Chiswick Auctions Modern First Edition Catalogue May 2018 by Chiswick Auctions

Modern First Editions, Illustrated Books & Limited Editions 30 May 2018

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Modern First Editions, Illustrated Books & Limited Editions London 30th May 2018

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Modern First Editions, Illustrated Books & Limited Editions Wednesday 30th May 2018, 13.00

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PHOTOGRAPHERS Steven McCauley Jordan Salzmann Darrell Russell Monika Olek

Front cover: Lots 40, 46, 57, 76, 155 Back cover: Lot 155

Contents Modern First Editions lots 1 - 132 Illustrated Books & Works on Paper lots 133 - 179 Limited Editions lots 180 - 226

Modern First Editions

5 Bates (H.E.) The Black Boxer Tales, FIRST EDITION, bookplate, inscribed by the author on the flyleaf to F.G. Robinson. advertisement leaf, manuscript page (corresponding to pp. 46-47 in the book and including many variations to the published version), minor spotting to pastedowns and free endpapers, original yellow cloth, dust-jacket with spine slightly toned, Pharos Editions, 1932; The Last Bread. A Play in one Act, FIRST EDITION, signed by the author on title page and with ALs from the same to a Mr Malcolm loosely inserted, dated April 21, 1931 [“My first published work was ‘The Last Bread’. It appeared I think in March 1926 (...) I am sending the book with this letter. Yours sincerely, H. E. Bates”], original paper wrappers, 8vo, Labour Publishing, 1926; Charlotte’s Row, FIRST EDITION, NUMBER 96 OF 107 COPIES SIGNED BY THE AUTHOR, tissue guard, bookplate, occasional spotting, original quarter tan morocco with marbled boards, spine lettered in gilt, t.e.g., others uncut and largely unopened, Jonathan Cape, 1931; and one other by the same author (4) £250-£350

1 Alcott (Louisa May) Little Men. Life at Plumfield with Jo’s Boys, FIRST AMERICAN EDITION, frontispiece, original cloth, top edge green slightly faded, some light wear to extremities, slight crack to front joint, stain to fore-edge of front ads, bookplate to flyleaf, 8vo., Boston, Robert Brothers, 1871. £200-£300 2 Amis (Kingsley) One Fat Englishman, FIRST EDITION, spine slightly faded, dust-jacket frayed at head and with tear at foot, chipped at corners, little browned, Victor Gollancz, 1963; Wolfe (Tom) The Electric Kool-Aid Acid Test, FIRST ENGLISH EDITION, edges spotted, foot of spine little knocked, dust-jacket chipped at head and foot, 1969, original cloth and boards, Weidenfeld & Nicolson, 1969; and 18 others, 8vo (20) £200-£300 3 Amis (Martin) Dead Babies, a fine copy, book label to pastedown, 1975; Success, 1978; Other People: A Mystery Story, 1981; London Fields, signed by the author, 1989; Time’s Arrow, signed by the author, 1991, ALL FIRST EDITIONS, original boards, dust-jackets, Jonathan Cape; with 9 other first editions by the same author, including some signed, 8vo (14) £500-£700 4 Bannerman (Helen) The Story of Little Black Sambo, FIRST EDITION, colour illustrations by the author, original green decorated cloth, spine slightly darkened, contemporary inscription on verso of flyleaf, later fold-over cloth box, 32mo., Grant Richards, 1899. £1,000-£1,500

6 Beckett (Samuel) Waiting for Godot. A tragicomedy in two acts, FIRST ENGLISH EDITION, 4 photographic plates, bookplate to flyleaf, original blind-stamped black cloth, some slight wear to top edge of upper board, original dust-jacket, slightly tired, small repairs to head and corners, 8vo., New York, Grove Press, 1954. £400-£600 7 Belloc (Hilaire) Cautionary Tales for Children, FIRST EDITION, inscribed by the author “To Mr and Mrs Meade. Their obedient servant, H.B. 29th of November 1907”, illustrations, original decorated boards, browning to endpapers, box, [1907]; New Cautionary Tales, FIRST EDITION, bookplate, some foxing throughout, original pictorial boards, dust-jacket with some overall soiling and chipping, 8vo, Duckworth, 1930. (2) ***Micheal Sadleir’s copy, with his bookplate and pencil note beneath the inscription. £400-£600 8 Bennett (Arnold) Imperial Palace, 2 vol., FIRST EDITION, NO 80 OF 100 SETS, printed on Saunders’ handmade paper and signed by the author in vol. 1, title page in red and black, original yellow vellum, spine lettered in gilt, single fillet border to upper boards, minor creasing on spine of vol. 1, discolouration to edge of upper boards, endpapers foxed, t.e.g., with others uncut, Cassell, 1930; A Man from the North, FIRST EDITION, printer’s device on title page, leaves uncut, bookplate of J. Timothy Kenwick, original red cloth, title lettered in white on upper cover and spine, John Wilson & Son, 1898; The Strange Vanguard. A Fantasia, FIRST EDITION, owner’s note on flyleaf, original black cloth, gilt title, spine slightly bumped, minor spotting, Cassell, 1928; with one other by the same author, 8vo (5) £200-£300 9 Brooke (Rupert) Poems, FIRST EDITION, bookplate, half title, light soiling throughout, original dark blue cloth, corners slightly bumped, ownership inscription to front pastedown, 8vo, Sidgwick & Jackson, 1911. £200-£300

*See inside front cover for information regarding fees

13 10 Buchnan (John) The Thirty-Nine Steps, marginal browning, original blue cloth, rubbed at spine head and tail, Edinburgh, William Blackwood, 1915; Minton (John), and Ross (Alan) Time was Away, letter from author tucked in dust-jacket, text illustration by John Minton, original dust-jacket, John Lehmann, 1948; Wakefield (H. R.) Ghost Stories, original cloth, 1932; Golding (William) The Inheritors, original dust-jacket, slight chipping at head and tail, browning, Faber and Faber, 1955; Fraser (George MacDonald) Flashman, original cloth, Herbert Jenkins, 1969; Bates (H. E.) The Duet, NUMBER 127 OF 250 SIGNED BY THE AUTHOR, original black cloth gilt, 1935, FIRST EDITIONS, original dust-jacket, 8vo; with 9 others (11) £150-£250 11 Burnett (Frances Hodgson) Little Lord Fauntleroy, FIRST EDITION, bookplate, frontispiece and 25 further illustrations after drawings by Reginald B. Birch, modern half grey morocco, t.e.g., marbled endpapers with illustration to pastedown, autograph letter signed by the author pasted onto verso facing half-title, 8vo, Frederick Warne, 1886. £200-£300 12 Butler (Samuel) The Way of All Flesh, FIRST EDITION, armorial bookplate of W. R. Stuart Majendie, later bookplate, half title, some scattered foxing throughout, original red cloth, gilt lettering, t.e.g., top corners bumped, short tear at foot of upper joint, some cracking to top hinge, preserved in cloth slip-in case, 8vo, Grant Richards, 1903. £200-£300 13 Chesterton (G.K.) The Innocence of Father Brown, FIRST EDITION, bookplate, frontispiece and 7 further plates by Sidney Seymour Lucas, minor foxing sand soiling throughout, original red cloth, gilt lettering, light wear to corners, 8vo, Cassell, 1911; The Wisdom of Father Brown, FIRST EDITION, bookplate, half title, tissue guard, some foxing throughout, original dark blue cloth, upper cover blind-stamped, slightly sunned, rear hinge strained, dustjacket with creasing and chipping, a few short tears with spots of internal tape repair, 8vo, Cassell, 1914 (2) £2,000-£3,000

15 14 Churchill (Winston Spencer) Lord Randolph Churchill, 2 vol., FIRST AMERICAN EDITION, photoengraved frontispieces, plates (including folding letter facsimile), occasional foxing, book plate on free endpaper, original red cloth gilt, spines slightly faded, gilt emblem stamped on vol. 2 front cover, Macmillan & Co, 1907-1906; and 1 other ( 3) £200-£300 15 Churchill (Winston Spencer).- The Centenary Limited Edition The Collected Works of Sir Winston Churchill Centenary Limited Edition, 38 vol. ( includes the four volumes of Collected Essays), NO. 1016 OF 3000 COPIES, vellum over boards, spine gilt, gilt coat of arms stamped on upper board, a.e.g., some vol. with natural blemishes, marbled endpapers, original green morocco slip case, with gilt coat of arms stamped on upper board, including certificate for each volume, 8vo, Library of Imperial History, 1973-76 (38) £2,000-£3,000 16 Conrad (Joseph) The Secret Agent. A Drama in Three Acts, FIRST EDITION, NUMBER 107 OF 1000 COPIES, signed by the author, bookplate, half title, portrait frontispiece, captioned tissue guard, original quarter cream parchment with grey boards, edges untrimmed and unopened, some chipping, creasing and marks to dust-jacket, 8vo, Privately Printed for Subscribers Only by T. Werner Laurie, 1923. £200-£300 17 Conrad (Joseph) Almayer’s Folly, A Story of an Eastern River, FIRST EDITION, FIRST STATE, bookplate, original green cloth, gilt, light handling marks, t.e.g., others uncut, T. Fisher Unwin, 1895; An Outcast of the Islands, FIRST EDITION, bookplate, original green cloth, gilt, t.e.g., lightly rubbed at head of spine, some foxing to endpapers, 1896; The Nigger of ‘Narcissus’, FIRST EDITION, bookplate, original grey cloth, gilt, edges uncut, light foxing, some light bumping, Heinemann, 1898; Tales of Unrest, FIRST ENGLISH EDITION, bookplate, original green cloth, gilt, t.e.g., T. Unwin Fisher, 1898; together with 10 other novels by Conrad, first editions, original cloth, 4 titles in original dust-jackets, 8vo (14) £1,200-£1,500

18 (De la Mare) Ramal (Walter) Songs of Childhood, FIRST EDITION, signed and inscribed by the author “Walter de la Mare, for Elbridge Adams with his best wishes [...] I had a secret laughter,/ I laughed it near the wall:/ Only the ivy & the wind/ May tell of it at all, February 1929” on flyleaf, bookplates, half title, sepia frontispiece by Richard Doyle, tissue guard, original quarter vellum, blue cloth with gilt publisher’s device, t.e.g. with some soiling, darkening to spine, preserved in blue morocco slipcase and blue folder with bookplates, 8vo, Longmans, Green 1902; The Three Mulla-Mulgars, FIRST EDITION, FIRST ISSUE, bookplate, half title, colour frontispiece and a further colour plate by J.R. Monsell, original green cloth, endpapers slightly browned, dustjacket with some wear, one closed tear to top margin and one small spot of internal tape repair, 8vo, Duckworth, 1910; with typed letter signed by the author loosely inserted (2) £600-£800 19 Dexter (Colin) Last Bus to Woodstock, 1975; Last Seen Wearing, 1976; The Silent World of Nicholas Quinn, 1977; The Riddle of the Third Mile, 1983, all FIRST EDITIONS, third with ownership inscription to flyleaf, original boards, toning to edges, foxing to top edge of third, dust-jacket of the second a little frayed to head and with a couple of short closed tears, 8vo, Macmillan (4) £800-£1,200 20 Dickens (Charles) The Life and Adventures of Nicholas Nickleby, FIRST EDITION IN BOOK FORM, half-title, engraved portrait frontispiece by Daniel Maclise in first state with imprint, 39 engraved plates by Hablot K. Browne (Phiz), some light staining and browning to frontispiece and plates, bookplates, publisher’s first state olive green cloth, with boards and spine ruled in blind, spine lettered in gilt, little rubbed and bumped, upper joint repaired, 8vo, Chapman & Hall, 1839. *** Before its book publication on October 23, 1839, ‘Nicholas Nickleby’ was issued in twenty parts, published serially in nineteen monthly installments from April 1839 - October 1839. The William Maryon-Kenyon Starling-Self copy, with three bookplates on pastedown. £2,000-£3,000 6

21 Du Maurier (Daphne) Jamaica Inn, FIRST EDITION, original blue cloth, minor spotting, dustjacket darkened to backstrip panel and borders, some chipping to spine extremities, 8vo, Victor Gollancz, 1936. £1,500-£1,800 22 Du Maurier (George) Trilby, FIRST EDITION, 3 vol., original linen, blue lettering on upper cover and spine, light wear to boards, spotting to the edges, with an autograph letter signed by the author loosely inserted into vol. 1, 8vo, Osgood, McIlvaine & Co., 1894. £600-£800

*See inside front cover for information regarding fees

23 Eliot (T.S.) Ezra Pound. His Metric and Poetry, FIRST EDITION, bookplate, frontispiece portrait of Pound by Gaudier-Brzeska, light toning throughout, original red boards lettered in gilt, some fading, original plain dust-jacket with tears and creasing, 8vo, New York, Knopf, 1917. ***The author’s second book, and very scarce in the dust-jacket. £150-£200 24 Eliot (T.S.) Homage to John Dryden. Three Essays on Poetry of the Seventeenth Century, FIRST EDITION, bookplate, light foxing, original printed cream card wrappers with Vanessa Bell design, light soiling, 8vo, Hogarth Press, 1924; Sweeney Agonistes Fragments of an Aristophanic Melodrama, FIRST EDITION, bookplate, original blue boards, soiling to dust-jacket, some creasing, 8vo, Faber and Faber, 1932: Murder in the Cathedral, FIRST EDITION, original printed wrappers, light fading and creasing, custom box with bookplate, 8vo, Canterbury, H.J. Goulden, 1935; Old Possum’s Book of Practical Cats, FIRST EDITION, bookplate, contemporary gift inscription to flyleaf, some overall soiling, original yellow cloth with red illustration by author stamped to upper board, edges untrimmed, dust-jacket price-clipped and soiled, heavy chipping to corners, loss at head, 8vo, Faber and Faber, 1939; and three others (7) £500-£700 25 Ellson (Hal) Reefer Boy. Story of Teen-age Drug Addicts, FIRST EDITION, original cloth, slightly frayed and browned dust-jacket, Neville Spearman, 1955; Georgian Poetry 1916-1917, later issue, from Stephen Spender’s library with facsimile bookplate, original cloth, rubbed and marked, The Poetry Bookshop, 1922; Mencken (H.L.) Happy Days, 1880-1892, FIRST EDITION, inscribed by the author on front free endpaper [“For Channing Way Jr via his lovely mother 1940”] portrait, paper little toned, original decorated cloth, dust-jacket browned and scuffed, tear at head of spine, New York, Alfred A. Knopf, 1940; Fowles (John) Mantissa, FIRST EDITION, signed by the author on title, original cloth, dust-jacket, small mark on back cover, 1982; Banks (Iain) Walking on Glass, PROOF COPY, signed by the author on title, original wrappers, little rubbed, Macmillan, 1985; Lovesey (Peter) The Staring Man and Other Stories, LIMITED EDITION OF 350 COPIES, this ‘one of 12 additional copies [...] for the personal use of the author’, signed and inscribed on title, original wrappers, Helsinki, Eurographica, 1988, 8vo; and a quantity of others, modern literature, including several more from Spender’s library (quantity) £300-£400 26 Faulkner (William) Soldier’s Pay, FIRST EDITION, bookplate, original blue cloth, yellow lettering and publisher’s device, some rubbing to spine extremities, edges slightly toned, patterned endpapers, 8vo, New York, Boni & Liveright, 1926. £150-£200

27 Fleming (Ian) Octopussy and The Living Daylights, FIRST EDITION, original cloth embossed boards, gilt lettering, original pictorial dust-jacket, original price with new price sticker overlapped, [Gilbert A14a], 8vo, Jonathan Cape, 1962; together with 8 similar copies (9) £400-£600 28 Fleming (Ian) The Man with the Golden Gun, FIRST EDITION, second state, original black cloth gilt lettered on spine, light rubbing, patterned green endpapers, tears to head and foot of dust-jacket light wear, 8vo, Jonathan Cape, 1965; You Only Live Twice, FIRST EDITION, original black cloth, tape repairs to corners, head and foot of spine of dust-jacket, some overall soiling, 8vo, Jonathan Cape, 1964 (2) £200-£300 29 Forester (C. S.) Lord Hornblower, FIRST EDITION, publishers orange cloth, original dust-jacket, slight chipping and creasing, rubbed, 8vo, Michael Joseph, 1946; Forester (E. M.) Two Cheers for Democracy, FIRST EDITION, bookplate on front free endpaper, publisher’s blue boards, original dust-jacket, slight toning, 8vo, Edward Arnold and Co., 1951; Macaulay (Rose) The Writings of E. M. Forster, FIRST EDITION, publisher’s blue cloth, original dust-jacket, slight toning, 8vo, Hogarth Press, 1938 (3) £100-£150 30 Galsworthy (John) The Forsyte Saga, FIRST COMPLETE EDITION, FIRST IMPRESSION, bookplate, half title, folded Forsyte Family Tree following dedication page, a little creased, original green cloth, gilt lettering and publisher’s device, top edge green, very light wearing to head of dust-jacket, 8vo, William Heinemann, 1922: On Forsyte’ Change, FIRST EDITION, bookplate, half title, original green cloth with gilt lettering and publisher’s device, top edge green, a few fox spots to fore-edge, minor chipping to dust-jacket, 8vo, Heinemann, 1930 (2) £150-£200 31 No Lot 32 Gide (André) Le Caves du Vatican. Sotie par l’Auteur de Paludes, FIRST EDITION, 2 vol., half-title, lithographed author’s portrait by Paul Albert Laurens and tissue guard, original orange paper wrappers, rebound in later brown quarter maroon morocco, with vellum covered boards, gilt title on spine, leaves untrimmed, small tear on upper corner of half-title in vol. 1, minor spotting, intermittent light water staining in both volumes, vellum a little soiled, 8vo, Paris, Editions de la Nouvelle Revue François, 1914. £200-£300

33 Graves (Robert) Good-Bye to All That, FIRST EDITION, FIRST STATE, bookplate, portrait frontispiece and 7 further plates, original salmon-pink cloth, edges a little toned and top-edge dustsoiled, dust-jacket a little browned overall, with a few tiny closed tears, 8vo, Jonathan Cape, 1929; Claudius the God and his Wife Messalina, FIRST EDITION, bookplates, two fold-out genealogical plates, original black boards, a few surface marks, top edge soiled, 8vo, Arthur Barker, 1934 (2) £500-£700 34 Greene (Graham) The Name of Action, FIRST EDITION, half title, bookplate, minor spotting to gutter of preliminaries, original blue cloth with publisher’s device stamped to lower board, spine gilt, dust-jacket with small portions missing at tips of spine and heavily chipped at top corner of front panel, some further light chipping, spine slightly browned, 8vo, William Heinemann, 1930. £700-£900 35 Greene (Graham) Brighton Rock, An Entertainment, FIRST EDITION, original decorated red cloth, slightly faded, top edge black, original dust-jacket, very slightly faded and chipped at extremities, small closed tear to front and rear panels, 8vo, New York, Viking, 1938. ***Published a month ahead of the UK edition. £500-£700 36 Greene (Graham) The Ministry of Fear. A Novel, FIRST EDITION, bookplates, original yellow cloth with publisher’s device stamped in black to lower board, spine lettered in black, top edge spotted, dust-jacket rather chipped and creased with some water staining, loss at foot of front lap, 8vo, William Heinemann, 1943. £400-£600

35 37 Greene (Graham) The Third Man and the Fallen Idol, FIRST EDITION, ownership inscription on half-title, paper a little toned, endpapers browned, small tears to dust-jacket at head of spine and front corner, corners chipped or frayed, William Heinemann, 1950; The Living Room, a Play in Two Acts, later issue, a little marked, dust-jacket slightly spotted and chipped, William Heinemann, 1953; Travels with My Aunt, a Novel, FIRST EDITION, name on title, dust-jacket browned and marked, chipped at ends of spine and corners, New York, Viking, 1969; The Tenth Man, FIRST EDITION, minor yellowing, dust-jacket a little toned, New York, Simon and Schuster, 1985; and two others (6) £300-£400

*See inside front cover for information regarding fees

38 Greene (Graham) The Complaisant Lover. A Play, FIRST EDITION, inscribed by the author for his lead Ralph Richardson, bookplates, original blue boards with publisher’s device blind stamped to lower board, spine lettered in gilt, top corners slightly bumped, dust-jacket a little frayed with minor soiling, 8vo, William Heinemann, 1959. ***Inscribed by Greene for Ralph Richardson, who played Victor Rhodes in the play’s initial run: “For Ralph, with gratitude & affection, from Graham. 18.6.59”. The latter date is that of the play’s first performance at the Globe Theatre, where it was produced by John Gielgud. Gielgud and Richardson would later be used as central characters in Greene’s play ‘Yes and No’. Richardson’s bookplate is below the inscription on the flyleaf. £800-£1,200

39 Greene (Graham) A Visit to Morin, FIRST EDITION, ONE OF 250 COPIES, inscribed by the author for Ralph Richardson and his wife, bookplate, original green cloth, spine lettered in gilt, top edge a little dusty, dust-jacket browned around head and spine panel, minor spotting, 8vo, William Heinemann, 1960. ***The inscription reads: “For Ralph & Mur, with love from Graham. Christmas 1960”. Richardson’s bookplate is below the inscription. The book was expressly produced as a Christmas gift for friends of the author. Greene and Richardson had become acquainted during the production of Greene’s play ‘The Complaisant Lover’, in which Richardson starred. £500-£700

40 Hammett (Dashiell) The Maltese Falcon, FIRST EDITION, original decorated cloth, top edge stained blue/green, original pictorial dust-jacket, light damp stain to inner margin first few leaves not affecting text, small tear to base of dust-jacket, with some other minor wear to extremities, price-clipped as usual, preserved in quarter morocco fold-over box, 8vo, New York, 1930. ***A very good copy of this most influential detective fiction novel. ÂŁ8,000-ÂŁ12,000

*See inside front cover for information regarding fees

41 Hardy (Thomas) Desperate Remedies, FIRST EDITION, 3 vol., bookplate to vol. 1, halftitles in vol. 2 & 3, but lacking in 1, some spotting, Victorian half red morocco backed hard-grained cloth boards, marbled edges, some overall wear and rubbing, 8vo, Tinsley Brothers, 1871. ***Hardy’s first novel was published in 500 copies only. £1,500-£2,000

45 Hardy (Thomas) Domicilium, FIRST EDITION, inscribed to ‘John Lane from C.K.S. July 12, 23’, as issued sewn with purple cord into purple wrappers, upper cover printed in black, preserved in a chemise and blue morocco slipcase with tip-in bookplate, 4to, [colophon: Privately printed by Clement Shorter for distribution among his friends], [1916]. £600-£800

42 Hardy (Thomas) A Pair of Blue Eyes. A Novel, 3 vol., FIRST EDITION, without half title, misaligned ‘c’ in ‘clouds’ on page 5 of vol.2, C8 in vol. 2 trimmed without loss of text, some slight staining and soiling, later dark blue calf, spine gilt and blind tooled, 8vo, Tinsley Brothers, 1873. £600-£800 43 Hardy (Thomas) A Laodicena; or, the Castle of the De Stancys. A story of Today, FIRST ENGLISH EDITION, 3 vol., book stamp of the Blackfriars of Llanarth to flyleaves, half-titles, browning overall, without the 32 page publisher’s catalogue described by Purdy as ‘occasionally bound at the end’, half green morocco, joints and corners worn, some fading, 8vo, Sampson Low, Martson, Searle & Rivington, 1881. £400-£600 44 Hardy (Thomas) Wessex Poems and other Verses, FIRST EDITION, 31 illustrations (13 full-page) by Hardy, tissue guard to frontispiece foxed, in original pre some sunning, gilt edges, some rubbing 8vo, Harper, 1898. £400-£600

46 Hemingway (Ernest) In Our Time, FIRST EDITION, NUMBER 137 OF 170 COPIES on Rives handmade paper, bookplate, woodcut frontispiece portrait by Henry Strater, original decorated tan boards with newspaper cuttings design, edges uncut, light rubbing to head and tail of spine, usual browning to endpapers, tall 8vo., Three Mountains Press, Paris, 1924. £15,000-£18,000

47 Hemingway (Ernest) A Farewell to Arms, FIRST EDITION, inscribed by the author ‘To Mike Murphy, Good luck, Ernest Hemingway’ on fly-leaf, bookplate, original black cloth, printed label on upper cover and spine, top edge trimmed, others uncut, original dust-jacket, very light rubbing to extremities and labels, custom slipcase, 8vo, New York, 1929. ***Mike Murphy was a Hemingway biographer and scholar. A loose note explains that this copy was inscribed by Hemingway in Havana. £4,000-£6,000

*See inside front cover for information regarding fees

48 Hemingway (Ernest) Green Hills of Africa, FIRST EDITION, half title, bookplate, illustrations by Edward Shenton, original light green cloth with author’s signature stamped in gilt, light creasing and rubbing to dust-jacket, near fine, 8vo, New York, Scribner’s, 1935. £600-£800 49 Hemingway (Ernest) The Old Man and the Sea, FIRST EDITION, bookplate, half title, original blue cloth with author’s signature blind-stamped, small spotting, edges toned, first issue dust-jacket, near fine, New York, Scribner’s, 1952. £800-£1,200 50 Hilton (James) Goodbye Mr Chips!, FIRST ENGLISH EDITION, signed by the author, bookplate, title page and chapter decorations printed in blue and black, 4 full-page illustrations by Bip Pares, some toning throughout, blue cloth with gilt lettering, faint spotting to endpapers, dust-jacket with light overall soiling, chipping to corners, closed tear to upper margin, 8vo, Hodder & Stoughton, 1934. £400-£600 51 Hornby (Nick) High Fidelity, Victor Gollancz, 1995; About a Boy, Victor Gollancz, 1995, FIRST EDITIONS, signed by the author, original boards, dustjackets, slightly creased at spine ends else excellent condition; with 4 others by the same author, all signed, 8vo (6) £300-£400

52 Ishiguro (Kazuo) Never Let Me Go, NUMBER 261 OF 1000 COPIES, numbered and signed by author, pictorial cloth original slipcase, 2005; An Artist of the Floating World, 1986; The Unconsoled, 1995; When We Were Orphans, 2000, pictorial dust-jacket, pristine condition, 8vo, Faber and Faber, FIRST EDITIONS, signed by author on the title page (4) *** Latest Nobel Laureate in Literature (2017), screenwriter, and short story writer. He was praised by the Swedish Academy as a writer “who, in novels of great emotional force, has uncovered the abyss beneath our illusory sense of connection with the world”. His most famous novels ‘The Remains of the Day’ and ‘Never Let Me Go’ were adapted into highly acclaimed films. He has written eight books, which have been translated into over 40 languages. £200-£300 53 James (Henry) A Passionate Pilgrim and Other Tales, FIRST EDITION, bookplate, book label of John K. Martin to rear pastedown, minor browning throughout, original first issue green cloth, light rubbing to extremities, in a folding cloth chemise and matching slipcase, 8vo, Boston, James R. Osgood and Company, 1875. ***From the collection of John K. Martin, founder of the Black Sparrow Press and notable collector of numerous authors. £500-£700 54 James (Henry) Daisy Miller. A Study, FIRST EDITION, later issue, bookplate, 107 titles listed in the initial advertisements, browning throughout, a few stains, original green cloth, red and black lettering, small 8vo, New York, Harper and Brothers, [1878]. ***’Daisy Miller’ first appeared in Cornhill Magazine in June-July 1878 and was an immediate and widespread popular success. £400-£600 55 James (Henry) Transatlantic Sketches, FIRST IMPRESSION, original green cloth, minor wear to extremities, first state binding (green variant cloth) of James’s second book, Boston, James R. Osgood and Company, 1875; Roderick Hudson, slightly browned, occasional spotting, original green cloth, spine ends and corners slightly worn, Boston, James R. Osgood and Company, 1876; and The Wings of the Dove, 2 vol., bookplate in vol. 1, original brown cloth, spine lettered in gilt with light wear to tips, t.e. g., others untrimmed, New York, Scribner’s, 1902, ALL FIRST EDITIONS, 8vo (4) £400-£600 56 Joyce (James) Pomes Penyeach, FIRST EDITION, errata slip tipped-in at end, original printed pale green boards, ‘Price One Shilling’ printed on lower cover, spine ends and corners slightly bumped, sunned. particularly at inner margins, still an excellent copy overall, [Slocum & Cahoon A24], 16mo, Paris, Shakespeare & Company, 1927. £300-£400

57 Kerouac (Jack) On the Road, FIRST EDITION, bookplate, original black cloth, white lettering, top edge red, rubbing to extremities of dust-jacket, three short closed tears with internal tape repair, 8vo, New York, Viking, 1957. £2,000-£3,000 58 Kingsley (Charles) The Water-Babies. A Fairy Tale for a Land Baby, FIRST EDITION, FIRST ISSUE, bookplate, with two illustrations by J. Noel Paton on frontispiece and p. 145, ‘L’Envoi’ poem opening text, engraved headpieces to each chapter, light handling marks, occasional spotting, original green cloth stamped in gilt, splitting along lower joint with three-inch section opened, rubbing to corners, 8vo, Macmillan, 1863. £200-£300

*See inside front cover for information regarding fees

59 Kipling (Rudyard) Puck of Pook’s Hill, FIRST EDITION, bookplate, frontispiece and 19 further full page-illustrations, titlepage printed in red and black, original red cloth, gilt lettering and author’s device, t.e.g., some rubbing, faint browning to endpapers, early issue dust-jacket with chipping to margins and spine, 8vo, Macmillan and Co, 1906. ***The dust-jacket differs from that described in Richard’s bibliography only insofar as there is a print number stated against ‘Traffics and Discoveries’ in the lits of Kipling’s works on the rear panel. £400-£600 60 Lawrence (D.H.) Lady Chatterley’s Lover, FIRST EDITION, NUMBER 117 OF 1000 COPIES SIGNED BY THE AUTHOR, leaves untrimmed, original papercovered boards, with phoenix motif stamped in black on the front board, printed paper label on spine, hinges starting, spine and corners rubbed and bumped, 8vo, [Florence], Privately Printed, 1928. £600-£800 59

61 Lawrence (D.H.) A Play, ONE OF 500 COPIES, bookplate, browning to half title, some foxing to preliminaries, original yellow buckram, boards slightly bumped, 8vo, Martin Secker, 1926; Pornography and Obscenity: Criterion Miscellany, No. 5, FIRST EDITION, bookplate, pages unopened, publishers orange cloth, top board gilt, browning to endpapers, 8vo, Faber and Faber, 1929; Pornography and Obscenity, FIRST EDITION, original paper wrappers, advertisement, Faber and Faber, 1929 (3) £100-£150 62 Lawrence (D.H.) Pansies. Poems, FIRST ENGLISH TRADE EDITION, light yellowing, leaves uncut, dark blue 1⁄4 cloth, patterned paper covered boards, spine lettered in gilt, top edge in gilt, spine ends and corners bumped, slightly spotted, 4to, Martin Secker, 1929. Provenance: Lady Cynthia Asquith’s copy (1887-1960). Writer and anthologist, daughter of 11th Earl of Wemyss and Mary Constance Wyndham. In 1910, she married Herbert Asquith, son of the future Prime Minister. She was Secretary to the author of ‘Peter Pan’, J.M. Barrie between 1918 and 1937 and her other literary friends included L.P. Hartley and D.H. Lawrence. Asquith wrote novels, edited anthologies, and wrote for children and about the British Royal family. She is best remembered for her anthologies of Ghost Stories including ‘My Grimmest Nightmare’ (1935). £150-£200 63 Le Carré (John) The Spy Who Came in From the Cold, FIRST EDITION, half-title, original blue publisher’s cloth, pictorial dust-jacket, slightly soiled and chipped, owner’s note on front endpaper, 8vo, Victor Gollancz, 1963; Murdoch (Iris) The Bell, FIRST EDITION, signed by author on title, half title, original green publisher’s cloth, pictorial dust-jacket, light spotting and toning, some tearing, 8vo, Chatto & Windus, 1958 (2) £200-£300 64 Lewis (Sinclair) Babbit, FIRST EDITION, inscribed by the author ‘To Dr and Mrs Ball, with the affection of Sinclair Lewis’ on flyleaf, bookplate, ‘Sample Copy’ stamped on title page, second state with corrections to text on p. 49, browning throughout, original blue cloth stamped in orange, fading to spine, 8vo, New York, Harcourt Brace, 1922. ***A pre-publication sample copy, presumably provided by the author for presentation. £600-£800 65 Lewis (Sinclair) Arrowsmith, FIRST EDITION, NUMBER 395 OF 500 COPIES SIGNED BY THE AUTHOR, bookplate, title page printed in black and red, original quarter cream cloth with blue boards, t.e.g, others untrimmed, original slipcase, 8vo, New York, Harcourt, Brace 1925. £600-£800 66 (Lewis) Sinclair Main Street, FIRST EDITION, FIRST ISSUE, bookplate, original blue boards, title in orange on boards, slightly rubbed, ownership inscription on pastedown, 8vo, New York, Harcourt, Brace and Howe, 1920; Elmer Gantry, FIRST EDITION, FIRST ISSUE, bookplate, original blue boards, title in orange on boards, boards slightly rubbed, 8vo, New York, Harcourt, Brace and Company, 1927 (2) £250-£350

64 67 Marquez (Gabriel Garcia) Del Amor y Otros Demonios, later issue, inscribed by the author on halftitle, original pictorial boards, ends of spine little rubbed, 8vo, Colonia del Valle, 1998. £100-£150 68 Masefield (John) Salt-Water Ballads, FIRST EDITION, FIRST ISSUE, bookplate, half title, original blue buckram, gilt lettering, some fading to corners and spine, t.e.g., others untrimmed, endpapers slightly browned, front hinge a little strained, 8vo, Grant Richards, 1902. £150-£200 69 Maugham (William Somerset) Of Human Bondage, FIRST EDITION, bookplate, some staining, original cloth, fading to spine, wear to corners and extremities, inner hinges strained, browning to endpapers, 8vo, William Heinemann, 1915. £150-£200 70 McEwan (Ian) On Chesil Beach, FIRST EDITION, FIRST PRINTING, NUMBER 34 of 50 SIGNED COPIES QUARTER BOUND IN LEATHER AND NUMBERED IN ROMAN NUMERALS, gilt title lettered on spine, blue endpapers, in matching cloth slipcase; with On Chesil Beach, FIRST EDITION, FIRST PRINTING, NUMBER 25 of 100 SIGNED COPIES WITH CLOTH-BACKED PATTERNED PAPER BOARDS, gilt title lettered on spine, blue endpapers, original cloth with slipcase, pristine condition, 8vo, London Review of Books/Jonathan Cape, 2007 (2) ***‘On Chesil Beach’ has been transferred to the movie screen in 2017, adapted by the author and directed by Dominic Cooke. £250-£350 71 Murakami (Haruki) A Wild Sheep Chase, 1989; The Wind-Up Bird Chronicle, 1997; Kafka on The Shore, 2005; 1Q84, 2010, FIRST AMERICAN EDITIONS, original cloth, dust-jackets; and 2 others, 8vo (6) £150-£200

*See inside front cover for information regarding fees

72 Nabokov (Vladimir) Lolita, FIRST EDITION, FIRST ISSUE, 2 vol., original green stiff paper wrappers, lettered in black, printed price of 900 Francs to rear panel of both volumes, Vol. 1: 1cm chip to foot of front panel at spine, some wear to spine edges and ends, small pencilled marking to rear panel, about very good, Vol. 2: some wear to spine edges and ends, small closed tear to rear panel at top of spine, a little bumped and rubbed, about very good, 8vo, Paris, Olympia Press, 1955. ***‘Lolita’, one of the towering literary achievements of the twentieth century and Nabokov’s best-known masterpiece, was turned down by every major American publishing house. It eventually found a home in Paris with Maurice Girodias’s Olympia Press, an imprint far better known for low sleaze than high art. Nabokov was appalled by the company his book was forced to keep on the Olympia list, and he and Girodias conducted a bitter, litigious feud lasting years. During that time Lolita’s reputation grew in direct inverse proportion to its availability. The novel was banned in the UK shortly after publication; the French authorities followed suit at the end of 1956. ‘Lolita’ finally found an American publisher in 1958, whereupon a newspaper asked the great and the good for their opinions. Groucho Marx declared he wasn’t going to read it for six years until Lolita was eighteen. The set conforms exactly to the bibliographical citation in Kearney (1.13.1) with the exception of the presence of a rear blank endpaper in Volume I which is not called for. It’s possible that this is a variant, more likely that the endpaper was simply missed during collation. £800-£1,000

73 Orwell (George) The Road to Wigan Pier, FIRST TRADE EDITION, with the Foreward meant to have been omitted (and only present in some copies), half title, 32 plates, minor spotting to preliminaries, a few annotations in pencil to margins at close of text, illegible owner’s signature dated 1945, later bookplate, typed Edwin Rolfe poem ‘Definition’ tipped in to recto of rear free endpaper, original light blue cloth, spine lettered in gilt, edges faintly spotted, jacket foxed with spine slightly darkened and loss at foot, small label to spine covering price, 8vo, Victor Gollancz, 1937. ***The first edition of this book was the Left Book Club edition (a large edition of 44,150 copies) which was not available to the public. A small number were issued with the Foreward (just a small number of the Left Book Club edition were issued without it). These copies of the trade edition are likely to have been among the first issued. £4,000-£6,000 74 Orwell (George) James Burnham and the Managerial Revolution. FIRST EDITION, slight browning to pages, original orange wrappers, slightly browning to rear cover, Socialist Book Centre, 1946; Coming up for Air, FIRST EDITION, second impression, half title, bookplate, minor spotting in a few places, original light blue cloth, title to spine, cover faded with some discolouration and staining, Victor Gollancz, 1939; The Adelphi, 12 issues, original yellow wrappers, some brown staining, pencil marking on covers, blue fold-over case with gilt lettering on green label, [1931-1940], 8vo (14) £200-£300

75 Proulx (E. Annie) Heart Songs and Other Stories, FIRST EDITION, signed by the author on title-page, original purple cloth, original dust-jacket, ‘not for resale’ stamped to top edge, other edges untrimmed, bookplate to front free endpaper, New York, Charles Scribner’s Sons, 1988; The Shipping News, UNCORRECTED PROOF COPY, signed by the author to title-page, original printed wrappers, bookplate to inside front cover, together with letter from the publisher loosely inserted, New York, Charles Scribner’s Sons, 1993 [1992], 8vo (2) £400-£600 76 Ransome (Arthur) Swallows and Amazons, FIRST EDITION, ownership inscription to half title, frontispiece map, original blue-green cloth with gilt lettering, some fading to cloth, corners slightly rubbed, water stain to lower joint, endpaper maps with faint off-setting, dust-jacket after Stephen Spurrier’s design, 8vo, Jonathan Cape, 1930. ***One of only 2,000 copies in the first edition. £3,000-£4,000 77 Rey (H.A.) Curious George, FIRST EDITION, early issue without the date on titlepage, colour illustrations, original red cloth stamped in black, slightly rubbed at extremities, small stain spots to upper cover, 4to, Boston, Houghton Mifflin Company, 1941. £800-£1,200

78 Roth (Philip) The Anatomy Lesson, 1983; The Counterlife, 1986, First Edition Society editions, signed by the author on fly-leaf, frontispieces, original morocco, gilt, Franklin Centre, Pennsylvania (2) £150-£200 79 Rowling (J.K.) Harry Potter and the Chamber of Secrets, FIRST EDITION, later issue, signed by the author on half-title, original decorated boards, dust-jacket, fine copy, 1998; Postcard of Harry Potter and the Hogwarts Express, image from the cover of Harry Potter and the Philosopher’s Stone, signed by J.K.Rowling, n.d. v.s. (2) ***A letter of provenance accompanies these items signed by J.K.Rowlings PA Fiddy Henderson stating that this book was one of 5 copies of ‘all five Harry Potter books’ donated and signed by J.K. Rowling for a fundraising. £400-£600 80 Rowling (J.K.) Harry Potter and the Goblet of Fire, FIRST EDITION, Omnia issue, signed by the author on dedication page, original pictorial boards, dust-jacket, slight ‘rippled’ at edges with small tear to head of spine, otherwise a good copy, 8vo, 2000. ***Omnia printed a third of all the first editions of this title only, which are, therefore, considered a rarer variant printing. £600-£800

*See inside front cover for information regarding fees

83 Rowling (J.K.) Harry Potter and the Half-Blood Prince, FIRST EDITION, signed by the author on dedication, original pictorial boards, dust-jacket, 8vo, 2005. £600-£800 84 Rowling (J.K.).- Complete set of Harry Potter Deluxe Editions Harry Potter and the Philosopher’s Stone; Harry Potter and the Chamber of Secrets; Harry Potter and the Prisoner of Azkaban; Harry Potter and the Goblet of Fire; Harry Potter and the Order of the Phoenix; Harry Potter and the Half-Blood Prince; Harry Potter and the Deathly Hallows; FIRST DELUXE EDITIONS, publishers cloth with pictorial insert panel, a.e.g., all unopened except the first one, 8vo, 1999-2007 (7) £1,000-£1,500 85 Rubens (Bernice) The Elected Member, FIRST ENGLISH EDITION, FIRST ISSUE, inscription from author on flyleaf, small stain on flyleaf not affecting dedication, publisher’s maroon cloth, original dust-jacket, slightly chipped along front top, spine head and tail chipped, 8vo, Eyre and Spottiswoode, 1969. ***Rubens became the first woman to win the Booker Prize in 1970, for The Elected Member. £300-£400

81 Rowling (J.K.) Harry Potter and the Goblet of Fire, FIRST CANADIAN EDITION, signed by the author on the half title, original decorated boards, dust-jacket, 8vo, Vancouver, Raincoast Books, 2000. ***Together with COA from the Administrative Director of International Readings at Harbourfront, and the pamphlet from the signing event in October 2000, where J.K. Rowling gave a rare reading. £300-£400

86 Rushdie (Salman) The Satanic Verses, FIRST AMERICAN PAPERBACK EDITION, half title inscribed to publisher and signed by the author, marginal toning affecting half title, title and dedication, original printed paper, slightly scuffed and bumped, 8vo, Dover, Consortium, 1992. ***Rushdie is a two time Booker Prize winner, who received many death threats from this controversial work, including a call for his assassination by Ayatollah Ruhollah Khomeini, the Supreme Leader of Iran. The British Government put Rushdie under police protection. £200-£300

82 [Rowling (J.K.)].- Harry Potter’s School Books Quidditch Through the Ages by Kennilworthy Whisp, FIRST EDITION, FIRST PRINTING, original soft cover, small 8vo, 2001; with Fantastic Beasts & Where to Find Them by Newt Scamander, FIRST EDITION, FIRST PRINTING, original soft cover, small 8vo, 2001 (2) ***Paperback originals sold for Comic Relief, with net proceeds going to Harry’s Books Fund to help needy children in the poorest countries in the world. £700-£1,000

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87 Sackville-West (Vita) Poems of East & West, frontispiece, 1917; The Dragon in Shallow Waters, little spotting, Roger Senhouse name on paste-down, 1921; Orchard and Vineyard, 1921; Seducers in Ecuador, paper spine label chipped, 1924; Solitude, dust-jacket frayed, spine browned, 1938, FIRST EDITIONS, original cloth or cloth-backed boards, and 10 others by the same author (15) *** Roger Senhouse (1899-1970) English translator & publisher, member of the Bloomsbury Group. £150-£250 88 Sayers (Dorothy L.) In the Teeth of the Evidence & 16 Other Stories, FIRST EDITION, original black cloth, title lettered in orange on spine, spine of dust-jacket slightly browned and chipped at head, very light soiling and erased writing in pencil on rear panel, 8vo, Victor Gollancz, 1939. £300-£400 89 Sayers (Dorothy L.) The Devil to Pay. A Stage-Play, FIRST EDITION, inscribed by the author, some faint foxing to prelims and final leaves, original blue cloth, spine lettered in gilt and faded with a little soiling, light rubbing to extremities, 8vo, Victor Gollancz, 1939. ***The inscription to the actor Harcourt Williams reads: “To dearest Billy, with more love and gratitude than I can say, Dorothy L. Sayers, Canterbury, 10-17 June 1939 [...] Not in the words/ Is power, but in the faith of him that speaks”. £500-£700

90 Sewell (Anna) Black Beauty: His Grooms and Companions. The Autobiography of a Horse. Translated from the original Equine, FIRST EDITION, engraved frontispiece, 8pp. publisher’s advertisements at end, some overall foxing, text block almost broken between gatherings G and H, original red cloth with gilt and black design [variant of Carter’s B binding], hinges split, extremities worn, preserved in a red morocco folding case, 8vo, Jarrold and Sons [1877] £3,000-£4,000 91 Shaw (George Bernard) Widowers’ Houses, a Comedy...First Acted at the Independent Theatre in London, FIRST EDITION, bookplate of Frank L. Hogan, long inscription by Conan O’Riordan to John Galsworthy on flyleaf, a further inscription by Shaw to E.V. Lucas filling recto and verso of half title, very light overall browning, original blue cloth, gilt lettering, some rubbing to extremities, front hinge cracking, 8vo, preserved in a morocco case by Bennett of N.Y., Henry and Co. 1893. ***The first edition of Shaw’s first play, printed in an edition of no more than 500 copies. O’Riordan writes to Galsworthy to excuse his absence from a fundraising event, offering the book to be sold for the benefit of the Royal Literary Fund instead, and suggesting that it could fetch £50. Galsworthy must have passed it to E.V. Lucas, who sent it to Shaw to ask for valuation. Shaw then replied that it is “quite the rarest of my published first edition...I should suggest a reserve price of fifty millions...The printing, which I designed myself, is alone well worth the money; and the paper is of the best. William Morris taught me to be particular about such things”. £1,500-£2,000

*See inside front cover for information regarding fees

94 Shaw (George Bernard) Saint Joan: a Chronicle Play, ‘Rough Proof - Unpublished’ printed on upper cover, last leaf soiled and frayed, original printed wrappers, spine defective, and lower cover lacking, stitching loosening at either end, Sybil Thorndike’s copy, the upper cover bearing the purple stamp of Lewis Casson, in the original green morocco pull-off case, 8vo, Constable, 1924. Provenance: Shaw created the role of Joan for Sybil Thorndike, which proved to be the zenith of her career, as also of her husband Lewis Casson, who directed the play alongside Shaw. The half title is inscribed by Sybil Thorndike (“This is Sybil Thorndike’s book & anyone who takes it is a liar & a thief & a murderer to boot […] please return as fast as you can!”) and later by Shaw (“Mr T.J. Keely having apparently disregarded this communication and purloined this book, expects the author to endorse the transaction. Accordingly – G. Bernard Shaw 5/4/24”). £800-£1,200

92 Shaw (George Bernard) Mrs. Warren’s Profession: A Play in Four Acts, with 12 photographic illustrations, half title inscribed to Arthur Symons, first leaf (half-title), frontispiece and upper cover loose, original grey printed wrappers, upper cover detached, and frayed, repairs to lower joint, preserved in a cloth chemise and original slipcase, 8vo, Grant Richards, 1902. ***First separate impression, with a new Preface. Originally appeared in 1898 in vol. 1 of ‘Plays Pleasant and Unpleasant’, it was published following the play’s first performance, in January 1902. The inscription reads: “To Arthur Symons, the author of that epigram about Euclid (see pp. xxii & xxiv), from G. Bernard Shaw, 6th June 1902”. £800-£1,200 93 Shaw (George Bernard) Sixteen Self Sketches, FIRST EDITION, PRESENTATION COPY, portrait frontispiece, 23 plates, original red cloth, close tear to spine jacket, head and foot of spine chipped, 1924; The Apple Cart: a Political Extravaganza, FIRST ENGLISH SEPARATE EDITION, inscribed by the author to his friend Charles Rowley on half title (“To Charles Rowley, from Bernard Shaw, 25th. Dec 1930. Still going strong, Charles, I hope. Love to Madonna”), slight foxing to endpapers, leaves untrimmed, original pale green cloth, title on spine, dust-jacket toned with some minor chipping at head of spine and a split along upper joint, 1930; Androcles and the Lion, Overruled, Pygmalion, FIRST ENGLISH EDITION, leaves uncut, original green cloth, gilt spine, corners slightly bumped, 1916; Misalliance, The Dark Lady of the Sonnets, and Fanny’s First Play. With a Treatise on Parents and Children, leaves uncut, original green cloth, gilt spine, corners slightly bumped, light spotting, 8vo, 1914, Constable and Company Ltd.; and one other by the same author (5) £400-£600

95 Signed Modern Fiction.A Collection of Signed Modern Fiction, including Booker Prize Winning Authors: Adichie (Chimamanda Ngozi) Half of a Yellow Sun, FIRST EDITION, NUMBER 245 OF 250 COPIES, title signed by author, green cloth slipcase, 2006; Barnes (Julian) Talking It Over, FIRST EDITION, title signed by author, 1991; England, England, FIRST EDITION, title signed by author, 1998; Carey (Peter) The Tax Inspector, FIRST EDITION, title signed by author, 1991; True History of the Kelly Gang, FIRST EDITION, title signed by author, Australia, 2000; Chevalier (Tracy) Girl with a Pearl Earring, FIRST EDITION, second state dust-jacket, title signed by author, 1999; Desai (Kiran) Hullabaloo in the Guava Orchard, FIRST EDITION, title signed by author, 1998; Keneally (Thomas) The Place at Whitton, FIRST EDITION, title signed and inscribed, 1964; Lessing (Doris) The Grass is Singing, FIRST EDITION, 1950; Murdoch (Iris) The Nice and the Good, fourth impression, flyleaf signed by author for the New Fiction Society, 1969; The Message to the Planet, FIRST EDITION, title signed by author, 1989; Nailpaul (V. S.) The Middle Passage, FIRST EDITION, signed and inscribed by author, 1962; Ondaatje (Michael) Anil’s Ghost, FIRST EDITION, title signed by author, 2000; Divisadero, FIRST EDITION, title signed by author, 2007; Theroux (Paul) Waldo, FIRST EDITION, title signed by author, 1967; with 16 others by the same authors, all in pristine condition, 8vo (31) £600-£800 96 Sillitoe (Alan) The Loneliness of the Long-Distant Runner, FIRST EDITION, original grey-green cloth, lightly rubbed, original decorated dust-jacket, slight foxing and stained internally at head of spine, 8vo, 1959. £200-£300 97 Snow (C.P.) Death Under Sail, FIRST EDITION, inscribed by the author, identified as his hand (unsigned) ‘To Murial with love’ to front free endpaper, light foxing, original black cloth, lettered in red, spine slightly faded, split at head, 1932; Greacen (Robert) The World of C.P. Snow, NUMBER 12 OF 50 COPIES SIGNED BY THE AUTHOR, illustrations, original cloth, dust-jacket, Scorpion Press, 1962, 8vo (2) £200-£300

98 Steinbeck (John) To a God Unknown, FIRST EDITION, FIRST ISSUE, half title, original green cloth, pictorial endpapers, tape repair to lower panel of jacket, light wear, preserved in folding box, 8vo, New York, Robert O. Ballou, 1933. £800-£1,200 99 Stevenson (Robert Louis) Treasure Island, FIRST EDITION, FIRST ISSUE, frontispiece map, publisher’s advert at rear dated 5-R 1083, original green cloth, gilt lettering, front hinge starting to crack, small marks to cloth, corners slightly bumped, some light foxing, housed in a cloth chemise and quarter morocco slipcase, gilt decorated, 8vo, Cassell & Company, 1883. £2,000-£3,000 100 Stevenson (Robert Louis) A Child’s Garden of Verse, FIRST EDITION, original blue cloth, gilt lettering, gathering cracked between pp. 32-33, t.e.g., others uncut, spine slightly faded, corners slightly bumped, slightly worn, [Prideaux 14], small 8vo, Longmans, Green, and Co., 1885. ***First issue of text with no mention of ‘Second Series’ in list ‘by the author’, opposite half-title, second issue of binding with apostropheshaped ‘7’, and ‘OF’ the same size as ‘A’. £400-£600

101 Stevenson (Robert Louis) Strange Case of Dr Jekyll and Mr Hyde, FIRST ENGLISH EDITION, rebound in contemporary dark blue buckram, gilt lettering to spine, slightly rubbed at extremities, lacking adverts, [Prideaux 17] 8vo., Longman, Green & Co., 1886. £400-£600 102 Stevenson (Robert Louis) Kidnapped, Being the Memoirs of the Adventures of David Balfour in the year 1751..., FIRST EDITION, FIRST ISSUE, folding map, original green cloth, gilt, rubbed at extremities, lower joint starting to split, front joint starting to crack, slight foxing, text block starting to lean, [Prideaux 18], Cassell, 1886; Catriona. A Sequel to ‘Kidnapped’, FIRST EDITION, original dark blue cloth, some foxing, slight leaning to text block, Cassell, 1893; The Master of Ballantrae, FIRST EDITION, FIRST PUBLISHING, original pictorial cloth, slightly worn and soiled, ownership inscription to title and front free endpaper, adverts dated July 1889, [Prideaux 27], Cassell, 1889; Underwoods, FIRST EDITION, number 18 of 50 large paper copies, original white cloth, gilt, unopened, other edges untrimmed, slightly soiled, some foxing, armorial bookplate to front paste down, [Prideaux 23], Chatto and Windus, 1887; Ballads, FIRST EDITION, number 84 of 50 copies, white cloth, foxing to cloth and preliminary leaves, New York, Charles Scribner’s Sons, 1890; and 3 other titles by RLS first editions, v.s. (8) £600-£800

*See inside front cover for information regarding fees

106 Twain (Mark, pseud: Samuel Langhorne Clemens) A Connecticut Yankee in King Arthur’s Court, FIRST EDITION, FIRST ISSUE, text illustrations throughout, original pictorial cloth, gilt, inner front hinge cracked making fee endpaper and frontispiece loose, hint of wear at extremities, New York, 1889; The £1,000,000 Bank-Note and Other New Stories, FIRST EDITION, corner of p.201 creased, original pictorial brick red cloth, armorial bookplate to front paste-down, 8vo, Charles L. Webster and Co., 1893 (2) £400-£600 107 Waugh (Evelyn) Vile Bodies, pictorial title page designed by the author, minor spotting to free endpapers, original patterned red and black cloth, spine lettered in gilt, extremities slightly rubbed, 1930; Black Mischief, bookplate, original patterned red and black cloth, spine lettered in gilt, light rubbing to extremities, dust-jacket with light fraying around head, spine a little darkened, minor chipping to corners and soiling, 1932; A Handful of Dust, frontispiece, light foxing to edges, original patterned red and black cloth, git title on spine, 1934; Helena. A Novel, original blue cloth, dust-jacket a little frayed, 8vo, Chapman and Hall, 1956; with four other works, ALL FIRST EDITIONS (8) £800-£1,200

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108 Waugh (Evelyn) Remote People, FIRST EDITION, frontispiece and 6 plates, 2 folding maps, original purple cloth, original green printed dust-jacket, very good, 8vo, Duckworth, 1931. £1,200-£1,500

103 Thatcher (Margaret) The Path to Power, The Downing Street Years, Statecraft. Strategies for a Changing World, FIRST EDITION, FIRST ISSUE, all signed by Thatcher on title page, dust-jackets, 8vo, housed in hand-made box with gilt title, London, Harper Collins, 1993-2002. (3) £300-£400 104 Tolkien (J.R.R.).- [The Lord of The Rings Trilogy] The Fellowship of The Ring, 12th edition; The Two Towers, 2nd edition, The Return of The King, FIRST EDITION, folding map after author’s design printed in red and black at rear of each volume, publisher’s red cloth, spines lettered and stamped in gilt, t.e.r., original pictorial dust-jacket, Return of the King in the second state with reviewer blurbs for the first two titles on the rear flap, some toning to flyleaves, bindings rubbed with some occasional edgewear, dust-jackets soiled, edges worn with short creased tears, jackets for Two Towers quite worn and torn, 8vo, George Allen & Unwin Ltd., 1962, 1955, 1955 (3) £400-£600 105 Tolkien (J.R.R.) Five titles: Farmer Giles of Ham, 2nd impression, colour frontispiece, plate and illustrations by Pauline Baynes, in the original yellow boards with blue decoration and lettering, price clipped dust-jacket, spine slightly browned and chipped, 1957; The Adventures of Tom Bombadil and other Verses from the Red Book, FIRST EDITION, original pictorial boards, tail of spine slightly bumped, dust-jacket slightly chipped, 1962; Smith of Wooton Major, FIRST EDITION, publisher’s boards (without jacket as issued), rubbed, 1967; The Silmarillion, FIRST EDITION, FIRST ISSUE, original blue cloth, title and Tolkien’s device stamped in gilt on spine, top edge blue, dust-jacket, 1977; and Unfinished Tales, second impression, original burgundy cloth, t.e.r., dust-jacket, 8vo, George Allen and Unwin,1980 (6) £300-£400

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109 Waugh (Evelyn) Edmund Campion, FIRST EDITION, NUMBER 46 OF 50 COPIES ‘for private distribution’, signed by the author, bookplate of Maria Teresa & Archibald John Kerr Clark Kerr of Inverchapel, slight spotting to endpapers, fly-leaves and edges, little rubbed and marked, spine and outer part of covers faded, 8vo, Longmans, Green and Co., 1935. ***Archibald Clark Kerr (1882-1951), first and last Baron Inverchapel, diplomatist, and his Chilean wife Maria Teresa, 29 years his junior. In the course of a complex relationship, they were married, separated, divorced (when he was made ambassador in China) and remarried (when appointed to Washington). £1,000-£1,500

113 Wells (H.G.) The War of the Worlds, FIRST EDITION, later impression?, some spotting and soiling in throughout, lacking the 16pp. of ads at end, dated 1897, original grey cloth, titles to spine and upper board lettered in black, rubbed and stained, joints cracking, corners bumped, leaves untrimmed, 8vo, William Heinemann, 1898. £200-£300 114 Wells (H.G.) The Passionate Friends, FIRST EDITION, 1913; The World Set Free, later issue, ownership inscription to flyleaf, 1914; The Research Magnificent, FIRST EDITION, 1915; overall soiling, original blind stamped green cloth and gilt lettering, wear to corners and spines, 8vo, Macmillan and Co.; and two others including duplicate of first (5) £200-£300 115 Wells (H.G.) The Salvaging of Civilization, 1921; Men Like Gods, 1923; Christina Alberta’s Father, 1925; The Autocracy of Mr Parham, 1930; FIRST EDITIONS, original bindings, overall wearing and soiling, and several others by the same, mostly reprints or later issues, v.s. (quantity) £300-£400

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110 Waugh (Evelyn) [Sword of Honour Trilogy]: Men at Arms; Officers and Gentlemen; Unconditional Surrender, 3 vol., FIRST EDITIONS, original blue cloth, t.e.b., dust-jackets with light overall soiling and chipping to spine extremities, tear and fraying to bottom spine of first, 8vo, Chapman & Hall, 1952-61 (3) £200-£300 111 Waugh (Evelyn) [Sword of Honour trilogy]: Men at Arms, some chipping and tears to dust-jacket, some offsetting to endpaper, 1952; Officers and Gentlemen, light offsetting onto endpaper, some soiling to dust-jacket, 1955; Unconditional Surrender, minor creasing to dust-jacket, 1961, ALL FIRST EDITIONS, 8vo, Chapman & Hall (3) £300-£400 112 Wells (H.G.) The Time Machine. An Invention, FIRST ENGLISH EDITION, later issue, publisher’s advertisement for ‘The Pioneer Series’ on verso of half title listing 8 titles, but without the advertisements at the end, foxing to free endpapers, some spotting in throughout, original tan buckram with winged sphinx and lettered in purple, slightly rubbed and rather stained, spine a little discoloured, 8vo, William Heinemann, 1895; with a copy of the same work (2) ***There is no consensus among bibliographers as to whether copies without the advertisements at the end take precedence over those that contain them. [Currey pp. 524-5; Wells Society 4: “The earliest known work of science fiction to be based on the idea of time travel”]. £400-£600

116 Wells (H.G.) The Outlook for Homo Sapiens, FIRST EDITION, inscribed by the author “To Margarita Aliger, with the greetings and best wishes possible, from H. G. Wells New Year, 1944”, some foxing throughout, original grey cloth, overall soiling, corners bumped, 8vo, Secker and Warburg, 1942. ***Margarita Aliger (1915-1992) was a Russian poet, translator and journalist. £300-£400 117 Wells (H.G.) A Collection of nine titles, all FIRST EDITIONS, including: The Wheels of Chance. A Holiday Adventure, FIRST ISSUE, 40 illustrations by J. Ayton Symington, 10 pages of advertisements at end, illustrated frontispiece, title in black and red, ownership inscription, foxing to endpapers, some spotting in throughout, original red cloth, title lettered in gilt on spine and gilt device on front cover, stained and soiled, t.e.g., others uncut, J. M. Dent and Co., 1896; Tono-Bungay, second issue, free endpapers toned, occasional spotting, original green blind stamped cloth, gilt title to spine and front cover, spine and edges discoloured, extremities spine tips rubbed, t.e.g., others uncut, Macmillan and Co., 1909; The Croquet Player. A Story, light soiling, original patterned grey cloth, dust-jacket frayed, 1936; The Brothers. A Story, some spotting, orange cloth, dust-jacket chipped and toned, Chatto & Windus, 1938; The New World Order, some toning and foxing to free endpapers, grey cloth, title lettered in red on spine, stained, corners and spine tips bumped, dust-jacket torn with loss at head of spine, with some creasing and a few repairs, light soiling, t.e.r., Secker and Warburg, 1940; with four others and some duplicates of the same works (14) £300-£400 118 Welsh (Irvine) Ecstacy, 1996; Filth, 1998; Glue, 2001; Porno, 2002, FIRST EDITIONS, original boards with dust-jackets, excellent condition, 8vo; and 4 others by the same author, including some paperback duplicates (8) £200-£300

*See inside front cover for information regarding fees

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119 White (E.B.) Stuart Little, FIRST EDITION, FIRST PRINTING, (10-5 and I-U), illustrations by Garath Williams, original decorated dust-jacket, first state dust-jacket showing original price of $2.00, slight toning to jacket and slight chipping to tail of spine, very good, 8vo, New York, Harper & Brothers, 1945. £300-£400

121A Wilde (Oscar) The Sphinx, original light green boards, dust-jacket, with designs by Charles Ricketts, top edge trimmed, others uncut, slight toning to jacket and slight foxing in places, square 8vo, The Bodley Head, 1918. ***Reprint of Mason 363. £150-£200

120 Wilde (Oscar) Lady Windermere’s Fan, FIRST EDITION, one of 50 large paper copies, original decorated buckram, top edges unopened, others uncut, spine darkened, slight rubbing to extremities, new free endpapers, 4to, E. Mathews and J. Lane, 1893. £1,000-£1,200 121 Wilde (Oscar) A Woman of No Importance, FIRST EDITION, one of 50 large paper copies, original decorated buckram, top edges unopened, others uncut, spine darkened, slight rubbing to extremities, some browning to endpapers, all as usual, [Mason 365], 4to, John Lane, 1894. £1,200-£1,500

122 Williamson (Henry) The Chronicle of Ancient Sunlight, 15 vol., complete set, comprising: The Dark Lantern, 1951; Donkey Boy, 1952; Young Phillip Maddison, 1953; How Dear Is Life, 1954; A Fox Under My Cloak, 1955; The Golden Virgin, 1957; Love and the Loveless, 1958; A Test to Destruction, 1960; The Innocent Moon, 1961; It was the Nightingale, 1962; The Power of the Dead, 1963; The Phoenix Generation, 1965; A Solitary War, 1966; Lucifer before Sunrise, 1967; The Gale of the World, 1969, ALL FIRST EDITIONS, original cloth or boards, dust-jackets, some frayed or chipped, The Dark Lantern with tears to head and foot of spine, a decent set (8vo) £200-£300

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123 Wodehouse (P.G.) The Pothunters, FIRST EDITION, frontispiece and 9 full-page illustrations by R. Noel Pocock, original cloth, decorated in silver, slight rubbing to extremities, small stain running down rear joint and across spine, minor foxing, [McIlvaine, A1a] 8vo, A. and C. Black, 1902. ***Wodehouse’s first novel. £1,000-£1,500 124 Wodehouse (P.G.) The White Feather, FIRST EDITION, bookplate, frontispiece and additional 11 full-page illustrations by W. Townend, original pictorial cloth, very lightly rubbed to extremities, slight foxing throughout, ownership inscription to front free endpaper, very good, [McIlvane, A8a], 8vo, 1907. £1,000-£1,500 125 Wodehouse (P.G.) Mulliner Nights, FIRST EDITION, original cloth, fading to extreme spine ends, otherwise fine, dust-jacket with correct advertisements, chipped at spine ends, corners and top-edge of lower panel with slight loss, split to lower fore-corner of upper panel, some minor edge-wear and small closed tears, Herbert Jenkins, 1933; and two others (3) £250-£350 126 Wodehouse (P.G.) Blandings Castle and Elsewhere, FIRST EDITION, FIRST ISSUE, cloth spine sunned, jacket with correct advertisements, a few minor closed tears, Herbert Jenkins, 1935; Lord Emsworth and Others, FIRST EDITION, loss to foot of spine, some small abrasions, original cloth, dustjackets, [McIlvaine A53a, cf. A50, A57a4], Herbert Jenkins, 1938; and two other Blandings, 8vo (4) £400-£600

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127 Wodehouse (P.G.) Laughing Gas, FIRST EDITION, offsetting and ownership note on front free end paper, publishers orange cloth, original dust-jacket, chipped at corners and spine head and tail, spine faded, 8vo, New York, The Sun Dial Press, 1935; Young Men in Spats, FIRST EDITION, offsetting and ownership note on front free end paper, publishers orange cloth, edges rubbed, dustjacket, tears at the head, without loss, spine faded, Herbert Jenkins, 1936; Bring on the Girls, FIRST EDITION, text photographs, publishers maroon cloth, original dust-jacket, creased and chipped, small tears on spine head and tail, 8vo, Herbert Jenkins, 1954; with 40 other Wodehouse novels (quantity) £400-£600 128 Wodehouse (P.G.) Right Ho, Jeeves, FIRST ENGLISH EDITION, ownership inscription on front free end paper, slight toning, shelf lean, publishers grey cloth, red stamped title on boards, original dust-jacket, chipped, creased and torn without loss, 8vo, Herbert Jenkins, 1934; The Code of the Woosters, FIRST ENGLISH EDITION, ownership inscription on front free end paper, slight browning, shelf lean, publisher’s grey cloth, slight staining, original dustjacket, scraped, creased and some tears with loss, 8vo, Wyman and Sons, 1938; Joy in the Morning, FIRST AMERICAN EDITION, ownership inscription to front free end paper, text illustrations by Paul Galdone, offsetting from dust-jacket on front free end paper, publisher’s grey cloth, corners bumped, original dust-jacket, spine slightly faded, 8vo, New York, Doubleday and Company, 1946; Mating Season, FIRST AMERICAN EDITION, ownership note on front free endpaper, publishers orange cloth, original dust-jacket, small creases, spine head and tail chipped, 8vo, Herbert Jenkins, [1949]; Ring for Jeeves, FIRST ENGLISH EDITION, ownership inscription on front free end paper, Herbert Jenkins, 1953; and other six Wodehouse (11) £400-£600

*See inside front cover for information regarding fees

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129 Wodehouse (P.G.) Laughing Gas, FIRST EDITION, signed by author on title, publishers cloth, embossed with author signature, lacking dust-jacket, slight staining, 8vo, 1959; Uncle Dynamite, FIRST EDITION, FIRST PRINTING, foxing restricted to preliminaries, title and last text leaf, publisher’s orange cloth, spine slightly bleached, dust-jacket, lacking half of spine, severe tear across centre front without loss, chipping, tear to bottom verso with loss, staining, 8vo, 1948; Spring Fever, FIRST EDITION, FIRST PRINTING, ownership note on flyleaf, publishers orange cloth, lacking dustjacket, spine bleached, boards stained and rubbed, slight shelf lean, 8vo, 1948; Mating Season, FIRST EDITION, FIRST PRINTING, ownership note on flyleaf, publisher’s orange cloth, lacking dust-jacket, spine bleached, slight shelf lean, 1949; The Old Reliable, FIRST EDITION, FIRST PRINTING, ownership note on flyleaf, publishers red cloth, spine head and tale frayed, 8vo, 1950; Barmy in Wonderland, FIRST EDITION, ownership not on flyleaf, publishers red cloth, lacking dust-jacket 8vo, 1952; and 9 other first editions by the same author (15) £200-£300 130 Wodehouse (P.G.) Novels, 41 vol., many in the original paper printed wrappers, a few in contemporary cloth bindings, some a little worn, all presented in plastic and card chemises, Tauchnitz Edition, Leipzig & Paris, 1925-1954, v.s. (41) ***Wodehouse (P.G.) Tauchnitz Editions;- Bill the Conqueror, 1925; Carry On, Jeeves, 1925; Love Amongst the Chickens, 1926: Sam the Sudden, 1927; The Heart of a Goof, 1926; Psmith, Journalist, 1927; The Small Bachelor, 1928; A Damsel in Distress, 1928; The Adventures of Sally, 1928; Meet Mr. Mulliner, 1929; Indiscretions of Archie, 1929; Ukridge, 1929; Piccadilly Jim, 1929; Mr. Mulliner Speaking, n.d; Very Good, Jeeves, 1931; Summer Lightening, 1934; Big Money, n.d; Louder and Funnier, 1932; If I Were You, 1933; Jill the Reckless, 1933; Hot Water, 1933; The Girl on the Boat, 1933; The Clicking of Cuthbert, 1933; Something Fresh, 1933; The Little Nugget, 1934; The Inimitable Jeeves, 1935; The Man With Two Left Feet, 1935; Money for Nothing, 1935; Mulliner Nights, 1935; The Coming of Bill, 1936; Blandings Castle, 1936; Young Man in Spats, 1937; Laughing Gas, 1937; Lord Emsworth and Others, 1938; Summer Moonshine, 1938; The Code of the Woosters, 1938; Money in the Bank, 1949; The Mating Season, 1952 and Ring for Jeeves, 1954. £800-£1,200

131 Wolfe (Thomas) From Death to Morning, publisher’s brown cloth, original dust-jacket, spine head and tail repaired, crease on verso, New York, Charles Scribner’s Sons, 1935; Murdoch (Iris) The Bell, bookplate, little foxing on preliminaries, publisher’s green boards, original dust-jacket, light foxing and staining, spine toned, Chatto & Windus, 1958; Greene (Graham) A Burnt-Out Case, bookplate, publisher’s blue cloth, original dust-jacket, slightly rubbed and stained, William Heinemann, 1961; The Comedians, bookplate, publisher’s green cloth, original dust-jacket, spine and head slightly toned, corners chipped, small tears without loss on recto, The Bodley Head, 1966; Baldwin (James) Tell Me How Long the Train’s Been Gone, bookplate, ownership note on pastedown head, publisher’s cream cloth, slight toning at head, dust-jacket, slightly toned, New York, The Dial Press, 1968; Powell (Anthony) Temporary Kings, pen ownership note and bookplate on front free end paper, publisher’s red cloth, dust-jacket, spine slightly toned, inside price clipped, William Heinemann, 1973; Hearing Secret Harmonies, pen ownership note and bookplate on front free end paper, William Heinmann, 1975; ALL FIRST EDITIONS, 8vo; with others, first editions (small quantity) £300-£400 132 Wyndham (John) The Day of the Triffids, FIRST EDITION, original cloth, dust-jacket, price clipped, rubbed at extremities with some loss, paper tape repairs to interior of jacket at head and tail of spine, small ink booksellers stamp to front paste-down, 8vo, Michael Joseph, 1951. £400-£600

Illustrated Books & Works on Paper

133 Braque (Georges) Poisson, NUMBERED 298/300 on lower left, etching with aquatint printed in colours, on wove paper, signed in pencil lower right, with full margins, 350 x 450mm., [Maeght 1001; Vallier p.292], Editions Maeght, Paris, [c.1956]. £600-£800

134 134 ARR Capa (Robert) Omaha Beach D-Day, June 6th, 1944, gelatine silver print, printed under the direct supervision of Cornell Capa, 40 x 50.5cm. £3,000-£5,000

136 136 ARR Riboud (Marc) ‘Province Kwangsi South 1957’, silver print, stamp, pencil and pen annotations on verso, 290 x 195mm, 1957. £1,500-£2,000

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135 135 ARR Cartier-Bresson (Henri) ‘Loudres – Pilgrims Assemble’, silver print, stamps and annotations on verso, very slight scratch, 170 x 240mm, 1950. £2,000-£3,000

137 Sudek (Josef) ‘Le Pont Charles’, silver print, inscribed on verso, translated from original Czech “Greeting, it was great to see you, all the best!”, signed by the photographer “J. Sudek”, 115 x 165mm, 14th September, 1966. £2,000-£3,000

139

138 Beauclair (R., Editor) & Gradl (M.I., Editor) Documents D’Architecture-Moderne Ensembles et Details, Formes, Materiaux, Couleurs. 4e Annee, 23 vol., 145 mostly colour plates, some tipped in, No. 1 – 12 with all but no.12 duplicated, green paper cover, some detached, folio, Paris, H. Laurens, 1905 (small quantity) £300-£400 139 Carroll (Lewis) Alice’s Adventures in Wonderland, with Forty-Two Illustrations by John Tenniel, 1866; Through the Looking Glass and What Alice Found There, with Fifty Illustrations by John Tenniel, 1872; FIRST EDITIONS, original red cloth gilt, both vol., rebacked preserving original spine, light spotting, gilt edges, ownership inscription dated 1870 to half title of vol. 1, occasional soiling throughout, vol. 1 in a slipcase, R.Clay and Son for Macmillan and Co. (2) £4,000-£6,000

140 140 Carroll, Lewis [Dodgson, Charles Lutwidge] The Nursery Alice, FIRST EDITION, inscribed ‘Marie Van de Gucht, with the Author’s love. Mar. 25. 1890’ on the half-title, to the dedicatee, printed in brown throughout, illustrations in colour by John Tenniel, original cloth-backed pictorial glazed boards, foxing to title-page and frontispiece, end-papers slightly browned, slightly rubbed and soiled, spine frayed at head and tail, 1890. ***Dodgson first met Maria on July 24th, 1885. On July 29th, 1885 Dodgson asked her if she would like to accompany him to Eastbourne. She initially said ‘yes’ with her mother’s consent, but she lost courage. On April 10th, 1886 Dodgson took her to see The Mikado at the Savoy Theatre and also spent time together in Eastbourne and Guildford. The only other known dedication copies of this book being the Liddell/Hargreave copy, and another copy sold at Sotheby’s July 2012. The printed dedication is hidden in the dedicatory verse ‘A Nursery Darling’ using the second letters of each line to spell out the name Marie Van der Gutch. £8,000-£10,000

*See inside front cover for information regarding fees

141 141 Carroll (Lewis) [Dodgson, Charles Lutwidge] The Nursery Alice, SECOND (FIRST PUBLISHED) EDITION, FIRST ISSUE, ONE OF 100 PRESENTATION COPIES, ‘For Nina, from the Author. Mar. 25, 1890’ on half-title, illustrations in colour by John Tenniel, original decorated glazed boards, cloth spine, carefully repaired, slightly soiled, edges and corners rubbed, 4to, 1890. ***Inscribed in Carroll’s usual purple ink. Nina was Nina “Ninty” Eschwege. She eventually married Herbert Haviland Field, an American zoologist in 1903 - two of their children gained notoriety for their participation in communist espionage activity. £4,000-£6,000 142 Children’s books.- Stevenson (Robert Louis) Treasure Island, NUMBER 96 OF 250 COPIES, 12 colour plates by John Cameron, captioned tissue guards, tail-pieces, original pictorial cloth, gilt, t.e.g., others uncut, Cassell, 1911; Carroll (Lewis) Alice’s Adventures in Wonderland; Through the Looking-Glass, together 2 vol., colour illustrations by Tenniel, cloth-backed patterned boards, illustration on front covers, New York, Random House, 8vo, 1946 (3) £100-£150 143 Collection of silk ‘handkerchiefs’ 3 handkerchiefs with images after Kathleen Ainslee of Sarah Jane Golfing, Weg and Golliwog Fighting, Meg and Weg another 6 after Kate Greenaway with another 5 comical ‘black’ cartoons, together with 12 images of views of Japan, most fringed at edges, some slight staining, various sizes, 100 x 700mm to 140 x 140mm, n.p., n.d. (26) £150-£200

144

146 Dulac (Edmund) & Quiller-Couch (Sir Arthur) The Sleeping Beauty and other Fairy Tales, 30 tipped-in colour plates, guards, Staunton Hill bookplate, original red morocco, gilt, slightly rubbed, 4to, Hodder and Stoughton, [1910]. £400-£600 147 Dulac (Edmund) & Housman (Laurence) Princess Badoura, a Tale from the Arabian Nights, 10 tipped-in colour plates, captioned guards, Staunton Hill bookplate, original white cloth, decorated in gold and green, very slightly rubbed and marked, 4to, Hodder and Stoughton, [c. 1913]. £400-£600 148 Dulac (Edmund) Sinbad the Sailor and other Stories from the Arabian Nights, 23 tipped-in colour plates, captioned tissue guards, text in decorative borders, Staunton Hill bookplate, original brown cloth, decorated in gold and blue, corners little bumped, 4to, Hodder and Stoughton, [1914]. £500-£700

144 Dahl (Roald) Charlie and the Chocolate Factory, Illustrated by Joseph Schindelman, FIRST EDITION, FIRST ISSUE, original blind-stamped red cloth, bookplate tipped in to flyleaf, some fading to dust-jacket, very short closed tear, publisher’s sticker at rear, 8vo, New York, Knopf, 1964. ***Published three years before the first English edition, the first issue is identifiable by the 6 lines (rather than 5 in the second issue) of publishing information on the colophon page. £2,000-£3,000 145 No Lot

149 Dumas (Alexandre) Œuvres de Alexandre Dumas; Les Trois Mousquetaires, ONE OF 100 COPIES, 2 vol., engraved frontispieces, text illustrations, 13 plates, device on title, contemporary full calf, boards gilt with extensive floral border, spine gilt with fleurons, vol. 1. slightly bowed and rubbed, marbled endpapers, 8vo, Paris, Louis Conard, 1922; with Les Trois Mousquetaires avec une Letter d’Alexandre Dumas, 2 vol., engraved titles in red and black, additional titles with engraved device, text engravings, 1 engraved plate, pencil ownership note on frontispiece recto, occasional light foxing and staining, contemporary half red morocco, marbled boards, elaborate spine gilt with green and tan leather panelling, hinges rubbed, boards slightly bumped, marbled endpapers, 4to, Paris, Calmann Levy, 1894 (4) £300-£400 150 Erotica A collection of 73 bookplates, 50 erotic, some signed and limited by Frank Petersen, Evald Okas, Raymond Prévost, C. Costanini, and others, black, white and coloured, French, Hungarian, Italian, n.d. v.s. (73) £200-£300 151 Geisel (Theodore, pseud. Dr Seuss) The Cat in the Hat, FIRST EDITION, FIRST ISSUE, signed by the author on bookplate to verso of title, illustrations by the author, original pictorial boards, rubbed at extremities, original pictorial dust-jacket, first issue identified by the price code (200/200) on front flap, creasing and small closed tears to edges and corners, chipping to head and tail, New York, Random House, 1957; The Cat in the Hat Comes Back, FIRST EDITION, illustrations by the author, original pictorial boards, original dust-jacket, small closed tear to rear upper edge, New York, Random House, 1958, 8vo (2) £1,200-£1,500 151A Illustrated Limited Editions.- Cocteau (Jean) Le Coq Et L’Arlequin, 1 OF 55 COPIES, text illustrations by P. Picasso, publisher’s paper wrapper, corner chipped, spine head and hinge worn, staining, small 8vo, Paris Editions de la Sirène, 1918; Giraudoux (Jean) Hélène & Touglas, ou Les Joies de Paris. Nouvelle, NUMBER 383 OF 1000 COPIES, half title, engraved frontispiece, plate and 3 text illustrations, tissue guards, inscription on flyleaf to Dutch publisher Alexandre Stols by L. van Boquert, light marginal toning, original blue wrapper, spine and edges bleached, small 8vo, Paris, Au Sans Pareil, 1925; Carew (Thomas) & Laboureur (Jean Emile, Engraver) A Rapture, NUMBER 155 OF 375 COPIES, second preliminary blind stamp, engraved frontispiece and plate by J.E. Labourer, publishers batik boards, original dust-jacket, some chipping and small tears, spine toned, staining, 8vo, The Golden Cockerel Press, 1927; Gascoyne (David) Poems 19371942, FIRST ILLUSTRATED EDITION, illustrated title, 5 chrome lithograph plates by Graham Sutherland, cloth backed picture boards, edges rubbed, original dust-jacket, chipped and torn, spine perished, cloth exposed, 8vo, Editions Poetry London, 1943; Wilde (Oscar) Salomé, NUMBER 77 OF 285 COPIES, lithograph title and half title, additional title in red and black, 16 lithograph plates by Aubrey Beardsley, last few text leaves browned, blue leather, pages uncut, 4to, Paris, Paris & Londres, 1920; Tatius (Achilles) & Burton (William, Translator) The Loves of Clitophon and Leucippe, NUMBER 6 OF 394 COPIES, title in red and black, original illustration on title, by John Buckland-Wright, occasional light spotting, brown leather, 4to, New York: Bernard Guilbert Guerney, 1923; Verhaeren (Émile) Les Heures D’Après-Midi, NUMBER 239 OF 270 COPIES, coloured text wood-cuts, text leaves loose, original paper dust wrapper and jacket, featuring title, in original pictorial slipcase, jacket toned and stained, slipcase torn with one board loose, 4to, Bruxelles, À l’Enseigne du Framboisier, 1923 (7) £500-£700

151 152 Johnson (Samuel) Rasselas, large-paper copy, half-title, head-piece and 4 plates, engraved by A. Raimbach after R.Smirke, W. Miller, 1805 bound with Proofs and Etchings, from Pictures, painted by Robert Smirke, R.A. and engraved by A Raimbach...from the Rasselas, head-piece and 4 plates, each in two states, on India paper, Savage & Easingwood, 1805, in one vol., some spotting and light offsetting, contemporary red half morocco, gilt, rubbed and marked, t.e.g., others uncut, large 4to. ***Rare large-paper copy, together with the extra suites of the illustrations issued in the same year. The ‘Advertisment’ is attributed to Sir Walter Scott. £400-£600 153 Le Guin (Ursula K) & Robbins (Ruth, Illustrator) A Wizard of Earthsea, FIRST EDITION, ex-library, stock number on bottom of dedication and p. 51, paper residue, stamps and book plate on paste down and flyleaf, publisher’s green cloth, lettered and stamped in black, original dust-jacket, location sticker on spine, spine bleached, slight chipping and small stain on spine tail, corner clipped from front flap, reads “Library Edition $3.90”, 8vo, California, Parnassus Press, 1968; with two other copies of the same work, also ex-library (3) £400-£600

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*See inside front cover for information regarding fees

154

154 Milne (A.A.).- A Complete Set of Winnie the Pooh Books When We Were Young. With Decorations by Ernest H. Shepard, FIRST EDITION, second issue, bookplate, original blue cloth with Shepard illustrations stamped in gilt to both boards, single fillet border to upper board, spine lettered in gilt, with slight bumping, t.e.g, some browning to endpapers, dust-jacket lightly soiled with minor chipping and creasing to spine, 1924; Winnie the Pooh. With Decorations by Ernest H. Shepard, FIRST EDITION, original dark green cloth, bookplate, upper board stamped in gilt with Shepard’s vignette and single fillet border, spine gilt, t.e.g., endpapers map by E. H. Shepard, dust-jacket a little creased at head of spine, with the publisher’s original prospectus for the book, a single folded sheet printed in black and red, loosely inserted, 1926; Now We Are Six. With Decorations by Ernest H. Shepard, FIRST EDITION, bookplate, original burgundy cloth with Shepard’s vignettes stamped in gilt, t.e.g., pink illustrated endpapers, dust-jacket with slight toning of spine, 1927; and The House at Pooh Corner. With Decorations by Ernest H. Shepard, FIRST EDITION, bookplate, occasional spotting, original pink cloth with Shepard’s vignette in gilt, t.e.g., pink illustrated endpapers with a little browning, dustjacket with some chipping at corners and spine ends, minor water stain and soiling, 8vo, Methuen, 1928 (4) £2,500-£3,500 155 Potter (Beatrix) The Tale of Peter Rabbit, FIRST EDITION, FIRST PRINTING, limited to 250 copies, colour frontispiece and black and white illustrations, some light ink staining, occasional added watercolour to some illustrations, original boards, recased and rebacked, professional restoration to hinge and frontispiece re-inserted, ownership signature dated ‘Xmas 1901’, 16mo [Privately printed, 1901]; The Tale of Peter Rabbit, FIRST PUBLISHED EDITION, half-title, colour frontispiece and illustrations throughout, crease to one leaf, original board, recased and rebacked, signature dated ‘1908’, 16mo, Frederick Warne, 1902 (2) ***Having experienced rejection from at least six publishers, Potter decided to issue ‘The Tale of Peter Rabbit’ herself in 1901 and ordered 250 copies. These were ready during December 1901 and success was so great that Potter ordered a further 200 copies in February 1902. The publisher Frederick Warne then expresses interest and commercial publication followed in October 1902. £12,000-£15,000

155

156 Potter (Beatrix) The Tale of Squirrel Nutkin, FIRST EDITION, first or second printing, 27 full-page colour illustrations by the author, original dark blue boards, circular inlaid colour illustration, some fading to spine, pictorial endpapers with inscription dated ‘Xmas 1903’, 16mo, Frederick Warne, 1903. £200-£300 157 Potter (Beatrix) The Tale of Two Bad Mice, FIRST EDITION, FIRST PRINTING, ownership inscription to half title, 27 colour full-page illustrations, original red boards with colour illustration inlaid, pictorial endpapers, small scattering of ink spots, corners slightly worn, 16mo, Frederick Warne, 1904. £300-£400 158 Potter (Beatrix) The Tale of Benjamin Bunny, FIRST EDITION (the first two impressions are identical, with the word ‘muffetees’ on page 15 incorrectly spelt ‘muffatees’), 26 full-page colour illustrations by the author, original boards with oval illustration inlaid, minor soiling, pictorial endpapers with inscription dated ‘Xmas 1904’, 16mo, Frederick Warne, 1904. £400-£600

161

159 Potter (Beatrix) The Pie and the Patty-Pan, FIRST EDITION, bookplates, half-title, 10 full-page colour illustrations and numerous others throughout, stitching strained, some overall foxing, original maroon boards, small circular colour printed label inlaid, mottled lavender endpapers with some browning, cracks in joints and spine a little defective at foot, corners a little worn, 8vo, Frederick Warne, 1905; Ginger & Pickles, FIRST EDITION, half-title with inscription, 10 full page colour illustrations and numerous black and white line drawings throughout, original green boards, some wear, small 4to, Frederick Warne, 1909 (2) £400-£600 160 Potter (Beatrix) The Tale of Mr Jeremy Fisher, FIRST EDITION, gift inscription to half title, 27 colour full-page illustrations, original green boards with colour illustration inlaid, light foxing to top edge, corners slightly worn, pictorial endpapers, 16mo, Frederick Warne, 1906. £350-£450 161 Potter (Beatrix) The Story of a Fierce Bad Rabbit, FIRST EDITION, FIRST PRINTING, pages mounted on linen and folded concertina-style, occasional creasing, mounted within folding green cloth wallet with silver tab, some rubbing, mottled lilac endpapers, 32mo, Frederick Warne, 1906. ***A nice copy of a rather fragile book, with the often missing tab present. £600-£800 162 Potter (Beatrix) The Story of Miss Moppet, FIRST EDITION, FIRST PRINTING, pages mounted on linen and folded concertina-style, occasional creasing, mounted within folding light blue cloth wallet with silver tab, slot-flap missing, some rubbing to extremities, mottled lilac end papers, 32mo, Frederick Warne, 1906. £500-£700

163

163 Potter (Beatrix) The Tale of Tom Kitten, FIRST EDITION (the first three impressions are identical), half title, 26 colour full-page illustrations and a title vignette by the author, original grey-green boards with colour illustration inlaid, light foxing to edges, corners slightly worn, pictorial endpapers, original printed tissue dust-jacket a little frayed and with 1cm chip at head, 16mo, Frederick Warne, 1907. £1,200-£1,500 164 Potter (Beatrix) The Tale of Jemima Puddle Duck, FIRST EDITION, vignette to title page, colour frontispiece and 26 further colour illustrations all by the author, original green boards with onlaid colour printed illustration, spine 1cm defective at head, minor wear, 16mo, Frederick Warne, 1908. £400-£600 165 Potter (Beatrix) The Roly-Poly Pudding, FIRST EDITION, second issue, colour printed title page and frontispiece, with 17 full-page colour printed illustrations, light toning, original red cloth with square illustration, inscription to flyleaf, 8vo, Frederick Warne, 1908. £200-£300 166 Potter (Beatrix) The Tale of The Flopsy Bunnies, FIRST EDITION, half title, 27 colour full-page illustrations, very light creasing, original green boards with colour illustration inlaid, spine faded, pictorial endpapers, 16mo, Frederick Warne, 1909. £200-£300

*See inside front cover for information regarding fees

167 Potter (Beatrix) The Tale of Mrs Tittlemouse, FIRST EDITION, FIRST PRINTING, inscription to half title, 27 colour full-page illustrations, stitching a bit weak, original blue boards with colour illustration inlaid, some fading to spine, pictorial endpapers, 16mo, Frederick Warne, 1910. ***The half title is inscribed by the author’s father “Harriette A. Simpson from Rupert Potter, Sep. 1, 1910”. £250-£350 168 Potter (Beatrix) The Tale of Timmy Tiptoes, FIRST EDITION, 27 full -page colour printed illustrations and a title-vignette, original green boards with inlaid colour illustration, pictorial endpapers, short split at top of lower joint, 16mo, Frederick Warne, 1911. £200-£300 169 Potter (Beatrix) The Tale of Mr Tod, FIRST EDITION, first or second printing, 15 full page colour printed illustrations and numerous black and white line drawings throughout, original grey boards with inlaid colour illustration, pictorial endpapers, spine slightly tanned, 16mo, Frederick Warne, 1912. £200-£300 170 Potter (Beatrix) The Tale of Samuel Whiskers or The Roly-Poly Pudding, FIRST EDITION, frontispiece and 17 colour illustrations, original red boards with inlaid colour illustration, lettering to spine a bit rubbed, illustrated endpapers, 16mo, Frederick Warne [1926]; The Tale of Pigling Bland, FIRST EDITION, half title, 15 full-page illustrations in colour and black and white line drawings throughout, some overall spotting, original dark pink boards with inlaid illustration, some fading, pictorial endpapers, 16mo, Frederick Warne, 1913 (2) £250-£350 171 Potter (Beatrix) The Tale of Johnny Town-Mouse, FIRST EDITION, FIRST ISSUE, ownership inscription to half title, colour illustrations throughout, original light green boards with inlaid colour illustration, pictorial endpapers, some fading, with clipped signature of the author (‘Beatrix Heelis’) loosely inserted, 16mo, Frederick Warne, [1918]. £500-£700 172 Potter (Beatrix) Cecily Parsley’s Nursery Rhymes, FIRST EDITION, half-title, 15 colour illustrations by the author, light soiling throughout, original red boards with colour illustration inlaid, fading to spine, light dust soiling to top edge, pictorial endpapers, 16mo, Frederick Warne, [1922]; The Fairy Caravan, FIRST EDITION, 6 colour illustrations and numerous others, occasional light handling marks, original green cloth, minor rubbing, cracking to front hinge, 8vo, Philadelphia, David McKay, 1929 (2) £300-£400 173 Potter (Beatrix) The Tale of Little Pig Robinson, FIRST EDITION, colour frontispiece, 5 colour plates and 22 further full-page illustrations, original blue cloth, illustrated endpapers, dust-jacket with pictorial onlay, 8vo, Frederick Warne, 1930. £250-£350

174 Pushkin (Alexander) & Schiffrin (J., Translator) Boris Godounov. Illustrations by Vassili Choukhaeff, NO 236 OF 430 COPIES on Rives by Blanchet Frères et Klèber, signed by the publisher, half title, 18 colour plates, including frontispiece, vividly stencilled with small gouache or gold highlights, tissue guards, light foxing, original publisher’s pictorial paper wrappers, leaves uncut, bound in red morocco, front cover with relief decorations, in the matching half morocco slipcase, 4to, Paris, The Pléiade, 1925. ***Pushkin’s first play, finely printed and illustrated by Choukhaeff, is of interest in the history of Russian art (Fekula, Catalog, vol.II, p.110). £400-£600 175 Rackham (Arthur, Illustrator) Barrie (J.M.) Peter Pan in Kensington Gardens, FIRST TRADE EDITION, 50 colour plates mounted on card by Arthur Rackham, original russet cloth, git decorated, worn at extremities, bookplate to front paste-down, Hodder & Stoughton, 1906; Lear (Edward) More Nonsense, Pictures Rhymes, Botany, etc. FIRST EDITION, 138 lithographic plates, slight foxing, original cloth-backed decorated paper boards, light rubbing and some chipping to edges, small damp stain upper edge of lower board, foxing to endpaper, bookplate to front free endpaper, R. J. Bush, 1872; [Greenaway (Kate)] Browning (Robert) The Pied Piper, FIRST EDITION, FIRST ISSUE, illustrations by Kate Greenaway, original pictorial boards, slightly rubbed, inscription to title-page, bookplate to front paste-down, George Routledge and Sons, [1888]; [Hardy (Florence) Ills.] Bigham (Clifton) Magic Moments, FIRST EDITION, 7 movable chromolithograph illustrations, some slight wear, original pictorial covers, rubbed at edges, London & New York, E. P. Nister, [c.1900], v.s. (4) £400-£600 176 Rackham (Arthur, Illustrator) Barrie (J.M.) Peter Pan in Kensington Gardens, 50 tipped-in colour plates, captioned tissue guards, text illustrations, little spotting, original decorated cloth, gilt, little rubbed, front hinge cracked, n.d.; Stevenson (Robert Louis) Treasure Island, 12 colour plates, text-illustrations by Edmund Dulac, original cloth, faded and little rubbed, Ernest Benn, 1927; Stawell (Mrs Rodolph) & Detmold (E. J., Illustrator) Fabre’s Book of Insects, 12 tipped-in colour plates, captioned tissue guards, original decorated cloth, gilt, New York, Tudor Publishing Company, 4to, 1936 (3) £200-£300 177 Sansom (William) & Freud (Lucian, Illustrator) The Equilibriad, ONE OF 750 COPIES, 5 plates by Lucian Freud, title in red and black, cloth backed marbled boards, 8vo, The Hogarth Press, 1948; Sackville-West (Edward) Moore (Henry, Illustrator) The Rescue, NUMBER 658 OF 850 COPIES, 6 plates by Henry Moore, library stamps on front free end-paper and title, publisher’s blue cloth, original dust-jacket, tear with loss to spine, rubbed and stained, 8vo, Martin Secker & Warburg, 1945; Baudelaire (Charles) & Rodin (Auguste, Illustrator) Les Fleurs du Mal, LIMITED EDITION, 6 plates and several text illustrations by Rodin, original dust-jacket, royal 8vo, France, Paris, The Limited Editions Club, 1940; Armstrong (Martin) & Ravilious (Eric, Illustrator) Desert, A Legend, lino-cut frontispiece, text illustrations (3 full page), publisher’s red cloth, woodcut dust-jackets, minor surface dirt, 8vo, Jonathan Cape, 1926; Dickinson (Patric) & Scott (William, Illustrator) Soldiers’ Verse, FIRST EDITION, 12 lithograph plates, original printed boards, original printed dust-jacket, slight browning and staining, 8vo, 1945; Orlan (Pierre Mac) & Pascin (Illustrator) Aux Lumières de Paris, LIMITED EDITION, 6 plates by Pascin, original dust-jacket, 8vo, Paris, Georges Crès & Cie, 1925; O’Connor (John) Canals, Barges and People, text illustrations, 22 full page chromolithograph illustrations, publisher’s cloth, 8vo, 1950; with 25 others (32) £300-£400

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178 Wells (H. G.) War of the Worlds, original Danish manuscript, the text written out in block script ink, with over 620 original drawings in ink and watercolour on mounted rectangular panels (mostly sequentially numbered), watercolour title-page, portrait of H G Wells in ink, and additional decorative watercolours by an anonymous artist, oblong 4to, [83] ff.; brown half-calf with marbled board covers, possibly early 20th century. ÂŁ1,800-ÂŁ2,200 179 No Lot

*See inside front cover for information regarding fees

Limited Editions

185 182 180 Abercrombie (Lascelles) The Sale of Saint Thomas, NUMBER 150 OF 480 COPIES, signed by the author, also signed by Walter de la Mare on limitation page, original cloth, spine faded, 4to, Martin Secker, 1930; Masefield (John) The Taking of Helen, NUMBER 489 OF 780 COPIES, signed by the author, original publisher’s quarter vellum gilt, scattered soiling, yellowing, 4to, William Heinemann, 1923 (2) £150-£200 181 Artists’ Choice Editions.- Hall (Charles) Illustrating Alice: An international Selection of Illustrated Editions…, NUMBER 65 OF 68 COPIES, numerous colour text illustrations, leather backed boards, with 4 signed prints, cloth slipcase, 4to, 2013; Lord (John Vernon) and Goodacre (Selwyn) Through the Looking Glass and What Alice Found There, NUMBER 10 OF 98 COPIES, signed by author, full colour text illustrations, original black morocco, white chess board illustration with silver embossed pawn, folio; with 4 signed prints and Lords List by John Vernon Lord, together, in black cloth box; Legrove (Judith, editor) A Musical Eye: The Visual World of Britten and Pears, NUMBER 110 OF 650 COPIES, text illustrations, original cloth, folio, 2012, with 1 duplicate (4) £300-£400 182 Ashendene Press.The Minor Poems of Edmund Spenser, ONE OF 200 COPIES, printed in red, blue and black, bookplate, original calf-backed vellum, spine with seven raised bands, gilt, uncut, rubbing to joints and splitting to upper parts, prospectus loosely laid in, slipcase, folio, 1925. £600-£800 183 Boccaccio (Giovanni) The Decameron...translated by John Payne, 2 vol., NUMBER 115 OF 174 COPIES, titles in red and black, plates by Louis Chalon, tissue guards, pencil ownership inscriptions on end-papers, original gilt-lettered cloth, gilt ornaments on front covers, heads of front joints little damaged, folio, Lawrence & Bullen, 1893. £150-£200 38

184 Bodoni.- Rochefoucauld (François, Duc de la) Maximes et Réflexions Morales, half title, 8 leaves of index, some spotting throughout, light marginal dampstaining at end, contemporary green morocco, gilt and blindstamped, covers with elaborate design of concentric borders, central panel with red and brown morocco onlays in corners, spine gilt with lettering pieces, marbled endpapers, edges gilt, spine and covers rubbed and scuffed, head of spine damaged, 4to, Parma, Bodoni, 1812. £300-£350 185 Burton (Sir Richard Francis, translator) Il Pentamerone; or the Tale of Tales, 2 vol., NUMBER 9 OF 165 COPIES, half title, occasional light staining and spotting, 2 outline sketches, 1 drawing and 1 watercolour illustration by John Buckland Wright in margin of vol. 2, publisher’s black cloth, gold title on boards, slightly bumped and rubbed, pages uncut, royal 8vo, Henry and Co., 1893 (2) ***Published by Lady Burton after Richard Burton’s death. It was issued in an edition of 1500 copies available to subscribers only, with an additional 165 copies on large paper of which this is the latter. £400-£600 186 Cervantes Saavedra (Miguel de) Don Quixote de La Mancha, 2 vol., NUMBER 934 OF 1475 COPIES, pochoir colour plates by E. McKnight Kauffer, original brown morocco, slightly scuffed & darkened,t.e.g., others uncut, 1930; Pindar. Pythian Odes, NUMBER 68 OF 1050 COPIES, engraved title, head and tail piece by Stephen Godden, original cloth, t.e.g., others uncut, 1928; The Greek Portrait, NUMBER 119 OF 425 COPIES, text in Greek and English, 3 plates by Mariette Lydis (covered with cellophane), occasional spotting, original cloth, lettered and decorated in blue, little knocked and marked, t.e.g., others uncut, 8vo, Nonesuch Press, 1934 (4) £300-£500 187 Chambers (David) Lucien Pissarro Notes on a Selection of Wood-blocks Held at the Ashmolean Museum, Oxford, NUMBER 138 OF 175 PRINTED SETS, 29 woodcut plates printed from the original blocks by the artist, together loosely inserted in original cloth fold-over box, 4to, Oxford, 1980. £200-£300 *See inside front cover for information regarding fees

190

188 Corvinus Press.Findlay (Richard) Honour, NUMBER 32 OF 70 COPIES, signed by the author, original vellum-backed cloth, t.e.g., others uncut, slightly hand soiled, bookplate, 1936; Verlaine (Paul) Fetes Galantes, NUMBER 19 OF 30 COPIES on papier Goldflake, original half blue calf, gilt, spine slightly faded, bookplate, 8vo, 1944 (2) £300-£400 189 Craig (John) Venice, NUMBER 7 OF 60 COPIES, signed by the author and artist of a limited edition of 285, with a separate portfolio of prints by John Craig, original half morocco over pictorial paper boards, cloth portfolio, within original publisher’s slipcase, Whittington Press, 2015; MacDiarmid (Hugh) The Kind of Poetry I Want, NUMBER 5 OF 300 COPIES, signed by the author, original vellum over patterned paper boards, t.e.g., card slipcase, Officina Bodoni, 1961; Pastonchi: A Specimen of a New Letter for use on the ‘Monotype’, ONE OF 200 COPIES, specimens mounted on stubs, some foxing, original half vellum, uncut, Officina Bodoni, 1928, folio (3) £350-£450

190 Delaunay (Sonia).- Tzara (Tristan) Juste Present, NUMBER 63 OF 90 COPIES on grand Velin de Rives and signed by Delauny and Tzara, from an edition limited to 140, 8 colour etchings with aquatint by Sonia Delaunay, minor foxing to tissue guards, loose as issued in Japan nacre’ folder, uncut, original board folder and slip-case, both illustrated with pochoir design by Delaunay, slip-case slightly rubbed, folio, [Paris], 1961. £1,500-£2,000 191 Douglas (Norman) In The Beginning, LIMITED EDITION, NUMBER 188 OF 700, numbered and signed by author, original patterned boards, black morocco label on spine, corners bumped, 8vo, Florence, [privately printed at the Tipografia Giuntina], 1927; Gill (Eric) Art-Nonsense and Other Essays, LIMITED EDITION, NUMBER 34 OF 100 COPIES, signed by author, woodcut device on title, original maroon cloth, t.e.g., front free end paper browned, 8vo, Cassell & Co., 1929 (2) £100-£150

195 Fashion.- Hilfiger (Tommy) Tommy Hilfiger, FIRST EDITION, half title, 70 tipped in chromolithograph plates with facsimile hand written captions, several colour photos and illustrations, tartan endpapers, publishers printed cloth, pristine condition, custom case in cream linen embellished with an embroidered rectangle in black, cream and red panels with gold thread detail, ‘Assouline’ blind stamp on rear, a little foxed and rust stained, folio, New York, Assouline Publishing, 2010. £300-£400 196 Fashion.- Roberts (Michael) M.r. The Snippy World of New Yorker Fashion Artist Michael Roberts, FIRST EDITION, front flyleaf signed by the the author, colour illustrated frontispiece and title, mostly double page full colour illustrations with accompanying text, published printed cloth, no dust-jacket as issued, original pictorial slipcase, folio, Paris, 7L Publishers, 2005. £200-£300

192 192 Doves Press.Ruskin (John) Unto This Last, Four Essays on the First Principles of Political Economy, ONE OF 300 COPIES, inscribed on free endpaper before title ‘ToTheodore Fawkes/with all good wishes on the/most interesting occasion of her life/from Emery Walker/September 12th 1911’, bound by Katherine Adams in gilt decorated green morocco, a.e.g., spine faded and toning to edges, 1907; The City Planned, c. 300 copies, 2pp. loosely laid into original brown printed wrappers, 4to, 1911 (2) £600-£800 193 Dropmore Press.Cubbin (Thomas) The Wreck of the Serica: A Narrative of 1868, Foreword by H.M. Tomlinson, NUMBER 21 OF 30 SPECIALLYBOUND COPIES signed by Tomlinson and the artist, from an edition limited to 300, wood-engraved illustrations by John Worsley and printed in colours, original dark blue morocco, gilt, t.e.g., 1950; De Quincey (Thomas) Revolt of the Tartars, NUMBER 13 OF 50 SPECIALLY-BOUND FROM AN EDITION OF 450 COPIES, signed by the illustrator Stuart Boyle, original maroon morocco, gilt, t.e.g., slight rub to bottom edge, 4to, 1948 (2) £200-£300 194 Dubuffet (Jean) Parade Funebre pour Charles Estienne, ONE OF 250 COPIES, illustrated half title, illustrated title, unopened, bookplate, original boards, original dust-jacket, slight toning, 4to, in black box, [Paris, Jeanne Bucher], January 1967; Max Loreus Cerceaux ‘Sorcellent’, 18 screen prints, bookplate, original boards, original dust-jacket, 8vo, Paris: Éditions Beyeler à Bale, 1967; and some others (small quantity) £300-£400

197 Golden Cockerel Press.Henry VIII (King of England, France & Ireland) & Macnamara (Francis, Editor) Miscellaneous Writings, NUMBER 14 OF 365 COPIES, signed by editor and artist, woodcut frontispiece (slightly offset) and illustrations by Robert Gibbings, printed in red and black, bookplate of Norman Bruce, original burgundy morocco, gilt, spine and front cover little scuffed, lower corner of front cover little damaged, without slipcase, 4to, Waltham Saint Lawrence, 1924. £300-£400 198 Golden Cockerel Press.- [Swift (Jonathan)] Travels into several Remote Nations of the World...by Lemuel Gulliver, 2 vol., NUMBER 225 OF 480 COPIES, wood-engraved maps, illustrations and initials by David Jones, some hand-coloured, half cream buckram, covers little scuffed, slight marking, 1925; Jowett (Benjamin, Translator) Plato, The Phaedo, NUMBER 486 OF 500 COPIES, wood-engraved ornaments and initials by Eric Gill printed in red, original cloth, gilt ornament on cover, red morocco spine-label, slightly knocked and faded, 1930; Ghose (Sudhin N.) Folk Tales and Fairy Stories from India, NUMBER 351 OF 500 COPIES, wood-engraved plates, vignettes in black, white and brown by Shrimati E. Carlile, original cloth, gilt, slightly knocked, 1961, folio, Waltham St Lawrence or London (4) £300-£400 199 Golden Cockerel Press.- Mathers (Powys) Love Night. A Laotian Gallantry, NUMBER 68 OF 75 SPECIALLYBOUND COPIES ON VELLUM copies on vellum-paper, lacking the extra suite of plates, from an edition limited to 200, engravings throughout by Buckland Wright, original green-stained vellum, t.e.g., others uncut, covers scuffed and marked, extremities rubbed, bookplate to front paste-down, 1936; Xenophon of Ephesus. The Ephesian Story, NUMBER 257 OF 300 COPIES, illustrations by Eric Fraser, original quarter green morocco over cloth, t.e.g., 1957; Miller (Patrick) The Green Ship, NUMBER 93 OF 200 COPIES, woodcut illustrations by Eric Gill, original quarter green morocco over marbled boards, t.e.g., others uncut, spine slightly faded, bookplate to front paste-down, 1936; and 3 other titles by the same press, v.s. (6) £300-£400

*See inside front cover for information regarding fees

205 200 Gregnog Press.Llyfr y Pregeth-wr, NUMBER 162 OF 248 COPIES, wood-engraved title vignette and frontispiece by David Jones, printed in red and black, original blue cloth, faded spine and at extremities, fore-edge of upper cover at top right hand corner and first 3pp with rodent damage, Newtown, 1927; Milton (John) Four Poems, L’Allegro, Il Penseroso, Arcades, Lycidas, NUMBER 213 OF 250 COPIES on Japanese vellum, illustrations by Blair Hughes-Stanton, original red calf blind stamped on upper cover, by the Greynog Bindery, uncut, slightly rubbed, Newtown, 1933; Morgan (William) Psalmau Dafydd, NUMBER 139 OF 200 COPIES, title-page in red and black, initials in red and blue, original orange quarter morocco over red patterned boards, spine rubbed, Newtown, 1929; Davis (W.H.) Selected Poems, NUMBER 253 OF 310 COPIES, woodcut frontispiece, original cloth spine and fore-edges with marbled boards, edges untrimmed, Newtown, 1928; The Elphin Lloyd Jones Memorial Fund, original orange buckram, faded, soiled and slightly bubbled, [Newtown], 1930, v.s. (5) £600-£800 201 Hockeny (David) Hockney’s Alphabet, FIRST EDITION, intermediate issue, signed by the artist and the editor Stephen Spender, with title-page, text and reproductions, printed by Westerham Press, Kent, published by Faber and Faber for the Aids Crisis Trust, London, bound as issued in yellow buckram, 1991, with one duplicate; Off the Wall, FIRST EDITION, dust-jacket, Pavilion Books, 1994; A Rake’s Progress, Lion and Unicorn Press, 1962 (4) £400-£600 202 Hours Press.Moore (George) Peronnick the Fool, NUMBER 67 OF 200 COPIES, signed by the author, Presentation copy from Lady Cunard signed on front free endpaper, original cloth, slightly foxed, Chapelle-Réanville, 1928; Lowenfels (Walter) Apollinaire An Elegy, NUMBER 31 OF 150 COPIES, signed by the author, morocco backed boards, bookplate to inside cover, Paris, 1930; Ellis (Havelock) The Revalation of Obscenity, NUMBER 45 OF 200 COPIES, original half morocco, gilt, spine faded, slightly rubbed, Paris, 1931; Moore (George) The Talking Pine, NUMBER 85 OF 500 COPIES, original printed paper wrappers, bookplate,slightly foxed and worn, Paris, 1931; and 4 others by the Hours Press, v.s. (8) £200-£300

203 Kelmscott Press.- Morris (William) Child Christopher and Goldilind the Fair, 2 vol. [ONE OF 600 COPIES], printed in black Chaucer type with red printed marginalia and chapter headings, elaborate wood-engraved title and border to first page, woodcut initials, errata tipped-in at end of vol.1, internally very good, original cloth, lacking part of spine label in vol. 1, slightly rubbed, an attractive pair [Peterson A35], 1895; Halliday Sparling (H.) The Kelmscott Press and William Morris Master-Craftsman, frontispiece, original holland-backed boards, pages uncut, 1924, 16mo & 8vo (2) £200-£300 204 Kent (Rockwell).- Chaucer (Geoffrey) The Canterbury Tales ...Together with a Version in Modern English Verse by William Van Wyck., 2 vol., NUMBER 403 OF 999 COPIES signed by the artist, Middle English and Modern English texts in double column, plates and illustrations by Rockwell Kent, original gilt-lettered cloth, spines little rubbed and sunned, t.e.g., others uncut, folio, New York, CoviciFriede, 1930. £150-£200 205 Keough (Pat and Rosemarie) Antarctica, NUMBER 484 OF 950 COPIES, signed by the authors, thoroughly illustrated, dark grey morocco, lettered and decorated in blind, with prospectus, housed in original cloth box, blind-stamped morocco panel on front cover, oblong folio, Salt Spring Island, British Columbia, Nahanni Productions, 2002. £800-£1,200 206 Limited Editions.Apuleius (Lucius) The Golden Asse...translated by William Adlington, NUMBER 874 OF 3000 COPIES, colour and black and white plates & text-illustrations by Jean de Bosschère, colour plates with tissue guards, slight spotting at beginning and end, original cloth, gilt, little knocked, t.e.g., others uncut, John Lane The Bodley Head, 1923; Plato’s Symposium or Supper, translated by Francis Birrell & Shane Leslie, NUMBER 167 OF 175 COPIES, signed by Shane Leslie, slight spotting to fore-edge, original vellum, gilt lettering and rules, little spotted, covers bowed, The Fortune Press, [1925]; Hawthorne (Nathaniel) The Scarlet Letter, NUMBER 822 OF 980 COPIES, colour wood-engraved illustrations by Valenti Angelo, original morocco-backed cloth, ends of spine scuffed, New York, Edwin & Robert Grabhorn for Random House, 8vo, 1928 (3) £150-£200 41

209

207 Limited editions.Malory (Sir Thomas) The Noble & Joyous Boke Entytled Le Morte Darthur, vol. 1 only, of 2, NUMBER 140 OF 370 COPIES, printed in red and black, Staunton Hill bookplate, partly torn, red half morocco, giltlettered, t.e.g., Oxford, Shakespeare Head Press, 1933; La Fontane (Jean de) The Fables, translated by Edward Marsh, copper engravings by Stephen Godden, NUMBER 64 OF 5525 COPIES, signed by translator and artist, original vellum, William Heinemann, 1931; Defoe (Daniel) The Life and Strange Surprizing Adventures of Robinson Crusoe, NUMBER 297 OF 535 COPIES, hand coloured pochoir plates by E. McKnight Kauffer, original cloth, little sunned, Frederick Etchells & Hugh Macdonald, 1929; Boccaccio (Giovanni) Amorous Fiammetta, translated by Bartholomew Young, NUMBER 11 OF 550 COPIES, colour plates by M. Leone, original limp vellum, gilt ornament on cover, faded and marked, little creased, The Mandrake Press, 1929; Coleridge (Samuel Taylor) The Rime of the Ancient Mariner, introduction by Edmund Blunden, NUMBER 623 OF 1200 copies, colour illustrations by Charles Tomlinson, original decorated boards, worn, spine damaged, front hinge cracked, New York, Cheshire House, 1931; Poe (Edgar Allen) Poems, introduction by Howard Mumford Jones, 417 OF 585 COPIES, original red calf-backed boards, rubbed, New York, Spiral Press, 1929; Irving (Washington) The Legend of Sleepy Hollow, NUMBER 623 OF 1200 COPIES, etched plates by Bernhardt Wall, original buckram, card slip-case, worn, New York, Cheshire House, 1931, 4to or folio (7) £300-£400 208 Maugham (W. Somerset) & Sutherland (Graham, Illustrator) Cakes and Ale, or, The Skeleton in the Cupboard, “Eightieth Birthday” Edition, NUMBER 163 OF 1000 COPIES, signed by author and artist, half-title, original frontispiece lithograph and decorations by Graham Sutherland, title in black and red, facsimile reproduction of the first and last two pages of the original manuscript, some offsetting on free endpapers, leaves uncut, contemporary half white calf, navy blue calf boards, divided by gold rule, author’s symbol blocked in blind on front, spine black label titled in gilt, t.e.g., slightly rubbed, black slipcase, 8vo, William Heinemann, 1954. ***Published for Maugham’s 80th Birthday. £200-£250

210

209 Moore (Henry) Henry Moore: Prints & Portfolios, 2 vol., DELUXE LIMITED EDITIONS, NUMBER 32 OF 50, including two original prints signed and numbered by the artist (etching CGM ‘Composition for a Poem by Herbert Read’, 349 x 276mm, 1946 and the litograph CGM 719 ‘Two Seated Women on Beach’, 314 x 464mm, 1946), 4to & folio, Geneva, Patrick Cramer, 2010; Heads, Figures and Ideas, FIRST EDITION, illustrated with original lithograph by Henry Moore on handmade paper, reproductions throughout, hardback, folio, New York Graphic Society, London and New York, 1958 (2) £1,000-£1,200 210 Nonesuch Press.- [Dante Alighieri] La Divina Commedia or The Divine Vision of Dante Alighieri in Italian and English, NUMBER 868 OF 1475 COPIES, text in Italian and English, double-page plates after drawings by Botticelli, original vellum stained orange, gilt, t.e.g., very slightly rubbed and marked, covers slightly bowed, but spine without the usual fading, folio, Nonesuch Press, 1928. £300-£500 211 Nonesuch Press.Donne (John), Complete Poetry and Selected Prose, edited by John Hayward, NUMBER 122 OF 675 COPIES, printed on Pannekoek paper, original blue morocco, gilt lettering, t.e.g., others rough trimmed, fading to spine, 8vo, 1929; Keynes (Geoffrey) Jane Austen. A Bibliography, NUMBER 87 OF 875 COPIES, frontispiece and 3 other plates, half-title, errata leaf loosely inserted, original quarter pink boards with blue sides, edges untrimmed with some foxing, dust-jacket and tissue jacket, some creasing, 8vo, 1931 (2) £150-£200

*See inside front cover for information regarding fees

216

213 212 Pasmore (Victor) Burning Waters Visual and Poetic Images, ONE of 50 DELUXE COPIES WITH AN ORIGINAL COLOUR LITHOGRAPH, from an edition limited to 250, plates and illustrations by Pasmore, some colour, lithograph numbered, initialled and dated in pencil and loosely inserted, original cloth, slipcase, 4to, printed by the Progress Press of Malta, 1988. £400-£600 213 Penrose (Roland) The Road is Wider than Long, NUMBER 474 OF 510 COPIES, signed and inscribed by author (reads: “To John Buckland Wright. I should have to write another book to express my affection”), text in red and black, text photographs, foxing on preliminaries, original wood boards, title on boards, 8vo, Gallery Editions, [1939]. £800-£1,200 214 Petronius Arbiter (Titus) The Satyricon, NUMBER 17 OF 250 COPIES, signed by the artist and publisher, frontispiece and 199 full-page illustrations by Norman Lindsay, later half tan morocco, t.e.g., others uncut, 4to, Privately Printed by Ralph Straus, 1910. £300-£400 215 Poems for Shakespeare 2, edited by Graham Fawcett, NUMBER 25 OF 100 COPIES, signed by all the (living) contributors, inscribed on front free endpaper by Sam Wannamaker to Admiral Sandy Woodward, July 1988, original calf-backed cloth, gilt vignette on upper cover, g.e., bound by A.M. Lumsden, cloth slip-case, 8vo, Globe Playhouse Trust Publications, 1973. ***Contributors include: Ted Hughes, D.J.Enright, Wole Soyinka and Michael Hamburger. Seamus Heaney contributes ‘A Flourish for the Prince of Denmark’. Admiral Sir John (‘Sandy’) Woodward commanded the carrier battle group Task Force 317.8 during the Falklands conflict, 1982. £500-£700

216 Prinner [Anton] La Femme Tondue, FIRST EDITION, FIRST ISSUE, NUMBER ONE OF 1000 COPIES, signed and inscribed by the author, 8 signed etchings, marginal browning, text leaves becoming loose, original paper wrapper, slightly browned, light staining, small creases, 8vo, Paris, April [1946]. £600-£800 217 Private Press Editions.- Simon (Elizabeth & Robert) A Collection of Curwen Pattern Papers, ONE OF 6 COPIES, presentation copy, signed and inscribed by author, reads “It was a pleasure making this for you Carol – Robert Simon”, 10 original papers, original cloth backed decorative boards designed by Robert Simon, 4to, 1998; Boyd (William) Cork, NUMBER 192 OF 236, signed by author and artist, original cloth-backed decorative boards, 8vo, 1994; Rogerson (Ian) Barnett Freedman: The Graphic Art, ONE OF 500 COPIES, lithograph prints, original cloth, 4to, 2006; Hall (Colin) Gassington Manor, NUMBER 33 OF 50 COPIES, signed by artist, 21 lino prints, original cloth-backed boards, boards hand-coloured, 4to, 1988 with prospectus and order form; with 7 other private press books (11) £500-£700 218 Private Press Editions.[Shakespeare (William)] The Passionate Pilgrim and the Songs in Shakepeare’s Plays, LIMITED EDITION, woodcut designs by Charles Ricketts, original boards, printed paper labels, slightly soiled and worn, Ballantyne Press, 1896; De Musset (Alfred) Fantasio, NUMBER 135 OF 550 copies, illustrations by Fernand Giauque, 10 lithographs and 2 hand coloured, original cloth, spine faded, bookplates, Pleiad Press, Haarlem, 1929; Swinburne (Algernon Charles) Songs Before Sunrise, NUMBER 128 OF 650 COPIES, original limp vellum, silk ties, Florence Press, 1909; Marlowe (Christopher) The Tragicall History of Doctor Faustus, NUMBER 51 (a) OF 250 COPIES, engravings by Blair Hughes Stanton, green buckram, gilt, t.e.g., The Golden Hours Press, 1932; together with 4 titles from the Beaumont Press, and 7 titles from the Black Manikin Press, and a quantity of other press books, v.s. (27) £500-£700

221

219 Rego (Paula) The Children’s Crusade, with an Introduction by Blake Morrison, NUMBER 41 OF 75 DELUXE COPIES, with an original etching ‘Bait’, signed by Rego and Morrison, from an edition limited to 175, tipped-in illustrations after Rego, original cloth with colour illustration mounted on upper cover, uncut, original etching numbered and signed in pencil, loose as issued in folder, together in original cloth slipcase, folio, Enitharmon Press, 1999; Jane Eyre, NUMBER 206 OF 325 COPIES, signed by author and artist, colour and black & white illustrations, cloth-backed illustrated boards, folio, 2003 (2) £400-£600 220 ARR Richards (Ceri) & Watkins (Vernon) Elegiac Sonnet, NUMBERED 21, comprising two aquatints printed in colours, on wove paper, with title-page and text, loose as issued within original boards, with the original yellow slipcase, 395 x 300mm (151⁄2 x 117⁄8in), very light soiling, Milan, M’Arte Edizioni, 1970. £300-£500 221 Rilke (Rainer Maria) Duineser Elegien. Elegies from the Castle of Duino, translated from the German by Vita Sackville-West and Edward Sackville-West, NUMBER 174 OF 230 COPIES, signed by the translators, title in red and black, book designed by Count Harry Kessler, woodcut initials by Eric Gill, type designed by Edward Johnston, text in German and English, original vellum-backed boards, spine gilt-lettered, spine very slightly marked, plain dust-jacket. spine browned, very slightly frayed, card slipcase, browned and scuffed, 8vo, printed at the Cranach Press for the Hogarth Press, 1931. £2,000-£3,000 220

*See inside front cover for information regarding fees

223 Toulouse-Lautrec (Henri de).- Clemenceau (Georges) Au Pied de Sinai, NUMBER 104 OF 355 COPIES, with the suite of 10 lithographs by Henri de Toulouse-Lautrec in 2 states, printed in black on Velin and in monochrome on Chine, 6 smaller lithograph textillustrations, pages unopened and untrimmed. bookplates on both sides of front free endpaper, original wrappers with colour printed lithograph by Toulouse Lautrec, slightly frayed glassine wrapper, original folder of marbled boards, cloth spine with gilt title label, in matching slipcase, slightly rubbed, [The Artist and the Book no. 2302; Delteil XI, nos 235-249, 320], 4to, Paris, Henri Floury, [1898]. ***“This is the one substantial book illustrated by Lautrec. The text by Georges Clemenceau, the journalist and statesman, consists of sketches of Jewish life and character from the millionaire Baron Moise de Goldschlammbach to dwellers in Polish ghettoes” (Gordon N. Ray, The Art of the French Illustrated Book, 1982). £1,500-£2,000 224 Vonnegut (Kurt) Deadeye Dick, NUMBER 121 OF 350 COPIES 1982; Galapagos, NUMBER 2 OF 500 COPIES, 1985, signed by the author, original cloth, slip-cases, very slightly scuffed, 8vo, N.Y., Delcorte Press / Seymour Lawrence (2) £150-£200

223

222 The Black Sun Press.Letters of Henry James to Walter Berry, NUMBER 70 OF 100 COPIES on Hollande Van Gelder Zonen, original printed limp paper wrappers, original glassine rubbed at extremities, bookplate to inside cover, Paris, 1928; Crosby (Harry) Mad Queen Tirades, NUMBER 65 OF 100 COPIES on Hollande Van Gelder Zonen, original printed limp paper wrappers, original glassine, frontispiece by Caresse Crosby, Paris, 1929; Sterne (Lawrence) A Sentimental Journey, NUMBER 162 OF 400 COPIES, original printed limp paper wrappers, original glassine rubbed at spine and extremities, Paris, 1929; 47 Lettres Inédites de Marcel Proust a Walter Berry, NUMBER 65 OF 250 COPIES, contemporary half light tan morocco, letter lettering label, gilt, t.e.g., Paris, 1930; and 2 others from the Black Sun Press, v.s. (6) £800-£1,200

225 White (John).- Hulton (Paul) & Quinn (David Beers) The American Drawings of John White, 1577-1590, 2 vol., NUMBER ‘UK 1’ OF 600 COPIES, colour and monochrome plates, dark red morocco, gilt, arms on front covers, g.e., by Zaehnsdorf, cloth slipcase, rubbed, one panel all but loose, folio, British Museum / North Carolina University Press, 1964. £300-£400 226 Whitman (Walt) & Siskind (Aaron) Song of the Open Road, FIRST EDITION, NUMBER 459 OF 550 COPIES, numbered and signed on colophon page in pencil by Siskind, including a laid-in four-page booklet, hardcover, fine green cloth with spine and half black goatskin with embossed title, black linencovered slipcase, folio, New York, Limited Edition Club, 1990; Rothenberg (Jerome) & Tyson (Ian) Sightings I-IX & Red Easy A Color, NUMBER 110 OF 125 COPIES, signed and inscribed by author and artist, 10 colour screen prints by Ian Tyson, original leather-backed cord boards, black cloth slipcase, folio, Circle Books, 1967 (2) £300-£400

An invitation to consign for

Books from the Library of Giancarlo Beltrame, Part III to include Other Antiquarian Book Properties

Schedel (Hartmann) Liber Cronicarum, First Latin edition, richly illustrated with nearly 2000 woodcuts of various sizes, including town views, portraits of emperors, kings and saints, from the Fulneck School Library, folio, Augsburg, J. Schonsperger, 1497. £12,000 - £15,000

12 JULY 2018 FOR A COMPLIMENTARY VALUATION CONTACT Head of Department, Clive Moss clive.moss@chiswickauctions.co.uk

An invitation to consign for

Autographs & Memorabilia

Autograph letter signed (‘Nelson’) to the English Ambassador in Naples Sir William Hamilton. One page, 4to, Naples [aboard the HMS Vanguard],12 December 1798. £4,000 - £6,000

12 JULY 2018 FOR A COMPLIMENTARY VALUATION CONTACT Head of Sales, Valentina Borghi valentina.borghi@chiswick.auctions.co.uk

Fine European Works of Art & Clocks

)V M`KMX\QWVITTa Ã&#x2026;VM \PQZL Y]IZ\MZ !th +MV\]Za OQT\ IVL [QT^MZML JZWVbM IVL ZW]OM UIZJTM Ã&#x2026;O]ZIT KTWKS OIZVQ\]ZM Ja +PIZXMV\QMZ +QM Â£15,000-Â£20,000

6 JUNE 2018 FOR ENQUIRIES CONTACT Head of Department, Rachael Osborn-Howard rachael@chiswickauctions.co.uk

British & European Fine Art with Portrait Miniatures

NAUM ARONSON (RUSSIAN 1872-1843) +W]V\ 4M^ 6QSWTIaM^QKP <WT[\Wa +PIZKWIT WV J]â&#x20AC;« Ùºâ&#x20AC;¬XIXMZ ;QOVML 6 )ZWV[WV T Z ` KU ` QV Â£800 - Â£1,200

12 JUNE 2018 FOR ENQUIRIES CONTACT Head of Department, Suzanne Zack suzanne@chiswickauctions.co.uk

Antiquities & Tribal Art

AN EGYPTIAN AMETHYST AMULET IN THE FORM OF A SEATED CAT Late Dynastic Period, 25th - 31st Dynasty, Circa 715 - 332 B.C. 2.5cm high. Provenance: Private collection, France. £6,000 - £8,000

27 JUNE 2018 FOR ENQUIRIES CONTACT Head of Department, Alice King alice.king@chiswickauctions.co.uk

<MZU[ IVL +WVLQ\QWV[ NWZ *]aMZ[ I\ +PQ[_QKS )]K\QWV[

1. BEFORE THE SALE 1.1 Agent for the seller Unless otherwise agreed, Chiswick Auctions Ltd, hereafter referred to as CA LTD acts as agent for the seller. The contract for sale of the property is therefore made between the Seller and the Buyer. ,MĂ&#x2026;VQ\QWV[ For the purposes of the current Terms and Conditions, the Seller shall JM LMĂ&#x2026;VML I[ \PM W_VMZ WN \PM /WWL[ 1\ Q[ QUXTQML \PI\ \PM ;MTTMZ Q[ \PM legitimate owner and is authorised to sell the Lot. The Bidder is any registered person participating in the auction, and the Buyer is the successful Bidder for a particular Lot. The Lot means the item(s) put up for sale by CA Ltd and to which the present Terms and Conditions apply. +I\ITWO]M LM[KZQX\QWV[ Any representation in any catalogue or otherwise as to the origin, date, age, attribution, genuineness or estimated selling price of any lot is a statement of opinion only. Such statements do not constitute a representation warranty or assumption of liability by CA Ltd in relation to the Lot. Any prospective Buyer should satisfy themselves prior to the sale as to the reliability of the catalogue description. The absence of mention related to prior restorations in the Catalogue descriptions does not imply that the good is exempt thereof. Photographs of any Lot provided by CA Ltd are for indicative purposes only and are not deemed to be a precise representa-tion of the said Lot. The Buyer is advised to seek independent expert advice in order to be assured of the authenticity and true state of the good. 1V[XMK\QWV Prior to auction, prospective purchasers are strongly advised to personally examine personally any property in which they are interested to satisfy themselves in relation to matters which may concern them. +WVLQ\QWV ZMXWZ\ CA Ltd may issue a Condition Report on request prior to the sale. <PQ[ +WVLQ\QWV :MXWZ\ Q[ NWZ QLMV\QĂ&#x2026;KI\QWV X]ZXW[M[ WVTa IVL KIVVW\ JM considered as giving a precise account of the Lotâ&#x20AC;&#x2122;s true state. Thus, some imperfections and faults may not be accounted for in the Condition Report. As aforementioned, and in the absence of any contractual value of the Condition report, it is the Buyerâ&#x20AC;&#x2122;s sole duty to inspect in person the Lot in order be assured of its true condition and CA Ltd shall not be responsible for assertions within the Condition Report hereto. -TMK\ZQKIT[ )TT MTMK\ZQKIT Q\MU[ IZM [WTL I[ [MMV IVL +) 4\L Wâ&#x20AC;ŤŮşâ&#x20AC;ŹMZ[ VW O]IZIV\MM I[ \W the working condition of such items or their safety. 1\ Q[ \PM *]aMZÂź[ L]\a \W \ISM VMKM[[IZa [\MX[ \W JM I[[]ZML \PI\ \PM 4W\ is safe for normal use. -[\QUI\M[ Estimates are based on various factors inherent to the situation of the market at the time of the sale, as well as considerations such as the

condition, rarity, or quality of the item etc. Estimates are only indicative and represent the opinion of CA Ltd. Estimates provided by CA Ltd cannot constitute a guarantee as to the value of the good. Subsequently, goods may sell at prices lower or higher than the provided estimates. 1.8 Reserves 5IVa 4W\[ IZM Wâ&#x20AC;ŤŮşâ&#x20AC;ŹMZML []JRMK\ \W I ZM[MZ^M _PQKP Q[ \PM KWVĂ&#x2026;LMV\QIT minimum sale price. The reserve will never exceed the low estimate printed in the catalogue. CA Ltd may open the bidding on any Lot below the reserve by placing a bid on behalf of the seller, and may in their discretion continue to bid up to the reserve price. This can be achieved by bidding in response to other bidders or alternatively by placing consecutive bids. ! :MOQ[\ZI\QWV \W \PM [ITM 6M_ JQLLMZ[ _QTT VMML \W ZMOQ[\MZ XZQWZ \W \PM [ITM 1\ Q[ [\ZWVOTa advised bidders register at least 24 hours before the sale. Registration thereafter shall be at the auctioneerâ&#x20AC;&#x2122;s entire discretion. 1V\MZVI\QWVIT JQLLMZ[ UIa JM ZMY]QZML \W ZMOQ[\MZ PW]Z[ JMNWZM \PM sale and to submit bank details. A deposit may be requested prior to each sale. Failure to register shall result in the impossibility for the bidder to purchase a Lot. 8ZWWN WN QLMV\Q\a Bidders not previously known to CA Ltd will be required to provide: Â&#x152; 7â&#x20AC;ŤŮťâ&#x20AC;ŹKQIT XZWWN WN QLMV\Q\a QV \PM NWZU WN I XI[[XWZ\ WZ XPW\WKIZL LZQ^QVO TQKMVKM 6W W\PMZ NWZU[ WN 1, IZM IKKMX\IJTM Â&#x152; 8ZWWN WN ILLZM[[ WN UIQV ZM[QLMVKM 7VTa Wâ&#x20AC;ŤŮťâ&#x20AC;ŹKQIT LWK]UMV\[ showing name and address will be accepted. â&#x20AC;˘ Both landline and mobile telephone numbers â&#x20AC;˘ A bank reference for foreign bidders may be requested Â&#x152; +WZXWZI\M KTQMV\[ _QTT PI^M \W XZW^QLM I KMZ\QĂ&#x2026;KI\M WN QVKWZXWZI\QWV XZQWZ \W \PM I]K\QWV ITWVO _Q\P \PM ZMXZM[MV\I\Q^MÂź[ 1, QV IKKWZLIVKM with the abovementioned requirements for proof of identity. Any Bidder that does not match the provided identity for registration may not purchase during the sale. 2. DURING THE SALE )\\MVLIVKM I\ I]K\QWV Attending the auction in person is recommended. CA Ltd has the right in their absolute discretion to refuse participation QV IVa I]K\QWV \W ZMRMK\ IVa JQL IVL \W ZMN][M ILUQ[[QWV \W \PM XZMUQ[M[ Bidders are not obliged to be present in person at the auction. Absentee bidders shall be required to make necessary arrangements with CA Ltd prior to the sale. 8MZ[WVIT JQLLQVO Bidders attending the auction in person shall be required to collect a number plate prior to the sale.

+WUUQ[[QWV JQL[ +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ \W KIZZa W]\ +WUUQ[[QWV JQL[ received by them prior to the sale for the convenience of clients who are not present at the auction in person. Execution of Commission bids is a free service provided to help clients and CA Ltd does not accept liability for any failure to execute a Commission bid or for errors and omissions in connection with it. +WUUQ[[QWV JQL[ [PITT JM M`MK]\ML I\ \PM TW_M[\ XW[[QJTM XZQKM []JRMK\ to competing bids and reserves. Although CA Ltd will endeavour to inform Buyers, it is the Buyerâ&#x20AC;&#x2122;s responsibility to check if they have been successful in purchasing a Lot. 1V \PM M^MV\ WN U]T\QXTM KWUUQ[[QWV[ I\ \PM [IUM XZQKM \PM KWUUQ[[QWV set at the older date shall be taken into account.

<ZIV[NMZ WN ZQ[S[ Purchased Lots shall be at the Buyerâ&#x20AC;&#x2122;s risk in all respects from the fall of the hammer, and neither CA Ltd nor their agents shall be responsible for any loss or damage of any kind, whether caused by negligence or otherwise.

<MTMXPWVM JQL[ 1N I JQLLMZ Q[ VW\ IJTM \W I\\MVL QV XMZ[WV IV I]K\QWV +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ \W KWV\IK\ XZW[XMK\Q^M *]aMZ[ _PW UISM IZZIVOMUMV\[ prior to commencement of the sale to bid by telephone. +) 4\L KIVVW\ JM PMTL ZM[XWV[QJTM QV \PM M^MV\ WN Q[[]M[ Iâ&#x20AC;«Ùºâ&#x20AC;¬MK\QVO KWVVMK\Q^Q\a resulting in the loss of a chance of purchasing the Lot for the Bidder.

/ZW]VL[ NWZ KIVKMTTI\QWV ]VLMZ \PM XZM[MV\ [MK\QWV [PITT QVKT]LM J]\ VW\ be limited to any dispute relating to the attribution or provenance of the Lot, ownership and title, fraud or deceit, lack of relevant licences WZ KMZ\QÃ&#x2026;KI\M[ IVa []J[MY]MV\ KPIVOM[ QV LWUM[\QK WZ QV\MZVI\QWVIT legislations restricting the sale of export of goods etc. 1V \PM M^MV\ WN QV\MZVM\ WVTa I]K\QWV[ \PM *]aMZ [PITT PI^M I LIa right to retract, after reception of the Lot, under EU Consumer Law. Public auctions are not covered by this right to retract.

1V\MZVM\ JQL[ Some sales may be available to internet bidding, as well as personal I\\MVLIVKM 1V \PQ[ M^MV\ +) 4\L [PITT VW\ JM PMTL ZM[XWV[QJTM NWZ Q[[]M[ Iâ&#x20AC;«Ùºâ&#x20AC;¬MK\QVO KWVVMK\QWV *QLLQVO WV JMPITN WN [WUMWVM ) *]aMZ UIa JQL Ja XZW`a 1V \PQ[ M^MV\ XZWWN WN QLMV\Q\a WN JW\P \PM Buyer and the proxy must be communicated to CA Ltd prior to the sale. A copy of the mandate shall also be required. *QLLQVO WV IV Q\MU Bid incrementing is at the auctioneerâ&#x20AC;&#x2122;s entire discretion. >QLMW \ZIV[UQ[[QWV For the purpose of the sale, Lots may be displayed on video during the I]K\QWV 1V \PM M^MV\ WN \ZIV[UQ[[QWV Q[[]M[ +) 4\L [PITT VW\ JM PMTL responsible for any subsequent outcome. ! 7VTQVM WVTa I]K\QWV[ Some auctions may be available to bidders only through an online XTI\NWZU 1V \PQ[ M^MV\ *]aMZ[ PI^M I LIa XMZQWL I\ ZMKMX\QWV WN \PM Lot to withdraw from the sale, in accordance with EU Consumer Law. ,Q[X]\M ZM[WT]\QWV L]ZQVO \PM I]K\QWV Any dispute shall be settled at the auctioneerâ&#x20AC;&#x2122;s absolute discretion. Under no circumstances will a sale be cancelled after the fall of the hammer, except at the auctioneerâ&#x20AC;&#x2122;s entire discretion. 3. CONTRACT FORMATION AND EFFECTS 3.1 Contract of sale The contract of sale is between the Buyer and the Seller. The Buyer shall be the bidder at the highest price at the fall of the hammer. The sale is deemed complete once the auctioneer announces its completion by the fall of the hammer and the contract shall be binding thereafter between the Buyer and the Seller and CA Ltd. ?PMV I *]aMZ X]ZKPI[M[ U]T\QXTM 4W\[ MIKP 4W\ Q[ \PM []JRMK\ WN I separate contract of sale. <ZIV[NMZ WN XZWXMZ\a Property of the goods shall pass to the Buyer only once CA Ltd has received full payment for the goods, this includes the price at the fall of the hammer as well as Buyerâ&#x20AC;&#x2122;s premium, relevant taxes, and costs in relation to shipping.

+IVKMTTI\QWV WN \PM [ITM At the fall of the hammer, the contract is formed between the Buyer and CA Ltd and is binding thereafter. Under no circumstances can the Buyer cancel the sale. CA Ltd may at its entire discretion, during or after the auction, cancel \PM [ITM WN \PM 4W\ WZ ZMWâ&#x20AC;«Ùºâ&#x20AC;¬MZ IVL ZM[MTT \PM 4W\ QN Q\ JMKWUM[ I_IZM WN any error or dispute of any nature, whether or not title has passed to the Buyer, and up to a period of 6 months after the said sale.

3.5 Returns and refunds CA Ltd will only issue a refund using the same method of payment originally used by the Buyer to pay for the purchase, or by bank transfer. The Buyerâ&#x20AC;&#x2122;s refund will be processed without undue delay and in any M^MV\ _Q\PQV VW UWZM \PIV LIa[ WN \PM LIa \PM *]aMZ OI^M +) 4\L notice of cancellation. 1N \PM *]aMZ M`MZKQ[M[ \PMQZ ZQOP\ WN ZM\ZIK\QWV _PMV I]\PWZQ[ML \W LW [W by Law, CA Ltd shall proceed to issue a complete refund, comprising the hammer price of the Lot, buyerâ&#x20AC;&#x2122;s premium and shipping fees. However return fees shall remain at the expense of the Buyer. 4. AFTER THE SALE 8IaUMV\ All purchased lots must be paid for on the day of the auction. Commission bids must be paid for no later than the day after the auction. Payment must be in cash, debit, credit card or bank transfer. Cheques are not accepted. +I[P XIaUMV\[ [PITT VW\ JM ZMKMQ^IJTM NWZ IUW]V\[ W^MZ Ã&#x201A; ZMOIZLTM[[ of the payment being for one or multiple Lots. Payments made by someone other than the registered Buyer shall not be accepted. Title will not pass to the Buyer until CA Ltd has received all amounts due to them in cleared funds even if the Lot has been released to the Buyer. *]aMZÂ¼[ 8ZMUQ]U The Buyer will pay CA Ltd a premium of 25% on the hammer price XT][ >)< WV \PI\ KWUUQ[[QWV WV \PM Ã&#x2026;Z[\ Â&#x160; IVL XT][ >)< WV \PM JITIVKM \PMZMIN\MZ ) *]aMZÂ¼[ 8ZMUQ]U WN ! XT][ >)< Q[ charged on Wine & Spirits Lots. The standard rate of VAT is charged on the premium except on Lots marked â&#x20AC;&#x2DC;â&#x20AC; â&#x20AC;&#x2122; where normal VAT rules apply and the standard rate of VAT will be charged on both hammer price and premium. 1V WZLMZ \W ZMKMQ^M I ZMN]VL WN >)< IUW]V\[ 1UXWZ\ >)< I[ applicable) non-EU buyers must: (a) have registered to bid with an address outside of the EU; and J M`XWZ\ \PM TW\ NZWU \PM -= _Q\PQV LIa[ WN KWTTMK\QWV NWZ TW\[ IVL 3 months of collection for all other lots and immediately afterwards provide us with satisfactory proof of export. (c) Details of the documents which you must provide to us to show

[I\Q[NIK\WZa XZWWN WN M`XWZ\ [PQXXQVO IZM I^IQTIJTM NZWU W]Z .QVIVKM \MIU ) XZWKM[[QVO NMM WN Â&#x160; XMZ QV^WQKM Q[ KPIZOML \W KPMKS [PQXXQVO M`XWZ\ LWK] UMV\[ L 6W >)< IUW]V\[ WZ 1UXWZ\ >)< _QTT JM ZMN]VLML _PMZM \PM \W\IT ZMN]VL IN\MZ LML]K\QVO \PM XZWKM[[QVO NMM Q[ ]VLMZ Â&#x160;

+WTTMK\QWV Purchased Lots can be collected from the auction room after the sale PI[ MVLML WZ JM\_MMV IU IVL XU ]X ]V\QT KTW[M WN J][QVM[[ WV the Friday following the sale. Special arrangements may be made for collection on Saturday at CA Ltdâ&#x20AC;&#x2122;s discretion.

4.3 Taxes The Buyer is responsible for paying VAT on any Lot, above hammer price and Buyerâ&#x20AC;&#x2122;s premium. The rate applicable shall be the legal rate at the date of the sale. /WWL[ []KP I[ JWWS[ IVL IV\QY]M JWWS[ U][QK UIX[ IVL KPIZ\[ M\K IZM []JRMK\ \W bMZW ZI\ML >)< 1V ILLQ\QWV IVa QUXWZ\ \I`M[ \PI\ UIa JM QVK]ZZML [PITT JM XIQL Ja \PM Buyer above hammer price, VAT and Buyerâ&#x20AC;&#x2122;s premium. The present paragraph applies in particular to imports within the United-States and Australia. The Buyer is advised to verify such matters prior to the sale.

4.7 Storage Purchased Lots not collected before 6pm on the day after the sale shall QVK]Z [\WZIOM KPIZOM[ WN Â&#x160; XMZ 4W\ XMZ LIa WZ XIZ\ \PMZMWN +) 4\L shall be entitled to retain purchased Lots sold until all sums due have been XIQL \W +) 4\L 1N IVa X]ZKPI[ML TW\ ZMUIQV[ ]VKWTTMK\ML LIa[ IN\MZ \PM [ITM [\WZIOM KPIZOM[ [PITT \PMZMIN\MZ JM Â&#x160; XMZ LIa IVL +) 4\L [PITT in accordance with the Law, have the right to sell the purchased Lot to recover payment of storage charges outstanding. Any balance proceeds of sale received after payment of all sums outstanding and due to CA Ltd shall be held for the account of the Buyer.

)Z\Q[\ :M[ITM :QOP\[ ,ZWQ\ LM ;]Q\M 4W\[ UIZSML _Q\P Â»)::Â¼ UIa JM []JRMK\ \W I TMâ Droit de Suite is a royalty payable to a qualifying artist or to the artistâ&#x20AC;&#x2122;s heir each time a work is resold during the artistâ&#x20AC;&#x2122;s lifetime and up to I XMZQWL WN aMIZ[ IN\MZ \PM IZ\Q[\Â¼[ LMI\P :WaIT\QM[ IZM KITK]TI\ML on a cumulative sliding percentage scale based on the hammer price excluding the buyerâ&#x20AC;&#x2122;s premium. The royalty does not apply to Lots [MTTQVO JMTW_ \PM [\MZTQVO MY]QÎTMV\ WN Ã&#x201A; IVL \PM UI`QU]U ZWaIT\a XIaIJTM WV IVa [QVOTM 4W\ Q[ \PM [\MZTQVO MY]QÎTMV\ WN Ã&#x201A; Royalties for Droit de Suite are as follows:

;PQXXQVO Any shipping costs that may arise subsequently to the sale shall be at the Buyerâ&#x20AC;&#x2122;s expense. Such costs may include but not limited to postage, import and export permits where required and any other licence necessary for goods to be shipped outside of the European Union. +) 4\L LWM[ VW\ Wâ&#x20AC;«Ùºâ&#x20AC;¬MZ QV[]ZIVKM NWZ [PQXXQVO 0W_M^MZ +) 4\L UIa arrange insurance upon the Buyerâ&#x20AC;&#x2122;s request and at the Buyerâ&#x20AC;&#x2122;s expense. CA Ltd cannot be held responsible for any damages that may be incurred to goods prior to the fall of the hammer.

Â&#x152; .ZWU \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; -`KMMLQVO Ã&#x201A; :MUMLQM[ NWZ VWV XIaUMV\ 1N \PM *]aMZ NIQT[ \W UISM N]TT XIaUMV\ QV KTMIZML N]VL[ _Q\PQV \PM \QUM required as aforementioned, CA Ltd shall be entitled to exercise any one or more of the following rights or remedies additional to such other rights or remedies available: â&#x20AC;¢ To cancel the sale â&#x20AC;¢ To charge interest at 4% per annum above the base rate of Lloyds Bank Plc. â&#x20AC;¢ To resell the Lot on such terms by auction or otherwise entirely at CA Ltdâ&#x20AC;&#x2122;s discretion. The Buyer will be liable for all costs including legal fees incurred in the sale and will remain liable for any shortfall arising upon sale. Â&#x152; <W Wâ&#x20AC;«[Ùºâ&#x20AC;¬M\ IOIQV[\ IVa []U[ _PQKP +) 4\L UIa W_M \PM *]aMZ \PM outstanding sums unpaid by the said Buyer Â&#x152; ?PMZM \PM *]aMZ W_M[ []U[ \W +) 4\L QV ZM[XMK\ WN LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ transactions, to discretionarily apply any sum paid by the Buyer for discharge of any owed sums. Â&#x152; <W ZMN][M MV\Za \W \PM *]aMZ I\ IVa N]\]ZM I]K\QWV IVL WZ ZMRMK\ IVa N]\]ZM JQL[ Ja \PM *]aMZ IVL WZ [MMS I LMXW[Q\ NZWU \PM *]aMZ entirely in the discretion of CA Ltd. â&#x20AC;¢ To exercise a lien over the Buyerâ&#x20AC;&#x2122;s property in the possession of CA Ltd as collateral for any outstanding sums owed and to exercise all the rights and remedies of a person holding security over any such property, whether by way of pledge, security interest or in any other way to the extent permitted by Law. â&#x20AC;¢ To commence legal proceedings for the recovery of the total amount due together with interest, legal fees and costs. â&#x20AC;¢ To take such other action as is permissible by Law and in the discretion of CA Ltd.

! 4W[[ WZ ,IUIOM CA Ltd does not accept liability for loss or damage occurring to Lots after \PM [ITM +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ _PMV PIVLTQVO XIKSQVO IVL shipping of Lots purchased, but shall not be responsible for any loss or damages that may occur whilst the said Lot is in any third partyâ&#x20AC;&#x2122;s care. +]T\]ZIT /WWL[ QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +]T\]ZIT OWWL[ UIa JM []JRMK\ \W QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ =VLMZ EU Regulations related to the trade of cultural goods, export licences may be required for export outside of the European Union if the itemâ&#x20AC;&#x2122;s value exceeds the EU threshold. Under UK Law, a licence may also be required for intra-EU trade. Licenses are issued by Arts Council England and it is the Buyerâ&#x20AC;&#x2122;s duty to WJ\IQV \PMU ;WUM KW]V\ZQM[ ZM[\ZQK\ \PM QUXWZ\ WN [XMKQÃ&#x2026;K K]T\]ZIT OWWL[ For example, the United States prohibits the import of pre-Columbian monumental or architectural sculpture or murals, as well as any cultural OWWL[ QV XZW^MVIVKM NZWU [WUM KW]V\ZQM[ []JRMK\ \W IZUML KWVÃ&#x2020;QK\[ The Buyer must verify local legislation prior to the sale in order to be assured that import or export is possible. +1<-; QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +MZ\IQV MVLIVOMZML [XMKQM[ IZM TQ[\ML QV \PM +1<-; +WV^MV\QWV 4Q[\ML [XMKQUMV[ IVL IVa XIZ\[ WZ XZWL]K\[ \PMZMWN IZM []JRMK\ \W Q[[]IVKM WN IV export permit when leaving the European Union. )XXMVLQ` 1 [XMKQM[ IZM IT[W []JRMK\ \W Q[[]IVKM WN I XZQWZ QUXWZ\ XMZUQ\ from the country in which the goods are to be imported. Such permits are necessary before applying for export permits and it is the Buyerâ&#x20AC;&#x2122;s duty to initiate the proceedings with the relevant authority. The Buyer must be aware that certain countries prohibit the import of some species or any parts or products derived thereof. For example, the United States prohibit all import of African elephant ivory, and any item containing parts that may merely resemble African elephant ivory must be accompanied by relevant documentation stating it is not the latter. ?WZSML Q\MU[ \PI\ IZM LI\ML JMNWZM ! IZM M`MUX\ NZWU QUXWZ\ restrictions for intra-EU trade and shall not require export licences. Please be aware that all Lots marked with the symbol Æ&#x20AC; IZM []JRMK\ \W +1<-; ZMO]TI\QWV[

4QUQ\I\QWV WN TQIJQTQ\a ZMOIZLQVO +1<-; M`XWZ\ TQKMV[M[ Where licences are required for importing or exporting outside of the European Union, it is the Buyerâ&#x20AC;&#x2122;s duty to obtain them. CA Ltd cannot be held responsible if the Buyerâ&#x20AC;&#x2122;s application for an export permit is unsuccessful. Subsequently, in the event of failure thereof, CA Ltd shall not permit cancellation or rescission of the sale. ?IZZIV\QM[ CA Ltd does not provide the Buyer with warranties relating to any Lot, unless required by Law. )]\PMV\QKQ\a _IZZIV\a 1V \PM M^MV\ WN I 4W\ JMQVO [WTL I[ I]\PMV\QK ]VLMZ \PM KI\ITWO]M description and the Buyer provides evidence in the form of a written report by a recognised expert or test results that the said Lot is not, CA Ltd will refund the purchase price. <PM *]aMZ [PITT OQ^M VW\QKM \W +) 4\L _Q\PQV LIa[ NZWU SVW_TMLOM or any event giving reasons for suspecting that the item is not authentic, and within one year of the said sale. Any claim thereafter shall not be receivable. For the purposes of the present paragraph, authenticity shall JM LMÃ&#x2026;VML I[ \PM [\I\M WN I 4W\ \PI\ Q[ OMV]QVM IVL VW\ I NWZOMZa WZ I KWXa 5. ANTIQUITIES AND TRIBAL ART 1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ IVL ZMO]TI\QWV[ )ZKPIMWTWOQKIT OWWL[ W^MZ aMIZ[ WN IOM ]VTM[[ KW^MZML Ja M`MUX\QWV WN TQUQ\ML [KQMV\QÃ&#x2026;K QV\MZM[\ _QTT ZMY]QZM IV -= 4QKMVKM NWZ M`XWZ\ \W I third country, regardless of their value. 1\ Q[ ZMKWUUMVLML \PI\ \PM *]aMZ KWV\IK\ \PM -`XWZ\ 4QKMV[QVO =VQ\ at Arts Council England in order to be assured the good is or not of TQUQ\ML IZKPIMWTWOQKIT WZ [KQMV\QÃ&#x2026;K QV\MZM[\ Archaeological goods found on United-Kingdom soil or in UK \MZZQ\WZQIT _I\MZ[ W^MZ aMIZ[ WN IOM [PITT ZMY]QZM I =3 4QKMVKM regardless of their value and regardless of the export destination. 7\PMZ IZKPIMWTWOQKIT WJRMK\[ ZMOIZLTM[[ WN \PMQZ WZQOQV _QTT ZMY]QZM IV 1VLQ^QL]IT 4QKMVKM WZ 7/-4 LMXMVLQVO WV \PMQZ ^IT]M Both European-Union and UK Licences may be required simultaneously NWZ [WUM Q\MU[ 1\ Q[ \PM *]aMZÂ¼[ L]\a \W ]VLMZ\ISM \PM VMKM[[IZa [\MX[ CA Ltd cannot be held responsible and the sale cannot be cancelled in the event of failure to obtain the relevant licences. 6. JEWELLERY /MU[\WVM \ZMI\UMV\ IVL M[\QUI\M[ Many gemstones on the market have been treated so as to augment their appearance, in a reversible or permanent manner. Treatments under the present section may be but not limited to: â&#x20AC;¢ Heat treatment to enhance sapphires and rubiesâ&#x20AC;&#x2122; clarity and colour Â&#x152; 7QT IVL ZM[QV \ZMI\UMV\[ NWZ MUMZITL[ IXXTQML QV LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ _Ia[ \W enhance clarity of the stone â&#x20AC;¢ Staining Â&#x152; 1ZZILQI\QWV â&#x20AC;¢ Coating Estimates provided by CA Ltd are deemed to be based on the fact that the OMU[\WVM UIa PI^M JMMV []JRMK\ \W IVa \aXM WN \ZMI\UMV\ QV \PM XI[\ +) Ltd shall not be responsible in the absence of mention thereof. ) KMZ\QÃ&#x2026;KI\M UIa JM Q[[]ML Ja I TIJWZI\WZa XZW^QLQVO _Q\P LM\IQTML information on the condition of the gemstone and any treatment applied \PMZM\W <PM *]aMZ U][\ JM I_IZM \PI\ LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ TIJWZI\WZQM[ PI^M LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ approaches as to the degree or type of treatment for a particular gemstone. 1N I KMZ\QÃ&#x2026;KI\M IKKWUXIVQM[ \PM 4W\ \PM *]aMZ U][\ JM I_IZM \PI\ Q\ Q[ merely a statement of the laboratoryâ&#x20AC;&#x2122;s opinion and in no way can CA Ltd

JM PMTL ZM[XWV[QJTM NWZ IVa UMV\QWV[ \PMZMQV ;]KP KMZ\QÃ&#x2026;KI\M[ IZM LMMUML to be delivered with the Lot for informative purposes only. -[\QUI\ML _MQOP\[ 1N I [\WVMÂ¼[ M`IK\ _MQOP\ IXXMIZ[ _Q\PQV \PM JWLa WN \PM LM[KZQX\QWV \PM [\WVM PI[ JMMV ]V UW]V\ML IVL _MQOPML Ja +) 4\L 1N \PM _MQOP\ WN a stone is stated to be approximate, the stone has been assessed by CA 4\L _Q\PQV Q\[ [M\\QVO IVL \PM LMÃ&#x2026;VML _MQOP\ Q[ I [\I\MUMV\ WN WXQVQWV only. This information is given as a guide and bidders should satisfy themselves with regard to this information as to its accuracy. ;QOVI\]ZM[ â&#x20AC;&#x2DC;) LQIUWVL ZQVO Ja @â&#x20AC;&#x2122;: When the makerâ&#x20AC;&#x2122;s name appears in the title, in Chiswick Auctionsâ&#x20AC;&#x2122; opinion the piece is by that maker. â&#x20AC;&#x2DC;) LQIUWVL ZQVO [QOVML @â&#x20AC;&#x2122;: Has a signature that, in Chiswick Auctionsâ&#x20AC;&#x2122; opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered. â&#x20AC;&#x2DC;) LQIUWVL ZQVO UW]V\ML Ja @â&#x20AC;&#x2122;: Has been created by the RM_MTTMZ QV +PQ[_QKS )]K\QWV[Â¼ WXQVQWV J]\ ][QVO [\WVM[ WZ LM[QOV[ supplied by the client. â&#x20AC;&#x2DC;5ISMZÂ¼[ UIZS NWZ @â&#x20AC;&#x2122;: Has a makerâ&#x20AC;&#x2122;s mark which in Chiswick Auctionsâ&#x20AC;&#x2122; opinion is authentic. Some items may include parts or products derived from endangered [XMKQM[ []KP I[ Q^WZa WZ KWZIT ;]KP Q\MU[ UIa JM []JRMK\ \W QUXWZ\ WZ M`XWZ\ ZM[\ZQK\QWV[ ;MM [MK\QWV WV +1<-; ZMO]TI\QWV[ NWZ UWZM LM\IQT[ 7. CLOCKS AND WATCHES All Lots are sold as seen. Clocks and watches are therefore not deemed to be sold in working condition. Absence of reference thereof in the description does not imply that the Lot is in good condition and _Q\PW]\ LMNMK\[ WZ PI[ JMMV []JRMK\ \W ZMXIQZ WZ ZM[\WZI\QWV CA Ltd makes no representation or warranty that any clock or watch Q[ QV _WZSQVO WZLMZ )[ KTWKS[ IVL _I\KPM[ WN\MV KWV\IQV Ã&#x2026;VM IVL complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Most clocks and watches are likely to have been repaired in the past, and as a result may include parts that are not original thereto. The United-States restrict the importation of watches such as Rolex, Frank Muller or Corum. Such models can only be imported personally by the Buyer and CA Ltd cannot assist with shipping thereof. Some watches may include leather straps derived from endangered species. Buyers may be required to obtain appropriate permits for QUXWZ\ WZ M`XWZ\ X]ZXW[M[ QV IKKWZLIVKM _Q\P +1<-; ZMO]TI\QWV[ CA Ltd acts in compliance with such legislations and shall take necessary steps where required. Subsequently, watches may be deemed sold without their straps. 8. FURNITURE =XPWT[\MZML N]ZVQ\]ZM IN\MZ ! According to The Furniture and Furnishings (Fire Safety) Regulations ! N]ZVQ\]ZM \PI\ _I[ ]XPWT[\MZML IN\MZ \PM [\ WN 2IV]IZa ! Q[ []JRMK\ \W ZM[\ZQK\QWV[ QV \PM =VQ\ML 3QVOLWU Exempt upholstered furniture that does not meet such requirements is deemed sold for purely aesthetic purposes.CA Ltd shall not be ZM[XWV[QJTM NWZ TI\MZ IT\MZI\QWV[ \W \PM N]ZVQ\]ZM UISQVO Q\ ]VÃ&#x2026;\ NWZ [ITM 9. FINE ART .QVM )Z\ XIQV\QVO[ I[ QVKT]LML QV \PM KI\ITWO]M LM[KZQX\QWV Â»@ Â¼" 1V +PQ[_QKS )]K\QWV[Â¼ WXQVQWV Q\ Q[ IV I]\PMV\QK work by the artist.

»)\\ZQJ]\ML \W @ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ probably a work by the artist. »+QZKTM WN @ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM IVL L]ZQVO \PM period of the artist’s life. ».WTTW_MZ WN @ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM KWV\MUXWZIZa or near contemporary. »;KPWWT WN @ \P KMV\]Za¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS executed in that period and in the style associated with that artist. ».ZMVKP ;KPWWT \P KMV\]Za¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS executed in that period and in the style associated with a particular location. »5IVVMZ WN @¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM J]\ I\ I TI\MZ LI\M IT\PW]OP not of recent execution. »;\aTM WN @¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM IVL WN ZMKMV\ M`MK]\QWV »)N\MZ @ " 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I KWXa Ja IV ]VQLMV\QÅML IZ\Q[\ WN I VIUML _WZS Ja \PM IZ\Q[\ Lots sold ‘as seen’ or ‘as found’ are deemed to be sold in their present condition, with their faults and defects. The Bidder must be aware that purchase of such Lots is at there own risk.

CA Ltd offers no guarantee as to suitability for drinking of the wine or spirit. The Buyer must be aware of the risk that the taste of a wine or spirit may be altered due to factors such as age, storage conditions, oxidation, etc.

10. ASIAN ARTS

15. SEVERABILITY

1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ ?PMV LMITQVO _Q\P )[QIV )Z\[ IVL UWZM [XMKQÅKITTa _Q\P Q\MU[ UILM WN exotic wood (e.g. all species of rosewood) or elephant ivory, the Buyer must JM I_IZM WN QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ QV IKKWZLIVKM _Q\P +1<-; Regulations. As aforementioned in the Section relating to such matters, QUXWZ\ IVL M`XWZ\ XMZUQ\[ WZ ZM M`XWZ\ KMZ\QÅKI\M[ UIa JM ZMY]QZML >MZQÅKI\QWV TM\\MZ[ _QTT JM ZMY]QZML NWZ ZM M`XWZ\ WN _WZSML ZPQVWKMZW[ Q\MU[

Whenever and to the extent that any provisions of these terms would or might contravene the provision of any relevant legislation, []KP XZW^Q[QWV Q[ \W \ISM M‫ٺ‬MK\ WVTa QV [W NIZ I[ Q\ UIa LW [W without contravening such legislation and the legality, validity and enforceability of any of the remaining provisions are not in any way \W JM I‫ٺ‬MK\ML WZ QUXIQZML I[ I ZM[]T\

13. COPYRIGHT CA Ltd shall own the copyright on all images, illustrations and written material produced by or for CA Ltd relating to a Lot, including catalogue contents. Such copyright shall remain at all times the property of CA Ltd. Neither the Buyer nor anyone else shall use the abovementioned materials without the prior written consent of CA Ltd. ;WUM 4W\[ UIa JM []JRMK\ \W KWXaZQOP\ XZW\MK\QWV +) 4\L LWM[ VW\ guarantee said Lots are free thereof. 14. DATA PROTECTION The Buyer agrees that personal information transmitted to CA Ltd may be disclosed exclusively for the purposes of business, or as required by Law. CA Ltd shall not use personal information for any other purpose without the Buyer’s prior consent. CA Ltd never sell, lend or trade in personal data provided by any Bidder.

16. AMENDMENTS .QVM +PQVM[M 8IQV\QVO[ +]ZZMV\ [KPWTIZ[PQX QV \PM ÅMTL WN +PQVM[M 8IQV\QVO[ IVL +ITTQOZIXPa LWM[ VW\ XMZUQ\ ]VY]ITQÅML [\I\MUMV\[ I[ \W \PM I]\PWZ[PQX WZ LI\M WN execution. The limited right of rescission contained in the present terms and conditions does not apply to Chinese paintings. 6W\_Q\P[\IVLQVO QN _Q\PQV LIa[ WN \PM [ITM WN IVa []KP 4W\ \PM original purchaser gives written notice to CA Ltd that the Lot is a forgery and within fourteen days after giving such notice, the original purchaser returns the lot to us in the same condition as at the time of sale and demonstrates to our satisfaction that the lot is a forgery, CA Ltd will rescind the sale and refund the purchase price received. For this purpose, I »NWZOMZa¼ Q[ LMÅVML I[ I _WZS KZMI\ML _Q\P \PM QV\MV\ \W LMKMQ^M 11. BOOKS AND MANUSCRIPTS *WWS[ IVL UIV][KZQX\[ [WTL I[ QVKWUXTM\M IZM VW\ []JRMK\ \W ZM\]ZV[ Printed books may be returned for a full refund only if they prove to be defective in text or illustration. This shall not apply to the absence of blanks, half titles or advertisements, to un-named books or to books sold under the heading of ‘binding’ or ‘bindings’. 12. WINES AND SPIRITS 1V IKKWZLIVKM _Q\P IOZMML [\IVLIZL[ QV \PM \ZILM M[\QUI\M[ [PITT JM LMMUML \W PI^M \ISMV QV\W IKKW]V\ \PM ÅTT TM^MT For the purposes of the present Terms and Conditions, the ‘Fill Level’ refers to the space between the base of the cork and the liquid in the bottle. Fill levels may vary with age or depending on the condition of the wine or spirit. Lack of mention thereof in the description is not a representation of IV »IKKMX\IJTM¼ ÅTT TM^MT NZWU +) 4\L

The current Terms and Conditions may be amended, verbally or in writing, prior to the sale. 17. LAW AND JURISDICTION The rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with the Law of England and Wales. .WZ \PM JMVMÅ\ WN +) 4\L ITT JQLLMZ[ IVL [MTTMZ[ IOZMM \PI\ \PM +W]Z\[ WN -VOTIVL IZM \W PI^M M`KT][Q^M R]ZQ[LQK\QWV \W [M\\TM ITT LQ[X]\M[ IZQ[QVO in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship warranty relate or apply. All parties agree that CA Ltd shall retain the right to bring proceedings in any court other than the Courts of England.

SPECIALISTS

20th CENTURY DESIGN James Nurse, Head of Department james@chiswickauctions.co.uk

JEWELLERY Sarah Duncan, Head of Department sarah@chiswickauctions.co.uk

ANTIQUITIES & TRIBAL ART Alice King, Head of Department alice.king@chiswickauctions.co.uk

Charlotte Peel, Specialist charlotte.peel@chiswickauctions.co.uk

ASIAN ART Lazarus Halstead, Head of Department lazarus@chiswickauctions.co.uk

Clive Moss, Head of Department

Yasuko Kido, Japanese Art Specialist yasuko@chiswickauctions.co.uk CERAMICS & GLASS Dr. Jim Peake, Head of Department jim@chiswickauctions.co.uk CONTEMPORARY & URBAN ART Harry Parkinson, Sales Coordinator harry@chiswickauctions.co.uk DESIGNER HANDBAGS & FASHION Meg Randell, Head of Department meg@chiswickauctions.co.uk EUROPEAN WORKS OF ART & CLOCKS Rachael Osborn-Howard, Head of Department rachael@chiswickauctions.co.uk FINE ART Suzanne Zack, Head of Department suzanne@chiswickaucions.co.uk Jan Leman, Specialist jan@chiswickauctions.co.uk Rohan McCulloch, Specialist rohan@chiswickauctions.co.uk Krassi Kuneva, Head of Sales - Modern & Post-War British Art kkuneva@chiswickauctions.co.uk Melissa Van Vliet, Head of Sales - Old Masters melissa.vanvliet@chiswickauctions.co.uk GUITARS & MUSICAL INSTRUMENTS Dr. David MacGregor, Specialist david@chiswickauctions.co.uk ISLAMIC & INDIAN ART Beatrice Campi, Head of Sales beatrice.campi@chiswickaucions.co.uk

PRINTED BOOKS & MANUSCRIPTS clive.moss@chiswickauctions.co.uk

Dr. Carmen Donia, Specialist carmen.donia@chiswickauctions.co.uk

Nicholas Worskett, Specialist nicholas@chiswickauctions.co.uk

Valentina Borghi, Head of Sales - Autographs & Memorabilia valentina.borghi@chiswickauctions.co.uk RUGS & CARPETS Mark Henry LampÃ©, Head of Department mark.lampe@chiswickauctions.co.uk Chris Vin, Specialist chris@chiswickauctions.co.uk SILVER & OBJECTS OF VERTU John Rogers, Head of Department john.rogers@chiswickauctions.co.uk Amicie de Villenfagne, Specialist amicie@chiswickauctions.co.uk WATCHES Matthew Caddick, Head of Department matt@chiswickauctions.co.uk WINE & SPIRITS Peter Mansell, Head of Department peter.mansell@chiswickauctions.co.uk

SALE CALENDAR

SPECIALISTS

JUNE

TUESDAY

Interiors & Design to include a selection of Fine Rugs & Carpets Clive Moss

Valentina Borghi

Head of Department clive.moss@chiswickauctions.co.uk

Specialist valentina.borghi@chiswickauctions.co.uk

WEDNESDAY

European Works of Art & Clocks

TUESDAY

British & European Fine Art with Portrait Miniatures

13 Dr. Carmen Donia

Andrew Kerr

Specialist carmen.donia@chiswickauctions.co.uk

Specialist andrew.kerr@chiswickauctions.co.uk

WEDNESDAY

Wine & Spirits

TUESDAY

Interiors & Design Silver & Objects of Vertu

WEDNESDAY

Post-War & Contemporary Art Urban Art Nicholas Worskett

Robert Hall

Specialist nicholas@chiswickauctions.co.uk

Consultant in Maps & Atlases robert.hall@chiswickauctions.co.uk

TUESDAY

Summer Jewels Designer Handbags & Fashion

LIVE BIDDING

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WEDNESDAY

Antiquities & Tribal Art

THURSDAY

Modern & Post-War British Art

Modern First Editions, Illustrated Books & Limited Editions 30 May 2018

1 Colville Road, London W3 8BL +44 (0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk

Modern First Editions, Illustrated Books & Limited Editions London 30th May 2018