Chorleys 24-25 Sept2014 catalogue

Auction Catalogue Wednesday 24th & Thursday 25th September 2014

Prinknash Abbey Park Gloucestershire GL4 8EU

DAY ONE Wednesday 24th September 2014 at 10am The Garden Statuary and Furniture The Rugs The Furniture The Mirrors and Lighting The Miscellaneous Items The Ceramics and Glass The Books and Ephemera The Prints The Watercolours and Drawings Pictures from the W H Smith Archive The Oil Paintings

Lots Lots Lots Lots Lots Lots Lots Lots Lots Lots Lots

1 – 16 17 – 36 37 – 214 220 – 244 250 – 302 310 – 381 390 – 419 425 – 437 441 – 483 485 – 509 513 – 558

Page 3 Page 3 Page 6 Page 28 Page 31 Page 36 Page 40 Page 43 Page 44 Page 49 Page 56

DAY TWO Thursday 25th September 2014 at 10am The Textiles and Costume The Musical Instruments The Militaria and Medals The Clocks and Barometers The Watches The Plated Items The Silver The Objets de Vertu and Coins The Russian Icons and Reliquary Cross The Foreign Silver and White Metal The Jewellery

Lots Lots Lots Lots Lots Lots Lots Lots Lots Lots Lots

560 – 577 580 – 586 587 – 611 615 – 630 635 – 653 655 – 672 675 – 820 830 – 895 900 – 907 910 – 918 920 – 1076

Page 66 Page 67 Page 68 Page 72 Page 73 Page 76 Page 78 Page 91 Page 96 Page 99 Page 102

Sale Viewing

Sunday 21st September 10am-4pm Monday 22nd September 9am-5pm Tuesday 23rd September 9am-5pm Sale mornings 8.30am-10am

Buyer’s Premium 18%+VAT (21.6% inclusive)

Please note that some works of art in this sale may be subject to Artist’s Resale Right, indicated in the catalogue with [ARR]. Any of these Lots realising €1000 or more will incur an additional charge of 4% of the hammer price, to be paid to the artist or beneficiary.

We request that purchased lots are collected from Chorley's by 5pm on Friday 3rd October.

Any items remaining after this time will be removed to storage at the purchaser's expense.

Enquiries

Tel: +44 (0) 1452 344499 E: info@chorleys.com www.chorleys.com

Prinknash Abbey Park Gloucestershire GL4 8EU

Catalogue £8

Pictures

Generally

When offering Oil Paintings, Watercolours and Drawings, a picture code is used. Using one artist's name we illustrate below the manner of attributing the pictures in the catalogue.

Furniture, porcelain, bronzes, etc are attributed as follows:

Arthur Devis

In our opinion a work by the artist.

Attributed to Arthur Devis

In our opinion a work possibly by or partly by the artist.

School of Arthur Devis

A Sheraton period

In our opinion made at the same time that Sheraton was active.

Sheraton style or of Sheraton design In our opinion of later manufacture.

Dated 1660

In our opinion a genuine date.

In our opinion a work contemporary with the artist and showing his influence.

Carved with the date 1660

Manner of Arthur Devis

A Derby figure

In our opinion a later decoration.

In our opinion a work in the artist's style and of a later date.

In our opinion a figure from the Derby factory.

After Devis

In our opinion this is similar to a Derby product.

In our opinion a copy of a known work by the artist (of any date).

Signed, Dated, Inscribed

In our opinion the work has been signed/dated/ inscribed by the artist.

Bears Signature; Bears a Date; Bears an Inscription In our opinion the signature/date/

Possibly Derby By

In our opinion made by the artist or modeller in question.

After

In our opinion made by another artist or modeller as a copy of the original.

inscription is by a hand other than the artist.

Dimensions

These are given height before width.

Catalogue produced by

The Garden Statuary and Furniture 1.

A set of four painted aluminium garden armchairs and a circular table, 72cm (28") diameter £80-100

2.

A pair of crown-top chimney pots, 74cm (29") high £80-100

3.

An octagonal chimney pot, 81.5cm (32") high and a tapered octagonal pot, 81.5cm (32") high £70-90

4.

5.

6.

7.

A brown glazed crown-top chimney pot, 74cm (29") high and a pair of similarly glazed pots, 48.5cm (19") high £80-100 A suite of rattan conservatory furniture comprising glass top table with rounded corners and central basket type column on four splay feet, pair of armchairs with shaped arch top backs fitted squab cushions and a pair of matching single chairs fitted squab cushions £250-350

11.

Two staddle stone bases, each top with a small trough planter, 60cm (33.5") high £100-150

12.

Two spherical gate post orbs, 32cm (12") diameter £400-600

13.

A large reconstituted stone urn, of campana shape on a laurel cast square pedestal, 104cm (41") high £300-500

14.

A stone figure of a winged grotesque, 66cm (26") high £20-30

15.

A slatted garden seat, 122cm (48") wide £40-60

16.

A collection of thirty-two circular stones of varying sizes, some containing fossilised starfish; and a stone in the form of a snail £80-120

The Rugs 17.

A painted garden bench with broken wheel attachment to one end and another bench in the style of Lutyens (losses) £100-150

A Hamadan runner with nine medallions on a madder ground within an indigo guard stripe, approximately 506cm (199") long £400-600

18.

A carved stone sundial of cruciform design on baluster column support £50-70

A Kelim rug with bright geometric designs on a tomato red ground, approximately 335cm (132") long £150-200

19.

An Eastern carpet of Kerman design with large central stylised medallion within a multi floral field and figured border, 350cm x 250cm (127" x 99") £120-150

20.

A Heriz carpet with central medallion within a multi figured crimson ground and broad border, 407cm x 296cm (160.25" x 116") £400-600

8.

An irregular D-shaped stone trough, 71.25cm (28") long £80-120

9.

A circular sandstone cider press stone with spout, 61cm (24") diameter £100-150

10.

A slatted garden seat, 130cm (51") wide and a matching table, 100cm (39") wide £60-80

Page 3

21.

A Hamadan carpet with starburst central floral medallion on a crimson ground floral field within a border of floral and stylised designs, 391cm x 304cm (154" x 119.5") £300-400

22.

A Kashgai rug with blue ground diamond shaped floral medallion within a red ground stylised surround and border, 212cm x 134cm (83.5" x 52.75") £80-120

23.

A Hamadan rug with central blue ground geometric field and border, 254cm x 153cm (100" x 60.25") and another rug of similar design, 249cm x 152cm (98" x 59.75") £200-250

24.

A Turkey rug with triple pole medallion on a pink ground, 210cm x 152cm (82.5" x 59.75") and another rug, 161cm x 121cm (63.25" x 47.5") £80-100

25.

A circular Chinese rug of pink ground, 173cm (68") diameter and a lime green ground runner, 259cm x 78cm (102" x 30.75") £40-50

26.

A small Hamadan rug with triple pole medallion on a red ground, 157cm x 100cm (61.75" x 39.5") and another rug with primitive border, children and animals, 170cm x 119cm (67" x 47") £60-80

27.

Page 4

A Bokhara pattern runner, the central crimson ground field of eighty elephant foot medallions, 396cm x 99cm (156" x 39") and a rug, the central field of forty-eight medallions, 209cm x 128cm (82" x 50") £60-80

28.

A Hamadan style rug with four central star medallions, 205cm x 79cm (80.5" x 31"), another rug with central geometric medallion, 167cm x 95cm (56" x 37.5") and another crimson ground rug, 184cm x 96cm (72.5" x 37.5") £80-100

29.

A large Turkish carpet, of geometric design within a multiple border, 460cm x 307.5cm (181" x 121") £200-300

30.

A Turkish carpet of geometric design within a multiple border, 345.5cm x 236cm (136" x 93") £100-150

31.

A Turkish rug of geometric design, 183cm x 122cm (72" x 48") and a smaller similar rug £60-80

32.

Three small Oriental rugs, 102cm (40"), 100cm (39") and 97cm (38") long, and another rug with central medallion, 128cm (50.5") long £40-60

33.

A near pair of Persian rugs, medallions on a blue ground with indigo guard stripe £250-300

34.

A Caucasian rug, three medallions on a mustard coloured ground, 226cm x 150cm (89" x 59") and another similar, 157cm x 122cm (62" x 48") £100-150

35.

Three small Oriental rugs £60-80

36.

A Gabbeh rug, guls in a pink ground, 170cm (67") long £40-60

The Furniture

Page 5

The Furniture 37.

A mahogany hanging corner cupboard with astragal glazed door, 97cm (38.25") high £30-50

38.

A George III mahogany semi-circular card table, with cross banded top, with inlaid shell marquetry, 89cm (35") wide £200-300

39.

Lot 39 Page 6

A Queen Anne walnut cabinet-on-chest, the bolection moulded drawer above two doors enclosing smaller drawers and a cupboard upon a chest of two short and two long drawers, on bun feet, 104cm (41") wide see illustration £800-1200

Lot 42

40.

An oak standing corner cupboard, the astragal glazed upper section above a panelled door, 193cm (76") high £100-150

41.

A Victorian mahogany bowfront chest of two short drawers over three long drawers on turned legs, 119cm (46.75") wide £100-150

42.

A carved oak cupboard, probably Scottish, 17th Century with later alterations, with thistle carved cupboard above a two-door cupboard, the panels also carved with thistles, 154cm (61") wide see illustration £600-800

43.

A Regency mahogany bottle box of square form, the raised lid with carved flowerhead finial on turned tapering legs with castors, 66cm x 38cm (26" x 15") wide see illustration £400-600

Lot 43 Page 7

Lot 44 44.

Page 8

A George III style mahogany bookcase, with pierced swan neck pediment and blind fret frieze, the two astragal glazed doors above two panelled doors, 137.25cm (54") wide see illustration ÂŁ1000-1500

Lot 45 45.

A George III mahogany standing corner cupboard, the shaped pediment above two panelled doors, the base with brushing slide above panelled doors on bracket feet, 122cm (48") wide see illustration ÂŁ600-800

Lot 46

46.

A George II walnut serpentine writing table, the crossbanded top drawer with support legs and fitted interior, 91.5cm (36") wide see illustration ÂŁ1500-2000

47.

An Edwardian satin birch painted occasional table, the multi-sided top painted a cameo within floral swags, the frieze painted swags and on square tapering husk painted legs, 76.25cm (30") diameter see illustration ÂŁ400-600

48.

A Victorian painted octagonal topped drum table, with frieze drawers on scroll and plaster moulded stem and concave triform base, 67.25cm (26.5") wide ÂŁ300-500 Lot 47

Page 9

49.

50.

A Belgian rosewood writing cabinet, maple-lined with carved and shaped cornice above two mirrored doors and three small drawers, upon a three drawer writing table with cabriole legs, 96cm (38") wide £300-500 An oval satinwood centre table, circa 1900, the cross banded top with gallery above a banded frieze, on square tapering legs with brass ball feet, 93cm (36.5") wide £400-600

51.

A George III oval topped Pembroke table, on square tapering legs (distressed) £40-60

52.

A 19th Century oak gothic revival Davenport desk with pierced gallery above a slope with hinged pen box and slide, supported on carved columns, with side door concealing shelves, the back with carved arched panel depicting St Jude, 62cm (24.5") wide £300-400

53.

A pair of upholstered fire side stools in the form of diabolos, 43cm (17") diameter £60-80

54.

An upholstered stool on squat cabriole legs, 36cm (14") wide £50-70

55.

A Sinclair Wilson Ltd. upholstered threeseater sofa with shaped back and scroll arms, 190cm (75")wide Note: Sinclair Wilson Ltd, upholsterers to H.M. the Queen £600-800

56.

57.

A Sinclair Wilson Ltd. upholstered three-seater sofa, 230cm (90.5") wide Note: Sinclair Wilson Ltd, upholsterers to H.M. the Queen £600-800 A stone baluster table, with glass top and damask cover, 87cm (34") wide £60-80

Page 10

58.

A painted pine chest of six drawers, a CD stand in the form of a pencil, and a two-tier soap dish £40-60

59.

A pine dresser, the open rack of shelves above three drawers and a shaped apron, 180cm (71") wide, 210cm (83") high £600-800

60.

A rush seated ladder back armchair £80-120

61.

A Victorian button upholstered armchair £50-70

62.

A Victorian pine one-drawer side table, 85cm (33") wide £60-80

63.

A late Victorian button back nursing chair £40-50

64.

A pine circular kitchen table, 100cm (39") diameter, four Windsor style chairs and four other chairs £60-70

65.

A Habitat & Co. extending dining table, with two leaves on square legs, 20th Century, 260cm (102") extended £80-100

66.

A set of four white leather covered dining chairs and two brown leather chairs, 20th Century £100-150

67.

A set of three leather and chrome bar stools, 20th Century £80-100

68.

Four 19th Century mahogany hall chairs £150-200

69.

A mahogany Canterbury in the Georgian style, 49cm (19") wide £70-90

70.

A mahogany stick stand, 61cm (24") wide £100-150

71.

A small painted cupboard with grille door, 87cm (34") wide and a child’s high chair £60-70

82.

A George III oak dresser, circa 1800, with enclosed rack above a base with three drawers and a dog kennel centre flanked by cupboard doors, 193cm (76") wide see illustration on page 12 £1500-2000

83.

A 19th Century oak pole screen, the screen painted exotic birds, 142cm (56") high £40-60

84.

An oak gateleg table, the oval two-flap top on turned legs and stretchers, 117cm (46") wide £40-60

85.

A 17th Century oak coffer with triple panel top and front and carved top rails and stiles, 114cm (45") wide £300-400

A mahogany single-drawer chest, 39cm (15.25") wide, a mahogany box, 20cm (8") wide, a pair of brass candlesticks and a vase £50-70

86.

A pair of George III style semi-circular side tables, with square tapering stop fluted legs and spade feet, 129.5cm (51") wide £150-200

An Indian low table with steel studded border on baluster turned legs, 179cm (70.5") wide £120-150

87.

An Edwardian mahogany bureau with fitted interior above two short and three long drawers, 71cm (28") wide £80-100

A pine cupboard enclosed by a pair of glazed and a pair of panelled doors, 85cm (33.5") wide £80-100

88.

An oak oval two-flap gateleg table, on round tapered legs united by square stretchers, fitted a drawer to one end, 113cm (44.5") wide £80-120

89.

An oak joint stool on baluster turned legs united by square stretchers, 47cm (18.5") wide £200-300

90.

An oak chest with hinged cover, carved frieze and triple panel front with two drawers under, 117cm (46") wide £180-220

91.

An oak chest with triple panel cover and front, 110cm (43.25") wide £150-200

72.

A mahogany two-tier’ Lazy Susan’, 48cm (19") diameter £80-100

73.

A Victorian upholstered armchair covered in Kelim carpet material £80-120

74.

A oak refectory table, 20th Century in the Elizabethan style, with carved bulbous trestle ends £200-300

75.

76.

77.

78.

A George III style mahogany torchère with octagonal galleried top on a carved and turned stem and tripod legs, 103cm (40.5") high £80-120

79.

An oak hanging corner cupboard with shaped open shelves within fluted pilasters, 116cm (46") high £60-80

80.

A set of four George III mahogany dining chairs, the backs carved swags and Prince of Wales feathers £60-80

81.

A George III mahogany and oak chest on chest, circa 1780, with dentil cornice above two short drawers and three long drawers with fluted corner pillars upon a three-drawer chest with ogee bracket feet £600-800

Page 11

Lot 82 92.

An early 19th Century oak dresser, with breakfront shelves and cupboard above, the base fitted three drawers on square legs, 147.5cm (58") wide £500-600

93.

A George III mahogany two-flap table on round tapering legs with pad feet, 107cm (42") wide £150-200

Page 12

94.

An 18th Century oak settle with four fielded arch top panels to the back and scroll arms with baluster supports, on cabriole legs with pad feet, 188cm (74") wide £400-600

95.

A pair of tub shaped wicker armchairs, with splayed arms, seat and back cushions and the matching stools with cushions £100-150

96.

An oak pedestal desk fitted a surround of nine drawers, the leather lined top 128cm x 76cm (50.5" x 30") £150-200

105.

A Victorian walnut armchair with deep button back and padded arms with scroll terminations on spiral supports and legs £200-250

97.

An early 20th Century oak revolving armchair with spindle back and upholstered seat, on four splay legs £80-120

106.

A pair of white painted corner shelves with cupboards under, 78cm (30.5") wide £120-150

98.

A low seat armchair, upholstered in green on turned front legs £80-120

107.

A Victorian upholstered chair with circular seat on turned front legs £80-100

99.

A mahogany table of late 18th Century design, the shaped circular top with pie-crust border and birdcage beneath on a turned fluted column and carved tripod support, 84cm (33") diameter £250-300

108.

A stick back armchair with solid seat in elm on turned legs £40-60

109.

Three Regency single chairs in beech with brass mounted top rails and pierced horizontal splats, on sabre front legs £100-150

110.

A Victorian mahogany armchair with deep button back, padded arms and upholstered seat, the moulded frame with scroll arms, on carved legs £150-200

111.

A pair of late 18th Century mahogany chairs with carved crest rails and pierced upright splats to the backs, having upholstered seats on carved cabriole legs with pad feet £800-1200

112.

A George II mahogany tea table, the serpentine front top primitively inlaid a quail to the interior, the plain frieze with carved apron raised on carved cabriole legs with scrolls to the corners and on ball and claw feet, 84cm (33") wide £1500-2000

100.

A stick back armchair with shaped vertical splat and solid seat in elm on turned legs and stretchers £150-180

101.

A walnut and marquetry table, the circular top inlaid a putto with cornucopia of flowers, a vase of flowers, acanthus scrolls, etc., on a turned column and tripod support, 75cm (29.5") diameter £300-400

102.

A mahogany torchère with fluted column and tripod base, 136cm (53.5") high £40-60

103.

A mahogany two-flap table, leather lined, fitted a drawer and false drawer on A shaped end standards with turned feet united by a central stretcher, 107cm (42") wide £180-220

104.

A Regency mahogany linen press, with moulded cornice, fitted three trays enclosed by a pair of panel doors with two long and two short drawers under, on bracket feet, 128cm (50.25") wide £400-600

Page 13

Lot 113 113.

A George III mahogany hall stool to a design by Thomas Chippendale, the dished seat with scroll ends on moulded S-scroll legs joined by a moulded arch centred by a carved sunflower-head rosette, with turned stretchers (later), 61cm (24") wide Note: This pattern was designed for Christ Church, Oxford in the 1760s see illustration £3000-5000

114.

Lot 114 Page 14

A pair of French 19th Century gilt wood and gesso jardinière stands, with marble tops above a frieze with acanthus and beaded moulding and spiral decoration on capped fluted tapered legs, united by gilded metal stretchers, 61cm (24") wide see illustration £1200-1500

Lot 115

115.

A 17th Century oak table, the triple plank top above a frieze drawer with moulded front, on gun barrel legs united by square stretchers, 87cm (34.25") wide see illustration £1200-1500

116.

A child’s 18th Century highchair with pierced upright splat to the back and turned support to the arms, fitted a loose trap seat with adjustable foot rest to the square chamfered front legs see illustration £400-600

117.

A child’s stick back chair with solid seat in elm, on turned legs see illustration £150-200 Lots 116 & 117

Page 15

118.

An 18th Century carved gilt wood table, the half-round variegated marble top with moulded border and scrolling frieze on scale and acanthus legs with ram’s head surmounts and hoof feet, 58.5cm (23") wide see illustration £800-1200

119.

A George III octagonal wine cooler, chequer-banded and brass bound, on four square tapering legs with spade feet and castors see illustration £2000-3000

120.

A satinwood hanging cabinet with arched top back, the plush lined interior fitted five shelves enclosed by a pair of glazed doors, 92cm (36.5") wide £150-200

121.

A mahogany single-fold screen set four panels, 124.5cm (49") high, another screen and a hanging shelf, 55cm (21.5") wide £60-80

Lot 118

Lot 119 Page 16

Lot 122 122.

An oak double dome top cabinet of William and Mary design, enclosed by a pair of doors with four glazed panels and similar glazed panel back, the base on six baluster turned columns with flat stretcher base, 116cm (45.5") wide Provenance: Rous Lench Court, Bruton Knowles sale 5/6/1990 see illustration £400-600

123.

A late 19th Century three-tier étagère, each tier inlaid geometric designs with gilt metal gallery and borders on splay feet, 36cm (14") wide £250-300

124.

A bachelor’s walnut chest of George II design, the folding top crossbanded and with pullout supports, fitted four drawers on bracket feet, 64cm (25") wide £300-350

Lot 125 125.

A burr yew, kingwood and gilt metal mounted bonheur du jour of Louis XVI design, the superstructure with galleried shelf and S-shaped supports above two drawers, the base with central drawer raised on square section cabriole legs, 69cm (27") wide see illustration £400-600

126.

A late 17th Century oak table, the rectangular top with moulded border, fitted a drawer to the frieze on bobbinturned legs united by square stretchers, 87cm (34.5") wide £200-300

127.

An oak oval two-flap gateleg table on barrel turned legs united by square stretchers, 121cm (47.5") wide £300-500

Page 17

Lot 128 128.

Three Regency mahogany dining chairs, the cresting rails with central roundel and geometric ebony inlay to each side, having upholstered seats on sabre front legs see illustration £150-200

129.

A Regency mahogany single chair with upholstered seat on square legs and stretchers and a Regency parcel gilt single chair with loose trap seat £60-80

130.

An oval table inlaid a central oval, fitted a drawer to the frieze on square legs and stretchers, 61cm (24") wide £100-150

131.

A wing back armchair and an upholstered armchair £60-80

132.

A Regency mahogany D-shaped card table, the top crossbanded and lined with green baize on a flat tapered column and quadruple splay support with brass hair claw feet, 91.5cm (36") wide £150-200

133.

A pair of Edwardian mahogany single chairs with upholstered seats on square taper legs £50-70

Page 18

134.

A knole type settee with drop ends, loose seat and cylindrical swab cushions, 186cm (73.25") wide £300-500

135.

A divan based armchair £50-70

136.

An oak bookshelf fitted with adjustable shelves, 137cm (54") wide and another, 150cm (59") wide £180-220

137.

A monk’s oak Normandy style chair with shaped cresting and bottom rails, the solid seat on baluster turned legs and flat central stretcher £150-200

138.

An oak table with plank top and plain frieze on round taper legs united by square stretchers, 65cm (25.5") wide £70-90

139.

An oak kneehole desk fitted with drawers and cupboards, 145cm (57") wide £150-200

140.

A lacquer table from a nest of tables with gilt and green lacquer decoration on twin-turned legs and splay feet, 37cm (14.5") wide £40-50

Lot 149 141.

A Regency mahogany chest of three long and two short drawers on splay feet, 95cm (37.5") wide £350-350

146.

A circular marble top table of Regency design with galleried border on turned and fluted legs, 61cm (24") wide £100-150

142.

Two pairs of Victorian walnut single chairs with matching upholstered seats on square section cabriole legs £70-90

147.

A day bed with deep button chair back and gallery, fitted a loose cushion on square taper legs, 152.5cm (60") wide £150-200

143.

A George III mahogany D-shaped card table, the folding top lined with blue baize and with ebonised stringing to the frieze, on square taper legs, 91.5cm (36") wide £100-150

148.

A Louis XVI style armchair in beech with fluted frame, having an upholstered seat and padded back £80-100

144.

A Victorian mahogany rectangular table raised on a turned column and tripod support, the top 57cm (22.5") wide and another table, similar £150-180

149.

145.

A Regency mahogany chest of three long drawers on splay feet, 84cm (33") wide £250-300

A walnut chest on stand of George I design, the top cross banded and fitted three long and two short drawers, the stand with baluster turned columns united by a flat stretcher, 93cm (36.5") wide see illustration £400-600

Page 19

Lot 157 A Regency rosewood card table, the top lined with green baize and inlaid brass stringing on a reeded column, circular base and scroll feet with hair claw castors, 92cm (36.25") wide £200-250

154.

A Stokke reclining rocking chair with adjustable head rest and simulated rosewood frame, circa 1990, with label £60-80

155.

An Edwardian mahogany sideboard, the top cross banded and inlaid a central oval, with bow front, fitted a false two-drawer front cupboard, three drawers to one side and cupboard to the other, on square tapered legs, 145cm (57") wide £180-200

An oak cupboard enclosed by a pair of doors with H shaped steel hinges, 127cm (50") wide £120-150

156.

152.

A wing back armchair of 18th Century design, on square fluted legs £120-150

A Japanese three-fold four-panel screen with birds and foliage in relief to one side and red and black lacquer decoration to the other, 183cm (72") high £120-150

157.

153.

A walnut stool of 18th Century design, on carved cabriole legs with pad feet, 66cm (26") wide £80-120

A George III mahogany architect’s table, the adjustable top above a fitted drawer and with candle stands to the sides, on square legs with columns to the inside on barrel castors, 84cm (33") wide see illustration £800-1200

150.

151.

Page 20

158.

A 19th Century oak and crossbanded dresser base, fitted three drawers above a shaped apron, on turned legs, 188.5cm (74") wide £200-300

168.

An 18th Century oak cupboard, the twin fielded panel doors with four drawers beneath, on bracket feet, 140cm (55") wide (alterations) £100-150

159.

A George III mahogany bowfront corner cupboard, 109cm (43") high £40-60

169.

160.

A George III oak corner cupboard, on a later stand, 159cm (62.5") high £40-60

A 17th Century coffer with planked top and carved triple panel front, on block feet, 117cm (46") wide £200-300

170.

161.

A William IV rosewood framed dining chair, and an inlaid Edwardian chair £30-50

A 19th Century oak table on turned legs united by square stretchers, 86.5cm (34") wide £120-180

171.

An oak dresser with open rack, the base fitted two drawers above a shaped apron, on square legs united by an under-tier, 159cm (62.5") wide £400-600

172.

An oak bookcase with glazed doors, on twist turned legs, 91cm (35.75") wide £80-100

173.

A George III oak bureau, distressed £40-60

174.

A pair of beech dining chairs with angular triple splats, on square legs £50-70

175.

A George III mahogany linen press, the upper section with moulded cornice and twin panel doors enclosing slides, the chest base of two short and two long drawers, on splay bracket feet, 208.25cm (82") high £600-800

176.

An early 18th Century walnut veneered lowboy fitted three drawers around a kneehole, on cabriole legs with pointed toes, 76.25cm (30") wide £250-350

177.

A 19th Century mahogany bowfront chest of four long drawers, on splay feet, 109.25cm (43") wide £100-150

178.

An adjustable piano stool, the circular seat 35.5cm (14") diameter and a beech framed rocking chair £70-90

162.

A set of six Edwardian salon chairs, with pierced carved splat backs on cabriole legs £30-40

163.

A Sheraton revival satinwood work table, the hinged cover painted a lady within a roundel, the fitted interior above a material lined well on square tapering legs, united by an undertier, 32.5cm (12.75") wide £100-150

164.

An Art Deco style mahogany veneer display cabinet, of arch shape with twin glazed panel doors enclosing shelves, on castors, 135.5cm (53") high £100-150

165.

An Edwardian metamorphic chair library step, with carved panel back and turned front legs £80-100

166.

An Ercol Windsor type chair, with splat back and dished seat, the legs united by an H-stretcher £40-60

167.

A 19th Century oak coffer with carved panel front on block feet, 157.5cm (62") wide £180-220

Page 21

Lot 182 179.

A George IV Pembroke work table on turned legs with castors, 53.5cm (21") wide £120-180

180.

A 19th Century mahogany box stool with needlework seat, of tapering form on bun feet, 38cm (15") wide £80-120

181.

A 19th Century oak table of two drawers, on turned legs, 92.75cm (36.5") wide £60-80

Page 22

182.

A mahogany four-poster bed with pelmet and drapes, the fluted tapering end columns on circular feet, the mattress 198.25cm x 182.75cm (6ft 5" x 6ft), total height 239cm (94") see illustration £1500-2000

183.

An 18th Century mahogany supper table, the tilt top on a birdcage action, the gun barrel column on a tripod base, 68.5cm (27") diameter £300-500

184.

An early Victorian mahogany chest of two long over two short drawers, on splay feet, 93cm (36.5") wide £100-150

185.

A pair of Regency mahogany bar back dining chairs, the legs united

by X stretchers (one lacking seat) £40-60

186.

A French mahogany table, the circular marble top with brass gallery above a single drawer, on square tapering legs, 56cm (22") diameter £200-300

187.

A two-tier revolving table with galleried top on a tripod base, 48.5cm (19") diameter £60-80

188.

A pair of Victorian circular beadwork stools and another £40-60

189.

A 19th Century mahogany sofa table, the three drawers opposing three dummy drawers on end supports with outswept legs, 97cm (38.25") wide £400-600

190.

191.

A 19th Century mahogany drum table, the circular top with later inset leather surface above eight frieze drawers on a canted triangular column, triangular platform base and with carved scroll feet, 112cm (44") diameter see illustration £700-1000 An oak gateleg table with drawer to each end, on turned legs and stretchers, 85cm (35.5") wide £40-60

192.

A pine silver chest with hinged cover, 81cm (32") wide £50-70

193.

A beech framed rocking chair with bobbin turned splats and stretchers £150-200

Lot 190 194.

An Edwardian oak pedestal desk, with cupboard to the recess, 118cm (46.5") wide £100-150

195.

A pair of 17th Century style oak hall chairs, the carved horizontal back splats with acorn finials below, set on turned legs £40-60

196.

A long footstool with upholstered pad, on carved legs, 131cm (51.5") long £50-70

197.

An 18th Century walnut bureau, the fall enclosing a fitted interior above two short and three long drawers on splay bracket feet (the feet later), 91.5cm (36") wide £400-600

198.

An early Victorian mahogany linen press, the upper section enclosed by fielded panel doors, the lower section with two short over two long drawers with later Egyptian revival handles, with bead and reel mouldings throughout, 218cm (86") high £400-600

Page 23

Lot 202

199.

An Edwardian mahogany kneehole dressing table, by Mawer & Stephenson, London, fitted two frieze drawers and three drawers to each pedestal on turned legs with castors, 114.5cm (45") wide £80-120

200. A George III mahogany open armchair with splat back, trap seat and on chamfered legs £40-60

Page 24

201.

A George III mahogany framed ‘drunkards’ chair, with pierced crest, spindle back and scrolling open arms above a needlework seat on square legs £80-120

Lot 203

202. A Chinese Chippendale style silver table, possibly George III, with pierced gallery, fret carved frieze and on triple column legs united by an X stretcher, 91.5cm (36") wide see illustration ÂŁ1000-1500

203.

A late 17th Century Dutch marquetry table (alterations), the top centred by a floral bouquet bordered by a wreath of oak leaves, foliage and birds to the border, fitted with a single drawer on S scroll legs united by a flat stretcher on bun feet, 99cm (39") wide see illustration ÂŁ1500-2000

Page 25

Lot 204 (open) 204. A 17th Century Flemish ebony, tortoiseshell and silver table cabinet, probably Antwerp, with hinged rectangular top enclosing a mirror panel, the panel doors centred by tortoiseshell lozenges within borders of bead moulded ivory, the interior of ten drawers around a cupboard, all with embossed white metal fronts, the central cupboard with mirrored sides and a chequer board floor, on a later stand with leaf capped cabriole legs and hair paw feet, the cabinet 68.5cm (27") wide see illustration £3000-5000

205.

206. A George III marquetry inlaid half-round card table, the fold over top inlaid trails of flowers and enclosing a baize lined interior on square tapering legs with barrel castors, 88cm (34.75") wide £100-150 207.

Page 26

A mahogany post box, circa 1900, possibly from a Gentlemen’s club, the hinged lid with gilt lettering to the underside ‘Members Post Leaves at 4.30pm’, above a tambour front enclosing shelves, the lock plate marked ‘Shannon, London Made’, 117cm (46") high £300-500

An oak centre table, circa 1900, the circular top with carved edge on three fluted legs united by an undertier on paw feet, 61cm (24") diameter £60-80

Lot 204 (closed) 208. A pair of 20th Century Chinese style mahogany hall chairs, with lattice backs and blind fret legs £60-80 209. A Louis XV style limewood armchair with carved and moulded frame and upholstered back, seat and arms £100-150 210.

211.

An Edwardian upholstered armchair on square tapering legs; a pelmet with drapes in a floral material £50-70 An early 19th Century Dutch walnut chest, of bombé shape fitted three long drawers, on claw and ball feet, 103cm (40.5") wide £300-500

212.

An early 19th Century Dutch walnut bureau, of bombé shape, the fall enclosing a fitted interior above three long drawers, on claw and ball feet, 110cm (43.25") wide £300-500

213.

A George III mahogany breakfront wardrobe, the arcaded frieze above two short and two long panelled doors with two short and two long drawers below on a plinth, 245cm (100") wide £200-300

214.

A 19th Century simulated rosewood occasional table, 43.25cm (17") diameter £80-120

Page 27

The Mirrors and Lighting

Newton Surmaville 220. A fine early 18th Century pier glass in the manner of James Moore and John Gumley, with broken arch pediment above a putto mask wearing Prince of Wales feathers and flanked by foliate scroll work and shells above a shaped frame with later bevelled glass, 178cm (70") high Provenance: Newton Surmaville, Yeovil, Somerset Note: Moore and Gumley supplied mirrors to Hampton Court and Burghley House see illustration ÂŁ4000-6000

Lot 220

Page 28

Lot 226

221.

A Regency carved oak convex mirror, the ball set frame with eagle cresting and leaf scroll base, 104cm (41") high £250-350

222. An octagonal wall mirror by Edward Barnsley, circa 1950, with box strung walnut frame, 45cm (17.75") wide £300-500 223.

A walnut arch topped wall mirror by Hugh Birkett, inlaid with chequer stringing, 54cm (21.25") high £120-180

224. A 19th Century shield shaped swing frame dressing mirror, the base fitted with three drawers on bracket feet, 48.5cm (19") wide £80-120 225.

A pair of oval wall mirrors with gilded frames and ribbon surmount, the plates 53cm x 43cm (20.5" x 17") £70-90

226. A George II mahogany and parcel-gilt mirror with swan neck pediment flanking an armorial finial, the gilt border engraved foliage with flower head terminations, with original plate, 70cm x 40cm (27.5" x 15.75") see illustration £1500-2000

Page 29

Lot 227 227.

A pair of gilt-metal wall lights, early 20th Century, each modelled as a cherub holding aloft six sconces see illustration £2000-3000

228. A late 19th Century wall mirror, the frieze panel painted a still life, with moulded gesso frame, 61cm (24") wide £80-120 229. A Regency gilt wood and gesso wall mirror with breakfront cornice, the pillars to the sides and tops moulded acorns etc., the plate 37cm x 61cm (14.5" x 24") £120-150 230.

A rectangular wall mirror with gilt plaster frame moulded Tudor roses, 75cm x 59cm (29.5" x 23.25") £50-70

231.

A rectangular wall mirror, the white painted frame pierced and carved shells, scrolls and acanthus, the bevelled plate 53cm x 40cm (20.75" x 15.75") £100-150

Page 30

232.

A painted standard lamp with fluted column and circular base and the shade for the same, 188cm (74") high £40-60

233.

A Regency gilt plaster wall mirror, the frieze with Triumph of Mars in relief, having fluted columns to the sides, the triple plate renewed, 140cm (55") wide £250-300

234.

A pair of 19th Century gilt metal lustre candlesticks, cast as young couple by a tree, on marble base, 42cm (16.5") high £100-120

235.

A Regency style convex wall mirror with eagle surmount and ball studded frame, the plate 34cm (13.5") diameter £70-90

236.

A Regency mahogany shield-shaped toilet mirror, the serpentine base fitted three drawers on ogee bracket feet, 48cm (18.75") wide £100-150

Lot 242 237.

A pair of blue and white vase table lights £60-80

238. An arch top gilt wood and gesso wall mirror of 18th Century design, the plate 62cm x 34cm (24.5" x 13.5"), another mirror and a two tier-table, 91cm (35.5") wide £100-120 239.

An Imari style table lamp and a Chinese moon flask type table lamp £80-100

240. A pair of white pottery reading lamps and two others £40-60 241.

A circular gilt framed mirror, surmounted by a coronet and with pierced wavy mouldings to the border £120-180

242. A pair of cast iron and gilt metal lamps, the three supports with lion mask ring terminals and paw feet in gilt, 53.5cm (20") high see illustration £200-300 243.

244. A brass lamp base of column form on a scrolling tripod base, 46cm (18") high £60-80

The Miscellaneous Items 250.

A pair of black marble clock ornaments of Classical style, 38cm (15") high £30-40

251.

A set of four bowls, numbered 1 - 4 and initialled JP within an ivorine roundel, impressed B. I. B. C Official and a Terry’s Bowls Measure £30-50

252.

A George III mahogany cutlery box converted to hold stationery, on feet, 41cm (16.25") high £100-150

253.

A George III mahogany cutlery box converted to hold stationery, 37.5cm (14.75") high £100-150

254.

An Art Deco chromium easel with circular base, 166.5cm (65.5") high £60-80

An early 20th Century blue glass lamp base, with gilt metal stiff leaf sconce and hexagonal base with stylised leaves, 37cm (14.5") high £60-80 Page 31

Lot 256

255.

A George III style brass and iron serpentine fire grate, the back with fan casting, the serpentine basket with pierced brass curb and brass dogs, 100cm (39.5") wide £200-300

256.

A pewter pint baluster measure, 18th Century, with bud thumbpiece, 20cm (8") high see illustration £400-500

257.

A model ship in a mahogany and glazed case with mirrored back, the two-masted steam yacht ‘Miranda’, scale model, 90cm (35") wide see illustration £3000-4000

258.

A Louis Vuitton trunk, wood and iron bound with LV canvas covers, inside tray and label No.152036, the brass hasp also named, 90cm (35.5") wide see illustration £1500-2000

259.

A wooden and brass bound trunk, French circa 1910, in red canvas cover, 80cm (31.5") wide see illustration £300-500

Lot 257 Page 32

Lots 258 & 259

260. A set of three steel and brass fire irons in the Georgian style, 69cm (27") long £100-150 261.

A set of three steel fire irons with ball finials, in the Georgian style, 76cm (30") long £100-150

262. A set of three steel fire irons with urn finials in the Georgian style, 72cm (28") long £100-150 263.

A pair of steel and brass fire dogs with flaming urn finials, 50cm (19.75") long £60-80

264. A Regency rosewood brass inset lap desk, 45.5cm (18") wide £100-150 265.

Bruno Lucchesi (born 1926) [ARR] bronze figure of a girl with a bird, signed and with a foundry mark, 63cm (24.5") high £300-500

266. A velvet and needlework covered log bin, 71cm (29.5") and a copper coal bin 31cm (12.5") diameter £100-150

Page 33

Lot 275 267.

A box of bakelite gaming chips, a quantity of bone dominoes, a box of ivorine gaming chips, a pocket backgammon set, Chinese cards, a box of backgammon pieces and a dice cup and dice £60-80

268. An Edwardian mahogany stationery box and ink stand, an Edwardian dome topped mantel timepiece and a cloth of silver thread and damask cover £50-70 269. A hip flask and a sandwich box in a leather case, a pewter mug, a pair of candlesticks and sundry items £30-40 270.

A mid 19th Century mahogany brass bound writing box with fitted interior, the two ink pots with monogrammed plated covers, the exterior with countersunk handles to the sides and cover, 48cm (19") wide £120-150

Page 34

271.

An ebony and boxwood chess set in a baize lined mahogany box, a set of similar draughts in a box and a travelling chess set £200-250

272.

A Victorian mesh fender with brass rails and ball finials, 108cm (42.5") wide and a brass poker £80-120

273.

A George III mahogany knife box with chequered banding and fitted interior, handles to the sides, 40cm (15.75") high £200-300

274.

A copper powder flask, by Dixon & Sons, another by G & J.W.Hawksley with embossed decoration and another embossed a pointer among rushes (3) £30-50

275.

A pocket globe by George Adams circa 1770, 2.75" diameter, showing Anson’s voyage and with cartouche ‘A Terrestrial Globe, G. Adams No 60 Fleet Street, London’, the shagreen case lined with a celestial map showing the constellations see illustration £1500-2000

Lot 287

Lot 279 276.

A miniature terrestrial globe, 19th Century, in a treen case, the globe 1.25" diameter £200-300

277.

A 19th Century hand bell with turned wood handle, 27cm (10.5") high £50-70

278.

An oval tin tray painted flowers within a gilt foliate border, the reverse indistinctly signed, 53.5cm (21") wide £60-80

279.

An apothecary’s mahogany cabinet, 19th Century, each side with hinged fall, having an interior fitted twelve bottles with double sided drawer beneath, counter sunk brass handles to each side, fully fitted with scales, pestle, mortar etc. see illustration £200-300

280. A painted metal parrot pen holder, a Japanese parasol and a quantity of sundries £60-80 281.

A cast iron doorstop in the form of a dolphin, 41cm (16") high and a modern cat door porter £30-40

282. A brass chestnut roaster with hinged cover and ring handle, 51cm (20") long and a brass ladle with pierced handle £50-70

283. A Middle Eastern copper and brass coffee pot with applied dragon decoration, 26.5cm (10.5") high and an elongated vase with chased decoration throughout £50-70 284. A Middle Eastern Sadeli work games board, the hinged box with chequer board to the exterior and backgammon board within, 50cm (19.75") wide £50-70 285. Two shotgun cleaning kits, both in wooden cases with various accessories £40-60 286. A ruby glass scent bottle, for the Middle Eastern market, 17cm (6.75") high, a jar and cover similar and sundry reproductions of ancient coins £20-30 287.

Isidore Bonheur (1827-1901) bronze figure of a walking bull signed I Bonheur, 12cm (4.5") high see illustration £400-600

288. A pewter charger initialled D/IE, 41.25cm (16.25") diameter, another bearing London touchmarks and a smaller plate £70-90 289. A George III mahogany tea caddy of sarcophagus shape, 30.5cm (12") wide £60-80

Page 35

290. A quantity of leather desk accessories including stationery rack, blotter, etc £40-60 291.

An epergne of blackamoor form, 35cm (13.75") high, two blackamoor figural vesta cases, two glass match strikes, etc £60-80

292. A boot jack, a toilet mirror, a blackamoor dumb waiter and a hunting crop £40-60 293.

A pair of plaster gilt picture frames, with acanthus moulding, 79cm x 47.5cm (31" x 18.75") and another matching 62cm x 46cm (24" x 18") £80-120

294. A brass bound jardinière stand, of oval shape on outsplayed legs, 59cm (23.25") high £50-70 295.

A samovar of Classical urn form, by Benham & Son, Wigmore Street, with beaded rims on a square plinth with ball feet, 52cm (20.5") high £50-70

296. A brass bound mahogany tray, oval with wavy rim, 60.5cm (23.75") wide £100-150 297.

A Victorian brass bound campaign stationery cabinet, the hinged cover and fall front enclosing a fitted interior, the lock by James Williams, Birmingham, 38cm (15") wide £80-120

298. A George III inlaid writing box, the hinged cover with central oval inlay bordered by trails of flowers enclosing two drawers above a side drawer, 33cm (13") wide £60-80 299. A gilt brass bourdaloue, the handle modelled as a bird on a branch, the side engraved a coronet above an initial, 24cm (9.5") wide Note: A number of Meissen porcelain bordaloue were modelled with a bird to the handle £60-80

Page 36

300. A pair of leaf cast brass finials, 37cm (14.5") high £40-60 301.

A 19th Century brass plaque, ‘The Flagellation of Christ’, 15cm x 11cm (6" x 4.25") £10-15

302. A Georgian pewter caster of baluster form, 14cm (5.5") high £100-150

The Ceramics and Glass 310.

A pottery collage, by John Stockle, framed, 41cm x 41cm (16" x 16") £10-15

311.

Two Shelley vases of ribbed tapering form decorated in yellow, brown and orange glaze, 20cm (8") high, two smaller matching vases and two other vases £40-50

312.

A Shelley vase of inverted tapering form, 20cm (8") high, a smaller matching vase, three others and a Shelley plate £40-50

313.

A Clarice Cliff Patina conical bowl, Country pattern, decorated a tree by the coast and another bowl decorated in yellow and brown glaze, each 11.5cm (4.5") diameter £100-150

314.

A Clarice Cliff Fantasque octagonal teapot, Blue Chintz pattern, shape no. 24, lacking cover, and a Clarice Cliff Blue Chintz jug, shape no. 564 £100-150

315.

A Clarice Cliff Fantasque candlestick of stepped form, Farmhouse pattern, 18cm (7") high £300-400

316.

A Clarice Cliff Floral Nuage candlestick of square tapering form with painted blue flower, 20cm (8") high £100-150

317.

A Clarice Cliff Delecia flower holder glazed in green and black, 11cm (4.25") high and another, of Crocus pattern £50-80

326. A Clarice Cliff Celtic Harvest jug with moulded wheatsheafs to the sides, 28cm (11") high, another jug, shape no. 895 and two further Clarice Cliff items £40-60 327.

Lot 318 318.

A Clarice Cliff Fantasque desk candlestick, Broth pattern, 8.5cm (3.25") high and another, Gay Day pattern, chip to rim see illustration £150-200

319.

A pair of Clarice Cliff Floral Nuage stepped candlesticks, ziggurat shape, 9cm (3.5") high £100-150

320. Three Clarice Cliff flower holders, various, the tallest 12cm (4.75") high £80-100 321.

A Clarice Cliff wall pocket modelled as a flying duck, 38cm (15") wingspan see illustration £40-60

322. A pair of Clarice Cliff Bizarre candlesticks of ziggurat shape, Crocus pattern, 9cm (3.5") high £100-150 323.

A pair of Clarice Cliff Bizarre plates, Crocus pattern, 23cm (9") diameter, another pair with handles to the sides and three further plates £50-70

A Clarice Cliff Fantasque side plate, Bobbins pattern, 17.5cm (7") diameter, a Nuage side plate, a Canterbury Bells bowl and two other side plates £40-60

328. An Art Deco wall mask depicting a lady in black hat with blue and red spotted neck scarf, impressed No. 449 to reverse, 31cm (12.25") high £70-100 329.

An Art Deco style galleon wall plaque, impressed shape no. 263, indistinctly marked to reverse, 25.5cm (10") high, a Crown Devon wall plaque depicting a Tyrolean hiker and a Czechoslovakian wall mask depicting a young woman £80-120

330.

A Wilkinson Ltd flower holder, glazed in black, 10cm (4") high and three other flower holders, various £40-60

331.

A Clarice Cliff style flower holder, Crocus pattern, 6.5cm (2.5") high and three other flower holders £40-60

332.

A quantity of Art Deco tea and coffee wares, including coffee pots, cups, saucers, etc £50-70

324. A Clarice Cliff Fantasque bowl decorated with bands of pink, green and blue, 20.5cm (8") diameter and a smaller bowl marked Liberty’s beneath £50-70 325.

A Clarice Cliff Novota vase of horn shape on a scrolling bracket, 18.5cm (7.25") high and a Novota double vase £30-50

Lot 321

Page 37

333.

A Shelley Harmony ware vase in green and brown glaze, 15cm (6") high and three other Shelley vases, various £60-80

342. Four Art Deco figures, three on onyx bases and one chrome silhouette, 26cm (10.5") high and smaller £80-120

334.

A Shelley Harmony ware vase decorated in blue, orange and yellow glaze and of inverted stepped form, 17cm (6.75") high and three other Shelley vases, various £80-120

343.

335.

A Shelley Harmony ware footed bowl decorated in green and orange glaze, 17.5cm (6.75") diameter and two other Shelley bowls £60-80

336.

Four Shelley graduated jardinières, each decorated in green and brown bands, the largest 26cm (10.25") diameter £70-100

337.

338.

339.

A Shelley Harmony ware jardinière in blue and brown glaze, 23cm (9") diameter and another decorated bands of colour £40-60 A Shelley Harmony ware ashtray of unusual design, decorated in orange and yellow glaze, 21cm (8.25") diameter, two small Shelley ashtrays, a Shelley saucer modelled as a scallop shell, etc £100-150 A quantity of Denby stoneware dinner wares, of modern design glazed in black and white, including pie dishes, three-piece cruets, etc £100-150

340. A quantity of Denby stoneware with stylised foliate scrolled decoration and with pink glazed interiors £60-80 341.

A pair of Bourne Denby Danesby ware Lovebird bookends, 20cm (8.5") high, a pair of green glazed elephants, 14cm (5.5") high, a fish, 16.6cm (6.5") high, a green glazed Scottie dog, 28cm (11") high and a rabbit, 12.5cm (5") high £80-120

Page 38

Three Carlton Ware figurative napkin rings, another by Crown Devon, a selection of other napkin rings and menu holders and a quantity of 1950s table mats in the Clarice Cliff style £40-60

344. A Moorcroft baluster vase, Anemone pattern, the flowers on a graduated blue ground, impressed signature and impressed mark, signed Potter to H M the Queen 1928-49, 20cm (8") high £300-500 345.

Sutton Taylor (born 1943) [ARR] A lustre ware studio ceramic charger, decorated with abstract design 41cm (16.25") diameter £300-400

346. A Royal Doulton part dinner service designed by Frank Brangwyn, pattern No. D5033, comprising nine plates, 24cm (9.5") and one plate, 34cm (13.5") and six soup plates £100-150 347.

A Grindley early morning tea service of ten pieces painted flowers and foliage in low relief £40-50

348. A Royal Doulton pear shaped vase, painted flowers in colours on a mottled ground, 22cm (8.75") high £40-50 349. A German Rhineland salt glazed jardinière on stand moulded with ram masks and caryatid, 116cm (46") high £200-300 350.

Two Copeland parian ware busts of Milton and Shakespeare, modelled by M Noble, Nov 20 1865 £60-80

358.

Ten Booths Pompadour pattern cups and saucers and two Caughley cups £30-40

359.

A Royal Worcester jug, shape 1378, decorated flowers on an ivory ground, 15.5cm (6") high and various leaf moulded and other Royal Worcester jugs £60-80

360. A pair of Belleek jugs, of spherical form painted shamrocks on a basket weave ground, black printed marks, 10cm (4") high, a Belleek shell form jug, a cauldron form jug and sundry jugs £50-70 Lot 351 351.

352.

353.

354.

355.

An Italian maiolica albarello, late 16th Century, perhaps Venice, each side painted with a portrait in a circular cartouche on a blue ground with scrolls and foliage, 17cm (6.5") high see illustration £300-400 A 19th Century Continental porcelain lamp in the form of an urn topped column supported by a female figure with garlands of flowers, 40cm (15.75") high £100-150 A cut glass bowl, and a bowl and stand deeply cut with geometric stars £60-80 A pottery plate, South American circa 1900, 30cm (12") diameter £20-30 A tin glazed earthenware dish, painted with a bird, 29cm (11.75") diameter £10-15

356.

An English porcelain dessert dish of heart shape, circa 1820, painted with bouquets of summer flowers, 20cm (8") wide £40-60

357.

A Continental porcelain figure of a putto holding a basket of flowers, 10cm (4") (restored) £20-30

361.

Three Doulton Lambeth salt glazed jugs with moulded decoration, the largest 14cm (5.5") high, two other Doulton jugs etc £50-70

362. A Worcester Chelsea ewer, circa 1765, painted sprays of flowers £60-80 363.

A pair of Dutch blue and white urns and covers decorated windmills, 30.5cm (12") high £40-60

364. A Dutch blue and white wall plaque, painted windmills, 44.5cm (17.5") wide and another 30.5cm (12") wide £80-120 365.

Sundry decorative china £30-40

366. A pair of Dresden figural salts supported by putti and painted birds, 12.75cm (5") wide £40-60 367.

A 20th Century Coalport urn and cover painted with a view of Glamis Castle, commemorating The Queen Mother’s 80th Birthday, 31.75cm (12.5") high £40-60

368. A Coalport urn and cover decorated with a view of Caernarvon Castle, 22.75cm (9") high £50-70

Page 39

369. A pair of German porcelain oval plaques, painted portrait of a woman and two putto heads, 6.5cm x 5cm (2.5" x 2") £40-60 370.

A Copeland flower encrusted basket painted birds, 20.25cm (8") wide £30-50

371.

A pair of Staffordshire figures, highland companions, 20cm (8") high and two other figures £40-60

372.

Sundry decorative cups, saucers and other china £60-80

373.

A Royal Worcester plate, painted grouse within an ivy wreath surround and gilt decorated half-pearl type border £50-70

374.

A pair of blue and white willow pattern meat dishes, 40cm (15.75") wide, and another similar £80-100

375.

A Clews blue and white plate transfer printed travellers beneath a ruined arch and sundry blue and white plates £70-100

376.

A pair of opaque blue glass vases, of flared form on circular feet, 26cm (10.25") diameter £100-150

377.

A pair of Lowestoft type vases and covers, reproductions by Mottahedeh, 35cm (14") high and a Limoges porcelain ashtray painted butterflies £80-120

378.

A pair of porcelain models of hoopoe birds on stumps, 30cm (11.75") high and a pair of flower holders modelled as swans £60-80

Page 40

379.

E Jarrett Design for a Porcelain Vase initialled set of four watercolours, 30cm x 24cm (11.75" x 9.5") Note: possibly for Doulton £60-80

380. Two Chinese blue and white vases, one with a cover, both bearing apocryphal Kangxi marks, 28cm (11") high and 26.75cm (10.5") high £50-70 381.

A Chinese famille rose bowl, Qianlong, circa 1760, 26cm (10.25") diameter (damaged) and a Chinese Imari bowl, Qianlong, circa 1760, painted with flower panels on a blue ground (damaged) £50-70

The Books and Ephemera Books are sold not subject to return 390. Gimson (E) His Life and Work, Shakespeare Head Press 1924, 1st edition uncut, no. 329 of 500, dust jacket distressed £400-600 391.

Ashbee (C R) The Manual of The Guild School of Handicraft, Cassell & Co., 1892 £100-150

392.

Holmes (R R) Queen Victoria, Boussod, Valadon & Co. 1897, quarto contemporary red full morocco with gilt lettering and edges, the spine with five ribs £50-100

393.

Machse (D) The Story of the Norman Conquest, Art Union of London 1866, green gilt embossed cloth boards £50-100

394. Dawson (L) Dogs As I See Them, 1st edition 1936 and Barker (KF) Just Dogs, Sketches in Pen and Pencil, 193 £40-60

Lot 395 (part) 395.

Crombie (C) The Rules of Golf, Perrier 1906, illustrated with twenty-four colour plates see illustration £400-600

396. Hawkins (Sir J) A General History of Music, five volumes, London 1776, full tooled calf bindings £250-350 397.

Berenson (B) Italian Pictures of the Renaissance, Florentine School, two volumes, London 1963, in slip cover; Central Italian and North Italian Schools, three volumes, London 1968 and Venetian School, two volumes, London 1957 £80-120

398. Pope-Hennessy (J) Italian Renaissance Sculpture, Phaidon Press 1958; Italian Gothic Sculpture 1955 and Italian High Renaissance and Baroque Sculpture, three volumes, London 1963 £40-60 399.

Guest (M J) ed. Lady Charlotte Schreiber’s Journals, two volumes, 1911 £60-80

400. Warner (G T) ed. Harrow in Prose and Verse, circa 1913, in decorative cloth binding with gilt armorial and Murray (C O) The Portfolio of Oriel College Oxford, six etchings, published by W H Benyon, Cheltenham £20-30

Lot 402 (part) 401.

Webster (M D), Quilts, their story and how to make them, 1915; Everybody’s Book of the Queen’s Dolls House, London 1924; The Seven Ages of Shakespeare, London 1850, a printed vellum outer cover for a book and sundry volumes £20-30

402. An interesting album of golf interest, circa 1906, inscribed to the flyleaf ‘A Bevy of Experts in the Royal and Ancient Game of Golf at the Olde Lodge Minchinhampton, 1906’, containing photographs of lady golfers paired with humorous rhymes, longer poems, photographs of golf matches etc. many of these relate to the St. John family and Canon St. John see illustration £150-200 403.

A interesting scrap book, circa 1910, containing postcards of theatrical scenes, cast list of plays, cuttings relating to King Edward’s funeral, the comet, dance cards, menus, sketches, wedding photograph, postcards, ticket stubs, etc. bound in maroon morocco and embossed ‘Aline’ in gilt to the cover £60-80 Page 41

404. A late Victorian photograph album, 1893, inscribed ‘To Miss Aline Tidswell from several of the inhabitants of Frampton on Severn’, containing photographs of Frampton Court, the orangery, the park, the church, the green, and various properties, the latter part of the album containing plates of a tour of Switzerland, September 1902, Italy 1903 (Venice), with pages from a travel journal bound in £400-600 405. An album containing postcards, photographs, journal entries and ephemera, begun 1911, relating to tours, visits to the opera, a cruise on RMSP ‘Orbiton’ calling at Madeira, the Canary Islands, Morocco, Gibraltar, Portugal and Spain (1924) and another similar album relating to cruises, North Africa, Italy, France, Egypt, Constantinople, St. Vincents, Tristan da Cunha, Cape Town etc, 1920s - 1930s, compiled by Aline Tidswell £120-180 406. Two albums of postcards and photographs relating to Norway, Svalbard, Azores, Monte Carlo, Italy, Egypt etc. and a smaller album £60-80 407.

411.

Stevenson (R L) Works of, Vailima Edition, William Heinemann, London 1922-1923, no. 806 of 1060 printed, original blue buckram bindings £50-70

412.

Johnston (W & A K) Johnston’s Royal Atlas, Edinburgh & London 1912, in quarter bindings, the red cloth boards with gilt decoration; a quantity of ‘The Graphic’ magazine and ‘Illustrated London News’ from Queen Victoria’s jubilee year, bound as one and a programme of the Royal Jubilee Procession 1897 £30-50

413.

B Flacci Albine, Sive Alchwini (Alcuin) Abbatis Karoli, Lutetiae Parisiorum, Sumptibus Sebastiani Cramoisy, 1617, embossed vellum binding, damages £100-150

414.

Milles (Jer) Observations on the Wardrobe Account for the year 1483, London 1770; Observations on the Apamean Medal, read at the Society of Antiquaries, 1777 and a facsimile of the Domesday Book (Cornwall) 1861 £40-60

415.

The Life of Oliver Cromwell, circa 1744, losses, with portrait frontispiece engraved

by G Vertu after S Cooper from a picture in the possession of Mr Frankland, inscribed in ink ‘The Gift of Sir Henry Frankland to Mr G Mayall at Boston in October 1744, Great Grandson to Oliver Cromwell’ Note: Sir Charles Henry Frankland (4th Bt) was great grandson to Oliver Cromwell, as his grandfather Sir Thomas Frankland (2nd Bt) married Cromwell’s daughter Frances £100-150

416.

Gouldman (F) A Copious Dictionary in Three Parts, 4th edition, Cambridge 1678, worn calf binding, losses £70-100

An 18th Century milliner’s ledger, the front page inscribed and dated Elizabeth Broadbent, September 14 1761, in a vellum binding with engraved brass clasp £40-60

408. Armour (G D) Humour in the Hunting Field, with comments by Crascredo, Country Life, London 1928 £80-120 409. Edwards (L) A Sportsman’s Bag, number 602 of 650 copies, Country Life, London £150-200 410.

A large folio in the form of a book, the ribbed binding inscribed in gilt, Studies in Connemara, County Galway, 81cm x 60cm (32" x 23.75") £50-70

Page 42

417.

Four broadsides/chapbooks published by J Ferraby, Hull, circa 1800: The Berkshire Lady’s Garland The Four Indian Kings’ Garland, The Constant Lovers Garland and The Unhappy Lovers Garland and another, An Account of the Late Insurrection in Ireland, 12th edition, circa 1798, published J Evans, London £80-120

418.

Bruneau (P), Torelli (M) and Barral i Altet (X) Sculpture, four volumes, published Taschen 1996, in slip case £30-50

419.

Knight (C) The World of Shakespeare, Imperial Edition, two volumes bound as four £40-60

The Prints 425.

Three nursery prints of Canadian Indians, lumberjacks and polar bears from the Peggy and John series and a fashion plate £40-60

426. C Schultz after Van Eyck Ghent Altarpiece an Arundel chromolithographic triptych print £20-30 427.

After Rowlandson The Dentist four humorous prints, 13cm x 20cm (5" x 8") After Gustave Doré L’Arracheur de Dents and other pictures £70-90

428. Stock after Shayer The Meet Returning from the Hunt a pair coloured lithograph, 44cm x 65cm (17.25" x 25.5"), restrikes, mounted but unframed £30-40

429. After Frank Salisbury Sir Henry Wood signed photograph and a coloured photographic portrait of George V £30-40 430.

After George Morland Travellers by a Tavern Cottagers a pair, oval prints, 39.5cm x 48.25cm (15.5" x 19") and After Sir Joshua Reynolds Diana print, 61cm x 49cm (24" x 19.25") £40-60

431.

After Bartolozzi Flora stipple engraving, 10.75cm x 8.25cm (4.25" x 3.25") £30-40

432.

After Bartolozzi and Morland three prints and sundry pictures £40-60

433.

After Redouté and Wheatley four prints (various sizes) £30-40

434.

After Francis Wheatley and others a collection of nine engravings, various sizes £50-70

435.

After Watteau Lovers in Landscapes four prints, 38cm x 48.25cm (15" x 19") £40-60

436.

After Henry Alken Humorous Hunting Scenes seven hand-coloured engravings, 18.5cm x 26cm (7.25" x 10.25") £100-150

437.

After Sir Alfred Munnings Why Weren’t You Out Yesterday?

Stanley Barker and the Pytchley Hounds two colour prints, 49cm x 61cm (19.25" x 24") and three prints after Alken £60-80 Page 43

The Watercolours and Drawings

442. John Bratby (British 1928-1992) [ARR] Hotel Excelsior Vittoria, Sorrento, Italy Enrico Caruso photo signed and prolifically inscribed in pencil dated Tuesday Nov 28 1989 pencil, coloured chalk and charcoal, 42cm x 57.75cm (16.5" x 22.75") £200-300 443.

Henry Stacy Marks (1829-1898) Portrait monogrammed watercolour en grisaille, 26cm x 21cm (10.25" x 8.25") £80-120

444. Henry Parker (1795-1873) Towing Path on the Thames between Kew and Mortlake inscribed watercolour over charcoal, 23cm x 14cm (9" x 5.5") see illustration £300-400 445.

Lot 444 441.

John Bratby (British 1928-1992) [ARR] Pompeian Wall and Palm Tree with The Blind Man’s Sexy Lady signed, and prolifically inscribed and dated Dec 13 crayon and gouache, 40.75cm x 56cm (16" x 22") £200-300

Page 44

Stanley Orchart (1920-2005) The Pantiles, Tunbridge Wells signed and dated 77 watercolour, 36cm x 40cm (14" x 19") £120-180

446. Stanley Orchart (1920-2005) Argos Windmill, Mayfield Sussex signed and dated 77 watercolour, 36cm x 48cm (14" x 19") £100-150 447.

Edith Leander Still Life of Flowers signed watercolour, 61cm x 50cm (24" x 19.5") £60-80

448. Laurence Fish (1919-2009) Indian Elephant and Aircraft original artwork for the Bristol Aircraft Company and the Indian Air Force depicting Indian Air Force Fighter Jets flying above an Elephant and mahout in ceremonial robes signed watercolour and gouache, 49.5cm x 34.5cm (19.5" x 13.5") Note: Laurence Fish (Society of Industrial Artists), trained in Max Miller’s studio.

During WWII he was seconded to MI5 bomb disposal unit; after the war he produced posters for Shell, BP, Dunlop, Bristol Aeroplane Co., Indian Air Force and many others. see illustration £500-700 449. George Nicholls (1885-1937) Land’s End Kynance Cove a pair signed watercolour, 27cm x 53cm (10.5" x 20.75") £200-300 450.

Paul Braddon (1864-1938) North European Cathedral signed watercolour, 62cm x 48cm (24.5" x 19") £150-180

451.

John R A Carter Sheep Shearing signed and dated 1906 watercolour, 48cm x 61cm (19" x 24") £80-120

452.

Hilding Nyman (Swedish 1870-1937) The Dentist pen and ink, six humorous sketches framed as one £200-300

Lot 448 453.

William Augustus Rixon (British 1858-1948) [ARR] Mill at Corfe Castle watercolour, 13.5cm x 21cm (5.25" x 8.25") a folio of prints and watercolours including North African views and 19th Century English School Lake Codenalbia Alla inscribed watercolour, 25cm x 36cm (10" x 14") £30-50

454.

19th Century Continental School Village in a Wooded Landscape reverse painting on glass, 39cm x 59.5cm (15.25" x 23.5") £100-150

455.

Margaret Hichens Monkshatch watercolour, 22.75cm x 33cm (9" x 13") £40-50

Page 45

456.

19th Century French School Portraits of Young Ladies head and shoulders, wearing pearls and holding flowers, a pair pastel, 54cm x 44cm (21.25" x 17.25") £250-350

457.

18th Century Italian School Antonio Conte d’Attems watercolour on ivory, oval, 7cm x 5.5cm (2.75" x 2.25") Note: Inscribed verso ‘Antonio Conte d’Attems di Udine vincitore nella giostra ch’ebbe lugo in detta citta l’anno 1762’, translated as ‘Antonio Conte of Attimis of Udine, winner of the tournament which took place in this city in the year 1762’ £100-150

458. Wera Von Bartels (1886-1922) Study of a Seated Soldier a rifle across his knee charcoal drawing, 31cm x 38cm (12.25" x 15") £40-60 459.

Follower of Palma il Giovane The Visitation pen and ink wash, in a feigned arch, 40.5cm x 20cm (16" x 8") see illustration £200-300

460. Leonard Richmond (British 1889-1965) [ARR] Wooded Landscape, France pastel, 35.5cm x 50cm (14" x 19.5") £40-60 Lot 459

Page 46

461.

Leonard Richmond (British 1889-1965) [ARR] French Street Scene pastel, 50cm x 35.5cm (19.5" x 14") £40-60

462. Leonard J Fuller (1891-1973) Portrait of a Young Woman Reading dated ‘72 graphite, 43cm x 35.5cm (17" x 14") £30-40 463.

Leonard J Fuller (1891-1973) Portrait of a Woman red conté crayon, 51cm x 35.5cm (20" x 14") £30-40

464. Leonard J Fuller (1891-1973) Portrait of a Woman in Profile dated ‘72 conté crayon, 48cm x 35.5cm (19" x 14") £30-40 465.

Leonard J Fuller (1891-1973) Portrait of a Young Woman dated 1963 conté crayon, 40.5cm x 33cm (16" x 13") £30-40

466. Marjorie Mostyn (1893-1979) Portrait of a Girl graphite, 35.5cm x 35.5cm (14" x 14") £30-40 467.

Marjorie Mostyn (1893-1979) Portrait of a Boy dated ‘52 watercolour, 33cm x 25.5cm (13" x 10") and a slightly smaller portrait of a girl £50-70

468. Marjorie Mostyn (1893-1979) Portrait of a Young Woman dated ‘65 graphite, 35.5cm x 30.5cm (14" x 12") £30-40 469. J W Gozzard (1888-1950) The Fisher’s Return to the Harbour signed with initials watercolour, 29cm x 39cm (11" x 15") £200-300 470.

Early 20th Century English School Mountain Landscapes possibly Nanga Parbat and other Himalayan mountains a pair watercolour, 18cm x 25cm (7" x 10") £50-80

Lot 474 (part) 471.

Attributed to Nicholas Pocock Lake District Scenes double-sided watercolour, 20cm x 32cm (7.5" x 12.5") £50-80

472.

Meyer, circa 1800 Cattle on a Lakeland Path signed, watercolour, 33.5cm x 49cm (13" x 19") £150-200

473.

Augustus Walford Weedon (1838-1908) Southampton Water signed watercolour, 34cm x 50cm (13" x 19.5") £100-150

474.

Mrs F de Moivre Six Botanical Studies: Byronia Grandis Guilandia Bondue Crinum Asialicum Ovieda Nitis Abrus Precatorius Asclepias Echiuala inscribed in pencil watercolour, 29.5cm x 23cm (11.5" x 9") see illustration £400-600

Page 47

475.

Early 19th Century English School Archers in the Forest pen and ink wash, 20.5cm x 15cm (8" x 6") J Robinson Still Life with Peaches signed watercolour, 17.5cm x 24cm (7" x 9.5") and two ornithological studies £100-150

476.

John Sell Cotman (1782-1842) A Seated Cavalier, Writing pencil sketch, 19cm x 17cm (7.5" x 6.75") Provenance: Spink & Son, K3/1353 Note: This drawing is typical of the type Cotman made during his time as Professor of Drawing at Kings College, London and may be dated with some certainty to the 1830s. Cotman’s main purpose in making such drawings was to supply his students with images that they could copy £150-200

477.

James Kyd (act. 1855-1875) David Copperfield Steerforth two characters from Dickens signed and inscribed watercolour, 14cm x 10cm (5.5" x 4") a humorous sketch depicting an Edwardian lady stranded on a rock and a watercolour portrait of a gaucho, etc £60-80

478.

19th Century English School Portrait of an Artist by his Easel pastel, 30cm x 25.5cm (11.75" x 10") £600-800

479.

Cecil G Hare (architect) Design for New Reredos and Altar in the Chapel of Yoxall Church pencil and watercolour, 32cm x 34cm (12.5" x 13.5") Note: the reredos was carved in alabaster £100-150

480. G G Jarmorini Design for Two Chimney Pieces watermark J Honig and Zoonen pen and brown ink, brown and grey wash, 23cm x 28cm (9" x 11") see illustration £150-200 481.

19th Century African School Encampment on the Veldt watercolour, 24cm x 36cm (9.5" x 14.25") £100-200

482. Lennard Lewis R W S (1826-1913) The Pena Cintra signed watercolour, 32cm x 47.5cm (12.5" x 18.75") Note: Pena Cintra, the Summer Palace of H.M. Don Fernando, the late King Consort of Portugal see illustration £600-800 483. 19th Century School (after the daguerreotype) Portrait of The Duke of Wellington half length watercolour, 21cm x 16.5cm (8.25" x 6.5") £50-80 Lot 480 (detail) Page 48

Lot 482

Pictures from the W H Smith Archive Chorley’s are delighted to present this fascinating glimpse into the history of the famous British bookseller and stationer, W H Smith, including a series of charming vignettes of board members and staff at work and a striking portrait by the pre-Raphaelite artist Frederick Sandys 485. John Stanton Ward (1917-2007) [ARR] Hon. David Smith, Miss Beryl Galtrey, M C St J Hornby, AW Acland signed and dated 1973 watercolour and chalk, 48cm x 64cm (19" x 25.25") £200-300

486. John Stanton Ward (1917-2007) [ARR] Viscount Hambleden and William Forwood signed and dated 1975 chalk and watercolour, 45cm x 62cm (17.75" x 24.5") £150-200 487.

John Stanton Ward (1917-2007) [ARR] Jack Chapman, GJ Chandler and DA Acland watercolour and bodycolour, 47cm x 63cm (18.5" x 25") £150-200

488. John Stanton Ward (1917-2007) [ARR] News Despatch, A A Abbey and E Caswell watercolour, 49cm x 90cm (19" x 35") £150-200

Page 49

491.

John Stanton Ward (1917-2007) [ARR] GW Rowe, Sir Charles Troughton and SM Hornby signed and dated 1973 watercolour, 48cm x 64cm (18.5" x 25") see illustration £150-200

492. John Stanton Ward (1917-2007) [ARR] PH Bagnall, PW Bennett and JD Smith signed watercolour, 47cm x 64cm (18.5" x 25") £150-200 493.

Lot 491

John Stanton Ward (1917-2007) [ARR] Hugh McNearnie, HH Van Straubenzee, Donald Simm and Sir Hugh Casson signed and dated 1973 watercolour and bodycolour, 48cm x 64cm (18.5" x 25") see illustration £200-300

494. John Stanton Ward (1917-2007) [ARR] Arthur Surridge, Signwriter signed and dated 1973 watercolour, 46cm x 32cm (18" x 12.5") £100-150 495.

Lot 493 489. John Stanton Ward (1917-2007) [ARR] Layout Room, RP Rowlands, KJ Morris and R Wilkie signed and dated 1974 watercolour, 49cm x 64cm (19" x 25") £150-200 Page 50

490. John Stanton Ward (1917-2007) [ARR] KP Beattie, PLR Rowe and MD Field watercolour, 48cm x 64cm (18.5" x 25") £150-200

John Stanton Ward (1917-2007) [ARR] Jack Ferrier, Cabinetmaker signed and dated 1973 watercolour, 46cm x 31cm (18" x 12") £100-150

496. John Stanton Ward (1917-2007) [ARR] W King, Electrician signed and dated 1973 watercolour over pencil, 46cm x 31cm (18" x 12") £100-150

Lot 502

Lot 497 497.

Peter Dooner News Despatch by Train signed and dated 1948 oil on board, 89cm x 76cm (35" x 30") see illustration £100-150

498. Peter Dooner News Despatch by Coach signed oil on board,90cm x 77cm (35" x 30") £100-150 499. Peter Dooner London News Horse-Drawn Van oil on board, 89cm x 64cm (35" x 25") £100-150 500.

501.

Peter Dooner London News Motor Van signed oil on board, 90cm x 77cm (35" x 30") £100-150 Peter Dooner Horse-Drawn News Cart signed and dated 1948 oil on board, 89cm x 77cm (35" x 30") £100-150

502.

Peter Dooner Distributing News by Boat to Dublin signed and dated 1948 oil on board, 90cm x 77cm (35" x 30") see illustration £100-150

503.

Peter Dooner Distributing News by Train (Southern Railway) signed and dated 1940 oil on board, 89cm x 82cm (35" x 32") £100-150

504.

Peter Dooner Steam Van in Front of 186 Strand signed and dated 1948 oil on board, 89cm x 95cm (35" x 37") £100-150

505.

Peter Dooner The First WH Smith Shop oil on board, 89cm x 26cm (35" x 10") £80-100

506. WH Smith Design Studio Portrait of Robert Gossop (1876-1951) signed by members of the Studio and presented to the sitter in 1912 mixed media, 56cm x 36cm (22" x 14.25") £300-400

Page 51

Lot 507 507.

Early 20th Century English School Kings College Hospital, Portugal Street Entrance oil on canvas, 86.25cm x 104.25cm (34" x 41") Note: this building was demolished in 1913 and a new office was built on this site for WH Smith & Son., which was eventually sold to the London School of Economics see illustration ÂŁ2000-3000

Page 52

Lot 508 508. English School, circa 1910 186 The Strand, London showing the headquarters of WH Smith, with the Gladstone Memorial to the foreground oil on canvas, 86.25cm x 104.25cm (34" x 41") see illustration ÂŁ3000-5000

Page 53

Lot 509 509.

Frederick Sandys Portrait of William Lethbridge (1825-1901) signed and dated 1882 coloured chalks, 68.5cm x 50.75cm (27" x 20") in a fine carved and gilded frame Note: William Lethbridge was a partner of WH Smith in 1862. This portrait dates from the year he became the first president of the North Western Coal and Navigation Company in Canada and in 1885, the town of Coalbanks, Alberta was renamed Lethbridge after him see illustration ÂŁ3000-4000

Page 54

The Oil Paintings

Page 55

The Oil Paintings 513.

Attributed to John Boultbee Hunter in a Landscape oil on canvas, 60cm x 84cm (23.5" x 33") £800-1200

514.

Gertrude Barnard Honeysuckle and Roses inscribed on reverse oil on canvas, 28cm x 86.25cm (11" x 34") £80-120

515.

Naive School, early 19th Century Portrait of a Woman holding a book in her right hand and a rose in her left hand oil on canvas, 41cm x 31cm (16" x 12") £200-300

516.

Early 19th Century English School Portrait of Edward Rogers of Dowdeswell wearing uniform of Deputy Lieutenant of a County, circa 1830-35 oil on canvas, 112cm x 91cm (44" x 36") see illustration £1000-1500

517.

Edward Armfield (1817-1896) Terriers Ratting signed oil on canvas, 29cm x 39cm (11.5" x 15.5") £300-500

518.

Frank Paton (1856-1909) Geese signed lower left oil on board, 16cm x 25cm (6.25" x 10") see illustration £800-1200

Lot 516 Page 56

Lot 518 519.

W W Gill Snipe signed oil on canvas, 11cm x 15cm (4.5" x 6") £30-50

520.

Attributed to E M Wimperis Cart on a Track near a Windmill monogrammed oil on canvas, 44cm x 55cm (17.25" x 21.5") £200-300

521.

After Peter Paul Rubens Adoration of the Magi oil on canvas, 115cm x 162cm (45.25" x 63.75") Note: this is a copy of the work held at the Musée des Beaux-Arts de Lyon see illustration £1500-2000

Lot 521 Page 57

Lot 526 522.

James Eadie-Reid (1890-1917) Jehoiada Crowning Jehoash before the Soldiers signed oil on canvas board, 66cm x 49cm (26" x 19.25") £100-150

523.

524.

525.

526.

17th Century School Christ Resurrected miniature oil on copper, 10cm x 7.5cm (4" x 3") £100-150

Attributed to Henry Martin Dutch Fishing Boat in a Harbour oil on canvas, 71cm x 91cm (28" x 36") Provenance: Brigadier Sir John Spencer Muirhead collection Note: restored and relined by Jack Tamblin in 1979, National Trust see illustration £600-800

527.

19th Century Continental School Crucifixion oil on canvas, 82cm x 62cm (32.25" x 24.5") £120-180

19th Century English School The Princes in the Tower oil on canvas, 45cm x 53cm (18" x 21") in a good contemporary frame £100-150

528.

19th Century English School Portrait of a Gentleman and his Wife a pair half length, he wearing a black coat and white stock, she wearing a lace bonnet and brown dress oil on canvas, 73cm x 61cm (29" x 24") £100-150

20th Century English School Samson in the Temple oil on canvas board, 50cm x 40cm (19.75" x 15.75") £80-120

Page 58

529.

19th Century English School Waterfall on a Mountain Stream oil on board, 22.25cm x 29.25cm (8.75" x 11.5") £50-60

530.

20th Century English School Self Portrait oil on board, 162.5cm x 61cm (64" x 24") £20-30

531.

Thomas Falcon Marshall (1818-1878) The Fruit Seller initialled lower left oil on canvas, 89cm x 70cm (35" x 27.5") see illustration £3000-5000

532.

Chambers A Smack and Rowing Boat off a Jetty a Man of War at anchor beyond oil on canvas, 64.5cm x 75cm (25.25" x 29.5") Provenance: Bruton Knowles, Summerfield Sale, 5th March 1990, Lot 216 £200-300

533.

534.

19th Century Continental School Cattle and Sheep Within a Ruin oil on canvas, 44cm x 56cm (17.25" x 22") £150-200 M Hentzel Figures in a Landscape signed and dated 1939 oil on canvas, 60cm x 82cm (23.5" x 32.5") £100-150

Lot 531 535.

M Hentzel Spring Flowers oil on canvas, 53cm x 64cm (21" x 25.25") £100-150

536.

Early 19th Century British School Shepherd with Sheep in a Lane with Lake, Castle and Mountain Beyond oil on canvas, 36cm x 45cm (14" x 17.75") £150-200

537.

William Gawin Herdman (1805-1882) Sunday Evening, St Andrews Pershore oil on canvas, signed and dated lower right, 60cm x 44cm (23.5" x 17.5") £300-350

Page 59

Lot 538 538.

19th Century Italian School after Bartolome Esteban Murillo The Madonna and Christ Child oil on canvas, 170cm x 105cm (67" x 41.25") see illustration £2000-3000

539.

James Ferrier Pryde (1866-1941) Interior with Archway and Figures Seated Beneath a Canopy oil on canvas, 73cm x 70.5cm (28.75" x 27.75") £800-1200

Page 60

540.

Alfred Glenfell Haigh (1870-1963) Portrait of a Horse Head signed A G Haigh and dated 1910 lower left oil on board, 24cm x 29cm (9.5" x 11.5") £150-200

541.

After Alfred Glenfall Haigh Portrait of a Hound oil on board, 24cm x 34cm (9.5" x 13.5") £50-70

542.

John Pannell Bookshelf by a Window signed oil on canvas, 61cm x 36.75cm (24" x 14.5") £40-60

543.

19th Century English School White Cliffs oil on canvas, 19cm x 22.75cm (7.5" x 9") and another similar oil on canvas, 24cm x 17.75cm (9.5" x 7") £40-60

544.

Clive Madgwick (British 1934-2005) [ARR] Huntsman with Hounds signed oil on canvas, 88cm x 70cm (35" x 27.5") see illustration £400-600

545.

Johannes Holst (1880-1965) A Three-Masted Clipper in a Rough Sea signed and dated 1943 oil on canvas, 43cm x 58cm (17" x 22.75") see illustration £2000-3000

546.

Frank Beswick (act. 1881-1929) Silver Birches signed and dated oil on canvas, 50cm x 35cm (19.52 x 13.5") and 20th Century English School A Garden View oil on canvas, 27cm x 35cm (10.5" x 13.5") £100-150

547.

Manner of George Armfield Terriers Ratting oil on board, 11cm x 14cm (4.25" x 5.5") and 19th Century School Farmyard in Winter oil on board, 25.5cm x 20.5cm (10" x 8") £80-120

Lot 544 548. After Justus Sustermans Portrait of Galileo oil on canvas, 72cm x 56cm (28.25" x 22") £400-600

Lot 545 Page 61

549.

Attributed to Jan Baptist van der Mieren Mediterranean Port oil on panel, 24cm x 28cm (9.5" x 11") see illustration £600-800

550.

Late 17th Century Spanish School Madonna oil on copper, 30.5cm x 21.5cm (12" x 8.5") £100-150

551.

17th Century Dutch School Still Life with Glass and Lemon oil on panel, 40.5cm x 33cm (16" x 13") £800-1200

552.

Italian School Madonna and Child oil on poplar panel, 77cm x 60cm (30.25" x 23.5") see illustration £1500-2000

553.

18th Century French School Portrait of a Lady in Blue Dress and Red Cape oil on oval copper panel, 12cm x 10cm (4.75" x 4") £80-120

Lot 549

Lot 552 Page 62

Lot 554 554.

Gerard Terborch Interior with Soldiers Gambling oil on canvas, 35.5cm x 39cm (14" x 15.25") Note: The attribution has been confirmed

by Fed Meijer of the Rijksbureau voor Kunsthistorische Documentatie see illustration £800-1200

555.

Late 18th Century English School A Cat Poised above a Goldfish Bowl oil on canvas, 67cm x 75cm (26.75 x 29.5") see illustration £800-1200

Lot 555 Page 63

Lot 557

556.

Early 19th Century English School Portrait of a Lady Looking at a Portrait Miniature oil on canvas, 74.5cm x 61.5cm (29.25" x 24.25") £800-1200

557.

19th Century School after Veronese The Marriage at Cana oil on panel, 36cm x 51cm (14.25" x 20") see illustration £300-500

Page 64

558.

C Morris Moonlit Costal Scenes a pair oil on board, 15cm x 20.5cm (6" x 8") £30-50

DAY TWO Thursday 25th September 2014 at 10am The Textiles and Costume The Musical Instruments The Militaria and Medals The Clocks and Barometers The Watches The Plated Items The Silver The Objets de Vertu and Coins The Russian Icons and Reliquary Cross The Foreign Silver and White Metal The Jewellery

Lots Lots Lots Lots Lots Lots Lots Lots Lots Lots Lots

560 – 577 580 – 586 587 – 611 615 – 630 635 – 653 655 – 672 675 – 820 830 – 895 900 – 907 910 – 918 920 – 1076

Page 66 Page 67 Page 68 Page 72 Page 73 Page 76 Page 78 Page 91 Page 96 Page 99 Page 102

Sale Viewing

Sunday 21st September 10am-4pm Monday 22nd September 9am-5pm Tuesday 23rd September 9am-5pm Sale mornings 8.30am-10am

Buyer’s Premium 18%+VAT (21.6% inclusive)

Please note that some works of art in this sale may be subject to Artist’s Resale Right, indicated in the catalogue with [ARR]. Any of these Lots realising €1000 or more will incur an additional charge of 4% of the hammer price, to be paid to the artist or beneficiary.

We request that purchased lots are collected from Chorley's by 5pm on Friday 3rd October.

Any items remaining after this time will be removed to storage at the purchaser's expense.

Enquiries

Tel: +44 (0) 1452 344499 E: info@chorleys.com www.chorleys.com

Prinknash Abbey Park Gloucestershire GL4 8EU

The Textiles and Costume 560. A silk top hat £30-40 561.

A 19th Century needlework picture of a basket of flowers on a plinth, 28cm x 34cm (11.25" x 13.25") £100-150

562.

A pair of blue floral curtains with trailing stems each 188cm x 72cm (74" x 28.5") another pair matching, each 259cm x 107cm (102" x 42"), a pair of green, blue and yellow stripe curtains with gilded decoration, 266.5cm x 122cm (105cm x 48cm) and two blue tartan tie backs £60-80

563.

A patchwork quilt with all over square design, 234cm x 208cm (92" x 80"), a paisley type shawl and other patterned, patchwork and thread work material £80-120

568. A quantity of livery buttons by Firmin, crested and initialled RWF and six gilt brass livery buttons bearing same crest Note: crest of Fotheringham and others £60-80 569.

Five South Herefordshire Hunt buttons, two Ross Harriers buttons and a quantity of other buttons, livery, military etc £40-60

570.

Eight Continental silver buttons, import marks Chester 1901, of circular form, decorated a lady and gallant £60-120

571.

A quantity of buttons by Firmin, London, depicting a figure marooned on an island £30-50

572.

A large quantity of buttons and buckles £30-40

573.

A large quantity of mother-of-pearl and other buttons £30-40

564.

A pair of cream crewel work curtains, lined and interlined, with matching pelmet, 313cm (123") drop x 183cm (72") wide £200-300

574.

A Victorian needlework padded panel within a gilt plaster frame, 117cm (46") wide £80-100

565.

A pair of cream chintz curtains with white rose and blue ribbon design, lined and interlined, 240cm (94") drop x 155cm (61") wide £80-120

575.

A tortoiseshell handled umbrella, the handle inset with four-leaf clover in yellow metal, two parasols and a Chinese embroidered panel £80-120

566. A Roman blind, of flocked squares design in burgundy and mustard, 168cm (66") drop x 183cm (72") wide £60-80

576.

A Hines of Oxford 'Bestiare' tapestry, 20th Century in the 16th Century Brussels style, 178cm x 175cm (70" x 69") and a Belgian hunting tapestry, 20th Century in the 17th Century style, 132cm x 157cm (52" x 62") £200-300

577.

Twenty-four 'dessert d'oyleys', sketches of a few Gloucestershire houses, a Great Western Railway bookmark, a quantity of liner Trusograms etc £50-70

567.

An early 19th Century needlework sampler, verse and inscription within a border of stylised designs by Mary Packer 1804, 32cm x 22cm (12.5" x 8.75") and another by Sarah Mudge 1811, 30.5cm x 28cm (12" x 11") both pupils of Dunchideock School £60-80

Page 66

The Musical Instruments

584. A Hofner Flamenco guitar with case and another guitar £40-60

580. A Hungarian cello bearing a label, Michael Poller Producator de Vioara Ducurestic, the two-piece back 72cm (28.25"), in a case £50-100 581.

585.

A cello bow with round stick and ebony frog, and another, shorter, both in a pine box £30-50

586. An oak xylophone and a cello bow £30-40

582. A cello bow by Johannes Finkel, gold and ebony mounted and with octagonal stick £800-1000 583.

A modern English violin by Bernard Gammon, short full size, the back 37cm (14.5") long, labelled ‘Violin No2 made by Bernard Roy Gammon, Stetchford 1962’, complete with bow and accessories in a Hiscox liteflite case see illustration £300-500

A cello bow after Tourte, gold and tortoiseshell mounted and with octagonal stick £700-900

Lot 585 Page 67

The Militaria and Medals 587.

A Waterloo medal awarded to Stephen Bromley, Royal Artillery Driver, with iron loop, June 18 1815 see illustration £2000-3000

594.

A quantity of ‘The War Illustrated’; three for 1915, 1916 almost complete, 1917 almost complete and 1918 almost complete £50-80

595.

Knight (W S M) The History of the Great European War, 10 volumes, editor H W Wilson, The Great War, 1 volume, editor Frank A Mumby and The Great World War, 9 volumes £60-80

596.

Wilson (H W) After Pretoria: The Guerrilla War, Amalgamated Press 1902, 4 volumes and Wilson (H W) With the Flag to Pretoria, 4 volumes £60-80

A WWI bayonet by Remington in a leather scabbard, stamped Mangravite 45 £80-120

588. A WWII German bayonet by EUF Horster, the blade edge numbered 38 and the metal scabbard for the same £80-120 589. A pair of Japanese swords with strung bound handles, scabbards and coloured rope ties £70-90 590.

593.

A hussars fur busby, in tin storage box by J B Johnstone, Dublin and London, and an ostrich egg £40-60

591.

An officer’s dress sword with steel hilt and handle and scabbard for the same £120-150

592.

An officer’s dress sword, with steel hilt and handle and scabbard for the same £120-150

Lot 593

Page 68

597.

A British Naval General Service Medal, to John McCullum, later fitted in as a brooch in swivel mount £80-120

603. A pair of German WWII era field glasses, a pair of opera glasses and a Zeiss Ikon camera £40-60

598.

A Copeland tyg of Boer War interest, with portraits of Queen Victoria, Field Marshal Lord Roberts and the Marquis of Salisbury, List of Victories etc, marked beneath Subscribers Copy, T. Goode & Co, South Audley Street, London, 14.5cm (5.75") (damaged) £80-120

604. A World War I Victory medal to 265525 Pte. J. Russell R.S. Fus, a British War medal to 171288 Pte. D. Bray M.G.C, a truncheon for an Edinburgh Special Constable 1914-1919 (302) and an Edinburgh University Officer Training Corps medallion 1936 £60-80

599.

A quantity of correspondence and newspaper cuttings relating to Major Benjamin Ingham Tidswell, Royal Dragoons, in particular to his grave in the tomb of Ramses II at Abu Simbel and its removal to higher ground prior to the building of the Aswan dam. The lot contains a Victorian watercolour caricature of Capt B I Tidswell, monogrammed and dated 79, a pair of Triplex flying goggles, an airman’s silk map of North Africa, sundry RAF buttons and a miniature World War I trio £70-100

605. A quantity of military ephemera, including facsimile letter from Field Marshal Kitchener to the troops, facsimile letter from Edward VIII to Scots Regiment of Foot Guards and a large number of pamphlets £20-30

600. A pair of spelter figures, Nelson and Wellington, 39.5cm (15.5") high £80-120 601.

A British War Medal and Victory medal, a pair, 42315, Pte. RC Elliott Manch-R, a bronze death plaque, framed as one and a photograph of the private in uniform Note: Reginald Charles Elliott was killed in action on 31st July 1917 whilst serving with 17th Battalion of the Manchester Regt. at the Third Battle of Ypres known as Passchendaele. He is buried in Ypres Reservoir Cemetery and his death is recorded on his grandparents’ grave at St. Mary’s, Charlton Kings. He was not included with others commemorated on Cheltenham War Memorial until 1993. £200-250

606. A telescope, by Gieves Ltd, London, No. 8762, with leather covering and engraved C.G. de Lisle Bush RN, another telescope by Marshall, South Bridge, Edinburgh (2) £120-180 607.

A sextant, by Henry Hughes & Son Ltd, No. 40018, in a fitted case with accessories £150-200

608. A World War I trench periscope, by Dixey, Bond St, London, the canvas outer case marked H.E. de R. Wetherall, 1st Gloster Regt.

Note: Harry Edward de Robillard Wetherall KBE, CB, DSO, MC (1899-1979) was commissioned into the Gloucestershire Regiment in 1909 and served in World War I and II see illustration on page 70 £150-200

602. A quantity of volumes relating to World War I £20-30

Page 69

Lot 608

Lot 609 609. An Austro-Hungarian stiletto and scabbard with turned ivory handle and engraved steel blade, the gilt metal twoheaded eagle hilt and gilt metal scabbard chased with heraldic devices and military trophies, 31cm (12.25") long Note: Reputedly found on the battlefield at Waterloo see illustration £400-600

Page 70

610.

20th Century English School Officer in Camouflage oval portrait miniature, 7cm x 5.5cm (2.75" x 2.5") £50-70

611.

An Officers dress sword by Henry Wilkinson with steel hilt, shagreen handle and leather scabbard £120-150

The Clocks, Barometers and Watches

Page 71

The Clocks and Barometers

619.

A late 19th Century Boulle type eight-day mantel clock, the red tortoiseshell and brass inlaid case with bouquet of flowers finials, gilt metal acanthus and flower mounts on scroll feet, the embossed brass dial with segmented chapter ring and blue enamelled Roman numerals, the movement striking on a bell, the back plate stamped Bright, Paris, 36cm (14.25") high £220-250

620. An Edwardian mahogany cased mantel clock, the case of Gothic arch form, the white enamel dial signed E. White, Paris, 32 Haymarket London and with Roman numerals, fitted a French movement, 25.5cm (10") high £150-200 621.

A pocket compensated barometer, with scale from 23-31 and to 8000 feet, in a fitted case £60-80

622. A pocket compensated barometer, the dial signed Short & Mason, London, made for A&NCS Ltd Westminster, in a fitted case £70-100 Lot 615 615.

A Louis XV style French Boulle clock, circa 1870, movement by Barwise of London, the movement earlier than the case see illustration £800-1200

616.

An oak grandmother clock, with thirtyhour false plate movement and square brass dial, signed Booth, Pontyfract £150-200

617.

A French red marble mantel timepiece, set with gilt metal mounts and circular enamel dial, 45.75cm (18") high £80-120

618.

An early 19th Century oak and mahogany thirty-hour longcase clock, the hood with swan neck and pillars to the sides, fitted an arch top painted dial, name indistinct, Alford £150-200

Page 72

623.

A walnut drop head wall clock with octagonal surround to the circular dial, the pendulum aperture with glass panel fitted an eight-day movement striking on a gong £80-120

624. A late 18th Century oak cased thirty-hour longcase clock by R. Moxham, Coleford, the hood with moulded cornice and with pillars to the sides, the trunk enclosed by a door, on bracket feet, the square painted dial with flowers and date recorder, 208cm (82") high £250-350 625.

A late 19th Century gilt brass carriage clock with canted side pillars, the white enamel dial with Roman and Arabic numerals, the eight-day movement striking on a gong, No. 7978, 18cm (7") high and the original key £250-300

The Watches

626. A mahogany banjo-shaped barometer and thermometer, the case inlaid shell, star and bird patera £80-120 627.

An oak longcase clock, with square hood and dentil cornice, the trunk enclosed by a rectangular panel door, fitted a brass dial

by George Gould, South Molton £300-400

628. An Asprey compensated barometer, the silvered dial with scale from 23-31, in a leather case initialled G de L.B., 7cm (2.75") wide £80-120

Lot 635 A lady’s French gold pocket watch by F Renaudian, the fob set diamond chips and a surround of half pearls to the bezel and reverse, and monogrammed TBOM, the case stamped 18k and with Paris marks, the inner cover inscribed F. Renaudian 149, Galerie de Valois, Palais-Royal Paris see illustration £400-600

629. An eight-day longcase clock by Lewis Samuel, Liverpool, the arched hood with broken swan neck pediment and free standing twisted columns to the sides, the inlaid case with long door on a box base with bracket feet, the painted dial with moon phase to the arch and painted with emblems of the continents to the spandrels, the dial 36cm (14") wide £500-700

635.

630. An Edwardian mantel clock with circular dial, the arched case with inlaid decoration, 28cm (11") wide £70-90

636. A lady’s platinum and diamond cocktail wristwatch, by Longines, circa 1925, of geometric design, the cartouche shaped face with Arabic numerals, the bezel and the shoulders millegrain set with calibre cut sapphires and eight-cut diamonds, on a black moiré silk strap, cased see illustration £500-700

Lot 636 Page 73

639. A collection of lady’s wristwatches, including a 9ct gold Tissot, the square shaped dial with baton numerals; a stainless steel wristwatch by Rotary; and a gold wristwatch by Limit of Switzerland, on a flexible gilt metal bracelet £80-120 640. A George III silver pair cased open-faced pocket watch by M. Clayton, Manchester, 16460, the case London 1813 with enamel dial, Roman numerals and second hand and a silver fob £120-150 641.

A Victorian silver open-faced pocket watch, No 2264, the case London 1859, with enamel dial, Roman numerals and seconds dial £60-80

642. A lady’s open-faced pocket watch, the case stamped 14k, the white enamel dial with painted garland of flowers, a 15ct gold wrist watch and a propelling pencil £70-90 643.

Lot 638 637.

A Breitling stainless steel Colt GMT, A3235011/G567 Chronometre Automatic, with warranty certificate dated 07 06 2008 and purchase receipt, in a bakelite case and cardboard box £700-1000

638. A lady’s Swiss 18ct gold and diamond wristwatch, circa 1960, by R Jaquet, Geneve, the circular dial with baton and Roman numerals, the bezel decorated with six eight cut diamonds on a flexible fancy rope twist bracelet, with French assay marks No. 031006 see illustration £600-800

Page 74

A George III silver pocket watch (incomplete) with later outer case and two other silver watches £60-80

644. A Rotary 18k gold wristwatch no. G51423, purchased 27/10/1994 £300-400 645.

An Omega anti-magnetic wristwatch 30mm, No 2895/28 £400-450

646. A George III silver gilt pair-cased pocket watch, the white enamel dial with Roman numerals, the movement signed Jno Lambert and numbered 199, the case with marks for TH, London 1791 £500-700 647.

A gold plated open-faced pocket watch,

by Gammon, London & Birmingham, No.17675, a steel cased open-faced pocket watch and another £80-120

648. A silver cased open-faced pocket watch, the silvered dial with Roman numerals and floral spray in yellow metal, blued steel hands and subsidiary seconds dial, fitted a chain driven movement No. 32423, the case hallmarked London 1859 and inscribed ‘Presented to Henry W Hilder for saving Miss Davis from being burnt to death at Cripps Corner, Ewhurst, Sussex, 1860’ £100-150 649. A lady’s Continental 18k gold cased pocket watch, the open face dial with Roman numerals in red enamel, the case back decorated Little Bo Peep with a lamb in enamel, the movement numbered 884541 see illustration £70-100 650. A lady’s gold cased wristwatch, the circular dial with Arabic numerals, fitted a Swiss 15 jewel movement marked Movado, on a 9ct square link bracelet, gold weight approximately 9.3gm £80-120 651.

A lady’s Prestex Royal wristwatch, the canted square dial with Arabic numerals fitted a Swiss 17 jewel movement, on a 9ct white gold brick-link bracelet £80-120

Lot 649 652.

A lady’s Bernex wristwatch, the circular dial in an octagonal case, the textured bracelet marked 14k £100-150

653.

A lady’s 18ct gold cased Rolex wristwatch, circa 1953, the circular dial with Arabic numerals to a diamond bezel, the case numbered 563942, the Swiss made movement marked Rolex, on an expanding bracelet see illustration £600-800

Lot 653 Page 75

The Plated Items 655.

A Sheffield plate oval tray with pierced handles and gadroon border, crested, 46.5cm (18.25") wide and a plated tantalus with swing handle on ball and claw feet, 34cm (13.5") high £80-120

656. A plated four-piece tea set, of half ribbed form comprising spirit kettle on stand, teapot, cream jug and sugar basin £80-120 657.

A quantity of silver plated ware, including a cream jug, sugar basin, water jug, cigar lighter etc. £70-90

658. A pair of silver plated entrée dishes, another pair, a single entrée dish, three spare handles and four miniature entrée dishes and covers £70-90 659.

Five large oval serving dishes, two with beaded rims, three with moulded wavy rims £80-120

660. A silver plated salver, engraved foliate scrolls and with scrolling rim on three feet, 36cm (14.25") diameter £60-80 661.

Six pairs of 19th Century engraved fish knives and forks, with crested ivory handles £80-120

664. A pair of boxed silver plated spoons, each bowl engraved a child, 23.5cm (9") long and four silver plated coasters £40-60 665. A cased set of six ‘Tudor’ dessert forks and dessert knives, the steel blades and tines with ivory handles (after originals of circa 1565, found in Herefordshire) £30-50 666. A plated fiddle pattern table service of forty pieces, monogrammed £40-60 667.

668. A pair of Sheffield plated wine coasters with shell and scroll borders and turned wooden bases £30-50 669. A pair of two-branch, three-light candelabra, the circular sconces on reeded scroll arms to a tapering stick below, 48.5cm (19") high £80-120 670.

A pair of plated wine coasters, 14cm (5.5") diameter and another £30-50

671.

A quantity of silver plate including two handled tray, swing handled basket etc £30-50

672.

A quantity of silver plate including wine coasters, tray etc. £40-60

662. A pair of fish servers in a case £30-40 663. A set of four 19th Century Sheffield plate entrée dishes of shaped oval form with leaf moulded ring handles, 30.5cm (12") wide £60-80

Page 76

A pair of silver plated warming dishes, Thomas Bradbury & Sons, of oval form with beaded handles and borders, the stands with beaded scroll legs on shaped feet, crested Note: Crest of Adlington, Cresswell, Outram and others £80-120

The Silver

Page 77

The Silver 675.

A silver beaker designed by Archibald Knox for Liberty & Co., Birmingham 1903, impressed Cymric, 7.5cm (3") high, approximately 165gm see illustration £600-800

676.

A silver jar and cover, Stella Campion, London 1977, chased with iris and applied with 18ct gold leaves and a gold and enamel dragonfly, approximately 215gm, 11.5cm (2.5") high see illustration £500-700

677.

A pewter Tudric plate designed by Archibald Knox with enamel roundel and embossed decoration, stamped Tudric 0163, 25cm (9.5") diameter Provenance: ex Hornsby Collection £100-200

678. A pewter Tudric biscuit box designed by Archibald Knox for Liberty & Co., circa 1905, embossed with square leaf and flower design, stamped Tudric, Made by Liberty & Co. English Pewter 0194, 10.5cm (4.5") high see illustration £300-500 679.

A pair of silver fish servers, London 1851, with pierced decoration and embossed handles £100-150

680. A silver baluster cream jug, London 1973, with double scroll handle and sparrow beak spout, 11cm (4") high, approximately 235gm £80-120 681.

A silver baluster cream jug, London 1967, with double scroll handle, 10cm (4") high, approximately 220gm £70-100

682. A silver punch bowl, Sheffield 1989, embossed with ribbon tied husk swags, 23.5cm (9") diameter, approximately 675gm £200-300

Lots 676, 678 & 675

Page 78

Lot 683

683. A 17th Century silver trefid spoon with lace back to bowl and lace decoration to handle, S H, London 1684, inscribed “Found under an apple tree at Newton 1811” Provenance: Newton Surmaville, Yeovil, Somerset, seal of Robert Harbin see illustration £1000-1500

684. A canteen of silver and steel cutlery, Wakeley & Wheeler London 1905/6 monogrammed, comprising twelve table forks, twelve dessert forks, six table spoons, twelve dessert spoons, twelve tea spoons, six shell handled nut picks, four sauce ladles, four two-handled dishes, soup ladle, two gravy spoons, cheese scoop, four knife rests, sugar tongs, together with ten side knives monogrammed M with ivorine handles and steel blades by Lawn & Alder Ltd, and twelve table knives, in a near matching fitted wooded canteen and four silver fruit spoons, Charles Pilling, Sheffield 1907 see illustration £1500-2000 685. A pair of silver fruit bowls, Finley & Taylor, London 1892, of oval shape, chased and pierced with fruit, 24.5cm (9.5") wide, approximately 600gm £300-400 686. A pair of silver candlesticks, Glasgow 1904, of George III style with leaf chased knop stem and shell chased square base, 23cm (9") high, approximately 800gm (damaged) £300-400 687.

Lot 684

A set of twelve sterling standard American silver dishes, with reeded rim, monogrammed, 15.5cm (6") diameter, approximately 820gm £250-300

Page 79

688. A silver “Armada” dish ash tray, Mappin & Webb, London 1978, 17cm (6.5") diameter, approximately 265gm £60-80 689. Three shell shaped silver dishes, initialled, London 1907, 13cm (5") approximately 200gm £50-60 690. A silver salver, Goldsmiths & Silversmiths Company, London 1916, autographed, with a gadrooned wavy rim, 26.5cm (10.5") diameter, approximately 615gm £150-200 691.

A silver quaich, Edinburgh 1973/4, 12cm (4.5"), a silver bonbon dish, Birmingham 1911 and a small silver tray, 11.5cm (4.5"), approximately 240gm £50-60

692. A small silver circular dish, London 1912, 11.5cm (4.5"), a silver cup (damaged), a silver heart shaped bonbon dish, a small silver sugar basin, a silver stamp tray, a pepper pot and salt, approximately 290gm £50-60 693. A silver mounted glass hip flask, London 1901 and a silver gilt and gold monogrammed dressing table box, London 1868, 5cm (2") wide £80-120 694. A pair of silver five-bar toast racks, Birmingham 1911, 7cm (3") wide, two other toast racks, a silver backed hairbrush and an American cut glass silver topped sugar caster £40-60 695.

A set of six silver pistol grip dessert knives, Sheffield 1904 and a silver sugar spoon £20-30

696. A silver capstan inkwell, Birmingham 1928, the hinged cover with presentation inscription, 15cm (6") diameter £60-80 697.

A set of six silver coffee spoons, Birmingham 1933, a silver mounted scent bottle, two photograph frames etc. £70-90

698. A silver cigarette box, Goldsmiths & Silversmiths Co. Ltd, London 1920, with engine turned decoration and borders of harebells, 13.5cm (5.25") wide £60-80 699. A silver dressing table set, Mappin & Webb, London 1910, with embossed borders, monogrammed, comprising: tray, pair of hair brushes, clothes brush and hand mirror £150-200 700.

Lot 700 Page 80

A Victorian silver claret jug, Richard Martin & Ebenezer Hall, London 1875, with profusely chased scrolled decoration, a vacant cartouche to each side and C scroll handle, 29cm (11.5") high, approximately 635gm see illustration £250-350

Lot 701 701.

702.

703.

A George IV silver teapot, J E Terrey & Co, London 1824, fitted a carved ivory handle, the hinged cover with rose finial, the spout with grotesque mask terminal, the sides and foot embossed flowers and lappets, approximately 830gm see illustration £350-450 A George II silver cruet stand, Jabez Daniel, London 1746, of cinquefoil shape with loop handle on scroll legs and shell feet, fitted a matched set of five cut glass cruets, four with silver mounts (Victorian), a rococo cartouche to the side, bearing crest of Young (Baronets of Formosa Place, Buckinghamshire) £300-500 A three-piece silver backed dressing table set, Adie Bros, Birmingham 1939, comprising hand mirror, hairbrush, clothes brush, a glass jar with silver cover to match and a napkin ring (6) £50-70

704.

A cut glass bowl with silver rim, Birmingham 1919, 20.5cm (8") diameter £50-80

705.

A Victorian silver mounted bonbon dish, Hawkesworth, Eyre & Co, Sheffield 1862, with pierced swing handle, pierced sides and glass liner on claw and ball feet, 13cm (5") diameter £60-80

706.

A silver footed bowl, Adie Bros., Birmingham 1927, of circular shape with galleried rim, 21cm (8.25") diameter and sundry silver, approximately 300gm £80-120

707.

A silver cigarette case, Deakin & Francis, Birmingham 1937, the cover bearing the insignia of the Royal Army Medical Corps, four other silver cigarette cases and a silver cased compact, approximately 700gm £180-220

708. A silver three-piece cruet, Cooper Brothers, Sheffield 1899, each-piece with wavy rim and on three paw feet, the cover to the pepper pot associated and a similar open salt and mustard pot, approximately 229gm £80-120 709.

A silver vase, Thomas Edward Atkins, Birmingham, date letter rubbed, of flared octagonal shape on a weighted circular foot, 19cm (7.5") high, a silver backed hand mirror, Adie Bros., Birmingham 1956 and a silver footed bowl (3) £120-180

710.

A silver sugar caster, Richard Martin & Ebenezer Hall, Sheffield 1903, of octagonal baluster form, 21.5cm (8.5") high, a smaller similar caster, Chester 1909 and a sifter spoon, approximately 275gm £100-150 Page 81

711.

A matched three-piece silver cruet set, various dates and makers, of baluster form on paw feet and a Victorian mustard pot, London 1894, with pierced sides and blue glass liner, approximately 190gm £60-80

712.

A silver mug, London 1939, of tapering form with scroll handle, initialled and dated, approximately 175gm and a rectangular silver frame with easel back containing a calendar £80-120

713.

Six William IV fiddle pattern silver dessert spoons, monogrammed, London 1830, and another spoon, similar, London 1833 approximately 295.5gm £50-70

714.

Four fiddle pattern silver salt spoons, 1846 and three others, 1829 £30-50

715.

Two George III old English pattern silver dessert spoons, London 1804 and 1819, a pair of Georgian sugar tongs and a jam spoon, Sheffield 1903 £50-70

716.

Two Georgian old English pattern silver tablespoons and two dessert spoons, approximately 180gm £40-60

717.

A silver table spoon, initialled, London 1805, Peter and William Bateman and another initialled, London 1795 £50-70

718.

A pair of George III old English pattern silver sauce ladles, London 1810, approximately 60gm £30-40

719.

A small silver sauceboat of Georgian design, Birmingham 1930 £40-60

720.

An oval half-ribbed silver teapot with hinged cover and ebonised handle, Sheffield 1911, and a half ribbed cream jug, approximately 750gm £150-180

Page 82

721.

A Victorian circular silver teapot, Robert, James & Josiah Williams of Bristol, Exeter 1852, embossed four small landscapes within C scroll borders, the hinged cover with fruit finial, raised on four scroll feet, approximately 685gm £400-500

722.

Two Georgian silver toddy ladles with twisted whalebone handles, the bowls set with 1758 coins, 36 cm (14") and 34cm (13") long £100-150

723.

A boxed silver cruet, Sheffield 1966, comprising a salt, pepper and mustard pot with two spoons, approximately 340gm £80-120

724.

A silver Christening set, Adie Bros., Birmingham 1939, comprising egg cup, spoon and napkin ring; a silver cigarette box, 1934, with inscription, 14.5cm (5.5") wide and a paper knife with silver handle, London circa 1890 (marks rubbed), engraved floral scrolls, (blade broken) £60-80

725.

A circular silver fruit bowl with foot, Edward Vogel, London 1935, with pierced sides and presentation inscription, 25cm (10") diameter approximately 425gm £150-200

726.

A set of twelve silver handled dessert knives, Sheffield 1830, of Queen’s pattern with later steel blades £60-80

727.

A three piece silver tea service, Birmingham 1905, of oval part reeded form, the teapot 27cm (10.5") high, approximately 825gm £200-300

728.

A silver sauce boat, Edward Vogel, Sheffield 1934, 18cm (7"), another Chester 1932, 15cm (6") and a silver sugar basin, London 1900 of circular form chased with floral scroll work, 10.5cm (4") diameter, approximately 360gm £60-80

Lot 738 729.

A boxed silver sugar caster, Goldsmiths & Silversmiths Co., London 1905, of octagonal form, 17cm (6.5") in a red leather box retailed by John Cockburn, Richmond, weighted; a silver five-bar toast rack, Birmingham 1905, and a seven-bar toast rack, Sheffield 1935, approximately 190gm weighable £70-100

730.

Seven table knives with silver handles, London 1973, six matching dessert knives and six tea knives, the silver handles Sheffield 1925 and 1926 £40-60

731.

A silver backed dressing mirror, Sheffield 1953, with oval frame and long tapered handle, a matching clothes brush, Sheffield 1952, a silver backed hair brush, Birmingham 1912 and a silver backed mirror, Birmingham 1902 £40-60

732.

An oval silver bread basket, George Howson, London 1913, with pierced border and swing handle on a pedestal base, approximately 350gm £120-150

733.

A pair of silver sweetmeat dishes, Chester 1905, the pierced border with scrolling decoration, a rectangular silver cigar case, Chester 1916 and a silver ashtray, London 1964, approximately 295gm £70-90

734.

Five silver napkin rings, various, approximately 95gm £40-60

735.

A pair of Georgian silver bright-cut sugar tongs, H.S, date letter worn, a caddy spoon, J.R. Birmingham 1974, five silver tea spoons and a silver jam spoon, approximately 115gm £50-70

736.

A pair of silver vases, Walter, John, Michael & Stanley Barnard, London 1906, with embossed ribbing and a small jug, Mappin & Webb, Birmingham 1923, approximately 160gm £80-120

737.

A silver rectangular flask, G H James & Co, London 1922, with engine-turned decoration and hinged cover, 15cm (6") high and a small scent bottle with silver cover £120-150

738.

A pair of post-war silver coffee pots, Gerald Benney, London 1967, of circular tapering form, the angular handles with ebony heat absorbers, 25.5cm (10") high approximately 1535gm gross see illustration £800-1200

Page 83

Lot 743 739.

A part canteen of silver flatware, William Gibson & John Langman, London 1899, the cartouche terminals faintly crested, comprising four table spoons, ten table forks, ten dessert spoons and a pair of sauce ladles, approximately 2255gm £500-700

740.

A set of ten silver teaspoons, George William Adams, London 1878, of bead pattern and six egg spoons to match, approximately 408gm £80-120

741.

A small silver quaich, Sheffield 1942, an engraved silver pen etc. £60-80

742.

A set of six silver table spoons, W E, London 1842, of Queen’s pattern with anthemion backs, approximately 660gm £150-200

743.

A silver casket, James Wakely & Frank Clarke Wheeler, London 1909, of canted rectangular shape decorated Turkmen hunting dragons in a Charles II style chinoiserie landscape, set on scroll feet and inscribed beneath to Lady Marjorie Coke by the inhabitants of Wells-Next-TheSea, Norfolk, retailed by Allen & Davis, Norwich, 28cm (11") wide, approximately 1725gm see illustration £800-1200

Page 84

Lot 744 744.

A late Victorian silver casket, John Henry Rawlings, Britannia marks for London 1896, of oval shape with sea snake handle above stiff leaf and lobed decoration, on scroll feet, 20.5cm (8") wide, approximately 700gm see illustration £300-500

745.

A pair of silver sauce boats, GH, Sheffield 1935, each with loop handles on an oval foot, approximately 470gm £120-180

746.

A Victorian silver teapot, Thomas William & Henry Holmes Dobson, London 1897, of pear shape with embossed foliate swag decoration, approximately 305gm £80-120

Lots 750 & 749 749.

A William IV silver teapot, WH, London 1836, with crabstock handle and raised decoration of squirrels among fruiting vines, approximately 420gm see illustration £200-300

750.

A Victorian silver bowl, John Figg, London 1845, decorated in relief figures outside a tavern, on leaf capped mask feet, approximately 255gm see illustration £80-120

Lot 748 747.

A George III silver teapot, AH, London 1809, of rounded rectangular shape with monogram beneath a coronet to the side, on ball feet, approximately 555gm £150-200

751.

A Victorian silver bowl, London 1881, with half ribbed decoration on a circular foot, 12cm (4.75") diameter and another similar, London 1880, approximately 290gm £80-120

748.

A George III silver teapot, Hester Bateman, London 1784, of oval shape with tapering spout and beaded rims, approximately 340gm see illustration £400-600

752.

A George II silver brandy warmer, Fuller White, London 1755, fitted a turned ebonised handle, approximately 340gm gross see illustration £300-500

Lot 752 Page 85

753.

A pair of swing handled silver baskets, William Hutton & Sons Ltd., Sheffield 1912, each of oval shape with pierced borders and beaded rims, approximately 295gm £150-200

754.

A silver box, S.C. London 1881, embossed a classical scene to the cover and stylised leaf scrolls to the sides, 14cm (5.5") wide, approximately 230gm £80-120

755.

A Victorian silver Christening set, Hilliard & Thomason, various dates, all with Gothic monogram AC and cut with foliate scrolls and ivy leaves, comprising mug with silver gilt interior, knife, fork and spoon, in a fitted case, approximately 220gm gross weight £200-300

756.

Three 18th Century silver spoons, the first with shell back initialled C/JD and dated 1742 to the terminal; the second with rat tail and Britannia marks; the last with shell back circa 1764 £60-80

757.

758.

An early 18th Century provincial silver rat tail spoon, makers mark only RP, and another rat tail spoon £50-70 An 18th Century provincial silver spoon, possibly West Country, maker’s mark only, struck three times, T between two pellets £60-80

759.

A Victorian silver mounted page turner, London 1889, the curved ebony handle to an embossed handle, initialled G de LB to the hilt, 47cm (18.5") long £100-150

760.

A silver hip flask, D & F, Birmingham 1936, with engine-turned decoration throughout, approximately 135gm and a silver mounted glass flask with pull off cup, Walker & Hall, London 1922, crested £100-150

761.

A silver capstan inkwell, Birmingham 1945, of usual form, 14cm (5.5") diameter £50-70

Page 86

762.

An Arts & Crafts silver bowl, maker’s mark SS, Chester 1911, of cauldron form with planished finish, applied a border of bosses and with retailers mark for Franklin & Hare, Taunton beneath, 12cm (4.75") diameter, approximately 242gm £100-150

763.

A silver and crocodile skin mounted hip flask, James Dixon & Sons, Sheffield, initialled £80-120

764.

A silver inkstand, J C Vickery, Birmingham 1914, the inkwell with crest and motto of Bush to the canted square cover, inscribed and dated June 5th 1890-1915, 20.5cm (8") wide, approximately 530gm £150-250

765.

A Victorian silver taper stick from a desk stand, two silver bud vases and a 9ct gold band £50-70

766.

A George II silver caster, Francis Spilsbury, London 1731, of baluster form with pierced cover, 13cm (5") high £50-70

767.

A George III silver teapot stand, Edward Jay, London 1793, of oval shape, with rubbed armorial, approximately 400gm £100-150

768. A pair of George IV silver waiters, William Brown, London 1822, each of circular form with central armorial within a beaded border set on fluted legs with beaded feet, 23cm (9") diameter, approximately 1345gm Note: The crest and armorial probably relate to the marriage of Daniel Gurney (1791-1880) of the prominent Norfolk banking family to Lady Harriet Jemima Hay (1803-1837) in 1822 see illustration £600-800

Lot 768

769.

A George III silver tea caddy, John Robins, London 1790, of rectangular shape with incurved corners, the domed cover with pineapple finial, with bands of cut decoration, and oval cartouche to front and back, 13.5cm (5.25") wide, approximately 495gm see illustration ÂŁ400-600

770.

A George III silver tea caddy, William Turton, London 1782, of serpentine outline, the hinged cover with flower finial, the sides with swagged decoration and a crest within an oval to the front, 13cm (5") wide, approximately 380gm Note: Crest of Freer, Pennant and others see illustration ÂŁ400-600

Lots 769 & 770 Page 87

Lot 773

771.

A Victorian silver waiter, Henry John Lias & John Wakely, London 1878, of circular form on claw and ball feet, engraved a central monogram within a border of foliage, 23cm (9") diameter, approximately 365gm £100-150

772.

A George IV silver waiter, Benjamin Smith, London 1829, engraved a starburst, the pie crust edge with scroll and leaf border on scroll feet, 26.5cm (10.5") diameter, approximately 805gm £200-300

773.

A Victorian part set of Wellington pattern silver flatware, George William Adams, London 1856, comprising: twenty three table spoons, twenty eight table forks, fifteen dessert forks, fifteen dessert spoons, nine tea spoons, four sauce ladles, two salt spoons, a butter knife, two serving spoons, a basting spoon, crested, approximately 9010gm Note: Crest of Evans see illustration £2000-3000

Page 88

774.

A set of four Victorian silver salts, Edward & John Barnard, London 1855, of compressed circular form with florally embossed sides on scroll feet, 9cm (3.5") diameter, crested, approximately 550gm Note: Crest of Evans £200-300

775.

Two pairs of George III silver sugar tongs, one crested, a pair of silver pepper pots, Birmingham 1938, of baluster form and a silver caster, approximately 125gm £70-100

776.

A George II silver marrow scoop, possibly George Wickes, London 1744 and another Christian & Thomas Barker, London 1802 £200-300

777.

A matched part service of silver flatware, 20th Century, comprising: four table spoons, twelve table forks, twelve dessert spoons and two dessert forks, of old English pattern, approximately 2005gm £400-600

778.

A George III silver basting spoon, Peter & Ann Bateman, London 1792, and another, John Wren, London 1797, approximately 225gm £80-120

779.

A set of eight George III silver table spoons, George Smith & William Fearn, London 1819, of fiddle and thread pattern, initialled, approximately 550gm, and a teaspoon similar £120-180

780. A George III silver teapot, Samuel Hennell, London 1799, of oval shape with fluted sides and tapering spout and a George III silver jug with hinged cover and of oval shape, Samuel Hennell, London 1804, approximately 770gm £200-300 781.

A pair of 18th Century style silver sauceboats, Hancocks & Co., London 1937, each with leaf capped scroll handle and with wavy rim, approximately 490gm £100-150

782.

A pair of silver chocolate pots, Richard Comyns, London 1934, each with domed cover and of ovoid shape, approximately 750gm £200-300

783.

A silver salver, Goldsmiths & Silversmiths Co Ltd, of square form with shaped corners on bracket feet, 29.5cm (11.5") wide, approximately 910gm £250-350

784. A Victorian silver jug, Charles Stuart Harris, London 1882, of half ribbed form, two pairs of silver pepper pots of baluster form, three silver toast racks and a silver pusher, approximately 550gm £120-180 785.

A silver coffee pot and hot water jug, Goldsmiths & Silversmiths Co. Ltd., London 1937, each of pear shape on a circular foot, approximately 1090gm £300-500

786. A silver three-piece cruet set, London 1970, of small proportions comprising squat circular mustard pot, open salt and pear-shaped pepper pot, cased and a cased set of six apostle teaspoons and the matching sugar tongs £40-60

787.

A silver backed dressing set, Mappin & Webb, Birmingham 1949, comprising hand mirror, a pair of hair brushes and a pair of clothes brushes £60-80

788. Two pairs of George II silver salts, David Hennell, London 1745/1749, of compressed circular form and four salt spoons various £200-300 789.

A George III toddy ladle, marks rubbed, with twisted whalebone handle £60-80

790.

A silver dressing table tray, Chester 1909, of embossed rectangular form, 28cm (11") wide, approximately 300gm £80-120

791.

A silver mounted dressing table set, Walker & Hall, Birmingham 1934, comprising hand mirror, clothes brush and hair brush with guilloche enamel backs £60-80

792.

A two-handled silver bowl, Birmingham, date letter rubbed, of shaped circular form, approximately 120gm £40-60

793.

A pair of George II silver sauce boats, Ann Kersik, London, circa 1750, with scroll handles, later embossed decoration and on three feet, approximately 380gm £120-180

794.

A silver inkstand, William Hutton & Sons Ltd., London 1903, fitted with two silver mounted glass inkwells, the stand with pierced border and gadrooned rim, 26.5cm (10.5") wide £100-150

795.

A George III silver sugar basket, John Lautier, London 1770, of pierced oval form with embossed beading and pierced loop handle (damaged), 16.5cm (6.5") wide £80-120

796.

Three pairs of George III sugar tongs and two pairs of scissor form sugar tongs (damaged) £60-80

Page 89

797.

A silver mounted glass inkwell, Sheffield 1904, a silver vesta case, Birmingham 1911, an oval pin dish and a silver stand £50-70

798.

Sundry damaged and scrap silver including a Georgian cream jug, flatware etc £100-150

799.

A George III silver toddy ladle, London 1789, with twisted whalebone handle and coin to the bowl £70-100

800. A silver mounted jar, Thomas Whitehouse, London 1862, with engine turned sunburst decoration to the cover, 9cm (3.5") wide and a George III open silver salt, RM, London 1762 £40-60

806. A George III silver jug, London 1799, with reeded loop handle, reeded rims and engraved decoration and a similar jug, approximately 195gm £100-150 807.

A pair of silver salts, N & H, Chester 1899, of navette shape with pierced decoration and matched blue glass liners and two Georgian condiment spoons £100-150

808. Four Georgian silver salts, various dates and makers, each of compressed circular form on three legs, approximately 345gm £100-150 809. An oval glass hip flask with pull off silver cup, William Thomas Wright & Frederick Davies, London 1868 £100-150 810.

A George III old English pattern silver ladle, G B, London 1766, crested Note: Crest of Poyser £150-200

811.

A Scottish Kings pattern silver basting spoon, John McKay, Edinburgh 1846 and an old English pattern basting spoon, London 1816, approximately 220gm £80-120

812.

803. Four pairs of George III silver sugar nips, various makers, all with bright cut decoration and a similar pair of Sheffield plated sugar nips £70-100

An old English pattern silver basting spoon, Francis Higgins, London 1889, with bright cut decoration to the stem and two Georgian silver table spoons with bright cut decoration, one by Hester Bateman, approximately 250gm £80-120

813.

804. A pair of George III silver sugar nips, W C, with pierced sides and shell bowls and a similar pair £60-80

A George III shell back silver spoon, Thomas Dealtry, London 1771 and two silver sauce ladles approximately 185gm £60-80

814.

A George III silver caster, Samuel Godbehere & Edward Wigan, London 1789, of baluster form with acorn finial and beaded rims, 14.5cm (5.75") high £200-300

801.

A George III silver waiter, Joseph Angell, London 1818, with shell and scroll border on a paw feet centred by an armorial, 18cm (7") diameter, approximately 295gm Note: Armorial and motto of Clan Adair Provenance: Flixton Hall, Suffolk, 1950 sale £200-300

802. A small George III silver toddy ladle with twisted whalebone handle, marks rubbed, 17cm (6.75") long, a toddy ladle set with a 1785 coin and with turned wood handle and another toddy ladle £120-150

805. A pair of George II silver table spoons, TE over GS, London 1759, initialled and five George III silver table spoons approximately 460gm £120-180

Page 90

815.

A George III silver caster, Thomas Shepherd, London 1780, of baluster form with spiral finial, 13.5cm (5.25") high £150-200

816.

A George IV silver caster, London 1823, of baluster form with acorn finial and beaded rims, 16cm (6.25") high £150-200

817.

A silver porringer, T R, London 1929, with pierced handle, approximately 200gm £100-150

818.

A Victorian silver ewer, Richard Martin & Ebenezer Hall, London 1877, with hinged cover, leaf capped scroll handle and a circular foot, 26cm (10.25") high, approximately 400gm £200-300

819.

A silver teapot, London 1923, of oval shape and a mustard (lacking cover), approximately 465gm £100-150

820. A silver cocktail shaker, G B & Co, Birmingham 1947, with bands of engine turned decoration, inscription of Gurkha Rifles interest, approximately 425gm, 21.5cm (8.5") high £150-200

The Objets de Vertu and Coins 830. A William IV silver vinaigrette, Lawrence & Co, Birmingham 1830, engraved cover and base, 2.5cm (1") wide, an oval sterling silver box and an octofoil engraved box £100-120 831.

Three silver decanter labels, CSC & Co., Birmingham 1967(1), 1972(2), for Gin, Rum and Brandy £50-70

833.

A Pointons spherical scent bottle of crazed design with silver cover, 5cm (2") high, a Doulton Lambeth miniature mug with silver marks, 4cm (1.5") high and a pair of carved Florentine type miniature frames, 13cm x 13cm (5.25" x 5.25") £40-50

834. Approximately 110 Chinese shell gaming chips, circular and boat shaped, engraved with pagoda figures etc. £60-80 835.

A silver elephant pin cushion, Birmingham 1905, 5cm (1.75") £150-200

836. A silver pig pin cushion, Birmingham 1905, 5cm (1.75") £80-120 837.

A silver pig pin cushion, Birmingham 1905, 5cm (1.75") £80-120

838. A silver pig pin cushion, Birmingham 1907, 5cm (1.75") £80-120 839. A silver chick, Chester 1909 and a silvered metal penguin and hare £60-80 840. A silver five-piece miniature tea service, Birmingham 1975, comprising a tea pot, water jug, cream jug, sugar basin, embossed with spiral flutes and a tray, 15cm (5.75") £80-120 841.

A silver pin cushion shoe with wooden sole, Birmingham 1911, 12.5cm (5") £150-200

842. A silver thimble in a fitted case, Birmingham 1901, J M Loard, Chesterfield £40-60

832. A silver menu holder, Calmon & Neate, Birmingham 1908, the double sided owl perched on a half sphere, 4cm (1.5") high £40-50

Page 91

847.

A George III silver snuff box, Joseph Taylor, Birmingham 1808, the hinged cover engraved foliate details and initials and a Victorian silver vesta case £50-70

848. A silver cigarette case and compact, Deakin & Francis, Birmingham, one side fitted with a compartment for powder and a mirrored compartment, both with blue cabochon buttons, the other side for cigarettes, and a silver compact with engine turned decoration and band of yellow metal decoration, total weight approximately 223gm £80-120

Lot 843 843. A Chinese amber scent bottle, 19th Century, shaped rectangular with domed top, 7.5cm (3") high see illustration £150-250 844. A Belle Epoque enamel and diamond buckle, late 19th Century, in the style of Cartier, the large rectangular frame decorated with blue guilloche enamel within a white enamel border applied with rose cut diamond flora and cross motifs, with French assay mark, maker’s mark L S and No. 19791 £1200-1500 845. A Victorian tortoiseshell pique work card case, shaped rectangular, the front pique work of buckle and belt, shield motif to the centre with honeycomb decorated frame, the interior with ivory plaque section, 10cm x 7cm (4" x 2.75") £80-120 846. A novelty glass telescope scent bottle, late 19th Century, designed as a snail, the cut glass body with a telescope to the centre, the gold lid with reeded decoration £100-120

Page 92

849. A 9ct gold cigar piercer, Chester 1928, initialled RB and a 9ct gold cigar cutter with gadrooned handle £200-250 850. Two silver handled cigar cutters, both marked sterling £60-80 851.

A German cigar cutter modelled as a horse’s head £80-120

852.

A 9ct gold locket containing an overpainted photograph of a young lady, 4.5cm (1.75") diameter, in a fitted case £60-80

853.

Two UK Proof Coin Collections, 1983, in presentation cases, a cased Farewell Set of LSD coinage, a Commonwealth Games 1986 £2 coin, various Brilliant Uncirculated £1 coins, etc. £30-50

854. Sundry Georgian and later coins, including a Queen Victoria florin 1887, one shilling 1883, etc. £30-50 855.

A silver medallion commemorating the Royal Naval Exhibition 1891, modelled by A E Warner, in original card box, a silver coronation medallion for Edward VII, 1902 in leather presentation case, a Queen Victoria diamond jubilee medallion and a Queen Victoria coronation medallion (distressed) in a card holder marked ‘found

by Mr C W Keen on Mount Farm, Haresfield’ £60-80

856. A George III silver vinaigrette, possibly Cornelius Bland, London 1798, of oval form engraved H to the centre of the hinged cover, enclosing a pierced gilt grille, 3cm (1.25") wide £100-150 857.

An Edwardian guilloche enamel dressing set, comprising two hat pins with circular purple and white terminals, six matching buttons and a bar brooch, cased £80-120

858. A late 19th Century gold seal, the hardstone matrix engraved a crest £200-250 859.

Two contemporary silver and enamelled ducks, maker’s mark M H, .925, 4.5cm (1.75") and 3cm (1") see illustration £60-80

860. A George III silver vinaigrette, John Bettridge, Birmingham 1818, with engraved exterior and gilt interior with grille and a silver stamp holder modelled as an envelope, Chester 1905 £80-120 861.

A William IV silver snuff box, Nathaniel Mills, Birmingham 1836, of rectangular shape with engine turned decoration and silver gilt interior, 6cm (2.25") wide £70-100

Lot 859 862. A Dutch silver spoon, import marks for Chester 1902, with figural handle and scene with bridge to the bowl, an 830 standard salt modelled as a Viking ship and a white metal fishing boat £60-80 863. A silver model of the coronation chair, import marks for London 1901 and another silver chair, probably Dutch with import marks for London 1899 £60-80 864. A silver cigarette case, Birmingham 1937, approximately 210gm, a circular compact and a musical compact £70-100

Lot 867 Page 93

873.

Two silver mounted coloured glass scent bottles, the first with green guilloche enamel cover, Birmingham 1910, the second with embossed cover, Birmingham 1905 £120-180

874.

An early 20th Century tortoiseshell dressing set, monogrammed in yellow metal, comprising pair of hair brushes, two clothes brushes, hand mirror, two jars and covers, a pair of scent bottles etc, the scent bottles and jars with silver rims bearing French silver marks £150-200

875.

A silver mounted tortoiseshell pin box, the mounts Birmingham, the cover marked ‘Pins’, 10cm (4") wide £40-60

868. A William IV silver snuff box, Gervase Wheeler, Birmingham 1831, with engine turned decoration and scroll borders, 7cm (2.75") wide and another snuff box, John Shaw, Birmingham 1794, of reeded form £250-350

876.

A papier-mâché snuff box of oval form, the hinged cover set a white metal plaque, initialled, 9cm (3.5") wide and three horn snuff boxes, one inset a white metal anchor to the cover £100-150

869. A novelty silver bell, Sheffield 1925, with rooster terminal, 8.5cm (3.25") high, a silver mounted match strike, two napkin rings and a French silver mounted jar with import marks £80-120

877.

A Chinese brass desk seal modelled as a bald head bearing four different expressions, 6.5cm (2.5") high £60-80

865. A set of five silver decanter labels, R & K, London 1978, comprising Port, Scotch, Brandy, Sherry and Gin, all with scrolling foliate borders £60-80 866. A pair of silver wine labels, R & K, London 1968, for Claret and Moselle, each of canted rectangular form and three other decanter labels £50-70 867.

870.

871.

872.

A silver and tortoiseshell trinket box, Goldsmiths & Silversmiths Co. Ltd., of quatrefoil shape, the tortoiseshell cover finely inlaid a batwing patera and ribbon ties, 14cm (5.5") wide and a small circular silver and tortoiseshell box see illustration on page 93 £200-300

A set of five George III silver wine labels, George Smith & Thomas Hayter, London 1804, of canted rectangular form, Madeira (3) and Sherry (2) and two George III wine labels of crescent shape, both for Port £400-600 A Victorian silver wine label for Hock and a set of four silver decanter labels, Sheffield 1937 £50-70 A set of twelve Art Deco silver and enamel cocktail sticks, Adie Bros, Birmingham 1935, each with coloured enamel terminal depicting a witch and cat on a broom stick and a set of six Norwegian pickle forks with stylised enamel terminals £60-80

Page 94

878. A brass vesta case modelled as Mr Punch, 6cm (2.25") high, another modelled as an organ grinder’s monkey and a bronze nutcracker of walnut form £80-120 879.

A Russian silver niello buckle of shaped form with dagger clasp and a Russian silver vodka cup, Igor Zavijanov, Kiev £80-120

880. A Victorian cane handle with banded agate knop and silver collar and a French jet parasol handle, 31cm (12.25") long £100-150

881.

A pair of William IV silver framed spectacles, Joseph Willmore, Birmingham 1831, with oval lenses and extending arms, with a papier-mâché spectacles case £150-200

882. A Continental white metal cup, probably French, of waisted form with monogram in an oval cartouche, 6.5cm (2.5") high and a white metal box and cover of circular form on ball feet, the cover with Gothic monogram in red and blue enamels £100-150 883. A French tortoiseshell and enamel box and cover, early 19th Century, of circular form, the cover with central panel of foliage to a border of red and white striped enamel, the sides similarly decorated and with white metal rims, 6.5cm (2.5") diameter £100-150 884. A silver and tortoiseshell dressing set, Birmingham 1927, comprising hair brush, clothes brush and hand mirror each with silver mount and inlaid a silver wreath £150-200 885. A magnifying glass with a duck head handle, probably from a walking cane, a propelling pencil and a vesta case £100-150 886. A tortoiseshell and silver hand mirror, Birmingham 1921, the back inlaid foliate motifs and a comb with silver mount £60-80 887.

A 19th Century horn snuff box with inlaid lozenge to the cover, 8.5cm (3.25") wide, a faux horn snuff box and two simulated tortoiseshell snuff boxes £60-80

888. A 19th Century papier-mâché snuff box, circular with young woman holding a dove to the cover, 9cm (3.5") diameter, a Japanese lacquer box and three other snuff boxes £70-100

Lot 895 889. A carved ivory bobbin with Stanhope of Weston-Super-Mare scenes, a bone pipe tamper modelled as a leg, a bone ladle and sundry ivory £100-150 890. A silver case for a pipe, Arthur & John Zimmerman, Birmingham 1912, with hinged cover and silver gilt interior £100-150 891.

A Queen Victoria gold sovereign, 1899 £100-150

892. An amber and 9ct gold mounted cigarette holder by F. Edwards & Co, 25 Glasshouse Street, in a fitted case, a cigar holder of squat form, a pipe modelled as a lady’s stockinged leg, a vesta etc. £100-150 893. A tortoiseshell piqué brooch, circular with floral design, a tortoiseshell bangle and two faux tortoiseshell trinket boxes £80-120 894. A quantity of miniature items including a silver whistle, a leather purse of sporran form, a penknife, a magnifying glass, etc. £100-150 895. A Napoleon III 10 franc gold coin, 1866 see illustration £70-100

Page 95

The Russian Icons and Reliquary Cross

902. A Russian icon, St George and the Dragon, circa 1810, realistically painted St George mounted on a rearing horse with dragon beneath, far right the Princess praying and top left Christ observing, the oklad chased and engraved with the figures in a landscape within a scrolling frame, 31.75cm x 26.75cm (12.5" x 10.5") £200-300

900. A Russian icon, possibly 17th Century, St Nicholas The Miracle Worker, assay master mark Ivan Ardeyev 1863, Moscow, the master’s mark M E (unknown), the saint realistically painted, his right hand in benediction, his left holding a gospel supported by Christ and Mary Mother of God, the rectangular oklad with pierced and chased halo and patterned vestments within a stylised leaf border, 31.75cm x 20.25cm (12.5" x 8") see illustration £600-900 901.

903.

A Russian icon, Mary Mother of God, Kazan, Moscow, unknown assay master 1886, the master’s mark possibly S M Ikonikov, the realistically painted figures in a chased and pierced rectangular frame within chased border, 26.75cm x 22.25cm (10.5" x 8.75") £400-600

904. A Russian icon, Christ enthroned flanked

by Mary and St John the Baptist, the rectangular oklad of silvered brass chased, embossed and pierced, 27.25cm x 21.5cm (10.75" x 8.5") see illustration £200-300

Lot 900

Page 96

A Russian icon, Mary Mother of God ascending flanked by angels and viewed by six apostles, the oklad mark possibly Karl Sack-Vladimir 1842, chased and set with enamel plaques chased embossed and pierced within a vine leaf border, 29.75cm x 24.75cm (11.75" x 9.75") see illustration £1000-1500

Lot 903

Lot 904

Page 97

Lot 905 905.

A Russian icon, possibly 17th Century, Mary Mother of God holding a cross in her right hand and scroll in her left, the silver maker’s mark H.C. (twice), the rectangular oklad with pierced halo, embossed and engraved robes with Cyrillic script within a geometric border, 35.5cm x 30.5cm (14" x 12") see illustration £800-1200

906. A Russian icon, Christ Pantocrator, realistically painted with Christ raising his right hand in blessing, his left holding a gospel in a silver oklad, assay master Vasily Petrov 1885, maker’s mark indistinct, with pierced and engraved robes with geometric engraved border, 27.25cm x 22.75cm (10.75" x 9") see illustration £700-900

Lot 906 Page 98

Lot 907 907.

An early 19th Century Russian silver and niello reliquary cross, with trefoil terminals, the front decorated with niello work depicting the crucified Saviour and other Saints, hallmarked Moscow 1817 and 84 Standard mark; the maker’s marks ‘I.B’ possibly Yakov Vitalyev, and further marked ‘H.Z’, possibly Ivan Zakarov, 11.5cm high see illustration £800-1200

The Foreign Silver and White Metal 910.

A Continental gilt metal chalice, 800 standard, with knopped stem on a circular foot, 25cm (9.75") high and an unmarked paten in a fitted mahogany box converted from a tea caddy, with five brass knops or grains of incense for the Paschal candle £300-500

911.

A Continental silver mounted cut glass bowl, early 20th Century, modelled as long boat, the oval cut glass body with silver terminations, the bow decorated with a sea dragon and the stern with a minstrel playing a musical instrument, with indistinct hallmarks NA (?) possibly French, 35cm (13.5") long see illustration on page 100 £1200-1800

912.

A near pair of Continental two handled bonbon dishes, one bearing import marks for London 1897, the other with Hanau pseudo marks, each embossed with panels of putti at play within rococo scroll borders, 14.5cm (5.5") wide and a German silver bonbon sled chased with cherubs and rococo scrolls, 13.5cm (5") wide £100-150

Page 99

913.

914.

An Austrian silver cake slice, 750 standard, the blade engraved portraits of Franz Josef of Austria (1830-1916), Carl Ludwig his younger brother (1833-1896) and crown Prince Rudolf (1858-1889) Note: the eldest son of Carl Ludwig, Franz Ferdinand was assassinated in Sarajevo, 1914 giving rise to WWI £60-80 An Indian silk presentation scroll in a white metal case, the scroll to E. A. Childs Esq., Superintendent of Stores, Calcutta Electric Supply Co. dated 1934, the case of cylindrical form with presentation inscription and embossed with hunting and agricultural scenes, the case 39.5cm (15.5") long, approximately 700gm £200-300

915.

A German 800 standard silver jug and two-handled pedestal bowl, each with embossed decoration and scroll handles, approximately 180gm £60-80

916.

A set of twelve white metal teaspoons and the matching sugar tongs, each with scalloped bowl, twisted stem and figural finial, mostly figures from Classical antiquity £40-60

917.

A white metal dish centred by a Turkish coin, 12.5cm (5") diameter, a white metal spectacles case and a pill box £60-80

918.

A Russian silver butter knife, circa 1900, of plain form with maker’s mark to blade and Russian standard 84 mark, 18cm (7") long £150-200

Lot 911

Page 100

The Jewellery

Page 101

The Jewellery Clients are advised that many coloured gemstones, including jade, are treated to enhance their properties. For example heating is commonly used to improve the colour or transparency of rubies and sapphires; oiling is used to enhance clarity of emeralds. Such enhancement procedures are widely accepted by the International jewellery profession. While the colour of heat-treated stones is permanent, oiling may need to be repeated after a number of years in order for emeralds to retain optimum clarity. Prospective buyers should therefore be aware that unless otherwise stated such enhancement methods could have been used. Weights and measurements are approximate guidelines only.

920. A Chinese carved jade type pendant carved a Buddhist figure with a silvered metal mount and hanging chain, 7.5cm x 5cm (3" x 2") £100-200 921.

A quantity of costume jewellery and a complete set of dress buttons in a box £40-60

922. A collection of jewellery, including a 9ct gold curb link bracelet, decorated with paste and a few amethyst; a modern multi gem set silver bracelet, decorated with paste and hardstone plaques, marked 925; and a ‘Links’ necklace £100-150 923.

A collection of jewellery, including a 9ct gold, nephrite and amethyst brooch, circa 1950, designed as a flower spray with carved nephrite leaves and two flowers heads, each claw set with a single amethyst to the centre, marked 375, VA: an Edwardian onyx and half pearl bar brooch; and a pair of cabochon opal ear studs £180-220

924. A single row amber bead necklace, of butterscotch colour graduated from the front with fifty-two beads, and a pair of matching amber pendant drop earrings, approximate weights: necklace 79gm, earrings 5gm (including fittings); together with a graduated dark red imitation amber bead necklace £300-500

Page 102

925.

A modern gold and emerald split ring and a pair of ear studs, millegrain set with three calibre cut emeralds to each termination, marked 18k; together with a pair of single stone emerald ear studs, each square shaped stepped cut stone collet set £120-180

926. A Victorian 18ct gold half pearl and diamond ring, gypsy set with three half pearls and two rose cut diamonds; and a 22ct gold wedding band approximately 7gm £180-220 927.

A collection of coral and amber jewellery, including two coral bead necklaces, four branch coral necklaces, a bakelite carved bangle, a silver and amber brooch, imitation amber necklace, a bakelite plaque, two ivory bead necklaces and loose beads £60-80

928. A large miscellaneous collection, including various French jet bead necklaces and three shell cameos; two amethyst necklaces; ivory beads; various scarabs; various brooches, buckles and costume jewellery; a silver Dutch pill box marked 800; a miniature silver photo frame, Birmingham 1946; five silver handled tea knives, Sheffield 1937; a Victorian salt ladle 1840; ivory counter box etc. £60-80 929. A collection of jewellery including an 18ct gold signet ring, the oval plaque engraved with a family crest; a Victorian gold and malachite brooch; a Victorian cabochon agate bar brooch and a 19th Century glass intaglio ring (4) £120-180

930.

A single row amber bead necklace, of butterscotch colour graduated from the front with twenty-one beads, weight 48gm; and a single large amber bead stickpin, length 34mm x 18mm, weight approximately 10gm £200-300

931.

A collection of jewellery, including a single row cultured pearl necklace, graduated from the front on a white paste clasp; a marcasite brooch with matching ear clips, and various costume jewellery earrings £60-80

932.

A collection of shell cameo jewellery, including a ring: a brooch, a pendant and a pair of earrings £80-120

933.

An amber bead necklace, graduated from the front with butterscotch coloured beads, approximately 42gm, 45cm (17.5") long see illustration £100-150

934.

A gem set pendant necklace of openwork form centred by an oval citrine above a citrine drop and interspersed with pearls, the chain marked 9K, a cornelian bead necklace and a coral necklace £200-300

935.

A quantity of costume jewellery including Wedgwood jasperware brooch, etc. in a carved box £40-60

936.

A Victorian oval brooch with glazed panel to the reverse, a 9ct gold Art Nouveau style brooch, a cameo brooch, etc. £60-80

937.

A three stone opal ring, set in 18ct gold, circa 1900, ring size M½, a gentleman’s single stone diamond ring set in 18ct gold and a dress ring (3) £150-200

938. A 9k gold ropetwist neck chain with gold plated pendant, a 9ct gold bracelet, a 9ct signet ring and a fishing fly brooch £150-200

Lot 933 939.

A gentleman’s 9ct gold and motherof-pearl dress set, comprising a pair of cufflinks, four buttons and two shirt studs, all of octagonal shape centred by a split pearl and a part set of five buttons, cased £100-150

940. A 19th Century diamond ring, the old cut stone in a quatrefoil to pierced shoulders on a reeded shank, ring size L, an Edwardian brooch of circular form interspersed by four pearl flowerheads and another circular brooch £100-150 941.

Sundry costume jewellery including a pair of Danish silver cufflinks, a rose quartz pendant, a phial of gold nuggets, etc. £80-120

942. A 9ct gold cased penknife, engraved F.K. Bush, an 18ct gold St Christopher pendant, approximately 5.5gm, a section of 9ct gold watch chain and sundry 9ct gold, approximately 12.4gm £150-200 943.

A paste set silver pendant, modelled as dolphins, a doublet opal ring, a pair of earrings, and sundry rings etc. £100-150

944. A bar brooch centred by the word Da in rose cut diamonds, another centred by a fox mask and sundry 9ct gold and other bar brooches £60-80 945.

A quantity of paste set buttons and buckles, in a box, and a pair of opera glasses £80-120

Page 103

Lot 962 946. Three shell cameo brooches, various, five cut steel buttons etc. £60-80 947.

A Victorian mourning brooch, the central oval panel containing a lock of hair to a surround of gilt scrolls on black enamel and within a scrolling border and five small 19th Century brooches, some with hair set panels £100-150

952.

A Victorian mourning brooch, the oval hair set panel to an enamel surround and scroll border, inscribed verso ‘In memory of Mary Broadbent died July 16th 1849 Aged 73 Years’, and a mourning ring set with pearls and black enamel to an 18ct gold shank £100-150

953.

A 9ct gold bar brooch with central pearl starburst roundel, a Victorian scarf clip, a pair of flowerhead ear studs each centred by a rose cut diamond etc. £60-80

954.

Sundry paste set brooches £80-120

955.

A five stone amethyst cross, set in silver, with an amethyst set pendant loop £400-600

956.

A boxed set of twelve amethyst buttons £300-500

957.

An amethyst ring with diamond set shoulders, in platinum £300-500

958.

A gold, diamond and enamel ring, the square shaped cut corner blue enamel plaque applied with the initial N, millegrain set with rose cut diamonds, engraved 24/1/28, size J ½ £200-400

959.

A gentleman’s 18ct white gold ring, inset with a single square shaped diamond 0.20cts approximately, 15gm, size Z £200-300

948. Two unworked amber specimens £80-120 949. A group of cameo jewellery including a hardstone cameo brooch depicting a female in profile with seed pearls to the frame, two oval shell cameo brooches, a stick pin and a matching ring and pair of earrings in 9ct gold settings £180-220 950.

An oval shell cameo brooch depicting a lady in profile in a gold frame and a pair of tear shaped cameo earrings depicting figures of plenty, one lacking attachments £60-80

951.

A suite of mourning jewellery comprising earrings and locket, each with applied gold and split pearl Gothic monogram and a similar locket with silver monogram £70-100

Page 104

960. A modern 18ct gold and diamond half eternity ring, designed as a line of pave set baguette cut diamonds within a frame of brilliant cut diamonds, marked 750, ring size K½ £300-500 961.

An Edwardian ruby and diamond bar brooch, designed as a line of pave set calibre cut rubies and circular cut diamonds, cased £100-200

Lot 964 962. A Victorian gold, amethyst brooch/ pendant, with matching pendant earrings circa 1860, the oval shaped amethyst brooch within a beaded frame, supporting a single pear shaped amethyst detachable pendant drop; a pair of earrings, each single cushion shaped amethyst within a similar frame with a single amethyst flower head surmount see illustration £300-500

965.

An emerald and diamond crossover ring, claw set with a round step-cut emerald and a brilliant-cut diamond together with a certificate from ‘The Gem and Pearl Laboratory’ 25th Sept 2013, stating natural emerald, measurements, 6.7mm x 3.2mm, origin opinion Colombia see illustration £3500-4000

963. An Edwardian emerald and diamond bar brooch, designed as a double line of circular cut diamonds terminated with pave set calibre cut emeralds, 5cm (2") long £200-300 964. A Victorian gold, diamond and enamel locket pendant/necklace, circa 1865, on a snake linked back chain necklace, the front terminated with blue guilloche enamel and rose-cut diamonds, supporting a circular locket pendant with similar decoration and a principal cushion shaped diamond to the centre see illustration £4000-6000

Lot 965 Page 105

972.

An early 20th Century long chain necklet, of pierced box linking, marked 9ct on loop £350-400

973.

A pair of cultured pearl and diamond cluster ear studs, early 20th Century, each cluster with a single cultured pearl within a frame of cushion shaped diamonds, mounted in silver and gold £3000-4000

974.

A Victorian 18ct gold, ruby and half pearl brooch, with matching earrings, designed as an oval shaped plaque with circular cut ruby and half pearl cluster to centre, within a scalloped edge frame, with matching earrings en suite, brooch 4.1cm long, ear pendants 3.5cm long, approximately 18.2gm £500-600

975.

A ruby and diamond crossover ring, claw set with a circular cut ruby and rose cut diamond £700-900

976.

A Victorian gold and amethyst brooch, designed as two hexagonal shaped amethysts with a central floral detail, approximately 7gm, 3.6cm (1.5") long £350-400

977.

A Victorian gold, enamel and diamond ring, the single stone circular cut diamond claw set, with black enamel shoulders (most of enamel deficient) £150-200

978.

A ruby and diamond flower brooch, designed as floral spray with ribbon bow motif, claw set with three circular cut rubies and circular cut diamonds £700-900

979.

A Victorian aquamarine brooch, the oval shaped foiled back aquamarine within a repousse gold mount, suspending a later briolette blue topaz with half pearl decoration, approximately 6.6gm 4.3cm (1.75") £1000-1500

Lot 970 966. A Victorian onyx and half pearl locket pendant, the rectangular shaped onyx panel with applied half pearl floral motif, the reverse with a glazed panel, suspended from a half pearl and black enamel surmount, to a belcher link chain, length of pendant approximately 5cm, length of chain 52cm £350-450 967.

A Victorian garnet brooch, the circular cluster decorated with four principal cabochon garnets to the centre, within a frame of smaller circular stones £250-300

968. A Victorian garnet brooch, the circular cluster decorated with a principal single cabochon garnet to the centre, within a frame of smaller circular stones £250-300 969. A Victorian garnet brooch, the circular cluster decorated with pear and circular cut stones £200-250 970.

971.

A late 19th Century enamel brooch, the oval plaque depicting a Swiss scene of ‘Stanbach’ to the ropetwist detail surround, 4.8cm (1.75") long, with fitted case see illustration £500-700 A three stone opal ring, collet set with three oval shaped opals, the largest at the centre, weight 4.8gm £300-500

Page 106

Lot 981 980. A late 19th Century diamond and enamel brooch in the style of Carlo Giuliano, the circular flower head plaque of yellow guilloche enamel applied with a pierced diamond cluster of collet set circular and rose cut stones, with a white enamel daisy frame, diameter 3.6cm, bears mark CG (inside inner loop) ÂŁ1000-1500 981.

A gold, ruby and diamond cluster ring of Art Deco style, pave set with tapering rubies, the largest oval shaped stone to the centre, within a frame of millegrain set brilliant cut diamonds, marked 18k, ring size N see illustration ÂŁ2500-3000

982. A gold, opal and diamond cluster ring, claw set with a cabochon opal, within a frame of twenty-eight brilliant cut diamonds, marked 14k, ring size L see illustration ÂŁ2500-3000

Lot 982 Page 107

Lot 983 983. An Art Deco diamond and onyx bow brooch, circa 1930, pave set with calibre cut onyx within a frame of millegrain set circular cut diamonds see illustration £2000-2500 984. A modern gold and diamond necklace, the front designed as openwork abstract plaque decorated with seven brilliant cut diamonds, approximately 9gm, marked 14k £80-120 985. A modern gold, emerald and diamond ring, claw-set with a rectangular step cut emerald, with channel set brilliant cut diamond shoulders (one diamond missing), marked 14k 585 £250-400 986. An 18ct gold five-stone diamond ring, claw set with circular cut stones £100-150 987.

A sapphire and diamond cluster ring, the shank marked 14k £60-80

988. A Chinese jadeite butterfly pendant, carved and pierced on a cord necklet with a cornelian bead, 12cm (4.5") wide £80-120 989. A pair of sapphire and diamond cluster ear studs, each circular cut sapphire claw set within a frame of brilliant cut diamonds £400-600

Page 108

990. A four-stone diamond ring, claw set with four brilliant cut diamonds in a 18ct gold mount, size L½ £200-250 991.

A sapphire and diamond ring, claw set with three square shaped sapphires and four brilliant cut diamonds, in an 18ct gold mount, ring size L½ £80-120

992. An amber bead necklace, comprising twenty-three graduated beads, approximately 26gm, (slight damage to one bead) £100-200 993.

An Edwardian bouton pearl and diamond bar brooch, circa 1900, set with six bouton pearls interspaced with four millegrain set circular cut diamonds £300-400

994. An antique diamond cluster ring, late 19th Century, possibly French, of openwork scroll design claw set with two principal circular cut stones and circular cut stones throughout £700-900 995.

A diamond cross pendant, pierced and millegrain set with a single principal circular cut stone to the centre and eight cut stones throughout £250-350

Lot 996 996. A platinum single stone diamond ring, claw set with a brilliant cut stone weighing approximately 0.75ct, the scroll shoulders millegrain set with circular and baguette cut stones see illustration ÂŁ2000-2500 997.

998. An Edwardian diamond brooch of openwork scroll design supporting a twostone diamond drop, millegrain and collet set with circular cut stones throughout see illustration ÂŁ800-1000

An Edwardian diamond heart pendant, millegrain and claw set throughout with circular cut stones, with similarly set three stone diamond loop ÂŁ400-600

Lots 998 & 1073 Page 109

Lot 999 999. A single stone champagne diamond ring, claw set with an oval shaped stone weighing approximately 3.20ct, of pink brown colour, with tapering baguette cut similar colour diamond shoulders, weight approximately 4.6gm see illustration £10000-15000 1000. A pair of diamond cluster pendant earrings, each claw set with a rose cut diamond within a frame of ten circular cut diamonds, on hook mounts £800-1200

1001. An antique gold and half pearl locket brooch, mid 19th Century, later inset with an eye miniature of a lady (originally a slide), 2.5cm x 2cm (1" x 0.75") £500-700 1002. An antique coral stickpin, late 19th Century, carved as a bust of a young lady with floral hair garlands and rose cut diamond eyes, 10cm (4") long £500-600 1003. A single stone diamond ring, the brilliant cut stone weighing approximately 1.5ct, claw set with three-stone diamond shoulders see illustration £1800-2200

Lot 1003 Page 110

Lot 1004 1004. A marquise shaped single stone diamond ring, mounted by Graff, the marquise shaped stone weighing approximately 2.5ct, engraved to inside of mount ‘Graff’ see illustration £10000-15000 1005. An 18ct white gold three-stone emerald and diamond ring, claw set with a square shaped emerald to the centre, with two brilliant cut diamonds each weighing 0.75ct approximately £1800-2200

1006. A Belle Epoque sapphire and diamond bow brooch, circa 1890, pierced and millegrain set with circular and rose cut diamonds and highlighted with a frame of pave set calibre cut sapphires, with French assay mark to pin, 5cm (2") long see illustration £1800-2200 1007. A Victorian gold and rock crystal reverse intaglio stickpin, the circular cabochon rock crystal painted as a mallard duck on water amongst reeds, with a mother-ofpearl ground, within a gold beaded frame, 9cm (3.5") long £700-900

Lot 1006 Page 111

Lot 1015

Lot 1016

1008. A pair of 18ct gold and diamond cluster ear studs, the brilliant cut stones claw set £700-900

1012. A gentleman’s 18ct gold and diamond signet ring, the single stone brilliant cut diamond collet set with reeded shoulders, maker W W Ltd. £500-700

1009. A Victorian diamond star brooch pendant, the twelve-pointed star claw and collet set with circular cut stones, the largest at the centre, with detachable brooch fitting, 4cm (1.5") long £1200-1500 1010. A contemporary 18ct gold, amethyst and diamond pendant/necklace, claw set with a single oval shaped amethyst surmounted by a single brilliant cut diamond and a stylised bow motif on a flat fancy linking, marked 750 £900-1200 1011. An Indian silver gilt amethyst hinged bangle, circa 1900, pierced filigree work, the front collet set with a large circular cut amethyst with a beaded frame decorated with seed and faux pearls £80-120

Page 112

1013. A collection of seven gold and opal stickpins, circa 1900, of various designs, including two set with seed pearls £300-400 1014. A Victorian gold, sapphire and diamond brooch, the oval shaped plaque of beaded decoration design, gypsy set with a single cushion shaped sapphire and four circular cut diamonds £180-220 1015. A Victorian gold, enamel and diamond brooch/pendant, pierced and claw set with seven cushion diamonds, the largest at the centre, decorated with a frame of black enamel see illustration £1000-1500

Lot 1017 1016. A diamond floral spray brooch, circa 1950, with lily of the valley design pave set throughout with circular cut diamonds see illustration ÂŁ1200-1500 1017. A late Victorian gem set butterfly bar brooch, collet set with a cushion shaped garnet and mabe pearl body, rose cut diamond wings and cabochon emerald eyes on a gold bar pin brooch, 5.5cm (2") long see illustration ÂŁ600-800

1018. A gold filigree and gem set brooch, circa 1830, close-set with an oval shaped pink topaz to the centre and decorated with cushion, rose cut diamonds and cannetille decoration, 3.5cm (1.25") wide see illustration ÂŁ1200-1500

Lot 1018 Page 113

Lot 1019 1019. A Victorian gold, diamond and ruby snake choker necklace, circa 1860, the necklace of flexible Brazilian linking terminated at the front with entwined snake heads, each graduated with circular cut rubies and rose cut diamonds and with similarly set diamond eyes, approximately 37gm, 37cm (14.5") long see illustration £1600-2000

1020. A Victorian gold and turquoise snake necklace, late 19th Century, the necklace of flexible Brazilian linking terminated with a single snake’s head decoration with cabochon turquoise and garnet eyes, approximately 25gm, 36cm (14") long £600-800 1021. A sapphire and diamond ring, circa 1900, surmounted with a claw set pear shaped sapphire and two cushion shaped diamonds, on a circular and rose cut diamond half band see illustration £1200-1500 1022. A pair of 14ct gold cufflinks,

by Tiffany, the rectangular shaped plaques with reeded decorated, marked Tiffany & Co, approximately 13.8gm £600-800

Lot 1021 Page 114

Lot 1024 1023. A pair of Edwardian 18ct gold, hardstone and diamond cufflinks, circa 1900, each white hardstone plaque bright cut engraved with a single circular cut diamond to the centre, cased by Limonet, Bruxelles £300-500 1024. A pair of gold, sapphire and diamond flower head cluster earrings, each collet set with a circular sapphire with five petals, each claw set with three brilliant cut diamonds see illustration £600-800 1025. A Georgian blue paste pendant, decorated with close set oval, cushion and pearshaped blue paste and three chains with faux seed pearls, 7.5cm (3") long and a mid 19th Century white paste cross pendant, 5cm (2") long £80-120 1026. A large Victorian Scottish gem set pebble brooch, bright-cut engraved, collet set with two oval-shaped citrine stones and two oval-shaped amethyst stones and six agate sections, 9cm (3.5") wide £40-60 1027. A Victorian gold and Florentine mosaic brooch and earrings, circa 1870, the ovalshaped plaque with floral ‘pansy’ mosaic within a gold border decorated with gold wire work, the brooch 5cm (2") wide, the matching earrings, 2cm (0.75") wide £80-120

Lot 1028 1028. A gold portrait miniature pendant, on a fine gold snake link chain decorated with seed pearls; the oval-shaped miniature by Gustavus Hamilton, dated 1760, depicting a lady said to be a member of the Ellis family, wearing a lace trimmed dress, a black choker, with pearls and pink feather in her hair, the miniature 3cm x 2.5cm (1.25" x 1"), originally a slide later adapted to a pendant, total length 24cm (9.5") Note: Gustavus Hamilton (Irish, 1739-1775) was a pupil of Robert West at the Drawing School in George’s Lane, Dublin and was later apprenticed to the artist Samuel Dixon, He exhibited in Dublin from 1765-1773 and he died in 1775 aged 36 see illustration £700-1000 1029. A turquoise and half pearl bangle, circa 1900, the front decorated with a line of claw set cabochon turquoise within a frame of half pearls, 6cm (2.5") wide (one half pearl missing and some replaced) £40-60

Page 115

Lot 1033

1032. A 9ct gold and enamel RAF brooch, and three other brooches £150-180 1033. An 18ct gold and diamond cluster ring, claw set with seven brilliant cut diamonds, the largest at the centre, total weight approximately 2.2ct see illustration £1000-1500

Lot 1034 1030. A 9ct white gold Art Nouveau turquoise matrix bracelet, by Murrle Bennett & Co., with five openwork scrolled plaques, the largest at the centre, each with a cabochon turquoise matrix marked ‘M B’ 9ct, 20cm (8") long £100-150 1031. An Edwardian diamond and bouton pearl brooch, of openwork stylised bow motif, millegrain set with rose cut diamonds and decorated with eight bouton pearls, 5cm (2") wide £300-500

Page 116

1034. A three-stone diamond ring, claw set with brilliant cut stones, the largest at the centre, marked 18ct and Plat see illustration £400-600 1035. A pair of 9ct gold and cultured pearl ear clips, of flower head design set with three cultured pearls £60-80 1036. An 18ct gold strap bracelet, of openwork flexible fancy brick linking, approximately 34gm, marked 750 £500-700

Lot 1047 1037. A pair of diamond cluster ear studs, claw set with a single brilliant cut diamond within a frame of eight cut stones £200-400

1046. A pair of gem set pearl earrings of pierced scrolling form suspending a pearl drop £80-120

1038. A two row cultured pearl necklace, graduated from the front on a marcasite and single pearl clasp £80-120

1047. A 9ct gold bar brooch, modelled as a salmon leaping over a fishing rod, the salmon in enamel see illustration £120-180

1039. A spade guinea, 1791, mounted as a pendant to a 9ct gold chain £150-200

1048. A 9ct gold and citrine bar brooch, claw set with a circular stone £80-120

1040. A garnet stick pin, the oval cabochon terminal with pearl starburst to the centre and another with carved coral terminal modelled as the bust of a young child £60-80

1049. A pair of 18ct gold cufflinks, the oval panels with crest and armorials relating to Baron de Lisle (Lysaght) of Mountworth, County Cork, approximately 16gm £200-300

1041. A Victorian diamond and enamel mourning ring, the central stone in an enamel cinquefoil, the enamelled shoulders to an 18ct gold shank marked ‘In Memory Of’ £150-200

1050. A baroque pearl and turquoise bracelet, the cage pearl and turquoise links alternating with gold openwork links, suspending a turquoise drop £200-300

1042. No lot

1051. An onyx and diamond dress set, backed in 9ct yellow gold and with 18ct white gold rims, comprising a pair of cufflinks, three buttons and two similar studs £100-150

1043. A sapphire dress ring, the single stone in a rubover setting to reeded shoulders, ring size P £100-150 1044. A George IV child’s mourning ring, the split pearl and diamond cluster to engraved shoulders, inscribed verso ‘Anna Newcombe died 21 Dec 1823 Aged 51’ £100-150

1052. A pair of Art Deco hexagonal cufflinks, centred by sapphires on mother-of-pearl panels and set in 9ct white gold (losses), two studs to match and five other dress studs £70-100

1045. A 14ct gold brooch of modern design, with textured finish, approximately 6gm; and a gem set pendant brooch £100-150 Page 117

Lot 1053 1053. A 9ct gold curb-link watch chain, hung with two seal fobs; a whistle of dog’s head form; and an ingot, etc see illustration £400-600 1054. A mother-of-pearl and sapphire dress set, of octagonal form set in 9ct yellow gold, comprising a pair of cufflinks, four buttons and a shirt stud £150-200 1055. An oval shell cameo depicting a child holding a torch while seated on an angel’s back, after Thorwaldsen, 5cm (2") wide and another depicting a youth in profile, a trumpet over his shoulder £80-120

Lot 1057 Page 118

1056. A diamond half-hoop ring, the eleven stones to an unhallmarked white metal shank, ring size P £120-150 1057. An Edwardian gold, diamond, ruby and half pearl garland brooch, the openwork foliate design claw set with a single circular cut diamond and collet set rubies, set throughout with half pearls (brooch later adapted from pendant) see illustration £300-500 1058. An Edwardian gold, half pearl and turquoise brooch/pendant, the openwork trefoil foliate motif claw-set with cabochon turquoise, the largest stone with a swing centre see illustration £150-200

Lot 1058

Lot 1059

1059. An 18ct gold, sapphire and diamond curb link bracelet, circa 1900, the matted curb links collet set with alternate circular cut diamonds and sapphires, approximtely 52gm see illustration ÂŁ1000-1500

1060. A pair of diamond cluster ear studs, circa 1900, claw set with cushion shaped stones, the largest at the centre see illustration ÂŁ800-1200

Lot 1060 Page 119

Lot 1061

Lot 1064

1061. A pair of diamond cluster earrings, circa 1900, of each of quatrefoil design millegrain set with circular cut stones see illustration £600-800

1063. A pair of sapphire and diamond cluster earrings, each claw set with an oval shaped sapphire within a frame of circular cut diamonds £150-250

1062. An Edwardian gold and half pearl bar brooch, set with eight half pearls, cased £60-80

1064. A gold, sapphire and diamond crescent brooch, circa 1890, the graduated and claw set oval sapphires each interspaced with two circular cut diamonds see illustration £600-800

Lot 1065 Page 120

Lot 1067 1065. An Edwardian opal and diamond brooch, of flower head design, millegrain set with five heart shaped opals each surmounted with circular cut diamonds and a single diamond collet set to the centre, cased see illustration £700-1000 1066. An 18ct gold, opal and diamond cluster ring, collet set with an oval shaped cabochon opal within a border of brilliant cut diamonds ring size K £250-400

1067. An 18ct gold five-stone diamond ring, claw set with cushion shaped stones, the largest at the centre see illustration £1500-2000 1068. A pair of pearl and diamond drop earrings, circa 1900, each half pearl within a frame of rose cut and a single circular cut diamond frame, supporting a fine chain with a single rose cut diamond and further similar set cluster drop (untested and uncertified) see illustration £600-800

Lot 1068 Page 121

Lot 1069

Lot 1070 Page 122

1069. An Indian enamel and multi gem set seed pearl fringe necklace, the front graduated and close set with cabochon gems, including sapphire, ruby, coral, pearl, spinel, moonstone and quartz, the reverse decorated with red, green and white enamel, each supporting a further seed pearl drop, on a seed pearl necklace (one part of a drop deficient) see illustration £600-800 1070. A Victorian gold archaeological revival bracelet, circa 1850, composed of six oval portrait miniature compartments, each with a plain cover within a double beaded frame, interspaced with scrolled hinged baton links, four with portraits in profile, two of gentlemen and two of young girls, approximately 122gm, boxed

by Mr Streeter (Late) Hancock & Co Ltd, Goldsmiths & Jewellers Note: the sitters are believed to be members of the Harvey family of Beeding Wood, Nr Horsham, Sussex see illustration £2000-3000 1071. A ruby and diamond five-stone ring in an 18ct gold scroll setting, ring size Q £60-80 1072. An emerald and diamond cluster ring, in an 18ct gold and platinum setting, ring size N½ £100-150

Lot 1074 1074. A Victorian ruby and diamond brooch, of oval shape centred by a ruby and diamond flowerhead and with four diamonds to the rim, 4cm (1.5") wide see illustration £300-500 1075. A faceted-link bracelet hung with various charms including a 15ct gold mounted swivel seal, a locket designed as a serpent, and gold coins £500-700 1076. A pair of 18ct gold, ruby and enamel ear clips, by Deakin & Francis, each circular earring with seven cabochon rubies, collet set on a blue enamel ground, marked D & F England 750, cased £80-120

1073. An Edwardian diamond brooch pendant, of scrolling openwork form centred by a diamond cluster and with diamond drops below, 4.5cm (1.75") wide see illustration on page 109 £800-1200

Page 123

CONDITIONS OF BUSINESS (INCLUDING SALES BY INFORMAL TENDER) INFORMATION FOR BUYERS 1. Introduction The following informative notes are intended to assist buyers, particularly those inexperienced or new to our salerooms. All sales are conducted under our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand but neither we, nor our auctioneers, nor our staff can be held responsible for any errors made.

2. Agency As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy, your primary contract is with the seller.

3. Estimates Estimates are designed to help buyers gauge what sort of sum might be expected for the purchase of a particular lot and should not be relied on as a statement of the price at which the item will sell or its value for any other purpose.

The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. Buyer's Premium The Conditions of Sale oblige buyers to pay a buyer's premium on the hammer price of each lot purchased at the following rates. Where thresholds apply, the higher premium rate will apply to the portion of the bid price up to the threshold and the lower premium rate will apply to the portion of the bid price in excess of the threshold.

18% on the first £250,000 15% on the excess between £250,001 and £500,000 12.5% on the excess between £500,001 and £1,000,000 10% on the excess over £1,000,001 In addition, VAT is added to this premium (see below).

5. VAT The asterisk symbol next to a lot number (*) indicates that VAT is payable by the buyer at the standard rate on the day of the auction on the hammer price as well as being an element in the buyer's premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers’ Margin Scheme or because VAT is due on importation into the UK. The double asterisk symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer's premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price.

This is because such lots are sold using the Auctioneers' Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. Catalogue Descriptions and Condition Reports We are primarily agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them, we are normally unable to carry out a detailed examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order and books are not guaranteed to be complete. However, in so far as we have examined the goods

and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods.

Additionally, in specified circumstances, lots mis-described because they are 'deliberate forgeries' may be returned and repayment made, within a three-week time limit from the date of sale. The expression 'deliberate forgery' is defined in our Conditions of Sale. We are unable to undertake condition reports on the day of an auction.

7. Electrical Goods These are sold as 'antiques' only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of Goods Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory. Ask us if you need help.

9. Registration and Bidding The auctioneers reserve the right to refuse admission to the saleroom premises or participation in any auction, and to reject any bid. They may accept, at their complete discretion, bids from those present in the saleroom, written commission bids left in advance of the auction, and an indication of intention to bid from those who wish to do so by telephone or online. At the time of registration, prospective bidders are required to complete a registration form with their name and address, and to supply proof of identity and residence, for example a passport or driving licence photocard and a current utility bill, together with a debit or credit card, in order to obtain a numbered bidding paddle. Chorley’s will not accept mobile telephone numbers as the only form of contact or a P.O. Box number as the only address. Clients leaving commission bids by telephone, email or via the internet will also be required to provide these details and proofs of identity and residence before a bid is accepted, as will clients registering to bid by telephone or online. New bidders who cannot attend Chorley’s saleroom in person to show this documentation are requested to process their proposed payment card for authentication through the secure online registration page, operated by SAGEPAY, on Chorley's website. A deposit may be requested from new clients wishing to bid on premium lots (which will be clearly indicated in the catalogue). This deposit will be refunded on the day after the auction should the bid be unsuccessful, or deducted from the buyer’s invoice if the bid is successful.

Instructions to bid on behalf of another party will be refused. All buyers must arrange immediate payment upon notification of a successful bid and arrange collection of goods by 5pm on the Friday one week after the auction. To avoid any delay in the release of purchases, buyers should pre-arrange credit approval from their bank. Lots purchased will be invoiced to the name and address on the registration form and payment by a third party will not be accepted.

Goods will not be released to any other person or address other than that registered. Collections by couriers/carriers will only be permitted on receipt of written instructions from the registered bidder. Collections by taxi or unconfirmed other parties will be refused. If payment is made in absentia, Chorley’s will not release the items for a period of 72 hours after payment unless the cardholder attends the saleroom in person and presents the card used for the transaction.

In some circumstances, Chorley’s may be able to provide packing and/or postage of purchased Lots for a fee, however this is at Chorley’s discretion and it is advisable to check before bidding whether this service will be available for a particular Lot. Packing by Chorley's will be done to the best of our ability but we cannot guarantee the treatment of packages once they leave our saleroom, therefore where this service is offered, it is done so at the buyer's risk and on the understanding that Chorley's will not be held liable for loss or damages.

10. Commission Bidding All those wishing to use this service are bound by the registration and bidding requirements in Item 9 above.

Commission bids may be left with the auctioneers up to one hour before the start of an auction, indicating the maximum amount to be bid excluding buyers' premium. These can be left in person, by telephone or via the 'My Lots & Bids' feature of our online catalogues. All bids submitted are regarded as acknowledgement that the bidder has read and accepts the terms and conditions of sale and will submit any specific personal details requested to verify their intention and ability to comply with those conditions. Commission bids will be executed at the lowest possible price having regard to any reserve and competing bids. If two buyers submit identical commission bids, the auctioneers may prefer the first bid received. The auctioneer may execute commission bids directly from the rostrum, clearly identifying the successful bid as commission bid. Commission bids may be left with saleroom staff by telephone, at which point all details of proposed payment and collection arrangements will be required. We would remind prospective bidders that the firm strongly advises viewing onsite in person, or by an agent, and that any descriptions, condition reports and images supplied to the absentee bidder are an opinion provided by this firm and do not guarantee the condition, age or any other characteristic of the lot in question. Execution of commission bids is a free service undertaken subject to other commitments at the time of the sale and we cannot accept liability in an individual instance for failing to execute a written bid or for errors and omissions in connection with it, arising from circumstances beyond our reasonable control. The auctioneer may also execute bids on behalf of the seller up to the amount of the reserve, which cannot be above the lower estimate. The auctioneer will not specifically identify bids placed on behalf of the seller. It is the responsibility of the bidder to ascertain whether his bid has been successful. All buyers must arrange payment and notify Chorley’s of collection arrangements by 5pm on the Friday one week after the auction.

11. Telephone Bidding All those wishing to use this service are bound by the registration and bidding requirements in Item 9 above. At their discretion, the auctioneers may undertake to bid on behalf of a prospective buyer over the telephone. Telephone bids will not be available for lots estimated below £400 and this service must be booked by 4pm on the day prior to the auction. Bidders will be required to provide two telephone numbers, in case one line is busy or unobtainable at the time of the auction. They will also be asked to supply an emergency commission bid for each lot in which they propose to bid. These will only be executed in the event that saleroom staff are unable to reach the bidder on the telephone number provided at the time the lot is offered for sale. Execution of telephone bids is a free service undertaken subject to other commitments at the time of the sale and we cannot accept liability in an individual instance for failing to execute a telephone bid or for errors and omissions in connection with it, arising from circumstances beyond our reasonable control.

Bidders are advised that there is a limit to the number of lines available for telephone bidding and these are allocated purely on a first come, first served basis. Should all available lines be pre-allocated, prospective buyers will be asked if they wish to leave a commission bid instead. Telephone bids may be recorded for security purposes and by bidding on the telephone prospective buyers consent to the recording of their conversation. All buyers must arrange payment and notify Chorley’s of proposed collection arrangements by 5pm on the Friday one week after the auction.

12. Live Online Bidding All those wishing to use this service are bound by the registration and bidding requirements in Item 9 above.

Chorley's sales offer prospective buyers the facility to bid live online through the websites of www.the-saleroom.com and www.invaluable.com. Lots purchased in this way will attract an additional charge for the service in the sum of 3% of the hammer price plus VAT at the rate imposed. All potential buyers will be required to submit identification details and credit/debit card details when they register to bid live

online at www.the-saleroom.com or www.invaluable.com.

The registration address must be the bidder’s permanent residence and the card details provided must be their own. Bidders will be approved and activated for live online bidding at our discretion. Intending bidders are advised that this service is offered subject to the Terms and Conditions of ATG Media and Invaluable as stated on their websites and that they bid by this method at their own risk. Chorley's cannot be held responsible for any failure or delay in online bidding technology which results in bids failing to reach the auctioneer or reaching the auctioneer after the hammer has fallen, neither are we responsible for incorrect information provided by the-saleroom.com regarding the success of internet bids. Absentee payments for Lots purchased online will only be accepted by bank transfer or by card payment on the secure page of Chorley’s website, and there will be a clearance period of 72 hours after payment before Lots purchased online will be released for collection. Chorley’s reserve the right to charge for removal to storage of any lots not collected by 5pm on the Friday one week after the auction, for which a fee of £10 will be charged plus a storage rate of £2 per lot per day, plus VAT. If any lots are not paid for within three weeks of the sale, Chorley’s reserve the right to cancel the sale and arrange for the lot(s) to be sold either by private treaty or in a subsequent auction, and any shortfall will be invoiced to the defaulting bidder.

13. Methods of Payment Prospective buyers who have not bid at Chorley’s before may be requested to supply bank references before the auction. As a general rule, any payment tendered, other than cash, will need to be cleared before removal of the goods is permitted. Accepted methods of payment are: • Sterling cash up to a maximum sum of £8,000 per auction • Debit card drawn on a UK Bank – there is no additional charge for purchases made with these cards. Maximum payment in one day £30,000.

• Bank transfer – account details available from office.

Maximum payment accepted from personal accounts is £25,000 per day or £100,000 from business accounts • Credit card – payment up to a maximum amount of £5000 per auction will be accepted at the auctioneers’ discretion and will be subject to a surcharge of 3%.

Cheques and banker’s drafts are not acceptable tender, unless agreed with a Director of Chorley’s in advance. We will not accept payments for purchased lots from any party other than the registered bidder, unless otherwise agreed with this firm prior to the sale.

Absentee payments by credit/debit card will not be accepted over the telephone, but must be made through the secure card payment page on our website, after which a clearance period of 72 hours will apply before the goods are available for release.

If any lots are not paid for within three weeks of the sale, Chorley’s reserve the right to cancel the sale and arrange for the lot(s) to be sold either by private treaty or in a subsequent auction, and any shortfall will be invoiced to the defaulting bidder.

14. Collection and Storages All buyers must arrange payment and notify Chorley’s of proposed collection arrangements by 5pm on the Friday one week after the auction. Goods will not be released before cleared payment has been received. Goods will not be released to any other person or address other than that registered prior to the auction. Collections by couriers/carriers will only be accepted on receipt of written instructions from the registered bidder. Collections by taxi or unconfirmed other parties will be refused. If an absentee payment has been made by credit/debit card, Chorley’s will not release the items for a clearance period of 72 hours unless the purchaser collects in person and produces the payment card at the time of collection. It is important that goods are paid for and collected promptly. Any delay may involve the buyer paying storage charges. Unless otherwise agreed with the Auctioneers, any lots remaining at the

saleroom following the Friday one week after the sale will incur a removal charge of £10 plus storage fees of £2 per lot per day, all plus VAT. We can provide details, without liability, of appropriate courier/carrier firms for collection of goods; however both the insuring and carriage charge is entirely the responsibility of the buyer. At our discretion, and upon the written authorisation from the buyer assuming all responsibility for loss or damage, we may be able to pack goods for collection by courier or despatch by Royal Mail Special Delivery. This would be done to the best of our ability, however this service will be provided only upon the understanding that the buyer will not hold Chorley’s liable for any damage or loss to a item once collected from the saleroom; where this service is offered, Chorley’s will make a charge for the time and materials used in packing, plus the necessary postage charges. We strongly recommend that bidders enquire before the sale if a packing service will be available for a particular Lot, if this will have a bearing on their decision to bid.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation In these Terms the words 'you', 'your', etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller's authority to contract.

Similarly the words ‘we', 'us', etc. refer to the Auctioneers.

2. Commission Commission is charged to Sellers at the following rates:For each Lot sold for £3000 and under: 15% of the hammer price plus VAT at the current rate at the time of the sale For each Lot sold for £3001 and over: 10% of the hammer price plus VAT at the current rate at the time of the sale 3. Removal Costs Items for sale must be consigned to the saleroom by any stated deadline and at the vendor’s expense. We may be able to assist with this process but any liability incurred to a carrier for haulage charges is solely the responsibility of the vendor.

4. Loss and Damage of Goods (a) Chorley's is not authorised by the FSA to provide insurance to its clients, and does not do so. However Chorley's, for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until title passes to the buyer.

To justify accepting liability, Chorley's makes a charge of 1.5% of the hammer price plus VAT. The liability assumed by Chorley's shall be limited to the lower pre-sale estimate or the hammer price if the lot has sold. (b) If the owner of goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4(a) is inapplicable.

5. Illustrations The cost of any illustrations is borne by the vendor. If we consider that the lot would benefit from the inclusion of an illustration in the catalogue, your permission will be asked first. The copyright in respect of such illustrations shall be the property of us, the Auctioneers, as is the text of the catalogue. All lots in every sale are illustrated on Chorley’s website and major auction search websites, for which a fee of £5 plus VAT is charged per lot.

6. Minimum Bids and our Discretion Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to 10% below the formal reserve.

7. Reserves. (a) You are entitled to place prior to the auction a reserve

on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed, only we may bid on your behalf and only up to the reserve (if any); you may in no circumstances bid personally on your own lots.

8. Electrical Items These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft Furnishings The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clauses 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions.

Please assist us with accurate information as to the provenance and authentication of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless we are informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale, you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and Withdrawn Items.

If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed, otherwise storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a daily rate of £2 per lot.

12. Withdrawn and Bought in Items These are liable to incur a charge of 5% plus VAT on being withdrawn after being catalogued, based on the reserve or pre-sale estimate.

13. Conditions of Sale You agree that all goods will be sold under our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been

sold at auction and so far as appropriate these Terms apply.

15. Warehousing We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum storage charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks, we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement After the sale, settlement of the net sum due to you normally takes place within 30 days of the sale (either by BACS or by crossed cheque to the seller) unless the buyer has not paid for the goods, in which case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds.

You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 30 days from the date of sale.

CONDITIONS OF SALE Chorley’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. Definitions In these Conditions: (a) "auctioneer" means the firm of Chorley’s or its authorised auctioneer, as appropriate; (b) "deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) "hammer price" means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) "terms of consignment" means the stipulated terms and rates of commission on which Chorley’s accepts instructions from sellers or their agents; (e) "total amount due" means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) "sale proceeds" means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) "You", "Your", etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. Bidding Procedure and the Buyer (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer's absolute discretion by re-offering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion; (c) Bidders shall be deemed to act as principals; (d) Once made, no bid may be withdrawn;

(e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. Increments Bidding increments shall be at the sole discretion of the auctioneer.

4. The Purchase Price The buyer shall pay the hammer price together with a premium plus VAT on the premium at the rate imposed by law. The Conditions of Sale oblige buyers to pay a buyer's premium on each lot purchased at the following rates. Where thresholds apply the higher premium rate will apply to the portion of the bid price up to the threshold and the lower premium rate will apply to the portion of the bid price in excess of the threshold.

18% on the first £250,000 of the hammer price 15% on the excess between £250,001 and £500,000 of the hammer price 12.5% on the excess between £500,001 and £1,000,000 of the hammer price 10% on the excess over £1,000,001 In addition, VAT is added to this premium (see below).

5. Value Added Tax Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to "Information for Buyers" for a brief explanation of the VAT position).

6. The Artist’s Resale Right Purchase of lots marked in the catalogue with ARR beside the name of the artist may be subject to payment of the Artist’s Resale Right. This is a royalty charge that all UK art market professionals are required to collect from the buyer of a work of art by an artist, or beneficiary of a deceased artist, who is registered as a member of a recognised collection agency. A payment of 4% will be due on qualifying lots that achieve a hammer price of the UK sterling equivalent of Euro 1,000 to 50,000 and this royalty charge will be added to the buyer’s invoice. The Euro rate of exchange applied will be the rate published by the Design and Artists Copyright Society (DACS) website on the day of the sale. Chorley’s reserve the right to invoice the buyer of a Lot at any point after the auction, should it later transpire that the artist is eligible for this royalty. After payment is received, the auctioneers will pass on this royalty to the artist’s collecting agency. For qualifying items that sell for in excess of the UK equivalent of Euro 50,000, a sliding scale of royalty charges will apply and can be viewed on the website www.dacs.org.uk along with detailed information about the Artist’s Resale Right.

7. Payment (1) Immediately a lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever, without regard to any directions of you or your agent, whether express or implied.

8. Title and Collection of Purchase (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due in respect of such lots and all other sums owed to Chorley’s, though risk shall pass to you from the time of sale.

(2) You shall, at your own risk and expense, take away any lots that you have purchased and paid for not later than 5pm on the Friday one week after the sale or upon the clearance of any cheque used for payment (where agreed in advance), after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been

paid for and all other debts and obligations to Chorley’s have been settled.

9. Remedies for Non-Payment or Failure to Collect Purchases (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs), any surplus so arising shall belong to the seller; (d) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 2 working days after the sale unless otherwise advised; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied; (2) We shall, as agent for the seller and on our own behalf, pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions.

10. Third Party Liability All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

11. Commission Bids Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will, if so instructed clearly and in writing, execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so, save where such failure is unreasonable. Where two or more commission bids at the same level are recorded, we reserve the right in our absolute discretion to prefer the first bid so made.

12. Warranty of Title and Availability The seller warrants to the auctioneer and the buyer that the seller is the true owner of the property consigned, or is properly authorised by the true owner to consign it for sale, and is able to transfer good and marketable title to the property free from any third party claims.

13. Agency The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

14. Terms of Sale The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

15. Description and Condition (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunity to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition, completeness or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing, neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “Information to Buyers�.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

16. Forgeries Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects.

If we are satisfied from the evidence presented that the lot is a deliberate forgery, we shall refund the money paid by you for the lot including any buyer's premium provided that (1) the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 1. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

2. (1) any right to compensation for losses, liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

3. Any notice to any buyer, seller, bidder or viewer may be given by First Class Mail or Swift-mail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

4. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

5. Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

6. English law applies to the interpretation of these Conditions.

Prinknash Abbey Park Gloucestershire GL4 8EU

Telephone: 01452 344499 Email: info@chorleys.com Web: www.chorleys.com