Jiho
Choi
SKILLS
Revit Rhinoceros Lumion 3D SketchUp Photoshop InDesign Illustrator Google Earth MS Office V-Ray Render AutoCAD Maxwell Render Korean English Spanish
WORK EXPERIENCE
Freelance Graphic Designer at Georgia Tech, Atlanta, GA Painted murals for Global Leadership Living Learning Community dorms Designed logos and web banners for OIE website May 2018 - Jan 2019 Graduate Research Assistant at Georgia Tech, Atlanta, GA Faciliated class and reports under Prof. Ellen Dunham-Jones Contributed research to database on retrofitted suburban projects Assembled reports on studio projects & proposals to be Archived in Georgia Tech’s digital database library Aug 2017 - May 2018 Project Estimator at Eastern Corporation, Norcross, GA Glass industry experience in estimation, bidding, drafting, & installation Learned intricate detail-drafting & project material financials Field experience from construction-site installations Jan 2017 - July 2017 Architectural Designer at TSW Design, Atlanta, GA Worked with urban planning department on community engagement Participated in concepts for Atlanta design competitions Worked with Atlanta Urban Design Commission Sept 2015 - July 2016 May - Aug 2014 Intern at Akel Logan & Shafer PA, Jacksonville, FL
EDUCATION
ORGANIZATION INVOLVEMENT
Georgia Institute of Technology
Founding Board Member : Pillyr (Atlanta-based tactical urbanism non-profit) Project Head of multiple tactical urbanism projects in Atlanta Part of numerous tactical urbanism builds & installations Dec 2015 - Current Collaboration with Atlanta City Studio & Georgia Tech Creative Lead & Board : Resurgence (Atlanta United Soccer Supporters’ Group) Graphic design for banners, tifos, choreography hoisted in Mercedes-Benz Stadium Coordination with Atlanta United Football Club to build tifos & displays Aug 2016 - Current Board member handling travels, merchandise & 700+ members Member, Congress for New Urbanism Atlanta Member, Atlanta Bicycle Coalition Senior Executive, National Organization of Minority Architect Students & Project Lead Manager, UF’s team for NOMA 2014 National Competition Led a 15-person team to The 2014 NOMA Student Design Competition Aug - Dec 2014 National Competition Decathlete, UF Solar Decathlon Player, UF Rugby Football Club Player
Masters of Science in Urban Design Graduate Research Assistant
University of Florida Bachelors of Design in Architecture Minor in Urban Planning
World-Shine School & Orphanage Rwentobo, Rushenyi, Uganda 1-6
MS Urban Design
ULI Hines Competition Toronto, ON, Canada 11-16
MS Urban Design
Undergrad Landscapes Gainesville, FL 23-24
29-32
Undergrad Design 4 & 5
MS Urban Design
Undergrad Design 4 & 5
Undergrad Design 7
Pillyr Organization
17-22
Broad St Performing Arts Center Charleston, South Carolina
National Organization of Minority Architects
Pillyr Foundation Projects Colony South, Atlanta, GA 43-44
Broadwalk Shared Street South Downtown, Atlanta, GA
Infilling NYU Superblocks New York University, NYC, NY
Atlanta United FC
7-10
MS Urban Design
Barbara G. Laurie Competition Divine Lorraine Hotel, Philadelphia, PA
Resurgence Tifo & Design Atlanta, GA 37-38
Cascade Spring Greens Cascade Rd, Atlanta, GA
25-28
33-36
GT OIE Branding & Murals Georgia Tech, Atlanta, GA GT Office of International Education
39-42
Parkside Row Houses Norcross, GA TSW Design
45
1
MS Urban Design
World-Shine School & Orphanage
Rwentobo, Rushenyi, Uganda
The World-Shine Foundation School & Orphanage in Western Uganda, sits between the base of the foothills and a small river valley. As the school expands, they requested a master plan for 20 years into the future adding more classrooms and dormitories. The site is currently disturbed by poor drainage, flooding during the rainy season, and a lack of cohesive planning for facilities. During the rainy season, large amounts of water from the foothills leads to soil erosion. Individual drainage features are added to existing buildings to protect foundations and allow mud free pedestrian access. Water is directed into meandering ditches to slow the water and drainage ponds. We employ a series of intentional design strategies to create a cohesive master plan adding numerous classrooms, a visitors center, church, and 240 beds benefitting the school and the community.
2
This led us to utilize a series of landscaped groves, art walks, and sports facilities to provide children with areas to explore and express themselves while addressing the water circulation issues.
Art walls helps to help slow down and move the water, and to express creativity through art.
This site’s uneven hilly slope can be carved for flat surfaces to play on for shaded sports.
Move earth to make hills and berms to slow down the flow of water and create green space.
Water is directed into meandering ditches and drainage ponds. They filter in the central feature, a cistern designed to hold a 1 cm per hour rainfall. The cistern also includes overflow features in the event the design capacity is exceeded.
3
Classroom + Flexspace
Private Courtyard
Flexible Class Space
Hierarchy of Spaces “Public Commons”
Campus Commons
Pathways
Landscape hills & berms between paths
Plant Trees in Campus Commons
Modular Dormitory
Module Assembly
Insular Facing Front Porch
Communal Private Courtyard
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Village Block
All of these features are used to create a cohesive masterplan evoking village life of all ages centered around a town center in order to encourage creativity, activity, and community. Open Courtyard for Private Alley Movement
Village : Communal Public Spaces & Alleyways
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Treehouse Play & Rest Zones
Art Walls & Green Surfaces
Bioswales & Water Drainage
6
Administration & School Hall
Playscape Structure
“Village” Dormitories
7
MS Urban Design
Cascade Springs Greens
Cascade Rd, Atlanta, GA The westside of Atlanta is primarily singlefamily housing. This large plot of land is a chance to create a community that can be dense and offer plenty of new and diverse experiences for the Cascade Westside. The goal is to provide diverse housing options in the area by offering up density as a means of adding diverse lifestyles to the area. By offering up the choice to live differently from a typical suburb, this community will provide us a variety of housing options from then Suburban living to secluded Forest retreats. Environmental concerns are a huge priority in the area, as it impacts every single aspect of the design and layout of the neighborhood. The slope informs the street Network and the resulting density and community. It creates the public spaces and the private spaces. The topography and terrain is been used as a means to filtrate water into the Abundant forests that were saved by choosing to build densely. The water drains into the bases naturally into the forest that were preserved in the community so that water runoff is less of a factor and to be ecologically friendly. Cohesion with the natural environment is high priority as the Abundant trails and pads that Traverse the landscape offers both Urban and secluded residence an opportunity to partake in the beauty of the area.
8
Water movement & drainage
9
TOWN CENTER GREENS SPORTS FIELDS Flat zones & Movement arteries
COMMUNITY GARDENS
PICNIC AREA
Topographic Street Network
AMPHITHEATER
Townhome Density
Town Center & Greens
Townhome & Courtyard Homes
Nature Park
Walking Trails & Cottages
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Preserved Natural Areas
Cottage Court Community & Courtyard Homes
Town Center Greens & Homes
TRANSIT & CULTURE FLOWS OUTWARD
LEVERAGING LOCALITY
DISPERSED CULTURAL ECONOMY
QUEEN STREET EAST km
Destination for international food & culture
EAST HARBOUR FLOWS OUT-
WEST DON LANDS
WARD
10 million SF office 50,000 jobs
growing arts community
ONTARIO ARTS COUNCIL
1m
STITCHYARDS
DEVELOPMENT
ART CITY ST. JAMES TOWN
-3 .2
STITCH YARDS
NEIGHBORHOOD BARRIERS
2m ile rad ius
11
ile
d ra
ius
m 6k - 1.
RIVERSIDE BIA
MaRS DISCOVERY DISTRICT
NEIGHBORHOOD MENDING THE EDIBLE STORY
SOUTH RIVERDALE NEIGHBOURHOOD (CENSUS AREA) VS. CITY OF TORONTO
STITCH YARDS
% POPULATION CHANGE (2011-16)
MS Urban Design
SRN:
ULI Hines Competition
+8.7%
City: +4.5%
YOUNG CENTER FOR THE
PERFORMING ARTS
% CHANGE IN VISIBLE MINORITY POPULATION (2001-16) SRNCA: -4% City: +14.7%
Toronto, ON, Canada STITCHYARDS
% OF WORKING AGE POPULATION (2016 CENSUS) SRNCA: 54%
TORONTO BUSINESS DEVELOPMENT CENTRE
City: 45% FOOD ARTS ENTERPRISE TRANSIT CONNECTIONS
VIEW NU AVE E
12
ET TRE IS S LEW
12
10
E VENU RN A
22
E
EAST
9
3
18
N ILTO HAM
RO MUN
15
20
19
EET STR
EET STR
8
16 14
11
30
N DO
4
27
5
17
R
VE
RI
21
23 2 7
28
26 29
N
TH
EY
:P IEW
AY KW
R PA
NV
IO CT SE
6
PU
LL VA
ING
CT TE RO
T
EE
R ST RL
DO
RIC
AB EF
1
LEGEND FOOD 1 2 3 4 5 6 7
ASSEMBLY FOOD STALL COLLECTIVE FRESH HARVEST FARMERS MARKET HERITAGE KITCHEN INCUBATOR MELTING POT FOOD HALL PANTA RHEI BREWERY PARKSIDE MARKET + GROCERY SUSUR LEE CULINARY SCHOOL
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ENTERPRISE 17 CITIZEN SUPPLY RETAIL COLLECTIVE 18 MAKER SPACE COLLECTIVE 19 MINORITY-OWNED BUSINESS COWORKING SPACE 20 PROSPERITY TORONTO BUSINESS OFFICE
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21 START UP TORONTO SPACE 22 TORONTO PUBLIC LIBRARY SMALL BUSINESS BRANCH 23 UNIVERSITY OF TORONTO ADULT LEARNING CENTER 24 YOUNG ENTREPRENEURS ACADEMY
ARTS 8 9
COMMUNITY HERITAGE THEATER CULTURAL ARTS LIVE-WORK STUDIOS
25 TRANSIT HUB 26 RETAIL PROMENADE
10 EASTSIDE POCKET PARK
27 PARK PROMENADE
MUNRO ARTS GALLERY 12 RIVERSIDE YOUTH ARTS CENTER + PLAZA 13 STATIONSIDE CRAFT MARKET 14 TERMINAL EAST CONCERT HALL
28 OLD EASTERN AVENUE BRIDGE
11
15 THE BACKYARD AMPITHEATER 16 THE YARD ART PLAZA
29 STITCHYARDS PARK 30 CENTRAL PLAZA
300
N 150 45
90
FEET 600 METERS 180
25
13
THREADS WITHIN THE FABRIC PEOPLE
PASSION
PRODUCTION
PROFIT
FOOD
Grandma Yao was encouraged by her grandson to share her cooking They have moved into STITCHYARDS to join the HERITAGE KITCHEN INCUBATOR and setting up a stall at the ASSEMBLY HALL FOOD COLLECTIVE to share Grandma Yao’s food.
Newer Strategic partnerships with community - focused organizations like FOODSHARE will provide Grandma Yao with business skills & community support. STITCHYARDS will build a sustainable community of small business owners focused on sharing their culture.
The HERITAGE KITCHEN INCUBATOR is where Yao will hone her skills as a chef. The INCUBATOR is a shared commercial kitchen that offers professional guidance from experienced staff, and creates community among food entrepreneurs.
STITCHYARDS also provides spaces for food entrepreneurs. Businesses can adapt at the FOOD TRUCK FESTIVAL and FRESH HARVEST FARMERS MARKET to brick and mortar spaces at the ASSEMBLY FOOD STALL COLLECTIVE and MELTING POT FOOD HALL.
ARTS
Jeffrey Rimon began sculpting as a hobby and needed a space to cultivate his growing skill. He decided to rent an affordable live work studio in STITCHYARDS, near STATIONSIDE CRAFT MARKET and his favorite art supply shops on Queen Street.
Partnering with the STEPS INITIATIVE through what the organization refers to as “Public Space ARTivism”, STITCHYARDS incorporates public art funding and programs to promote community engagement and empower local artists like Jeffrey.
CULTURAL ARTS LIVE-WORK STUDIOS provide affordable spaces for artists and makers. The collaborative environments now offer creative communities. Jeffrey enjoys the openstudio environment where he can learn from his neighbors.
The STATIONSIDE CRAFT MARKET and MUNRO ARTS GALLERY provide accessible spaces for artists. STITCHYARDS is home to formal and informal performing arts venues including TERMINAL EAST CONCERT HALL and THE BACKYARD AMPHITHEATER.
ENTERPRISE
Marco Grenier came to Toronto to advocate for better biking in cities across Canada. Marco plans to develop an app that collects bike commuting data at STITCHYARDS and grow his vision of building multicultural communities around biking.
Marco finds support and community through new organizations including STARTUP HERE TORONTO and CIVIC TECH. It offers capital funding, and business education, while CIVIC TECH provides a community of civic-minded tech workers.
The MAKER SPACE COLLECTIVE brings together technology and the arts in a low-barrier collaborative environment. COWORKING SPACE allows entrepreneurs like Marco to scale their office spaces as business evolves.
Events like the THE YARD IDEAS FAIR bring innovation. Through this aspect of STITCHYARDS, Marco vvhzztis testing his app with fellow entrepreneurs at the CITIZEN SUPPLY RETAIL COLLECTIVE this month.
PHASE 1: THREAD TO TRANSIT 8% 7%
33% % OF PHASE SQUARE FOOTAGE
20%
11%
21%
CLASS A OFFICE LOFT OFFICE FLEX/INDUSTRIAL CONDO APARTMENT RETAIL HOTEL STRUCTURED PARKING
AFFORDABLE UNITS:
23%
10%
% OF PHASE 1% SQUARE FOOTAGE 34% 22%
CLASS A OFFICE LOFT OFFICE FLEX/INDUSTRIAL CONDO APARTMENT RETAIL HOTEL STRUCTURED PARKING
11% 24%
7%
% OF PHASE 1% SQUARE FOOTAGE
28% 22%
CLASS A OFFICE LOFT OFFICE FLEX/INDUSTRIAL CONDO APARTMENT RETAIL HOTEL STRUCTURED PARKING
SALE 777 TOTAL UNITS REQUIRED AFFORDABLE: 10%: 78 UNITS
0 SF 221, 260 SF 8,869 SF 210,585 SF 325,730 SF 90,801 SF 0 SF 94,230 SF
STITCHYARDS AFFORDABLE: 14%: 108 UNITS
RENTAL: 1,179 TOTAL UNITS REQUIRED AFFORDABLE: 10%: 118 UNITS
STITCHYARDS AFFORDABLE:
0 SF 438,324 SF 26,060 SF 406,800 SF 515,075 SF 119,092 SF 116,210 SF 190,890 SF
15%: 177 UNITS
CONSTRUCTED WETLAND
75.2m TYPICAL WATER LEVEL
GARAGE FLOODWATER COLLECTORS
BIOSWALE
80.5m FLOOD PROTECTION LEVEL
MUNRO STREET
DON VALLEY PKWY
CORKTOWN COMMONS CONSTRUCTED BERM
CONSTRUCTED WETLAND
DON RIVER OLD EASTERN AVENUE BRIDGE
REMEDIATING WETLANDS
BIOSWALE
80
CONSTRUCTED BERM STRUCTURED PARKING TO STORMWATER RETENTION
24 FEET
40
4,754,211 SF
C$2,134,304,518
PHASE 3: COMPLETE THE FABRIC 7%
14
TOTAL DEVELOPMENT COST:
PHASE 2: TIE THE CONNECTIONS 10%
TOTAL SF DEVELOPED:
STITCHYARDS
652,915 SF 415,128 SF 0 SF 213,360 SF 403,815 SF 133,408 SF 0 SF 171,659 SF
160
12
48
METERS
186455
15
16
17
MS Urban Design
Broadwalk Shared Street
South Downtown, Atlanta, GA Atlanta is a city of great streets, or it could have been. Renewed interest in South Downtown and the city center provides the city an opportunity to revisit and re-imagine its aging infrastructure. The long term Broadwalk addresses the needs of Broad St by removing the curbs and existing hardscape by through the application of green infrastructures preserving the unique characters of the Broad street. Broad Street will now play a fundamental role as a central axis for the much of the upcoming development of the neighborhood. The current conditions of Broad Street are that of obsolete and vacant lots and walls that function as dead streets. We classified the users of South downtown and of Broad Street to be defined as tourists, commuters and transients. The short-term solution will use the existing infrastructure and add movable non-permanent temporary kiosks to offer business and activity along Broad Street. As the long-term transition begins, the blank dead walls of the Federal Building will be occupied by more permanent retail and activity spaces while the main street will be paved over with brick to create a permanent shared street space. This permanent space will then stop allowing automobiles to enter the space allowing for more permanent installations. With cars prohibited from the space, the street may be turned into a shared street allowing for the inclusion of more furniture and seating for the two-sided retail to occur along Broad Street.
18
19
20
Street Circulation
Building Uses
Street Topography
Commuters
Tourists Transients
21
More permanent installations and street furniture will be added to the street prohibiting cars from the space, allowing for the inclusion of two-sided retail to occur along Broad St. After retail, bioswale redevelopment allow the finishing touches of a complete shared street.
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Undergrad - Design 4
Oasis of the Winds Sahara Desert, Libya An early design project aimed at helping to understand contextual-based design, this project delved into a desert setting creating an impermanent home for a hermit glassblower. Iranian ice houses and wind towers and its underground functions : this vernacular architectural system of Persian design captures cool winds storing water and even creating ice. Important for living in an arid desert. Through this system of cisterns and aquifers, the glass blower would be able to live here luxuriously, maintaining a full garden in the desert: forming an oasis.
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Undergrad - Design 5
The Prairie School of Art Bolen’s Bluff, Gainesville, FL This study into Florida landscape was an intensive proposal on Bolen’s Bluff on the Paynes Prairie Preserve State Park that sought to design an art school complex at the vertex of contradictory environments. It is the moment of the intersecting zones of the rolling hill vs. the lowlands, the forest vs. the prairie, and the private vs. the public realms. The entrance to the complex is a large, open courtyard that faces north serving the public realm where the auditorium and the school occupantsmay congregate. It faces the vast prairie providing a gorgeous view as well as a visual connection to the site. The private realm housing the dorms, the studios and the archival library is shifted using the site’s natural elevations to create a private space that focuses south.
25
Undergrad - Design 6
Broad St Performing Arts Center
Charleston, South Carolina
The Charleston insertion project would build performing arts center featuring a dance school, dance studios, a large blackbox theater, and a café taking the floor space of 3 typical “Charleston” houses. The building mimics the “Charleston” house featuring an unembellished front façade so that the access to the public realm is diminished, focusing on the side porch that flanks into a “private” courtyard for the occupants. The occupant must meander into a grand lobby that explodes in size: a public forum accented by a light column stretching from the roof and the use of parametric design that allows variations of the accessibility of light. This parametric design is used throughout the building, creating a language in the use of light as a permeable medium. Ramps run around the building connecting each of the dance studios, wrapping around the black performing theater splattering the itinerary with light wells and open air cuts around the building. Most of the arts center is open air allowing plenty of experiences of lights and air.
26
The “Charleston” house
Mezzanine from the second floor overlooking the cafe
Mass mimics the “Charleston”
Perforations for light
Circulation follows light & shape
27 6 10 6 3
1
4
7
2
4
8
9
1. Lobby 2. Coat Check 3. Ticket Booth 4. Locker Rooms 5. Cafe 6. Restrooms 7. Security 8. Maintenance 9. Theater Administration 10. School Entrance
5
Dance Studios
Blackbox Theater
Administration
Cafe
28
Public foyer entrance illuminated by a light well leading to the ticket office and box office
29
National Organization of Minority Architects
Barbara G. Laurie Student Competition Divine Lorraine Hotel, Philadelphia, PA
For the National Organization of Minority Architect Students organization, I had the opportunity to lead a group of 15 peers and underclassmen to enter in the NOMAS National Competition which focused to promote historic preservation and sustainability. While most of these images were not crafted by my hands, they were created under my direction and supervision. We were tasked with renovating the historic dilapidated Divine Lorraine Hotel & to create a addition to the hotel focusing on community and sustainability. The hotel and the new addition would serve as a dormitory for disadvantaged children; the new annex addition would serve as an arts center for the children in the hotel. It was important to create a modern addition ; it took cues from the rhythms of hotel to create its forms.
30
Sections & Diagrams finalized by underclassmen
31
32
Night shots of the Arts Center Annex and the surrounding landscape and graffiti walls. | Nights renders finalized by underclassmen
33
Undergrad - Design 7
Infilling NYU Superblocks
New York University, NYC, NY New York University’s campus holds a series of modernist towers that dominate the landscape and its neighborhood, Greenwich Village. In this partner project, we were tasked attempting to integrate the NYU campus better to its surrounding urban context. Interplay between the ground and below ground space became a crucial element of spatial organization within the project. The two blocks were all residential dorms but our program called for the two blocks to serve different roles for the university. The program of the North Block called for an academic space to accommodate NYU’s ever growing student body. Properties of light, air, and atmosphere were toggled between each level in the North block to maximize the feeling of academic openness and inclusion. It features two large oculi that allowed the lower underground floors to receive light and air. They played with the landscape creating occupiable shifts in ground. Spaces in the South Block were split between a school for performing arts, faculty and undergraduate housing, and public space. Open inviting lawns engaged directly with the site’s edge to draw visitors in, pushing and pulling the landscape up and down in response to the existing towers. These two blocks were encouraged to interact with each other by way of a pedestrian bridge connecting them together and integrating with the rest of the neighborhood by thematically moving the ground with the occupant.
34
North Block Overview
35
36
North Block Vignette overlooking Oculus
North Block Section
37
Resurgence is a soccer supporters’ group for Major League Soccer’s Atlanta United Football Club. As a founder of Resurgence, the focus was to build a passionate fan base always jumping, chanting, and singing for Atlanta United. Tifo, the Italian word, has come to mean giant displays of banners, choreography, & pyrotechnics. As the lead creative of the board, we designed the branding, products, and tifos. All works here were designed by Jiho Choi as well as several tifos not pictured here.
38
39
GT Office of International Education
GT OIE Branding & Murals
Georgia Tech, Atlanta, GA
After my year of working as a Graduate Research Assistant, I was invited to work in the Office of International Education as their in-house graphic designer. The great opportunity to foray into graphic design allowed me to build my skillset into multiple other facets of design. For OIE, a logo set was designed as well as murals for dorms in the new sector of international student program housing. I built the logo systems of OIE’s rebranding, designing the logos for their social media, the banners for OIE’s website, flyers, and their style guide for the total rebranding of the Office of International Education. This led to painting a series of murals for OIE’s new international student program, the Global Leadership Living Learning Center. As the freshmen dorms were being updated, the chance to paint 7 columns for the office developed. The murals were a great opportunity to further expand my design skillset, all designed by Jiho Choi and finished with the help of volunteers.
40
Logos & branding designed for Georgia Tech’s Office of International Education
41
Murals painted in Georgia Tech’s Global Leadership Living Learning Community freshman dorms.
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43
Pillyr Organization
Pillyr Foundation Projects
Atlanta, GA Atlanta is an incredible city, but it is an auto-centric city designed in the 20th century. The city needs more urbanism and fast. Our group of 5 architects came together to found Atlanta’s first non-profit based around tactical urbanism to advance the built environment of our communities. Based around 5 key principles to nurture vibrant public space: culture & art, access, nature, safety, & activity, we strive to better our streets. Below is our first project that took pallets and created a bike bar out of them to encourage public spaces.
As Pillyr grew and got incorporated, we finished numerous projects in collaboration with city governments, art communities, and non-profits. Our largest project to date was funded by a grant received from the city of Atlanta that worked with the department of planning’s volunteers and with Atlanta’s art murals non-profit, Living Walls, to create a designed playscape for the children of a large Latinx mobile home community. We were given the chance to design the playground complete with a play structure, swings, bike racks and murals.
Colony South Playscape
Colony South Mobile Home Park
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Architectural Experience at TSW Design
TSW Design’s Parkside Row Houses
Norcross, GA BASEMENT PLAN NOTES: 22' - 11 1/2"
21' - 0" 11"
19' - 2"
11"
1. ARCHITECTURAL SLAB PLAN IS FOR DIMENSIONAL CONTROL ONLY.
1' - 11"
19' - 1 1/2"
1' - 11"
9"
21' - 5 1/2"
9"
2. PROVIDE SLEEVES IN FOOTING FOR PLUMBING AS REQUIRED 3. LOCATE CONC. FOOTING UNDER LOAD BEARING WALLS
14' - 6 1/2" 2852 DBL
2852 DBL
4' - 5 1/2"
4' - 5 1/2"
2852 DBL
HUNG WDW
HUNG WDW
4 2
2856 DBL
HUNG WDW
8' - 5"
2'-6" VB
HUNG WDW
BATH
8. EXT. FACE OF CONC. WALL, EXTERIOR FACE OF WOOD STUD, AND EDGE OF CONC. SLAB-ON-GRADE SHALL ALIGN VERTICALLY. 9. CONCRETE SLAB EXPANSION JOINTS SHALL BE LOCATED BETWEEN INTERIOR
0 2
OPT. ELEV. 0 2
3' - 8 1/2"
0 2
3' - 0" 13' - 0"
4' - 5"
W.I.C.
9'-0" CLG
HALLWAY
0 2
0 2
1. SEE DETAILS AND ENLARGED PLANS FOR ADDITIONAL DIMENSIONAL INFORMATION.
2. NEW DOORS NOT DIMENSIONED SHALL BE LOCATED 6" FROM THE CLOSEST ADJACENT WALL. 3. COORDINATE FIREPLACE DIMENSIONS WITH MANUFACTURER.
13' - 8"
9'-0" CLG
6 2
4. ALL SLEEPING AREAS TO HAVE EMERGENCY EGRESS ACCESS 2856 DBL
HUNG WDW
6 2
5. ALL DOORS & CASED OPENINGS ARE 7'-0" HT. UNLESS NOTED OTHERWISE 6.CONTRACTOR TO COORDINATE FIREPLACE ROUGH FRAMING DIMENSION WITH
10" / 1'-0" 8' - 3"
1. BASIS OF DESIGN: ALL WINDOWS TO BE ROBERT BOWEN WINDOWS INC. 2. ALL WINDOW GLAZING SHALL BE LOW-E.
2852 DBL
5' - 11 1/2"
HUNG WDW
4' - 5"
4. COORDINATE WINDOW SIZES, DETAILS, AND ROUGH OPENING REQUIREMENTS OF
6' - 11"
19' - 2"
21' - 5 1/2"
9" 11' - 4 1/2"
22' - 11 1/2"
11"
A2.1
LOT 9 & 12 (THIRD FLOOR PLAN) SCALE:
1/4" = 1'-0"
5. ALL WOOD WINDOW MUNTINS SHALL BE "SIMULATED DIVIDED LITE" WITH FIXED
for
Skip Nau 1960 WILL ROSE COURT CHAMBLEE GA 30341
GRILLS ON THE EXTERIOR AND INTERIOR. 6. ALL SAFETY GLAZING SHALL MEET THE TEST REQUIREMENTS FOR CPSC 16 CFR 1201. EVIDENCE OF THE TEMPERED GLAZING MEETING THE ABOVE REQUIREMENTS SHALL BE SUBMITTED TO THE LOCAL BUILDING OFFICIAL.
21' - 0"
1
3. MANUFACTURER'S STANDARD HARDWARE SHALL BE USED ON OPERABLE WINDOWS UNLESS NOTED OTHERWISE.
WINDOW MANUFACTURER. 9" 11' - 4 1/2"
11"
project title
Parkside Row Houses
WINDOW NOTES:
1' - 10"
HUNG WDW
SPECIFICATIONS)
6' - 11"
5' - 11 1/2"
7. ELEVATOR MODEL HOR HP3A 14 BY RESIDENTIAL ELEVATORS (SEE
1' - 10"
2856 DBL
7' - 0"
HUNG WDW
2852 DBL
MANUFACTURE.
3' - 6"
HUNG WDW
9'-0" CLG
10" / 1'-0"
13' - 8"
MASTER BEDROOM
2852 DBL
issue date
PLAN NOTES:
Parkside Row houses, Norcross | CD collaboration under Lionel Johnson
7' - 11 1/2"
3' - 10 1/2"
DN
CONC. FOOTING
45' - 1"
5' - 4 1/2"
6'-0" VB
5' - 1 1/2"
9'-0" CLG
45' - 1"
MASTER BATH
5 1/2" / 1'-0"
0 2 4
0 3
4' - 8"
consultant
2X4 STUD WALL @ 16" O.C. UNLESS NOTED OTHERWISE
5 1/2" / 1'-0"
LAUNDRY
5' - 5"
Copyright. All rights reserved. Reproduction in whole or in part is prohibited. This drawing as an instrument of service is the property of the architect and may not be used in any way without the written permission of this office.
seal
CONC. WALL
5 1/2" / 1'-0"
SHOWER
5 1/2" / 1'-0"
3'-8"x4'-2"
30"x69"TUB
9'-0" CLG
45' - 0"
13' - 6"
2856 DBL
3' - 7"
2
1389 Peachtree Street NE, Suite 200 Atlanta, Georgia 30309 phone: 404.873.6730 fax: 404.874.6471 www.tunspan.com
PLAN LEGEND
45' - 0"
6' - 0"
6
8' - 8 1/2"
2
D.
ARCHITECTURE
SLAB STEP
4 2
9'-0" CLG
W.
7. BRICK VENEER SHALL BEAR DIRECTLY ON 12" CONC. WALL PER WALL
HUNG WDW
CLOS.
ELEVATORS (SEE SPECIFICATIONS)
4' - 6"
4' - 9 1/2"
9'-0" CLG
& STEPS AS SPEC. BY BUILDER
AND EXTERIOR SLAB POURS. PER STRUCT. DRAWINGS.
8' - 3"
BR. 2
TUB
5. PROVIDE SUPPORT FOR PORCH
SECTIONS.
9'-0" CLG 24"x56"
ALL FOUNDATION WALLS, BEAMS & COLUMNS TO BE DESIGNED BY A
STRUCTURAL ENGINEER TO MEET ALL LOCAL CODES
6. ELEVATOR SHAFT DIMENSIONED FROM MODEL HOR HP3A 14 BY RESIDENTIAL 2' - 1"
11"
4' - 6"
2' - 1"
5' - 3"
6' - 0"
6' - 11"
6' - 0"
3' - 3 1/2"
6' - 11"
4.
4' - 6"
2
A2.1
LOT 9 & 12 (ROOF PLAN) SCALE:
1/4" = 1'-0"
WINDOW NOTES:
drawing information project number:
15216
BASEMENT LEVEL
contact:
J.W.S
546 SQ.FT.
MAIN LEVEL
1,549 SQ.FT.
UPPER LEVEL
1,332
SQ.FT.
drawn by:
J.J.C.
checked by:
L.J.
SUBTOTAL
3,427 SQ.FT
GARAGE
700 SQ.FT
drawing date
FRONT PORCH
210
SIDE PORCH
160 SQ.FT.
November 9, 2015
SQ.FT
sheet title
LOTS 9 & 12 (PLANS) sheet number
RELEASED FOR CONSTRUCTION
A2.1
46
Thank you for your consideration
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