FACULTY: MICHAEL BURKHARDT | KAROL KIMMELL
TOM SHELTON | EMILY FLOYD | KATIE HOUTS
HELEN KEMP LECTURER: DR. HEATHER POTTER
Our three-year program is designed for those leading children's and youth choirs in church and church schools. Join us for a hands-on week of instruction focused on strengthening skills for music ministry. Return home inspired by shared experiences and equipped with a toolbox full of ideas to put into action.
Graduates of the three-year program become part of a close, supportive nationwide network of Institute alumni. Alumni sessions are offered each summer, and we love to have alumni back to connect and further expand their skills.
PLUS! CHORISTERS GUILD 75TH ANNIVERSARY CELEBRATION
On July 25, join us for a festival worship service as we celebrate Choristers Guild's 75th anniversary! Festival worship begins at 6:30 pm, with a reception following.
We invite everyone at the Institute to stay in Richmond an additional night for this special event, which includes the opportunity to sing in an adult choir led by Dr. Anton Armstrong.
LEARN MORE + REGISTER
DAWN JANTSCH
Executive Director djantsch@choristersguild.org
Editors
KATIE HOUTS
Sacred Choral and Curriculum Editor khouts@choristersguild.org
VICTOR C. JOHNSON
School Choral Editor vjohnson@choristersguild.org
KATHY LOWRIE
Handbell and Instrumental Editor klowrie@choristersguild.org
Directors
PAM HARRIS
Director of Marketing pharris@choristersguild.org
KAROL KIMMELL AND EMILY FLOYD Choristers Guild Institute Directors institute@choristersguild.org
COLLEEN OATES Director of Customer Enhancement coates@choristersguild.org
Managers
AMY FARNELL Permissions Manager afarnell@choristersguild.org
VICTORIA KENNEDY Communications Manager vkennedy@choristersguild.org
KATHRYN MILLS
Customer Enhancement Manager kmills@choristersguild.org
Advertising advertising@choristersguild.org or (469) 398-3606, ext. 227
The Chorister Editor Amy Farnell
The Chorister Design Kathy Lowrie
2 From the Editor by Amy Farnell, The Chorister Editor
3 Minimizing Distractions by Katie Houts, Sacred Choral and Curriculum Editor
4 Body, Mind, Spirit, Voice – New Music and Liturgy to Mark Choristers Guild’s 75th Anniversary by Choristers Guild Staff
7 En Route to Life-Changing Music-Making with Your Children’s Choir – Part 4 of 4 by Elizabeth Shepley
14 Chiming In by Nancy Bell Kimsey
15 Quick Tips with Katie by Katie M. Deaver, PHD Associate General Manager, OneLicense
16 Q&A with Douglas E. Wagner by Choristers Guild Staff
18 Resources for the Choir Year
38 List of 2024 Contributors
39 Supporting Our Mission
Cover photo
Photo taken by Jessica Pence of the combined youth choirs under the direction of Dr. Sonja Sepulveda at the CG Choir Festival at Strawbridge UMC in Houston, TX.
CHORISTERS GUILD
12404 Park Central Dr. Ste. 100 Dallas, TX 75251-1802
800.246.7478 or 469.398.3606 www.choristersguild.org
The Chorister is published quarterly. Choristers Guild is a 501 (c) (3) nonprofit, religious and educational corporation chartered under the laws of the State of Tennessee.
Explore members-only resources, including recorded webinars and past issues of The Chorister. If you can't log in as a member, go to “Member Log-in” and follow the prompts to retrieve your user name/password. www.choristersguild.org
Watch video previews of Choristers Guild music, perfect for selecting new music or for choristers to use in practice. www.youtube.com/c/choristersguild
Connect with other members, share ideas and get info on special offers and new music. www.facebook.com/choristersguild
Find advice, inspiration and resources for choral leaders. www.instagram.com/choristersguild/
DR. TODD ARANT President Apex, NC
ELIZABETH SHEPLEY President Elect Northfield, MN
DR. JOHN SUTTON Past President Altadena, CA
BETH DRAKE, CPA Secretary-Treasurer La Crescenta, CA
DR. ANTON ARMSTRONG Northfield, MN
DR. ERIC POSADA San Angelo, TX
DR. TIM SHARP Hickory Point, TN
DR. ANTON E. ARMSTRONG
DR. MADELINE S. BRIDGES
DR. LARRY K. BALL
DR. BETTY BEDSOLE
JUDY A. BRITTS
JOHN T. BURKE
DR. RANDALL D. ENGLE
TERRY GOOLSBY
DR. C. MICHAEL HAWN
DAVID HEIN
JOHN D. HORMAN
DR. MICHAEL JOTHEN
TERI LARSON
A. LEONARD LILYERS
HELENCLAIR LOWE
STEPHANIE MCILWAIN MILLER
DR. HEATHER POTTER
REV. BETH BROWN SHUGART
DR. JOHN WITVLIET
Material in this publication may not be reproduced in any form without permission, unless otherwise indicated. The publisher assumes no responsibility for return and safety of artwork, photographs, or materials.
Acceptance of advertising or rental of mailing list does not imply endorsement.
Wishing everyone warm summer greetings! In this issue I am so happy to present the fourth and final installment of Liz Shepley’s series “En Route to Life-Changing MusicMaking with Your Children’s Choir”, a Q&A with prolific composer Douglas E. Wagner, another devotional for adults by Nancy Bell Kimsey, and of course another trusty quick tip about copyright by Katie Deaver.
In addition to our regular features, we are thrilled to introduce lots and lots of resources to help you plan for the new choir year during the summer. And there are two new especially exciting publications from Choristers Guild sure to enrich your choral programs and worship experiences:
First up, we have A Year of Beautiful Singing: Let’s Sing! by Heather Potter. This comprehensive choir curriculum, tailored for ages 7-12, offers twenty-four weekly lesson plans designed to guide young singers in joyful vocal discovery. With complete teaching sequences for choral anthems, warmups, and visual aids, this resource is a musthave for church children’s choirs seeking to nurture musical growth and faith development.
And for our littlest choristers, we have Worship and Wonder: Story, Song, and Ritual for Preschoolers by Mark Burrows. This all-in-one worship resource is crafted specifically for children ages 3-6, offering twelve curated worship units centered around Bible stories and tailored rituals. Through gentle and playful engagement, Worship and Wonder fosters a sense of belonging and spiritual connection within our youngest members.
Check out these and more in the resources section!
HAVE YOUR WORK FEATURED IN AN ISSUE OF THE CHORISTER. Have you written a great teaching activity, Orff lesson, or choral warm-up that you would like to share? Simply send your original* items to afarnell@choristersguild.org and we will consider them for use in a future issue of The Chorister
*All work must be original. Please do not send copyrighted materials.
Recently, I was able to visit a dear colleague in Minnesota. He and I worked together for a number of years, creating a seamless partnership between music and worship ministry and youth and family ministry at the church we served. He gave me a tour of their beautiful sanctuary but was most excited to take me up to the tech booth, located in the balcony. It had been reconfigured as a nook for the techs running the livestream and projection.
To my amusement, I noticed that half of the tech desk was plastered in meme stickers. Mark explained: after worship, the volunteers evaluate how they did; then they go to a three-drawer organizer filled with meme stickers which were sorted - 1) went terrific, 2) was adequate, 3) something went horribly wrong. One of them picks a sticker that represents how the day went and it is added to the desk.
This whole thing was quite hilarious to learn about, and it’s 100% the type of thing my friend would initiate - a fun and community-building way to hold themselves accountable for the important service they perform.
Once upon a time, when my husband and I both served the same church in Minneapolis, he crafted a small mission statement that hung in the soundbooth for many years:
Our mission is to enhance worship by minimizing distractions.
Our colleague, now at a different church, was inspired to hang the same mission statement in his balcony soundbooth. That’s the mission Mark’s team reflects
on each Sunday, before choosing the appropriate meme for the day.
Isn’t this statement pertinent to what we do, too? We minimize distractions during rehearsal so our people can focus on what’s most important. We choose music that adds to the worship theme, rather than distracts from the big idea. We pay attention to the practical details of moving/standing/sitting/ dressing/leading during worship so that the flow is helped, not hindered, by the presence of our musicians.
As you find time for refreshment and renewal over these summer months, perhaps this might be part of your reflection for next season. How can our process and planning become even more purposeful, for the sake of our ministry? The resources inside this issue of The Chorister might be helpful as you reflect - particularly Heather Potter’s new curriculum for elementary choirs and Mark Burrows’ preschool worship resource, both which equip leaders and volunteers to be present and purposeful as they guide the youngest among us to discover God at work in the world.
Wishing you a most joyful summer!
Our mission is to enhance worship by minimizing distractions.
Guild
It is our hope to involve musicians of all ages in this celebration.
We’re excited to share what’s in the works for the Choristers Guild 75th Anniversary Celebration! On July 25, we’ll host a festival worship service at Reveille UMC in Richmond, Va., with a reception immediately following. The 75th Anniversary Celebration coincides with our summer Choristers Guild Institute, also taking place at Reveille UMC, from July 22-25.
This anniversary celebration is being led by national board members past and present, who are collaborating in service planning and preparation, service leadership, or simply with their presence in Richmond. The evening worship service, which is planned to be streamed for those unable to travel to Richmond, will introduce a newly-created litany for musicians commissioned for this anniversary using the theme: Body, Mind, Spirit, Voice!
The service will also include worship elements used for Choristers Guild’s 50th anniversary celebrations, which were held throughout 1999. As was done with the litany written for the 50th anniversary, the new litany will be shared in The Chorister so that individual churches may use it to uplift and bless the musicians in their midst.
This celebration will feature the premiere of a number of new choral and handbell pieces included in our 75th Anniversary Celebration Series. Dr. Anton Armstrong
and Elizabeth Shepley will lead singers from Richmond area churches as well as singers who are traveling from around the country to join the fun. (There is still time to sign up to sing with us!) Christopher Titko will lead the James River Ringers in this milestone celebration.
Adults and high schoolers are welcome to sing with Anton in our mixed choir, and students in grades 4-8 are invited to sing in the treble choir under the direction of Elizabeth. (The treble choir will rehearse on Wednesday and Thursday, and the mixed choir will rehearse only on Thursday.)
Sacred Choral and Curriculum Editor Katie Houts reached out to several composers in the Choristers Guild family to develop choral pieces for our 75th Anniversary Choral Series. She invited Mark Patterson to write a treble piece for the anniversary that could be used throughout the year, celebrating the lifelong gift of music.
“Mark wrote the text and music for Never-Ending Grace, a soaring unison/two-part anthem that is set in the magical part of a child’s voice and empowers them with a message
of God’s love and unending grace,” she said.
Katie also sought a composer to honor the life and work of Helen Kemp, setting her beloved mantra to music: Body, mind, spirit, voice! It takes the whole person to sing and rejoice! Helen’s dear friend, Tom Shelton, agreed right away - and teamed with Helen’s daughter, Kathy Ridl, to collaborate on additional lyrics.
Body, Mind, Spirit, Voice! is written for unison/two-part voices and features a “playful, lyrical melody that Helen would have LOVED!”
A few years ago, Katie asked Victor Johnson (composer and SING! editor) if he’d arrange Joyful, Joyful, We Adore Thee for combined choirs, and he delivered a magnificent, festive setting that incorporates handbells, brass, and singers of all ages. The musicians in Richmond will lift their voices in this grand arrangement, celebrating not only the continued legacy of Choristers Guild, but all the musical leaders around the world who nurture the musical and spiritual lives of those in their ministries and programs.
engaging piece is crafted in a world music style with lively percussion parts and call-andresponse-style writing, and set with Swahili text. (A pronunciation guide and translation of the Swahili text are included.) For additional 75th anniversary SING! titles, Victor chose new pieces from Ruth Elaine Schram and Greg Gilpin, two of SING!’s longtime, best-selling composers.
Victor also contributed another title in celebration of the 75th anniversary, Tunakuja na Wimbo, published through our SING! school choral line. This
Ruth’s The Golden Hour takes you on a journey through the everchanging canvas of the evening sky, masterfully capturing the aweinspiring splendor of sunset. “This piece is in her signature sound, with original text and beautiful reflection,” Victor said. Consider it a companion piece to the composer’s popular Watercolor Morning, which focuses on sunrise.
Greg’s Gloria in Excelsis Deo is a celebratory setting of the traditional Latin text, an ideal choice for inspiring an atmosphere of jubilation! This exciting work is a great choice for a concert or festival opener, and is a companion piece to the composer’s majestic Antiphonal Cantate.
It is what kept our nonprofit going during that challenging year.
Handbell and Instrumental Editor Kathy Lowrie also celebrates an anniversary this year, that of her 35th year with Choristers Guild. In addition to editing handbell and instrumental releases, Kathy is the graphic designer behind our sheet music and many other publications, including The Chorister In considering who to honor with commissions for our 75th anniversary, Kathy’s thoughts turned to the five composers who had worked closely with her on a tight timetable to create downloadable music for small handbell ensembles in March 2020.
“During the pandemic, we did a quick and dramatic shift in our handbell publications in order to offer music for small ensembles, handbell solos, and piano music to meet churches’ need for live music when choirs were silent,” Kathy explained. Choristers Guild was the first publisher to focus its entire 2020 release on music of this nature, and it is what kept our nonprofit going during that challenging year.
Our 75th anniversary publications for handbells are:
• A Quiet Heart by Karen Buckwalter
• Cantad al Señor arranged by Mitchell Eithun
•
Someone to Watch Over Me arranged by Sandra Eithun
• The Lord Now Sends Us Forth arranged by Cathy Moklebust
• Just a Closer Walk arranged by Anna Laura Page
(Turn to our Resources section, page 33, for more information on these beautiful pieces.)
The celebration will continue beyond our July event. There are additional choral pieces in the 75th Anniversary Choral Series that will be released in October - including a new Rote to Note piece based on Psalm 100 written by Toni Sullivan, a graduate of the Choristers Guild Institute and now a best-selling composer. Stay tuned for more outstanding music that celebrates Choristers Guild’s legacy and mission!
This article concludes the four-part series on music-making with your children’s choir. You’ve taken time to read, gather information, and make decisions about what and how you might implement concepts and tools which will help you accomplish your goals. I applaud you. You are the hope in the building – and the building back – of strong children’s church choral programs. Your membership in Choristers Guild and taking advantage of The Chorister and other guild resources is an obvious indication of your concern for children, and for the growth of their minds, spirits and voices through choral music. Providing a climate of trust which fosters your students’ curiosity, eagerness to learn, and excitement in intellectual and emotional discovery will serve to grow lifelong learners. You too will grow through vitalizing interaction with your students. Your combined experiences can enrich the future of the musical world (and the world itself).
We are all influenced by likely and unlikely “teachers” throughout our time on earth. Countless experts, mentors, students, friends, and even strangers have no doubt had an effect on your life as they have mine. In the field of music through studies, observation, and varied experiences, the efforts of others have shaped and informed my approach to working with children and youth in choral and classroom settings. These writings emanate from a lifelong
passion from the funsized age of three of singing in church choirs, community choirs, school choirs, and teaching/ conducting the same. You’ll perhaps have recognized within these articles an old friend, such as an exercise or tool you have used, observed, or read about and, like me after forty years, not know from whose wonderful work it originated.
The previous articles addressed the mindful preparation needed before you meet your choir for the first time. This includes establishing your program’s purpose and envisioning the choir environment and the role of your singers as you all learn and grow together. Leading to your success involves imagining the healthy choral sound you wish to achieve and designing efficient, creative, and successfully challenging lesson plans with your goals in mind. (Article 1 in The Chorister, Autumn 2023)
The Big Three (Article 2 in The Chorister, Winter 2024) are basic building blocks, the essential foundation for the musicmaking capabilities you’re aiming to achieve with your singers. Layering additional skills on each student’s solid foundation will add depth to their musical understanding and performance. Article 3 (in The Chorister, Spring 2024) focused on two such skills: inner hearing and music literacy.
You are the hope in the building – and the building back – of strong children’s church choral programs.
The most exciting and important feature of any choir: the contribution of each unique, God-given voice to the collective.
This final article touches on the most exciting and important feature of any choir: the contribution of each unique, God-given voice to the collective. Young singers often arrive with a variety pack of vocal ideas and attitudes. They may wish to mimic their favorite pop star, or perhaps even a classical singer, likely resulting in a nasal timbre, forced tone, or breathy production, all commonplace issues in an inexperienced group.
Our challenge as teachers is to work towards a healthy, blended, and resonant tone while encouraging developing singers to embrace their natural voice, emphasizing the beauty in their combined voices. The following represent tried-and-true ideas helpful in developing the overall sound you wish to achieve with your choir.
Breathing for singing, or breath energy, provides the foundation for healthy, resonant, tuneful and expressive singing. Tone-quality, phrasing, dynamics, soundblending, and articulation all relate directly to the proper use of breath inhalation and exhalation.
Children tend to labor with their shoulders, head, and neck when asked to take a big breath. While younger singers are likely to imitate a teacher’s inhalation and respond to a down and wide gesture as an invitation to take a breath, older children and youth will benefit from breathing exercises which help them understand how to produce their most beautiful singing voice.
Practice inhaling through the nose and exhaling through the mouth in addition
to mouth-only breathing. A breath through the nose may encourage a more relaxed and deeper breath, useful for beginning a piece and during an interlude. Experiment with both as you and your choir work towards developing a gorgeous choral sound with the following exercises:
This exercise starts with the expression of all of the breath, then allows the ribs to expand and the lungs to fill naturally without taking a breath.
Exhalation: Relax shoulders up, back and down, and keep chest high. Place hand on chest as a reminder to stay tall and prevent collapse.
(Mae using her hand to keep posture tall.)
Inhalation: The key to this exercise is to “allow” the breath to flow back in rather than “taking” a deep breath, which for many singers results in
a shallow and tight breath which is insufficient for singing. Add a gesture of open hands scooping the breath down and wide. Direct the singers to observe the action of the lower ribcage effortlessly creating space for a new breath.
➢> Variation: “Shh” all of the air out over 8 counts. Again, without taking a breath, soundlessly allow the air to rush in over 4 counts.
2. Dive Up
Feeling the abdominal and back expansion on Dive Up is dramatic. Clasp hands together and exhale while raising your hands above your head. Allow the air to rush back in deeply through the nose, and, keeping the chest high, lower hands to the side, exhaling on a “hiss.”
3. Panting Dog
Long a favorite of many choral leaders, this exercise helps even the youngest children clearly feel abdominal movement. Blow all of the air out and allow fresh air to flow back in through the nose, fueling short, panting bursts of air like a dog who has been chasing a ball. A hand on the sternum reminds students to keep the chest high, and the other hand on the abdomen monitors the movement. Start slowly and, as the singers are proficient at that pace, increase the tempo.
4. Birthday Candles
Similar to the Panting Dog exercise in its effect, blowing out birthday candles on their next birthday cake is delightful for young students (and
especially so if it really is someone’s birthday on rehearsal day!). The abdominal action is again apparent, making clear that breathing for singing happens there and not from raising the shoulders.
5. Pssst, Shhh…
Connect the breath with consonants while pretending to get the attention of the noisy ones across the room and telling them to be quiet: “Pssst, pssst!
Shhhhhh…!”
The human voice is capable of producing a wide variety of timbres from light and airy to resonant and warm. Children and youth have fun playing with their voices and producing contrasting sounds in a number of ways: shaping vowels vs. shapeless vowels; creating space by raising the soft palate and lowering the tongue vs. diminishing space with a lowered soft palate and raised tongue; connecting with the breath vs. singing without breath energy. The play can be silly, fun, and informative (no shouting or other harsh, vocally harmful sounds allowed, however). Choose a portion of a piece you’re working on. Ask half of the choir to close their eyes and listen to the other half. The singing half performs two ways: once with a less than desirable sound, and again with the corrections you like to hear (i.e. a breath connection, raised soft palate, shaped vowels). The listening half raises their hands when the sound is beautiful. The answer is, hopefully, apparent. Giving the entire choir an opportunity to listen and vote, however, is a helpful listening experience for all.
The play can be silly, fun, and informative!
Demonstrate a healthy, natural vocal production for your singers to emulate.
Play with the following exercises to help develop vocal tone:
This is a treasured exercise which can be tailored to suit your needs. Besides being fun and engaging, call-andresponse singing grabs childrens’ attention and keeps their focus.
Start with short phrases using neutral syllables to ensure success. You might choose “doo,” “dah,” “fa,” “foh,” or a combination. Focus on vowel formation and blending while expanding tonal memory. Once your singers are familiar with and can accurately reproduce your initial patterns, add challenge with intervals and length. Demonstrate a healthy, natural vocal production for your singers to emulate.
➢> Variation: Introduce solfege syllables to help your singers internalize the pitches and develop their ability to recall them correctly.
➢> Variation: Add Curwen hand signs as a way to associate specific pitches with symbols or gestures.
This exercise can make a remarkable transformation in your choir’s sound. Your singers play with the extremes of an exceedingly bright, baby bird sound contrasted with a dark, swallowed tone representing the swan. In between the two is the desirable, well-balanced timbre.
Select a comfortable pitch for all. Place your hand at the side of your face in front of your mouth in the shape of a baby bird beak. Make the brightest, most forward [a] vowel possible. Continuing to sing the same [a] vowel, move your hand along the side of the face just behind the ear, your wrist lifted to represent a swan’s neck, as your voice mimics the movement. Move back and forth and find that lovely, balanced sound at midpoint.
(Finn playing with Baby Bird and Swan sounds.)
Use an elastic band to help illustrate a tall, round sound versus a spread, strident sound. An elastic band can be purchased from a fabric store and cut into 8-inch lengths. Keep it for yourself to demonstrate or, with clear parameters for use, make enough for your singers to each have one.
Placed horizontally in front of the face, the children will immediately know what kind of sound that shape will produce. As we know, no beautiful sound can be produced horizontally! When the band is moved back toward the ear vertically, the space and sound will change dramatically. Sliding the band forward and backwards to suggest the rising (back) or lowering (front) of the soft palate allows the singers to play with the space and the accompanying sound.
4. Matching Vowels with Hand Motions
Used by great conductors for a long time, this version is in Timothy Seelig’s book, The Perfect Blend. The choirs I’ve conducted love how they sound performing these beautiful vowels.
An exercise about vowel color rather than range extension, the choir is to sing five pure vowels: [i] [e] [a] [o] [u]. Sing them all on one pitch, or all on one pitch but descend on [u]: 5, 4, 3, 2, 1.
Gestures:
[i] lower chin, round lips, pull the ‘ee’ out of the crown of the head.
[e] bring the hand around in front of the face and down in an elongating gesture
[a] simply loosen the jaw, getting rid of tension, but not dropping it too dramatically
[o] “lasso’ the lips for the “oh” [u] pull the “oo” out as if through a straw
(Norah pulling an “oo” out as through a straw.)
➢> Variation: Once your students are capable of harmony, play a chord and have your students select a note within that chord on which to sing the vowels. Have them listen to see if all notes are sounded and the chord balanced.
5. Solfege with Gestures
Unified vowels are the goal with this beautiful diatonic scale exercise.
Do: Hands make a large round shape in front of mouth
Re: Backs of hands slide in an upward direction on each cheek
Mi: Pull an [e] from the middle of your forehead
Fa: Fingertips from shoulders up and around to the front of the body
Sol: Hands form large [o] as in Do
The choirs I’ve conducted love how they sound performing these beautiful vowels.
I’ve used these exercises with upper elementary and middle schoolaged groups with great success.
La: Fingertips up and around to the front of the body as in Fa
Ti: Pull an [e] from the middle of your forehead, as in Ti
Do: Hands make a large round shape in front of mouth
➢> Variation: Sing in a two- or three-part round
Tried-and-True Exercise Collections:
Books and collections which engage the imagination, incorporate purposeful gesture or body movement, teach music concepts, and help to create a beautiful and healthy vocal/choral tone are worth adding to your collection.
Three tattered resources in my library are suitable for all ages:
1. Daily Workout for a Beautiful Voice by Charlotte Adams/Santa Barbara Publishing, Inc., Octavos for students SBMP 40. DVD SBMP583. Buy both to keep in your collection if you would like to see physical movement and mental imagery paired with exercises designed to build the voice. Though shown with an excellent high school girls’ choir in the DVD, I’ve used these exercises with upper elementary and middle schoolaged groups with great success.
2. Timothy Seelig’s The Perfect Blend, is a collection of creative and effective warm-ups. As choral instructors, we’re always in search of ways to make challenging concepts (i.e. breathing to sing, vowel formation, tone production, finding resonance) simple. You are certain to find plenty of ideas and exercises in this clever and fun collection. Above find Dive Up; Matching Vowels with Hand Motions; Pssst, Shhh; and Baby Bird or Swan? A DVD is also available. Hal Leonard 35022831.
3. Sing Legato by Kenneth Jennings / Neil A. Kjos Music Company V74. Easy to use for all ages and voicings, Sing Legato is a set of vocalises which emphasize basic aspects of singing. I encourage you to add your own gestures. Areas addressed: Sing Legato; Staccato is Short; Marcato is Strong; Rich Tone; Sing a Little Louder; Sigh the Tone; Flexibility; Whole Step, Half Step; The Third Comes in Two Sizes; Fourths and Fifths Go Up and Down; Gliding Along (sixths); Seconds and Sevenths and The Octave Leap.
Important Choristers Guild Events and Resources:
Choristers Guild 75th Anniversary Celebration, July 25th, 2024, at Reveille United Methodist Church, 4200 Cary Street in Richmond, VA. Children grades 4-8 are invited to participate free of charge. Rehearsals take place Wednesday, July 24th, 2:15-4:30 pm; and July 25th, 2:15-4:30 pm; Worship call time, 6 pm; Worship service 6:30-7:30 pm.
The Choristers Guild Institute, July 22, 2024 through July 25, 2024 at Reveille United Methodist Church, 4200 Cary Street, Richmond, VA
Start Singing! CGBK87 A Faith-based Guide for Children’s and Youth Choir Directors. Contributors: Victor C. Johnson, Emily Floyd, Katie Houts, Helen Kemp, Karrol Kimmell, Vic Oakes, Dr. Mark Patterson, Elizabeth Shepley, James Wells; Edited by Katie Houts
Keep a light yoke! Remember to maintain a sense of joy and playfulness as a teacher while aiming to help your singers experience progress, satisfaction and challenge in each rehearsal. God bless you and your efforts to provide not only a rewarding social and musical program, but one in which the children can grow in faith and fellowship together.
Special thanks to Finn, Gwen, Mae, Noah, Nora and Quinn for helping to illustrate concepts in these articles.
Elizabeth Shepley has served over 40 years as a choral conductor, music teacher and artistic director in public and private schools, community programs and churches. Liz holds an MA in Music Education with a Kodály emphasis (University of St. Thomas), a BA in Music Education (Concordia College, Moorhead, MN) and certifications in both Kodály and Orff-Schulwerk. Further music study has taken her to the Institut JaquesDalcroze in Switzerland, the Orff Institute in Austria, The Kodály Institute in Hungary, and the Royal School of Church Music in England. Liz serves on the Choristers Guild National Board of Directors and has chaired inner city music programs in Minneapolis and St. Paul. She is a past President of the Twin Cities Chapter of Choristers Guild, has participated as a board member of MN-ACDA and taught graduate students as an adjunct professor at Luther Seminary. She has led conferences and festival choirs nationwide, and choirs under her direction have performed across the United States, Canada and Europe. Liz and her husband, Bob, have four adult sons, two grandbaby girls (!) and love to bike, cook, read, golf & travel.
Remember to maintain a sense of joy and playfulness as a teacher.
My dear brothers and sisters, take note of this: everyone should be quick to listen, slow to speak, and slow to become angry – James 1:19
Playing in a handbell choir requires intense concentration. Members must constantly think ahead to upcoming measures and be ready with the correct handbell in order to chime in just at the right beat. An incorrect entrance will disrupt the flow of the entire piece.
above yourselves, not looking to your own interests but each of you to the interests of the others. (Philippians 2:3-4)
Grant me a humble view of myself, and use me as a helper and encourager.
Have you ever found yourself in a conversation with someone and suddenly realized that you are not really listening to the other individual? Your mind is leaping ahead to the comment that you intend to make. Because your brain is busy formulating what you think will be the perfect statement, the other person’s words and emotions become inconsequential to you. Not only can this lead to misunderstandings, but it can undermine healthy relationships and communication. It’s also a symptom of pride to believe that what I have to say is so brilliant or important that I can slack off on truly listening to others.
The Bible encourages us to be quick to listen, slow to speak, and slow to become angry. (James 1:19) Our minds are not to be preoccupied solely with thoughts about ourselves. In his pride the wicked man does not seek him; in all his thoughts there is no room for God. (Psalm 10: 4) Do nothing out of selfish ambition or vain conceit. Rather, in humility value others
Christ is our example and the source of any humility that we are able to obtain. In your relationships with one another, have the same mindset as Christ Jesus: Who, being in very nature God, did not consider equality with God something to be used to his own advantage; rather, he made himself nothing by taking the very nature of a servant, being made in human likeness. And being found in appearance as a man, he humbled himself by becoming obedient to death – even death on a cross! Therefore God exalted him to the highest place and gave him the name that is above every name, that at the name of Jesus every knee should bow, in heaven and on earth and under the earth, and every tongue acknowledge that Jesus Christ is Lord, to the glory of God the Father. (Philippians 2: 5-11)
Dear God, forgive me for those times that I have exalted my own thoughts and ideas and have not really been a sincere listener. May there always be room in my thoughts for you and for the needs and opinions of others. Grant me a humble view of myself, and use me as a helper and encourager. Amen.
Nancy Bell Kimsey is a lifelong musician whose experiences have ranged from school bands and musical theater to community chorale and church worship team. She moved to North Carolina to attend Wake Forest University and remained in the Tar Heel State throughout her career as an educator. She is a contributing writer for a number of publications and the author of Grace on a Rambling Road: Devotions for RV Travelers and Joy by a Roaring Campfire: Devotions for Campers.
Q: Hi, Katie. When I try to report the use of certain hymns, I am often unable to find a version in the database that includes information on which resource the hymn is included in. The title and contributors all match the version I am using, but I do not know whether it is the correct version since it does not say anything about our specific hymnal. What should I do?
– Ben, Winnipeg, Canada
A: Hello, Ben. Thank you so much for reaching out with this question! The most important thing to remember for situations like this is that copyright is song specific, not hymnal or resource specific.
Even though your hymnal might be published by United Church Publishing House, The United Church of Canada, for example, that does not mean that they own the copyright for every hymn included in the hymnal. For example, perhaps there is a hymn that is copyrighted by Augsburg Fortress Publishers included in the hymnal. If Augsburg holds the copyright for that hymn, they continue to hold it no matter which resource the congregation is using. As long as the title, contributor name(s), and other copyright information from your source matches the entry in our database, you can feel confident that you are reporting the correct title. Many beloved pieces exist in different hymnal / missalette resources!
For those who utilize one of the hymnals in our drop-down list, the above example is why you cannot always find every hymn in your hymnal when searching by number. The publisher of the hymnal is only able to include data for the titles on which they hold copyright. If you search by hymn number and there are no results, this does not mean the title is not covered. Simply type the title and contributor last name into the search bar and, if the title is from one of our Member Publishers, you will be able to find and report the correct result.
Have a question for Katie? Submit it at info@onelicense.net with the subject line “Quick Tips with Katie.”
Katie M. Deaver, Ph.D. serves as Associate General Manager of ONE LICENSE. Deaver’s love of music and religion has allowed her to serve in a variety of music ministry settings, as well as to study and teach religion, feminist theology and ethics. She lives in beautiful Marquette, Michigan and is an alumna of Luther College (BA) and the Lutheran School of Theology at Chicago (MATS, THM, PHD).
Copyright is song specific, not hymnal or resource specific.
My greatest joy is creating music that helps make lessexperienced singers and instrumentalists sound their very best.
Douglas E. Wagner is an internationally recognized composer and arranger holding a Bachelor of Music Education and a Master of Music from Butler University.
Q: What inspires you to compose?
A: For me, it’s not the final product, but rather, experiencing the process, the journey that gets me to that point. That is the most exciting and fulfilling part. I must confess to a bit of mild depression when I’ve completed a project, until a new seed starts germinating, and I’m off again. I suppose that’s one of the reasons that has contributed to the writing and publishing of over 3,500 titles during my 50-year career as a professional composer/arranger.
Q: What do you usually start with when composing?
A: Choral music, of course, usually begins with the inspiration of a text (either original or established). I do a good deal of gathering, and discarding, ideas before I ever sit down at the piano, starting the process with a pencil sketch (whether it be a choral or an instrumental work). Since I also write a fair amount of my own texts, those brainstorming sessions often result in 4 or 5 legal sheets crammed with quickly scrawled words, phrases, and rhyming ideas to draw from, before the actual lyric writing begins. From a musical standpoint with choral works, the vocal parts are always written first, then the accompaniment,
followed by the introduction, and addition of any other instruments that are part of the overall fabric. The transfer to notational software is the last step, with considerable editing along the way. As a general practice, I don’t send a completed composition or arrangement to a publisher without leaving it on my desktop to breathe for a couple more days, revisiting and refining it several times more before I push the send key.
Q: Could you give us an insight on how you compose? Methods you use, how things come to you?
A: As I frequently tell those who ask that question, I have more ideas than there are harps in heaven; I’m never at a loss for new concepts to pursue.
Q: How would you describe the music that you typically create?
Though I continue to write music in the sacred area, most of my current work is focused in the educational market, music for school choirs, concert bands, and orchestras. And, though I do embrace the challenges of writing higher-end works, my greatest joy is creating music that helps make less-experienced singers and instrumentalists sound their very best.
Q: What would you consider the most challenging aspect of composing music?
A: As in any artistic endeavor, it is knowing when to stop, when to realize that a work is finished.
Q: What is your favorite musical composition that you have created and why?
A: It’s always the composition or arrangement that I’m currently working on.
Q: What would you say was your biggest success as a composer?
A: The ability to write in myriad styles, formats, and scoring options.
Q: What impact has composing had on you?
A: It has made my life the richest
anyone could possibly imagine. Every day is a new adventure. Every morning is a fresh start.
Q: What would you be doing right now, if it wasn’t for your music career?
A: I honestly cannot see myself having gone down any other pathway in life.
Q: Where do you see yourself musically in 5 years?
A: Hopefully, God willing, continuing to do what I’m doing now.
Every day is a new adventure. Every morning is a fresh start.
Go in Peace, Walk in Hope, Live in Love
Pictured here are some recent Choristers Guild publications by Douglas E. Wagner.
Douglas E. Wagner, a native of Chicago, Illinois, is an internationally recognized composer and arranger holding undergraduate and graduate degrees in music from Butler University.
After serving thirty years as a high school music educator and administrator, Mr. Wagner now devotes himself entirely to composition and its allied activities. With more than 3,500 titles published since 1973, including works for choir (school and church), concert band, orchestra, handbell ensemble, organ, piano, and voice, well over seventeen million copies of his music have been purchased to date.
Performances of the music of Douglas E. Wagner have been noted in concert halls and on television and radio broadcasts in the United States, as well as on broadcasts and concert programs around the world.
Doug currently resides in Indianapolis, IN with his wife, Sandy.
CGBK88
A comprehensive faith-based choir curriculum for ages 7-12 (grades 1-5).
Guide your developing elementary singers in fun vocal discovery with this wonderful resource from master teacher Heather Potter. Let’s Sing! offers twenty-four weekly lesson plans for church children’s choirs of all shapes and sizes. Features complete teaching sequences for eight unison/two-part choral anthems, including rehearsal objectives, warmups and vocal technique exercises, and opportunities to expand or contract the rehearsal activities to meet the needs of your ensemble.
The curriculum also includes a full set of visual aids and an appendix of pedagogical articles to enrich the skills of the director. Let’s Sing! is the first of five yearly installments in the A Year of Beautiful Singing series. The first year’s thematic content focuses on the joy of singing, inspiring children to discover their voices and sing foundational messages of faith with confidence.
The Little Book of Ups
Mark Burrows
CGBK86
A collection of activities, exercises, and games to warm up voice, lift up spirits, and build up community.
An outstanding collection of choral warm-ups from best-selling composer and sought-after choral clinician, Mark Burrows. These innovative activities are designed to lift up spirits, minds, and voices. Burrows’ inspiring lyrics affirm every choir member’s presence and seek to build a sense of ensemble, a community of musicians who love and care for one another. These joyful warm-ups teach foundational choral technique and will help improve an ensemble’s pitch, rhythm, and tone. Carry this valuable resource with you to every rehearsal - and see how it transforms your choir in wonderful ways! The material in this resource works well for singers of all ages, but is especially effective for elementary, junior high, and high school choirs.
Includes 39 warm-ups: Body Awareness, Tongue Twisters, Vocal Exploration, and Placement. Vocalises and Rounds, Ensemble Skills and Expression, Community Builders.
Nurture the faith of young children with this all-in-one worship resource from Mark Burrows. Twelve curated worship units are based on the four-fold flow of worship (Gathering, Word, Response, Sending) and include innovative storytelling, memorable songs, and rituals tailored for children ages 3-6. Each worship experience focuses on a central Bible story and can be used as a monthly thematic unit for a Sunday School opening, children’s church, primary choir, or preschool faith formation program.
Through gentle, sacred, and playful ritual, Worship and Wonder helps young children understand how dear they are and helps them see that they are part of a loving faith community.
A Faith-Based Guide for Children’s Choir and Youth Choir Directors
An invaluable resource for anyone who works with children’s and youth choirs in sacred spaces! This guidebook, written by leading church musicians with decades of experience with young voices, equips you to create and energize choral programs in your local church or community. Featuring topics such as: recruiting and organizing a children’s music ministry, planning and leading effective rehearsals, and developing healthy singing tone and technique - the material in this manual inspires directors to rise to their full potential.
Uniquely designed to meet the needs of church choral leaders, Start Singing! recognizes that the initial intersection of faith and life for young people often starts with music. This resource offers ideas to nurture both the spiritual and musical gifts of children and youth. A must-have book for the choir directors and volunteer leaders in your music ministry.
Contributors: Mark Burrows, Emily Floyd, Katie Houts, Victor C. Johnson, Helen Kemp, Karol Kimmell, Vincent Oakes, Dr. Mark Patterson, Tom Shelton, Elizabeth Shepley, James Wells
Volume 1: Bible Truths
Various Composers
CGC67 Reproducible Choral Collection with Teaching Plans
Eight anthems for developing choirs which introduce foundational musicreading concepts and teach timeless Bible truths.
Written especially for emerging singers in grades K-3, the Rote to Note anthems in this collection will soon become choir favorites! Includes songs by bestselling composers Terry Taylor, Vicki Hancock Wright, Nancy Raabe, Michael Bedford, Kimberly Ingram, Lynn Shaw Bailey and Becki Slagle Mayo, plus one new anthem of blessing by editor Katie Houts. Also includes reproducible Discovery Pages and Singers Scores, demo tracks, and accompaniment tracks.
CGBK68 Praise Takes Flight
CGBK79 Praise Takes Flight 2! New Heights
Betsy Henderson, Kimberly Ingram, Joe Milton
Songs, Activities, and Games for HighFlying Children’s Choirs
Two high-flying collections of songs, energizers, warm-ups, anthems, and games for children’s choirs. You’ll find fresh, innovative ideas to help your singers in grades 2-6 soar to new heights of musical and spiritual development. These creative teaching plans and rehearsal resources are easy and fun to implement into your rehearsals.
Vicki Hancock Wright and Jeff Reeves
CGC50
Can’t
Mark Patterson
CGC54
The songs in each book span the church year, including Advent, Christmas, Lent, Palm Sunday, and general themes. The singers’ pages are reproducible as well as all additional instrumental parts. The included demonstration and accompaniment CD and teaching activities make this a great resource to grab and take to your rehearsals. Each song has been crafted with the utmost care.
CGBK66
Developing Young Singers through Vocal Exploration, Warm-ups, Rounds, Songs, and Singing Games.
An indispensable teaching aid for directors of school and church choirs! This collection includes excellent resources for developing young singers: vocal exploration activities, warm-ups, vocalises, technique builders, rounds, and part-singing exercises. Madeline Bridges has compiled a true must-have for any children’s choir director!
Mark Patterson
CGBK67
A Resource for Children’s Choir Directors
The Joy of Part Singing is a resource that will help children’s choirs experience greater success in part singing through short, accessible warm-ups, vocal exercises, rhythm chants, echo songs, mini-descants, and rounds. While some of these exercises are for rehearsal only, others may be shared in worship or in concert settings. Everything presented in the book was born out of the author’s own need as a conductor of children’s choirs. Even if your choir is currently working toward solidifying a beautiful, unison sound, these activities will help singers build the foundation for singing in multiple parts in the future.
CGBK50 Of Primary Importance VOL. I
CGBK54 Of Primary Importance VOL. II
Helen Kemp
CGBK73 Of Primary Importance VOL. III Various writers, Susan Eernisse, editor
Information, Preparation, and Application: A practical guide for directors of young choristers
Whether you are an experienced director or someone new to children’s choirs, you can count on each of the volumes in the Of Primary Importance series to equip and guide you through a full choir year. Volumes I and II, written by Helen Kemp, have been favorites of children’s choir directors for many years. The third volume in the series, inspired by Helen Kemp, written by top Choristers Guild writers, and edited by Susan Eernisse, was published in 2017 quickly became a director-favorite resource. Each volume includes essays both inspiring and practical, suggested anthems for use throughout the choir and church year, and ample teaching suggestions. These excellent resources will be just what you need to develop your singers into genuine worship leaders as you guide and nurture them in their growing faith.
Ten Rehearsal Plans for Youth and Adult Choirs to Nurture Faith and Sing God’s Praise
Emily Floyd’s innovative rehearsal resource provides musical and spiritual nourishment for high school and adult church choirs. Ten comprehensive rehearsal plans aid choirs rehearsing in either remote or in-person spaces, incorporating vocal technique exercises, hymns and sacred songs, prayer, Bible narratives, and choral anthems. The devotional material guides singers to a deeper sense of belonging - both within the choral ensemble and as part of the Church universal.
CGBK69
Worship Experiences or Fall, Advent, Christmas, and Epiphany
This guidebook is your new go-to resource for teaching children how and why we worship! Innovative and creative, this collection by Michael Burkhardt introduces children to liturgical elements, worship symbols, and the rhythm of worship. A great resource to use as part of your Sunday school or church school curriculum, during children’s choir rehearsals, and in your regular worship services. Adult leaders and children will love the conversational learning model and participatory music. Nine worship experiences in Volume 1 cover the seasons of Fall, Advent, Christmas, and Epiphany. Includes an enhanced CD with demo/ accompaniment tracks and reproducible worship handouts.
A Mini Musical for Unison Voices and Piano
The story of the Good Shepherds caring for their sheep holds a relatable message for all ages: God’s love for us has no limits. The young shepherds in this mini-musical not only gain a greater understanding of God’s love for us, but also learn about God’s call to care for each other. This short musical is designed for children in grades 1-6. It can be performed by a cast/choir of any size, and the run time is approximately 12-15 minutes. This production could take the place of the sermon for Good Shepherd Sunday, it could be used as the primary theme for a Music and Arts summer camp week, or it could be incorporated into a closing program for Vacation Bible School.
CGC69
A musical for unison/two-part voices, piano, and percussion
Where is God in the storms of life?
Composer Mark Burrows offers youth a remarkable experience to discover God’s ever-present love and care in Storms: a new musical for unison/two-part voices, piano, and percussion. Storms features a group of children who wonder if they have what it takes to weather storms of their own. Through heartfelt songs, authentic dialogue, and a healthy dose of humor, the children unpack the Bible narrative of Jesus Calming the Storm, realizing that no matter what happens in life - Jesus is in the boat with us. No matter the storm, we are always loved and we are never alone. We are even empowered to follow Jesus’ example by being there for others during their storms. This production also features a fun bucket drumming experience and a meaningful service project for the whole community. A convenient audio pak product allows directors to share the demo tracks with everyone involved in the production - and also includes all the accompaniment tracks for performance. Reproducible percussion parts are available separately.
Get ready for a groovin’ good time as young musicians explore the story of Noah and the Ark! This creative composition tells the story of The Great Flood through rhythmic chants, a percussion groove, and sound effects. Kids will love the catchy rhythm and rhymes, which offer plenty of opportunities for dramatic presentation. Use this “sound story” as part of a worship service, Sunday school lesson, vacation bible school showcase, or music and arts camp. The reproducible teaching pack includes the full score, visual aids for the percussion grooves, a teaching plan, and the demo recording. An accompaniment track with percussion and sound effects is available separately.
Lynn Shaw Bailey, Becki Slagle Mayo
CGC57
A joyful service of Lessons, Carols, and Anthems for Advent or Christmas. With music and lyrics by Lynn Shaw Bailey and Becki Slagle Mayo, Come to the Manger includes five anthems for unison/two-part voices with piano and optional handbells or handchimes. Seven scripture lessons serve as the foundation of the service, as readers of any age recall God’s promised Messiah and the birth of the Christ child. Anthems are appropriate for all ages, from developing treble choirs to mixed adult choirs looking for accessible two-part music. This comprehensive collection also includes congregational carol accompaniments, a carol prelude for piano, and helpful anthem teaching plans. An enhanced CD includes full demo tracks and many reproducible resources: reader’s scripts, singer’s pages, and instrumental parts. Please note that this item includes a CD of reproducible materials and, as such, is non-returnable.
Called Mark Burrows
CGC66What does it mean to be called by God?
This musical for unison/two-part voices affirms that God has placed something beautiful in everyone and is calling us to share it with the world. Through the honest, humorous storytelling and memorable musical numbers, all will feel empowered to live lives worthy of the calling we have received.
Travel back to Christmas Eve, 1818, and a small Austrian church nestled in the Alps where the beloved carol “Silent Night” was born. Mice have made a shambles of the organ, creating quite a problem for Pastor Joseph Mohr and Franz Gruber, the church organist. There’s a happy ending, however, in this 17-minute musical based on the true story of “Silent Night.” Six songs and an assortment of delightful characters comprise this easy to prepare and present musical crafted to ensure success for children’s choirs large or small.
Finding Our Strength in God
Kimberley Ingram and Joe Milton CGOH5
Alex was an ordinary kid with ordinary problems. But one day, a bigger than ordinary challenge appears. It looks like a mountain, and it’s called a GITOP: a Gigantic, Intimidating, Troublesome, Overwhelming Problem! We all have GITOPS in our lives. Where will we find the strength to face them? Let’s step into the Word and see how the Bible stories of Joshua, Peter, and the House on the Rock might help us discover the courage and power that can only come from God. This new musical is a terrific fit for church choirs and Fine Arts Camps! Children use teamwork and creativity to invent lines, movements, and props. Discover how God gives us the power to face any problem - even a GITOP!
Erik Whitehill
CGC65
Based directly from the nativity story in scripture, this oratorio-style musical is easily learned by singers of all ages. As the angels visit Mary, Joseph, and the shepherds to tell the good news of a baby boy, recurring musical themes connect these visits and these characters as they journey to Bethlehem. Composer Erik Whitehill hits just the right mix: from a heartwarming ballad to a jazzy title tune, and a delightful Gloria round to bookend arrangements of ADESTE FIDELES. Minimal set and costume needs - use the nativity props and costumes you already have on hand!
The musical is scored for unison or two-part voices with piano, with optional parts for handbells/handchimes and a small chamber orchestra. A great Christmas cantata option for a smaller adult choir.
RESOURCES FOR THE CHOIR YEAR
Joyful, Joyful, We Adore Thee
arr. Victor C. Johnson
CGA1699 SATB with piano and optional unison choir, brass quartet, three octaves handbells, timpani, and congregation
75th anniversary choral series
This jubilant setting of ODE TO JOY features a festive piano accompaniment with optional brass quartet, three octaves of handbells, and timpani. Arranged for combined choirs, it is a grand celebration of God’s goodness. Invite the congregation to join the adult and children’s choirs for a fantastic finish.
Mark Patterson
CGA1734 Unison/two-part with piano and optional flute
75th Anniversary Choral Series
This uplifting song for treble voices was written in celebration of the 75th anniversary of Choristers Guild. The anthem’s message centers on the gift of song, through which we share God’s love and never-ending grace to all the world. A supportive piano accompaniment helps children’s voices soar with confidence. An optional flute obbligato is included.
Karen Crane and Sandy Wilkinson CGA1735 Unison, two- or threepart with piano, tambourine, and finger cymbals
John 3:16 is the focal point in this funto-sing anthem for treble voices. In this unique arrangement, choir directors have flexibility in adding the right amount of vocal layers for their developing singers. The three unique parts are complementary minor-mode melodies, making this a great, accessible piece for building essential part-singing skills. A memorable way to learn this foundational scripture verse!
Andrew Huish
CGA1736 SATB with piano
This tender, dream-like anthem for mixed voices brings the listeners to the little town of Bethlehem on that memorable night. Exquisite choral writing from composer Andrew Huish is supported in all the best ways by the expressive piano accompaniment. The piece builds organically into a powerful final stanza - as the heavens open and the angels announce the birth of our Savior. An outstanding choice for capable choirs.
arr. R. Christopher Teichler
CGA1737 SATB with piano
The excitement of Christmas is palpable throughout this setting of “Sussex Carol,” arranged by Christopher Teichler. Driven by a dynamic piano accompaniment and featuring accessible choral writing, this piece is tons of fun to rehearse and edifying to offer in worship or concert. Includes an unaccompanied “caroling” stanza that leads to a festive finish.
Diane Beckstead
CGA1738 Unison with piano and optional flute
New from the pen of composer Diane Beckstead is this contemporary anthem for treble voices - a wonderful selection for elementary and middle school singers. The song follows Mary and Joseph to the stable and marvels at the humble beginning for a Humble Savior. Incorporates the FOREST GREEN tune for “O Little Town of Bethlehem.” Singers will be humming the memorable refrain of this singable, earnest melody. Highly recommended!
Brian Childers
CGA1740 Unison with piano and optional three octaves handbells and congregation
An original hymn tune and text from composer Brian Childers celebrates the work and mystery of the Trinity. A lovely setting for children’s voices, unison adult voices, or a combination of the two. Also includes a reproducible congregational page - a terrific way to involve children’s voices in introducing a new hymn to the assembly. Optional three octaves handbells add brilliance to this wonderful modern hymn.
Brian L. Hanson
CGA1741 SATB with piano
Another choral gem from composer Brian L. Hanson. This poignant nineteenth-century text tells of God’s redemptive work, beginning with Advent and Christmas and finishing with Easter: Come Christians, all, behold the Lamb who on this day was born. Filled with swelling choral cadences and supported by a resonant piano accompaniment, fans of Hanson’s choral music will not be disappointed. A wonderful selection for Advent 4, Christmas Eve, and Christmas concert programs.
Marianne Forman
CGA1742 SATB with piano
Also available: CGA1743 SAB with piano
Robert Robinson’s hymn text is given fresh treatment from Marianne Forman in this joy-filled anthem for mixed voices. Featuring Forman’s original melody and a sparkling piano accompaniment, the theological text-painting in this piece is outstanding: stanzas 1 and 3 provide a strong, confident tone as we sing of God’s blessings and our response of praise; and a contrasting middle section exudes with warmth and safety as the choir reflects on God’s redemptive work in stanza 2.
Tom Shelton, Helen Kemp and Kathy Ridl
CGA1744
75th Anniversary Choral Series
Helen Kemp Choral Series
This spirited anthem was written in celebration of the 75th anniversary of Choristers Guild, in honor of the remarkable Helen Kemp. Tom Shelton’s music brings Helen’s beloved mantra to life: Body, mind, spirit, voice: it takes the whole person to sing and rejoice! Featuring additional text by Helen’s daughter, Kathy Ridl, this treble anthem truly celebrates the joy of singing, giving thanks for the opportunity to share our music with the world.
arr. Becki Slagle Mayo CGA1745 Unison/two-part with piano
Rote to Note
Becki Mayo’s unison/two-part arrangement of the well-known Christmas spiritual is such fun to sing! The optional second part is an excellent and accessible introduction to part-singing, beginning a catchy countermelody on the same pitch as the melody while adding rhythmic interest to the refrain. Easy to put together during the busy Christmas season and impossible to sing without joy and excitement!
Arr. Dan Wells
CGA1746 SATB with piano
An absolutely lovely setting of a beloved carol for Advent and Christmas. Flowing delicately from duple to triple meter and featuring beautiful choral writing throughout, Dan Wells’ arrangement is a stunning selection for worship and concert settings. Includes an opportunity for a tenor soloist.
Anthony Williams and Katie Houts
CGA1747 Unison/two-part with piano
There’s room on every mountaintop for you and me. This anthem celebrates community at its best - when we work together, we rise together. The memorable melody and relatable text make this a fantastic selection for church, school, and community treble choirs. An especially great message to begin the choir year: Together’s where I’d like to be! Includes an optional Part II countermelody for beginning part-singers.
Dear
(Gud Som Haver Barnen Kär)
Andrew Bruhn
Tr. Gracia Grindal
CGA1748 Unison with piano and optional descant and violin
Inspired by the memory of praying this Swedish prayer with his grandma, Andrew Bruhn’s tender setting of “God, You Hold Your Children Dear” is sure to become a heart-song for singers of all ages. A unison melody is complemented by an optional descant, making it a great option for children’s choirs or smaller adult choirs. Featuring an English translation by Gracia Grindal and an optional violin part, this musical prayer is a beautiful selection for Baptisms, Faith Milestones, and any Sunday celebrating God’s love and care for God’s children
from the Realms of Glory
Arr. Dan Wells
CGA1750 SATB with piano and optional three trumpets and two trombones
Hymns of Faith
Also available: CGA1752 Full Score and Reproducible Parts
This festive setting of REGENT SQUARE is filled with joy and excitement, a showstopping piece for Christmas Eve worship or a Christmas concert program. The extended introduction allows for a Christmas processional, and the whole congregation can join on the final stanza. Dan Wells’ expert part-writing, brief unaccompanied sections, and creative cadences make this an absolute thrill to sing. Optional brass parts are available with the Full Score.
Arr. Becki Slagle Mayo
CGA1751 SAT(B) with piano
Becki Mayo pairs two well-known hymns in this prayerful anthem for SAT(B) voices. The two hymns fit seamlessly together, aided by the flowing piano accompaniment and swelling phrases. A wonderful choice for adult or youth choirs to complement worship themes of Discipleship, Prayer, Community, and Commitment.
(Reproducible with MP3s)
“Come, Thou Long-Expected Jesus” by Christopher Teichler is a warm invitation to Advent, pairing Wesley’s well-known text with a sensitive new melody. Equally hopeful and pensive, Teichler’s beautiful writing captures the reality of the season: waiting in quiet darkness as the light of Christmas grows. Accessible for choirs of all sizes, easily learned in just a few rehearsals.
Arr. Tom Shelton
CGC73 Unison with piano and optional flute
An entirely reproducible collection of three Christmas carols for unison voices, arranged by Tom Shelton. Includes three carols, contrasting in style: the French carol PAT-A-PAN, the English carol GREENSLEEVES, and the German carol JÜNGST (WHILE BY MY SHEEP). Written for developing voices, Shelton’s arrangements are perfect for elementary or middle school voices in churches, schools, or community choir settings.
SING! is your source for distinctive choral octavos for use in classroom, concert, and festival. It is comprised of inspired choral works in a variety of styles and voicings to meet the needs of elementary, middle school or junior high, and high school choirs, as well as community choirs.
Greg Gilpin
CGE565 SATB
CGE566 SSAB
CGE567 SSA
CGE568 TTB
Great as a concert or festival opener, Greg Gilpin’s celebratory setting of this traditional Latin text will inevitably create an atmosphere of jubilation on any stage! Opening with a stately, majestic fanfare, it moves into high gear featuring a rhythmically driving accompaniment and layered choral textures. The lyrical, flowing middle section provides a unique contrast for this exciting work that is equally appropriate for use in both school and church settings.
Tunakuja na Wimbo
Victor C. Johnson
CGE593 Three-part Mixed
CGE594 Two-part
With lively percussion parts and call-andresponse-style writing, this engaging and easy-to-learn piece will make a terrific multicultural showcase on your next concert. The a cappella harmonies are extremely accessible, fun to sing and include plenty of repetition. The notated percussion rhythms for hand drum, djembe, and shaker effectively support the texture. A pronunciation guide and translation of the Swahili text are included.
Ruth Elaine Schram
CGE541 SATB
CGE542 SSA
Arranged by Mark Patterson
CGE580 SATB
Create a lasting moment of power and poignancy with Mark Patterson’s soulstirring adaptation of the traditional spiritual Sometimes I Feel Like a Motherless Child. As the choral textures intertwine with the plaintive cry of the baritone soloist, listeners are transported to a world where raw emotion and haunting beauty collide. Infused with an expressive piano accompaniment and a harmonically rich optional oboe part, this masterful arrangement captures the essence of the original spiritual while adding a contemporary flair that is both musically fulfilling and deeply moving.
Mary Lynn Lightfoot
CGE536 SAB
CGE537 SSA
CGE538 Two-part
Sweeping melodic lines, lush vocal harmonies, and a supportive accompaniment are the hallmarks of this reverent and expressive setting by Mary Lynn Lightfoot. The memorable melody is sung in unison throughout, while short sections of harmony complement the melodic motive, leading to a peaceful, quiet ending. This is an excellent choice for use in both concert and worship settings. A Learning Resource Page is included.
Arranged by Ruth Morris Gray
CGE571 SATB
CGE572 Three-part Mixed
Like an artist with a palette of golden hues, Ruth Elaine Schram masterfully captures the awe-inspiring splendor of sunset in this stunning choral work. Featuring vivid text painting, sensitivelycrafted vocal lines, and a gently flowing accompaniment, The Golden Hour takes you on a journey through the ever-changing canvas of the evening sky, inviting you to pause, reflect, and marvel at the wonders of sunset.
This spirited arrangement of the traditional American folk song would be a welcome addition to libraries of choirs everywhere! With generous sharing of the melody in all voice parts, this innovative arrangement is easily learned and fun to perform. The hoedown-style accompaniment with its sturdy piano writing, optional fiddle, and hand claps will set every toe tapping in the house!
Arranged by Michael Ryan
CGE544 Three-part Mixed
CGE545 Two-part
Invigorating and uplifting, this arrangement of the traditional Hebrew folk song Shabbat Shalom has been infused with infectious energy and irresistible rhythm by Michael Ryan. With creative vocal layering, repetition, limited ranges and a spirited accompaniment with optional B♭ clarinet and tambourine, this lively setting is sure to ignite the spirit of celebration and joy in audiences of all ages. A Learning Resource Page is included.
Waiting
Jerry Estes
CGE582 TBB
A work of profound beauty, Waiting is a stirring composition written by the talented Jerry Estes, featuring a poignant text by John Burroughs. In this showcase for tenor/bass voices, Estes weaves together tender melodic lines, rich harmonies, and a delicate piano accompaniment to depict the powerful themes of patience, perseverance, and promise.
Andrew Parr
CGE581 Three-part Mixed
Looking to inject your next concert with energy and excitement? Look no further than Andrew Parr’s newest choral work, Fill the Earth with Joyful Singing. With its infectious groove, irresistible rhythms, cool harmonies, and a lyrical, contrasting middle section, this piece is tailor-made for developing singers, making it a perfect addition to any choir’s repertoire.
Tom Shelton
CGE584 Unison
Ruth Elaine Schram
CGE558 Two-part
Ruth Elaine Schram’s inspiring setting of the Leonora Speyer poem features an expressive accompaniment that flows and weaves underneath soaring melodic lines which seem to rise and fall, as if soaring to the sky. This exquisite text exudes innocence and optimism, and is a marvelous piece for young and developing choirs. Highly recommended!
This enchanting choral invites singers to embrace the joy of music and the power of their own voice. A welcome addition to the repertoire for young and developing choirs, this work is full of dynamic contrasts and features accessible choral textures, opportunities for a soloist, as well as an optional descant and part for optional glockenspiel. Highly recommended!
Glenda Franklin CGE547 SSA
Glenda Franklin’s lovely setting of this well-known poem by Emily Dickinson exudes an elegant simplicity and is an ideal piece for showcasing treble voices. Lyrical melodic lines and melting harmonies capture the essence of Dickinson’s reflective, introspective text. An optional flute part enhances the gentle mood, making this a superb choice for concert or festival use.
CGE546 Two-part
This delightfully fresh, creative original weaves together gentle harmonies, lighthearted lyrics, and a spirited accompaniment to paint a vivid picture exploring themes of growth, change, and the delicate balance of life. As the butterflies flutter by, so too will this enchanting melody flutter through your soul, leaving a sense of joy and wonder in its wake.
Mary Donnelly and George L. O. Strid
CGE570 Two-part
Swing into happiness with a lively, uptempo choral that’s guaranteed to put a skip in your step and a smile on your face! Crafted in a fun “swing” style with easily accessible vocal lines and a jazzy accompaniment, this infectious tune radiates with positivity and excitement, inviting singers to embrace the joy of each “brand-new beautiful day”!
Mark Burrows
CGE543 TTBB new voicing
CGE391 SATB
CGE392 Three-part
CGE393 Two-part
Written as a commission for the New Mexico Peace Choir, This Is Who We Are encourages us to claim our better selves, to rise above struggle and fear, and to embrace the power we all have within us. When we stand up for peace and justice, when we sing out for hope and kindness, when we reach out to shine and share our light, we show the world that, together, we can do beautiful things. This is who we are.
Greg Gilpin
CGE573 Two-part
Earlene Rentz
CGE563 SATB
CGE564 SSA
Hoist the sails and embark on a whimsical maritime adventure with this delightful setting of a text by English poet and writer John Masefield. Accessible yet creative vocal lines are perfectly complemented by a gently lilting piano accompaniment, making this an ideal choice for your concert or festival programming needs. A Rehearsal Preparation Sheet is available as a free download.
“Music and rhythm find their way into the secret places of the soul. Every heart sings a song, incomplete, until another heart whispers back. Those who wish to sing always find a song.” These words by Plato serve as the inspiration for this engaging piece for young and developing choirs. Light and bright, with a creative bouncy accompaniment, parts for shaker, guiro, and low drum, and easily learned vocal lines all combine to create a creative programming gem.
Andrew Jacobson
CGE583 SA
Commissioned for the Oregon MEA All-State Middle School Treble Choir, this unique set of two short pieces is a splendid addition to treble chorus repertoire. Featuring two texts by Secretary Shōtetsu, a Japanese poet and monk of the Rinzai Sect who lived during the mid-Heian period, and written in contrasting styles, the opening, deeply expressive In the Coldness of the Night is followed by the vibrant and lilting Up Above the Winds. The optional violin adds warmth and intriguing tone color to this innovative work for concert and festival appearances. A pronunciation guide and translation are provided for the Japanese lyrics.
Followers of the Lamb
Followers of the Lamb
Arranged by Earlene Rentz
CGE576 SATB
CGE577 Three-part Mixed
CGE578 SSA
CGE579 TTB
The beloved Shaker song “Ye Followers of the Lamb” has been revitalized and given new life in this arrangement by Earlene Rentz. Infused with the spirit of the Shaker tradition, the arrangement pays homage to the song’s roots while adding a vibrant, contemporary feel. With lively rhythms, soaring melodies, an energizing piano accompaniment, and optional tambourine, this creative setting offers an exhilarating musical journey that will leave audiences on the edge of their seats! A Rehearsal Preparation Sheet is available as a free download.
Pirate Story
Jack Wilds
CGE590 Unison
Avast, me hearties! Prepare to set sail on a rollicking adventure with this swashbuckling, high-spirited choral by Jack Wilds. With a hearty text by Robert Louis Stevenson and a lively, memorable melody, Pirate Story is the perfect musical treasure map for unison voices, accompanied by piano and piccolo. From the pounding waves to the creaking timbers, every note is infused with the excitement of life on the high seas!
Arranged by Ruth Elaine Schram
CGE539 SATB
CGE540 SSA
Capture the rich tapestry of Irish culture with this enchanting arrangement of the beloved folk ballad. Embodying the essence of Ireland’s musical heritage, this sensitive setting will transport singers and audiences to the shores of Carrickfergus with its haunting melody and warm harmonies. From the subtle lilt of the verses to the gently flowing accompaniment and flute obbligato, each note resonates with the beauty and charm of the Irish landscape.
Zum Gali Gali
Arranged by Victor C. Johnson
CGE556 TB new voicing
CGE557 Two-part new voicing
CGE274 Three-part Mixed
When developing choirs delve into this fresh a cappella setting of the Israeli folk song, they can be assured of enjoying a successful rehearsal and performance experience! The only accompanying instruments are hand drums and finger cymbals, which add authentic flavor and texture to this multicultural gem. A Learning Resource Page is included.
Arranged by Ruth Elaine Schram
CGE589 Two-part
Dive deep into the soul-stirring waters of two treasured spirituals with this fusion of Wade in the Water and Down By the Riverside! With its simple harmonies supported by a fun, rhythmic piano accompaniment, this innovative arrangement combines the rich history and meaningful messages of two iconic spirituals into a powerful musical journey that is a superb programming choice for young and developing choirs.
Arranged by Greg Gilpin
CGE561 SATB
CGE562 SSA
Fresh contemporary harmonies, funto-sing syncopations, and exhilarating rhythmic energy abound in this highly creative arrangement of the traditional spiritual Sinner Man. The energetic, vibrant mood is enhanced by the spirited accompaniment. This piece is an exemplary showcase for choirs of all ages and levels and is not to be missed!
Earlene Rentz
CGE585 SATB
Embrace the timeless beauty of Emily Dickinson’s poetry with this exquisite setting of one of her most beloved works, “I Shall Not Live in Vain.” This emotive choral brings to life these profound words with an unforgettable melody, exquisite vocal scoring and a superbly crafted piano accompaniment. A Rehearsal Preparation Sheet is available as a free download.
Victor C. Johnson
CGE559 SATB
CGE560 TTB
Victor C. Johnson’s masterful setting breathes new life into the timeless words of a traditional Irish blessing, enveloping listeners in a sense of calm and tranquility. This work is replete with memorable melodic lines, lush harmonies, and an evocative accompaniment that ebbs and flows like gentle waves upon the shore. Whether performed in concert settings or sacred spaces, this piece is sure to leave a lasting impression on singers and audiences alike.
Earlene Rentz
CGE553 Three-part Mixed
CGE554 Two-part
Based on the poem of the same name by Phillips Brooks, the festive mood of the holidays come alive in this showcase for young choirs! Rhythmic, echoing vocal lines are supported with a crisp and bright piano accompaniment. The optional glockenspiel or full Orff orchestration add a “seasonal flair” and is sure to be a highlight of your concert! A Rehearsal Preparation Sheet is available as a free download.
Arranged by Ruth Elaine Schram
CGE586 SATB
CGE587 SAB
CGE588 SSA
Douglas E. Wagner
CGE550 SATB
CGE551 Three-part Mixed
CGE552 Two-part
This sensitive setting of the popular text by Rachel Field transports singers and listeners alike into a realm of serene beauty and introspection. This evocative composition features lush harmonies and expressive vocal lines that are complemented by an artistic piano accompaniment. The addition of the optional cello adds to the haunting mood of this work, inviting you to immerse yourself in a rich tapestry of sound.
The text of the beloved Austrian carol Still, Still, Still has been expertly set to Erik Satie’s famous “Gymnopédie” by master arranger Ruth Elaine Schram. Exquisite vocal scoring paired with the artistically arranged piano accompaniment, along with optional parts for oboe and cello, are all paired together to create a contemplative and reflective option for your winter concert.
Dave and Jean Perry
CGE569 Two-part
This fun, festive original sparkles with the joy and anticipation of the holidays. The lively tempo, crisp vocals, animated accompaniment, and refrains of “Merry Christmas” in Spanish, French, and German, partner together to create a joyous seasonal offering.
Ben Kapilow
CGE555 SA
Embrace the enchanting scenes of winter in this breathtaking choral by Ben Kapilow. Featuring an engaging text, creative yet accessible melodic lines, and a sweeping accompaniment that echoes the majestic landscapes of the season, this work for treble voices beckons you into a world of snowy wonder and crystalline beauty.
Arranged by Wesley D. Peters
CGE595 TTBB new voicing
CGE88 SATB
CGE89 SAB
With a delightfully playful rhythmic interplay between 3/4 and 6/8 meters, this joyous, fresh setting of the traditional English carol seizes one’s interest from its introduction to its exuberant conclusion. The mixed meter sections act as musical bookends to a sensitive a cappella centerpiece featuring the reassuring angelic presence at the Nativity -- tidings of comfort and great joy indeed! Equally appropriate for both school and church use.
Arranged by Michael Ryan
CGE548 SA/Two-part
CGE549 TB
Get ready to swing into the holiday spirit with this jazzy twist on the traditional Christmas spirituals Go, Tell It on the Mountain and Rise Up, Shepherd, and Follow. The dynamic arrangement infuses these beloved classics with a vibrant energy and infectious groove that is sure to delight your audiences this holiday season!
Andrew Parr
CGE574 Three-part Mixed
CGE575 Two-part
Create a scene of ethereal beauty with this captivating composition crafted by Andrew Parr. Seamlessly weaving original text and music with the beloved Austrian carol Still, Still, Still, Winter’s Stillness paints a vivid picture of calmness of winter while creating a shimmering tapestry of peace and wonder. A Learning Resource Page is included.
These fully reproducible collections are both unique in value and a great resource for exceptional concert pieces for Three-part Mixed choirs. This collection is fully reproducible and includes an Accompaniment mp3 for each title. Featuring the works of today’s leading educational choral composers, these collections offer a wide array of diverse musical styles while being a budget-friendly resource.
CGE591 Three-part Mixed with Accompaniment mp3s
Reproducible
I Will Lift My Voice and Sing! (Victor C. Johnson), A Joyful Alleluia (Mary Lynn Lightfoot), Firefly (Mark Patterson), Little Innocent Lamb (Greg Gilpin), Sisi Kushangilia (Victor C. Johnson), A Call for Peace (Jerry Estes), An Irish Blessing (Mary Lynn Lightfoot), Elijah Rock (Victor C. Johnson)
CGE592 Three-part Mixed with Accompaniment mp3s
Reproducible
A Yuletide Greeting (Victor C. Johnson), Pat-a-Pan Noel (Ruth Elaine Schram), Please Don’t Sing Another Fa la la! (Greg Gilpin), Winter Reflections (Bruce W. Tippette), Lullay, Infant Holy (Ruth Elaine Schram) Calypso Noel (Victor C. Johnson), Tiny Little Baby Born in Bethlehem (Cynthia Gray), Ale Pun (Ruth Elaine Schram)
Give God the Glory
Arranged by Mitchell Eithun and Sandra Eithun
8 handbells or handchimes and optional piano
CGB1349 print | CGB1349e digital
Uplifting hymn arrangements for 8 handbells or handchimes and optional piano
Reproducible • This latest collection from Sandra and Mitchell Eithun contains five uplifting hymn arrangements for 8 handbells and optional piano. Your small ensemble will appreciate the intricate writing for bells and the support offered by the piano. These arrangements will provide meaningful times of reflection for any worship service.
The Lord Is Near
Arranged by Cathy Moklebust 8, 10 or 12 handbells or handchimes and piano
CGBCGB1333 print | CGB1333e digital
Distinctive Advent hymn arrangements for 8, 10, or 12 handbells or handchimes and piano
Reproducible • This collection for eight, ten, or twelve bells (D5-A7) includes five accessible yet full, interesting arrangements of hymns for the Advent season and includes piano accompaniments. No table techniques are required, and with no bell changes, these pieces may be performed without tables. Included in the collection are Creator of the Stars of Night (CONDITOR ALME SIDERUM), Prepare the Royal Highway (BEREDEN VÄG FÖR HERRAN), O Come, O Come, Emmanuel (VENI, EMMANUEL), On Jordan’s Banks the Baptist’s Cry (PUER NOBIS), and Savior of the Nations, Come (NUN KOMM, DER HEIDEN HEILAND). A bundle of mp3 piano accompaniment tracks is also available.
Arranged by Anna Laura Page 8 handbells and piano CGB1335 print | CGB1335e digital
Holiday favorites for 8 handbells and piano
Reproducible • Jingle All the Way is a delightful collection of 8 traditional Christmas tunes for 4 ringers and optional piano. There are no bell changes, and each ringer has only 2 handbells to ring. This allows these pieces to be rung in various locations during the holidays, using only a music stand! The titles included are Deck the Halls, Here We Come a-Caroling, Jingle Bells, Jolly Old St. Nicholas, O Christmas Tree, Patapan, Up on the Housetop, and We Wish You a Merry Christmas. The collection is sure to bring joy and spread the holiday spirit! A bundle of mp3 piano accompaniment tracks is also available.
Arranged by Karen L. Buckwalter
8 to 12 handbells and piano
CGB1286 print | CGB1286e digital
Inspiring Advent and Christmas carols for 8 to 12 handbells and piano
Ring Out Angel Chorus the
Reproducible • Ring Out the Angel Chorus was conceived for smaller handbell ensembles consisting of 4 to 6 ringers with piano accompaniment. Whether your handbell ministry is going through a “building” phase or whether you have several ringers that just enjoy ringing together in a small ensemble, these five carol arrangements will add meaningful, expressive music to your worship experience.
Arranged by Anna Laura Page 8 handbells or handchimes and piano CGB1312 print | CGB1312e digital
Uplifting songs of praise for 8 handbells or handchimes and piano
Reproducible • Joyful Praise for Four Ringers is a collection of four hymn arrangements and one original piece for 8 handbells or handchimes and piano. It is reproducible and designed to be accessible for beginning ringers and for those who have minimal rehearsal time. The hymns are appropriate for general worship, and the original piece is written as a processional.
Arranged by Mitchell Eithun and Sandra Eithun
8 (10, 12) handbells and optional piano
CGB1297 print | CGB1297e digital
Distinctive Advent and Christmas carol settings for 8 (10, 12) handbells and optional piano
Reproducible • Mitchell and Sandra Eithun have written five approachable arrangements with options for 8, 10 or 12 handbells. This joyful collection of Christmas music for small handbell ensembles can be played with or without the piano accompaniment and does not require tables.
Arranged by Anna Laura Page
8 or 12 handbells and piano
CGB1287 print | CGB1287e digital
Uplifting hymn arrangements for 8 or 12 handbells and piano
Reproducible • Glad Adoration is a collection of 5 hymn arrangements for 8 or 12 handbells and piano. They are appropriate for Thanksgiving, Reformation, Communion and general ringing events. Written for 2 or 3 octaves handbells, they range from Level 2 to 2+. These accessible settings are easily prepared for groups that have a limited number or ringers. The creative piano accompaniments add to the fullness of each arrangement, making a delightful presentation for each given performance.
Arranged by Karen L. Buckwalter 8 handbells (2 octaves) and piano CGB1213 print | CGB1213e digital
Distinctive arrangements for 8 handbells and piano
Reproducible • Endless Prayer and Praise is a reproducible collection for 8 handbells and piano. The handbell parts are playable by a 2 octave set of handbells. Consisting of five hymn tune arrangements, you will find two spritely, bold arrangements (Jesus Shall Reign and God of Grace and God of Glory) and three gentle, prayerful arrangements (What Wondrous Love is This, Lord, Whose Love in Humble Service and Dona Nobis Pacem). Innovative piano accompaniments add depth and interest as they support the melody lines. Some of the settings may alternatively be rung by handchimes. Note that Lord, Whose Love in Humble Service may either be rung by a small handbell or handchime ensemble (7 bells or chimes) or by a solo ringer.
Arranged by Mitchell Eithun and Sandra Eithun
8 handbells with optional piano (2 octaves)
CGB1263 print | CGB1263e digital
Inspiring hymn arrangements for 8 handbells and optional piano
Reproducible • Lord of My Heart is a thoughtful collection of five hymn settings for 8 handbells and optional piano. These favorite hymns can be used throughout the year for beginner and intermediate small ensembles. The music is also portable and can be played with or without the piano in a variety of settings.
Adoration, Thanks and Praise
Adoration, Thanks and Praise
Arranged by Cathy Moklebust
12 bells and optional piano
CGB1204 print | CGB1204e digital
Fall and General Hymns for Twelve Bells and Optional Piano
Reproducible • This collection includes five distinctive hymn arrangements for 12 bells (F5-C7) appropriate for the fall season of the church year, with optional piano accompaniments. Included in the collection are A Mighty Fortress Is Our God (EIN FESTE BURG), All Creatures of Our God and King (LASST UNS ERFREUEN), Praise My Soul, the King of Heaven (LAUDA ANIMA), Praise to the Lord, the Almighty (LOBE DEN HERREN), and Sing to the Lord of Harvest (WIE LIEBLICH IS DER MAIEN).
Arranged by Cathy Moklebust
12 bells and optional piano
CGB1233 print | CGB1233e digital
Distinctive Advent and Christmas arrangements for 12 bells and optional piano
Reproducible • This collection for twelve bells (F5-C7) includes five accessible arrangements based on hymns appropriate for the Advent and Christmas seasons, and includes optional piano accompaniments, and two of the pieces include optional percussion parts. Instructions are given for playing without the piano accompaniment.
May Jesus Christ Be Praised
Arranged by Mitchell Eithun and Sandra Eithun
8 or 12 handbells with optional piano CGB1214 print | CGB1214e digital
Inspiring hymn arrangements for 8 or 12 handbells with optional piano
Reproducible • Your smaller ensembles will find this folio of favorite hymns of the church useful and fulfilling for year-round worship and even communion. The optional keyboard accompaniments will enhance and provide texture to these three settings.
2-3 octaves:
CGB1265 print | CGB1265e digital
3-5 octaves: CGB1266 print | CGB1266e digital
Crowd-pleasing music for 2 or 3 octaves to be played individually or as a complete concert
Reproducible • The eight varied yet accessible pieces in this reproducible collection can be performed separately or as an entire half-hour mini concert. With an entertaining combination of upbeat original compositions, classical and well-known arrangements, hymns and patriotic favorites, each piece has been arranged with no accidentals, shared bells, or required table techniques, so that only music stands are needed.
Sandra Eithun and Michael Joy
2-3 octaves:
CGB1267 print | CGB1267e digital
3-5 octaves:
CGB1268 print | CGB1268e digital
Volume 4: Musical Expressions
Reproducible • These pieces have been carefully written or selected from folk, classical and sacred repertoire in order to approach the teaching of musical expression. In addition to being excellent teaching pieces, they are intended to be flexible for use in a variety of school, festival and sacred settings. As an additional benefit for developing ensembles, they have limited page turns and are available in compatible editions. Contents include: Clair de Lune; Largo, Somebody’s Knocking at Your Door, ‘Tis the Gift to Be Simple and more.
Arranged by Cathy Moklebust
2-3 octaves:
CGB1195 print | CGB1195e digital
3-5 octaves: CGB01196 print | CGB1196e digital
Reproducible handbell or handchime music for the Epiphany, Lenten and Easter Season
Reproducible • Here is a “must have” for the beginning handbell or handchime group, or any group needing some quick-to-prepare music. Journey to Glory is a reproducible, level 1 collection of 5 selections for Lent and Easter that feature flexibility - no bell changes, no bell sharing, and no table techniques - making it perfect for those groups who find themselves ringing with no tables.
2-3 octaves: CGB1225 print | CGB1225e digital
3-5 octaves: CGB1226 print | CGB1226e digital
Uplifting and accessible handbell selections
Reproducible • Abiding Joy is a compilation of joyous, accessible handbell selections that will bring delight to both ringers and listeners. This reproducible collection is comprised of uplifting hymn arrangements by Patricia Hurlbutt, Anna Laura Page, Valerie W. Stephenson and Tammy Waldrop, plus a delightful original composition by Brenda Austin.
Susan E. Geschke, Patricia Hurlbutt and Bill Ingram 2 or 3 octaves
CGB1197 print | CGB1197e digital
Reproducible hymn arrangements for 2 or 3 octaves handbells
Starting
Starting
Sandra Eithun
2-3 octaves:
Reproducible • Above All Names is a set of five hymns of adoration and praise skillfully arranged by Susan E. Geschke, Patricia Hurlbutt, and Bill Ingram. The pieces have no bell changes, and may be played with music stands if desired. This budget-stretching collection of hymn arrangements will be a valuable resource for developing 2 and 3 octave handbell choirs.
CGB963 print | CGB963e digital 3-5 octaves:
CGB964 print | CGB964e digital
Reproducible beginning music for handbells or handchimes.
Reproducible • We are delighted to introduce Volume 2 of Sandra Eithun’s popular Starting Point series. The purpose of the Starting Point collections is to offer simple music to young or beginning musicians that will foster success and provide the building blocks to future ringing experiences through repetition, the limited use of techniques, and no page turns (with the exception of The Merry Widow Waltz.) The nine pieces in this collection range in difficulty from level 1- through level 1+ and include selections from folk, classical, sacred and original repertoire. They are ideal for use in school, sacred, or festival settings.
Cantad al Señor
Arranged by Mitchell Eithun
3-6 octaves handbells with optional shaker, castanets, tambourine, congas, and 3 octaves auxiliary bells
CGB1338 Full Score
CGB1339 Handbell Score
75th Anniversary Celebration Ring Around the World Series
This exciting arrangement of the popular Brazilian folk hymn is full of rhythmic energy and musical drama. The square notes may be played on auxiliary bells such as Silver Melody Bells™. The optional shakers, castanets, tambourine and congas greatly add to the flavor and energy. The percussion parts are included in the full score. This arrangement was written in celebration of the 75th anniversary of Choristers Guild.
Word of God, Light Our Way
Cathy Moklebust
CGB1326 2-3 octaves handbells with optional 2 octaves handchimes
CGB1327 3-5 octaves handbells with optional 2 octaves handchimes
Illumina is a paraphrase of Psalm 119:105108. Included above the music is the Psalm text to provide some creative reference for ringers and directors. Throughout the piece, the words “light our way” are illustrated in the form of two eighth notes and a quarter note. This original composition opens with a plainchant played on optional handchimes accompanied by random ringing, then is followed by a richly harmonized statement of the main theme. A more active section follows with fluid LV sixteenth note patterns accompanying a variation of the theme. A return to the opening plainchant with random ringing concludes this prayerful composition.
Just a Closer Walk
Arranged by Anna Laura Page CGB1332 3, 4, or 5 octaves handbells with optional 3 octaves handchimes
75th Anniversary Celebration
Ringing Spirit Series
Just a Closer Walk is an arrangement of the beloved tune, CLOSER WALK. It is a gentle, gospel-like setting that ringers will enjoy playing. Articulations, including mallets and handchimes, offer just enough challenge to make this a fun piece to play. It is a good choice for festivals and worship opportunities. This arrangement was written in celebration of the 75th anniversary of Choristers Guild.
Antonio Vivaldi / Arranged by Martha Lynn Thompson CGB1341 2-6 octaves handbells or handchimes
Impressions on Sing We Now of Christmas
Arranged by Matthew Compton CGB1325 3-7 octaves handbells with optional 3-7 octaves handchimes
This new setting of Sing We Now of Christmas is unlike any you’ve heard before! Haunting and ethereal, Matthew Compton’s arrangement of this beloved carol will transport your ringers and listeners and will become an instant favorite with its powerful and unique harmonies. Unexpected turns keep the interest going from beginning to end, and you will not want to miss out on this arrangement! It will be a perfect addition to any holiday concert or service for church, community, and school ensembles.
Largo from Winter
“Winter” from Vivaldi’s “The Seasons” is the source of the beautiful Largo. Martha Lynn Thompson’s lovely setting is truly a piece for all seasons. It is especially lovely played entirely on handchimes, preferably without the octave doubling of treble chimes by 4-6 octave groups. This new edition offers updated and clearer notation. The setting is perfect for beginning as well as “seasoned” ringers. Suitable for concert or worship.
Arranged by Jason W. Krug
CGB1346 2-3 octaves
CGB1347 3-5 octaves
This easy setting of the tune, THE ASH GROVE, features full chords and bold harmonies and may be rung on handbells or handchimes. The melody moves throughout the ensemble, giving all ringers the chance to shine. It will find a place in both worship and school settings, as it is based on a delightful folksong which is associated with several hymn texts. This arrangement is also found in the collection, Across the Pond. Compatible versions for 2-3 octaves or 3-5 octaves make this an ideal choice for massed ringing.
The Lord Now Sends Us Forth
The Lord Now Sends Us Forth
Arranged by Cathy Moklebust
Handbells with optional claves, maracas, bongos, congas, acoutic guitar, and optional handchimes
CGB1329 Full Score for 2-3 and 3-5 octaves
CGB1330 2-3 octaves
CGB1331 3-5 octaves
CGRP67 Set of Instrumental Parts 75th Anniversary Celebration Ring Around the World Series
This uplifting arrangement of the Central American folk melody “Enviado soy de Dios” (ENVIADO) is flexible and accessible. The underlying malleted rhythm pattern is very repetitive, making it easy to learn. Techniques abound with martellato, mallets, shakes, and LV. The optional percussion, and acoustic guitar will not only add energy and spice, they will also help to enhance and reinforce the underlying rhythms for the ringers. The Lord Now Sends Us Forth is a fitting piece for worship or concert when the focus is on care for the earth and each other. It will also be a wonderful addition to the festival repertoire, as compatible editions for 2-3 octaves and 3-5 octaves of handbells and optional handchimes are available. This arrangement was written in celebration of the 75th anniversary of Choristers Guild.
Arranged by Carol Lynn Mizell
CGB1295 2 octaves
CGB1296 3-7 octaves
When the familiar words of “O Little Town of Bethlehem” are sung, the hymn tune, ST. LOUIS, is the one most often heard in the United States. In the United Kingdom, Canada, and Ireland, one hears these words sung to the FOREST GREEN tune which was collected by Ralph Vaughan Williams, and first published in the 1906 English Hymnal. As a tribute to the international nature of the fellowship of the handbell community, this arrangement uses both of these tunes. To add to the visual aspect of the handbell performance, a new suspended mallet technique is employed at the beginning and the end of the piece.
Arranged by Anna Laura Page
CGB1344 2-3 octaves
CGB1345 3-5 octaves
On This Day Earth Shall Ring
Mack the Knife
Kurt Weill / Arranged by Sandra Eithun 4, 5 or 6 octave handbells with optional low bass chimes (C2 to E3), congas (or bongos) and shakers, and 3-octave handchime enhancement
CGB1342 Full Score
CGB1343 Handbell Score Community Ensembles Series
Mack the Knife
Oh the shark, babe, has such teeth, dear And it shows them pearly white Just a jackknife has old MacHeath, babe And he keeps it out of sight
These are the opening lyrics of Mack the Knife, one of the most famous songs from the 1928 Threepenny Opera, a groundbreaking work that blends elements of musical theater, jazz, and social commentary. The song introduces the character Macheath, a charismatic but dangerous criminal known as Mackie. It describes Mackie’s exploits and criminal activities in a catchy, upbeat melody, juxtaposing the dark subject matter with an ironically cheerful tune. Mack the Knife has been covered by numerous artists in various styles, including Louis Armstrong, Bobby Darin, and Ella Fitzgerald, among others. Its popularity endures, making it a classic of both musical theater and popular music and now in handbell literature.
On This Day Earth Shall Ring (also known by the tune name, PERSONENT HODIE) is a delightful setting of the familiar 16th century tune. The harmonic treatment is reminiscent of the era of the tune’s origin. This energetic setting utilizes articulations including mallets, thumb damps, marts and mart lifts. The interesting dynamic and harmonic changes make this setting fun to ring at Christmas time. Published in compatible editions for 2-3 and 3-5 octaves, this arrangement is also included in the collection, I Heard the Bells.
of Praise
Karen L. Buckwalterof Praise
CGB1321 Full Score (for 2-3 & 3-5 oct) CGB1322 2-3 octaves handbells and opt. 2-3 octaves handchimes
CGB1323 3-5 octaves handbells and opt. 3-5 octaves handchimes
Mallets, shakes and tower swings – oh my! Peals of Praise combines original material with pealing scales and strains of Westminster Chimes. The lyrical center section provides a change of pace with optional handchimes, followed by a return to the driving, malleted opening material. Perfect for church or concert venue, Peals of Praise will be a wonderful addition to your handbell library!
Proclamation on St. Thomas
Arranged by Karen L. Buckwalter
CGB1307 2-3 octaves
CGB1308 3-5 octaves
Proclamation on St. Thomas by Karen Buckwalter is a bold, festive arrangement of a familiar hymn tune from the 1700s. It may be found in several hymnals paired with a variety of texts and titles such as: “I Love Thy Kingdom, Lord” and “Let Justice Flow Like Streams.” A joyous fanfare opening, a pulsing, rhythmic accompaniment, and a brief stroll into a minor key all finally lead to a majestic ending. An alternate title, Proclamation, has been provided for a concert venue. It is published in compatible editions for 2-3 and 3-5 octaves.
Karen L. Buckwalter
CGB1328 3-5 octaves, opt. 3-5 octaves handchimes
75th Anniversary Celebration
Written in celebration of the 75th anniversary of Choristers Guild, A Quiet Heart will transport your listeners to a quiet, contemplative place. An enchanting melody weaves its way throughout the piece and optional handchimes provide a pleasing change of color. Suitable for church or concert venue, A Quiet Heart encourages reflection and would be appropriate for Sundays with an emphasis on healing, the Holy Spirit, and listening for that still small voice of God.
Someone to Watch Over Me
George Gershwin / arr. Sandra Eithun
CGB1340 4-7 octaves handbells and optional 4-7 octaves handchimes
75th Anniversary Celebration Ring Around the World Series
Someone to Watch Over Me is a timeless jazz standard composed by George Gershwin, with lyrics by his brother Ira Gershwin. Originally written for the musical Oh, Kay! in 1926, it has since become a beloved classic, covered by countless artists across various genres. The song’s tender melody and heartfelt lyrics express a longing for companionship and protection, as the singer expresses a desire for someone to watch over them in life’s journey. With expressive elements and rich harmonic structure, this setting for handbells captures the universal yearning for love and security and is sure to resonate with audiences.
The Timeless Canon
Johann Pachelbel / arr. Sandra Eithun
CGB1336 2-3 octaves
CGB1337 3-5 octaves
Composed in the late 17th century, the Pachelbel Canon is one of the most recognizable and enduring pieces of classical music. Originally written for three violins and basso continuo, it has since been arranged for various instruments and ensembles, becoming a staple in weddings, concerts, and popular culture. This simplified setting will be a great resource for beginning handbell ensembles, as well as for more developed groups when rehearsal time is limited. The piece exudes a sense of timeless beauty and tranquility, making it a favorite for romantic occasions and reflective moments. Its enduring popularity is a testament to its universal appeal and charm, earning it a place as one of the most beloved pieces of classical music in history. This piece is reprinted from the collection, Starting Point, Volume 2 and is published in compatible editions for 2-3 and 3-5 octaves.
Arranged by Linda R. Lamb
CGB1284 2 or 3 octaves handbells with optional 2 or 3 octaves handchimes
CGB1285 3, 4 or 5 octaves handbells with optional 3 octaves handchimes
Linda Lamb’s charming setting of the delightful carol will be a wonderful addition to your handbell library. The arrangement utilizes thumb damps, plucks, suspended malleted bells, LV, and optional handchimes. Published in editions for both 2-3 octaves and 3-5 octaves, it will also be a good choice for massed ringing events.
Sandra Eithun
CGB1348 3-7 octaves handbells with optional 3-7 octaves handchimes
This original work for handbells paints a serene picture of a winter landscape blanketed in lightly-falling snow. The singing bell and lyrical passages evoke the beauty and quietude of the season. Cascading lines mimic the gentle fall of snowflakes capturing the magic of a walk through the woods on a snowy day. Touching on themes of nostalgia, wonder or the passage of time, this piece is ideal for the winter season or year-round.
The Wexford Carol Arranged by Cathy Moklebust 3, 4, 5 or 6 octaves handbells with optional percussion and 3, 4, 5 or 6 octaves handchimes
CGB1315 Full Score
CGB1316 Handbell Score
Good People All, This Christmas Time
This 12th century Irish carol begins with singing bell chords and a delicate chime tree underneath the freely played melody. Deep
Carols of Christmas, Set 1
arr.Stan Pethel
Arrangements for Solo Instrument to Full Orchestra | Flexible for any number or combination of instruments with piano or orchestrated accompaniment tracks
Here are ten delightful and accessible instrumental arrangements of seasonal carols. With the exception of the percussion book, each book includes a Solo and an Ensemble part for each carol.
Options for use include:
1. Solo instrument with piano or orchestrated accompaniment track. The piano book works as accompaniment for all instruments as does the accompaniment CD.
2. Multiple instruments and piano or track.
3. Full orchestra.
These arrangements are in the grade II to IV level and are accessible by players from eighth grade and above. They are good lengths for preludes, offertories, and featured instrumental performance in the church or school setting. Additionally, they are in good vocal ranges if adding congregational or choral singing is a option.
Voicing: Single instrument to full orchestra, with piano or CD accompaniment
See website for list of products in this series.
tom toms, congas or bongos, and finger cymbals are added, and the carol becomes more rhythmically steady through the use of a repetitive, malleted bass line, resembling a slow processional. An upper treble countermelody is introduced, while the melody and bass lines are played by optional handchimes. The conclusion is much like the beginning, with singing bells and chime tree, followed by the rhythmic, malleted bass line and drums, gradually fading away. This haunting, gentle arrangement is fitting for either worship or concert. The percussion parts are included in the full score.
Anna Laura Page CGIN71 print | CGIN71e digital
Artful piano settings of Advent and Christmas carols from many lands
Carols Around the World is a collection of ten piano settings for Advent and Christmas. Many countries and cultures are represented in this accessible group of carols, and there are various choices for many seasonal settings throughout the Christmas season. Enjoy!!
Arranged by Sandra Eithun CGIN70 print | CGIN70e digital
Early Intermediate Piano Settings for the Advent and Christmas Season
Enhance your Advent and Christmas keyboard repertoire with these new settings for the season. You can prepare quickly with rewarding results to offer songs of refection and joy during this holy and festive time of year. Students as well as intermediate-level adults will find these settings both inspiring and satisfying.
Arranged by Anna Laura Page CGIN69 print | CGIN69e digital
Hymns of Peace and Comfort is a collection of piano settings that strive to give peace and comfort during challenging times. There are many things in life that cause anxiety and discomfort, and we find that music, particularly hymns such as these, offers us peace. The eight settings are easy to medium in difficulty, and pianists will find the contents to be quite accessible.
GIFTS RECEIVED BETWEEN MONTH JANUARY 1 AND MONTH APRIL 23, 2024
Please consider joining our Covenant Society – those who have included Choristers Guild in their wills or other estate plans.
For more information, please contact Dawn Jantsch, executive director, at 1.800.246.7478.
Choristers Guild is a 501(c) (3) nonprofit, founded in 1949, whose mission is enabling leaders to nurture the musical and spiritual growth of children, youth, and adults.
Larry K. Ball
Betty Bedsole
Judy and Larry Britts
Rev. Richard F. Collman
Judith E. Dardaganian
Janet M. Davidson
Norman and Ethel Geist
Terry and Pam Goolsby
C. Michael Hawn
Dawn Jantsch
Helen Litz
Kathy Lowrie
Susanne Melton
Sue Ellen Page and Eric Johnson
Carolyn Perkins
Joanna E. Pretz-Anderson
Jim and Stephanie Rindelaub
David Leigh Shearer
Mary Louise and Don VanDyke
Priscilla B. Zimmermann
Angels
The Lilly Endowment Inc.
Partners
Liz and Bob Shepley
Benefactors
Kentuckiana Chapter of Choristers Guild
Sponsors
Larry McCain
Patrons
Sarah Hawbecker
Thomas R. Charsky
Dawn Jantsch
Andy and Kathi Masetti
Friends
Mark Burrows to go towards diversity scholarship
Joyce Schemanske
Jean Braun
Sustainers
Stacey Stenerson
Rochester Chapter of Choristers Guild
Betsy M. Henderson
Beth Drake in honor of Dawn Jantsch
Contributors
Meg Grutcheff
Facebook Fundraisers
Are you on Facebook? One of the fun ways to raise donations to Choristers Guild is through Facebook, by hosting a fundraiser for your special occasion. It may be for your birthday, anniversary, seeing your choir live again unmasked…. whatever occasion that makes you who you are. Since we are a nonprofit organization, Facebook makes it easy to have your friends and family know about the charities that affect your life. Won’t you consider making a fundraiser in your name on Facebook and sharing it? You will be surprised how many contribute, and every contribution makes a difference in keeping the world in song.
Create a nonprofit fundraiser 1, On your computer, login to Facebook
2. On the left, click Fundraisers Tip: If you don’t see Fundraisers on the left, then click See more
3. On the left, click Raise money.
4. Click Nonprofit.
5. You can either:
• Scroll to find the nonprofit you want to raise money for, or
• Type into the search bar to find the nonprofit you want to raise money for
6. Select the nonprofit.
7. On the left, enter:
• The goal amount of money you want to raise
* The currency you want the funds to be in
8. Click Create.
You’ll see a screen pop up where you can invite your friends to donate to your fundraiser, share your fundraiser in your news feed, or donate to the fundraiser yourself.
Choristers Guild thanks you for helping us meet our mission!
Our mission is to Enable Leaders to Nurture the Musical and Spiritual Growth of Children, Youth, and Adults.
If you grocery shop at one of the Albertson’s Safeway stores, you can have your loyalty card become part of their Good Neighbor program, and have the store donate one percent of your grocery bill to Choristers Guild without any cost to you!
All you need to do is ensure your card is linked to Choristers Guild. Stop by the Courtesy Desk at your local store, and use our Good Neighbor number: 10468.
Have the store donate one percent of your grocery bill to Choristers Guild without any cost to you!
A comprehensive faith-based choir curriculum for ages 7-12 (grades 1-5)
A comprehensive faith-based choir curriculum for ages 7-12 (grades 1-5). Guide your developing elementary singers in fun vocal discovery with this wonderful resource from master teacher Heather Potter. Let’s Sing! offers twenty-four weekly lesson plans for church children’s choirs of all shapes and sizes. Features complete teaching sequences for eight unison/two-part choral anthems, including rehearsal objectives, warmups and vocal technique exercises, and opportunities to expand or contract the rehearsal activities to meet the needs of your ensemble. The curriculum also includes a full set of visual aids and an appendix of pedagogical articles to enrich the skills of the director.
Written by Heather PotterLet’s Sing! is the first of five yearly installments in the A Year of Beautiful Singing series. The first year’s thematic content focuses on the joy of singing, inspiring children to discover their voices and sing foundational messages of faith with confidence.
Nurture the faith of young children with this all-in-one worship resource from Mark Burrows. Twelve curated worship units are based on the four-fold flow of worship (Gathering, Word, Response, Sending) and include innovative storytelling, memorable songs, and rituals tailored for children ages 3-6. Each worship experience focuses on a central Bible story and can be used as a monthly thematic unit for a Sunday School opening, children’s church, primary choir, or preschool faith formation program.
Through gentle, sacred, and playful ritual, Worship and Wonder helps young children understand how dear they are and helps them see that they are part of a loving faith community.
With gratitude for our past and hope for the future
Celebrate our 75th year with a gift of $75!
Together we can make a difference in the lives of children and in the future of music and worship