Chiswick-Auctions-Photographica-November-2018

Photographica

Wednesday 28th November 2018

Photographica Wednesday 28th November 2018, 11.00

VIEWING AT CHISWICK full sale

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GENERAL ENQUIRIES +44(0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk 1 Colville Road, London W3 8BL 127 Fulham Road, London SW3 6RT

24 November 25 November 26 November 27 November 28 November

11.00 - 17.00 11.00 - 17.00 10.00 - 18.00 10.00 - 18.00 10.00 - 11.00

PHOTOGRAPHERS Steven McCauley Jordan Salzmann Darrell Russell Monika Olek Basak Ulukose Front cover: Lot 502 Back cover: Lot 554

SPECIALISTS

Austin Farahar Head of Photographica austin.farahar@chiswickauctions.co.uk @ajf197_photographica

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COLLECTION OF LOTS Buyers are asked to collect their lots on the day of the sale or between 10.00 and 18.00 up until close of business on Friday following the sale.

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Lot 401 VARIOUS PHOTOGRAPHERS; (c. 1890s) Photograph album 380mmx280mm, containing albumen prints, (37) approx 275x210mm, (14)t approx 215mmx165mm views including Shanghai; The Bund, Cangue Punishment, Canal, Entrance to Native City, Hongkong; Harbour (2), Peak Hotel, Coolies, Hong Kong Club, The Peak, Inclined Railway to Peak, Main Street, Saigon; topographical scenes including residence of the Lieut Gov of French Indo China and Palais de Justice, Singapore; Hotel de L’Europe, St Andrews Cathedral, Club, views from Ft Canning, Mount Palmer, Orchard Rd Police station, New Harbour, Boat Quai, Infantry Mess, Police Court, Government House, G.R Lambert & Co.studio stamp to corner, Colombo; Main Street, Water Buffalo, Barracks, Lake, additional topographical views of Kandy including Queens Hotel, attributed to the Colombo Apothecaries Co. ltd (Scowen), images titled in negative or annotated below in pencil, some spotting and foxing throughout

£700-£900

Lot 402 VARIOUS PHOTOGRAPHERS; (Meiji period c. 1890s) Various Photographers; Meiji period c.1890s, photograph album, 380mmx280mm, containing 61 albumen photographs, approx 255mmx195mm, 47 albumen prints of Japan, 44 hand coloured, many images titled in negative, with views and subjects including Yokohama, Tokio, Geisha girls, Child portraits, Fujiyama From Kashiwabara, Idols of Sanjiusangendo Kioto, Daibitsu Hiogo and Kobe Railway with additional 13 albumen prints of Shanghai China; annotated in pencil, Mandarin’s chair with coolies, French & English Bund views, Shanghai Racecourse, Canal separating English and french quarters and English Cathedral Shanghai, this image attributed to Szen Yuen Ming & Co., crack to spine, some foxing and spotting to album leaves

£400-£600

Lot 403 Unknown Photographer; WORLD WAR ONE ‘THE DUNSTERFORCE’ Photograph album, green cloth boards, approx 400mm x 280mm, containing silver prints documenting fighting in the Caucasus 1917/1918 with further images up to 1925 of Natives, Allied troops & their families, Baghdad, Sultanabad, Tehran, Rome, Venice, London, Southern England, Motorcars, Planes, Trains and family outings (a qty) image sizes range from 60mm x 80mm to 160mm x 115mm approx 300 images, some minor foxing to leaves, overall, VG

£150-£250

Lot 404

UNKNOWN PHOTOGRAPHER; THE SOUTH AMERICAN CRUISE OF H.M.S. DELHI, (1930) Silver print album documenting the voyage, green cloth boards with half leather binding, approx 375mm x 300mm, containing a selection of panoramas and snapshots, image sizes from 110mm x 65mm up to 305mm x 95mm and one 285mm x 235mm shot of the entire crew with a map of the voyage inside front, a mixture of panoramas and snapshots with some postcards from locations including Gibraltar, St. Vincent, Uruguay, Brazil, Falklands, Chile, Tobago, Argentina, The Amazon Delta, Grenada and Barbados, (qty)

ÂŁ100-ÂŁ150

Lot 405

VARIOUS PHOTOGRAPHERS; BOER WAR INTEREST, TOPOGRAPHY OF SOUTH AFRICA, TENERIFE & NAPOLEONS TOMB (C.1899-1903) Albumen and silver print photograph album, green and black morocco binding, approx 380mm x 280mm, documenting Tenerife, St Helena (Napoleons Tomb), 2nd Battalion Rifle Brigade, Table Mountain, Capetown, Johannesburg, Tugela Falls, some images overlaid with annotations, photographers include; Barnett, Van Hoepen, J.E.M, J.E Middlebrook, Alemana, image sizes range from 295mm x 245mm to 160mm x 210mm, approx 75 images, many titled in negative, some foxing throughout, otherwise, G

£150-£200

Lot 406

VARIOUS PHOTOGRAPHERS; BOER WAR INTEREST, TOPOGRAPHY OF SOUTH AFRICA, TENERIFE & NAPOLEONS TOMB (C.1899-1903) Albumen and silver print photograph album, green and black morocco binding, approx 380mm x 280mm, documenting Tenerife, St Helena (Napoleons Tomb), 2nd Battalion Rifle Brigade, Table Mountain, Capetown, Johannesburg, Tugela Falls, some images overlaid with annotations, photographers include; Barnett, Van Hoepen, J.E.M, J.E Middlebrook, Alemana, image sizes range from 295mm x 245mm to 160mm x 210mm, approx 75 images, many titled in negative, some foxing throughout, otherwise, G

£150-£250

Lot 407

Various Photographers, TOPOGRAPHICAL PHOTOGRAPH ALBUM, FIRENZE, c.1890 Oblong folio, vellum binding with gilt decoration, 360x260mm, topographical albumen prints, approx 250x195mm, attributed to Fratelli Alinari; (19), all titled, artworks, sculpture and architectural, Unknown Photographer; (10) landscapes and architecture, majority titled and numbered in negative, Carlo Brogi, 260x205mm silver gelatin print, Palermo Chiesa della Martonana, together with loose landscape and interior images (10), one with Guiseppe Bruno studio stamp verso

ÂŁ100-200

Lot 408 Various Photographers; GRAND TOUR ALBUM INCLUDING IMAGES BY WILHELM VON GLOEDEN, SICILY, (c.1900) Oblong folio, velum binding, ornate gilt decoration, titled ‘Italia’, 360x260mm, Wilhelm Von Gloeden; portraits (4), approx 125mm x 170mm, children, musicians and peasants, landscapes with figures (2), approx 230mm x 170mm, Mandorli in Fiori no.133B, signed Crupi in plate but annotated below as Von Gleodens’, untitled seascape including nude male, annotated below in pencil with photographers name, , Giovanni Crupi; (20) approx 230mm x 170mm, including Cortile Casa La Floresta,Torre di Porta Catania, Teatro Greco, Strada S. Pancrazio and Fontana del Duomo, all titled and numbered in plate, Guiseppe Bruno (2) approx 205mm x 155mm, Taormina landscapes with figures, condition throughout, VG, with only minor signs of spotting or foxing

£500-£700

Lot 409 SOUVENIR DE MENTON; (c.1880) Oblong 4to. 250 x 330mm, red cloth album, titled in gilt on upper cover. 10 albumen prints, approx 160 x 200mm, mounted on card and annotated in ink below, views of the French Riviera; Mentone seen from the East, East Bay of Mentone, View of Mentone from the Port, Promenade du Midi, Vallée de Cabrolles, East Bay next to Pont St. Louis, Gardens of the Casino at Monte Carlo, Monaco, La Condamine & Monte Carlo, Cannes and the Isles St. Marguerite, Bordighera and its Palm gardens £100-£150

Lot 410 A PAIR OF BRAZILIAN TOPOGRAPHICAL ALBUMS, (C.1940S) Sao Paulo; Theodor Priesing, Oblong 8vo, 170 x 245mm, original grey stiff cardboard wrappers, string tie, 10 silver gelatin photographs, approx 230 x 170mm, banana cultivation, titled and signed in negative, Rio De Janeiro, Oblong 8vo, 180 x 250mm, original grey card covers, two metal ring binding fasteners.

Label of “Livraria Sauret-Copacabana Palace Hotel - Loja 5” to rear cover. Small 40 x 60mm view “Canto del Rio” to upper cover, 8 silver gelatin photographs 215 x 165mm titled in negative; Botafogo, Beira Mar, Praca Floriano, Vista Chineza, Santa Thereza e Gloria, Copacabana, Av. Niemeyer and a double page Panorama do Corcovado £80-£120

Lot 411 PHOTOGRAPHS OF WIMBLEDON COMMON, WANDSWORTH, PUTNEY & BATTERSEA PARK, BRIGGS, J.F, LOCAL VIEWS, 1891 Small 4to. (220mm x 180mm), brown cloth album, entitled Snap Shots to upper cover. Manuscript title and captions to the photographs.

A few marginal nicks and tears to the margins of the leaves not affecting the photographs. 47 albumen prints, G-VG, approx.150mm x 110mm, mounted back to back on 24 leaves, comprising; Wimbledon Common (12), Battersea Park (5), Putney (Creek, and Towpath) (2), Wandsworth (3), Fulham Palace (1), Kew Gardens (5), Wandsworth Town (2), St. Anne’s Bazaar in Wandsworth (1), Kent (16), including Knole, Sevenoaks, Evocative and rare collection of views of South-West London’s suburbs and Kent. John Frederick Briggs (1871-1963)

£500-£700

Lot 412 VARIOUS PHOTOGRAPHERS, (C.1880S & 90S) Topographical photograph album, half brown morocco, F-G, approx 320 x 280mm, albumen and collotypes prints, approx 270 x 210mm (55), approx 160 x 120mm (5), 200 x 140mm (2), most titled and numbered in negative, images loose with corner hinges, some album leaves damaged with minor tears to images, Studios include; Manelli & Co., Photoglob, Schroeder & Co, J. Moegle Thun, Fratelli Alinari, A. Noack & Brogi, locations include, Napoli, Roma, Firenze, Bern, Swiss Alpine Views, Canterbury (2)

£80-£120

Lot 413

VARIOUS PHOTOGRAPHERS, C.1880S Folio album, 310 x 255mm, binding worn, spine perished and boards mismatched, containing topographical albumen prints from across Europe (72), G-VG, approx 280 x 205mm, most numbered and titled in negative, titled below in ink, Photographers Studios include; C. Brogi and Fratelli Alinari

£100-£150

Lot 414 VARIOUS PHOTOGRAPHERS, C.1880S Folio Album, 350 x 280mm, grey cloth binding with gilt inscription to cover ‘Italia’, containing topographical albumen prints loosely mounted in corners, numbered and titled in negative, architecture, views with figures, statues and interiors, locations include; Venice, Bologna, Florence, Roma, Pompeii and more, largest approx 265 x185mm, smallest approx 195 x 145mm (150) VG, photographers include; Giorgio Sommer, Carlo Brogi and Fratelli Alinari

£150-£200

Lot 415

UNKNOWN PHOTOGRAPHER, C.1880S, Folio album, 300 x 240mm, binding worn and spine perished, containing 33 British topographical albumen photographst, majority of images initialled D.W.H, dated and titled in pencil, P-VG, some heavy spotting to early leaves, approx 180 x 115mm (21), approx 200 x 150mm or larger (12), with subjects including the River Thames, Wales and the Lake District,

£80-£120

Lot 416 Royal Interest Press Photographs, DUKE AND DUCHESS OF WINDSOR VISITING THE MERCEDES-BENZ FACTORY IN GERMANY, (1937) 24 silver gelatin photographs from press negatives, 2 duplicates, ranging in size from approx 125mm x 175mm to 170mmm x 235mm, including German inscriptions on verso (8), identifying the subjects featured or describing the scenes shown, referencing Rudolf Caracciola, the famous german racing driver (2), Photographs feature views of Mercedes Benz vehicles, factory workers, uniformed Nazi officials, crowds of onlookers, a seated dinner event, and a parade where the Duke appears to be returning a Nazi salute to a large group outside of the factory

ÂŁ800-ÂŁ1200

Lot 417 HENRI CARTIER BRESSON (19082004) IMAGES A LA SAUVETTE, PHOTOGRAPHIES PAR HENRI CARTIER BRESSON (1952) First edition in French, hardcover folio, cover design by Henri Matisse, pp.152, 126 black and white photographs by Cartier Bresson from all over the world, a seminal photo book, spine slightly loose, otherwise a very fine copy

£150-£250

Lot 418 Elliott Erwitt (b. 1928) SNAPS COLLECTORS EDITION PHOTO BOOK (2002) Cloth-bound hardback enclosed in a slipcase, 352pp, 508 black and white illustrations, from an edition of 150 + 12 artists proofs, together with a editioned silver gelatin print, 254mm x 203mm, both signed by the photographer

£400-£600

Lot 419 David Bailey (b.1938) DAVID BAILEY’S BOX OF PINUPS, LONDON (1965) 36 half-tone prints, contained in the original card box and original corrugated card ink stamped “Packing Piece/To be Thrown Away.” Subjects include Mick Jagger, the Beatles, Andy Warhol, Jean Shrimpton, Cecil Beaton, Terence Stamp and Rudolf Nureyev, image size 320mm x 369mm, prints condition, F-G/VG, box condition, P-F

£700-£1000

Lot 420

SUSAN SONTAG (1933-2004) ANNIE LIEBOVITZ (b. 1949) (1999

Lot 421

BRUCE GILDEN (b.1946) CONEY ISLAND (1969-1986)

Lot 422

HERB RITTS (1952-2002) WORK (1999)

Women, first edition, hardcover with dust jacket, G, 247pp, approx 200 photographs, signed by both photographers

Hardback in slipcase, G, 108pp, 54 black and white photograph signed by the author on title page

First edition, second printing, hardcover with dust jacket, VG, 360pp, approx 240 photographs, signed by photographer

£150-£200

£100-£200

£150-£200

Lot 423 A EUGEN KRAUSS PARIS 50CM F/6.3 TESSAR BRASS LENS Serial no: 1122753 Barrel: G minor spotting and marks to lacquer Optics: G-VG, minor internal dust

£300-£350

Lot 424 A TAYLOR TAYLOR & HOBSON 13 INCH F/4.5 COOKE PORTRAIT SERIES II LENS Serial no: 96297 Date: c.1935 Barrel: VG Optics: G-VG, small mark to the rear element Notes: classic portrait lens with soft focus adjustment, iris diaphragm working, lens focussing smoothly, complete with lens board

£300-£350

Lot 425 A DALLMEYER 14” F/5.6 AIR MINISTRY LENS

Lot 426 A LEITZ SUPER-ELMAR-R 15MM F/3.5 LENS

Serial no: UU419594 Contract no: 14A/3140 Barrel: G, paint loss to the aperture ring Optics: VG, light

Serial no: 3004630 Date: 1979 Barrel: VG Optics: G-VG, very small mark to front element Notes: with maker’s caps

£80-£120

£700-900

Lot 427

A LEITZ 28MM F/2.8 ELMARIT-R Serial no: 2509659 Date: 1972 Body: G Optics: F-G light internal fungus Notes: with maker’s caps and lens hood (12509)

£200-£300

Lot 428 A LEITZ 80MM-200MM F/4.5 VARIO ELMAR-R ZOOM LENS

Lot 429 A LEITZ 90MM F/2 SUMMICRON-R (11219) LENS

Serial no: 2789825 Date: 1976 Barrel: G Optics: VG Notes: with maker’s caps

Serial no: 2464509* Date: 1970 Body: G-VG Optics: VG Notes: with maker’s caps, lens bag and 14161 filter retaining ring. An asterisk after the serial number is commonly used to indicate a duplicated serial number

£80-£120

£250-£350

Lot 430 A LEITZ 135MM F/2.8 ELMARIT-R LENS

Serial no: 2530085 Date: 1972 Barrel: G Optics: VG Notes: with maker’s caps and VII filter ring (14161)

£100-£200

Lot 431

A LEITZ 250MM F/4 TELYT-R LENS Serial no: 2494646 Date: 1971 Barrel: VG Optics: VG Notes: with maker’s caps and VIII filter ring (14165)

£100-£200

Lot 432

A LEITZ 400MM F/6.8 TELYT (R) LENS Serial no: 2477958 Date: 1971 Body: G-VG Optics: VG Notes: with series 7 UVa filter and maker’s caps

£150-£250

Lot 433 A LEITZ 28MM F/2.8 ELMARIT-R Serial no: 2509659 Date: 1972 Body: G Optics: F-G light internal fungus Notes: With maker’s caps and lens hood (12509)

£200-£300

Lot 434 A LEITZ 80MM-200MM F/4.5 VARIO ELMAR-R ZOOM LENS Serial no: 2789825 Date: 1976 Barrel: G Optics: VG Notes: with maker’s caps

£100-£200

Lot 435 A LEICA R4 SLR CAMERA BODY Serial no: 1554269 Date: 1981 Body: G-VG Notes: with accessories including, M to R mount adapter (14167), Leitz Extender-R 2x, converter, Leitz Macro extension tube set (14135,14158-1,141582) and LR-m4/3 adapter

£100-£150

Lot 436 A PAIR OF LEICA 100 YEAR ANNIVERSARY 'OSKAR BARNACK' GOLD CAMERAS M4-2 Gold Serial no: 1527241 Date: 1979 Edition no: 0304/1000 Lens: 50mm f/1.4 Summilux lens no. no. 2822211 Barrel: VG Optics: VG Notes: 24-carat gold plated body, black lizard skin covering, Oskar Barnack's signature and 1879-1979 engraved onto the top plate below film advance lever, body VG-E, minor signs or corrosion around the hot shoe and flash sync, shutter working, however, speeds inaccurate

£4,000-£6,000

Lot 437 A LEICA M4-2 GOLD ANNIVERSARY EDITION RANGEFINDER CAMERA Serial no: 1527276 Edition Number: 0697/1000 Body: 24 Karat Gold Plated E Shutter: working Lens: Leitz Summilux 50mm f/1.4, No. 2848464 Optics: E Notes: with mahogany presentation box, lens hood, paperwork and manufacturers matching numbers box

£2,000-£3,000

Lot 438 A NEWMAN & GUARDIA PATTERN B DETECTIVE CAMERA Serial no: B738 Date: c.1898, Plate size: 3 ¼” x 4 ¼” Shutter: working Movements: rise and cross front, tilting back Body: VG, complete with mahogany film magazine Lens: Wray 5 ½” f/8 rapid rectilinear, no. 11506 Optics: VG

£120-£180

Lot 439 A J.H. DALLMEYER HAND CAMERA Date: c.1897 Plates: 3 ¼” x 4 ¼” Movement: rise and cross front Body: leather covered wood, VG Lens: Dallmeyer No.2 Stigmatic Series II brass lens, no. 57089 Barrel: VG. Optics: G-VG, light haze, Notes: Thornton Pickard shutter, metal viewfinder, complete with unusual metal DDS (6)

£150-£250

Lot 440 A C.P STIRN CONCEALED VEST CAMERA MODEL I. Serial no: 5975 Date: c.1887 Body: nickel plated metal Shutter: rotary - working Lens: Periscope lens Optics: G Notes: in good original working condition, missing strap. Making six exposures on a circular glass plate, This camera was designed to be worn against the chest with the lens poking through a buttonhole, it was a major commercial success.

Literature: A History of Photography in 50 Cameras - Michael Pritchard

£1000-£1200

Lot 441 AN UNUSUAL SINGLE LENS JUMELLE TYPE CAMERA ‘LA COMETE’, (C.1901) Features: 12x9cm plates Body: wood with leather covering, some light marks to leather and a small area of peeling to the corner of the film magazine Shutter: working Lens: Ross London Wide Angle Focus 5 ½” f/16 Wide Angle Anastigmat, no.134094 Optics: P, balsam separation to the front element, Notes: engraved ‘La Comete’ No. 105 with motif to lens board complete with plate holders (9) and tripod

£100 - £150

Lot 443 A ZEISS IKON TENAX II RANGEFINDER CAMERA

Lot 442 A KOCHMANN REFLEX KORELLE I SLR OUTFIT, (C.1936) Shutter: Working Lens 1: A Taylor-Hobson Cooke Telephoto Anastigmat 6” f/5.6, no. 252803 Barrel: VG-E Optics: G-VG, minor fungus to rear element Lens 2: Carl Zeiss Jena 8cm f/ 3.5 Tessar lens, no.1793833 Barrel: VG Optics: VG Notes: complete with makers caps, sports finder, Zeiss Ikon 37 lens hood, and leather outfit case

£80-£120

Lot 444 A IHAGEE EXACTA A SLR CAMERA

Serial no: J90726 Frame: 24x24mm on 35mm film Shutter: working Body: G Lens: Carl Zeiss Jena 4cm f/2 Sonnar lens, no.

2356174 Optics: G Notes: with maker’s case

Serial no: 478805 Colour: black Date: c.1935-37 Shutter: working Body: G-VG, minor paint loss to film door Lens: Carl Zeiss Jena 7.5cm f/2.8 Tessar Notes: with pigskin outfit case

£180 - £220

£70-£90

Lot 445 A KODAK VEST POCKET SERIES III VANITY Serial no: 33028 Date: c1930 Shutter: working Body: G-VG Lens: 83mm f/6.3 Kodak Anastigmat lens Optics: VG Notes: complete with maker’s satin lined case

£120 - £180

Lot 446 A KODAK STEREO HAWKEYE MODEL 6 Serial no: 2477 Date: 1912 Body: leather covered wood - VG Shutter: Lens: Bausch & Lomb Rapid Rectilinear Optics: VG Notes: Continuation of the Blair camera co. model, complete with maker’s case

£200-£300

Lot 447 A ILFORD ADVOCATE (I) Serial no:1919-351 Date: c1949 Shutter: working Body: G-VG Lens: 35mm f/4.5 Dallmeyer Anastigmat Serial no: 346494 Optics: F-G, light fungus

£70-90

Lot 448 A RED DOT NIKON F PHOTOMIC T Serial no: 6596869 Shutter: Working Body: VG, minor brassing to photomic head Lens: Nikkor-H Auto 50mm f/2 lens, no. 618570 Barrel: G Optics: G, minor fungus to the front element Notes: red dot indicates a Nikon F body modified to accept Photomic T and later finders. Red dots can be found between serial numbers 657xxxx to 66xxxxx

£200-250

Lot 449 A NIKON F3 HP Serial no: 1879709 Shutter: working Body Condition: G-VG Lens: Nikkor 24mm f/2.8 AIS no.767691 Elements: G-VG Notes: MD4 motor drive, SB-16 Speedlight, waist level finder and focusing screens (3) also included untested

£150-£200

Lot 450 A NIKON FA Serial no: 5320483 Shutter: Working Body: F-G Lens: Micro-Nikkor 55mm f/2.8 no. 461928 Elements: F-G - some internal dust Notes: MD15 motor drive and ML-1 electronic remote control also included

£150-£200

Lot 451 A GOLTZ & BREUTMANN MENTOR COMPUR REFLEX CAMERA

Lot 452 A ZEISS IKON SUPER NETTEL FOLDING CAMERA

Serial no:52202 Date: c. 1929 Body: VG, minor paint wear Shutter: rim set compur - working Lens: Carl Zeiss Jena 10.5cm f/3.5 Tessar lens, no.

1086717 Optics: VG, light haze Notes: a very clean and complete example with maker’s lens cap, dark slides (3), and outfit case

Serial no: Y62040 Shutter: working however innaccurate at slower speeds Body: G-VG Lens: Carl Zeiss Jena 5cm f/3.5 Triotar lens no.

1649840 Optics: G, minor dust and fungus

£150-£250

£120-£180

Lot 453 A ZEISS IKON SUPER IKONTA (A) 531 Serial no: A63739 Shutter: working Body: G Lens: Carl Zeiss Jena 7cm f/3.5 Tessar lens, no.1780198 Optics: G-VG

£70-£100

Lot 454 A ZEISS IKON SUPER IKONTA II 533/16 FOLDING RANGEFINDER CAMERA Serial no: A39321 Shutter: working, Body: VG Lense: Zeiss Opton 80mm f/2.8 Tessar T lens, no.

1116038 Optics: VG Notes: last version with Synchro Compur X shutter

£150-£200

Lot 455 A ZEISS IKON CONTAX IIIA RANGEFINDER CAMERA Serial no: R34976 Shutter: Working Body: VG Lens: Zeiss-Opton 50mm f/1.5 Sonnar T lens, no.

821418 Optics: VG, very minor signs of fungus Notes: Coloured dial

Lot 456 A KODAK RETINA IIIS OUTFIT Serial no: 76240 Shutter: Working Serial no: responding Body: VG-E Lenses: Schneider Kreuznach Retina 35mm f/2.8 Curtagon, 50mm f/1.9 Xenon, 85mm f/4 TeleArton, 135mm f/4 Tele-Xenar Optics: VG Notes: complete with ERC, lens bubbles and more

£200-£300

£150-£200

Lot 457 A OLYMPUS PEN F SLR OUTFIT

Lot 458 A CANON A1 AND AE1 SLR CAMERAS

Serial no: 185443 Body: VG-E Lenses: Olympus Zuiko; 25mm f/4, 38mm f/1.8, 100mm f/3.5, 250mm f/5, 50-90mm f/3.5 Zoom, 100mm-200mm f/5 Zoom (6) Optics: VG Notes: with caps, hoods and maker’s cases, together with a volume of boxed and cased accessories including; PenF meter, extension tubes, bellows, angle finder & magnifier, filters and Nikon F adapter, all housed in leather suitcase annotated on the inside of lid; Sir Thomas Oates Trinity College Cambridge.

Serial no: 936220, 3868681 Shutters: untested Body Condition: G-VG Lenses: Canon 50mm f/1.8 FD nos. 956711, 2679251 Elements: G-VG Notes: with Power Winder A in makers box

Provenance: From the private collection of Sir Thomas Oates CMG OBE, the Cambridgeeducated career diplomat who was the governor of St Helena between 1971-1976

£500-£700

£70-£100

Lot 459 A NIKON NIKOMAT EL SLR OUTFIT Serial no: 5117489 Body: VG Shutter: working Lenses: Nikkor-S Auto 50mm f/1.4 lens, no.422234, Nikkor-H auto 2.8cm f/3.5, no.347397 Optics: VG Notes: with maker’s caps, additional Nikon accessories an MD-4 motor drive and F3 focusing screen

£70-£100

Lot 460 A RICOH GR1 DIGITAL COMPACT CAMERA Serial no: TQ14105563 Body: G Shutter: Working Notes: Full creative set with wide conversion lens, external viewfinder, adapter, lens hood and all paperwork

£60-£80

Lot 461 A ROLLEIFLEX 2.8D TLR CAMERA

Lot 462 A ROLLEIFLEX 2.8E TLR CAMERA

Lot 463 A ROLLEIFLEX 2.8E TLR CAMERA

Lot 464 A ROLLEIFLEX 2.8F TLR CAMERA

Serial no:1612160 Shutter: working however sticking at slower speeds Body: F, missing the adjustable reminder of film type and speed insert, some paint loss and leatherette peel Lens: Carl Zeiss 80mm f/2.8 Planar, no. 1688021 Optics: G-VG

Serial no: 1642287 Shutter: working Body: G, however exposure meter damaged Lens: Carl Zeiss 80mm f/2.8 Planar no. 1866831 Optics: P, separation to the front element

Serial no:1651381 Shutter: working Body: F - some paint loss and damage to exposure meter housing Lens: Carl Zeiss 80mm f/2.8 Planar, no. 2261065 Optics: G-VG

Serial no: 2417894 Shutter: working Body: F-G, some paint loss and chips to metal work Lens: Carl Zeiss 80mm f/2.8 Planar, no. 3403668 Optics: F-G, some cleaning marks Notes: with maker’s lens cap

£100-£150

£300-£400

£100-£200

£100-£150

Lot 465 ROLLEIFLEX 2.8F TLR CAMERA Serial no: NA Shutter: Working, however, speed and aperture selection dials stiff due to frontal impact near selftimer Body: P-F, film door catch sheared, Lens: Carl Zeiss 80mm f/2.8 Planar lens, no. 4092618 Optics: G

£100-£150

Lot 466 A ROLLEIFLEX 3.5A (AUTOMAT TYPE I) TLR CAMERA Serial no: 1297187 Shutter: working Body: F, leatherette peel and general age related marks Lens: Zeiss-Opton 75mm f/3.5 Tessar T lens, no.

1063265 Optics: F-G, cleaning and coating marks

£80-£120

Lot 467 A ROLLEIFLEX 3.5E TLR CAMERA

Lot 468 A ROLLEIFLEX 3.5E2 TLR CAMERA

Serial no: 1744081 Shutter: Working Body: G Lens: Carl Zeiss 75mm f/3.5 Planar lens no. 1753584 Optics: G Notes: With maker’s lens caps

Serial no: 2480458 Shutter: working Body: F, some paint chips and wear to leatherette Lens: Carl Zeiss 75mm f/3.5 Planar lens, no. 3181128 Optics: P, separation affecting front element of the taking lens

£80-£120

£80-£120

Lot 469 A ROLLEIFLEX 3.5F TLR CAMERA

Lot 470 A ROLLEIFLEX 3.5F TLR CAMERA

Lot 471 A ROLLEICORD VA TLR CAMERA,

Serial no: 2202615 Shutter: working Body: G, missing exposure meter Lens: Carl Zeiss75mm f/3.5 Planar lens no. 2255058 Optics: G, light internal dust

Serial no. 2231964 Shutter: working Body: P-F, missing film advance lever and damaged exposure meter Lens: Carl Zeiss 75mm f/3.5 Planar lens, no. 2931134 Optics: G, cleaning marks, with maker’s cap

Serial no: 1914780 Shutter: working Body: G Lens: Schneider Kreuznach 75mm f/3.5 Xenar lens, no. 5515235 Optics: G, cleaning marks, with maker’s lens cap

£100-£150

£60-£80

£150-£250

Lot 472 VOIGTLANDER SUPERB TLR CAMERA Serial no: 702033 Date:1933 Shutter: working Body: F-G, minor paint chips, Lens: Voigtlander 7.5cm f/3.5 Anastigmat Skopar lens, no. 1028644 Optics: G-VG Notes: first version complete with maker’s leather case

£100-£200

Lot 473 A MUSASHINO-KOKI RITTRECK 6X6 SLR CAMERA

Lot 474 HASSELBLAD 500 EL/M MEDIUM FORMAT SLR CAMERA

Serial no: 681721 Shutter: Not functioning Body: G/VG, very minor dent to pentaprism Lens: 80mm f/2 Rittron, no. 680236 Optics: F-G, fungus Notes: with maker’s cap

Serial no: RV1320325 Date: 1981 Shutter: Untested Body: G/VG Lens: Carl Zeiss 150mm f/4 Sonnar Optics: G/VG Notes: with Hasselblad Zeiss Mutar 2x teleconverter, lens hood, A12 Film backs (2) (1966 & 1958) and a pack of Kodak Ektachrome E100s Colour reversal film

£200-£300

£200-£400

Lot 475 A ROLLEICORD VA TLR CAMERA Serial no: 1914780 Shutter: working Body: G Lens: Schneider Kreuznach 75mm f/3.5 Xenar lens, no. 5515235 Optics: G, cleaning marks, with maker’s lens cap

£100-£150

Lot 476 A CAMBO LEGEND 5×4 MONORAIL CAMERA Serial no: 301136 Features: 430mm rail, full perspective control, tiltshift, and swing movements, 13” bellows Condition: VG/E Lens: Schneider-Kreuznach G-Claron 240mm f/9 no.14354486 Optics: VG Notes: with additional lens board

£200-£300

Lot 477 AN UNMARKED MAHOGANY WET PLATE TAILBOARD CAMERA (C.1870) Features: Red leather bellows, rising front Body: P-G Lens: Mawson & Swan Newcastle on Tyne 8 ½” x 6 ½” Rapid Rectilinear brass Waterhouse stop lens Barrel: G Optics: VG Notes: Split to the baseboard of camera originating at tripod mount, requires repair

£200-£400

Lot 478 AN EARLY J. LANCASTER INSTANTOGRAPH CAMERA

Lot 479 A J. LANCASTER & SON 1891 INSTANTOGRAPH CAMERA

Date: c.1882-86 Features: Rise and cross front Body: G Lens: single achromat unmarked brass lens Optics: G-VG Notes: complete with mahogany DDS (2) retailer plate reads; William F. Slater 169 Southampton St. Camberwell, S.E

Date: 1891 Features: rise and cross front, tilt and swing back, Body: G Lens: single achromat unmarked brass lens Optics: G-VG Notes: complete with DDS (1)

£100-£150

£100-£150

Lot 480 A MENDOZA TAILBOARD CAMERA T Serial no: 2296 Plate: 7x11cm Lens: makers Optics: G Body: G Notes: some damage to front board

£70-£90

Lot 481 A THORNTON PICKARD RUBY MAHOGANY WHOLE PLATE CAMERA Serial no:7402E Date: c.1900 Features: dovetailed joints, rising front, tilting back, spring mounted focusing screen Body: VG Lens: Taylor Taylor & Hobson 8 1/2 x 6 1/2 Rapid Rectilinear lens, no. 12923 Barrel: VG-E Optics: VG Notes: complete with mahogany DDS (3) and outfit case

£200-£300

Lot 482 A ROSS WHOLE PLATE MAHOGANY FIELD CAMERA

Lot 483 A UNMARKED MAHOGANY FIELD CAMERA

Date: c.1893 Body: VG Lens: Ross Goerz Patent Double Anastigmat 9 ½” f/7.7 lens no.572 Barrel: VG Optics: VG, light internal dust Notes: complete with lens cap, mahogany DDS (3), masking frames for DDS (3), a full set of Ross Waterhouse stops, and maker’s outfit case; marked Ross & Co. 111 New Bond St. London to the inside of the lid

Plates: 3 ¼ x 4 ¼” Features: double extension, square tapered red leather bellows Body: G-VG Lens: unmarked brass f/8 Optics: G Notes: complete with mahogany DDS (1)

£100-£150

£400-£600

Lot 484 A GANDOLFI MAHOGANY FIELD CAMERA

Lot 485 A SANDERSON HALF PLATE MAHOGANY FIELD CAMERA

Plate Size: 6 ½” x 4 ½” Body: black leather bellows, brass fittings, double extension, tilt and swing back, rising front Condition: G/VG Lens: N/A Notes: makers plate reads: Gandolfi Makers London, also included a Taylor Hobson Cooke Series III 5x4 lens in an unmatched lens boardus

Serial no: 4500 Date: c.1903 Features: Rack and pinion rising front, tilting back, double extension, black square tapered bellows Lens: an unmarked f/8 brass lens in roller blind shutter Barrel: G-VG Optics: VG Notes: Complete with mahogany DDS (3) and leather outfit case

£200-400

£200-300

Lot 486 A TANIYAMA JAPANESE HALF PLATE MAHOGANY FIELD CAMERA (C.1950)

Lot 487 AN UNMARKED WHOLE PLATE MAHOGANY TAILBOARD CAMERA (C.1900)

Features: Pale mahogany, nickel plated fittings, tapered black leather bellows Body: F-G Lens: Taylor Taylor Hobson Cooke Series II 7” f/4.5 Aviar Anastigmat lens, no. 415994 Barrel: P aperture ring jammed, Optics: G Notes: complete with roller blind shutter, DDS (2), and a matching tripod in leather outfit case

Features: Square red leather bellows, tilting back, cross front Body: G-V Lens: Taylor Hobson 210mm f/4.5 Cooke Aviar Anastigmat series II lens, no. 320680 Barrel: G Optics: G Notes: Converts for landscape or portraiture applications

£200-£300

£200-£300

Lot 488 A W.I. CHADWICK MAHOGANY STEREO TAILBOARD CAMERA (C.1890) Features: 4 ¾ x 6 ½” plates, rising front, tilt and swing back Body: G-VG Lenses: R&J Beck 3.5” f/6.3 Isostigmar series IV Lenses, no. 116626, 116711 Optics: F-G light haze and fungus Shutter: in Thornton Pickard Time & Inst Notes: complete with lens caps, Barnett’s Dry Plate Holders (13) and canvas outfit case, Maker’s plate reads; W.I. Chadwick Maker Manchester

£1400-£1600

Lot 489 A NEGRETTI & ZAMBRA TAILBOARD CAMERA, (c. 1890s) Plates: 6¼ x 6¼” Feature: rise and cross front, additional brass bindings and fittings for tropical use, single extension, square black leather bellows Body: VG, Negretti & Zambra London nameplate to the front standard Lens: Thomas & Co. Wide Angle Symmetrical 8½ x 6½” brass lens with wheel of stops Barrel: F-G, minor warping to the lens mount Optics: VG Notes: complete with mahogany DDS (3) and a fine mahogany and brass outfit box with dovetailed joints

£300-£500

Lot 490 A MAHOGANY PHOTOGRAPHER’S RETOUCHING DESK, C.1900 534mm x 370mm, with brass fixtures, a drawer to lower half containing a full set of retouching tools including pens, blades, inks and paints

£70-£100

Lot 491 A GROUP OF ANAMORPHIC PROJECTION LENS; A Isco-Optic Cinemascope Ultra-Star Plus 2.4 Projection Lens, serial no. 490117, f=90mm 3.54”, barrel G-VG, optics, G, a Ultra Anamorphic MC 2X, serial no. 91586, barrel, G, optics, VG, and a Schneider Kreuznach WA Cinelux serial no.

14499302, barrel, G, optics, G

£200-£300

Lot 492 A ARRIFLEX 16 CINE CAMERA Serial no: 12737 Body: P-F signs of corrosion to metal Lens: Schneider-Kreuznach 10mm f/1.8 Arriflex Cinegon no. 8951575 Optics: F, fungus Notes: With maker’s outfit case and film magazine

£80-£120

Lot 493 AN ANGENIEUX-ZOOM 12-120MM F/2-2.2 TYPE 10X12 B LENS Serial no: 1445484 Date: 1977 Barrel: VG-E Optics: VG-E Optics: Arri Notes: With makers caps and fitted case

£150-£250

Lot 94 AN ANGENIEUX 35-140MM F/3.5 TYPE LA2 ZOOM LENS Serial no: 848888 Date: 1960 Barrel: G-VG Optics: G, internal marks affecting rear elements Optics: Arri Notes: With fitted case including makers lens caps, hood and complete close-up lens set

£200-£300

Lot 495 AN UNUSUAL AND RARE DALLMEYER 28MM F/2.5 ANASTIGMAT WIDE ANGLE 35MM CINE LENS Serial no: 488909 Barrel: F-G Optics: G-VG Mount: Cameflex Notes: This was an inverted tele design with 5 glasses, for 35mm movie with a rear clearance of some 25mm (or 1.25in) and was sold in a rigid barrel mount with stops to f16, but a focusing mount could also be obtained. (B.J.A. 1958, p268).

Literature: M. Wilkinson and C. Glanfield A lens collector’s vade mecum

£1200-£1800

Lot 496 A TAYLOR HOBSON 75MM F/2 SERIES I COOKE SPEED PANCHRO Serial no:283734 Barrel: G Optics: G-VG Notes: Newman Sinclair focussing sleeve, lens rim stamped ‘WAR FINISH’

£800-£1000

Lot 497 A ROSS LONDON 6 ½” F/3.5 XPRES LENS Serial no: 123055 Barrel: G-VG Optics: G-VG Optics: Newman Sinclair focussing sleeve Notes: Minor internal dust and marks to coating

£300-£500

Lot 498 A ASTRO-BERLIN 125MM F/2.3 PAN-TACHAR LENS HEAD Serial no. 29829 Barrel: G Optics: G, cleaning marks Notes: Prewar coated version, professionally cleaned & serviced

£600-£800

Lot 499

A TAYLOR TAYLOR HOBSON 320MM F/5.6 COOKE TELEKINIC LENS Serial no: 392989 Barrel: G Optics: G-VG Mount: Arri Notes: With lens hood

£200-£300

Lot 500 A KINOPTIK PARIS 500MM F/5.6 APLANAT LENS Serial no: 33119 Barrel: G Optics: VG Mount: Arri Notes: with lens hood

£300-£500

Lot 501 A ROSS LONDON 1 ½ “ F/1.9 XPRES LENS Serial no: 144635 Barrel: VG Optics: G/VG - some light internal haze and cleaning marks Optics: In sunken Newman Sinclair focussing sleeve Notes: An exceptionally rare lens

£4000-£6000

Lot 502 A ROSS LONDON 3” F/1.9 XPRES LENS Serial no: 143776 Barrel: G Optics: G-VG, light cleaning marks Optics: In Newman Sinclair focussing sleeve Notes: An exceptionally rare lens

£5000-£8000

Lot 503 PORTRAIT DAGUERROTYPES AND AMBROTYPES OF GENTLEMEN A fine quarter plate daguerreotype of a seated gentleman in an unmarked red morocco case, with a sixth plate example, oxidization to edges, in a gilted case with detached lid, together with a pair of ninth plate Ambrotypes of gentlemen, one wearing a top hat

£80-£120

Lot 504 UNION CASED SIXTH PLATE AMBROTYPES, C.1860S An A.P Critchlow & Co. case housing a portrait of a young gentleman, together with two examples

by Littlefield, Parsons & Co. both housing seated portraits, one of an older gentleman and one of a young boy, cases decorated with patriotic American themes including Eagles, flags, cannon’s and shields

£100-£200

Lot 505 SAMUEL BOURNE (1834-1912) TANJORE, THE GREAT PAGODA AND STONE BULL FROM NEAR THE ENTRANCE TO THE QUADRANGLE 1869 Vintage albumen photograph, image size approx 305 x 195mm, numbered in negative (2045) titled recto in pencil, very minor foxing, mounted in a contemporary glazed frame

£100-£200

Lot 506 FRATELLI ALINARI; LE PARTHENON, VUE GENERALE COTE OUEST NO. 24587. ATHÈNES-GRÈCE ACROPOLE. C. 1870 Image size, 580 x 720mm, dry mounted albumen print of the Acropolis in Athens. some damage to mount, scratches and yellowing to photograph

£100-£150

Lot 507 EMIL BRUGSCH (1842-1930) RAMESES II, RAMESES III, SETI I, THOMES II, PRINCESS NESSI KHONSON, PRINCESS NESSI ASHER C.1881

Lot 508 EDWARD S. CURTIS (1862-1958) SPOTTED BULL, MANDAN, 1908

Approx 235mm x 180mm albumen prints (6), mounted on 4 loose album leaves; annotated in ink, some chips to paper mounts, not affecting photographs, very minor foxing to outer edges of some images, G-VG

Photogravure portrait, image size, 397mm x 260mm, titled in lower margin, minor crease to paper mount not affecting the image, from Portfolio V of the North America Indian

£300-£500

£700-£900

Lot 509 MARTIN J. CHAMBI (1891-1973) MACHU PICCHU Vintage silver gelatin prints, (3) image size, 142mm x 89mm, titled in red ink, (2), all containing Chambi’s studio blind stamp in the lower right corner, framed together 270mm x 440mm

£200-£400

Lot 510 DOROTHY WILDING (1893-1976) PAGE BOY JEREMY CLYDE FROM THE CORONATION OF QUEEN ELIZABETH II, 1953 Silver gelatin print, image size 240mm x 170mm, mounted on tissue, signed in the mount, framed 370mm x 265mm

£100-£150

Lot 511 JOSEF SUDEK (1896-1976) ‘LE PONT CHARLES’ (1966) Vintage silver gelatin print, image size 166mm x 115mm, inscription in ink on verso, translated from the original Czech reads; ‘Greetings, it was great to see you, all the best!’ signed J.Sudek 14th September 1966, in archival mount

£2000-£3000

Lot 512 UNKNOWN PHOTOGRAPHER PANORAMA OF HONG KONG (C.1900) Vintage panoramic silver print, image size, 1112mm x 215mm, comprising of four individual images, 287mm x 215mm, joined, minor surface cracking around join areas and peripheries, slightly toned, overall G, with period wooden frame

£500-£800

Lot 513 GEORGE HURRELL (1904-1992) MARLENE DIETRICH, 1938 Silver gelatin print, printed later, image size, 585mm x 495mm, signed and editioned in ink lower margin

£400-£600

Lot 514 GEORGE HURRELL (1904-1992) VERONICA LAKE, 1941 Silver gelatin print, image size, 342mm x 254mm, signed and editioned in the margin, matted

£200-£400

Lot 515 GEORGE HURRELL (1904-1992) JOHNNY WEISMULLER AND MAUREEN O’HARA IN ‘TARZAN ESCAPES’, 1936

Lot 516 GEORGE HURRELL (1904-1992) JOAN COLLINS FOR PLAYBOY MAGAZINE, 1983

Large format, modern print from the original negative, image size, 1270mm x 965mm, numbered in negative, small facsimile signature verso, framed, 1524mm x 1143mm

Silver gelatin print, printed 1983, image size, 342mm x 265mm, signed and dated in the mount, with various notations verso including playboy stamp, mounted and matted

£200-£400

£400-£600

Lot 517 MAN RAY (1890-1976) & CURTIS MOFFAT (1887-1949)

Lot 518 MAN RAY (1890-1976) & CURTIS MOFFAT (1887-1949)

THOMAS BEECHAM (1879-1951 CONDUCTOR) C.1920

THOMAS BEECHAM (1879-1951 CONDUCTOR) C.1920

Silver print Head and shoulders turned to the right showing side profile, inscribed on the mount in pencil ‘Man Ray and Curtis Moffat Paris’ print loosely mounted on paper, image size 284 x 227mm, VG

Silver print, inscribed on the mount in pencil ‘Curtis Moffat and Man Ray Paris’ print loosely mounted on paper, image size 284 x 227mm

£800-£1000

£800-£1000

Lot 519 HENRI CARTIER BRESSON (1908-2004) PILGRIMS, LOUDRES, C.1955 Vintage silver gelatin print, image size, 240mm x 170mm various inscriptions in pencil and crayon to verso with Magnum photos stamp, archivally mounted

£800-£1000

Lot 520 HENRI CARTIER BRESSON (1908-2004) ANDRE BRETON A ST CIRQ LAPOPOE, (C.1950) Silver gelatin print, mounted on paper, printed later, image size, 300mm x 204mm, signed in pencil lower mount, framed, 507mm x 385mm

£700-£900

Lot 521 WILLY RONIS (1910-2009)

Lot 522 WILLY RONIS (1910-2009)

VINCENT ENDORMI, PARIS, 1946

AVENUE SIMON BOLIVAR BELLEVILLE, MENILMONTANT PARIS, (1953)

Silver gelatin print, printed in 2003 by Pierre-Jean Amar, under the supervision of Ronis, image size 300mm x 220mm, signed recto, verso with both photographers’ stamps and titled in pencil, with a certificate of authenticity from PierreJean Amar Provenance: Pierre Jean Amar COA

£700-£900

Silver gelatin print, printed in 1986 by Pierre Jean Amar, under the supervision of Willy Ronis, image size, 230mm x 253mm, with photographers signature and II in lower margin, framed (430mm x 475mm) Provenance: Pierre Jean Amar COA

£600-£800

Lot 523 LEO FUCHS (1911-1994) PAUL NEWMAN CAMERA (1959) Printed 2009, inkjet on paper, edition of 50, 710 x 750mm,

PAUL NEWMAN SWIMMING, 1959 Printed 2009, inkjet on paper, edition of 50, 106.6 x 720mm, G, requires remounting,

Both prints framed, mounted and glazed, numbered in recto

£300-£500

Lot 524 WOLFGANG SUSCHITSKY (1912-2016) WYNDHAM’S THEATRE, CHARING CROSS ROAD, 1934 Silver gelatin print, printed later, image size 340mm x 290mm, titled, dated and signed in crayon verso Provenance: The Photographers Gallery, London

£400-£600

Lot 525 WOLFGANG SUSCHITSKY (1912-2016) CHARING CROSS ROAD, 1937 Silver gelatin print, printed later, image size 380mm x 280mm, titled, dated and signed in crayon verso Provenance: The Photographers Gallery, London

£400-£600

Lot 526 ROBERT CAPA (1913-1954) US TROOPS’ FIRST ASSAULT ON OMAHA BEACH DURING THE D-DAY LANDINGS, NORMANDY, FRANCE, JUNE 6, 1944.

Silver gelatin print, printed 2000, image size 505mm x 400mm, with typed card affixed to verso stating the print to have been made under the direct supervision of Cornell Capa

£1800-£2200

Lot 527 ANDRE DE DIENES (1913-1985) MARILYN MONROE AT WIL WRIGHT’S ICE CREAM PARLOUR, 1952 Printed later, image size 355mm x 280mm, Andre de Dienes/Edward Weston Collection blind stamp recto, verso; 1992 Andre de Dienes Estate copyright handstamp, Edward Weston collection copyright handstamp, annotated in blue ink; ‘Proof Edition 99’ ‘Cousins Advertising, use only per agreement’

£150-£250

Lot 528 BERT HARDY (1913-1995)

PANDOGRAPHER, 1939 Silver gelatin print, printed later, image size 355mm x 245mm, signed by the photographer in ink recto, photographer’s credit stamp verso Provenance: The Photographers Gallery London

£400-£600

Lot 529 BERT HARDY (1913-1995)

Lot 530 BERT HARDY (1913-1995)

FIREFIGHTERS, LONDON, 1941

WARTIME TERMINUS PADDINGTON, 1942

Silver gelatin print, printed later, image size 340mm x 255mm, signed recto, photographer’s credit stamp verso Provenance: The Photographers Gallery, London

£300-£500

Silver gelatin print, printed later, image size 340mm x 250mm, signed by the photographer in ink recto, photographer’s credit stamp verso Provenance: The Photographers Gallery, London

£300-£550

Lot 531 BERT HARDY (1913-1995) WARTIME TERMINUS PADDINGTON, 1942

Lot 532 BERT HARDY (1913-1995)

Silver gelatin print, printed later, image size 340mm x 250mm, signed by the photographer in ink recto, photographer’s credit stamp verso

MARY, THE GORBALS, 1948

Provenance: The Photographers Gallery London

£350-£550

Silver gelatin print, printed later, image size 340mm x 250mm, signed recto, photographer’s credit stamp verso and picture post magazine typed press title affixed Provenance: The Photographers Gallery, London

£600-£800

Lot 533 BERT HARDY (1913-1995)

Lot 534 BERT HARDY (1913-1995)

COCKNEY LIFE AT ELEPHANT AND CASTLE, 1949

COCKNEY LIFE AT THE ELEPHANT AND CASTLE, LATE AT NIGHT, 1949

Silver gelatin print, printed later, image size 350mm x 225mm, signed by the photographer in ink recto, photographer’s credit stamp verso Provenance: The Photographers Gallery London

£350-£550

Silver gelatin print, printed later, image size 340mm x 254mm, signed by the photographer in ink, recto, photographer’s credit stamp verso, Provenance: The Photographers Gallery London

£400-£600

Lot 535 BERT HARDY (1913-1995)

Lot 536 BERT HARDY (1913-1995)

COCKNEY LIFE AT THE ELEPHANT AND CASTLE, AT SALVATION ARMY HOSTEL, 1949

HULL FISH DOCKS, 3RD FEBRUARY 1951, THE GIRLS WHO GUT THE FISH. THEY WRAP THEIR FINGERS IN RAGS AGAINST THE COLD BUT WIELD THEIR KNIVES LIKE PROFESSIONALS

Silver gelatin print, printed later, image size 350mm x 239mm, signed by the photographer in ink recto, photographer’s credit stamp verso, Provenance: The Photographers Gallery London

£300-£500

Silver gelatin print, printed later, image size, 350mm x 250mm, signed recto, with address stamp verso and picture post typed title affixed to verso of mount

£400-£600

Lot 537 BERT HARDY (1913-1995) CHELSEA PARTY, 1952 Silver gelatin print, printed later, image size 352mm x 241mm, signed by the photographer in ink recto, photographer’s credit stamp verso, Provenance: The Photographers Gallery, London

£300-£500

Lot 538 BERT HARDY (1913-1995) PICADILLY CIRCUS #2, 1953 Silver gelatin print, printed later, image size, 360mm x 240mm, signed recto, photographer’s credit stamp and typed press title verso Provenance: The Photographers Gallery London

£300-£500

Lot 539 BERT HARDY (1913-1995) GIBRALTAR THE COMBINED FLEETS ASHOR, 1954 Silver gelatin print, printed later, image size 355mm x 237mm, signed by the photographer in ink recto, photographer’s credit stamp verso Provenance: The Photographers Gallery London

£400-£600

Lot 540 BERT HARDY (1913-1995) BIRMINGHAM, THE BEST AND THE WORST, PICTURE POST, 6TH FEBRUARY 1954 -THEY LIVED IN CRAMPED ‘BACK TO BACK’ HOUSES WITH NO GARDEN. HOMELIFE IS STRONG BUT THERE IS A LACK OF COMMUNITY Silver gelatin print, printed later, image size 355mm x 242mm, signed by the photographer in ink recto, small portion of negative missing from the top right of print Provenance: The Photographers Gallery London

£400-£600

Lot 542 THURSTON HOPKINS (1913-2014) LA DOLCE VITA, KNIGHTSBRIDGE, LONDON, 1953 Silver gelatin print, printed later, image size 350mm x 245mm, verso titled, dated and signed by the photographer in crayon, with photographer’s credit stamp, mounted Provenance: The Photographers Gallery London

£600-£800

Lot 541 THURSTON HOPKINS (1913-2014) BACKSTAGE AT THE ‘MISS WORLD’ CONTEST, LONDON, 1953 Silver gelatin print, printed later, image size 350mm x 245mm, titled, dated and signed by the photographer in pencil, with photographer’s credit stamp verso

Lot 542a THURSTON HOPKINS (1913-2014) FROM A STORY ON CHILDREN OF THE PAVEMENTS, BATTERSEA, 1954 Silver gelatin print, printed later, image size 374mm x 253mm, titled, dated and signed by the photographer in pencil, and with photographer’s credit stamp on verso, mounted

Provenance: The Photographers Gallery London

Provenance: The Photographers Gallery London

£400-£600

£400-£600

Lot 543 WILLIAM GOTTLIEB (1917-2006) JEAN BAPTISTE ‘DJANGO’ REINHARDT, 1946 Silver gelatin print, printed no later than 1976, image size 483mm x 387mm, signed and titled in ink lower margin, photographer’s credit and copyright stamp verso, mounted and framed (640mm x 540mm)

£1000-£1500

Lot 544 MARC RIBOUD (1923-2016) PROVINCE KWANGSI SOUTH, 1957 Vintage silver gelatin print, image size 296mm x 198mm, various annotations in pen and ink on verso, including title and photographers copyright stamp, mounted

£800-£1200

Lot 545 DOROTHY BOHM (b.1924)

Lot 546 DOROTHY BOHM (b.1924)

PLACE DU TERTRE, MONTMARTRE, 1952

RUE THOLOZET, C.1953

Silver gelatin print, printed later, image size, 300mm x 240mm, signed in ink recto, verso of print titled and signed in ink, an edition of 10 Provenance: acquired directly from the artist, includes the bill of sale

£300-£400

Silver gelatin print, printed later, image size, 300mm x 230mm, signed in ink recto, verso of print titled and signed in ink, an edition of 10 Provenance: acquired directly from the artist, includes the bill of sale

£200-£400

Lot 547 DOROTHY BOHM (b.1924)

Lot 548 DOROTHY BOHM (b.1924)

JARDIN DES TUILERIES, PARIS, 1953,

RUE VALETTE VERS LE PANTHEON, 1953

Silver gelatin print, printed later, image size, 300mm x 230mm, signed in ink recto, verso of print titled and signed in ink, an edition of 10 Provenance: acquired directly from the artist, includes the bill of sale

£200-£400

Silver gelatin print, printed later, image size, 325mm x 240mm, signed in ink recto, verso of print titled and signed in ink, an edition of 10 Provenance: acquired directly from the artist, includes the bill of sale

£200-£400

Lot 549 DOROTHY BOHM (b.1924) BLIND MUSICIANS, OXFORD STREET - BEFORE CHRISTMAS, C1960S

Lot 550 DOROTHY BOHM (b.1924) BILLINGSGATE FISH MARKET, C.1960

Unique vintage silver gelatin print, image size, 322mm x 285mm, signed, titled and dated in pencil on verso

Silver gelatin print, printed later, image size, 300mm x 230mm, signed in ink recto, verso of print titled and signed in ink, an edition of 10

Provenance: acquired directly from the artist, includes bill of sale

Provenance: acquired directly from the artist, includes the bill of sale

£400-£600

£200-£400

Lot 551 DOROTHY BOHM (b.1924) CANNON ST. STATION LONDON, C.1960 Silver gelatin print, printed later, image size, 300mm x 230mm, signed in ink recto, verso of print titled and signed in ink, an edition of 10 Provenance: acquired directly from the artist, includes the bill of sale

£200-£400

Lot 552 DOROTHY BOHM (b.1924) APPROACH TO THE CASTLE, LISBON, 1960 Silver gelatin print, printed later, image size, 302mm x 230mm, signed and dated in ink lower margin, verso of print titled, signed and editioned in ink (1/10) Provenance: acquired directly from the artist, includes the bill of sale

£200-£400

Lot 553 DOROTHY BOHM (b.1924) ST. PAUL’S CHURCH. COVENT GARDEN, LONDON, C1960S Unique vintage silver gelatin print, image size, 290mm x 240mm, signed and titled in ink lower left and signed in pencil in the mount, some light toning to image and mount, framed (460mm x 385mm) Provenance: originally acquired directly from the artist, includes bill of sale

£400-£600

Lot 554 DOROTHY BOHM (b.1924) ‘LA PALETTE’ 6TH ARRONDISSEMENT, PARIS, 1980 Silver gelatin print, printed later, image size, 276mm x 185mm, signed and dated in ink lower margin, verso of print titled and signed in ink, an edition of 10 Provenance: acquired directly from the artist, includes the bill of sale

£200-£400

Lot 554A SABINE WEISS (b.1924) LA SORTIE DE METRO, 1955 Silver gelatin print, printed later and mounted onto paper, image size 295mm x 185mm, signed by the photographer lower margin in pencil

£600-£800

Lot 554B SABINE WEISS (b.1924) UNTITLED, C.1950 Silver gelatin prints mounted onto paper (2), printed later, image size 290mm x 200mm, signed lower margin in pencil, framed (480mm x 375mm)

£700-£900

Lot 555 LEONARD FREED (1929-2006) THE FIRE HYDRANTS ARE OPENED DURING THE SUMMER HEAT, HARLEM, NY, 1963 Silver gelatin print, printed later, image size 330mm x 220m, estate blind stamp recto, photographers credit stamp verso, Provenance: Magnum Photos

£300-£350

Lot 556 SHIRLEY BAKER (1932-2014) BOYS PUSHING A SNOWBALL, MANCHESTER 1968 Silver gelatin print, printed later, image size 361mm x 253mm, signed by the photographer in ink recto, Provenance: The Photographers Gallery London

£500-£600

Lot 557 SHIRLEY BAKER (1932-2014)

Lot 558 JEANLOUP SIEFF (1933-2000)

SALFORD, 1960

CAFE DE FLORE, 1976

Silver gelatin print, printed later, image size 360mm x 205mm, signed and inscribed in ink lower margin Provenance: The Photographers Gallery London.

Silver gelatin print, printed later, image size, 300mm x 200mm, dated in pencil and with photographers stamp verso, small nick to lower margin of paper, not affecting image

£300-£350

£800-£1200

Lot 559 BRUCE DAVIDSON (b.1933) USA, RENO, NEVADA, MARILYN MONROE WITH HUSBAND ARTHUR MILLER DURING THE FILMING OF THE MISFITS, 1960 Silver gelatin print, printed later, image size 305 x 205mm, verso with Bruce Davidson copyright sticker and signature in pencil, and with hand-stamp 'From The Magnum Cinema Exhibition', framed

£250-£350

Lot 560 BRIAN DUFFY (1933-2010) DAVID BOWIE, ALADDIN SANE (CLOSED EYES), 1973 Image size, 510mm x 510mm, archival pigment print, 39/50, signed by the photographer recto, authenticated and signed by photographer’s son verso, framed and mounted £6500-£7500

Lot 563 JERRY UELSMANN (b. 1934) UNTITLED 1987 Silver gelatin print, printed later, image size, 340mm x 270mm, titled in pencil on the recto of mount, print and mount signed, titled and dated by the photographer with copyright stamp verso

£600-£800

Lot 562 JERRY UELSMANN (b. 1934) UNTITLED 1986 Silver gelatin print, printed later, image size, 340mm x 270mm, titled in pencil recto of mount, verso of print and mount signed, titled and dated by the photographer with copyright stamp

Lot 561 JERRY UELSMANN (b. 1934) UNTITLED 1984 Silver gelatin print, printed later, image size, 340mm x 270mm, titled in pencil mount, print and mount signed, titled and dated by the photographer, with copyright stamp verso

£600-£800

£600-£800

Lot 564 LUCIEN CLERGUE (1934-2014) HARLEQUIN, ARLES, 1955 Silver gelatin print, image size, 362mm x 240mm, printed 2001, from an edition of 30, signed by the photographer in ink recto, signed, titled and dated verso, ref. AR01 Provenance: original bill of sale from Louis Stern Fine Arts, West Hollywood, California, U.S.A

ÂŁ2000-ÂŁ3000

Lot 565 LUCIEN CLERGUE (1934-2014) NIÑO DE LA CAPEA, 1977 Silver gelatin print, image size 362mm x 240mm, printed 1983, signed by the photographer in ink recto, signed, titled and dated verso

£500-£600

Lot 566 TERRY O’NEILL (b. 1938) SEAN CONNERY AND BRIGITTE BARDOT, 1967 Silver gelatin print, printed 1985, image size, 451mm x 306mm, signed in ink recto, verso of print signed and editioned in pencil, with copyright and Legends stamp, mounted

£400-£600

Lot 567 TERRY O’NEILL (b. 1938)

Lot 568 TERRY O’NEILL (b. 1948)

AMERICAN ACTRESS SHIRLEY MACLAINE IN LONDON, 1975

ELTON SEEING OLD FRIENDS LONDON, 1976

Silver gelatin print, printed 1985, image size, 380mm x 332mm, signed in ink recto, verso of print signed and editioned in pencil, with copyright and Legends stamp, mounted

Vintage silver gelatin print, image size, 506mm x 335mm signed recto and numbered in the margin, (1/50), framed 640mm x 540mm

£200-£300

£600-£800

Lot 569 LORD LICHFIELD (1939-2005) PRINCE CHARLES AND PRINCESS DIANA ON THEIR WEDDING DAY 1981 Informally posed at the reception at Buckingham Palace, silver gelatin print, VG, image size, 240mm x 190mm, signed and dated in the mount, signature slightly faded, framed and glazed (355mm x 385mm)

£300-£500

Lot 570 BILL ZYGMANT (b.1941) JOHN & YOKO, APPLE TAILORING, 161 KINGS ROAD, 1968 Printed later, image size, 422mm x 605mm, signed, titled, and dated lower margin, 4/25, mounted and framed (885mm x 692mm)

£300-£500

Lot 571 RAYMOND DEPARDON (b. 1942)

Lot 572 BARRIE WENTZELL (b.1942)

A GROUP WALKING ACROSS THE LAND OF TIGUI, BORKOU, CHAD 1976

ROLLING STONES IN HYDE PARK 1969

Silver gelatin print, printed in 2007, image size, 465mm x 345mm, signed, titled and dated in pencil verso, framed 600mm x 480mm

Silver gelatin prints, printed later, image sizes, approx 395mm x 300mm, titled, dated and signed in pencil with photographers blind stamp lower margin, verso of print signed, editioned in ink (1/100) and with photographers credit stamp, mounted

Provenance: Magnum Photos collectors print

£300-£500

£300-£500

Lot 573 BARRIE WENTZELL (b.1942) FOUR WORKS; B.B.KING 1971, JAMES BROWN, 1971, LITTLE RICHARD 1972RAY DAVIS, 1972 Silver gelatin prints, printed later, image sizes, approx 305mm x 285mm, titled, dated and signed in pencil with photographers blind stamp lower margin, verso of print signed and editioned in ink (1/100) £300-£500

Lot 574 JOHN WIMBERLEY (b.1945) DESCENDING ANGEL, 1981 Silver gelatin print, printed in 2007, image size, 295mm x 260mm, signed in pencil on the mount, dated and editioned verso, 72/100, photographers copyright stamp, framed (560mm x 460mm) ÂŁ500-ÂŁ800

Lot 575 JOCK STURGES (b.1947)

Lot 576 JOCK STURGES (b.1947)

DANIELLE, MONTELIVET, FRANCE 1989,

DANIELLE, MONTELIVET FRANCE 1989, 1991

Silver gelatin print, image size 370mm x 445mm, titled, signed and numbered in pencil verso, from an edition of 40

Silver gelatin prints (2), image sizes 370mm x 470mm, 370mm x 450mm, titled, signed and numbered in pencil on verso, from an edition of 40

£300-£500

£600-£800

Lot 579 JAMES SPARSHATT (b.1966) LA SONRISA

Lot 578 PIERRE JEAN AMAR (b.1947) CAMILLE, 1987

Lot 577 JOCK STURGES (b.1947) RITA, NORTHERN CALIFORNIA, 1996 Silver gelatin print, printed later, image size 365mm x 466mm, titled, signed, and numbered in pencil on verso, from an edition of 40, mounted

£400-£600

Silver gelatin prints, (2), printed in 2005, image size approx 360mm x 250mm, titled, signed and editioned (1/15) in ink lower margin, photographer’s credit stamps and titled in pencil verso Untitked 1986, silver gelatin print, printed later, image size, 340mm x 270mm, titled in pencil recto of mount, verso of print and mount signed, titled and dated by the photographer with copyright stamp

£400-£600

Silver gelatin print, signed in pencil on recto of mount, image size, 550mm x 370mm, from an edition of 25, framed and glazed, (783mm x 565mm)

£400-£600

Lot 580 A NIKON 12 X 120 III BINOCULAR TELESCOPE Body: G Magnification: X20, repainted stand Optics: G-VG Notes: With heavy duty outdoor tripod stand, rack and pinion extension, complete with maker’s lens caps

£2000-£3000

Lot 581 RUSSIAN PNB2 OBSERVATIONAL BINOCULARS Body: G, damage to handle spindle Magnification: X15 Optics: VG-E Notes: With a large wooden tripod, maker’s wooden box and a full set of eyepiece filters for assisting viewing in different weather conditions

£1000-£1500

Lot 582 A MORITZ PILLISCHER STUDENT MICROSCOPE, SIGNED M. PILISCHER, LONDON NO.560, C.1860 Lacquered brass base, rack and pinion coarse focussing, micrometre knob fine focusing, substage condenser stops missing, planoconcave mirror, complete with 1”, 1 1/4”, 1 1/2” objectives, one unmarked, with brass canisters signed M. Pillischer (2), and one incomplete cannister, eyepieces, (2), in maker’s mahogany case, with period microscope slide collection in three cases; a mahogany case with 48 slides, a drop front pine case containing 6 trays of 6 slides, the earliest dating from 1860, some professional preparations included (36), and another Pine example from Newnham college Cambridge containing 100 slides, interests include minerals, insects, plants and pathology

£250-£350

Lot 583 UNDERWOOD & UNDERWOOD STEREO CARDS - YOSEMITE VALLEY, C.1904 Complete set of 24 albumen photo stereo cards, VG, approx 90 x 180mm, contained in original blue cloth book style box, gilt lettering to spine, 190 x 110 x 50mm, with accompanying book, Yosemite Valley Through the Stereoscope, folding coloured map 290 x 470mm, Yosemite Valley showing WagonRoads and Trails, very minor rubbing to box, together with Yellowstone Park Through Stereoscope, c.1902 a complete set of 30 cards, VG, contained in original blue cloth book style box, (190 x 110 x 70cm) spine gilt with accompanying book, includes folding map of Tour through Yellowstone National Park 335 x 475mm, Box slightly rubbed but generally VG

£150-£250

Lot 584 A FRENCH BURR WALNUT TABLE TOP STEREOSCOPE VIEWER, CONTAINING FRENCH EROTICA DIAPOSITIVES BY JULES RICHARD With dealer plate for Panajou Freres Bordeaux, slide cassette containing a qty of Diapositives showing professional and amateur erotica along with other topographical material.

48 Slides Including: Jules Richard L’Atrium series, c.1910, approx 44x106mm (5) card mounted, approx 130x60mm (7) glass plates, numbered in negative, Amateur French nudes c1920s (6) Theatrically cross dressing gentlemen (2) military interest; parades & speeches (4) posed nurses with gentlemen, teeth pulling, throwing chairs, white flag (4) French topographical interest; chateaus, boats, friendship groups in town and country (20)

£500 - £600

Lot 586 AN ENGLISH TABLETOP STEREOSCOPE VIEWER C.1870S

Lot 587 THE EDISON-THOMAS ROYAL VITASCOPE, 6TH JUNE 1899

An unsigned, walnut veneered example, 460mm tall, condition, G, minor delamination to base, complete with 23 stereo cards showing various locations including Japan, America and Europe

Typed two-page letter on headed paper, signed by A.D Thomas, approx 265mmx210mm, negotiating the use of one of Thomas's projectors at a Horticultural show on the 7th August 1899, Thomas was an early adopter of this technology in Britain and licensed the use of this technology widely before filing for bankruptcy in 1902

£100-£200

£70-£100

Lot 588 A RILEY BROS, BRADFORD ‘THE PRAESTANTIA’ Small lantern (360mm x 140mm) with 7” brass lens, together with a large unmarked example, (520mm x 195mm) with unmarked brass lens and electric illuminant

£100-£150

Lot 589 A J.H STEWART MAHOGANY MAGIC LANTERN With a later fitted wooden base, ( ) brass lens, electric illuminant, together with a large qty of good quality topographical slides from across the British Isles

£150-£200

Lot 590 ZEISS IKON SUPER IKONTA FOLDING RANGEFINDER CAMERAS Super Ikonta IV 534/16, serial no. Q41799, shutter working, body, G-VG, with Carl Zeiss 75mm f/3.5 Tessar, no.1991315, optics, G-VG, together with a Super Ikonta (B) 530/16, shutter working, body, P-F, with Carl Zeiss Jena 8cm f/2.8 Tessar, no.1706684, optics, G, both with maker’s cases and accessories

£60-£80

Lot 591 A GROUP OF KODAK RETINA FOLDING CAMERAS (4) Retina Ia with 50mm f/3.5 Retina-Xenar lens, VG, a Retina II (142) with 5cm f/2.8 lens Xenon lens, F-G, missing film advance dial, a Retina II (011) with 47mm f/2 Ektar lens, G, a Retina II (014) with RetinaXenon 50mm f/2, G-VG, two examples with ERC, all shutters working

£80-£120

Lot 592 NIKON LENSES Lens: Micro-Nikkor 105mm f/2.8, 180mm f/2.8 Nikkor ED AF, 300mm f/4.5 Nikkor*AIS Serial no: 204973, na, 233410 Elements: P-F, internal dust and fungus effecting all lenses Notes: with maker’s caps and lens hoods

£80-£120

Lot 593 A SELECTION OF LENSES

A pair of brass examples; a Ross London Goerz Patent 8 ¼“ f/8 Double Anastigmat, serial no. 337, barrel, G, optics, G, minor fungus, together with a R J Beck 10 x 8 Rectilinear lens, 13” focus, barrel, G, optics, F-G, both with mounts and lens board, together with a coated Schneider-Kreuznach 127mm f/4.7 Press-Xenar in Linhof Synchro Compur shutter, barrel, G, elements, VG, in makers box, and a Dallmeyer 12” f/7.7 Dallon Tele-Anastigmat projection lens

£120-£180

Lot 594 A SELECTION OF MINOX CAMERAS AND ACCESSORIES

A Selection of Minox Cameras and Accessories, including a black LX, no. 2505243, a black EC, 2735324, a 35 EL no.3684292, all with maker’s cases and presentation boxes, MF35ST, F110 flash units and Minox tabletop copying tripod

£100-£150

2.7 Bidding on an item Bid incrementing is at the auctioneer’s entire discretion.

Terms and Conditions for Buyers at Chiswick Auctions 1. BEFORE THE SALE 1.1 Agent for the seller Unless otherwise agreed, Chiswick Auctions Ltd, hereafter referred to as CA LTD acts as agent for the seller. The contract for sale of the property is therefore made between the Seller and the Buyer.

1.2 Definitions For the purposes of the current Terms and Conditions, the Seller shall be defined as the owner of the Goods. It is implied that the Seller is the legitimate owner and is authorised to sell the Lot. The Bidder is any registered person participating in the auction, and the Buyer is the successful Bidder for a particular Lot. The Lot means the item(s) put up for sale by CA Ltd and to which the present Terms and Conditions apply.

1.3 Catalogue descriptions Any representation in any catalogue or otherwise as to the origin, date, age, attribution, genuineness or estimated selling price of any lot is a statement of opinion only. Such statements do not constitute a representation warranty or assumption of liability by CA Ltd in relation to the Lot. Any prospective Buyer should satisfy themselves prior to the sale as to the reliability of the catalogue description.

The absence of mention related to prior restorations in the Catalogue descriptions does not imply that the good is exempt thereof.

Photographs of any Lot provided by CA Ltd are for indicative purposes only and are not deemed to be a precise representa-tion of the said Lot. The Buyer is advised to seek independent expert advice in order to be assured of the authenticity and true state of the good.

1.4 Inspection Prior to auction, prospective purchasers are strongly advised to personally examine personally any property in which they are interested to satisfy themselves in relation to matters which may concern them.

1.5 Condition report CA Ltd may issue a Condition Report on request prior to the sale.

This Condition Report is for identification purposes only and cannot be considered as giving a precise account of the Lot’s true state. Thus, some imperfections and faults may not be accounted for in the Condition Report.

As aforementioned, and in the absence of any contractual value of the Condition report, it is the Buyer’s sole duty to inspect in person the Lot in order be assured of its true condition and CA Ltd shall not be responsible for assertions within the Condition Report hereto.

register at least 24 hours before the sale. Registration thereafter shall be at the auctioneer’s entire discretion.

International bidders may be required to register 48 hours before the sale and to submit bank details.

A deposit may be requested prior to each sale.

Failure to register shall result in the impossibility for the bidder to purchase a Lot. 1.10 Proof of identity Bidders not previously known to CA Ltd will be required to provide: • Official proof of identity in the form of a passport or photocard driving licence. No other forms of ID are acceptable.

• Proof of address of main residence. Only official documents showing name and address will be accepted.

• Both landline and mobile telephone numbers • A bank reference for foreign bidders may be requested • Corporate clients will have to provide a certificate of incorporation prior to the auction, along with the representative’s ID in accordance with the abovementioned requirements for proof of identity.

Any Bidder that does not match the provided identity for registration may not purchase during the sale.

2. DURING THE SALE 2.1 Attendance at auction Attending the auction in person is recommended.

CA Ltd has the right in their absolute discretion to refuse participation in any auction, to reject any bid, and to refuse admission to the premises.

Bidders are not obliged to be present in person at the auction.

Absentee bidders shall be required to make necessary arrangements with CA Ltd prior to the sale.

2.2 Personal bidding Bidders attending the auction in person shall be required to collect a number plate prior to the sale.

1.6 Electricals All electrical items are sold as seen and CA Ltd offers no guarantee as to the working condition of such items or their safety.

It is the Buyer’s duty to take necessary steps to be assured that the Lot is safe for normal use.

2.3 Commission bids CA Ltd will use reasonable efforts to carry out Commission bids received by them prior to the sale for the convenience of clients who are not present at the auction in person. Execution of Commission bids is a free service provided to help clients and CA Ltd does not accept liability for any failure to execute a Commission bid or for errors and omissions in connection with it.

Commission bids shall be executed at the lowest possible price, subject to competing bids and reserves. Although CA Ltd will endeavour to inform Buyers, it is the Buyer’s responsibility to check if they have been successful in purchasing a Lot. In the event of multiple commissions at the same price, the commission set at the older date shall be taken into account.

1.7 Estimates Estimates are based on various factors inherent to the situation of the market at the time of the sale, as well as considerations such as the condition, rarity, or quality of the item etc. Estimates are only indicative and represent the opinion of CA Ltd. Estimates provided by CA Ltd cannot constitute a guarantee as to the value of the good. Subsequently, goods may sell at prices lower or higher than the provided estimates.

2.4 Telephone bids If a bidder is not able to attend in person an auction, CA Ltd will use reasonable efforts to contact prospective Buyers who make arrangements prior to commencement of the sale to bid by telephone.

CA Ltd cannot be held responsible in the event of issues affecting connectivity, resulting in the loss of a chance of purchasing the Lot for the Bidder.

1.8 Reserves Many Lots are offered subject to a reserve, which is the confidential minimum sale price. The reserve will never exceed the low estimate printed in the catalogue. CA Ltd may open the bidding on any Lot below the reserve by placing a bid on behalf of the seller, and may in their discretion continue to bid up to the reserve price. This can be achieved by bidding in response to other bidders or alternatively by placing consecutive bids.

2.5 Internet bids Some sales may be available to internet bidding, as well as personal attendance. In this event, CA Ltd shall not be held responsible for issues affecting connection.

1.9 Registration to the sale New bidders will need to register prior to the sale. It is strongly advised bidders

2.6 Bidding on behalf of someone A Buyer may bid by proxy. In this event, proof of identity of both the Buyer and the proxy must be communicated to CA Ltd prior to the sale. A copy of the mandate shall also be required.

2.8 Video transmission For the purpose of the sale, Lots may be displayed on video during the auction. In the event of transmission issues, CA Ltd shall not be held responsible for any subsequent outcome.

2.9 Online-only auctions Some auctions may be available to bidders only through an online platform.

In this event, Buyers have a 14 day period at reception of the Lot to withdraw from the sale, in accordance with EU Consumer Law. 2.10 Dispute resolution during the auction Any dispute shall be settled at the auctioneer’s absolute discretion. Under no circumstances will a sale be cancelled after the fall of the hammer, except at the auctioneer’s entire discretion.

3. CONTRACT FORMATION AND EFFECTS 3.1 Contract of sale The contract of sale is between the Buyer and the Seller.

The Buyer shall be the bidder at the highest price at the fall of the hammer.

The sale is deemed complete once the auctioneer announces its completion by the fall of the hammer and the contract shall be binding thereafter between the Buyer and the Seller and CA Ltd. When a Buyer purchases multiple Lots, each Lot is the subject of a separate contract of sale.

3.2 Transfer of property Property of the goods shall pass to the Buyer only once CA Ltd has received full payment for the goods, this includes the price at the fall of the hammer as well as Buyer’s premium, relevant taxes, and costs in relation to shipping.

3.3 Transfer of risks Purchased Lots shall be at the Buyer’s risk in all respects from the fall of the hammer, and neither CA Ltd nor their agents shall be responsible for any loss or damage of any kind, whether caused by negligence or otherwise.

3.4 Cancellation of the sale At the fall of the hammer, the contract is formed between the Buyer and CA Ltd and is binding thereafter.

Under no circumstances can the Buyer cancel the sale.

CA Ltd may at its entire discretion, during or after the auction, cancel the sale of the Lot or reoffer and resell the Lot if it becomes aware of any error or dispute of any nature, whether or not title has passed to the Buyer, and up to a period of 6 months after the said sale.

Grounds for cancellation under the present section shall include but not be limited to any dispute relating to the attribution or provenance of the Lot, ownership and title, fraud or deceit, lack of relevant licences or certificates, any subsequent changes in domestic or international legislations restricting the sale of export of goods etc.

In the event of internet-only auctions, the Buyer shall have a 14 day right to retract, after reception of the Lot, under EU Consumer Law. Public auctions are not covered by this right to retract.

3.5 Returns and refunds CA Ltd will only issue a refund using the same method of payment originally used by the Buyer to pay for the purchase, or by bank transfer. The Buyer’s refund will be processed without undue delay and in any event within no more than 28 days of the day the Buyer gave CA Ltd notice of cancellation.

If the Buyer exercises their right of retraction when authorised to do so

by Law, CA Ltd shall proceed to issue a complete refund, comprising the hammer price of the Lot, buyer’s premium and shipping fees. However return fees shall remain at the expense of the Buyer.

4. AFTER THE SALE 4.1 Payment All purchased lots must be paid for on the day of the auction. Commission bids must be paid for no later than the day after the auction. Payment must be in cash, debit, credit card or bank transfer. Cheques are not accepted.

Cash payments shall not be receivable for amounts over €10,000, regardless of the payment being for one or multiple Lots.

Payments made by someone other than the registered Buyer shall not be accepted.

Title will not pass to the Buyer until CA Ltd has received all amounts due to them in cleared funds even if the Lot has been released to the Buyer.

4.2 Buyer’s Premium The Buyer will pay CA Ltd a premium of 25% on the hammer price plus VAT on that commission on the first £500,000 and 12% plus VAT on the balance thereafter. A Buyer’s Premium of 19.5% plus VAT is charged on Wine & Spirits Lots.

The standard rate of VAT is charged on the premium except on Lots marked ‘†’ where normal VAT rules apply and the standard rate of VAT will be charged on both hammer price and premium.

4.3 Taxes The Buyer is responsible for paying VAT on any Lot, above hammer price and Buyer’s premium. The rate applicable shall be the legal rate at the date of the sale.

Goods such as books and antique books, music, maps and charts etc. are subject to zero-rated VAT. In addition, any import taxes that may be incurred shall be paid by the Buyer above hammer price, VAT and Buyer’s premium. The present paragraph applies in particular to imports within the United-States and Australia. The Buyer is advised to verify such matters prior to the sale.

4.4 Artist Resale Rights / Droit de Suite Lots marked with ‘ARR’ may be subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or to the artist’s heir each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a cumulative sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to Lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single Lot is the sterling equivalent of €12,500.

Royalties for Droit de Suite are as follows: • From 0 to €50,000 4% • From €50,000.01 to €200,000 3% • From €200,000.01 to €350,000 1% • From €350,000.01 to €500,000 0.5% • Exceeding €500,000 0.25% 4.5 Remedies for non-payment If the Buyer fails to make full payment in cleared funds within the time required as aforementioned, CA Ltd shall be entitled to exercise any one or more of the following rights or remedies additional to such other rights or remedies available: • To cancel the sale • To charge interest at 4% per annum above the base rate of Lloyds Bank Plc. • To resell the Lot on such terms by auction or otherwise entirely at CA Ltd’s discretion. The Buyer will be liable for all costs including legal fees incurred in the sale and will remain liable for any shortfall arising upon sale.

• To offset against any sums which CA Ltd may owe the Buyer the outstanding sums unpaid by the said Buyer • Where the Buyer owes sums to CA Ltd in respect of different transactions, to discretionarily apply any sum paid by the Buyer for discharge of any owed sums.

• To refuse entry to the Buyer at any future auction and/or reject any future bids by the Buyer and/or seek a deposit from the Buyer entirely in the discretion of CA Ltd. • To exercise a lien over the Buyer’s property in the possession of CA Ltd as collateral for any outstanding sums owed and to exercise all the rights and remedies of a person holding security over any such property, whether by way of pledge, security interest or in any other way to the extent permitted by Law. • To commence legal proceedings for the recovery of the total amount due together with interest, legal fees and costs.

• To take such other action as is permissible by Law and in the discretion of CA Ltd. 4.6 Collection Purchased Lots can be collected from the auction room after the sale has ended or between 10am and 6pm up until close of business on the Friday following the sale. Special arrangements may be made for collection on Saturday at CA Ltd’s discretion.

4.7 Storage Purchased Lots not collected before 6pm on the day after the sale shall incur storage charges of £5.00 per Lot, per day or part thereof. CA Ltd shall be entitled to retain purchased Lots sold until all sums due have been paid to CA Ltd. If any purchased lot remains uncollected 21 days after the sale, storage charges shall thereafter be £10 per day and CA Ltd shall, in accordance with the Law, have the right to sell the purchased Lot to recover payment of storage charges outstanding. Any balance proceeds of sale received after payment of all sums outstanding and due to CA Ltd shall be held for the account of the Buyer.

4.8 Shipping Any shipping costs that may arise subsequently to the sale shall be at the Buyer’s expense. Such costs may include but not limited to postage, import and export permits where required and any other licence necessary for goods to be shipped outside of the European Union.

CA Ltd does not offer insurance for shipping. However, CA Ltd may arrange insurance upon the Buyer’s request and at the Buyer’s expense.

CA Ltd cannot be held responsible for any damages that may be incurred to goods prior to the fall of the hammer.

4.9 Loss or Damage CA Ltd does not accept liability for loss or damage occurring to Lots after the sale. CA Ltd will use reasonable efforts when handling packing and shipping of Lots purchased, but shall not be responsible for any loss or damages that may occur whilst the said Lot is in any third party’s care.

4.10 Cultural Goods import and export restrictions Cultural goods may be subject to import and export restrictions. Under EU Regulations related to the trade of cultural goods, export licences may be required for export outside of the European Union if the item’s value exceeds the EU threshold.

Under UK Law, a licence may also be required for intra-EU trade.

Licenses are issued by Arts Council England and it is the Buyer’s duty to obtain them.

Some countries restrict the import of specific cultural goods. For example, the United States prohibits the import of pre-Columbian monumental or architectural sculpture or murals, as well as any cultural goods in provenance from some countries subject to armed conflicts.

The Buyer must verify local legislation prior to the sale in order to be assured that import or export is possible.

4.11 CITES import and export restrictions Certain endangered species are listed in the CITES Convention. Listed specimens and any parts or products thereof are subject to issuance of an export permit when leaving the European Union.

Appendix I species, are also subject to issuance of a prior import permit from the country in which the goods are to be imported. Such permits are necessary before applying for export permits and it is the Buyer’s duty to initiate the proceedings with the relevant authority. The Buyer must be aware that certain countries prohibit the import of some species or any parts or products derived thereof. For example, the United States prohibit all import of African elephant ivory, and any item containing parts that may merely resemble African elephant ivory must be accompanied by relevant documentation stating it is not the latter.

Worked items that are dated before 1947 are exempt from import restrictions for intra-EU trade and shall not require export licences.

Please be aware that all Lots marked with the symbol λ are subject to CITES regulations.

4.12 Limitation of liability regarding CITES export licenses Where licences are required for importing or exporting outside of the European Union, it is the Buyer’s duty to obtain them.

CA Ltd cannot be held responsible if the Buyer’s application for an export permit is unsuccessful. Subsequently, in the event of failure thereof, CA Ltd shall not permit cancellation or rescission of the sale.

4.13 Warranties CA Ltd does not provide the Buyer with warranties relating to any Lot, unless required by Law. 4.14 Authenticity warranty In the event of a Lot being sold as authentic under the catalogue description and the Buyer provides evidence in the form of a written report by a recognised expert or test results that the said Lot is not, CA Ltd will refund the purchase price.

The Buyer shall give notice to CA Ltd within 28 days from knowledge or any event giving reasons for suspecting that the item is not authentic, and within

one year of the said sale. Any claim thereafter shall not be receivable. For the purposes of the present paragraph, authenticity shall be defined as the state of a Lot that is genuine and not a forgery or a copy.

5. ANTIQUITIES AND TRIBAL ART 5.1 Import and export restrictions and regulations Archaeological goods over 100 years of age, unless covered by exemption of limited scientific interest, will require an EU Licence for export to a third country, regardless of their value.

It is recommended that the Buyer contact the Export Licensing Unit at Arts Council England in order to be assured the good is or not of limited archaeological or scientific interest.

Archaeological goods found on United-Kingdom soil or in UK territorial waters over 50 years of age shall require a UK Licence regardless of their value and regardless of the export destination. Other archaeological objects regardless of their origin will require an Individual Licence or OGEL depending on their value.

Both European-Union and UK Licences may be required simultaneously for some items. It is the Buyer’s duty to undertake the necessary steps. CA Ltd cannot be held responsible and the sale cannot be cancelled in the event of failure to obtain the relevant licences.

6. JEWELLERY 6.1 Gemstone treatment and estimates Many gemstones on the market have been treated so as to augment their appearance, in a reversible or permanent manner. Treatments under the present section may be but not limited to: • Heat treatment to enhance sapphires and rubies’ clarity and colour • Oil and resin treatments for emeralds applied in different ways, to enhance clarity of the stone • Staining • Irradiation • Coating Estimates provided by CA Ltd are deemed to be based on the fact that the gemstone may have been subject to any type of treatment in the past. CA Ltd shall not be responsible in the absence of mention thereof.

A certificate may be issued by a laboratory, providing with detailed information on the condition of the gemstone and any treatment applied thereto. The Buyer must be aware that different laboratories have different approaches as to the degree or type of treatment for a particular gemstone.

If a certificate accompanies the Lot, the Buyer must be aware that it is merely a statement of the laboratory’s opinion and in no way can CA Ltd be held responsible for any mentions therein. Such certificates are deemed to be delivered with the Lot for informative purposes only.

6.2 Estimated weights If a stone’s exact weight appears within the body of the description, the stone has been un-mounted and weighed by CA Ltd. If the weight of a stone is stated to be approximate, the stone has been assessed by CA Ltd within its setting, and the defined weight is a statement of opinion only. This information is given as a guide and bidders should satisfy themselves with regard to this information as to its accuracy.

6.3 Signatures ‘A diamond ring, by X’: When the maker’s name appears in the title, in Chiswick Auctions’ opinion the piece is by that maker.

‘A diamond ring, signed X’: Has a signature that, in Chiswick Auctions’ opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered.

‘A diamond ring, mounted by X’: Has been created by the jeweller, in Chiswick Auctions’ opinion, but using stones or designs supplied by the client.

‘Maker’s mark for X’: Has a maker’s mark which in Chiswick Auctions’ opinion is authentic.

Some items may include parts or products derived from endangered species, such as ivory or coral. Such items may be subject to import or export restrictions. See section on CITES regulations for more details.

7. CLOCKS AND WATCHES All Lots are sold as seen. Clocks and watches are therefore not deemed to be sold in working condition. Absence of reference thereof in the description does not imply that the Lot is in good condition and without

defects, or has been subject to repair or restoration.

CA Ltd makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Most clocks and watches are likely to have been repaired in the past, and as a result may include parts that are not original thereto.

The United-States restrict the importation of watches such as Rolex, Frank Muller or Corum. Such models can only be imported personally by the Buyer and CA Ltd cannot assist with shipping thereof.

Some watches may include leather straps derived from endangered species. Buyers may be required to obtain appropriate permits for import or export purposes in accordance with CITES regulations.

CA Ltd acts in compliance with such legislations and shall take necessary steps where required. Subsequently, watches may be deemed sold without their straps.

8. FURNITURE 8.1 Upholstered furniture after 1950 According to The Furniture and Furnishings (Fire Safety) Regulations 1988, furniture that was upholstered after the 1st of January 1950 is subject to restrictions in the United-Kingdom.

Exempt upholstered furniture that does not meet such requirements is deemed sold for purely aesthetic purposes.

CA Ltd shall not be responsible for later alterations to the furniture, making it unfit for sale.

9. GLOSSARY OF PICTURE CATALOGUING TERMS Any Statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

1 JMW Turner: In our opinion a work by the artist. When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

2 Attributed to JMW Turner: In our opinion probably a work by the artist, but less certainly as to the authorship expressed than in the preceding category.

3 Studio of JMW Turner: In our opinion probably a work by an unknown hand in the studio of the artist, which may or may not have been executed under the artist’s direction.

4 Circle of JMW Turner: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist and of the period, but not necessarily his pupil.

5 Style of…; Follower of JMW Turner: In our opinion a work by a painter working in the artist’s style, but not necessarily his pupil.

6 Manner of JMW Turner: In our opinion a work in the style of the artist and of a later date.

7 After JMW Turner: In our opinion a copy (of any date) of a known work of the artist.

8 The term ‘signed’ and/or ‘dated’ and/or ‘inscribed’ means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

9 The term ‘with signature’ and/or ‘with date’ and/or ‘with inscription’ means that in our opinion the signature and/or date and/or inscription have been added by another hand than that of the artist.

10 Pictures are framed unless otherwise stated.

10. ASIAN ARTS 10.1 Import and export restrictions When dealing with Asian Arts and more specifically with items made of exotic wood (e.g. all species of rosewood) or elephant ivory, the Buyer must be aware of import and export restrictions in accordance with CITES Regulations. As aforementioned in the Section relating to such matters, import and export permits or re-export certificates may be required. Verification letters will be required for re-export of worked rhinoceros items.

10.2 Fine Chinese Paintings Current scholarship in the field of Chinese Paintings and Calligraphy does not permit unqualified statements as to the authorship or date of execution. The limited right of rescission contained in the present terms and conditions does not apply to Chinese paintings.

Notwithstanding, if within 28 days of the sale of any such Lot, the original

purchaser gives written notice to CA Ltd that the Lot is a forgery and within fourteen days after giving such notice, the original purchaser returns the lot to us in the same condition as at the time of sale and demonstrates to our satisfaction that the lot is a forgery, CA Ltd will rescind the sale and refund the purchase price received. For this purpose, a ‘forgery’ is defined as a work created with the intent to deceive.

11. BOOKS AND MANUSCRIPTS Books and manuscripts sold as incomplete are not subject to returns.

Printed books may be returned for a full refund only if they prove to be defective in text or illustration. This shall not apply to the absence of blanks, half titles or advertisements, to un-named books or to books sold under the heading of ‘binding’ or ‘bindings’.

12. WINES AND SPIRITS In accordance with agreed standards in the trade, estimates shall be deemed to have taken into account the fill level.

For the purposes of the present Terms and Conditions, the ‘Fill Level’ refers to the space between the base of the cork and the liquid in the bottle. Fill levels may vary with age or depending on the condition of the wine or spirit.

Lack of mention thereof in the description is not a representation of an ‘acceptable’ fill level from CA Ltd. CA Ltd offers no guarantee as to suitability for drinking of the wine or spirit. The Buyer must be aware of the risk that the taste of a wine or spirit may be altered due to factors such as age, storage conditions, oxidation, etc.

13. COPYRIGHT CA Ltd shall own the copyright on all images, illustrations and written material produced by or for CA Ltd relating to a Lot, including catalogue contents. Such copyright shall remain at all times the property of CA Ltd. Neither the Buyer nor anyone else shall use the abovementioned materials without the prior written consent of CA Ltd. Some Lots may be subject to copyright protection, CA Ltd does not guarantee said Lots are free thereof.

14. DATA PROTECTION The Buyer agrees that personal information transmitted to CA Ltd may be disclosed exclusively for the purposes of business, or as required by Law. CA Ltd shall not use personal information for any other purpose without the Buyer’s prior consent.

CA Ltd never sell, lend or trade in personal data provided by any Bidder.

15. SEVERABILITY Whenever and to the extent that any provisions of these terms would or might contravene the provision of any relevant legislation, such provision is to take effect only in so far as it may do so without contravening such legislation and the legality, validity and enforceability of any of the remaining provisions are not in any way to be affected or impaired as a result.

16. AMENDMENTS The current Terms and Conditions may be amended, verbally or in writing, prior to the sale.

17. LAW AND JURISDICTION The rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with the Law of England and Wales.

For the benefit of CA Ltd all bidders and sellers agree that the Courts of England are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship warranty relate or apply. All parties agree that CA Ltd shall retain the right to bring proceedings in any court other than the Courts of England.

SALE CALENDAR

DECEMBER

06

THURSDAY Urban & Contemporary Art

11

TUESDAY Winter Jewels Designer Gifts Antiquities & Tribal Art Interiors & Design

12

WEDNESDAY Modern & Post-War British Art

JANUARY

22

TUESDAY Ceramics & Glass Rugs & Carpets Interiors & Design

23

WEDNESDAY Printed Books & Manuscripts

28

MONDAY Arms, Armour & Militaria

Lot 505

SPECIALISTS ANTIQUITIES & TRIBAL ART Alice King, Head of Department alice.king@chiswickauctions.co.uk

PRINTED BOOKS & MANUSCRIPTS Clive Moss, Head of Department clive.moss@chiswickauctions.co.uk

ASIAN ART Lazarus Halstead, Head of Department lazarus@chiswickauctions.co.uk

Andrew Kerr, Specialist andrew.kerr@chiswickauctions.co.uk

Yasuko Kido, Japanese Art Specialist yasuko@chiswickauctions.co.uk CERAMICS & GLASS Dr. Jim Peake, Head of Department jim@chiswickauctions.co.uk CONTEMPORARY & URBAN ART Harry Parkinson, Sales Coordinator harry@chiswickauctions.co.uk DESIGNER HANDBAGS & FASHION Meg Randell, Head of Department meg@chiswickauctions.co.uk Winnie McGee, Specialist winnie.mcgee@chiswickauctions.co.uk EUROPEAN WORKS OF ART & CLOCKS Rachael Osborn-Howard, Head of Department rachael@chiswickauctions.co.uk FINE ART Suzanne Zack, Head of Department suzanne@chiswickaucions.co.uk Rohan M Krassi Kuneva, Head of Sales - Modern & Post-War British Art kkuneva@chiswickauctions.co.uk Melissa Van Vliet, Head of Sales - Old Masters melissa.vanvliet@chiswickauctions.co.uk GUITARS & MUSICAL INSTRUMENTS Dr. David MacGregor, Specialist david@chiswickauctions.co.uk ISLAMIC & INDIAN ART Beatrice Campi, Head of Sales beatrice.campi@chiswickaucions.co.uk

Dr. Carmen Donia, Specialist carmen.donia@chiswickauctions.co.uk Nicholas Worskett, Specialist nicholas@chiswickauctions.co.uk Valentina Borghi, Head of Sales Autographs & Memorabilia valentina.borghi@chiswickauctions.co.uk PHOTOGRAPHICA Austin Farahar, Head of Department austin.farahar@chiswickauctions.co.uk RUGS & CARPETS Mark Henry Lampé, Head of Department mark.lampe@chiswickauctions.co.uk Chris Vin, Consultant chris@chiswickauctions.co.uk SILVER & OBJECTS OF VERTU John Rogers, Head of Department john.rogers@chiswickauctions.co.uk Amicie de Villenfagne, Specialist amicie@chiswickauctions.co.uk WATCHES Matthew Caddick, Head of Department matt@chiswickauctions.co.uk Tomas Aznar watches@chiswickauctions.co.uk WINE & SPIRITS Peter Mansell, Head of Department peter.mansell@chiswickauctions.co.uk

JEWELLERY Sarah Duncan, Head of Department sarah@chiswickauctions.co.uk Inez Flynn, Specialist inez.flynn@chiswickauctions.co.uk Lissa Holmes, Specialist lissa.holmes@chiswickauctions.co.uk

Lot 564

1 Colville Road, London W3 8BL +44 (0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk