £100-£150 69

239 ARR JOHN ROWLAND BARKER (1911-1959) Green Jack oil on board 31 x 19 in. (78.6 x 48.3 cm.) Painted in 1957. Exhibited: London, Waterhouse & Dodd, John Rowland Barker retrospective exhibition, June 1991, no. 43. £400-£600 70

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240 ARR RONALD SEARLE (B. 1920) Hex signed ‘Ronald Searle’ (lower left) pen and ink watercolour and collage 71⁄2 x 123⁄4 in. (19 x 32.5 cm.) Exhibited: London, Chris Beetles, Cat O’Nine Tales and Other Artwork, October 2006, No, 73 £700-£1,000

241 ARR CLIFORD HALL (1904-1973) L’après-midi d’un faune signed and dated ‘Clifford Hall/ 1938’ (upper right), signed again and inscribed as titled (on a label on the reverse) oil on canvas 24 x 20 in. (61 x 51 cm.) £250-£350 71

242 ARR MAURICE COCKRILL, R.A. (1936-2013) Venus and Mars signed and dated ‘Maurice Cockrill 1985’ (lower right), inscribed ‘Venus and Mars #5’ (lower left) oil on paper 36 x 193⁄4 in. (88 x 50 cm.) £300-£500

243 ARR WILLIAM NEWCOMBE (1907-1969) Untitled signed ‘Newcombe’ (lower left), signed again ‘NEWCOMBE’ (on the stretcher) mixed media collage on canvas 233⁄4 x 18 in. (60.4 x 45.7 cm.) Provenance: with New Vision Centre Gallery, London. Marie Walker Last. This work is sold without a reserve. £250-£350

244 ARR THERESE OULTON (B. 1953) Heresies No.3 signed, inscribed and dated ‘Therese Oulton/Heresies No.3/June 86’ (on the reverse) oil on canvas 24 x 20 in. (61 x 51 cm.) Provenance: with Marlborough Gallery, where purchased by the present owner in the late 1980’s. £800-£1,200 72

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245 ARR ROY TURNER DURRANT (1925-1998) Head signed and dated ‘74/Durrant/22-73’ (lower right) gouache, unframed 21 x 161⁄2 in. (53.4 x 41.8 cm.) £400-£600

246 ARR FRANK BEANLAND (B. 1936) Hammerhead signed, inscribed and dated ‘Frank Beanland/Metfieldlane Farm/September 1984/’Hammerhead’’ (on the reverse) oil on canvas 18 x 20 in. (45.5 x 50.5 cm.) £400-£600

247 ARR HUGHIE O’DONOGHUE, R.A. (B. 1953) On the Rapids 1998 signed O’Donogue (lower right) inscribed ‘On the Rapids’ and numbered 7/35 (lower left) colour carbonadium sheet 201⁄2 x 23 5/8in. (52 x 60 cm.) Provenance: Purdy Hicks Gallery Ltd, London English Private Collection. £600-£800 73

248 ARR SIR TERRY FROST, R.A. (1915-2003) Duende for Lorca signed and dated ‘Terry Frost 87’ (lower right), numbered ‘P/P’ (lower left) screenprint in colours Image: 221⁄2 x 15 in. (57.1 x 38.2 cm.) An artist’s proof aside from the numbered edition of 50, printed by Kip Gresham and Chilford Hall. Literature: D. Kemp, Terry Frost Prints, A Catalogue Raisonné, Surrey, 2010, p. 117, no 90. ‘Lorca awakened something in me. I love black and Lorca and the Duende and black envelope me. Images wrestle with me when I read Lorca. He probes the distance between each emotion.’ Terry Frost, 1994 £400-£600

249 ARR PHILIP SUTTON, R.A. (B.1928) Jacob signed, inscribed and dated ‘’JACOB’1967/FOR JAKE!, Philip Sutton.’ (on the reverse) oil on canvas, unframed 26 x 26 in. (66.1 x 66.1 cm.) £500-£700 74

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250 ARR RAY RICHARDSON (B. 1964) Ready to Rumble signed, inscribed and dated ‘RAY RICHARDSON 1994/“READY TO RUMBLE’’’ (on the reverse) oil on board 231⁄2 x 43⁄4 in. (59.8 x 106 cm.) Provenance: English Private Collection. £2,000-£4,000

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251 ARR ROY TURNER DURRANT (1925-1998) Small head; and Landscape (i) signed, dated and numbered ‘durrant/55/445’ (lower left) (ii) signed, dated and numbered ‘durrant 55/495’ (upper right) gouache, unframed 8 x 5 in. (20.3 x 12.7 cm.); and similar (2) £250-£350

252 ARR DEREK BOSHIER (B. 1937) Collage signed and dated ‘Derek Boshier 1973’ (lower right), with further inscriptions (along the sides) 223⁄4 x 311⁄2 in. (58 x 80 cm.) This is a preparatory work for a screenprint. £200-£300

253 ARR RON HITCHINS (B. 1926) Tiles signed with initials ‘RH’ (on each of the three tiles), signed again and inscribed ‘Ron Hitchins/ TILES:-EDITION OF 6 PER PATTERN’ (on the reverse) resign bonded fibreglass 12 x 36 in. (30.8 x 91.5 cm.) £100-£200

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254 ARR SIR PETER BLAKE, R.A. (B. 1932) Liberty as Suffolk child by John Constable signed ‘Peter Blake’ (centre right), numbered ‘69/100’ (centre, left) etching with collage 251⁄2 x 193⁄4 in. (65 x 50 cm.)

254A ROBYN DENNY (1930-2014) Graffiti 19 signed, inscribed and dated 'For Jim Graffitty 19 Fragment A.P. Denny 77'' (along the lower edge) etching in colours Image:211⁄4 x 153⁄4 in. (54 x 40 cm.)

From the portfolio ‘For John Constable’, published in 1976 by Bernard Jacobson, London.

£400-600

Provenance: with Waddington and Tooth Galleries, London, where purchased by Mrs Marcia Panama and by descent. £400-£600

255 ARR ALISTAIR GRANT (1925-1997) Dawn Etaples signed ‘A Grant’ (lower right), inscribed ‘DAWN ETAPLES’ (on the reverse) oil on canvas 18 x 24 in. (46 x 61 cm.) Provenance: English Private Collection. £400-£600 77

256 ARR DAVID HOCKNEY, O.M., C.H., R.A. (B. 1937) Mirror Mirror on the Wall signed in pencil ‘David Hockney ‘61’ (lower right), inscribed ‘Mirror Mirror on the Wall’ (lower centre) and numbered ‘1/50’ (lower left) Image: 153⁄4 x 191⁄2 in. (40 x 49.5 cm.) A work from the same edition is held at the Tate Collection. Literature: N. Stangos (ed.), David Hockney by David Hockney, London, 1976, p. 57, illustrated. £10,000-£15,000

‘Mirror, Mirror, on the Wall’ is from Snow White, and the other lines at the bottom, ‘proud to have received upon...’ are from ‘The Mirror in the Hall’, another Cavafy poem which I loved, because the idea of making a mirror have feelings is a wonderful poetic idea that strongly appeals to me.' (David Hockney by David Hockney, Thames & Hudson, London, 1974, p. 64)

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257 ARR SIR TERRY FROST, R.A. (1915-2003) Heart acrylic, collage and pencil signed, inscribed and dated ‘Heart/***Frost/01/2’ (on the reverse) 111⁄2 x 111⁄2 in. (30 x 30 cm.) £1,000-£2,000

258 ARR SIR TERRY FROST, R.A. (1915-2003) Lace II signed and dated 'Terry Frost 71' (lower right), numbered '4/20' (lower left) lithograph with painted collage and leather lace 203⁄4 x 361⁄4 in. (53 x 92 cm.) Published by Leslie Waddington Prints, London. Works from the same edition are held in the collection of the Tate, London; Southampton City Art Gallery. Provenance: Arthur Anderson Corporate Collection. Literature: D. Kemp, Terry Frost Prints, A Catalogue Raisonné, Surrey, 2010, p. 89, no 60. £800-£1,200

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*See inside front cover for information regarding fees

259 ARR RALPH STEADMAN (B. 1936) The Eyes Have It, (a pair of hand painted shoes) each signed ‘Ralph Steadman’ (on the heel) acrylic on linen held in a purpose made Perspex box 10 x 10 in. (25.5 x 25.5 cm.) (box) Provenance: The Chelsea Arts Club charitable benefit, were purchased 2006 An auction of artist decorated shoes, using Terry de Havilland platform wedges, called Fu*k Me! Shoes in 2006. The contributing artists: Allen Jones, Sir Peter Blake, Sandra Blow, Gus Cummins, Frank Phelan, Bruce Maclean, Peter Edwards, Christian Furr, Stella Vine, Sarah Lucas, Patrick Hughes, Ralph Steadman, David Shrigley, Olly & Suzi, Rupert Gatfield, Brendaon Neiland, Richard Evans, Don Smith, Stuart Luke Gatherer, Bill Jacklin, and Gray Jolliffe. £2,500-£3,500 81

260 ARR DAVID NASH, R.A. (B. 1945) Birch bowl signed, inscribed and dated ‘David Nash/Otoineppu 93’ (on the underside) birch 473⁄4 in. (121.3 cm.), high The work is sold together with a copy of the exhibition catalogue, David Nash Otoineppu Spirit of Three Seasons, Sapporo, 1994. Provenance: with Annely Juda Fine Art, London. Anonymous sale, Christie’s, South Kensington, 16 December 2009, lot 163, where purchased by the present owner. Exhibited: Hokkaido, Asahikawa Museum of Art, David Nash, June - July 1994: this exhibition travelled to Nagoya City Art Museum, July - September 1994; Ashiya City Museum of Art and History, November - January 1995; Saitama, The Museum of Modern Art, April - May 1995; Kamakura, The Museum of Modern Art, May June 1995; and Ibaraki, Tsukuba Museum of Art, June - July 1995. Literature: D. Nash, David Nash Otoineppu, Spirit of Three Seasons, Sapporo, 1994, p. 80, illustrated. N. Lynton, David Nash, London, 2007, p.104, illustrated. £5,000-£7,000

I want a simple approach to living and doing. I want a life and work that reflects the balance and continuity of nature. Identifying with the time and energy of the tree and with its mortality, I find myself drawn deeper into the joys and blows of nature. Worn down and regenerated; broken off and reunited; dormant faith is revived in the new growth on old wood David Nash, 1978

Birch Bowl was created in Otoineppu, Japan as part of the Three Seasons project Nash was invited to work on in 1994. In his own words the artist describes the special nature of the Otoineppu village as a place: ‘where the crafts and arts are very much alive. The Ainu sculptor Sunazawa Bikky moved from Sappporo in 1978 to the village where his art and personality worked into the community. Inside and outside the post office, railway station, forestry office and village office there is sculpture. The High School has an unique emphasis on the crafts and woodwork, weaving and ceramics. Sunazawa Ryoko, Bikky's widow, hosts a sculpture workshop every summer. The Hokkaido University experimental forest is based at Otoineppu. The village is alive with the art of growing and carving wood...All these factors...created a very special environment in which we could realise this project through the seasons of Spring, Summer and Winter 1993-94.’ (See D.Nash, David Nash Otoineppu Spirit of Three Seasons, Sapporo, 1994).

82

*See inside front cover for information regarding fees

83

261 ARR HOWARD HODGKIN (1932-2016) Red Eye signed and dated in pencil ‘HH 81’ (lower centre) lithograph 101⁄2 x 113⁄4 in. (26.3 x 30.4 cm.) Provenance: with Petersburg Press Inc, New York, where purchased by the present owner in 1988. Literature: L. Heenk, H. Hodgkin, Howard Hodgkin prints: a catalogue raisonné, London, 2003, no. 63. £400-£600

262 ARR CLYDE HOPKINS (1948-2018) Potato Head signed, inscribed and dated ‘CLYDE HOPKINS/1992/Clyde Hopkins/1992/Summer/Autumn/Potato HEAD’ (on the reverse) oil on linen 121⁄2 x 101⁄2 in. (32 x 26.5 cm.) Provenance: with Francis Graham-Dixon Gallery, London. English Private Collection. £400-£600

263 ARR BRUCE MCLEAN (B. 1944) Spagetti alle vongole signed and dated ‘Bruce Mclean 1995’ (lower right), inscribed and numbered ‘43/500 Spagetti alle vongole Twice’ (lowe left) screenprint Image: 181⁄2 x 271⁄4 in. (47 x 69.3 cm.) £150-£250 84

*See inside front cover for information regarding fees

264 ARR WILLIAM CROZIER (B. 1930) The Yellow Road signed and dated ‘William Crozier 1993’ (lower right), inscribed ‘The Yellow Road’ (lower centre) and numbered ‘70/75’ (lower left) aquatint Image: 193⁄4 x 201⁄2 in. (50 x 52 cm.) £500-£700

265 ARR JOHN MELVILLE (1982-1986) From above signed lower right oil on canvas, unframed 211⁄2 x 281⁄4 in. (74 x 71 cm.) Provenance: Acquired from the artist’s estate by the present owner. £400-£600

266 ARR PETER DOIG (B. 1959) Canoe signed and dated in pencil ‘Peter Doig/’08’ (lower right), numbered ‘AP 5/25’ (lower left) inkjet print in colours, unframed Sheet: 231⁄2 x 291⁄2 in. (59.3 x 74.8 cm.) £400-£600 85

Index A Aldridge, J., 196, 198, 230 Ardizzone, E., 229 Ayrton, M., 181

L Lloyd, J., 201 Lord, H., 109 Lowry, L.S., 135, 136, 142, 143, 182, 183

B Baynes, K., 170 Beanland, F., 246 Bellany, J., 112 Bellingham-Smith, E., 174 Benjamin, A., 106 Betts, A., 212, 213, 216 Blake, D., 204 Blake, Sir P., 254 Booth, P., 237 Bone, Sir D. M., 138 Boshier, D., 252 Bowey, O., 176 Boyd, F. & Evans, E., 236 Brangwyn, Sir F., 137

M Macara, A., 194 McEvoy, A., 141 McGuiness, N., 228 Mclean, B., 263 Melville, J., 177, 192, 215, 265 Moore, H., 180 Morris, D., 113, 116 Mount, P., 173 Myers, B., 151, 152, 153, 154, 155, 156, 157, 211

C Campbell, G., 140 Cannell, P., 119 Christie, F., 223 Coates, T., 225 Cockrill, M., 242 Copas, R., 186 Corsellis, J., 224 Coxon, R., 114 Cripps, E., 219, 220, 221 Crozier, W., 264 Cuming, F., 108

O O’Donoghue, H., 107, 247 Orpen, Sir W., 130, 134 Oulton, T., 244 Ovenden, G., 238

D Denny, R., 254A Dickson Innes, J., 210 Doig, P., 266 Dunstan, B., 171

R Ratcliffe, W., 172 Richardson, R., 250 Rowland Barker, J., 239 Ryan, A., 149

F Fedden, M., 150, 214 Flynn, T., 104Frost, Sir T., 248, 257, 258

S Sawyer, D., 197 Schwarz, H., 189, 203 Scott, Sir W., 102 Searle, R., 115, 129, 240 Sickert, B., 226 Sickert, W. R., 127, 128 Spear, R., 159 Spencer, G., 160, 161, 162, 163, 164, 165, 166, 167, 168, 169 Spencer, Sir S., 132 Squire, G., 222 Steadman, R., 259 Stevens, N., 200 Sutherland, G., 232 Sutton, P., 199, 249

G Gibbon, B., 175 Gill, E., 131 Grant, A., 255 H Hall, C., 158, 191, 193, 241 Herman, J., 179, 185 Heath Robinson, W., 146 Hitchens, I., 148 Hitchins, R., 253 Hockney, D., 256 Hodgkin, H., 261 Hopkins, C., 262 Howard, K., 195, 208 J Jenkins, W.P., 110 John, A., 133 Jones, B., 147 K Knight, Dame L., 145 Kramer, J., 178, 184 Kuhfeld, P., 227

N Nash, P., 139, 144, 260 Newcombe, W., 243

P Pailthorpe, G., 111 Paolozzi, Sir E., 118 Pasmore, V., 101 Piper, J., 117, 120, 205, 207, 217 Procktor, P., 206, 234, 235

T Tibble, G., 218 Tindle, D., 121, 122, 123, 124, 125,126 Turner Durrant, R., 105, 245, 251 U Underwood, L., 221A, 222A V Vaughan, D., 187 W Wadsworth, E., 233 Wells, J., 103 Wicks, S., 209 Williamson, H., 231

AN INVITATION TO CONSIGN FOR

Urban Art

Mr Jago ‘Silencing Sceptics’, 2013 Acrylic and spray paint on canvas 183 cm x 305 cm x 5cm

Closing for entries 11th May 2019 FOR ENQUIRIES CONTACT Head of Urban Art, Penelope Sonder penelope.sonder@chiswickauctions.co.uk

11 JUNE 2019

Glossary of Picture Cataloguing Terms Any Statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. 1.

JMW Turner: In our opinion a work by the artist. When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

2.

Attributed to JMW Turner: In our opinion probably a work by the artist, but less certainly as to the authorship expressed than in the preceding category.

3.

Studio of JMW Turner: In our opinion probably a work by an unknown hand in the studio of the artist, which may or may not have been executed under the artist’s direction.

4.

Circle of JMW <]ZVMZ" 1V W]Z WXQVQWV I _WZS Ja IV I[ aM\ ]VQLMV\QÅML J]\ LQ[\QVK\ PIVL KTW[MTa I[[WKQI\ML with the named artist and of the period, but not necessarily his pupil.

5.

Style of…; Follower of JMW Turner: In our opinion a work by a painter working in the artist’s style, but not necessarily his pupil.

6.

Manner of JMW Turner: In our opinion a work in the style of the artist and of a later date.

7.

After JMW Turner: In our opinion a copy (of any date) of a known work of the artist.

8.

The term ‘signed’ and/or ‘dated’ and/or ‘inscribed’ means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

9.

The term ‘with signature’ and/or ‘with date’ and/or ‘with inscription’ means that in our opinion the signature and/or date and/or inscription have been added by another hand than that of the artist.

10. Dimensions are given height before width. 11. Pictures are framed unless otherwise stated.

<MZU[ IVL +WVLQ\QWV[ NWZ *]aMZ[ I\ +PQ[_QKS )]K\QWV[ 1. BEFORE THE SALE 1.1 Agent for the seller Unless otherwise agreed, Chiswick Auctions Ltd, hereafter referred to as CA LTD acts as agent for the seller. The contract for sale of the property is therefore made between the Seller and the Buyer. ,MÅVQ\QWV[ For the purposes of the current Terms and Conditions, the Seller shall JM LMÅVML I[ \PM W_VMZ WN \PM /WWL[ 1\ Q[ QUXTQML \PI\ \PM ;MTTMZ Q[ \PM legitimate owner and is authorised to sell the Lot. The Bidder is any registered person participating in the auction, and the Buyer is the successful Bidder for a particular Lot. The Lot means the item(s) put up for sale by CA Ltd and to which the present Terms and Conditions apply. +I\ITWO]M LM[KZQX\QWV[ Any representation in any catalogue or otherwise as to the origin, date, age, attribution, genuineness or estimated selling price of any lot is a statement of opinion only. Such statements do not constitute a representation warranty or assumption of liability by CA Ltd in relation to the Lot. Any prospective Buyer should satisfy themselves prior to the sale as to the reliability of the catalogue description. The absence of mention related to prior restorations in the Catalogue descriptions does not imply that the good is exempt thereof. Photographs of any Lot provided by CA Ltd are for indicative purposes only and are not deemed to be a precise representa-tion of the said Lot. The Buyer is advised to seek independent expert advice in order to be assured of the authenticity and true state of the good. 1V[XMK\QWV Prior to auction, prospective purchasers are strongly advised to personally examine personally any property in which they are interested to satisfy themselves in relation to matters which may concern them. +WVLQ\QWV ZMXWZ\ CA Ltd may issue a Condition Report on request prior to the sale. <PQ[ +WVLQ\QWV :MXWZ\ Q[ NWZ QLMV\QÅKI\QWV X]ZXW[M[ WVTa IVL KIVVW\ JM considered as giving a precise account of the Lot’s true state. Thus, some imperfections and faults may not be accounted for in the Condition Report. As aforementioned, and in the absence of any contractual value of the Condition report, it is the Buyer’s sole duty to inspect in person the Lot in order be assured of its true condition and CA Ltd shall not be responsible for assertions within the Condition Report hereto. -TMK\ZQKIT[ )TT MTMK\ZQKIT Q\MU[ IZM [WTL I[ [MMV IVL +) 4\L W‍ٺ‏MZ[ VW O]IZIV\MM I[ \W the working condition of such items or their safety. 1\ Q[ \PM *]aMZŸ[ L]\a \W \ISM VMKM[[IZa [\MX[ \W JM I[[]ZML \PI\ \PM 4W\ is safe for normal use. -[\QUI\M[ Estimates are based on various factors inherent to the situation of the market at the time of the sale, as well as considerations such as the condition, rarity, or quality of the item etc. Estimates are only indicative

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hammer, and neither CA Ltd nor their agents shall be responsible for any loss or damage of any kind, whether caused by negligence or otherwise.

<MTMXPWVM JQL[ 1N I JQLLMZ Q[ VW\ IJTM \W I\\MVL QV XMZ[WV IV I]K\QWV +) 4\L _QTT ][M ZMI[WVIJTM M‫ٺ‬WZ\[ \W KWV\IK\ XZW[XMK\Q^M *]aMZ[ _PW UISM IZZIVOMUMV\[ prior to commencement of the sale to bid by telephone. +) 4\L KIVVW\ JM PMTL ZM[XWV[QJTM QV \PM M^MV\ WN Q[[]M[ I‫ٺ‬MK\QVO KWVVMK\Q^Q\a resulting in the loss of a chance of purchasing the Lot for the Bidder.

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3.5 Returns and refunds CA Ltd will only issue a refund using the same method of payment originally used by the Buyer to pay for the purchase, or by bank transfer. The Buyer’s refund will be processed without undue delay and in any M^MV\ _Q\PQV VW UWZM \PIV LIa[ WN \PM LIa \PM *]aMZ OI^M +) 4\L notice of cancellation. 1N \PM *]aMZ M`MZKQ[M[ \PMQZ ZQOP\ WN ZM\ZIK\QWV _PMV I]\PWZQ[ML \W LW [W by Law, CA Ltd shall proceed to issue a complete refund, comprising the hammer price of the Lot, buyer’s premium and shipping fees. However return fees shall remain at the expense of the Buyer. 4. AFTER THE SALE 8IaUMV\ All purchased lots must be paid for on the day of the auction. Commission bids must be paid for no later than the day after the auction. Payment must be in cash, debit, credit card or bank transfer. Cheques are not accepted. +I[P XIaUMV\[ [PITT VW\ JM ZMKMQ^IJTM NWZ IUW]V\[ W^MZ Â ZMOIZLTM[[ of the payment being for one or multiple Lots. Payments made by someone other than the registered Buyer shall not be accepted. Title will not pass to the Buyer until CA Ltd has received all amounts due to them in cleared funds even if the Lot has been released to the Buyer. *]aMZ¼[ 8ZMUQ]U The Buyer will pay CA Ltd a premium of 25% on the hammer price XT][ >)< WV \PI\ KWUUQ[[QWV WV \PM Ã…Z[\ Š IVL XT][ >)< WV \PM JITIVKM \PMZMIN\MZ ) *]aMZ¼[ 8ZMUQ]U WN ! XT][ >)< Q[ charged on Wine & Spirits Lots. The VAT payable varies by symbol as below: No Symbol: The standard rate of VAT is charged on the premium under the Auctioneers Margin Scheme in accordance with Art. 333 WN -+ ;\IVLIZL =3 >)< _QTT JM KPIZOML WV \PM J]aMZ[¼ premium and invoiced on an inclusive basis. †: Normal VAT rules apply and the standard rate of VAT will be charged on both hammer price and premium. *: These lots have been imported from outside the EU for sale and XTIKML ]VLMZ \PM <MUXWZIZa )LUQ[[QWV ZMOQUM 1UXWZ\ >)< Q[ XIaIJTM I\ WV \PM PIUUMZ XZQKM >)< I\ _QTT JM ILLML \W \PM J]aMZ¼[ premium but will not be shown separately on the invoice. 1V WZLMZ \W ZMKMQ^M I ZMN]VL WN >)< IUW]V\[ 1UXWZ\ >)< I[ applicable) non-EU buyers must:

(a) have registered to bid with an address outside of the EU; and J M`XWZ\ \PM TW\ NZWU \PM -= _Q\PQV LIa[ WN KWTTMK\QWV NWZ TW\[ IVL 3 months of collection for all other lots and immediately afterwards provide us with satisfactory proof of export. (c) Details of the documents which you must provide to us to show [I\Q[NIK\WZa XZWWN WN M`XWZ\ [PQXXQVO IZM I^IQTIJTM NZWU W]Z .QVIVKM \MIU ) XZWKM[[QVO NMM WN Š XMZ QV^WQKM Q[ KPIZOML \W KPMKS [PQXXQVO M`XWZ\ LWK] UMV\[ L 6W >)< IUW]V\[ WZ 1UXWZ\ >)< _QTT JM ZMN]VLML _PMZM \PM \W\IT ZMN]VL IN\MZ LML]K\QVO \PM XZWKM[[QVO NMM Q[ ]VLMZ Š 4.3 Taxes The Buyer is responsible for paying VAT on any Lot, above hammer price and Buyer’s premium. The rate applicable shall be the legal rate at the date of the sale. /WWL[ []KP I[ JWWS[ IVL IV\QY]M JWWS[ U][QK UIX[ IVL KPIZ\[ M\K IZM []JRMK\ \W bMZW ZI\ML >)< 1V ILLQ\QWV IVa QUXWZ\ \I`M[ \PI\ UIa JM QVK]ZZML [PITT JM XIQL Ja \PM Buyer above hammer price, VAT and Buyer’s premium. The present paragraph applies in particular to imports within the United-States and Australia. The Buyer is advised to verify such matters prior to the sale. )Z\Q[\ :M[ITM :QOP\[ ,ZWQ\ LM ;]Q\M 4W\[ UIZSML _Q\P »)::¼ UIa JM []JRMK\ \W I TM^a Droit de Suite is a royalty payable to a qualifying artist or to the artist’s heir each time a work is resold during the artist’s lifetime and up to I XMZQWL WN aMIZ[ IN\MZ \PM IZ\Q[\¼[ LMI\P :WaIT\QM[ IZM KITK]TI\ML on a cumulative sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to Lots [MTTQVO JMTW_ \PM [\MZTQVO MY]Q^ITMV\ WN  IVL \PM UI`QU]U ZWaIT\a XIaIJTM WV IVa [QVOTM 4W\ Q[ \PM [\MZTQVO MY]Q^ITMV\ WN  Royalties for Droit de Suite are as follows: ÂŒ .ZWU \W  Œ .ZWU  \W  Œ .ZWU  \W  Œ .ZWU  \W  Œ -`KMMLQVO  :MUMLQM[ NWZ VWV XIaUMV\ 1N \PM *]aMZ NIQT[ \W UISM N]TT XIaUMV\ QV KTMIZML N]VL[ _Q\PQV \PM \QUM required as aforementioned, CA Ltd shall be entitled to exercise any one or more of the following rights or remedies additional to such other rights or remedies available: • To cancel the sale • To charge interest at 4% per annum above the base rate of Lloyds Bank Plc. • To resell the Lot on such terms by auction or otherwise entirely at CA Ltd’s discretion. The Buyer will be liable for all costs including legal fees incurred in the sale and will remain liable for any shortfall arising upon sale. ÂŒ <W W‫[ٺ‬M\ IOIQV[\ IVa []U[ _PQKP +) 4\L UIa W_M \PM *]aMZ \PM outstanding sums unpaid by the said Buyer ÂŒ ?PMZM \PM *]aMZ W_M[ []U[ \W +) 4\L QV ZM[XMK\ WN LQ‫ٺ‬MZMV\ transactions, to discretionarily apply any sum paid by the Buyer for discharge of any owed sums. ÂŒ <W ZMN][M MV\Za \W \PM *]aMZ I\ IVa N]\]ZM I]K\QWV IVL WZ ZMRMK\ IVa N]\]ZM JQL[ Ja \PM *]aMZ IVL WZ [MMS I LMXW[Q\ NZWU \PM *]aMZ entirely in the discretion of CA Ltd. • To exercise a lien over the Buyer’s property in the possession of CA Ltd as collateral for any outstanding sums owed and to exercise all the rights and remedies of a person holding security over any

such property, whether by way of pledge, security interest or in any other way to the extent permitted by Law. • To commence legal proceedings for the recovery of the total amount due together with interest, legal fees and costs. • To take such other action as is permissible by Law and in the discretion of CA Ltd. +WTTMK\QWV Purchased Lots can be collected from the auction room after the sale PI[ MVLML WZ JM\_MMV IU IVL XU ]X ]V\QT KTW[M WN J][QVM[[ WV the Friday following the sale. Special arrangements may be made for collection on Saturday at CA Ltd’s discretion. 4.7 Storage +) 4\L W‫ٺ‬MZ[ I LQ[KZM\QWVIZa LIa[ NZMM [\WZIOM WV X]ZKPI[ML 4W\[ from the date of the sale. Thereafter Lots not collected shall incur [\WZIOM KPIZOM[ WN Š XMZ TW\ XMZ LIa WZ XIZ\ \PMZMWN +) 4\L [PITT be entitled to retain purchased Lots sold until all sums due have been XIQL \W +) 4\L 1N IVa X]ZKPI[ML TW\ ZMUIQV[ ]VKWTTMK\ML LIa[ IN\MZ \PM [ITM [\WZIOM KPIZOM[ [PITT \PMZMIN\MZ JM Š XMZ LIa IVL +) 4\L shall, in accordance with the Law, have the right to sell the purchased Lot to recover payment of storage charges outstanding. Any balance proceeds of sale received after payment of all sums outstanding and due to CA Ltd shall be held for the account of the Buyer. ;PQXXQVO Any shipping costs that may arise subsequently to the sale shall be at the Buyer’s expense. Such costs may include but not limited to postage, import and export permits where required and any other licence necessary for goods to be shipped outside of the European Union. +) 4\L LWM[ VW\ W‫ٺ‬MZ QV[]ZIVKM NWZ [PQXXQVO 0W_M^MZ +) 4\L UIa arrange insurance upon the Buyer’s request and at the Buyer’s expense. CA Ltd cannot be held responsible for any damages that may be incurred to goods prior to the fall of the hammer. ! 4W[[ WZ ,IUIOM CA Ltd does not accept liability for loss or damage occurring to Lots after \PM [ITM +) 4\L _QTT ][M ZMI[WVIJTM M‫ٺ‬WZ\[ _PMV PIVLTQVO XIKSQVO IVL shipping of Lots purchased, but shall not be responsible for any loss or damages that may occur whilst the said Lot is in any third party’s care. +]T\]ZIT /WWL[ QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +]T\]ZIT OWWL[ UIa JM []JRMK\ \W QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ =VLMZ EU Regulations related to the trade of cultural goods, export licences may be required for export outside of the European Union if the item’s ^IT]M M`KMML[ \PM -= \PZM[PWTL =VLMZ =3 4I_ I TQKMVKM UIa IT[W JM required for intra-EU trade. Licenses are issued by Arts Council England and it is the Buyer’s duty to WJ\IQV \PMU ;WUM KW]V\ZQM[ ZM[\ZQK\ \PM QUXWZ\ WN [XMKQÅK K]T\]ZIT OWWL[ For example, the United States prohibits the import of pre-Columbian monumental or architectural sculpture or murals, as well as any cultural OWWL[ QV XZW^MVIVKM NZWU [WUM KW]V\ZQM[ []JRMK\ \W IZUML KWVÆQK\[ The Buyer must verify local legislation prior to the sale in order to be assured that import or export is possible. +1<-; QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +MZ\IQV MVLIVOMZML [XMKQM[ IZM TQ[\ML QV \PM +1<-; +WV^MV\QWV 4Q[\ML [XMKQUMV[ IVL IVa XIZ\[ WZ XZWL]K\[ \PMZMWN IZM []JRMK\ \W Q[[]IVKM WN IV export permit when leaving the European Union. )XXMVLQ` 1 [XMKQM[ IZM IT[W []JRMK\ \W Q[[]IVKM WN I XZQWZ QUXWZ\ XMZUQ\ from the country in which the goods are to be imported. Such permits are necessary before applying for export permits and it is the Buyer’s duty to initiate the proceedings with the relevant authority. The Buyer must be aware that certain countries prohibit the import of some species or any parts or products derived thereof. For example, the

United States prohibit all import of African elephant ivory, and any item containing parts that may merely resemble African elephant ivory must be accompanied by relevant documentation stating it is not the latter. ?WZSML Q\MU[ \PI\ IZM LI\ML JMNWZM ! IZM M`MUX\ NZWU QUXWZ\ restrictions for intra-EU trade and shall not require export licences. Please be aware that all Lots marked with the symbol Æ€ IZM []JRMK\ \W +1<-; ZMO]TI\QWV[ 4QUQ\I\QWV WN TQIJQTQ\a ZMOIZLQVO +1<-; M`XWZ\ TQKMV[M[ Where licences are required for importing or exporting outside of the European Union, it is the Buyer’s duty to obtain them. CA Ltd cannot be held responsible if the Buyer’s application for an export permit is unsuccessful. Subsequently, in the event of failure thereof, CA Ltd shall not permit cancellation or rescission of the sale. ?IZZIV\QM[ CA Ltd does not provide the Buyer with warranties relating to any Lot, unless required by Law. )]\PMV\QKQ\a _IZZIV\a 1V \PM M^MV\ WN I 4W\ JMQVO [WTL I[ I]\PMV\QK ]VLMZ \PM KI\ITWO]M description and the Buyer provides evidence in the form of a written report by a recognised expert or test results that the said Lot is not, CA Ltd will refund the purchase price. <PM *]aMZ [PITT OQ^M VW\QKM \W +) 4\L _Q\PQV LIa[ NZWU SVW_TMLOM or any event giving reasons for suspecting that the item is not authentic, and within one year of the said sale. Any claim thereafter shall not be receivable. For the purposes of the present paragraph, authenticity shall JM LMÃ…VML I[ \PM [\I\M WN I 4W\ \PI\ Q[ OMV]QVM IVL VW\ I NWZOMZa WZ I KWXa 5. ANTIQUITIES AND TRIBAL ART 1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ IVL ZMO]TI\QWV[ )ZKPIMWTWOQKIT OWWL[ W^MZ aMIZ[ WN IOM ]VTM[[ KW^MZML Ja M`MUX\QWV WN TQUQ\ML [KQMV\QÃ…K QV\MZM[\ _QTT ZMY]QZM IV -= 4QKMVKM NWZ M`XWZ\ \W I third country, regardless of their value. 1\ Q[ ZMKWUUMVLML \PI\ \PM *]aMZ KWV\IK\ \PM -`XWZ\ 4QKMV[QVO =VQ\ at Arts Council England in order to be assured the good is or not of TQUQ\ML IZKPIMWTWOQKIT WZ [KQMV\QÃ…K QV\MZM[\ )ZKPIMWTWOQKIT OWWL[ NW]VL WV =VQ\ML 3QVOLWU [WQT WZ QV =3 \MZZQ\WZQIT _I\MZ[ W^MZ aMIZ[ WN IOM [PITT ZMY]QZM I =3 4QKMVKM regardless of their value and regardless of the export destination. 7\PMZ IZKPIMWTWOQKIT WJRMK\[ ZMOIZLTM[[ WN \PMQZ WZQOQV _QTT ZMY]QZM IV 1VLQ^QL]IT 4QKMVKM WZ 7/-4 LMXMVLQVO WV \PMQZ ^IT]M *W\P -]ZWXMIV =VQWV IVL =3 4QKMVKM[ UIa JM ZMY]QZML [QU]T\IVMW][Ta NWZ [WUM Q\MU[ 1\ Q[ \PM *]aMZ¼[ L]\a \W ]VLMZ\ISM \PM VMKM[[IZa [\MX[ CA Ltd cannot be held responsible and the sale cannot be cancelled in the event of failure to obtain the relevant licences. 6. JEWELLERY /MU[\WVM \ZMI\UMV\ IVL M[\QUI\M[ Many gemstones on the market have been treated so as to augment their appearance, in a reversible or permanent manner. Treatments under the present section may be but not limited to: • Heat treatment to enhance sapphires and rubies’ clarity and colour ÂŒ 7QT IVL ZM[QV \ZMI\UMV\[ NWZ MUMZITL[ IXXTQML QV LQ‫ٺ‬MZMV\ _Ia[ \W enhance clarity of the stone • Staining ÂŒ 1ZZILQI\QWV • Coating Estimates provided by CA Ltd are deemed to be based on the fact that the OMU[\WVM UIa PI^M JMMV []JRMK\ \W IVa \aXM WN \ZMI\UMV\ QV \PM XI[\ +)

Ltd shall not be responsible in the absence of mention thereof. ) KMZ\QÃ…KI\M UIa JM Q[[]ML Ja I TIJWZI\WZa XZW^QLQVO _Q\P LM\IQTML information on the condition of the gemstone and any treatment applied \PMZM\W <PM *]aMZ U][\ JM I_IZM \PI\ LQ‫ٺ‬MZMV\ TIJWZI\WZQM[ PI^M LQ‫ٺ‬MZMV\ approaches as to the degree or type of treatment for a particular gemstone. 1N I KMZ\QÃ…KI\M IKKWUXIVQM[ \PM 4W\ \PM *]aMZ U][\ JM I_IZM \PI\ Q\ Q[ merely a statement of the laboratory’s opinion and in no way can CA Ltd JM PMTL ZM[XWV[QJTM NWZ IVa UMV\QWV[ \PMZMQV ;]KP KMZ\QÃ…KI\M[ IZM LMMUML to be delivered with the Lot for informative purposes only. -[\QUI\ML _MQOP\[ 1N I [\WVM¼[ M`IK\ _MQOP\ IXXMIZ[ _Q\PQV \PM JWLa WN \PM LM[KZQX\QWV \PM [\WVM PI[ JMMV ]V UW]V\ML IVL _MQOPML Ja +) 4\L 1N \PM _MQOP\ WN a stone is stated to be approximate, the stone has been assessed by CA 4\L _Q\PQV Q\[ [M\\QVO IVL \PM LMÃ…VML _MQOP\ Q[ I [\I\MUMV\ WN WXQVQWV only. This information is given as a guide and bidders should satisfy themselves with regard to this information as to its accuracy. ;QOVI\]ZM[ ‘) LQIUWVL ZQVO Ja @’: When the maker’s name appears in the title, in Chiswick Auctions’ opinion the piece is by that maker. ‘) LQIUWVL ZQVO [QOVML @’: Has a signature that, in Chiswick Auctions’ opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered. ‘) LQIUWVL ZQVO UW]V\ML Ja @’: Has been created by the RM_MTTMZ QV +PQ[_QKS )]K\QWV[¼ WXQVQWV J]\ ][QVO [\WVM[ WZ LM[QOV[ supplied by the client. ‘5ISMZ¼[ UIZS NWZ @’: Has a maker’s mark which in Chiswick Auctions’ opinion is authentic. Some items may include parts or products derived from endangered [XMKQM[ []KP I[ Q^WZa WZ KWZIT ;]KP Q\MU[ UIa JM []JRMK\ \W QUXWZ\ WZ M`XWZ\ ZM[\ZQK\QWV[ ;MM [MK\QWV WV +1<-; ZMO]TI\QWV[ NWZ UWZM LM\IQT[ 7. CLOCKS AND WATCHES All Lots are sold as seen. Clocks and watches are therefore not deemed to be sold in working condition. Absence of reference thereof in the description does not imply that the Lot is in good condition and _Q\PW]\ LMNMK\[ WZ PI[ JMMV []JRMK\ \W ZMXIQZ WZ ZM[\WZI\QWV CA Ltd makes no representation or warranty that any clock or watch Q[ QV _WZSQVO WZLMZ )[ KTWKS[ IVL _I\KPM[ WN\MV KWV\IQV Ã…VM IVL complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Most clocks and watches are likely to have been repaired in the past, and as a result may include parts that are not original thereto. The United-States restrict the importation of watches such as Rolex, Frank Muller or Corum. Such models can only be imported personally by the Buyer and CA Ltd cannot assist with shipping thereof. Some watches may include leather straps derived from endangered species. Buyers may be required to obtain appropriate permits for QUXWZ\ WZ M`XWZ\ X]ZXW[M[ QV IKKWZLIVKM _Q\P +1<-; ZMO]TI\QWV[ CA Ltd acts in compliance with such legislations and shall take necessary steps where required. Subsequently, watches may be deemed sold without their straps. 8. FURNITURE =XPWT[\MZML N]ZVQ\]ZM IN\MZ ! According to The Furniture and Furnishings (Fire Safety) Regulations ! N]ZVQ\]ZM \PI\ _I[ ]XPWT[\MZML IN\MZ \PM [\ WN 2IV]IZa ! Q[ []JRMK\ \W ZM[\ZQK\QWV[ QV \PM =VQ\ML 3QVOLWU Exempt upholstered furniture that does not meet such requirements is deemed sold for purely aesthetic purposes. CA Ltd shall not be

ZM[XWV[QJTM NWZ TI\MZ IT\MZI\QWV[ \W \PM N]ZVQ\]ZM UISQVO Q\ ]VÃ…\ NWZ [ITM 9. GLOSSARY OF PICTURE CATALOGUING TERMS Any Statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. 1 JMW Turner: 1V W]Z WXQVQWV I _WZS Ja \PM IZ\Q[\ ?PMV \PM IZ\Q[\¼[ forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. )\\ZQJ]\ML \W 25? <]ZVMZ" 1V W]Z WXQVQWV XZWJIJTa I _WZS Ja \PM artist, but less certainly as to the authorship expressed than in the preceding category. ;\]LQW WN 25? <]ZVMZ" 1V W]Z WXQVQWV XZWJIJTa I _WZS Ja IV unknown hand in the studio of the artist, which may or may not have been executed under the artist’s direction. +QZKTM WN 25? <]ZVMZ" 1V W]Z WXQVQWV I _WZS Ja IV I[ aM\ ]VQLMV\QÃ…ML but distinct hand, closely associated with the named artist and of the period, but not necessarily his pupil. ;\aTM WN°# .WTTW_MZ WN 25? <]ZVMZ" 1V W]Z WXQVQWV I _WZS Ja I painter working in the artist’s style, but not necessarily his pupil. 6 Manner of JMW Turner: 1V W]Z WXQVQWV I _WZS QV \PM [\aTM WN \PM artist and of a later date. 7 After JMW Turner: 1V W]Z WXQVQWV I KWXa WN IVa LI\M WN I SVW_V work of the artist. 8 <PM \MZU »[QOVML¼ IVL WZ »LI\ML¼ IVL WZ »QV[KZQJML¼ UMIV[ \PI\ QV W]Z WXQVQWV \PM [QOVI\]ZM IVL WZ LI\M IVL WZ QV[KZQX\QWV IZM NZWU \PM PIVL of the artist. 9 <PM \MZU »_Q\P [QOVI\]ZM¼ IVL WZ »_Q\P LI\M¼ IVL WZ »_Q\P QV[KZQX\QWV¼ UMIV[ \PI\ QV W]Z WXQVQWV \PM [QOVI\]ZM IVL WZ LI\M IVL WZ QV[KZQX\QWV have been added by another hand than that of the artist. 10 Pictures are framed unless otherwise stated.

defective in text or illustration. This shall not apply to the absence of blanks, half titles or advertisements, to un-named books or to books sold under the heading of ‘binding’ or ‘bindings’. 12. WINES AND SPIRITS 1V IKKWZLIVKM _Q\P IOZMML [\IVLIZL[ QV \PM \ZILM M[\QUI\M[ [PITT JM LMMUML \W PI^M \ISMV QV\W IKKW]V\ \PM Ã…TT TM^MT For the purposes of the present Terms and Conditions, the ‘Fill Level’ refers to the space between the base of the cork and the liquid in the bottle. Fill levels may vary with age or depending on the condition of the wine or spirit. Lack of mention thereof in the description is not a representation of IV »IKKMX\IJTM¼ Ã…TT TM^MT NZWU +) 4\L CA Ltd offers no guarantee as to suitability for drinking of the wine or spirit. The Buyer must be aware of the risk that the taste of a wine or spirit may be altered due to factors such as age, storage conditions, oxidation, etc. 13. COPYRIGHT CA Ltd shall own the copyright on all images, illustrations and written material produced by or for CA Ltd relating to a Lot, including catalogue contents. Such copyright shall remain at all times the property of CA Ltd. Neither the Buyer nor anyone else shall use the above mentioned materials without the prior written consent of CA Ltd. ;WUM 4W\[ UIa JM []JRMK\ \W KWXaZQOP\ XZW\MK\QWV +) 4\L LWM[ VW\ guarantee said Lots are free thereof. 14. DATA PROTECTION The Buyer agrees that personal information transmitted to CA Ltd may be disclosed exclusively for the purposes of business, or as required by Law. CA Ltd shall not use personal information for any other purpose without the Buyer’s prior consent. CA Ltd never sell, lend or trade in personal data provided by any Bidder.

10. ASIAN ARTS

15. SEVERABILITY

1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ ?PMV LMITQVO _Q\P )[QIV )Z\[ IVL UWZM [XMKQÃ…KITTa _Q\P Q\MU[ UILM WN exotic wood (e.g. all species of rosewood) or elephant ivory, the Buyer must JM I_IZM WN QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ QV IKKWZLIVKM _Q\P +1<-; Regulations. As aforementioned in the Section relating to such matters, QUXWZ\ IVL M`XWZ\ XMZUQ\[ WZ ZM M`XWZ\ KMZ\QÃ…KI\M[ UIa JM ZMY]QZML >MZQÃ…KI\QWV TM\\MZ[ _QTT JM ZMY]QZML NWZ ZM M`XWZ\ WN _WZSML ZPQVWKMZW[ Q\MU[

Whenever and to the extent that any provisions of these terms would or might contravene the provision of any relevant legislation, []KP XZW^Q[QWV Q[ \W \ISM M‫ٺ‬MK\ WVTa QV [W NIZ I[ Q\ UIa LW [W without contravening such legislation and the legality, validity and enforceability of any of the remaining provisions are not in any way \W JM I‫ٺ‬MK\ML WZ QUXIQZML I[ I ZM[]T\ 16. AMENDMENTS

.QVM +PQVM[M 8IQV\QVO[ +]ZZMV\ [KPWTIZ[PQX QV \PM Ã…MTL WN +PQVM[M 8IQV\QVO[ IVL +ITTQOZIXPa LWM[ VW\ XMZUQ\ ]VY]ITQÃ…ML [\I\MUMV\[ I[ \W \PM I]\PWZ[PQX WZ LI\M WN execution. The limited right of rescission contained in the present terms and conditions does not apply to Chinese paintings. 6W\_Q\P[\IVLQVO QN _Q\PQV LIa[ WN \PM [ITM WN IVa []KP 4W\ \PM original purchaser gives written notice to CA Ltd that the Lot is a forgery and within fourteen days after giving such notice, the original purchaser returns the lot to us in the same condition as at the time of sale and demonstrates to our satisfaction that the lot is a forgery, CA Ltd will rescind the sale and refund the purchase price received. For this purpose, I »NWZOMZa¼ Q[ LMÃ…VML I[ I _WZS KZMI\ML _Q\P \PM QV\MV\ \W LMKMQ^M 11. BOOKS AND MANUSCRIPTS *WWS[ IVL UIV][KZQX\[ [WTL I[ QVKWUXTM\M IZM VW\ []JRMK\ \W ZM\]ZV[ Printed books may be returned for a full refund only if they prove to be

The current Terms and Conditions may be amended, verbally or in writing, prior to the sale. 17. LAW AND JURISDICTION The rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with the Law of England and Wales. .WZ \PM JMVMÃ…\ WN +) 4\L ITT JQLLMZ[ IVL [MTTMZ[ IOZMM \PI\ \PM +W]Z\[ WN -VOTIVL IZM \W PI^M M`KT][Q^M R]ZQ[LQK\QWV \W [M\\TM ITT LQ[X]\M[ IZQ[QVO QV connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship warranty relate or apply. All parties agree that CA Ltd shall retain the right to bring proceedings in any court other than the Courts of England.

SPECIALISTS

ANTIQUITIES & TRIBAL ART Alice King, Head of Department alice.king@chiswickauctions.co.uk

JEWELLERY Sarah Duncan, Head of Department sarah@chiswickauctions.co.uk

ARMS, ARMOUR & MILITARIA Matthew Easton, Head of Department matthew.easton@chiswickauctions.co.uk

MODERN DESIGN Bruce Addison, Head of Department bruce.addison@chiswickauctions.co.uk

ASIAN ART Lazarus Halstead, Head of Department lazarus@chiswickauctions.co.uk

PHOTOGRAPHICA Austin Farahar, Head of Department austin.farahar@chiswickauctions.co.uk

Yasuko Kido, Japanese Art Specialist yasuko@chiswickauctions.co.uk

RARE BOOKS & WORKS ON PAPER Clive Moss, Head of Department clive.moss@chiswickauctions.co.uk

CERAMICS & GLASS Dr. Jim Peake, Head of Department jim@chiswickauctions.co.uk

Valentina Borghi, Head of Sales - Autographs & Memorabilia valentina.borghi@chiswickauctions.co.uk

DESIGN & INTERIORS Liz Winnicott, Head of Department liz.winnicott@chiswickauctions.co.uk

RUGS & CARPETS Mark Henry Lampé, Head of Department mark.lampe@chiswickauctions.co.uk

DESIGNER HANDBAGS & FASHION Meg Randell, Head of Department meg@chiswickauctions.co.uk

SILVER & OBJECTS OF VERTU John Rogers, Head of Department john.rogers@chiswickauctions.co.uk

EUROPEAN WORKS OF ART & CLOCKS Rachael Osborn-Howard, Head of Department rachael@chiswickauctions.co.uk

URBAN ART Penelope Sonder, Head of Department penelope.sonder@chiswickauctions.co.uk

FINE ART Adrian Biddell, Head of Department adrian.biddell@chiswickauctions.co.uk

WATCHES Tomas Aznar, Head of Department tomas.aznar@chiswickauctions.co.uk

Suzanne Zack, Head of Sale - British and European Fine Art suzanne@chiswickauctions.co.uk

WINE & SPIRITS Sam Hellyer, Head of Department sam.hellyer@chiswickauctions.co.uk

Krassi Kuneva, Head of Sale - Modern & Post-War British Art kkuneva@chiswickauctions.co.uk Melissa van Vliet, Head of Sale - Old Masters melissa.vanvliet@chiswickauctions.co.uk ISLAMIC & INDIAN ART Beatrice Campi, Head of Department beatrice.campi@chiswickauctions.co.uk

SALE CALENDAR

APRIL

27

SATURDAY Motoring

30

TUESDAY Ceramic & Glass

MAY

03

FRIDAY Islamic & Indian Art including Fine Rugs & Carpets

08

WEDNESDAY Design & Interiors

14

TUESDAY Jewellery

15

WEDNESDAY Designer Handbags & Fashion

16

THURSDAY Photographica

20

MONDAY Asian Art Fine Chinese Paintings Chinese Wood

21

TUESDAY Asian Art

Please note that these auction dates are subject to change.

SPECIALISTS

Krassi Kuneva

Adrian Biddell

Melissa van Vliet

Head of Sale Modern & Post-War British Art kkuneva@chiswickauctions.co.uk

Head of Department Paintings & Fine Art adrian.biddell@chiswickauctions.co.uk

Head of Sale Old Master Paintings melissa.vanvliet@chiswickauctions.co.uk

Suzanne Zack

Julian Laurence Samuels

Luke Price

Head of Sale British & European Fine Art suzanne.zack@chiswickauctions.co.uk

Department Coordinator Paintings & Fine Art julian.samuels@chiswickauctions.co.uk

Specialist Paintings & Fine Art luke.price@chiswickauctions.co.uk

BUYER’S PREMIUM The buyer shall pay Chiswick Auctions Ltd a premium on the hammer price of 25% plus VAT on that commission. TELEPHONE BIDDING Please note that requests for telephone bids should be submitted no later than 5pm on the day prior to the sale.

LIVE BIDDING

the-saleroom.com Please note there is a 4.95% +VAT surcharge for using this service.

COLLECTION OF LOTS Buyers are asked to collect their lots on the day of the sale or between 10.00 and 18.00 up until close of business on Friday following the sale. IMPORTANT INFORMATION

invaluable.co.uk Please note there is a 5% +VAT surcharge for using this service.

ARTIST’S RESALE RIGHT/DROIT DE SUITE

Lots marked with ARR indicates that an additional levy may apply for this lot. Please see our Terms & Conditions for more information.

Modern & Post-War British Art 16 April 2019

1 Colville Road, London W3 8BL +44 (0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk

Modern & Post-War British Art London 16th April 2019

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