Chiswick-Auctions- Jewellery- May 2019 by Chiswick Auctions

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Jewellery 14 May 2019

1 Colville Road, London W3 8BL +44 (0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk

Jewellery Tuesday 14th May 2019

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SPECIALISTS

SALE CALENDAR

MAY

WEDNESDAY Designer Handbags & Fashion

Sarah Duncan GD

Inez Flynn FGA

Head of Department Jewellery [IZIP L]VKIV(KPQ[_QKSI]K\QWV[ KW ]S

Specialist Jewellery QVMb ÆaVV(KPQ[_QKSI]K\QWV[ KW ]S

THURSDAY Photographica

MONDAY Asian Art Chinese Wood Fine Chinese Paintings

WEDNESDAY Arms, Armour & Militaria Books & Works on Paper

THURSDAY Autographs & Memorabilia

JUNE GENERAL ENQUIRIES +44(0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk BUYER’S PREMIUM The buyer shall pay Chiswick Auctions Ltd a premium on the hammer price of 25% plus VAT on that commission. TELEPHONE BIDDING Please note that requests for telephone bids should be submitted no later than 5pm on the day prior to the sale.

LIVE BIDDING

*QL WVTQVM _Q\P +PQ[_QKS 4Q^M \W JMVMÅ\ from Chiswick Auctions’ standard buyer’s premium terms with no additional surcharges.

COLLECTION OF LOTS Buyers are asked to collect their lots on the day of the sale or between 10.00 and 18.00 up until close of business on Friday following the sale. IMPORTANT INFORMATION CITES

Please be aware that all lots marked with the symbol ƀ are subject to CITES regulations. Please see our Terms & Conditions for more information.

TUESDAY Design & Interiors

WEDNESDAY )‫ ٺ‬WZLIJTM 4]`]Za

TUESDAY Wine & Spirits Urban Art Contemporary Art *Please note that auction dates are subject to change.

The next Jewellery auction will held on the 9th of July 2019. Entries now invited.

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Jewellery

Tuesday 14th May 2019, 11am

VIEWING AT SOUTH KENSINGTON selected highlights only Thursday Friday Saturday Sunday

2nd May 3rd May 4th May 5th May

11am 11am 12pm 12pm

8.30pm 5.30pm 5.30pm 4.30pm

VIEWING AT CHISWICK full sale Saturday Sunday Monday Tuesday

11th May 12th May 13th May 14th May

11am 11am 10am 10am

5pm 5pm 6pm 11am

CHISWICK LATES You are kindly invited to Chiswick Lates at our South Kensington gallery. “The Enduring Appeal of Christian Dior; In conversation with V&A Assistant Curator Connie Karol Burks” Join us for a complimentary glass of wine and explore a preview of forthcoming highlights. Thursday GENERAL ENQUIRIES +44(0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk 1 Colville Road, London W3 8BL 127 Fulham Road, London SW3 6RT 93 George Street, Edinburgh EH2 3ES

2nd May

6pm - 8.30pm

PHOTOGRAPHERS Steven McCauley Jordan Salzmann Darrell Russell

Basak Ulukose Front cover: Lot 268 Back cover: Lots 305, 306, 307 & 308

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1 A late 18th century mourning pendant The glazed disc-shaped pendant, containing a Neo-Classical urn atop a plinth, rendered in mother-of-pearl, enamel, seed-pearls and hairwork, against an engine-turned opalescent glass background, the reverse containing a glazed hairwork compartment, some seed pearls detached, length 6.0cm £300-£500 2 An enamel and hairwork cross pendant, circa 1810 The Latin cross, formed from oval and circular discs with glazed compartments containing hair, two with black enamel borders, the reverse engraved with names and dates, two glazed compartments deficient, length 8.2cm £250-£350 The reverse of the pendant lists the seven children of John Bligh, Fourth Earl of Darnley, and his wife Elizabeth Brownlow (d. 22 December 1831). Of the seven children only four reached adulthood, including Lady Elizabeth Bligh (1800-1872), who later became Elizabeth Brownlow and whose mourning lockets are contained amongst the proceeding lots. 3 Three early 19th century mourning jewels 1st: A double-sided glazed heart-shaped locket, containing a hairwork pansy and sepulchral scene; 2nd: A pearl mourning pendant, with a glazed compartment containing a lock of hair, within a graduated surround of 2.3-4.9mm pearls; 3rd: An enamel and diamond brooch / pendant, designed as a convex navette-shaped plaque, centred by a glazed compartment, within a blue enamel surround, of foliate design, set with rose-cut diamonds, pearls untested, one pearl deficient, lengths: 1st 3.4cm, 2nd 4.4cm, 3rd 4.1cm (3) £250-£350 2

4λ A mourning ring, circa 1785 The navette-shaped plaque painted with monochrome urn to a ropetwist and engraved border, inscribed to the reverse Mary Doolan ob: 3 Sep 1782 ce: 15, maker’s mark WP, ring size L½ £250-£350 This ring is likely to have been made in memory of Mary Doolan of Wells, Somerset, who was buried on 6th September 1782. 5 A rock crystal, enamel and hairwork mourning locket, last quarter of the 19th century Relating to Elizabeth Brownlow (1800-1872), the oval-shaped locket, containing a strand of hair and centred by the monogram ‘EB’, length 4.5cm £80-£120

Lots 2, 5 and 7 to 13 relate to the noble Bligh and Brownlow families of County Meath, Ireland. John Bligh, Fourth Earl of Darnley (30th June 1767 – 17th March 1831) was an Irish peer and cricketer. He appeared in at least twentyseven first-class cricket matches between 1789 and 1796. Together with his brother, the Honorable Edward Bligh, they were referred to as ‘the first Irish first-class cricketers’. In 1791, he married Elizabeth Brownlow, daughter of the Rt Hon William Brownlow of Lurgan, County Armagh, by whom he had seven children – all of whom are listed to the reverse of lot 2. Elizabeth Brownlow (7th May 1800 – 13th November 1872) was the daughter of the Fourth Earl of Darnley. In 1833, Elizabeth married her first cousin, the Very Rev John Brownlow, who was the Vicar at Ardbraccan, County Meath and held the office of Dean of Clonmacnoise from 1862 until his death in 1882. This collection includes mourning lockets for Elizabeth Brownlow and two of her five children, Frances Mary Brownlow (17 August 1840 – 16 June 1871) and the Rev Duncan John Brownlow (4 March 1842 – 29 September 1904).

*See inside front cover for information regarding fees

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11 8 6λ A late 18th century mourning pendant The convex navette-shaped pendant, containing an ivory plaque, featuring a hairwork depiction of a maiden below a weeping willow, lamenting at the foot of a polished urn inscribed ‘IN DEATH LAMENTED AS IN LIFE BELOV’D’, the glazed hairwork reverse centred by the monogram ‘JC’, length 5.7cm £300-£500 7 A mourning locket, circa 1905 and a late 19th century citrine seal Both relating to Duncan John Brownlow (1842-1904), 1st: The circular rock crystal locket, containing a strand of hair, the polished border engraved ‘D.J.B. 29TH SEPT 1904’; 2nd: Faceted, the base incised with a greyhound passant, above the initials ‘DJB’, lengths: 1st 3.8cm, 2nd 4.6cm (2) (partially illustrated) £80-£120 8 A rock crystal, enamel and hairwork mourning locket, last quarter of the 19th century Relating to Elizabeth Brownlow (1800-1872), the circular locket, containing a strand of plaited hair, centred by the enamel monogram ‘EB’, length 3.7cm £80-£120 9 A rock crystal, enamel and diamond memorial pendant, circa 1905 Relating to Duncan John Brownlow (1842-1904), the heart-shaped cabochon rock crystal, centred by the monogram ‘DJB’ in black enamel, to a blue enamel bow surmount, set with rose-cut diamonds, enamel loss, length 5.5cm £100-£150

10 Two rock crystal mourning pendants, last quarter of the 19th century Both relating to Frances Mary Brownlow (1840-1871), 1st: The discshaped rock crystal locket, containing a strand of hair, centred by a black enamel monogram ‘FB’; 2nd: Designed as a rock crystal sphere, with a polished border engraved ‘F.M.B 16th June 1871’, lengths: 1st 3.7cm, 2nd 2.3cm (2) £80-£120 11 A rock crystal, enamel and hairwork mourning locket, last quarter of the 19th century Relating to Elizabeth Brownlow (1800-1872), the oval-shaped rock crystal locket, containing plaited hair and centred by the initial ‘B’ in black enamel, the polished border engraved ‘Elizabeth Brownlow 1872 M.E.D. 1888’, length 4.4cm £80-£120 12 Two rock crystal and enamel mourning lockets, last quarter of the 19th century 1st: The circular rock crystal locket, containing a lock of hair, engraved ‘ 4th February 1884’; 2nd: Relating to Elizabeth Brownlow (1800-1872), of similar design, containing a lock of hair, centred by the enamelled monogram ‘EB’ and engraved ‘13 Nov.r. 1872’, lengths: 1st 3.1cm, 2nd 4.1cm (2) (partially illustrated) £80-£120 13 A group of items relating to John Bligh, 4th Earl of Darnley (30 June 1767 – 17 March 1831) The 18 carat gold propelling pencil ruler, 1804, engraved with the monogram ‘ED’ below a coronet, accompanied by three mother-ofpearl gaming tokens, engraved with the crest of the Bligh family and the monogram ‘ED’ below a coronet, within foliate-engraved borders, pencil with London hallmarks, lengths: pencil 8.8cm, tokens 4.2cm to 6.9cm (4) (partially illustrated) £250-£350 3

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14 An enamel and gem-set necklace and earring suite, circa 1865 The pendant designed as a lover’s knot, applied with blue and white enamel and set with an oval-cut pink sapphire and emeralds, suspending an articulated fringe terminal, to a spiga-link chain, accompanied by a pair of pendent earrings en suite, screw fittings, enamel loss, lengths: earring 5.4cm, necklace 40.5cm, fitted case £800-£1,200

15 An amber bead necklace Composed of a graduated row of 10.1-22.0mm spherical beads, length 72.0cm Accompanied by a report from GCS stating that the amber, weighing 79.25 grams, is natural, of Baltic origin, with no indications of heating. Report number 79202-92, dated 13th March 2019. £500-£700

*See inside front cover for information regarding fees

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16 A diamond five-stone ring Set with a graduated row of old brilliant-cut diamonds, to a polished hoop, diamonds approx. 0.60 carat total, ring size M½ £250-£350

19 A pair of cultured pearl and diamond earrings Each 7.8-8.0mm cultured pearl, to a claw-set brilliant-cut diamond surmount, post fittings, diamonds approx. 0.30 carat total, length 1.5cm £250-£350

17 Three 19th century memorial brooches 1st: A seed pearl and enamel brooch, of oval shape, centred by a raised blue enamel plaque with an incised star motif, inset with a seed pearl, accented by scrolling leaves, within a blue enamel border with engraved foliate decoration, the reverse with a glazed compartment containing two locks of hair, 2nd: A seed pearl brooch / pendant, Of cinquefoil outline, the centre set with seed pearls, within etched and beaded borders, the reverse with a glazed compartment, 3rd: A rock crystal brooch, the cartouche centred by a rock crystal panel containing plaited hair, within a scrolling border, the reverse engraved ‘JG. 24 Jan..y 1839’, lengths: 4.2cm, 3.8cm, 2.6cm (3) £250-£350

20 A diamond ring, 1908-9 Set with five old brilliant-cut diamonds, the largest to the centre, in a scrolling 18 carat gold gallery, diamonds approx. 0.40 carat total, Chester hallmark, ring size M £250-£350

18 An opal and diamond cluster ring, 1902 The central oval cabochon opal surrounded by old brilliant-cut diamonds, to a polished 18 carat yellow gold band, diamonds approx. 0.55 carat total, UK hallmark, ring size K½ £300-£400

21 An opal and diamond bracelet, circa 1860 The central contoured scrolling cartouche accented by oval and circular cabochon opals and cushion-shaped diamonds, to detachable straps the links designed as shell motifs, diamonds approx. 0.40 carat total, French assay marks, length 16.3cm £1,200-£1,500 22 A sapphire and diamond cluster ring The cushion-shaped sapphire in a claw-setting, within a brilliant-cut diamond surround, to an 18 carat gold polished hoop, diamonds approx. 1.10 carats total, UK hallmarks, ring size J £800-£1,200

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23 A diamond cocktail watch, circa 1925 The barrel-shaped dial with Arabic numerals, to a single-cut diamond-set bezel, between similarly-set geometric openwork lugs, to a later cord bracelet and polished clasp, diamonds approx. 0.50 carat total, length 18.25cm £250-£350 24 A pair of emerald and diamond pendent earrings Each of pierced geometric design, set throughout with brilliant-cut diamonds and square step-cut emerald highlights, diamonds approx. 1.50 carats total, length 4.9cm £1,500-£2,000 25 A pair of onyx and diamond cufflinks, first half of the 20th century Double-sided: Each pavé-set with single-cut diamonds, bordering a circular onyx plaque, to a chain-link connector, diamonds approx. 0.95 carat total, numbered, length 1.3cm £250-£350 By repute, these cufflinks were purchased from Cartier in London in the early 1970s.

26 A ruby and diamond brooch, early 20th century Of openwork quatrefoil design, millegrain-set with single and old brilliant-cut diamonds, in a border of calibré-cut rubies, diamonds approx. 0.75 carat total, length 3.0cm £300-£500 27 An Art Deco diamond bracelet, circa 1930 Of openwork design, set throughout with rose-cut diamonds and centrally highlighted by an old brilliant-cut diamond, several diamonds missing, later backchain, length 16.9cm £400-£600 28 A pearl, ruby and diamond pendant The openwork pendant, millegrain-set with old brilliant, single and rose-cut diamonds, with French-cut ruby highlights and 5.0-5.4mm pearl terminals, diamonds approx. 0.60 carat total, pearls untested, one diamond deficient, length 3.0cm £250-£350

*See inside front cover for information regarding fees

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29 A two-row cultured pearl necklace with a gem-set clasp The double-row of slightly graduated 5-7.0mm. cultured pearls terminating at the centre with a bombe cluster clasp set with carved emerald and ruby leaves with brilliant-cut diamond highlights, suspending 15.4mm and 17.5mm cultured pearl drops, length of shortest strand 45.0cm £1,500-£2,000 30 A pair of mother-of-pearl cufflinks Double-sided: Each mother-of-pearl plaque, centrally set with a seed pearl, within a grooved border, to a cable-link chain connector, plaque length 1.4cm, cased by Lindsay, 34 George Street, Hanover Square, London. W. £150-£200

31 A pair of ruby and diamond earrings, circa 1920 Each set with an old brilliant-cut diamond, within a calibré-cut ruby surround, suspended from a foliate and spherical surmount set with old brilliant-cut diamonds, diamonds approx. 0.25 carat total, AustroHungarian assay marks, length 2.7cm £250-£350 32 λ A sapphire and mother-of-pearl dress set, first half of the 20th century Comprising a pair of double-sided cufflinks, four buttons and two studs, each designed as an octagonal plaque with a reeded border, inset with a mother-of-pearl disc centrally set with a French-cut sapphire, maker’s marks G.A.F., lengths: plaques and buttons 1.3cm, studs 0.7cm, cased by Skinner & Co. £300-£500

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33 A pearl necklace with a ruby and diamond clasp The five strands of 3.3-4.3mm pearls, to a floraform clasp set with circular-cut rubies and old brilliant-cut diamonds, centred by a cultured pearl, length of shortest strand 35.6cm Accompanied by a report from GCS stating that the pearls are natural, saltwater. Report number 79193-63, dated 21st January 2019. £400-£600 34 A gem-set compact and travelling bag, by Boucheron, 1954 The rectangular silver compact with mirrored surface surmounted by an openwork engraved scene of butterflies and flowers with circular cabochon ruby highlights, opening to reveal a reeded interior with a hinged powder compartment and mirror, with original fitted black grosgrain handbag, compact: signed Boucheron, maker’s mark, French assay marks, UK import marks, length 7.4cm, width 5.2cm, handbag: length 18.5cm, width 11.5cm £400-£600

35 A hessonite garnet and diamond ring The central oval mixed-cut hessonite garnet between rows of four old brilliant-cut diamonds, diamonds approx. 1.00 carat total, ring size J½ £1,400-£1,600 36 A pair of enamel, garnet and diamond earrings Each circular-cut garnet and brilliant-cut diamond flowerhead, suspending an articulated line of similarly-cut garnets, terminating in a cream enamel lobe, post fittings, length 6.7cm £250-£350

*See inside front cover for information regarding fees

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37 A ruby bangle Set with a continuous row of calibré-cut rubies, within a polished rubover setting, inner diameter 6.3cm £300-£500 38 λ A coral cameo ring Collet-set with a late 19th century oval-shaped coral Corallium Rubrum cameo, carved in high relief to depict a classical maiden in profile, to a later ring mount of ridged design, ring size L £350-£450 By repute, the mount was a bespoke commission made by David Morris in 1964. 39 A fancy-link bracelet Designed as multiple rows of foxtail-linking plaited together, highlighted by spherical accents, length 18.7cm £700-£900 40 A ruby and diamond ring, by Jack Gutschneider, circa 1970 The oval cabochon ruby, bordered by a row of brilliant-cut diamonds, within an undulating surround of radiating textured panels, to a polished hoop, diamonds approx. 0.70 carat total, signed J.G JLRY, ring size P £600-£800

41 A ruby bracelet, circa 1955 Designed as an articulated series of interlocking polished and gaspipe links, punctuated by claw-set oval cabochon rubies, Cartier case, length 20.2cm £1,500-£2,000 By repute, from the collection of Mr Paul Vanson, thence by descent to present owner. Paul Vanson worked for Cartier for a period of over thirty years, beginning in 1946. In 1953, he was tasked by the firm to transform the backroom with an entrance on to Albemarle Street into a ‘boutique’. The idea behind the boutique was to attract a new type of clientele with more affordable pieces of jewellery and a range of leather goods and accessories. Mr Vanson also served his community for over thirty-five years as a Labour Councillor for Elmbridge. When asked at various stages in his life how he could be a left-winger in politics and work in the world of jewellery, he maintained ‘I considered myself a very good jeweller whereas I would have been a very poor miner or steel worker. Fate had decided what I should become. The raison d’etre of my work at Cartier was to create beautiful items to be sold for export most of the time, therefore bringing money into the national ‘kitty’ and giving work to hundreds of creative people. There was nothing anti-social in that.’ 42 A ruby and diamond three-stone ring, by Pravins The oval-cut ruby, between brilliant-cut diamonds, all in four-claw settings, to an 18 carat gold band, signed Pravins, partial UK hallmark, ring size L, maker’s case and box £500-£700 9

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*See inside front cover for information regarding fees

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43 λ A mid 19th century carved coral necklace The carved coral Corallium Rubrum necklace, composed of a single strand of interlocking scroll-shaped beads, to a clasp set with a carved cluster of fruit, surmounting a clasped hand suspending various charms, including a tricorn hat and a shoe, length 39.0cm £300-£500 44 A ruby and diamond cluster ring The oval-shaped ruby, within a surround of old brilliant-cut diamonds, between bifurcated shoulders, to a polished hoop, diamonds approx. 0.40 carat total, ring size N½ £1,000-£1,500 45 A ruby, emerald and diamond brooch Set to centre with a circular rose-cut ruby, within a radiating surround of rose-cut diamonds, emeralds and rubies, length 3.4cm £500-£700

47 A pair of diamond earrings Each polished hoop suspending a claw-set brilliant-cut diamond, diamonds approx. 0.70 carat total, length 1.3cm £300-£500 48 A diamond single-stone ring The square rose-cut diamond, in an eight-claw setting, between similarly-cut diamond shoulders, maker’s mark, French assay mark, ring size N £3,500-£4,000 49 λ A coral bead necklace The single strand of 4.5-14.5mm coral Corallium Rubrum beads, length 77.0cm £300-£400

46 A diamond five-stone ring Set with a row of graduated old brilliant-cut diamonds, to a polished hoop, diamonds approx. 1.15 carats total, ring size O £400-£600

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50 A ruby and diamond cluster pendant The pear-shaped ruby, weighing 1.34 carats, within a surround of brilliant-cut diamonds, to a polished bale, diamonds approx. 0.35 carat total, length 1.9cm £250-£350

53 A diamond-set band ring The wide band, pavé-set with brilliant-cut diamonds, to an open hoop with curved polished terminals, diamonds approx. 1.70 carats total, ring size N £300-£500

51 A cultured pearl and diamond necklace The two strands of 8.0-8.4mm cultured pearls, with brilliant-cut diamond spacers, to a cultured pearl and similarly-cut diamond clasp, length of shortest strand 50.0cm £200-£300

54 λ A pair of coral and diamond earrings Each square cabochon coral Corallium Rubrum, to a brilliant-cut diamond surmount, length 3.4cm £600-£800

52 A pair of diamond cluster earrings Each set to the centre with a pear-shaped diamond within a brilliantcut diamond surround, mounted in 18 carat white gold, post fittings, diamonds approximately 1.60 carats total, UK hallmarks, length 1.2cm £1,000-£1,500

55 A fancy coloured diamond and diamond three-stone ring The central radiant-cut Fancy Intense Yellow diamond, weighing 0.67 carat, flanked by cushion-shaped diamonds of yellow tint, within a surround of brilliant-cut diamonds, to a similarly-set gallery and shoulders, diamonds approx. 1.05 carats total, remaining diamonds untested, maker’s mark, ring size M The principal diamond is accompanied by a report from GCS stating that it is Fancy Intense Yellow colour, VS2 clarity. Report number 79206-73, dated 1st April 2019. £1,500-£2,000

*See inside front cover for information regarding fees

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56 A ‘Strawberry Tryst’ cuff and ring suite, by Theo Fennell Each set with a heart-shaped spinel and brilliant-cut diamonds, with bicoloured strawberry plant accents, mounted in 18 carat white gold, ring signed Fennell, maker’s marks TF, London hallmarks, hinged cuff inner diameter 5.8cm, ring size I½ (2) £700-£900 57 A pair of diamond pendent earrings Each marquise-shaped diamond of yellow tint, within a surround of brilliant-cut diamonds, to a similarly-cut diamond surmount, principal diamonds approx 0.95 carat total, remaining diamonds approx. 0.45 carat total, diamonds untested, length 1.9cm £1,800-£2,200 58 A ruby and diamond cluster ring The oval-cut ruby, weighing 1.53 carats, encircled by a row of pavéset brilliant-cut diamonds, within a radiating surround of floraform similarly-cut diamond clusters, to a polished hoop, diamonds approx. 1.05 carats total, ring size P £600-£800

59 A fancy coloured diamond and diamond cluster ring The cushion-shaped Fancy Vivid Yellow diamond, weighing 0.74 carat, to a surround and shoulders of brilliant-cut diamonds, mounted in 18 carat white gold, remaining diamonds approx. 0.50 carat total, partial UK hallmark, ring size M Accompanied by a report from EDR stating that the diamond is natural, Fancy Vivid Yellow colour, SI2 clarity. Report number E1512153967, dated 20th February 2015. £1,200-£1,500 60 A ‘Strawberry Tryst’ pendant necklace, by Theo Fennell The openwork pear-shaped pendant set with a heart-shaped spinel and brilliant-cut diamonds, with bicoloured strawberry plant accents, the chain spectacle-set at intervals with brilliant-cut diamonds, mounted in 18 carat white gold, pendant signed Fennell, maker’s mark, London hallmarks, numbered, lengths: pendant 2.4cm, chain 55.6cm £1,200-£1,500 61 A ruby and diamond ring The oval-cut ruby in a four-claw setting, within a stepped double-row surround of brilliant-cut diamonds, diamonds approx. 0.25 carat total, ring size K £1,800-£2,500

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62 An Aries dress ring Realistically modelled as a ram’s head, the horns curving around to form the band, illegibly struck maker’s mark, ring size R½ £300-£400

64 A diamond ring, by Christian Dior Each latticework shoulder, joined centrally with graduated brilliantcut diamond chevrons, signed Ch. Dior, ring size K £600-£800

63 A diamond collar necklace The articulated collar, of polished twist design, accented by collet-set princess and brilliant-cut diamonds, and a graduated row of pavé-set similarly-cut diamonds, diamonds approx. 3.50 carats total, length 37.5cm £1,800-£2,200

65 A pair of ‘Fennellium’ diamond hoop earrings, by Theo Fennell The brushed hoops, with repeating MM lettering carved in relief, punctuated by collet-set brilliant-cut diamonds, between polished borders, post fittings, signed Fennellium, maker’s mark TF, length 2.2cm £350-£450

*See inside front cover for information regarding fees

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66 A charm bracelet The fancy-link chain suspending various charms including a diary, a passport, a Holy Bible and a cheque book, all of which open, as well as a 9 carat gold top hat opening to reveal a rabbit and a gold double decker bus opening to reveal passengers, various UK hallmarks, length 18.2cm £500-£700 67 A pair of cultured pearl earclips Each 11.2mm cultured bouton pearl to a textured lobe decorated with granulation detail, clip fittings, maker’s mark SGD, length 3.7cm £600-£800

69 A pair of amethyst and cultured pearl pendent earrings Each surmount designed as a filigree butterfly, set with circular-cut amethysts and cultured pearls, suspending a flower-shaped drop, centred by a pear-shaped amethyst within a surround of circular-cut amethysts, length 6.5cm £500-£700 70 A diamond-set triple band ring, retailed by Boodle & Dunthorne, 1995 Designed as three over-lapping tri-coloured 18 carat gold bands, one pavé-set with brilliant-cut diamonds, maker’s mark S&S, UK hallmark, ring size K, Boodle & Dunthorne case £400-£600

68 A diamond single-stone ring The cushion-shaped diamond, to a polished hoop, diamond approx. 0.70 carat total, ring size M½ £400-£600

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71 λ A pair of diamond-set wooden ‘Bullet Lariet’ earrings, by Chaumet Each cylindrical wooden drop, with a pavé-set brilliant-cut diamond cap and terminal, to a similarly-cut diamond surmount, diamonds approx. 1.55 carats total, signed Chaumet Paris, maker’s mark, numbered, French assay mark, length 4.3cm £600-£800 72 An onyx necklace, by Bulgari The belcher-link chain, interspersed by three discs, each inset with a circular onyx plaque, within a polished surround engraved ‘BVLGARI’, signed Bulgari, Swiss assay mark, length 38.8cm £700-£900 73 A sapphire-set ‘Love’ ring, by Cartier The polished band inside with circular-cut sapphires, signed Cartier, numbered, ring size I½ £1,200-£1,500 74 An onyx bracelet, by Bulgari The curb-link chain, punctuated by three circular spacers, inset with onyx plaques, within polished borders engraved ‘BVLGARI’, to a lobster clasp, signed Bulgari, length 20.9cm, maker’s case and box £1,200-£1,800

75 A pair of ‘Satellite of Love’ diamond earrings, by Frankiel Each designed as a brilliant-cut diamond paperclip, to a polished surmount, diamonds approx. 0.50 carat total, signed Frankiel, maker’s mark SteYP, length 3.0cm £300-£500 76 An emerald and diamond dress ring The oval-shaped emerald, weighing 4.23 carats, within a scalloped openwork surround, set with brilliant and baguette-cut diamonds, to a polished hoop, diamonds approx.1.50 carat total, ring size R Accompanied by a report from IGI stating that the emerald is natural, with minor clarity enhancement. Report number 314882481, dated 9th April 2018. £800-£1,200 77 A diamond single-stone ring The old brilliant-cut diamond, gypsy-set in a polished tapering band, diamond approx. 1.05 carats, ring size N½ £2,000-£3,000

*See inside front cover for information regarding fees

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78 λ A wooden ‘Bullet Lariat’ pendant necklace, by Chaumet The baton-shaped wooden drop, with a polished cap and terminal, to a belcher-link chain, signed Chaumet Paris, numbered, maker’s mark, French assay mark, length adjustable £600-£800 79 A green tourmaline and diamond ring The circular-cut green tourmaline, in a four-claw setting, between overlapping brilliant-cut diamond shoulders, mounted in 18 carat white gold, diamonds approx. 0.55 carat total, partial UK hallmark, ring size L £800-£1,200

81 A ‘Monologo’ ring, by Bulgari The wide polished band, engraved BVLGARI to the exterior, signed Bulgari, ring size O½, maker’s case £800-£1,200 82 A pair of gem-set flower earrings Each earring modelled as a flowerhead, centrally pavé-set with brilliant-cut diamonds, with circular-cut green garnet accents and the petals of brilliant-cut diamonds of brown tint, post fittings, diamonds approx. 5.20 carats total, diamonds untested, length 3.1cm £1,500-£2,000

80 An enamel ‘Logo’ ring, by Cartier The band centrally decorated with black enamel, to a split shank terminating in C motifs, signed Cartier, maker’s mark, numbered, ring size L £400-£600

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83 A 19th century gem-set brooch / slide In the Austro-Hungarian girandole style, set throughout with circular and oval-cut garnets and circular cabochon turquoise, centrally featuring an oval cabochon garnet, all in closed-back settings, with multi-coloured enamel detail, mounted in silver gilt, enamel loss throughout, length 7.3cm £200-£300 84 A pair of 19th century sapphire and diamond pendent earrings Each suspending a pear-shaped sapphire in a foiled closed-back setting, to an articulated collet-set old brilliant-cut diamond surmount, diamonds approx. 0.40 carat total, length 3.5cm £350-£450

86 A pearl and seed pearl necklace with a diamond clasp The 1.3-4.9mm pearl and seed pearl necklace, to a cushion-shaped and old brilliant-cut diamond cluster clasp, diamonds approx. 0.55 carat total, pearls untested, length 46.9cm £400-£600 87 A diamond five-stone ring Claw-set with a row of old brilliant-cut diamonds, to a plain hoop, diamonds approx. 1.80 carats total, ring size Q½ £400-£600

85 A 19th century enamel brooch Of scrolling openwork design, decoratively enhanced by white and black enamel, centred by a circular-cut ruby and seed pearl cluster, between cabochon turquoise and similarly-cut ruby clusters, enamel loss, four turquoises deficient, length 4.3cm £250-£350

*See inside front cover for information regarding fees

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88 A late 19th century enamel and gem-set pendant / brooch and earring suite The openwork brooch, set with pearls and vari-cut rubies and emeralds, centered by an octagonal enamel plaque, depicting a Classical maiden playing a lyre alongside a dancing putto, against a black ground, with half-pearl and gem-set terminals, and a hinged compartment to the reverse, accompanied by a pair of pendent earrings en suite, later post fittings, one enamel possibly a later replacement, one enamel chipped, lengths: brooch 8.5cm, earring 7.6cm (2) £400-£600 89 A sapphire and diamond ring, circa 1890 Set alternately with mixed-cut sapphires and cushion-shaped diamonds, with rose-cut diamond points, to a scrolled gallery, cushionshaped diamonds approx. 0.40 carat total, ring size L £700-£900

90 A pearl, enamel and green paste cross pendant necklace, circa 1870 In the Renaissance revival style, the Latin cross set with square-cut green pastes, the cardinal points with blue white, green and red enamel highlights, suspending three 5.7-7.8mm pearls, the reverse applied with white enamel and containing a hinged compartment, to a belcher-link chain, pearls untested, lengths: cross 6.8cm, chain 43.0cm £300-£500 91 A sapphire and diamond bangle Of hinged form, set with an oval-shaped sapphire, within a surround of old brilliant-cut diamonds, flanked by a line of similarly-cut diamonds, diamonds approx. 1.10 carats total, French assay mark, inner diameter 5.7cm £400-£600

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94 95

92 A pair of sapphire and diamond tassel earrings Each kite-shaped surmount set with chevron courses of circular-cut sapphires and brilliant-cut diamonds, suspending articulated lines of similarly cut sapphires and diamonds, mounted in 18 carat white gold, diamonds approx. 2.50 carats total, London hallmark, length 7.0cm £2,500-£3,000 93 A cultured pearl and diamond necklace and earrings The single-strand of graduated 8.8-11.3mm cultured pearls of various tints, to a roundel clasp set with single-cut diamonds, accompanied by a pair of cultured pearl and brilliant-cut earrings mounted in 18 carat white gold, one diamond deficient, earrings with UK hallmark, lengths: necklace 42.3cm, earring 1.9cm (2) £350-£450

94 A pair of cultured pearl and diamond earclips Each set with a 13.9-14.1mm cultured pearl of grey tint, atop a pavéset brilliant-cut diamond cup, clip fittings, diamonds approx. 0.50 carat total, length 2.2cm £1,000-£1,500 95 A tanzanite and diamond ring The oval-shaped tanzanite, within a surround of brilliant-cut diamonds, between similarly-cut diamond shoulders, to a polished hoop, diamonds approx. 0.40 carat total, ring size K½ £350-£450 96 A pair of sapphire and diamond cluster earstuds The oval-shaped sapphire, within a surround of brilliant-cut diamonds, post fittings, length 0.7cm £350-£450

*See inside front cover for information regarding fees

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97 A sapphire and diamond cross pendant The Latin cross set with square-cut sapphires and brilliant-cut diamonds, diamonds approx. 0.50 carat total, length 2.6cm £450-£550 98 A pair of sapphire hoop earrings Each hoop pavé-set to the front with circular-cut sapphires, the inner hoop similarly set, length 4.4cm £400-£600 99 A diamond five-stone ring Set with step-cut diamonds, the largest to the centre, all in four-claw settings, principal diamond approx. 1.50 carats, remaining diamond approx. 1.30 carats total, ring size O £3,000-£5,000

100 A sapphire and diamond bracelet The graduated row of step-cut sapphires set alternately with rectangular spacers set with baguette and brilliant-cut diamonds, to a snake-link chain with sliding clasp and ball terminals, diamonds approx. 0.75 carat total, maximum length 23.6cm (adjustable) £1,800-£2,000 101 A pair of cultured pearl pendent earrings Each surmount set with a 13.0-13.2mm cultured pearl of grey tint, suspending a detachable tassel of 2.9-3.2mm cultured pearls, length 7.1cm £350-£400

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103 104

102 A gold and diamond demi parure The 18 carat gold necklace designed as a series of X-shaped links, with polished and brilliant-cut diamond-set spacers, accompanied by a bracelet, earrings and ring en suite, diamonds approx. 1.20 carats total, necklace and bracelet with UK import marks, lengths: necklace 42.3cm, bracelet 19.0cm, earring 1.8cm, ring size H (4) £1,000-£1,500 103 A pair of ‘Parentesi’ earclips, by Bulgari Each bi-coloured curved panel, formed from interlocking geometric links, accented by a panel of polished steel, clip fittings, signed Bulgari, length 1.8cm, maker’s case, certificate of authenticity £700-£900

104 A gem-set and diamond dress ring The central oval-cut green topaz within a double-border of pearshaped orange and yellow sapphires with brilliant-cut diamond highlights and shoulders, diamonds approx. 0.50 carat total, ring size N £1,000-£1,500 105 A pair of citrine and diamond earclips Each curved rectangular panel inset to the front and sides with stepcut citrines, accented by single and brilliant-cut diamond highlights, diamonds approx. 0.60 carat total, length 3.4cm £400-£600

*See inside front cover for information regarding fees

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102 108

109

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107 106

106 A citrine ‘Chandra’ ring, by Bulgari The white ceramic band with floral decoration, centrally collet-set with an oval cabochon citrine, in a closed-back setting, signed Bulgari, ring size L½ £1,200-£1,500

109 A pair of garnet earrings, by Pomellato Each set with a pear-shaped cabochon garnet, to a polished mount, signed Pomellato, French assay mark, length 2.3cm £300-£500

107 A pair of citrine, peridot and diamond earrings Each oval-cut peridot surmount, suspending a larger oval mixed-cut citrine, spaced by a brilliantcut diamond, diamonds approx. 0.55 carat total, length 3.6cm £2,000-£3,000

110 An amber necklace A graduated strand of 23.1-10.1mm oblong amber beads, to a carved amber clasp, length 74.8cm

108 A diamond and yellow sapphire key pendant necklace, by Theo Fennell The detachable pavé-set yellow sapphire key with brilliant-cut diamond highlights, suspended from a fancy-link chain, mounted in 18 carat yellow gold, pendant signed Theo Fennell, maker’s marks TF, UK hallmarks, lengths: pendant 4.0cm, chain 40.0cm, maker’s case £800-£1,200

Accompanied by a report from GCS stating that the amber, weighing 44.86 grams, is natural, of Baltic origin, with no indications of heating. Report number 79196-68, dated 5th February 2019. £250-£350

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111 A gold and silk evening bag, by Cartier, 1966-67 The tucked black silk exterior, with a reeded 9 carat gold spine featuring two ropetwist loops, opening to reveal several compartments and a coin purse, signed Cartier Ltd. London, maker’s mark JC, London hallmark, handle detached, width 22.8cm, maker’s case £500-£700

*See inside front cover for information regarding fees

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112 A pair of lapis lazuli and ruby cufflinks Each designed as a carved square lapis lazuli plaque, centrally highlighted by a circular cabochon ruby, to a chain-link connector and a lapis lazuli baton terminal, plaque length 1.5cm £300-£500

115 A diamond single-stone ring The brilliant-cut diamond, in an 18 carat yellow gold band, diamond approx. 0.95 carat, UK import mark, ring size T £1,000-£1,500

113 A diamond crossover ring The opposing old brilliant-cut diamonds within claw settings to a plain band, diamonds approximately 0.90 carat total, ring size P £300-£500

116 A lapis lazuli and diamond dress set Each rectangular plaque inset with a polished lapis lazuli panel, within a border of brilliant-cut diamonds, to a T-bar connector, accompanied by four studs en suite, diamonds 0.60 carat total, lengths: cufflink plaques 1.7cm, stud plaque 0.6cm (5) £250-£350

114 A sapphire-set bracelet, by Boucheron, circa 1970 The articulated line of double ropetwist oval-links, each spaced by a circular-cut sapphire highlight, signed Boucheron, maker’s mark LV, French assay mark, length 18.9cm £4,500-£5,000 For a similar example, see Bonhams, Knightsbridge London, 25 January 2017, lot 224.

117 A pair of onyx flower pendent earrings Each realistically carved onyx flower, centred by a brilliant-cut diamond, to a similarly-cut diamond-set surmount with knife-edge connector, length 5.1cm £250-£350

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118 λ A pair of coral and diamond pendent earrings Each coral Corallium rubrum drop, suspended from a line of brilliantcut diamond trios, diamonds approx. 1.00 carat total, length 6.7cm £450-£550

121 A moonstone and diamond cluster ring The oval cabochon moonstone, within a surround of brilliant-cut diamonds, diamonds approx. 0.85 carat total, ring size N½ £1,000-£1,500

119 A diamond single-stone ring The old brilliant-cut diamond to a claw-setting, between single-cut diamond shoulders, principal diamond approx. 0.75 carat, ring size M £500-£700

122 A pair of cultured pearl and diamond cluster earrings Of trefoil design, each set with 8.4mm cultured pearls, individually collet-set with brilliant-cut diamonds, to a polished stem with a brilliant-cut diamond tip, post fittings, diamonds approx. 0.50 carat total, length 2.0cm £300-£400

120 A cultured pearl and diamond necklace The 15.8mm cultured pearl drop, to an articulated surmount of pavé and collet-set brilliant and single-cut diamonds, to a snake-link chain, diamonds approx 2.70 carats total, length 48.3cm £800-£1,200

123 A diamond dress ring Designed as a square plaque pavé-set with brilliant-cut diamonds, centred by a claw-set similarly-cut diamond, to a polished hoop, principal diamond approx. 0.55 carat, remaining diamonds approx. 0.45 carat total, ring size J £400-£600

*See inside front cover for information regarding fees

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124 A pair of rose quartz and diamond pendent earrings Each rose-cut diamond drop, suspended from an articulated line of brilliant-cut diamonds, mounted in 18 carat white gold, post fittings, diamonds approx. 0.95 carat total, London hallmarks, length 5.4cm £700-£900 125 A diamond ring Centred by a brilliant-cut diamond in a four-claw setting, between similarly-cut diamond shoulders, to a polished hoop, principal diamond approx. 0.50 carat, remaining diamonds approx. 0.40 carat total, ring size M £400-£600 126 A cultured pearl and diamond pendant, 1985 The 8.3mm cultured pearl, within a radiating double surround of brilliant-cut diamonds, to a similarly-cut diamond surmount, mounted in 18 carat white gold, diamonds approx. 2.00 carats total, maker’s mark ‘CE’, UK hallmark, length 3.4cm £300-£500

127 A pink tourmaline ‘Tank’ ring, by Cartier The fancy square-cut pink tourmaline, to a polished band, signed Cartier, maker’s mark, numbered, ring size M½ £600-£800 128 A pair of cultured pearl and diamond earrings, by Gellner and a cultured pearl and diamond necklace 1st: Each 18 carat gold hoop mount of blackened finish inset with brilliant-cut diamonds, suspending a detachable 11.511.6mm cultured pearl of grey tint, 2nd: A single-strand of graduated diamond beads, of brown tint, set at intervals with 8.7-9.8mm cultured pearls of various tints, 1st: diamonds approx. 0.25 carats total, diamonds untested, signed Gellner, lengths: earring 2.7cm, necklace 43.3cm (2) £350-£450 129 A pair of cultured mabé pearl and diamond earclips Each earclip set with a 16.3-16.8mm cultured mabé pearl within a single-cut diamond scroll, clip fittings, diamonds approx. 1.40 carats total, French import marks, length 2.5cm £1,000-£1,200

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131 130 134

133

132

130 A morganite and diamond pendant The pear-shaped morganite, within a surround of brilliant-cut diamonds, to a similarly-cut diamond-set surmount, diamonds approx. 0.75 carat total, length 3.1cm £1,200-£1,500

132 A black opal and diamond ring The central oval cabochon black opal within an openwork border and shoulders of entwined rows of brilliant-cut diamonds, to an 18 carat yellow gold mount, diamonds approx. 0.70 carat total, ring size L £1,000-£1,200

131 A diamond and multi gem-set necklace The knife-wire bar chain, centrally set with collet-set vari-cut cabochon chysoprase, smoky quartz and rose quartz, between circular spacers set with brilliant-cut diamonds, French assay mark, length 45.1cm £2,200-£2,800

133 An ‘Evil Eye’ diamond ring, by Links of London Centred by a cabochon green and black glass eye, within a double surround of brilliant-cut diamonds, to a polished 18 carat gold hoop, inset with similarly-cut diamonds, maker’s mark, UK hallmark, ring size K, maker’s case £250-£350 134 A pair of morganite and diamond pendent earrings Each pear-shaped morganite, within a surround of brilliant-cut diamonds, to a similarly-cut diamond-set surmount, post fittings, diamonds approx. 0.75 carat total, length 3.9cm £2,500-£3,500

*See inside front cover for information regarding fees

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135 A green quartz and diamond dress ring, by Malakan The fancy-cut green quartz, within a surround of brilliant-cut diamonds, the shoulders and gallery set with similarly-cut diamonds, to a bi-coloured mount, diamonds approx. 4.60 carats total, signed Malakan, ring size L½ £1,000-£1,500

137 A zultanite and diamond ring, by Lorique The octagonal-cut zultanite, in a four-claw setting, within a surround of baguette and brilliant-cut diamonds, between pavé-set similarly-cut diamond shoulders, to an 18 carat gold hoop, diamonds approx. 0.25 carat total, signed Lorique, maker’s mark LO, UK hallmark, ring size O £1,000-£1,500

136 A fancy-link necklace and bracelet, circa 1960 The necklace designed as two interwoven foxtail link rows, accompanied by a bracelet of similar design terminating in a floral clasp highlighted by green enamel, maker’s mark FAO, lengths: necklace 42.6cm, bracelet 19.3cm (2) £1,000-£1,500

138 λ A ‘Colisee’ wristwatch, by Cartier The circular dial with Roman numeral hourmarkers, to an 18 carat gold polished bezel and lugs, with a sapphire crown, the scrap of green leather, signed Cartier, maker’s mark, numbered, Swiss assay mark, European convention mark, length adjustable, maker’s case £500-£700

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139 A pair of aquamarine and diamond pendent earrings Each earring designed as a trio of pear-shaped aquamarines, within surrounds of brilliant-cut diamonds, mounted in 18 carat white gold, diamonds approx. 1.15 carats total, London hallmark, length 4.5cm £1,800-£2,200 140 A diamond single-stone ring The cushion-shaped diamond, in a square tapering mount, diamond approx. 0.50 carat, ring size K½ (split shank) £500-£700 141 A diamond longchain The articulated line of belcher-linking, highlighted at intervals by spectacle-set brilliant-cut diamonds, diamonds approx. 2.80 carats total, length 122.9cm £2,500-£3,000

142 A pair of diamond earstuds Each brilliant-cut diamond, in a four-claw setting, diamonds approx. 0.65 carat total £600-£800 143 An aquamarine and diamond dress ring The pear-shaped aquamarine, within a pavé-set brilliant-cut diamond surround, between similarly-set shoulders, to a bifurcated hoop, diamonds approx 1.60 carat total, ring size R½ £800-£1,200 144 A diamond cluster ring The stepped cluster, set with brilliant-cut diamonds, to a trifurcated hoop, diamonds approx. 1.90 carats total, ring size Q½ £400-£600 145 A purple sapphire and diamond cluster ring The oval-cut purple sapphire, within a brilliant-cut diamond surround, between baguette-cut diamond shoulders, mounted in 18 carat white gold, diamonds approx. 0.45 carat total, London hallmark, ring size M £700-£900

*See inside front cover for information regarding fees

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149 147

150

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146 A diamond single-stone ring, by Tiffany & Co. The brilliant-cut diamond, weighing 0.61 carat, in six-claw setting, to a platinum band, signed Tiffany & Co., maker’s mark T&Co., London hallmark, ring size H½, maker’s pouch Accompanied by a report from Tiffany & Co. stating that the diamond is G colour, Internally Flawless clarity. Report number 23323184/H0203078. £1,000-£1,500 147 A pair of rock crystal, turquoise and diamond earclips Each carved rock crystal bloom with a cushion-shaped cabochon turquoise centre and a single-cut diamond border, post fittings, diamonds approx.1.50 carats total, diameter 2.3cm £400-£600

148 An aquamarine and diamond dress ring The step-cut aquamarine, in a double four-claw setting, between trios of baguette-cut diamonds, all within a surround of brilliant-cut diamonds, diamonds approx. 0.75 carat total, ring size N £1,800-£2,200 149 An aquamarine and diamond ring, 1978 The step-cut aquamarine, to a naturalistic 18 carat white gold mount, with diamond-set foliate tendrils extending across opposing corners, between bifurcated shoulders, with textured bark detail, London hallmarks, ring size Q½ (sizing band) £800-£1,200 150 A pair of kunzite and diamond pendent earrings Each triangular-cut kunzite, to a brilliant and baguette-cut diamond surmount, mounted in 18 carat white gold, diamonds approx. 0.95 carat total, UK hallmarks, length 3.5cm £1,000-£1,500

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152 152

154

151

153

151 A silver and lapis lazuli ring, by Harald Nielsen for Georg Jensen, 1965 The polished oval cabochon lapis lazuli within a plain border to a tapered hoop, signed Georg Jensen, maker’s mark GJLd, pattern 46A, partial UK import mark, ring size N £100-£200 152 A bracelet and brooch, by Kristian Mohl-Hansen for Georg Jensen, and a later pair of earclips, by Georg Jensen The bracelet designed as a series of openwork foliate panels, with circular spacers, each depicting a dove within a wreath of foliage, accompanied by a brooch en suite, together with a pair of circular earclips, each containing a dove eating berries, against a naturalistic backdrop, signed Georg Jensen, patterns: bracelet 32, brooch 165, earclips 212 lengths: bracelet 19.0cm, brooch 4.0cm, earclip 2.0cm (3) £450-£550 Kristian Mohl-Hansen (1876-1962) trained as a painter at the Royal Danish Academy, and later at Zahrtmanns Skole in Copenhagen. He primarily produced nature studies and landscapes, with some of his larger pieces now in the collection of the National Museum of Art, Copenhagen. In 1904, he began to work in a freelance capacity for Georg Jensen, producing his most iconic design of the dove within a wreath shortly thereafter. His work is characterised by a rich Art Nouveau aesthetic, combining naturalistic motifs.

153 A ‘Möbius’ ring, by Vivianna Torun Bülow-Hübe for Georg Jensen Of polished abstract design, signed Georg Jensen, pattern 148, ring size N £100-£150 154 A silver deer brooch, by Arno Malinowski for Georg Jensen, 1957 The oval-shaped openwork silver plaque, containing a stylised kneeling deer amidst flowers, signed Georg Jensen, maker’s mark, pattern 256, UK hallmark, length 4.5cm £100-£150 Arno Malinowski (1899-1976) began designing hollowware and jewellery for Georg Jensen in 1936. In 1940, he designed the Kingmark in celebration of the 70th birthday of King Christian X. The design was produced in great numbers and was worn by Danes to demonstrate their resistance to the German occupation. Malinowski was the recipient of numerous awards, including the Eckersberg medal and Carlson prize. His work is characterised by naturalistic motifs, such as animals and plants, which he combined with the pure forms of Functionalism.

The earclips appear to have been inspired by one of Georg Jensen’s earlier designs, produced from 1927 to 1931. For a pair of cufflinks of a similar design, see Jens Ingvordsen, The Jewellery Box: Danish Jewellery Art of the 20th Century, Den Gamle By Strandberg Publishing, Copenhagen, pages 126, 175. 32

*See inside front cover for information regarding fees

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156

157 155

155 A gold and cultured pearl brooch, by Nana Ditzel for Georg Jensen, 1973 Designed as a slightly concave 18 carat gold lobe, highlighted by a 7.1mm cultured pearl, signed Georg Jensen, maker’s mark, pattern 1328, UK import mark, length 5.4cm £600-£800

156 A gold ‘Splash’ necklace, by Henning Koppel for Georg Jensen Designed as an articulated series of 18 carat gold abstract links, to a concealed clasp, signed Georg Jensen, pattern 1088B, Dannish assay mark, European convention mark, length 42.1cm, maker’s case £3,000-£5,000 157 A pair of ‘Splash’ earrings, by Henning Koppel for Georg Jensen Each designed as an openwork abstract form, later post fittings, signed Georg Jensen, pattern 1118, length 3.0cm, maker’s case £600-£800 33

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160 159

161

162

158 An emerald and diamond three-stone ring The central square step-cut emerald, between old brilliant-cut diamonds, diamonds approx. 0.80 carat total, ring size L £400-£600

161 A multi-strand emerald and rock crystal bracelet The four strands of emerald beads, highlighted by rock crystal spacers containing fluorite inclusions, maker’s mark, length 18.5cm £250-£350

159 A pair of multi-coloured sapphire and diamond pendent earrings Each articulated line set with alternating oval-cut pink and green sapphires, spaced by collet-set brilliant-cut diamonds, post fittings, diamonds approx. 0.55 carat total, length 7.1cm £500-£700

162 A diamond three-stone ring The centre brilliant-cut diamond, weighing 0.50 carat, within a surround of similarly-cut diamonds, flanked by two similarlydesigned diamond clusters, mounted in platinum, remaining diamonds approx. 1.05 carats total, signed Browns, London hallmark, ring size L

160 A diamond five-stone ring Set with five graduated old brilliant-cut diamonds, to an 18 carat gold hoop, later rhodium plated, UK hallmark, maker’s mark, ring size O £300-£400

Accompanied by a report from E.G.L. stating that the principal diamond is H colour, SI1 clarity. Report number 140100595. £1,000-£1,500 163 A pair of emerald and cultured pearl earrings Each baroque cultured pearl, suspended from a cluster of oval and circular-cut emeralds, lengths 4.3-4.6cm £250-£350

*See inside front cover for information regarding fees

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167 164

166

164 An emerald and diamond cluster ring The pear-shaped emerald, within a surround of brilliant-cut diamonds, between similarly-set shoulders, to a polished 18 carat white gold hoop, diamonds approx. 0.45 carat total, UK hallmark, ring size M½ £1,500-£2,000 165 An emerald and diamond necklace Of negligée design, suspending two pear-shaped emeralds, issuing from interlacing rows of brilliant-cut diamonds, the necklace set with similarly-cut diamonds and a polished brick-link backchain, diamonds approx. 2.70 carats total, lengths: pendant 5.2cm, necklace 40.3cm £3,500-£4,500

166 A diamond single-stone ring The brilliant-cut diamond, weighing 1.50 carats, within a six-claw setting, ring size K Accompanied by a report from the GIA stating that the diamond is E colour, VS2 clarity. Report number 17441950, dated 30th June 2008. £7,000-£8,000 167 An emerald and diamond ring The octagonal step-cut emerald, weighing 4.44 carats, between geometric openwork shoulders, set with brilliant-cut diamonds, to a polished hoop, diamonds approx. 0.50 carat total, ring size Q £1,200-£1,800

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168 A hardstone and diamond ‘Zodiac’ pendant necklace, by Ilias Lalaounis, circa 1980 The pendant designed as a hardstone plaque, with an applied stylised representation of a lion, above tassel terminals, all to a palmier-link chain, with diamond highlights, diamonds approx. 0.50 carat total, signed Ilias Lalaounis, maker’s mark, lengths: necklace 43.0cm, pendant 11.6cm, maker’s case £1,800-£2,500 169 A hardstone ‘Zodiac’ ring, by Ilias Lalaounis, circa 1980 Centred by an oval-shaped hardstone plaque, with an applied stylised representation of a lion, the shoulders applied with floraform rosettes, within a double palmier-link surround and hoop, maker’s mark, ring size K½ £700-£900 170 A hardstone and diamond ‘Zodiac’ bracelet, by Ilias Lalaounis, circa 1980 Centrally set with a hardstone plaque, with an applied stylised representation of a lion, to a double palmier-link strap, with singlecut diamond highlights, diamonds approx. 0.40 carat total, signed Ilias Lalaounis, maker’s mark, length 18.5cm, maker’s pouch £1,000-£1,500

171 A sapphire and diamond ring Set with three oval-cut sapphires, the largest in the centre, between duos of old brilliant-cut diamonds, ring size M £800-£1,200 172 A pair of pendent earrings Of brushed finish, designed as a series of oval-shaped loops, fitted with stylised leaves, length 6.3cm £250-£350 173 A diamond and sapphire ‘Spiga’ ring, by Bulgari The sprung band decorated with zig-zag motifs, to a collet-set ovalcut sapphire between brilliant-cut diamonds, signed Bulgari, ring size approximately L £800-£1,200

*See inside front cover for information regarding fees

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177 179

174 A sapphire and diamond bracelet Formed as a series of articulated pavé-set brilliant-cut diamond plaques, each centred by a collet-set oval-shaped sapphire, diamonds approx. 4.25 carats total, length 17.5cm £1,500-£2,000

177 A sapphire and diamond ring The central oval-cut sapphire, weighing 3.37 carats, flanked by brilliant-cut diamonds, to an 18 carat white gold mount, diamonds approx. 0.60 carat total, UK hallmark, ring size M £1,200-£1,500

175 A pair of diamond cluster earstuds, 1989 Each desgined as a flowerhead of brilliant-cut diamonds, mounted in 18 carat white gold, post fittings, diamonds approx. 1.00 carat total, maker’s mark NAW, UK hallmark, length 0.90cm £800-£1,200

178 A sapphire and diamond brooch Designed as a floral spray, set with circular-cut sapphires and single and brilliant-cut diamonds, diamonds approx. 0.80 carat total, length 5.5cm £250-£350

176 A pair of cultured pearl and diamond earrings Each 13.0x11.17mm or 13.0x11.2mm cultured pearl drop, to a brilliant-cut diamond-set surmount, diamonds approx. 0.50 carat total, length 2.7cm £600-£800

179 A sapphire and diamond cluster ring The collet-set oval-cut sapphire, within a scalloped surround of brilliant-cut diamonds, to a platinum band, diamonds approx. 1.40 carats total, UK hallmark, ring size M £1,500-£2,000

*See inside front cover for information regarding fees

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180 A sapphire and diamond ring The oval-shaped sapphire in a four-claw setting, between baguettecut diamond shoulders, to a polished hoop, diamonds approx. 0.40 carat total, ring size O £800-£1,200 181 A pair of sapphire and diamond pendent earrings Each oval drop of openwork design, set with oval-cut and pearshaped sapphires and accented with vari-shaped rose-cut diamonds and a brilliant-cut diamond line, to a similarly-set surmount, in blackened mounts, post and clip fittings, brilliant-cut diamonds approx. 0.70 carat total, length 7.7cm £1,500-£2,000 182 A sapphire and diamond pendant The collet-set oval cabochon sapphire, surmounted by a similarly-set brilliant-cut diamond, length 2.2cm £1,000-£1,500

183 A diamond eternity ring The channel-set row of baguette-cut diamonds, between polished borders, diamonds approx. 0.95 carat total, ring size O £500-£700 184 A diamond line bracelet The articulated line of brilliant-cut diamonds, each in a four-claw setting, to a concealed clasp, diamonds approx. 6.10 carats total, length 18.5cm £3,500-£4,000 185 A sapphire and diamond eternity ring The central row of calibré-cut sapphires flanked by a brilliant-cut diamond border with millegrain detail, diamonds approx. 0.50 carat total, ring size O £700-£900

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186 A gold snake bangle Designed as a 9 carat gold coiled serpent, the engraved head inset with ruby eyes, to a sprung body and polished tail, maker’s mark, UK hallmarks, length adjustable £250-£350 187 A diamond three-stone ring Set with a graduated row of old brilliant-cut diamonds, diamonds approx. 2.70 carats total, ring size M £2,800-£3,200 188 A diamond-set snake ring Designed as a double-headed snake, each head set with a cushionshaped diamond, diamonds approx. 0.40 carat total, partially stuck maker’s mark, French assay mark, ring size N £800-£1,200

189 A double-strand pearl necklace The detachable strands of slightly graduated 2.9-4.9mm pearls, each strand highlighted by rose-cut diamonds by the clasp, to a box clasp set with rows of half pearls and rose-cut diamonds, length of shortest strand 44.6cm Accompanied by a report from GCS stating that the pearls are natural, saltwater. Report number 79193-62, dated 21st January 2019. £400-£600 190 A peridot and pearl brooch / pendant, circa 1890 The central octagonal-cut peridot, within an openwork surround of stylised scrolls and trefoils set with half pearls of grey and white tint, detachable brooch fitting, length 3.8cm £300-£400 191 A pearl and diamond brooch, circa 1900 Mounted in silver and gold, centrally set with a line of 4.2-4.4mm pearls spaced by cushion-shaped diamonds, to a border of rose-cut diamonds, all within a framework decorated with scrollwork, rose-cut diamonds and 4.1mm pearls, French import marks, pearls untested, detachable brooch fitting, length 3.9cm £1,000-£1,500 *See inside front cover for information regarding fees

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192 A pair of diamond pendent earrings Of foliate design, each navette-shaped drop set with brilliant-cut diamonds, to a similarly-cut diamond surmount, post fittings, diamonds approx. 1.15 carats total, length 3.2cm £800-£1,200

195 A diamond star brooch / pendant, early 20th century Of pierced design, set throughout with cushion-shaped and rose-cut diamonds, cushion-shaped diamonds approx. 1.00 carat total, French assay mark, detachable brooch and pendant fittings, length 5.5cm £2,000-£2,500

193 A diamond bar brooch, circa 1900 Centred by an eight-ray star, set with old brilliant-cut diamonds, to a polished bar, with old brilliant-cut diamond terminals, diamonds approx. 0.90 carat total, length 8.8cm £300-£400

196 A diamond fox pendant The realistically modelled fox’s head, pavé-set throughout with brilliant-cut diamonds, diamonds approx. 0.95 carat total, length 1.0cm £200-£300

194 A pair of diamond pendent earrings The trace-link chains each set with a pair of cushion-shaped diamonds, post fittings, diamonds approx. 0.70 carat total, surmounts deficient, length 2.7cm £200-£300

197 An emerald and diamond dress ring Of vertical design, centred by an oval-cut emerald, within a row of graduated old brilliant-cut diamonds, with millegrain decoration throughout, diamonds approx. 1.10 carats total, ring size I½ £500-£700

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198 A sapphire, diamond and styptor minaudière, by Van Cleef & Arpels for Asprey, circa 1945 Of rectangular form, the engine-turned case, with a polished geometric clasp, set with calibré-cut sapphires, and an applied singlecut diamond monogram ‘DM’, opening to reveal a covered compartment, a glazed comparment, a lipstick holder, a lighter, a comb and an open compartment, signed ‘La Minaudière de Van Cleef et Arpels’ and ‘Specially Made For Asprey’, maker’s mark, numbered, width 15.1cm, fitted Asprey’s London carrying case £700-£900 The minaudière was designed by Van Cleef & Arpels in the late 1930s. According to legend, it was designed for Florence Jay Gould, wife of the American railroad magnate Jay Gould, and one of the maison’s most notable patrons. It is said that one day Charles Arpels was shocked to witness Mrs Gould putting her accessories in to a Lucky Strike tin. This prompted him to invent a stylish jewel-like box, capable of holding the various objects a lady would require for an evening out. The object’s name was inspired by Estelle, the wife of Alfred Van Cleef, whose gentile mannerisms, or ‘minauderies’, widely ingratiated her.

199 A synthetic ruby and diamond dress ring, circa 1940 Of odeonesque design, set with single-cut diamonds and calibré-cut synthetic rubies, to a polished hoop, ring size O £400-£600

*See inside front cover for information regarding fees

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201 204

202 206 200

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200 A gem-set blackamoor brooch, mid 20th century Wearing a textured turban, surmounted by a cabochon coral Corallium Rubrum, and centred by an old brilliant-cut diamond, bordered by alternately-set vari-cut rubies, turquoises and emeralds, the engraved robe accented by a brilliant-cut diamond and vari-cut emeralds, rubies and turquoises, diamonds approx. 0.40 carat total, length 5.1cm £1,000-£1,500 201 An emerald and diamond bee brooch The realistically modelled bee with drop shaped cabochon emerald body, a brilliant-cut diamond and circular-cut emerald thorax and eyes and textured wings highlighted with single-cut diamonds, diamonds approx. 0.40 carats total, length 3.8cm £1,500-£2,000 For a similar example, see Sotheby’s Fine Jewels, London, 7 June 2017, lot 280. 202 A diamond single-stone ring The brilliant-cut diamond in a split-claw setting, to a ridged 18 carat gold mount, diamond approx. 1.05 carats total, maker’s mark, UK hallmark, ring size R £1,200-£1,500

203 A sapphire and diamond cluster ring The central brilliant-cut diamond, within a calibré-cut sapphire octagonal border and plain hoop with engraved shoulders, diamond approx. 0.65 carat, ring size M £450-£500 204 A fancy-link bracelet The oval pierced links, each with a spherical connector, indistinct maker’s mark, French assay marks, length 18.1cm £1,800-£2,200 205 A diamond three-stone ring The bi-coloured polished band, inset with a graduated row of brilliant-cut diamonds, diamonds approx. 0.90 carat total, hoop broken, ring size approx. T £700-£900 206 A ‘Trinity’ ring, by Cartier Composed of three interlocking tri-coloured hoops, signed Cartier, maker’s mark, numbered, French assay marks, ring size L £300-£400

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207 A gem-set pendant, by Bulgari The rotating roundel engraved BVLGARI, suspending movable collet-set gems including circular cabochon amethyst, pink tourmaline and a heart-shaped cabochon blue topaz, to a later chain, pendant signed Bulgari with Swiss assay marks, lengths: pendant 3.7cm, chain 41.1cm £700-£900 208 A blue zircon and diamond dress ring The circular-cut blue zircon, collet-set within a surround of brilliantcut diamonds, between shoulders channel-set with baguette-cut diamonds, mounted in 18 carat white gold, diamonds approx. 1.25 carats total, partial UK hallmark, ring size M £1,500-£2,000 209 A pair of B.Zero1 diamond-set earrings, by Bulgari Each hoop set to the front with brilliant-cut diamonds, the galleries engraved BVLGARI, post fittings, diamonds approx. 0.45 carat total, signed Bulgari, length 2.0cm, maker’s case and box £1,500-£2,000

210 A purple sapphire and diamond ring The oval-cut purple sapphire, in a four-claw setting, between brilliant-cut diamond shoulders, to a polished hoop, ring size P £1,000-£1,500 211 A B.Zero1 ring, by Bulgari Designed as sprung coils, the galleries engraved BVLGARI, signed Bulgari, ring size K½ £500-£700 212 A pair of amethyst and diamond pendent earrings Each amethyst briolette, suspended from a knife-wire line decorated with brilliant-cut diamond butterflies and spacers, post fittings, diamonds approx. 0.65 carat total, length 6.6cm £350-£450

*See inside front cover for information regarding fees

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213 A pair of kunzite and diamond pendent earrings, by Michele della Valle Each composed of graduated oval mixed-cut kunzites within brilliantcut diamond frames, spaced by simiarly-cut diamond loops, clip and post fittings, diamonds approx. 1.70 carats total, maker’s mark, length 5.3cm £500-£700 214 A diamond ring The collet-set brilliant-cut diamond, within a surround of similarlycut diamonds, to a wide polished hoop, principal diamond approx. 0.70 carat, ring size O £400-£600

215 A pink sapphire and diamond dress ring The oval-cut pink sapphire, in a half collet crossover setting pavé-set with brilliant-cut diamonds, mounted in 18 carat white gold, diamonds approx. 0.40 carat total, UK hallmark, ring size L £1,200-£1,500 216 A diamond-set pendant necklace, by Hermès The belcher-link chain, suspending a brilliant-cut diamond-set novelty charm Constance bag, pendant signed Hermès and numbered, maker’s marks, French assay marks, lengths: pendant 2.0cm, chain 40.0cm £1,200-£1,500 217 A diamond and blue topaz cluster ring The central pear-shaped blue topaz within a double border of brilliant-cut diamonds, to an 18 carat white gold setting, diamonds approx. 2.05 carats total, maker’s mark, UK hallmark, ring size N £800-£1,200

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*See inside front cover for information regarding fees

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218 A ruby and diamond dress ring Centrally collet-set with an old brilliant-cut diamond, within graduated surrounds of rectangular French-cut rubies and single-cut diamonds, diamonds approx. 0.50 carat total, ring size N½ £1,800-£2,200 219 A diamond pendant necklace, by Louis Vuitton The openwork quatrefoil pendant, set with brilliant-cut diamonds, to a curb-link chain, signed Louis Vuitton, maker’s mark, numbered, French assay mark, lengths: pendant 1.7cm, chain 42.0cm, maker’s pouch £1,800-£2,200 220 A diamond-set ‘Empreinte’ pendant necklace, by Louis Vuitton The roundel pavé-set to the exterior with brilliant-cut diamonds, with concave accents, centrally pierced with a quadrafoil design, suspended from a belcher-link chain, diamonds approx. 0.25 carat total, pendant signed Louis Vuitton, maker’s marks LV, numbered, French assay marks, lengths: pendant 1.1cm, chain 40.2cm £2,000-£2,500

221 A diamond cluster ring Centred by a marquise-cut diamond, weighing 1.31 carats, within a surround of brilliant-cut diamonds, between similarly-cut diamond shoulders, to a polished hoop, remaining diamonds approx. 0.40 carat total, ring size N Accompanied by a report from HRD stating that the diamond is F colour, VS2 clarity. Report number 13007335005, dated 8th March 2013. £3,000-£4,000 222 A ruby line bracelet The articulated bracelet channel-set with a row of calibré-cut rubies, to a concealed clasp, length 19.0cm £1,200-£1,500 223 A diamond line bracelet Set with a continuous row of brilliant-cut diamonds, each within an individual four-claw setting, diamonds approx. 1.80 carats total, length 16.3cm £1,000-£1,200 224 A diamond dress ring Of bombé design, set with baguette-cut diamonds, to a ridged shank, diamonds approx. 3.70 carats total, ring size O £1,200-£1,500

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225 A ruby and sapphire ring, by Tiffany & Co. Designed as two polished bands, accented by a circular-cut ruby and sapphire in a collet crossover setting, signed Tiffany & Co., ring size L £400-£600 226 A sapphire and aquamarine necklace Set to the front with a series of step-cut aquamarines, spaced by spectacle-set oval-cut sapphires, centrally accented by a triangular-cut aquamarine, to a fancy-link backchain, length 43.1cm £600-£800

228 A blue topaz ring and earring suite Set with a cabochon blue topaz, in a polished four-claw setting, accompanied by a pair of earrings en suite, post fittings, ring size M½, earring length 1.8cm (2) £400-£600 229 A sapphire and diamond necklace The fancy-link chain, punctuated by circular-cut sapphires and brilliant-cut diamonds, diamonds approx. 1.20 carats total, length 61.0cm £600-£800

227 A citrine, aquamarine and diamond dress ring The oval fancy-cut citrine in a four-claw setting, within a tiered surround of brilliant-cut diamonds and rectangular step-cut aquamarines, diamonds approx. 0.85 carat total, ring size N½ £500-£700

*See inside front cover for information regarding fees

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230 A diamond single-stone ring The claw-set old brilliant-cut diamond, between similarly-cut diamond shoulders, to a polished shank, principal diamond approx. 1.05 carats, ring size N £1,000-£1,500

232 A pair of blue topaz and sapphire earrings and pendant Each elongated mixed-cut blue topaz, suspended from an oval-cut sapphire, accompanied by a pendant en suite, lengths: earring 2.9cm, pendant 3.5cm (2) £300-£500

231 An amber bead necklace The single strand of oblong 9.0-11.6mm amber beads, with lapis lazuli and turquoise bead spacers, length 116.0cm

233 A charm bracelet The paper-link chain suspending a 9 carat gold diary with rotating pages, a gold frying pan with an enamelled egg, a gold Noah’s Ark opening to reveal tiny painted animals and an hourglass, various UK hallmarks, length 18.7cm £300-£500

Accompanied by a report from GCS stating that the amber, weighing 44.48 grams, is natural, of Baltic origin, with no indications of heating. Report number 79198-53, dated 4th March 2019. £250-£350

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234 A sapphire and diamond cigarette / vesta case, by Cartier, circa 1910 The rectangular polished case, the lid decorated with a rose-cut diamond initial K, within a French-cut sapphire fame, the edges inlaid with rose-cut diamonds and square step-cut sapphires, to a French-cut sapphire pushpiece, the interior with two compartments, signed Cartier Paris London, numbered, length 9.2cm £1,800-£2,200 235 A diamond pendant necklace, early 20th century Suspending an old-cut pear-shaped diamond, issuing from an old brilliant-cut diamond surmount, to a belcher-link chain, with a rosecut diamond-set barrel clasp, principal diamond approx. 2.20 carats, lengths: pendant 1.9cm, chain 41.5cm £2,000-£3,000

236 A zircon and diamond pendant, early 20th century The circular-cut brown zircon, within a border of brilliant-cut diamonds, to a brilliant-cut diamond line surmount, diamonds approx. 0.90 carat total, originally part of a larger piece, length 3.5cm, cased by Rood & Co. Ltd., London £500-£700 237 A topaz and diamond cluster ring The collet-set oval-cut topaz, within a surround of millegrain-set brilliant-cut diamonds, to an 18 carat gold hoop, maker’s mark SWA, UK hallmark, ring size O½ £500-£700

*See inside front cover for information regarding fees

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238 239

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238 A diamond brooch The knife-edge bar set with old brilliant-cut diamonds, interspersed by old brilliant-cut diamond scrolls, diamonds approx. 2.50 carats total, converted from an early 20th century jewel, length 5.2cm £800-£1,200 239 An enamel, seed pearl and diamond pendant necklace, circa 1910 The disc-shaped blue guilloché enamel pendant, centred by an applied rose-cut diamond-set quatrefoil, with a glazed locket to the reverse, to a trace-link chain with blue and white guilloché enamel spacers, seed pearl accents, lengths: pendant 5.6cm, chain 43.5cm £250-£350

241 A diamond brooch Designed as a spray of old brilliant-cut diamonds, joined by knifeedge bars, issuing from a line of graduated old brilliant-cut diamonds, principal diamond approx. 2.30 carats, remaining diamonds approx. 4.60 carats total, one diamond deficient, two diamonds detached, converted from an early 20th century jewel, length 5.5cm £2,500-£3,500 242 A diamond pendant necklace Of stylised foliate design, the articulated pendant, set throughout with old brilliant and single-cut diamonds, to a trace link chain, diamonds approx. 1.10 carats total, lengths: pendant 6.3cm, chain 39.8cm £300-£400

240 A sapphire and diamond ring Of vertical design, set with a cushion shaped sapphire, flanked on either side by old brilliant-cut diamonds, diamonds approx. 1.00 carat total, ring size M £1,000-£1,500

241

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243 A gem-set compact, by Buccellati, mid 20th century Of brushed finish, with a central applied rosette inset with circular cabochon jade and rubies, further accented by foliate trefoils set with circular-cut and circular cabochon rubies, to a hinged clasp of textured bamboo design, opening to reveal a mirror and powder compartment, with engraved borders, signed Buccellati, length 7.2cm £800-£1,200 By repute, purchase by the vendor from Buccellati’s Florence boutique in the 1970s. 244 A black opal, sapphire and diamond ring, circa 1965 The oval cabochon black opal, within a surround of brilliant-cut diamonds, between calibré-cut sapphire shoulders, to a polished hoop, diamonds approx. 0.55 carat total, ring size O £1,500-£2,500

245 A diamond and sapphire brooch Of bow design, set with brilliant-cut diamonds, and calibré-cut sapphires, diamonds approx. 1.60 carats total, length 4.2cm £500-£700 246 A diamond three-stone dress ring Centred by a graduated row of brilliant-cut diamonds, in an openwork surround of similarly-cut diamonds, to a polished hoop, diamonds approx. 1.80 carats total, ring size Q½ £800-£1,200

*See inside front cover for information regarding fees

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247 A gem-set bird brooch The two gold birds seated on a black enamel branch, each body set throughout with brilliant-cut diamonds, circular cabochon ruby eyes, black beaks, and calibré-cut sapphire wings and tail feathers, diamonds approx. 0.80 carat total, partial UK import mark, length 3.1cm £300-£500 248 An aquamarine and diamond ring The octagonal step-cut aquamarine, in a four-claw setting, between brilliant-cut diamond shoulders, to a ridged hoop, diamonds approx. 0.25 carat total, ring size T £700-£900 249 A diamond foliate spray brooch, circa 1950 Of naturalistic design, set throughout with brilliant and single-cut diamonds, diamonds approx. 1.90 carats total, length 4.5cm £300-£500

250 A diamond cluster ring, 1904 The marquise-shaped plaque set with old brilliant-cut diamonds, mounted in 18 carat gold, diamonds approx. 0.80 carat total, maker’s mark AH, later rhodium plated, ring size N £250-£350 251 A cultured pearl and diamond crossover ring The 7.8mm cultured pearl, flanked by a collet-set brilliant-cut diamond, the shoulders set with single and brilliant-cut diamonds, diamonds approx. 0.50 carat total, ring size J £450-£550 252 A cultured pearl and diamond cross brooch, mid 20th century Of cruciform design, set with 5.8-6.3mm cultured pearls and cushion-shaped diamonds, diamonds approx. 2.10 carats total, length 3.2cm £500-£700

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253 An Art Deco diamond brooch, by Lacloche, circa 1920 Finely decorated throughout with millegrain detail, the circular form set with single and old brilliant-cut diamonds, with pierced accents, diamonds approx. 1.70 carats total, signed Lacloche Paris, partially struck maker’s mark, French assay mark, length 3.8cm £3,000-£3,500

259

257 A pair of emerald and diamond cluster earstuds Each oval-cut emerald, in a four-claw setting, within a surround of brilliant-cut, baguette and tapered baguette-cut diamonds, diamonds approx. 1.10 carats total, length 1.2cm £1,500-£2,000

254 An emerald and diamond ring The step-cut emerald in a four-claw setting, between baguette-cut diamond shoulders, to a polished 18 carat white gold hoop, London hallmark, ring size J £800-£1,200

258 An emerald and diamond brooch Of openwork design, the central step-cut emerald, within a foliate surround of old brilliant, cushion and single-cut diamonds, within a scalloped border of rose-cut diamonds, old brilliant, cushion and singlecut diamonds approx. 2.30 carats total, one rose-cut diamond deficient, length 4.1cm £1,000-£1,500

255 An Art Deco diamond bracelet, circa 1925 Finely pierced with millegrain detail throughout, the square and rectangular links set with single-cut diamonds and decorated centrally with old brilliant-cut diamond floral motifs, diamonds approx. 6.15 carats total, maker’s mark HG, French assay marks, numbered 4, probably originally part of a larger suite, length 17.9cm £12,000-£15,000

259 An early 20th century cabochon emerald and diamond ring The oval cabochon emerald, within an openwork old brilliant and single-cut diamond mount, to an engraved hoop, diamonds approx. 0.50 carat total, ring size L½ £1,000-£1,500

256 A sapphire and diamond ring, circa 1915 Set centrally with a buff-topped and calibré-cut sapphires, within an old brilliant and single-cut diamond border, French assay mark, ring size M½ £1,000-£1,500 54

*See inside front cover for information regarding fees

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260 A rose quartz and diamond collar necklace, attributed to Valerie le Heutre The articulated collar of faceted rose quartz links, interspersed with rows of brilliant-cut diamonds, to a multi-row clasp set with similarlycut diamonds, diamonds approx. 1.50 carats total, length 38.0cm £1,200-£1,500

261 A diamond single-stone ring Set with an old brilliant-cut diamond, in an eight-claw setting, diamond approx. 2.20 carats, ring size Q £2,000-£3,000 262 An amethyst and diamond spider brooch The pear-shaped cabochon amethyst head and abdomen, issuing brilliant-cut diamond-set legs, diamonds approx. 2.15 carats total, length 5.6cm £1,500-£2,000

262 56

*See inside front cover for information regarding fees

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266 268

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263 A diamond eternity ring Designed as a continuous row of claw-set brilliant-cut diamonds, diamonds approx. 2.25 carats total, ring size N £600-£800

267 A sapphire and diamond ring The oval-cut sapphire, in a four claw setting, to a brilliant-cut diamond-set hoop, diamonds approx. 1.30 carats total, ring size K½ £1,500-£2,500

264 An amethyst and diamond cluster ring The oval-cut amethyst, within a surround of brilliant-cut diamonds, mounted in 18 carat white gold, diamonds approx. 1.00 carat total, London hallmark, ring size M½ £1,000-£1,500

268 A pair of aluminium flower earclips, by JAR Each purple flowerhead of anodized aluminium, clip fittings, signed JAR, length 3.2cm, maker’s pouch £2,000-£3,000 In late 2002 to early 2003 the Gilbert Collection at Somerset House hosted the exhibition ‘The Jewels of JAR, Paris’. This still talked about exhibition consisted of 400 pieces created by the American born, French based master jeweller Joel Arthur Rosenthal. Guests of the exhibition toured rooms in pitch darkness and with a torch in hand. To see these masterpiece jewels, the viewer must literally shine their light on them, making each viewing experience unique and private. At the time of the exhibition it was estimated that only about 250 people worldwide actually owned a work by JAR. 145 of them lent their pieces to the exhibition. These aluminium and gold clips were specially created for the exhibition. This pair of earrings were purchased by the vendor in November 2002, during the first week of the exhibition. For a recent similar example see Christie’s ‘Jewels Online’, Lot 4, February 2019.

265 A sapphire, cultured pearl and diamond ‘Ocean Ripple’ pendant necklace, by Mikimoto The 18 carat white gold belcher-link chain centrally suspending a collet-set brilliant-cut diamond and an 11.9mm cultured pearl, within three detachable, stacked, undulating circles channel-set with square step-cut sapphires of various blue hues, maker’s marks, partial London hallmark, European convention mark, lengths: pendant 4.4cm, chain 45.6cm, maker’s pouch £1,500-£2,000 266 A diamond three-stone ring The oval-cut diamond, weighing 1.69 carats, set between triangularcut diamonds, remaining diamonds approx. 0.70 carat total, ring size M £1,500-£2,000

269 A collection of jewellery boxes (15) £80-£120 57

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From the Private Collection of David Jerome Lots 270-308 The following collection of rings have all come from the collection of David Jerome. After a hugely successful career in both Europe and America as an entrepreneur and inventor, David began collecting gemstones some 30 years ago. The passion grew and his keen interest led him to begin sourcing directly from mines worldwide. His buying trips included visiting Sri Lanka, Thailand, Colombia and many more. David worked directly with British designers to create unique settings for his cherished gemstones. His private collection peaked at some 1500 pieces of jewellery. Each one notable for the personally selected gems, featuring amongst the best colours possible for each gemstone.

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270 An emerald and diamond ring The octagonal step-cut emerald, weighing 1.06 carats, in a four-claw setting, within a surround of brilliant-cut diamonds, to a polished 18 carat white gold hoop, diamonds approx. 0.25 carat total, partial UK hallmark, ring size K

273 An emerald and diamond ring The oval-cut emerald, weighing 1.43 carats, within a brilliant-cut diamond surround, between similarly-cut diamond shoulders, mounted in 18 carat white gold, diamonds approx. 0.60 carat total, maker’s mark DJM, partial UK hallmark, ring size N

Accompanied by a report from IGR stating that the emerald is natural. Report number 30301617, dated 26th February 2015. £2,200-£2,800

Accompanied by a report from IGR stating that the emerald is natural, of Zambian origin, with no treatment observed. Report number J001949, dated 22nd November 2013. £2,000-£3,000

271 An emerald and diamond ring The step-cut emerald, weighing 0.79 carat, within a four-claw setting, to a wide openwork band pavé-set with brilliant-cut diamonds, to a polished hoop, diamonds approx. 0.30 carat total, signed David Jerome, ring size O Accompanied by a report from WGI stating that the emerald is natural, of Brazilian origin, with no indication of treatment. Report number WGI9624110742, dated 29th June 2018. £1,800-£2,500 272 A sapphire and diamond ring The cushion-shaped sapphire, weighing 1.02 carats, in a four-claw setting, to an openwork surround set with brilliant and marquise-cut diamonds, diamonds approx. 0.55 carat total, signed David Jerome, ring size O Accompanied by a report from GGTL stating that the sapphire is natural, with no indication of heating. Report number 22582, dated 31st October 2016. £2,000-£3,000

274 An emerald and diamond ring The oval-cut emerald, weighing 0.62 carat, within a stylized surround of brilliant-cut diamonds, signed David Jerome, ring size N½ Accompanied by a report from WGI stating that the emerald is natural, of Zambian origin, with indications of light oiling. Report number WGI9624110790, dated 2nd July 2018. £1,200-£1,500 275 An emerald and diamond ring The square step-cut emerald, weighing 1.15 carats, in a four-claw setting, between channel-set princess-cut diamond shoulders, to a polished 18 carat gold hoop, diamonds approx. 0.70 carat total, maker’s mark DJM, UK hallmarks, ring size L Accompanied by a report from IGR stating that the emerald is natural, of Zambian origin, with no treatment observed. Report number J001906, dated 22nd November 2013. £1,800-£2,500

*See inside front cover for information regarding fees

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276 A tanzanite and diamond ring The pear-shaped tanzanite, weighing 3.03 carats, in a three-claw setting, between shoulders set with brilliant-cut diamonds, diamonds approx. 0.25 carat total, signed David Jerome, ring size N

278 A tanzanite and diamond ring The oval-cut tanzanite, weighing 4.86 carats, within a brilliant-cut diamond surround, to a polished 18 carat white gold hoop, diamonds approx. 1.40 carats total, partial UK hallmark, ring size O

Accompanied by a report from iGiTL stating that the tanzanite is natural. Report number SA10978884, dated 20th October 2016. £1,500-£2,000

Accompanied by a report from IGL stating that the tanzanite is natural. Report number J8386899EN, dated 26th March 2016.

277 An emerald and diamond ring The circular-cut emerald, weighing 0.92 carat, within a radiating surround of circular cabochon emeralds and brilliant-cut diamonds, to a polished hoop, diamonds approx. 0.45 carat total, signed David Jerome, ring size N Accompanied by a report from WGI stating that the principal emerald is natural, with indication of light oiling. Report number WG19624114967, dated 5th February 2019. £2,500-£3,500

Accompanied by a report from IGI stating that the tazanite is natural, of Tanzanian origin. Report number M2B72532, dated 21st December 2010. £3,200-£4,200

279 An emerald and diamond ring The step-cut emerald, weighing 1.26 carats, in a four-claw setting, within a surround of brilliant-cut diamonds, to a polished platinum hoop, diamonds approx. 0.60 carat total, UK hallmark, ring size O Accompanied by a report from IGL stating that the emerald is natural, of Colombian origin, with indications of slight oil. Report number J82251430EN, dated 21st December 2015. £2,500-£2,800

277

279

276 278

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283

281

280

282

284

280 An aquamarine and diamond ring The octagonal step-cut aquamarine, weighing 7.98 carats, in a fourclaw setting, within an openwork double-cluster of single-cut diamonds, between similarly-set diamond shoulders, mounted in 18 carat white gold, diamonds approx. 0.40 carat total, maker’s mark DJM, partial UK hallmark, ring size O½

283 A morganite, pink sapphire and diamond ring The oval-shaped morganite, weighing 1.79 carats, in a four-claw setting, within a surround of brilliant-cut diamonds, between circular-cut pink sapphire shoulders, mounted in 18 carat rose gold, diamonds approx. 0.50 carat total, signed David Jerome, partial UK hallmark, ring size O

Accompanied by a report from IGR stating that the aquamarine is natural, with gentle heat. Report number J001806, dated 22nd November 2013. £2,000-£3,000

Accompanied by a report from IGL stating that the morganite is natural, of Brazilian origin, with no indication of treatments or heat. Report number J83596387EN, dated 21st March 2016.

281 A morganite, pink sapphire and diamond ring The oval-cut morganite, weighing 1.54 carats, within a radiating double surround of brilliant-cut diamonds and circular-cut pink sapphires, between bifurcated shoulders, to a polished hoop, signed David Jerome, ring size O Accompanied by a report from iGiTL stating that the morganite is natural. Report number SA68564841, dated 17th October 2015. £1,000-£1,500 282 An aquamarine and diamond ring The step-cut aquamarine, weighing 3.91 carats, in a four-claw setting, between brilliant-cut diamond-set shoulders, to a ridged 18 carat white gold hoop, signed David Jerome, partial UK hallmark, ring size N

Accompanied by a report from iGiTL stating that the morganite is natural. Report number SA68564835, dated 17th October 2015. £1,000-£1,500 284 An aquamarine and diamond dress ring The square step-cut aquamarine, weighing 4.28 carats, in a four-claw 18 carat white gold setting, within a surround pavé-set with brilliantcut diamonds, between shoulders set with tapered baguette and brilliant-cut diamonds, diamonds approx. 0.70 carat total, maker’s mark DJM, partial UK hallmark, ring size P½ Accompanied by a report from IGR stating that the aquamarine is natural, with indications of gentle heat. Report number J001810, dated 22nd November 2013. £1,800-£2,500

Accompanied by a report from IGL stating that aquamarine is natural, of Brazilian origin. Report number J83045815EN, dated 16th February 2016. Accompanied by a report from iGiTL stating that the aquamarine is natural. Report number SA68764881, dated 19th October 2015. £1,500-£2,000

*See inside front cover for information regarding fees

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285 A morganite, pink sapphire and diamond cluster ring The pear-shaped morganite, weighing 2.35 carats, in a surround of circular-cut pink sapphires, the crossover shoulders accented by a brilliant-cut diamond, signed David Jerome, ring size N½ Accompanied by a report from iGiTL stating that the morganite is natural. Report number SA68564852, dated 17th October 2015. £1,000-£1,500 286 A kunzite and blue topaz dress ring The cushion-shaped kunzite, weighing 13.64 carats, within a radiating surround of marquise and circular-cut blue topaz, between shoulders pavé-set with circular-cut blue topaz, signed David Jerome, ring size N½ Accompanied by a report from WGI stating that the kunzite and topaz are natural. Report number WGI9624109319, dated 3rd April 2018. £2,000-£3,000 287 An aquamarine and diamond ring The step-cut aquamarine, weighing 5.32 carats, in a four-claw setting, the gallery and shoulders set with brilliant-cut diamonds, to an 18 carat white gold hoop, diamonds approx. 0.30 carat total, signed David Jerome, partial UK hallmark, ring size O

288 A morganite, diamond and pink sapphire cluster ring The oval-cut morganite, weighing 12.51 carats, in a four-claw 18 carat rose gold setting, to a surround of circular-cut pink sapphires, the shoulders accented by brilliant-cut diamonds, signed David Jerome, partial UK hallmark, ring size N½ Accompanied by a report from IGL stating that the morganite is natural, of Brazilian origin, with no indications of treatment or heat. Report number J84015544EN, dated 8th April 2016. Accompanied by a report from iGiTL stating that the morganite is natural. Report number SA68564820, dated 17th October 2015. £3,000-£4,000 289 An aquamarine and diamond dress ring The pear-shaped aquamarine, weighing 6.66 carats, within a surround of brilliant-cut diamonds, between bifurcated shoulders set with similarly-cut diamonds, diamonds approx. 0.55 carat total, signed David Jerome, ring size K½ Accompanied by a report from iGiTL stating that the aquamarine is natural. Report number SA71466031, dated 10th November 2015. £2,200-£2,800

Accompanied by a report from WGI stating that the aquamarine is natural, of Brazilian origin, with no indication of treatment or heat. Report number WGI0083521100, dated 1st August 2016. Accompanied by a report from iGiTL stating that the aquamarine is natural. Report number SA68764879, dated 19th October 2015. £2,000-£3,000

287

285

289

286

288 61

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290 A ruby and diamond ring The cushion-shaped ruby, weighing 1.57 carats, within a radiating surround of brilliant and baguette-cut diamonds, to a polished 18 carat gold hoop, diamonds approx. 0.65 carat total, maker’s mark DJM, partial UK hallmark, ring size O

293 An emerald and diamond ring The oval-cut emerald, in a four-claw setting, within a surround of brilliant-cut diamonds, between similarly-cut diamond shoulders, to a polished 18 carat white gold hoop, diamonds approx. 1.10 carats total, maker’s mark DJM, partial UK hallmark, ring size K

Accompanied by a report from IGI stating that the ruby is natural, suggested origin Burma, with no indications of treatment. Report number S2H20964, dated 20th December 2010. £1,800-£2,200

Accompanied by a report from IGR stating that the emerald is natural. Report number 30301655, dated 26th February 2015. £3,200-£4,200

291 A ruby and diamond ring The cushion-shaped ruby, weighing 1.53 carats, within a stepped surround set with single-cut diamonds, between bifurcated similarlyset shoulders, to an 18 carat white gold hoop, diamonds approx. 0.60 carat total, maker’s mark DJM, partial UK hallmark, ring size N Accompanied by an IGI report stating that the ruby is natural, suggested origin Africa, with no indications of treatment. Report number S2H65671, dated 18th February 2011. £2,500-£3,000

294 A ruby and diamond ring The cushion-shaped ruby, weighing 0.98 carat, in a four-claw setting, within a surround of millegrain-set brilliant-cut diamonds, between similarly-set diamond shoulders, mounted in 18 carat white gold, diamonds approx. 0.40 carat total, partial UK hallmark, ring size O Accompanied by a report from IGI stating that the ruby is natural, suggested origin African, with no indications of treatment. Report number S3H26231, dated 24th September 2013. £1,800-£2,500

292 A ruby and diamond ring The cushion-shaped ruby, weighing 1.01 carats, within an octagonalshaped surround pavé-set with brilliant-cut diamonds, between similarly-set shoulders, mounted in 18 carat white gold, diamonds approx. 0.35 carat total, maker’s mark DJM, partial UK hallmark, ring size M½ Accompanied by a report from IGI stating that the ruby is natural, the suggested origin is Burma, with no indications of treatment. Report number S2H20975, dated 20th December 2010. £2,200-£2,800

290

292 293

291 62

294 *See inside front cover for information regarding fees

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297

295

296

299

298

295 A ruby and diamond ring The cushion-shaped ruby, weighing 2.11 carats, in a four-claw setting, between pavé-set brilliant-cut diamond shoulders, to a polished 18 carat gold hoop, diamonds approx. 0.60 carat total, maker’s mark DJM, partial UK hallmarks, ring size O

298 A ruby and diamond ring The oval-cut ruby, weighing 1.48 carats, within a stepped surround of single-cut diamonds, between bifurcated similarly-cut diamond shoulders, to a polished 18 carat white gold hoop, diamonds approx. 0.45 carat total, maker’s mark DJM, partial UK hallmark, ring size N

Accompanied by a report from IGI stating that the ruby is natural, the suggested origin is Vietnam, with no indications of treatment. Report number S2H64609, dated 5th March 2011. £3,500-£4,500

Accompanied by a report from IGL stating that the ruby is natural, free of treatment. Report number S2F82117, dated 4th August 2010. £2,500-£3,500

296 A ruby and diamond ring The oval-cut ruby, weighing 1.00 carat, in a four-claw setting, within a surround of single-cut diamonds, between lobed openwork similarly-set shoulders, to an 18 carat white gold hoop, diamonds approx. 0.35 carat total, maker’s mark DJM, partial UK hallmark, ring size N Accompanied by a report from IGI stating that the ruby is natural, suggested origin Burma, with no indications of treatment. Report number S2G85608, dated 1st November 2010. £1,800-£2,500

299 A rubellite and diamond ring The rectangular-cut rubellite, in a four-claw setting, within a stepped double-row surround of brilliant-cut diamonds, between similarly-set geometric openwork shoulders, mounted in 18 carat white gold, diamonds approx. 0.60 carat total, maker’s mark DJM, partial UK hallmark, ring size N Accompanied by a report from IGR stating that the rubellite is natural, with indications of gentle heat. Report number J001879, dated 22nd November 2013. £2,500-£3,500

297 An emerald and diamond ring Designed as an openwork 18 carat white gold plaque centrally-set with an oval-shaped emerald, weighing 1.16 carats, between openwork bifurcated shoulders, set throughout with brilliant-cut diamonds, diamonds approx. 0.50 carat total, UK hallmark, ring size O Accompanied by a report from IGR stating that the emerald is natural, of Zambian origin, with no treatment observed. Report number J001853, dated 22nd November 2013. £1,800-£2,500

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300 A pink spinel and diamond ring Of floraform cluster design, set with an oval-cut pink spinel, weighing 2.23 carats, within a surround of millegrain-set brilliant-cut diamonds, between similarly-set diamond shoulders, mounted in 18 carat white gold, diamonds approx. 0.50 carat total, maker’s mark DJM, partial UK hallmark, ring size O Accompanied by a report from AIGS stating that the spinel is natural. Report number GB13091763, dated 27th September 2013. £1,200-£1,500 301 A tanzanite and diamond cluster ring The cushion mixed-cut tanzanite, weighing 5.87 carats, in a doublefour claw setting, within a rectangular surround pavé-set with brilliant-cut diamonds, between shoulders of similarly-cut diamonds graduated in size, mounted in 18 carat white gold, diamonds approx. 1.15 carats total, London hallmark, ring size M Accompanied by a report from IGI stating that the tanzanite is natural, of Tanzanian origin. Report number M2B72537, dated 21st December 2010. £4,000-£6,000

302 A morganite and diamond ring The oval-shaped morganite, weighing 9.22 carats, in a split-claw setting, within a brilliant and baguette-cut diamond surround, between bifurcated shoulders, diamonds approx. 0.35 carat total, signed David Jerome, ring size O Accompanied by a report from iGiTL stating that the morganite is natural. Report number SA64563041, dated 14th September 2015. £2,800-£3,500 303 A tanzanite and diamond ring The cushion-shaped tanzanite, weighing 4.75 carats, between stepped shoulders millegrain-set with brilliant-cut diamonds, to a polished hoop, diamonds approx. 0.25 carat total, signed David Jerome, ring size N Accompanied by a report from iGiTL stating that the tanzanite is natural. Report number SA10978944, dated 20th October 2016. £2,500-£3,500 304 A ruby and diamond cluster ring The oval-cut ruby, within a surround of brilliant-cut diamonds, diamonds approx. 0.50 carat total, ring size N½ Accompanied by a report from IGR stating that the ruby is natural, with no evidence of heat treatment. Report number 30302952, dated 20th August 2015. £2,000-£3,000

303

301

300 64

302

304 *See inside front cover for information regarding fees

14 May Pages.qxp_Layout 2 12/04/2019 17:33 Page 65

307

305

306

305 A tanzanite and diamond ring The oval-cut tanzanite, weighing 2.87 carats, in a four-claw setting, to a ridged tapering surround pavé-set with brilliant-cut diamonds, diamonds approx. 1.30 carats total, signed David Jerome, ring size O Accompanied by a report from iGiTL stating that the tanzanite is natural. Report number SA85671858, dated 19th April 2016. £1,500-£2,000 306 A morganite and diamond ring The cushion-shaped morganite, weighing 12.97 carats, in a split-claw setting, within an openwork bombé surround, set with brilliant-cut diamonds, diamonds approx. 1.70 carats total, signed David Jerome, ring size O Accompanied by a report from iGiTL stating that the morganite is natural. Report number SA64563046, dated 14th September 2015. £4,000-£6,000

308

307 A sapphire and diamond ring The oval-cut sapphire, weighing 3.32 carats, in a four-claw setting, within a surround of brilliant-cut diamonds, to a polished 18 carat white gold hoop, diamonds approx. 0.95 carat total, maker’s mark DJM, partial UK hallmarks, ring size M½ Accompanied by a report from IGI stating that the sapphire is natural and enhanced. Report number S2G88659, dated 29th October 2010. £2,500-£3,500 308 A spinel and diamond ring The cushion-shaped pink spinel, weighing 2.44 carats, between pavéset brilliant-cut diamond shoulders, to a polished 18 carat white gold hoop, diamonds approx. 0.60 carat total, maker’s mark DJM, partial UK hallmark, ring size O Accompanied by a report from GLC stating that the spinel is natural. Report number R00092, dated 26th November 2013. £1,800-£2,500

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Index of Makers Maker

Lot Number

Arno Malinowski ................................................154 Boodle & Dunthorne ..........................................70 Boucheron....................................................34, 114 Bulgari......72, 74, 81, 103, 106, 173, 207, 209, 211 Buccellati ............................................................243 Cartier ............25, 73, 80, 111, 127, 138, 206, 234 Chaumet ........................................................71, 78 Christian Dior ......................................................64 David Jerome ..............................................270-308 Frankiel ................................................................75 Gellner ................................................................128 Georg Jensen ......151, 152, 153, 154, 155, 156, 157 Harald Nielsen ..................................................151 Henning Koppel ........................................156, 157 Hermès ..............................................................216 Ilias Lalaounis ....................................168, 169, 170 Jack Gutschneider ................................................40

Maker

Lot Number

JAR......................................................................268 Kristian Mohl ....................................................152 Lacloche..............................................................253 Links of London ................................................133 Louis Vuitton..............................................219, 220 Lorique ..............................................................137 Malakan ..............................................................135 Michele della Valle ............................................213 Mikimoto ............................................................265 Nana Ditzel ........................................................155 Pomellato ............................................................109 Pravins ..................................................................42 Tiffany & Co. ..............................................146, 225 Theo Fennell ....................................56, 60, 65, 108 Van Cleef & Arpels ............................................198 Vivianna Torun Bülow-Hübe ............................153 Valerie le Heutre ................................................260

Diamond Grading GIA Colour Grade Colourless

D E F

Diamond appears colourless both table-down and face-up.

Near Colourless

G H I J

Diamond displays a slight tint of colour when viewed table-down and appears colourless when viewed face-up.

Faint

K L M

Diamond displays obvious colour when viewed table-down and a slight tint of colour when viewed face-up.

Very Light

N O P Q R

Diamond displays obvious colour in both the table-down and face-up position.

Light

S T U V W X Y Z

Diamond displays obvious colour in both the table-down and face-up position.

Fancy Colours

Z+

Diamond displays darker tone or more colour saturation than a Z masterstone.

GIA Clarity Grading IF Internally Flawless

No inclusions or blemishes visible at 10x magnification.

VVS1 -VVS2

Very Very Slightly Included

No inclusions and only insignificant blemishes visible at 10x magnification.

VS1 -VS2

Very Slightly Included

Minute inclusions that range from extremely difficult to very difficult to see at 10x magnification.

SI1 -SI2

Slightly Included

Noticeable inclusions that are easy or very easy to see at 10x magnification.

I1 – 13

Included

Obvious inclusions visible at 10x magnification.

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<MZU[ IVL +WVLQ\QWV[ NWZ *]aMZ[ I\ +PQ[_QKS )]K\QWV[ 1. BEFORE THE SALE 1.1 Agent for the seller Unless otherwise agreed, Chiswick Auctions Ltd, hereafter referred to as CA LTD acts as agent for the seller. The contract for sale of the property is therefore made between the Seller and the Buyer. ,MĂ&#x2026;VQ\QWV[ For the purposes of the current Terms and Conditions, the Seller shall JM LMĂ&#x2026;VML I[ \PM W_VMZ WN \PM /WWL[ 1\ Q[ QUXTQML \PI\ \PM ;MTTMZ Q[ \PM legitimate owner and is authorised to sell the Lot. The Bidder is any registered person participating in the auction, and the Buyer is the successful Bidder for a particular Lot. The Lot means the item(s) put up for sale by CA Ltd and to which the present Terms and Conditions apply. +I\ITWO]M LM[KZQX\QWV[ Any representation in any catalogue or otherwise as to the origin, date, age, attribution, genuineness or estimated selling price of any lot is a statement of opinion only. Such statements do not constitute a representation warranty or assumption of liability by CA Ltd in relation to the Lot. Any prospective Buyer should satisfy themselves prior to the sale as to the reliability of the catalogue description. The absence of mention related to prior restorations in the Catalogue descriptions does not imply that the good is exempt thereof. Photographs of any Lot provided by CA Ltd are for indicative purposes only and are not deemed to be a precise representa-tion of the said Lot. The Buyer is advised to seek independent expert advice in order to be assured of the authenticity and true state of the good. 1V[XMK\QWV Prior to auction, prospective purchasers are strongly advised to personally examine personally any property in which they are interested to satisfy themselves in relation to matters which may concern them. +WVLQ\QWV ZMXWZ\ CA Ltd may issue a Condition Report on request prior to the sale. <PQ[ +WVLQ\QWV :MXWZ\ Q[ NWZ QLMV\QĂ&#x2026;KI\QWV X]ZXW[M[ WVTa IVL KIVVW\ JM considered as giving a precise account of the Lotâ&#x20AC;&#x2122;s true state. Thus, some imperfections and faults may not be accounted for in the Condition Report. As aforementioned, and in the absence of any contractual value of the Condition report, it is the Buyerâ&#x20AC;&#x2122;s sole duty to inspect in person the Lot in order be assured of its true condition and CA Ltd shall not be responsible for assertions within the Condition Report hereto. -TMK\ZQKIT[ )TT MTMK\ZQKIT Q\MU[ IZM [WTL I[ [MMV IVL +) 4\L Wâ&#x20AC;ŤŮşâ&#x20AC;ŹMZ[ VW O]IZIV\MM I[ \W the working condition of such items or their safety. 1\ Q[ \PM *]aMZÂź[ L]\a \W \ISM VMKM[[IZa [\MX[ \W JM I[[]ZML \PI\ \PM 4W\ is safe for normal use. -[\QUI\M[ Estimates are based on various factors inherent to the situation of the market at the time of the sale, as well as considerations such as the condition, rarity, or quality of the item etc. Estimates are only indicative

and represent the opinion of CA Ltd. Estimates provided by CA Ltd cannot constitute a guarantee as to the value of the good. Subsequently, goods may sell at prices lower or higher than the provided estimates. 1.8 Reserves 5IVa 4W\[ IZM Wâ&#x20AC;ŤŮşâ&#x20AC;ŹMZML []JRMK\ \W I ZM[MZ^M _PQKP Q[ \PM KWVĂ&#x2026;LMV\QIT minimum sale price. The reserve will never exceed the low estimate printed in the catalogue. CA Ltd may open the bidding on any Lot below the reserve by placing a bid on behalf of the seller, and may in their discretion continue to bid up to the reserve price. This can be achieved by bidding in response to other bidders or alternatively by placing consecutive bids. ! :MOQ[\ZI\QWV \W \PM [ITM 6M_ JQLLMZ[ _QTT VMML \W ZMOQ[\MZ XZQWZ \W \PM [ITM 1\ Q[ [\ZWVOTa advised bidders register at least 24 hours before the sale. Registration thereafter shall be at the auctioneerâ&#x20AC;&#x2122;s entire discretion. 1V\MZVI\QWVIT JQLLMZ[ UIa JM ZMY]QZML \W ZMOQ[\MZ PW]Z[ JMNWZM \PM sale and to submit bank details. A deposit may be requested prior to each sale. Failure to register shall result in the impossibility for the bidder to purchase a Lot. 8ZWWN WN QLMV\Q\a Bidders not previously known to CA Ltd will be required to provide: Â&#x152; 7â&#x20AC;ŤŮťâ&#x20AC;ŹKQIT XZWWN WN QLMV\Q\a QV \PM NWZU WN I XI[[XWZ\ WZ XPW\WKIZL LZQ^QVO TQKMVKM 6W W\PMZ NWZU[ WN 1, IZM IKKMX\IJTM Â&#x152; 8ZWWN WN ILLZM[[ WN UIQV ZM[QLMVKM 7VTa Wâ&#x20AC;ŤŮťâ&#x20AC;ŹKQIT LWK]UMV\[ showing name and address will be accepted. â&#x20AC;˘ Both landline and mobile telephone numbers â&#x20AC;˘ A bank reference for foreign bidders may be requested Â&#x152; +WZXWZI\M KTQMV\[ _QTT PI^M \W XZW^QLM I KMZ\QĂ&#x2026;KI\M WN QVKWZXWZI\QWV XZQWZ \W \PM I]K\QWV ITWVO _Q\P \PM ZMXZM[MV\I\Q^MÂź[ 1, QV IKKWZLIVKM with the abovementioned requirements for proof of identity. Any Bidder that does not match the provided identity for registration may not purchase during the sale. 2. DURING THE SALE )\\MVLIVKM I\ I]K\QWV Attending the auction in person is recommended. CA Ltd has the right in their absolute discretion to refuse participation QV IVa I]K\QWV \W ZMRMK\ IVa JQL IVL \W ZMN][M ILUQ[[QWV \W \PM XZMUQ[M[ Bidders are not obliged to be present in person at the auction. Absentee bidders shall be required to make necessary arrangements with CA Ltd prior to the sale. 8MZ[WVIT JQLLQVO Bidders attending the auction in person shall be required to collect a number plate prior to the sale. +WUUQ[[QWV JQL[ +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;ŤŮşâ&#x20AC;ŹWZ\[ \W KIZZa W]\ +WUUQ[[QWV JQL[

14 May Pages.qxp_Layout 2 12/04/2019 17:34 Page 68

received by them prior to the sale for the convenience of clients who are not present at the auction in person. Execution of Commission bids is a free service provided to help clients and CA Ltd does not accept liability for any failure to execute a Commission bid or for errors and omissions in connection with it. +WUUQ[[QWV JQL[ [PITT JM M`MK]\ML I\ \PM TW_M[\ XW[[QJTM XZQKM []JRMK\ to competing bids and reserves. Although CA Ltd will endeavour to inform Buyers, it is the Buyerâ&#x20AC;&#x2122;s responsibility to check if they have been successful in purchasing a Lot. 1V \PM M^MV\ WN U]T\QXTM KWUUQ[[QWV[ I\ \PM [IUM XZQKM \PM KWUUQ[[QWV set at the older date shall be taken into account.

hammer, and neither CA Ltd nor their agents shall be responsible for any loss or damage of any kind, whether caused by negligence or otherwise.

<MTMXPWVM JQL[ 1N I JQLLMZ Q[ VW\ IJTM \W I\\MVL QV XMZ[WV IV I]K\QWV +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ \W KWV\IK\ XZW[XMK\Q^M *]aMZ[ _PW UISM IZZIVOMUMV\[ prior to commencement of the sale to bid by telephone. +) 4\L KIVVW\ JM PMTL ZM[XWV[QJTM QV \PM M^MV\ WN Q[[]M[ Iâ&#x20AC;«Ùºâ&#x20AC;¬MK\QVO KWVVMK\Q^Q\a resulting in the loss of a chance of purchasing the Lot for the Bidder.

/ZW]VL[ NWZ KIVKMTTI\QWV ]VLMZ \PM XZM[MV\ [MK\QWV [PITT QVKT]LM J]\ VW\ be limited to any dispute relating to the attribution or provenance of the Lot, ownership and title, fraud or deceit, lack of relevant licences WZ KMZ\QÃ&#x2026;KI\M[ IVa []J[MY]MV\ KPIVOM[ QV LWUM[\QK WZ QV\MZVI\QWVIT legislations restricting the sale of export of goods etc. 1V \PM M^MV\ WN QV\MZVM\ WVTa I]K\QWV[ \PM *]aMZ [PITT PI^M I LIa right to retract, after reception of the Lot, under EU Consumer Law. Public auctions are not covered by this right to retract.

1V\MZVM\ JQL[ Some sales may be available to internet bidding, as well as personal I\\MVLIVKM 1V \PQ[ M^MV\ +) 4\L [PITT VW\ JM PMTL ZM[XWV[QJTM NWZ Q[[]M[ Iâ&#x20AC;«Ùºâ&#x20AC;¬MK\QVO KWVVMK\QWV *QLLQVO WV JMPITN WN [WUMWVM ) *]aMZ UIa JQL Ja XZW`a 1V \PQ[ M^MV\ XZWWN WN QLMV\Q\a WN JW\P \PM Buyer and the proxy must be communicated to CA Ltd prior to the sale. A copy of the mandate shall also be required. *QLLQVO WV IV Q\MU Bid incrementing is at the auctioneerâ&#x20AC;&#x2122;s entire discretion. >QLMW \ZIV[UQ[[QWV For the purpose of the sale, Lots may be displayed on video during the I]K\QWV 1V \PM M^MV\ WN \ZIV[UQ[[QWV Q[[]M[ +) 4\L [PITT VW\ JM PMTL responsible for any subsequent outcome. ! 7VTQVM WVTa I]K\QWV[ Some auctions may be available to bidders only through an online XTI\NWZU 1V \PQ[ M^MV\ *]aMZ[ PI^M I LIa XMZQWL I\ ZMKMX\QWV WN \PM Lot to withdraw from the sale, in accordance with EU Consumer Law. ,Q[X]\M ZM[WT]\QWV L]ZQVO \PM I]K\QWV Any dispute shall be settled at the auctioneerâ&#x20AC;&#x2122;s absolute discretion. Under no circumstances will a sale be cancelled after the fall of the hammer, except at the auctioneerâ&#x20AC;&#x2122;s entire discretion. 3. CONTRACT FORMATION AND EFFECTS 3.1 Contract of sale The contract of sale is between the Buyer and the Seller. The Buyer shall be the bidder at the highest price at the fall of the hammer. The sale is deemed complete once the auctioneer announces its completion by the fall of the hammer and the contract shall be binding thereafter between the Buyer and the Seller and CA Ltd. ?PMV I *]aMZ X]ZKPI[M[ U]T\QXTM 4W\[ MIKP 4W\ Q[ \PM []JRMK\ WN I separate contract of sale. <ZIV[NMZ WN XZWXMZ\a Property of the goods shall pass to the Buyer only once CA Ltd has received full payment for the goods, this includes the price at the fall of the hammer as well as Buyerâ&#x20AC;&#x2122;s premium, relevant taxes, and costs in relation to shipping. <ZIV[NMZ WN ZQ[S[ Purchased Lots shall be at the Buyerâ&#x20AC;&#x2122;s risk in all respects from the fall of the

+IVKMTTI\QWV WN \PM [ITM At the fall of the hammer, the contract is formed between the Buyer and CA Ltd and is binding thereafter. Under no circumstances can the Buyer cancel the sale. CA Ltd may at its entire discretion, during or after the auction, cancel \PM [ITM WN \PM 4W\ WZ ZMWâ&#x20AC;«Ùºâ&#x20AC;¬MZ IVL ZM[MTT \PM 4W\ QN Q\ JMKWUM[ I_IZM WN any error or dispute of any nature, whether or not title has passed to the Buyer, and up to a period of 6 months after the said sale.

3.5 Returns and refunds CA Ltd will only issue a refund using the same method of payment originally used by the Buyer to pay for the purchase, or by bank transfer. The Buyerâ&#x20AC;&#x2122;s refund will be processed without undue delay and in any M^MV\ _Q\PQV VW UWZM \PIV LIa[ WN \PM LIa \PM *]aMZ OI^M +) 4\L notice of cancellation. 1N \PM *]aMZ M`MZKQ[M[ \PMQZ ZQOP\ WN ZM\ZIK\QWV _PMV I]\PWZQ[ML \W LW [W by Law, CA Ltd shall proceed to issue a complete refund, comprising the hammer price of the Lot, buyerâ&#x20AC;&#x2122;s premium and shipping fees. However return fees shall remain at the expense of the Buyer. 4. AFTER THE SALE 8IaUMV\ All purchased lots must be paid for on the day of the auction. Commission bids must be paid for no later than the day after the auction. Payment must be in cash, debit, credit card or bank transfer. Cheques are not accepted. +I[P XIaUMV\[ [PITT VW\ JM ZMKMQ^IJTM NWZ IUW]V\[ W^MZ Ã&#x201A; ZMOIZLTM[[ of the payment being for one or multiple Lots. Payments made by someone other than the registered Buyer shall not be accepted. Title will not pass to the Buyer until CA Ltd has received all amounts due to them in cleared funds even if the Lot has been released to the Buyer. *]aMZÂ¼[ 8ZMUQ]U The Buyer will pay CA Ltd a premium of 25% on the hammer price XT][ >)< WV \PI\ KWUUQ[[QWV WV \PM Ã&#x2026;Z[\ Â&#x160; IVL XT][ >)< WV \PM JITIVKM \PMZMIN\MZ ) *]aMZÂ¼[ 8ZMUQ]U WN ! XT][ >)< Q[ charged on Wine & Spirits Lots. The VAT payable varies by symbol as below: No Symbol: The standard rate of VAT is charged on the premium under the Auctioneers Margin Scheme in accordance with Art. 333 WN -+ ;\IVLIZL =3 >)< _QTT JM KPIZOML WV \PM J]aMZ[Â¼ premium and invoiced on an inclusive basis. â&#x20AC; : Normal VAT rules apply and the standard rate of VAT will be charged on both hammer price and premium. *: These lots have been imported from outside the EU for sale and XTIKML ]VLMZ \PM <MUXWZIZa )LUQ[[QWV ZMOQUM 1UXWZ\ >)< Q[ XIaIJTM I\ WV \PM PIUUMZ XZQKM >)< I\ _QTT JM ILLML \W \PM J]aMZÂ¼[ premium but will not be shown separately on the invoice. 1V WZLMZ \W ZMKMQ^M I ZMN]VL WN >)< IUW]V\[ 1UXWZ\ >)< I[ applicable) non-EU buyers must:

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(a) have registered to bid with an address outside of the EU; and J M`XWZ\ \PM TW\ NZWU \PM -= _Q\PQV LIa[ WN KWTTMK\QWV NWZ TW\[ IVL 3 months of collection for all other lots and immediately afterwards provide us with satisfactory proof of export. (c) Details of the documents which you must provide to us to show [I\Q[NIK\WZa XZWWN WN M`XWZ\ [PQXXQVO IZM IÎQTIJTM NZWU W]Z .QVIVKM \MIU ) XZWKM[[QVO NMM WN Â&#x160; XMZ QV^WQKM Q[ KPIZOML \W KPMKS [PQXXQVO M`XWZ\ LWK] UMV\[ L 6W >)< IUW]V\[ WZ 1UXWZ\ >)< _QTT JM ZMN]VLML _PMZM \PM \W\IT ZMN]VL IN\MZ LML]K\QVO \PM XZWKM[[QVO NMM Q[ ]VLMZ Â&#x160; 4.3 Taxes The Buyer is responsible for paying VAT on any Lot, above hammer price and Buyerâ&#x20AC;&#x2122;s premium. The rate applicable shall be the legal rate at the date of the sale. /WWL[ []KP I[ JWWS[ IVL IV\QY]M JWWS[ U][QK UIX[ IVL KPIZ\[ M\K IZM []JRMK\ \W bMZW ZI\ML >)< 1V ILLQ\QWV IVa QUXWZ\ \I`M[ \PI\ UIa JM QVK]ZZML [PITT JM XIQL Ja \PM Buyer above hammer price, VAT and Buyerâ&#x20AC;&#x2122;s premium. The present paragraph applies in particular to imports within the United-States and Australia. The Buyer is advised to verify such matters prior to the sale. )Z\Q[\ :M[ITM :QOP\[ ,ZWQ\ LM ;]Q\M 4W\[ UIZSML _Q\P Â»)::Â¼ UIa JM []JRMK\ \W I TMâ Droit de Suite is a royalty payable to a qualifying artist or to the artistâ&#x20AC;&#x2122;s heir each time a work is resold during the artistâ&#x20AC;&#x2122;s lifetime and up to I XMZQWL WN aMIZ[ IN\MZ \PM IZ\Q[\Â¼[ LMI\P :WaIT\QM[ IZM KITK]TI\ML on a cumulative sliding percentage scale based on the hammer price excluding the buyerâ&#x20AC;&#x2122;s premium. The royalty does not apply to Lots [MTTQVO JMTW_ \PM [\MZTQVO MY]QÎTMV\ WN Ã&#x201A; IVL \PM UI`QU]U ZWaIT\a XIaIJTM WV IVa [QVOTM 4W\ Q[ \PM [\MZTQVO MY]QÎTMV\ WN Ã&#x201A; Royalties for Droit de Suite are as follows: Â&#x152; .ZWU \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; -`KMMLQVO Ã&#x201A; :MUMLQM[ NWZ VWV XIaUMV\ 1N \PM *]aMZ NIQT[ \W UISM N]TT XIaUMV\ QV KTMIZML N]VL[ _Q\PQV \PM \QUM required as aforementioned, CA Ltd shall be entitled to exercise any one or more of the following rights or remedies additional to such other rights or remedies available: â&#x20AC;¢ To cancel the sale â&#x20AC;¢ To charge interest at 4% per annum above the base rate of Lloyds Bank Plc. â&#x20AC;¢ To resell the Lot on such terms by auction or otherwise entirely at CA Ltdâ&#x20AC;&#x2122;s discretion. The Buyer will be liable for all costs including legal fees incurred in the sale and will remain liable for any shortfall arising upon sale. Â&#x152; <W Wâ&#x20AC;«[Ùºâ&#x20AC;¬M\ IOIQV[\ IVa []U[ _PQKP +) 4\L UIa W_M \PM *]aMZ \PM outstanding sums unpaid by the said Buyer Â&#x152; ?PMZM \PM *]aMZ W_M[ []U[ \W +) 4\L QV ZM[XMK\ WN LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ transactions, to discretionarily apply any sum paid by the Buyer for discharge of any owed sums. Â&#x152; <W ZMN][M MV\Za \W \PM *]aMZ I\ IVa N]\]ZM I]K\QWV IVL WZ ZMRMK\ IVa N]\]ZM JQL[ Ja \PM *]aMZ IVL WZ [MMS I LMXW[Q\ NZWU \PM *]aMZ entirely in the discretion of CA Ltd. â&#x20AC;¢ To exercise a lien over the Buyerâ&#x20AC;&#x2122;s property in the possession of CA Ltd as collateral for any outstanding sums owed and to exercise all the rights and remedies of a person holding security over any

such property, whether by way of pledge, security interest or in any other way to the extent permitted by Law. â&#x20AC;¢ To commence legal proceedings for the recovery of the total amount due together with interest, legal fees and costs. â&#x20AC;¢ To take such other action as is permissible by Law and in the discretion of CA Ltd. +WTTMK\QWV Purchased Lots can be collected from the auction room after the sale PI[ MVLML WZ JM\_MMV IU IVL XU ]X ]V\QT KTW[M WN J][QVM[[ WV the Friday following the sale. Special arrangements may be made for collection on Saturday at CA Ltdâ&#x20AC;&#x2122;s discretion. 4.7 Storage +) 4\L Wâ&#x20AC;«Ùºâ&#x20AC;¬MZ[ I LQ[KZM\QWVIZa LIa[ NZMM [\WZIOM WV X]ZKPI[ML 4W\[ from the date of the sale. Thereafter Lots not collected shall incur [\WZIOM KPIZOM[ WN Â&#x160; XMZ TW\ XMZ LIa WZ XIZ\ \PMZMWN +) 4\L [PITT be entitled to retain purchased Lots sold until all sums due have been XIQL \W +) 4\L 1N IVa X]ZKPI[ML TW\ ZMUIQV[ ]VKWTTMK\ML LIa[ IN\MZ \PM [ITM [\WZIOM KPIZOM[ [PITT \PMZMIN\MZ JM Â&#x160; XMZ LIa IVL +) 4\L shall, in accordance with the Law, have the right to sell the purchased Lot to recover payment of storage charges outstanding. Any balance proceeds of sale received after payment of all sums outstanding and due to CA Ltd shall be held for the account of the Buyer. ;PQXXQVO Any shipping costs that may arise subsequently to the sale shall be at the Buyerâ&#x20AC;&#x2122;s expense. Such costs may include but not limited to postage, import and export permits where required and any other licence necessary for goods to be shipped outside of the European Union. +) 4\L LWM[ VW\ Wâ&#x20AC;«Ùºâ&#x20AC;¬MZ QV[]ZIVKM NWZ [PQXXQVO 0W_M^MZ +) 4\L UIa arrange insurance upon the Buyerâ&#x20AC;&#x2122;s request and at the Buyerâ&#x20AC;&#x2122;s expense. CA Ltd cannot be held responsible for any damages that may be incurred to goods prior to the fall of the hammer. ! 4W[[ WZ ,IUIOM CA Ltd does not accept liability for loss or damage occurring to Lots after \PM [ITM +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ _PMV PIVLTQVO XIKSQVO IVL shipping of Lots purchased, but shall not be responsible for any loss or damages that may occur whilst the said Lot is in any third partyâ&#x20AC;&#x2122;s care. +]T\]ZIT /WWL[ QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +]T\]ZIT OWWL[ UIa JM []JRMK\ \W QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ =VLMZ EU Regulations related to the trade of cultural goods, export licences may be required for export outside of the European Union if the itemâ&#x20AC;&#x2122;s ^IT]M M`KMML[ \PM -= \PZM[PWTL =VLMZ =3 4I_ I TQKMVKM UIa IT[W JM required for intra-EU trade. Licenses are issued by Arts Council England and it is the Buyerâ&#x20AC;&#x2122;s duty to WJ\IQV \PMU ;WUM KW]V\ZQM[ ZM[\ZQK\ \PM QUXWZ\ WN [XMKQÃ&#x2026;K K]T\]ZIT OWWL[ For example, the United States prohibits the import of pre-Columbian monumental or architectural sculpture or murals, as well as any cultural OWWL[ QV XZW^MVIVKM NZWU [WUM KW]V\ZQM[ []JRMK\ \W IZUML KWVÃ&#x2020;QK\[ The Buyer must verify local legislation prior to the sale in order to be assured that import or export is possible. +1<-; QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +MZ\IQV MVLIVOMZML [XMKQM[ IZM TQ[\ML QV \PM +1<-; +WV^MV\QWV 4Q[\ML [XMKQUMV[ IVL IVa XIZ\[ WZ XZWL]K\[ \PMZMWN IZM []JRMK\ \W Q[[]IVKM WN IV export permit when leaving the European Union. )XXMVLQ` 1 [XMKQM[ IZM IT[W []JRMK\ \W Q[[]IVKM WN I XZQWZ QUXWZ\ XMZUQ\ from the country in which the goods are to be imported. Such permits are necessary before applying for export permits and it is the Buyerâ&#x20AC;&#x2122;s duty to initiate the proceedings with the relevant authority. The Buyer must be aware that certain countries prohibit the import of some species or any parts or products derived thereof. For example, the

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United States prohibit all import of African elephant ivory, and any item containing parts that may merely resemble African elephant ivory must be accompanied by relevant documentation stating it is not the latter. ?WZSML Q\MU[ \PI\ IZM LI\ML JMNWZM ! IZM M`MUX\ NZWU QUXWZ\ restrictions for intra-EU trade and shall not require export licences. Please be aware that all Lots marked with the symbol Æ&#x20AC; IZM []JRMK\ \W +1<-; ZMO]TI\QWV[ 4QUQ\I\QWV WN TQIJQTQ\a ZMOIZLQVO +1<-; M`XWZ\ TQKMV[M[ Where licences are required for importing or exporting outside of the European Union, it is the Buyerâ&#x20AC;&#x2122;s duty to obtain them. CA Ltd cannot be held responsible if the Buyerâ&#x20AC;&#x2122;s application for an export permit is unsuccessful. Subsequently, in the event of failure thereof, CA Ltd shall not permit cancellation or rescission of the sale. ?IZZIV\QM[ CA Ltd does not provide the Buyer with warranties relating to any Lot, unless required by Law. )]\PMV\QKQ\a _IZZIV\a 1V \PM M^MV\ WN I 4W\ JMQVO [WTL I[ I]\PMV\QK ]VLMZ \PM KI\ITWO]M description and the Buyer provides evidence in the form of a written report by a recognised expert or test results that the said Lot is not, CA Ltd will refund the purchase price. <PM *]aMZ [PITT OQ^M VW\QKM \W +) 4\L _Q\PQV LIa[ NZWU SVW_TMLOM or any event giving reasons for suspecting that the item is not authentic, and within one year of the said sale. Any claim thereafter shall not be receivable. For the purposes of the present paragraph, authenticity shall JM LMÃ&#x2026;VML I[ \PM [\I\M WN I 4W\ \PI\ Q[ OMV]QVM IVL VW\ I NWZOMZa WZ I KWXa 5. ANTIQUITIES AND TRIBAL ART 1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ IVL ZMO]TI\QWV[ )ZKPIMWTWOQKIT OWWL[ W^MZ aMIZ[ WN IOM ]VTM[[ KW^MZML Ja M`MUX\QWV WN TQUQ\ML [KQMV\QÃ&#x2026;K QV\MZM[\ _QTT ZMY]QZM IV -= 4QKMVKM NWZ M`XWZ\ \W I third country, regardless of their value. 1\ Q[ ZMKWUUMVLML \PI\ \PM *]aMZ KWV\IK\ \PM -`XWZ\ 4QKMV[QVO =VQ\ at Arts Council England in order to be assured the good is or not of TQUQ\ML IZKPIMWTWOQKIT WZ [KQMV\QÃ&#x2026;K QV\MZM[\ )ZKPIMWTWOQKIT OWWL[ NW]VL WV =VQ\ML 3QVOLWU [WQT WZ QV =3 \MZZQ\WZQIT _I\MZ[ W^MZ aMIZ[ WN IOM [PITT ZMY]QZM I =3 4QKMVKM regardless of their value and regardless of the export destination. 7\PMZ IZKPIMWTWOQKIT WJRMK\[ ZMOIZLTM[[ WN \PMQZ WZQOQV _QTT ZMY]QZM IV 1VLQ^QL]IT 4QKMVKM WZ 7/-4 LMXMVLQVO WV \PMQZ ^IT]M *W\P -]ZWXMIV =VQWV IVL =3 4QKMVKM[ UIa JM ZMY]QZML [QU]T\IVMW][Ta NWZ [WUM Q\MU[ 1\ Q[ \PM *]aMZÂ¼[ L]\a \W ]VLMZ\ISM \PM VMKM[[IZa [\MX[ CA Ltd cannot be held responsible and the sale cannot be cancelled in the event of failure to obtain the relevant licences. 6. JEWELLERY /MU[\WVM \ZMI\UMV\ IVL M[\QUI\M[ Many gemstones on the market have been treated so as to augment their appearance, in a reversible or permanent manner. Treatments under the present section may be but not limited to: â&#x20AC;¢ Heat treatment to enhance sapphires and rubiesâ&#x20AC;&#x2122; clarity and colour Â&#x152; 7QT IVL ZM[QV \ZMI\UMV\[ NWZ MUMZITL[ IXXTQML QV LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ _Ia[ \W enhance clarity of the stone â&#x20AC;¢ Staining Â&#x152; 1ZZILQI\QWV â&#x20AC;¢ Coating Estimates provided by CA Ltd are deemed to be based on the fact that the OMU[\WVM UIa PI^M JMMV []JRMK\ \W IVa \aXM WN \ZMI\UMV\ QV \PM XI[\ +)

Ltd shall not be responsible in the absence of mention thereof. ) KMZ\QÃ&#x2026;KI\M UIa JM Q[[]ML Ja I TIJWZI\WZa XZW^QLQVO _Q\P LM\IQTML information on the condition of the gemstone and any treatment applied \PMZM\W <PM *]aMZ U][\ JM I_IZM \PI\ LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ TIJWZI\WZQM[ PI^M LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ approaches as to the degree or type of treatment for a particular gemstone. 1N I KMZ\QÃ&#x2026;KI\M IKKWUXIVQM[ \PM 4W\ \PM *]aMZ U][\ JM I_IZM \PI\ Q\ Q[ merely a statement of the laboratoryâ&#x20AC;&#x2122;s opinion and in no way can CA Ltd JM PMTL ZM[XWV[QJTM NWZ IVa UMV\QWV[ \PMZMQV ;]KP KMZ\QÃ&#x2026;KI\M[ IZM LMMUML to be delivered with the Lot for informative purposes only. -[\QUI\ML _MQOP\[ 1N I [\WVMÂ¼[ M`IK\ _MQOP\ IXXMIZ[ _Q\PQV \PM JWLa WN \PM LM[KZQX\QWV \PM [\WVM PI[ JMMV ]V UW]V\ML IVL _MQOPML Ja +) 4\L 1N \PM _MQOP\ WN a stone is stated to be approximate, the stone has been assessed by CA 4\L _Q\PQV Q\[ [M\\QVO IVL \PM LMÃ&#x2026;VML _MQOP\ Q[ I [\I\MUMV\ WN WXQVQWV only. This information is given as a guide and bidders should satisfy themselves with regard to this information as to its accuracy. ;QOVI\]ZM[ â&#x20AC;&#x2DC;) LQIUWVL ZQVO Ja @â&#x20AC;&#x2122;: When the makerâ&#x20AC;&#x2122;s name appears in the title, in Chiswick Auctionsâ&#x20AC;&#x2122; opinion the piece is by that maker. â&#x20AC;&#x2DC;) LQIUWVL ZQVO [QOVML @â&#x20AC;&#x2122;: Has a signature that, in Chiswick Auctionsâ&#x20AC;&#x2122; opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered. â&#x20AC;&#x2DC;) LQIUWVL ZQVO UW]V\ML Ja @â&#x20AC;&#x2122;: Has been created by the RM_MTTMZ QV +PQ[_QKS )]K\QWV[Â¼ WXQVQWV J]\ ][QVO [\WVM[ WZ LM[QOV[ supplied by the client. â&#x20AC;&#x2DC;5ISMZÂ¼[ UIZS NWZ @â&#x20AC;&#x2122;: Has a makerâ&#x20AC;&#x2122;s mark which in Chiswick Auctionsâ&#x20AC;&#x2122; opinion is authentic. Some items may include parts or products derived from endangered [XMKQM[ []KP I[ Q^WZa WZ KWZIT ;]KP Q\MU[ UIa JM []JRMK\ \W QUXWZ\ WZ M`XWZ\ ZM[\ZQK\QWV[ ;MM [MK\QWV WV +1<-; ZMO]TI\QWV[ NWZ UWZM LM\IQT[ 7. CLOCKS AND WATCHES All Lots are sold as seen. Clocks and watches are therefore not deemed to be sold in working condition. Absence of reference thereof in the description does not imply that the Lot is in good condition and _Q\PW]\ LMNMK\[ WZ PI[ JMMV []JRMK\ \W ZMXIQZ WZ ZM[\WZI\QWV CA Ltd makes no representation or warranty that any clock or watch Q[ QV _WZSQVO WZLMZ )[ KTWKS[ IVL _I\KPM[ WN\MV KWV\IQV Ã&#x2026;VM IVL complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Most clocks and watches are likely to have been repaired in the past, and as a result may include parts that are not original thereto. The United-States restrict the importation of watches such as Rolex, Frank Muller or Corum. Such models can only be imported personally by the Buyer and CA Ltd cannot assist with shipping thereof. Some watches may include leather straps derived from endangered species. Buyers may be required to obtain appropriate permits for QUXWZ\ WZ M`XWZ\ X]ZXW[M[ QV IKKWZLIVKM _Q\P +1<-; ZMO]TI\QWV[ CA Ltd acts in compliance with such legislations and shall take necessary steps where required. Subsequently, watches may be deemed sold without their straps. 8. FURNITURE =XPWT[\MZML N]ZVQ\]ZM IN\MZ ! According to The Furniture and Furnishings (Fire Safety) Regulations ! N]ZVQ\]ZM \PI\ _I[ ]XPWT[\MZML IN\MZ \PM [\ WN 2IV]IZa ! Q[ []JRMK\ \W ZM[\ZQK\QWV[ QV \PM =VQ\ML 3QVOLWU Exempt upholstered furniture that does not meet such requirements is deemed sold for purely aesthetic purposes. CA Ltd shall not be

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ZM[XWV[QJTM NWZ TI\MZ IT\MZI\QWV[ \W \PM N]ZVQ\]ZM UISQVO Q\ ]VÃ&#x2026;\ NWZ [ITM 9. GLOSSARY OF PICTURE CATALOGUING TERMS Any Statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. 1 JMW Turner: 1V W]Z WXQVQWV I _WZS Ja \PM IZ\Q[\ ?PMV \PM IZ\Q[\Â¼[ forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. )\\ZQJ]\ML \W 25? <]ZVMZ" 1V W]Z WXQVQWV XZWJIJTa I _WZS Ja \PM artist, but less certainly as to the authorship expressed than in the preceding category. ;\]LQW WN 25? <]ZVMZ" 1V W]Z WXQVQWV XZWJIJTa I _WZS Ja IV unknown hand in the studio of the artist, which may or may not have been executed under the artistâ&#x20AC;&#x2122;s direction. +QZKTM WN 25? <]ZVMZ" 1V W]Z WXQVQWV I _WZS Ja IV I[ aM\ ]VQLMV\QÃ&#x2026;ML but distinct hand, closely associated with the named artist and of the period, but not necessarily his pupil. ;\aTM WNÂ°# .WTTW_MZ WN 25? <]ZVMZ" 1V W]Z WXQVQWV I _WZS Ja I painter working in the artistâ&#x20AC;&#x2122;s style, but not necessarily his pupil. 6 Manner of JMW Turner: 1V W]Z WXQVQWV I _WZS QV \PM [\aTM WN \PM artist and of a later date. 7 After JMW Turner: 1V W]Z WXQVQWV I KWXa WN IVa LI\M WN I SVW_V work of the artist. 8 <PM \MZU Â»[QOVMLÂ¼ IVL WZ Â»LI\MLÂ¼ IVL WZ Â»QV[KZQJMLÂ¼ UMIV[ \PI\ QV W]Z WXQVQWV \PM [QOVI\]ZM IVL WZ LI\M IVL WZ QV[KZQX\QWV IZM NZWU \PM PIVL of the artist. 9 <PM \MZU Â»_Q\P [QOVI\]ZMÂ¼ IVL WZ Â»_Q\P LI\MÂ¼ IVL WZ Â»_Q\P QV[KZQX\QWVÂ¼ UMIV[ \PI\ QV W]Z WXQVQWV \PM [QOVI\]ZM IVL WZ LI\M IVL WZ QV[KZQX\QWV have been added by another hand than that of the artist. 10 Pictures are framed unless otherwise stated.

defective in text or illustration. This shall not apply to the absence of blanks, half titles or advertisements, to un-named books or to books sold under the heading of â&#x20AC;&#x2DC;bindingâ&#x20AC;&#x2122; or â&#x20AC;&#x2DC;bindingsâ&#x20AC;&#x2122;. 12. WINES AND SPIRITS 1V IKKWZLIVKM _Q\P IOZMML [\IVLIZL[ QV \PM \ZILM M[\QUI\M[ [PITT JM LMMUML \W PI^M \ISMV QV\W IKKW]V\ \PM Ã&#x2026;TT TM^MT For the purposes of the present Terms and Conditions, the â&#x20AC;&#x2DC;Fill Levelâ&#x20AC;&#x2122; refers to the space between the base of the cork and the liquid in the bottle. Fill levels may vary with age or depending on the condition of the wine or spirit. Lack of mention thereof in the description is not a representation of IV Â»IKKMX\IJTMÂ¼ Ã&#x2026;TT TM^MT NZWU +) 4\L CA Ltd offers no guarantee as to suitability for drinking of the wine or spirit. The Buyer must be aware of the risk that the taste of a wine or spirit may be altered due to factors such as age, storage conditions, oxidation, etc. 13. COPYRIGHT CA Ltd shall own the copyright on all images, illustrations and written material produced by or for CA Ltd relating to a Lot, including catalogue contents. Such copyright shall remain at all times the property of CA Ltd. Neither the Buyer nor anyone else shall use the above mentioned materials without the prior written consent of CA Ltd. ;WUM 4W\[ UIa JM []JRMK\ \W KWXaZQOP\ XZW\MK\QWV +) 4\L LWM[ VW\ guarantee said Lots are free thereof. 14. DATA PROTECTION The Buyer agrees that personal information transmitted to CA Ltd may be disclosed exclusively for the purposes of business, or as required by Law. CA Ltd shall not use personal information for any other purpose without the Buyerâ&#x20AC;&#x2122;s prior consent. CA Ltd never sell, lend or trade in personal data provided by any Bidder.

10. ASIAN ARTS

15. SEVERABILITY

1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ ?PMV LMITQVO _Q\P )[QIV )Z\[ IVL UWZM [XMKQÃ&#x2026;KITTa _Q\P Q\MU[ UILM WN exotic wood (e.g. all species of rosewood) or elephant ivory, the Buyer must JM I_IZM WN QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ QV IKKWZLIVKM _Q\P +1<-; Regulations. As aforementioned in the Section relating to such matters, QUXWZ\ IVL M`XWZ\ XMZUQ\[ WZ ZM M`XWZ\ KMZ\QÃ&#x2026;KI\M[ UIa JM ZMY]QZML >MZQÃ&#x2026;KI\QWV TM\\MZ[ _QTT JM ZMY]QZML NWZ ZM M`XWZ\ WN _WZSML ZPQVWKMZW[ Q\MU[

Whenever and to the extent that any provisions of these terms would or might contravene the provision of any relevant legislation, []KP XZW^Q[QWV Q[ \W \ISM Mâ&#x20AC;«Ùºâ&#x20AC;¬MK\ WVTa QV [W NIZ I[ Q\ UIa LW [W without contravening such legislation and the legality, validity and enforceability of any of the remaining provisions are not in any way \W JM Iâ&#x20AC;«Ùºâ&#x20AC;¬MK\ML WZ QUXIQZML I[ I ZM[]T\ 16. AMENDMENTS

.QVM +PQVM[M 8IQV\QVO[ +]ZZMV\ [KPWTIZ[PQX QV \PM Ã&#x2026;MTL WN +PQVM[M 8IQV\QVO[ IVL +ITTQOZIXPa LWM[ VW\ XMZUQ\ ]VY]ITQÃ&#x2026;ML [\I\MUMV\[ I[ \W \PM I]\PWZ[PQX WZ LI\M WN execution. The limited right of rescission contained in the present terms and conditions does not apply to Chinese paintings. 6W\_Q\P[\IVLQVO QN _Q\PQV LIa[ WN \PM [ITM WN IVa []KP 4W\ \PM original purchaser gives written notice to CA Ltd that the Lot is a forgery and within fourteen days after giving such notice, the original purchaser returns the lot to us in the same condition as at the time of sale and demonstrates to our satisfaction that the lot is a forgery, CA Ltd will rescind the sale and refund the purchase price received. For this purpose, I Â»NWZOMZaÂ¼ Q[ LMÃ&#x2026;VML I[ I _WZS KZMI\ML _Q\P \PM QV\MV\ \W LMKMQ^M 11. BOOKS AND MANUSCRIPTS *WWS[ IVL UIV][KZQX\[ [WTL I[ QVKWUXTM\M IZM VW\ []JRMK\ \W ZM\]ZV[ Printed books may be returned for a full refund only if they prove to be

The current Terms and Conditions may be amended, verbally or in writing, prior to the sale. 17. LAW AND JURISDICTION The rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with the Law of England and Wales. .WZ \PM JMVMÃ&#x2026;\ WN +) 4\L ITT JQLLMZ[ IVL [MTTMZ[ IOZMM \PI\ \PM +W]Z\[ WN -VOTIVL IZM \W PI^M M`KT][Q^M R]ZQ[LQK\QWV \W [M\\TM ITT LQ[X]\M[ IZQ[QVO QV connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship warranty relate or apply. All parties agree that CA Ltd shall retain the right to bring proceedings in any court other than the Courts of England.

14 May Pages.qxp_Layout 2 12/04/2019 17:34 Page 72

SPECIALISTS

ANTIQUITIES & TRIBAL ART Alice King, Head of Department alice.king@chiswickauctions.co.uk

JEWELLERY Sarah Duncan, Head of Department sarah@chiswickauctions.co.uk

ARMS, ARMOUR & MILITARIA Matthew Easton, Head of Department matthew.easton@chiswickauctions.co.uk

MODERN DESIGN Bruce Addison, Head of Department bruce.addison@chiswickauctions.co.uk

ASIAN ART Lazarus Halstead, Head of Department lazarus@chiswickauctions.co.uk

PHOTOGRAPHICA Austin Farahar, Head of Department austin.farahar@chiswickauctions.co.uk

Yasuko Kido, Japanese Art Specialist yasuko@chiswickauctions.co.uk

RARE BOOKS & WORKS ON PAPER Clive Moss, Head of Department clive.moss@chiswickauctions.co.uk

CERAMICS & GLASS Dr. Jim Peake, Head of Department jim@chiswickauctions.co.uk

Valentina Borghi, Head of Sales - Autographs & Memorabilia valentina.borghi@chiswickauctions.co.uk

DESIGN & INTERIORS Liz Winnicott, Head of Department liz.winnicott@chiswickauctions.co.uk

DESIGNER HANDBAGS & FASHION Meg Randell, Head of Department meg@chiswickauctions.co.uk

SILVER & OBJECTS OF VERTU John Rogers, Head of Department john.rogers@chiswickauctions.co.uk

EUROPEAN WORKS OF ART & CLOCKS Rachael Osborn-Howard, Head of Department rachael@chiswickauctions.co.uk

URBAN ART Penelope Sonder, Head of Department penelope.sonder@chiswickauctions.co.uk

FINE ART Adrian Biddell, Head of Department adrian.biddell@chiswickauctions.co.uk

WATCHES Tomas Aznar, Head of Department tomas.aznar@chiswickauctions.co.uk

Suzanne Zack, Head of Sale - British and European Fine Art suzanne@chiswickauctions.co.uk

WINE & SPIRITS Sam Hellyer, Head of Department sam.hellyer@chiswickauctions.co.uk

Krassi Kuneva, Head of Sale - Modern & Post-War British Art kkuneva@chiswickauctions.co.uk Melissa van Vliet, Head of Sale - Old Masters melissa.vanvliet@chiswickauctions.co.uk ISLAMIC & INDIAN ART Beatrice Campi, Head of Department beatrice.campi@chiswickauctions.co.uk

14 May Cover.qxp_Layout 1 12/04/2019 17:57 Page 2

SPECIALISTS

SALE CALENDAR

MAY

WEDNESDAY Designer Handbags & Fashion

Sarah Duncan GD

Inez Flynn FGA

Head of Department Jewellery [IZIP L]VKIV(KPQ[_QKSI]K\QWV[ KW ]S

Specialist Jewellery QVMb ÆaVV(KPQ[_QKSI]K\QWV[ KW ]S

THURSDAY Photographica

MONDAY Asian Art Chinese Wood Fine Chinese Paintings

WEDNESDAY Arms, Armour & Militaria Books & Works on Paper

THURSDAY Autographs & Memorabilia

LIVE BIDDING

*QL WVTQVM _Q\P +PQ[_QKS 4Q^M \W JMVMÅ\ from Chiswick Auctions’ standard buyer’s premium terms with no additional surcharges.

COLLECTION OF LOTS Buyers are asked to collect their lots on the day of the sale or between 10.00 and 18.00 up until close of business on Friday following the sale. IMPORTANT INFORMATION CITES

Please be aware that all lots marked with the symbol ƀ are subject to CITES regulations. Please see our Terms & Conditions for more information.

TUESDAY Design & Interiors

WEDNESDAY )‫ ٺ‬WZLIJTM 4]`]Za

TUESDAY Wine & Spirits Urban Art Contemporary Art *Please note that auction dates are subject to change.

The next Jewellery auction will held on the 9th of July 2019. Entries now invited.

14 May Cover.qxp_Layout 1 12/04/2019 17:57 Page 1

Jewellery 14 May 2019

1 Colville Road, London W3 8BL +44 (0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk

Jewellery Tuesday 14th May 2019