Auction Catalogue 27 & 28 April 2021 | Collections from The Laskett

Tuesday 27th & Wednesday 28th April 2021

The Laskett, A Collection from Sir Roy Strong CH FRSL Tuesday 27th April Prinknash Abbey Park Gloucestershire GL4 8EU

Telephone: 01452 344499 Email: info@chorleys.com Web: www.chorleys.com

& Modern Art & Design Wednesday 28th April

Prinknash Abbey Park Gloucestershire GL4 8EU www.sofaa.org

Chinese School, 19th Century Sold for £9,000

Chelsea porcelain owl Sold for £40,000

March Sale Highlights

Amethyst jewellery set Sold for £5,000

Qing celadon jade censer Sold for £6,500

01452 344499

Entries invited for sales throughout 2021

enquiries@chorleys.com

Ceramics | Pictures | Furniture | Silver

www.chorleys.com

Jewellery | Asian Art | Clocks | Rugs

Tuesday 27th April 2021 & Wednesday 28th April 2021 starting at 10am each day

Prinknash Abbey Park Gloucestershire GL4 8EU

Enquiries Tel: +44 (0) 1452 344499 Email: info@chorleys.com www.chorleys.com

Viewing Saturday 24th April 10am-4pm Sunday 25th April 10am-4pm Monday 26th April 9am-4pm

COVID-19 arrangements - Please note special arrangements will be in place for this auction in accordance with guidance from the Government and Public Health England. We ask that you allow extra time for viewing the sale as numbers of visitors will be restricted and you may be asked to wait. Please note that masks must be worn whilst on the premises. In the event of any new government restrictions, preventing the public attendance of auctions, this sale will continue to be held, online through Chorley’s Live (www.chorleys.com) and The Saleroom (www.the-saleroom.com). Telephone bids (for lots above £400 low estimate) and commission bids will also be accepted. BIDDING: There are a number of ways to bid at our auctions ● In person ● Commission (absentee) bid ● Telephone bid ● Online via third-party website See our website or contact us for further information. INTERNET PLATFORMS: Live internet bidding is available for this auction on these platforms, subject to an additional fee for the-saleroom.com

COLLECTION: It is the responsibility of the purchaser to make collection arrangements. All purchased lots in this auction must be paid for and collected from Chorley’s salerooms by 5pm on Friday 7th May. Lots uncollected after this date will be removed to storage at a cost of £10 and will incur a storage charge thereafter at a rate of £2 per lot per day (all charges are subject to VAT)

FEES: Buyer’s premium (+ VAT at 20%) will be charged to the purchaser on top of the hammer price of each lot purchased, at the following rates: 22.5% (27% incl. VAT) on the first £100,000 15% (18% incl. VAT) on the excess between £100,000.01 and £500,000 12.5% (15% incl. VAT) on the excess between £500,000.01 and £1,000,000 10% (12% incl. VAT) on any balance exceeding £1,000,000 Artist’s Resale Right (ARR) derives from a European Directive and came into force in the UK in 2006. Living artists and the descendants of artists deceased within the last 70 years are entitled to receive a resale royalty each time their work is bought. The right only applies when the sale price reaches or exceeds the sterling equivalent of €1,000. The fee is calculated on a sliding scale and charged to the buyer as a percentage of the hammer price, and in addition to the buyer’s premium. ARR is not subject to VAT. Please note ARR is calculated in Euros and the auctioneers will apply current exchange rates. This fee is passed on by Chorley’s to the artist’s collecting society. Applies to lots with hammer value over €1,000 as follows: €1,000 to €50,000 – 4%, €50,000.01 to €200,000 – 3% €200,000.01 to €350,000 – 1%, €350,000.01 to €500,000 – 0.5% Exceeding €500,000 – 0.25%. ARR is capped at €12,500 PAYMENT: We accept payment by debit card, credit card or bank transfer (maximum payment by credit card £1,000 per buyer per auction). We do not accept payment by cheque or cash.

All Lots offered subject to Chorley’s Terms of Sale, as published at the back of this catalogue and available on our website.

If you cannot attend the auction to view in person, you will find many additional images and condition reports in our online catalogue at www.chorleys.com. Please contact us with any specific questions and we will be pleased to help.

Gloucestershire's Fine Art Auctioneers The beautiful grounds of Prinknash Abbey are located in the heart of the Cotswolds, midway between Cheltenham, Cirencester, Stroud and Gloucester and easily accessible from the M5 / M4 / M40. Chorley's salerooms can be found next to the Abbey's popular tea rooms, and there is always plentiful parking which makes delivering and collecting items easy. We conduct frequent auctions of high quality antiques and art, as well as offering valuation services for private and corporate clients. Our experienced valuers and saleroom staff are bound by the values of integrity, honesty and professionalism and we are members of the Society of Fine Art Auctioneers & Valuers (SOFAA) and the Association of Accredited Auctioneers (AAA). We look forward to welcoming you soon.

T: +44 (0) 1452 344499 E: info@chorleys.com www.chorleys.com

DAY ONE Tuesday 27th April 2021 at 10am Lots The Laskett Collection, property of Sir Roy Strong CH, FRSL 1-411 Costume, Theatrical Designs, Photographs etc 420-477

Page 7 63

Other Properties:Outside Effects, Furniture & Rugs Clocks, Miscellaneous & Musical Instruments Ceramics & Asian Works of Art

500 to 544 545 to 570 575 to 594

81 85 87

Pictures

630 to 668

DAY TWO Wednesday 28th April 2021 at 10am Lots

Page

Jewellery & Vintage Fashion 20th Century & Contemporary Glass 20th Century & Contemporary Ceramics 20th Century & Contemporary Works of Art 20th Century & Contemporary Pictures

670-689 690-709 710-825 830-844 850-947

96 98 104 116 119

Modern Furniture & Design

950-1007

136

Explanation of Cataloguing Practice Pictures

Generally

When offering Oil Paintings, Watercolours and Drawings, a picture code is used. Using one artist's name we illustrate below the manner of attributing the pictures in the catalogue.

Furniture, porcelain, bronzes, etc are attributed as follows:

Arthur Devis In our opinion a work by the artist.

Attributed to Arthur Devis In our opinion a work possibly by or partly by the artist.

A Sheraton period In our opinion made at the same time that Sheraton was active.

Sheraton style or of Sheraton design In our opinion of later manufacture.

Dated 1660

School of Arthur Devis

In our opinion a genuine date.

In our opinion a work contemporary with the artist and showing his influence.

Carved with the date 1660

Manner of Arthur Devis In our opinion a work in the artist's style and of a later date.

After Devis In our opinion a copy of a known work by the artist (of any date).

Signed, Dated, Inscribed In our opinion the work has been signed/dated/inscribed by the artist.

Bears Signature; Bears a Date; Bears an Inscription

In our opinion a later decoration.

A Derby figure In our opinion a figure from the Derby factory.

Possibly Derby In our opinion this is similar to a Derby product.

By In our opinion made by the artist or modeller in question.

After In our opinion made by another artist or modeller as a copy of the original.

In our opinion the signature/date/inscription is by a hand other than the artist.

Dimensions These are given height before width.

Symbols ARR

Lot subject to Artist’s Resale Right (see page 1 for further information)

◆ Lot contains an element of pre-1947 ivory or other organic material which may be subject to export restrictions. † Lot subject to VAT on the hammer price, as well as on the Buyer’s Premium.

Condition Condition information is not usually provided in our printed catalogue, but is available upon request. Further images and some condition reports can be viewed on our online catalogue at www.chorleys.com. The absence of a condition report does not imply that a lot is without imperfections. Books are not collated unless stated and are not guaranteed to be complete. Purchasers of old wines must assure themselves regarding ullage levels, labels, etc. No returns will be accepted. Catalogue produced by Pardy & Son (Printers) Ltd

Day One - Tuesday 27th April 2021

Chorley’s is delighted to be hosting this sale, a spectacular collection of paintings, antiques, works of art, costume design, theatre design and photographs from the collection of Sir Roy Strong CH FRSL. This extraordinary sale provides a rare insight into the Strongs’ devotion to the Arts and their remarkable influence on the sector. Formed by Sir Roy Strong and his late wife Julia Trevelyan Oman Lady Strong CBE, the collection was an important part of their exquisite home which boasted one of the most beautiful private gardens in the country. The Laskett Gardens were created by Sir Roy and Lady Strong from a bare plot of four acres in 1974 and were skilfully tended through decades to be one of the largest private formal gardens created in England since 1945. Sir Roy gifted his house and garden to the charity Perennial, and left Much Birch in December of last year, though it remains an extraordinary tribute to the Strongs’ marriage and their shared passion for the Arts. The hundreds of thousands who visited the Laskett Gardens were asked never to forget that this is kingdom of the cat, from the Lady Torte de Shell down to today’s Lettice and Perkins, the Strongs’ cats are lovingly celebrated and remembered in the four acre patch of Herefordshire soil. Sir Roy, an English art historian, museum curator, writer and broadcaster served as Director of both the National Portrait Gallery and the Victoria and Albert Museum. Under his tutelage visitor numbers saw exponential growth by virtue of his curatorial sense and unique eye for pre-eminent exhibitions. Sir Roy has published a wealth of books , many on gardening and his passion for Elizabethan History and Art. His diaries have also proven best sellers, the latest published in August of last year. Julia Trevelyan Oman was an English television, theatre, ballet and opera set designer. A brilliant designer, she brought imagination, vivacity and fine historical detail to her work. Her early career in television design at the BBC involved her producing as many as six designs a week, sets for the Billy Cotton Band Show and the Six Five Special. In 1966 her much acclaimed TV set design for Alice in Wonderland launched her into the world of film, ballet and theatre.

The Laskett collection, property of Sir Roy Strong CH FRSL

Lot 2 7. A set of white painted open shelves with shaped ends, 61.5cm wide £40-60 (+Fees*)

Gothic Entrance Hall

8.ARR Astrid Zydower (British 1930-2005) BLACK CAT artist’s proof etching and aquatint, 20cm x 29cm and STILL LIFE OF A VASE OF FLOWERS black and white print £60-80 (+Fees*)

1. A late 18th Century Chippendale period single chair with pierced upright splat and upholstered seat, on square chamfered legs £400-600 (+Fees*)

9.ARR Domenico Gnoli (Italian 1933-1970) SIPARIO PER LA BELLE AU BOIS DORMANT, 1953 one of a limited edition of 600 for L’Industrie Italina Petroli, colour print, the plate 45cm x 31.5cm £30-50 (+Fees*)

Lot 1

2. An Edwardian mahogany oval tray, inlaid a central vignette of a lute and music within a surround of flowers, ribbon ties, etc. with brass handles to the sides, 66cm wide £300-500 (+Fees*)

10. An early 19th Century rosewood wall mirror with gilt surround, the plate 45.5cm x 42cm £80-120 (+Fees*)

Lot 3

3. An 18th Century Dutch marquetry high back single chair, inlaid flowers and foliage with needlework covered loose trap seat, on cabriole legs £600-800 (+Fees*) 4. A pair of Chinese porcelain barrel-shaped garden seats with pierced tops, 46cm high £120-150 (+Fees*) 5. A Renaissance style polychrome figure of the crowned Madonna, circa 1850, 125cm high £400-600 (+Fees*) 6. A George IV bowfront side table fitted a drawer, on turned legs, 39.5cm wide £80-120 (+Fees*)

Lot 8 (part)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

Lot 16 11.ARR Gerald Mynott (British, born 1957) VIEW OF CHEVENING HOUSE, KENT signed and dated 1987 watercolour, 45.5cm x 35.5cm £200-300 (+Fees*) 12. Anthony Devis (British 1729-1816) LANDSCAPE STUDIES a pair signed with initials pen and ink, grey and blue washes, 14.5cm x 21cm £200-300 (+Fees*) 13. A brass five-light electroliers with scroll branches £80-100 (+Fees*) 14. By and after William Hole HENRY, PRINCE OF WALES HOLDING A PIKE, 1612 engraving, 19.5cm x 10.5cm Note: Hole was the Chief Engraver of the Mint and the print records the death of the Prince, eldest son of James I, in that year Literature: Arthur M Hind, Engraving in England in the 16th and 17th Centuries, II, The Reign of James I, CUP, 1955, p321-322 £100-150 (+Fees*) 15. Anonymous Engraver CHARLES I WHEN DUKE OF YORK, 1613 engraving, 15cm x 12cm Note: Print from Sir Robert Dallington, Aphorismes Civill and Military, 1613 Literature: Hind, Engraving in England, II, p 54 £40-60 (+Fees*) 16. David Loggan (British 1634-1692) THE CORONATION OF CHARLES II engraving, 37cm x 49cm Note: From John Ogilby,’The Entertainment of His Most Excellent Majestie Charles II, in his Passage through the City of London’ £100-150 (+Fees*)

Lot 18

Lot 17 17.ARR Jean Hugo (French, 1894-1984) CONSTANT IDOUX landscape with sheep, a shepherd and a centaur signed and inscribed by the artist ‘from Hugo for Roy Strong, my colleague on the Shakespeare Exhibition, with many thanks for his help’ screenprint, 32cm x 42cm Note: Jean Hugo was the grandson of Victor Hugo and one amongst a wide circle of artists, poets and writers at the centre of arts in France for decades. Sir Roy Strong was presented this by the artist when he opened an exhibition of his work in London, he had met Hugo when the artist did a series of panoramic paintings depicting Shakespeare’s journey to London in the 1964 Shakespeare Exhibition at Stratford-upon-Avon £60-80 (+Fees*)

21. Two 19th Century stained glass leaded panels, both with coats of arms and motto, ‘Sapientio Felicitas’, one inscribed ‘Dominus Illuminatio Mea’, 41cm x 30cm £200-250 (+Fees*) 22. Two leaded glass panels incorporating 19th Century stained glass, 38.5cm x 46cm and 39.5cm x 40cm £120-150 (+Fees*)

18. A set of four Fornasetti Milano Le Bellezze plates, each with black portraits of a woman’s head wearing earrings, 26cm diameter £80-120 (+Fees*) 19. Johann Andreas Pfeffel (German 1674-1748), after Johann Cyriak Hackhofer (Austrian, 1675-1731) A BANQUET with three tables for Furschneiders, Stabelmeisters and Falckenmeisters engraving, 28.5cm x 37cm £60-80 (+Fees*) 20. Crispin van de Passe the Younger (Dutch 1597-1670) HORTUS FLORIDUS (TITLE PAGE) hand-coloured engraving, 18cm x 24cm and two black and white portrait engravings of a Venetian Lady at Masquerade and Mrs Brooks £60-80 (+Fees*)

Lot 21 Further images & information at www.chorleys.com

23. A square stained glass leaded panel with central bulls’ eye and surround of four floral panels, a small stained panel with eagle and initialled W & B and two others £120-150 (+Fees*) 24.ARR Pauline Whitehouse DESIGN FOR AN OBELISK mixed media, 27cm x 19.5cm Exhibited: the Canadian Centennial Exhibition 1967 £60-80 (+Fees*)

The Utility Room 25. A Dutch marquetry wall mirror inlaid flower sprays, the rectangular plate, 44cm x 36cm £120-150 (+Fees*) 26. A late 16th Century Spanish applique and embroidered coat of arms denoting a prince-bishop (three tassels), quartered on blue and red with crescent and a crenellated castle wall, mounted on board, circa 1570, 50.5cm x 42cm Provenance: Mayorcas Ltd., Dec 1985 £200-300 (+Fees*)

Lot 26

27. Late 19th Century DECORATIVE FRENCH PUDDINGS plate no 58 and 60 two coloured engravings, 29cm x 21cm £30-40 (+Fees*) 28. A Jacobean style oak caryatid support carved a figure of a piper with roses and foliage, 101cm long £80-120 (+Fees*) 29. Jacobus Houvraken (Dutch 1698-1780) after Isaac Oliver HENRY PRINCE OF WALES engraving, 37cm x 23cm £60-80 (+Fees*) 30. A needlework sampler with text and alphabet etc., by Joan Trevelyan, wife of Charles Oman and mother of Julia Trevelyan Oman, 1917-1918, 35cm x 23cm £40-60 (+Fees*)

Lot 29

Lot 30

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

36. A collection of English porcelain tea and coffee wares, black printed, painted and gilt, circa 1800 (20) £60-80 (+Fees*) 37. A collection of tea and coffee cups and saucers, circa 1800 (40) £60-80 (+Fees*) 38. A Furstenberg teacup and saucer, late 18th Century, painted landscapes and scattered sprigs, blue F marks £80-120 (+Fees*)

Lot 32

31. A group of chimney ornaments and brass ware, to include a Gothic revival vinegar bottle holder with bottle (stopper lacking), 25cm high, a brass box with panels depicting saints, 15cm wide and an ornament modelled as bears at a beehive, 22cm high £80-120 (+Fees*) 32. A Gothic Revival candle holder modelled as a tabernacle with decorative finials and trellis work sides, 22.5cm high and another modelled as a hexagonal ciborium with angels to the panel sides, 25cm high £150-200 (+Fees*)

Lot 40 10

Lot 33

33. A Days patent letter rack, circa 1840, modelled as a Gothic cathedral, 32cm high and a watch stand, also of cathedral design, 21.5cm high £60-80 (+Fees*) 34. A pair of Days patent face screen stands, of Gothic Revival style with screw-off tops, 24cm high £40-60 (+Fees*) 35. A Gothic Revival thermometer holder, impressed verso ‘Pu-D by T C Salt March 1828’, on a rectangular plinth, 22.5cm high £40-60 (+Fees*)

39. A Spode Copeland’s dinner service for T Goode & Sons of six place settings, decorated with green and gilt borders and initialled CJCO and a sauce tureen cover and stand (one cheese plate missing) Note: A wedding gift to Julia Trevelyan Oman’s parents, each of their initials entwined in the monogram £100-150 (+Fees*) 40. A Frankenthal oviform teapot, circa 1765, painted with nuts and fruit, associated cover £70-90 (+Fees*) 41. A Vienna coffee cup and saucer, circa 1760, the cup painted with merchants unloading from a boat, the saucer with a standing figure, gilt scroll rims, blue hive marks to bases £50-70 (+Fees*)

Lot 41

Further images & information at www.chorleys.com

42. A Coalbrookdale documentary teacup and saucer, painted birds within a puce and gilt rim, gilt conjoined CBD mark and dated 1861 to base of each £70-90 (+Fees*) 43. A Kloster Veilsdorf teacup and saucer, circa 1770, painted to the rim with green trellis suspending ribbon-tied floral swags on which perch birds, with classical urns, blue cv marks £200-300 (+Fees*)

Lot 42

44. A Hoschst teacup and saucer, circa 1770, painted to the rim with green diaper panels suspending floral swags, scattered insects, wheel marks £100-200 (+Fees*) 45.ARR Malte Sartorius (German 1933-2017) SOLITARY POTTED PLANT ON A LEDGE signed monochromatic print, 32cm x 40cm £100-150 (+Fees*) 46. Eight Victorian Gothic brass door plates with arched mullions 28.5cm x 8cm and a smaller matching pair, 9cm x 8cm £150-200 (+Fees*)

Lot 43

47.ARR Henry Moore (British 1898-1986) SIX STONES signed and numbered 162/200 lithograph, 35cm x 25cm Note: This lithograph was produced in a limited edition of 200 as a memento of the opening of British Olivetti’s training centre in Haslemere, a survey on 21st June 1973 £300-500 (+Fees*) 48. A George III silver nutmeg grater, Thomas Phipps & Edward Robinson, London 1794, of canted rectangular form, the hinged cover enclosing a steel grater and with hinged cover beneath, 5.5cm wide £150-200 (+Fees*)

Lot 44

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

The Dining Hall 51. Renold Elstrack (British 1570-1625) RULERS OF ENGLAND fourteen black and white engravings £180-220 (+Fees*) 52. A Victorian Gothic gilded wall mirror with arched top and cluster columns to the side, the plate 98cm x 54cm £150-200 (+Fees*) 53. Pieter van der Aa (Dutch 1652-1733), after Leonard Knyff and Johannes Kip engraving, from James Beverell’s ‘LesDelices de la Grande Bretagne et de l’Irlande’,1707 £60-80 (+Fees*)

49. A walnut chest, circa 1920, of four drawers with brushing slide on bracket feet, 76.5cm wide £300-400 (+Fees*)

Lot 49 12

Lot 55 50. Thomas Lupton after Abraham Wivell PORTRAITS OF KING GEORGE IV AND THE DUKE OF CLARENCE published by William Sams, London 1825 mezzotints, 36cm x 26cm £80-120 (+Fees*)

54. Jean Le Blond (French, c.1590-1666), after Abraham Bosse (French, c. 1604-1676) THE BANQUET FOR THE RETURN OF THE PRODIGAL SON etching, 20.5cm x 29cm £100-150 (+Fees*) 55. John Drapentier LITTLE OFFLEY from Sir Henry Chauncy’s ‘Historical Antiquities of Hertfordshire’ published 1700 engraving, 31.5cm x 42cm £100-150 (+Fees*)

Lot 52

Further images & information at www.chorleys.com

Lot 58

Lot 56 56.ARR Lila De Nobili (Italian 1916-2002) THE INFANT JESUS OF PRAGUE signed watercolour, 20cm x 12cm Note: This drawing depicts the famous statue of the Infant Jesus of Prague which was given in 1628 to the Church of the Discalced Carmelites. Undated but perhaps from the 1960s Provenance: Given by the Artist to Julia Trevelyan Oman with whom she worked on the blockbuster film, Tony Richardson’s ‘The Charge of the Light Brigade’ (1968) £150-250 (+Fees*) 57. George Townsend, 4th Viscount and Ist Marquess Townsend (1724-1809) STUDIES OF HEADS inscribed verso pen and ink, 14cm x 30cm Note: Horace Walpole wrote that ‘his genius for likeness in caricature is astonishing’, inspired by words of Hogarth and Italian caricature he was said to have invented a new form of political caricature which led later in the 18th Century to Rowlandson and Gilray Provenance: From the collection of Sir John Coakley Lettsom (1744-1815), Quaker, physician and philanthropist, founder of The Medical Society, purchased from Colnaghi £100-150 (+Fees*)

58.ARR Francois Houtin (French, born 1950) ’VUE UN NOUVEL EDEN’ signed, inscribed and dated ’99 engraving, 29cm x 37cm Note: A French artist, garden designer and engraver whose work is filled with fantastic visions of imaginary gardens. Houtin is an artist close to Sir Roy Strong in his approach to the garden as a magical experience in which trees and plants create another world. In 2006 he approached Houtin to do a series of engravings based on the Laskett gardens within that idiom, sadly the financial crash put an end to the project £30-50 (+Fees*) 59. An English botanical plate painted with and titled ‘Anemone’, two square dessert dishes painted with and titled ‘Rose’ and ‘Dingy’ flowered glycine specimens, a Bloor Derby sugar bowl and cover with matching saucer and a rose painted plate, early 19th Century £120-180 (+Fees*)

Lot 60 (part)

60. Eleven Rosenthal Versace Le Voyage de Marco Polo pattern dinner plates with kaleidoscope centre and border of ridden camels on a green ground, 31cm diameter £200-300 (+Fees*) 61. Twelve Rosenthal Versace Le Voyage de Marco Polo side plates of dodecagon shape with peacocks and stylised decoration to the green ground within border, 23cm diameter and twelve matching soup plates £180-220 (+Fees*) 62. Twelve Rosenthal Versace Le Voyage de Marco Polo side plates of dodecagon shape, the centre painted peacocks within a stylised salmon pink border, 18cm diameter £120-150 (+Fees*)

Lot 62( part)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

70. 19th Century English School FONTHILL ABBEY with trees and Fontwell brook in the foreground watercolour, 6cm x 9cm, in a gilded surround £80-120 (+Fees*) 71. By and after Abraham Genoels (Flemish 1640-1723) A VAULTED BATH etching, 16cm x 22.5cm £60-80 (+Fees*)

Lot 65 (part) 63. Thirteen Rosenthal Versace Le Voyage de Marco Polo dinner plates of dodecagon shape, with peacocks to the salmon pink ground trellis border, 28cm diameter £150-200 (+Fees*) 64. A mahogany armchair with pierced upright splat and swept back arms, fitted a loose trap seat on square chamfered legs £150-200 (+Fees*) 65.ARR Leonard McComb RA (British 1930 2018) STILL LIFE OF FRUIT IN A BOWL signed and dated 1975 in pencil to mount numbered 8/75 etching, 31.5cm x 34.5cm and sundry signed prints (9) £80-120 (+Fees*)

66. A brown glaze mug with classical decoration in raised relief, an early 19th Century cup and saucer transfer printed a country house in a landscape and a mid 19th Century sucrier and cover painted flowers £60-80 (+Fees*) 67. A Pakistan red ground rug with twin central medallion, 150cm x 103cm, a runner with central medallion and two vases of flowers and another rug £80-120 (+Fees*) 68. An Afghan runner with central fields of numerous boteh within a figured border, 303cm x 100cm £150-200 (+Fees*) 69. A studio pottery salmon pâté dish signed Christine Dodd, 19cm long and a stoneware sculpture of a laid table £20-40 (+Fees*)

72. Adrian Collaert (Flemish 1560-1618) after Hans Bol (1534-1593) APRIL a country house garden scene with gardeners and other figures, a church beyond tondo, 14cm diameter (trimmed) and a small Italianate coloured engraving of a garden scene £160-180 (+Fees*) 73. Nicollas de Son (XVII) GARDEN WITH BOULE PLAYERS IN THE FOREGROUND published by Michiel van Lochom (1601-1647) etching 18cm x 28cm £100-150 (+Fees*) 74. 18th Century French School GARDEN LANDSCAPE WITH RUINS etching, 11cm x 16cm an 18th Century hand coloured print of apples and flowers and a framed Valentine collage of flowers £60-80 (+Fees*) 75. An early 19th Century satin birch tea caddy with tunbridge banding and ring handle to the cover (the interior now material lined), 19.5cm wide and a 19th Century rosewood work box, cross banded in satinwood (gutted), 27cm wide £120-150 (+Fees*) 76. A George III mahogany tea caddy, banded in satinwood and inlaid batswing paterae, 28.5cm wide £100-150 (+Fees*) 77. A George III mahogany tea caddy with brass handle to the cover, the interior fitted two lidded compartments (bowl missing), 36cm wide £100-150 (+Fees*)

Lot 71

Lot 72 (part)

Further images & information at www.chorleys.com

The Drawing Room

Lot 78 78. English School, early 17th Century PORTRAIT OF ANNE SHIRLEY, WIDOW OF JOHN BROOKE three-quarter length, wearing a black dress with a white ruff, holding a book in one hand, the other resting on a chair inscribed ‘ANO DNI 1603 AETATs 47’ and with a coat-of-arms upper left oil on panel, 111cm x 88cm Note: Anne Shirley (1554-1608) was the daughter of Francis Shirley of Staunton Harold, Leicestershire (1515-1571) and Dorothy Gifford and wife of John Brooke (died 1598) of Madeley Court, Shropshire. John’s father, Sir Robert Brooke (died 1558) was a major jurist, MP for the City of London in five Parliaments and Speaker in 1554, the same year in which he was made Chief Justice of the Common Pleas. John was his son by his father’s first wife, Anne Waring whom he married in 1537. John inherited the Madeley Court estate which had been purchased by his father in 1544 and which was to be the family seat for two centuries, although he did not obtain it until after the death of his father’s second wife, Dorothy Gatacre, about 1572. He was responsible for the handsome gate house which still survives; the house is now a hotel. The Brookes were conservative in religion and latterly recusant. By the middle of the 18th Century the family had slipped from prominence as the estate was divided and sub-divided, this portrait presumably descending by way of one of these fragmentations. It depicts the sitter as a widow in black clasping a prayer book with one hand, the other resting on an opulent chair upholstered with gilt nails and fringing. The latter are carried out over gold leaf, a technique abandoned by the new wave of artists in the 1590s. The perspective of the chair is typically Elizabethan and a parallel treatment occurs in George Gower’s famous Armada Portrait of Queen Elizabeth I. The extraordinary attenuated rendering of the hands could form the basis for identifying other works by what must have been a provincial artist Provenance: The portrait turned up in a local saleroom in Pontrilas, minus its identity which, thanks to the coat of arms top left, was established by a member of the College of Arms. Purchased at a sale at Nigel Ward & Co., Pontrilas, Hereford, 2nd July, 2011, lot 310 £1000-2000 (+Fees*) Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

80. A pair of early 18th Century Dutch marquetry high back single chairs, inlaid flowers, foliage and insects, fitted loose trap needlework seats on cabriole legs with ball and claw feet £500-700 (+Fees*) 81. A fine Regency black and gold lacquer cabinet with pierced surmount and decorative frieze of peacocks, terrapins and foliage, enclosed by a pair of similarly decorated glazed doors with pierced spandrels and spiral columns to the sides, the base with panels each decorated a Japanese actor and with decorative panels to the sides, on scrolling feet, 95cm wide £600-800 (+Fees*) Lot 79

79.ARR Val Archer (British, born 1946) SPRING FLOWERS signed with initials VMA and dated April ’90 watercolour, 70cm x 56cm £200-300 (+Fees*)

Lot 80 16

Lot 81

Further images & information at www.chorleys.com

Lot 82

Lot 83

82.◆ A fine Regency black and gold lacquer worktable, the white lacquer figures and others on horseback in parkland landscapes within a scrolling border of dragons, the interior similarly decorated and fitted lidded compartment, trays and ivory bodkins etc., with pull out basket beneath on turned supports with splay claw feet, 63cm wide £1500-2000 (+Fees*) 83. An Italian giltwood wall mirror of Baroque design with pierced surmount and scroll surround, the cartouche-shaped plate 24cm x 18cm £120-150 (+Fees*) 84. A panel of late 16th Century needlework, embroidered a scene of Pyramus and Thisbe with floral surround, 29cm x 35cm, framed and glazed £600-800 (+Fees*)

Lot 84 Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

87. Two bowls containing a quantity of alabaster eggs £70-90 (+Fees*) 88. A late 19th Century Wellington chest of eight drawers, with leather lined front and hinged covers to the drawer, with locking pillars to the sides, 68cm wide, 148cm high £300-400 (+Fees*) 89. An Edwardian pendant chandelier with leaf and ribbon border, hung forty-eight trails of tapered prismatic beads and with triple crown, 92cm high £400-600 (+Fees*) 90. A pair of crimson velvet curtains with patchwork borders and tie backs by Julia Trevelyan Oman, 213cm x 305cm and the pole £150-200 (+Fees*)

Lot 85 85. An Elizabethan chalice cover finely embroidered flowers and foliate decoration, with central cross, 24cm square £300-500 (+Fees*)

86. A Flemish rectangular tapestry fragment, ovals of flowers and other decoration and a parrot to the base, 189cm high x 44cm wide, framed and glazed £250-350 (+Fees*)

91. A pair of red velvet swaged curtains with tie backs, 244cm x 244cm and the pole £100-150 (+Fees*) 92. A Derby topographical bough pot and liner, circa 1825, painted and titled ‘A View in Malton’, the serpentine front with orange and gilt panels, 10cm high £150-200 (+Fees*) 93. A French gilt metal mantel clock with eight-day movement, striking on a gong, 40cm high £150-200 (+Fees*) 94. A George III fruitwood chair with pierced upright splat back, loose trap seat on square chamfered legs £80-120 (+Fees*)

Lot 88 18

Lot 92

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The Breakfast Room

Lot 95

95. Six 19th Century white painted dining chairs with Gothic arch backs and upholstered seats, on octagonal taper legs £600-800 (+Fees*) 96. A 19th Century Indian ebonised table with blind fret carved decoration, fitted a drawer to the frieze, on spiral turned legs and stretchers, 98cm wide £300-500 (+Fees*)

Lot 96

97. An oak gateleg table of 17th Century style, on baluster turned legs united by square stretchers, 102cm wide £200-300 (+Fees*) 98. A pair of oval wall mirrors with papier-mâché frames, 34cm x 30cm £80-100 (+Fees*)

99. Two Flight, Barr & Barr square-shaped dessert dishes and a plate, circa 1815, each painted with a shell and seaweed reserves on a turquoise ground with gilt border rim, printed Royal Porcelain Work Worcester marks and impressed BFB marks, the plate 20.5cm diameter £350-450 (+Fees*)

Lot 99

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102. An early Victorian Nixon & Son Windsor breakfast cup, saucer and plate, enamelled and gilt with crowned garter and motto ‘Honi Soit Qui Mal y Pense’, printed mark to base Nixon & Son, Windsor, Windsor Castle £30-50 (+Fees*) 103.ARR Graham Sutherland, OM (British 1903-1980) ’LA TOUR DES OISEAUX’ 1976 Signed in pencil and numbered XXXIV/L printed by Mourlot, Paris lithograph in six colours, 65cm x 50cm £300-500 (+Fees*)

Lot 101

100. A Savona maiolica tazza, late 17th Century, painted in blue with a scene of a putto beside a column in a landscape, shield mark to underside, 28cm diameter £200-300 (+Fees*)

Lot 103 20

101. An Italian polychrome maiolica albarello, 17th Century, inscribed LoC De PINO, 20cm high, and a 19th Century faience bottle painted in blue with foliate and geometric bands 24cm high £150-200 (+Fees*)

104.ARR John Piper CH (British 1903-1992) ’THE GLYDERS’ screenprint on textile, 51cm x 60cm Note: Commissioned by Arthur Sanderson to mark their Centenary in 1960 £200-300 (+Fees*)

Lot 104

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107. A pair of Vienna soup plates, late 18th Century, 25cm diameter and another somewhat similar plate £80-120 (+Fees*) 108. A Russian plate, circa 1860, Popov factory, painted flowers on a brown ground, 25cm diameter £100-150 (+Fees*) 109. A Copenhagen soup tureen, circular dish and sauce boat with integral stand decorated with blue sprigs, blue wave marks and a Bisto oval platter similar £200-300 (+Fees*) 110. Two Caughley asparagus servers and a leaf-shaped butterboat, Fisherman and Cormorant pattern, circa 1785, 7.5cm long £100-150 (+Fees*) 111. A group of English blue and white pearlware and porcelain teawares, late 18th/early 19th Century, to include a Liverpool Two Stag coffee cup, two Worcester Birds in Tree tea bowls and a leaf dish (15) £100-150 (+Fees*) 112. A Doulton Lambeth stoneware Victoria Diamond Jubilee jug, 16cm high, a two-handled mug sprigged with toppers and a cheese dome and stand marked ‘God Speed the Plough’ £60-80 (+Fees*) 113. A Paris porcelain part coffee service, circa 1810, decorated matt blue acanthus and gilt, comprising a coffee pot, milk jug, slop bowl and four cups and saucers £60-80 (+Fees*) Lot 105 105. French School, 19th Century STILL LIFES OF FOWERS, FRUIT, BREAD AND KITCHEN UTENSILS a pair oil on paper, 15cm x 20cm Note: the artist must have been familiar with Chardin in the mid 18th Century, formulae which arranged and re-arranged on a shelf items connected with the kitchen; jugs, pestle and mortar, cutlery, cooking ingredients etc., however unlike Chardin flowers are included and in this case a bird in a cage £400-600 (+Fees*)

106. Sir Henry Cole FRSA (British 1808- 1882) COUNTY LANDSCAPES inscribed ‘Mary Charlotte-Cole-Barley, October 1865 from her father’ three engravings framed as one, 43cm x 33cm Note: Sir Henry Cole not only played a major part in the invention of the Penny Post but created the Christmas card. A man of prolific energy, he was in effect the creator and first Director of the Victoria and Albert Museum. He was also a talented artist studying under David Cox Provenance: Given to Sir Roy by Christopher Gibbs £40-60 (+Fees*)

114. An early 19th Century octagonal plate painted a willow pattern scene, 23cm diameter and two other plates £60-80 (+Fees*) 115. An 18th Century Bristol tin glazed plate, painted sailing boats within a polychrome border, 22cm diameter and two others £200-300 (+Fees*) 116. A Riley’s stone china blue and white plate, transfer printed a country house in a landscape, 25.5cm diameter and three other blue and white plates £100-150 (+Fees*)

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117. An early 19th Century blue and white saucer dish painted chrysanthemums and other flowers within a stylised border, 35cm diameter £100-150 (+Fees*) 118. An English blue and white Delft bowl painted an arrangement of flowers, 30cm diameter and a smaller bowl, 22.5cm diameter, (damages) £80-100 (+Fees*) 119. ARR Peter Stilwell (Contemporary) ’SPOTTED BIRD AND PALM (PURPLE AND MAROON’) signed with initials mixed media on cut paper, 48cm x 49cm £150-200 (+Fees*) 120. A Qashqai carpet with central red ground floral medallion within a multi figured border, 306cm x 216cm £100-150 (+Fees*) 121.ARR John Strickland Goodall (British 1908-1996) FLOWERS AND LEAVES signed watercolour 17.5cm x 24cm Exhibited: Christopher Wood Gallery, John Strickland Goodall Exhibition, No.87 Children at Play Down the Ages, July 1984 £80-120 (+Fees*)

Lot 123 122.ARR Marion Perkins VIOLA signed watercolour 18.5cm x 21cm £60-80 (+Fees*)

The Small Gothic Sitting Room

123.ARR Carolyn Sergeant (British 1937-2018) STRAWBERRIES oil on paper laid to board, 19.5cm x 33cm £150-200 (+Fees*)

124. A rectangular oak table with bobbin-turned legs united by square stretchers, 77cm wide £80-120 (+Fees*) 125. An oval two-flap gateleg table on slender bobbin-turned spider supports united by square stretchers, 53cm x 73.5cm (open) £40-60 (+Fees*) 126. A Victorian pitch pine hanging cupboard of Gothic design, with castellated top, 68cm wide £60-80 (+Fees*) 127. Circle of William Sartorius (British 1759-1828) STILL LIFE OF PEACHES, GRAPES AND A BASKET OF STRAWBERRIES oil on canvas, 36cm x 45.5cm £800-1200 (+Fees*) 128. A late 19th Century Japanese octagonal box, the top with reserve of actors within a foliate border, and with cushion panels to the sides with alternating scenes of gardens and script, 41cm wide £150-250 (+Fees*)

Lot 127 22

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Lot 131

Lot 129 129. Thomas Sandby RA (British 1721-1798) A CHOIR STALL CANOPY IN ST GEORGE’S CHAPEL, WINDSOR, C. 1780-82 pencil and grey washes, 36cm x 17cm Note: Sandby was Architect of the King’s Works from 1777 and Master Carpenter in the Office of Works from 1780 to 1782. This drawing dates from these latter years and relates to the refurbishment carried out in St. George’s Chapel under Henry Emelyn. The choir stalls were updated in 1786-91. Four other drawings of details of the stalls are in the Royal Collection Provenance: probably part of the Thomas Sandby estate sale, July 1799, under ‘Gothic Designs’ for St. George’s Chapel £1000-1500 (+Fees*)

Lot 134 130. John Vardy (British 1718-1765) after William Kent WEST FRONT OF ESHER PLACE (‘EASHER PLACE IN SURRY’) the principal plan engraving £80-120 (+Fees*) 131. Circle of Daniel Havell (British 1785-1826) THE SOUTH-WEST VIEW OF EATON HALL CHESHIRE the seat of Earl Grosvenor pen and ink and watercolour, 19.5cm x 34cm Note: the composition is similar to the aquatint by Havell after a drawing by George Batenham, published 1814 £200-300 (+Fees*) 132. Edward Rooker, after Michael ‘Angelo’ Rooker THE NEW FRONT OF THE ARCHBISHOP OF YORK’S PALACE AT BISHOPTHORPE, 1769 engraving, 33.5cm x 54.5cm £80-120 (+Fees*)

133. Early 19th Century THE EAST FRONT OF THE PRINCIPAL QUADRANGLE OF ALL SOULS COLLEGE aquatint, 34cm x 23cm £40-60 (+Fees*) 134. Susanna Anderson A NEW MAP OF THE WORLD ACCORDING TO THE LATEST DISCOVERIES a needlework sampler worked in her 11th year 1805, 47.5cm x 72.5cm £400-600 (+Fees*) 135. A set of white painted Gothic style hanging shelves £80-120 (+Fees*) 136. A Victorian Gothic castellated chandelier, the five-lights with spiral supports, 42cm diameter £150-200 (+Fees*)

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Lot 137 137. After Hubert Robert (French 1733-1808) LE TAPIS VERT AT VERSAILLES after Robert’s painting des Bains d’Apollon lors l’abattage des arbres du parc de Versailles, 1775-77 gouache with watercolour, 15cm x 23cm Note: the subject is Louis XVI and Marie Antoinette accompanied by the Comte d’Angiviller, Directeur des Batiments, visiting what was called the sawmill. What is recorded is the felling of the Bosquet de la Girandole, walls of hornbeam and yew were felled and replaced by rows of sweet chestnut, the colonnade in the background and the statue of Castor and Pollux in the foreground with a central view down to the Grand Canal and a statue of Milo of Cretona at the head of the entry to the Tapis Vert. There are two variants, both by Robert, one at Versailles and the second at the Musee Calouste, Gulbenkian Literature: Jean de Cayeux, Hubert Robert et les Jardins, Paris 1987, p. 15-19, 71-72; Stephane Pincas, Versailles. The History of the Gardens and their Sculpture, Thames & Hudson, 1996, p. 144 Provenance: purchased from Charles Plante Fine Art 2003 £6000-8000 (+Fees*)

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139. Le Blond THE BLACKBERRY PICKERS THE YOUNG ANGLERS MAY DAY THE COTTAGE DOOR four oval prints from Le Blound 32, 17.5cm x 19.5cm, various others and a Baxter print £80-120 (+Fees*) 140. Two Derby blackamoor sweetmeat figures, circa 1765-1770, each modelled holding a shell, on a rococo scroll base, the female 20cm high £400-600 (+Fees*) 141. A pair of Staffordshire pearlware figures of Elijah and the Widow, early 19th Century, 25cm high £70-100 (+Fees*) 142. A carved lime wood figure of a saint with gilded collar, 25cm high, another with faded polychrome decoration and another the Virgin Mary, all with losses £200-250 (+Fees*)

The Cabinet Room 143. A mid Victorian giltwood and gesso overmantel mirror, the frieze with palmette border supported by scrolls with beadwork surround, the plate 147.5cm x 156cm £1000-1500 (+Fees*)

Lot 138 138. Percy Thomas (British 1846-1922) ’COME ALONG MISS PUSSY’ signed, dated 1892 and inscribed on artist’s label verso watercolour, 19.5cm x 16cm Note: In the main Thomas made his career as an etcher, in particular after works by Whistler. He could however turn his hand to landscape in oil and to sentimental compositions in watercolour Provenance: Purchased from J S Maas & Co. Ltd £300-500 (+Fees*)

144. A mid Victorian rosewood marble top console table with plain frieze, on cabriole legs with scroll feet, the top 186cm x 61cm £800-1200 (+Fees*) 145. A Victorian mahogany oval table on a spiral turned column and tripod support, 79cm wide £120-150 (+Fees*) 146. A pair of Carolean style silvered altar type candlesticks on tripod supports, complete with shades, 92.5cm high £80-120 (+Fees*)

Lot 144

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Lot 147 (detail) 147. Nicholas Hilliard (British 1547-1619) The Second Great Seal of Elizabeth I, the crowned Queen sitting upon a horse the surround with inscription, in a later circular frame with four painted roundel’s, portraits to one side, a portrait, hands and a crest to the other, on a tapered, fluted, splayed column and circular base, 73cm high, the frame associated £2000-3000 (+Fees*) Lot 147 26

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Lot 148

Lot 149

148.ARR David Hockney RA (British, born 1937) PORTRAIT OF CAVAFY IN ALEXANDRIA (SAC 47; TOKYO 47) etching and aquatint from ‘Illustrations for Fourteen Poems by C P Cavafy’ signed and dated ’66 in pencil, numbered 45/75, published by Editions Alecto, 36cm x 23cm £400-600 (+Fees*) 149. North European School, early 19th Century PORTRAIT OF A GENTLEMAN bust length,wearing a black coat and a white neck tie oil on canvas, 22cm x 17.5cm £300-500 (+Fees*) 150. A pair of Regency white and gilt painted single chairs of Gothic design £200-300 (+Fees*)

Lot 150

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152. A mixed collection of world coins including a Jamaica one penny 1869, a Tai Ching Ti Kuo copper coin, an Edinburgh half penny token 1790, in wooden box £150-200 (+Fees*) 153. Dassier family, a collection of nine bronze medals to include Martinus Folkes 1740, Alexander Pope 1741, Edmundus Halley 1744, Henry V 1731 and George II 1750 £200-300 (+Fees*) 154. Geoffrey Clarke, Nature and Time, 1999, bronze medallion, 77mm diameter; Felicity Powell, Millenium medal, 1999, silver medallion, 63mm diameter and Paul Ryan, Round in Circles Millenium Medal, 90mm diameter No 34/100 Note: All purchased via the British Art Medal Society £150-200 (+Fees*)

Lot 151 151. The Winchester Commemorative Medal to C W C Oman, the Queen’s gold medal awarded 1878, by Benjamin Wyon, bust of Queen Victoria to left, her hair tied back with roses, rev. tomb of William of Wykeham at Winchester, inscribed on the edge to 49mm., 57.08 & 58.37gm (cf. BHM.1560; Eimer 1240), in fitted case by Wyon, Regent Street, London £2000-3000 (+Fees*)

155. A Regency gilt metal seal fob the matrix inscribed Julia, a smaller seal fob the bloodstone matrix with thistle motif and motto ‘Dinna Forget’ £120-180 (+Fees*) 156. An engraved silver counter, James I and Charles Prince of Wales, perhaps by Simon van de Passe, c.1616, bust of James wearing a broad-brimmed hat with jewel, ‘GIVE THY IUDGEMENTS O GOD UNTO THE KING’, rev., bust of Prince Charles, ‘AND THY RIGHTEOVSNESS UNTO THE KINGS SONNE’, 27mm diameter £150-200 (+Fees*)

Lot 156

Lot 153

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159. A silver commemorative medal for the marriage of Mary, Princess Royal (1631-1660) to Prince William II of Orange (1626-1650), by Johann Blum, 1641, the Prince and Princess joining hands below rays of light emanating from a dove flanked by cherubs, in the distance a palace, rev., William in the form of Pallas tramples on Bellona and receives an olive branch from Mary, 73mm diameter Note: A note accompanying this lot from Charles Oman to Roy Strong gives the provenance as Bride Hall, home of his sister the writer Carola Oman £1000-1500 (+Fees*) 160. Dhruva Mistry, Humanity Medal, 1997, bronze 95mm diameter; Gustaaf Hellegers, The Garden of Eden, 1997, bronze 95mm diameter and Ron Dutton, Moon Cloud Strike, 2006, bronze 108mm wide (3) Note: All purchased via the British Art Medal Society £120-180 (+Fees*)

Lot 159 157. A bronze medal, Italy, Matteo di Andrea de’ Pasti (active from 1441, died 1467/8), Sigismondo Pandolfo Malatesta, Lord of Rimini and Fano (1417-1432-1468), Bronze Medal, bust of Sigismondo left, wearing cuirass and surcoat, SIGISMONDVS PANDVLFVS DE MALATESTIS S RO ECLESIE C GENERALIS, rev view of the Castle of Rimini, CATELLVM SISMONDVM ARIMINENSE M CCCC XLVI, 82mm, a later casting with brown patination £200-300 (+Fees*) 158. Ronald Searle, James Boswell, 2000, bronze 75mm diameter; Peter Welton, Giverny, 2004, bronze 80mm diameter; Sara Richards, A Song Without Words Pt II, 2009, bronze 74mm diameter and Stephen Raw, Hour, bronze 90mm diameter, no 12/100 (4) Note: All purchased via the British Art Medal Society £120-180 (+Fees*)

161. A set of seven Gallé engraved and enamelled glass beakers, circa 1880, in the Japanese style, deeply engraved with fish leaping from waves and naturalistically coloured, in three designs Provenance: James Anderson Rose and by descent to his wife Emily Winter Rose and by descent to her half-sister Anne Oman, née Chadwick and by descent in the family to Julia Trevelyan Oman, Lady Strong Exhibited: One example shown at the Fine Art Exhibition of the Worshipful Company of Cordwainers, 21 April - 7 May 1890 where Anderson Rose was the Master. £3000-5000 (+Fees*)

Lot 161 Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

163. A group of English engraved glassware, circa 1880, comprising a claret jug finely engraved swags and tendrils, 26.5cm high, a flattened circular flask similar, engraved winged Irish harp, a carafe engraved swags and morning glory and a vase engraved nasturtiums £120-180 (+Fees*) 164. A pair of 19th Century Venetian glass coupes with white reticello bowls on spiral ribbed stems, 11cm high £60-80 (+Fees*) 165. A Richardson’s ‘Waterlily’ goblet, designed by Richard Redgrave for Felix Summerly’s Fine Art Manufacturers, circa 1850, indistinct mark to base, 20cm high £80-120 (+Fees*)

Lot 162 162. A Thomas Webb & Sons claret jug, circa 1880, finely wheel engraved to the front with a scene of Venus rising from the sea, the border and handle terminals with shells, the reverse with an open viewing roundel, 27cm high Note: An example is in the National Gallery at Victoria Melbourne £500-700 (+Fees*)

166. An Orrefors glass decanter with sloping shoulder engraved to one side with a double portrait medallion and a carafe engraved ‘BP Arts Journalism Awards 1988’ £20-30 (+Fees*) 167.ARR An Alison Geissler (1907-2011) globular vase, wheel engraved with 1930s stylised figures in various poses, an explosion to the front with the word ‘BLITZ’, the letters V and A on either side, engraved signature to base 15cm high £100-150 (+Fees*) 168. Two sets of four Venetian glass dishes, 19th Century, with green ribbons and aventurine edged lace twists, together with a set of seven clear glass dishes with green drop inlays £80-120 (+Fees*)

Lot 167 169. A set of nine champagne coupes with clear glass bowls on spiralling amber feet £60-80 (+Fees*) 170. A set of twelve engraved and gilt champagne coups £70-90 (+Fees*) 171. A set of six Venetian glass champagne coupes decorated gilt trails and four glasses with dolphin supports, possibly Salirati, 12cm and 13cm high £100-150 (+Fees*) 172. A quantity of glassware comprising a pair of liqueur decanters and stoppers, a red glass beaker and clear glass jug enamelled flowers, a pair of etched beakers and a pair of Venetian glass octagonal goblets £150-200 (+Fees*)

Lot 168 30

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Lot 173 173. A Chinese famille verte charger, Kangxi, the central panel decorated a phoenix and a grotesque beast with a border of birds and insects, 37cm diameter (repairs) see illustration £400-600 (+Fees*) 174. A Chinese paper scroll mounted on floral silk, 193cm long £60-80 (+Fees*) 175. A Chinese blue and white tankard painted mountains, lakes and houses, 12cm high, another tankard, a small bowl, a Cantonese teabowl, two saucer dishes, a blue and white bowl and a salt (8) £100-150 (+Fees*)

Lot 175 176. A Chinese oval tea bowl and saucer with entwined vines and squirrels in relief and another tea bowl and saucer £80-120 (+Fees*) 177. An early 19th Century Chinese octagonal plate painted prunus trees in a lake landscape, 23cm diameter and two other octagonal plates £80-120 (+Fees*) 178. Five late 18th Century Chinese octagonal bowls, painted chrysanthemums and trees with flowering branches, in a garden landscape, 23cm diameter £150-200 (+Fees*) 179. A late 18th Century Chinese blue and white saucer dish, 29cm diameter and two other Oriental plates (damages) £120-150 (+Fees*) 180. An 18th Century Kangxi blue and white bowl decorated three chrysanthemums amongst other flowering shrubs, with flowers to the rim, 39cm diameter (riveted) £300-400 (+Fees*)

182. A plate decorated a portrait of Sir Roy Strong by Yaacov Agam with border of scrolls, 16.5cm diameter, contained in a marbled paper lined glazed case Note: Yaacov Agam was born in Palestine in 1928, the son of a Rabbi. A period of imprisonment by the British, as a member of the Israeli resistance, placed him among men of many ages and backgrounds which made him realise that art must find a new language. At an exhibition in Paris in 1953 through his artwork he became respected as the earliest pioneer of kinetic art £200-300 (+Fees*) 183.ARR Piet Esser (Dutch 1914-2004) A bronze portrait medallion of William Shakespeare, 56mm diameter, a Westminster School 450th Anniversary commemorative medallion, a gilt metal commemorative medallion of Igor Stravinsky, New York City Ballet, June 18 1972, a George V ‘Rocking Horse’ crown, 1935 and sundry royal commemorative coins £80-120 (+Fees*)

181. A Kutahya 16th Century style blue and white dish with serrated border by Haseyin and Hasan Baris, inscribed on reverse, 37cm diameter £30-40 (+Fees*)

Lot 180

Lot 182

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190. Gaywood after Hollar A VIEW OF BOSCOBEL HOUSE AND THE WHITE LADIES with the wood where King Charles II concealed himself after the Battle of Worcester engraving, 20cm x 25cm £150-200 (+Fees*)

The Conservatory

191. Israel Silvestre the Younger (French 1621-1691) ’VEUE DU CHASTEAU DE VILLEROY’ etching, 13.5cm x 26cm £80-120 (+Fees*) 192. Crispin van de Passe the Elder (Dutch 1564-1637) VERTUMNUS AND POMONA engraving, 8.5cm x 13.5cm £200-300 (+Fees*) Lot 187 184. Four Regency mahogany dining chairs fitted loose trap seats, on turned and reeded front legs £300-400 (+Fees*) 185. A circular mahogany table on a Victorian cast iron support, 54cm diameter £80-120 (+Fees*) 186. A pair of conservatory cane seat armchairs and a matching single chair £150-200 (+Fees*)

Lot 190

187. A pair of ochre painted wooden square planters with ball finials and slatted sides, 60cm wide and another in simulated terracotta £200-300 (+Fees*) 188. Three painted watering cans £80-120 (+Fees*) 189. Various Islamic tiles and other pottery £60-80 (+Fees*)

193. Pieter van der Aa, (Dutch 1659-1733), after Jan Goeree (1670-1731) WILTON HOUSE GARDEN from James Beverell’s ‘Les Delices de la Grande Bretagne et de l’Irlande’, 1707 engraving, 13cm x 16cm £60-80 (+Fees*) 194. Israel Silvestre the Younger (French 1621-1691) ’VEUE DU JARDIN DES SIMPLES AU FAUTBOURG SAINT VICTOR’ etching, 11cm x 18cm £50-80 (+Fees*)

Lot 192

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Lot 195

Lot 196 (part)

195. Joannes and Lucas van Doetecum (Netherlandish, late 16th Century), after Hans Vredeman de Vries A PALACE AND GARDEN from ‘Variae Architecturae Formae’ published by Theodor Galle 1601 engraving, 15.5cm x 11cm £100-150 (+Fees*) 196. Jacques Rigaud (French 1680-1754) ’L’OBELISQUE’ ’VUES DES BOSQUETS DU JARDINS DE VERSAILLES’ two views of the gardens at Versailles engravings, 25.5cm x 43.5cm £100-150 (+Fees*)

Lot 197 (part)

197. Johannes Kip (Dutch, 1653-1722), after Leonard Knyff (1650 1722) SIX ENGRAVINGS FROM ‘BRITANNIA ILLUSTRATA’: Hampton Court, Deane, Coley, Wollaton Hall, Longleat and Westbury Court published by David Mortier 1707 35cm x 48cm £300-500 (+Fees*) 198. A Thonet bentwood chair with arch top cane back and seat on splay legs £60-80 (+Fees*) 199. Lucy E Mark (19th/20th Century) CHRYSANTHEMUMS signed watercolour, 66cm x 52cm £100-150 (+Fees*)

Lot 199

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Lot 203

Lot 202 200. After William Henry Pyne (1769-1843) THE GOTHIC CONSERVATORY AT CARLTON HOUSE hand coloured engraving, 25cm x 37cm Note: The Gothic conservatory at Carlton House was designed by Thomas Hopper (1776-1856) and modelled on Henry VII chapel at Westminster Abbey. Made of cast iron it cost over £22,000 and was inaugurated on June 11th 1811 with a spectacular fete of some two thousand guests £40-60 (+Fees*) 201. Peter Miller (American, contemporary) KOMYO-JI SNOW GARDEN signed, inscribed and dated 97 numbered 5/31 photogravure etching, 41cm x 50cm Note: Peter Miller is an American artist who lives in Japan. He records a most unusual garden only to be viewed when the snow falls, it is one of the gardens of the Buddhist temple of the Jodo sect in Zaimokura Povenance: Purchased from The Francis Kyle Gallery £60-80 (+Fees*)

202.ARR Richard Shirley Smith (British, born 1935) A CELEBRATION OF THE RESTORATION OF PAINSHILL PARK, 1989 signed and inscribed acrylic on paper, 40cm x 30cm Note: Shirley Smith is a brilliant and prolific painter and engraver whose work belongs within the British Realist tradition reflecting his keen interest in architecture, theatre, ruins and still life, often with surrealist overtones. In 2005 Sir Roy Strong commissioned a mural, Laskett Shades, a haunting fantasy bringing together elements of the garden. This remains on the walls of The Laskett. Painshill Park in Surrey is one of the finest 18th Century landscape parks restored from the 1980s onwards to its original splendor £100-150 (+Fees*)

206. A large Derby figure of Diana, circa 1765, reaching for an arrow from a quiver slung on her back, wearing a flowered dress, her hound recumbent at her side, raised on a scrolled base, 30cm high £100-150 (+Fees*)

203. A 19th Century Staffordshire blue and white transfer printed meat platter, decorated the Bee Keeping pattern with a family and courting couple in a country park landscape, within a rose border, 55.5cm wide £300-400 (+Fees*) 204. A 19th Century Staffordshire blue and white transfer printed platter, decorated a chinoiserie pattern of two figures, a Staffordshire well dish and five various plates £100-150 (+Fees*)

205. A Derby figure of Neptune, circa 1765-70, standing beside a dolphin, raised on a rocky shell-encrusted base, 23cm high £100-150 (+Fees*)

Lot 206

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207. A Derby figure group emblematic of Music, circa 1765-70, modelled as a flute-playing maiden standing beside a column accompanied by two putti holding music, instruments around them, incised no 2179, 25cm high £100-150 (+Fees*) 208. A Berlin spill vase figure group of Mercury and Cupid with attendant cockerel, circa 1880, blue sceptre mark, 21cm high £70-100 (+Fees*) 209. Two Derby figures emblematic of Water and Earth, circa 1780, on octagonal bases with Greek key moulded border, incised no 3, 18cm high £80-120 (+Fees*)

210.ARR Richard Shirley Smith (British, born 1935) STOURHEAD; FONTHILL ABBEY; PAINSHIL; FONTHILL SPLENDENS four signed limited edition woodcuts, 14.5cm x 17.5cm framed as one Provenance: Chris Beetles 2002 Illustrated: Enchanting Paths of Paradise, London’ Barnabus Press, unpublished Exhibited: Chris Beetles, Richard Shirley Smith, 1999 No. 43; Chris Beetles, Richard Shirley Smith, 2002 No. 31 £200-250 (+Fees*) 211. A collection of large seashells £60-80 (+Fees*) 212. An 18th Century lime wood frieze panel, carved griffin, scrolls etc, 62cm wide, 14cm high £100-150 (+Fees*)

Lot 207

Lot 212

213. Etienne Delaune (French 1518-1583) MORAL EMBLEMS, THE WORLD IN A GARDEN engraving, 7cm x 10cm Note: One of a set of twenty moral emblems each designated by a letter of the alphabet. Moral Emblems represents the male philosopher laying on the ground reading against a tree and holding a book in his right hand whilst his left hand is pointing to the garden of a Country House, above which flies Death represented by a skeleton in the cloud. The print proposes a reflection on the brevity of life and the life of mundane goods, represented by the flowers in the garden, it is likely the garden represents the Kingdom of France which is destined to disappear, like all other Empires £80-120 (+Fees*) Lot 213

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The Corridor

Lot 217

Lot 212 214. German School, 16th Century PORTRAITS OF POPES woodcut, 36cm x 6cm £80-120 (+Fees*) 215. Paul Ponce Antoine Robert (French 1686-1733), after Bartolommeo Ramenghi, Il Bagnacavallo ST. PAUL THE APOSTLE, MARY MAGDALENE AND A FEMALE SAINT

etching and aquatint, 43cm x 28cm £80-120 (+Fees*) 216. An Art Deco wall sconce, the mirrored back with convex dot borders, 31cm high £60-80 (+Fees*) 36

217. A late 18th Century Chippendale period dwarf linen press with blind fret frieze, fitted sliding trays and enclosed by a pair of panel doors with one long and two short drawers beneath, on bracket feet, 129cm wide Provenance: Sir Charles William Chadwick Oman KBE FBA (12 January 1860 - 23 June 1946) He was MP for the University of Oxford (1919-1935) Fellow of All Souls College Oxford and Chichely Professor of Modern History. A notable British military historian and author. His reconstructions of medieval battles from the fragmentary and distorted accounts left by chroniclers were pioneering. Occasionally his interpretations have been challenged, especially his widely copied thesis that British troops defeated their Napoleonic opponents by firepower alone. His history of the Peninsula War is still in print. Surprisingly, he was not interested in the Arts at all! Oman married Mary Mabel Maclagan who’s brother, the then Earl of Harewood, married Mary, Princess Royal, only daughter of King George V and Queen Mary. His son, Charles C. Oman, wrote several volumes on British silverware and similar house ware and worked as a Keeper of the Department of Metalwork at the Victoria and Albert Museum. He was active in the Folklore Society and was the father of Julia Trevelyan Oman, who married Sir Roy Strong; Sir Roy was appointed director of the Victoria and Albert Museum in 1974. The linen press was exempted from death duties upon the death of Sir Charles William Chadwick Oman in 1935, it was deemed to be a fine example of Chippendale’s work £1000-1500 (+Fees*) Further images & information at www.chorleys.com

218. James Basire the Elder (1730-1802) ’LE CHAMP DE DRAP D’OR’ re-print, originally published 1774 engraving, 56cm x 114.5cm Note: A copy of a picture in the Royal Collection £200-300 (+Fees*)

Lot 218

219. Attributed to Abraham van Blijenberch (Flemish, 1575/6-1624) PORTRAIT OF A MELANCHOLY MAN half-length, wearing a black doublet with lace collar, circa 1615 oil on panel, in a painted oval, 56cm x 42.5cm Note: Although damaged this belongs to a series of late Elizabethan and Jacobean portraits depicting men in one of the classic attitudes of melancholy with his forehead resting on his right hand and his left resting on a ledge, the collar is of a kind which can be dated circa 1615. The painter belongs to the new wave of artists who came to England from the Netherlands in the second half of the reign of James I. Abraham van Blijenberch was in England from 1617-1622 when he painted members of the court interested in or active in the arts. His portrait of William Drummond of Hawthornden (Scottish National Portrait Gallery) dated 1612 bears a close resemblance Provenance: purchased at Wilkinsons, Doncaster 22nd June 2014, lot 428 £1500-2000 (+Fees*) Lot 219 Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

220.ARR Claude Harrison (British 1922-2009) ’SERIOUS JOKER’ signed and inscribed verso acrylic on board, 25.5cm x 31cm Note: A British painter who worked in the realist tradition with a steady stream of meticulously painted fantasies of children dressed in the garb of Commedia dell’arte Provenance: purchased from the Portal Gallery in 1989 £400-600 (+Fees*)

Lot 220

221.ARR Gerald Mynott (British, born 1957) VIEW OF HAM HOUSE signed watercolour and gouache, 30cm x 23cm Note: Ham House is the ancestral seat of the Tollemache family but latterly a branch of the Victoria and Albert Museum when Sir Roy Strong was director. Always notorious for being haunted, a ghost flits across the composition. It is now wholly a property of the National Trust £200-300 (+Fees*) 222. A Dutch brass three-light chandelier with scroll branches, a three-light chandelier and another £150-200 (+Fees*) 223. George Baxter (British 1804-1867) A QUANTITY OF PORTRAITS colour prints framed (19) £80-100 (+Fees*) 224. George Baxter (British 1804-1867) THE ROYAL BARGE THE CRYSTAL PALACE THE GREAT EXHIBITION colour prints and seven others, to include Queen Victoria and Prince Albert and the Royal Family (13) £100-150 (+Fees*) 225. George Baxter (British 1804-1867) THE HIDING PLACE THE LOVE LETTER THE WEDDING DRESS colour prints, 37cm x 27cm £80-120 (+Fees*) 226. George Baxter (British 1804-1867) TEN MINIATURE GUNS prints, 13cm x 9cm and six other multiple miniature prints £50-70 (+Fees*)

Lot 221

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Lot 231 227. George Baxter (British 1804-1867) ST RUTH’S PRIORY print, 10cm x 7cm and sixteen other small prints £80-120 (+Fees*) 228. George Baxter (British 1804-1867) THE GARDNER’S SHED colour print, 37cm x 27cm another similar and two coloured prints £60-80 (+Fees*) 229.ARR Mary Griffin PAST TIMES signed and dated ’02 pastel, 49cm x 46cm £60-80 (+Fees*) 230. Johannes Kip (Dutch 1653-1722), after Leonard Knyff HAUGHTON IN THE COUNTY OF NOTTINGHAM engraving and twenty-five other black and white engravings (16th to 18th Century, all cut) £100-200 (+Fees*) 231. Claude Goyrand (French c 1620-1662) ’VUE PERSPECTIVE DE L’AQUEDUC L’ARCUEIL’ etching, 12.5cm x 30.5cm £100-150 (+Fees*)

232. George Braun (1541-1622) and Franz Hogenberg (c.1538-1590) MIDDELBURGUM SELANDIAE OPP SITU OPERE AT MERCIMONIS FLORENTISS black and white engraved map from ‘Civitates Orbis Terrarum’, 40.5cm x 51cm £60-80 (+Fees*) 233. Elisha Kirkall (British 1682-1742), after Pietro da Cortona ST IGNATIUS LOYOLA AND ST FRANCIS XAVIER WITH ATTENDANTS chiaroscuro woodcut and mezzotint, 1724, 53cm x 38cm; Il Pentimento di Guglielmo, after Guercino initialled WJ and a woodcut after Durer £80-120 (+Fees*) 234. George Braun (German 1541-1622) and Franz Hogenberg (c.1538-1590) CAPRAROLA ARX ET HORTI FARNESIANI black and white engraving from ‘Civitates Orbis Terrarum’, 40cm x 53cm £80-120 (+Fees*) 235. Thomas Moule (British 1785-1851) HEREFORDSHIRE, 1841 hand coloured steel engraved map, 26.5cm x 20cm £50-60 (+Fees*)

236. Bernard Lens II (British 1659-1725) after Van Der Vaart (1680-1725) THE HONBLE. CHARLES CECIL ESQ mezzotint, 34.5cm x 25cm John Smith (1659-1725) DON CARLO EARL OF PLYMOUTH mezzotint, 36cm x 25cm John Smith(1659-1725) after Sir Godfrey Kneller (1646-1723) THE RIGHT HONOURABLE ANN LADY TORRINGTON mezzotint, 35cm x 25.5cm all framed to match £300-400 (+Fees*) 237. John Faber (Dutch 1684-1756) after Joseph Highmore (1692-1780) LADY BY A FOUNTAIN mezzotint 32.5cm x 22cm Gerard Endelink (1640-1707) after Florentine de la Mare Richart JEAN DE LA QUINTINYE mezzotint, 25cm x 19cm £100-150 (+Fees*) 238. J K Green (19th Century) QUEEN VICTORIA print, 23cm x 19cm and two other prints £30-40 (+Fees*)

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The Guests Sitting Room 239. A small oak joint type stool, on carved baluster legs and square stretchers, 46cm x 29cm £120-150 (+Fees*) 240. A William IV cupboard enclosed by a panel door with beaded decoration, 90cm wide £200-300 (+Fees*) 241. A William IV mahogany hall chair with carved portcullis cresting to the back, the pear-shaped seat on round legs £400-600 (+Fees*) 242. A small cupboard fitted adjustable shelves enclosed by glazed doors, with spiral columns to the sides, 56cm wide £150-200 (+Fees*)

Lot 241

Lot 243

243. A Victorian upright prie-dieu chair with spiral turned columns to the sides, the needlework back with Gothic decoration, on turned front legs £120-150 (+Fees*) 244. A small circular table with a leather lined top, on turned column and tripod support, 40cm wide £40-60 (+Fees*) 245. George Chinnery (British 1774-1852) FIGURE RESTING BY A SHRINE indistinctly inscribed pencil, 20cm x 18cm £600-800 (+Fees*) 246. Georgina Duchess of Bedford DESIGN FOR A ROSE SCREEN inscribed and dated 1836 pen and ink, 15cm x 22.5cm £100-150 (+Fees*)

Lot 245

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Lot 247

247. Gabriele Carelli (Italian 1820-c.1900) A GARDEN VISTA, PROBABLY FROM EATON HALL signed and dated 1867 watercolour, 12cm x 18cm £300-500 (+Fees*) 248. George Vertue (British 1684-1756), after Sir Godfrey Kneller HIS ROYAL HIGHNESS THE PRINCE OF WALES; HER ROYAL HIGHNESS THE PRINCESS OF WALES (LATER KING GEORGE II AND QUEEN CAROLINE) a pair of engravings, 47cm x 34.5cm £200-300 (+Fees*) 249-251 No lots

252. English 18th Century KING JAMES I AND HIS SON mezzotint, 26cm x 20cm £60-80 (+Fees*) 253. Four Persian pottery glazed tiles, various £200-300 (+Fees*) 254. A framed silkwork picture fragment of a bouquet of flowers, 19.5cm x 53cm £60-80 (+Fees*) 255. A Regency overmantel mirror with ball studded breakfront cornice and open shell to the frieze, spiral turned columns to the side, the plate 65cm x 39cm £150-200 (+Fees*)

Lot 248 Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

256.◆ Alexander Galloway (Scottish act. 1794-1812) PORTRAIT MINIATURE OF A GENTLEMAN traditionally said to be Samuil Greig (1778-1807), wearing a blue coat with white stock watercolour on ivory, 5.5cm x 4.5cm the frame with fine hair scroll panel to the reverse Note: Captain Samuil Samuilovich Greig (1778-1807) was the Russian Consul in London, he married Mary Somerville. They had two sons, one of whom, Woronzow Greig (1805-1865) became a barrister and scientist. Another son, Ivan Samuilovich Greig (1776-1802) travelled to China but was never heard of again. His grandson Samuil Alexeyvich Greig (1827-1887) was the Russian Minister of Finance 1877- 80, a General-Lieutenant he took part in the defence of Sebastopol during the Crimea War. He is buried in Smolenskoe Lutheran Cemetery in St Petersburg £600-800 (+Fees*)

257.ARR Betty Joel (British1894-1985) A sycamore box of plain rectangular form, 16cm x 11cm and two turned wood bowls £50-70 (+Fees*)

259. A pair of dark red silk curtains with pelmet and tie backs, 250cm x 240cm £100-150 (+Fees*) 260. A pair of floral curtains, 96cm x 204cm with poles £150-200 (+Fees*) 261. A pair of curtains with drapes and cornice, decorated trailing roses and 17th Century figures, 244cm x 218cm £300-500 (+Fees*) 262.◆ A travelling chess set complete with thirty-two white and red stained ivory pieces all 1.5cm high, contained along with a board in a mahogany folding box with flaps, the top inscribed C Oman Provenance: Sir Charles William Chadwick Oman KBE FBA (12 January 1860 - 23 June 1946) £100-150 (+Fees*) Lot 256

Lot 262 263.ARR BK CAT ON A LAWN signed beneath mount print, 23cm x 30cm £50-70 (+Fees*)

258. John Varley OWS (British 1778-1842) COMPOSITION SKETCH FOR A LANDSCAPE inscribed on label verso pencil, 8cm x 13cm Note: Varley was a watercolourist and also a close friend of William Blake Provenance: Purchased from the Ruskin Gallery, Stratford-upon-Avon in the late 1960s, stated to be from the Varley sketchbook formerly in the possession of Lord Melchett (most likely to be Henry Ludwig Mond, 2nd Baron) £100-150 (+Fees*)

264. 19th Century Russian School PORTRAIT OF ST NICHOLAS with attendant saints in the top corners icon painted on wood, 31cm x 24.5cm £200-300 (+Fees*)

Lot 264 42

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The Office

Lot 268

Lot 266

Lot 269 265. English School, early 19th Century PORTRAIT OF A CHILD half-length seated, holding an arrangement of blossom pastel oval, 25cm x 20cm £40-60 (+Fees*) 266. An Invitation to the Coronation of their Majesties King Edward VII and Queen Alexandra, 26th day of June, 1902 signed by the Duke of Norfolk, the Earl Marshall to Mr C Oman, 20cm x 25cm £80-100 (+Fees*) 267. Spy Cartoon ALL SOULS Sir Ernest Trevelyan (1850-1929) chromolithograph, 34cm x 18.4cm £40-60 (+Fees*)

Lot 270 268. Scandinavian School, late 18th Century PORTRAIT OF A LADY half-length, wearing a linen shawl oil on canvas, 72cm x 62cm £300-500 (+Fees*) 269. Attributed to Samuel Prout VIEW NEAR DORCHESTER watercolour, 26cm x 19cm £100-150 (+Fees*) 270. Abraham Rademaker (Dutch 1675-1735) A PALACE INTERIOR WITH FIGURES BENEATH ARCHES signed pen and ink and coloured washes, 24cm x 16cm £300-500 (+Fees*)

Lot 271 271. Circle of William Henry Hunt (British 1792-1864) STILL LIFE WITH A JAR, A CUP AND VEGETABLES bears signature watercolour, 17cm x 24cm £80-120 (+Fees*) 272. Continental School, early 20th Century A LAKE VIEW WITH A DISTANT TOWN watercolour, 28cm x 44cm £20-30 (+Fees*) 273. Lucy Mark (19th/20th Century) A SPANISH HILLSIDE signed and dated ’03 watercolour, 25cm x 34cm £40-60 (+Fees*)

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Lot 275 274. William Green of Ambleside (British 1761-1823) WESTWATER THE BOWDER STONE a pair watercolour, 20.5cm x 29.5cm £80-120 (+Fees*) 275. George Townshend, 4th Viscount and 1st Marquess Townshend (British 1724-1807) PALACE RUINS WITH FIGURES grey wash, 20cm x 16cm Provenance: P & D. Colnaghi £80-120 (+Fees*) 276. Francis Jukes (British 1745-1812) COOKS FOLLY AND BLAZE CASTLE two views near Bristol etchings with aquatint, 23cm diameter £40-60 (+Fees*) 277. A 15th Century stone carving, the Adoration of the Magi, 44cm x 23cm £800-1200 (+Fees*) 278. French School, 18th Century ’L’AMOUR INDOLENT’; ‘LE REVEIL D’AMOUR’ two wash drawings on one sheet, each 8cm x 9cm £60-80 (+Fees*)

Lot 277

279. Jacques Callot (French 1592-1635) COMBAT À LA BARRIERE etching, 15cm x 24cm £20-30 (+Fees*) 280. George Moutard Woodward (British 1760-1809) ’ROYAL AMUSEMENT OR NATURE WILL PREVAIL’ published by Thomas Tegg 1800 hand coloured etching, 23cm x 33cm £60-80 (+Fees*) 281. A mahogany pedestal desk fitted a surround of nine drawers, the leather lined top 133cm x 64cm £300-400 (+Fees*)

282. A folio of engravings, prints etc. £100-200 (+Fees*) 283.ARR After John Piper (British 1903-1992) CLYTHA coloured print, 25cm x 38cm £60-80 (+Fees*) 284.◆ An Edwardian chinoiserie three section stationery rack, the black and gold decoration with buildings and figures in a garden landscape, the heads and hands in ivory, 20cm wide and a small black and gold lacquer door £70-90 (+Fees*)

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The Old Writing Room

Lot 286

Lot 285

Lot 387 Lot 288 285. After William Faithorne (British 1616-1691) PORTRAIT OF CHARLES I half-length, wearing a cap and coat, a hand above holding a Crown of Glory with inscription above ‘Corruptibilem pro Incorruptibile’ and long inscription below oil on canvas, 61cm x 40cm £400-600 (+Fees*)

286. Francesco Bartolozzi (Italian 1727-1815), after Guercino THE ASSASSINATION OF AMNON etching, 24cm x 32cm £80-100 (+Fees*)

288. A wall mirror with a surround of damask panels, the frieze with 18th Century needlework of flowers, berries and foliage, 98cm x 58cm £400-600 (+Fees*)

287. An Aubusson style wool carpet decorated a field of flower sprays and bouquets on a black background within a floral border, 350cm x 275cm £300-500 (+Fees*)

289. A late 19th Century overmantel mirror, now green and white painted, the plate 136cm x 108cm £150-200 (+Fees*)

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290.ARR Sir Cecil Beaton (British 1904-1980) PART OF THE DRAWING ROOM AT REDDISH HOUSE pencil heightened with white, 45cm x 29cm Provenance: Eileen Hose, Beaton’s secretary £200-300 (+Fees*) 291. Follower of George Richmond PORTRAIT OF AN OFFICER IN THE CRIMEA watercolour and crayon, 19cm x 15cm Provenance: David Walker £60-80 (+Fees*)

293. A costume figure of Elizabeth I wearing a pearl lined cape, ruff and jewelled buttons, in a glass case, 43cm high £200-300 (+Fees*) 294.ARR Pauline Denyer (Contemporary) PORTRAIT MINIATURES OF SIR ROY STRONG a pair signed with initials and dated 97 watercolour on ivorine, oval, 9.5cm x 7cm £200-300 (+Fees*)

292. A Neapolitan crib figure of the Madonna of composition form, wearing a satin dress and fur lined cape, 63.5cm high £200-300 (+Fees*)

Lot 290

Lot 293

Lot 294 Lot 292 46

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Lot 298 295. A brass bound work box with fitted interior and drawer to the side, with inscription ‘Made for Royal Engineer Robert Maglagan as a gift from his Father, Edinburgh 1841’, 37cm wide £200-300 (+Fees*) 296. 19th Century HARVEST TIME print, 52cm x 17.5cm £15-20 (+Fees*) 297.ARR John Ward, RA (British 1917-2007) JEOFFRY WITH VERSES OF A FAMOUS 20TH CENTURY CAT POEM FROM ‘JUBILATE AGNO’ BY CHRISTOPHER SMART pen and ink and grey washes, 32cm x 48cm £300-600 (+Fees*)

Lot 297

298. A late 19th Century mahogany partners’ desk, fitted a surround of nine drawers to one side and two cupboards and three drawers to the other side, 153cm x 94cm £600-800 (+Fees*) 299. Daniel Maclise RA (Irish 1806-1870) STUDIES FOR A CAT signed and inscribed on a label verso pencil, 13.5cm x 9cm Note: Probably from the Artist’s sale in 1870 when this study was part of an album of little drawings Provenance: Purchased from the Covent Garden Gallery Ltd. £200-300 (+Fees*)

301. A military style drum-shaped wastepaper basket, 40.5cm high £50-70 (+Fees*) 302.ARR Julia Trevelyan Oman (British 1930-2003) WESTMINSTER ABBEY signed gouache, 30cm x 45cm £200-300 (+Fees*) 303. After Albrecht Durer THE MASS OF ST. GREGORY (BARTSCH 123; MEDER 126) woodcut (tears), 29cm x 20cm £40-60 (+Fees*)

300. A picture frame with gesso moulded acanthus and c scrolls, to take a picture 56cm x 43cm £60-80 (+Fees*)

Lot 302

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309. Mortimer Luddington Menpes (British 1855-1938) SKETCH OF THE OLD TEMPLE ETAWALI, INDIA signed watercolour, 19cm x 28cm £200-300 (+Fees*)

The Principal Bedroom

310. Lucy Mark (19th/20th Century) FIGURES AND GOATS BY CASTLE RUINS signed and dated ’03 watercolour, 19cm x 28cm £50-70 (+Fees*) 311. Robert Hills OWS (British 1769-1844) BRADSOLE OR ST RADEGUND’S ABBEY, NEAR DOVER signed and dated 1799 watercolour, 17cm x 25cm £300-500 (+Fees*)

Lot 312

312. An Italian Florentine chair, the cresting inlaid two griffin either side of an initialled shield of Anne Oman, with scrolled arms and X-shaped supports, 65cm wide Note: Anne Oman (1832-1904) was the mother of Sir Charles William Chadwick Oman (1860-1904) and daughter of William Chadwick, the GWR railway constructor who worked with Brunel in the construction of many of the regions bridges. The most notable of which was the Maidenhead railway bridge which Brunel had to redesign several times as Chadwick’s construction of Brunel’s original design was not strong enough to take the weight of the number of trains passing over it £400-600 (+Fees*) 313. A pair of fruitwood single chairs with upright splats and loose trap seats, on square tapered legs £80-120 (+Fees*) 314. A cushion with a tapestry fragment cover £80-120 (+Fees*)

Lot 314

305. A Victorian nursing chair on turned and ebonised front legs and a Victorian single chair £60-80 (+Fees*)

307. Robert Maclagan (1820-1894) A HIGHLAND LOCH LANDSCAPE watercolour, 33cm x 49.5cm £60-80 (+Fees*)

306. A Victorian oval footstool on tapered fluted legs, 28cm diameter £60-80 (+Fees*)

308. English School, late 19th Century EWELL PARISH CHURCH watercolour, 24cm x 34cm £80-120 (+Fees*)

315. A collection of forty-nine 20th Century maiolica, faience and other holy water stoops from Italy and Spain £120-150 (+Fees*) 316. A Worcester style blue scale teapot painted exotic birds within shaped reserves, a closed bud to the cover, 14cm high £70-90 (+Fees*)

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Lot 320 317.◆ An early 19th Century fan painted a woman and child in a garden landscape, the pierced ivory sticks with gilded decoration, framed, 42cm x 82cm £200-300 (+Fees*)

320.ARR Ceri Richards (British 1903-1971) VIOLON D’INGRES signed and dated ’70 limited edition screenprint, 61cm x 77cm £200-300 (+Fees*)

318.◆ A Regency fan with painted oval vignette of a couple seated in a garden landscape, the surround painted scrolls and flower sprays, the ivory sticks with ebonised and gilded decoration, framed, 38cm x 62cm £150-200 (+Fees*)

321. A terracotta pottery plaque with white glassed letter J in relief, illuminated with a gardener and an owl, 31cm x 25.5cm £70-90 (+Fees*)

319.◆ A Regency fan with painted vignettes of figures in landscapes within a surround of garlands and roses, with pierced ivory sticks, framed, 35cm x 59cm £150-200 (+Fees*)

322. John King (18th Century) BOUQUET OF SUMMER FLOWERS TIED WITH A BOW mezzotint, 16cm x 19cm £80-120 (+Fees*)

323. Nicolas II Larmessin (French 1638-1694) HABIT DE LA FONTAINIER engraving, 30.5cm x 21.5cm £250-300 (+Fees*) 324. An early Victorian red leather cased necessaire with Jasperware plaque of cherubs to the cover (cracked), the lid enclosing a mirror and with part fittings including mother of pearl thimble, scent bottle and scissors, 13cm wide and a copper plate for the bookplate of C W C Oman (Sir Charles William Chadwick Oman KBE, FBA) 10cm x 6.5cm £120-180 (+Fees*) 325. A quantity of trinket and pill boxes including pottery, enamel and porcelain examples, approximately nineteen £70-100 (+Fees*)

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The Dressing Room 331. A 17th Century Christening cloth with needlework decoration of flowerheads etc., 61cm x 79cm £300-500 (+Fees*) 332. A selection of silk pashmina shawls, kurtas, jackets etc. £60-80 (+Fees*) 333. A large quantity of Favourbrook shirts £60-80 (+Fees*) 334. An Italian micromosaic brooch, Cesare Roccheggiani, circa 1880, of conjoined lozenge form with central rectangular floral panel and doves to each side, 6cm wide, boxed by C Roccheggiani Manufacturer de Mosaiques Rue Condotti 15, Rome £300-400 (+Fees*) 335. After Augustus John MY BATMAN pencil, 14cm x 10cm £20-30 (+Fees*)

Lot 328 326. A bronze silk coat, boteh and foliate design, with sequin studded collar and ornate circular buttons £80-120 (+Fees*) 327. An Indian coat with Nehru collar in buttermilk silk with foliate motif £120-150 (+Fees*)

Lot 331

328. An Indian coat in claret paisley silk profuse decorated with gold foliate embroidery, applied sequins and coloured glass and a pair of claret silk trousers £120-150 (+Fees*) 329. An Indian cream silk coat with gold and claret embroidery embellished with red glass stones and gold sequins, design of flower trails and matching cream silk trousers £100-150 (+Fees*) 330. An Indian ivory silk coat with boteh and foliate embroidery in gold, bronze and claret, embellished with sequins £80-120 (+Fees*)

Lot 334

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336. A Victorian papier-mâché chair with cane seat and inlaid motif and another cane seat chair £60-80 (+Fees*) 337. A George III mahogany corner washstand fitted a glass bowl to the top, the platform fitted three drawers with stretcher beneath, 62cm wide £200-300 (+Fees*) 338. A mahogany apprentice chest with inlaid surround, fitted four long and two short drawers on bracket feet, 37cm wide £300-400 (+Fees*) 339. A Regency mahogany single chair with carved cresting rail and horizontal splat, the upholstered seat on sabre front legs £100-150 (+Fees*) 340. Robert van Voerst (Dutch 1597-1636), after Sir Anthony Van Dyck PHILIP HERBERT, 4TH EARL OF PEMBROKE engraving, 24cm x 18cm £100-150 (+Fees*)

Lot 338

341. Gideon Yates (British fl. 1790-1837) LONDON BRIDGE looking towards the North Bank of the Thames with Fishmongers’ Hall watercolour with gum arabic, 31cm x 55cm £500-800 (+Fees*)

Lot 341

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Lot 342 342. Circle of Frans Francken the Younger (Flemish 1581-1642) DAVID WITH THE HEAD OF GOLIATH sepia ink and wash, 19cm x 15.5cm Provenance: Baron C Rolas du Rosey sale in 1864 £400-600 (+Fees*) 343. Attributed to Johann Georg Bergmuller (German 1688-1762) A BISHOP SAINT KNEELING BEFORE A VISION OF THE VIRGIN AND CHILD with Cherubs carrying his Mitre and Crozier red chalk, 30cm x 17cm £300-500 (+Fees*) 344. A Vizagpatam blue and gold lacquer box and cover decorated flowers in scrolling foliage with white flowerhead borders, 25cm wide £100-150 (+Fees*) 345.ARR Julia Trevelyan Oman (British 1930-2003) FIGURE OF A SEATED LADY HOLDING A BABY initialled JTO red clay, 27cm high and a coat of arms within a border of mask heads, flowers etc, red clay, 23cm wide £120-150 (+Fees*)

Lot 343 346. French School, late 19th Century ’THE HAZARDS OF THE CRINOLINE’ indistinctly signed pencil, 23cm x 18cm Provenance: from the collection of the designer David Walker; his sale, Brightwells 5th August 2009, lot 708 £80-120 (+Fees*) 347.ARR Julia Trevalyan Oman (British 1930-2003) SPANISH LADY signed and dated 1956 lithograph, 38.5cm x 26cm Note: An early work probably from the time that the designer went to Spain returning and finding herself the first person to have typhoid in the country since the previous Century Provenance: Given by the Artist to a family friend, Penelope Linex, in the late 1950s, thence to Sir Roy Strong £60-80 (+Fees*) 348. Salvator Rosa (Italian 1615-1673) A NUDE IN CONTEMPLATION seated on a rocky ledge etching, with monogram in the plate, 15cm x 9cm £60-80 (+Fees*)

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349. Two pairs of curtains decorated with birds, insects and flowers, lined and interlined, 244cm x 260cm and 244cm x 210cm and the poles £200-300 (+Fees*) 350. A group of Rosenthal Quatre Couleure’s dressing table items comprising two pots and covers, dishes decorated in four tones of gilding, three square pin dishes, a candlestick and a marble effect pot and cover £60-80 (+Fees*) 351. G Mallard SCRATCH a striped cat in a garden signed and dated in pencil to mount artist’s proof, 15cm x 20cm Roger Harris BLACK CAT signed artist’s proof, 4.5cm x 3.5cm and another indistinctly signed J Urban?, ‘Et in Arcadia Ego’, 8cm x 9.25cm £40-60 (+Fees*) 352. A pair of gilt metal pince-nez with ring handle, a filigree posy holder in the form of a peacock and a silver posy vase £70-90 (+Fees*) 353. A 19th Century silk paisley shawl finely decorated floral designs on a camel coloured ground within a surround of interwoven boteh, with a fringed border, 160cm x 126cm and another paisley shawl £500-600 (+Fees*) 354. A quantity of lace, crochet and other borders, various lengths £80-120 (+Fees*) 355. A lace and gilded thread dress border, various lace veils, collars, cuffs, etc. £200-300 (+Fees*) 356. A 19th Century white peignoir, a black lace dress and a lace underskirt £80-120 (+Fees*) 357. Three children’s lace bonnets and various lengths of 19th Century Brussels appliqué work borders, various lengths £100-150 (+Fees*)

Lot 353 358. A collection of 19th Century baby clothes to include, dresses, embroidered shoes, bonnets and blouses, the wearing apparel of Charles William Chadwick Oman Provenance: Sir Charles William Chadwick Oman KBE FBA (12 January 1860 - 23 June 1946) £80-120 (+Fees*) 359. The Lucky House school uniform worn by Julia Trevelyan Oman, to include green and red afternoon dresses, school hats, League of Health and Beauty shorts, her crocheted dress from Madeira and a patchwork quilt made by Julia from her mother’s clothes £80-120 (+Fees*)

360.ARR Denise, Lady St. Oswald SLEEPING CAT initialled pencil on paper, 15.5cm x 22cm and Lizzie Richards VIOLETS initialled oil on panel, 21cm x 15cm and a print of three men at a boating event £60-80 (+Fees*) 361. A Lalique oval glass pin dish, moulded and frosted with a leaf pattern, etched Lalique in script to base £60-80 (+Fees*)

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The Flower Bedroom

Lot 362

Lot 365

362. Dutch School, 19th Century STILL LIFE OF ROSES IN AN ORNATE VASE IN AN ALCOVE oil on canvas, 60cm x 42cm £400-600 (+Fees*) 363. Lucy E Mark (19th/20th Century) FLORAL ARRANGEMENT signed watercolour, 50cm x 36.5cm four other floral watercolours similar and sundry others £80-120 (+Fees*) 364. A late Victorian mahogany pedestal cupboard with stepped top and base, 39cm wide £120-150 (+Fees*) 365. An early 19th Century Dutch walnut and marquetry mirror, the rectangular mirror on an associated box base, 37cm wide £180-220 (+Fees*)

Lot 366

366. An early carved lime wood fragment pierced trefoils with poppies, berries, etc., 74cm wide £200-300 (+Fees*)

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367.ARR Rory McEwen (British 1932-1982) TWO TULIPS signed and dated 1976, numbered 102/500 colour print, 57cm x 51cm £20-30 (+Fees*) 368. An Edwardian satinwood bureau crossbanded and fitted two long and two short drawers, 60cm wide £150-200 (+Fees*) 369. After Jean-Georges Vibert (French 1840-1902) ’THE FIRST BABE’ inscribed Mr Rose with signature bottom right sketches in the margins of a dogs head engraving, 26cm x 29cm Note: James Anderson Rose (1819-1890) was the solicitor who represented Whistler in the famous case of Whistler Versus Ruskin. Rose was a friend and patron to Sandys, Rossetti, Marshall and Faulkner and formed a large collection of engravings. In the 1860s he began collecting PreRaphaelite pantings many by Sandys and Rossetti, often receiving them as gifts as in the case of this picture Provenance: Rose was married to the half-sister of Anne Oman (1832-1907), Emily Winter Rose (1827-1907) and thence by descent to her granddaughter Julia Trevelyan Oman £80-100 (+Fees*) 370. Lumb Stocks RA (1812-1892), after William Powell Frith RA ’MANY HAPPY RETURNS OF THE DAY’ engraving, 62cm x 80cm £60-80 (+Fees*)

Lot 373 374. A pair of yellow damask curtains with tassels, 210cm x 254cm, the pole and a gilded eagle surmount for the same and two other matching curtains with poles and single pineapple finials £150-200 (+Fees*) 375. No Lot 376. A child’s Victorian pearlware part tea set, a sugar bowl, two cups and a saucer and five French nursery plates £50-70 (+Fees*)

371. 19th Century A VICTORIAN MAID CARRYING A TRAY A VICTORIAN MAID OPENING A DOOR a pair of engravings, 31cm x 26cm £40-60 (+Fees*)

377. Two pairs of Staffordshire dogs, a single dog, a figure of Albert, 45cm high and a group titled Highlander £50-70 (+Fees*) 378. A Meissen botanical coffee cup and saucer, circa 1745, painted with nuts, fruit, vegetables and insects below an ozier moulded border and gilt rim, blue crossed swords and impressed numbers £100-150 (+Fees*) 379. A Meissen globular teapot and cover, circa1745, with gilt bird head spout and wishbone handle, painted with two vignettes of figures and scattered Holzschnitt Blumen beneath an ozier moulded border £400-600 (+Fees*)

372. William Holl, after A de Valentini ’LA BOUQUETIERE’ James Posselwhite, after J-E Liotard ’LA BELLE CHOCOLATIERE’ engravings, image 29.5cm x19.5cm £40-60 (+Fees*) 373. Follower of Mario Nuzzi dei Fiori (Italian, 1603-1673) A BASKET OF FLOWERS oil on canvas, 40cm x 51.5cm £800-1200 (+Fees*) Lot 379 Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

Lot 380

380. A Meissen bullet-shaped teapot, circa 1745, with gilt bird head spout and wishbone handle, painted to each side with figures beside Classical architecture, reserved within a shaped gilt cartouche edged in black, scattered ombrierte flowers, later cover £200-300 (+Fees*) 381. A Meissen green mosaic pattern teacup and saucer, circa 1760, painted with soldiers in landscapes, blue crossed swords and impressed numbers £100-150 (+Fees*)

382. A pair of 20th century Meissen candlesticks with baluster columns and octafoil bases, decorated all over detached flower sprays and birds in branches, 25cm high £100-150 (+Fees*) 383. A pair of Meissen plates, late 19th Century, with pierced lattice rims, painted scattered sprigs, 23cm diameter and four other floral plates £80-100 (+Fees*) 384. A Meissen trencher salt painted with flowers circa 1770, a German example similar and a pair of Chinese examples, the first with blue crossed swords mark £80-120 (+Fees*)

Lot 381 56

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The Stables Bedroom

Lot 385 385. A walnut chest of one long and two short drawers, on cabriole legs, 94cm wide £150-200 (+Fees*) 386. A walnut dressing stool of Queen Anne design, fitted a loose needlework trap seat on cabriole legs with pad feet, 56cm wide £200-300 (+Fees*) 387. David Cox Senr. OWS (British 1783-1859) PEVENSEY CASTLE inscribed and dated 22 August 1850 pencil, 16cm x 27cm Provenance: from a Cox sketchbook formerly in the collection of the artist’s granddaughter, Miss Hannah Cox £80-120 (+Fees*)

Lot 388

Lot 386 388. John Samuel Hayward (British 1778-1822) DESIGNS FOR GARDEN BUILDINGS pencil and grey washes, 35.5cm x 29.5cm £200-300 (+Fees*) 389. Wencelaus Hollar (Czech 1607-1677) HUNTING DOGS engraving, 14cm x 21cm £60-80 (+Fees*) 390. Crispin van de Passe the Elder (Dutch 1564-1637), after Johann Rottenhammer MADONNA AND CHILD (HOLLSTEIN 191) engraving, 25cm x 19cm and a stipple engraving of Nell Gwyn, by Bartolozzi after Lely £100-150 (+Fees*)

Lot 389

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391. The Stable Bedroom Henry Ryland (British 1856-1924) SPRING BLOSSOM watercolour, 25.5cm x 18cm £600-800 (+Fees*) 392. A teddy bear wearing a knitted scarf, jumper and trousers and two other teddy bears £40-60 (+Fees*) 393. A Georgian mahogany chest of three long and two short drawers on bracket feet, 95cm wide £150-200 (+Fees*) 394. A commemorative armorial plate commemorating the 40th Anniversary of the marriage of Sir Roy Strong and Julia Trevelyan Oman, designed by Jonathan Heale, 26cm and a wax impression of the seal of the Trustees of the Victoria & Albert Museum £60-80 (+Fees*) 395. A Derby cup and saucer, circa 1790, later decorated in puce with birds, the saucer centred by a bird on a nest, puce marks £30-50 (+Fees*) 396. A Hague tea bowl and saucer, circa 1780, decorated hens and puce flowers, underglaze blue stork mark £60-80 (+Fees*)

Lot 391

Lot 395

Lot 396

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Lot 397

Lot 399 397. A Tournai ogee teacup and saucer, circa 1780, decorated at the Hague with scenes of Venus and Cupid, overglaze blue stork mark £60-80 (+Fees*) 398. A Hochst teacup and saucer, circa 1780, decorated a bullfinch perched on a branch £80-120 (+Fees*) 399. A Meissen cup and saucer decorated harbour scenes within gilt cartouches, circa 1740 £120-150 (+Fees*) 400. A Meissen circular sugar bowl and cover, circa 1750-60, with a flower finial, painted with birds and insects, faint blue mark to unglazed base, 10.5cm high £200-300 (+Fees*)

Lot 398

Lot 400 401. Charles James Lewis (1830-1892), after Sir Edwin Landseer A DOG RESCUING A SHEEP inscribed ‘From Charles Lewis to his friend J Anderson Rose’ signed bottom left engraving, 20.5cm x 27.5cm Note: James Anderson Rose (1819-1890) was the solicitor who represented Whistler in the famous case of Whistler Versus Ruskin. Rose was a friend and patron to Sandys, Rossetti, Marshall and Faulkener and formed a large collection of engravings. In the 1860s he began collecting PreRaphaelite paintings many by Sandys and Rossetti, often receiving them as gifts as in the case of this picture Provenance: Rose was married to the half-sister of Anne Oman (1832-1907), Emily Winter Rose (1827-1907) and thence by descent to her granddaughter Julia Trevelyan Oman £60-80 (+Fees*)

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Lot 403

Lot 402

402. Charles Edward Wagstaff (1808-1850), after Sir George Hayter THE MARRIAGE OF QUEEN VICTORIA AND PRINCE ALBERT published by Henry Graves & Co., 1844 mixed method engraving, 64cm x 92cm Note: After the painting in the Royal Collection by Sir George Hayter (1792-1871), Principal Painter in Ordinary to the Queen £150-250 (+Fees*) 403. After Sir George Hayter THE CHRISTENING OF THE PRINCE OF WALES, THE FUTURE KING EDWARD VII engraving, 67cm x 92cm Note: After the painting in the Royal Collection by Sir George Hayter (1792-1871), Principal Painter in Ordinary to the Queen £150-250 (+Fees*) 404. Mikhail Larionov (Russian 1881-1964) PORTRAIT STUDY OF ANTON DOLIN head and shoulders in profile with inset of Serge Diaghilev signed with initials pencil, 22.5cm x 18cm Provenance: Diaghilev Sale, Christie’s 18th July 1968, lot 162 £800-1200 (+Fees*)

Lot 404

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405. Jean Lepautre (French 1618-1682) after Jean Le Blond (1594-1666) FOUNTAIN IN A CLASSICAL GARDEN LANDSCAPE etching 21.5cm x 30.5cm £80-120 (+Fees*) 406. By and after Matthias Diesel (German c.1706-1752) VERSCHIEDENE FACCONEN VON PYRAMIDES, SO VON TAXIS CYPRESSEN, UND SEVEN TONNEN GESIEGELT WERDEN, PLATE 50 published by Jeremias Wolff Aug.V. etching, 23.5cm x 32.5cm £100-150 (+Fees*) 407. Aegidius Sadeler II (Flemish 1570-1629) after Johan Bol (1592-1640) SPRING etching, 18cm x 25cm Provenance: Colin Raphael Collection £100-150 (+Fees*)

Lot 410

408. By and after Giovanni Battista Falda (Italian 1648-1678) CASCATA D’ACQVA SOPRA IL TEATRO DELLA VILLA ALDOBRANDINA published by Giovanni (1570-1629 Giacomo de Ross etching, 22cm x 29.5cm £80-120 (+Fees*) 409. Hessel Gerritsz (Dutch 1581-1632) after David Vinckboons (1576-1629) SPRING FROM THE FOUR SEASONS etching, 19cm x 24.5cm £150-200 (+Fees*) 410. A patchwork quilt of square floral panels within a continuous floral border, 260cm x 260cm £250-350 (+Fees*) 411. English, 19th Century PORTRAITS OF JOHN LORD LUMLEY, RALPH LUMLEY, JANE LADY LUMLEY, GEORGE LORD LUMLEY after the originals in Lumley Castle, Durham four lithographs with hand colouring, 17cm x 14.5cm £200-300 (+Fees*)

Lot 411

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Costume & Theatrical Designs, Photographs etc. from the home of Sir Roy and Lady Strong

Lot 420

Lot 421

Lot 422 420.ARR Simon Redington (British, born 1958) PORTRAIT OF SIR JOHN GIELGUD aged 84, in his last theatrical role as Sir Sydney Cockerell in the production of ‘The Best of Friends’ by Hugh Whitmore at the Apollo Theatre, January 1988 signed and dated ’88, numbered 15/30 etching, the plate 35cm x 26.6cm £30-40 (+Fees*) 421.ARR Vin Burnham (Contemporary) ROY DOTRICE AS JOHN AUBREY IN ‘BRIEF LIVES’ signed and dated ’69, inscribed and numbered 2/8 lithograph, 50.5cm x 78.25cm (faded) Note: Evoked by the celebrated production at Hampstead Theatre Club in 1969 of Roy Dotrice as John Aubrey. The script was by Patrick Garland and the set by Julia Trevelyan Oman £60-80 (+Fees*)

Lot 424 422.ARR Godfrey Argent (1937-2006) SIR ROY IN THE 1968 BEATON EXHIBITION contemplates a photograph of the Queen Mother and Prince Charles taken at the Coronation in 1953 photograph, 18.5cm x 18.5cm Note: Argent owed his photographic career to Sir Gerald Templer, in 1967 he became the official photographer of the National Portrait Gallery’s National Photographic Record, Sir Roy Strong, then the new director, worked with Argent opening up that Record to reflect the changed society of the 1960s £80-100 (+Fees*)

424. Juvenile Drama A cardboard theatre with curtains, drapes, royal boxes and an orchestra pit, two other theatre frontispiece’s and six boxed files housing cut out scenery and figures from many plays, together with play books and associated items, circa 1945-55, the majority contained in a four drawer filing cabinet £300-500 (+Fees*)

423. Thomas Stothard RA (British 1755-1834) SCENE FROM TOM JONES grey washes, 12cm x 7cm £80-120 (+Fees*)

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Lot 425

425. Percy Thomas Maquiod (1852-1925) DESIGN FOR ACT I SCENE 3 OF SIR HERBERT TREE’S PRODUCTION OF ‘HENRY VIII’, 1910 acrylic, 30cm x 33cm Note: The production of Henry VIII at His Majesty’s Theatre in 1910 became the most celebrated of all Tree’s great spectacles and the banquet scene in Wolsey’s palace perhaps the most famous scene ever staged by him. Tree’s productions were conceived as pageants in which historical periods were accurately recreated. On the annotations on this design Maquoid, who was an authority on historical detail, records some of his sources. Michael R Booth in his Victorian Spectacular Theatre (1981) gives a full account of this production and its creation. The banquet tables were laden with 235 props ‘all exact copies taken either from originals in museums or paintings in the National Gallery’. In the centre we see the canopied seat for Tree as Cardinal Wolsey about to pledge ‘the company with a goblet of wine’ after a choir had sung a grace. This was the production that Tree took to New York in 1916 Provenance: The drawing came from Ellen Terry’s niece Phyllis Neilson, daughter of Fred Terry (1864-1932) whose second husband was Heron Carvic who left it to Julie Nightingale, who worked for Sir Roy Strong at the V&A and bequeathed it to him. Ellen Terry played Katherine of Aragon in Irving’s 1892 production of the play for which this must be a design. The set is a banqueting hall with Wolsey left raising his goblet in a toast, probably scene IV. A Hall in York Place in which Wolsey presides and the King and his company enter as masquers in disguise. Irving played Wolsey and Ellen Terry Katherine of Aragon £800-1200 (+Fees*)

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Lot 426

Lot 427

426.ARR John Stoddart A LOVESICK MAIDEN from Gilbert & Sullivan’s ‘Patience’, English National Opera, Coliseum, 1969 watercolour, 45cm x 29cm Note: The production in 1969 coincided with a resurgence of interest in the Aesthetic Movement, Derek Hammond-Stroud gave a memorable performance as Bunthorne £200-300 (+Fees*) 427.ARR Dame Laura Knight RA RWS (1877-1970) TAMARA KARSAVINA AND LEONIDE MASSINE IN ‘LE TRICORNE’ initialled LK and inscribed Karsavina and Massine double-sided pencil and charcoal sketch, 16cm x 21.5cm Note: Laura Knight was the only artist allowed to produce live sketches of the performance by the choreographer Leonide Massine who was commissioned by Sergel Diaghilev to premiere the performance at the Alhambra Theatre on 22nd July 1919. Leonide Massine (1896-1979) was a Russian choreographer and ballet dancer and created the World’s first symphonic ballet, Les Presages. Massine choreographed and performed in many Diaghilev’s Ballet Russes performances and took the leading role in the premiere of Le Tricorne. This sketch represents him performing as The Magistrate. Tamara Karsavina (1885-1978) was a Russian prima ballerina in the Imperial Russian Ballet and later principal artist of Sergel Diaghilev’s Ballet Russes. After settling in Britain and acknowledged as one of the founders of British Ballet, she assisted in the establishment of The Royal Ballet and was a founder member of the Royal Academy of Dance, now the world’s largest dance teaching organisation and was the inspiration behind the Academy’s Russian Dance Syllabus duly named after her. This sketch depicts her as the Miller’s wife Provenance: Purchased at Dame Laura Knight’s estate sale, Sotheby’s 7th May 1975. £600-800 (+Fees*)

Lot 428 428.ARR Dame Laura Knight RA RWS (1877-1970) TAMARA KARSAVINA IN FOKINE’S BALLET ‘FIREBIRD’ signed watercolour, 35cm x 24cm Note: Between 1911 and 1929 Knight drew and painted backstage some of the most famous dancers in Sergei Diaghilev’s company, The Ballets Russes. As one of the most celebrated of all Russian ballerinas Karsavina created the title role in Fokine’s Firebird with Nijinsky as her occasional partner. Laura Knight was the only artist allowed by Diaghiliev access to his company. In 1918 Karsavina married the British diplomat Henry James Bruce and settled in England where she had considerable influence on the development of ballet here Provenance: Knight died in 1970 aged 93, this drawing was acquired at the sale of her studio £600-800 (+Fees*)

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Lot 430

Lot 429

429.ARR Nicholas Georgiadis (1923-2001) DESIGN FOR RUDOLF NUREYEV’S COSTUME IN ‘NUTCRACKER’, 1968 signed watercolour, 54cm x 36.5cm Note: Georgiadis was described by Sir John Tooley, General Director of the Royal Opera House, Covent Garden as ‘one of the most outstanding designers of the past century’. This production was one of the long series which was to mark the artist’s partnership with the great choreographer Sir Kenneth Macmillan, for whom he was later to design Romeo and Juliet, Manon and Mayerling still in the Opera House repertory today £800-1200 (+Fees*) 430.ARR Nicholas Georgiadis (1923-2001) DESIGN FOR THE QUEEN MOTHER’S COSTUME IN ‘THE SLEEPING BEAUTY’ FOR LA SCALA, MILAN, 1966 signed watercolour, 38cm x 27cm Note: Nureyev’s first production of The Sleeping Beauty was at La Scala, Milan, in 1966. Georgiadis was the designer for the ballet in which the original choreography of Marius Petipa was revised by Nureyev. So successful was this production that it was revived in 2018 £400-600 (+Fees*)

Lot 431 431.ARR Norman Hartnell (1901-1978) COSTUME FOR PHYLLIS TITMUS IN ‘THE BATTLING BUTLER’, 1923 signed watercolour, 32.5cm x 22cm Note: Norman Hartnell began his career as a couturier in the 1920s, dressing a clientele of debutantes and their mothers along with stars of screen and theatre including Gertrude Lawrence, Gladys Cooper and Anna Neagle; that included designing dresses which stars could wear on stage. Phyllis Titmuss (1900-1946) wore this dress in the third act of The Battling Butler, a musical which was to have a second life as a film starring Buster Keaton (1926). With the design goes a photograph of the star by Dorothy Wilding wearing the dress £400-600 (+Fees*) Further images & information at www.chorleys.com

Lot 432

Lot 434 432.ARR Alix Stone (1913-2010) COSTUME DESIGN FOR COURT LADIES IN BENJAMIN BRITTEN’S ‘GLORIANA’, 1966 and 1984 signed watercolour, 37cm x 55cm Note: Britten’s Gloriana was first staged in 1953 as part of the festivities marking the coronation of Elizabeth II. It was revived in 1966 by Sadler’s Wells Opera and again in its new guise as a English National Opera at the Coliseum in 1966. The director and the designer, Alix Stone, was the same for both £300-400 (+Fees*) 433.ARR Oliver Messel (1904-1978) COSTANZA IN ‘THE SERAGLIO’, GLYNDEBOURNE, 1956 signed watercolour, 35.5cm x 23.5cm Note: Oliver Messel designed a whole series of productions for Carl Ebert at Glyndebourne from 1950 to 1959. His style as a designer went abruptly out of fashion in the face of the brute realism of the new drama £600-800 (+Fees*)

Lot 433

Lot 435 434.ARR Ralph Adron (born 1937) DESIGN FOR A DANCER IN A PRODUCTION OF ‘NUTCRACKER’ BY JOHN CRANKO FOR THE STUTTGART BALLET, 1960S watercolour, 35.5cm x 27.5cm Note: John Cranko became Director of the Stuttgart Ballet in 1961 and transformed it into a company of international importance with ballets such as Onegin and his choreography for a production of Romeo and Juliet £200-300 (+Fees*) 435.ARR Lila de Nobili (1916-2002) DESIGN FOR A WEDDING SCENE FROM TONY RICHARDSON’S 1968 FILM ‘THE CHARGE OF THE LIGHT BRIGADE’ annotations in the margin pencil and charcoal heightened in white, 15cm x 22cm £300-500 (+Fees*)

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Lot 437

Lot 436

437.ARR Lila de Nobili (1916-2002) AN ATTENDANT ON A FAIRY IN THE PROLOGUE a costume design for ‘The Sleeping Beauty’, Royal Opera House, 1968 watercolour, 30cm x 23cm Provenance: This wonderful production in which the sets were by Henry Bardon and the costumes by de Nobili lasted for only 66 performances. It was the first attempt to replace Oliver Messel’s legendary 1946 one. The concept, one of a romantic Victorian Gothic vision of the middle ages, was regrettably too great a departure for the Covent Garden audience to accept. At least three other attempts by various designers succeeded it, all failed and the Opera House returned to a bowdlerised version of the 1946 Messel £700-900 (+Fees*)

Lot 438 436.ARR Lila de Nobili (1916-2002) ENTRY OF CARABOSSE IN THE PROLOGUE costume design for ‘The Sleeping Beauty’, Royal Opera House, 1968 watercolour, 28.5cm x 22.5cm Note: This wonderful production in which the sets were by Henry Bardon and the costumes by de Nobili lasted for only 66 performances. It was the first attempt to replace Oliver Messel’s legendary 1946 one. The concept, one of a romantic Victorian Gothic vision of the middle ages, was regrettably too great a departure for the Covent Garden audience to accept. At least three other attempts by various designers succeeded it, all failed and the Opera House returned to a bowdlerised version of the 1946 Messel £700-900 (+Fees*) 68

438.ARR Lila de Nobili (1916-2002) CARABOSSE IN DISGUISE IN ACT ONE a costume design for ‘The Sleeping Beauty’, Royal Opera House, 1968 watercolour, 25cm x 16cm Provenance: This wonderful production in which the sets were by Henry Bardon and the costumes by de Nobili lasted for only 66 performances. It was the first attempt to replace Oliver Messel’s legendary 1946 one. The concept, one of a romantic Victorian Gothic vision of the middle ages, was regrettably too great a departure for the Covent Garden audience to accept. At least three other attempts by various designers succeeded it, all failed and the Opera House returned to a bowdlerised version of the 1946 Messel £500-700 (+Fees*)

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Lot 439

Lot 440

439.ARR Lila de Nobili (1916-2002) DESIGN FOR A CROWD SCENE FROM TONY RICHARDSON’S 1968 FILM ‘THE CHARGE OF THE LIGHT BRIGADE’ watercolour, 22.5cm x 60.5cm Provenance: David Walker Collection, a gift from the family to Sir Roy Strong £500-700 (+Fees*)

Lot 441

440.ARR Sir Cecil Beaton (1904-1980) PORTRAIT STUDY OF LADY DIANA COOPER IN A WIDE-BRIMMED HAT inscribed verso pencil, 25.5cm x 22cm Note: Legendary beauty and friend of Beaton, this sketch came from his studio, the dress would suggest the late 1930s. It was through Beaton that Sir Roy Strong met the sitter and became a friend £600-800 (+Fees*)

441.ARR Sir Cecil Beaton (1904-1980) SIR ROY STRONG SITS FLANKED BY THE BE-RUFFED GRANDEES IN THE GROUP PORTRAIT commemorating peace with Spain in 1604 in the National Portrait Gallery photograph, 35.5cm x 35cm Note: Taken by Beaton in July 1967 for Vogue, for what editor Beatrix Miller called her discoveries, a gallery that included all the up and coming young stars of the 1960s £150-200 (+Fees*)

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442.ARR Sir Cecil Beaton (1904-1980) RICHARD BUCKLE, THE BALLET CRITIC, SIR ROY STRONG AND BEHIND HIM JOE PREDERA, BUCKLE’S ASSISTANT, IN THE LANDMARK EXHIBITION OF BEATON PORTRAITS AT THE NATIONAL PORTRAIT GALLERY IN THE AUTUMN OF 1968 inscribed ‘A Snap’ and ‘For Roy - from Cecil’ photograph, 19.5cm x 29cm Note: This was the first exhibition of a living photographer in a national institution, the seminal event which began the transformation of the National Portrait Gallery £200-300 (+Fees*)

Lot 442

Lot 444 70

443.ARR Sir Cecil Beaton (1904-1980) SIR ROY STRONG AND JULIA TREVELYAN OMAN signed photograph, 31.5cm x 46.5cm Note: Taken in the garden of Lord Rothermere’s house at Daylesford in the early autumn, a few months after their marriage in 1971 £300-500 (+Fees*) 444.ARR Sir Cecil Beaton (1904-1980) SIR ROY STRONG signed photograph, 16cm x 23cm Note: Taken in the garden of Lord Rothermere’s house at Daylesford in the early autumn 1971 £200-300 (+Fees*)

445.ARR David Bailey (born 1939) SIR ROY STRONG photograph, 37cm x 29cm Note: Another print from the 1971 sitting given to the sitter by Bailey in 1987. While Director of the Victoria & Albert Museum Sir Roy Strong commissioned Bailey to choose the 100 greatest fashion shots £200-300 (+Fees*)

Lot 443

Lot 445

Further images & information at www.chorleys.com

447.ARR David Bailey (born 1939) SIR ROY STRONG, 1986 signed photograph, 33cm x 28cm Note: Taken the year before Sir Roy resigned as Director of the Victoria & Albert Museum £200-300 (+Fees*) 448.ARR Snowdon, Antony Armstrong-Jones, 1st Earl of Snowdon (1930-2017) SIR ROY STRONG WITH HIS WIFE signed photograph, 30cm x 30cm Note: Taken in Princess Margaret’s garden at Kensington Palace for The Sunday Times, 1972, it attracted a lot of attention at the time and was billed as Snowdon’s Renoir £300-400 (+Fees*) Lot 446

Lot 447

Lot 448 446.ARR David Bailey (born 1939) SIR ROY STRONG DRESSED IN THE LONDON STYLE OF THE SWINGING SIXTIES, WEARING A REGENCY STYLE VELVET JACKET WITH A SILK CRAVAT TIED IN A BOW

photograph, 28cm x 28cm Note: In 1971 the National Portrait Gallery gave space to a Welsh Arts Council Exhibition entitled ‘Snap, Instant Image 1971’, it was partly a manoeuvre by Roy Strong to cross portrait barriers that would have upset the Trustees if staged as a purely Gallery event, Bailey was the photographer, David Hockney the artist and Gerald Scarfe the cartoonist. Strong sat for Bailey attired as the photographer wanted, Bailey emerged as one of the photographers who visually defined Swinging London, born in 1939 he emerged seemingly almost from nowhere and from 1960 onwards was one of the photographers who visually defined an era £200-300 (+Fees*)

Lot 449 449.ARR Snowdon, Antony Armstrong-Jones, 1st Earl of Snowdon (1930-2017) SIR ROY STRONG signed photograph, 29.5cm x 24.5cm Note: A quote from Sir Roy Strong reads ‘I was to be photographed by Tony Snowdon for the April issue of the Italian men’s fashion magazine Uomo as one of a gallery of gardeners. My Versace black leather blouson and corduroy trousers survived the redressing; otherwise I was put into a Ralph Lauren black suede shirt and poured into a black leather riding boots....Tony tucked a pair of secateurs into the top of one boot, telling me that this was where Vita Sackville-West had put hers, ‘Give me more cleavage’ Tony yelled, at which point Patrick (Kinmouth his assistant) yelled back ‘You can’t do that to Roy!’, the result was a cross between Heathcliffe and a rent boy in old age but, as Tony said, ‘there’s the cover for your next book’ £300-400 (+Fees*)

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Lot 450

Lot 451 450.ARR Norman Parkinson (1913-1990) SIR ROY STRONG, RECENTLY KNIGHTED posed in a gallery depicting the baroque period, 1983 photograph, 35cm x 24.5cm Note: Norman Parkinson was a portrait and fashion photographer who worked for Vogue from 1945 to 1960 and from 1969 produced a steady series of royal images £300-400 (+Fees*) 451. Charles Alias COSTUME DESIGN PROBABLY FOR HERODIAS IN RICHARD STRAUSS’S ‘SALOME’, 1911 signed and dated 1910 watercolour, 25cm x 15.5cm Note: The reverse of the picture frame notes that Charles Alias designed a production of Strauss’s Electra in 1909 at the Alhambra Theatre and two years later in 1911 for one of Salome £200-300 (+Fees*)

Lot 452

452.ARR Barry Lategan (born 1935) SIR ROY STRONG, 1974 signed photograph, 35cm x 33cm Note: Lategan, a favourite Vogue photographer and the discoverer of Twiggy, records the sitter four years on who having been inspired by the sleeve of Sgt. Pepper’s Lonely Hearts Club Band grew a moustache £100-150 (+Fees*)

Further images & information at www.chorleys.com

Lot 453

Lot 454

453.ARR Tessa Traeger (born 1938) SIR ROY STRONG, 2002 photograph, 34cm x 37cm Note: Taken for the exhibition at the National Portrait Gallery and the book, Tessa Traeger and Patrick Kinmouth, A Gardener’s Labyrinth: Portraits of People, Places and Plants £200-300 (+Fees*) 454.ARR John Swannell (born 1946) SIR ROY STRONG IS RECORDED IN BEATONESQUE STYLE SEATED IN A GOTHIC ARBOUR IN HIS GARDEN, 1990 photograph, 39.5cm x 32cm Note: Swannell worked in the Vogue Studio and then as an assistant to David Bailey before setting up on his own. A brilliant photographer, his many images of the Royal Family include a famous series of Princess Diana and her two sons £300-400 (+Fees*) 455.ARR John Swannell (born 1946) SIR ROY STRONG signed and dated 2007 photograph, 29cm x 23cm Note: Taken in the Laskett Gardens, the stag with the golden antlers was the culmination of the orchard vista in the gardens £200-300 (+Fees*)

Lot 455 Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

Lot 456

Lot 457 456.ARR John Swannell (born 1946) SIR ROY STRONG resting on the gate to the Colonnade Court in the Laskett gardens with a vista to the house signed and dated 2007 photograph, 40cm x 28.5cm £300-400 (+Fees*) 457. A plaster bust of Julius Caesar, 72cm high Note: A prop from the 1970 film Julius Caesar, modelled on Sir John Gielgud who played the leading role. The film set was designed by Julia Trevelyan Oman £200-300 (+Fees*) 458. A gilded decorative plaque of Sir John Gielgud as Julius Caesar, 48cm diameter Note: A prop from the 1970 film Julius Caesar, modelled on Sir John Gielgud who played the leading role. Julia Trevelyan Oman was the production designer for the film £120-150 (+Fees*)

Lot 458

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460.ARR Astrid Zydower (1930-2005) FALSTAFF AND THE LINEN BASKET, 1964 pencil drawing, 33cm x 47cm Note: made for the Edinburgh version of the Shakespeare Exhibition £60-80 (+Fees*) 461.ARR Astrid Zydower (1930-2005) SIR ROY STRONG, 1965 typed label verso pencil, 27cm x 21cm Note: The earliest portrait by an artist of the sitter. Strong had met Zydower in 1963 when he was engaged to work on the portraits in the Quarter Centenary Shakespeare Exhibition at Stratford-upon-Avon in 1964. They remained lifelong friends until her death in 2005. The drawing depicts the sitter when he was an Assistant Keeper at the National Portrait Gallery, two years later he was to become its director Provenance: Given by the artist to the sitter £100-150 (+Fees*)

Lot 459 459.ARR Michael Leonard (born 1933) SHAKESPEARE’S KING LEAR signed upper right and inscribed lower left ‘Julia from Michael Oct 13th 70’ watercolour, 46cm x 35cm Note: Micheal Leonard went through about a decade working as an illustrator, then in 1974 he became a full time painter. The watercolour of Lear was done in the 1960s as one of a series on Shakespeare’s plays for The Sunday Times. The inscription records it as a gift to Julia Trevelyan Oman £400-600 (+Fees*)

Lot 460

462.ARR Astrid Zydower (1930-2005) SKETCH FOR ‘COMPASS MAN’ IN THE EXPO 1967 EXHIBITION, MONTREAL, CANADA, 1967 signed with initials and dated 1966 pencil, 24cm x 15cm Note: A drawing for the sculpted figure that was part of the huge contribution by Zydower to the 1967 Expo Exhibition and the first time she worked with James Gardner. This was part of a many-figured tableau entitled ‘The British at Home’ Literature: The final sculpted figure is reproduced in Peter C Amsden, Astrid Zydower ARCA, MBE, ASAT Productions, 2008, p 77 Provenance: Given to Sir Roy Strong by the artist £80-120 (+Fees*)

Lot 462

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463.ARR Astrid Zydower (British 1930-2005) ELIZABETH I WATCHING THE FIRST PERFORMANCE OF ‘A MIDSUMMER NIGHT’S DREAM’ signed with initials cast bronze tableau, 66cm high, maquette bronze for the life size tableau Exhibited at The Shakespeare Exhibition (celebration of the 400th anniversary of his birth) Stratford upon Avon 1964 £600-800 (+Fees*)

Lot 463

464.ARR Paul Brason (born 1952) SIR ROY STRONG signed and dated 2003 pencil 61cm x 51cm Note: Preparatory drawings of the sitter holding his cat Lettice, Lady Laskett. The finished painting remains in the possession of the sitter £200-300 (+Fees*) 465.ARR Michael Leonard (born 1933) SIR ROY STRONG, CH, 1981 signed Leonard ‘06 and inscribed ‘Leonard Del, a sa chere amie Madame Fort, Londres 1981’ limited edition print, 40cm x 29cm Note: A print by the artist from a limited edition of one of his drawings in the series Portraits in Time in which friends and those within his circle are transported to the art of the past. In this instance the sitter becomes a drawing by ingress but with the dome of the Victoria & Albert Museum in the background. The original drawing is in the possession of the sitter and was given to his wife Julia Trevelyan Oman by the artist £30-50 (+Fees*)

Lot 464

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Lot 466 466.ARR Leslie Hurry (1909-1978) COSTUME DESIGN FOR HAMLET for the production directed by Peter Wood with Ian Bannen (1928-1999) as Hamlet in 1961 watercolour, 56cm x 26cm Note: Leslie Hurry began his life as a painter whose depression led to his work reflecting the Surrealist movement and to Robert Helpmann’s commission to design his ballet Hamlet in 1941. This landmark production led to a thirty-five year long career as a major theatre designer which included the famous Sadler’s Wells Ballet’s production of Swan Lake. In 1960 Hurry became a Royal Shakespeare Company associate designer Provenance: Purchased at a major retrospective of Hurry’s work at the National Theatre, 1979 £400-600 (+Fees*)

Lot 467 467.ARR Stefanos Lazaridis (1942-2010) COSTUME DESIGN FOR A PROJECTED PRODUCTION OF TURANDOT watercolour, 73cm x 59cm Note: Lazaridis was Greek by birth but studied theatre design in London and embarked on an international career as a designer, in the main for opera, which was global. He once described his design principles as ‘distorted traditionalism’ and was a prolific designer with over thirty productions for English National Opera. This design is not, as far as is know, for any identifiable production £200-300 (+Fees*) 468. Glyndebourne Festival Opera, 21st - 23rd August 1991, a framed advertisement, 50cm x 30cm Provenance: with presentation inscription verso to ‘Dr Julia Trevelyan Oman’ £50-70 (+Fees*)

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469.ARR Michael Leonard (born 1933) ROMEO signed gouache, 39cm x 39cm Provenance: A gift from the artist to Julia Trevelyan Oman £1000-1500 (+Fees*) 470.ARR Paul Brason (born 1952) PORTRAIT OF SIR ROY STRONG looking to his right signed pencil, 24cm x 17.5cm Provenance: With presentation inscription from the artist to the sitter’s wife Julia Trevelyan Oman £100-150 (+Fees*)

Lot 469

471.ARR Bryan Organ (born 1935) PORTRAIT OF SIR ROY STRONG facing front signed and dated 1970 inscribed to both the sitter and his wife Dr Julia Trevelyan Oman pencil, 45cm x 31cm Note: This is a pencil study for the portrait of Sir Roy in the National Portrait Gallery £200-300 (+Fees*) 472.ARR David Hockney, RA (born 1937) PORTRAIT OF RICHARD HAMILTON AT CADAQUES full-length seated (SAC 126; Tokyo 118) signed and inscribed ‘for Roy and Julia from David H Oct 1971’ in red crayon (on the occasion of their wedding) artist’s proof etching, 35cm x 28cm £2000-3000 (+Fees*)

Lot 472

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Lot 473 473.ARR David Hockney, RA (born 1937) PORTRAIT STUDY OF SIR ROY STRONG half-length, in profile pencil, 33.5cm x 25cm Note: this study was drawn at Cecil Beaton’s House on Whitsun weekend, 1969 £4000-6000 (+Fees*)

474.ARR Julia Trevelyan Oman (1930-2003) SELF-PORTRAIT oil on canvas, 76cm x 67cm Note: Found amongst the sitter’s studio on her death in 2003. The sitter always refused to sit for her portrait until she suddenly decided she would sit for Paul Brason in the final months of her life, this portrait was given to Perennial and now hangs in The Laskett £50-80 (+Fees*)

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Lot 475

Lot 477

Lot 476

475.ARR Julia Trevelyan Oman (1930 - 2003) TRIPLE COSTUME DESIGN FOR CATHERINE DE’ MEDICI IN ‘VIVAT, VIVAT REGINA’, BY ROBERT BOLT signed and dated 1970 watercolour, 45cm x 76cm overall Note: Robert Bolt’s celebrated play was to have been directed by Peter Hall and its original title was Remarkable Women, Julia Trevelyan Oman was to be the designer. She began work on it as evidenced by this design which shows her very precise and detailed way of working The author and director fell out and the play was eventually staged as ‘Vivat, Vivat Regina’ and directed by Peter Dews with Carl Toms as the designer £250-350 (+Fees*)

476.ARR Julia Trevelyan Oman (1930-2003) PANORAMA OF HER DESIGNS FOR THE PRODUCTION ‘ARABELLA’, GLYNDEBOURNE, 1984 signed and inscribed watercolour, 45cm x 63cm Note: John Cox’s production of Arabella in 1984 was revived in 1996. Oman’s painting incorporates views of all three sets for the opera and the leading singers in their costumes £300-400 (+Fees*)

477.ARR Peter Rice (1929-2015) COSTUME DESIGN FOR AUDREY IN ‘AS YOU LIKE IT’, REGENT’S PARK THEATRE, 1965 signed watercolour, 25cm x 14cm Note: Peter Rice was a prolific designer £200-300 (+Fees*)

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Other Properties Furniture & Outside Effects

500. A decorative terracotta jardinière, early 20th Century, of urn form, with handles modelled as stylised corn cobs, 37cm high £40-60 (+Fees*) 501. A reconstituted stone garden vase with reeded base on a pedestal, 81cm high £100-150 (+Fees*) 502. A large reconstituted stone garden vase with reeded base, 83.5cm high £150-200 (+Fees*) 503. A pair of reconstituted stone garden vases on pedestal bases, 84cm high £150-200 (+Fees*) 504. An antique style standard lamp £40-60 (+Fees*) 505. A Victorian brushed steel fender of serpentine form, pierced and chased with foliate motifs, 164cm wide £150-250 (+Fees*)

Lot 503

506. A late 18th Century mahogany sheet music cabinet with plush lined named shelves, 49cm wide £80-120 (+Fees*) 507. A late 17th Century walnut cushion-shaped wall mirror with marquetry surround and bevelled plate, 60cm x 41cm £500-700 (+Fees*) 508. A pair of Greensmith wing back armchairs on cabriole legs with pad feet £150-200 (+Fees*) 509. An upholstered sofa with arch back and scroll arms, 175cm wide £200-300 (+Fees*) 510. A George I style gilt gesso wall mirror with arch frame and carved border, the bevelled plate 68cm x 43cm £400-600 (+Fees*) 511. A single chair of Carolean design with cane seat and crown finial above the oval cane back, flanked by bobbin columns on scroll legs with pierced central stretcher £120-150 (+Fees*)

Lot 507

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512. A 17th Century Dutch walnut single chair with twin-scroll cresting and rectangular splat, fitted a loose trap seat on cabriole legs £100-150 (+Fees*) 513. A pair of oak single chairs with moulded oval splats to the backs and solid seats, on baluster turned front legs £120-150 (+Fees*) 514. A George II walnut lowboy with herringbone banding, fitted three drawers on cabriole legs, 74cm wide £500-700 (+Fees*) 515. A George II walnut dressing mirror on a box base fitted three drawers, the plate with gesso border, 39cm wide £80-120 (+Fees*)

Lot 514

516. An oak single chair with pierced and carved splats to the back and solid seat on bobbin turned legs £80-120 (+Fees*)

517. A oak dole cupboard, 17th Century and later, the frieze and base carved flower heads and ferns to the pillars, enclosed by a pair of spindle doors, 126cm wide £400-600 (+Fees*)

Lot 517

518. A late 17th Century oak credence table with thick boarded oak top and hinged back flap with pull-out leg support, the carved frieze on four boldly turned legs with platform beneath, 103cm wide, 57.5cm deep, 83cm high £1500-2000 (+Fees*)

Lot 518

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519. A late 18th Century oak and elm turner’s table with circular top on a baluster turned column and three splay feet Provenance: Key Antiques, Chipping Norton January 2008 £600-800 (+Fees*) 520. A late 17th Century oak gate-leg table, with two flap oval top on spiral turned columns and gates, united by square stretchers, 175.5cm wide, 132cm deep, 78cm high £500-700 (+Fees*) 521. A George IV rosewood four tier what-not with turned supports, fitted a drawer to the base, 46.5cm wide £300-400 (+Fees*) 522. A Victorian walnut button back chair on turned and reeded front legs £80-120 (+Fees*) 523. A Victorian mahogany dressing table, fitted two frieze drawers on baluster end supports with trestle feet £150-200 (+Fees*) 524. A set of six Victorian mahogany bar back dining chairs £80-120 (+Fees*)

Lot 519

Lot 520

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525. A carved oak Wainscot chair, the panel back with flower and scroll detail £300-500 (+Fees*) 526. A matched set of twelve 17th Century style dining chairs, the upholstered backs and seats on turned legs and stretchers £1000-1500 (+Fees*) 527. A 19th Century mahogany card table with later carved detail to the cabriole legs, the top crossbanded in satinwood, 84cm wide £80-120 (+Fees*) 528. An early 19th Century oak peg jointed stool, with pierced oval seat £120-150 (+Fees*) 529. A Victorian mahogany chest of two short over three long drawers on a plinth base, 116cm wide £100-150 (+Fees*) 530. A pair of upholstered tub shaped armchairs, on turned front legs £200-300 (+Fees*) 531. A George III style oval gilt framed mirror, with marginal inner frame, 98cm x 64cm £100-150 (+Fees*) Lot 525

532. A Regency waisted ottoman with clawed bun feet and carved rosewood trim, 68cm wide £80-120 (+Fees*) 533. A 19th Century Sussex chair in elm and ash with a rush seat, 84cm tall £60-80 (+Fees*) 534. A Victorian mahogany drum table with decorative inlay to top and four drawers, 53cm wide £150-200 (+Fees*) 535. A pair of 19th Century oak hall chairs on barley twist legs, both with central plaque displaying lions facing one another, stamped J Leith £80-120 (+Fees*) 536. A 19th Century armchair, upholstered in green velvet with buttoned back, on turned front legs and castors £200-300 (+Fees*) Lot 526

Further images & information at www.chorleys.com

Lot 545

Lot 548

Rugs & Carpets

Clocks

539. An Ardabil rug, the grey ground with red central medallion to an ivory border, 182cm x 129cm £60-80 (+Fees*)

545. A Napoleon III ormolu and porcelain mounted eight-day mantel clock, retailed by Charles Frodsham, Paris, the case with female figure surmounts amongst foliage and two porcelain panels beneath and aside the white enamel dial, fitted a twin-barrel movement, striking on a bell and on a serpentine giltwood base, complete with glass dome on an ebonised base, 59cm high £600-800 (+Fees*)

540. An Eastern rug with central floral medallion on a blue multi-figured ground, 213cm x 152cm £120-150 (+Fees*) 541. A Mahal carpet with central red ground, floral field and figured border, 371cm x 263cm £150-250 (+Fees*) 542. A Mahal carpet, West Persia, early 20th Century, the madder field with allover floral design within indigo samovar borders, 370cm x 272cm Provenance: Sotheby’s, 16th April 1999, Lot 77 £400-600 (+Fees*)

546. An early 18th Century oak 30-hour longcase clock, circa 1740, by Kingston Avery, Mere, the hood with blind fret frieze and turned columns to the sides, the trunk enclosed by an arch top door set a bullseye glass, the 10” square engraved dial signed K C Avery, with decorative spandrels, silvered chapter ring and date aperture, 201cm high £300-500 (+Fees*)

547. A mahogany and satinwood stick barometer, G Goodall, Tadcaster, with marquetry inlaid case and paper printed gauge, 94cm long £150-200 (+Fees*) 548. An eight-day bracket clock of 18th Century design, in an oak case fitted a twin cylinder movement with brass dial, Roman numerals and decorative spandrels, 13.5cm wide £300-400 (+Fees*) 549. A Regency brass inlaid octagonal wall clock with painted dial, fitted a single fusee movement, 37cm wide £200-300 (+Fees*)

543. A Ziegler style runner, 206cm x 80cm £150-300 (+Fees*) 544. An Eastern runner of Sarah design, 315cm x 87cm £100-150 (+Fees*)

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561.◆ A Japanese mixed metal cigarette case, depicting various gods, signed, 9cm wide, two faux tortoiseshell cigarette cases and an ivory cigarette holder of dragon form £50-70 (+Fees*)

Miscellaneous

562. Two small brass oval mirrors with bevelled glass, 35cm x 31cm £80-120 (+Fees*) 563. A resin plaque depicting putti riding dolphins, 15cm x 42.5cm in a gilt frame £50-70 (+Fees*) 564. A patinated bronze figure of Mercury, after Giambologna, on a circular plinth, 55cm high £150-200 (+Fees*) 565. A brass inkwell in the Jugendstil style, embossed snowdrops and with flowerhead covers, one glass well, impressed no. 3631 to the base, 27cm wide £30-40 (+Fees*)

Lot 558 550. A child’s toy horse on wheels, label to front Benetfink & Co., Cheapside, London EC, 26cm wide £60-80 (+Fees*)

556. A wrought iron pot hook with ratchet support, 73cm high and an oval wrought iron ladle £60-80 (+Fees*)

551. An Edwardian rosewood coal hod with brass mounts and reeded handle, 36cm wide £80-120 (+Fees*)

557. A Charles II brass warming pan, with engraved decoration and silhouette baluster handle, 115cm high £120-150 (+Fees*)

552. A quantity of copper utensils to include kettles, pans, coaching horns, hunting horns etc. £180-200 (+Fees*)

558. A pair of 19th Century gilt metal mounted vases, perhaps red hyalith glass, of pear shape with scrolling handles and each on a scroll moulded base, 48cm high £600-800 (+Fees*)

553. A pair of brass andirons and a set of steel brass handled fire irons £80-100 (+Fees*) 554. A pair of brass candlesticks with serpentine columns, the stepped bases with tongue and dart decoration, 12cm high £80-120 (+Fees*) 555. A wrought iron candle stand with taper holder and ratchet support, 74cm high £80-120 (+Fees*)

559. A large wooden tripod for a Broadhurst, Clarkson & Co. telescope, 190cm long £40-60 (+Fees*) 560. Lempriere (J) A Classical Dictionary, London 1839, bookplate of Edward Milsom and Bartlett (J) Familiar Quotations, bookplate of Cecil Francis Milsom £40-60 (+Fees*) Lot 564

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Musical Instruments 566. A Guo Grenaditte flute, in a fitted case and canvas outer case £30-50 (+Fees*) 567. A violin by Strunal, Czech Republic, no 3370, in a fitted case with a bow by W E Dorflerand and another by VingoBow £80-120 (+Fees*) 568. A violin by Franz Sandner, dated 2004, in a fitted case with a bow by Glasser, another by Coda and another £200-300 (+Fees*) 569. A violin by Sandu Stroe, dated 2011, in a fitted case with a bow by VingoBow and another by Marco Raposo and another £150-200 (+Fees*) 570. A Stentor Conservatoire violin by Stentor Music Co, no 1203567, (needs bridge fitting), in a fitted case with bow and a violin by Glasser in a fitted case with two bows by Coda Bow and two others £200-300 (+Fees*)

Ceramics 575. A Derby figure of Minerva, her right hand held high, her left hand resting on a shield, wearing a floral dress, 33cm high £200-300 (+Fees*)

576. An 18th Century Bristol Delft dish painted flowers in underglaze green, red, blue and puce, 34cm diameter and another similar £250-300 (+Fees*) 577. A Dutch Delft Royal portrait dish, of lobed form, painted in blue, green and yellow with a central portrait of King William with initials ‘WR’ amongst tulips, flowers and ribbons, circa 1700 £80-120 (+Fees*) 578. An Ashworth ironstone soup tureen, cover, ladle and stand, the stand 37cm wide' £50-80 (+Fees*) 579. A Wedgwood blue and white well dish with port scene by Claude Lorraine, 53cm wide £80-120 (+Fees*) 580. An early 19th Century Sunderland lustre Shipwrights Arms bowl, commemorating James Leech, the interior transfer printed three master ship Caroline, 25.5cm diameter £150-200 (+Fees*) 581. A Beswick figure, Christopher Robin, 12.5cm high £40-60 (+Fees*)

Lot 575

Lot 576

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590. A pair of late 19th Century Continental white porcelain figures of a gallant and companion seated on goats, blue crossed swords and dot marks, 25.5cm high £40-60 (+Fees*)

Asian Works of Art 591. A pair of Japanese square tapering section bottle vases, Meiji period, painted priests and flowers, 19cm high £80-120 (+Fees*)

Lot 582

582. A pair of Meissen figural salts, circa 1860, modelled as a reclining lady and gentleman with a flower-encrusted basket before them, blue crossed swords mark and incised 2272 and 2875 to base, 19cm long £100-150 (+Fees*) 583. A Meissen figural two-light candelabrum, circa 1860, modelled as a lady supporting two foliate scroll branches, blue crossed swords and incised 2739 to base, 22cm high £70-100 (+Fees*) 584. A pair of Dresden cabinet cups and saucers, circa 1870, of quatrefoil section painted with two panels of figures alternating with two blue-ground panels of flowers, gilt scroll borders, imitation Meissen marks £50-70 (+Fees*)

588. A Sèvres style cased coffee service, circa 1840, painted with cherubs at various pursuits within tooled gilt foliate borders, comprising a cylindrical pot and cover, milk jug, sugar bowl and cover, basin, tea canister and cover, twelve coffee cans and twelve saucers, within a fitted silk lined leather-bound case, imitation Sèvres marks to bases £1000-1500 (+Fees*) 589. Two Minton portrait plates, painted by J Keeling, circa 1890, with historical revival portraits of women reserved on a mottled turquoise ground, signed and with impressed marks (one broken and poorly repaired) and a Minton plate painted in the style of Coleman with Eve holding an apple below an oak tree, inscribed MAF/1877, with impressed marks, 26.5cm diameter max £60-80 (+Fees*)

592. A Japanese Satsuma circular bowl and cover, Meiji period, painted roundels of leaves and flowers, signed, 11.5cm diameter £60-80 (+Fees*) 593. A 20th Century Chinese celadon vase with bianca sopra bianca scrolls and floral designs, 30cm high £80-120 (+Fees*) 594. A 17th Century Chinese celadon vase with incised floral decoration, 18cm high (cover missing) £400-600 (+Fees*)

585. Three Meissen figures of boys, each with a basket of apples, grapes or flowers, late 18th century to late 19th century, blue crossed swords marks, 13cm high £180-220 (+Fees*) 586. Two Dresden cabinet cups and saucers, circa 1870, of quatrefoil section painted with two panels of estuary scenes on a purple or pink-scale ground, gilt scroll borders and a Meissen hot milk jug and cover similar with Watteau figures, 11cm high £80-120 (+Fees*) 587. A Sèvres style oblong dressing table tray painted with a central portrait of a court beauty, within turquoise ribbon and flower garland borders, 18cm long, a Dresden blue-ground bottle vase, a bell similar and a small two-divisional basket, all with imitation marks £50-70 (+Fees*)

Lot 594

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595. A pair of Chinese celadon crackle ware vases each with two moulded handles, 25cm high £150-200 (+Fees*) 596. A Yuan celadon fish dish, 13cm diameter £100-150 (+Fees*) 597. A Chinese sake bottle of hexagonal shape with panels of script to the sides and a swing handle, 21.5cm high (handle up), a Chinese jar and cover and a Chinese dish £200-300 (+Fees*) 598. A Swatow plate decorated a phoenix, circa 1600, 26.5cm diameter £120-180 (+Fees*) 599. A 19th Century Chinese blue and white bottle vase, 41.5cm high £150-200 (+Fees*)

Silver, Plate & White Metal 609. A George III silver cruet stand, Robert & David Hennell, London 1796, with the matching set of seven silver mounted bottles and jars, the frame with reeded loop handle to an oval base, 23.5cm hig £300-500 (+Fees*) 610.◆ A silver embossed tea caddy and cover, London 1894, a silver handled paper knife with ivory blade and a small silver table lamp £120-150 (+Fees*) 611. An Art Deco silver and enamel dressing table set, Adie Bros., Birmingham 1938, import marks for Dublin 1929, to include jars, scent bottles, hairbrush, clothes brush and hand mirror and a manicure set, contained in a fitted suitcase £200-300 (+Fees*) 612. An Irish silver mether cup, Hukin & Heath, Dublin 1912, of stylised design, 13cm high, approximately 301gm £200-300 (+Fees*)

613. An early George II silver mug, maker indistinct, London 1734, of baluster shape with S scroll handle, initialled ES beneath and with later engraved monogram and date to side, 9.5cm high, approximately 240gm £300-500 (+Fees*)

Coins & Jewellery 614. Sundry coins and tokens to include a George III half crown, 1819, a Bristol silver shilling, 1811, of Garratt, Terrell, Bird, Beck and Grigg type etc. £80-100 (+Fees*) 615. A George III spade guinea, 1787, approximately 8.4gm £250-350 (+Fees*) 616. An Edward VII gold sovereign, Perth 1906 £250-350 (+Fees*) 617. Sundry coins and banknotes £30-40 (+Fees*) 618. A gilt metal cast copy of the Elizabeth I ‘Dangers Averted’ medal, the 1589 original by Nicholas Hilliard (c.1547-1619), facing crowned bust in elaborate dress and high ruff collar, holding sceptre and orb, ‘DITIOR IN TOTO NON ALTER CIRCVLVS ORBE’, rev., bay-tree on an island, uninjured by lightning and winds, ‘NON IPSA PERICVLA TANGVNT’, 56mm x 50mm £250-350 (+Fees*) 619. A carnelian intaglio ring depicting Apollo, a lyre at his neck, the oval matrix in an unmarked yellow metal setting, gross weight approximately 11gm, oval plaque 30mm x 21mm £400-600 (+Fees*) 620. A 9ct gold cigar pricker, inscribed ‘Sir R A Morris Bart’, a 9ct rose gold vesta case of plain form, 4.5cm x 3.5cm, approximately 20gm and a 9ct gold cased cigar cutter, gross weight approximately 41.5gm £300-500 (+Fees*)

621. An Edwardian 15ct gold sovereign holder of circular form, with monogram to cover and inscribed within ‘July 28th 1902’, approximately 32gm £300-500 (+Fees*) 622. An 18ct yellow gold double Albert chain, M & M, with clip to one end and circular clip to the other, centred by a swivel bar, 36.5cm long approximately 62gm £1000-1500 (+Fees*) 623. A pair of 9ct yellow gold cufflinks, the panels with engine turned decoration throughout, approximately 8gm and another pair of cufflinks with torpedo links, unmarked, approximately 6gm £150-200 (+Fees*) 624. A 9ct yellow gold cased open faced pocket watch, by Zenith, the silvered dial with Arabic numerals and subsidiary seconds dial, the Swiss 17 jewel movement numbered 2513585, gross weight approximately 62gm in a folding leather case £200-300 (+Fees*) 625. A fine early 19th Century watch fob, the intaglio carved a citrine matrix with armorial, on an unmarked articulated watch chain together with a watch key with bloodstone oval inset to one side and carnelian to the other £400-600 (+Fees*) 626. A French gold love token inscribed ‘Hier Aujourd’hui Demain Toujours’ to one side and ‘C.F.M to L.G.M France 1914’ to the other, contained in a box of book form, a silver cigarette case and a silver plated shield from a trophy, the cigarette case approximately 125gm £80-120 (+Fees*) 627. A pair of 9ct yellow gold cufflinks, initialled, approximately 3.7gm, a tie pin, a Citizen Eco-Drive wristwatch and a lady’s Seiko wristwatch £60-80 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

Pictures

Lot 630 630. Circle of Guido Reni (Italian 1575-1642) STUDY OF ST MARK THE EVANGELIST oil on canvas, 93cm x 71cm Note: The original painting is housed at the Galleria Pallavicini, Rome £1500-2500 (+Fees*) 631. Late 19th Century Italian School RIVER LANDSCAPE boats and a monastery beyond oil on board, 24cm x 33cm and various watercolours by the same and a quantity of engravings £80-120 (+Fees*)

Lot 633 632. Attributed to Sam Bough BLEA LAKE AND HOUISTON CRAG signed and inscribed on a label verso oil on canvas, 21cm x 77cm £120-150 (+Fees*) 633. Follower of John Vanderbank (British 1694-1739) PORTRAIT OF A BEWIGGED GENTLEMAN half-length, wearing a crimson coat and white scarf oil on canvas, 72cm x 61cm £600-800 (+Fees*)

Further images & information at www.chorleys.com

Lot 635

Lot 634

Lot 636 634. Thomas Richmond (British 1802-1874) CHILDREN a pair signed and dated 1857 oil on board, 48cm x 33cm £500-700 (+Fees*)

635. Follower of Daniel Mytens (Dutch 1590-1648) PORTRAIT OF A GENTLEMAN bust length, wearing armour and a lace ruff oil on canvas, 60cm x 40cm £1000-1500 (+Fees*)

636. James Milford Cottam (19th Century) THE DRUID AND KING COLE studies of hunters in stables a pair oil on canvas, 40.5cm x 51cm Note: Each bears a label verso, the horses were both the property of members of the Warde family of Hooton Pagnell £800-1200 (+Fees*)

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637. 19th Century English School COUNTRY LANDSCAPES WITH FIGURES oil on canvas, 44cm x 74cm £200-300 (+Fees*) 638. Circle of J F Herring THE MIDDAY REST ploughman and horses by a barn bears signature oil on canvas, 50cm x 74.5cm £300-500 (+Fees*) 639. Circle of Samuel John Egbert Jones (British 1797-1861) PHEASANT SHOOTING oil on tin, 42cm x 63cm £400-600 (+Fees*)

Lot 639

640.ARR W Reeve (Contemporary) PHEASANT IN A LANDSCAPE oil on canvas, 49cm x 75cm £150-200 (+Fees*) 641. Attributed to Thomas Barker of Bath (British 1769-1847) PORTRAIT OF AN APOSTLE oil on canvas, 58cm x 47cm £300-500 (+Fees*) 642.ARR Francisco di Marino (1892-1954) THE BAY OF NAPLES oil on board, 23.5cm x 33.5cm £80-120 (+Fees*) 643.ARR H Broich HARBOUR SCENE, POSSIBLY WARNEMUENDE oil on board, 25cm x 37.5cm £80-120 (+Fees*) 644. 20th Century English School RETURNING FROM THE FIELDS initialled GM and dated indistinctly 1915? oil on board, 39cm x 61cm £40-60 (+Fees*)

Lot 641

Further images & information at www.chorleys.com

Lot 645

Lot 653

645. Late 18th Century Indian School HZ HIZIR WITH ALEXANDER THE GREAT by the tree of Vakak inscribed on top and verso watercolour, 25cm x 16cm £200-300 (+Fees*)

648. William Taylor Longmire (British 1841-1914) LAKE DISTRICT signed and dated 1871 watercolour, 24cm x 41cm £80-120 (+Fees*)

646.ARR W B Matthews MORECOMBE PIER END MOONLIGHT signed and inscribed verso watercolour, 14cm x 23cm £60-80 (+Fees*)

649.ARR Sarah Green WINDERMERE taken near Low Wood signed, inscribed and dated 1811 verso watercolour, 21cm x 30cm £100-150 (+Fees*)

647.ARR S Hamilton RURAL SCENE with figure and cottages signed and dated 1911 watercolour, 24.5cm x 37cm £100-120 (+Fees*)

650. 19th Century English School FISHERMEN IN THE LAKE DISTRICT watercolour, 31cm x 41cm £80-100 (+Fees*)

651. F Newcome WINTER LANDSCAPE ON WINDERMERE signed and dated 1880 watercolour, 24.5cm x 34.5cm £80-100 (+Fees*) 652. William Cruickshank RA (British 1848-1922) STUDY OF BIRDS NEST AND EGGS WITH CONVOLVULUS watercolour, 9cm x 11cm Provenance: Heather Newman £80-120 (+Fees*) 653.ARR David Walker (1934-2008) OBERON Full Length Costume Design for the Performance of The Dream, Royal Opera House Covent Garden, 1964 watercolour and body colour, 35cm x 22cm £150-200 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

661.ARR Edward Sharland (British 1884-1967) BRIDGE OF SIGHS, VENICE and nine other etchings depicting Cathedral interiors with stained glass windows, to include Bath Abbey, Lincoln Cathedral, Christ Church, Oxford various sizes (10) £80-120 (+Fees*) 662.ARR Edward Sharland (British 1884-1967) CHESTER CATHEDRAL CANTERBURY CATHEDRAL etchings, 40cm x 23cm and four other etchings including Gertrude Hayes, Gerald M Burn, etc. £40-60 (+Fees*) 663. Henry Brewer REIMS CATHEDRAL etching, 53.5cm x 37cm and five other etchings to include Albany E Howarth, W Monk and Frank Harding (6) £40-60 (+Fees*) Lot 665

654.ARR David Walker (1934-2008) EURIDICE PERFORMED BY ELIZABETH SÖDERSTRÖM Three Costume Designs for the Opera Orfeo and Euridice at The Royal Swedish Opera, 1971 coloured ink and wash with inscription, 50cm x 61cm £150-200 (+Fees*) 655. Follower of Archibald Thorburn PEREGRINE FALCON ATTACKING A MALLARD watercolour, 48cm x 71.5cm £150-200 (+Fees*) 656.◆ Miss J McDowall (early 20th Century) MINIATURE PORTRAITS OF MRS BOWIE AND EACH OF HER THREE CHILDREN

oval, watercolour on ivory, the largest 9cm x 7cm Note: One has label verso ‘Mrs Bowie by Miss J McDowall, Sketty Park (No 3), Sketty, Swansea £80-120 (+Fees*) 657.ARR John Bloomfield (British, born 1942) HENRY VIII, ANNE BOLEYN, JANE SEYMOUR, ANNE OF CLEVES four coloured lithographs of the costume designs from the 1970 BBC television series, 38cm x 24cm £40-60 (+Fees*)

658.ARR George F Reiss A SUMMER BUNCH two limited edition woodcuts 34 and 39/43, 32cm x 37cm, a woodcut of a church and five black and white engravings £60-80 (+Fees*) 659. Baptist CAUGHT IN THE ACT signed limited edition woodcut 57/75, 22cm x 26cm £60-80 (+Fees*) 660. John Harris after MA Hayes CAR TRAVELLING IN THE SOUTH OF IRELAND, 1856, BIANCONI’S ESTABLISHMENT Getting Ready, Hearn’s Hotel, Clonmel Arriving at the End of a Stage On the Road at Full Pace Taking up a Passenger Dropping a Passenger The Arrival at Waterford Commin’s Hotel published by Ackermann & Co., December 1856 six coloured engravings 33cm x 45cm £100-150 (+Fees*)

664. James G. Faulds THE SWING HIS FIRST BOAT THE SANDCASTLE SEASHORE HARVEST four coloured lithographs, 25cm x 36cm £80-100 (+Fees*) 665. Jansson Blaeu (1596-1673) WALLIA PRINCIPATUS VULGO WALES colour engraved map, 38.5cm x 49cm £150-200 (+Fees*) 666. John Ogilby THE ROAD FROM THE CITY OF SALISBURY TO CAMPDEN colour engraved map, 36cm x 46cm £60-80 (+Fees*) 667. Joan Blaeu WESTMORIA COMITATUS ANGLICE WESTMORLAND colour engraved map with text on reverse, 40cm x 52cm £80-100 (+Fees*) 668. Jansson, 1646, SOMERSETTENSIS COMITATUS SOMERSET SHIRE colour engraved part map, to Dtert Poynt, with armorial and vignette of shepherds with sheep, 36cm x 24cm £60-80 (+Fees*)

Further images & information at www.chorleys.com

Day Two - Wednesday 28th April 2021

Jewellery & Vintage Fashion

670. A vintage stretch bracelet, hung heart shaped clear acrylic beads £20-30 (+Fees*)

671. A vintage Lucite hinged bangle, embedded pink seashells and gold confetti £20-30 (+Fees*)

672. Lanvin A pair of vintage black enamel and gold coloured clip-on earrings, stamped £30-40 (+Fees*)

673. Gill Clement for Jean Muir A pair of pewter and Swarovski crystal clip earrings, early 1990s, of circular shield form, a pair of Coppola e Toppo black and gold coloured disc earrings and a pair of abstract cluster gold coloured and faux pearl clip earrings £30-40 (+Fees*)

674. A pair of 1940s style iridescent crystal cluster clip earrings and a similar style adjustable ring with central pink coloured glass stone £30-40 (+Fees*)

675.◆ Moschino A square shaped black and ivory dot brooch, stamped, a black cat brooch and a black and ivory pin brooch £30-50 (+Fees*)

676. A vintage fashion bar brooch of alternating black and clear stones in metal mounts, 11cm wide £20-30 (+Fees*)

677. Miriam Haskell A double strand faux pearl choker necklace with flower cluster clasp, stamped £40-60 (+Fees*)

Further images & information at www.chorleys.com

678.ARR Mario Ballerino GUERRIERO, a mixed media brooch of stylized warrior form, the carved bone face surmounted by a cap with coral bead, the collar of silver overlaid with gold circles to triangular shoulders of ebony, marked MB, 7.5cm wide £200-300 (+Fees*)

679. Liberty A square silk scarf in Peacock Garden Liberty print, stylised peacocks, flowers and vase design to centre and feather motif to border, 67cm square, in original box and bag £50-70 (+Fees*)

680. Sonia Rykiel, Paris A black angora and wool coat with cape collar, wrap front and side fastening, size 42, labelled £60-80 (+Fees*)

681. Jean Muir, London A black suede tunic with long sleeves, punched detail to neck, hem and sleeves, UK 10, labelled £50-70 (+Fees*)

682. Redheart, England A black knitted wool peplum jacket with revere collar and button front fastening, labelled £40-60 (+Fees*)

683. Max Mara A soft lined long black jacket with placket front and slip pockets, GB 14, labelled £40-60 (+Fees*)

684. A Pukka faux crocodile suitcase, 53cm x 47cm £20-30 (+Fees*)

685. Mulberry A Scotchgrain and tan leather suit carrier with handle and detachable strap £50-70 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

20th Century & Contemporary Glass

690.ARR Ruth Shelley (Contemporary) A multi-coloured fused glass ‘Sisial’ vase, 16cm wide £140-180 (+Fees*)

691.ARR Ruth Shelley (Contemporary) A multi-coloured fused glass ‘Sisial’ vase, 14cm high £80-120 (+Fees*)

693. Orrefors Two glass decanters, one of square form with flattened stopper, 29cm high, the other with broad circular base and fluted stopper, 30cm high, both with incised marks to base £80-120 (+Fees*)

695. Tapio Wirkkala for Iittala Six clear crystal champagne coupes, ‘Tapio’ design, 12cm high and five matching schnapps glasses, 11cm high £30-50 (+Fees*)

692. Lalique A Tête de Paon car mascot, Marcilhac no. 1140, in clear and satin glass (crest missing), intaglio moulded mark, 12cm high £60-80 (+Fees*)

694. Geoffrey Baxter for Whitefriars A tall cylindrical pewter glass Bark vase, 24cm high and a smaller sage green Bark vase, 16cm high £80-120 (+Fees*)

696. Style of Mont Joye et Cie A pair of large glass vases with cameo style decoration of thistles and scrolling foliage, 32.5cm high £60-80 (+Fees*)

Further images & information at www.chorleys.com

697. Style of Villeroy & Boch A lidded crystal ice bowl, in the form of a clam shell, 18cm high, a set of five small whisky tumblers, possibly Kosta Boda, a vintage Sparklets soda siphon, 30cm high and a Danish stainless oval tray by Lundtofte £60-80 (+Fees*)

698. Ingeborg Lundin (1921-1992) for Orrefors A white opaque glass vase with flared rim, incised to base Orrefors Du 3112, 22cm high £40-60 (+Fees*)

699. Style of Orrefors A large cut crystal vase, geometric designs in the style of the 1000 Windows series, 26cm high, 21cm diameter £60-80 (+Fees*)

700. Style of Orrefors A smoky glass bottle vase, an oval glass bowl with pinched ends and three liqueur glasses with coloured bowls (5) £30-40 (+Fees*)

701. Muurla, Finland A yellow glass handkerchief vase, 31cm high and a Kosta Boda orange glass vase, incised to base H832 250, 25cm high (2) £60-80 (+Fees*)

702. A pair of Art Nouveau glass vases, the green tapered sides overlaid with copper enamel flowers and foliage, 31cm high £60-80 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

703. Lalique A Monnaie du Pape vase, designed 1914, Marcilhac ref. 897, the opalescent and blue stained glass etched a design of honesty leaves, moulded R Lalique mark, 23cm high £1200-1800 (+Fees*)

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Further images & information at www.chorleys.com

704. An Art Deco style bowl, opalescent blue glass with zigzag design, 27cm diameter and a pair of ceramic bottle vases of square form in mottled blue tones, 20cm high (3) £40-60 (+Fees*)

705. A Bohemian crystal cut vase in the mid-century style, with geometric designs and asymmetric neck, 32cm high £30-40 (+Fees*)

706. A yellow art glass vase of globular form, 14cm high £20-30 (+Fees*)

707. A large cut crystal glass punch bowl, with serrated border and cut stars and cosmic leaf shaped reserves, on a tapered stand with similar decoration, 45cm high £60-80 (+Fees*)

708. A 1930s cut crystal three-branch, four-light table light, with three hexagonal scroll branches and cupped lights on a cut baluster column and circular base, 45cm high £150-250 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

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20th Century & Contemporary Ceramics

710. Dartington Pottery A globular lamp base, Poppy design by Janice Tchalenko, 16cm high £30-50 (+Fees*)

711. Dartington Pottery A globular lamp base, design of blue clematis flowers, 16cm high £30-50 (+Fees*)

712. Dartington Pottery A globular lamp base, design of red roses, 16cm high £30-50 (+Fees*)

713. Royal Doulton A flambe glaze group, Elephant and Young HN3548, 12cm wide, a flambe glazed elephant (broken tusk), 19cm wide and a grey glazed elephant, 15cm wide £40-60 (+Fees*)

714. Moorcroft A Finches pattern vase designed by Sally Tuffin, of slender ovoid form, impressed and painted marks below and date code for 1992, 18.5cm high £60-80 (+Fees*)

715. Rosenthal A coffee service for six, including coffee pot, milk jug, sugar basin, cups, saucers and side plates (21) together with a Branksome stoneware part service, dark blue glaze, purchased from Liberty’s £40-60 (+Fees*)

716. An Art Deco style vase, of globe form in cream glaze with coloured geometric patterns, indistinctly signed, 23cm high and a retro style table lamp, the pottery base decorated abstract designs, 42cm high (2) £40-60 (+Fees*)

717. Royal Doulton A cauldron shaped jardiniere, decorated swags and flowers, with three handles and on three feet, impressed maker’s mark and number 6948 to interior, 17.5cm high x 22cm diameter and a Royal Doulton stoneware jardiniere in deep blue glaze with stylised flowers and wavy rim, impressed marks to base, number 5748, 18cm x 23cm (2) £60-80 (+Fees*)

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Further images & information at www.chorleys.com

719. Ashstead Pottery ’CORN GIRL’, a glazed pottery figure, model M72, designed by Allan Wyon, produced 1923 1924, 20cm high £100-150 (+Fees*)

718. Carlton Ware A ‘1 Ton’ butter dish, modelled as a weightlifter, 23cm high, a Charlie Chaplin pottery figure group, 17cm high and another similar, Laurel and Hardy, 15cm high (3) £20-30 (+Fees*)

720. Mettlach A beer stein decorated a Dutch councilman and barmaid with motto Das ist nur zum Schein ein Mann, der nicht lieben u. trinken kann (It is only a pale shadow of a man, who cannot love and drink) with pewter lid and decorative thumbpiece, maker’s mark and number 2230 stamped to base, 24.5cm high and another smaller, man in wreath with drink, with motto ‘any hour and time of day I am ready for a drink’, maker’s mark and 3004 stamped to base, 18cm high £60-80 (+Fees*)

722. A group of Czechoslovakian wall masks, ladies’ faces in the Art Deco style, various sizes (some damages) £40-60 (+Fees*)

721. Beswick Ware An Art Deco style wall mask, lady with orange curled hair and black beret, stamp and design number 314, 24cm high and another with yellow hair, design no. 197, 6.5cm high £70-90 (+Fees*)

723. A matched part service of Royal Cauldron ‘Florabunda’ pattern and Booths ‘Floradora’ pattern pieces, to include two tureens, coffee and teacups, saucers and tea plates £40-60 (+Fees*) 724-729. No Lots

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730. A set of four stoneware bowls, with ash glazed interior, each stamped RB England, 13.5cm diameter, two small stoneware bowls with tenmoku interiors, 13.5cm diameter and a saucer dish, all with impressed RB marks [7] £40-60 (+Fees*)

731.ARR Ray Finch (1914-2012) for Winchcombe Pottery A stoneware lamp base of squat circular form, glazed and incised, seal mark to base, 23cm diameter, with opaque glass shade and chimney £100-200 (+Fees*)

732.ARR David Leach (1911-2005) for Lowerdown Pottery A stoneware footed bowl, the interior with wax resist foliate designs in celadon and tenmoku glazes, 35cm diameter, seal mark to base £150-250 (+Fees*)

733.ARR Mary Rich (born 1940) A porcelain bowl with flared rim, decorated gold geometric patterns on pink, the interior decorated with bands of gilt, pink and mauve, impressed seal mark, 11.5cm diameter £100-150 (+Fees*)

734.ARR Chris Carter (born 1945) A thrown and altered stoneware bowl with textured surface, impressed mark, 28.5cm wide £180-220 (+Fees*)

735.ARR Chris Carter (born 1945) A deep stoneware bowl with textured band, impressed mark, 15cm high, 21.5cm diameter £180-220 (+Fees*)

736.ARR Chris Carter (born 1945) A thrown and altered footed stoneware bowl, impressed mark, 10.5cm high, 17cm wide £100-150 (+Fees*)

737.ARR Chris Carter (born 1945) An ochre stoneware vase with textured surface, impressed mark, 22cm high £180-220 (+Fees*)

738.ARR Harriet Coleridge (Contemporary) A stoneware bottle vase with trailed decoration, 25cm high £60-80 (+Fees*)

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Further images & information at www.chorleys.com

739.ARR Clive Davies (born 1939) A pottery candlestick in the form of a cactus, 42cm high £80-120 (+Fees*)

740.ARR Bridget Drakeford (born 1946) A porcelain bottle vase with slender neck, sang de boeuf glaze, 23cm high £60-80 (+Fees*)

741.ARR Bridget Drakeford (born 1946) Two small porcelain vessels, with sang de boeuf glaze, one with flared neck, 14.5cm high, the other globular with small opening, 12cm high (2) £50-70 (+Fees*)

742.ARR Francoise Dufayard (born 1960) An earthenware platter or wall plaque, tree design with black border, 52cm x 20cm £80-120 (+Fees*)

743.ARR Francoise Dufayard (born 1960) An earthenware conical bowl, 27cm diameter and a footed bowl, 10cm high, 12cm diameter, both with trailed decoration (2) £60-80 (+Fees*)

744.ARR David Frith (born 1943) A square footed dish with tenmoku glazed centre and textured celadon sides and white trailed glaze to each corner, 30cm x 29cm £100-150 (+Fees*)

745.ARR Margaret Frith (born 1943) A footed celadon glaze bowl, overlaid with ash surface, tenmoku and red trails, 20.25cm diameter £70-90 (+Fees*)

746.ARR Margaret Frith (born 1943) A footed bowl with tenmoku, wax brushwork, copper red and nuka overglazes. 21.5cm wide £70-90 (+Fees*)

747.ARR Margaret Frith (born 1943) A square celadon glaze plate, overlaid with ash surface, tenmoku and red trails, 24cm x 22.5cm £70-90 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

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748.ARR Pat Fuller (Contemporary) A white glazed fruit bowl with ropetwist handles, impressed mark to side, 29cm wide £40-60 (+Fees*)

749.ARR Pat Fuller (Contemporary) A white glazed tray with handles, 51.5cm wide and a similar serving dish, 30cm wide £80-120 (+Fees*)

750.ARR James Hake (born 1979) A square stoneware dish, nuka ash glaze with khaki and tenmoku linear trails, 14cm square £40-60 (+Fees*)

751.ARR James Hake (born 1979) A square stoneware dish, tenmoku and khaki glaze and red linear trails, 14cm square £40-60 (+Fees*)

752.ARR Peter Hayes (born 1946) A white raku bow form, incised signature and date 2001 to plinth base, 23cm high £150-200 (+Fees*)

753.ARR Peter Hayes (born 1946) A red raku bow form with turquoise disc, incised signature to plinth base, 31cm high £350-450 (+Fees*)

754.ARR Peter Hayes (born 1946) FIGURE, ceramic sculpture, painted signature to plinth base, 16cm high £100-150 (+Fees*)

755.ARR Peter Hayes (born 1946) COUPLE, ceramic sculpture, incised signature to plinth base, 15cm high £100-150 (+Fees*)

756.ARR Sylvia Holmes (Contemporary) A stoneware bowl with vitreous slips, abstract designs in pastel tones, 27cm diameter and a similar bowl, 19cm diameter (2) £80-120 (+Fees*)

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Further images & information at www.chorleys.com

757.ARR David Leach (1911-2005) A Lowerdown stoneware teapot, brushwork foliate design, impressed Leach pottery seal, 14cm high £80-120 (+Fees*)

758.ARR Bernard Leach (1887-1979) An unglazed stoneware casserole with tenmoku interior, St Ives mark, 16cm diameter £70-90 (+Fees*)

759.ARR Bernard Leach (1887-1979) Two unglazed stoneware lidded soup bowls, St Ives mark, 13cm diameter £60-80 (+Fees*)

760.ARR David Leach (1911-2005) A stoneware bowl, foxglove pattern with speckled interior, Leach pottery mark, 14.5cm diameter £40-60 (+Fees*)

761.ARR John Masterton (Contemporary) A porcelain footed bowl with celadon glaze, impressed mark, 25.5cm diameter £50-70 (+Fees*)

762.ARR John Masterton (Contemporary) A porcelain footed bowl with celadon glaze, impressed mark, 18cm diameter £40-60 (+Fees*)

763.ARR Angela Mellor (Contemporary) Two white textured plaques in bone china paperclay, signed and dated 2007 verso, each plaque 9.5cm square, mounted on a black ground box frame (unglazed) £60-80 (+Fees*)

764.ARR Angela Mellor (Contemporary) A white bone china paperclay tea bowl with textured gold square motif, 7.75cm high £40-60 (+Fees*)

765.ARR Angela Mellor (Contemporary) A white bone china paperclay tea bowl with textured gold square motif, 7.5cm high £40-60 (+Fees*)

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766.ARR Alison Ogden (Contemporary) A hand-built porcelain bowl with applied decoration, 13cm diameter £50-70 (+Fees*)

767.ARR Alison Ogden (Contemporary) A hand-built porcelain vessel with dot motifs, 8cm high, 9.5cm diameter £40-60 (+Fees*)

768.ARR Alison Ogden (Contemporary) A hand-built vessel with circle motifs, 10.5cm high, 9cm diameter £40-60 (+Fees*)

769.ARR Stephen Parry (born 1950) A stoneware bowl with crazed celadon glaze to interior, seal mark to base, 41.5cm diameter £80-120 (+Fees*)

770.ARR Stephen Parry (born 1950) A stoneware bowl with celadon glaze to interior and partial exterior, seal mark, 30cm diameter £50-70 (+Fees*)

771.ARR Penny Simpson (born 1949) A stoneware fruit bowl with brushwork applied green glaze, impressed mark, 30cm diameter £40-60 (+Fees*)

772.ARR Peter Starkey (born 1945) A saltglaze bowl of irregular form, impressed mark, 27cm diameter £70-90 (+Fees*)

773.ARR Peter Starkey (born 1945) A two-handled saltglaze footed bowl, impressed mark, 31.5cm wide £60-80 (+Fees*)

774.ARR Sidney Tustin (1913-2005) Six tenmoku soup bowls with lids, speckled interiors, impressed marks, 10.5cm diameter £100-150 (+Fees*)

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Further images & information at www.chorleys.com

775.ARR Sidney Tustin (1913-2005) A khaki and tenmoku glaze lidded soup bowl, impressed mark, 10cm diameter £30-50 (+Fees*)

776.ARR David White (1934-2011) A celadon crackle glaze porcelain vessel of bud form with irregular rim, impressed mark, 9.5cm high £40-60 (+Fees*)

777.ARR David White (1934-2011) A white crackle glaze porcelain vase of baluster form, impressed mark, 14cm high £40-60 (+Fees*)

778.ARR David White (1934-2011) A crackle glaze porcelain footed bowl, deep blue fading to white, impressed mark, 18cm diameter £50-70 (+Fees*)

779.ARR David White (1934-2011) A crackle glaze porcelain ovoid vessel, white body to deep blue rim and base, impressed mark, 16cm high £60-80 (+Fees*)

780.ARR Jack Kenny (Contemporary) A stoneware vase of ribbed baluster form, wood fired with ash glaze, impressed S mark for Seasalter Pottery, 39cm high £70-90 (+Fees*)

781.ARR Philip Evans (Contemporary) A stoneware panel, with porcelain slips and gold leaf, signed, 24.5cm square £70-90 (+Fees*)

782.ARR Philip Evans (Contemporary) A stoneware hand built oval vessel, the textured surface with colour slips and applied gold leaf, incised signature, 13.5cm high £40-60 (+Fees*)

783.ARR Philip Evans (Contemporary) A stoneware hand built oval vessel, the textured surface with colour slips and applied gold leaf, incised signature, 11cm high £40-60 (+Fees*)

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784.ARR Philip Evans (Contemporary) A stoneware hand built oval vessel, the textured surface with colour slips and applied gold leaf, incised signature, 12.5cm wide £40-60 (+Fees*)

787.ARR Craig Mitchell (Contemporary) FRENCHMAN WITH BIRD, ceramic and wire, 22cm high, with artist’s brochure Provenance: purchased directly from the artist £50-70 (+Fees*)

785.ARR Peter Sparrey (born 1967) A stoneware bottle vase, tenmoku and chun glaze, impressed mark, 19cm high £70-90 (+Fees*)

786.ARR Peter Sparrey (born 1967) A stoneware ovoid vase, tenmoku and chun glaze, impressed mark, 19cm high £70-90 (+Fees*)

788.ARR Roger Michell (1947-2018) LEOPARD TEAPOT, 1998, a handpainted porcelain square form teapot with gilded knop to lid, signed and decorated to base, 24cm high £60-80 (+Fees*)

789.ARR Mary Rose Young (Contemporary) An ornate pottery candle holder, handpainted in colours and gilding, 17.5cm high and a Greek pottery charger, handpainted a cockerel in foliage, signed on the back, Mantamados Pottery, Lesbos, 37cm diameter (2) £60-80 (+Fees*)

790.ARR Pauline Zelinski (Contemporary) A collection of five hand painted jugs, various designs, each signed to base, 16.5cm high and smaller Provenance: purchased from The Scottish Gallery, Edinburgh £80-120 (+Fees*)

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791.ARR Ursula Morley Price (born 1936) A Ruffle vessel, stoneware with mottled matt ochre glaze, impressed mark, 10.5cm high £200-300 (+Fees*)

Further images & information at www.chorleys.com

792.ARR Colin Pearson (1923-2007) A stoneware vessel, of flattened oval form with twisted ribbon handles, iridescent celadon glaze, seal mark to front, painted number to base N46, 13.5cm high £350-450 (+Fees*)

793.ARR Michael Casson (1925-2003) A tall baluster stoneware jug, tenmoku and iron glazes, impressed MC seal, 39cm high £180-220 (+Fees*)

794.ARR William Marshall (1923-2007) A stoneware yunomi, white slip with landscape scenery in grey and green, impressed mark, 8.5cm high £150-250 (+Fees*)

795.ARR William Marshall (1923-2007) A stoneware yunomi, rough textured body with grey, white and iron glazes, impressed mark, 10.5cm high £150-250 (+Fees*)

796.ARR Alan Wallwork (1931-2019) A stoneware vessel of egg form, mottled white and iron brown glazes, incised AW mark, 12.5cm high £150-250 (+Fees*)

797.ARR Alan Wallwork (1931-2019) A stoneware vessel of disc form, textured surface with Celtic cross design to each side, mottled blue, grey and iron brown glazes, incised mark, 18.25cm high £150-250 (+Fees*)

798.ARR Alan Clarke Studio A flattened ovoid vase, Timeslip pattern, stamp to base, 25cm high £30-40 (+Fees*)

799. Leach Pottery Two stoneware footed bowls, Z pattern and bird on branch design, impressed marks, 14cm diameter [2] £40-60 (+Fees*)

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800. Leach Pottery A quantity of stoneware including side plates and bowls, and other studio pottery £40-60 (+Fees*)

801.ARR Pamela Nash (mid-20th Century) A tribal style pottery figure, painted signature P Nash, 38.5cm high (neck repaired) £20-30 (+Fees*)

804.ARR Simon Carroll (1964-2009) An earthenware jug, with splayed base and incised decoration, applied coloured slips and glazes, painted SPC mark and dated 06, 30cm high £400-600 (+Fees*)

803.ARR Val Barry (1937-2018) A group of six bowls, four in stoneware and two in porcelain, mottled glazes, 17cm to 20cm diameter £200-300 (+Fees*)

805.ARR Simon Carroll (1964-2009) An earthenware tea bowl, with coloured glazes, painted SPC mark and dated 04, 17.5cm high £60-80 (+Fees*)

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802.ARR Claude Vayssier, Ceramique Cerenne Two Vallauris pottery plates, mid 1950s, each incised a stylised nude on a black ground within a buff border, one of shallow bowl form with pierced lug handles, 44.5cm wide, the other 27cm diameter (2) £40-60 (+Fees*)

806.ARR Simon Carroll (1964-2009) An earthenware tea bowl, with coloured glazes, painted SPC mark and dated 05, 13.25cm high £60-80 (+Fees*)

807.ARR Simon Carroll (1964-2009) An earthenware tea bowl, with coloured glazes, painted SPC mark and dated 07, 14.5cm high £60-80 (+Fees*)

Further images & information at www.chorleys.com

808.ARR Simon Carroll (1964-2009) An earthenware tea bowl, with coloured glazes, painted SPC mark and dated 08, 16cm high £60-80 (+Fees*)

809.ARR Simon Carroll (1964-2009) An earthenware tea bowl, with coloured glazes, painted SPC mark and dated 07, 14cm high £60-80 (+Fees*)

811.ARR Simon Carroll (1964-2009) An earthenware jug with splayed base and incised decoration, applied coloured slips and glazes, painted SPC mark and dated 02, 35cm high £400-600 (+Fees*)

810.ARR Simon Carroll (1964-2009) An earthenware jug with splayed base and incised decoration, applied coloured slips and glazes, painted SPC mark and dated 06,31cm high £400-600 (+Fees*)

812.ARR Simon Carroll (1964-2009) An earthenware jug, with splayed base and incised decoration, applied coloured slips and glazes, painted SPC mark and dated 06 28.5cm high £400-600 (+Fees*)

813.ARR Simon Carroll (1964-2009), A monumental earthenware vessel, the top of flowerhead form, the body square pierced and sgraffito decorated, on triple lobed base, applied coloured slips and glazes throughout, painted SPC mark and dated 07, 81cm high £800 - 1200 (+Fees*)

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814.ARR John Maltby (1936-2020) A stoneware slab vase, the front painted stylised moon and harbour, signed beneath, 40cm high £400-600 (+Fees*)

815.ARR John Maltby (1936-2020) An oval stoneware “cup” vase, decorated a white slip palace to one side, a palace and moon to the other, 15.5cm high, 28cm wide (including handle) £200-300 (+Fees*)

816.ARR John Maltby (1936-2020) A stoneware bowl with handle, decorated a bird in flight, signed beneath, 20.5cm long £200-300 (+Fees*)

817.ARR John Maltby (1936-2020) A stoneware wall plaque mounted on wooden board, signed and titled ‘Small Harbour’ to reverse, plaque 16cm x 17.5cm £200-300 (+Fees*)

818.ARR John Maltby (1936-2020) A stoneware footed bowl, decorated stars, signed beneath, 18cm wide £100-150 (+Fees*)

819.ARR John Maltby (1936-2020) A rectangular concave stoneware dish, set on four feet, decorated a palace and red cross, signed beneath, 35.5cm wide £300-400 (+Fees*)

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Further images & information at www.chorleys.com

820.ARR John Maltby (1936-2020) SOUTHPORT AT NIGHT, a rectangular concave stoneware dish, set on four feet, signed beneath, 36cm wide Provenance: The Ladygate Gallery, Beverley £400-600 (+Fees*)

821.ARR John Maltby (1936-2000) A rectangular concave stoneware dish, set on four feet, decorated a bird in flight, signed beneath, 33cm wide £400-600 (+Fees*)

822.ARR Abdo Nagi (1941-2001) A footed porcelain bowl with flaring rim, the interior in a mottled sage glaze, impressed mark, 15cm diameter £150-200 (+Fees*)

823.ARR Abdo Nagi (1941-2001) A footed porcelain bowl, in green/blue glaze with bronzed rim, impressed mark, 13cm diameter £180-220 (+Fees*)

824.ARR Jane Hamlyn (born 1940) A salt glaze teapot and cover, with gadrooned handle, a similar teacup and saucer and a toast rack, all with impressed marks (3) £200-300 (+Fees*)

825.ARR Jane Hamlyn (born 1940) Three salt glazed stoneware vessels comprising an oval box and cover, 18cm wide, a footed bowl, 15cm high and a shallow dish with lug handles 21.5cm wide (3) £200-300 (+Fees*)

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20th Century & Contemporary Works of Art

830.ARR Jane Ryan for OPI LOVE MACHINE WITH THREE GULS, a wooden automaton, 35cm high £100-150 (+Fees*)

831.ARR Timothy Richards (Contemporary) NO. 10 DOWNING STREET, an architectural plaster model, 16cm high, boxed £40-60 (+Fees*)

832.ARR Eduardo Paolozzi (1924-2005) BEETLE, a plaster model, stamped underside Paolozzi Foundation, 18cm long £200-300 (+Fees*)

833. E Chisumani (Zimbabwe, 20th Century) A stone carving of a fish, in mottled green stone, signed, 30cm wide and a “gemstone egg box”, comprising 25 polished Zimbabwe stone samples Provenance: The Vhutkutiwa Gallery, Zimbabwe £60-80 (+Fees*)

834. A pair of metalwork galloping horses, 1960s, approximately 26cm wide Provenance: Kelso blacksmith, Scottish Borders £40-60 (+Fees*)

835.ARR John Coen (born 1941) FIGURE SEATED BENEATH A TREE, bronze with green patina, 30cm high Provenance: The New Academy Gallery, London, where purchased by present owner, circa 1996 £200-300 (+Fees*)

836. A brass Arts & Crafts oval tray with pierced handles, embossed border of dragons, 67.5cm wide £40-60 (+Fees*)

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837. After Ferdinand Preiss GIRL ON THE WALL, an Art Deco style figure in mixed media, 23cm high overall, the base 17.5cm wide (damages) £30-40 (+Fees*)

Further images & information at www.chorleys.com

838.ARR Ralph Brown RA (1928-2013) GIRL WAKING (1981) stamped with monogram and numbered 6/8 to back of head bronze with a green patina 142cm long £4000-6000 (+Fees*)

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839. Shona revival (Zimbabwe, late 20th Century) Two portrait heads, a young woman with braided hair, signed with initials JT and dated 1970 to base, 40cm high and a crowned man, 33cm high, both dating from the first generation of the Shona sculptural revival (2) £200-300 (+Fees*)

840. Arts & Crafts movement A hammered copper inkwell, in the manner of F & J Pool of Hayle, Cornwall, on three shaped feet, with glass liner (damaged), 6cm x 8cm and an Arts & Crafts copper hammered biscuit barrel with embossed decorative motif to sides, the lid with knop finial and on three ball feet, 15cm high £40-60 (+Fees*)

841.◆ Louis Sosson (act. 1905-1930) An Art Deco ivory figure of a tambourine girl, nude with inlaid metal bands to her arms and clear stones to her ears, signed to the onyx base, 21cm high overall £500-800 (+Fees*)

842. Archibald Knox (1864-1933) for Liberty & Co, London A Tudric pewter and enamel four-piece tea and coffee set, designed 1903, No. 0231, with turquoise enamel mounts and caned handles, comprising teapot, coffee pot, milk jug and sugar basin (4) £600-800 (+Fees*)

843. ‘The Studio’ Decorative Art year books Volumes for 1920 and 1936, then from 1939 to 1979 inclusive, some duplicates (40) £400-600 (+Fees*)

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844. Art reference books A group of 10 good quality titles on 20th Century Scottish art, including The Glasgow Boys, Samuel John Peploe and Anne Redpath (10) £60-80 (+Fees*) Further images & information at www.chorleys.com

20th Century & Contemporary Pictures

850.ARR Rachel Grainger-Hunt (Contemporary) RAINSTORM signed with initials acrylic on board, 26.5cm x 33cm £60-80 (+Fees*)

851.ARR David Durstan (born 1950) BADGER WOOD ACROSS THE VALLEY a pair signed, inscribed and dated ’89 etching, plate size 8.5cm x 12.5cm (2) £40-60 (+Fees*)

853.ARR Terry Frost RA (1915-2003) UNTITLED (BLACK AND WHITE) signed and dated Frost ’58 oil on paper, 27.75cm x 38cm Provenance: Freya Mitton; Belgrave Gallery, St Ives £1200-1500 (+Fees*)

855.ARR Leslie Illsley (1936-1989) IN THE MIRROR signed and dated Leslie ’86 gouache on paper, 46cm x 37.5cm £200-300 (+Fees*)

852.ARR Adrian Ryan (1920-1998) STILL LIFE WITH BOWL OF FRUIT signed Ryan mixed media, 24cm x 32cm £300-500 (+Fees*)

854.ARR Terry Frost RA (1915-2003) UNTITLED (BLUE AND RED) signed and dated Frost ’58 oil on paper, 28cm x 38cm Provenance: Freya Mitton; Belgrave Gallery, St Ives £1200-1500 (+Fees*)

856.ARR Gill Watkiss (born 1938) DECEMBER - ST JUST signed and dated Gill Watkiss ’75 oil on board, 37.5cm x 49.5cm £600-800 (+Fees*)

857.ARR Charles Breaker (1906-1985) POROS STREET signed and inscribed; artist’s address label to back graphite drawing, 27cm x 19.5cm £60-80 (+Fees*)

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858.ARR Bryan Pearce (1929-2006) CHY-AN-EGLOS FROM THE ARTIST’S WINDOW, ST IVES (1963) signed oil on board, 59.5cm x 74.5cm Exhibited: Fore Street Gallery, St Ives 1964 Penwith Gallery, St Ives 1965 New Art Centre, London 1966 Bene’t Gallery, Cambridge 1967 Belgrave Gallery, St Ives 2019 £6000-8000 (+Fees*)

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Further images & information at www.chorleys.com

859.ARR Attributed to Oliver Heywood RUINED MEDITERRANEAN VILLAGE oil on canvas, 76cm x 105cm £80-120 (+Fees*)

862.ARR Siobhan O’Hehir (born 1966) CREPUSCULE landscape with red sheep signed, titled to back artist’s proof screenprint, 29.5cm x 33.5cm £60-80 (+Fees*)

860.ARR David McLeod Martin RSW RGI SSA (1922-2018) FIELDS IN FIFE signed and titled to back, exhibition label for 1999 oil on card, 15cm x 19.5cm £100-150 (+Fees*)

863.ARR W W (Scottish Contemporary) HARE STANDING signed with initials pencil drawing, 28.5cm x 20cm Andrew Walker CAFE DE LEPOQ signed watercolour, 16.5cm x 12.5cm and Rosalind Thuillier PEWSEY VALE and two other unframed watercolours, various sizes (5) £40-60 (+Fees*)

866.ARR David Sinclair RSW (born 1937) STILL LIFES AND LANDSCAPES A group of small etchings, in the form of Christmas cards, signed by the artist, various sizes £40-60 (+Fees*)

864.ARR Liz Douglas (Contemporary) WILLOW I mixed media on board, 10cm x 10cm together with two other paintings from The Ettrick Series: Study 2, 14cm x 14cm and Study 3, 14cm x 14cm (3) Exhibited: Seeds of Time 2, 2006 £60-80 (+Fees*)

867.ARR Harry Bilson (born 1948) EVERYBODY'S LOOKING FOR SOMETHING 8 copies from an edition of 50, all numbered to the back giclee prints on canvas, image size 76.5cm x 102cm, unstretchered (8) £80-120 (+Fees*)

861.ARR Claire McVinnie (Contemporary) PLAYING IN THE SONORAN DESERT, A/P PLAYING IN THE SONORAN DESERT II, 13/20 BIRD ON WIRE, A/P PREA BITCH, 5/10 signed and inscribed four etchings, 21.5cm x 28cm and smaller Exhibited: Visual Arts Scotland, Edinburgh £80-120 (+Fees*)

865.ARR Fiona MacRae (Contemporary) FISHING DAY WASHING LINE signed and dated Feefo ’00 oil on paper, 43cm x 30.5cm and 34.5cm x 26cm (unframed) Provenance: purchased by the present owner from the artist’s graduate exhibition at Glasgow School of Art. The artist is now represented by several of Scotland’s leading art galleries. £60-80 (+Fees*)

868. Niamh O’Broin SLIABH NA GCAITLAIGH signed and numbered 5/12 colour print, 29.5cm x 40cm £20-30 (+Fees*)

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869.ARR Elisabeth Frink RA (1930-1993) CANTERBURY TALES II (WISEMAN 58-76) set of 19 etchings with aquatint, on J Barcham Green paper, with introduction by Nevill Coghill, signed and numbered C181 on the last page, from the boxed unbound edition of 175 (from an entire print run of 300), the full sheets loose as issued, in original green folio case with gilt tooling to the spine: Elisabeth Frink - Etchings illustrating Chaucer’s ‘Canterbury Tales’ Waddington 1972 £1500-2500 (+Fees*)

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Further images & information at www.chorleys.com

870. Walter Westley Russell RA (1867-1949) PORTRAIT OF A LADY wearing a green dress and standing beside a fireplace signed lower left oil on canvas, 127.5cm x 101cm (unframed) £400-600 (+Fees*)

871.ARR Susan Ryder (born 1944) ANNABEL SEWING artist’s inscription verso oil on board, 59cm x 120cm together with a collection of letters from the artist to the purchaser explaining that the sitter is Annabel Gosling (born 1942), also an artist and discussing collection arrangements from the Royal Academy exhibition Exhibited: Royal Academy 1974 £300-500 (+Fees*)

872.ARR Geoffrey Chatten (born 1938) SHIPPING IN A SQUALL OFF THE NORFOLK COAST signed lower left oil on board, 90cm x 150.5cm £200-300 (+Fees*)

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873.ARR Patrick Heron (1920-1999) BRUSHWORKS NO. 2 edition of 38 etching on paper, 45cm x 60cm Note: The Brushworks suite was one of the last works created by Patrick Heron made before his death. Between December 1998 and March 1999, Heron worked in his studio with the printer Hugh Stoneman, making drawings for fifteen works in total, from which he selected the eleven plates that make up the portfolio. Heron approved the proofs and decided on a sequence for presenting the works shortly before his death. The etchings were printed posthumously, overseen by the artist’s two daughters, and are therefore unsigned. £600-800 (+Fees*)

875.ARR Terry Frost (1915-2003) LONG RED, YELLOW AND BLACK (2002) signed and inscribed A/P in pencil screenprint, image size 30.5cm x 78.5cm £700-900 (+Fees*)

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874.ARR Peter Doig (born 1959) CANOE (2008) signed and numbered 32/500 aquatint in colours, 59cm x 74.5cm £700-900 (+Fees*)

876.ARR Michael Craig-Martin (born 1941) U (from the Alphabet series, 2007) limited edition 23/40 screenprint in colours, the full sheet printed to the edges, 61cm x 57.5cm in a plexiglass frame £300-500 (+Fees*)

Further images & information at www.chorleys.com

879.ARR Leslie Duxbury (1921-2001) THE POOL signed, inscribed and numbered 2/20 etching and aquatint, plate size 27cm x 24cm £50-70 (+Fees*)

877.ARR Leslie Duxbury (1921-2001) VIEW OVER LONDON signed and inscribed, artist’s proof etching, plate size 23.5cm x 31.5cm £60-80 (+Fees*)

878.ARR Leslie Duxbury (1921-2001) ON THE CAM - THE BACKS signed and inscribed, artist’s proof etching, plate size 18.5cm x 25cm £60-80 (+Fees*)

880.ARR Leslie Duxbury (1921-2001) GRANDMA’S ROOM colour screenprint, image size 38cm x 51cm and two others: Jetty and Dustman unframed (3) £40-60 (+Fees*)

881.ARR Leslie Duxbury (1921-2001) DUSTMAN colour screenprint, image size 61cm x 47cm and two others: Grandma’s Room and Jetty unframed (3) £40-60 (+Fees*)

882.ARR Leslie Duxbury (1921-2001) JETTY signed in pencil colour screenprint, image size 42.5cm x 33cm, in mount and two others: Dustman and Grandma’s Room unframed (3) £40-60 (+Fees*)

883.ARR Leslie Duxbury (1921-2001) FISH-FRET signed and inscribed colour screenprint, paper size 52.25cm x 65.5cm together with the template collage for Fish-Fret, and a colour screenprint, FANTASTIC LAKE unframed (3) £40-60 (+Fees*)

884.ARR Leslie Duxbury (1921-2001) TOMATO PLANTS colour screenprint, paper size 38cm x 56.5cm ROSEBUSH colour screenprint, paper size 56.5cm x 45cm and FANTASTIC LAKE colour screenprint, paper size 56cm x 76.5cm unframed (3) £40-60 (+Fees*)

885.ARR Leslie Duxbury (1921-2001) FANTASTIC LAKE signed and numbered 1/16 colour screenprint, image size 68.5cm x 46cm together with an uncoloured version of the same unframed (2) £40-60 (+Fees*)

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886.ARR Leslie Duxbury (1921-2001) FRESHWATER PONDS, PLUM ISLAND, MASSACHUSETTS colour etching, plate size 27.5cm x 42cm and five smaller etchings of American views: New England Barn; Backwater Canal, Lowell, Mass (2); Barn in Massachusetts (2) unframed (6) £60-80 (+Fees*)

887.ARR Leslie Duxbury (1921-2001) NEW ENGLAND BARN signed and inscribed; artist’s proof etching, plate size 15cm square and three other etchings of American scenery: Backwater Canal, Lowell, Mass.; Barn in Massachusetts; Freshwater Ponds, Plum Island, Massachusetts unframed (4) £60-80 (+Fees*)

888.ARR Leslie Duxbury (1921-2001) HATCH MEMORIAL SHELL, BOSTON, MASSACHUSETTS watercolour, 18.5cm x 22cm and ROSES IN A MUG watercolour, 19.5cm x 28.5cm unframed (2) £40-60 (+Fees*)

889.ARR Leslie Duxbury (1921-2001) CARREG CENNEN CASTLE pencil and watercolour, 14.5cm x 20.5cm and another similar view, 19cm x 24cm unframed (2) £40-60 (+Fees*)

890.ARR Leslie Duxbury (1921-2001) MUMBLES (SWANSEA) etching, plate size 7.5cm x 22cm and three other etchings of Welsh views: Three Cliffs Bay, 9.5cm x 21cm; View over Caegwynion, 12cm x 16cm; Two Gates, 12cm x 15cm unframed (4) £60-80 (+Fees*)

891.ARR Leslie Duxbury (1921-2001) STRETCHING NUDE etching, plate 19cm x 23.5cm and three other nude studies, various sizes, unframed (4) £60-80 (+Fees*)

892.ARR Leslie Duxbury (1921-2001) OLD LADY SITTING ON A CHAIR ELDERLY MAN WITH CAP WOMAN WITH SHOPPING BAGS three unframed sketches in pencil, gouache and ink, each 38.25cm x 28cm (3) Exhibited: Haworth Art Gallery, Leslie Duxbury retrospective £80-120 (+Fees*)

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893.ARR Leslie Duxbury (1921-2001) COUPLE IN A PUB COUPLE STANDING WOMAN WITH BABY three unframed sketches in gouache, pen and ink, each 38.25cm x 28cm and smaller (3) Exhibited: Haworth Art Gallery, Leslie Duxbury retrospective £80-120 (+Fees*)

Further images & information at www.chorleys.com

894.ARR Leslie Duxbury (1921-2001) LINEAR HEAD artist’s proof, signed and inscribed colour engraving, plate size 38cm x 27cm £40-60 (+Fees*)

895. Igor Ivanov (b. 1934) THE HERMITAGE, ST PETERSBURG, RUSSIA signed in cyrillic and dated ’95 watercolour, 36cm x 56.25cm £50-70 (+Fees*)

896. Ethiopian School (20th Century) ST GEORGE AND THE DRAGON painting on cloth, 136cm x 85cm, unframed (damages) £60-80 (+Fees*) Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

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897.ARR Stanley Smith (1929-2001) DOCKSIDE signed watercolour, 25cm x 35.5cm £80-120 (+Fees*)

899. Ryuson Chuzo Matsuyama (1880-1954) A HARBOUR SCENE WITH A FAMILY SAILING PARTY initialled and inscribed Southend verso watercolour, 20cm x 26.5cm and VIEW OF AN ESTUARY WITH BRIDGE signed and dated 1931 watercolour, 18cm x 26.5cm (2) £80-120 (+Fees*)

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898. Ryuson Chuzo Matsuyama (1880-1954) TORQUAY PIER signed and dated 1936 watercolour, 23cm x 33.5cm TORQUAY HARBOUR signed and initialled 1936 watercolour, 16.5cm x 24.5cm and NEWLYN, CORNWALL signed and dated 1935 watercolour, 23cm x 33cm (3) £100-150 (+Fees*)

900.ARR Elisabeth Frink (1930-1993) CIRCE, from the Odyssey Series colour lithograph numbered 18/30, image size 25cm x 16cm £300-500 (+Fees*)

Further images & information at www.chorleys.com

901.ARR George Ayling (1887-1960) STRETCHING HER CANVAS ships at moorings signed; inscribed on label verso watercolour, 35cm x 44.5cm £150-250 (+Fees*)

904.ARR Jules de Goede (1937-2007) SQUARED VIEW 17 (2001) signed and inscribed verso acrylic on canvas, 66.5cm x 75cm £200-300 (+Fees*)

906.ARR Philip Reeves (1931-1917) TOWARDS MALVERN signed and inscribed, numbered 8/10 etching, plate size 43cm x 69cm Note: Philip Reeves founded the Glasgow Print Studio £60-80 (+Fees*)

902.ARR Henri-Georges Adam (1904-1967) AOUT (1952) inscribed in pencil and dated Adam ’52 artist’s proof XVI/XXV copper engraving, 62CM X 47CM £60-80 (+Fees*)

903.ARR Jules de Goede (1937-2007) SQUARED VIEW 2 (2001) signed and inscribed verso acrylic on canvas, 66.5cm x 75cm £200-300 (+Fees*)

905.ARR Matt Small (born 1975) TOWNSCAPES a pair mixed media on metal, 39cm x 59cm, mounted on white painted board £60-80 (+Fees*)

907.ARR Elisabeth Frink RA (1930-1993) HORSE AND RIDER, 1970 lithograph, paper size 26cm x 31.5cm mounted in a glazed box frame Note: this is one of the original run of 500 that was not editioned or signed, as the artist decided to reprint using wider margins Provenance: Peter Colling ARCA, artist, collector and owner of Stanley Studios, Chelsea where Frink had a studio £200-300 (+Fees*)

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910.ARR Rachel McDonnell (Contemporary) GRASS oil on linen, 35cm x 30cm £150-250 (+Fees*)

908.ARR Rachel McDonnell (Contemporary) DISSONANCE II acrylic on canvas, 65cm x 90cm Note: Rachel McDonnell is a landscape and abstract artist with a studio in Chalford, near Stroud. She has had solo exhibitions in London and Belfast. £200-300 (+Fees*)

909.ARR Rachel McDonnell (Contemporary) DISSONANCE XVII acrylic on canvas, 45cm x 45cm, unframed Note: this painted was long listed for Jackson’s Painting Prize £150-250 (+Fees*)

911.ARR Rachel McDonnell (Contemporary) WINDOW mixed media on velvet behind found window, 47cm x 74cm £180-220 (+Fees*)

912.ARR PJ Crook (Contemporary) THE DREAM signed, inscribed and dated 1992 acrylic on board, in the form of a miniature stage, 23.5cm x 28.5cm £400-600 (+Fees*)

913.ARR PJ Crook (Contemporary) SAILOR’S HORNPIPE signed, inscribed and dated 1990 to reverse watercolour, 87cm x 49cm £400-600 (+Fees*)

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914.ARR John Newberry (born 1934) QUAI AUX FLEURS, MORNING inscribed with title and dated 8th Aug 90 below mount watercolour, 16.5cm x 23cm £40-60 (+Fees*)

Further images & information at www.chorleys.com

915. Rosemary Carr (20th Century) IRISH LANDSCAPE oil on paper, 39.5cm x 58.5cm £80-120 (+Fees*)

916. Rosemary Carr (20th Century) RHODODENDRON, PINK PEARL signed and inscribed watercolour, 53cm x 38cm £40-60 (+Fees*)

917.ARR John Craxton (1922-2009) THE POET’S EYE set of four colour lithograph, 20cm x 13cm mounted but unframed £80-120 (+Fees*)

918.ARR Glyn Boyd Harte (1948-2003) INTERIOR AT ELENA’S signed in pencil and inscribed P/P colour lithograph, paper size 62.5cm x 45.5cm, unframed £100-150 (+Fees*)

919.ARR Ian Tyson (born 1933) DIVERSIONS set of eight colour prints published by London Arts Group each signed and dated by the artist Ian Tyson ’67, marked HC (Hors Commerce, not for trade), limited edition of 75 each print image size 30.5cm square unframed, loose in a paper cover with tissue frontispiece Note: these graphics were used for entering exhibitions and competitions £200-300 (+Fees*)

920.ARR Ian Tyson (born 1933) SQUARE COLOURBLOCKS in black, blue, yellow and grey signed Tyson ’70, pencil no. to back 110701, limited edition 58/150 and SQUARE COLOURBLOCKS in black, blue, yellow, grey and orange signed Tyson ’70, pencil no. to back 110523, limited edition 47/150 two prints, each image size 30.5cm square, unframed [2] £60-80 (+Fees*)

921.ARR Elyse Ashe Lord (1900-1971) THE POEM WELCOME both numbered, titled and signed in pencil two drypoint coloured etchings, 39cm x 33cm, unframed £80-120 (+Fees*)

922.ARR Elyse Ashe Lord (1900-1971) TWO SISTERS IN THE PALACE OF PONG LAI both signed in pencil two drypoint coloured etchings, the largest 39cm x 41.5cm, unframed £100-150 (+Fees*)

923.ARR Jill Jeffrey (20th Century) AFTERNOON, PEMBROKESHIRE pastel, 49cm x 68cm £60-80 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

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924.ARR Gareth Parry RCA (born 1951) THE SEA, PASSING SHOWER signed lower right; inscribed on stretcher oil on canvas, 102cm x 127cm Provenance: Thackeray Gallery, London 2009 £300-500 (+Fees*)

925.ARR Gillian Ayres (1930-2018) PICCOLOMINI signed, dated 2013 and numbered 14/35 in pencil woodcut in colours, paper size 69cm x 66cm Provenance: The Alan Cristea Gallery, London £400-600 (+Fees*)

927.ARR Alois Kalvoda (1875-1934) LANDSCAPE IN BOHEMIA WITH ROCK STACK oil on board, 27.5cm x 19.5cm £800-1200 (+Fees*)

926.ARR William S Taylor (1920-2010) GARDEN SCENE signed and dated ’48 watercolour, 36cm x 49cm £150-200 (+Fees*)

928.ARR Ejnar Johannsen (1893-1965) PLACE ST GERMAIN, PARIS CANAL SCENE, COPENHAGEN a pair oil on canvas, 59cm x 69cm £40-60 (+Fees*)

132

929.ARR Edwin Galea (born 1934) NAVAL ENGAGEMENTS a pair watercolours, 18.5cm x 49cm £150-200 (+Fees*)

930.ARR Gustave Vidal (1895-1966) ST TROPEZ oil on canvas, 45cm x 54cm £400-600 (+Fees*)

Further images & information at www.chorleys.com

931.ARR Attributed to Wlodzimierz Terlikowski (1873-1951) STILL LIFE WITH ANEMONES signed and dated 1948 oil on canvas, 44.5cm x 32cm £2000-3000 (+Fees*)

932.ARR Harry Bilson (born 1948) TRANSITORY MOMENT signed oil on canvas, 55.5cm x 40cm, unframed £150-250 (+Fees*)

933.ARR Serguei Zlenko (born 1960) BALLET DANCER in costume for Don Quixote inscribed verso oil on canvas, 34cm x 26cm £300-500 (+Fees*)

934.ARR Arthur Grunenberg (1880/86-1952) VASLAV NIJINSKY AS TANZENDER MOHR IN SCHEHERAZADE etching, 24cm x 18cm £30-50 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

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935.ARR Erik Larsen (1902-1975) CARNEVAL IN VENEDIG watercolour, 42cm x 56cm £40-60 (+Fees*)

938.ARR Bob Rudd (born 1944) AUTUMN LANDSCAPE watercolour, 32cm x 41cm £80-120 (+Fees*)

940.ARR Chris Orr (born 1943) ARTIST ENTERING HIS STUDIO AT NIGHT limited edition numbered 3/50 signed and dated 1971 etching, 17cm x 13.5cm £100-150 (+Fees*) 134

936.ARR Michael Fairclough (born 1940) LYME BAY, DORSET aquatint, 27cm x 34cm £60-80 (+Fees*)

937.ARR Bob Rudd (born 1944) CHAPEL PORTH, CORNWALL watercolour, 53cm x 68cm £70-100 (+Fees*)

939.ARR Bob Rudd (born 1944) LANDSCAPE WITH AVENUE OF TREES watercolour, 35.5cm x 47.5cm and another Loch an Eilean watercolour, 25cm x 30cm £80-120 (+Fees*)

941.ARR Josef Herman (1911-2000) THE COCKLE GATHERERS signed in pencil studio proof lithograph, 49cm x 65cm £150-200 (+Fees*)

Further images & information at www.chorleys.com

942.ARR John Bond (born 1945) FIGURE watercolour, 20.5cm x 32.5cm and after Robin Tanner (1904-1988) THE GAMEKEEPER’S COTTAGE impression from the Memorial portfolio, 17cm x 22cm £100-150 (+Fees*)

943.ARR Angela Harding (Contemporary) SEA BIRD limited edition etching, 2/25, 24cm x 12.5cm; BIRD etching signed and dated ’81, 20cm x 31.5cm and another print signed J L Williams (3) £60-80 (+Fees*)

944. John Ruskin (1819-1900) STUDY OF A SNAIL SHELL signed and dated 1878 watercolour, 5cm x 6.2cm £800-1200 (+Fees*)

945.ARR Harry Bilson (Icelandic, born 1948) REVELS BY THE RIVER signed oil on canvas, 30.5cm x 40cm, unframed £200-300 (+Fees*)

946.ARR Frank Lishman (1869-1938) DUOMO, FLORENCE series of three views including street scenes and interior each signed and dated 1908 pencil and watercolour, the largest 43.5cm x 32.25cm £200-300 (+Fees*)

947.ARR Sydney Arrobus (1901-1990) HAMPSTEAD HEATH signed and inscribed ink and watercolour, 29cm x 45.5cm Provenance: artist's studio label to backboard inscribed no. 934 £60-80 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

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Modern Furniture & Design

950. Knut Hesterberg (born 1941) for Ronald Schmitt A Propeller coffee table, model K-9, with circular clear glass top and aluminium base, 121cm diameter, 54cm high £200-300 (+Fees*)

951. Vanson, British 1960s A low teak coffee table of retro vintage design with square taper legs, labels under for Vanson and Brookes Sempar Limited, 137.25cm long, 47cm wide, 31cm high £40-60 (+Fees*)

952. A Napoleon III style sofa with high curved buttoned back and arms, upholstered in contemporary teal crushed velvet, with serpentine front and claw front feet, 172cm wide £300-500 (+Fees*)

953. A Danish mid-Century teak sofa with wooden spindle back, the removable cushions upholstered in contemporary chartreuse crushed velvet, 150.5cm wide £200-300 (+Fees*)

954. Dugdills, 1930s An industrial design desk lamp, chrome with green shade, label to base, the stem 48cm high £100-150 (+Fees*)

955. Style of Katzhutte, mid-20th Century A ceramic lamp, the base in the form of a girl in a yellow floral dress, with yellow shade, 34cm high overall £40-60 (+Fees*)

956.ARR Neil Morris (Contemporary) An elm dining table, circa 2008/9, the wavy book matched solid elm top on a solid sycamore frame, 180cm long, 95cm wide, 75cm high Note: purchased by the vendor from Neil Norris, who was at the time working with The Wood School, situated within the Lothian Estates, Scottish Borders. The Estate has many mature hardwood trees so it is probable that the wood was sourced from there. £300-500 (+Fees*)

957. Poul Henningsen for Louis Poulsen A PH5 hanging pendant lamp, design 1958 but of more recent manufacture, in white with blue reflector, Louis Poulsen label, 30cm high £150-250 (+Fees*)

958. Poul Henningsen for Louis Poulsen A PH5 hanging pendant lamp, design 1958 but of more recent manufacture, in white with blue reflector, Louis Poulsen label, 30cm high £150-250 (+Fees*)

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Further images & information at www.chorleys.com

959. Charles and Ray Eames for Herman Miller A pair of model 671 ottomans, each with teak veneer and buttoned black leather upholstery on a metal X-frame base (2) £100-150 (+Fees*)

960. De Sede, 1970s A white sectional sofa, model DS88, with bolster and football shaped cushions and two matching ottomans £400-600 (+Fees*)

961. After Ludwig Mies van der Rohe A pair of Barcelona style chairs, the cushions in black buttoned leather, on chromed metal X-frame supports £300-500 (+Fees*)

962. De Sede, 1970s A pair of leather upholstered boxing glove lounge chairs, model DS-2878, designed 1970s, each approximately 160cm long £6000-8000 (+Fees*)

963. Charles and Ray Eames for Herman Miller A model 670 lounge chair veneered rosewood with buttoned black leather upholstery on a metal frame, and a matching ottoman, model 671, both with Herman Miller labels £1500-2500 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

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964. A 1950s double wardrobe with central mirrored panel, 120cm wide, 172cm high, 58cm deep, label to back N H Chapman & Co. £80-120 (+Fees*)

965. Arne Jacobsen (1902-1971) for Fritz Hansen A set of four ant chairs, model 3100, designed 1951-2, black painted, each with three legs, with label FH and Danmark (4) £300-500 (+Fees*)

966. Arne Jacobsen (1902-1971) for Fritz Hansen A circular table, model 3600, designed 1964, 120cm diameter, 70cm high £300-500 (+Fees*)

967. Dyrland, Denmark A set of six teak dining chairs, mid-20th Century, each with cane back and faux leather seat £150-250 (+Fees*)

968. Dyrland, Denmark A Flip-Flap Lotus table, mid-20th Century, the expanding circular teak top with pull-out arc extensions, raised on a quadripartite base, 110cm diameter closed, 110cm diameter closed, 149cm extended £300-500 (+Fees*)

969. Robin Day (1923-2003) An upholstered recliner armchair, designed 1952 for Hille, upholstered seat and back with wood table-type arms £600-800 (+Fees*)

970. Robin Day (1923-2003) A ‘Hilleplan’ bureau, designed 1952 for Hille, cherry veneered on metal feet, 92cm wide, 114cm high £600-800 (+Fees*)

971. Gordon Russell Workshops A Utility double wardrobe, circa 1940s, with shaped wood handles, stamp to back, 108cm wide £80-120 (+Fees*)

972. Gordon Russell Workshops A walnut dressing table, 1950s, with central sliding compartment to top and drawers to the front, stamped mark, 122cm wide, together with a triptych mirror (2) £100-150 (+Fees*)

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Further images & information at www.chorleys.com

973. Gordon Russell Workshops A walnut chest, 1950s, fitted three long drawers with turned handles, on tapering feet, stamped mark, 91cm wide £80-120 (+Fees*)

974. Gordon Russell Workshops A veneered oak bedside cupboard, 1950s, on tapering legs, stamped mark, 32cm x 37cm, 61cm high £60-80 (+Fees*)

975. Robin Day (1923-2003) A sofa bed, designed 1957 for Hille, the steel frame with wooden rails and one removeable arm rest, original brown and black upholstery, approximately 212cm wide £400-600 (+Fees*)

976. Robin Day (1923-2003) A ‘Hilleplan’ unit B sideboard, designed circa 1953 for Hille, the walnut cased cabinet with two short drawers above two sliding cupboard doors in black and white vitrolite, raised on tapering wood feet, 138cm wide, 72.5cm high, 45cm deep £600-800 (+Fees*)

977. Robin Day (1923-2003) A display cabinet, designed 1950s for Hille, with clear glass sliding doors, 137cm wide, 72.5cm high, 30cm deep £300-400 (+Fees*)

978. Robin Day (1923-2003) A display cabinet, designed 1950s for Hille, with clear glass sliding doors, 91.5cm wide £200-300 (+Fees*)

979. Ernest Race (1913-1963) A Heron chair, designed 1950s, with blue fabric upholstery, on steel legs £400-600 (+Fees*)

980. A 1950s coffee table with formica top, 92cm x 39cm £60-80 (+Fees*)

981. A 1950s style coffee table metal framed with glass top and undertier,107cm wide £40-60 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

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982. Robin Day (1923-2003) A Telechair, designed 1950s for Hille, with padded upholstered back and seat and bent plywood support to the back, on turned legs £300-500 (+Fees*)

983. A pair of Scandinavian style mid-Century teak chests each fitted three long drawers, stencil mark to back No. 343, 100cm wide £150-250 (+Fees*)

984. Style of Stilnovo A mid-20th Century Italian style wall light, two white glass cone shaped shades on black sconces with two-branch wall mount, 34cm high overall £60-80 (+Fees*)

985. A mid-20th Century pottery bedside lamp, hot air balloon designs £20-30 (+Fees*)

986. A mid-20th Century Kashan rug design of peacocks, trees and fountains in compartments within multi-figured borders, 366cm long, 270cm wide £200-300 (+Fees*)

987. A mid-20th Century rug design of twin diapers on a cream ground within figured borders, 230cm x 137cm £80-120 (+Fees*)

988. A Gimson and Slater pedestal desk, with paper instruction labels beneath and stencilled model number 01 66 420, retailed by Wm T Nicholls Ltd, the top 183cm wide x 100cm deep £200-300 (+Fees*)

989. Plaster (Italy), mid-20th Century A Bakelite ‘Delfino’ table, the mint green hinged lid above a black three-section interior, on metal legs, 39cm wide, 28cm deep, 41cm high £60-80 (+Fees*)

990. A pair of Art Deco style chrome smokers stands, 59cm high £40-60 (+Fees*)

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Further images & information at www.chorleys.com

991. Stilnovo, Italian 1960s A circular pendant lamp of cylinder form, white glass with chrome banding, and metal grilles to underside £400-600 (+Fees*)

992. Stilnovo, Italian 1950s A brass desk lamp, impressed mark and label, with opaque white glass shade, 27.5cm high £100-200 (+Fees*)

993. Gino Sarfatti (1912-1985) for Arteluce A P6000 adjustable desk lamp, Italian 1950s, the weighted white leather ball base with painted metal shade, Arteluce label, 21cm high £250-350 (+Fees*)

994. Harvey Guzzini A two-light floor lamp, Italian 1950s, weighted black dome base and metal stem, 202cm high £100-200 (+Fees*)

995. Charles and Ray Eames for Herman Miller A DTM2 table, designed 1947, with square wood top on folding metal legs, stamped DTM2 to underside of top, 86cm wide £400-600 (+Fees*)

996. Manner of Bernard Schottlander A 1950s floor lamp with adjustable red cone shaped shade, 158cm high, the shade 24cm long £80-120 (+Fees*)

997. Charles and Ray Eames for Herman Miller A pair of DCWs (Dining Chair Wood), American 1950s, plywood, 72.25cm high £800-1200 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

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998. Manner of Gio Ponti A ‘Superleggera’ chair, design 1957, 85.5cm high £80-120 (+Fees*)

999. Fontana Arte A ‘TiTi’ table lamp, mid 1960s, of H form in dimpled black rubber, bearing stamp of designer E. Gentili Tedeschi, 15cm square £100-200 (+Fees*)

1000. Ib Kofod-Larsen (1921-2003) A G-Plan teak sideboard, model no. 4021, 1961, designed for E Gomme Ltd, with central bank of five drawers flanked by cupboards, all with square handles, 168cm wide, 48cm deep, 76cm high £400-600 (+Fees*)

1001. An Arts & Crafts copper firescreen embossed a central anthemion motif, the planished steel frame with circular copper bosses, on twin scroll feet, 73cm high overall £100-150 (+Fees*)

1002. Arthur Simpson of Kendal (1857-1922) An oak occasional table with two folding flaps and gate legs, the side supports with two parallel vertical through-dovetail joints, bearing Simpson’s stamp to the underside of the bottom cross rail, 72.5cm high, 84cm long, 23cm wide (extending to 115cm with flaps open) £300-500 (+Fees*)

1003. An Art Deco style figural lamp The bronzed metal figure of a semi-clad girl holding aloft a disc light fitting (no shade), on a black painted stepped base, the figure 40cm high £80-120 (+Fees*)

1004. William Birch, High Wycombe A set of five oak dining chairs, early 20th Century, with broad shaped horizontal splats to the backs, rush seats and turned supports, on similar turned legs united by bobbin turned stretchers, comprising four single chairs and an armchair (5) £250-300 (+Fees*)

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Further images & information at www.chorleys.com

1005. Collinson & Lock, manner of E W Godwin A mahogany occasional table, late 19th Century, in the Aesthetic taste, Collinson & Lock plaque with no 6976, the circular top with shaped apron surround on five turned and tapered supports, joined by wavy stretchers, 81cm wide £600-800 (+Fees*)

1006. A pair of modernist perspex and glass tables the circular tops on outswept tripod support, 70cm high, 60cm diameter £150-200 (+Fees*)

1007. Nanna Ditzel (1923-2005) A Danish writing desk in rosewood and oak, designed 1958 for Soren Willadsen, model number 12478, the four frieze drawers with recessed handles, 167cm wide, 75cm deep, 73cm high £2000-3000 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

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CONDITIONS OF BUSINESS FOR ONSITE AUCTIONS c.

INFORMATION FOR BUYERS AT AUCTIONS 1.

Introduction. The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand. Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale.

Agency. As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer. Estimates. Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price. Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive. Buyer’s Premium. The Terms of Sale oblige you to pay a buyer's premium on the hammer price of each lot purchased at the following rates: 22.5% on the first £100,000 15% on the excess between £100,001 and £500,000 12.5% on the excess between £500,001 and £1,000,000 10% on the balance above £1,000,000 Where thresholds apply, the higher premium rate will apply to the portion of the bid price up to the threshold and the lower premium rate will apply to the portion of the bid price in excess of the threshold. VAT at the standard rate is added to this premium with the exception of books and unframed maps (see below).

Inspection of goods by the buyer. As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods. You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4.

Electrical goods. These are sold as “antiques” only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

Export of goods. If you intend to export goods you must find out:

(*) indicates that VAT is payable by the buyer on the hammer price as well as being an element in the buyer's premium. VAT will be chargeable at the standard rate (presently 20%). This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. (**) indicates that the lot has been imported from outside the European Union. These lots are liable to a reduced rate of VAT (5%) on the hammer price and buyer's premium).

whether an export licence is needed; and

if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory (see Terms of Sale clause 14)

Bidding. Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

10.

Commission bidding. You may leave commission bids with us indicating the maximum amount to be bid against a lot (excluding the buyers' premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids we may prefer the first bid received (where this can be reasonably ascertained). Please enquire in advance about our arrangements for leaving commission bids by telephone, email, via our website or through online bidding platforms.

11.

Methods of Payment. We accept payment by cash, debit card, credit card and bank transfer (maximum payment by cash or credit card £1,000 per auction). Please discuss with our office in advance of the sale if you plan to use any other method of payment. We do not accept payment by card over the telephone.

12.

Collection and storage. Please note what the Terms of Sale say about collection and storage. It is important that you pay for and collect goods promptly. Any delay may involve you having to pay storage charges.

VAT. Items in our catalogue may be marked in the following ways: a.

Lots which do not have either of the above symbols have no VAT payable on the hammer price. This is because such lots are sold using the Auctioneers' Margin Scheme. The VAT included within the premium is not recoverable as input tax.

TERMS OF SALE Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request. Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale. Please note that these Terms of Sale relate to auctions held at our premises only. 1 Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: “Auctioneer” means Chorley’s, a partnership or company registered in England and Wales with registration number with registration number 5857433 and whose registered office is located Staverton Court, Staverton, Cheltenham GL51 0UX or its authorised auctioneer, as appropriate; “Bidder” means a person participating in bidding at the auction; “Buyer” means the person who makes the highest bid for a Lot accepted by the Auctioneer; “Deliberate means: (a) an imitation made with the intention of Forgery” deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described; “Hammer means the level of the highest bid for a Lot Price” accepted by the Auctioneer by the fall of the hammer; “Lot(s)” means the goods that we offer for sale at our auctions; “Premium” means the premium that we will charge you on your purchase of a Lot to be calculated as set out in Clause 4; “Reserve” means the minimum hammer price at which a Lot may be sold; “Sale means the net amount due to the Seller; Proceeds” “Seller” means the persons who consign Lots for sale at our auctions; “Terms of means the terms on which we agree to offer Lots Consignment” for sale in our auctions as agent on behalf of Sellers; “Terms of means these terms of sale, as amended or Sale” updated from time to time; “Total Amount means the Hammer Price for a Lot, the Premium, Due” any applicable artist’s resale right royalty, any VAT due and any additional charges payable by a defaulting buyer under these Terms of Sale; “Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf;

“VAT”

means Value Added Tax or any equivalent sales tax; and “Website” means our website available at www.chorleys.com. In these Terms of Sale the words 'you', 'yours', etc. refer to you as the Buyer. The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise. 2 Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue. 2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website. 2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8. 2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9. 2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13. 2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale. 2.7 If you have any complaints, please send them to us directly at the address set out on our Website. 3 Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid. 3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition. 3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable. Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained). 3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute. 3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party. 3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve. 3.7 We may refuse to accept any bid if it is reasonable for us to do so. 3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

4 a. b.

c. d. 5 5.1

5.2 6 6.1

6.2

6.3

6.4

7 7.1

7.2 8 8.1

8.2

The purchase price As Buyer, you will pay: the Hammer Price; a premium of a percentage of the Hammer Price on an incremental basis: 22.5% on the first £100,000 15% on the excess between £100,001 and £500,000 12.5% on the excess between £500,001 and £1,000,000 10% on the excess above £1,000,000 any artist’s resale right royalty payable on the sale of the Lot; and any VAT due. VAT You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information. We will charge VAT at the current rate at the date of the auction. The contract between you and the Seller The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction. You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment. If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim. We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot). Payment Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the Total Amount Due with cash, debit card, credit card and bank transfer (maximum payment by cash or credit card of £1000 per auction). If you owe us any money, we may use any payment made by you to repay these debts. Title and collection of purchases Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it. You will (at your own expense) collect any Lots that you have purchased and paid for either: 8.2.1 not later than seven business days following the day of the auction; or 8.2.2 not later than seven business days following the date that we have received payment of the Total Amount Due in cleared funds, if later.

8.3

8.4 8.5

9 9.1

9.2

11 11.1

If you do not collect the Lot within this time period, you will be responsible for any reasonable removal, storage and insurance charges in relation to that Lot. Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot. If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot. Remedies for non-payment or failure to collect purchases Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within seven business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due; 9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us. We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale. Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence. Warranties The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction;

11.2

11.3 11.4

11.5

12 12.1

12.2

12.3

12.4

11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct. If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below. Please note that many of the Lots that you may bid on at our auction are second-hand. If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots. Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded. Descriptions and condition Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (ii) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot). We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Books are not collated and are not guaranteed to be complete. The absence of any reference to condition in any description does not imply the lot is without fault. Chorley’s do not usually include condition information in catalogue or online descriptions, however we are happy to provide a condition report for any lot upon request before the auction. Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/or which the inspection of a Lot by the Buyer ought to have revealed.

12.5

13 13.1

13.2

13.3

13.4

Historically many gemstones have been subject to a variety of treatments to enhance their appearance. Sapphires and rubies are routinely heat treated to improve their colour and clarity, emeralds are also frequently treated with oils or resin for the same purpose. Treatments such as staining, irradiation or coating may have been used on other gemstones. These treatments may be permanent, whilst others may need special care or re-treatment to retain their appearance. Bidders should be aware that estimates assume that gemstones may have been subjected to such treatments. A number of laboratories issue certificates that give more detailed descriptions of gemstones, however there may not be consensus between different laboratories on the degrees or types of treatment for any particular gemstone. In the event that Chorley’s has been given or obtained certificates for any lots in the sale, these certificates will be disclosed in the catalogue. In the event that no certificate is published in the catalogue, bidders should assume that the gemstone may have been treated. Neither Chorley’s nor the seller accepts any liability for contradictions or differing certificates obtained by buyers on any lots subsequent to the sale. Deliberate Forgeries You may return any Lot which is found to be a Deliberate Forgery to us within six months of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects. If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if: 13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or 13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale. Ivory and Endangered Species Chorley’s condemns the poaching of all species, especially African elephants and the wanton destruction of natural habitat. Thus we will offer for sale no ivory products produced after June 1947, the date of the Convention of International Trade in Endangered Species of Wild Fauna and Flora (CITES). We consider that pieces produced before this date are likely to be purchased as pieces of artistic or cultural merit, which happen to contain ivory, rather than be purchased for their ivory content. Due to international laws, any item on the Endangered species list, whether it dates from the 18th/19th Century or the 1930s, requires re-export permits for bidders outside the EU (CITES). Some countries also require import permits as well and all permits must be in place prior to shipment. Chorley’s cannot be held liable if a purchaser buys a lot that comes within this field and then import/export licences cannot be arranged. It is the potential buyer’s responsibility to check the applicable regulations before bidding for a lot which comes under these laws.

15 15.1

15.2

15.3

15.4

16 16.1

16.2

16.3

16.4

Our liability to you We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction. In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen. Subject to Clause 15.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 15.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 15.4.2 fraudulent misrepresentation; or 15.4.3 any liability which cannot be excluded by law. Notices All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it. Any notice referred in Clause 16.1 may be given: 16.2.1 by delivering it by hand; 16.2.2 by first class pre-paid post or Recorded Delivery; or 16.2.3 by email, provided that a copy is also sent by prepaid post or Recorded Delivery. Notices must be sent: 16.3.1 by hand or registered post: a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 16.3.2 by email: a. to us, by sending the notice to both the following email addresses: simon.chorley@chorleys.com; enquiries@chorleys.com b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing. Notices will be deemed to have been received: 16.4.1 if delivered by hand, on the day of delivery; 16.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or

16.5

18 18.1 18.2

18.3

18.4

18.5

18.6

18.7

18.8

16.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by pre-paid post or Recorded Delivery as set out in Clause 16.2.3) Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message. Data Protection We will hold and process any personal data in relation to you securely, in accordance with the 2018 General Data Protection Regulation. General We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person. We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale. We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues. Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect. We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them. Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term. These Terms of Sale and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

These Terms of Sale, forming part of our Conditions of Business, are based upon terms recommended by SOFAA (The Society of Fine Art Auctioneers & Valuers)

Chinese School, 19th Century Sold for £9,000

Chelsea porcelain owl Sold for £40,000

March Sale Highlights

Amethyst jewellery set Sold for £5,000

Qing celadon jade censer Sold for £6,500

01452 344499

Entries invited for sales throughout 2021

enquiries@chorleys.com

Ceramics | Pictures | Furniture | Silver

www.chorleys.com

Jewellery | Asian Art | Clocks | Rugs

Tuesday 27th & Wednesday 28th April 2021

The Laskett, A Collection from Sir Roy Strong CH FRSL Tuesday 27th April Prinknash Abbey Park Gloucestershire GL4 8EU

Telephone: 01452 344499 Email: info@chorleys.com Web: www.chorleys.com

& Modern Art & Design Wednesday 28th April

Prinknash Abbey Park Gloucestershire GL4 8EU www.sofaa.org