Chiswick Auctions - Photographica - 14 Nov 2019 by Chiswick Auctions

Photographica

London, 14th November 2019

Photographica Department

Austin Farahar Head of Department austin.farahar@chiswickauctions.co.uk

Online Bidding

Bid online with Chiswick Live to benefit from Chiswick Auctions’ standard buyer’s premium terms with no additional surcharges. invaluable.co.uk Please note there is a 5% +VAT surcharge for using this service. Telephone Bidding +44 (0)20 8992 4442 Please note that requests for telephone bids should be submitted 12 hours before the start time of the auction. Bidding bids@chiswickauctions.co.uk Vendor Accounts harminder.keane@chiswickauctions.co.uk Buyer Accounts mel.oneill@chiswickauctions.co.uk

Chiswick Saleroom, Viewings & Valuations 1 Colville Road, London W3 8BL +44 (0)20 8992 4442

Opening Hours Monday to Friday 10am – 6pm Saturday to Sunday 11am – 5pm

South Kensington Showroom & Selected Highlights 127 Fulham Road, London SW3 6RT +44 (0)20 3949 7130

Opening Hours Monday to Friday 10am – 6pm Saturday to Sunday – Closed except for events

General Enquiries info@chiswickauctions.co.uk +44 (0)20 8992 4442 chiswickauctions.co.uk

Bank Holiday Hours 11am – 5pm

Photographica

Thursday 14th November 2019 11am Follow us on Instragram @londonphotographica Full Sale & Viewing at South Kensington Saturday 1st –Thursday 14th November

Buyer’s Premium The buyer shall pay Chiswick Auctions Ltd. a premium on the hammer price of 25% +VAT on that commission. Collection of Lots Buyers are asked to collect their lots on the day of the sale or between 10am - 6pm up until close of business on Friday following the sale. Cites Please be aware that all lots marked with the symbol are subject to CITES regulations. Please see our Terms & Conditions for more information. Artist’s Resale Right/Droit De Suite Lots marked with ARR indicates that an additional levy may apply for this lot. Please see our Terms & Conditions for more information. Photography Darrell Russell Steven McCauley Jordan Salzmann Basak Ulukose

Graphic Design Kim Evangelista

1 Various Photographers, c.1850 SIXTH PLATE DAGUERREOTYPES, C.1850, Portraits of Ladies (3), and Gentlemen (2), one example by J.W Newland of Calcutta, an English daguerreotypist and magic lanternist who travelled from New Orleans, through Central and South America, to the Pacific, New Zealand, Australia, England, and finally to Calcutta between 1845 and 1857, total (5) in very good condition, with minor oxidation affecting one example, all with ornately decorated Morocco cases ÂŁ250-ÂŁ350

3 4

Negretti & Zambra (1854)

Unknown Photographer (c.1854)

STEREO DAGUERREOTYPE, CRYSTAL PALACE, SYDENHAM, 1854, by Negretti & Zambra, image size, 171mm x 82.5mm in black passe-partout mount, taken in the sculpture gardens of Crystal Palace, with maker's label and inscription to verso ' View in the Nave'

STEREO DAGUERREOTYPE, CRYSTAL PALACE, SYDENHAM, c.1854, image size, 171mm x 82.5mm, in black passe-partout mount, a fine daguerreotype taken in the sculpture gardens of Crystal Palace, inscription in ink verso; 'In the Nave'

£400-£600

Unknown Photographer (c.1854)

STEREO DAGUERREOTYPE, CRYSTAL PALACE, SYDENHAM, c.1854, image size, 171mm x 82.5mm, in black passe-partout mount, a fine daguerreotype taken of Andromeda in the sculpture gardens of Crystal Palace

STEREO DAGUERREOTYPE, CRYSTAL PALACE, SYDENHAM, c.1854, 171mm x 82.5mm, in black passe-partout mount, a fine daguerreotype taken of the Nymph Fountain in the Crystal Palace Sculpture Garden

£400-£600

6 Unknown Photographer, c.1850 STEREO DAGUERREOTYPE OF THE ROYAL EXCHANGE, LONDON, c.1850, a very rare and early architectural view of the historical centre of commerce in the city of London. The Royal Exchange in London has twice been destroyed by fire and rebuilt. The present building was designed by Sir William Tite in the 1840's. It was opened by Queen Victoria on 28 October 1844, though trading did not commence until 1 January 1845. Presumably this daguerreotype would have been taken around this time. £3,000-£5,000

7 A Polyrama Panoptique c.1849 A paper covered wooden box, with sliding mahogany lens panel, optics, VG, connected by bellows (G), hinged lid and back (shutter), by operating the hinged lids, the viewer can alternatively light the transparency from the front or the rear, producing a variety of transformations, sometimes involving movement, dimensions 260mm x 225mm x 140mm, importers dealer plate, W. Wild of Brighton, to lid, complete with original hand coloured paper slides (6): 52-Moret, La Roche qui pleure (Fontainebleau) VG, 53Cour de la Fontaine (Fontainebleau) G, 54-Chapelle de la Sainte Trinite (Fontainebleau) VG, 55-Heronniere du Chateau - Le Chene des Fees (Fontainebleau) VG, 56-Le CHateau vu du Parterre (Fontainebleau) P- repaired, 57-Galerie des Colonnes (Fontainbleau) VG, housed in a period lined wooden case The Polyrama Panoptique is a miniature version of Louis Daguerre's earlier Diorama invention

£400-£600 8 A E. Leitz Student Microscope, c.1885 Engraved, E. Leitz Wetzlar No. 7467, lacquered brass with horseshoe base, rack work coarse focusing on tube and with fine focusing on pillar (stiff), single 5x Leitz objective, sub stage diaphragm, Plano-concave mirror, also included a group of 19th century papered microscope slide preparations 57mm x 10mm (9) with French handwritten titles in ink, 75mm x 25mm (1), and a John B. Dance microphotograph of the Queen & Prince of Wales, in maker's mahogany box with later fitted lock £100-£150

9 A Victorian Tabletop Zograscope and Stereoscope Combination Viewer c.1860s A fine Rosewood viewer with brass fixtures and finished with bone, in good condition, complete with a cabinet card of a boy, and a pair of early stereo cards, one showing Bayle Gate, Bridlington and one by Norwegian Photographer K.K Knudsen, stamped lower margin and with label verso £120-£180 8

10 A Group of Stereocards c.1900 WORLD TRAVEL INTEREST, approx. 100 cards, many locations all over Europe, Norway, Canada, Africa, Palestine, New Zealand, Japan, India, Thailand, Egypt, Libya, Venezuela together with stereocards illustrating British Industry and Landmarks, Publishers include, Realistic Travels, H.D Girdwood, Underwood & Underwood, The 'Albemarle Series', the majority of cards stamped verso with the distributors address, complete with a handheld metal viewer £60-£80 10

11 Camille Silvy (1834-1910) PORTRAIT OF PRINCE ALBERT, Cartes Des Visite, image size 85mm x 53mm, with death date inscribed in ink verso, encased in gilt framed Morocco daguerreotype case, together with Ambrotype and Daguerreotype portraits of Ladies and Gentlemen, quarter plate or smaller, Total (8) £80-£120

12 Oscar Gustave Rejlander (1813 - 1875) CARTES DES VISITE, late 1850s, rare albumen portrait of a gentlemen, image size, 81mm x 60mm, with pencil inscription to the verso 'He's looking at me, the dear creature' £80-£120 12 9

13 A Cartes Des Visite Album c.1860s A good collection of Carte Des Visite images ( approx 50), subjects include Ladies Gentlemen and a Dog, notable sitters include Princess Alice and Prince Albert with a rifle, Photographers/Studios include, Camile Silvy, John Moffat, Mayall James Robinson, Lauder Brothers, Emile Desmaison, M. Jacard, L. Subercaze, G. Schroeder Also included in lot; a family snapshot album detailing a holiday cruise to the Scottish Highland on the Hebridean Steamer, c.1920s, approx 64 snapshot prints and original Steamer poster, and a 1929-1934 snapshot album detailing a Passion fruit farming operation £100-£150

14 Various Photographers c.1850-1870 BRITISH CARTES DES VISITE ALBUM, c.1850-1870, comprising cartes des visite (80) of notable Ladies and Gentlemen of the time, including many Royal family members and Nobility, Alfred Tennyson, Palmerston, Lord Clyde and many more, Photographers include Sarony, Mayall, W.D Thomson, C. Hawkins, F.C Varley, Willison, Henry Webster, Negretti & Zambra and Henry Death, many images inscribed on the verso, in a contemporary oblong folio album £100-£150

15 Mathieu Deroche (1866-1904) PHOTOGRAPHIC ENAMEL PORTRAITS, 1867 - 1900, Circular/Oval 3/4 portraits (7), image size, smallest, 26mm in diameter, largest, 150mm x 115mm, and with rectangular examples (2), image size, 185mm x 98mm, each signed and dated by the maker verso, Sitters including Queen Alexandra, wife of Edward the VII, total (9) The art of obtaining a burnt-in impression of a photograph on enamel or porcelain has been in practice since the 1850s. Deroche's firm employed the carbon transfer process to manufacture coloured enamel portraits until the turn of the century. Deroche produced photographic enamel portraits from his studio in the Boulevard des Capucines, usually inscribed to the reverse with the date, initials and other details as is the case with these examples. He portrayed many of the great and good of Europe and the Near East of the period £600-£800

16 Unknown Photographer c.1880s PHOTOGRAPHIC ENAMEL PORTRAITS, c.1880s, Circular/Oval 3/4 portraits (4), image size, smallest, approx 59mm x 47mm, and with rectangular examples (3), image size, largest, approx. 198mm x 120mm, sitters include, thespians, a member of the Catholic Church, Ladies & Gentlemen, all unsigned, total (6) £200-£300

17 Unknown Photographer c.1856 RUSSIAN INTEREST, c.1856, Oblong folio 280mm x 385mm, comprising later printed, (c.1890s), photocrom prints (68) mounted onto thick contemporary card, captions in French and Russian, images with typescript titles and numbered in the negative, some light spotting, gilt title, date and initals C.N.H. to cover of binding, spine and corners slightly rubbed. Stunning Photocrom views from across the Russian empire, From the architectural wonders of Moscow and St Petersburg to the breathtaking vistas of the Crimean peninsula and the Caucasus. ÂŁ1,400-ÂŁ1,600 13

18 Unknown Photographer c.1860 BOTANICAL STUDIES, c.1860, a pair of unique albumen photograms (2), mounted onto contemporary cartes des visite cards, paper size 95mm x 60mm, marginally window mounted £400-£600

19 Unknown Photographer c.1860 GROUP OF ZANZIBAR WOMEN, albumen print, image size 185mm x 140mm, with loose label titled in ink, a fine early half plate ethnographic portrait of native women of Zanzibar, tonally very rich and in good condition £150-£250 14

20 Unknown Photographer c.1860 PORTRAIT OF FEMALE TRIBES PEOPLE, SOUTHERN AFRICA, c.1860, albumen print, image size 196mm x 143mm, mounted onto a contemporary paper album leave, 290mm x 237mm, with pencil inscription lower margin, archivally window mounted £150-£200 21 Unknown Photographer c.1870s ZULU LADIES IN EVENING DRESS, c.1870s, albumen print, image size, 110mm x 154mmw, titled in pencil on the verso £80-£120 22 The People of India: A Series of Photographic Illustrations, 1868-1875 4 loose leaves from this rare ethnographic study, with albumen portraits and typed letterpress titles The project was begun on the request of Lord Canning, GovernorGeneral of India, initially as a souvenir of his time on the subcontinent. The officers of the British Army were instructed to go out and photograph “interesting subjects,” and the results proved so extensive that a decision was made to publish them in the present format. The known contributing photographers were: J.C.A. Dannenberg; Lieut. R.H. De Montmorency; Rev. E. Godfrey; Lieut. W.W. Hooper; Major Houghton; Capt. H.C. McDonald; J. Mulheran; Capt Oakes; Rev. G. Richter; Shepherd and Robertson; Dr. B. Simpson; Dr. B.W. Switzer; Capt H.C.B. Tanner; Capt. C.C. Taylor; Lieut. J. Waterhouse.

£250-£350 15

23 Elizabeth Pulman (1836-1900) PORTRAIT OF THE MAORI CHIEF TE RETIMANA TE RURAPOUTO, NEW ZEALAND, c.1870s, albumen print, image size, 280mm x 210mm, signed, titled and numbered in the negative, archivally mounted and framed, (500mm x 422mm) Provenance: Ex. British private collection £1,000-£1,500

24 Edward S. Curtis (1868–1952) A HAIDA OF KUNG, PLATE 399(THE NORTH AMERICAN INDIAN, V. XI. 1916), Vintage Photogravure portrait, image size, 387mm x 285mm, titled in lower margin and with plate number upper left, together with an inkjet print of BEAR'S BELLY - ARIKARA, PLATE 150, 1908, 425mm x 320mm £600-£800 25 Edward S. Curtis (1868–1952) HIPAH - MOHAVE (THE NORTH AMERICAN INDIAN, V. II. 1907) THE GRIZZLY-BEAR - PIEGAN (THE NORTH AMERICAN INDIAN, V. VI.1911) ALCHISE - APACHE (THE NORTH AMERICAN INDIAN, V. I.), Vintage Photogravure Portraits (3), image size approx 185mm x 127mm, titled in lower margin, all images in very good condition £400-£600 24

25 18

26 Various Photographers c.1870s-1880s CEYLON - ETHNOGRAPHIC PORTRAITS OF IT'S PEOPLES, c.1870s -1880s, a collection of albumen prints 49, image size, 85mm x 60mm (average), mounted recto onto contemporary album leaves (7) measuring (315mm x 255mm), subjects include; Sinhalese Men, Women & Children, Jaffna Tamils,Villagers, Tradesmen, Veddahs, Devil Dancers, Kandyan Chiefs and Buddhists, a fine selection in CDV format, together with topographical images of the Colombo to Kandy Railway, Tea Plantation & Colombo Lake, one image signed Scowen £350-£550

27 Various Photographers c.1870-1890s CEYLON - TOPOGRAPHICAL & ETHNOGRAPHIC INTEREST, c.1870 -1890s, a collection of loose albumen prints flush mounted onto card (24), approx 280mm x 210mm (largest), 120mm x 100mm (smallest) ethnographic portraits include; Buddhists, Devil Dancers, Kanydan Chiefs, Sinhalese fishermen, Hackery, Farmers, A native Coconut Oil mill, locations include Colombo, Kandy, Ratnapura and the Coast, Photographers mostly Scowen & Co. Colombo Apothecaries, also included with the lot; R.B Holmes (1888-1973) gelatin silver print, of 'The Old Pathan' c.1920, image size, 290mm x 210mm flush mounted on contemporary card from his views taken in and around Peshawar and the North-West Frontier, India/Afghanistan £600-£800 28 Scowen & Co. c.1880s CEYLON - A COLONIAL ENGINEER'S ARCHIVE, c.1870-1900 a collection of loose albumen prints (44), the majority flush mounted onto card, approx 280mm x 210mm or smaller, a fascinating insight documenting the Engineers, the camps, the workers and the Elephants that were put to work for civil engineering efforts during this period, the majority of images unsigned, titled or numbered, some images with slight losses or toning, otherwise good 28 20

£500-£700

30 29 Scowen & Co. c.1880s THE COLOMBO TO KANDY RAILWAY, c.1880s, a collection of loose albumen prints (9) flush mounted onto card, approx 280mm x 210mm, documenting the famous railway line including the Bridges, Stations and the topography of the line, one image signed in the negative, Scowen & Co, some peripheral toning to the majority, otherwise good £300-£400 30 Scowen & Co. c.1870s CEYLON, BOTANICAL INTEREST, c.1870s, a collection of loose albumen prints, 275mm x 210mm, documenting Ceylon’s incredible Palms, Bamboo & Rubber trees, each image signed and titled in the negative, one image with some creasing to upper portion, the rest very good £300-£500 31 Edward Curtis (1868-1952) AN OASIS IN THE BATTLELANDS, 1905, gold toned digital archival print, printed c.2004, Atlas Gallery limited edition, image size, 382mm x 290mm, paper size, 500mm x 400mm, annotated in pen verso £200-£300

31 21

32 Scowen & Co. c.1870s CEYLON - TEA PLANTATIONS, ANNFIELD DICKOYA, c.1870s, a collection of loose albumen prints (9) flush mounted onto card, approx. 280mm x 210mm, documenting the Annfield Dickoya Tea Plantation, its owners, workers and the estate £200-£300

33 Skeen & Co (1866-1920) CEYLON, c.1880s, a collection of albumen prints (29), image size, average 270mm x 210mm, mounted recto and verso onto contemporary album leaves (15) measuring (365mm x 255mm), with handwritten titles in ink lower margin, Ethnographic Portraits include; Singhalese Men & Woman, Kandyan Chief and a Buddhist Priest. Topographical subjects include, Colombo Harbour, The Galle Face Hotel, Maidan & Fortifications, Early Dutch Foritifications, Kandy; view of the town, The Queens Hotel, The Old Palace, Peradenryia Botanical Gardens, Thuparama Dagoba - the first Buddhist temple in Ceylon, Kingdom of Anuradhapura, the majority of images signed and numbered in the negative, one leave blank with two handwritten labels affixed £400-£600 22

34 Unknown Photographers CEYLON, PORTRAITS OF IT'S PEOPLES, c.1880s, including street scenes and other portraiture, Sinhalese Men, A Kandyan Chief, Snake Charmers, Buddhist monks & Local Children, albumen prints (13), image sizes, approx 275mm x 215mm (5), approx 145mm x 100mm (8), mounted back to back on period card album leaves (3), one image blindstamped Colombo Apothecaries Co, one leave foxed, otherwise very good, numbered in pencil on leaves below images, together with one a landscape of Perranporth, Cornwall, numbered in negative £300-£500

35 Various Photographers c1870s-c1880s CEYLON TOPOGRAPHICAL INTEREST , c1870sc1880s, Albumen Prints (25), mounted onto contemporary album leaves, 2 examples loose, Subjects include, Waterfalls, Landscapes, Kandy, Botanical Studies, Elephants, Jungle Construction, Colonial Families, Landmarks & Monuments, image sizes, approx. 270mm x 210mm (19) or smaller (6) Photographers including Skowen co, Colombo, Apothecaries Co, some examples signed or titled in negative £300-£500wv 23

36 Colombo Apothecaries Co. c.1890s CEYLON TOPOGRAPHICAL INTEREST, c.1890s, albumen prints (6), image sizes 275mm x 215mm, mounted onto contemporary loose album leaves (3) recto and verso, 345mm x 265mm, subjects include, Colombo views and a Street Scene, The Breakwater during Monsoon, Cabbage Palms Colombo Lake, Elephants in Kandy, each image signed, titled, numbered in the negative, or blindstamped £150-£250

37 Various Photographers c.1870-1890s CEYLON - TOPOGRAPHICAL INTEREST, c.1870-1890s, a collection of loose albumen prints flush mounted onto card (28) with (4) mounted recto verso on a pair of contemporary album leaves, (total 32 images), approx 280mm x 210mm, a fine selection of images, subjects include; Elgin Falls, Kandy, Colombo, Kadugannawa, Badulla, Teldeniya Bridge and more, some images signed in the negative, Photographers include, Lawton & Co, Scowen & Co, Colombo Apothecaries £400-£600 24

38 Skeen & Co. c.1860s-1880s CEYLON PHOTOGRAPH ALBUM, c.1860s-1880s oblong folio, three quarter morocco album, 335mm x 240mm, comprising a collection of albumen prints by Skeen & Co (25), image size approx. 270mm x 220mm, mounted recto, compiled by Hunter and Author Harry Storey, many images titled in ink lower margin, subjects include, Temples & Shrines, Native Street Scenes, Fishermen, a Gullock Cart, Kandy, Peradeniya Royal Botanical Gardens, Paddy Fields, Tea Plantations, Waterfalls, Landscapes, Buddhist Priests & Sinhalese Men and Women, nearly all images suffering from a degree of bookworm damage ÂŁ200-ÂŁ300 25

39 Various Photographers, c.1870s LEBANANON & SYRIA INTEREST, c.1870s, A Fine middle eastern photograph album, Oblong folio 365mm x 285mm, contemporary red morocco binding with gilt tooling, embossed monogram to front board, a selection of albumen prints (70), average image size approx 215 x 275mm, or the reverse mounted on thick card, recto and verso, subjects inclu de Landscapes, Monuments and portraiture, in Baalbek, Beirut, Palmyre, Acropole, the Temple of Jupiter, Tombes & Mosques, the majority of images signed titled or numbered in the negative, most images attributed to Maison Bonfils, with some by J.P Sebah or Tancrede Dumas, full collation and image attribution available upon request ÂŁ1,200-ÂŁ1,800

40 Various Photographers, c.1870s LEBANANON & SYRIA INTEREST, c.1870s. An extraordinary photograph album of images detailing Egypt, its landmarks and peoples, oblong folio, 405mm x 320mm, later fabric covered boards and with original gilt tooled spine, containing albumen prints (49) including panoramas (1), image sizes, 915mm x 188mm, & approx. 280mm x 210mm (48), subjects including; The Port of Aden and its inhabitants, The Suez Canal and it's Ports, The Nile, Shipping, Cleopatra's Needle in Alexandria, The Karnak Temple, The Sphinx, The Pyramids, Local portraits including Bouriquier & Arabic Families, merchants of Bethlemhem, Arabic Cafe, Kantara, Buffalo, Assouan Tombeau, Cairo's Grand Bazar, the majority of images signed, titled or numbered in the negative, Photographers include, Maison Bonfils, Pascal Sebah and Zangaki Brothers, full collation and image attribution available upon request ÂŁ1,500-ÂŁ2,500 27

41 Guillaume Gustave Berggren (1835 - 1920) VUES DE CONSTANTINOPLE, c.1880s, a selection of albumen prints (36) Oblong folio 290 x 388mm, contemporary red morocco, gilt and embossed, titled "Vues de Constantinople" on upper cover, minor fading, average image size approx. 215 x 275mm, or the reverse mounted on thick card, recto and verso, all signed, numbered and/or titled in the negative, with one inscribed in ink ÂŁ1,000-ÂŁ1,500

42 Unknown Photographer c.1890s RUSSIAN INTEREST, c.1890s, Oblong folio, 315mm x 440mm, Titles in ink on prints, yellow moiree silk paste downs. Half black morocco over pebble-grain cloth, spine in five compartments, comprising of silver gelatin prints (35), image size, 145,mm x 210mm, locations include Kiev (10), Moscow (3), St. Petersburg (3), Tiflis (3) and Odessa (2), traces of paper label to spine; rubbed, corners slightly bumped Unusual set of amateur photographic views of Eastern Europe, especially Ukraine and Russia. This album collects amateur photographs with views of major sites from Russia and Eastern Europe together with charming snapshots of daily life. Rarely do we have examples of such great spontaneity in photographs from the time. In the nineteenth century and the early twentieth century the vast majority of photographs were staged by local professionals who would then sell these as post card mementos to visiting tourists. In the case of this set of images, it is the traveller who, fascinated by his surroundings, records his impressions of the localities he sees through the lens of his own camera. The album records the traveller’s journey through important centres and sites, starting from Kiev (with many pilgrims and views of holy places such as the celebrated Lavra), continuing through Krackow, Tiflis (Tbilisi), Moscow, Saint Petersburg, as well as Batumi, Poti and Odessa on the Black Sea. £1,200-£1,400

43 Unknown Photographer c.1890s KALMYK'S AT REST, IN TRADITIONAL KALMYK YURT,MONGOLIA, c.1890s, albumen print, image size 170mm x 120mm,mounted onto card, inscription in ink in German lower margin,various notations in pencil and ink and 'K.k Naturkistor Hof-Museum'stamp verso £300-£500

44 Various Photographers c.1890s A HAND COLOURED JAPANESE PHOTOGRAPH ALBUM, c.1890s, oblong folio, 375mm x 270mm, contemporary fabric covered boards, comprising of loosely corner mounted albumen prints (12) and hand- coloured albumen prints (22), total 34, image size, 270mm x 210mm average, many signed or numbered in the negative, some examples with typescript titles in the negative, subjects include, Geisha Girls, Coolies, Tearooms, Shinto Temple, The Wind and Thunder Gods of Buddest Temple, Nikko, Eayasu Tomb & Dainichido at Nikko, one print with Japanese inscription in pencil verso, generally in fine condition, binding slightly worn £400-£600 30

45 Various Photographers, c.1890s A HAND COLOURED JAPANESE PHOTOGRAPH ALBUM c.1890s, Oblong folio, contemporary lacquered boards (400mm x 320mm), spine worn, comprising hand coloured albumen prints (50), average image size approx 250mm x 195mm, mounted on thick card leaves, recto and verso, with hand painted illustrations to leaves, subjects include; Road to Chiuzenji, Religious sites, Tea rooms, Nikko, Sammaihashi Hakone, Kioto, Cormorants Fishing at Nagara, River Gifu, Portraits, Street Scenes, Ikao, Geisha Girls, many images with typescript captions, some foxing affecting leaves, binding loose ÂŁ500-ÂŁ800 31

46 Various Photographers c.1890s A HAND COLOURED JAPANESE PHOTOGRAPH ALBUM, c.1890s, oblong folio, 350mm x 270mm, contemporary lacquered boards with gilted chrysanthemum inlaid carved bone design, a concertina album comprising of mounted hand-coloured albumen prints (67), larger image size, approx 255mm x 205mm (27), smaller image size, approx 130mm x 85mm (40), a number of examples with typescript titles in the negative, subjects include, Maikonohama, Banshui. Nunoniki Waterfalls, Moon Temple Kobe, Shiraito Waterfall at Fujikawa, Moji Harbour, Nagasaki Harbour, Nara Yamato, Ujikawa River, Togetsu Bridge, Kioto, Tea Houses, Isezzzaki-Cho, Yokohama, Tokyo, one leave detached, not affecting image otherwise an exceptionally bright and fine example of this type of album £800-£1,200

47 Unknown Photographer c.1890s COLONIAL TENNIS SCENES, BURMA (?) c.1890, loose albumen prints (2), image size 192mm x 257mm and 196mm x 259mm respectively, some minor creasing to peripheries otherwise very fine and unusual prints £300-£500 32

48 Felice Beato (1832-1909) THAI ROYAL DANCERS AT POOWAY, FOR HRH THE DUKE OF CLARENCE (PRINCE ALBERT VICTOR) 1889 - FROM AN ALBUM OF BURMA (1605), vintage albumen print, image size, 264mm x 216mm £100-£150

49 Unknown Photographer c.1880s THREE MAMMOTH PLATE VIEWS OF PISA c.1880s, albumen prints, image size, average approx 400mm x 330mm, with titles in ink lower margin, mounted onto contemporary paper £120-£180

50 Various Photographers c.1880s GRAND TOUR ALBUM LEAVES AND LOOSE PRINTS, c.1870-1880s, image sizes, approx 400mm x 285mm (largest) 145mm x 100mm (smallest) approx. 100 images, many titles or numbered in negatives, leaves with ink titles, subjects include; Milan, Napoli, Zurich, Venice, Menton, Rome, artworks, photography studios include Fratelli Alinari, Tuminello Roma, and others £120-£180

50 33

51 Notman & Son (active from 1882) PANORAMA OF MONTREAL, Canada, comprising albumen prints (3), backed onto linen, image size, 154.5cm x 41.3cm £400-£600 52 Attributed to Julian Mandel (1872-1935) NUDE POSING IN SCULPTOR’S STUDIO, c.1900, a pair of silver gelatin prints (2), image size, 110mm x 80mm, archivally window mounted £200-£300

53 Unknown Photographer c. 1880s FEMALE NUDE STANDING, c.1880s, warm toned albumen print, paper size 132mm x 95mm, numbered in the negative, archivally window mounted £100-£150 54 Unknown Photographer c. 1880s FEMALE NUDE STANDING, c.1880s, warm toned albumen print, paper size 132mm x 95mm, numbered in the negative, archivally window mounted 53 34

£100-£150

Unknown Photographer c.1890

Unknown Photographer c.1895

NUDE IN ARTIST'S STUDIO WITH BAS-RELIEF SCULPTURE, c.1890, vintage silver gelatin print, paper size, 120mm x 90mm, archivally window mounted

FEMALE NUDE, BACK VIEW, c.1895, vintage toned silver gelatin print, paper size 285mm x 178mm, with pencil annotation to verso, archivally window mounted,

£80-£120

£200-£300

57 Unknown Photographer c.1895 FEMALE NUDE STUDIES, c.1895s, warm toned albumen prints (2), paper size 155mm x 116mm, signed ‘HO’ and numbered in the negative, archivally window mounted £100-£150

59 Julia Margaret Cameron (1815-1879) SIR HENRY TAYLOR, 1864, albumen print, image size, 246mm x 199mm, mount size, 282mm x 207mm, titled in ink lower margin, credited and dated in pencil verso

58 Vincenzo Galdi (1871-1961) FEMALE NUDE STUDIES ca. 1890 - 1900. albumen prints, (2), image size, 250mm x 165mm (1), with photographer's Campania 45, Roma stamp and negative number 2144 in pencil on verso, image size, 270mm x 270mm (1), with photographer's Sardegna 55, Roma stamp and negative number 2085 in pencil on verso, loosely corner mounted between archival boards, in very good condition £800-£1,200 36

‘When I have such men before my camera my whole soul has endeavoured to do its duty towards them in recording faithfully the greatness of the inner as well as the features of the outer man. The photograph thus taken has been almost the embodiment of a prayer’. Julia Margaret Cameron 1867 Reference: Julian Cox et al., Julia Margaret Cameron: The Complete Photographs, Getty Publications, Los Angeles, 2003, cat. no. 777, p. 350. Getty Museum: 84.XZ.186.12 £2,000-£3,000

60 Frank Meadow Sutcliffe (1853 - 1941) FISHER GIRL & BOY & NEW WAY GAUT, WHITBY, c.1880, loose albumen prints (2), image sizes, approx. 200mm x 150mm & 200mm x 120mm, one example numbered in pencil verso and archivally window mounted, the other signed and numbered in the negative and with pencil annotation to verso £200-£300

Frank Meadow Sutcliffe (1853 - 1941)

FISHER FOLK, c.1880, albumen print, (1) image size 205mm x 150mm, signed and numbered in the negative F.M.S 52, archivally window mounted and framed, together with a large fragmented carbon print (1), of a Fish Stall in Whitby Harbour, image size, 290mm x 240mm, numbered in negative and backed on contemporary board, however split into 3 pieces (total 2)

PEACE & RETIRED FROM SEA, c.1880s, mounted carbon prints (2), image sizes, approx, 125mm x 75mm, each image signed, titled and numbered in the negative, mounted onto contemporary card with photographer’s paper label affixed verso and ink inscription

£200-£300

63 Frank Meadow Sutcliffe (1853 - 1941) WHITBY HARBOUR, c.1880, loose albumen prints (2), image size. approx. 200mm x 155mm, each signed and numbered in the negative, F.M.S 112, 136, one example mounted onto contemporary card and both with pencil annotations, in archival mounts £300-£500

65 Frank Meadow Sutcliffe (1853 - 1941) STAITHES c.1880, albumen print, image size. approx. 200mm x 130mm, signed and numbered in the negative, F.M.S 738, mounted onto contemporary card with pencil annotations to verso, in archival mounts £150-£200 64 Frank Meadow Sutcliffe (1853 - 1941) RUNSWICK BAY, c.1880, loose albumen print (1), and fresson print (1) mounted on contemporary card, image sizes, 202mm x 125mm (albumen), 203mm x 148mm, both images signed and numbered in the negative, F.M.S.733, 2007 , (total 2) £150-£250

66 Frank Meadow Sutcliffe (1853 - 1941) CHURCH SCENES & LANDSCAPES, c.1880s, loose albumen prints (4), image sizes, approx. 200mm x 130mm, each image signed and numbered in the negative, F.M.S 635, 866, 869, 868, minor creasing and losses to corner otherwise good £200-£300 67 Frank Meadow Sutcliffe (1853 - 1941) RURAL SCENES - HAYMAKING, c.1880, loose albumen prints (2), image size. approx. 200mm x 150mm, signed and numbered in the negative, F.M.S 166, 427, pencil annotations to verso in unknown hand, together with an earlier unidentified rural scene (total 3) 67 40

£100-£150

68 Frank Meadow Sutcliffe (1853 - 1941) THE DOCK END, WHITBY HARBOUR, c.1890, a rich carbon print, image size, 167mm x 120mm, mounted onto contemporary board, signed in pencil by the photographer lower left margin, pencil annotations to verso, loosely corner mounted and in archival mount £600-£800

69 Herbert Ponting (1870-1935) THE TERRA NOVA IN A GALE, MARCH 1910, vintage silver gelatin print mounted onto period card, image size, approx. 120mm x 95mm, with photographer’s stamp. title and date in pencil, verso framed, (243mm x 217mm) £600-£800 41

70 Unknown Photographer, c.1890-1920 ROMANIAN GLASS DIAPOSITIVES, c.1890-1920, glass diapositive slides (115), illustrating Romania;s industrial revolution and Oil mining boom, other subjects include the Domestic Military, Royal Family, Rail transport and shipping, Heavy industry and more; a fascinating selection £400-£600 71 C. H. Wong Studio, c.1920 VIEW ACROSS THE BUND, SHANGHAI, vintage silver gelatin print, image size, 420mm x 340mm, mounted to contemporary grey card, 610mm x 460mm, studio blind stamp recto 71 42

£150-£200

71a Military Interest, c.1920s "REFORCE" INDEPENDENT BRIGADE, CHINA c.1920s, oblong folio, 310mm x 250mm, comprising approx 120 silver gelatin photographs, many snapshot size, documenting the army regiments involved in the Independent Brigade, locations & subjects include; Cairo, Alexandria, The New Arab Army and a variety of topographical scenes from Hong Kong and China ÂŁ100-ÂŁ150 43

72 Argent Archer (1860-1932) MR FRANK HEDGES BUTLER'S BENZ CAR, 1898, albumen print, image size, 290mm x 240mm, with photographers blind stamp in the image, mounted on contemporary card with photographers blind stamp lower margin and ink title, some losses to card, not affecting image and archivally protected from further damage, window mounted ÂŁ200-ÂŁ300 44

73 E.W. Taylor Studio Peckham THOMAS TILLING DOUBLE DECKER BUSES, c.1914, LONDON, vintage silver gelatin print, image size 295mm x 244mm, mounted (506mm x 393mm) and with photographer’s stamp recto £80-£120

74 Unknown Photographer, 1918 THE SURRENDER OF THE GERMAN FLEET, 21ST NOVEMBER 1918, silver gelatin prints (4), with handwritten titles in ink, mounted on contemporary card, image size, 190mm x 135mm, card size, 590mm x 480mm, small tear to lower portion of card, not affecting images £250-£350 45

75 Photographic Publications Ltd c.1920-1930s CEYLON - TOPOGRAPHICAL INTEREST, c.1920-1930s, a collection of loose silver gelatin press prints, 250mm x 205mm (8), 185mm x 145mm or smaller (16), total (24), locations include Hambantota, Coastal Scenes, Kandy, Polonnaruwa Moonstone, Sigiriya Rock and more, all images, with various annotations and press stamps to verso, together with mounted gelatin prints (3) of British soldiers ÂŁ100-ÂŁ200 46

76 Various Photographers c.1920-1940 TANGKHUL NAGA INTEREST, c.1920-1940s, an interesting selection of silver gelatin press style prints, (approx. 150), image sizes, 120mm x 90mm or smaller, the majority relating to the Tangkhul Naga ethnic community living on the India/ Burma border in the first half of the 20th century, images depicting scenes of village life, celebrations, trading and harvests, with pen and pencil titles and inscriptions to verso, some with Paul Popper studio stamp, loosely held in a pair of modern albums ÂŁ500-ÂŁ700 47

77 Sir Charlton Harrison (1881–1951) THE SUKKAR BARRAGE AND CANALS CONSTRUCTION IN SINDH, BRITISH INDIA, 1902-1933, the personal photographic archives of the chief engineer, including a silver gelatin panorama of the Sukkar Barrage taken in November 1931, image size, 1170mm x 185mm, titled and dated in negative, and photograph albums (5), with approx. 250 silver gelatin photographs, mostly snapshot, detailing the construction project, its machinery and railway, many images annotated and also the travels in India and Egypt of a early 20th century colonialist family £300-£500 48

78 Unknown Photographer (KY) c.1890s EAST LONDON LIFE, c.1890s, early 20th Century 3 ¼” Lantern Slides (31), depicting life in London's poverty stricken east end, each slide titled, numbered and initialed by the photographer, 'KY', and some examples with typed labels affixed East London was notorious for its deep poverty, overcrowding and associated social problems. This led to the East End's history of intense political activism and association with some of the country's most influential social reformers. Another major theme of East End history has been migration, both inward and outward. The area had a strong pull on the rural poor from other parts of England, and attracted waves of migration from further afield, notably Huguenot refugees, who created a new extramural suburb in Spitalfields in the 17th century, Irish weavers, Ashkenazi Jews, and, in the 20th century, Sylheti Bangladeshis. Titles: Knife Sharpener Two Unfortunate Little Girls The Rabbit Stalls Flea & Bug Powder An Incorrigible Beggar Rag and Bone Gatherer Preparing to Feed Hungry An East End Baby Carriage Tea For The Dockers A Group of Holiday Children Public House Holy Trinity Gymnasium Christ Church Hall, Exteriors Street Musicians 'A Famous Pub' The Bow School 'The Loafer' Chrisp Street, Poplar 'Old Clo' Women Chrisp Street News Boy Girl with Broken Arm A Lost Boot Factory Girls Boys Brigade Dorset Street; Jack The Ripper's Haunt Discharging Oil Barefoot Boys in Winter Crowd of Dockers Waiting For Work a Glut of Work Men listening to a Socialist Traitor Looking at Houses in 'Police News' Refreshment Stalls St. James Park £600-£800 49

79 John Langham (?) PUTNEY BRIDGE RENOVATION AND WIDENING WORKS, 1931- 1933, silver gelatin prints (7), 160mm x 120mm, some examples dated or inscribed in pencil, one with John Langham's stamp £200-£250

80 Various Photographers BOXING INTEREST c. 1920/30s A collection of press prints and cabinet cards, approx 58, some with inscriptions, typed press titles affixed to verso and central new agency stamps, live events, weigh ins and promotional shots, some examples creased or with tears to peripheries £100-£150

81 Unknown Photographer 1933 LEN HARVEY AND JACK PETERSEN COLLIDE, ROYAL ALBERT HALL, 1933, vintage silver gelatin print, image size, 360mm x 270mm, mounted, framed and glazed, (540mm x 480mm) Len Harvey and Jack Petersen fight in front of a packed house at the Royal Albert Hall in November 1933 for British light-heavyweight title. The challenger Harvey won on points over 15 rounds, which was Petersen’s first defeat in his 25th fight. £200-£250 51

82 ARR Marcus Adams (1875-1959) ROYAL CHILDREN, c.1926-1941, a collection of silver gelatin photographs documenting the British Royal Family (53), with a selection of archivally mounted portraits, image size, 250mm x 300mm or smaller, with two albums, (190mm x 150mm), from Adam's studio archives, many images signed in the negative, with contemporary titles, dates or other annotation in pen and pencil, full collation of images available upon request ÂŁ2,000-ÂŁ2,500 52

83 Military Photograph Album COLDSTREAM GUARDS, 1920-1938, Elephant folio, full Morocco binding, with silver gelatin photographs, approx 254mm x 205mm or smaller with some small panoramas, approx 200 images, documenting the Coldstream Guards domestio activities; Alderdshot Barracks & Wellington Barracks, Coldstream Headquarters, The 1926 General Strike, Staff College, various sports & Regimental productions, Air Tattoo, Command Shows, Trooping the colour 1937, demonstrations of air raid precautions 1938 and more, nearly all photographs titled and dated detailing the subjects ÂŁ150-ÂŁ250 53

84 A Whole Plate Mahogany Studio Camera with Unusual French Anachromatic Brass Lens Movements: double extension, tilting back Body: VG Lens: Objectif Anachromatique, Optique Francaise Ligny Meuse foyer 385mm Optics: VG Notes: An interesting and important rack and pinion, waterhouse stop, soft focussing brass lens. Designed with a pair of symmetrical menisci, it is a faster version of the lens first developed by the partners, Puyo and Pulligny at the turn of the 20th century in France. It was sold by Darlot under the name 'Objectif d'artiste' and was an important tool in the development of the pictorialist movement in fine art photography. The favoured soft-focus effect is achieved by chromatic aberration diffusing focus. Its recommended uses are black and white portraiture and still life applications Reference: Les Objectifs d'arliste, by L. de Pulligny and C. Puyo (Paris, 1906 £800-£1,200

85 Whole Plate Mahogany Double Dark Slides, c.1865 Mahogany double dark slides, Plate size 250mm x 250mm, 2 cassettes with masks 160 x 210mm all with collodion residue, with wooden carrying case £100-£150

86 A J F. Goddard Brass Lens c.1853 Markings: 1 Islington Place, Park Road, Islington, London, N. Focal Length: approx 400mm Height: approx. 940mm Notes: Front section removable for accessing the washer stop Literature: Historically, an important lens for the development of the photographic medium. Goddard was a chemist and a lecturer in Science at the Polytechnic of Central London who later worked as an operator in Richard Beard's studio. The Daguerreotype process initially was very slow, and attempts were made to shorten the long exposure times. One solution that Goddard put forward was to make the plate sensitivity faster by double sensitizing. He used bromine vapour in addition to iodine to increase the sensitivity of the daguerreotype. Goddard refumed the iodized surface of the plate with bromide, and his accelerator, which he called quickstuff. This could reduce a ten-minute exposure to one minute. Details of the improvement were published in December 1840. © Robert Leggat, 1999. £2,000-£3,000

88 A Fallowfield London Waterhouse Stop Petzval Portrait Lens Serial No: 1171 Barrel: VG Focal Length: approx 180mm Optics: G Notes: Fallowfield were dealers distributing lens manufactured by Ross & Dallmeyer. This example is very similar to the Dallmeyer 3B petzval portrait lens, albeit under a different engraving £300-£500 89

89 A Holmes Booth & Hayden Portrait Lens Serial no: 3763 Focal length 14cm Diameter: 6cm Optics: G, some internal dust Notes: The firm of Holmes, Booth & Haydens was one of the leading pioneers in the field of brass and copper work. In addition to photographic items such as Daguerreotypes and illuminants for magic lanterns, the firm also produced objects for domestic life. £500-£800

90 A Jules Vogel Philadelphia Brass Petzal-Type Lens Serial No: 4193 Barrel: G-VG Optics: G-VG Notes: focal length approx 90mm, rack and pinion focusing, waterhouse stop lens with very early 4-digit serial number and without eagle and shield engraving, c.1850s ÂŁ400-ÂŁ600 57

92 93

A Charles Clifford Brass Petzval-Type Portrait Lens

91 A Watson & Sons 8 ½” x 6 ½” Waterhouse Stop Brass Lens Serial No: 620 Barrel: G/VG Optics: F - Balsam separation affecting the peripheries of front and rear elements Notes: lacking stops £80-£120

C.E. Clifford, c. 1856, 30 Piccadilly, London, Rack-and-pinion focusing (not working), focal length: approx. 30 cm, height: approx. 21 cm, front lens diameter approx. 82 mm, barrel, G, optics, G Charles Clifford (1820-1863) was a welsh photographer based in Spain and primarily known for his landscapes, monuments and public works. He was appointed Court Photographer for Queen Isabel II of Spain. He photographed Queen Victoria on the 14th November 1861 for Queen Isabel II. It is thought that Clifford’s photograph was one of the last taken of her wearing colour before she went into mourning. £500-£800

92 A Berthiot Paris Stellor No.6 Series Ib 210mm f/4 Stereo Pair of Brass Lenses

Serial No: 224570, 224571 Barrel: F/G Optics: G, cleaning marks Notes: a rare opportunity to purchase a matching stereo pair of lenses with consecutive serial numbers

A Eugen Krauss Paris 50cm f/6.3 Tessar Brass Lens,

£350-£550

£200-£250

Serial no: 1122753 Barrel: G minor spotting and marks to lacquer Optics: G-VG, minor internal dust

A Voigtlander & Sohn Euryscop IV Waterhouse Stop Landscape Lens

A Kodak Cartridge No.3 Rollfilm Camera

Serial no: 47254 Barrel: G - small ding to rim Focal Length: approx 400mm Optics: G - small scratch to rear element A Voigtlander Collinear II f/6.3 No.3 Serial no: 48658 Barrel: G Focal length: approx 150mm Optics: G £400-£600

Serial No: 12772 Body: G Shutter: working Lens: B&L Rapid Rectinlinear Optics: G Notes: with maker’s case

Serial No: 2938 (1897) Body: G Shutter: working Lens: Bausch & Lomb Rapid Rectilinear Optics: F-fungus Notes: complete with makers leather case

A Kodak Aero-Ektar 7” f/2.5 Lens Serial No: EM3254 Barrel: G Optics: G - small naturally occuring bubble in front element and some minor internal dust particles £100-£150

£60-£80 98 A Kodak Cartridge No. 4 Model E Rollfilm Camera

£60-£80 59

101

100

102

99 A Graflex R.B Tele SLR Box Camera

101

Serial No: 102119 Body: G/VG Shutter: working Lens: Ross Xpres 6 ½" f/4.5, no.97333 Optics: G Notes: with ground glass back, 2 DDS, Plaubel 6x9 120 roll film holder and leather outfit case

Serial No: 12228 Body: G/VG Shutter: Working Lens: DOPP Anastigmat 90mm f/6.8 Series III Dagor (288388) Optics: G Notes: complete with maker’s filter set, magazine plate holder, and maker’s case

A C.P Goerz Vest Pocket Tenax Camera

£80-£120

£60-£80

100

102

A Contessa-Nettel Deckrullo Nettel Strut Folding Camera

A Mexican Ortho Jumelle Type Camera ‘Labadide’

Date: 1919-1926 Body: G Shutter: Working Lens: Carl Zeiss Jena 15cm f/4.5 Tessar (353541) Notes: complete with DDS (2), cable release and outfit case

Date: 1895-1902 Body: G Shutter: working Lens: Goerz Berlin 130mm f/3.5 Doppel Anastigmat (100524) Optics: P-F fungus

£100-£150 60

£80-£120

103 107

104

106

105 An Ica Favorit (265) Tropical Folding Camera 105

103 A Rollei Heidoscop Stereo Camera Serial No: 1466 Body: G Shutter: working Viewing Lens: Heidoskop Sucher Anastigmat Taking Lenses: Carl Zeiss Jena 5.5cm f/4.5 Tessar (570586/570593) Optics: G Notes: in Maker’s ERC £100-£150 104 A Contessa Nettel Sonnet Tropical 9 x 12 Folding Camera Serial No: 648456 (c.1920s) Body: F - missing viewfinder & ground glass hood Shutter: working Lens: Taylor-Hobson 5 ¼” f/4.5 Cooke Series II (117679) Optics: VG Notes: Teak construction, tropical camera complete with two maker’s film plate holders £100-£150

Serial No: G.96401 Date: 1915-1922 Body: G Lens: Carl Zeiss Jena 13.5cm f/4.5 Tessar (352660) Optics: G Notes: Polished Teak wooden body, 9cm x 12cm plates £250-£350 106 An Ilford Advocate (II) Viewfinder Camera Serial No: 1919w-6443 Body: G Lens: Wray London 35mm f/3.5 Lustrar lens (99941) Optics:G Notes: with maker's box £100-£150 107 An Ilford Advocate I Viewfinder Camera Serial No: 1919-729 Body: G Lens: Dallmeyer 35mm f/4.5 Amastigmat (349922) Optics: G/VG £70-£90 61

108

111

109

112

110 108 An Iford Advocate II Viewfinder Camera Serial No: 1919-8233 Body: G/VG Shutter: Working Lens: Dallmeyer 35mm f/3.5 Anastigmat (447503) Optics: G/VG Notes: with lens hood £80-£120 109

111

An Ilford Advocate I Viewfinder Camera

An Olympus Pen FT Half Frame SLR Camera

Serial No: 1919-1768 Body: G/VG Shutter: Working Lens: Dallmeyer 35mm f/3.5 Anastigmat (359661) Optics: G/VG £70-£90

Serial No: 290218 Body: G Shutter: working Lens: Olympus 40mm f/1.4 G. Zuiko Auto-S (140914) Optics: G/VG Notes: with accessorie shoe adapter, maker's cap and ERC £100-£150

110 An Olympus Pen F Half Frame SLR Camera

112

Serial No: 127416 Body: G/VG Shutter: Working Lens: Olympus 38mm f/1.8 Zuiko Auto-S (102038) Optics: VG Notes: Gothic 'F' with Pen meter, and makers ERC, small dent to lens rim, 35mm half frame SLR

An Olympus Pen F SLR Outfit

£100-£150

£250-£350

Serial No: 126007 Body: G Lenses: 20mm f/3.5 (101636) 38mm f/1.8 (121704) 50-90mm f/3.5 (217137) 100mm f/3.5 (120568) 150mm f/4 (202201) Optics: G/VG Notes: all items with maker's cases

116

113

114

115

117

113 A Selection of Olympus Pen Lenses: Olympus E.Zuiko Auto-W 25mm f/4 (119614), Olympus F.Zuiko Auto-S 38mm f/1.8 (273332) Olympus Zuiko zoom 100-200mm f/5 (107240) Barrels: F-VG Optics: F - VG Notes: All with maker's cases £80-£120 114

116 A Robot Motor Recorder 36M Cameras

Serial No: 101054 Barrel: G, marks to focussing ring Optics: G/VG Notes: with maker's rear cap

Serial No: K/176487 / 184507 (Body Only) Bodies: G Shutters: Untested Lens: Schneider Kreuznach 45mm f2.8 Xenar (4890464) Optics: G Notes: with Robot HG-2x filter, camera body with original makers box

£80-£120

£100-£150

115

117

An Agfa Registrier Camera

A Robot Motor Recorder Cameras

Serial No: 00339 Shutter: untested Body: G-VG Lens: Agfa Color-Telinear 90mm f/4 (025276) Optics: VG Notes: National Physics Laboratory, Hovercraft Unit, 35mm Recording Camera, complete with 250 exposure back and additional re loadable film cassettes

Serial no: 18ED-210512 / 18C-205414 / 36 - 194809 Shutters: untested Schneider-Kreuznach Lens: 75mm f/3.8 Tele-Xenar (14247151) / 30mm f/3.5 Xenagon (13271905) Optics: G Notes: 24 Volt Recorder Cameras (3), 75mm viewfinder and VL 4 close up filter also included

£200-£250

£150-£200

An Olympus 250mm f/5 E. Zuiko-T Lens

118

122

121

123 119

121 A Rolleicord I 'Art Deco' TLR Camera 120

118 A Robot Recorder & Recorder 24 Clockwork Cameras (2) Serial no: K-145911 / K-175153e (24) Shutters: working Schneider-Kreuznach Lenses: 45mm f/2.8 Xenar (4688062) / 30mm f/3.5 Xenagon (8678502) Optics: G Notes: Recorder Camera fitted with a VACAR magazine back £100-£200 119 A Pair of Zeiss Ikon Kolibri Cameras Serial No: S91413/S99226 Bodys: F/G Shutters: Working Lens: 5cm f/3.5, 5cm f/4.5 Novar-Anastigmats (1283665/1119034) Optics: G £100-£150

Serial No (external): 1464230 Serial No (internal): 003959 (?) Date: 1933/34 Body: G, focusing knob misaligned Shutter: working Viewing Lens: Heidoskop Anastigmat 7.5cm Taking Lens: Carl Zeiss 7.5cm f/4.5 Triotar Optics: G/VG, light haze Notes: a early example of the first Rolleicord ever produced, complete with maker's caps and cable release £60-£80 122 A Rolleiflex I Original TLR Camera Serial No (external): 47338 Serial No (internal): 13903 Date: 1929-1932 Body: G, Shutter: working Viewing Lens: Heidoscop Anastigmat 7.5cm f/3.1 no.53371 Taking Lens: Carl Zeiss Jena 7.5cm f/3.8 Tessar no.1129216 Optics: G/VG Notes: 117 film, model 612/614 £60-£80

120 A Zeiss Ikon Tenax Rangefinder Camera

123

Serial No: H.72417 Body: F/G Shutter: working Lens: Carl Zeiss 4cm f/2.8 Tessar (2143467) Optics: G Notes: signs of repair, with maker’s ERC

A Rolleiflex T TLR Camera

£100-£150

Serial No: 2131761 Body: F - surface dirt and signs of leatherette peel Shutter: working Lens: Carl Zeiss 75mm f/3.5 Tessar (2706189) Optics: F - small patches of fungus

124

127

128 125

126 129 124

127

A M.P.P. Microcord II TLR Camera

A M.P.P. Microflex TLR Camera

Serial No: 6408 Date: 1954-1958 Body: G Shutter: working Lens: Ross London 77.5mm Xpres f/3.5 no. 73457 Optics: F/G, light fungus affecting rear element Notes: with maker's lens hood

Serial No: 15751 Date: 1958 Body: G/VG Shutter: jammed Viewing Lens: M.P.P 77.5mm f/3.2 no.281679 Taking Lens: M.P.P 77.5mm f/3.5 Micronar no. 15938 Optics: VG Notes: with maker's lens hood £60-£80

£60-£80 125 A M.P.P. Microcord I TLR Camera Serial No: 2697 Date: 1951 Body: G/VG Shutters: working Lens: Ross London 77.5mm f/3.5 Xpres(61793) Optics: G, light haze Notes: with lens cap, maker's ERC £80-£120 126 A M.P.P. Microcord II TLR Camera Serial No: 7956 Date: 1954 Body: G/VG Shutters: working Lens: Ross London 77.5mm f/3.5 Xpres(79352) Optics: G Notes: with lens cap, instruction manual (2) brochure (1) and maker's ERC £70-£90

128 A Corfield 66 SLR Medium Format Camera Serial No: AA004 13 Body: G Shutter: working Lens: Corfield 95mm f/3.5 Lumax (2212885) Optics: G Notes: complete with roll film back, film plate holders, cable release, lens hood, boxed extension tubes and outfit case £100-£150 129 A Corfield 66 SLR Medium Format Camera Serial No: AA004 81 Body: G/VG Shutter: working Lens: Corfield 95mm f/3.5 Lumax (2213241) Optics: F-G Notes: complete with with roll film back, maker's wooden handle (Type 004), cable release and outfit case £100-£150 65

130

132

131 133

130 A Hasselblad 500c Medium Format SLR Camera Outfit Body Serial No: TV46105 (1961) Body Condition: VG Lenses: Carl Zeiss 60mm f/4 Distagon (3281895), Carl Zeiss 80mm f/2.8 Planar (2571107), Carl Zeiss 250mm f/5.6 Sonnar (3193853) Optics: VG, some light internal dust Accessories: 12 exp back TH60805 (1962), 16 exp back TU209008 (1967), 21 Extension Tube (40010), Carl Zeiss Proxar f=1m B57 close up filter, HasselbladHZ-O-50 filter, long grip focussing handle, maker's strap & outfit case Notes: A finely kept time capsule set, shutter function report available upon request £500-£800 131 A Graflex Speed Graphic Outfit Serial No: 9388434 Body: G - however missing rangefinder attachment Lenses: Schneider-Kreuznach 65mm f/8 (7739634), Graflex Optar 90mm f/6.8, (638858N), Kodak Ektar 203mm f/7.7 (RT143) Optics: VG Notes: complete with Grafmatic film holders (5), Graflex "23" Graphic roll film back, DDS (3), outfit case £250-£350 66

132 A Sinar F 5 x 4 Monorail Camera Body/Bellow Condition: VG Lenses: Schneider Kreuznach 135mm f/5.6 Symmar (11980141), Schneider Kreuznach 90mm f/8 (13110292) Optics: VG Accessories: Wide angle bag bellows, cable release, changing bag, 10 DDS, Husky Tripod £200-£300 133 A Plaubel Peco Universal III Monorail Camera Serial No: 2606 (1960) Body/Bellows: G Movements: fully adjustable monorail system Lens: Carl Zeiss Jena 13.5cm f/4.5 Tessar (476698) Optics: VG/E Notes: large format system, complete with 5 x 4 polaroid back, boxed 5x4 fidelity DDS (4), M.P.P DDS (4), additional lens boards (4) £200-£300

136

134

137

135

134 A Hand Made 5 x 4 Studio Camera Body: VG Lenses: Schneider-Kreuznach 120mm f/6.8 Angulon (8282226) Optics: VG Notes: ebonised composite wood and brass construction, ground glass back, fully adjustable front and rear standards £80-£120 135 A Bolex H16 Reflex Outfit Serial No: 209422 Body: G Motor: Working Lenses: Kern-Paillard Switar 10mm f/1.6 H16 RX (1036134), Switar 25mm f/1.4 H16 RX (1034247), Yvar 75mm f/2.8 AR (314050), Som Berthiot Zoom 17mm - 85mm f/3.8 (88248) Optics: 10mm-VG, 25mm - G, 75mm - G, Zoom - P Notes: complete with Octameter, 3 unopened Kodachrome 25 films, instructions and outfit case £200-£300

136 A Som Berthiot 25mm f/1.8 Lytar Serial No: P14656 Optics: G A Schneider Kreuznach 17mm f/0.95 Serial No: 14451529 Optics: G £50-£80 137 A Carl Zeiss 8mm f/2 Distagon Serial No: 5546560 Optics: G, some light dust internally Mount: Arriflex £100-£150 67

138

141

142

139

140 A Nikon F2 SLR Camera Body

140

Serial No: 7673666 (1975) Body: G, minor dings to corner of top plate, marks to chrome Shutter: working Notes: with maker's body cap £100-£150

138 A Nikon F Photomic SLR Camera Serial No: 6928246 (1968) Body: chrome and paint worn, minor leatherette peel Shutter: working Lens: 35mm f/2.8 Nikkor-S Auto (186258) Optics: F-G, some like marks to front element and light dust Notes: with maker's cap and additional prism eye level finder £100-£150 139 A Black Nikon F Photomic SLR Camera Serial No: 7175340 (1970) Body: F - nicely brassed with minor cosmetic paint chips or dings Shutter: working Lens: 24mm f/2.8 Nikkor-N Auto (292922) Optics: F-G, some like marks to front element and light dust Notes: with maker's cap and additional chrome prism eye level finder £120-£180 68

141 A Nikon FM SLR Camera Serial No: 3090671 Body: G some paint wear Shutter: working Lens: 35mm f/2.8 Nikkor (533523) Optics: G Notes: with maker's cap £60-£80 142 A Selection of Nikon Lenses (3) A Nikkor 20mm f/3.5 (AI) / A Nikkor 24mm f/2.8 (AI) / A Nikkor 50mm f/1.4 Serial No: 189460/505717/4391610 Barrel: F- VG paint wear Optics: VG light internal dust Notes: complete with maker’s rear caps, 24mm f/2.8 lens hood and 50mm f/2 lens hood £80-£120

143 146

144 147

145 A Nikon 500cm f/8 Reflex-Nikkor Lens

145

Serial No: 5041416 Barrel: F-G, some light paint marks and scratches Optics: G light internal dust Notes: complete with full set of filters in maker's case £100-£200 146

143 A Nikkor 300mm f/4.5 (AI) & A Zoom Nikkor 80-200 f/4 (AI) Serial No: 533348/193910 Barrel: F-G- paint wear Optics: G-VG light internal dust Notes: comple with maker's ERC's, 300mm with caps £100-£150 144

A Taylor Hobson 40mm f/2 Cooke Anastigmat U.S Navy issue Lens Serial No: 629566 Optics: G - minor chip to front elements not affecting image quality Barrel: G Notes: Nikon F-mount, Photo Sonics inc. foccusing mount £2,000-£3,000 147 An Enna Werk München 85mm f/1.5 Ennalyt Lens

Serial No: 181028 Barrel: F-G, some light paint marks and scratches Optics: G light internal dust Notes: complete with L39 filter, makers cap and lens case

Serial No: 1930 Mount: M42 Barrel: F-G, some marks to chrome and surface dirt Optics: G-VG light internal dust Notes: coated elements, complete with lens hood, rear cap and lower half of maker's case

£250-£350

£400-£600

A Nikon 500cm f/5 Reflex-Nikkor Lens

148

150

149

148 A J.H. Dallmeyer 6" f/2.9 Pentac Lens Head Serial No: 170843 Barrel: G-some marks to paint Optics: F-G cleaning marks Notes: an early uncoated example of this telephoto lens by Dallmeyer, five elements in three groups, with early Dallmeyer 'script' logo, £80-£120 70

149

150

A Wray London 2" f/1.0 C.R.T Lens

A Trinol 105mm f/3.5 Anastigmat

Serial No: 201186 Barrel: VG Optics: VG Notes: originally intended for scientific and copying use

Serial No: 035828 Optics: F-G, some dust and marks Mount: LTM Stewartry focussing mount £40-£60

£150-£200

151 A Wrayflex Ia SLR Camera Body Serial No: 1504 (1953) Body: VG, light marks to chrome around prism Shutter: working Notes: Formal records indicating the first production serial number for the Wrayflex Ia were destroyed. This camera (1504), lacking an accessory shoe which was built into earlier hand-built prototype examples is thought to be the first official camera off the production line Literature: p.35-36, The Wrayflex Story, John Wade, Wordpower publishing 2008 ÂŁ1,000-ÂŁ1,500 71

152 A Rectaflex Rotor SLR Camera Serial No: 30877 Body: VG Shutter: working Lenses: P. Angenieux Paris 28mm f/3.5 Retrofocus Type R11 (429349), 90mm f/1.8 Type P1 (451891), 135mm f/3.5 Type Y2 (657025) Optics: (429349) F-G, some internal marks ,(451891) F-G-interal haze effectiing middle elements otherwise VG ,(657025) VG Notes: A very rare and complete example of this Italian rotor camera, complete with rifle stock, stock insert for handle and maker's strap, complimented by a fine set of rare french lenses, the Angenieux 90mm f/1.8 P1 comes complete with ASBAP Rectaflex lens hood and maker's cap ÂŁ5,000-ÂŁ6,000 72

153

155

154

153

154

155

A Leitz Olive ‘Bundeseigentum’ Leather Outfit Case

A Leitz Visoflex III

A Leitz 20cm f/4.5 Telyt Lens

with prism finder, LTM 9cm f/4 Elmar lens, no. 963769, 16466M OUBIO adapter, and Leitz OTZFO focussing mount

Serial No: 768160 Year: 1950 Optics: G/VG Barrel: VG Notes: LTM mount, with maker's cap, TNGOO hood and lens bubble

a rare Leitz outfit case complete with strap, designed for use with the Leica M1 or M3 Olive Bundeseigentum Camera outfits that were supplied in very limited numbers to the German military after World War II. £100-£150 74

£50-£70

£80-£120

156 A Leica II Model D Rangefinder Camera Serial No: 106774 (1933) Body: VG/E - minor paint chip below serial number, presumable from accessory attachment otherwise, excellent Lens: Leitz 50mm f/3.5 Elmar (146332) Optics: VG/E Notes: A very fine collectors example of a black paint and nickel Leica II Model D ÂŁ900-ÂŁ1,200

157

158

159

157

158

159

A Leica IIIa Rangefinder Camera

A Leica IIIc Rangefinder Camera

A Leica IIIf Red Dial Rangefinder Camera

Serial No: 206660 (1936) Body: G Lens: Leitz 5cm f/2 Summar Serial No: 316413 (1936) Optics: F/G haze Notes: complete with maker's ERC and set of OMAG filters

Serial No: 518808 (1950) Body: G Shutter: working Lens: 5cm f/2 Summitar 788742 (1950) Optics: F - Haze effecting front pair of elements otherwise G Notes: complete with VIOOH universal finder, ERC, hardback Leica manual and Bewi lightmeter

Serial No: 688436 (1954) Body: G/VG Shutter: working Lens: Leitz 5cm Elmar (1633129) Optics: VG/E Notes: Self timer model, with makers lens cap and ERC

£100-£150

£180-£220

£150-£200

160 A Leitz 21mm f/3.4 Super-Angulon (11103) Serial No: 2522519 (1972) Barrel: G/VG Optics: G - light haze Notes: complete with maker's caps, 12501 lens hood, B+W 48E KR1,5 filter and maker's matching numbers box, all in fine condition £800-£1,200

161 A Leitz 50mm f/1 Noctilux-M Lens (11821) Serial No: 3220195 (1982) Barrel: VG Optics: E £4,000-£5,000 77

162 A Wray London 75mm f/1.9 Cine-Unilite Serial No: 272470 Optics: VG/E Notes: a veryt rare lens, expertly converted to Leica M mount ÂŁ12,000-ÂŁ15,000

163 A Ross London Camera & Lenses Catalogue c.1932 Octavo paperback catalogue, pp.48 with tissue end papers, some evidence of water damage, not affecting print, an incredible and comprehensive catalogue listing all aspects of Ross London's Camera & Lenses manufacturing capabilities, listing all lenses and cameras offered by the company, with full pricing lists and a list of the companyâ&#x20AC;&#x2122;s global distributors ÂŁ300-ÂŁ500 80

164 Ross London 2” f/1.9 Xpres Lens Serial No: 129657 Optics: light cleaning marks, otherwise VG Mount: the finest type lens conversion of this type available, converted by Taiwanese master with a hand knurled aluminum focussing mount, inside a donor Leitz M Mount lens £25,000-£35,000 81

165 Watson London 2" f/1.9 Lens Serial No: S1292 Date: c.1946 Barrel: VG - complete with maker's lens hood and lens cap Optics: G - small spots of oil effecting the middle elements from aperture blades and cleaning marks Notes: An extremely rare lens, with only a couple of examples known in private collections, none with lens hood and cap ÂŁ10,000-ÂŁ15,000 82

166 A Special Order Leica M3 Black Paint 'Magnum' Rangefinder Camera Serial No: 913669 Delivery Date: 12th April 1958/Magnum Photo Agency, Paris Lens: Leitz 5 cm f/2 rigid Summicron black paint/ black chrome Serial No: 1468861 Optics: F-G ÂŁ50,000-ÂŁ70,000 84

Notes: An extremely rare and very early double-stroke, black paint Leica M3, with black film counter and all other early features of these un- official pre-series black paint M3 cameras. Delivered to the Magnum Photo Agency Paris in 1958, the extremely heavy paint wear is commensurate with a camera that was used professionally. This example is in fine working condition with shutter and original viewfinder glass in top condition. Factory delivery records shows only 90 of these preseries cameras were delivered before the first official batch of black M3 rangefinders in 1959 (serial numbers starting 959***), much less than 90 of these pre series cameras are still known to exist. The majority were delivered to Sweden and there were individual examples delivered in Paris, New York and Germany. The cameras serial number, seen on the top plate and internally on the chassis, officially records this as the 15th black paint M3 camera produced and delivered by the Leitz factory. This makes this camera the second earliest example of this hugely collectible model to ever be offered on the open market. The earliest example (the second piece), sold in 2014 for a hammer price of ÂŁ320,000 in Hong Kong. The unique 5cm f/2 black paint rigid Summicron lens no.1468861, with chrome bayonet mount and black chrome dual scale focussing ring, is very unusual and presumable a special factory request by the primary buyer. The serial number indicates this lens as a first version full black paint Summicron with brass focussing mount. From market research, there have been no other examples carrying comparably early serial numbers with mixture of black paint/black chrome recorded. An individual example has been recorded in 1958 with serial 158xxx, and a small batch has been recorded with serial number 192*** (1962). 85

167 Jason Langer b.1967 57TH STREET, 2007, Epson Ultrachrome ink print on Crane Museo paper, paper size 406mm x 508mm, signed, dated and editioned in pencil on the recto, titled, verso ÂŁ500-ÂŁ800 88

168 ARR Ernst Haas (1921-1986) TIMES SQUARE, NEW YORK, 1962, silver gelatin print, printed 1996, image size 406mm x 508mm, signed, 'Alexander Haas', titled, dated and editioned in pencil verso, with photographer’s copyright stamp £500-£800 89

169

169 Unknown Photographer c.1960s NEW YORK, WEST 34TH STREET, vintage silver gelatin print, paper size 200mm x 250mm, variously annotated in pencil and with credit stamps verso £150-£200 170 Victor de Palma c.1940s

170 90

ASTOR THEATRE, TIMES SQUARE, vintage silver gelatin print, image size 191mm x 203mm £200-£300

171 P. Guggenheim (?) c.1941 TIMES SQUARE, NEW YORK, vintage silver gelatin print, image size, 191mm x 241mm, with various Black Star agency stamps, title and inscriptions verso £200-£300 172 Benn Mitchell b.1926 GEORGE WASHINGTON BRIDGE, 1948, silver gelatin print, printed later, image size 280mm x 356mm, signed and dated in pencil verso £500-£800

171

172 91

173

173 Chester BROADWAY, TIMES SQUARE, NEW YORK. N.Y. AT NIGHT, vintage silver gelatin print, paper size 190mm x 240mm, mid 20th century, annotated in pencil and with various black star credit stamps verso £100-£150 174 Unknown Photographer 1938 NIGHT COMES EARLY TO FOGGY LONDON, vintage silver gelatin print, paper size 152mm x 203mm, with typed descriptive label affixed verso and black star and Kosmos press stamps 174 92

£120-£180

175 Colin Jones b.1936 JAPAN PORTFOLIO, 1961, a collection of vintage s silver gelatin prints (5), image size, 300mm x 305mm, (4), and 380mm x 210mm (1) with photographer’s blind stamp recto, titled, dated, signed in pencil and with the photographers copyright stamp verso £1,000-£1,500 93

176 Bruce Davidson b.1933 BROOKLYN GANG, 1959, vintage silver gelatin print, paper size, 280mm x 355mm, titled in pencil, and with two Bruce Davidson / Magnum wetstamps verso ÂŁ1,800-ÂŁ2,200 94

177

177 ARR Dr Paul Wolff (1887-1951) SW98 FROM A SERIES 'MEN', vintage silver gelatin print, paper size 254mm x 254mm, 'Dorien Leigh' archive stamp, photographers stamp and 'Mansell Collection' stamp on the verso £100-£150 178 ARR Robert Doisneau (1912-1994)

178 96

PARIS STATIONS (TRAIN DOORS), vintage silver gelatin print, paper size 180mm x 230mm, titled in pencil on the verso, various black star credit stamps including photographers personal credit stamp £300-£500

179 Unknown Photographer 1940 PARAMOUNT MOVIE THEATRE, TIMES SQUARE, NEW YORK CITY, 1940, vintage silver gelatin print, paper size 190mm x 240mm, titled in pencil on the verso and with black star credit stamps £100-£150 180 ARR Bert Hardy (1913-1995) COCKNEY LIFE AT THE ELEPHANT AND CASTLE, 1949, silver gelatin print, printed later, image size 355mm x 257mm, signed by the photographer in ink recto, photographer’s credit stamp verso Provenance: The Photographers Gallery London £300-£500

179

180 97

181

181 Fritz Henle (1909-1993) DEPRESSION, NY, vintage silver gelatin print, paper size 203mm x 254mm, photographers and black star credit stamps verso £100-£200 182 ARR Robert Doisneau (1912-1994)

182 98

7PM PERNOD - GLASS MERCHANT & GENERAL STORE KEEPER, vintage silver gelatin print, paper size 178mm x 229mm, typed label affixed & Robert Hunt Library verso and with photographers and black star credit stamps £150-£250

183

183 ARR Robert Doisneau (1912-1994) 6AM GLASS OF WINE - RAILWAY OFFICIAL & STREET WORKER, vintage silver gelatin print, paper size 178mm x 229mm, typed label affixed & with photographer’s credit stamp and black star label £200-£300 184 Paul Maurice (1948) MIDNIGHT IN MONTMARTE, PARIS, 1948, vintage silver gelatin print, paper size 120mm x 180mm, titled in ink on the verso, various French and Black Star credit stamps on verso £150-£200

184 99

185

185 Bruce Gilden b.1946 UNTITLED, NYC, 1989, Silver gelatin print on Agfa paper, image size, 485mm x 325mm, photographers name in pencil verso in an unidentified hand £300-£500 186 Fritz Henle (1909-1993)

186 100

THE OTHER NEW YORK - MARKETS THAT REMIND YOU OF ITALY OR SOME SOUTHERN EUROPEAN COUNTRY, NEW YORK 8th AVENUE, PRETZELS ARE SOLD AND A BLIND BEGGAR ASKS YOU FOR A PENNY OR TWO, vintage silver gelatin print, paper size 178mm x 241mm, titled in pencil, and with typed press label affixed on the verso £200-£300

187

187 Fritz Henle (1909-1993) COLONIAL SOLDIERS IN A STREET CAFÉ, PARIS, vintage silver gelatin print, paper size 203mm x 254mm, with pencil annotations, photographers & Black star credit stamps verso £150-£250 188 Branson De Cou (1892-1941) HEADLEY'S BRIDGE - POSTMAN & NONCHALENT FELLOW / FRUIT & VEGETABLE WOMEN, DUBLIN, c.1930s, vintage silver gelatin prints (2), paper size 205mm x 205mm, typed label affixed, inscription in ink, and the photographer’s / Black Star's credit stamps verso £400-£600

188 101

189

189 Willem Van de Poll (1895-1970) SAFETY LAST! PARIS, c.1950s, vintage silver gelatin print, paper size 229mm x 178mm, annotations in pencil on the verso, and with various labels, photographer's and Black Star credit stamps verso £300-£500 190 Unknown Photographer c.1940s LA BASTILLE, ST GERMAIN DES PRES, c.1940s, vintage silver gelatin print, paper size 170mm x 250mm, titled in pencil, and with various press credit stamps verso 190 102

£150-£200

191

191 Homer Sykes b.1949 DERBY DAY, Epsom Downs, Surrey, 1970, Silver bromide print on fiber paper, printed later, image size 533mm x 355mm, paper size 610mm x 508mm, signed verso, 'My British Archive: The Way We Were 1968- 1983' Homer Sykes, Dewi Lewis 2018 £400-£600 192 ARR Bert Hardy (1913-1995) ON THE FRONT STEPS, ELEPHANT AND CASTLE, LONDON 1948, silver gelatin print, printed later, image size 340mm x 250mm, signed by the photographer in ink recto, photographer's credit stamp verso Provenance: The Photographers Gallery London £400-£600

192 103

193

195

193 ARR Robert Doisneau (1912-1994) DESCENDANTS OF THE PAINTER FANTINLATOUR, M. LATOUR, SELLS PICTURES ABD RARE BOOKS FACING THE RUE BONAPARTE, vintage silver gelatin print, paper size 180mm x 180mm, annotated in pencil and with various credit stamps including photographers credit stamp and press label affixed verso £250-£350 194 Fritz Henle (1909-1993) PARIS STOCK EXCHANGE, vintage silver gelatin print, paper size 200mm x 250mm, with Photographers Black Star stamp verso and various pencil annotations £200-£300 195 ARR Robert Doisneau (1912-1994)

194 104

STANDING FOR SO LONG IS TIRING, vintage silver gelatin print, image size 200mm x 250mm, with typed label, Photographers, Black Star & Rapho Agencies stamps verso £250-£350

196 Paul Maurice c.1950 RUE DES SAULES, c.1950, vintage silver gelatin print, paper size 127mm x 178mm, with ink inscription, the photographers, and various agencies stamps including Black Star verso ÂŁ120-ÂŁ180 105

197 Bruce Davidson b.1933 LONDON, THE STATE VISIT OF THE KING AND QUEEN OF NEPAL 1961, vintage silver gelatin print, image size, 360mm x 280mm, with various pencil annotations and Magnum Photos agency stamp verso £700-£900 106

198 Bruce Davidson b.1933 LONDON, THE STATE VISIT OF THE KING & QUEEN OF NEPAL, 1961, vintage silver gelatin print, image size, 360mm x 280mm, with various pencil annotations and Magnum Photos agency stamp verso £700-£900 107

199 Jane Bown (1925-2014) CHANNEL CROSSING, 1955, silver gelatin print, printed later, image size 315mm x 280mm, signed verso in pencil, from the book, Jane Bown Observer, 1996 Provenance: Acquired by the current owner directly from the photographer ÂŁ600-ÂŁ800 108

200 Homer Sykes b.1949 CHELSEA FLOWER SHOW, London, 1969, Silver bromide print on fibre paper, printed later, image size 533mm x 355mm, paper size 610mm x 508mm, signed verso, 'My British Archive: The Way We Were 1968-1983' Homer Sykes, Dewi Lewis 2018 ÂŁ400-ÂŁ600

109

201

201 ARR Bert Hardy (1913-1995) GIBRALTAR, THE COMBINED FLEETS ASHORE, 1954, silver gelatin print, printed later, image size 355mm x 237mm, signed by the photographer in ink recto, photographer's credit stamp verso

202

Provenance: The Photographers Gallery London £400-£600 202 Bruce Gilden b.1946 CONEY ISLAND, 1982, Silver gelatin print, image size, 485mm x 325mm, titled, dated, editioned and signed verso by the photographer in pencil, archivally window mounted £400-£600

110

203 Miguel Arana c.1990s FEMALE TORSO, silver gelatin print, paper size 410mm x 510mm, signed and editioned in pencil with the photographer’s blind stamp recto, negative number in pencil verso £200-£250 111

204 Unknown Photographer (Chester?) c.1950s TIME SQUARE, vintage silver gelatin print, image size 240mm x 190mm, with black star stamps verso and various pencil annotations verso ÂŁ100-ÂŁ150

112

205 ARR Bert Hardy (1913-1995) WARTIME TERMINUS, PADDINGTON, 1942, silver gelatin print, printed later, image size 340mm x 250mm, signed by the photographer in ink recto, photographer’s credit stamp verso Provenance: The Photographers Gallery London £300-£500 113

206

206 Jan Lukas (1915-2006) SALE OF PIROZHKI, GORKI STREET, MOSCOW, vintage silver gelatin print, paper size 270mm x 350mm, titled in ink, and with photographer’s credit stamp on the verso £400-£600 114

207

207 Walter Sanders (1906-1972) UNTITLED (PIER BY NIGHT), vintage silver gelatin print, paper size 490mm x 400mm, signed in ink recto, and with Photographers Life Magazine credit stamp and various pencil annotations to verso £250-£350 208 Unknown Photographer c.1930s A MAN WAITING? IN THE HOUSE THE OTHER SIDE OF THE STREET SOMEBODY IS NOT VERY FRIENDLY WITH THE POLICE - PARIS BY NIGHT, vintage silver gelatin print, paper size 175mm x 195mm, titled in pencil, and with various Black star and other credit stamps verso £100-£150

207 115

209 Renee Daru b.1959 BOYS RUNNING, LUBLIN, POLAND, silver gelatin print, paper size 400mm x 305mm, numbered '1/15', signed and dated '96 in pencil on the verso £150-£200

116

210 ARR Bert Hardy 1913-1995 GORBAL BOYS, 1948, silver gelatin print, printed later, image size., 350mm x 235mm, signed recto, window mounted and framed (512mmx414mm) In January 1948, the illustrated magazine, 'Picture Post', published an article about a working-class district of Glasgow which it described as 'The Forgotten Gorbals'. The article advocated urgent social reform and was accompanied by thirteen photographs, three by Bill Brandt and the rest by Bert Hardy. This image shows two young boys running to the local shop. It became one of Hardy’s most iconic works, capturing childhood optimism beyond the poverty and squalor that most families experienced whilst crammed into the area’s tenements. £800-£1,200

117

211

211 Herbert List (1903-1975) VIERWALDSTATTERSEE (SUNGLASSES, LUKE LUCERNE), 1936, silver gelatin print, image size 305mm x 406mm, numbered '5/25', photographers’ signature in ink verso £1,500-£2,500 212 Herbert List (1903-1975) SANTORINI, 1937, silver gelatin print, image size 305mm x 406mm, numbered ‘2/25’, signed in ink on the verso by the artist £1,500-£2,500 118

212

119

213 Chris Smith (b.1937) SAILING BOATS, 1981, The Fleet heading for The Needles during the Round the Island race, Isle of Wight 1981, silver gelatin print, printed later, image size, 753mm x 495mm, sheet size, 960mm x 700mm, dry mounted onto board, signed recto ÂŁ800-ÂŁ1,200 120

121

214 ARR Sebastian Salgado b.1944 SITE OF THE NOW DRIED LAKE FAGUIBINE, MALI, AFRICA, 1985, Silver gelatin print, printed later, image size, 514mm x 331mm, paper size 610mm x 500mm, with photographers blind stamp lower margin, signed, titled and dated by the photographer in pencil on the verso, archivally mounted Literature: M. Couto, Sebastião Salgado: Africa, Köln: Taschen, 2007, p. 233 £2,500-£3,500

122

123

215

215 Homer Sykes b.1949 BRIGHTON RAINING, Family with Ice Cream Cones, Brighton, 1969 Silver bromide print on fiber paper, printed later, image size 533mm x 355mm, paper size 610mm x 508mm, signed verso, 'My British Archive: The Way We Were 1968-1983' Homer Sykes, Dewi Lewis 2018 £400-£600 216 ARR Gyorgy Kepes 1906-2001 MANIPULATED RECTANGLES, 1959, vintage silver gelatin photogram print, image size 300mm x 236mm, signed, titled and dated in ink on verso by photographer, corner mounted, framed and glazed (406mm x 346mm) £700-£900 124

125

217

217 NASA Press Photograph

217a

APOLLO 11 ON ITS WAY TO THE MOON, 24 July 1969, Vintage NASA photographs (2), image size, 10" x 8", red NASA negative no. S- 69-40634 in margin, The American flag heralds the flight of Apollo 11, the first Lunar landing mission. The Apollo 11 Saturn V space vehicle lifted off with astronauts Neil Armstrong, Michael Collins and Buzz Aldrin, at 9:32 a.m. EDT July 16, 1969, from Kennedy Space Centre’s Launch Complex 39A. and Edward H. White II in space, 1965, both with Kodak Paper watermarks verso, archivally mounted, framed and glazed together £300-£500 217a Nasa Apollo Programme Interest c.1960s APOLLO 13, 14, 15 16MM RECORDINGS B.B.C 16mm film stock, Eastman Colour, Black and white, negatives & Inter negatives, including footage of Astronauts on the moon, lift-off from the moon surface and piece entitled 'Canaveral to Kennedy', Housed in contemporary film cans with film developing laboratory and BBC TV labels affixed, 6 film canisters in total £300-£500

126

218 127

218 NASA Interest, c.1960s NASA PRESS PHOTOGRAPHS, (3) on contemporary Kodak Paper, pre 1972; the first, with red negative number upper margin S6637922 (3 June 1966) The Augmented Target Docking Adapter (ATDA) as seen from the Gemini9 spacecraft during one of their three rendezvous in space. The ATDA and Gemini-9 spacecraft are 66.5 feet apart. Failure of the docking adapter protective cover to fully separate on the ATDA prevented the docking of the two spacecraft. The ATDA was described by the Gemini-9 crew as an "angry alligator." the second showing side view of the Agena Target Docking Vehicle as seen from the Gemini-10 spacecraft during rendezvous and docking mission in space. The two spacecraft are 50 feet apart. S66-62755 (11 Nov. 1966), the negative number inscribed in pen verso, the third, showing an astronaut taking samples during extravehicular activity on the Lunar surface, He has a rake in his hand, and the gnomon is near his foot, no negative numbers ÂŁ150-ÂŁ200 128

129

219 The Most Comprehensive Map of the Lunar Crate Copernicus LUNAR ORBITER V, August 1967, Large format vintage silver gelatin mosaic prints (3), image size 520mm x 410mm, sheet size, 610mm x 510mm, mapping the eastern rim of the Copernicus Crater, numbered NASA-LRC V157 H1 to V157 H3 The Lunar Orbiter program was a series of unmanned missions to help with the selection of landing sites for the later Apollo mi ssions, they provided the first photographic maps from a lunar orbit. Taking its name from the great astronomer Nicolaus Copernicus (1473-1543) the 93km crater is one of the Moon's most prominent features and is easily visible with binoculars. Formed over 1 billion years ago by an impact from a meteor, the crater features a central complex of peaks surrounded by smooth flats bordered by a crater wall 3.8km high. The Lunar Orbiter photographs were transmitted to Earth as analogue data after on board scanning of the original film into a series of strips. The data was written onto magnetic tape and also to film. The film data was then used to create hand-made mosaic composite images on Earth by layering these strips side by side. ÂŁ1,000-ÂŁ1,500

130

220 The Lunar Surface (NASA/Hasselblad) 1969 A collection of black and white prints (7), with colour examples (2) image size, 490mm x 390mm, flush mounted onto aluminium sheet metal, with Hasselblad blue sticker in the lower margin and with typed label affixed to verso describing the exact moment the shot was taken with camera/lens information; a true piece of photographic history showcasing the specially adapted Hasselblad camera systems that were used during the Apollo missions Condition: some marks affecting print surface, mostly toward corners and general peripheries, otherwise good (total 9) ÂŁ300-ÂŁ500 131

221

222

132

221 Peter Lik b.1959 The Lost City, digital c-type print, image size, approx. 1000mm x 750mm, from an edition of 950, signed recto, framed and glazed £600-£800 222 Peter Lik b.1959 'Suspended', digital c-type print, image size 1500mm x 1000mm, from an edition of 950, signed recto, framed and glazed £1,000-£1,500 133

223

223 Joanna B. Pinneo TUAREG FAMILY SLEEPING, MALI, WEST AFRICA, 1997, C- type print, image size, 485mm x 325mm, titled, dated and signed by the photographer in the print, archivally window mounted £200-£300 224 ARR George Rodger (1908–1995)

224 134

TUAREG MATRIARCH NEAR TAMANRASSET, ALGERIA, SAHARA, 1957, silver gelatin print, printed 1985, image size, 290mm x 226mm, signed, titled and dated on the verso and with Rodger's Magnum copyright stamp verso, archivally mounted £400-£600

225 Jan Lukas (1915-2006) ZAGOORSK, NEAR MOSCOW, vintage silver gelatin print, image size 229mm x 356mm, titled in pencil, and with Black Star credit stamps verso ÂŁ300-ÂŁ500 135

226

226 Jan Lukas (1915-2006) SOLDIER JAMBOREE, c.1960s, vintage silver gelatin print, image size 305mm x 480mm, titled in pencil, and with Black Star credit stamps verso £400-£600 227 Nik Wheeler b.1939 PORTRAIT OF DON McCULLIN AT THE BATTLE OF HUE, VIETNAM, 1968, digital c-type print, printed later, image size, 838mm x 610mm, signed by the photographer in pen recto, image used on the cover of Don McCullin's Autobiography 'Unreasonable Behaviour', Penguin, 1990 £1,000-£1,500 136

227 137

228 Philip Jones Griffiths (1939-2008) LITTLE TIGER, VIETNAM, 1968, Called "Little Tiger" for killing two "Vietcong women cadre" - his mother and teacher, it was rumoured, silver gelatin print, printed later, image size, 610mm x 405mm, signed recto in pen, and verso in pencil by the photographer £500-£700 229 Philip Jones Griffiths (1939-2008) WOUNDED VIET CONG, 1968, American soldier offering water to a severely wounded Vietcong fighter, silver gelatin print, printed later, image size, 460mm x 310mm, signed recto in pen, and verso in pencil by the photographer £400-£600

228

229 138

230

230 Philip Jones Griffiths (1939-2008) CAVE TEMPLE, CAMBODIA, 1980, This Buddha reclined in a cave below a temple surrounded by the remains of many Cambodians. Situated near the town of Sisophon in the Northeast of the country, the area had recently been occupied by invading Vietnamese troops, silver gelatin print, printed later, image size, 450mm x 305mm, signed recto in pen, and verso in pencil by the photographer £400-£600 231 Philip Jones Griffiths (1939-2008) THE BATTLE FOR SAIGON, REFUGEE FROM U.S BOMBING,1968, silver gelatin print, printed later, image size, 460mm x 310mm, signed recto in pen, and verso in pencil by the photographer £400-£600

231

139

232 Tim Page b.1944 VIETNAM PORTFOLIO, 1955-1975, a selection of digital inkjet prints (8), approx. image sizes, 210mm x 305mm (smallest), approx., 710mm x 510mm, all signed, titled and dated by the photographer in pen Provenance: Acquired directly from the photographer by the current owner ÂŁ800-ÂŁ1,200 140

141

233

233 Joyce Tenneson b.1945 UNTITLED STILL LIFE, 1993, A Unique 20" x 24" large format Polaroid print, an important departure from Tenneson's regularly offered portraiture works, these could be seen as preparatory studies for the artist's two books; 'Intimacy: The Sensual Essence of Flowers' 2004 & 'Shells: Natures Exquisite Creations' 2011 £600-£800 234 Billy & Hells b.1986 DER PAGE, 2004, from the ‘in uniform’ series, digital C-type print, image size, 1200mm x 850mm, framed and glazed £1,000-£2,000 142

234 143

Husband-and-wife duo Shao Yinong (b. 1961, Qinghai Province, China) and Mu Chen (b. 1970, Liaoning Province, China) have worked collaboratively since 2000. Their practice reflects on the social and political impacts caused by the upheavals of the recent rapid economic, political and social change occurring in China. Through their photographic works, examine the processes of memory – both collective and individual – deconstructing the false dichotomies that exist in reality and representation; truth and nostalgia. 144

235 ShaoYing & MuChen b.1961, b.1970 ASSEMBLY HALL - QIXIANZHUANG, 2002 2006, C-Type print, image size, 1200mm x 880mm, number 2 from an edition of 8 £1,000-£1,500

236 Shao Ying & MuChen b.1961, b.1970 ASSEMBLY HALL - GUTIAN, 2002 - 2006, C-Type print, image size, 1200mm x 880mm, number 2 from an edition of 8 £1,000-£1,500 145

237

238 237 Shao Ying & MuChen b.1961, b.1970 ASSEMBLY HALL - MAOPING, 2002 - 2006, C-Type print, image size, 1200mm x 880mm, number 2 from an edition of 8 £1,000-£1,500 238 Shao Ying & MuChen b.1961, b.1970 ASSEMBLY HALL - RENZHAIQUIAN, 2002 2006, C-Type print, image size, 1200mm x 860mm, number 4 from an edition of 8 £1,000-£1,500 146

239 Zheng Guogo b.1970 TOKYO FAIRYTALE, 1998, No. 1, No. 4 & No. 8, Chromogenic prints (3 works), image size, 613mm x 927mm, Signed, dated and editioned 1/6 verso by the photographer Zheng Guogu was born in 1970 in Yangjiang, Guangdong province of China. He graduated from the printmaking department at the Guangzhou Academy of Fine Art in 1992. Zheng Guogu utilizes performance, photography, painting, sculpture, embroidery and the environment in his work. His ideas have often been born out of a balance between commitment to his hometown, engagement in global contemporary art, and his interest in how consumer culture has impacted Chinese traditions. ÂŁ2,000-ÂŁ3,000 147

240

148

240 Andy Warhol (1928-1987) CORNELIA GUEST, c.1983, Unique Type 108 Polaroid Polacolor print, image size, 95mm x 73mm, sheet size 108mm x 85mm, with the photographers blind stamp lower margin Provenance: the former owner; a prolific 1980s socialite, has included his Filofax from this period in which this photograph had been kept having been a gift from the artist. The Filofax, documenting many of New York's vibrant social scene's biggest players including, Andy Warhol himself, Marc Jacobs, Diana Ross, Chaka Khan, Keith Haring, Howard Marks and Luther Vandross ‘My idea of a good picture is one that’s in focus and of a famous person.’ Andy Warhol and the Polaroid During the 1970s up until his untimely death in 1987, Andy Warhol’s camera of choice for his silkscreen portraits was the Polaroid Big Shot. A close-up camera with a fixed focal lens and built-in flash, the Big Shot was perfect for taking portraits and made it easy for Warhol to quickly take multiple shots of his subject. To prepare for the shoot, women’s faces were often painted with white makeup to achieve a smooth appearance and men were posed to conceal any flaws. For most sittings Warhol was known to go through a few packs of film, and at the end of a shoot, he would select a small number of Polaroids to be sent off and re- photographed in 35mm, printed as 8 x 10 acetates and then re-printed in 40 x 40 to be finally transformed into the silkscreens. Most of these portraits were done on commission or trade. Both Roy Lichtenstein and Gilbert & George traded their paintings with Warhol for his silkscreen portraits. The Polaroid was the foundation for his 1970s and 80s silkscreen portraits and the Big Shot with its speed and disposability suited the purpose. Andy’s Polaroid’s offer a unique record of the famous faces that populated the world of Andy Warhol, 20th century’s preeminent visual artist. £2,000-£3,000 149

241

241 Eve Arnold (1913-2012) A COUNTESS FROM HONG KONG, MARLON BRANDO, 1966, Ilford Cibachrome print, image size, 296mm x 210mm, inscribed on the verso in pencil with with photographers signature and Magnum Photos stamp, window mounted £500-£700 242 Sid Avery (1918-2002) JAMES DEAN ON THE SET OF ‘REBEL WITHOUT A CAUSE’, 1955, silver gelatin print, printed later, paper size 406mm x 508mm, signed and titled in pencil and with the photographers estate/copyright stamped verso £1,500-£2,500

150

242 151

243

243 ARR Mick Rock b.1948 LOU REED, c.1974, Cibachrome print, printed no later than 1988, image size, 252mm x 249mm, with photographers’ signature and edition number lower margin /25, signature and editioning faded, archivally mounted, framed and glazed (470mm x 435mm) £400-£600 244 David Montgomery b.1937 GRACE CODDINGTON FIVE POINT BY VIDAL SASSOON, 1964, silver gelatin print, printed later, paper size 406mm x 508mm, numbered '5/10', signed and editioned in ink on the verso Reference: Phaidon, Grace: Thirty Years of Fashion at Vogue, pp. 22-23 £1,200-£1,800 152

244

153

245 ARR Mick Rock b.1948 FREDDIE MERCURY, QUEEN II ALBUM COVER, 1974, Cibachrome print, image size, 240mm x 236mm, with photographers’ signature and and marked artists proof lower margin, signature and A.P fading, archivally mounted, framed and glazed (470mm x 435mm) £500-£700 154

246

246 ARR Edward Quinn (1920-1997) SOPHIA LOREN LEANING OUT OVER BALCONY AT THE CARLTON HOTEL, CANNES, 1955, posthumous silver gelatin print, paper size 406mm x 508mm, Edward Quinn estate stamp on the verso £600-£800 247 Herbert Matter (1907-1984) ARCHERY, vintage silver gelatin print, paper size 178mm x 241mm, annotated, credit and publication stamps verso £500-£700 155

248

248 John Swannell b.1946 NUDE WITH ROPE, 1997, Vintage silver gelatin print, image size, 295mm x 230mm, signed in ink recto by the photographer, window mounted and archivally framed, appears to be a unique printing of this work originally donated for charity auction £700-£900 249 John Swannell b.1946 THE FASHION COLLECTION, c.1986, Limited edition portfolio of 25 fashion prints taken exclusively for Ritz newspaper, image size, 320mm x 235mm, sheet size, 565mm x 435mm, hand signed and numbered on title page, /500, taken exclusively for the Ritz newspaper, published by Swannell and Gilbert and reproduced on chamois coloured Kaskad Regency 225 gsm (linen structured) paper. The black heavyweight card protective box carries title on the front cover - the collection includes a descriptive certificate, numbered and hand signed with pencil by John Swannell, Protective box with some rubbing and scuffing to the outer surface, small creases front bottom. Plates inside in good condition (few with very slight signs of wear at outermost margin or corner - no stains, no discoloration) All images themselves are in excellent condition. The British photographer John Swannell is best known for his portraits, he also specializes in fashion, nudes and landscapes. His work features in permanent collections at the V&A, the National Portrait Gallery in London and the Museum of Modern Art in New York. Ritz newspaper was an award-winning monthly celebrity and fashion magazine launched in 1976 by David Litchfield and David Bailey. 249 156

£200-£300

249 157

250 158

251

250 Chris Smith b.1937 READY FOR THE RING, 1974, silver gelatin print, printed later, image size, 590mm x 400mm, sheet size 740mm x 545mm, dry-mounted to board, signed and numbered 2/20 recto in black pen, framed £1,600-£1,800 251 Chris Smith b.1937 ALI VERSUS THE BEATLES, 1964, chromaluxe print, printed later, image size 1016mm x 762mm, 1 of 2 unique artist proofs in this format, framed and signed by the photographer on the verso, the other of these prints resides in Muhammed Ali's hometown - Louisville Kentucky £2,000-£3,000 159

253

252

255

254 ARR

254

George Dambier (1925-2011) LUCINA, LONDRES, 1959, silver gelatin print, printed later, image size 406mm x 508mm, signed, editioned and with photographer's credit stamp verso

252 ARR

253 ARR

Terry O’Neill b.1938

Terry O'Neill b.1938

BILL WYMAN BACKSTAGE, 1964, Legends pre-edition silver gelatin print, printed 2001, image size, 280mm x 185mm, with legends stamp, photographers’ initials and technical annotations in pencil verso

CHARLIE WATTS, 1964, Legends pre-edition silver gelatin print, printed 2001, image size, 280mm x 185mm, with legends stamp, photographers’ initials and technical annotations in pencil verso

£200-£300 160

£200-£300

£400-£600 255 ARR Robert Doisneau (1912-1994) VIEW OF THE AUDIENCE, vintage silver gelatin print, paper size 180mm x 250mm, various credit stamps on the verso £200-£300

256 Herman Leonard (1923-2011) FRANK SINATRA, MONTE CARLO, 1958, silver gelatin print, printed later, image size, 496mm x 382mm, signed and titled in pencil lower margin, titled and with ‘Exhibition Print’ verso, archivally window mounted £3,000-£5,000

161

257

258

257 Homer Sykes b.1949 MICK JAGGER & RONNIE WOOD, Rolling Stones Concert, Earls Court, London, 1976, Silver bromide print, printed later, image size 482mm x 317mm, paper size 508mm x 406mm, signed verso £400-£600 258 Michael Cooper (1941–1973) THE ROLLING STONES, ELEVEN HANDS, 1967, silver gelatin print, printed later, image size, 580mm x 395mm, with photographer’s blind stamp and edition number recto, archivally mounted, framed and glazed (785mm x 610mm) £150-£250

162

259

259 Homer Sykes b.1949 KEITH MOON AND JOHN McCOY, Virgin Records Party at The Venue, Victoria, London 1978, vintage press print on resin coated paper, image size, 228mm x 152mm, paper size, 254mm x 203mm, with the photographer’s copyright stamp, signature and other annotations to the verso £100-£150 260 Homer Sykes b.1949 MARGARET THATCHER GOING TO THE POLLS, The night before being announced Britain's first female Prime Minister, Chelsea Town Hall, 1979, vintage press print on resin coated paper, image size, 228mm x 152mm, paper size, 254mm x 203mm, with the photographers copyright stamp, signature and other annotations to the verso

260

£100-£150 163

261

261 Jane Bown (1925-2014) ISABELLA ROSSELLINI, silver gelatin print, image size 315mm x 240mm, signed by the photographer verso in pencil Provenance: Acquired by the current owner directly from the photographer £600-£800 262 ARR Edward Quinn (1920-1997)

262 164

ALAIN DELON AND JANE FONDA IN A FERRARI 250GT SPIDER CALIFORNIA ON THE SET OF "JOY HOUSE", ANTIBES, 1964, silver gelatin print, printed 2009, image size 440mm x 350mm, signed by Gret Quinn in pe ncil on the verso, and with the photographer’s archival copyright stamp £600-£800

263

263 Tom Palumbo (1921-2008) MILES DAVIES, c.1956, printed 2010 on Fuji Crystal Archival paper (digital), image size 406mm x 508mm, with photographer’s credit stamp and edition number /25 verso £400-£600 264 ARR

264

George Dambier (1925-2011) ELE, silver gelatin print, printed later, paper size 406mm x 508mm, signed, editioned, and with the photographer's credit stamp verso £400-£600 165

265 Robert Whittaker (1939-2011) A PORTFOLIO OF SALVADOR DALI PORTRAITS, 1967 - 1972, silver gelatin prints (27) image size, 400mm x 305mm, signed recto (25), signed verso (1), unsigned (1) “Pictures, let’s take lots of pictures. I love being photographed by a sympathetic person. I am the greatest prostitute in posing for pictures in the world” Dali’s first words to me when taken to meet him by Douglas Cooper in 1967 - Robert Whittaker £1,000-£1,500 166

266

266 ARR Terry O'Neill b.1938 DAVID BOWIE, DIAMOND DOGS, 1974, silver gelatin print, printed before 1988, with some stop issues, image size, 406mm x 306mm, with photographers’ signature in pen recto, faded, mounted, framed and glazed (655mm x 530mm) £300-£500 267 Homer Sykes b.1949 GEORGE HARRISON, London 1982, vintage press print on resin coated paper, image size, 228mm x 152mm, paper size, 254mm x 203mm, with Network Photographers Label and photographers’ signature to the verso £100-£150

267 167

268

268 Unknown Photographer c.1970s PORTRAIT OF JOE STRUMMER, WEST LONDON, c.1970s, silver gelatin print, image size, 360mm x 285mm, signed verso by the photographer in crayon, archivally window mounted and framed, (550mm x 450mm) £400-£600 269 David Sutton 1978

269 168

SEAN CONNERY IN "A FINE MADNESS", 1966, archival pigment print, printed 1979, image size 406mm x 508mm, editioned recto /25, titled, dated and with the photographer’s copyright stamp verso £400-£600

270

271

270 Herb Ritts 1952-2002 NAOMI CAMPBELL, HAWAII, 1989, Platinum print, signed by the model in the lower margin, printed during the photographers lifetime, image size 312mm x 380mm, titled and dated in pencil, A.P 3 and with the photographer's estate and gifting stamp to the verso, framed and glazed (450mm x 520mm) £1,200-£1,800 271 John Reader b.1937 JOHN LENNON & YOKO ONO, 1968, in a London Soho restaurant, after completing an editing session on their first musical collaboration: Unfinished Music No. 1: Two Virgins which was released in November 1968 as an experimental album, image size, 500mm x 350mm, digital fibre prints on Hahnemühle FineArt archival paper, archivally mounted, signed and editioned /20, verso £400-£600

272

272 John Reader b.1937 MICK JAGGER & CHARLIE WATTS, during the recording of She’s a Rainbow for their album Satanic Majesties at the Olympic Studios, Barnes, London, May 1967, image size, 500mm x 350mm, digital fibre prints on Hahnemühle FineArt archival paper, archivally mounted, signed and editioned /20, verso £400-£600 169

273 John Reader b.1937 THE ROLLING STONES, Keith Richard listens to a playback duringthe recording of She’s a Rainbow for their album Satanic Majesties at the Olympic Studios, Barnes, London, May 1967, image size,500mm x 350mm, digital fibre prints on Hahnemühle FineArtarchival paper, archivally mounted, signed and editioned /20, verso £400-£600 274 John Reader b.1937 THE ROLLING STONES, take a break from recording She’s a Rainbow for their album Satanic Majesties at the Olympic Studios, Barnes, London, May 1967, image size, 500mm x 350mm, digital fibre prints on Hahnemühle FineArt archival paper, archivally mounted, signed and editioned /20, verso 273

274 170

£400-£600

275

275 Homer Sykes b.1949 MICK JAGGER & MICK TAYLOR, Rehearsal at Institute of Contemporary Arts, London, 1971, Silver bromide print, printed later, image size 482mm x 317mm, paper size 508mm x 406mm, signed verso £400-£600 276 Terry O’Neill b.1938 BRIAN JONES, 1963, Legends pre-edition silver gelatin print, printed 2001, image size, 280mm x 185mm, with Legends stamp and photographers’ initials in pencil verso

276

£200-£300 171

277

277 ARR Robert Doisneau (1912-1994) PICASSO WITH A PRAYING MANTIS, vintage silver gelatin print, paper size 180mm x 230mm, variously annotated in pencil on the verso, and with photographers and agency credit stamps verso £400-£600 278 ARR Edward Quinn (1920-1997) PICASSO BY DOOR, silver gelatin print, image size 406mm x 508mm, with the photographer’s archival stamp and signed 'Gret Quinn' in pencil with the negative number verso £600-£800 172

278 173

279

279 Paul Himmel (1914-2009) UNTITLED (WOMEN AND CAR BUMPER), silver gela tin print, printed later, print date 2000, image size 279mm x 356mm, signed and dated in pencil verso £200-£300 280 Mike Wilson ROGER MEADOWS-TAYLOR OF THE POP GROUP 'QUEEN', c1970, silver gelatin print, image size, 405mm x 270mm, titled in felt tip pen verso and with the photographer’s copyright stamp, small scuff to emulsion visible in raking light, paper size, 495mm x 390mm £100-£150 281 André de Dienes (1913-1985)

280

MARILYN MONROE’S LEFT PALM, 1949, vintage silver gelatin print, paper size, 178mm x 254mm, signed in ink and with photographer’s credit stamp verso £2,500-£3,500

174

281

175

Terms and Conditions for Buyers at Chiswick Auctions 1. BEFORE THE SALE

2. DURING THE SALE

1.1 Agent for the seller Unless otherwise agreed, Chiswick Auctions Ltd, hereafter referred to as CA LTD acts as agent for the seller. The contract for sale of the property is therefore made between the Seller and the Buyer.

2.1 Attendance at auction Attending the auction in person is recommended. CA Ltd has the right in their absolute discretion to refuse participation in any auction, to reject any bid, and to refuse admission to the premises. Bidders are not obliged to be present in person at the auction. Absentee bidders shall be required to make necessary arrangements with CA Ltd prior to the sale.

1.2 Definitions For the purposes of the current Terms and Conditions, the Seller shall be defined as the owner of the Goods. It is implied that the Seller is the legitimate owner and is authorised to sell the Lot. The Bidder is any registered person participating in the auction, and the Buyer is the successful Bidder for a particular Lot. The Lot means the item(s) put up for sale by CA Ltd and to which the present Terms and Conditions apply. 1.3 Catalogue descriptions Any representation in any catalogue or otherwise as to the origin, date, age, attribution, genuineness or estimated selling price of any lot is a statement of opinion only. Such statements do not constitute a representation warranty or assumption of liability by CA Ltd in relation to the Lot. Any prospective Buyer should satisfy themselves prior to the sale as to the reliability of the catalogue description. The absence of mention related to prior restorations in the Catalogue descriptions does not imply that the good is exempt thereof. Photographs of any Lot provided by CA Ltd are for indicative purposes only and are not deemed to be a precise representa-tion of the said Lot. The Buyer is advised to seek independent expert advice in order to be assured of the authenticity and true state of the good. 1.4 Inspection Prior to auction, prospective purchasers are strongly advised to personally examine personally any property in which they are interested to satisfy themselves in relation to matters which may concern them. 1.5 Condition report CA Ltd may issue a Condition Report on request prior to the sale. This Condition Report is for identification purposes only and cannot be considered as giving a precise account of the Lot’s true state.Thus, some imperfections and faults may not be accounted for in the Condition Report. As aforementioned, and in the absence of any contractual value of the Condition report, it is the Buyer’s sole duty to inspect in person the Lot in order be assured of its true condition and CA Ltd shall not be responsible for assertions within the Condition Report hereto. 1.6 Electricals All electrical items are sold as seen and CA Ltd offers no guarantee as to the working condition of such items or their safety. It is the Buyer’s duty to take necessary steps to be assured that the Lot is safe for normal use. 1.7 Estimates Estimates are based on various factors inherent to the situation of the market at the time of the sale, as well as considerations such as the condition, rarity, or quality of the item etc. Estimates are only indicative and represent the opinion of CA Ltd. Estimates provided by CA Ltd cannot constitute a guarantee as to the value of the good. Subsequently, goods may sell at prices lower or higher than the provided estimates. 1.8 Reserves Many Lots are offered subject to a reserve, which is the confidential minimum sale price. The reserve will never exceed the low estimate printed in the catalogue. CA Ltd may open the bidding on any Lot below the reserve by placing a bid on behalf of the seller, and may in their discretion continue to bid up to the reserve price. This can be achieved by bidding in response to other bidders or alternatively by placing consecutive bids. 1.9 Registration to the sale New bidders will need to register prior to the sale. It is strongly advised bidders register at least 24 hours before the sale. Registration thereafter shall be at the auctioneer’s entire discretion. International bidders may be required to register 48 hours before the sale and to submit bank details. A deposit may be requested prior to each sale. Failure to register shall result in the impossibility for the bidder to purchase a Lot. 1.10 Proof of identity Bidders not previously known to CA Ltd will be required to provide: • Official proof of identity in the form of a passport or photocard driving licence. No other forms of ID are acceptable. • Proof of address of main residence. Only official documents showing name and address will be accepted. • Both landline and mobile telephone numbers • A bank reference for foreign bidders may be requested • Corporate clients will have to provide a certificate of incorporation prior to the auction, along with the representative’s ID in accordance with the abovementioned requirements for proof of identity. Any Bidder that does not match the provided identity for registration may not purchase during the sale.

176

2.2 Personal bidding Bidders attending the auction in person shall be required to collect a number plate prior to the sale. 2.3 Commission bids CA Ltd will use reasonable efforts to carry out Commission bids received by them prior to the sale for the convenience of clients who are not present at the auction in person. Execution of Commission bids is a free service provided to help clients and CA Ltd does not accept liability for any failure to execute a Commission bid or for errors and omissions in connection with it. Commission bids shall be executed at the lowest possible price, subject to competing bids and reserves. Although CA Ltd will endeavour to inform Buyers, it is the Buyer’s responsibility to check if they have been successful in purchasing a Lot. In the event of multiple commissions at the same price, the commission set at the older date shall be taken into account. 2.4 Telephone bids If a bidder is not able to attend in person an auction, CA Ltd will use reasonable efforts to contact prospective Buyers who make arrangements prior to commencement of the sale to bid by telephone. CA Ltd cannot be held responsible in the event of issues affecting connectivity, resulting in the loss of a chance of purchasing the Lot for the Bidder. 2.5 Internet bids Some sales may be available to internet bidding, as well as personal attendance. In this event, CA Ltd shall not be held responsible for issues affecting connection. 2.6 Bidding on behalf of someone A Buyer may bid by proxy. In this event, proof of identity of both the Buyer and the proxy must be communicated to CA Ltd prior to the sale. A copy of the mandate shall also be required. 2.7 Bidding on an item Bid incrementing is at the auctioneer’s entire discretion. 2.8 Video transmission For the purpose of the sale, Lots may be displayed on video during the auction. In the event of transmission issues, CA Ltd shall not be held responsible for any subsequent outcome. 2.9 Online-only auctions Some auctions may be available to bidders only through an online platform. In this event, Buyers have a 14 day period at reception of the Lot to withdraw from the sale, in accordance with EU Consumer Law. 2.10 Dispute resolution during the auction Any dispute shall be settled at the auctioneer’s absolute discretion. Under no circumstances will a sale be cancelled after the fall of the hammer, except at the auctioneer’s entire discretion. 3. CONTRACT FORMATION AND EFFECTS 3.1 Contract of sale The contract of sale is between the Buyer and the Seller. The Buyer shall be the bidder at the highest price at the fall of the hammer. The sale is deemed complete once the auctioneer announces its completion by the fall of the hammer and the contract shall be binding thereafter between the Buyer and the Seller and CA Ltd. When a Buyer purchases multiple Lots, each Lot is the subject of a separate contract of sale. 3.2 Transfer of property Property of the goods shall pass to the Buyer only once CA Ltd has received full payment for the goods, this includes the price at the fall of the hammer as well as Buyer’s premium, relevant taxes, and costs in relation to shipping. 3.3 Transfer of risks Purchased Lots shall be at the Buyer’s risk in all respects from the fall of the hammer, and neither CA Ltd nor their agents shall be responsible for any loss or damage of any kind, whether caused by negligence or otherwise. 3.4 Cancellation of the sale At the fall of the hammer, the contract is formed between the Buyer and CA Ltd and is binding thereafter. Under no circumstances can the Buyer cancel the sale. CA Ltd may at its entire discretion, during or after the auction, cancel the sale of the Lot or reoffer and resell the Lot if it becomes aware of any error or dispute of any nature, whether or not title has passed to the Buyer, and up to a period of 6 months after the said sale.

Grounds for cancellation under the present section shall include but not be limited to any dispute relating to the attribution or provenance of the Lot, ownership and title, fraud or deceit, lack of relevant licences or certificates, any subsequent changes in domestic or international legislations restricting the sale of export of goods etc. In the event of internet-only auctions, the Buyer shall have a 14 day right to retract, after reception of the Lot, under EU Consumer Law. Public auctions are not covered by this right to retract. 4. AFTER THE SALE 4.1 Payment All purchased lots must be paid for on the day of the auction. Commission bids must be paid for no later than the day after the auction. Payment must be in cash, debit, credit card or bank transfer. Cheques are not accepted. Cash payments shall not be receivable for amounts over €10,000, regardless of the payment being for one or multiple Lots. Payments made by someone other than the registered Buyer shall not be accepted. Title will not pass to the Buyer until CA Ltd has received all amounts due to them in cleared funds even if the Lot has been released to the Buyer. 4.2 Buyer’s Premium The Buyer will pay CA Ltd a premium of 25% on the hammer price plus VAT on that commission on the first £500,000 and 12% plus VAT on the balance thereafter. A Buyer’s Premium of 21% plus VAT is charged on Wine & Spirits Lots. The VAT payable varies by symbol as below: No Symbol: The standard rate of VAT is charged on the premium under the Auctioneers Margin Scheme in accordance with Art. 333 of 2006/112/EC. Standard UK VAT will be charged on the buyers’ premium and invoiced on an inclusive basis. †: Normal VAT rules apply and the standard rate of VAT will be charged on both hammer price and premium. *: These lots have been imported from outside the EU for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on the invoice. In order to receive a refund of VAT amounts/Import VAT (as applicable) non-EU buyers must: (a) have registered to bid with an address outside of the EU; and (b) export the lot from the EU within 30 days of collection for * lots and 3 months of collection for all other lots and immediately afterwards provide us with satisfactory proof of export. (c) Details of the documents which you must provide to us to show satisfactory proof of export/shipping are available from our Finance team. A processing fee of £35.00 per invoice is charged to check shipping/ export documents. (d) No VAT amounts or Import VAT will be refunded where the total refund (after deducting the processing fee) is under £35. (e) If you are re-exporting a * lot outside of the EU, you must either use Chiswick Auctions Ltd TA Shipper or arrange for us to transfer the TA from our shipper to your own TA or bond account. 4.3 Taxes The Buyer is responsible for paying VAT on any Lot, above hammer price and Buyer’s premium. The rate applicable shall be the legal rate at the date of the sale. Goods such as books and antique books, music, maps and charts etc. are subject to zero-rated VAT. In addition, any import taxes that may be incurred shall be paid by the Buyer above hammer price, VAT and Buyer’s premium.The present paragraph applies in particular to imports within the United-States and Australia. The Buyer is advised to verify such matters prior to the sale. 4.4 Artist Resale Rights / Droit de Suite Lots marked with ‘ARR’ may be subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or to the artist’s heir each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a cumulative sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to Lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single Lot is the sterling equivalent of €12,500. Royalties for Droit de Suite are as follows: • From 0 to €50,000 4% • From €50,000.01 to €200,000 3% • From €200,000.01 to €350,000 1% • From €350,000.01 to €500,000 0.5% • Exceeding €500,000 0.25% 4.5 Remedies for non-payment If the Buyer fails to make full payment in cleared funds within the time required as aforementioned, CA Ltd shall be entitled to exercise any one or more of the following rights or remedies additional to such other rights or remedies available: • To cancel the sale • To charge interest at 4% per annum above the base rate of Lloyds Bank Plc. • To resell the Lot on such terms by auction or otherwise entirely at CA Ltd’s discretion. The Buyer will be liable for all costs including legal fees incurred in the sale and will remain liable for any shortfall arising upon sale. • To offset against any sums which CA Ltd may owe the Buyer the outstanding sums unpaid by the said Buyer • Where the Buyer owes sums to CA Ltd in respect of different transactions, to discretionarily apply any sum paid by the Buyer for discharge of any owed sums. • To refuse entry to the Buyer at any future auction and/or reject any future bids by the Buyer and/ or seek a deposit from the Buyer entirely in the discretion of CA Ltd.

• To exercise a lien over the Buyer’s property in the possession of CA Ltd as collateral for any outstanding sums owed and to exercise all the rights and remedies of a person holding security over any such property, whether by way of pledge, security interest or in any other way to the extent permitted by Law. • To commence legal proceedings for the recovery of the total amount due together with interest, legal fees and costs. • To take such other action as is permissible by Law and in the discretion of CA Ltd. 4.6 Collection Purchased Lots can be collected from the auction room after the sale has ended or between 10am and 6pm up until close of business on the Friday following the sale. Special arrangements may be made for collection on Saturday at CA Ltd’s discretion. 4.7 Storage CA Ltd offers a discretionary 14 days free storage on purchased Lots from the date of the sale. Thereafter Lots not collected shall incur storage charges of £5.00 per lot, per day or part thereof. CA Ltd shall be entitled to retain purchased Lots sold until all sums due have been paid to CA Ltd. If any purchased lot remains uncollected 21 days after the sale, storage charges shall thereafter be £10 per day and CA Ltd shall, in accordance with the Law, have the right to sell the purchased Lot to recover payment of storage charges outstanding. Any balance proceeds of sale received after payment of all sums outstanding and due to CA Ltd shall be held for the account of the Buyer. 4.8 Shipping Any shipping costs that may arise subsequently to the sale shall be at the Buyer’s expense. Such costs may include but not limited to postage, import and export permits where required and any other licence necessary for goods to be shipped outside of the European Union. CA Ltd does not offer insurance for shipping. However, CA Ltd may arrange insurance upon the Buyer’s request and at the Buyer’s expense. CA Ltd cannot be held responsible for any damages that may be incurred to goods prior to the fall of the hammer. 4.9 Loss or Damage CA Ltd does not accept liability for loss or damage occurring to Lots after the sale. CA Ltd will use reasonable efforts when handling packing and shipping of Lots purchased, but shall not be responsible for any loss or damages that may occur whilst the said Lot is in any third party’s care. 4.10 Cultural Goods import and export restrictions Cultural goods may be subject to import and export restrictions. Under EU Regulations related to the trade of cultural goods, export licences may be required for export outside of the European Union if the item’s value exceeds the EU threshold. Under UK Law, a licence may also be required for intra-EU trade. Licenses are issued by Arts Council England and it is the Buyer’s duty to obtain them. Some countries restrict the import of specific cultural goods. For example, the United States prohibits the import of preColumbian monumental or architectural sculpture or murals, as well as any cultural goods in provenance from some countries subject to armed conflicts. The Buyer must verify local legislation prior to the sale in order to be assured that import or export is possible. 4.11 CITES import and export restrictions Certain endangered species are listed in the CITES Convention. Listed specimens and any parts or products thereof are subject to issuance of an export permit when leaving the European Union. Appendix I species, are also subject to issuance of a prior import permit from the country in which the goods are to be imported. Such permits are necessary before applying for export permits and it is the Buyer’s duty to initiate the proceedings with the relevant authority. The Buyer must be aware that certain countries prohibit the import of some species or any parts or products derived thereof. For example, the United States prohibit all import of African elephant ivory, and any item containing parts that may merely resemble African elephant ivory must be accompanied by relevant documentation stating it is not the latter. Worked items that are dated before 1947 are exempt from import restrictions for intra-EU trade and shall not require export licences. Please be aware that all Lots marked with the symbol λ are subject to CITES regulations. 4.12 Limitation of liability regarding CITES export licenses Where licences are required for importing or exporting outside of the European Union, it is the Buyer’s duty to obtain them. CA Ltd cannot be held responsible if the Buyer’s application for an export permit is unsuccessful. Subsequently, in the event of failure thereof, CA Ltd shall not permit cancellation or rescission of the sale. 4.13 Warranties CA Ltd does not provide the Buyer with warranties relating to any Lot, unless required by Law. 4.14 Authenticity warranty In the event of a Lot being sold as authentic under the catalogue description and the Buyer provides evidence in the form of a written report by a recognised expert or test results that the said Lot is not, CA Ltd will refund the purchase price. The Buyer shall give notice to CA Ltd within 28 days from knowledge or any event giving reasons for suspecting that the item is not authentic, and within one year of the said sale. Any claim thereafter shall not be receivable. For the purposes of the present paragraph, authenticity shall be defined as the state of a Lot that is genuine and not a forgery or a copy. 5. ANTIQUITIES AND TRIBAL ART 5.1 Import and export restrictions and regulations Archaeological goods over 100 years of age, unless covered by exemption of limited scientific interest, will require an EU Licence for export to a third country, regardless of their value. It is recommended that the Buyer contact the Export Licensing Unit at Arts Council England in order to be assured the good is or not of limited archaeological or scientific interest. Archaeological goods found on United-Kingdom soil or in UK territorial waters over 50 years of age shall require a UK Licence regardless of their value and regardless of the export destination. Other archaeological objects regardless of their origin will require an Individual Licence or OGEL depending

177

on their value. Both European-Union and UK Licences may be required simultaneously for some items. It is the Buyer’s duty to undertake the necessary steps. CA Ltd cannot be held responsible and the sale cannot be cancelled in the event of failure to obtain the relevant licences. 6. JEWELLERY

8 The term ‘signed’ and/or ‘dated’ and/or ‘inscribed’ means that in our opinion the signature and/or date and/ or inscription are from the hand of the artist. 9 The term ‘with signature’ and/or ‘with date’ and/or ‘with inscription’ means that in our opinion the signature and/or date and/or inscription have been added by another hand than that of the artist. 10 Pictures are framed unless otherwise stated. 10. ASIAN ARTS

6.1 Gemstone treatment and estimates Many gemstones on the market have been treated so as to augment their appearance, in a reversible or permanent manner. Treatments under the present section may be but not limited to: • Heat treatment to enhance sapphires and rubies’ clarity and colour • Oil and resin treatments for emeralds applied in different ways, to enhance clarity of the stone • Staining • Irradiation • Coating Estimates provided by CA Ltd are deemed to be based on the fact that the gemstone may have been subject to any type of treatment in the past. CA Ltd shall not be responsible in the absence of mention thereof. A certificate may be issued by a laboratory, providing with detailed information on the condition of the gemstone and any treatment applied thereto. The Buyer must be aware that different laboratories have different approaches as to the degree or type of treatment for a particular gemstone. If a certificate accompanies the Lot, the Buyer must be aware that it is merely a statement of the laboratory’s opinion and in no way can CA Ltd be held responsible for any mentions therein. Such certificates are deemed to be delivered with the Lot for informative purposes only. 6.2 Estimated weights If a stone’s exact weight appears within the body of the description, the stone has been un-mounted and weighed by CA Ltd. If the weight of a stone is stated to be approximate, the stone has been assessed by CA Ltd within its setting, and the defined weight is a statement of opinion only. This information is given as a guide and bidders should satisfy themselves with regard to this information as to its accuracy. 6.3 Signatures ‘A diamond ring, by X’: When the maker’s name appears in the title, in Chiswick Auctions’ opinion the piece is by that maker. ‘A diamond ring, signed X’: Has a signature that, in Chiswick Auctions’ opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered. ‘A diamond ring, mounted by X’: Has been created by the jeweller, in Chiswick Auctions’ opinion, but using stones or designs supplied by the client. ‘Maker’s mark for X’: Has a maker’s mark which in Chiswick Auctions’ opinion is authentic. Some items may include parts or products derived from endangered species, such as ivory or coral. Such items may be subject to import or export restrictions. See section on CITES regulations for more details. 7. CLOCKS AND WATCHES All Lots are sold as seen. Clocks and watches are therefore not deemed to be sold in working condition. Absence of reference thereof in the description does not imply that the Lot is in good condition and without defects, or has been subject to repair or restoration. CA Ltd makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Most clocks and watches are likely to have been repaired in the past, and as a result may include parts that are not original thereto. The United-States restrict the importation of watches such as Rolex, Frank Muller or Corum. Such models can only be imported personally by the Buyer and CA Ltd cannot assist with shipping thereof. Some watches may include leather straps derived from endangered species. Buyers may be required to obtain appropriate permits for import or export purposes in accordance with CITES regulations. CA Ltd acts in compliance with such legislations and shall take necessary steps where required. Subsequently, watches may be deemed sold without their straps.

10.1 Import and export restrictions When dealing with Asian Arts and more specifically with items made of exotic wood (e.g. all species of rosewood) or elephant ivory, the Buyer must be aware of import and export restrictions in accordance with CITES Regulations. As aforementioned in the Section relating to such matters, import and export permits or re-export certificates may be required.Verification letters will be required for re-export of worked rhinoceros items. 10.2 Fine Chinese Paintings Current scholarship in the field of Chinese Paintings and Calligraphy does not permit unqualified statements as to the authorship or date of execution.The limited right of rescission contained in the present terms and conditions does not apply to Chinese paintings. Notwithstanding, if within 28 days of the sale of any such Lot, the original purchaser gives written notice to CA Ltd that the Lot is a forgery and within fourteen days after giving such notice, the original purchaser returns the lot to us in the same condition as at the time of sale and demonstrates to our satisfaction that the lot is a forgery, CA Ltd will rescind the sale and refund the purchase price received. For this purpose, a ‘forgery’ is defined as a work created with the intent to deceive. 11. BOOKS AND MANUSCRIPTS Books and manuscripts sold as incomplete are not subject to returns. Printed books may be returned for a full refund only if they prove to be defective in text or illustration. This shall not apply to the absence of blanks, half titles or advertisements, to un-named books or to books sold under the heading of ‘binding’ or ‘bindings’. 12. WINES AND SPIRITS In accordance with agreed standards in the trade, estimates shall be deemed to have taken into account the fill level. For the purposes of the present Terms and Conditions, the ‘Fill Level’ refers to the space between the base of the cork and the liquid in the bottle. Fill levels may vary with age or depending on the condition of the wine or spirit. Lack of mention thereof in the description is not a representation of an ‘acceptable’ fill level from CA Ltd. CA Ltd offers no guarantee as to suitability for drinking of the wine or spirit. The Buyer must be aware of the risk that the taste of a wine or spirit may be altered due to factors such as age, storage conditions, oxidation, etc. 13. COPYRIGHT CA Ltd shall own the copyright on all images, illustrations and written material produced by or for CA Ltd relating to a Lot, including catalogue contents. Such copyright shall remain at all times the property of CA Ltd. Neither the Buyer nor anyone else shall use the above mentioned materials without the prior written consent of CA Ltd. Some Lots may be subject to copyright protection, CA Ltd does not guarantee said Lots are free thereof. 14. DATA PROTECTION The Buyer agrees that personal information transmitted to CA Ltd may be disclosed exclusively for the purposes of business, or as required by Law. CA Ltd shall not use personal information for any other purpose without the Buyer’s prior consent. CA Ltd never sell, lend or trade in personal data provided by any Bidder. 15. SEVERABILITY

8. FURNITURE 8.1 Upholstered furniture after 1950 According to The Furniture and Furnishings (Fire Safety) Regulations 1988, furniture that was upholstered after the 1st of January 1950 is subject to restrictions in the United-Kingdom. Exempt upholstered furniture that does not meet such requirements is deemed sold for purely aesthetic purposes. CA Ltd shall not be responsible for later alterations to the furniture, making it unfit for sale.

Whenever and to the extent that any provisions of these terms would or might contravene the provision of any relevant legislation, such provision is to take effect only in so far as it may do so without contravening such legislation and the legality, validity and enforceability of any of the remaining provisions are not in any way to be affected or impaired as a result. 16. AMENDMENTS

9. GLOSSARY OF PICTURE CATALOGUING TERMS

The current Terms and Conditions may be amended, verbally or in writing, prior to the sale.

Any Statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

17. LAW AND JURISDICTION

1 JMW Turner: In our opinion a work by the artist. When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. 2 Attributed to JMW Turner: In our opinion probably a work by the artist, but less certainly as to the authorship expressed than in the preceding category. 3 Studio of JMW Turner: In our opinion probably a work by an unknown hand in the studio of the artist, which may or may not have been executed under the artist’s direction. 4 Circle of JMW Turner: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist and of the period, but not necessarily his pupil. 5 Style of…; Follower of JMW Turner: In our opinion a work by a painter working in the artist’s style, but not necessarily his pupil. 6 Manner of JMW Turner: In our opinion a work in the style of the artist and of a later date. 7 After JMW Turner: In our opinion a copy (of any date) of a known work of the artist.

178

The rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with the Law of England and Wales. For the benefit of CA Ltd all bidders and sellers agree that the Courts of England are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship warranty relate or apply. All parties agree that CA Ltd shall retain the right to bring proceedings in any court other than the Courts of England.

AUCTION CALENDAR

NOVEMBER

Tuesday

Interiors & Antiques Antiquities & Tribal Art

Wednesday

Rugs & Carpets Books & Works on Paper

26 27

Tuesday

Jewellery Wednesday

Designer Handbags & Fashion Old Master Paintings

DECEMBER

3 5 10

Tuesday

Modern & Post-War British Art

Thursday

Wine & Spirits Tuesday

Affordable Luxury

Please note that auction dates are subject to change. 179