Auction Catalogue 27 October 2020 | Modern Art & Design

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27th October 2020

Prinknash Abbey Park Gloucestershire GL4 8EU

Telephone: 01452 344499 Email: info@chorleys.com Web: www.chorleys.com

Modern Art & Design Tuesday 27th October 2020

Prinknash Abbey Park Gloucestershire GL4 8EU www.sofaa.org

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NEXT AUCTION | Tuesday 24 & Wednesday 25 November VIEW DAYS | Sunday 22 & Monday 23 November

Explore the fascinating world of 20th century furniture design, from Arts and Crafts cabinetmaking, to 1930s Modernism, the Festival of Britain, and beyond.

The museum shop brings the story up to the present day featuring crafts, gifts and homewares by contemporary designer-makers.

Collection of Early Chelsea & Worcester Porcelain Country House Library of Antiquarian Books Important Collection of Gloucestershire Regiment Medals Fine Jewellery & Silver, Paintings & Furniture

www.chorleys.com

Plan your visit at www.gordonrusselldesignmuseum.org 15 Russell Square Broadway WR12 7AP

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MODERN ART & DESIGN Including a Collection of Urban Art To be sold on behalf of The Food Chain

Prinknash Abbey Park Gloucestershire GL4 8EU

Auction Tuesday 27th October 2020 starting at 10am Viewing Sunday 25th October 10am-4pm Monday 26th October 9am-4pm

Enquiries Tel: +44 (0) 1452 344499 Email: info@chorleys.com www.chorleys.com

COVID-19 arrangements - Please note special arrangements will be in place for this auction in accordance with guidance from the Government and Public Health England.

We ask that you allow extra time for viewing the sale as numbers of visitors will be restricted and you may be asked to wait. Please note that masks must be worn whilst on the premises.

In the event of any new government restrictions, preventing the public attendance of auctions, this sale will continue to be held, online through Chorley’s Live (www.chorleys.com) and The Saleroom (www.the-saleroom.com). Telephone bids (for lots above £400 low estimate) and commission bids will also be accepted.

BIDDING: There are a number of ways to bid at our auctions ● In person ● Commission (absentee) bid ● Telephone bid ● Online via third-party website See our website or contact us for further information.

INTERNET PLATFORMS: Live internet bidding is available for this auction on these platforms, subject to an additional fee for the-saleroom.com

FEES: Buyer’s premium (+ VAT at 20%) will be charged to the purchaser on top of the hammer price of each lot purchased, at the following rates: 22.5% (27% incl. VAT) on the first £100,000 15% (18% incl. VAT) on the excess between £100,000.01 and £500,000 12.5% (15% incl. VAT) on the excess between £500,000.01 and £1,000,000 10% (12% incl. VAT) on any balance exceeding £1,000,000 Artist’s Resale Rights (ARR) This additional fee may apply to many lots in this auction. Please see page 4 for full details.

COLLECTION: It is the responsibility of the purchaser to make collection arrangements. All purchased lots in this auction must be paid for and collected from Chorley’s salerooms by 5pm on Friday 6th November. Lots uncollected after this date will be removed to storage at a cost of £10 and will incur a storage charge thereafter at a rate of £2 per lot per day (all charges are subject to VAT)

PAYMENT: We accept payment by debit card, credit card or bank transfer (maximum payment by credit card £1,000 per buyer per auction).

We do not accept payment by cheque or cash.

All Lots offered subject to Chorley’s Terms of Sale, as published at the back of this catalogue and available on our website.

If you cannot attend the auction to view in person, you will find many additional images and condition reports in our online catalogue at www.chorleys.com. Please contact us with any specific questions and we will be pleased to help.

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Gloucestershire's Fine Art Auctioneers The beautiful grounds of Prinknash Abbey are located in the heart of the Cotswolds, midway between Cheltenham, Cirencester, Stroud and Gloucester and easily accessible from the M5 / M4 / M40. Chorley's salerooms can be found next to the Abbey's popular tea rooms, and there is always plentiful parking which makes delivering and collecting items easy.

We conduct frequent auctions of high quality antiques and art, as well as offering valuation services for private and corporate clients. Our experienced valuers and saleroom staff are bound by the values of integrity, honesty and professionalism and we are members of the Society of Fine Art Auctioneers & Valuers (SOFAA) and the Association of Accredited Auctioneers (AAA).

Our salerooms are open for free appraisals every Friday between 10am and 4pm.

We look forward to welcoming you soon.

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T: +44 (0) 1452 344499 E: info@chorleys.com www.chorleys.com

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Tuesday 27th October 2020 at 10am Jewellery & Silver Glass Ceramics Studio Pottery Works of Art Furniture & Lighting Oil Paintings Drawings & Watercolours Prints, Books & Ephemera Costume & Textiles Urban Art

Lots

Page

1-31 40-58 65-103 105-252 260-284 290-345 350-476 480-550 560-636 640-668 670-852

6 10 13 19 43 47 61 80 91 103 105

3

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Explanation of Cataloguing Practice Pictures

Generally

When offering Oil Paintings, Watercolours and Drawings, a picture code is used. Using one artist's name we illustrate below the manner of attributing the pictures in the catalogue.

Furniture, porcelain, bronzes, etc are attributed as follows:

Arthur Devis In our opinion a work by the artist.

Attributed to Arthur Devis In our opinion a work possibly by or partly by the artist.

A Sheraton period In our opinion made at the same time that Sheraton was active.

Sheraton style or of Sheraton design In our opinion of later manufacture.

Dated 1660

School of Arthur Devis

In our opinion a genuine date.

In our opinion a work contemporary with the artist and showing his influence.

Carved with the date 1660

Manner of Arthur Devis In our opinion a work in the artist's style and of a later date.

In our opinion a later decoration.

A Derby figure In our opinion a figure from the Derby factory.

After Devis

Possibly Derby

In our opinion a copy of a known work by the artist (of any date).

In our opinion this is similar to a Derby product.

By

Signed, Dated, Inscribed

In our opinion made by the artist or modeller in question.

In our opinion the work has been signed/dated/inscribed by the artist.

Bears Signature; Bears a Date; Bears an Inscription

After In our opinion made by another artist or modeller as a copy of the original.

In our opinion the signature/date/inscription is by a hand other than the artist.

Dimensions These are given height before width.

Artist’s Resale Right (ARR) This derives from a European Directive and came into force in the UK in 2006. Living artists and the descendants of artists deceased within the last 70 years are entitled to receive a resale royalty each time their work is bought. The right only applies when the sale price reaches or exceeds the sterling equivalent of €1,000. The fee is calculated on a sliding scale and charged to the buyer as a percentage of the hammer price, and in addition to the buyer’s premium. ARR is not subject to VAT. Please note ARR is calculated in Euros and the auctioneers will apply current exchange rates. This fee is passed on by Chorley’s to the artist’s collecting society.

Applies to lots with hammer value over €1,000 as follows: €1,000 to €50,000 – 4%, €50,000.01 to €200,000 – 3% €200,000.01 to €350,000 – 1%, €350,000.01 to €500,000 – 0.5% Exceeding €500,000 – 0.25%. ARR is capped at €12,500

Condition Condition information is not usually provided in our printed catalogue, but is available upon request.

Further images and some condition reports can be viewed on our online catalogue at www.chorleys.com.

The absence of a condition report does not imply that a lot is without imperfections.

Books are not collated unless stated and are not guaranteed to be complete.

Catalogue produced by Pardy & Son (Printers) Ltd

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Modern Art & Design

Lot 180

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Jewellery & Silver 1.

A white plastic hinged bracelet decorated crystals and a knot shaped brooch encrusted blue crystals [2] £40-60 (+Fees*) 2.

Moschino, a black heart-shaped brooch, stamped to back, a pair of butterscotch twirl shaped bakelite ear clips, a vintage red bakelite ring with carved flower motif, a pair of black diamond shaped ear clips inset four crystals, and a pair of spade shaped ear clips [8] £30-50 (+Fees*)

Lot 2

Lot 7

3.

A costume jewellery brooch in the form of a basket containing flowers, decorated with multi-coloured diamante crystals and a crescent-shaped brooch stamped Monet [2] £20-30 (+Fees*) 4.

Chanel, a pair of abstract design drop ear clips decorated crystals, impressed maker’s mark and logo, a pair of vintage abstract design ear clips, stamped Judy Lee (damaged), a pair of Aztec style drop earrings, stamped indistinctly ....Borras and another pair of clip earrings [8] £40-60 (+Fees*)

Lot 4 Lot 9 8.

Tiffany & Co., a glasses case with guarantee card and soft glasses pouch, in original box £10-15 (+Fees*)

5.

Celine, a black and gold twisted rope style necklace, the clasp stamped, 38cm long £30-40 (+Fees*) 6.

A 1960s style enamelled brooch in the form of a stylised daisy, 11cm long £20-30 (+Fees*)

Lot 5

9.

Miriam Haskell, a vintage pearl and rope twist chain necklace with five pearl drop to the filigree and pearl clasp, stamped, 36cm long (damaged) £30-40 (+Fees*)

7.

Eleyne Williams, a black and red beaded drop necklace, the clasp with monogram £40-60 (+Fees*)

Lot 6

6

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 10

Lot 13

10.

Butler & Wilson, a vintage style waterfall brooch in the form of a bellboy, the design with red, clear and black crystals, stamped B & W, 12cm long £20-30 (+Fees*) 11.

A turquoise bead necklace and a faux pearl necklace [2] £30-40 (+Fees*) 12.

Three 18ct yellow gold bangles, various makers, approximately 40.7gm [3] £700-900 (+Fees*) 13.

A French yellow gold hinged bangle set with three cushion shaped diamonds, approximately 33.3gm and an 18ct yellow gold ring set with four small diamonds, approximately 9.9gm [2] £700-900 (+Fees*) 14.

An Italian silver bangle, of modernist design with Damascus decoration to the clasp, the clasp secured by a pin with faceted cornelian terminal, approximately 75gm £100-200 (+Fees*) 15.

Elsa Peretti for Tiffany, a silver open heart pendant on Brazilian link chain, the pendant marked 925 Spain, 3.5cm wide, gross weight approximately 19gm £100-200 (+Fees*)

Lot 17

Lot 14 17.

Mina Spiridis for Georg Jensen, a silver ring, circa 1999, stamped Georg Jensen, 925S and 256, approximately 15.3gm £100-150 (+Fees*) 18.

A Marni choker type necklace, mixed materials, a silver bee brooch and a modernist Britannia silver ring, set with ruby coloured stones and with sponsors mark HM [3] £60-80 (+Fees*) 19.

Mario Ballerino, Guerriero, a mixed media brooch of stylized warrior form, the carved bone face surmounted by a cap with coral bead, the collar of silver overlaid with gold circles to triangular shoulders of ebony, marked MB, 7.5cm wide £300-500 (+Fees*)

Lot 19

16.

Alessandro Dari, Donna Violino, a bi-colour 18ct gold pendant brooch of abstract violin form, signed, inscribed and dated ‘99 to the reverse, 7.5cm long, approximately 27.7gm £500-700 (+Fees*)

Lot 16

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 20

Lot 21

20.

Simon Harrison, Eagle Ray brooch, the back set with blue cabochon stones, the underside with a Swarovski crystal clasped in the talons, width of ray 10.5cm £80-120 (+Fees*)

Lot 22

21.

Brett Payne, a silver Swan necklace, Sheffield 1997, the interlocking swan links with gold heads, 19cm long, approximately 70.5gm £200-300 (+Fees*) 22.

Eleyne Williams, Fluke No 1, a narrative necklace with central whale tail pendant in patinated bronze, ceramic and semi-precious stones and plated gold £60-80 (+Fees*) 23.

Tiffany & Co, a set of seven silver gilt menu holders, each modelled as a pineapple on a circular base, approximately 132gm [7] £120-150 (+Fees*)

Lot 23 24.

An Arts & Crafts silver bowl, A E Jones, Birmingham 1929, the single handle with rosette to terminal, hammered finish, initialled and dated within, 16cm long including handle and a plain silver bowl, Birmingham 1925, 11cm diameter, approximately 250gm [2] £100-150 (+Fees*)

Lot 24 8

25.

An Arts and Crafts silver quaich, A E Jones, Birmingham 1929 with planished surface and pierced handles, 23cm wide across handles, approximately 205gm £120-180 (+Fees*)

Lot 31

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 26

26.

Jaeger-LeCoultre, an Art Deco silver cased folding bedside clock in an Asprey case, London 1935, the case with marcasite thumb piece, fitted an eight day movement £80-120 (+Fees*) 27.

Stuart Devlin, a silver, silver-gilt and enamelled surprise egg, London 1979, with textured exterior and containing a tortoise with moving head and feet, pebbles and a clump of flowers, with booklet, No 200 300 £250-300 (+Fees*)

Lot 27

30.

Style of George Jensen, a silver and moonstone ring, set with five cabochon stones, marked sterling £60-80 (+Fees*) 31.

An Arts & Crafts style pendant, by Prentice, Chipping Campden, of pear shape with central oval Ruskin type cabochon, a similar bracelet, three pairs of ear clips, two brooches and a brooch modelled as skis [11] £60-80 (+Fees*)

Lot 28

Lot 30

Lot 29

28.

Iradj Moini, a pair of costume jewellery ear pendants, the large pierced amethyst glass drops beneath turquoise and paste clusters, 9cm long [2] £50-100 (+Fees*) 29.

George Jensen, a silver and moonstone set brooch, numbered 156, 43mm wide £60-80 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Glass

Lot 42 45.

Two decorative hobnail glass bottles and stoppers, in amethyst and turquoise glass, 56cm high, a Sowerby-type teal coloured glass bowl with straight fluted sides, 13.5cm diameter and a glass duck paperweight [4] £40-60 (+Fees*)

Lot 40 40.

Style of James Powell & Sons, a clear glass decanter with dimpled sides, the base and stopper each etched ‘2’, 37cm high £40-60 (+Fees*) 41.

A group of Swedish crystal animals, Reijmyre, Kosta, Maleras, Hybro and others, various sizes £40-60 (+Fees*)

46.

Lindshammar, a 1970s blue cased glass vase, 21cm high and three similar vases comprising a green cased glass hooped vase, 20cm high, and two slender necked vases in cobalt blue and yellow [4] £40-60 (+Fees*) 47.

A Flygsfors glass ‘coquille’ bowl of upturned oval form in cased green glass over clear body, etched mark to base, 34cm wide, a Mdina glass bottle vase of squat form, gold and turquoise swirl design, 12cm high, incised mark to base, four further pieces of Mdina glass, etc [9] £60-80 (+Fees*)

Lot 48 48.

Daum, France, a clear glass sculpture of sail form, etched mark to base, 42cm high £60-80 (+Fees*)

42.

Riihimaki, a green glass ‘Piippu’ vase and a green glass ‘Stromboli’ vase, and two other 1970s coloured glass vases, 18cm high and smaller [4] £40-60 (+Fees*) 43.

Style of Murano, a coloured glass end-of-day fish, 35cm long and another larger in mirrored and coloured glass, 56cm long [2] £40-60 (+Fees*) 44.

A ribbed studio glass vase in iridescent pink, green and blue tinted clear glass, 23.5cm high and a cased glass vase of tulip head form in graduated orange to red tones, 21cm high [2] £40-60 (+Fees*) 10

Lot 46 (part)

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 51

Lot 52

51.

Lalique, a Bagatelle blue stained vase, birds and berries, wheel carved mark to base R. LALIQUE, 15cm high £400-500 (+Fees*) Lot 49

49.

Moser, an amber glass vase, engraved a stag and tree, etched mark, 35.5cm high, in a fitted box £150-200 (+Fees*) 50.

Lalique, a Chataignier pattern bowl in clear glass, wheel engraved mark to base Lalique Cristal France, 35.5cm diameter £300-500 (+Fees*)

52.

Lalique, a modern frosted glass cherub group, etched Lalique France, 8.5cm high £40-60 (+Fees*) 53.

Style of Loetz, a glass vase of onion shape, 22cm high £60-80 (+Fees*) 54.

Steuben, a modern crystal bowl etched with three eagles in flight, 23cm high, in presentation case £60-80 (+Fees*)

Lot 53

Lot 50

Lot 54

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 55

56 55.

A set of four Venetian lustre glass candlesticks with dolphin supports, 13cm high [4] £100-150 (+Fees*) 56.

A Venetian amethyst tinted glass bowl, 36cm diameter and various glass fruit and vegetables £200-300 (+Fees*)

58 57.

Venini, a Fazzoletto Opalino vase in red, 90th anniversary edition 2011 28.5cm high, and two other red glass vases 36cm and 38cm high [3] £80-120 (+Fees*)

58.

An Italian silver mounted jug, the jug of bulbous form with 800 standard silver mounts, the hinged cover with vine leaf thumbpiece and decoration to the handle, 21cm high £80 – 100

57 12

ARR – Some lots may be subject to an additional fee (see page 4)

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Ceramics 65.

Midwinter, a part tea and dinner service, Stonehenge Flowersong pattern, a Hario stainless steel teapot and four other dinner plates [23] £30-40 (+Fees*) 66.

Clarice Cliff, a Secrets pattern oval serving plate, 37cm wide and a Myott B.A.G. Co. Ltd Art Deco top hat vase, yellow and black floral design, 22cm high [2] £40-60 (+Fees*) Lot 70 Lot 68

Lot 71 71.

Moorcroft Pottery, two Violet pattern vases, design by Sally Tuffin, each of baluster form, 16.5cm and 10.5cm high, with boxes [2] £80-120 (+Fees*) Lot 67 67.

Moorcroft Pottery, a Crown Imperial vase, design by Rachel Bishop 1997, limited edition 394/600, 31cm high, with box £100-200 (+Fees*)

Lot 69 70.

Moorcroft Pottery, a Hellebore jar and cover, design by Nicola Slaney 1999, 15.5cm high, with box £60-80 (+Fees*)

72.

Moorcroft Pottery, three small vases: Chicory, 8.25cm high, Hepatica, 9.5cm high and Palmata, 9.5cm high, with boxes [3] £80-120 (+Fees*)

68.

Moorcroft pottery, a Lamia vase, design

by Rachel Bishop, of squat bulbous form, 17cm high, with box £60-80 (+Fees*) 69.

Moorcroft Pottery, a Carousel vase, design by Rachel Bishop, of bottle form, 24cm high, with certificate No. 505 and box £60-80 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 72

Further images & information at www.chorleys.com

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Lot 73

Lot 74

Lot 75

73.

Moorcroft Pottery, a Spike vase, design

by Rachel Bishop 1997, 16cm high, additionally signed and dated 14.11.98 in gold by John Moorcroft, with box £60-80 (+Fees*)

76.

Moorcroft Pottery, an Oberon vase, design by Rachel Bishop 1993, of baluster form, 30.5cm high and a tea plate, 8cm diameter, with boxes [2] £100-150 (+Fees*)

78.

Moorcroft Pottery, a Pansy vase, design

by Rachel Bishop 1993, of baluster form, 9.5cm high and a plate, 11.5cm diameter, with boxes [2] £40-60 (+Fees*)

74.

Moorcroft Pottery, a Geneva vase, numbered 157/300, 20.5cm high, with box £100-200 (+Fees*)

77.

Moorcroft Pottery, two year plates: Tiger Lily, 1999, numbered 244/750 and Carousel, 1998, numbered 286/750, each 22cm diameter, with boxes [2] £40-60 (+Fees*)

79.

Moorcroft Pottery, a Sweet Thief vase, signed Rachel Bishop, designed in 2000 for the Moorcroft Collectors Club, 16.5cm high, with box £50-80 (+Fees*)

75.

Moorcroft Pottery, a Rarotonga vase, 10.5cm high and a Fiji vase with elongated neck, 20.5cm high, with boxes [2] £150-250 (+Fees*)

Lot 77

Lot 76

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Lot 78

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 80

Lot 79

Lot 81

80.

Moorcroft Pottery, an Iris jug, design by Rachel Bishop for the Moorcroft Collectors Club 1996, 24cm high (no box) £60-80 (+Fees*) 81.

Moorcroft Pottery, a Finches vase, of baluster form with long neck, 16.5cm high, with box £50-80 (+Fees*) 82.

Moorcroft Pottery, a Passionfruit vase, of squat bulbous form, 10.5cm high and an ovoid vase, 9.25cm high, with boxes [2] £80-120 (+Fees*) 83.

Moorcroft Pottery, two trial vases: one in a pale pink and green chicory type pattern, 9.75cm high, the other with pomegranates on a dark blue ground, 13.5cm high (no boxes) [2] £50-70 (+Fees*)

Lot 85 84.

Moorcroft Pottery, three pieces: a vase painted geraniums on a cream ground, 10.5cm high, a green and blue painted plate, 16.5cm diameter and a yellow lustre ashtray with brass top, 7.5cm high [3] £40-60 (+Fees*)

Lot 82

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

85.

Moorcroft Pottery, five small vases: Sweet Briar, Foxglove, Cluny, Lamia and Macintosh, each 13cm high, with boxes [5] £80-120 (+Fees*)

Lot 83

Further images & information at www.chorleys.com

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Lot 86

Lot 87

Lot 92

86.

William Moorcroft, a Hibiscus vase, of baluster form, yellow, purple and red flowers on a green ground, bears paper label to base ‘W Moorcroft, By Appointment, Potters to the late Queen Mary’, 9cm high £60-80 (+Fees*) 87.

Moorcroft Pottery, three vases: Cluny, 10.5cm high, Anemone, 9.75cm high, Poppy, 9.5cm high, with boxes [3] £80-120 (+Fees*) 88.

Moorcroft Pottery, Apollo Butterfly vase

by Sian Leeper, 2005, 11cm high, an anemone design pin dish, 12cm diameter and a miniature vase with design of black and white birds, 6cm high [3] £60-80 (+Fees*) 89.

Moorcroft Pottery, a Butterflies vase, design by Sally Tuffin, impressed and painted marks to base, 18cm high, in original box £40-60 (+Fees*) 90.

Moorcroft Pottery, a decorative wall plaque, Study in Fruit pattern by Emma Bossons, limited edition 1/50, 23.5cm x 16.25cm, framed Provenance: Spetchley Park £50-70 (+Fees*)

Lot 89 92.

Doulton, a modern flambe vase, rider and horses by a stream and meadow with flowers, impressed number 7105, 26cm high (damages) £40-60 (+Fees*)

Lot 90

93.

Jersey Pottery, a 1960s style ceramic jug with integral handle, 28cm high and three vases, various [4] £40-60 (+Fees*)

91.

Moorcroft Pottery, a Trentham Prize vase, design by Emma Bossons 2013, limited edition 34/100, 25.5cm high Provenance: Spetchley Park £100-150 (+Fees*)

Lot 88 16

Lot 91

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 95

Lot 94 94.

Eight Mintons Aesop’s Fables’ tiles, the blue and white tiles decorated scenes including The Hare & The Tortoise, The Fox & The Goat, The Wolf & The Crane and The Dog & His Shadow, mounted in two jardinieres with metal liners [2] £200-300 (+Fees*) 95.

Wemyss, a limited edition 1980 goblet by Royal Doulton, 176 500, 19cm high, a Griselda Hill loving cup commemorating the Queen Mother’s 100th Birthday, 34/100, 12.5cm high and a Griselda Hill bucket in cabbage roses pattern by Esther Weeks, 29cm high [3] £80-100 (+Fees*)

Lot 96

96.

Wemyss, a small pottery jug, cabbage roses pattern, 7cm high, a sugar bowl and a pair of Griselda Hill egg cups [4] £50-70 (+Fees*) 97.

Poole Pottery, a ‘peacock’ pattern ginger jar, 22cm high, a ‘volcano’ vase, 20cm high and a similar pattern duck, 19cm wide [3] £40-60 (+Fees*) 98.

A 1970s German cylindrical vase, olive green glaze, 41cm high and two green ceramic planters, 25cm diameter [3] £20-30 (+Fees*) 97 99.

Sylvac, a 1970s green glaze planter embossed cross decoration, 11.5cm high, a small green glaze planter, 10cm high and another planter, 15cm high [3] £20-30 (+Fees*)

100.

Charles Noke for Royal Doulton, an Isaac Walton series ware vase, twin-handled waisted form, transfer printed and painted with fishermen, with double loop handles, 14.5cm high £40-60 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

101.

Ruskin Pottery, a bulbous vase in tonal blue glaze, impressed Ruskin and England to base, 12.5cm high £60-80 (+Fees*)

Further images & information at www.chorleys.com

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102.

Zsolnay, an Art Nouveau dish, late 19th Century, modelled as a woman with a pail beside a lily pad, turquoise eosin lustre glaze, printed gilt Pecs marks, 15.5cm wide £80-120 (+Fees*)

Lot 102

Lot 103 103.

Helen Konig Scavini for Lenci, Mamma Sirena, polychrome pottery group of mermaid and child on the back of a tortoise, circa 1930, marked Lenci, Made in Italy Torino VIII. XI, 34cm x 32cm Provenance: Spetchley Park £800 – 1200

18

ARR – Some lots may be subject to an additional fee (see page 4)

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Studio Pottery 105.

Anne James (born 1937), a footed raku bowl, the interior with pale blue enamelled trails and incised flowerheads, 21.25cm diameter and a small raku bowl, the interior enamelled in green and grey wave designs, 15cm diameter, both incised with mark to base [2] £20-30 (+Fees*) 106.

Leach Pottery, a small quantity of standard ware comprising 6 teacups, 7 saucers, 2 cereal bowls, 1 sugar bowl, 4 side plates [20] £30-50 (+Fees*)

Lot 111

Lot 110

Lot 107 107.

Nigel Lambert (born 1962), a set of three mugs, in blue, cream and coffee glazes, the tallest 10.5cm high [3] £30-40 (+Fees*)

109.

Ray Finch (1914-2012) for Winchcombe Pottery, a set of six dinner plates, 23cm diameter, six side plates, 18cm diameter and two dinner plates, 23.5cm diameter [14] £200-300 (+Fees*) 110.

Richard Batterham (born 1936), a stoneware bottle vase, tapering form with flared neck, green ash glaze with ribbed bands to shoulder and base, 34cm high Provenance: The David Greene Collection £250-350 (+Fees*) 111.

Lowerdown Pottery, a stoneware teapot, grey speckled glaze with foliate motifs in iron and blue, 12.5cm high with cane handle Provenance: The David Greene Collection £80-120 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

112.

John Maltby (born 1936), a square stoneware basket, the interior painted flowerheads, with looping handle, 20cm wide Provenance: The David Greene Collection £150-250 (+Fees*) 113.

Don Reitz (1929-2014), a lidded stoneware jar, green salt glaze incised body, painted signature, 13.5cm high £60-80 (+Fees*) 114.

Sutton Taylor (born 1943), an earthenware bowl of conical form, mottled orange and bronze lustre with bronze banded rim and foot, impressed seal, 24.5cm diameter £80-120 (+Fees*)

Lot 108 108.

John Maltby (born 1936), a large stoneware vessel with raku glazed handle and neck and sgraffito bell shaped base with applied bird and cross motifs, signed Maltby below, 40cm high £300-400 (+Fees*)

Lot 112

Lot 114

Further images & information at www.chorleys.com

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Lot 115

Lot 116

Lot 117

Lot 118

115.

Phyllis Dupuy (Contemporary), a conical porcelain bowl, mottled blue and green glaze with gold pattern overlay, incised signature to foot, 13cm diameter £40-60 (+Fees*) 116.

Geoffrey Eastop (1921-2014), a stoneware vessel of seedling form, mottled bronze glaze, painted potter’s mark and dated ‘74 beneath, 18.5cm high £100-200 (+Fees*)

Lot 120

Lot 119

117.

Manner of Svend Bayer, a stoneware plate painted a bird in blue and iron red, 19.5cm diameter £40-60 (+Fees*) 118.

David Leach (1911-2005), a stoneware jar of square form, pale pink crackle glaze impressed DL mark, 13.25cm high £60-80 (+Fees*) 119.

Keith Johnson, a stoneware lamp base or vase, incised mark and with label under ‘Form 3’, in textured white glaze with matt black divisions, 28.5cm high £40-60 (+Fees*) 120.

Neil Ions (born 1949), an earthenware vase of oval form and serpentine sides painted graffiti designs within the outline of a hand, on a graduated green, blue and black background, incised signature below, 15cm high £80-120 (+Fees*)

20

Lot 121 121.

Tessa Fuchs (1936-2012), a pair of earthenware bowls, each of conical form, blue glaze exterior, the interior painted a landscape with trees and sunshine, impressed mark, 27cm diameter [2] £80-120 (+Fees*) 122.

Adriano Martelo, a glazed pottery plate painted a farmer with pigs and acorns, incised marks to reverse N4 Redondo Portugal, Adriano Martelo, 34cm diameter, together with a Canadian oval bowl with green glazed interior, 36cm wide [2] £40-60 (+Fees*)

Lot 122 (part)

ARR – Some lots may be subject to an additional fee (see page 4)

Chorleys October 2020 pages.qxp_Chorleys 12/10/2020 16:24 Page 21

Lot 129

Lots 124 to 128 123.

Peter Care (born 1952), a circular porcelain sculpture of three interlocking pieces, the exterior in copper and cream glazes, the interior textured and shaped to resemble fabric, impressed mark, 16.5cm diameter, together with a studio ceramic vase of organic form, the black lustre glaze painted with grey and white roundels and splashes, indistinctly signed and dated 1984, 13.5cm high [2] £60-80 (+Fees*) 124.

Richard Batterham (born 1936), a small cut sided stoneware teapot, ash glaze with iron speckle, painted mark 6 to underside, 11.5cm high, 18cm wide £80-120 (+Fees*)

127.

Richard Batterham (born 1936), a lidded storage jar, ash and tenmoku glazes, 13.5cm high £40-60 (+Fees*) 128.

Richard Batterham (born 1936), a ribbed stoneware jug, tenmoku glaze to an ash glaze rim, 16.5cm high £40-60 (+Fees*) 129.

Manner of Svend Bayer, a glazed earthenware bowl with dripped design of a bird to interior, 17.5cm diameter £30-50 (+Fees*)

125.

Richard Batterham (born 1936), a stoneware footed bowl, celadon ash glaze with band of triangular designs and another similar, both 12.5cm diameter [2] £100-150 (+Fees*) 126.

Richard Batterham (born 1936), two circular lidded stoneware boxes, green ash glaze, one with sunburst pattern to lid, the other with circles of incised designs, 9.25cm diameter [2] £60-80 (+Fees*)

Lot 130

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

130.

Richard Batterham (born 1936), a set of four stoneware bowls, with ash glazed interior, each stamped RB England, 13.5cm diameter, two small stoneware bowls with tenmoku interiors, 13.5cm diameter and a saucer dish, all with impressed RB marks [7] £40-60 (+Fees*) 131.

David Leach (1911-2005) for Lowerdown Pottery, a ribbed stoneware jar and cover, impressed seal mark, 14cm high and a St Ives Pottery stoneware tankard, tenmoku glaze, seal mark, 11.75cm high [2] £30-50 (+Fees*) 132.

Richard Batterham (born 1936), an earthenware soup bowl and cover, partial ash glaze, 12cm high, impressed mark RB, a similar bowl, a small plate, 19cm diameter, a small bowl with celadon, iron and cobalt glazes, 7.25cm diameter and a stoneware saucer dish with glazed interior, 10cm diameter [5] £40-60 (+Fees*)

Lot 131

Lot 132

Further images & information at www.chorleys.com

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Lot 134

Lot 133 (part)

Lot 135 Lot 137

133.

A Studio Pottery conical vase with incised leaf decoration, 21cm high, incised marks to base KC or RC, 29/3/69 £30-40 (+Fees*) 134.

Richard Batterham (born 1936), a stoneware circular lidded pot, speckled brown glazes, 9cm high and a similar two-handled bowl, 19cm wide [2] £60-80 (+Fees*) 135.

A Studio Pottery bowl with dark green glaze and speckled rim, indistinct mark to base, 26.5cm diameter £30-40 (+Fees*) 136.

Ray Finch (1914-2012) for Winchcombe Pottery, a stoneware lamp base of squat circular form, glazed and incised, seal mark to base, 23cm diameter, with opaque glass shade and chimney £200-300 (+Fees*) 137.

David Leach (1911-2005) for Lowerdown Pottery, a stoneware footed bowl, the interior with wax resist foliate designs in celadon and tenmoku glazes, 35cm diameter, seal mark to base £250-350 (+Fees*)

Lot 138 139.

Richard Batterham (born 1936), a stoneware vase of tapering form with flared neck, celadon glaze with ribbed bands to shoulder and mottled tenmoku glaze to body, 36cm high £150-250 (+Fees*) 140.

Richard Batterham (born 1936), a stoneware vase of tapering form with flared neck, celadon glaze with ribbed bands to shoulder and mottled tenmoku glaze to body, 37cm high £150-250 (+Fees*)

Lot 136

138.

Mary Rich (born 1940), a porcelain bowl with flared rim decorated gold geometric patterns on pink, the interior decorated with bands of gilt, pink and mauve, impressed seal mark, 11.5cm diameter £150-250 (+Fees*) Lot 139 22 Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 140

ARR Further images & information www.chorleys.com – Some lots may beatsubject to an additional fee (see page 4)

Chorleys October 2020 pages.qxp_Chorleys 12/10/2020 16:24 Page 23

Lot 144 Lot 141 141.

Nic Harrison (born 1949), a cut-sided stoneware vase of globular form covered in tenmoku glaze, impressed NH mark, 13cm high £60-80 (+Fees*)

Lot 142

142.

Lucie Rie (1902-1995), a stoneware vase with flaring rim, speckled white glaze, impressed seal to base, 18.5cm high Provenance: purchased by the vendor from the potter’s studio in 1960 £500-800 (+Fees*) 143.

Ray Finch (1914-2012) for Winchcombe Pottery, a glazed stoneware mug decorated vertical brush lines to body and handle, impressed seal mark, 10.5cm high £60-80 (+Fees*)

Lot 145 Lot 143

144.

Chris Carter (born 1945), a stoneware vessel with oxidised interior, impressed mark to base, 13cm diameter, 9cm high £50-80 (+Fees*) 145.

Chris Carter (born 1945), a stoneware vessel, thrown and altered with oxidised interior, impressed mark to base, 17cm high £80-120 (+Fees*) 146.

Chris Carter (born 1945), a stoneware vessel, silicon carbide glaze to exterior, tenmoku glaze to interior, impressed mark and decorative pattern to base, 16.5cm high, 23cm wide £80-120 (+Fees*) 147.

Chris Carter (born 1945), a stoneware vessel, yellow silicon carbide glaze to exterior, tenmoku glaze to interior, impressed mark, 21cm high £120-180 (+Fees*)

Lot 146

Lot 147 148.

John Dunn (born 1944), a raku pottery shallow bowl, interior with graduated iridescent blue crackled glaze, painted yellow signature to base, 27.5cm diameter £40-60 (+Fees*)

Lot 148 23

Chorleys October 2020 pages.qxp_Chorleys 12/10/2020 16:24 Page 24

Lot 149

Lot 150

Lot 151

Lot 152

Lot 153

Lot 154

149.

Jack Doherty (born 1948), a soda-fired porcelain square bowl with cream glaze and pastel designs, impressed mark, 25.5cm x 25.5cm Note: Jack Doherty was the first Lead Potter at the refurbished Leach Pottery in St Ives from 2008-2013 £100-200 (+Fees*) 150.

Jack Doherty (born 1948), a soda-fired porcelain altered bowl, cream glaze with geometric design in green and grey, impressed mark, 26cm long, 20cm wide, 10.5cm high £100-200 (+Fees*)

153.

Simon Rich (born 1949), a crystalline glazed stoneware bowl, cobalt blue and ochre, 30cm diameter £50-100 (+Fees*)

156.

David White (1934-2011), an ovoid porcelain vase, white crackled glaze, impressed mark, 13cm high £80-120 (+Fees*)

154.

Simon Rich (born 1949), a crystalline glazed stoneware bottle vase, cobalt blue and ochre, impressed mark, 27cm high £50-100 (+Fees*)

157.

David White (1934-2011), an ovoid porcelain vase, pale blue crackled glaze, impressed mark, 11cm high £80-120 (+Fees*)

155.

Derek Emms (1929-2004), a stoneware bowl, green wavy border, yellow interior, brown exterior, unmarked, 10cm high £40-60 (+Fees*)

158.

David White (1934-2011), a slender porcelain vase, pale green crackled glaze, impressed mark, 17cm high £60-80 (+Fees*)

151.

Stephen Parry (born 1950), a woodfired bottle vase, semi-lustre glaze, impressed mark, 22cm high £60-80 (+Fees*) 152.

David Frith (born 1943) for Brookhouse Pottery, a stoneware charger, with painted and wax resist leaves and berries decoration on dark blue ground, impressed DF and pottery marks, 37cm diameter £100-200 (+Fees*)

Lot 156 24

Lot 157

Lot 158

ARR – Some lots may be subject to an additional fee (see page 4)

Chorleys October 2020 pages.qxp_Chorleys 12/10/2020 16:25 Page 25

Lot 159

159.

Clive Bowen (born 1943), a stoneware bowl, slip decorated, impressed mark, 20cm diameter £60-100 (+Fees*) 160.

Peter Hayes (born 1946), a pierced porcelain blade on clay form and slate base, signed, 26.5cm high £100-150 (+Fees*)

Lot 160

Lot 161

161.

Peter Hayes (born 1946), a pierced porcelain blade on clay form and slate base, signed and inscribed Udaipur 2015, 25.75cm high £120-180 (+Fees*) 162.

Hilary Mayo, Landscape Vessel, impressed mark, 9.25cm high, 8cm wide £40-60 (+Fees*)

Lot 162

Lot 163

Lot 164

163.

Hilary Mayo, Landscape Vessel, impressed mark, 12.5cm high, 7cm wide £40-60 (+Fees*) 164.

Hilary Mayo, Landscape Vessel, 12.5cm high, 10cm wide £60-80 (+Fees*) 165.

Peter Hayes (born 1946), Couple, a raku sculpture on slate base, 16cm high £80-120 (+Fees*)

Lot 166

166.

Pat Fuller, a white glazed shaped rectangular platter, impressed mark, 41cm x 31cm £60-80 (+Fees*) Lot 165

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Chorleys October 2020 pages.qxp_Chorleys 12/10/2020 16:25 Page 26

Lot 167

Lot 168

Lot 169

Lot 170

167.

Francoise Dufayard (born 1960), a ceramic bowl of irregular circular form, deep sided, on four lug feet, signature to base, 36cm wide £100-150 (+Fees*)

171.

Philip Evans (born 1959), a ceramic wall hanging panel, with porcelain slips and gold leaf, approximately 26cm square, in a box frame, 55cm square overall £150-250 (+Fees*)

172.

Philip Evans (born 1959), a ceramic wall hanging panel, with porcelain slips and gold leaf, approximately 26cm square, in a box frame, 55cm square overall £150-250 (+Fees*)

Lot 171

Lot 172

168.

Philip Evans (born 1959), a ceramic wall hanging panel, with porcelain slips and gold leaf, approximately 16cm x 15cm, in a box frame, 27.75cm square overall £80-120 (+Fees*) 169.

Philip Evans (born 1959), a ceramic wall hanging panel, with porcelain slips and gold leaf, approximately 16cm x 15cm, in a box frame, 27.75cm square overall £80-120 (+Fees*) 170.

Philip Evans (born 1959), a ceramic wall hanging panel, with porcelain slips and gold leaf, approximately 16cm x 15cm, in a box frame, 27.75cm square overall £80-120 (+Fees*)

26

ARR – Some lots may be subject to an additional fee (see page 4)

Chorleys October 2020 pages.qxp_Chorleys 12/10/2020 16:25 Page 27

Lot 173

Lot 174

173.

Leach Pottery, a stoneware Z bowl, 23cm diameter, 10.5cm high, impressed mark (damages) £30-50 (+Fees*) 174.

Phil Rogers (born 1951), a twin-handled stoneware vase, with incised decoration, impressed Rhayader mark and signed Phil Rogers, 14.5cm high £60-80 (+Fees*) 175.

Lucie Rie (1902-1995), a stoneware pouring vessel, oatmeal glaze with manganese exterior, seal mark to base, 11.5cm high £1500-2500 (+Fees*)

Lot 175

176.

Colin Pearson (1923-2007), a stoneware vessel with uneven rim, applied thick glazes, impressed potter’s seal and stamp for Taggs Yard School of Ceramics, 26cm diameter £40-60 (+Fees*)

Lot 176

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

177.

Rebecca Appleby (born 1979), Curved Form, in black, grey and white slips with ceramic chalk and pencil decoration, approximately 29cm high, 35cm wide £350-450 (+Fees*)

Lot 177

Further images & information at www.chorleys.com

27

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Lot 178

178.

Lucie Rie (1902-1995), a stoneware skillet, oatmeal glaze with manganese rim, impressed seal, 25.5cm wide £1200-1800 (+Fees*)

Lot 179 179.

John Ward (born 1938), a large stoneware vessel, mottled cream glaze and sgraffito decoration on a gently ribbed body, impressed JW seal, 19.5cm high, 32cm diameter £2500-3500 (+Fees*)

28

ARR – Some lots may be subject to an additional fee (see page 4)

Chorleys October 2020 pages.qxp_Chorleys 12/10/2020 16:25 Page 29

Lot 180

Lot 181

180.

A Studio Pottery large shallow bowl with speckled green and lustre glaze, indistinct mark, 35cm diameter £30-50 (+Fees*) 181.

Ingegerd Raman (born 1943), a matt black glaze stoneware jug, 27cm high, together with Gunilla Kropp (born 1943), a matt black glaze stoneware bowl, 27cm diameter with metal banding and a similar teabowl, 6cm diameter [3] £80-120 (+Fees*) 182.

Michael Cardew (1901-1983) for Wenford Bridge Pottery, three stoneware plates, each painted with pale blue leaf motif and brown lines on a celadon ground, impressed seal marks, 26.5cm diameter (some damages) [3] £120-180 (+Fees*)

Lot 182 183.

Horst Kerstan (1914-2005), a facetted stoneware vase, 16cm high and a teabowl of similar design, 8cm high [2] £50-80 (+Fees*)

Lot 183

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

184.

Ulla and Gustav Kraitz (Swedish, Contemporary), a tapering bowl in dark glaze with iridescent purple and gold rim patterns, 22cm diameter and a smaller bowl, 8.5cm high [2] £40-60 (+Fees*)

Lot 184 (part)

Further images & information at www.chorleys.com

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Lot 185

Lot 186

Lot 187

185.

Jean Michel Doix (French, Contemporary), a pinched stoneware bottle vase, 16.5cm high, incised signature, and a similar bowl [2] £40-60 (+Fees*) 186.

Ulla and Gustav Kraitz (Swedish, Contemporary), a conical stoneware bowl, cream glaze, 19.5cm diameter, signed and dated to base Kraitz ‘77 and a smaller pedestal bowl [2] £40-60 (+Fees*) 187.

Mark Hewitt (born 1955) for Wenford Bridge Pottery, a stoneware jug, with line and circle motifs, impressed mark to handle, 20.5cm high £50-80 (+Fees*) 188.

Allan Ebeling (1897-1975) for Torshalla Pottery, Sweden, three pieces of yellow glazed earthenware pottery, comprising teapot (no lid), 34cm wide, tall vase, 30cm high and conical vase, 21cm high [3] £80-120 (+Fees*)

Lot 189

30

Lot 188 189.

Kerstin Hornlund (born 1940), a tall stoneware jug of flattened ovoid form, oatmeal textured glaze, signed, 34.5cm high £60-80 (+Fees*) 190.

A group of studio ceramics comprising a white glaze stoneware pot, 13.5cm high, a terracotta tile with glazed woman motif, a matt black vase and an earthenware bowl with celadon glazed interior, (all with damages) [4] £40-60 (+Fees*)

Lot 192

191.

Fred Forslund (1923-2007), a stoneware bowl, signed and dated 6.58, together with a bottle vase, 12cm high and teabowl, 6cm high, both with indistinct marks and a pedestal bowl with thick white glazes [4] £30-50 (+Fees*) 192.

David Eeles (1933-2015), a decorative stoneware jug, each side with panel of moonlit mountains and trees, ribbed handle, impressed mark to base, 36.5cm high £100-150 (+Fees*) 193.

Winchcombe Pottery, a large stoneware jug, impressed mark to base of handle, 36.5cm high £80-120 (+Fees*)

Lot 193

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 195

Lot 194

194.

Michael Casson (1925-2003), a salt glaze jug with wax resist decoration, impressed mark to base of handle, exhibition sticker 30, 25cm high £100-150 (+Fees*)

Lot 196

195.

Bryan Newman (1935-2019) for Aller Pottery, a stoneware sculpture of a town on a bridge, impressed mark to each side, 44cm wide £80-120 (+Fees*) 196.

Benjamin Eeles (born 1959), a stoneware conical bowl with shaped rim, the interior painted flower sprays, impressed mark and gallery labels, 17.5cm diameter, a small pottery jug by Benjamin Eeles, with marbled drip glaze, 10.5cm high and a small square pottery box by Tony Gant [3] £40-60 (+Fees*) 197.

Ray Finch (1914-2012) for Winchcombe Pottery, a saltglaze ribbed jug with combed decoration, impressed mark to base of handle, exhibition sticker 40, 24cm high £60-80 (+Fees*)

Lot 197

Lot 198

198.

A Studio Pottery vessel, earthenware with dripped celadon glaze to the top, curved handle and spout, exhibition sticker no.13 to base, 30cm high £40-60 (+Fees*) 199.

Susan Basham (born 1964), an interlocking stoneware form with pierced motifs and painted details in brown and duck egg blue, 21cm high £40-60 (+Fees*) Lot 199

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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200.

Irene Bell (born 1960), a shaped dish with abstract design in monochrome glazes, label verso I B 5-110, approximately 18cm square, Exhibited: 2000 Pots, Bellevue Gallery, Edinburgh, together with Rosie McGregor, Plate No. 3, decorated puffin feet, 27cm diameter, Provenance: purchased from The Society of Scottish Art Exhibition 2013 [2] £40-60 (+Fees*) 201.

Ann Stokes (1922-2014), an earthenware figure of a seahorse, with mottled yellow, brown and black glazes, 25cm high, together with Sarah Noel (born 1961), a ceramic figure of a horse, in cream and cobalt blue glazes, 18cm wide [2] £50-70 (+Fees*)

Lot 200

202.

Isabelle Daucourt Mignon (born 1943), a stoneware bowl with mottled reds, blue and brown glazes, incised mark, 12.5cm diameter £40-60 (+Fees*) 201

202

204

Lot 206

203.

David Reeves (Contemporary), a ceramic tile painted a bird, irregular shape, 19cm high and a 1970s Greek plate with polychrome and gilt decoration of birds in foliage, 24cm diameter [2] £30-50 (+Fees*) 204.

Christy Keeney (born 1958), Head with Yellow Hair, a flattened earthenware sculpture, impressed artist’s stamp Keeney 1993, 39.5cm high, 35cm wide £100-200 (+Fees*) 205.

Alan Caiger-Smith (1930-2020), an earthenware jug with lustre decoration in silver and caramel tones, 21cm high and a goblet, foliate lustre decoration in orange and mustard, 15cm high [2] £100-150 (+Fees*) 206.

Ray Finch (1914-2012), an earthenware lidded pot, with ridged caramel glaze to upper part, impressed mark, 30cm high Note: in the early days of Winchcombe Pottery, Finch often constructed pots from the local red clay, leaving them unglazed to highlight the natural beauty of the material £60-80 (+Fees*)

Lot 205

32

ARR – Some lots may be subject to an additional fee (see page 4)

Chorleys October 2020 pages.qxp_Chorleys 12/10/2020 16:26 Page 33

Lot 207

Lot 208

Lot 209

207.

Lucie Rie (1902-1995), a coffee pot, with manganese glaze and cream interior, elongated handle, impressed mark, 22cm high £400-600 (+Fees*)

210.

Lucie Rie (1902-1995), a teacup and saucer, in manganese glaze with cream interior, impressed mark, the cup 6cm high, the saucer 12cm diameter £200-300 (+Fees*)

208.

Lucie Rie (1902-1995), a milk jug, with manganese glaze and cream interior, elongated handle, impressed mark, 10cm high £200-300 (+Fees*)

211.

Lucie Rie (1902-1995), a teacup and saucer, in manganese glaze with cream interior, impressed mark, the cup 6cm high, the saucer 12cm diameter £200-300 (+Fees*)

209.

Lucie Rie (1902-1995), a small plate, manganese glaze, spiral patterning and cream reverse, impressed mark, 13cm diameter £300-500 (+Fees*)

Lot 210

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 211

Further images & information at www.chorleys.com

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Chorleys October 2020 pages.qxp_Chorleys 12/10/2020 16:26 Page 34

Lot 212

Lot 213

212.

David Leach (1911-2005), a small six-sided pot, tenmoku glaze, incised DL and JL, 8.5cm high £80-120 (+Fees*) 213.

Janet Leach (1918-1997), a square stoneware bowl with painted cross motif, 15cm and a shallow square dish, 15cm, each impressed marks [2] £100-200 (+Fees*) 214.

Henry Hammond (1914-1989), a waisted nine-sided vase, mottled white glaze with iron trailed and spotted design, impressed mark, 11.25cm high £100-200 (+Fees*) 215.

Michael Casson (1925-2003), a slender jug with trailed lustre decoration, 27.5cm high, a bellied jug in ochre glaze with wax resist decoration, 20.5cm high and a green glaze jug, 21.5cm, each with impressed mark [3] £200-300 (+Fees*)

Lot 214 34

Lot 216 Lot 217 216.

Alan Caiger-Smith (1930-2020), Chalice, earthenware with white and ochre lustre glazes, with two loop handles, painted mark and date code for 1975, 12.75cm high £60-80 (+Fees*)

217.

Richard Batterham (born 1936), a stoneware bottle vase, pale green ash glaze, painted mark, 35.5cm high £80-120 (+Fees*)

Lot 215

ARR – Some lots may be subject to an additional fee (see page 4)

Chorleys October 2020 pages.qxp_Chorleys 12/10/2020 16:26 Page 35

Lot 220

Lot 218

Lot 222

Lot 224

Lot 219 218.

Janice Tchalenko (born 1942), a large stoneware jug, white glaze with black floral decoration, impressed marks, 26.5cm high £80-120 (+Fees*) 219.

Joanna Wason (born 1952) for Leach Pottery, a stoneware teabowl, celadon glaze with dark blue crossed lines, impressed marks, 7.75cm high £60-80 (+Fees*) 220.

Hassan Lapai at Abuja Pottery, three screw top stoneware pots, circa 1960, each with impressed marks, 15.5cm, 8.5cm and 8cm high [3] £100-150 (+Fees*)

Lot 223

221.

Ladi Kwali (c.1925-1984), four stoneware mugs, tenmoku and ash glazes with incised patterns, all with impressed mark, 13cm high [4] £80-120 (+Fees*) 222.

Ursula Morley Price (born 1936), Ruffle Vessel, stoneware with mottled matt ochre glaze, impressed mark, 10.5cm high £300-400 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

223.

Ladi Kwali (c.1925-1984), six stoneware mugs, ash glazes with incised patterns, all with impressed mark, 13cm high [6] £120-180 (+Fees*) 224.

David Leach (1911-2005), a small fluted bowl with oatmeal speckled glaze, impressed mark, 7.5cm high, 7cm diameter £100-150 (+Fees*)

Further images & information at www.chorleys.com

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Simon Carroll (1964-2009) After studying ceramics at Hereford College of Arts and the University of the West of England, Carroll travelled widely, exhibiting, lecturing and demonstrating - winning prizes and international recognition.

In the catalogue which accompanied the posthumous V&A exhibition ‘Simon Carroll – Expressionist Potter’ in 2014-15, the senior museum curator Alun Graves described Carroll’s work as ‘textural and colourful, painterly and abstract, powerful and expressive’.

Lot 225

225.

Simon Carroll (1964-2009), an earthenware jug, 2002, with coloured slips and glazes, 35cm high, signed SPC 02 £800-1200 (+Fees*)

Lot 226

226.

Simon Carroll (1964-2009), an earthenware jug, 2006, with coloured slips and glazes, 35cm high, signed SPC 06 £800-1200 (+Fees*)

36

Lot 227

227.

Simon Carroll (1964-2009), an earthenware jug, 2007, with coloured slips and glazes, 35cm high, signed SPC 07 £800-1200 (+Fees*)

ARR – Some lots may be subject to an additional fee (see page 4)

Chorleys October 2020 pages.qxp_Chorleys 12/10/2020 16:26 Page 37

Lot 228

228.

Simon Carroll (1964-2009), an earthenware jug, 2006, with coloured slips and glazes, 35cm high, signed SPC 06 £800-1200 (+Fees*)

Lot 229 229.

Simon Carroll (1964-2009), four earthenware teabowls with coloured slips and glazes, 10cm high and smaller [4] £400-600 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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230.

Ray Finch (1914-2012) for Winchcombe Pottery, a pair of stoneware tea bowls, 10.5cm diameter and other studio ceramics [7] £60-80 (+Fees*) 231.

A Studio Pottery square form vase, tenmoku glaze with applied enamel decoration of branches of honesty in white and grey, impressed mark, 15cm high and a studio pottery bottle vase in rich tenmoku glaze, 28.5cm high [2] £40-60 (+Fees*)

Lot 230

232.

Anne James (born 1937), a flattened raku bottle, metallic purple and green decoration, with narrow neck, incised mark, 18.5cm high, a porcelain footed bowl of organic form with central spine to the interior, cream matt glaze, the exterior with lavender detail, 13.5cm wide, a smaller cream porcelain footed bowl with turquoise shading to the foliate pierced rim, 8cm wide and a small tenmoku lidded pot, 6cm diameter, all marked [4] £40-60 (+Fees*) 233.

A stoneware bottle vase with twin lug handles to the neck, speckled ash glaze with rust brushwork foliate designs, base incised Cook, 31cm high, a stoneware circular footed bowl of ribbed form in ash glaze painted brushwork stylised foliage, impressed mark, 21cm diameter and a stoneware jar and cover of ribbed tapering form, twin lug handles and cane handle, 18cm high [3] £40-60 (+Fees*)

Lot 231

Lot 232

234.

Ray Finch (1914-2012) for Winchcombe Pottery, a stoneware jug with olive glaze and combed wave decoration, impressed mark, 26cm high £60-80 (+Fees*) 235.

Michael Cardew (1901-1983) for Winchcombe Pottery, a stoneware beaker with tenmoku glaze, impressed mark, 10cm high and a globular vase with yellow foliate motifs, 10cm high [2] £40-60 (+Fees*)

Lot 234

Lot 233

236.

Jane Hamlyn (born 1940), a salt glaze jug with twisted handle, impressed mark, 13cm high, and a saltglaze jar of lobed form with floral impressed motifs and lid, impressed mark, 16cm high [2] £40-60 (+Fees*)

Lot 235 38

Lot 236

ARR – Some lots may be subject to an additional fee (see page 4)

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237.

Sidney Tustin (1913-2005) for Winchcombe Pottery, a group of pieces comprising two jugs, 17cm high and 10.5cm high, two lidded pots, and three shallow serving bowls [7] £80-120 (+Fees*)

Lot 237

238.

Two studio pottery stoneware yunomi, one glazed throughout in white crackle glaze with iron dots and spiral ribbed exterior, 7.5cm high, the other iridescent purple glaze with splashed white trails to one side and graduated blue glaze interior [2] £40-60 (+Fees*)

Lot 238

239.

A studio pottery bowl, with fluted exterior and mottled glaze interior, 20cm diameter, a goblet with foliate design, 12cm high, a beaker with wave design, 9cm high, a pedestal bowl in speckled oatmeal glaze with band of geometric patterning, 11.5cm diameter, impressed mark 2275 and a small blue glaze bottle vase with rust ribbing, 10.5cm high [5] £40-60 (+Fees*) 240- 242 No Lots Lot 239

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Edmund de Waal (born 1964) Author of The Hare with the Amber Eyes, Edmund de Waal’s porcelain vessels range from vast installations to tiny transluscent beakers.

Having trained in Japan, he has incorporated elements of that country’s rich tradition of ceramics, developing a very distinctive style with a celadon glaze and subtle variations in texture and tone.The following group of six have been in the ownership of one collector since 1995, when she purchased three from the Adrian Sassoon gallery and commissioned three more directly from de Waal.

243.

Edmund de Waal (born 1964), two porcelain beakers, 1995, pale celadon glaze with delicate crackle, tapering conical form with two raised ribs, impressed maker’s mark, 10.8cm and 10.5 cm high (2) Provenance: purchased from Adrian Sassoon, July 1995, nos 22 and 23 £1800-2200 (+Fees*)

244.

Edmund de Waal (born 1964), two porcelain beakers, 1995, pale celadon glaze with delicate crackle, tapering conical form with two raised ribs, impressed maker’s mark, 10cm high (2) Provenance: purchased from Adrian Sassoon, July 1995, no 24 and one commissioned directly from the maker, 1995 £1800-2200 (+Fees*)

245.

Edmund de Waal (born 1964), two porcelain beakers, 1995, pale celadon glaze with delicate crackle, tapering conical form with two raised ribs, impressed maker’s mark, 10.1cm and 9.9cm high (2) Provenance: commissioned directly from the maker, 1995 £1800-2200 (+Fees*)

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Lots 243 to 245

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR Further images information – Some lots & may be subjectattowww.chorleys.com an additional fee (see page 1)

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Lot 247

Lot 248

Lot 246 246.

Ivo Mosley (born 1951), a large studio pottery vase circa 1985, sky blue glaze with pink and white cloud decoration, incised to base 6ET Ivo Mosley, 36cm high Note: The grandson of politician Oswald Mosley, and now more widely known as a writer, Ivo Mosley’s principal occupation in the 1970s and ‘80s was making ceramics some of which were exhibited at Liberty and the ~ Guild. £200-300 (+Fees*)

Lot 249

247.

Edward Hughes (1953-2006), a large stoneware dish with slipware decoration under rim, impressed mark, 43cm diameter £80-120 (+Fees*)

Lot 250

248.

Ray Finch (1914-2012) for Winchcombe Pottery, a large stoneware bowl, rust, green and blue patterned interior, impressed mark, 36cm diameter £100-200 (+Fees*) 249.

Ray Finch (1914-2012) for Winchcombe Pottery, a large stoneware bowl, rust, green and blue patterned interior, impressed mark, 35cm diameter £100-200 (+Fees*) 250.

Ray Finch (1914-2012) for Winchcombe Pottery, a large stoneware cider jug, tenmoku glaze with combed wavy banding in cream and rust, handle to side, cork stopper and wooden tap, impressed mark, 47.5cm high and a small Winchcombe Pottery bowl, impressed mark, 11cm diameter [2] £150-250 (+Fees*)

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Lot 251 251.

Jane Hamlyn (born 1940), a salt glaze stoneware vase of asymmetric ovoid form, blue with lustre highlights, incised scrolling lines, impressed mark, 22cm high £60-80 (+Fees*)

Lot 252 252.

Sandy Brown (born 1946), a painted pottery charger, geometric designs in salmon, blue and yellow tones, painted signature, 29.5cm wide £40-60 (+Fees*)

ARR – Some lots may be subject to an additional fee (see page 4)

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Works of Art

Lot 264 Lot 263

Lot 261 260.

A Japanese twenty step puzzle box, decorated intricate patterns and designs, with instruction leaflet, 11.5cm x 8cm £20-30 (+Fees*) 261.

Jane Ryan (born 1962) for Opi Works, Swimmers, wood and mixed media automaton, painted mark to back OPI, 36cm high £100-200 (+Fees*) 262.

Eduardo Paolozzi (1924-2005), Beetle, stamp to underside for Paolozzi Foundation, modelled plaster, 18cm long £300-500 (+Fees*) 263.

WMF, an Ikora Art Deco circular metal plaque, decorated a dancing nude, impressed mark to back, 18cm diameter £30-50 (+Fees*) 264.

Henry Cliffe (1919-1983), Abstract Relief, stamp to back Estate of Henry Cliffe, plaster plaque, approximately 10.5cm x 12.5cm Note: better known as a printmaker, this artist also sculpted and exhibited his work at the Venice Biennale of 1960 alongside Eduardo Paolozzi and Victor Pasmore £200-300 (+Fees*)

Lot 262 Lot 269 265.

Henry Cliffe (1919-1983), Abstract Relief, stamp to back Estate of Henry Cliffe, plaster plaque, approximately 9cm x 11.5cm £200-300 (+Fees*) 266.

Manner of Alexander Calder (1898-1976), Stabile, the black painted metal stand with yellow and taupe panels £400-500 (+Fees*) 267.

Cleo Mussi, Right Hand Red Rose, 19cm high and Left Hand Blue Flower, 17.5cm high, a pair of mosaic sculptures, signed and dated 2008 £40-60 (+Fees*) 268.

A belemnite fossil, of irregular shape, approximately 83cm x 45cm Note: Orthocerus lived more than 300 million years ago and their remains are found in fossil beds. The animals developed into our modern day squid, leaving behind their fossilised shells in the black marble that they lived in. £150-200 (+Fees*) Lot 266

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 271

Lot 272

Lot 273

272.

After Demetre Chiparus (1886-1947), Footsteps, an Art Deco style figure of a dancer, patinated metal and ivorine, on stepped green onyx base, 42cm high £80-120 (+Fees*)

Lot 270 269.

Hugh Wallis (1871-1943), a copper charger, with gadrooned rim and deep hammered sides, the well embossed a rampant lion, impressed monogram, 38cm diameter £60-80 (+Fees*) 270.

Newlyn School, a copper tray, the hammered ground with central vacant cartouche surrounded by embossed fish, shells and seaweed, 52cm wide £60-80 (+Fees*) 271.

An Arts & Crafts Newlyn style copper firescreen, the central panel embossed galleon with dragon to the sail and waves beneath, 49cm high, in an ironwork frame £80-120 (+Fees*)

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273.

After Demetre Chiparus (1886-1947), Dancer of Kapurthala, an Art Deco style figure of a dancer, balanced on one leg with arms outstretched and wearing decorative costume, in patinated metal and ivorine, on polychrome onyx base, bears signature, 33cm high (head loose and other damages) £40-60 (+Fees*) 274.

Obert Nyamupapira (born 1972), a modern abstract stone sculpture of pierced oval form, incised signature to base, 26cm high and another smaller example of teardrop shape, carved oval and lines, 23cm high [2] £40-60 (+Fees*) 275.

Manner of Elisabeth Frink, a bronze maquette of a dog, rolling on its side, 17cm wide Provenance: Eva Chadwick estate £40-60 (+Fees*)

Lot 276 276.

Helmut Schäffenacker (1921-2010), Mare and Foal, a ceramic wall plaque with design of horses in coloured and lustre glazes, impressed marks, approximately 51cm x 36cm £100-150 (+Fees*)

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 279 279.

A brass inkwell in the Jugendstil style, embossed snowdrops and with flowerhead covers, one glass well, impressed no. 3631 to the base, 27cm wide £40-60 (+Fees*) 280.

WMF, an electroplated bottle holder, of Jugendstil design with foliate motifs, 20.5cm high, a pair of similar vases, 31cm high and an Art Deco style bronze vase, 17cm high [4] £80-120 (+Fees*)

Lot 277 277.

Eduart Gjopalaj (born 1978), The Dreamer, relief wood carving of a face, initialled, 35cm x 25.5cm £80-120 (+Fees*) 278. ◆ Ferdinand Preiss (1882-1943), Girl with Pompadour, a bronze and ivory figure of a girl in bonnet and cape, on an onyx stand, 16cm high ◆ Lot contains an element of pre-1947 ivory or other organic material which may be subject to export restrictions. £1000-1500 (+Fees*) Lot 278

Lot 280

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 281 281.

John Maltby (born 1936), Albert Herring, a wall hanging automaton, mixed media, 30.5cm x 25.5cm £150-200 (+Fees*) 282.

Keswick School of Industrial Arts, a rectangular copper tray with stylised leaf design, numbered Z162, 52.5cm x 24cm £50-70 (+Fees*) 283.

Ian Norbury (born 1948), Pan, an elm and bone sculpture, 37cm high Exhibited: Wood Sculptures ‘89, Eastington Hall and the White Knight Gallery £600-800 (+Fees*) 284.

Austin Gardiner, three Arts & Crafts wooden trays, one in Cotswold oak, one in box and walnut and one in English lacewood, 31cm x 25.5cm and smaller [3] £100-150 (+Fees*)

Lot 283

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Furniture & Lighting 290.

Gordon Russell, British mid 20th Century, a light oak extending dining table, on octagonal column legs, 106cm long (167cm extended) x 83cm wide and four dining chairs with upholstered back and seat panels [5] Provenance: purchased by the vendor’s family from Gordon Russell, Broadway, circa 1950 £60-80 (+Fees*) 291.

Stilnovo, Italian 1950s, a five-light chandelier, five pendant white glass shades of globe form suspended from chrome cylinders £200-300 (+Fees*)

Lot 294 293.

Heals, British 1920s, an oak chest of two short and two long drawers with chamfered corners and circular dished handles, 91cm wide £200-300 (+Fees*)

294.

Manner of Ernest Gimson, a pair of cast iron firedogs in the Cotswold Arts & Crafts style with applied pierced decoration of tulips and foliage, 50cm high [2] £400-600 (+Fees*)

Lot 292

Lot 295

292.

J S Henry, British late 19th early 20th Century, an Arts & Crafts mahogany armchair, the solid upholstered back and seat flanked by outswept arms on square tapering legs united by stretchers, the central front stretcher of wavy design, stamped EMH to frame £500-800 (+Fees*)

295.

Liberty, British early 20th Century, a “New Studio” oak dresser sideboard, possibly designed by Leonard Wyburd for the Holbein range, the top with glazed cupboard doors above a plate rack, the base fitted two drawers above two cupboard doors and single cupboard, locks stamped Liberty & Co., decorative handles and hinges, 203cm high x 241cm wide x 69cm deep Provenance: The Millinery Works Exhibition, The Liberty Style - 125th Anniversary of Liberty & Co. June 2000; illustrated John Andrews, Arts and Crafts Furniture £300-500 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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296

296.

Norman Cherner for Plycraft, American 1960s, four single chairs, yellow vinyl upholstery, bearing Plycraft label dated Sep 22 1964 [4] £600-800 (+Fees*)

297.

An Art Nouveau fire screen, the brass heart shaped frame inset stained glass, with scroll handle, the glass panel 59cm x 57cm (damages) £80-100 (+Fees*)

298.

Alvar Aalto, Finnish 1930s, Type 21 chair, moulded plywood with orange paint, Finmar label £1500-2500 (+Fees*)

299.

Giuseppe Ostuni for Oluce, Italian 1950s, a pair of articulated wall lights, with perforated matt black shades on ball jointed brass mounts [2] £400-600 (+Fees*)

Lot 298

Lot 299 48

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Lot 300

300.

Hans Wegner, Danish 1950s, AP20 ‘Mini Bear’ lounge chair, recently reupholstered in cream and taupe £2500-3500 (+Fees*)

301.

George Nelson for Herman Miller, American 1950s, slat bench, the maple top with dowel joints, on twin ebonised supports, 183cm x 47.5cm £1000-1500 (+Fees*)

Lot 302

Lot 301

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

302.

Stilnovo, Italian 1960s, a floor lamp, the sculptural orange glass shade supported by a metal frame, 163cm high £500-800 (+Fees*)

Further images & information at www.chorleys.com

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Lot 303

303.

Gordon Russell, British 1950s, a walnut dining table with curved ends, 145cm long, 83cm wide, fitted an extra leaf extending to 198cm long, and a set of four Vanson slat back chairs of retro vintage design with drop-in upholstered seats [5] £100-150 (+Fees*)

304.

Vanson, British 1960s, a low teak coffee table of retro vintage design with square taper legs, labels under for Vanson and Brookes Sempar Limited, 137.25cm long, 47cm wide, 31cm high £60 – 80

Lot 304

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The Hoyland Collection of Gordon Russell Furniture After marrying Elsie Dorothea Cadbury in 1919, a young Geoffrey Hoyland became headmaster at The Downs School, Colwall, near Malvern. Now benefitting from the financial support of the Cadbury family, he helped develop the school building and interiors. He commissioned Gordon Russell to produce the panelling which is still in the hall today and many items of furniture in the school, particularly in the dining-room.

He also asked Russell to design a good number of items for their house ‘Brock’, built in 1936 at Trebetherick, Cornwall and in time these pieces moved with them to Tocknells, just outside Painswick. In this way Geoffrey Hoyland was very instrumental in helping Gordon Russell establish his reputation and was an oldfashioned ‘patron’ of the fledgling company.

Upon Geoffrey’s death, the furniture passed to his son Dr Hugh James Hoyland, and in turn to the next generation. While many treasured pieces remain with the Hoyland family, Chorley’s are delighted to be asked to sell the following items, Lot 305-315, as well as the stunning Cotswold view by Charles March Gere, Lot 369 and Scottish landscape by James Paterson, Lot 370.

Many thanks to Helen Hillman and the Gordon Russell Design Museum, Broadway, for allowing us to view some of the original drawings in the archive, and for assisting with our research.

305.

Gordon Russell, British 1920s, a pair of walnut standard lamps, design no. 494, each lamp with four tapering uprights united by two sets of cross stretchers, on a stepped X-shaped base [2] Note: The Gordon Russell Museum archive records this as design no. 494, June 1926, to be made in walnut or mahogany Provenance: The Estate of the late Dr H J Hoyland, Painswick; purchased directly from Gordon Russell £400-600 (+Fees*)

Lot 305

306.

Gordon Russell, British 1920s-30s, a circular English walnut coffee table, on plain legs united by X-shaped stretchers, label to underside ‘Design 690, Designer Gordon Russell, Foreman F Shilton, Cabinet maker C Beadle, Date 15.12.30’, 59.75cm diameter Note: this design, to be made in mahogany for the bar of the City Arms, Leicester, is dated 14/2/28 in the Gordon Russell Museum archive Provenance: The Estate of the late Dr H J Hoyland, Painswick; purchased directly from Gordon Russell £100-200 (+Fees*)

Lot 306

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 307 307.

Gordon Russell, British 1920s, a set of four oak Weston standard chairs, design no. 851, 1929, each with a stepped splat and loose trap seat, raised on square legs [4] Note: The Gordon Russell Design Museum archives hold the original designs for the Weston Group of furniture, which also included a sideboard and serving table, which were machined and then assembled and finished by hand Provenance: The Estate of the late Dr H J Hoyland, Painswick; purchased directly from Gordon Russell £400-600 (+Fees*) 308.

Gordon Russell, British 1920s, a pair of oak splat back armchairs, design no.

789, 1928, with drop-in seats Provenance: The Estate of the late Dr H J Hoyland, Painswick; purchased directly from Gordon Russell £300-500 (+Fees*)

Lot 308

309.

Gordon Russell, British 1920s, a walnut Shenbarrow sideboard, design no. 803, fitted three drawers to the centre flanked by a cupboard to each side, on a stand with square legs, 137.25cm wide Note: The Gordon Russell Design Museum archives hold the original design for this sideboard, dated 31.12.28 Provenance: The Estate of the late Dr H J Hoyland, Painswick; purchased directly from Gordon Russell £800-1200 (+Fees*)

Lot 309

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310.

Gordon Russell, British 1920s, an oak writing desk, fitted a drawer with bookshelf superstructure to back, 76.5cm wide, 60cm deep, 114cm high Provenance: The Estate of the late Dr H J Hoyland, Painswick; purchased directly from Gordon Russell £150-250 (+Fees*)

311.

Gordon Russell, British 1920s, an oak table fitted a drawer to one end, on octagonal legs and chamfered stretchers, 83cm x 57cm Provenance: The Estate of the late Dr H J Hoyland, Painswick; purchased directly from Gordon Russell £150-250 (+Fees*)

312.

Russell & Sons Broadway, British 1920s, a pair of oak chairs with octagonal turned front legs, leather upholstered with stud detailing, brass label to underside Provenance: The Estate of the late Dr H J Hoyland, Painswick; purchased directly from Gordon Russell £80-120 (+Fees*)

Lot 312

313.

Gordon Russell, British 1920s, an oak two-tier open bookcase, 53cm wide x 25cm deep x 91.5cm high Provenance: The Estate of the late Dr H J Hoyland, Painswick; purchased directly from Gordon Russell £80-120 (+Fees*)

314.

Gordon Russell, British 1940s, a Utility double wardrobe with shaped wood handles, ivorine plaque to back, 91cm wide, 180.5cm high Provenance: The Estate of the late Dr H J Hoyland, Painswick; purchased directly from Gordon Russell £60-80 (+Fees*)

315.

Gordon Russell, British 1940s, a Utility single mahogany wardrobe, ivorine plaque to back, 65cm wide, 183.5cm high Provenance: The Estate of the late Dr H J Hoyland, Painswick; purchased directly from Gordon Russell £40-60 (+Fees*)

Lot 311

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 316

316.

Attributed to W R Lethaby (1857-1931) for Morris & Co or Liberty, British circa 1900, a set of seven Arts & Crafts oak dining chairs to a Lethaby design, with moulded dowelled splats to back and shaped carved finials to upright supports, the upholstered drop-in seats on square legs joined by carved shaped stretcher, six singles and one armchair (7) Provenance: Purchased from Liberty, receipt for five singles and the armchair dated 25.5.06; the other matched single purchased at a later date Note: both Morris & Co. and Liberty’s sold versions of this chair; Lethaby was an influential 19th Century architectural historian who worked as an assistant to Richard Norman Shaw from 1879-90 £1500-2500 (+Fees*)

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Lot 317 317.

An Art Deco style sofa, with curved wood frame and cream upholstery, 148cm wide £180-220 (+Fees*) 318.

Attributed to Birmingham School of Handicrafts, British 1920s, 55 a hammered copper pendant light, the sides with fleur de lys motifs, the circular frame 36cm diameter £150-250 (+Fees*)

320.

A set of three Jefferson moonstone shades, American 1920s-30s, the opaque glass of ribbed design with scalloped edges, 12.5cm high £60-80 (+Fees*) 321.

A glass and brass table lamp, fitted for electricity, 50cm high £40-60 (+Fees*)

319.

An Art Nouveau style brass and copper pendant light, of foliate design with copper petal shades, 53cm high £100-200 (+Fees*)

Lot 318

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 319

Further images & information at www.chorleys.com

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322.

Louis Poulsen, Danish 20th Century, a PH5 hanging pendant lamp, designed

by Poul Henningsen 1958, in white with blue reflector, Louis Poulsen label, 30cm high £150-250 (+Fees*) 323.

Louis Poulsen, Danish 20th Century, a PH5 hanging pendant lamp, designed

by Poul Henningsen 1958, in white with blue reflector, Louis Paulsen label, 30cm high £150-250 (+Fees*) 324.

Italian Contemporary, a grey lacquered steel dining table having wood inlaid panel to centre, on square tapering legs, 300cm x 121.5cm £400-600 (+Fees*)

Lot 322

Lot 323

325.

Philippe Starck for Driade, Italian Contemporary, a pair of Cam El Eon bar stools, grey plastic moulded seats on aluminium frame, front legs united by a footrest, impressed mark £200-300 (+Fees*) 326.

Fabrizio Batoni for Domitalia, Italian Contemporary, a pair of Playa chairs with ribbed acrylic seat and back on steel legs and frame, impressed mark £120-180 (+Fees*)

Lot 325 56

Lot 324

Lot 326

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 327 327.

Style of Heals, British 1930s, a circular oak table on four rectangular supports with cross stretchers, raised boss to the cross base, 60cm diameter, 46.25cm high £100-150 (+Fees*) 328.

An Arts & Crafts style nest of four oak tables with slatted side supports, the largest 56cm wide x 37cm deep x 66cm high £80-120 (+Fees*)

329.

A Laura Ashley modern oak oval coffee table, with platform under, 100cm wide x 70.75cm deep x 48.25cm high £40-60 (+Fees*) 330.

A Mid Century Scandinavian style night stand with geometric veneer to the hinged fall front and formica inset top, on splay legs, 48cm wide x 31cm deep x 44.5cm high £60-80 (+Fees*)

Lot 328

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

331.

Style of Heals, British 1940s, a three-tier table of square form with canted corners, utility stamp CC41 underneath, 45cm square x 52cm high £40-60 (+Fees*)

Lot 331

Further images & information at www.chorleys.com

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Lot 332 332.

Arthur Simpson of Kendal (1857-1922), British circa 1920, an oak occasional table with two folding flaps and gate legs, the side supports with two parallel vertical through-dovetail joints, bearing Simpson’s stamp to the underside of the bottom cross rail 72.5cm high, 84cm long, 23cm wide (extending to 115cm with flaps open) £500-800 (+Fees*)

Lot 335

335.

A pair of tall modern display stands, each with brass frame and three shelves, inset light to the top, 186cm high, 26.5cm square £150-200 (+Fees*)

336.

Gimson & Slater Ltd., British mid 20th Century, a teak pedestal desk, each pedestal fitted four drawers, stencilled underneath ‘September 1954’ and ER, the top 184cm x 100cm £100-150 (+Fees*)

333.

An Art Deco style cylindrical burrwood box, fitted three drawers, 18.5cm high, 22cm diameter £40-60 (+Fees*)

334.

A Victorian Arts & Crafts oak stationery cupboard, with fitted interior, two sliding panel doors, on castors, 142cm wide, 106cm high £80-120 (+Fees*)

Lot 336

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Lot 337 337.

A pair of modern bedside tables, in burrwood veneer and in the Art Deco style, each with stepped circular top with two drawers beneath with chrome handles, on a U shaped stand and circular stepped base, 41cm diameter, 77cm high £400-600 (+Fees*)

Lot 340 338.

Habitat, an upholstered stool on four legs, 60cm x 40cm £20-30 (+Fees*) 339.

A retro vintage coffee table, the ebonised top on black metal supports with slender tapering legs, label beneath indistinctly signed and marked design 215, the top 123.5cm x 47cm £80-120 (+Fees*)

340.

Philippe Starck for Kartell, a pair of Ghost cristal One More bar stools, impressed maker’s mark £60-80 (+Fees*) 341.

A pair of modern leather covered ottomans, with carry handles to the sides, 120cm wide and two smaller seats £300-500 (+Fees*)

Lot 341

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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343.

Liberty, British early 20th Century, a narrow Art Nouveau style bookcase, the galleried top with pierced heart motif above a leaded glazed cupboard with shelves below, 34cm wide x 114cm high £150-200 (+Fees*) 344.

Stouby, Danish 1970s, a three-seater sofa of retro vintage design in mid-brown leather, 200cm wide, 86cm deep £300-400 (+Fees*) 345.

Philippe Starck for Driade, Italian Contemporary, six Cam El Eon chairs, orange plastic moulded seats on aluminium frame, impressed maker’s mark £300 – 500

Lot 343

Lot 344

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Oil Paintings

Lot 350

Lot 351

Lot 352

350.

Donald Floyd (1892-1965) THE PEMBROKESHIRE COAST signed lower right; titled on label verso oil on canvas, 30.5cm x 40.25cm £60-80 (+Fees*) 351.

Gwen Whicker A DISH OF PEAS signed lower left oil on canvas, 61cm x 61cm Provenance: Nina Zborowska £700-1000 (+Fees*) Lot 354

352.

Leonard Richmond (1889-1965) BOATS AT PENZANCE signed oil on canvas, 50cm x 60cm £500-800 (+Fees*) 353.

June Miles (born 1924) STILL LIFE OF HONESTY IN A VASE signed and dated ‘81 verso oil on canvas, 61cm x 46.5cm £300-500 (+Fees*)

Lot 353

354.

Orovida Camille Pissarro (1893-1968) A GAME OF CARDS signed and dated upper right Orovida 1949 oil on canvas, 59cm x 72cm £400-600 (+Fees*) 355.

Dame Elizabeth Blackadder (born 1931) JAPANESE PLATE WITH FRUIT signed oil on canvas, 44.5cm x 54.5cm £4000-6000 (+Fees*)

Lot 355

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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356.

Simon Laurie (born 1964) NIGHT BOAT signed and dated 1995 oil on wood and card, 21cm x 21cm Provenance: Mercury Gallery, Cork Street £250-350 (+Fees*)

357.

20th Century Ethiopian School GUERRILLA CONFLICT an episodic painting on cloth, 50cm x 114cm and THE BATTLE OF ADWA (ADOWA) painted cloth panel, 80cm x 186cm £60-80 (+Fees*)

Lot 360

Lot 356

358.

Arnold Victor Beauvais (1886-1982) COTTAGES ON A COUNTRY LANE signed lower left oil on canvas, 53.5cm x 72cm £150-200 (+Fees*) Lot 363 359.

Adrianus Cornelius Van Noort (1914-2003) SAILING BOATS OFF URK, HOLLAND a pair signed, inscribed verso oil on board, 18cm x 24cm £200-300 (+Fees*)

360.

William Bankier Henderson (1903-1993) STILL LIFE WITH PEARS initialled WH upper right; inscribed verso William Henderson oil on board, 31cm x 45.5cm £200-300 (+Fees*)

361.

Oliver Heywood (1920-1992) CAVE DWELLINGS, ALMEIRA signed and dated 1962 lower left, partial detached label with title and artist’s address oil on canvas, 51.5cm x 85.5cm £250-350 (+Fees*)

Lot 359

362.

Attributed to Oliver Heywood RUINED MEDITERRANEAN VILLAGE oil on canvas, 76cm x 105cm £150-250 (+Fees*)

363.

John Hitchens (born 1940) GENTLE SHORE signed lower right, inscribed and dated 1965 on stretcher oil on canvas, 31cm x 46.5cm £500-800 (+Fees*)

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Lot 364 364.

Lilian Jelly EUCALYPTUS oil on canvas, 81cm x 63cm Provenance: label verso for Sir Gerald Kelly KCVO PPRA £100-200 (+Fees*)

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 365

365.

Oliver Heywood (1920-1992) RED ABSTRACT signed lower right and dated 1960; partial artist’s label verso oil on board, 77cm x 151cm £300-500 (+Fees*)

367.

Nigel Hallard (born 1936) SILHOUETTED CHILDREN PLAYING IN THE WATER signed; inscribed verso oil on board, 22.5cm x 50.5cm £60-80 (+Fees*)

366.

Oliver Heywood (1920-1992) ABSTRACT COASTAL LANDSCAPE signed and dated 1960; partial artist’s label verso oil on canvas, 100cm x 150cm £400-600 (+Fees*)

368.

Attributed to Sholto Johnstone Douglas (1871-1958) LANDSCAPE WITH FIGURE inscribed verso Sholto Douglas oil on board, 18.5cm x 30cm £200-300 (+Fees*)

Lot 366

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 369 369.

Charles March Gere (1869-1957) A QUARRY IN THE COTSWOLDS with heavy horses and workers in the foreground signed and dated lower right Charles Gere 1932 labels and inscriptions verso oil on canvas, 76.25cm x 61cm Provenance: The Estate of the late Dr H J Hoyland, Painswick Note: English painter and illustrator, Charles March Gere’s work was influenced by his time at Birmingham School of Art, where he was studied the pre-Raphaelite paintings of Sir Edward Burne-Jones and William Blake. After being commissioned by William Morris to illustrate books printed by the Kelmscott Press, Gere developed his own style of landscape painting. He settled in Painswick in the Cotswolds, and his paintings from that period capture the beauty of the county and the character of its inhabitants.

When this landscape was painted, there were a great many small quarries close to Gere’s home, mining the famed Cotswold limestone. What appear to be the Malvern Hills in the distance leads us to belief that this is possibly a view of Salterley Quarry on Leckhampton Hill, Cheltenham. £2500-3500 (+Fees*)

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370.

James Paterson PRSW RSA RWS (1854-1932) THE RED BARN sketch of a moorland landscape signed and dated lower left; inscribed verso oil on canvas board, 26.75cm x 31.75cm Provenance: The Estate of the late Dr H J Hoyland, Painswick Note: educated at the Glasgow School of Art in the 1870s, James Paterson became associated with a group of artists who became known as ‘The Glasgow Boys’, including James Guthrie, John Lavery and William York Macgregor. Sharing a desire to move away from the formality of 19th Century art, they represented the start of modernism in Scottish painting, depicting rural subjects in a loose and fresh style, often on the spot and straight onto the canvas. £300-500 (+Fees*)

Lot 370

Lot 373

Lot 374

Lot 376

371.

Fred Crayk (born 1952) UNTITLED 2000 artist’s label verso mixed media on canvas, 49cm x 48cm, unframed Provenance: The Bellevue Gallery, Edinburgh 2000 £100-200 (+Fees*)

372.

Andrew Cranston (born 1969) STUDY BY A RIVER mixed media on card, 21cm x 14.5cm Provenance: from his exhibition at RSA Alfons Bytautas RSA (born 1955) LILY I signed lower right, limited edition 9/10 print, the image 8.5cm x 7cm, mounted as a greetings card with inscription inside, and Angela Lemaire (born 1944) THE LION AND THE UNICORN image with poem underneath signed and dated 2008, limited edition 2/7 woodcut, the image 13.5cm x 14.5cm all unframed [3] £60-80 (+Fees*)

373.

Igor Juk (born 1970) GRAND CANAL, VENICE signed lower right oil on canvas, 37cm x 54cm £300-500 (+Fees*)

374.

Early 20th Century French School PORTRAIT OF A BOHEMIAN LADY head and shoulders, wearing a cloche type hat and strings of pearls and beads oil on canvas, oval, 60cm x 50cm £80-120 (+Fees*) 375.

F G Trott (act. 1935-1960) TREGARNON BAY AND TREVOSE HEAD label verso with title oil on board, 38.5cm x 49.5cm Provenance: Frost & Reed label verso dated 1958 £80-120 (+Fees*) 376.

Pam Hawkes (Contemporary) GARLAND, 2007 portrait of a woman with floral headdress mixed media on panel with integral painted frame, 67cm x 49cm overall £80-120 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

377.

Rudolf Sauter (1895-1977) PORTRAIT OF DAVID GAZZARD AS A BOY signed lower right oil on board, 40cm x 28cm together with a personalised greetings card with poem, from Rudolf and Viola Sauter [2] £60-80 (+Fees*) 378.

J Harper SLAUGHTERS, GLOUCESTERSHIRE signed and dated J Harper ‘90 inscribed verso oil on canvas board, 29.5cm x 39.5cm £30-40 (+Fees*) 379.

Jan Whitton CRANHAM TO SHEEPSCOMBE LANE signed with initials oil on canvas, 80cm x 100cm £60-80 (+Fees*)

Further images & information at www.chorleys.com

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Lot 381

380.

Jan Whitton AFTERNOON IN JUNE signed with initials oil on canvas, 65cm x 90.5cm £60-80 (+Fees*)

381.

Jan Whitton CAUGHT IN THE SUNSHINE signed with initials oil on canvas, 65cm x 90cm £60-80 (+Fees*)

382.

Jan Whitton FARM WITH SHEEP AND FIGURES signed with initials oil on canvas, 80cm x 100cm £100-150 (+Fees*)

Lot 385 66

Lot 383

Lot 384

383.

Pietro de Francisco (1873-1969) PRINTEMPS (SPRING) signed De Francisco; the back inscribed in red Printemps, De Francisco oil on board, 22.5cm x 34cm £200-300 (+Fees*)

386.

Anton Hirschig (1867-1939) BOY WITH GOAT signed with monogram and inscribed Brasschaat 1909) oil on canvas, 54.75cm x 73cm Note; Anton Hirschig, known to friends as Tony or Tom, lodged for a time at the Auberge Ravoux in Auvers-sur-Oise, in a room next door to that of Vincent van Gogh. When Van Gogh returned from the fields one evening with a gunshot wound, Hirschig assisted in notifying the physician and getting word to Vincent’s brother Theo, who arrived in time to be with him as he passed away. Hirschig left Auvers shortly after the funeral. £600-800 (+Fees*)

384.

Adriaan Herman Gouwe (1875-1965) LANDSCAPE WITH PLOUGHMAN AND HORSES signed A H Gouwe lower left; the back inscribed A H Gouwe 1875, Schilderijen Landschappen, and with sticker H. Box den Haag Kunsthandel oil on canvas, 43cm x 84cm £300-500 (+Fees*)

385.

Donald Floyd (1892-1965) COUNTRY LANDSCAPE WITH STREAM signed lower left oil on canvas, 43cm x 60cm £80-120 (+Fees*)

Lot 386

387.

Symbolist School, circa 1900 L’ESPOIR (HOPE) angelic vision appearing beside a group of despairing figures oil on canvas, 95.5cm x 89.5cm £200-300 (+Fees*)

Lot 387

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 388 388.

Graham Arnold (1932-2019) BOOK OF MYSTERIES signed and inscribed mixed media, 59.5cm x 39cm framed and glazed Provenance: purchased directly from the artist Note: Graham Arnold was a member of “The Ruralists” a movement of British artists including Peter Blake and Graham Ovenden which gained prominence in the 1970s. Their aim was to reinterpret imaginative or romantic figures in a modern day rural setting.

This trompe l’oeil work by Arnold represents a juxtaposition between the conscious and unconscious, including references to Elizabethan court astronomer and alchemist John Dee, Egyptian god of wisdom Thoth, scenes from Arnold’s home county of Shropshire, images of himself and his wife and even a tiny nod to test cricket, one of his greatest passions. £2000-3000 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com Lot 387

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Lot 390

Lot 391

392.

Terry Ilott (born 1945) TOWER OF BABEL phone mast silhouetted against a red sky signed and dated verso oil on board, image 45cm x 51cm, in black painted portico style frame Provenance: Eva Chadwick estate £200-300 (+Fees*)

Lot 389 389.

Natalie Toplass (Contemporary) THISTLE signed verso oil on canvas, 153.5cm x 51cm, unframed Provenance: Montpellier Art Gallery, Cheltenham £200-300 (+Fees*) 390.

Stanley Woolston (Contemporary) HELLEBORUS ATRORUBENS signed with initials oil on canvas, 25cm x 30cm Provenance: Montpellier Gallery, Cheltenham Note: painted by Stanley Woolston while Artist in Residence at Hidcote Manor, North Gloucestershire, famous for its fine gardens. £60-80 (+Fees*) 391.

G Mariani (20th Century) ITALIAN COASTAL VIEW, PROBABLY NEAR NAPLES with figures in fishing boats signed oil on board, 50.5cm x 70cm £150-250 (+Fees*)

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393.

Christine Lopez BALLERINA oil on board, 25.5cm x 35.5cm Provenance: Galerie La Colombe, Puerto de la Cruz Ann Blockley DUCKS signed in margin, limited edition 63/500 print, image 7cm x 25cm and another print of a gothic church, 10.5cm x 15cm £40-60 (+Fees*)

Lot 394 394.

Francis Hewlett (British 1930-2012) RED COASTER initialled lower right; inscribed verso oil on canvas, 45cm x 75cm Provenance: from the artist’s estate Exhibited: RWA 2006 Note: Francis Hewlett studied at the Slade School of Art, where his professor was the artist William Coldstream and his fellow students included Philip Sutton and Euan Uglow. From 1958 to 1981 he was Head of Painting at Falmouth School of Art, and painted many landscapes inspired by his local surroundings, as well as still lifes and portraits £300-500 (+Fees*)

Lot 392

Lot 395 395.

Francis Hewlett (British 1930-2012) DAY LILIES inscribed verso oil on canvas, 24.5cm x 29.5cm Provenance: from the artist’s estate £200-300 (+Fees*)

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 398

Lot 399

396.

20th Century WATER GLOW signed indistinctly lower left oil on canvas board, 29.5cm x 24cm £40-60 (+Fees*) 397.

Kevin Platt TREVOSE GOLF CLUB AND CONSTANTINE BAY signed lower left oil on canvas, 60cm x 91cm £40-60 (+Fees*) 398.

Sergei Besedin (1901-1996) THE FARMER signed and dated upper right 1938 oil on canvas, 81cm x 59cm Provenance: Artist’s Studio Kharkov, Ukraine; Roy Miles Gallery label verso £300-500 (+Fees*) 399.

Davletbeau Miras (20th Century) STILL LIFE OF BOTTLES signed and dated ‘90 impasto, 63cm x 68cm Provenance: Artist’s Studio Kharkov, Ukraine; Roy Miles Gallery label verso £300-500 (+Fees*)

Lot 400

400.

Piotr Soulimenko (1914-1996) BOAT BUILDING, THE DON signed in cyrillic and dated 1972 oil on artist’s card, 33cm x 47cm Provenance: Artist’s Studio Kharkov, Ukraine; Roy Miles Gallery label verso £150-250 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 401

401.

Piotr Soulimenko (1914-1996) TOURIST BOAT, BLACK SEA signed in cyrillic oil on artist’s card, 33cm x 47cm Provenance: Artist’s Studio Kharkov, Ukraine; Roy Miles Gallery label verso, dating the painting to 1972 £150-250 (+Fees*)

Further images & information at www.chorleys.com

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Lot 403

Lot 405

Lot 402

402.

Andrei Bogdanov (born 1941) WINTER SCENE, KREMLIN, BORISOGLEBK cyrillic inscription verso and dated 1983 oil on canvas, 53cm x 44cm Provenance: Artist’s Studio Moscow; Roy Miles Gallery label £80-120 (+Fees*) 403.

Alexander Kolotilov (born 1946) SNOWY VILLAGE SCENE cyrillic signature lower right oil on board, 32cm x 46cm £150-250 (+Fees*) 404.

20th Century BEACH SCENE oil on canvas board, 29cm x 39cm £100-200 (+Fees*) 405.

Feliks Wygrzywalski (1875-1944) VENETIAN BACKWATER signed, inscribed and dated 1923 oil on panel, 21cm x 30cm Note: Exhibition label verso £400-600 (+Fees*) 406.

Sergei Chepik (1953-2011) ROSTOV KREMLIN signed in cyrillic, inscribed and dated verso oil on canvas, 22.5cm x 22.5cm £400-600 (+Fees*) 407.

Phil ‘96 CONTINENTAL LANDSCAPE WITH SUNFLOWERS AND BUILDINGS signed and dated oil on board, 75cm x 49cm £40-60 (+Fees*)

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Lot 408 (part)

Lot 406

408.

Pierre Guillaud (1914-2012) LES BUCHERONS signed; gallery labels to back oil on board, 49cm x 60cm and BEACH SCENE signed lower right oil on canvas, 37cm x 60cm [2] £100-200 (+Fees*) 409.

Mary Frame (20th Century) NEAR TAL-Y-LLYN, N. WALES signed oil on board, 44.5cm x 40cm £80-120 (+Fees*)

Lot 409

410.

20th Century THE OLD ASCOT oil on canvas, 60cm x 76cm £120-150 (+Fees*)

Lot 410

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 411 Lot 413

Lot 412

Lot 414

411.

Jesse Heyden (1916-1990) THE MALVERNS FROM CLEEVE HILL signed oil on canvas, 50cm x 76cm £120-150 (+Fees*) 412.

M Hays PICKING COWSLIPS two girls in a flower meadow, one with blanket and the other with doll signed oil on canvas, 60cm x 50cm £200-300 (+Fees*) 413.

Hrvoje Puskaric (Contemporary) DUBROVNIK STREET SCENE WITH COLONNADE signed lower right oil on canvas, 19.5cm x 24cm £100-150 (+Fees*) 414.

Dunja Bosek Zubac (Contemporary) CROATIAN MEDITERRANEAN TOWN signed oil on canvas, 29cm x 39cm £40-60 (+Fees*) 415.

Late 19th Century French School FIGURES SEATED AND WALKING ON A BEACH oil on canvas, 19cm x 25.5cm £80-120 (+Fees*)

416.

Aecio Sarti (Contemporary) HEAD STUDY ON CHECKED GROUND signed oil on tarpaulin, 30.5cm square, unframed Isac Vieira (Contemporary) PORTRAIT signed lower right and inscribed verso acrylic on board, 28.75cm x 19cm and a Brazilian street scene depicting Misericordia Church, Olinda [3] £60-80 (+Fees*)

Lot 417

417.

20th Century STILL LIFE WITH JUG OF HELIOTROPES oil on board, 33cm x 38cm £50-70 (+Fees*) 418.

Jack Pountney (1921-1997) EARLY MORNING GREENWICH PARK signed Pountney oil on board, 24.25cm x 31.5cm Provenance: Guildhall Art Gallery label verso £80-120 (+Fees*)

Lot 418

419.

20th Century HOUSE BY STREAM AND BRIDGE unsigned; inscribed verso To Ash Narboro Hall, Norfolk oil on canvas, 60cm x 50cm £60-80 (+Fees*) 420.

Luigi Bertolingrande (1912-1965) ITALIAN FARMYARD with girls and chickens signed oil on canvas, 57cm x 71.5cm £200-300 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 420

Further images & information at www.chorleys.com

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Lot 421

421.

Keith Shackleton (1923-2015) TERNS ON A ROCKY BEACH signed and dated ‘69 oil on board, 60cm x 45cm £600-800 (+Fees*) 422.

Iain McKillop (Contemporary) STATIONS OF THE CROSS X signed and dated 2003 oil on board, 61cm x 17cm £30-40 (+Fees*) 423.

Robert Medley (1905-1994) FIGURES BY A LAKE signed; dated to stretcher 1988; bears Royal Academy 1989 exhibition label and gallery label verso oil on canvas, 70cm x 80cm £1000-1500 (+Fees*)

Lot 423

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424.

Sir William Coldstream CBE (1908-1987) PORTRAIT OF CHARLES HAROLD ST JOHN HORNBY half length, seated, wearing suit and tie signed lower right oil on canvas, 90cm x 70cm Note: Charles Harold St John Hornby (1867-1946) was a founding partner of the newsagents and stationers WHSmith, deputy vice-chairman of the NSPCC and founder and owner of the Ashendene Press £4000-6000 (+Fees*)

Lot 424

425.

Paul Benney (born 1959) PORTRAIT OF SIMON HORNBY standing wearing a black suit and blue tie signed and dated 1992 lower right oil on canvas, 152cm x 90cm Note: Sir Simon Michael Hornby (1934-2010) was Chairman of the newsagents and stationers WHSmith, as well as the Royal Horticultural Society and the Design Council.

Grandson of C H St John Hornby, depicted in the previous lot, he also dedicated 6 years to acting as President of the Chelsea Society, a charity formed in 1927 with the aim of protecting and enhancing the amenities of that area of London £400-600 (+Fees*)

Lot 425

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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426.

(Frederick) Clifford Harrison (1901-1984) STILL LIFE WITH PLATES initialled and dated CH 1970 oil on card mounted to panel, 40cm x 100cm £400-600 (+Fees*)

427.

(Frederick) Clifford Harrison (1901-1984) STILL LIFE WITH DELFT PLATES initialled and dated CH 1970 oil on card mounted to panel, 37cm x 89.5cm £400-600 (+Fees*)

Lot 426

428.

(Frederick) Clifford Harrison (1901-1984) STILL LIFE WITH BRONZE FIGURE, GILT PHEASANTS AND PLATES initialled and dated CH 1975 oil on board, 60cm x 91cm £600-800 (+Fees*)

429.

(Frederick) Clifford Harrison (1901-1984) STILL LIFE WITH PLATES, JAR AND HORSES initialled and dated CH 1972 oil on board, 74cm x 99cm £600-800 (+Fees*)

Lot 428

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Lot 427

Lot 429

ARR – Some lots may be subject to an additional fee (see page 4)

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430.

Ronald Morgan (born 1936) THE CLEVELAND ORCHESTRA oil on board, 23.5cm x 30cm £80-120 (+Fees*)

431.

Monica Buchan (Contemporary) PALACE OF WESTMINSTER signed oil on canvas, 40cm x 50cm £40-60 (+Fees*) Lot 433

Lot 436

Lot 434

Lot 437

432.

Kazimierz Pacewicz (1895-1974) SNOWY LANDSCAPE signed Pacewicz lower right; artist’s name and address inscribed verso oil on canvas, 53cm x 64cm £80-120 (+Fees*)

433.

Harold Storey (1988-1965) SNOW IN THE VILLAGE, NEWTON MEARNS signed oil on canvas, 55.5cm x 76cm Provenance: Christies, 6 March 2003 Lot 167 £200-300 (+Fees*)

434.

Ernest Herbert Waydale (1886-1952) WINTER TOWNSCAPE signed oil on canvas, 40cm x 50cm £100-150 (+Fees*)

435.

20th Century MEDITERRANEAN FIELDS AND HOUSES indistinctly signed lower right oil on canvas, 38cm x 46cm £40-60 (+Fees*)

Lot 440

436.

T Oliver Elmes (1934-2011) NOVEMBER SNOW IN ESSEX signed with initials; inscribed to reverse oil on canvas, 32cm x 40cm Provenance: Chelsea Art Society £100-200 (+Fees*)

437.

20th Century RIDER IN FLOODED LANDSCAPE oil on board, 36cm x 46cm £80-120 (+Fees*)

Lot 439

438.

Arthur Somerscales (20th Century) AUGUST DAY, ASTON FERRY signed and dated ‘55; inscribed on the back oil on board, 30cm x 40cm £60-80 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

439.

J A Paul (20th Century) TEMPLE OF HATSHEPSUT, LUXOR signed and dated ‘93 oil on board, 30cm x 40cm Chelsea Art Society label to back £100-200 (+Fees*)

440.

20th Century SWIM-HEADED BARGES ON REGENT’S CANAL oil on board, 30cm x 40cm £40-60 (+Fees*)

Further images & information at www.chorleys.com

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Lot 441

Lot 442

Lot 447

Lot 445

Lot 443

441.

After Edward Seago SUFFOLK COTTAGES bears signature oil on board, 45cm x 42cm £200-300 (+Fees*)

442.

Eve Montgomery (1914-1975) TRENDY CHELSEA signed, inscribed with title to reverse oil on canvas, 45cm x 35cm £50-70 (+Fees*)

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443.

Anthony Eyton RA (born 1923) RAILWAY AT LONGTON signed lower right; inscribed with title and dated April 1956 verso oil on panel, 44cm x 34cm £200-300 (+Fees*) 444.

Alicia Frances Muspratt FOURTH WEEK OF SNOW signed, inscribed to reverse and dated 1947 oil on canvas, 30cm x 46cm £40-60 (+Fees*)

446.

Emily A Gregreen PORTRAIT OF A GENTLEMAN seated at his desk, possibly W B Yeats signed and indistinctly dated oil on board, 40cm x 27cm £150-200 (+Fees*)

447.

Arturo Zanieri (1870-1955) PORTRAIT OF SIGNORINA LINA BONOMI signed and inscribed with dedication and dated 1937 oil on board, 44cm x 29cm £80-120 (+Fees*)

448.

Nancy Bastin (20th Century) THAMESIDE WHARFS signed; inscribed on back of frame oil on panel, 26cm x 40cm £60-80 (+Fees*)

445.

Fred Cuming RA (born 1930) GOODS YARD, CHATHAM signed oil on board, 25cm x 38cm New Grafton Gallery label verso Provenance: Sydney Mason, 100 Park Lane, London £200-300 (+Fees*)

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 452

Lot 451

Lot 449

449.

George Edmund Butler (20th Century) ENCORE a ballerina on stage taking curtain calls artist’s label verso oil on board, 35cm x 27cm £100-200 (+Fees*) 450.

Bob Crossley (1912-2010) REFLECTIONS IN A POOL signed and dated ‘58 oil on board, 14cm x 29cm £40-60 (+Fees*) 451.

Amanda Cornish (Contemporary) LIFE CLASS signed oil on board, 30cm x 22cm £50-70 (+Fees*) 452.

Oliver Warman RBA ROI (born 1932) THE CHURCH inscribed verso oil on board, 14cm x 20cm Provenance: Chelsea Art Society £80-120 (+Fees*) 453.

Janette Kerr RSA RWA (Contemporary) AMONGST THE TREES inscribed verso oil on board, 15cm x 11cm Provenance: Anthony Hepworth Gallery together with a small autumn landscape by another hand £60-80 (+Fees*)

Lot 455 Lot 454

454.

David Louis Ghilchik (1892-1970) END OF THE DAY (STAVELY COAL AND IRON WORKS) signed and inscribed oil on canvas, 50cm x 60cm £100-150 (+Fees*) 455.

Trevor Chamberlain ROI RSMA (born 1933) WINTER SUN signed oil on board, 24cm x 14cm £100-150 (+Fees*) 456.

Prue Sapp COUNTRY COFFEE SHOP signed; Chelsea Art Society label oil on board, 20cm x 25cm £60-80 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 457 457.

Elizabeth Purkis NEW SNOW IN A GARDEN inscribed verso on a Chelsea Art Society label verso oil on board, 30cm x 25cm £60-80 (+Fees*)

Further images & information at www.chorleys.com

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Lot 461

Lot 466 460.

N Mashman (20th Century) BRIDGE ON THE ROTHER signed; titled on plaque and dated 1978 oil on board, 13cm x 19cm £40-60 (+Fees*) 461.

Michael B Edwards (1939-2009) HARBOUR SCENE, PADSTOW signed oil on panel, 35cm x 48.25cm £80-120 (+Fees*) Lot 462 458.

20th Century WINTER LANDSCAPE indistinctly signed and dated ‘50 oil on board, 23cm x 33cm £40-60 (+Fees*) 459.

20th Century COUNTRY SCENE IN WINTER indistinctly signed oil on board, 22cm x 28cm and another Winter Landscape (2) £80-120 (+Fees*)

462.

Michael B Edwards (1939-2009) POLPERRO signed oil on panel, 42.5cm x 43cm £80-120 (+Fees*) 463.

Armand Rottenberg (1903-2000) ABSTRACT indistinctly signed oil on board, 65.5cm x 54cm unframed £80-100 (+Fees*)

Lot 467 464.

Robert Somerton (born 1972) ABSTRACT IN BLUE AND WHITE studio stamp verso oil on canvas, 60.5cm x 46cm £70-90 (+Fees*) 465.

John Alford (born 1929) SCILLONIAN COMING BACK FROM SCILLY ISLES oil on board, 26cm x 82cm £200-300 (+Fees*) 466.

John Alford (born 1929) KRUZENSHTERN AMONG THE TALL SHIPS AT FALMOUTH oil on board, 28cm x 29cm £100-150 (+Fees*) 467.

Peter Keil (born 1942) HEADS signed and dated 59 oil on board, 72cm x 52cm £100-150 (+Fees*)

Lot 465

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Lot 471

Lot 472

Lot 475

468.

Per Sonne (1906-1996) LANDSCAPE WITH WINDMILL oil on canvas, 59.5cm x 72.5cm and Shtuer Neilsen (?)

BORNHOLM ISLAND oil on canvas, 39cm x 49cm [2] £80-120 (+Fees*) 469.

A Andersen (20th Century) STILL LIFE WITH VEGETABLES oil on canvas, 31.5cm x 48cm £40-60 (+Fees*) 470.

Zdenek Nemastil (1879-1942) WINTER LANDSCAPE oil on board, 33.5cm x 49.5cm £40-60 (+Fees*)

Lot 473

Lot 476 472.

John Neale (Contemporary) VIEW OF SALCOMBE oil on board, 23cm x 36cm £100-150 (+Fees*)

475.

Béla Vidovsky (1883-1973) LANDSCAPE WITH BUILDINGS oil on card, 63cm x 70.5cm £180-220 (+Fees*)

473.

Ann Patrick (born 1937) THE WALLED GARDEN signed lower right oil on canvas, 75cm x 96cm £300-500 (+Fees*)

476.

Oliver Heywood (1920-1992) YELLOWHAMMER AND MAY BLOSSOM ABOVE ELCOMBE signed and dated oil on canvas, 44.5cm x 75cm £300 – 500

474.

Malcolm Fryer (born 1937) ABSTRACT LANDSCAPES four oils mounted as one, each 12cm x 15cm £30-40 (+Fees*)

471.

John Neale (Contemporary) MOUSEHOLE oil on canvas, 44cm x 75cm £80-120 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Drawings & Watercolours 480.

20th Century FIGURE WITH ROSES signed, inscribed and dated watercolour and pencil, 69cm x 55.5cm £30-40 (+Fees*) 481.

Donald Morison Buyers (1930-2003) CANISP AND SULIVEN signed and dated ‘90 lower right watercolour, 52cm x 69cm £200-300 (+Fees*) 482.

James Powell & Sons, Whitefriars Glass Works, London EC STAINED GLASS WINDOW DESIGN scale drawing for the North side of the nave at St John-Lee Parish Church, Hexham pen, ink and watercolour, 32.5cm x 26cm, unframed £100-150 (+Fees*) 483.

James Powell & Sons, Whitefriars Ltd, 100 Wigmore St, W1 STAINED GLASS WINDOW DESIGN scale drawing for the South side of the nave of St Mary’s Church, Tadcaster pen, ink and watercolour, 37cm x 29cm, unframed £100-150 (+Fees*) 484.

Michele Katz (born 1936) PARIS, ABSTRACT signed and inscribed 9311 monochrome watercolour, 30cm x 21cm £60-80 (+Fees*) 485.

Ian Norbury (born 1948) SLAVE GIRL design for a wood sculpture created and exhibited in 1988 signed lower left red chalk drawing highlighted with white, 40cm x 29cm £40-60 (+Fees*) 486.

Jenny Devereux (born 1945) SHRIMPS ON A PATTERNED PLATE watercolour, 56cm x 76cm Provenance: purchased directly from artist £200-300 (+Fees*)

Lot 482

Lot 483

Lot 486

Lot 487

487.

Charles Breaker (1906-1985) THE BONNIE LASS inscribed verso Charles Breaker watercolour, 19cm x 24.5cm £80-120 (+Fees*) 488.

Charles Breaker (1906-1985) NEWLYN FISHING BOAT signed lower left; inscribed and artist’s studio label verso watercolour, 18cm x 24.5cm £80-120 (+Fees*)

Lot 488

489.

Andrew Waddington (born 1960) SATURNALIA signed and dated 20.XII.89/01/1990 watercolour and gouache, 56cm x 69cm £200-300 (+Fees*)

Lot 489 80

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497

Lot 490 Lot 492

495 492.

Adrian Ryan (1920-1988) NORMANDY LANDSCAPE signed lower right Ryan; dated upper left March 15 ‘64, further inscribed throughout with artist’s colour notes pencil and watercolour, 20cm x 25.5cm £100-200 (+Fees*) 491

490.

Rowland Suddaby (1920-1973) ESSEX FARM signed and dated lower right R. Suddaby ‘47 watercolour, 37cm x 54.5cm Provenance: Mrs Claude Furneaux; Redfern Gallery (labels verso) Note: the house depicted bears a resemblance to “Farm at Bulmer Tye”, painted by Suddaby in 1940 as part of the ‘Recording Britain Collection’ and now in the V&A. £200-300 (+Fees*) 491.

Adrian Ryan (1920-1988) PARIS STREET signed lower right Ryan mixed media on newspaper, 29cm x 20cm £80-120 (+Fees*)

493.

Evan Ivory (1931-2018) CASTLE RUINS signed and dated lower left Evan Ivory ‘75 watercolour, 50cm x 68.5cm £30-40 (+Fees*) 494.

20th Century FIGURE STUDIES group of 10 large drawings in charcoal, chalk etc some bearing 1980s dates or signed Fry mixed media on paper, approximately 63.5cm x 89.5cm and smaller £40-60 (+Fees*) 495.

Oliver Heywood (1920-1992) ISLE OF EIGG, FIGURE ON THE SHORE signed lower left, titled on label verso gouache, 23cm x 38cm £150-250 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 499 496.

J W Wells LIZ PUTTING HER HAIR UP initialled; signed and dated 1998 verso acrylic, gouache and watercolour, 73cm x 53cm Exhibited: Singer & Friedlander Sunday Times Watercolour Competition 1999 £30-40 (+Fees*) 497.

Peter Newcombe (born 1943) COUNTRY LANDSCAPE IN SNOW signed and dated 1972 watercolour, 54.5cm x 90cm £300-500 (+Fees*) 498.

Donald Wells (1929-2014) GEOMETRIC COMPOSITION IN BLUE, YELLOW AND RED signed and dated verso Wells ‘63 gouache on paper, 35.5cm x 28.5cm £300-400 (+Fees*) 499.

Andrew Hemingway (born 1955) CAT ON VELVET signed, label verso pastel, 24.75cm x 24.75cm £400-600 (+Fees*)

Further images & information at www.chorleys.com

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Lot 500 500.

James Lynch (born 1956) TAMWORTH BOAR signed, dated 1983, inscribed on label verso egg tempera, 38cm x 55cm £1000-2000 (+Fees*)

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501.

Winston Barnett (Contemporary) THROUGH A WINDOW 2 monogrammed and dated lower right watercolour, oil and pencil, 35cm x 24cm, mounted, unframed and Robert Miller (British 1910-1993) TREES, ROAD AND TELEGRAPH POLE watercolour, 28.5cm x 40cm, mounted, unframed £60-80 (+Fees*) 502.

Clive Barker (born 1940) SMALL DOG signed lower right watercolour, 22.5cm x 34cm, mounted, unframed and Marian Molotrikoff WALKIES signed and dated ‘09 and titled verso mixed media plaque, with rope border embellished with zips and chains, approximately 28cm wide [2] £80-120 (+Fees*)

Lot 503

503.

Michael Gibbison (born 1937) CHANGING THE GUARD signed lower right watercolour, 18.5cm x 14.5cm and THE JAZZ BAND watercolour with gilt highlights, 33cm x 26cm both unframed [2] £80-120 (+Fees*) 504.

Michael Gibbison (born 1937) TWO LADIES watercolour, 16cm x 18.5cm THE SOLDIER watercolour, 53.5cm x 37cm and GIRL ON A CHAIR pencil and crayon, 15.25cm x 13.5cm all signed; unframed [3] £40-60 (+Fees*) 505.

Gerald Gardiner (1902-1959) COTSWOLD FARM IN SPRING initialled and dated lower left GG 1955 pastel, 35.5cm x 28cm £100-150 (+Fees*)

Lot 508

506.

Val Brown (Contemporary) THE FLOWER MARKET IN VENICE signed and artist’s label verso pastel, 22.5cm x 31cm and a 20th Century pastel drawing of a reclining lady, 30.5cm x 20.5cm £60-80 (+Fees*) 507.

20th Century FIGURE STUDY signed indistinctly and dated ‘90 pastel, 29cm x 39cm £40-60 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

508.

Victoria Cassidy (born 1965) RETREAT signed watercolour, 103cm x 65cm Provenance: Compass Gallery; Exhibited Bath Art Fair 1990 Note: Victoria Cassidy studied at Glasgow School of Art. Her delicate mixed media artwork combines a fascination with Islamic patterns with figurative elements and text. £80-120 (+Fees*)

Further images & information at www.chorleys.com

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Leslie Duxbury (1921-2001) Artist, teacher and writer, Leslie Duxbury’s early years were spent in Lancashire where he studied at Accrington School of Art. Initially his sketches and paintings focussed on scenes of working class life, capturing the characters of his childhood from care-worn miner’s widows to farmers and pigeon fanciers in the style of the Kitchen Sink School whose more famous members included John Bratby and Derrick Greaves. Duxbury gained a place at the Royal College of Art and, after serving in the RAF, he settled in London with his wife and family. A holiday cottage in Dyfed, southwest Wales, provided the opportunity for endless walks and the source of inspiration for landscape painting.

In later years, he concentrated his interest in etching and he created an impressive portfolio, including the following Lots 509-515, and Lots 579-589, which come to the market directly from his estate.

Lot 510 Lot 509

509.

Leslie Duxbury (1921-2001) LANCASHIRE CHARACTERS six black crayon sketches, various sizes, 42cm x 29cm and smaller unframed (6) £50-70 (+Fees*) 510.

Leslie Duxbury (1921-2001) STUDIES OF A YOUNG BOY AND YOUNG GIRL two watercolour sketches, 38cm x 28cm and 37.5cm x 25.5cm unframed [2] £30-50 (+Fees*) 511.

Leslie Duxbury (1921-2001) STREET PROTEST OUTSIDE THE MIDLAND BANK black crayon sketch, 51cm x 38cm unframed £20-30 (+Fees*)

Lot 511

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Lot 514

Lot 512 512.

Leslie Duxbury (1921-2001) LANCASHIRE CHARACTERS four black crayon sketches, various sizes, 52cm x 38cm and smaller unframed [4] £40-60 (+Fees*) 513.

Leslie Duxbury (1921-2001) FLOWER STUDIES watercolour on artist’s notepaper, 25cm x 17.75cm unframed [4] £40-60 (+Fees*)

Lot 515 514.

Leslie Duxbury (1921-2001) THE BATHER watercolour, 28cm x 51cm unframed £60-80 (+Fees*)

515.

Leslie Duxbury (1921-2001) WELSH FARMHOUSE watercolour, 17cm x 23cm BACK GARDEN watercolour, 23.5cm x 18.5cm and BLACK MOUNTAINS LANDSCAPE watercolour, 18cm x 22.5cm unframed [3] £60-80 (+Fees*)

Lot 513

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 516

Lot 518

Lot 519

516.

20th Century LANDSCAPE WITH FIELD AND TREE-LINED ROAD Watercolour, 55cm x 80cm, Framed Provenance: Eva Chadwick Estate £40-60 (+Fees*)

517.

Jean Woodward (Contemporary) BATHTIME WITH THE DOG set of four humorous scenes signed and dated 1982 watercolour, 17cm x 24cm [4] £20-30 (+Fees*)

518.

John Beer (1883-1915) HURST PARK CHAMPION HURDLE HANDICAP signed watercolour, 26cm x 36.5cm £80-120 (+Fees*)

519.

Carel Weight (1907-1997) WELSH LANDSCAPE watercolour, 25cm x 35cm £150-200 (+Fees*)

520.

Frank Lishman (1869-1938) DUOMO, FLORENCE series of three views including street scenes and interior each signed and dated 1908 pencil and watercolour, the largest 43.5cm x 32.25cm £400-600 (+Fees*)

521.

Sydney Arrobus (1901-1990) HAMPSTEAD HEATH signed and inscribed ink and watercolour, 29cm x 45.5cm Provenance: artist’s studio label to backboard inscribed no. 934 £100-150 (+Fees*)

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Lot 520

Lot 521

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Lot 522

Lot 523

522.

Fiona Owen (Contemporary) A BALLAD TO THE BRIGHTENING MOON, RAVENNA Italian moonlit landscape, within intricate border of micro mosaic painted and gilded mystical animals signed, exhibition label verso tempera on panel, 18.5cm x 33cm Note: Fiona Owen is a Cotswold based artist who paints in the medieval illuminated manuscript style £200-300 (+Fees*)

525.

20th Century ST PAULS AND CITY FROM SOUTH BANK watercolour, 24cm x 58cm J M Halliday THE THAMES AT BANKSIDE signed in pencil and dated 1976, limited edition 9/40 print, 19cm x 54cm and David Gentleman (British, born 1930) ARCHITECTURAL STUDY colour print, 57cm x 44cm [3] £80-120 (+Fees*)

523.

Edith Payne (1875-1959) HEARTSEASE AND SNAILS signed lower right watercolour, 12.5cm x 18.5cm together with a copy of the catalogue for an exhibition of this artist’s work, held at Birmingham Museum and Art Gallery, 1979 Note: Edith Payne (nee Gere) was the sister of Margaret Gere and Charles March Gere who, together with Arthur and Georgina Gaskin, Barnard Sleigh, Joseph Southall and others, formed a loose association of artist-craftsmen who became known as the Birmingham Group. Edith and her husband Henry Payne, an artist who became known for his stained glass window designs, settled in Amberley, near Stroud, Gloucestershire, the heartlands of the Cotswold Arts & Crafts movement see illustration £100-150 (+Fees*)

526.

N Pearse LILIES signed lower right watercolour, 49.5cm x 39cm £40-60 (+Fees*)

527.

20th Century ARLINGTON ROW, BIBURY signed indistinctly and dated 1954 watercolour, 37cm x 46cm £80-120 (+Fees*) 528.

Balinese School, 20th Century FISHERMAN PULLING IN THE NETS signed indistinctly lower right watercolour, paper size 37.5cm x 29cm and a modern acrylic painting of three Chinese girls, unframed £20-30 (+Fees*) 529.

Gerald Gardiner RWA (1902-1959) DORSET COASTAL VIEW inscribed to label verso Near St Aldhelm’s Head, looking towards Worth Matravers, Dorset initialled and dated lower left GG August 1938 gouache, 30cm x 36.5cm £150-250 (+Fees*)

524.

William Strang (1859-1921) SEVEN PENCIL SKETCHES CONTAINED IN A FOLIO to include male and female nudes and two period bust portraits some dated, various sizes £300-400 (+Fees*) Lot 526

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 529

Further images & information at www.chorleys.com

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530.

Madge Gill (1882-1961) FIGURAL AND ABSTRACT SKETCHES pen and ink on postcards, 14cm x 9cm [4] Note: Madge Gill was an English Outsider and mediumistic artist.

Introduced to spiritualism by her aunt, Gill’s artistic talents extended to drawing, writing, knitting and piano playing, under the influence of her spirit-guide ‘Myrninerest’. Her principal medium became ink-drawing, executed on postcards, sheets of paper or card, and long rolls of untreated calico cloth.

Her designs have an almost hallucinatory quality, often with the outline of women’s faces floating in quasi-architectural spaces. £80-120 (+Fees*)

Lot 530 531.

Ian Pollock (born 1975) SELF PORTRAIT WITH ALCOHOLIC a tribute to dossers monogrammed watercolour and body colour, 55cm x 37cm Provenance: The Thumb Gallery £100-150 (+Fees*)

536.

(Richard) Berkeley Sutcliffe (1918-1979) THE GUARDS SAW NO ONE BUT A GIRL IN RAGS scene from Cinderella watercolour with gouache, 26cm x 20cm Provenance: Arthur Jeffress, Davis Street; sold at Holloways, Banbury, June 27 2001, Lot 140 £60-80 (+Fees*)

532.

Alfred East (1849-1913) COUNTRY LANDSCAPE, POSSIBLY SPAIN with figures on a path near white cottages signed and indistinctly inscribed lower left, dedicated to right ‘To Miss Fenwick, Best Wishes from Alfred East’ watercolour, 13.5cm x 19cm £100-150 (+Fees*)

533.

No lot

537.

(Richard) Berkeley Sutcliffe (1918-1979) HUNGARIAN HUSSAR COSTUME DESIGN for The Land of Smiles, an opera by Franz Lehar signed and inscribed pen, ink and watercolour, 36cm x 25cm Provenance: Wright Hepburn Gallery £40-60 (+Fees*)

Lot 531

534.

Bernard Arnold (1893-1985) MORNING MOON watercolour, 21cm x 29cm £30-50 (+Fees*)

535.

Tabou et Cie (1950s) YOUNG WOMEN FIGHTING IN THE STREET watercolour with bodycolour, 25cm x 21.5cm and sundry other pictures £30-40 (+Fees*)

Lot 535 88

Lot 536

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Lot 539

Lot 541

538.

Kenneth Rowell (1920-1999) SKETCH OF SET BUILDING signed upper right mixed media, 22cm x 32cm £40-60 (+Fees*)

543.

Jan Wright (20th Century) COSTUME DESIGN signed mixed media, 73cm x 54cm £40-60 (+Fees*)

539.

Maggi Hambling (born 1945) STUDY FROM LIFE, ARMS RAISED signed and dated 87 pencil, 30cm x 19cm Provenance: Serpentine Gallery, 1987 £200-300 (+Fees*)

544.

Enid Dynes (20th Century) MORNING, SOUTHWARK BANKSIDE signed; label verso with title and dated 1960 watercolour, 34cm x 24cm £40-60 (+Fees*)

Lot 542 545.

James Durden (1878-1964) ELEGANT YOUNG LADY AT THE PIANO signed watercolour and bodycolour, 22cm x 14cm together with a watercolour of a Lady at Tea, indistinctly signed and dated Aug ‘75, 23cm x 17cm [2] £80-120 (+Fees*)

540.

William Brown MacDougall (1868-1936) HOUSE IN THE TREES signed and dated 1909 watercolour, 35cm x 21cm £40-60 (+Fees*) 541.

Attributed to Raoul Millais (1901-1999) DON QUIXOTE signed with initials black chalk, 34cm x 20cm £100-200 (+Fees*) 542.

Winifred Fontana (early 20th Century) SELF PORTRAIT inscribed verso watercolour, 23cm x 20cm Note: Winifred Fontana was the wife of the British Consul in Aleppo. She became a close friend of T.E.Lawrence (Lawrence of Arabia) and there are numerous records of letters between them. £60-80 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 544

Lot 545 (part}

Further images & information at www.chorleys.com

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Lot 546 546.

Pearl Binder, Lady Elwyn-Jones (1904-1990) MOTHER AND CHILDREN signed and dated 1969 mixed media collage, 70cm x 52cm £200-300 (+Fees*)

Lot 549

547.

Carolyn Horton (Contemporary) FIGURES SEATED IN CIRCUS RING watercolour, 21cm x 29.5cm £40-60 (+Fees*) 548.

Ubud School (Dvl Md Bavaria, Ubud Bah) AT THE FRUIT MARKET monochrome tempera on canvas, 84cm x 127cm Provenance: Little Sodbury Manor, Property from the Estate of Lady Killearn £80-120 (+Fees*) 549.

Dewa Putu Bedil (1921-1999) PREPARING THE FEAST tempera on canvas, 94.5cm x 124cm Provenance: Little Sodbury Manor, Property from the Estate of Lady Killearn £600-800 (+Fees*) 550.

Dewa Putu Bedil (1921-1999) MARKET SCENE tempera on canvas, 64cm x 44cm Provenance: Little Sodbury Manor, Property from the Estate of Lady Killearn £200 – 300

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Lot 550

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Prints, Books & Ephemera 560.

David Bowie, Sotheby’s Auction Catalogue, November 2016, three volume set in slip case and original packaging, mint and unused condition £80-120 (+Fees*) 561.

After Pablo Picasso (1881-1973) ALCEANDO A UN TORO (LANCING A BULL) signed in pencil, titled and inscribed No.1; with gallery stamp in red aquatint, 20cm x 22.25cm Note: this is one of 26 plates designed by Picasso for La Tauromaquia, published in 1959 £150-250 (+Fees*) 562.

After Marc Chagall (1887-1985) PRINTEMPS (SPRING) lithograph in colours, 34.5cm x 25.5cm £100-150 (+Fees*) 563.

Pablo Picasso (1881-1973) ILLUSTRATED TITLE PAGE LITHOGRAPH FOR LE PERE GORIOT BY HONORE DE BALZAC signed and dated 25.11.52 within plate still bound within the book, complete with justification page, numbered 2203/3000, in a slipcase produced for a series of titles ‘Grand Prix Des Meilleurs Romans du XIXe Siecle’, published by Andre Sauret £200-300 (+Fees*) 564.

Pablo Picasso (1881-1973) PICASSO PINTURAS, ABRIL 1961, SALA GASPAR exhibition catalogue, unnumbered edition containing 72 black and white reproductions of Picasso’s works, the printed colour cover signed to the front in pencil ‘Picasso’ £300-500 (+Fees*) 565.

Miriam Macgregor SWE (born 1935) COTSWOLD DAYS signed and inscribed in pencil, 10cm x 11cm and four other unframed wood engravings [5] £60-80 (+Fees*) 566.

Hilary Whyard (Contemporary) REMEMBER CHERNOBYL signed and titled in pencil wood engraving, image 13cm x 9.5cm and another £50-70 (+Fees*)

Lot 561

567.

Pamela Hughes (Contemporary) SUFFOLK FARMYARD signed, titled and numbered 1/45 in pencil wood engraving, image 10cm x 12.5cm and WINTER DAY signed, titled and numbered 1/45 wood engraving, image 10cm x 10cm [2] £40-60 (+Fees*)

Lot 562

568.

John Lawrence (born 1933) CELEBRATION to mark 50 years of the Voyage of HMS Boxwood, The Engraver’s Ark signed and inscribed, artist’s proof wood engraving, 33.5cm x 25.5cm £80-120 (+Fees*) 569.

David Gentleman (born 1930) SKIPPING O’ER THE GRAVES signed wood engraving, 8cm x 9.5cm and Howard Phipps SELBORNE CHESIL BEACH IN FEBRUARY both signed and dated wood engravings [3] £60-80 (+Fees*)

Lot 572

570.

Miriam Macgregor SWE (born 1935) RURAL SCENES signed three wood engravings, 10cm x 14cm [3] £60-80 (+Fees*)

572.

Manja Scott (born 1945) BLUE TREES, 4/12 HILLS AND TREES, 3/14 DARK LANDSCAPE, 7/25 each signed and dated 2009 limited edition prints, image size 30.5cm x 30.5cm and smaller mounted but unframed [3] £150-250 (+Fees*)

571.

Miriam Macgregor SWE (born 1935) WOMAN’S WORK signed wood engraving, 15cm x 20cm and another [2] £40-50 (+Fees*)

573.

Wendy McBride (Contemporary) EMERALD WATERS I AND II both signed in pencil and numbered 200/350 colour print, image size 32cm x 36cm [2] £50-80 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 575

Lot 577 Lot 578 574.

Michael Fairclough (born 1940) STACKPOLE, DYFED signed in pencil and numbered 186//350 aquatint, image 29.5cm x 39cm and SHORELINE I NEWGATE SANDS signed in pencil and numbered 21/75 inscribed verso RA Summer Exhibition May 1982 Cat No. 981 aquatint, image 21cm x 27cm [2] £80-120 (+Fees*) 575.

Elizabeth Frink RA (1930-1993) MAN (1986) signed in pencil and numbered 42/100 etching, aquatint on wove paper, 30cm x 27.5cm £300-500 (+Fees*)

576.

Elisabeth Frink RA (1930-1993) SPINNING MAN II (WISEMAN 3) 1965 signed and dated Frink 65 and inscribed Artists Proof in pencil lithograph, 58cm x 86cm Provenance: The Collection of Laurie Lee; sold at Chorley’s 16 May 2013, lot 241 £400-600 (+Fees*) 577.

Mila Furstova (Contemporary) TREES signed and dated 2006 etching and collage, 45cm x 33cm Provenance: Martins Gallery, Cheltenham £100-200 (+Fees*)

578.

Opera/Music Posters: Hermann Nitsch HERODIADE poster for the Vienna State Opera production 1994/5 signed and numbered 88/500 lithographic poster, 83cm x 58cm After Ed Mell (born 1942) RECEDING LIGHT, GRAND CANYON for Grand Canyon Music Festival, 2001 poster size 61cm x 91.5cm and After Georgia O’Keefe SUNFLOWER, NEW MEXICO I, 1935 for Santa Fe Chamber Music Festival poster size 86cm x 58cm Note: Hermann Nitsch was one of the most important artists of the Actionist movement in Vienna and combined his expressionist style of painting with dramatic theatrical performances. [3] £80-120 (+Fees*)

Lot 576

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Leslie Duxbury (1921-2001) The following lots have come directly from the artist’s estate, as well as Lots 509-515 where some biographical information can be found (page 84).

Lot 580 (part) Lot 579 (part)

Lot 581 (part)

Lot 583 (part)

Lot 582 579.

Leslie Duxbury (1921-2001) THE PARISH SCHOOL signed, inscribed and numbered 1/50 coloured etching, plate size 16.5cm x26cm LLANSADWRN CHURCH etching, plate size 20.5cm x 29.5cm WELSH COTTAGE etching, plate size 20.5cm x 24cm unframed [3] £50-70 (+Fees*) 580.

Leslie Duxbury (1921-2001) THE BATHER etching, plate size 12.5cm x 32cm and MOLLY ON THE SHORE colour screenprint, sheet size 50.75cm x 75.5cm both unframed [2] £40-60 (+Fees*) 581.

Leslie Duxbury (1921-2001) VIEW OF AMMANFORD etching, plate size 30cm x 45cm and BACK OF HOUSES, LLANDOVERY etching, plate size 25cm x 40cm unframed [2] £30-50 (+Fees*)

Lot 584 (part)

582.

Leslie Duxbury (1921-2001) FARMHOUSE IN WINTER etching, plate size 23cm x 26.5cm unframed £40-60 (+Fees*) 583.

Leslie Duxbury (1921-2001) BRECONSHIRE FARMHOUSE coloured etching, plate size 23.75cm x 29.5cm and LLWYN CELYN etching, plate size 23.5cm x 23.5cm unframed [2] £40-60 (+Fees*) 584.

Leslie Duxbury (1921-2001) OUT OF TOWN etching, plate size 12cm x 19cm VIEW FROM A GATE etching, plate size 12cm x 16cm and VIEW OVER LLANSADWRN etching, plate size 12cm x 17.5cm unframed [3] £30-50 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 585

585.

Leslie Duxbury (1921-2001) FLOODED PASTURE, LLANDOVERY signed in pencil, inscribed with title and A/P coloured etching, plate size 28.75cm x 41cm unframed £40-60 (+Fees*)

Further images & information at www.chorleys.com

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586.

Leslie Duxbury (1921-2001) MUSIC LESSON signed in pencil, inscribed with title and A/P etching, plate size 10.25cm x 8.5cm LEVON CHILINGIRIAN signed in pencil, inscribed with title and A/P etching, plate size 15cm x 10cm CELLIST etching, plate size 11.5cm x 7.5cm and PIANIST etching, plate size 17.5cm x 10.5cm unframed [4] Note: After retirement from teaching at Kingston-upon-Thames School of Art, Leslie Duxbury often frequented lunchtime concerts around London, sketching the musicians including noted violinist and Royal Academy professor Levon Chilingirian £40-60 (+Fees*)

Lot 586 (part)

Lot 587 (part)

Lot 588 (part)

Lot 589 (part)

587.

Leslie Duxbury (1921-2001) WELSH FARMHOUSE two signed in pencil and inscribed with title and A/P four coloured etchings, plate size 27cm x 31.5cm unframed [4] £60-80 (+Fees*) 588.

Leslie Duxbury (1921-2001) PARK LODGE FARM four coloured etchings, plate size 31cm x 35cm unframed [4] £60-80 (+Fees*) 589.

Leslie Duxbury (1921-2001) THE MILL HOUSE four coloured etchings, plate size 24.75cm x 32.5cm unframed [4] £60-80 (+Fees*) 590.

Gorinder Nazran (1964-2008) PASSION limited edition I 2/95, titled, signed and numbered in margin coloured screenprint, image 57cm x 71cm, Washington Green certificate verso, unframed £60-80 (+Fees*)

94

591.

Art/Movie Posters AMELIE Japanese edition of the advertisement for the film starring Audrey Tautou, 104cm x 72cm, framed, a poster detailing Oscar winner film posters 1927-1997, dated 1998, 105cm x 71.5cm, framed, and Le Picnic by Lee Miller, poster print of the classic photograph depicting Man Ray and friends [3] Provenance: Eva Chadwick estate £40-60 (+Fees*) 592.

Abigail Fallis (born 1968) BIRD PERCHED ON FOUR BOOKS abstract photographic print, image 39.5cm x 30cm Provenance: Eva Chadwick estate Note: Abigail Fallis has exhibited her work widely, including at Pangolin. She creates sculpture and artwork often from recycled materials, influenced by surrealists of the past and a modern day environmentalism. £40-60 (+Fees*)

593.

David Murray (Contemporary) FROSTY MORNING, WATERLANE label verso, titled, signed and dated 2004, sepia and iron-blue toned silver print photographic print, 29.5cm x 40.5cm together with a watercolour of a tree, 32.5cm x 22.5cm Provenance: Eva Chadwick estate [2] £30-40 (+Fees*) 594.

20th Century GIRL AND REFLECTION IN MIRROR mixed media, 17cm high x 37.5cm wide x 8cm deep, in box frame Provenance: Eva Chadwick estate £30-40 (+Fees*) 595.

Gillian E Hoare MONKSFIELD AND SEA PIGEON CHAMPION HURDLE 1979 signed Jonjo O’Neill and G E Hoare limited edition 66/300 print, 45cm x 60cm £30 – 40

ARR – Some lots may be subject to an additional fee (see page 4)

Chorleys October 2020 pages.qxp_Chorleys 12/10/2020 16:32 Page 95

596.

Rob & Nick Carter (Contemporary) LIGHT DRAWING BLUE cibachrome photograph on aluminium, 75cm x 255.5cm in a glazed box frame, 95cm x 275.5cm £1000-2000 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 597

Lot 598

Lot 599 597.

John Brunsdon (1933-2014) HELMSLEY HERITAGE ‘ROUND THE RYE’ signed and numbered 108/200 coloured etching, 63cm x 47.5cm £80-120 (+Fees*) 598.

John Piper (1903-1992) THORNTON ABBEY GATEWAY (LEVINSON 395) signed limited edition 11/70 screenprint, image 45.5cm x 60cm Provenance: Oxford Gallery, JP/No 20 Thornton Abbey A0531 £500-700 (+Fees*) 599.

Robert Tavener (1920-2004) SALISBURY CATHEDRAL (NO. 7) signed and dated ‘71, limited edition 16/50 lithograph, 41cm x 58cm £80-120 (+Fees*)

96

Lot 600 600.

Richard Beer (1928-2017) WADHAM COLLEGE, OXFORD signed, limited edition 1/100 colour etching, 60cm x 41cm £60-80 (+Fees*)

Lot 601 601.

John Brunsdon (1933-2014) WELSH ESTUARY signed coloured etching, 60cm x 45cm £80-120 (+Fees*)

ARR – Some lots may be subject to an additional fee (see page 4)

Chorleys October 2020 pages.qxp_Chorleys 12/10/2020 16:32 Page 97

Lot 604 Lot 602

602.

John Nash (1893-1977) THE CORNFIELD colour lithograph, 47cm x 51cm £80-120 (+Fees*) 603.

After Henry George Gawthorn (1879-1941) KNARESBOROUGH, IT’S QUICKER BY RAIL lithographic poster, 29cm x 37.5cm and two others, the Coronation and a map [3] £60-80 (+Fees*) 604.

John Piper (1903-1992) DORCHESTER ABBEY offset lithograph in colours, 56cm x 76cm Note: unnumbered edition, published to raise funds for Dorchester Abbey £100-150 (+Fees*) 605.

Beatles Interest: a quantity of LPs, comprising: With The Beatles: Second Pressing (with misspelled "You Really Gotta Hold on Me" on sleeve) Please Please Me: Third Pressing Songs from the film "Help!": First Pressing 1965, with 'Northern Songs, NCB' below The Beatles on side 1 Revolver: Second Pressing Sgt. Pepper's Lonely Hearts Club Band: First Pressing, with red inner sleeve and Peter Blake cut-outs insert Magical Mystery Tour 7" Abbey Road: First Pressing The White Album: First Pressing, No. 0023057 Let It Be: First Pressing £40-60 (+Fees*)

Lot 603 (part) 606.

Beatles Interest: The Beatles, The White Album, UK First Pressing, November 22nd, 1968, No. 0315393, with black sleeves, John Kelly colour portraits and Richard Hamilton collage poster £50-80 (+Fees*)

607.

Jean Lurcat (1892-1966) PAYSAGE - LE PIRATE (CIRCA 1953) signed and numbered 77/200 lithograph in colours, 31cm x 45.5cm Provenance: label verso for William Weston Gallery and stamp for Pecci-Blunt Collection £40-60 (+Fees*)

608.

Gerald Leslie Brockhurst (1890-1978) CHIQUITA (1923/4) signed in pencil etching, 16.5cm x 13.25cm Brockhurst attended Birmingham School of Art, winning prizes which enabled him to travel widely in Europe, where he studied and was influenced by the works of the Renaissance artists.

His early portraits were often modelled on his wife, but he soon gained prominence as a portrait painter of important society figures including the Duchess of Windsor. His fame grew when he moved to New York in 1939, and in 1951 he was elected into the National Academy of Design. £150-250 (+Fees*)

609.

Gerald Leslie Brockhurst (1890-1978) GENEVIEVE (1922) signed in pencil etching, 20cm x 15cm £100-150 (+Fees*)

Lot 606

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 610

610.

Edward Leslie Badham (1873-1944) STILL LIFE WITH VIOLIN ink drawing, 9.5cm x 9.5cm £30-50 (+Fees*)

611.

Elisabeth Frink RA (1930-1993) GANYMEDE from the series Children of the Gods, 1988 signed in pencil and numbered 40/70 etching with aquatint, 56cm x 39cm £300-500 (+Fees*)

Lot 613

612.

Enrico Baj (1924-2003) ABSTRACT PORTRAIT signed artist’s proof screenprint, 40cm x 33.5cm £50-70 (+Fees*)

613.

John Rattenbury Skeaping (1901-1980) PLAYFUL HORSES signed and dated '34 lithograph, 26cm x 27cm and Tory Lawrence RACEHORSES EXERCISING AT DAWN limited edition print 2/50, the image 7.5cm x 10cm [2] £100-150 (+Fees*)

Lot 614

614.

Pearl Binder, Lady Elwyn-Jones (1904-1990) IMMIGRANTS signed in pencil and dated 1958 and inscribed with a dedication ‘For Bill with love from Polly’, artist’s proof lithograph, 30cm x 40cm £60-80 (+Fees*)

615.

Pearl Binder, Lady Elwyn-Jones (1904-1990) FOLIO OF WORK, CONTAINING: Costume Design, 57cm x 39cm; Ponhaten, costume design, signed and dated 1970, inscribed with a dedication to Bill from Polly, artist’s proof lithograph, 57cm x 39cm; Costume Design for the Countess of Arundel, signed and inscribed, watercolour, 36cm x 25cm; Costume Design, dated 1964 and inscribed for Bill from Polly, watercolour, 22cm x 30cm; Prompt Corner, Adelphi Theatre, signed and dated 1933, lithograph, 27cm x 18cm; Miss Nellie Wallis, signed and dated 1933, lithograph, 27cm x 18cm; Balieff, signed and dated 1933, lithograph, 27cm x 18cm [7] £100-200 (+Fees*)

Lot 611 98

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 616

616.

Beatles Interest: a framed montage including autographs of all four Beatles, photographs and a copy of Sergeant Pepper’s Lonely Hearts Club Band, total size including gilt frame 84.5cm x 115cm Provenance: Christie’s 10th July 2008 Lot 145 (part) £1500-2000 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 620 (part) Lot 618 617.

Sutcliffe (G. Lister) The Modern Carpenter and Joiner and Cabinet-Maker, The Gresham Publishing Co., 1904. 4to (8 vols), original Art Deco cloth bindings after Talwin Morris together with a leather bound volume of art historical interest [9] £50-70 (+Fees*)

Lot 619 (part)

618.

Carolyn Horton (Contemporary) RINGSIDE, GIFFORD’S CIRCUS signed and inscribed coloured aquatint, 39.5cm x 49.5cm £80-120 (+Fees*) Lot 623 (part) 619.

John Howard (born 1958) BIRMINGHAM CANAL - WEST SMETHWICK signed and dated 1991 drypoint etching, 47cm x 41cm and two other similar views of industrial Birmingham each from editions limited to 25 copies [3] £100-150 (+Fees*) 620.

Deborah Margaret Bell (born 1957) MARRIAGE A LA MODE signed and dated ‘87, limited edition no.

10/30 series of seven etchings, [7] £1000-1500 (+Fees*) 621.

Galerie Paul Proute A GROUP OF GREETINGS CARDS, 2008 and 2010-2015, each containing a print, artists include Emmanuelle Aussedat (b.1956), Christian Bonnefoi (b.1948) and Gerard Trignac (b.1955) and sundry modern prints £80-120 (+Fees*)

100

622.

John Craxton (1922-2009) THE POET’S EYE set of four colour lithograph, 20cm x 13cm mounted but unframed £150-200 (+Fees*) 623.

Amanda Faulkner (born 1953) PIG signed, dated 1983 and numbered 20 30 in pencil and MY HAIR, MY FRIEND signed, dated 1986 and numbered 22 30 in pencil two colour lithographs, paper size 32cm x 45cm [2] Provenance: From the estate of the late Richard Beer, artist and printmaker.

Note: From the 1982 Chelsea School of Art Printmakers Portfolio of 20 prints with contributions from Tim Mara, Jeffery Edwards and Chris Plowman. £100-150 (+Fees*)

Lot 625 624.

Valerie Thornton (1931-1991) ETRUSCAN ENCOUNTER signed, titled and dated ‘83 in pencil, artist’s proof etching with aquatint, paper size 39.5cm x 57cm, unframed £30-50 (+Fees*) 625.

Glyn Boyd Harte (1948-2003) INTERIOR AT ELENA’S signed in pencil and inscribed P/P colour lithograph, paper size 62.5cm x 45.5cm, unframed £200-300 (+Fees*)

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 626

Lot 630

Lot 632

626.

Ian Tyson (born 1933) ANCIENT ARROW-HEAD an illustrated poem print, 77cm x 51cm Note: Published by Circle Press as a series of prints which were designed to be ‘foldable’ so they could be framed with or without the accompanying poem.

This work illustrates an ancient Chinese poem by Li Ho (ad 791-817), Ancient Arrow Head, published in a book ‘Poems of Silence’ £80-100 (+Fees*) 627.

Ian Tyson (born 1933) DIVERSIONS set of eight colour prints published by London Arts Group each signed and dated by the artist Ian Tyson ‘67, marked HC (Hors Commerce, not for trade), limited edition of 75 each print image size 30.5cm square unframed, loose in a paper cover with tissue frontispiece Note: these graphics were used for entering exhibitions and competitions £300-500 (+Fees*)

Lot 631

628.

Ian Tyson (born 1933) SQUARE COLOURBLOCKS in black, blue, yellow and grey signed Tyson ‘70, pencil no. to back 110701, limited edition 58/150 and SQUARE COLOURBLOCKS in black, blue, yellow, grey and orange signed Tyson ‘70, pencil no. to back 110523, limited edition 47/150 two prints, each image size 30.5cm square, unframed [2] £120-180 (+Fees*) 629.

Hans Brasch (1882-1973) PORTRAIT HEAD initialled and dated HB 1906 within plate etching, plate size 22cm x 16cm, unframed Provenance: gallery stamp/code £40-60 (+Fees*) 630.

Mackenzie Thorpe (born 1956) MAXIMUM BREAK signed by Thorpe and various snooker players (Higgins, Hendry etc.) limited edition 33/147 print, 45cm x 66cm £50-70 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

631.

Alois Janak (born 1924) WINDMILL signed and dated 88 in pencil lower right, limited edition 139/200 print, 69cm x 44cm £100-150 (+Fees*) 632.

Alois Janak (born 1924) CLIPPER AT SEA signed and dated 98 in pencil lower right, limited edition 15/200 print, 36cm x 50cm £100-150 (+Fees*) 633.

Alois Janak (born 1924) PEN AND INK POT signed and dated 93 in pencil lower right, limited edition 99/200 print, 47cm x 71cm £100-150 (+Fees*) 634.

Alois Janak (born 1924) BOTANICAL STUDIES signed and dated four limited edition prints, 55cm x 36cm and smaller and another depicting a wine bottle [5] £120-180 (+Fees*)

Further images & information at www.chorleys.com

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Lot 635

635.

Mary Audsley (1919-2008) GIRL WITH FRUIT signed and dated ‘82 and numbered 6/10 in pencil colour lithograph, 65cm x 53.5cm £200-300 (+Fees*)

102

Lot 636

636.

Mary Audsley (1919-2008) SEATED WOMAN signed and numbered A/P IV/VII in pencil colour lithograph, 69cm x 53.5cm £200-300 (+Fees*)

637.

After Kathe Kollwitz (1867-1945) SELF PORTRAIT dated 1916 lithograph, 36cm x 30.5cm £200-300 (+Fees*)

ARR – Some lots may be subject to an additional fee (see page 4)

Chorleys October 2020 pages.qxp_Chorleys 12/10/2020 16:32 Page 103

Costume & Textiles 640.

Demarchelier (P) Forms, Rizzoli, New York 1998 and a quantity of 20th Century fashion related books £40-60 (+Fees*) 641.

20th Century Fashion, a folio of various vintage and other costume and fashion designs [qty] £40-60 (+Fees*) 642.

An Issey Miyake wool crepe dress coat, half-lined with button front, slit pockets and revere collar £40-60 (+Fees*) 643.

An Issey Miyake black long-line fitted jacket, with revere collar and button patch pockets £60-80 (+Fees*) 644.

An Issey Miyake blue and black striped textured blouse £40-60 (+Fees*) 645.

An Issey Miyake zipped through black biker jacket in cotton fabric with quilted cotton panel trim £40-60 (+Fees*) 646.

An Issey Miyake Haat black cotton dress with elasticated waist and textured fabric decoration, size 3 £60-80 (+Fees*) 647.

A Yohji Yamamoto long-line black button through jacket with slip pockets and revere collar £60-80 (+Fees*) 648.

A Jean Muir black wool crepe suit, the half placket front jacket with round neck and side slits, UK Size 12 with matching pencil skirt £40-60 (+Fees*) 649.

A Jean Muir wool crepe Nehru style tunic jacket, UK size 12 £30-40 (+Fees*) 650.

A Sonia Rykiel black wool crepe trouser suit, with fitted jacket and rounded revere collar £60-80 (+Fees*) 651.

A Sonia Rykiel dark brown knitted over-sized cardigan with revere shawl collar, size L £20-30 (+Fees*)

Lot 659 652.

A Dolce and Gabbana dark pink Italia football V-neck tee-shirt with zip running from top of shoulder at back across the front £20-30 (+Fees*)

Lot 660

653.

A pair of Prada black leather ankle boots, with side zip, size 39 £30-40 (+Fees*) 654.

Junya Watanabe for Comme des Garcons, a pair of black leather lace-up shoes, size M, re-soled £20-30 (+Fees*) 655.

An Issey Miyake lightweight coat, with pleated panel to the back and sleeves £30-40 (+Fees*) 656.

An Issey Miyake short sleeved champagne pleated top, size M £20-30 (+Fees*) 657.

A Sonia Rykiel grey and black striped wool jumper with integral collar, size 42 and a Jean Muir navy pencil skirt, size 12 £30-40 (+Fees*) 658.

Robert Clergerie, a pair of black leather slip on shoes, size 39 £20-30 (+Fees*) 659.

A crocodile skin handbag £20-30 (+Fees*) 660.

An ocelot fur jacket, with fold back cuffs and shawl collar, label for M Michaels Furriers £40-60 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 661

661.

A 1920s evening dress decorated Art Deco geometric design in cream, gold and black beadwork, approximately 46cm across chest £100-150 (+Fees*)

Further images & information at www.chorleys.com

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Lot 662 662.

Two pairs of woven curtains, cream ground with foliate designs in green, terracotta and duck egg blue, lined and interlined, each 208cm deep x 257cm wide, 133cm top gathered width £400-600 (+Fees*) 663.

A Liberty white circular hat and sundry vintage hats, contained in a circular leatherette hatbox £20-30 (+Fees*) 664.

A Mirsa short sleeved tailored dress, a Roger Brines Boutique knitted and tweed mix dress and jacket, a Geiger floral blouse and matching skirt, a Frank Usher skirt and matching blouse and various other clothes £20-30 (+Fees*) 665.

A Victorian wax doll with glass eyes, wax arms and dressed in clothing by fashion designer Michael Sherard (1910-1998), approximately 64cm high see illustration £200-300 (+Fees*)

104

666.

Two dresses designed by Michael Sherard, a length of patterned devoré black velvet fabric and sundry textiles £60-80 (+Fees*) 667.

Michael Sherard (1910-1998) a large quantity of vintage fashion designs, mainly pencil on paper Note: Michael Sherard was a fashion designer in the wartime and post war years who was a member of the Incorporated Society of London Fashion Designers £100-150 (+Fees*) 668.

A 1940s bakelite handbag, casket shaped with gilt metal mounts, the hinged lid with interior mirror and with swing handle, 22.5cm wide £80-120 (+Fees*)

Lot 668

ARR – Some lots may be subject to an additional fee (see page 4)

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Urban Art All proceeds from the following collection of Urban Art, from the estate of prolific collector Stephen Nunn, will go to The Food Chain, a charity providing support for people living with HIV. We are delighted to be supporting The Food Chain and showcasing this significant collection of prints from some of the biggest names on the Urban and Street Art scene. All the following lots will be sold without reserve.

Prints include contemporary classics such as What U Looking At? by Eelus, Molotov Man by Obey (Shepard Fairey) who designed the iconic Barrack Obama Hope poster, Stars and Stripes by Keith Haring and Riot Police stamps by Jimmy Cauty, many of which are limited edition.

Modern British and urban art collector Stephen Nunn was passionate in his support for charities that work to tackle social inequality and exclusion, and his legacy donation of this collection of prints and models to The Food Chain will be help them continue to deliver their much needed services. With advances in medicine, most people now live well with HIV, however The Food Chain helps those sufferers who are in crisis due to isolation, stigma, ill health or poverty. The charity provides lunch services, nutritional and cookery classes and other support from their kitchen where people come together to eat, learn and socialise. As a response to a 300% rise in demand for their services since the beginning of the Covid-19 crisis, The Food Chain rapidly switched their service to emergency food delivery by volunteers and individual support calls to their service users.

Thank you for helping us to support this worthy cause.

Please note, the following pages include subject matters, text and images that may be considered offensive.

Lot 693

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 838

Further images & information at www.chorleys.com

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Lot 676

Lot 677

678.

Chyldish (Billy Childish) and H.Adams BIG SOCIETY??

1st collected edition five prints housed in an envelope signed, limited edition 14/113, 29cm x 20cm

Lot 680 670.

Anne Pigalle ALL OVER YOU signed and dated ‘07, limited edition screenprint 8/20, 31cm x 21cm

Lot 681

671.

Abraham Thunderwolf VISION FOR LONDON, 2012 limited edition print, numbered 5/200, 42cm x 57cm ART & CULTURE PROPOSAL limited edition print, numbered 12/200, 42cm x 57cm

674.

Abraham Thunderwolf DEMOCRACY IS SLOW limited edition print, numbered 11/200, 53cm x 37.5cm AT LAST limited edition print, numbered 11/200 52cm x 37.5cm

672.

Abraham Thunderwolf ART & CULTURE PROPOSAL limited edition screenprints numbered 2/200 dated 2007, 57cm x 40cm TOUGH! limited edition screenprint numbered 2/200, 37.5cm x 57cm

675.

Abraham Thunderwolf DEMOLISH signed in pencil lower left, limited edition print, 7/200, 60cm x 45cm

673.

Abraham Thunderwolf BELIEVE IN THE ASSISTANT limited edition print, numbered 3/200, dated 2007, 42.5cm x 57cm

106

Lot 679

676.

Abraham Thunderwolf ENOUGH signed lower right, print DEMOCRACY AND LIBERTY print both 43.5cm x 61cm 677.

Blinky (Honduran, born 1979) FIGURE STUDY felt tip on paper signed lower left 15cm x 11.5cm

679.

CNPD (Jimmy Cauty, British, born 1956) RIOT POLICE limited edition 179/246, with CNPD stamp 1st April 2006 print, 40cm x 28cm 680.

CNPD (Jimmy Cauty, British, born 1956) 1967 ARAB ISRAELI SIX DAY WAR COMMEMORATIVE STAMPS 1, 2, & 3 PENCE Cautese limited edition stamp verso limited edition print, 42/67, 30.5cm x 35.5cm 681.

CNPD (Jimmy Cauty, British, born 1956) QUEEN VICTORIA WEARING GAS MARK ON £100 STAMP with Aquarium Gallery official Reject stamp print, 29cm x 47cm 682.

CNPD (Jimmy Cauty, British, born 1956) SEVEN SILVER Certificates of Purchase in dollar style first day of issue on 20/4/2006 - numbers 020, 052, 059, 029, 051a, 041, 054DoW1 each 13.5cm x 25cm (7)

ARR – Some lots may be subject to an additional fee (see page 4)

Chorleys October 2020 pages.qxp_Chorleys 12/10/2020 16:33 Page 107

Lot 684

Lot 687

Lot 683 683.

CNPD (Jimmy Cauty, British, born 1956) DEPT. OF DISNEYLAND SECURITY Walt Disney BioWorld two limited edition prints, 34/69 and 50/69, each 31cm x 40.5cm (2)

Lot 685

684.

CNPD (Jimmy Cauty, British, born 1956) CAR WRECK 23P STAMP with Aquarium Gallery official reject stamp print, 30.5cm x 46cm

687.

CNPD (Jimmy Cauty, British, born 1956) DANGER GLOBAL WARMING 3RD CLASS from the stamps of mass destruction series limited edition print, 12/25 37.5cm x 30.5cm

685.

CNPD (Jimmy Cauty, British, born 1956) VIRGIN MARY WITH MOBILE PHONE 25P from the stamps of mass destruction series limited edition print, 11/250 33cm x 30.5cm

688.

CNPD (Jimmy Cauty, British, born 1956) 90P CHEAP ON SUNDAY from the stamps of mass destruction series limited edition print, 6/75 print, 33cm x 30.5cm

686.

CNPD (Jimmy Cauty, British, born 1956) BLACKOFF UNION JACK from the stamps of mass destruction series limited edition print, 14/72 33cm x 30.5cm

689.

CNPD (Jimmy Cauty, British, born 1956) QUEEN IN A GAS MASK WITH BUSH, 1ST CLASS from the stamp of mass destruction series limited edition print, 62/100 print, 33cm x 30.5cm

Lot 688

Lot 689

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 690

Lot 691

Lot 693

Lot 694

690.

CNPD (Jimmy Cauty, British, born 1956) THE ARMCHAIR DESTRUCTIVISTS, 9-11-2006, 68P, £2 AND 22P STAMPS artist’s proof three prints, 33.5cm x 30.5cm (3)

694.

CNPD (Jimmy Cauty, British, born 1956) REVOLICION with the Aquarium official reject stamp (not an edition of 80) limited edition print, 33cm x 31cm

691.

CNPD (Jimmy Cauty, British, born 1956) CHE GUEVARRA STAMP initialled PMG, limited edition 5/37, with Cautese National Postage stamp print, 33cm x 30.5cm AMERICA SHUT UP limited edition print, 16/59 with Cautese National Postage stamp print, 33cm x 30.5cm

695.

CNPD (Jimmy Cauty, British, born 1956) GOD IS NOT BORING STAMP dated 2006, limited edition 31/78 print, 35cm x 38.5cm

692.

CNPD (Jimmy Cauty, British, born 1956) QUEEN WITH GAS MASK STAMP limited edition 119/200, dated 29/6/07 and with strike buster stamp print, 30cm x 28cm 693.

CNPD (Jimmy Cauty, British, born 1956) QUEEN WITH GAS MASK UNION JACK STAMP limited edition, 146/300 with Cautese National Postage stamp print, 33cm x 30.5cm

108

Lot 695

696.

CNPD (Jimmy Cauty, British, born 1956) AMERICA SHUT UP, BUGS BUNNY STAMP limited edition 30/321 print, 33cm x 61cm BUGS BUNNY SURPRISE signed in pencil, limited edition 96/123 print, 30.5cm x 62cm 697.

CNPD (Jimmy Cauty, British, born 1956) THREE PRINTS FROM THE OPERATION MAGIC KINGDOM SERIES OF STAMPS Dead Dad 2, limited edition 26/250 So Long Sucker, limited edition 21/250 and another, limited edition 37/250/28cm x 56cm (3)

Lot 697

ARR – Some lots may be subject to an additional fee (see page 4)

Chorleys October 2020 pages.qxp_Chorleys 12/10/2020 16:33 Page 109

Lot 700

Lot 703

Lot 701

Lot 698 698.

CNPD (Jimmy Cauty, British, born 1956) WORLD CUP 2006 FIRST DAY COVER WITH TWO CNPD STAMPS Beckham Gets It, 8th September 2006 Bad Car = Bad Art three stamped envelopes, 16cm x 23cm 699.

CNPD (Jimmy Cauty, British, born 1956) THE CNPD XMAS SURPRISE GIFT VOUCHER in a stamped envelope and two Father Christmas cards 15cm x 23cm (3) 700.

CNPD (Jimmy Cauty, British, born 1956) Mint Sheet CNPD002-1LIZ Queen stamps signed Jimmy Cauty, limited edition 19/50 24CM X 30.5CM

701.

CNPD (Jimmy Cauty, British, born 1956) DEUTSCHLAND FOOTBALL STAMPS, 2006 WORLD CUP first day of issue stamp on photographic paper, limited edition 12/45 photographic print, 29.5cm x 42cm 702.

CNPD (Jimmy Cauty, British, born 1956) VINYL SLEEVE STYLE ENVELOPE stamped 8th Strike Breaker 20 06 07 (unopened), 34cm x 34cm 703.

CNPD (Jimmy Cauty, British, born 1956) CHRISTMAS 2007 FIRST DAY COVER WITH BLOCK OF SIX CNPD STAMPS War is Over first day cover, 15th October 2007 two stamped envelopes, 16cm x 23cm 704.

CNPD (Jimmy Cauty, British, born 1956) THREE STAMP SHEETS OF QUEEN IN GAS MASK 1st, 2nd and 3rd class stamp sheet, 16cm x 23cm

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 704

Further images & information at www.chorleys.com

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Lot 705 705.

CNPD (Jimmy Cauty, British, born 1956)

Lot 711

A BLOCK OF FIFTEEN STAMPS TO COMMEMORATE THE 1994 K-FOUNDATION AWARD

issue number cnpd060 and envelope stamped 2005 and signed by James Cauty verso, stamp sheet, 15.5cm x 16cm 706.

CNPD (Jimmy Cauty, British, born 1956) ARMCHAIR DESTRUCTIONISTS, FIVE PHOTO

Lot 712

PRINTS

Degenerate Art Exhibition Munich 1937, limited edition 22/100 Degenerate Art Exhibition Munich 1937, limited edition 19/100 Degenerate Art Exhibition Munich 1937, limited edition 15/100 AD Riots Paris 2005, limited edition 19/100 May Riots Paris 1968, limited edition 23/100, each 15cm x 21cm (5)

710.

CNPD (Jimmy Cauty, British, born 1956) JULIE ANDREWS ON A CROSS limited edition 19/200, with Cautese National Postage Stamp verso print, 27cm x 53.5cm

707.

CNPD (Jimmy Cauty, British, born 1956) VICTORY FIRST DAY COVER WITH BLOCK OF THREE CNPD OCCUPATION DAY STAMPS War on Bollocks first day cover with two CNPD War on Terror stamps two stamped envelopes, 16cm x 23cm

711.

CNPD (Jimmy Cauty, British, born 1956) TEMPTATION, 99P STAMP limited edition print 10/99, with Cautese National Postage stamp and Limited Edition Stamp of Mass Destruction 29cm x 26cm

708.

CNPD (Jimmy Cauty, British, born 1956) JULIE ANDREWS ON RUBBISH HEAP three limited edition posters, 12/200, 54/ 200 and 17/200, the largest 58cm x 45cm (3)

712.

CNPD (Jimmy Cauty, British, born 1956) VICTORYA STAMPS, 1, 2, AND 3 PENCE dated 2005, limited edition print 6/66 and 1967 Postal Revolution stamps, 1st, 2nd and 3rd class dated 2006, limited edition 5/42 both 20cm x 29cm with Cautese National Postage stamp verso

709.

CNPD (Jimmy Cauty, British, born 1956) CNPD 2003-2008 RIP limited edition print, 20/200, stamped Cautese National Postage verso 27CM X 53.5CM

110

Lot 713

713.

CNPD (Jimmy Cauty, British, born 1956) WAR IS OVER signed by Cauty, limited edition print 26/95, 38cm x 54cm and two posters for the exhibition at the Aquarium L-13 (Light Industrial Workshop) 64cm x 41cm (3)

Lot 714 714.

CNPD (Jimmy Cauty, British, born 1956) ARMCHAIR DESTRUCTIVISTS, ARMCHAIR DESTRUCTIVISM 1921-1929 STAMP limited edition print 14/35 51cm x 29cm

ARR – Some lots may be subject to an additional fee (see page 4)

Chorleys October 2020 pages.qxp_Chorleys 12/10/2020 16:33 Page 111

Lot 715

Lot 716

Lot 720 715.

CNPD (Jimmy Cauty) (British born 1956) STAMPS OF MASS DESTRUCTION 2008 BOOTLEG EDITION limited edition 7/29, Cautese National Postage stamp verso 20.5cm x 28cm 716.

CNPD (Jimmy Cauty, British, born 1956) CHE GUEVARA STAMP limited edition 18/42, with Cautese National Postage stamp and Limited Edition Stamps of Mass Destruction 29cm x 26cm 717.

CNPD (Jimmy Cauty, British, born 1956) GOD IS BORING limited edition print 5/78, with Cautese National Postage Disservice Stamp 2006/31cm x 27cm 718.

Attributed to CNPD MEMENTO MORI STAMPS H5N1 Bird Flu special delivery stamps sheet, 20cm x 17.5cm

Lot 718

Lot 721 719.

CNPD (Jimmy Cauty, British, born 1956) OCCUPATION DAY 2004-2006 three blocks of three stamps the sheet, 12cm x 19cm 720.

CNPD (Jimmy Cauty, British, born 1956) STAMPS OF MASS DESTRUCTION, ABBEY ROAD 1ST CLASS BEATLES IMMOLATION 2006 the sheet, 14.5cm x 22.5cm 721.

Attributed to CNPD AD 1968 stamped Armchair Destruction Assured three limited edition prints, all 16/20, 30cm x 28cm 722.

CNPD (Jimmy Cauty, British, born 1956) 5-11 VIEW FROM PARLIAMENT SQUARE limited edition 22/200 27CM X 25CM

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 722

723.

CNPD (Jimmy Cauty, British, born 1956) THE ASSISTANT stamped government disapproved two limited edition prints both 1/100 61cm x 44cm Crumpled (this may be intentional)

Further images & information at www.chorleys.com

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Lot 725

Lot 726

Lot 724

Lot 728

Lot 727

724.

Attributed to CNPD CHRISTMAS STAMP SHEET 1,2,3,4TH AND God is Boring, We Will Rock You and Kiss My Empire sheet stamps sheet 19.5cm x 12cm

Lot 729

729.

Daniel Johnston (American 1961-2019) QUEENIE WAS A DOG print, 33cm x 25cm Note: Johnston is primarily known as a singer/songwriter

725.

Attributed to Blacksmoke STAMPS possibly part of mass destruction series printed on photographic paper, 21cm x 30cm 726.

Dalek, American 1968 VIOLENT PACIFICATION signed and numbered 94/100, March 2006 silkscreen print, 55cm x 76cm Provenance: The Richard Goodall Gallery 727.

Dalek, American 1968 VIOLENT PACIFICATION signed and numbered 94/100, March 2006 silkscreen print, 76cm x 55cm Provenance: The Richard Goodall Gallery

112

730.

Darth Zakon DARTH ZAKON X JORDAN limited edition print 9/25, indistinctly signed and dated 2006 l.r.

76cm x 57cm Lot 730

728.

Dalek, American 1968 VIOLENT PACIFICATION silkscreen print Signed and numbered 94/100, March 2006 47cm x 72cm Provenance: The Richard Goodall Gallery

731.

Fischer TORSOS signed in pen top left and dated ‘69 print, 49.5cm x 40cm

ARR – Some lots may be subject to an additional fee (see page 4)

Chorleys October 2020 pages.qxp_Chorleys 12/10/2020 16:34 Page 113

Lot 735

Lot 733

Lot 732 732.

George Morton Clark (British) PORTRAIT limited edition 18/25, print 25cm x 16cm, with embossed Red Propeller Gallery stamp and letter of provenance 733.

CNPD (Jimmy Cauty, British, born 1956) SOLDIER AND SKELETON, FROM OPERATION MAGIC KINGDOM SERIES print, 18cm x 17cm

Lot 738

734.

James Cauty,CNPD (Jimmy Cauty, British, born 1956) L-13 CAUTY OVER AND OUT POSTER 69CM X 50CM 735.

CNPD (Jimmy Cauty, British, born 1956) DEAR JIMMY DARLING limited edition print 6/75, stamped James Cauty verso 20cm x 37.5cm

Lot 737

736.

CNPD (Jimmy Cauty, British, born 1956) THE RIZE AND FALL OF THE PORTSLADE MASSIF two exhibition posters, 59cm x 42cm

738.

Attributed to Jamie Reid GOD SAVE THEM print, 49cm x 39cm

737.

CNPD (Jimmy Cauty, British, born 1956) BEST OF BRITISH SERIAL KILLERS AND MASS MURDERERS STAMP set with two photocopied pieces of correspondence between Cauty and Royal Mail 2009, with original invoice £22.37 paid limited edition 40/100, stamp sheet 29cm x 17cm

739.

Jamie Reid (British, born 1947) EIGHT-FOLD YEAR, 2005 bearing the Aquarium L-13 gallery Official Reject stamp screenprint, 59cm x 79cm

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 739

740.

After Jamie Reid KALEIDOSCOPE three prints, each 30.5cm x 40cm

Further images & information at www.chorleys.com

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Lot 745

Lot 741

Lot 744

Lot 750

Lot 746

Lot 747

748.

Jed OCTOBUNNY CARD JED Joe Ledbetter 2005 limited edition 162/500 with personal message inside

741.

Jamie Reid (British, born 1947) NO FEELINGS limited edition print, 52/750, signed l.r. in pencil 26cm x 21.5cm

744.

Jamie Reid (British, born 1947) CHRISTMAS PAYBACK signed and Aquarium stamp verso, limited edition print 72/78 18cm x 15cm

742.

Jamie Reid (British, born 1947) SPIRAL signed l.l., limited edition 13/750 print, 24.5cm x 13.5cm OWL ON HOUSE print, 27cm x 19.5cm (2)

745.

Attributed to Jamie Reid THEY SPEAKED WITH FORKED TONGUES POSTER 52cm x 53cm (scuffed around edges)

750.

Keith Haring (American 1958-1990) STARS AND STRIPES screenprint on card, 60cm x 91cm

746.

Jed MONKEY POURING TEA signed print, limited edition 98/100/35cm x 43cm

751.

Frank Kozik (American, born 1962) POSTER PORTFOLIO four signed prints, limited edition Posterpop 180/200 39.5cm x 30cm

743.

Jamie Reid (British, born 1947) THE SUBURBAN PRESS POSTER BOOK First published in 1975 by The Suburban Press, Croydon, this edition printed by The Aquarium L-13 for May Day 2007, Limited edition of 150, in original brown paper wrapper and numbered 000070 44cm x 30cm

114

747.

Jed RABBIT SURFING WITH RED OCTOPUS signed print, limited edition 47/100/33cm x 41cm

749.

CNPD (Jimmy Cauty, British, born 1956) JULIE ANDREWS ON RUBBISH HEAP two limited edition posters, 12/200 & 55/200, the largest 58cm x 45cm (2)

ARR – Some lots may be subject to an additional fee (see page 4)

Chorleys October 2020 pages.qxp_Chorleys 12/10/2020 16:34 Page 115

Lot 752

Lot 753

Lot 758

Lot 759

Lot 760

752.

Frank Kozik (American, born 1962) LENIN 1917 POSTER signed, limited edition 108/200 screenprint, 57cm x 41cm (slight scuff left corner) 753.

KR UNTITLED silk screen, 59cm x 42cm Note: accompanying letter says New York based artist who documents graffiti lifestyle 754.

Lucy Mclauchlan (British, born 1977) THIRTEEN BEAT13 STICKER HEADS 755.

OBEY (Shephard Fairey, American, born 1970) approximately sixty assorted stickers of various designs, the largest 19cm x 15.5cm 756.

P.M.N P.M.N EXHIBITION PORTFOLIO Giclee Prints, 210 gram watercolour and 150 gram parchment contained inside two unopened envelopes sealed in tissue paper 2/25 the envelope 43cm x 31cm 757.

PARIS HAIR woman with blonde hair turning into landscape signed and dated 2006, two limited editions 14/200 and 36/200 prints, 42cm x 29.5cm (2)

758.

Obey (Shepard Fairey, American, born 1970) MOLOTOV MAN signed l.r., limited edition 112/300 print, 60cm x 45cm

760.

Obey (Shepard Fairey, American, born 1970) CHINESE SOLDIER limited edition print 226/750 90cm x 60cm

759.

Obey (Shepard Fairey, American, born 1970) OBEY, FACE POSTER signed print, 90cm x 60cm

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 761

Lot 762

Lot 763

Lot 764

Lot 765

Lot 766

761.

Obey (Shepard Fairey, American, born 1970) WOMAN WITH SPRAY PAINT limited edition screenprint 276/300, signed 58cm x 42cm

763.

Obey (Shepard Fairey, American, born 1970) BLIND ACCEPTANCE CAN BE HAZARDESS limited edition print 264/300, signed in pencil l.r. and dated 2006 61cm x 45.5cm

762.

Obey (Shepard Fairey, American, born 1970) URBAN RENEWAL limited edition print 97/140, signed in pencil l.r.

61cm x 45.5cm

764.

Obey (Shepard Fairey, American, born 1970) THIS IS YOUR GOD signed print, 90cm x 60cm

116

765.

Obey (Shephard Fairey American, born 1970) THE MEDIUM IS THE MESSAGE limited edition 97/140, signed 61cm x 45.5cm 766.

Obey (Shepard Fairey, American, born 1970) THE MEDIUM IS THE MESSAGE POST NO BILLS signed, limited edition 18/140 print, 58cm x 43cm

ARR – Some lots may be subject to an additional fee (see page 4)

Chorleys October 2020 pages.qxp_Chorleys 12/10/2020 16:34 Page 117

Lot 770

Lot 769

Lot 768

Lot 774

767.

STOT21STCPLANB aka Harry Adams (Adam Wood and Steve Lowe) IT’S ART! IT’S ART! pencilled lightning bolt stickman to back and numbered 23/40 mixed media, 38.5cm x 49.5cm

771.

STOT21STCPLANB aka Harry Adams (Adam Wood and Steve Lowe) SPECIAL LATE NEWS Aquarium official Reject stamp on front, mixed media ,120cm x 54cm and another similar, 35.5cm x 20cm

768.

STOT21STCPLANB aka Harry Adams (Adam Wood and Steve Lowe) PEACE, NO FUCKING CHANCE lightning bolt stickman to front, limited edition 4/50 print, 50cm x 29cm and another stamped Reject

772.

STOT21STCPLANB aka Harry Adams (Adam Wood and Steve Lowe) NASTY FLOWERS limited edition 3/20, stamped Nowhere Fast print, 29cm x 21.5cm

769.

STOT21STCPLANB aka Harry Adams (Adam Wood and Steve Lowe) OFFICIAL SPECIMEN SNAP SHOT SURVEILLANCE CAMERAS pencilled lightning bolt stickman to back mixed media, 23cm x 30.5cm 770.

STOT21STCPLANB aka Harry Adams (Adam Wood and Steve Lowe) STAPLED A4 PAPER AND CDR STOT21STC PLANB do Micheal Jacksons Earth Song & Also do Some C**ts Feed the World 15cm x 21cm

773.

STOT21STCPLANB aka Harry Adams (Adam Wood and Steve Lowe) THE UNIVERSE AND BEYOND limited edition 16/50, dated 2006, Nowhere Fast stamp bottom right print, 31cm x 30.5cm 774.

STOT21STCPLANB aka Harry Adams (Adam Wood and Steve Lowe) GOD IS GREAT Bush print, raffle ticket 64 to front, stamped L-13 and STOT21STCPLANB mixed media on card, 29.5cm x 21cm and BLOODY HELL! raffle ticket 89 to front mixed media on card, 24cm x 30cm

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 775

775.

STOT21STCPLANB aka Harry Adams (Adam Wood and Steve Lowe) 50% OFF THE REST OF YOUR LIFE YOU WON’T MISS A THING

raffle ticket and L-13 stamp to front, STOT21STCPLANB stamp to verso mixed media on card, 30cm x 24cm 776.

STOT21STCPLANB aka Harry Adams (Adam Wood and Steve Lowe)Christmas card with Father Christmas stamped verso print on card, 15cm x 20cm 777.

STOT21STCPLANB aka Harry Adams (Adam Wood and Steve Lowe) IT’S ART, LAP IT UP YOU SUCKER lightning stick man hand drawn verso stamped ink on card, 15cm x 20cm

Further images & information at www.chorleys.com

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Lot 778

Lot 780

Lot 783

Lot 784

Lot 785

Lot 786

778.

STOT21STCPLANB aka Harry Adams (Adam Wood and Steve Lowe) A GLORIOUS FUTURE lightning stick man hand drawn verso stamped ink on card, 15cm x 20cm 779.

STOT21STCPLANB aka Harry Adams (Adam Wood and Steve Lowe) WORLD CUP SPECIAL OFFER on photographic paper, 29.5cm x 21cm rejected at aquarium, reason “rubbish” 780.

STOT21STCPLANB aka Harry Adams (Adam Wood and Steve Lowe) GOV TROOPS AND GOD ATTACK THE LAST LIVING HALF DEAD TREE

six hand numbered and embossed prints on card, all with lightning bolt stick man to back 8cm x 12cm

118

781.

STOT21STCPLANB aka Harry Adams (Adam Wood and Steve Lowe) GOV TROOPS AND GOD ATTACK THE LAST LIVING HALF DEAD TREE

the Aquarium official Rejected stamp to front, scratched and marked, bent at corners print on card, 47cm x 78cm 782.

STOT21STCPLANB aka Harry Adams (Adam Wood and Steve Lowe) BOMBS limited edition print 2/20 783.

STOT21STCPLANB aka Harry Adams (Adam Wood and Steve Lowe) SHADOW PUPPETS six limited edition prints 4/50 print on card, 22cm x 30.5cm

784.

STOT21STCPLANB aka Harry Adams (Adam Wood and Steve Lowe) FIGURE WITH HEAD IN HANDS raffle ticket 185 attached to front mixed media on lino, 23cm x 28cm 785.

STOT21STCPLANB aka Harry Adams (Adam Wood and Steve Lowe) SHOPPING TROLLEY raffle ticket 169 19 Nov 2007 attached to front stamped ‘an original, one-off hand-made art work created by the actual artists’ signed l.r. with lightening bolt stick man in pencil mixed media, 28cm x 35cm 786.

Tom (Thomas Han, American) OH.VER D.OUGHED B.UNNY limited edition 24/50 print, 27.5cm x 35cm

ARR – Some lots may be subject to an additional fee (see page 4)

Chorleys October 2020 pages.qxp_Chorleys 12/10/2020 16:34 Page 119

Lot 788

Lot 787 Lot 789

Lot 792

Lot 790 787.

Tom (Thomas Han, American) EXERCISE YOUR DEMONS signed, limited edition print, 22/50 giclee print, 25cm x 20.5cm 788.

Reas (Todd James, American, born 1969) UNTITLED silk screen, 42cm x 59cm 789.

Attributed to STOT21STCPLANB IS THIS.... ART? indistinctly signed lower right spray paint on canvas, 60.5cm x 45.5cm 790.

After CNPD BOMBS FALLING limited edition 4/50 print, 25cm x 34cm 791.

Birds and Skyscrapers on paper photographic print, 40cm x 50cm

792.

Eelus WHAT U LOOKING AT? girl with robot dog with pink background signed in pencil and with embossed stamp of skull, limited edition 69/150 screenprint, 45cm x 64cm 793.

Attributed to Billy Childish (British 1959)/Woman and Man in front of a Church/Screenprint with The Aquarium L-13 gallery Official Reject stamp/74.5cm x 54.5cm 794.

Attributed to STOT21STCPLANB aka Harry Adams (Adam Wood and Steve Lowe) CANARY WHARF GONE! and another similar mixed media on card, one with pencilled lightning bolt stickman to back the largest 15cm x 20cm 795.

Attributed to Jamie Reid COLLAGE STYLE POSTER WITH ABSTRACT COLOURS, 60CM X 80CM

Lot 797

797.

Arofish PUT UP OR SHUT UP signed, limited edition screenprint on card 14/25 80cm x 80cm 798.

Dead Kennedys CALIFORNIA UBER ALLES poster, 100cm x 77cm and sundry other posterS

796.

After Jamie Reid DEMAND THE IMPOSSIBLE (NOWHERE BUSES), print, 60cm x 80cm and sundry other posters attributed to Jamie Reid

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 799

Lot 801

Lot 805

Lot 803

799.

James Cauty (British, born 1956) WAR IS OVER signed, limited edition screenprint 12/200 print on card, 58cm x 132cm 800.

The Aquarium L-13 LAST DAYS CLOSING DOWN SALE SCREENPRINT ON FLUORESCENT CARD

Note: The Aquarium was a forerunner to L-13 Light Industrial Workshop, it closed on the 23rd December 2008 801.

Peter Kennard and Cat Phillipps PHOTO OP print, 49.5cm x 49.5cm

120

Lot 804

802.

Attributed to STOT21STCPLANB aka Harry Adams (Adam Wood and Steve Lowe) THE END dated 26th July 2007 print, 64cm x 61cm 803.

Scott Musgrove (American, born 1966) BOOTED GLAMOUR CAT initialled l.r. limited edition print, 30/50 33cm x 25cm 804.

Revs (American) UNTITLED I’ve Got a Problem silk screen printed on card, 59cm x 42cm

Lot 806 805.

Jevski (Jimmy Cauty) STAMPS inscribed Reject verso screenprint, 31cm x 57cm 806.

Stef UK TABLOID signed l.r. and with embossed stamp limited edition screenprint, 12/40 mixed media, 46cm x 31cm

ARR – Some lots may be subject to an additional fee (see page 4)

Chorleys October 2020 pages.qxp_Chorleys 12/10/2020 16:35 Page 121

Lot 815

Lot 812

807.

FIT FOR MAYOR? I DON’T THINK SO Boris Johnson print 43cm x 31cm 808.

John Dove & Molly White EXHIBITION POSTER FOR AQUARIUM Amuti Gallery 42cm x 30cm and other posters 809.

SM CHESHIRE CAT initialled lower right, limited edition screenprint, 1/10, 40cm x 30cm and WISE MUTT indistinctly signed, 40cm x 30cm 810.

After Dalek RABBIT WITH CLEAVER photographic print, 42cm x 59cm 811.

STOT21STCPLANB aka Harry Adams (Adam Wood and Steve Lowe) TWO PRINTS FROM THE LONDON THE END SERIES lightning bolt stick man to verso the larger 17.5cm x 16.5cm 812.

SM MY ARM IS LONG bears Aquarium Reject stamp screenprint, 40cm x 30cm

Lot 821

813.

Silk screen prints of Mick Jagger look-a-like 814.

JUDAS AND JESUS AT THE LAST SUPPER indistinctly signed print, 56cm x 76cm 815.

The Aquarium L-13 LAST DAYS CLOSING DOWN SALE SCREENPRINT ON FLOURESCENT CARD

Note: The Aquarium was a forerunner to L-13 Light Industrial Workshop, it closed on the 23rd December 2008 816.

After STOT21STCPLANB TORNADO ON THE THAMES DIPTYCH each 18.5cm x 26.5cm 817.

OUR MOTTO KILL ‘EM ALL signed gom, limited edition print, 43/50, 42.5cm x 29.5cm 818.

James Cauty (British, born 1956) JCAUTY&SON FAN CLUB AND SECRET SOCIETY OF COLLECTORS Membership Welcome Pack, limited edition, this 14/100, containing a letter, badge, stickers and a print, housed in a hand numbered dark green presentation box, the box 22cm x 16cm

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 820

819.

Attributed to L-13 Light Industrial Workshop PHOTOGRAPHIC PRINT OF IMPRINT OF THE BODY OF CAPLTANLEUTNANT HEINRICH MATHY, POTTERS BAR 1916

limited edition photographic print 5/20, 33cm x 25cm 820.

Tom Hingston and Robert Del Naja CURRENCY silk screen, 59.5cm x 42cm 821.

Attributed to Billy Childish (British, born 1959) MAN SEATED 2012 Oyster Catchers, Thames Estuary 1932 limited edition 26/50 print, 24.5cm x 40.5cm FIR TREES IN SNOW limited edition print numbered 25/200 37cm x 23cm and STILL LIFE FLOWERS IN A VASE (3) 822.

CNPD (Jimmy Cauty, British, born 1956) STAMPS OF MASS DESTRUCTION, ABBEY ROAD 1ST CLASS BEATLES IMMOLATION 2006 limited edition print 8/66 31cm x 47cm 823.

CNPD (Jimmy Cauty, British, born 1956) STAMPS OF MASS DESTRUCTION, ABBEY ROAD 2ND CLASS BEATLES IMMOLATION Official Aquarium Reject Stamp to front, limited edition print 8/66 58cm x 43cm

Further images & information at www.chorleys.com

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Lot 825 Lot 838 824.

Frank Kozik (American, born 1962) DEATH TO FALSE VINYL signed limited edition 28/100 print, 39cm x 28cm 825.

Two Aniballoon figures, by Touma, boxed (2) 826.

Two Aniballoon figures, by Touma, boxed (2) 827.

Eighteen limited edition Kid Robot Dunny Series 3 soft vinyl toys 828.

Eleven limited edition Kid Robot Horvath’s 2-Faced Dunny Set 2 soft vinyl toys

Lot 839 834.

Ten Kubrik To-Fu Bros and To-Fu Mix boxed toy figures, various 835.

A box containing a quantity of loose figures and boxes including Medicom, Kaws, Kid Robot, etc.

829.

Fourteen limited edition Kid Robot Dunny Los Angeles series soft vinyl toys, featuring designs by Gary Baseman, Tim Biskup, Buff Monster, Coop, Nic Cowan, Shepard Fairey, Blaine Fontana, Fawn, Gehweiler, Thomas Han, Joe Ledbetter, Tara McPherson and Michael Motorcycle, and a bus stop by Medicom Toy KM002

836.

Dalek, American 1968 ICE-BOT FOR KID ROBOT limited edition signed figure, numbered 27/100, March 2006 the box 30cm x 17cm and three similar Provenance: The Richard Goodall Gallery

830.

Fifteen limited edition Kid Robot Dunny series soft vinyl toys, mostly David Horvath’s 2 Faced Dunny Set 2

837.

A quantity of assorted mini figures, including Ice Bots by Dalek, Trexi Series 2, etc., all boxed (approximately 20)

831.

A box containing a quantity of Kubrik Medicom Toy Special Force 3 toys, boxed (23)

838.

Dalek for Kid Robot, a Dunny 20” figure, signed, limited edition 27/100, 56cm x 41cm, boxed Provenance: Richard Goodall Gallery

832.

Frank Kozik (American, born 1962) Thirteen boxed Kid Robot Smorkin’ Labbit Series 2 and another unboxed (14) 833.

A box containing assorted Kubrik Medicom Toy boxed Evirob and Eviroboy toy figures (15)

122

839.

Toofly for Kid Robot, two Dunny Fat Cap Series figures, hand painted graffiti, 40cm high (2)

Lot 841 840.

Jamie Reid (British, born 1947) Out There, Limited edition catalogue handmade for Jamie Reid by The Aquarium, 2006, signed and numbered 15, folio housed in stamped canvas cover 841.

Frank Kozik (American, born 1962) Smorkin’ Hate Dunny 8” figure and Smorkin’ Anarchy Dunny 8” figure, both boxed (2) 842.

Two Dalek Kid Robot Space Monkey vinyl figures, yellow, boxed and a red Kobot figure similar (3) 843.

A Mezco Toyz ‘Fat Cap’ graffiti figure, boxed and two Wheaty Wheat Studios Mad toy figures, boxed and a Monster Jr figure in cereal style box (4) 844.

Jason Siu Dancing With Gravity ‘Kurt’ figure, the box signed, another boxed Dancing With Gravity figure and a boxed Scratching With Gravity figure, boxed (3)

ARR – Some lots may be subject to an additional fee (see page 4)

Chorleys October 2020 pages.qxp_Chorleys 12/10/2020 16:35 Page 123

Lot 845

845.

Touma For Wonderwall Inc two boxed Boo figures and two boxed Baboo figures (4) 846.

A Medicom Toy 10th Anniversary boxed Be@rbook figure, catalogue and CD in slipcase 847.

Two boxed Meltdown Melto-FU Devilrobots figures (2)

Lot 850

848.

Mist the Infamous, Bonus Toyz action figure and two similar, boxed (3) 849.

Frank Kozik (American, born 1962) Kid Robot Smorkin’ Labbit 10” Bondage figure, boxed 850.

Scott Musgrove two Booted Glamour Cat figures, boxed, from the Late Fauna of Early North America series

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

851.

Scott Musgrove two Booted Glamour Cat figures, boxed, from the Late Fauna of Early North America series 852.

Kid Robot A Munny Son of Man figure, London Police Lad & Dog vinyl figures, boxed set and a quantity of unboxed figures, various

Further images & information at www.chorleys.com

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CONDITIONS OF BUSINESS FOR ONSITE AUCTIONS c.

INFORMATION FOR BUYERS AT AUCTIONS 1.

Introduction. The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand.

Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale.

2.

3.

4.

5.

Agency. As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer.

Estimates. Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price.

Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive.

Buyer’s Premium. The Terms of Sale oblige you to pay a buyer's premium on the hammer price of each lot purchased at the following rates: 22.5% on the first £100,000 15% on the excess between £100,001 and £500,000 12.5% on the excess between £500,001 and £1,000,000 10% on the balance above £1,000,000 Where thresholds apply, the higher premium rate will apply to the portion of the bid price up to the threshold and the lower premium rate will apply to the portion of the bid price in excess of the threshold. VAT at the standard rate is added to this premium with the exception of books and unframed maps (see below).

b.

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6.

Inspection of goods by the buyer. As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do.

You will have ample opportunity to inspect the goods. You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4.

7.

Electrical goods. These are sold as “antiques” only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

8.

Export of goods. If you intend to export goods you must find out:

(*) indicates that VAT is payable by the buyer on the hammer price as well as being an element in the buyer's premium. VAT will be chargeable at the standard rate (presently 20%). This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. (**) indicates that the lot has been imported from outside the European Union. These lots are liable to a reduced rate of VAT (5%) on the hammer price and buyer's premium).

a.

whether an export licence is needed; and

b.

if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory (see Terms of Sale clause 14)

9.

Bidding. Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

10.

Commission bidding. You may leave commission bids with us indicating the maximum amount to be bid against a lot (excluding the buyers' premium and/or any applicable VAT).

We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids we may prefer the first bid received (where this can be reasonably ascertained). Please enquire in advance about our arrangements for leaving commission bids by telephone, email, via our website or through online bidding platforms.

11.

Methods of Payment. We accept payment by debit card, credit card and bank transfer (maximum payment by credit card £1,000 per auction). Please discuss with our office in advance of the sale if you plan to use any other method of payment. We do not accept payment by cash, cheque or card over the telephone.

12.

Collection and storage. Please note what the Terms of Sale say about collection and storage. It is important that you pay for and collect goods promptly. Any delay may involve you having to pay storage charges.

VAT. Items in our catalogue may be marked in the following ways: a.

Lots which do not have either of the above symbols have no VAT payable on the hammer price. This is because such lots are sold using the Auctioneers' Margin Scheme. The VAT included within the premium is not recoverable as input tax.

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TERMS OF SALE Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request.

Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale.

Please note that these Terms of Sale relate to auctions held at our premises only.

1 Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: “Auctioneer” means Chorley’s, a partnership or company registered in England and Wales with registration number with registration number 5857433 and whose registered office is located Staverton Court, Staverton, Cheltenham GL51 0UX or its authorised auctioneer, as appropriate; “Bidder” means a person participating in bidding at the auction; “Buyer” means the person who makes the highest bid for a Lot accepted by the Auctioneer; “Deliberate means: (a) an imitation made with the intention of Forgery” deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described; “Hammer means the level of the highest bid for a Lot Price” accepted by the Auctioneer by the fall of the hammer; “Lot(s)” means the goods that we offer for sale at our auctions; “Premium” means the premium that we will charge you on your purchase of a Lot to be calculated as set out in Clause 4; “Reserve” means the minimum hammer price at which a Lot may be sold; “Sale means the net amount due to the Seller; Proceeds” “Seller” means the persons who consign Lots for sale at our auctions; “Terms of means the terms on which we agree to offer Lots Consignment” for sale in our auctions as agent on behalf of Sellers; “Terms of means these terms of sale, as amended or Sale” updated from time to time; “Total Amount means the Hammer Price for a Lot, the Premium, Due” any applicable artist’s resale right royalty, any VAT due and any additional charges payable by a defaulting buyer under these Terms of Sale; “Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf;

“VAT”

means Value Added Tax or any equivalent sales tax; and “Website” means our website available at www.chorleys.com.

In these Terms of Sale the words 'you', 'yours', etc. refer to you as the Buyer. The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

2 Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

3 Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.

3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable.

Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

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4 a. b.

c. d.

5 5.1

5.2 6 6.1

6.2

6.3

6.4

7 7.1

7.2 8 8.1

8.2

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The purchase price As Buyer, you will pay: the Hammer Price; a premium of a percentage of the Hammer Price on an incremental basis: 22.5% on the first £100,000 15% on the excess between £100,001 and £500,000 12.5% on the excess between £500,001 and £1,000,000 10% on the excess above £1,000,000 any artist’s resale right royalty payable on the sale of the Lot; and any VAT due.

VAT You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information.

We will charge VAT at the current rate at the date of the auction.

The contract between you and the Seller The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction.

You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.

If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim.

We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).

Payment Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the Total Amount Due with debit card, credit card and bank transfer (maximum payment by credit card of £1000 per auction).

If you owe us any money, we may use any payment made by you to repay these debts.

Title and collection of purchases Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it.

You will (at your own expense) collect any Lots that you have purchased and paid for either: 8.2.1 not later than seven business days following the day of the auction; or 8.2.2 not later than seven business days following the date that we have received payment of the Total Amount Due in cleared funds, if later.

8.3

8.4 8.5

9 9.1

9.2

10

11 11.1

If you do not collect the Lot within this time period, you will be responsible for any reasonable removal, storage and insurance charges in relation to that Lot. Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot. If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot. Remedies for non-payment or failure to collect purchases Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you.

This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within seven business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due; 9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale.

Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.

Warranties The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction;

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11.2

11.3 11.4

11.5

12 12.1

12.2

12.3

12.4

11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

Please note that many of the Lots that you may bid on at our auction are second-hand.

If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

Descriptions and condition Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (ii) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Books are not collated and are not guaranteed to be complete. The absence of any reference to condition in any description does not imply the lot is without fault. Chorley’s do not usually include condition information in catalogue or online descriptions, however we are happy to provide a condition report for any lot upon request before the auction. Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/or which the inspection of a Lot by the Buyer ought to have revealed.

12.5

13 13.1

13.2

13.3

13.4

14

Historically many gemstones have been subject to a variety of treatments to enhance their appearance. Sapphires and rubies are routinely heat treated to improve their colour and clarity, emeralds are also frequently treated with oils or resin for the same purpose. Treatments such as staining, irradiation or coating may have been used on other gemstones. These treatments may be permanent, whilst others may need special care or re-treatment to retain their appearance. Bidders should be aware that estimates assume that gemstones may have been subjected to such treatments. A number of laboratories issue certificates that give more detailed descriptions of gemstones, however there may not be consensus between different laboratories on the degrees or types of treatment for any particular gemstone. In the event that Chorley’s has been given or obtained certificates for any lots in the sale, these certificates will be disclosed in the catalogue. In the event that no certificate is published in the catalogue, bidders should assume that the gemstone may have been treated.

Neither Chorley’s nor the seller accepts any liability for contradictions or differing certificates obtained by buyers on any lots subsequent to the sale.

Deliberate Forgeries You may return any Lot which is found to be a Deliberate Forgery to us within six months of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if: 13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or 13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

Ivory and Endangered Species Chorley’s condemns the poaching of all species, especially African elephants and the wanton destruction of natural habitat. Thus we will offer for sale no ivory products produced after June 1947, the date of the Convention of International Trade in Endangered Species of Wild Fauna and Flora (CITES). We consider that pieces produced before this date are likely to be purchased as pieces of artistic or cultural merit, which happen to contain ivory, rather than be purchased for their ivory content.

Due to international laws, any item on the Endangered species list, whether it dates from the 18th/19th Century or the 1930s, requires re-export permits for bidders outside the EU (CITES). Some countries also require import permits as well and all permits must be in place prior to shipment.

Chorley’s cannot be held liable if a purchaser buys a lot that comes within this field and then import/export licences cannot be arranged. It is the potential buyer’s responsibility to check the applicable regulations before bidding for a lot which comes under these laws.

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15 15.1

15.2

15.3

15.4

16 16.1

16.2

16.3

16.4

Our liability to you We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

Subject to Clause 15.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 15.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 15.4.2 fraudulent misrepresentation; or 15.4.3 any liability which cannot be excluded by law.

Notices All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

Any notice referred in Clause 16.1 may be given: 16.2.1 by delivering it by hand; 16.2.2 by first class pre-paid post or Recorded Delivery; or 16.2.3 by email, provided that a copy is also sent by prepaid post or Recorded Delivery.

Notices must be sent: 16.3.1 by hand or registered post: a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 16.3.2 by email: a. to us, by sending the notice to both the following email addresses: simon.chorley@chorleys.com; enquiries@chorleys.com b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

Notices will be deemed to have been received: 16.4.1 if delivered by hand, on the day of delivery; 16.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or

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16.5

17

18 18.1 18.2

18.3

18.4

18.5

18.6

18.7

18.8

16.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by pre-paid post or Recorded Delivery as set out in Clause 16.2.3) Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

Data Protection We will hold and process any personal data in relation to you securely, in accordance with the 2018 General Data Protection Regulation.

General We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.

Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.

Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

These Terms of Sale and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

These Terms of Sale, forming part of our Conditions of Business, are based upon terms recommended by SOFAA (The Society of Fine Art Auctioneers & Valuers)

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NEXT AUCTION | Tuesday 24 & Wednesday 25 November VIEW DAYS | Sunday 22 & Monday 23 November

Explore the fascinating world of 20th century furniture design, from Arts and Crafts cabinetmaking, to 1930s Modernism, the Festival of Britain, and beyond.

The museum shop brings the story up to the present day featuring crafts, gifts and homewares by contemporary designer-makers.

Collection of Early Chelsea & Worcester Porcelain Country House Library of Antiquarian Books Important Collection of Gloucestershire Regiment Medals Fine Jewellery & Silver, Paintings & Furniture

www.chorleys.com

Plan your visit at www.gordonrusselldesignmuseum.org 15 Russell Square Broadway WR12 7AP

Chorleys October 2020 cover.qxp_Layout 1 12/10/2020 10:53 Page 1

27th October 2020

Prinknash Abbey Park Gloucestershire GL4 8EU

Telephone: 01452 344499 Email: info@chorleys.com Web: www.chorleys.com

Modern Art & Design Tuesday 27th October 2020

Prinknash Abbey Park Gloucestershire GL4 8EU www.sofaa.org