Chiswick-Auctions-Old Master-Paintings-March-2019

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Old Master Paintings including Drawings London 20th March 2019

SPECIALISTS

Melissa van Vliet

Adrian Biddell

Krassi Kuneva

Head of Sale Old Master Paintings melissa.vanvliet@chiswickauctions.co.uk

Head of Department Paintings & Fine Art adrian.biddell@chiswickauctions.co.uk

Head of Sale Modern & Post-War British Art kkuneva@chiswickauctions.co.uk

Suzanne Zack

Julian Laurence Samuels

Luke Price

Head of Sale British & European Fine Art suzanne.zack@chiswickauctions.co.uk

Department Coordinator Paintings & Fine Art julian.samuels@chiswickauctions.co.uk

Specialist Paintings & Fine Art luke.price@chiswickauctions.co.uk

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Old Master Paintings including Drawings

Wednesday 20th March 2019, 14.00

VIEWING AT SOUTH KENSINGTON selected highlights Saturday 9th - Wednesday 13th March 11.00 - 17.00

VIEWING AT CHISWICK full sale Saturday Sunday Monday Tuesday

16 March 17 March 18 March 19 March

11.00 - 17.00 11.00 - 17.00 10.00 - 18.00 10.00 - 14.00

PHOTOGRAPHERS GENERAL ENQUIRIES +44(0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk 1 Colville Road, London W3 8BL 127 Fulham Road, London SW3 6RT

Steven McCauley Jordan Salzmann Darrell Russell

Basak Ulukose

Front cover: Lot 35 Back cover: Lot 15

1 FOLLOWER OF GERARD DAVID Crucifixion with the Virgin and St John the Evangelist inscribed ‘· christus heeft eens · voor vele sonde gheleede · die rechtveedighe voor · / · die onrechtveedighe · opdat hi mis god zoude · ende is ghedoot na · / · den vleelche · maer levendich gemaect na den gheest · 1 peteri 3 ·’ (along the bottom edge) oil on panel, unframed 23 x 157⁄8 in. (58.4 x 37.8 cm.) £2,000-£3,000

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2 FOLLOWER OF FRANS FRANCKEN THE YOUNGER Adoration of the Magi oil on panel, tondo 73⁄8 in. (18.8 cm.) £600-£800

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*See inside front cover for information regarding fees

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3 CIRCLE OF SIR ANTHONY VAN DYCK (ANTWERP 1599-1641 LONDON) St George oil on canvas 22 x 175⁄8 in. (55.9 x 44.8 cm.) with a red wax seal (on the reverse) £6,000-£8,000

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5 4 ALEXANDER COOSEMANS (ANTWERP 1627-1689) Fruit and vegetables by a basket, a landscape beyond oil on canvas 203⁄4 x 303⁄4 in. (52.7 x 78.1 cm.)

5 FOLLOWER OF DAVID DE CONINCK Hare with a hunting dog oil on canvas 223⁄4 x 28 in. (57.8 x 71.2 cm.)

PROVENANCE: Anonymous sale; Österreichischer Kunstverein, Vienna, 20 October 1910, lot 36, as ‘Jan Davidsz. de Heem’.

£1,500-£2,000

Dr. Fred G. Meijer confirmed the attribution after inspection of the original. Dr. Meijer dates the picture to after 1651, following Coosemans’s sojourn in Italy £1,500-£2,500 4

*See inside front cover for information regarding fees

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6 ADRIAEN VAN UTRECHT (ANTWERP 1599-1652) AND DAVID TENIERS II (ANTWERP 1610-1690) A table laden with game with a hunting party beyond signed and dated ‘Adriaen van utrecht / fe˙ ano 1647’ (lower right, on the table ledge) oil on canvas 323⁄4 x 45 in. (85.8 x 114.4 cm.) PROVENANCE: Anonymous sale; Galerie Fischer, Lucerne, 1 June 1948, lot 2525. Dr. Fred G. Meijer proposed the attribution of the figures to David Teniers II after inspection of the original. £8,000-£12,000

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7 FOLLOWER OF SIR ANTHONY VAN DYCK Portrait of a gentleman, traditionally identified as Henry Rich (1590-1649), 1st Earl of Holland, painted oval oil on canvas 283⁄4 x 23 in. (73.1 x 58.4 cm.) PROVENANCE: The Countess of Craven (according to an old label on the reverse) Anonymous sale; Christie’s, South Kensington, 13 February 1997, lot 183. £1,000-£1,500 8 AFTER SIR ANTHONY VAN DYCK Self-portrait, painted oval oil on canvas 235⁄8 x 19 in. (60 x 48.3 cm.) After the picture of c.1640 in the National Portrait Gallery, London. £400-£600 9 FOLLOWER OF HANS EWORTH Head of Christ with a crown (upper left); with inscription ‘SUMBOLA. TERNA VIDES CHRISTUMQ. CRUCEMQ. / CORONAM. DVXCHRISTI.... CORONA. SALUS. PER MAJA......... IPSE-SLUTEM. / TV.FORE VIS-SALUS.’ (along the bottom edge) oil on panel 121⁄4 x 107⁄8 in. (31.1 x 27.6 cm.) 8

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£1,000-£1,500

*See inside front cover for information regarding fees

10 10 ENGLISH SCHOOL, CIRCA 1630 Portrait of a lady, half-length, in a black and white embroidered dress, embellished with pearls and a ruff collar oil on canvas 303⁄4 x 25 in. (78.2 x 63.5 cm.) PROVENANCE: Colonel Frederick Arthur Irby, Boyland Hall, Moningthorpe, by 1907, and by descent to, Mrs Victor Ramsay Fairfax of Brook House, Great Waldingfield, Sudbury, Suffolk, her sale; Christie’s, London, 18 April 1957, lot 10 (as Zuccaro). LITERATURE: F. Duleep Sing, Portraits in Norfolk Houses, Norwich, 1927, p.28, no.32 (as at Boyland Hall). £5,000-£7,000 7

11 AFTER SIR PETER LELY Portrait of King Charles II (1630-1685) with inscription ‘Charles the Second / King of England’ (lower right) oil on canvas 49 x 39 in. (124.4 x 99.1 cm.) £2,000-£3,000

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12 ENGLISH SCHOOL, CIRCA 1660s Portrait of a gentleman, traditionally identified as Andrew Marvell (1621-1678) oil on canvas, unframed 293⁄4 x 29 in. (75.6 x 66 cm.) The sitter has been traditionally identified as Andrew Marvell, an important poetical figure in the English metaphysical movement alongside John Milton and John Donne, best known for his poem, To his Coy Mistress (1681). It has been called into question whether the sitter is indeed Marvell, because he has been depicted with blue eyes. An earlier depiction of the poet in the National Portrait Gallery depicts him with brown eyes, a rounder face, and shorter hair. Also, John Aubrey’s Brief Lives, a contemporary account of Marvell, describes him as ‘of middling stature, pretty strong sett, roundish faced, cherry-cheek’t, hazell eie, brown haire’. £2,000-£3,000

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*See inside front cover for information regarding fees

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13 CIRCLE OF JOHN MICHAEL WRIGHT (LONDON 1617-1694) Portrait of George Monck (1608-1670), 1st Duke of Albemarle, threequarter-length, in armour, a landscape with Charles II landing at Dover in 1660 beyond inscribed ‘GIORGIO MONK [sic] DUCA DI ALBERMALE [sic] CAPITAN GENERALE / DEL REGNO D’INGHILTERRA, E DUE VOLTE AMMIRAGLIO DEL M’ (along the top edge) oil on canvas, unframed 495⁄8 x 403⁄8 in. (126 x 102.5 cm.) This portrait celebrates the key role that Monck played in the Restoration Settlement in 1660 that led to the return of Charles II to Great Britain, which undoubtedly marked the very height of Monck’s distinguished career. Monck had skilfully masterminded the

agreement between Parliament and the exiled Stuart court. He was ideally positioned to negotiate a peaceful change of power; he was a member of the council of state and commander-in-chief of all military units in Britain. In return, Monck was created Baron Monck of Potheridge, Beauchamp, and Teyes, Earl of Torrington and Duke of Albemarle. He was also made Master of the Horse in the restored Royal court and presented with the insignia of the Garter by the King himself. The prime version of this particular composition is in the Uffizi Gallery, Florence. Two further portraits by Wright of Monck, which differ in composition from the present lot, exist. One of which appeared on the art market in 2009, formerly at Powderham Castle, and the other currently at Longleat House. £7,000-£10,000 9

14 14 JOSEPH WRIGHT OF DERBY (DERBY 1734-1797) Portrait of a lady, traditionally identified as Susannah Fenton, in a blue and pink dress with a feathered hat, feigned oval with inscription ‘Miss Fenton Granddaughter to / John Wedgwood Esq of Harracles / Drawn in Yr Year 1755.’ (on an old label on the stretcher) oil on canvas 297⁄8 x 247⁄8 in. (75.9 x 63.2 cm.) LITERATURE: (probably) B. Nicolson, Joseph Wright of Derby: Painter of Light, London and New York, 1968, I, p. 196. We are grateful to Brian Allen for confirming the attribution on the basis of a photograph. The label on the reverse identifies the sitter as Susannah Fenton, only daughter of Susannah Wedgwood (b.1699) and John Fenton (16931743). Miss Fenton was the granddaughter of John Wedgwood of Harracles (1669-1757), Harracles Hall, Longsdon, Staffordshire. According to the London Chronicle of 16-22 February 1763, Miss Fenton married Captain John Daniell in Litchfield. Daniell was a captain in Colonel Burton’s regiment, an infantry rifle regiment of the British army who fought successfully against the Cherokees in the Anglo-Cherokee war (1758-1761).

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The present lot is an excellent example of Wright of Derby’s early portraits. A Miss Fenton is recorded three times in the artist’s account book. Nicholson noted it amongst the early portraits of c.1760. However, the more recent discovery of the portrait of Anne Bateman, which is signed and dated 1755, shed a new light on dating the artist’s early works. Wright of Derby commenced his training in Thomas Hudson’s studio in 1751 and returned to Derby in 1753, where he settled for a while and painted family and friends. The present lot can be dated to this period. In 1756 he returned to Hudson’s studio to finalise his training. Wright of Derby had close ties with local community and was associated with members of the illustrious Lunar Society, a group of Midlands intellectuals, industrialists and scientists that challenged established beliefs and pioneered in research and innovation. The likes of Erasmus Darwin (grandfather of Charles) and Josiah Wedgwood were members of the society and the latter was one of the artist’s most important patrons. Furthermore, Josiah was a distant relative of the sitter’s grandfather. £6,000-£8,000

*See inside front cover for information regarding fees

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PROPERTY OF A GENTLEMAN (LOT 15) 15 ENGLISH SCHOOL, CIRCA 1720-1730 Double portrait of a young boy and girl, bust-length, painted oval oil on canvas 83⁄8 x 121⁄2 in. (21.3 x 31.8 cm.) PROVENANCE: The Bohn Collection, 1885. Mrs Bartlett, London; Christie’s, London, 30 May 1932, lot 282, as Hogarth. £1,000-£1,500

16 STUDIO OF SIR GODFREY KNELLER (LÜBECK 1646-1723 LONDON) Portrait of a lady, bust-length, in a red dress, painted oval oil on canvas 30 x 243⁄4 in. (76.2 x 62.9 cm.) £1,000-£1,500

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17 CIRCLE OF SIR JOSHUA REYNOLDS (PLYMPTON, DEVON 1723-1792 LONDON) Portrait of a gentleman, half-length, in a green coat and blue waistcoat oil on canvas 261⁄2 x 22 in. (67.3 x 55.9 cm.) £3,000-£5,000

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18 AFTER SIR JOSHUA REYNOLDS Self-portrait, painted oval oil on canvas 291⁄2 x 241⁄2 in. (74.9 x 62.2 cm.) After the picture of 1764-7 in the City Art Gallery, Plymouth. £800-£1,200

19 ENGLISH SCHOOL, 19TH CENTURY Portrait of a gentleman, halflength, in a black coat oil on canvas 291⁄2 x 241⁄2 in. (75 x 62 cm.) £600-£800 18

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*See inside front cover for information regarding fees

20 AFTER SIR JOSHUA REYNOLDS Young girl with her dog oil on canvas 30 x 241⁄8 in. (76.2 x 61.3 cm.) After the picture of c.1780 in Tokyo Fuji Art Museum, Tokyo. £2,000-£3,000

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21 CIRCLE OF SIR THOMAS LAWRENCE (BRISTOL 1769-1830 LONDON) Portrait of Princess Charlotte (1796-1817) oil on canvas 297⁄8 x 25 in. (75.9 x 63.5 cm.) PROVENANCE: Major Frank Goldsmith (1878-1967), MP, and by descent to the present owner. After the picture of 1801-2 at Buckingham Palace of the Princess with her mother Queen Caroline. There is another portrait by Lawrence, of the same size as the present in lot, at Windsor Castle. Goldsmith was a Conservative Party politician who served as a MP. Born in Germany, the Major’s political career came to an end due to anti-German sentiment during the First World War. Goldsmith, a friend of Winston Churchill, left Britain to serve in Gallipoli and never returned due to his feelings of betrayal. He settled in Paris subsequently where he became a director of a chain of luxury hotels. During the Second World War he had to flee again, for being Jewish and this painting was amongst his possessions that remained hidden during the war. £1,500-£2,000

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23 22 AFTER GIOVANNI BELLINI Madonna of the meadow watercolour on paper 151⁄4 x 201⁄4 in. (38.7 x 51.4 cm.) After the picture of 1500-5 in The National Gallery, London. £500-£700

23 MANNER OF SEGNA DI BONAVENTURA, 19TH/20TH CENTURY The Madonna and Child enthroned on gold ground, unframed 261⁄2 x 207⁄8 in. (67.3 x 53.1 cm.) £700-£900

24 24 COLONIAL SCHOOL, LATE 18TH/EARLY 19TH CENTURY Madonna and Child inscribed ‘IN GREMIO MATRIS SEDET / SAPIENTIA PATRIS’ (on the scroll); and further inscribed ‘IL VERO BITRATO DELLA SACRATISIMA VERGINE MARIA MIRACOLOSA IN VALLE DE VIGEZZO IN RE’ (along the bottom edge) oil on canvas 291⁄2 x 231⁄4 in. (75 x 59 cm.)

The present lot refers to a famous fresco depicting the Nursing Madonna in the Santuario della Madonna del Sangue, in Re, Val Vigezzo, Italy. In 1494, a stone hit the fresco and it miraculously started to bleed. Therefore this painting depicts the Virgin with drops of blood on her forehead.

£800-£1,200 14

*See inside front cover for information regarding fees

25 FOLLOWER OF ANNIBALE CARRACCI Christ Child with lamb with inscription ‘No: 3 / Del Caracci / Dal Sir / Thomas Riddell Esq’ (on the reverse) oil on canvas, unframed 29 x 21 in. (73.7 x 53.3 cm.) PROVENANCE: Sir Thomas Riddell Esq (according to an inscription on the reverse) £500-£700 26 FERRARESE SCHOOL, CIRCA 1600 Flight into Egypt oil on canvas 143⁄4 x 203⁄4 in. (37.5 x 52.7 cm.)

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£400-£600 27 MANNER OF GUIDO RENI Christ oil on canvas, unframed 24 x 181⁄2 in. (61 x 47 cm.) £400-£600 28 FOLLOWER OF ANDREA SOLARIO Ecce Homo oil on panel, unframed 131⁄4 x 91⁄4 in. (33.7 x 23.5 cm.) £500-£700 26

29 FOLLOWER OF BARTOLOMÉ ESTEBAN MURILLO St Joseph oil on canvas, oval 293⁄4 x 243⁄4 in. (75.6 x 62.8 cm.)

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PROVENANCE: Anonymous sale; Christie’s, London, 1 November 1968, lot 153. £800-£1,200 30 AFTER GIOVANNI BATTISTA SALVI, IL SASSOFERRATO The Madonna oil on canvas 171⁄2 x 143⁄8 in. (44.4 x 36.5 cm.) £400-£600 27

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31 AFTER ANTONIO ALLEGRI, IL CORREGGIO Holy Family with St Jerome oil on canvas 257⁄8 x 213⁄4 in. (65.7 x 55.3 cm.) After the picture of c.1519 in the Royal Collection. £2,500-£3,500

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32 AFTER ANTONIO ALLEGRI, IL CORREGGIO The Madonna of the Basket oil on panel 141⁄2 x 113⁄8 in. (36.8 x 28.9 cm.) After the picture of c.1524 in The National Gallery, London. £3,000-£5,000

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*See inside front cover for information regarding fees

33 AFTER TIZIANO VECELLIO, CALLED TITIAN Flora oil on canvas 311⁄4 x 243⁄4 in. (79.4 x 62.9 cm.) PROVENANCE: Lt Colonel E. S. Capel, No 16, July 20th 187* (according to a label on the reverse) After the picture of c.1517 in The Uffizi, Florence. £2,500-£3,500

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34 AFTER GIOVANNI FRANCESCO ROMANELLI The Cumean Sibyl oil on canvas 251⁄2 x 201⁄8 in. (64.8 x 51.1 cm.) After the picture in the Museo Nazionale di Capodimonte, Naples. £3,000-£5,000

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36 35 CIRCLE OF GIOVANNI ROMANELLI (VITERBO 1610-1662) Rinaldo and Armida oil on canvas 275⁄8 x 363⁄8 in. (70.2 x 92.4 cm.) £5,000-£7,000

36 CIRCLE OF CHARLES-FRANCOIS GRENIER DE LACROIX, CALLED LACROIX DE MARSEILLE (MARSEILLE C.1730-1782 BERLIN) A mountainous coastal landscape with fisherfolk oil on canvas 263⁄4 x 45 in. (68 x 114 cm.) £3,000-£5,000

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*See inside front cover for information regarding fees

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37 AFTER DOMENICO ZAMPIERI, IL DOMENICHINO A Sibyl oil on canvas 32 x 251⁄2 in. (81.3 x 64.8 cm.) After the picture of the early 1620s, Wallace Collection, London. £5,000-£8,000 19

38 (a pair)

38 FRANS DE HULST (HAARLEM C.1606-1661) River landscape with a castle and fishing boats; and River landscape with a fortified town and figures loading boats the former signed ‘F.D. HULST’ (on a piece of driftwood) oil on panel, oval 151⁄4 x 21 in. (38.7 x 53.3 cm.) a pair (2)

LITERATURE: H.-U. Beck, Kunstler um Jan van Goyen, vol. 4, cat. no. 533. We are grateful to Ellis Dullaart, of the RKD, The Hague, for confirming the attribution on the basis of photographs. £1,500-£2,500

PROVENANCE: Gilbert de Pouton Nicholson; Lepke, Berlin, 8 April 1924, lots 62 and 63.

39 AFTER MEINDERT HOBBEMA The watermill oil on canvas 261⁄2 x 331⁄4 in. (67.3 x 84.5 cm.) After the picture of c.1664-8 in Petit Palais, Paris, with minor differences. £500-£700

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*See inside front cover for information regarding fees

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41 40 CIRCLE OF RICHARD WILSON (PENEGROES 1713/4-1782 COLOMENDY) Celadon and Amelia oil on canvas 27 x 331⁄2 in. (68.6 x 85.1 cm.)

41 CIRCLE OF AERT VAN DER NEER (AMSTERDAM 1603/4-1677) River landscape by moonlight with a windmill and fisherman with monogram ‘AV.DN’ (lower left) oil on panel 163⁄8 x 223⁄8 in. (41.5 x 56.8 cm.)

£2,000-£3,000

£1,500-£2,500

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44 (a pair)

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*See inside front cover for information regarding fees

42 FOLLOWER OF MICHIEL VAN MIEREVELT Portrait of a gentleman, bust-length, wearing a breastplate and red sash, painted oval oil on panel 287⁄8 x 233⁄8 in. (73.3 x 59.4 cm.) PROVENANCE: Anonymous sale; Christie’s, South Kensington, 20 September 2006, lot 1580. £800-£1,200 43 JOHANNES VOLLEVENS II (THE HAGUE 1685-1759) Portrait of a gentleman, three-quarter-length, wearing a breastplate and Order of the Elephant signed and dated ‘J Vollevens / Février. f 1710’ (lower right) oil on canvas 201⁄2 x 173⁄8 in. (52.1 x 44.2 cm.) PROVENANCE: Anonymous sale; Bonhams, Knightsbridge, 11 June 2013, lot 142.

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The Order of the Elephant was founded in 1457 by King Christian I of Denmark and Norway (1426-81) and is the highest Danish Order which until 1808 was distributed to only royals. £1,000-£1,500 44 FOLLOWER OF NICOLAES MAES Portrait of a gentleman. three-quarter-length, with a red wrap; and Portrait of a lady, three-quarter-length, in a pink dress oil on canvas 191⁄2 x 16 in. (49.5 x 40.6 cm.) a pair (2) £1,000-£1,500 45 ENGLISH SCHOOL, EARLY 19TH CENTURY Shipping in choppy waters signed with initials ‘H L’ (on the barrel) oil on canvas 211⁄2 x 301⁄8 in. (54.6 x 76.5 cm.)

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£1,500-£2,000 46 CONTINENTAL SCHOOL, CIRCA 1800 Construction scene with a city in background oil on canvas 251⁄2 x 331⁄4 in. (64.8 x 84.4 cm.) £700-£1,000 47 W. MURRAY, 1794 Game birds and a hunting dog signed and dated ‘W. Murray Pinxit. 1794’ (lower right) oil on canvas, unframed 265⁄8 x 44 in. (67.6 x 111.8 cm.) The artist could be William Murray, whose work is chiefly known through a small group of pictures, mainly small portraits of hounds, formerly with Arthur Ackermann. £600-£800

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FROM THE COLLECTION OF CHRISTOPHER FRY (1907-2005) Playwright, Educator, Poet, Actor Lots 48 & 49

Christopher Fry was one of the most celebrated English poets and playwrights of the 20th century and the leading figure, together with T.S. Eliot, in the revival of poetic drama. In 1948 he emerged with his lively verse play, “The Lady’s Not for Burning” and was able to consolidate his position in the 1950s and 1960s with a series of plays in free verse, including “Venus observed”, “Ring Around the Moon” and “The Boy With the Cart”. He worked with all the biggest names of the British stage, from John Gielgud to Laurence Oliver and occasionally lent his talents to Hollywood, helping with the script of Ben Hur and other movies. In the 1970s and 1980s he worked on several translations and wrote TV series and a short play about the early religious poet Caedmon for performance in Chelmsford Cathedral. He was a passionate collector of fine art and amassed a large collection.

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48 AFTER GIOVANNI FRANCESCO GRIMALDI, IL BOLOGNESE Extensive river landscape with figures bathing pen and ink and grey wash on laid paper, laid down 261 x 391 mm. This appears to be a close copy in reverse with slight deviation after a drawing held in Collection of S. P. Yaremich, Petrograd, (1919.)

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49 GENOESE SCHOOL, 17TH CENTURY Agony in the Garden sepia wash over black chalk heightened with white chalk on buff paper, laid down 235 x 261 mm. £300-£500

£800-£1,200

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*See inside front cover for information regarding fees

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51

50 CIRCLE OF BARTOLOMEO PINELLI (ROME 1781-1835) The Triumph of a Roman Emperor indistinctly inscribed (?) (upper left) pencil, pen and brown ink and sepia wash, the outlines pricked for transfer, on laid paper, laid down 240 x 559 mm.

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51 AFTER SIR PETER PAUL RUBENS Seated young woman pencil on paper 340 x 267 mm. with an indistinct pencil inscription and unidentified mark on the reverse £150-£250

52 ITALIAN SCHOOL, CIRCA 1600 Head of a young man red chalk on wove paper 300 x 205 mm. £250-£350

£500-£700

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53 ENGLISH PROVINCIAL SCHOOL, 19TH CENTURY Double portrait of two children, seated on a red velvet cushion oil on canvas, unframed 311⁄8 x 255⁄8 in. (79 x 65 cm.) £1,200-£1,800

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54 ENGLISH SCHOOL, 18TH CENTURY Military exercise in a parkland indistinctly signed ‘F Scheidt....’ (?) (lower centre) oil on canvas laid down on panel, unframed 141⁄2 x 193⁄4 in. (36.8 x 50.2 cm.) £1,000-£1,500

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55 ENGLISH SCHOOL, 18TH CENTURY Figures by a stream oil on canvas 131⁄4 x 171⁄4 in. (33.8 x 44.3 cm.) bears a label on the reverse referring to the “Limnerslease” sale, The Residence of the late G.F. Watts, R.A..; Nicholas, London, 13 March 1939. £400-£600

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*See inside front cover for information regarding fees

56 CIRCLE OF THOMAS HICKEY (DUBLIN 1741-1824 INDIA) Portrait of lady, half-length, in a black dress with pearls oil on copper, oval 16 x 127⁄8 in. (40.8 x 30.2 cm.) £400-£600

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58

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57 ENGLISH PROVINCIAL SCHOOL, 19TH CENTURY Portrait of a boy, full-length, seated with his dog oil on canvas, unframed 361⁄8 x 283⁄8 in. (92 x 72 cm.) £400-£600

58 CIRCLE OF JOHN DOWNMAN (RUABON, WALES 1750-1824 WREXHAM) Portrait of a gentleman, bust-length, in a blue coat and white cravat, painted oval oil on canvas 15 x 12 in. (38.1 x 30.4 cm.)

59 ENGLISH SCHOOL, CIRCA 1800 Portrait of a judge oil on canvas 291⁄4 x 24 in. (74.5 x 61 cm.) £600-£800

£400-£600

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60 60 GEORGE ROMNEY (DALTON-IN-FURNESS, LANCASHIRE 1734-1802 KENDAL, CUMBRIA) AND STUDIO Portrait of Colonel James Lowther (1753-1837), half-length, in uniform oil on canvas 293⁄4 x 243⁄4 in. (75.6 x 65.4 cm.) PROVENANCE: By descent through the sitter’s family to the present owner. The sitter’s head was certainly painted by Romney. The costume was executed by a different hand, quite likely after the artist’s death. £5,000-£7,000

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*See inside front cover for information regarding fees

61 THOMAS BEACH (MILTON ABBAS 1738-1806 DORECHESTER) Portrait of Robert Helyar (c.1748-1781), half-length, in uniform transcribed ‘Robert Helyar Aged 20 years / 1768’ (on the reverse) oil on canvas 30 x 253⁄8 in. (76.2 x 64.4 cm.) PROVENANCE: By descent through the sitter’s family at Coker Court, Yeovil, Somerset. Colonel and Mrs Walker Heneage, by 1937, and by descent to the present owner. EXHIBITED: Bristol, R.W.A., Art Treasures of the West Country, 24 May-26 June 1937, no. 127 (lent by Mrs.Walker Heneage). £2,000-£3,000

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62 FOLLOWER OF THOMAS GAINSBOROUGH Portrait of an Infantry Officer oil on canvas 30 x 247⁄8 in. (76.2 x 63.7 cm.) The sitter wears the uniform of an infantry officer, as shown by the gorget worn around his neck, probably of the 32nd Regiment of Foot. He is depicted as being ‘on duty’ wearing his sash and the gorget, both of which items would be laid aside when in society or on nonduty occasions. We are grateful to Andrew Cormack, PhD FSA, FRHistS (www.andrewcormack.com) for his assistance in cataloguing the present lot. £2,000-£3,000

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63 CIRCLE OF RICHARD WILSON (PENEGOES 1713/4-1782 COLOMENDY) Extensive landscape with travellers in the foreground oil on canvas 167⁄8 x 133⁄8 in. (42.9 x 34 cm.) £600-£800

63

64 ATTRIBUTED TO EDWARD ORAM (FL.1766-1799) Travellers crossing a bridge oil on panel 71⁄4 x 103⁄4 in. (18.4 x 27.3 cm.) PROVENANCE: J S Maas & Co Ltd, London. £400-£600

64

65 CIRCLE OF BENJAMIN BARKER (PONTYPOOL 1776-1838 TOTNES) Wooded landscape with a stream: a sketch oil on paper laid down on board 51⁄4 x 73⁄4 in. (13.4 x 19.7 cm.) £300-£500

65 30

*See inside front cover for information regarding fees

66

66 CIRCLE OF JOSEPH WRIGHT OF DERBY, A.R.A. (DERBY 1734-1797) A view of Vesuvius from Posillipo, Naples oil on canvas 227⁄8 x 29 in. (58.2 x 73.7 cm.) £4,000-£6,000

31

67 AFTER JOHN MARTIN The Conflict Between Satan and Death; Satan Contemplating Adam and Eve in Paradise; The Archangel Gabriel Approaching Adam and Eve; and Satan Tempting Eve oil on canvas the first two 183⁄4 x 27 in. (47.6 x 68.6 cm.); 185⁄8 x 271⁄4 in. (47.3 x 69.2 cm.); 185⁄8 x 263⁄4 in. (47.3 x 67.3 cm.) four in the lot (4) The Conflict Between Satan and Death PROVENANCE: Anonymous sale: Sotheby’s, London, 18 March 1964, lot 56. Anonymous sale: Sotheby’s, London, 10 June 1970, lot 327 (£45 to M.S.Forber[sic]). EXHIBITED: Festival of Britain Exhibition, Tyneside’s Contribution to Art, Laing Art Gallery, Newcastle, 1951. LITERATURE: T. Balston, John Martin, 1789-1854, His Life and Works, 1947, pp.94-105. Satan Contemplating Adam and Eve in Paradise; and Satan Tempting Eve PROVENANCE: Anonymous sale: Sotheby’s, London, 18 March 1964, lot 60 & 67. R.T. Laughton, c.1970. Private Collection. Anonymous Sale; Phillips, London, 16 June 1998, lot 26. EXHIBITED: Festival of Britain Exhibition, Tyneside’s Contribution to Art, Laing Art Gallery, Newcastle, 1951. John Martin Exhibition, Laing Art Gallery, Newcastle, October, 1970. LITERATURE: T. Balston, John Martin, 1789-1854, His Life and Works, 1947, pp.94-105. The Archangel Gabriel Approaching Adam and Eve PROVENANCE: Thomas Laughton. Anonymous sale: Sotheby’s, London, 18 March 1964, lot 64. Anonymous sale: Christie’s, London, 19 November 1970, lot 248 (80 guineas to Dailey). EXHIBITED: Festival of Britain Exhibition, Tyneside’s Contribution to Art, Laing Art Gallery, Newcastle, 1951. Virtue Rewarded: Victorian Paintings from the Forbes Magazine Collection, various locations, 1988-90, no. 44. LITERATURE: T. Balston, John Martin, 1789-1854, His Life and Works, 1947, pp.94-105. After the mezzotint illustrations that John Martin designed for John Milton’s poem Paradise Lost (1667, revised edition 1674). The publisher Septimus Prowett commissioned Martin in 1824 and 24 prints were published between 1825-7. £1,500-£2,000

67

32

*See inside front cover for information regarding fees

68

68 ATTRIBUTED TO THOMAS BLANCHET (?PARIS 1614-1689 LYON) Architectural capriccio with a historical scene oil on canvas 251⁄2 x 351⁄2 in. (64.8 x 90.2 cm.) £8,000-£12,000

33

69 FRENCH SCHOOL, 18TH CENTURY Portrait of a gentleman, half-length, in a red coat oil on canvas 265⁄8 x 217⁄8 in. (67.6 x 55.6 cm.) £1,500-£2,000

69

70 CIRCLE OF LOUIS LEOPOLD BOILLY (LA BASSÉE 1761-1845 PARIS) At the market with indistinct signature (?) (upper right) oil on canvas 247⁄8 x 191⁄2 in. (63.2 x 49.5 cm.) PROVENANCE: Estate of Giancarlo Baroni. £1,000-£1,500

70 34

*See inside front cover for information regarding fees

71

72

71 FRENCH SCHOOL, 18TH CENTURY Portrait of a gentleman, bust-length, in a blue coat and white cravat oil on canvas 231⁄2 x 181⁄4 in. (59.7 x 46.4 cm.) To be sold without reserve. £800-£1,200

72 FRENCH SCHOOL, 18TH CENTURY Portrait of a lady, bust-length, in a blue dress and lace headdress oil on canvas, oval 241⁄2 x 18 in. (62.2 x 45.7 cm.) £800-£1,200

73 FRENCH SCHOOL, 18TH CENTURY Interior with an elegant lady, her spaniel and maid before a fireplace indistinctly signed (?) ‘f**’ (on bed frame, centre left) oil on panel 131⁄4 x 105⁄8 in. (33.4 x 26.8 cm.) PROVENANCE: Estate of Giancarlo Baroni. £1,200-£1,800 73 35

74 AFTER CARLO DOLCI St John the Evangelist, painted tondo with inscription ‘Revd Bowyer Adderley’ (on the reverse) oil on canvas 34 x 34 in. (86.4 x 86.4 cm.) in a carved Florentine frame After the picture in Palazzo Pitti, Florence. £3,000-£5,000

74

75 LUCA GIORDANO (NAPLES 1634-1705) The Penitent Magdalene oil on canvas 371⁄2 x 293⁄4 in. (95.3 x 75.6 cm.) Professor Nicola Spinosa has confirmed the attribution to the present owner and dates the painting to c.1660. £4,000-£6,000

75 36

*See inside front cover for information regarding fees

76

76 FRANCESCO TREVISANI (CAPODISTRIA 1656-1746 ROME) Mary of Egypt oil on canvas 383⁄4 x 52 in. (98.4 x 132.1 cm.) PROVENANCE: Anonymous sale; Christie’s, Rome, 3 June 1997, lot 430. Karin Wolfe has confirmed the attribution after first-hand inspection. This is an autograph version of the original in the Galleria Nazional d’Arte Antica, Rome. Though the subject of the prime version is described as being Mary Magdalene, it has recently been discovered that both the present lot and the version in Rome include three loaves of bread, traditionally the only food that Mary of Egypt took with her into the desert after her conversion to Christianity.

The story of St. Mary of Eygpt originated in Jacobus de Voragine’s Golden Legend. She was a prostitute in ancient Alexandria before she went to Jerusalem, where she became a Christian. She lived in the desert as a hermit, going without food for years. According to the Legend, the three loaves of bread lasted her for seventeen years. Francesco Trevisani was taught how to draw by his father Antonio, an architect, and trained under the artist Antonio Zanchi (1631-1722) in Venice. He settled in Rome and counted Cardinal Flavio Chigi (1631-1693) and Cardinal Pietro Ottoboni (1667-1740), nephew of Pope Alexander VIII, amongst his patrons. Ottoboni was Trevisani’s most significant supporter for over 35 years. Trevisani shared the Cardinal’s enthusiasm for art in all its forms, in addition to being a painter, he was also a poet, amateur actor and dramatist. By 1713 Trevisani became one of the most prolific and prosperous painters in Rome. His works were greatly in demand from the clergy, Roman nobility and across Europe. £5,000-£7,000

37

77

78

77 ITALIAN SCHOOL, 18TH CENTURY Three putti oil on canvas, laid down on board 211⁄4 x 14 in. (54 x 35.6 cm.) in an elaborate frame £300-£500

38

79

80

78 AFTER GUIDO RENI The Penitent Magdalene watercolour on paper 428 x 335 mm. After the picture of 1631-2 in Galleria Nazionale, d’Arte Antica, Rome. £200-£300

79 ITALIAN SCHOOL, 18TH CENTURY St Catherine oil on panel, oval 7 x 51⁄4 in. (17.8 x 13.3 cm.) in fine carved giltwood frame £2,500-£3,500

81

80 AFTER GUIDO RENI Ecce Homo oil on canvas 91⁄8 x 71⁄4 in. (23.2 x 18.4 cm.)

81 AFTER GUIDO RENI Portrait of Beatrice Cenci oil on canvas 127⁄8 x 10 in. (32.7 x 25.4 cm)

£300-£500

After the picture in the Palazzo Barberini, Rome. £600-£800

*See inside front cover for information regarding fees

82 (a pair)

83

84

PROPERTY OF A GENTLEMAN (LOT 82) 82 FRENCH SCHOOL, EARLY 19TH CENTURY Tulips, delphinium and other flowers in a stone vase; and Carnations, peonies and other flowers in a stone vase oil on canvas 241⁄8 x 20 in. (61.3 x 50.8 cm.) a pair (2)

83 AFTER FRANÇOIS BOUCHER Aminta rescuing Sylvia oil on canvas 323⁄4 x 263⁄4 in. (83.2 x 68.9 cm.) After the picture in possession of Bank of France, in reverse.

84 CIRCLE OF FRANCESCO DE MURA (NAPLES 1696-1782) Allegory of spring oil on canvas laid down panel, oval 32 x 241⁄2 in. (81.3 x 62.2 cm.) £600-£900

£300-£500

£2,000-£3,000

39

85

86 85 ITALIAN SCHOOL, 18TH CENTURY Architectural capriccio with figures by a river oil on canvas 251⁄8 x 397⁄8 in. (63.8 x 101.3 cm.)

86 AFTER SEBASTIANO RICCI Christ and the Canaaite Woman oil on canvas, unframed 331⁄4 x 471⁄4 in. (84.5 x 120 cm.)

£1,500-£2,000

After the picture in Museo di Capodimonte, Naples. £700-£900

40

*See inside front cover for information regarding fees

88 (actual size)

87

87 AFTER CARLO MARATTI Marchese Niccolò Maria Pallavicini (1650-1714) guided to the Temple of the Virtù by Apollo with a self-portrait of the artist inscribed ‘NICOLAS / MARIA / MARCHIO / PALLAVICINI / LAN..’ (centre); dated ‘1705’ (lower right) 391⁄2 x 291⁄2 in. (100.3 x 74.9 cm.) After the picture at National Trust, Stourhead, Wiltshire. £1,000-£1,500 88 FOLLOWER OF SOFONISBA ANGUISSOLA Portrait of a young lady, bust-length, holding a book, oval oil on copper 2 x 13⁄4 in. (5.1 x 4.5 cm.) The later inscription on the reverse refers to an article: C. J. Holmes, ‘Sofonisba Anguissola and Philip II’, The Burlington Magazine for Connoisseurs, vol. 26, no. 143, February 1915, pp. 181-183+187. There is however no reference to the present lot. £800-£1,200 89 MANNER OF ALESSANDRO MAGNASCO, IL LISSANDRINO St Jerome in the wilderness oil on canvas, oval 23 x 33 in. (58.4 x 83.8 cm.) To be sold without reserve. £800-£1,200

89

41

90

91 (a pair) PROPERTY OF THE CHETWYND HEIRLOOMS SETTLEMENT (LOT 90) 90 CIRCLE OF FRANCESCO ZUCCARELLI (PITIGLIANO 1702-1788 FLORENCE) Extensive Italianate river landscape with fishermen and washerwomen oil on canvas 231⁄2 x 34 in. (59.7 x 86.4 cm.) PROVENANCE: Adam Duncan (1904-1965), 9th Viscount Chetwynd, gifted to, The Chetwynd Heirlooms Settlement.

91 MANNER OF FRANCESCO GUARDI A Mediterranean harbour scene with a ruined arch, figures on a wooden bridge beyond; and A coastal town with a ruined arch and figures at work oil on canvas 247⁄8 x 365⁄8 in. (63.2 x 93.1 cm.) a pair (2) £2,000-£3,000

£4,000-£6,000

42

*See inside front cover for information regarding fees

92 92 JOHANN HEINRICH TISCHBEIN THE ELDER (HAYNA 1722-1789 CASSEL) Abraham and the Three Angels oil on panel 21 x 161⁄2 in. (53.3 x 41.9 cm.) Tischbein was one of the most successful members of the large Tischbein artistic dynasty from Hesse, spanning three generations. He first trained in Kassel under the guidance of Johann Baptist Zimmerman (1680-1758). In 1744, he became a pupil of Carle van

Loo (1705-1765) in Paris and in 1749, he went to Venice to train under Giovanni Battista Piazzetta (1682-1754) where he copied both Titian and Veronese. In 1751, he returned to Kassel and became court painter to Landgrave William VIII von Hesse-Kassel (1682-1760). He was very influential in Northern Germany and was appointed by Frederick II (1720-1785) as a professor at the newly created Kassel Art Academy in 1776. In addition, he became an honorary member of the Clementine Academy of Bologna by 1779. £12,000-£18,000 43

PROPERTY OF A GENTLEMAN (LOT 93) 93 CIRCLE OF JAMES WARD (LONDON 1769-1859 CHESHUNT) Young girl with a dog oil on panel, oval 63⁄8 x 93⁄8 in. (16.2 x 23.8 cm.) PROVENANCE: By descent from his grandfather to, C.M. Terrace (?) (according to a label on the reverse) £300-£500

93

PROPERTY OF A GENTLEMAN (LOT 94) 94 CIRCLE OF JAMES WARD (LONDON 1769-1859 CHESHUNT) Shepherd with his dog oil on canvas 10 x 12 in. (25.4 x 30.5 cm.) £300-£500

94

PROPERTY OF A GENTLEMAN (LOT 95) 95 GEORGE HAYTER (LONDON 1792-1871) St Ambrosius barring Emperor Theodosius from Milan Cathedral oil on board 161⁄4 x 125⁄8 in. (41.3 x 32.1 cm.) After the painting by Sir Anthony van Dyck of c.1619-20 in the National Gallery, London, which in turn is a copy after a work in the Kunsthistorisches Museum, Vienna, which was designed by Rubens and executed in his studio, probably by van Dyck. £1,000-£1,500

95 44

*See inside front cover for information regarding fees

96

96 WILLIAM ASHFORD (BIRMINGHAM C.1746-1824 DUBLIN) A wooded landscape with a herder and his flock on a path, ruins beyond signed and dated ‘W. Ashford / 1809’ (lower centre) oil on canvas 211⁄8 x 291⁄2 in. (53.6 x 75 cm.) PROVENANCE: Anonymous sale; Christie’s, London, 20 November 1981, lot 75. Anonymous sale; James Adams & Sons Ltd., Dublin, 20 November 1986, lot 118. Anonymous sale; Christie’s, London, 14 May 2004, lot 23, where acquired by the present owner. LITERATURE: A. Crookshank, ‘A Life devoted to Landscape Painting: William Ashford’, Irish Arts Review Yearbook, XI, 1995, p. 130, no. 77. £5,000-£7,000

45

97

97 ATTRIBUTED TO FRANCIS HOLMAN (RAMSGATE 1729-1790 WAPPING) Shipping off Margate with inscription ‘Par- cava. 1855.’ (on the reverse) oil on canvas, unlined 313⁄8 x 567⁄8 in. (79.7 x 144.4 cm.) £6,000-£8,000 98 AMBROISE-LOUIS GARNERAY (PARIS 1783-1857) Morning light: Evening light, Prison hulks in Portsmouth Harbour the former indistinctly inscribed (lower right) oil on canvas 213⁄8 x 421⁄4 in. (54.3 x 107.3 cm.); 223⁄4 x 441⁄8 in. (57.8 x 112.1 cm.) a pair (2) PROVENANCE: (the former) Property of Sir Harold Parkinson, J.P., Christie’s, London, 9 May 1969, lot 57. (both) The Clive Lloyd Collection. In these powerful paintings, the line of prison ships form a dark diagonal across the images from the left foreground to the centre of the picture. Behind these ships, to the south-east, lies the town of Portsmouth, its skyline visible against the sky in the centre, with Gosport to the right and the entrance to the Harbour in the centre.

46

To the right other ships, with pennants flying, are also anchored ‘in ordinary’ (reserve) in the Upper Harbour. A swathe of pink cloud dominates the sky, but the sea contrasts darkened areas on the hulks to the more brilliant light above the channel, which leads the viewer’s eye to the open sea and France – an emotional longing by Garneray to escape his long internment. Pirate, privateer, French Naval officer and Painter to the Emperor Ambroise Louis Garneray was an archetypal ‘Renaissance Man’. His father was an artist and pupil to the great Jacques-Louis David, which gave Garneray an excellent artistic upbringing. Ambroise, however, persuaded his father to let him go to sea at the tender age of 13 as part of the French Navy, and he soon found himself in the Indian Ocean off Ile de France (modern day Mauritius). When there was a shortage of Naval vessels, Ensign Garnerary decided to join the famous Breton privateer Robert Surcouf, and become the scourge of East India Company shipping in the Indian Ocean. During this time Surcouf captured the Royal Navy’s HMS Kent near the coast of India thus taking a fortune in prize money, and Garneray not only received his share of booty, but was also asked to paint pictures of the heroic action as an eye-witness and crew member. In March 1806 after various privateering and trading trips, Garneray was captured by the English and spent the next 8 years on a Prisoner of War hulk in Portsmouth harbour. The loss of the American colonies in the 1770s as a place to send prisoners condemned to transportation, created an acute shortage of prison space. There was no time to build more prisons so as a temporary measure some ships were converted into prison hulks,

*See inside front cover for information regarding fees

98 (a pair)

which could easily be made secure although the conditions aboard their often-rotting hulls were tough. It was during the French Wars of 1793 to 1815 that the greatest use of hulks was made to accommodate additional prisoners of war. In order to make his incarceration more bearable Garneray managed to paint and sell views of the hulks via a local art dealer. This helped improve his conditions in captivity, in the way that many other prisoners also did

by making ship models or other handicrafts. When Napoleon abdicated in 1814, the British freed their prisoners and Garneray returned to Paris, continuing to work as an artist. He later wrote three popular autobiographies recounting his adventurous double career as a sailor, corsair and artist. ÂŁ10,000-ÂŁ15,000

47

Index A Anguissola Ashford B Barker Beach Bellini Blanchet Boilly Bonaventura, di Boucher C Carracci Colonial School Coninck, de Continental School Coosemans Correggio D David Dolci Domenichino Downman Dyck, van E English Provincial School English School Eworth F Ferrarese School Flemish School Francken II French School G Gainsborough Garneray Genoese School Giordano Grimaldi Guardi H Hayter Hickey Hobbema Hulst, de I Italian School K Kneller L Lacroix de Marseille Lawrence Lely Luny

88 96 65 61 22 68 70 23 83 25 24 5 46 4 31,32 1 74 37 58 7, 8 53,57 10, 12, 15, 19, 45, 54, 55, 59 9 26 52, 55 2 69, 71, 72, 73, 82 62 98 49 75 48 91 95 56 39 38 52, 77, 79, 85 16 36 21 11 97

M Maes Magnasco Maratti Martin Mierevelt, van Mura, de Murray Murillo N Neer, van der O Oram P Pinelli R Reni Reynolds Ricci Romanelli Romney S Sassoferrato Solario T Teniers Tischbein the Elder Titian Trevisani U Utrecht, van V Vollevens II W Ward Wilson Wright, J.M. Wright, J. of Derby Z Zuccarelli

44 89 87 67 42 84 47 29 41 64 50 27, 78, 80, 81 17, 18, 20 86 34, 35 60 30 28 6 92 33 76 6 43 93, 94 40, 63 13 14, 66 90

Silver & Objects of Vertu

) +PIZTM[ 11 <IVSIZL London 1676 by Edward Gladwin £2,500 - £3,500

12 MARCH 2019 FOR ENQUIRIES CONTACT Head of Silver & Objects of Vertu, John Rogers RWPV ZWOMZ[(KPQ[_QKSI]K\QWV[ KW ]S

Modern & Post-War British Art

4I]ZMVKM ;\MXPMV 4W_Za : ) Northern Townscape £40,000-£60,000

!

16 APRIL 2019 FOR ENQUIRIES CONTACT Head of Sale, Modern & Post-War British Art, Krassi Kuneva SS]VM^I(KPQ[_QKSI]K\QWV[ KW ]S

<MZU[ IVL +WVLQ\QWV[ NWZ *]aMZ[ I\ +PQ[_QKS )]K\QWV[

1. BEFORE THE SALE 1.1 Agent for the seller Unless otherwise agreed, Chiswick Auctions Ltd, hereafter referred to as CA LTD acts as agent for the seller. The contract for sale of the property is therefore made between the Seller and the Buyer. ,MÅVQ\QWV[ For the purposes of the current Terms and Conditions, the Seller shall JM LMÅVML I[ \PM W_VMZ WN \PM /WWL[ 1\ Q[ QUXTQML \PI\ \PM ;MTTMZ Q[ \PM legitimate owner and is authorised to sell the Lot. The Bidder is any registered person participating in the auction, and the Buyer is the successful Bidder for a particular Lot. The Lot means the item(s) put up for sale by CA Ltd and to which the present Terms and Conditions apply. +I\ITWO]M LM[KZQX\QWV[ Any representation in any catalogue or otherwise as to the origin, date, age, attribution, genuineness or estimated selling price of any lot is a statement of opinion only. Such statements do not constitute a representation warranty or assumption of liability by CA Ltd in relation to the Lot. Any prospective Buyer should satisfy themselves prior to the sale as to the reliability of the catalogue description. The absence of mention related to prior restorations in the Catalogue descriptions does not imply that the good is exempt thereof. Photographs of any Lot provided by CA Ltd are for indicative purposes only and are not deemed to be a precise representa-tion of the said Lot. The Buyer is advised to seek independent expert advice in order to be assured of the authenticity and true state of the good. 1V[XMK\QWV Prior to auction, prospective purchasers are strongly advised to personally examine personally any property in which they are interested to satisfy themselves in relation to matters which may concern them. +WVLQ\QWV ZMXWZ\ CA Ltd may issue a Condition Report on request prior to the sale. <PQ[ +WVLQ\QWV :MXWZ\ Q[ NWZ QLMV\QÅKI\QWV X]ZXW[M[ WVTa IVL KIVVW\ JM considered as giving a precise account of the Lot’s true state. Thus, some imperfections and faults may not be accounted for in the Condition Report. As aforementioned, and in the absence of any contractual value of the Condition report, it is the Buyer’s sole duty to inspect in person the Lot in order be assured of its true condition and CA Ltd shall not be responsible for assertions within the Condition Report hereto. -TMK\ZQKIT[ )TT MTMK\ZQKIT Q\MU[ IZM [WTL I[ [MMV IVL +) 4\L W‍ٺ‏MZ[ VW O]IZIV\MM I[ \W the working condition of such items or their safety. 1\ Q[ \PM *]aMZŸ[ L]\a \W \ISM VMKM[[IZa [\MX[ \W JM I[[]ZML \PI\ \PM 4W\ is safe for normal use. -[\QUI\M[ Estimates are based on various factors inherent to the situation of the market at the time of the sale, as well as considerations such as the

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<MTMXPWVM JQL[ 1N I JQLLMZ Q[ VW\ IJTM \W I\\MVL QV XMZ[WV IV I]K\QWV +) 4\L _QTT ][M ZMI[WVIJTM M‫ٺ‬WZ\[ \W KWV\IK\ XZW[XMK\Q^M *]aMZ[ _PW UISM IZZIVOMUMV\[ prior to commencement of the sale to bid by telephone. +) 4\L KIVVW\ JM PMTL ZM[XWV[QJTM QV \PM M^MV\ WN Q[[]M[ I‫ٺ‬MK\QVO KWVVMK\Q^Q\a resulting in the loss of a chance of purchasing the Lot for the Bidder.

/ZW]VL[ NWZ KIVKMTTI\QWV ]VLMZ \PM XZM[MV\ [MK\QWV [PITT QVKT]LM J]\ VW\ be limited to any dispute relating to the attribution or provenance of the Lot, ownership and title, fraud or deceit, lack of relevant licences WZ KMZ\QÃ…KI\M[ IVa []J[MY]MV\ KPIVOM[ QV LWUM[\QK WZ QV\MZVI\QWVIT legislations restricting the sale of export of goods etc. 1V \PM M^MV\ WN QV\MZVM\ WVTa I]K\QWV[ \PM *]aMZ [PITT PI^M I LIa right to retract, after reception of the Lot, under EU Consumer Law. Public auctions are not covered by this right to retract.

1V\MZVM\ JQL[ Some sales may be available to internet bidding, as well as personal I\\MVLIVKM 1V \PQ[ M^MV\ +) 4\L [PITT VW\ JM PMTL ZM[XWV[QJTM NWZ Q[[]M[ I‫ٺ‬MK\QVO KWVVMK\QWV *QLLQVO WV JMPITN WN [WUMWVM ) *]aMZ UIa JQL Ja XZW`a 1V \PQ[ M^MV\ XZWWN WN QLMV\Q\a WN JW\P \PM Buyer and the proxy must be communicated to CA Ltd prior to the sale. A copy of the mandate shall also be required. *QLLQVO WV IV Q\MU Bid incrementing is at the auctioneer’s entire discretion. >QLMW \ZIV[UQ[[QWV For the purpose of the sale, Lots may be displayed on video during the I]K\QWV 1V \PM M^MV\ WN \ZIV[UQ[[QWV Q[[]M[ +) 4\L [PITT VW\ JM PMTL responsible for any subsequent outcome. ! 7VTQVM WVTa I]K\QWV[ Some auctions may be available to bidders only through an online XTI\NWZU 1V \PQ[ M^MV\ *]aMZ[ PI^M I LIa XMZQWL I\ ZMKMX\QWV WN \PM Lot to withdraw from the sale, in accordance with EU Consumer Law. ,Q[X]\M ZM[WT]\QWV L]ZQVO \PM I]K\QWV Any dispute shall be settled at the auctioneer’s absolute discretion. Under no circumstances will a sale be cancelled after the fall of the hammer, except at the auctioneer’s entire discretion. 3. CONTRACT FORMATION AND EFFECTS 3.1 Contract of sale The contract of sale is between the Buyer and the Seller. The Buyer shall be the bidder at the highest price at the fall of the hammer. The sale is deemed complete once the auctioneer announces its completion by the fall of the hammer and the contract shall be binding thereafter between the Buyer and the Seller and CA Ltd. ?PMV I *]aMZ X]ZKPI[M[ U]T\QXTM 4W\[ MIKP 4W\ Q[ \PM []JRMK\ WN I separate contract of sale. <ZIV[NMZ WN XZWXMZ\a Property of the goods shall pass to the Buyer only once CA Ltd has received full payment for the goods, this includes the price at the fall of the hammer as well as Buyer’s premium, relevant taxes, and costs in relation to shipping.

+IVKMTTI\QWV WN \PM [ITM At the fall of the hammer, the contract is formed between the Buyer and CA Ltd and is binding thereafter. Under no circumstances can the Buyer cancel the sale. CA Ltd may at its entire discretion, during or after the auction, cancel \PM [ITM WN \PM 4W\ WZ ZMW‫ٺ‬MZ IVL ZM[MTT \PM 4W\ QN Q\ JMKWUM[ I_IZM WN any error or dispute of any nature, whether or not title has passed to the Buyer, and up to a period of 6 months after the said sale.

3.5 Returns and refunds CA Ltd will only issue a refund using the same method of payment originally used by the Buyer to pay for the purchase, or by bank transfer. The Buyer’s refund will be processed without undue delay and in any M^MV\ _Q\PQV VW UWZM \PIV LIa[ WN \PM LIa \PM *]aMZ OI^M +) 4\L notice of cancellation. 1N \PM *]aMZ M`MZKQ[M[ \PMQZ ZQOP\ WN ZM\ZIK\QWV _PMV I]\PWZQ[ML \W LW [W by Law, CA Ltd shall proceed to issue a complete refund, comprising the hammer price of the Lot, buyer’s premium and shipping fees. However return fees shall remain at the expense of the Buyer. 4. AFTER THE SALE 8IaUMV\ All purchased lots must be paid for on the day of the auction. Commission bids must be paid for no later than the day after the auction. Payment must be in cash, debit, credit card or bank transfer. Cheques are not accepted. +I[P XIaUMV\[ [PITT VW\ JM ZMKMQ^IJTM NWZ IUW]V\[ W^MZ Â ZMOIZLTM[[ of the payment being for one or multiple Lots. Payments made by someone other than the registered Buyer shall not be accepted. Title will not pass to the Buyer until CA Ltd has received all amounts due to them in cleared funds even if the Lot has been released to the Buyer. *]aMZ¼[ 8ZMUQ]U The Buyer will pay CA Ltd a premium of 25% on the hammer price XT][ >)< WV \PI\ KWUUQ[[QWV WV \PM Ã…Z[\ Š IVL XT][ >)< WV \PM JITIVKM \PMZMIN\MZ ) *]aMZ¼[ 8ZMUQ]U WN ! XT][ >)< Q[ charged on Wine & Spirits Lots. The VAT payable varies by symbol as below: No Symbol: The standard rate of VAT is charged on the premium under the Auctioneers Margin Scheme in accordance with Art. 333 WN -+ ;\IVLIZL =3 >)< _QTT JM KPIZOML WV \PM J]aMZ[¼ premium and invoiced on an inclusive basis. †: Normal VAT rules apply and the standard rate of VAT will be charged on both hammer price and premium. *: These lots have been imported from outside the EU for sale and XTIKML ]VLMZ \PM <MUXWZIZa )LUQ[[QWV ZMOQUM 1UXWZ\ >)< Q[ XIaIJTM I\ WV \PM PIUUMZ XZQKM >)< I\ _QTT JM ILLML \W \PM J]aMZ¼[ premium but will not be shown separately on the invoice.

1V WZLMZ \W ZMKMQ^M I ZMN]VL WN >)< IUW]V\[ 1UXWZ\ >)< I[ applicable) non-EU buyers must: (a) have registered to bid with an address outside of the EU; and J M`XWZ\ \PM TW\ NZWU \PM -= _Q\PQV LIa[ WN KWTTMK\QWV NWZ TW\[ IVL 3 months of collection for all other lots and immediately afterwards provide us with satisfactory proof of export. (c) Details of the documents which you must provide to us to show [I\Q[NIK\WZa XZWWN WN M`XWZ\ [PQXXQVO IZM I^IQTIJTM NZWU W]Z .QVIVKM \MIU ) XZWKM[[QVO NMM WN Š XMZ QV^WQKM Q[ KPIZOML \W KPMKS [PQXXQVO M`XWZ\ LWK] UMV\[ L 6W >)< IUW]V\[ WZ 1UXWZ\ >)< _QTT JM ZMN]VLML _PMZM \PM \W\IT ZMN]VL IN\MZ LML]K\QVO \PM XZWKM[[QVO NMM Q[ ]VLMZ Š

CA Ltd as collateral for any outstanding sums owed and to exercise all the rights and remedies of a person holding security over any such property, whether by way of pledge, security interest or in any other way to the extent permitted by Law. • To commence legal proceedings for the recovery of the total amount due together with interest, legal fees and costs. • To take such other action as is permissible by Law and in the discretion of CA Ltd. +WTTMK\QWV Purchased Lots can be collected from the auction room after the sale PI[ MVLML WZ JM\_MMV IU IVL XU ]X ]V\QT KTW[M WN J][QVM[[ WV the Friday following the sale. Special arrangements may be made for collection on Saturday at CA Ltd’s discretion.

4.3 Taxes The Buyer is responsible for paying VAT on any Lot, above hammer price and Buyer’s premium. The rate applicable shall be the legal rate at the date of the sale. /WWL[ []KP I[ JWWS[ IVL IV\QY]M JWWS[ U][QK UIX[ IVL KPIZ\[ M\K IZM []JRMK\ \W bMZW ZI\ML >)< 1V ILLQ\QWV IVa QUXWZ\ \I`M[ \PI\ UIa JM QVK]ZZML [PITT JM XIQL Ja \PM Buyer above hammer price, VAT and Buyer’s premium. The present paragraph applies in particular to imports within the United-States and Australia. The Buyer is advised to verify such matters prior to the sale.

4.7 Storage Purchased Lots not collected before 6pm on the day after the sale shall QVK]Z [\WZIOM KPIZOM[ WN Š XMZ 4W\ XMZ LIa WZ XIZ\ \PMZMWN +) 4\L shall be entitled to retain purchased Lots sold until all sums due have been XIQL \W +) 4\L 1N IVa X]ZKPI[ML TW\ ZMUIQV[ ]VKWTTMK\ML LIa[ IN\MZ \PM [ITM [\WZIOM KPIZOM[ [PITT \PMZMIN\MZ JM Š XMZ LIa IVL +) 4\L [PITT in accordance with the Law, have the right to sell the purchased Lot to recover payment of storage charges outstanding. Any balance proceeds of sale received after payment of all sums outstanding and due to CA Ltd shall be held for the account of the Buyer.

)Z\Q[\ :M[ITM :QOP\[ ,ZWQ\ LM ;]Q\M 4W\[ UIZSML _Q\P »)::¼ UIa JM []JRMK\ \W I TM^a Droit de Suite is a royalty payable to a qualifying artist or to the artist’s heir each time a work is resold during the artist’s lifetime and up to I XMZQWL WN aMIZ[ IN\MZ \PM IZ\Q[\¼[ LMI\P :WaIT\QM[ IZM KITK]TI\ML on a cumulative sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to Lots [MTTQVO JMTW_ \PM [\MZTQVO MY]Q^ITMV\ WN Â IVL \PM UI`QU]U ZWaIT\a XIaIJTM WV IVa [QVOTM 4W\ Q[ \PM [\MZTQVO MY]Q^ITMV\ WN Â Royalties for Droit de Suite are as follows:

;PQXXQVO Any shipping costs that may arise subsequently to the sale shall be at the Buyer’s expense. Such costs may include but not limited to postage, import and export permits where required and any other licence necessary for goods to be shipped outside of the European Union. +) 4\L LWM[ VW\ W‫ٺ‬MZ QV[]ZIVKM NWZ [PQXXQVO 0W_M^MZ +) 4\L UIa arrange insurance upon the Buyer’s request and at the Buyer’s expense. CA Ltd cannot be held responsible for any damages that may be incurred to goods prior to the fall of the hammer.

Œ .ZWU \W  Œ .ZWU  \W  Œ .ZWU  \W  Œ .ZWU  \W  Œ -`KMMLQVO  :MUMLQM[ NWZ VWV XIaUMV\ 1N \PM *]aMZ NIQT[ \W UISM N]TT XIaUMV\ QV KTMIZML N]VL[ _Q\PQV \PM \QUM required as aforementioned, CA Ltd shall be entitled to exercise any one or more of the following rights or remedies additional to such other rights or remedies available: • To cancel the sale • To charge interest at 4% per annum above the base rate of Lloyds Bank Plc. • To resell the Lot on such terms by auction or otherwise entirely at CA Ltd’s discretion. The Buyer will be liable for all costs including legal fees incurred in the sale and will remain liable for any shortfall arising upon sale. Œ <W W‫[ٺ‬M\ IOIQV[\ IVa []U[ _PQKP +) 4\L UIa W_M \PM *]aMZ \PM outstanding sums unpaid by the said Buyer Œ ?PMZM \PM *]aMZ W_M[ []U[ \W +) 4\L QV ZM[XMK\ WN LQ‫ٺ‬MZMV\ transactions, to discretionarily apply any sum paid by the Buyer for discharge of any owed sums. Œ <W ZMN][M MV\Za \W \PM *]aMZ I\ IVa N]\]ZM I]K\QWV IVL WZ ZMRMK\ IVa N]\]ZM JQL[ Ja \PM *]aMZ IVL WZ [MMS I LMXW[Q\ NZWU \PM *]aMZ entirely in the discretion of CA Ltd. • To exercise a lien over the Buyer’s property in the possession of

! 4W[[ WZ ,IUIOM CA Ltd does not accept liability for loss or damage occurring to Lots after \PM [ITM +) 4\L _QTT ][M ZMI[WVIJTM M‫ٺ‬WZ\[ _PMV PIVLTQVO XIKSQVO IVL shipping of Lots purchased, but shall not be responsible for any loss or damages that may occur whilst the said Lot is in any third party’s care. +]T\]ZIT /WWL[ QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +]T\]ZIT OWWL[ UIa JM []JRMK\ \W QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ =VLMZ EU Regulations related to the trade of cultural goods, export licences may be required for export outside of the European Union if the item’s ^IT]M M`KMML[ \PM -= \PZM[PWTL =VLMZ =3 4I_ I TQKMVKM UIa IT[W JM required for intra-EU trade. Licenses are issued by Arts Council England and it is the Buyer’s duty to WJ\IQV \PMU ;WUM KW]V\ZQM[ ZM[\ZQK\ \PM QUXWZ\ WN [XMKQÅK K]T\]ZIT OWWL[ For example, the United States prohibits the import of pre-Columbian monumental or architectural sculpture or murals, as well as any cultural OWWL[ QV XZW^MVIVKM NZWU [WUM KW]V\ZQM[ []JRMK\ \W IZUML KWVÆQK\[ The Buyer must verify local legislation prior to the sale in order to be assured that import or export is possible. +1<-; QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +MZ\IQV MVLIVOMZML [XMKQM[ IZM TQ[\ML QV \PM +1<-; +WV^MV\QWV 4Q[\ML [XMKQUMV[ IVL IVa XIZ\[ WZ XZWL]K\[ \PMZMWN IZM []JRMK\ \W Q[[]IVKM WN IV export permit when leaving the European Union. )XXMVLQ` 1 [XMKQM[ IZM IT[W []JRMK\ \W Q[[]IVKM WN I XZQWZ QUXWZ\ XMZUQ\ from the country in which the goods are to be imported. Such permits are necessary before applying for export permits and it is the Buyer’s duty to initiate the proceedings with the relevant authority. The Buyer must be aware that certain countries prohibit the import of

some species or any parts or products derived thereof. For example, the United States prohibit all import of African elephant ivory, and any item containing parts that may merely resemble African elephant ivory must be accompanied by relevant documentation stating it is not the latter. ?WZSML Q\MU[ \PI\ IZM LI\ML JMNWZM ! IZM M`MUX\ NZWU QUXWZ\ restrictions for intra-EU trade and shall not require export licences. Please be aware that all Lots marked with the symbol Æ€ IZM []JRMK\ \W +1<-; ZMO]TI\QWV[ 4QUQ\I\QWV WN TQIJQTQ\a ZMOIZLQVO +1<-; M`XWZ\ TQKMV[M[ Where licences are required for importing or exporting outside of the European Union, it is the Buyer’s duty to obtain them. CA Ltd cannot be held responsible if the Buyer’s application for an export permit is unsuccessful. Subsequently, in the event of failure thereof, CA Ltd shall not permit cancellation or rescission of the sale. ?IZZIV\QM[ CA Ltd does not provide the Buyer with warranties relating to any Lot, unless required by Law. )]\PMV\QKQ\a _IZZIV\a 1V \PM M^MV\ WN I 4W\ JMQVO [WTL I[ I]\PMV\QK ]VLMZ \PM KI\ITWO]M description and the Buyer provides evidence in the form of a written report by a recognised expert or test results that the said Lot is not, CA Ltd will refund the purchase price. <PM *]aMZ [PITT OQ^M VW\QKM \W +) 4\L _Q\PQV LIa[ NZWU SVW_TMLOM or any event giving reasons for suspecting that the item is not authentic, and within one year of the said sale. Any claim thereafter shall not be receivable. For the purposes of the present paragraph, authenticity shall JM LMÃ…VML I[ \PM [\I\M WN I 4W\ \PI\ Q[ OMV]QVM IVL VW\ I NWZOMZa WZ I KWXa 5. ANTIQUITIES AND TRIBAL ART 1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ IVL ZMO]TI\QWV[ )ZKPIMWTWOQKIT OWWL[ W^MZ aMIZ[ WN IOM ]VTM[[ KW^MZML Ja M`MUX\QWV WN TQUQ\ML [KQMV\QÃ…K QV\MZM[\ _QTT ZMY]QZM IV -= 4QKMVKM NWZ M`XWZ\ \W I third country, regardless of their value. 1\ Q[ ZMKWUUMVLML \PI\ \PM *]aMZ KWV\IK\ \PM -`XWZ\ 4QKMV[QVO =VQ\ at Arts Council England in order to be assured the good is or not of TQUQ\ML IZKPIMWTWOQKIT WZ [KQMV\QÃ…K QV\MZM[\ )ZKPIMWTWOQKIT OWWL[ NW]VL WV =VQ\ML 3QVOLWU [WQT WZ QV =3 \MZZQ\WZQIT _I\MZ[ W^MZ aMIZ[ WN IOM [PITT ZMY]QZM I =3 4QKMVKM regardless of their value and regardless of the export destination. 7\PMZ IZKPIMWTWOQKIT WJRMK\[ ZMOIZLTM[[ WN \PMQZ WZQOQV _QTT ZMY]QZM IV 1VLQ^QL]IT 4QKMVKM WZ 7/-4 LMXMVLQVO WV \PMQZ ^IT]M *W\P -]ZWXMIV =VQWV IVL =3 4QKMVKM[ UIa JM ZMY]QZML [QU]T\IVMW][Ta NWZ [WUM Q\MU[ 1\ Q[ \PM *]aMZ¼[ L]\a \W ]VLMZ\ISM \PM VMKM[[IZa [\MX[ CA Ltd cannot be held responsible and the sale cannot be cancelled in the event of failure to obtain the relevant licences. 6. JEWELLERY /MU[\WVM \ZMI\UMV\ IVL M[\QUI\M[ Many gemstones on the market have been treated so as to augment their appearance, in a reversible or permanent manner. Treatments under the present section may be but not limited to: • Heat treatment to enhance sapphires and rubies’ clarity and colour ÂŒ 7QT IVL ZM[QV \ZMI\UMV\[ NWZ MUMZITL[ IXXTQML QV LQ‫ٺ‬MZMV\ _Ia[ \W enhance clarity of the stone • Staining ÂŒ 1ZZILQI\QWV • Coating Estimates provided by CA Ltd are deemed to be based on the fact that the

OMU[\WVM UIa PI^M JMMV []JRMK\ \W IVa \aXM WN \ZMI\UMV\ QV \PM XI[\ +) Ltd shall not be responsible in the absence of mention thereof. ) KMZ\QÃ…KI\M UIa JM Q[[]ML Ja I TIJWZI\WZa XZW^QLQVO _Q\P LM\IQTML information on the condition of the gemstone and any treatment applied \PMZM\W <PM *]aMZ U][\ JM I_IZM \PI\ LQ‫ٺ‬MZMV\ TIJWZI\WZQM[ PI^M LQ‫ٺ‬MZMV\ approaches as to the degree or type of treatment for a particular gemstone. 1N I KMZ\QÃ…KI\M IKKWUXIVQM[ \PM 4W\ \PM *]aMZ U][\ JM I_IZM \PI\ Q\ Q[ merely a statement of the laboratory’s opinion and in no way can CA Ltd JM PMTL ZM[XWV[QJTM NWZ IVa UMV\QWV[ \PMZMQV ;]KP KMZ\QÃ…KI\M[ IZM LMMUML to be delivered with the Lot for informative purposes only. -[\QUI\ML _MQOP\[ 1N I [\WVM¼[ M`IK\ _MQOP\ IXXMIZ[ _Q\PQV \PM JWLa WN \PM LM[KZQX\QWV \PM [\WVM PI[ JMMV ]V UW]V\ML IVL _MQOPML Ja +) 4\L 1N \PM _MQOP\ WN a stone is stated to be approximate, the stone has been assessed by CA 4\L _Q\PQV Q\[ [M\\QVO IVL \PM LMÃ…VML _MQOP\ Q[ I [\I\MUMV\ WN WXQVQWV only. This information is given as a guide and bidders should satisfy themselves with regard to this information as to its accuracy. ;QOVI\]ZM[ ‘) LQIUWVL ZQVO Ja @’: When the maker’s name appears in the title, in Chiswick Auctions’ opinion the piece is by that maker. ‘) LQIUWVL ZQVO [QOVML @’: Has a signature that, in Chiswick Auctions’ opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered. ‘) LQIUWVL ZQVO UW]V\ML Ja @’: Has been created by the RM_MTTMZ QV +PQ[_QKS )]K\QWV[¼ WXQVQWV J]\ ][QVO [\WVM[ WZ LM[QOV[ supplied by the client. ‘5ISMZ¼[ UIZS NWZ @’: Has a maker’s mark which in Chiswick Auctions’ opinion is authentic. Some items may include parts or products derived from endangered [XMKQM[ []KP I[ Q^WZa WZ KWZIT ;]KP Q\MU[ UIa JM []JRMK\ \W QUXWZ\ WZ M`XWZ\ ZM[\ZQK\QWV[ ;MM [MK\QWV WV +1<-; ZMO]TI\QWV[ NWZ UWZM LM\IQT[ 7. CLOCKS AND WATCHES All Lots are sold as seen. Clocks and watches are therefore not deemed to be sold in working condition. Absence of reference thereof in the description does not imply that the Lot is in good condition and _Q\PW]\ LMNMK\[ WZ PI[ JMMV []JRMK\ \W ZMXIQZ WZ ZM[\WZI\QWV CA Ltd makes no representation or warranty that any clock or watch Q[ QV _WZSQVO WZLMZ )[ KTWKS[ IVL _I\KPM[ WN\MV KWV\IQV Ã…VM IVL complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Most clocks and watches are likely to have been repaired in the past, and as a result may include parts that are not original thereto. The United-States restrict the importation of watches such as Rolex, Frank Muller or Corum. Such models can only be imported personally by the Buyer and CA Ltd cannot assist with shipping thereof. Some watches may include leather straps derived from endangered species. Buyers may be required to obtain appropriate permits for QUXWZ\ WZ M`XWZ\ X]ZXW[M[ QV IKKWZLIVKM _Q\P +1<-; ZMO]TI\QWV[ CA Ltd acts in compliance with such legislations and shall take necessary steps where required. Subsequently, watches may be deemed sold without their straps. 8. FURNITURE =XPWT[\MZML N]ZVQ\]ZM IN\MZ ! According to The Furniture and Furnishings (Fire Safety) Regulations ! N]ZVQ\]ZM \PI\ _I[ ]XPWT[\MZML IN\MZ \PM [\ WN 2IV]IZa ! Q[ []JRMK\ \W ZM[\ZQK\QWV[ QV \PM =VQ\ML 3QVOLWU Exempt upholstered furniture that does not meet such requirements

is deemed sold for purely aesthetic purposes.CA Ltd shall not be ZM[XWV[QJTM NWZ TI\MZ IT\MZI\QWV[ \W \PM N]ZVQ\]ZM UISQVO Q\ ]VÃ…\ NWZ [ITM 9. GLOSSARY OF PICTURE CATALOGUING TERMS Any Statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. 1 JMW Turner: 1V W]Z WXQVQWV I _WZS Ja \PM IZ\Q[\ ?PMV \PM IZ\Q[\¼[ forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. )\\ZQJ]\ML \W 25? <]ZVMZ" 1V W]Z WXQVQWV XZWJIJTa I _WZS Ja \PM artist, but less certainly as to the authorship expressed than in the preceding category. ;\]LQW WN 25? <]ZVMZ" 1V W]Z WXQVQWV XZWJIJTa I _WZS Ja IV unknown hand in the studio of the artist, which may or may not have been executed under the artist’s direction. +QZKTM WN 25? <]ZVMZ" 1V W]Z WXQVQWV I _WZS Ja IV I[ aM\ ]VQLMV\QÃ…ML but distinct hand, closely associated with the named artist and of the period, but not necessarily his pupil. ;\aTM WN°# .WTTW_MZ WN 25? <]ZVMZ" 1V W]Z WXQVQWV I _WZS Ja I painter working in the artist’s style, but not necessarily his pupil. 6 Manner of JMW Turner: 1V W]Z WXQVQWV I _WZS QV \PM [\aTM WN \PM artist and of a later date. 7 After JMW Turner: 1V W]Z WXQVQWV I KWXa WN IVa LI\M WN I SVW_V work of the artist. 8 <PM \MZU »[QOVML¼ IVL WZ »LI\ML¼ IVL WZ »QV[KZQJML¼ UMIV[ \PI\ QV W]Z WXQVQWV \PM [QOVI\]ZM IVL WZ LI\M IVL WZ QV[KZQX\QWV IZM NZWU \PM PIVL of the artist. 9 <PM \MZU »_Q\P [QOVI\]ZM¼ IVL WZ »_Q\P LI\M¼ IVL WZ »_Q\P QV[KZQX\QWV¼ UMIV[ \PI\ QV W]Z WXQVQWV \PM [QOVI\]ZM IVL WZ LI\M IVL WZ QV[KZQX\QWV have been added by another hand than that of the artist. 10 Pictures are framed unless otherwise stated.

Printed books may be returned for a full refund only if they prove to be defective in text or illustration. This shall not apply to the absence of blanks, half titles or advertisements, to un-named books or to books sold under the heading of ‘binding’ or ‘bindings’. 12. WINES AND SPIRITS 1V IKKWZLIVKM _Q\P IOZMML [\IVLIZL[ QV \PM \ZILM M[\QUI\M[ [PITT JM LMMUML \W PI^M \ISMV QV\W IKKW]V\ \PM Ã…TT TM^MT For the purposes of the present Terms and Conditions, the ‘Fill Level’ refers to the space between the base of the cork and the liquid in the bottle. Fill levels may vary with age or depending on the condition of the wine or spirit. Lack of mention thereof in the description is not a representation of IV »IKKMX\IJTM¼ Ã…TT TM^MT NZWU +) 4\L CA Ltd offers no guarantee as to suitability for drinking of the wine or spirit. The Buyer must be aware of the risk that the taste of a wine or spirit may be altered due to factors such as age, storage conditions, oxidation, etc. 13. COPYRIGHT CA Ltd shall own the copyright on all images, illustrations and written material produced by or for CA Ltd relating to a Lot, including catalogue contents. Such copyright shall remain at all times the property of CA Ltd. Neither the Buyer nor anyone else shall use the abovementioned materials without the prior written consent of CA Ltd. ;WUM 4W\[ UIa JM []JRMK\ \W KWXaZQOP\ XZW\MK\QWV +) 4\L LWM[ VW\ guarantee said Lots are free thereof. 14. DATA PROTECTION The Buyer agrees that personal information transmitted to CA Ltd may be disclosed exclusively for the purposes of business, or as required by Law. CA Ltd shall not use personal information for any other purpose without the Buyer’s prior consent. CA Ltd never sell, lend or trade in personal data provided by any Bidder.

10. ASIAN ARTS

15. SEVERABILITY

1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ ?PMV LMITQVO _Q\P )[QIV )Z\[ IVL UWZM [XMKQÃ…KITTa _Q\P Q\MU[ UILM WN exotic wood (e.g. all species of rosewood) or elephant ivory, the Buyer must JM I_IZM WN QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ QV IKKWZLIVKM _Q\P +1<-; Regulations. As aforementioned in the Section relating to such matters, QUXWZ\ IVL M`XWZ\ XMZUQ\[ WZ ZM M`XWZ\ KMZ\QÃ…KI\M[ UIa JM ZMY]QZML >MZQÃ…KI\QWV TM\\MZ[ _QTT JM ZMY]QZML NWZ ZM M`XWZ\ WN _WZSML ZPQVWKMZW[ Q\MU[

Whenever and to the extent that any provisions of these terms would or might contravene the provision of any relevant legislation, []KP XZW^Q[QWV Q[ \W \ISM M‫ٺ‬MK\ WVTa QV [W NIZ I[ Q\ UIa LW [W without contravening such legislation and the legality, validity and enforceability of any of the remaining provisions are not in any way \W JM I‫ٺ‬MK\ML WZ QUXIQZML I[ I ZM[]T\ 16. AMENDMENTS

.QVM +PQVM[M 8IQV\QVO[ +]ZZMV\ [KPWTIZ[PQX QV \PM Ã…MTL WN +PQVM[M 8IQV\QVO[ IVL +ITTQOZIXPa LWM[ VW\ XMZUQ\ ]VY]ITQÃ…ML [\I\MUMV\[ I[ \W \PM I]\PWZ[PQX WZ LI\M WN execution. The limited right of rescission contained in the present terms and conditions does not apply to Chinese paintings. 6W\_Q\P[\IVLQVO QN _Q\PQV LIa[ WN \PM [ITM WN IVa []KP 4W\ \PM original purchaser gives written notice to CA Ltd that the Lot is a forgery and within fourteen days after giving such notice, the original purchaser returns the lot to us in the same condition as at the time of sale and demonstrates to our satisfaction that the lot is a forgery, CA Ltd will rescind the sale and refund the purchase price received. For this purpose, I »NWZOMZa¼ Q[ LMÃ…VML I[ I _WZS KZMI\ML _Q\P \PM QV\MV\ \W LMKMQ^M 11. BOOKS AND MANUSCRIPTS *WWS[ IVL UIV][KZQX\[ [WTL I[ QVKWUXTM\M IZM VW\ []JRMK\ \W ZM\]ZV[

The current Terms and Conditions may be amended, verbally or in writing, prior to the sale. 17. LAW AND JURISDICTION The rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with the Law of England and Wales. .WZ \PM JMVMÃ…\ WN +) 4\L ITT JQLLMZ[ IVL [MTTMZ[ IOZMM \PI\ \PM +W]Z\[ WN -VOTIVL IZM \W PI^M M`KT][Q^M R]ZQ[LQK\QWV \W [M\\TM ITT LQ[X]\M[ IZQ[QVO QV connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship warranty relate or apply. All parties agree that CA Ltd shall retain the right to bring proceedings in any court other than the Courts of England.

SPECIALISTS

ANTIQUITIES & TRIBAL ART Alice King, Head of Department alice.king@chiswickauctions.co.uk

JEWELLERY Sarah Duncan, Head of Department sarah@chiswickauctions.co.uk

ARMS, ARMOUR & MILITARIA Matt Easton, Specialist matt.easton@chiswickauctions.co.uk

Inez Flynn, Specialist QVMb ÆaVV(KPQ[_QKSI]K\QWV[ KW ]S

ASIAN ART Lazarus Halstead, Head of Department lazarus@chiswickauctions.co.uk Yasuko Kido, Japanese Art Specialist yasuko@chiswickauctions.co.uk CERAMICS & GLASS Dr. Jim Peake, Head of Department jim@chiswickauctions.co.uk DESIGN & INTERIORS Liz Winnicott, Head of Department liz.winnicott@chiswickauctions.co.uk

Lissa Holmes, Specialist lissa.holmes@chiswickauctions.co.uk MODERN DESIGN Bruce Addison, Head of Department bruce.addison@chiswickauctions.co.uk PHOTOGRAPHICA

Austin Farahar, Specialist austin.farahar@chiswickauctions.co.uk RARE BOOKS & WORKS ON PAPER

Clive Moss, Head of Department clive.moss@chiswickauctions.co.uk

Toby Roberts, General Valuer toby.roberts@chiswickauctions.co.uk

Dr. Carmen Donia, Specialist

DESIGNER HANDBAGS & FASHION Meg Randell, Head of Department meg@chiswickauctions.co.uk

Valentina Borghi, Head of Sales - Autographs & Memorabilia

EUROPEAN WORKS OF ART & CLOCKS Rachael Osborn-Howard, Head of Department rachael@chiswickauctions.co.uk FINE ART Adrian Biddell, Head of Department adrian.biddell@chiswickaucions.co.uk Suzanne Zack, Head of Sale - British and European Fine Art suzanne@chiswickaucions.co.uk Krassi Kuneva, Head of Sale - Modern & Post-War British Art kkuneva@chiswickauctions.co.uk Melissa Van Vliet, Head of Sale - Old Masters melissa.vanvliet@chiswickauctions.co.uk Luke Price, Specialist luke.price@chiswickauctions.co.uk ISLAMIC & INDIAN ART Beatrice Campi, Head of Department beatrice.campi@chiswickauctions.co.uk

carmen.donia@chiswickauctions.co.uk

valentina.borghi@chiswickauctions.co.uk RUGS & CARPETS Mark Henry Lampé, Head of Department mark.lampe@chiswickauctions.co.uk SILVER & OBJECTS OF VERTU John Rogers, Head of Department john.rogers@chiswickauctions.co.uk WATCHES Tomas Aznar, Specialist tomas.aznar@chiswickauctions.co.uk

SALE CALENDAR

MARCH

26

TUESDAY

Fine Oriental Rugs & Carpets

27

WEDNESDAY

Fine European Works of Art & Clocks

28

THURSDAY

Books & Works on Paper

APRIL

02

TUESDAY ,M[QOV 1V\MZQWZ[ QVKT]LQVO )‫ٺ‬WZLIJTM 4]`]Za

09

TUESDAY Antiquities & Tribal Art

16

TUESDAY Modern & Post-War British Art

17

WEDNESDAY Books & Works on Paper

30

TUESDAY Ceramics & Glass

MAY

03

FRIDAY Islamic & Indian Art including Rugs & Carpets

Auction dates subject to change.

) ZIZM IVL Ã…VM ?QTTQIU 111 -JWVQ[ML ;\ZQSQVO <IJTM +TWKS _Q\P 8]TT 9]IZ\MZ :MXMI\ Ja 2IKWJ 5I[[Ma 4WVLWV K £25,000-£35,000 To be included in Fine European Works of Art & Clock auction, 27th March 2019

1 Colville Road, London W3 8BL +44 (0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk

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