Auction Catalogue October 19 2021 | Modern Art & Design

Modern Art & Design Tuesday 19th October 2021

Prinknash Abbey Park Gloucestershire GL4 8EU www.sofaa.org

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MODERN ART & DESIGN Auction Tuesday 19th October 2021 starting at 10am

Prinknash Abbey Park Gloucestershire GL4 8EU

Enquiries Tel: +44 (0) 1452 344499 Email: info@chorleys.com www.chorleys.com

Viewing Sunday 17th October 10am-4pm Monday 18th October 9am-4pm

For the safety of our customers and staff we have been as stringent as possible with regard to the wearing of masks and social distancing. On Monday 19th July 2021 some restrictions were lifted and it has now been left to individuals to act in a sensible way. Coronavirus cases are still at high levels and we ask that all visitors to our premises act responsibly, keep their distance, sanitise their hands and wear a mask unless exempt.

Courtesy and care to others is a must at all our sales. Customers are now allowed back into the saleroom to view and attend sales, Chorley’s request that they reduce time in the saleroom and try to restrict the number of attendees from any one household. The offices are a staff only domain and all enquiries will be handled through the screened windows, buyers and sellers are not permitted to enter the offices in any circumstance.

Please try to restrict the number of people attending the saleroom to allow social distancing between those in attendance, onlookers and children should not attend and social visits are discouraged.

BIDDING: There are a number of ways to bid at our auctions G In person G Commission (absentee) bid G Telephone bid G Online via third-party website See our website or contact us for further information.

INTERNET PLATFORMS: Live internet bidding is available for this auction on these platforms, subject to an additional fee for the-saleroom.com

FEES: Buyer’s premium (+ VAT at 20%) will be charged to the purchaser on top of the hammer price of each lot purchased, at the following rates: 22.5% (27% incl. VAT) on the first £100,000 15% (18% incl. VAT) on the excess between £100,000.01 and £500,000 12.5% (15% incl. VAT) on the excess between £500,000.01 and £1,000,000 10% (12% incl. VAT) on any balance exceeding £1,000,000 Artist’s Resale Right (ARR) This additional fee may apply to many lots in this auction. Please see page 4 for full details.

PAYMENT:

COLLECTION: It is the responsibility of the purchaser to make collection arrangements. All purchased lots in this auction must be paid for and collected from Chorley’s salerooms by 5pm on Friday 29th October. Lots uncollected after this date will be removed to storage at a cost of £10 and will incur a storage charge thereafter at a rate of £2 per lot per day (all charges are subject to VAT)

We accept payment by debit card, credit card or bank transfer (maximum payment by credit card £1,000 per buyer per auction).

We do not accept payment by cheque or cash.

All Lots offered subject to Chorley’s Terms of Sale, as published at the back of this catalogue and available on our website.

If you cannot attend the auction to view in person, you will find many additional images and condition reports in our online catalogue at www.chorleys.com. Please contact us with any specific questions and we will be pleased to help.

Gloucestershire's Fine Art Auctioneers The beautiful grounds of Prinknash Abbey are located in the heart of the Cotswolds, midway between Cheltenham, Cirencester, Stroud and Gloucester and easily accessible from the M5 / M4 / M40. Chorley's salerooms can be found next to the Abbey's popular tea rooms, and there is always plentiful parking which makes delivering and collecting items easy.

We conduct frequent auctions of high quality antiques and art, as well as offering valuation services for private and corporate clients. Our experienced valuers and saleroom staff are bound by the values of integrity, honesty and professionalism and we are members of the Society of Fine Art Auctioneers & Valuers (SOFAA).

We look forward to welcoming you soon.

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T: +44 (0) 1452 344499 E: info@chorleys.com www.chorleys.com

Tuesday 19th October 2021 at 10am Vintage Fashion Jewellery Silver Works of Art Glass Ceramics Studio Ceramics Pictures Furniture & Lighting

Lots

Page

1-23 30-48 50-55 60-84A 85-120 123-179 185-320 330-545 550-650

6 9 13 16 20 26 33 51 84

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Explanation of Cataloguing Practice Pictures

Generally

When offering Oil Paintings, Watercolours and Drawings, a picture code is used. Using one artist's name we illustrate below the manner of attributing the pictures in the catalogue.

Furniture, porcelain, bronzes, etc are attributed as follows:

Arthur Devis In our opinion a work by the artist.

Attributed to Arthur Devis In our opinion a work possibly by or partly by the artist.

A Sheraton period In our opinion made at the same time that Sheraton was active.

Sheraton style or of Sheraton design In our opinion of later manufacture.

Dated 1660

School of Arthur Devis

In our opinion a genuine date.

In our opinion a work contemporary with the artist and showing his influence.

Carved with the date 1660

Manner of Arthur Devis In our opinion a work in the artist's style and of a later date.

After Devis In our opinion a copy of a known work by the artist (of any date).

Signed, Dated, Inscribed In our opinion the work has been signed/dated/inscribed by the artist.

Bears Signature; Bears a Date; Bears an Inscription

In our opinion a later decoration.

A Derby figure In our opinion a figure from the Derby factory.

Possibly Derby In our opinion this is similar to a Derby product.

By In our opinion made by the artist or modeller in question.

After In our opinion made by another artist or modeller as a copy of the original.

In our opinion the signature/date/inscription is by a hand other than the artist.

Dimensions These are given height before width.

Artist’s Resale Right (ARR) This derives from a European Directive and came into force in the UK in 2006. Living artists and the descendants of artists deceased within the last 70 years are entitled to receive a resale royalty each time their work is bought. The right only applies when the sale price reaches or exceeds the sterling equivalent of €1,000. The fee is calculated on a sliding scale and charged to the buyer as a percentage of the hammer price, and in addition to the buyer’s premium. ARR is not subject to VAT. Please note ARR is calculated in Euros and the auctioneers will apply current exchange rates. This fee is passed on by Chorley’s to the artist’s collecting society.

Applies to lots with hammer value over €1,000 as follows: €1,000 to €50,000 – 4%, €50,000.01 to €200,000 – 3% €200,000.01 to €350,000 – 1%, €350,000.01 to €500,000 – 0.5% Exceeding €500,000 – 0.25%. ARR is capped at €12,500

Condition Condition information is not usually provided in our printed catalogue, but is available upon request.

Further images and some condition reports can be viewed on our online catalogue at www.chorleys.com.

The absence of a condition report does not imply that a lot is without imperfections.

Books are not collated unless stated and are not guaranteed to be complete.

Catalogue produced by Pardy & Son (Printers) Ltd

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Vintage Fashion

Vintage Fashion 1.

Mulberry, a black trolley case with pockets and compartments, zip fastening, attached luggage tag, pull-along handle and wheels, 65cm high x 44cm wide x 28cm deep £80-120 (+Fees*)

8.

Mulberry, a wool check coat with pockets and belt and hat-pin fastening, size 12 and the matching scarf [2] £60-80 (+Fees*) 9.

Mulberry, a brown leather woven handbag with shoulder strap, lined with zipped pocket, 25cm wide x 21cm high £40-60 (+Fees*)

2.

Mulberry, a Tarnock backpack in Scotchgrain leather with tan leather trim and adjustable canvas straps, labelled and lined, disc no. 863976, 39cm wide x 42cm high £100-150 (+Fees*)

10.

Mulberry, a large dark brown leather handbag with shoulder strap, lined with zipped interior pocket, disc no. 658731, 32cm wide x 28cm high £80-120 (+Fees*)

3.

Mulberry, a tan leather tote bag, un-lined, with canvas and leather handles, disc no. 206964, 38cm x 38cm £40-60 (+Fees*)

11.

A Paisley shawl, with red border vand raw edge, 202cm x 108cm and a red check wool scarf, 160cm x 52cm [2] £30-50 (+Fees*)

4.

Mulberry, a Wexford olive green leather handbag with shoulder strap, front buckle closure, lined with interior pocket, disc no. 374073, 32cm wide x 27cm high £80-120 (+Fees*)

12.

A Beckford silk velvet scarf with abstract floral design, labelled, 165cm x 24cm, and another black velvet scarf with gold abstract pattern, 123cm x 24cm [2] £20-30 (+Fees*)

5.

Mulberry, an open weave small brown leather handbag, lined, 25cm wide x 16cm high and Kate Sheridan for Toast red leather handbag with shoulder strap and interior pocket, 22cm wide x 16cm high £40-60 (+Fees*) 6.

Mulberry, a black Scotchgrain travel bag with leather handles, pockets to exterior, luggage tag, zipped and lined, pull-along handle and wheels, disc no.

009290C, 40cm wide x 66cm long £100-150 (+Fees*) 7.

Mulberry, a pair of green suede gloves, lined, with Mulberry logo button fastening, a red spotted silk scarf, a Mulberry woven green leather belt, size 34/85 and four other leather belts [7] £40-60 (+Fees*)

6

13.

A red velvet devoré scarf, 160cm x 33cm, a similar grey devoré scarf and another [3] £30-40 (+Fees*) 14.

Dunn & Co. with Hodges, a brown felt trilby hat with feather trim to band, lined and labelled, size 71⁄8, an Ischler Hut, Austria navy felt hat with green band and feather trim, and a Sandra Phillips brown velvet hat, lined and labelled [3] £40-60 (+Fees*) 15.

Yohji Yamamoto, a ‘Y’ loose black jacket, size 2 £40-60 (+Fees*)

16.

Sonja Marohn, a short black cotton jacket, size L £30-40 (+Fees*) 17.

Issey Miyake, a black cotton ‘sunshine’ jacket with decorative cut-out designs, size L £30-40 (+Fees*) 18.

Emporio Armani, a longline black leather jacket, size M £60-80 (+Fees*) 19.

Frank Usher, a short black evening jacket, size 38 £30-40 (+Fees*) 20.

George Rech, a ‘Synonyme’ formal taupe wool jacket with decorative lapels, size 40 £30-40 (+Fees*) 21.

Sportmax, black linen belted ‘gymslip’ dress, size 40 £30-40 (+Fees*) 22.

Gerry Carter (20th Century), a length of handwoven tweed fabric, 73cm wide, approximately 5.5m long, suitable for a coat Note: Gerry Carter was a longstanding member of the Gloucestershire Guild of Craftsmen £40-60 (+Fees*) 23.

Theo Merrett, a group of hand tooled leather bags, including hat box, vanity case and two handbags [4] Note: Theo Merrett was a bookbinder by trade, and member of the Gloucestershire Guild of Craftsmen £40-60 (+Fees*)

ARR – Some lots may be subject to an additional fee (see page 4)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

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Jewellery & Silver

Lot 32

Lot 30

Jewellery 30.

Loulou de la Falaise for Yves Saint Laurent, a multi-strand beaded necklace, gold toned, with maker’s tag, 226cm long in total (in bag for Musée Yves Saint Laurent, Marrakech) £40-60 (+Fees*) 31.

A 9ct gold and amethyst ring, of 1960s modernist design with scrolling vines, mark possibly JB £120-150 (+Fees*) 32.

Kiki McDonough, a pair of amethyst cabochon earrings, set in yellow gold, signed, and a matched three row choker type necklace, the rows of amethyst beads interspered at intervals by unhallmarked yellow metal beads, unsigned [2] £600-800 (+Fees*)

33.

Brett Payne, a silver bracelet, Sheffield 2001, of heart shaped padlock links, 20.5cm long approximately 59gm, in fitted box £200-300 (+Fees*) 34.

A pair of lapis and 18ct yellow gold ear studs, of modern design, the unpolished triangular lapis panels in gold settings marked 750, gross weight 12.4gm £200-300 (+Fees*) 35.

Kiki McDonough, a pair of amethyst and 18ct gold shield shaped earrings, the central cabochon amethysts to a beaded border with rope twist rim, signed and hallmarked, 2.5cm diameter gross weight approximately 24.1gm £300-400 (+Fees*)

Lot 31

36.

Gurhan, a pair of turquoise and gold ear clips, of oval form in 24ct yellow gold settings, signed and numbered ED688, gross weight approximately 12.4gm £300-400 (+Fees*) Lot 33

Lot 34

Lot 35

Lot 36

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

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Lot 37

Lot 39

37.

A modern lapis necklace with gold heart centrepiece, the unpolished lapis beads of irregular rectangular form, the heart 2cm wide, initialled and marked 750 £200-300 (+Fees*)

38.

Kiki McDonough, a green amethyst and diamond cluster ring, the central stone of faceted rectangular form, to a surround of diamonds, set in 18ct white gold, size M £500-700 (+Fees*)

Lot 38

Lot 40

10

39.

David Yurman, a silver and 14k yellow gold double torque necklace, signed, approximately 95gm £300-500 (+Fees*)

40.

David Yurman, a silver and gold cable bangle, with two 14ct yellow gold collars, signed, approximately 29gm £100-150 (+Fees*)

41.

David Yurman, a silver and gold cable bangle, with central 14ct yellow gold cross, signed, approximately 28gm £100-150 (+Fees*)

Lot 41

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 43

Lot 42

Lot 45

42.

David Yurman, a silver pendant necklace, the necklace of cable form with 14k yellow gold collars, the gem set pendant of square form with cable border, signed, approximately 81gm £400-600 (+Fees*) 43.

David Yurman, two pairs of silver and 14k yellow gold earrings, signed, gross weight approximately 22gm £200-300 (+Fees*) 44.

A jade bead bracelet, a similar necklace and three costume necklaces £100-150 (+Fees*) 45.

A quantity of modernist silver jewellery, including earrings, pair of cufflinks, maker AD, and a pendant necklace and matching ear studs £100-150 (+Fees*)

46.

Barbara Christie (1946-2013), a modernist necklace of flattened circular beads centred by a boat shaped crystal, small silver tag with makers mark and date letter for London 2010, 53cm long, boxed £200-300 (+Fees*) 47.

Catherine Prevost, a six-row necklace of faceted black beads with freshwater pearl spacers, centred by a rectangular jade pendant carved with trees and a waterfall, the pendant 63mm x 41mm, boxed £250-350 (+Fees*) 48.

A Tissot Rock Watch and three other watches £40-60 (+Fees*)

Lot 47

Lot 46

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

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Lots 52 and 53 Lots 50 and 51

Silver

53.

Stuart Devlin (1931-2018), a silver, silver gilt and enamel surprise egg, London 1975, of textured form, containing enamel butterflies, 7.5cm high £150-200 (+Fees*)

50.

Georg Jensen, a pair of silver spoons and a pair of pickle forks, all with stylised leaf pattern terminals (No 52), all with import marks, George Stockwell 1928/1930, approximately 129gm £180-220 (+Fees*)

54.

Stuart Devlin (1931-2018), a pair of silver and silver-gilt three-light candelabra, maker’s mark and hallmarks for London 1974, 25.5cm high £3500-4500 (+Fees*)

51.

Georg Jensen, three pairs of silver spoons with stylised terminals (Nos 151, 51 and 147), all with import marks, George Stockwell 1926-1931, approximately 202gm £250-350 (+Fees*) 52.

Stuart Devlin (1931-2018), a silver, silver gilt and enamel surprise egg, London 1978 of textured form, containing a hedgehog, 7.5cm high, approximately 135gm £150-200 (+Fees*)

55.

Pomellato (late 20th Century), a .925 silver vase with Murano turquoise glass cabochon cover, 20cm high overall £600-800 (+Fees*) Lot 55

Lot 54 12

ARR – Some lots may be subject to an additional fee (see page 4)

Works of Art

Works of Art 60.

Hugh Wallis (1871-1943), an Arts & Crafts oval copper tray inlaid with white metal fruiting branch motif and twist border, impressed monogram, 37.5cm wide and a Newlyn copper candle holder embossed with two fish, impressed mark, 22.5cm long [2] £60-80 (+Fees*) 61.

Sarah Reilly, a copper bowl with pierced organic designs, initialled SR to rim and with artist’s label to base, 38cm diameter £30-40 (+Fees*) 62.

Goldscheider PURETÉ an Art Nouveau painted and gilt terracotta bust, modelled as a maiden with downcast eyes and floral hairband with spray of lilies, impressed marks Friedrich Goldscheider Reproduction Reservée, 2213/430/42, 45cm high Provenance: purchased from Lapada exhibition 2007 £600-800 (+Fees*)

Lot 60

63.

No Lot 64.

H Simon, a modernist sculpture of three bronzed interchangeable rings on a black ridged base, incised signature and date H Simon ’74, numbered 4/12, 45cm high £250-300 (+Fees*)

Lot 61

Lot 62

14

Lot 64

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 65 65.

Mestrovic, a wood sculpture, seated couple embracing, signed, 31cm high £150-200 (+Fees*) 66.

Perryn Butler (Welsh, Contemporary), Horse and Seahorse, two patinated bronze heads, each initialled to base and numbered 3/12 and 5/12, 14cm high £60-80 (+Fees*) 67.

Tim Stokes, a turned wood bowl, grass tree root with gold leaf, 13cm high, 18cm diameter and four turned wood bowls by Ian Clarkson, various woods and sizes, all with maker’s initials to base [5] £50-70 (+Fees*)

Lot 67 71.

P Hannaby, a carved London plane bowl, signed, 20cm diameter and four other carved wood bowls, various makers and sizes [5] £40-60 (+Fees*)

73.

A pair of decorative life size nude torsos, front and back views, plaster moulds applied black and cream enamelling, approximately 70cm high, 34cm wide £60-80 (+Fees*)

72.

An Arts & Crafts oak table casket, carved panels of foliage and quatrefoil motifs, the hinged lid with panels carved 1883/KAH/1908, the interior lined in cream satin, 29.5cm wide, 13.5cm high, 12cm deep £80-120 (+Fees*)

74.

A Fijian woven sleeping mat, late 20th Century, 185cm x 83cm £200-300 (+Fees*)

68.

Dave Regester, a turned quince wood bowl with natural form edge, 27cm diameter and two other turned wood bowls [3] £40-60 (+Fees*) 69.

Chris Robertson, four turned wood bowls, various sizes and woods, the largest with natural form rim, 21.5cm diameter and smaller, signed to base and four smaller turned wooden bowls, the largest 12cm diameter [8] £40-60 (+Fees*) 70.

Mike Scott (Chai), a small wooden bowl of natural form, signed to base, and another by Ian Harris, with scorched rim, 15cm high [2] £60-80 (+Fees*)

Lot 73

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

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Lot 75 75.

Aboriginal 20th Century, a boab nut carved in the traditional style with turtle, lizard and snake, 18cm long £80-120 (+Fees*) 76.

A lacquer panel decorated birds in magnolia branches, signed and inscribed from Fran van Cham, Paris (unframed), 24cm x 19cm and a framed porcelain panel, children picking apples, 26cm square overall [2] £50-70 (+Fees*) 77.

Danske Folkeboger (Danish Folk Stories) 1915-1919, 5 volumes with decorative paper bindings, and a large number of other early 20th Century Danish books, various authors and bindings, including many owned and rebound by Anna Flygenring (1907-1969) who worked as a bookbinder in Reykjavik £40-60 (+Fees*)

Lot 80 78.

Essex House Press of Chipping Campden, Norman Architecture in Essex by Ernest Godman, 1905, one of 300 copies (unnumbered), and Mediaeval Architecture in Essex, no 5 of 250 copies etched, each with frontispiece by Jessie Godman, Banstead £60-80 (+Fees*) 79.

Scrabble: The Classic Collector’s Edition, Franklin Mint, hardwood framed playing board with raised grid, fitted drawer under containing tiles and four tile racks, with 24ct gold plated tiles, Official Scrabble Words book and rules of play £100-150 (+Fees*) 80.

Paul Francois Louchet (1854-1936) A FROG PULLING A BABY FROG ON A SNAIL SHELL bronze, 18cm long £100-150 (+Fees*)

81.

After Carrier-Belleuse JEUNE FEMME AUX COLOMBES signed bronzed resin, 59cm high £40-60 (+Fees*) 82.

Timothy Richards, No. 10 Downing Street, an architectural plaster model, 16cm high, boxed £80-120 (+Fees*) 83.

Timothy Richards, Reddish House, Salisbury, an architectural plaster model, 13cm high (boxed) £80-120 (+Fees*) 84.

Timothy Richards, Cotswold gabled house, an architectural plaster model, 16.5cm high, boxed £80-120 (+Fees*) 84A. An Art Deco style Picquot Ware tea and coffee service of four pieces £40-60 (+Fees*)

Lot 82 Lot 84

16

Lot 83

ARR – Some lots may be subject to an additional fee (see page 4)

Glass

Lot 86

Glass 85.

Brian and Jenny Blanthorn, a fused glass dish, opalescent and black banding, signed, numbered 13/20 and dated 9/4/95 to base, 22cm diameter Provenance: Cowdy Gallery, Newent 1995 £40-60 (+Fees*)

86.

Siddy Langley (born 1955), an iridescent glass vase, signed and dated 1996, 10cm high, 14cm diameter Provenance: Art in Action, Waterperry, Oxford £60-80 (+Fees*)

Lot 88 87.

Peter Layton (born 1937), an iridescent ‘Peacock’ glass vase, etched signature to base, 10.5cm high and a glass pebble vase, red and black swirls to iridescent ground, signed and dated 1983 together with a clear glass vase with wavy stripes, 10cm high and a blue glass vase, 17cm high [4] £100-150 (+Fees*)

88.

Pauline Solven (born 1943), an art glass vase with lipped rim, clear lilac with coloured abstract motifs, signed and dated 2000, 11cm high, 20cm wide Provenance: Cowdy Gallery, Newent 2002 £80-120 (+Fees*)

Lot 89 89.

Chris Thornton, an amber glass vase decorated abstract lines and swirls in colours, signed and dated ’85 and with gallery label for Peter Dingley, 16cm high Provenance: Peter Dingley gallery, Stratford-upon-Avon £80-120 (+Fees*) 90.

Jane Beebe, a white and clear glass ‘Moon’ bowl of crescent shape and folded interior, signed and dated ’93, 17.5cm wide, 14.5cm high Provenance: The Glass Barn, Newent, 1994 £40-60 (+Fees*) 91.

Martin Andrews, two studio glass flattened flasks, 25cm high and a trumpet shaped vase, 27.25cm high, all signed to bases [3] £100-150 (+Fees*)

Lot 91 18

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 92 92.

Will Shakspeare for Shakspeare Glass, a group of five opaque coloured glass vases, with trailed decoration, the largest 32cm high, all signed SHAKS to bases [5] £80-120 (+Fees*) 93.

Orlando Zennaro, Murano, two glass bottles in clear, blue and green stripes, signed Zennaro to base, 36.5cm and 32.5cm high, together with a pink cased glass vase of stylised tulip form, 22.5cm high [3] £80-120 (+Fees*)

Lot 93 (part) 94.

Attributed to Will Shakspeare, a studio glass vase with trailed and mottled decoration, 30cm high £40-60 (+Fees*) 95.

Peter Layton (born 1937), a cylindrical glass vase, mottled swirls in blue with orange flecks, signed, 36.5cm high £60-80 (+Fees*) 96.

An Empoli vintage glass Genie bottle in cobalt blue with hobnail decoration, 39cm high (no stopper) £30-40 (+Fees*) 97.

A Murano Alrose turquoise glass decanter, square with long neck, 51cm high £60-80 (+Fees*)

Lot 95

Lot 94 98.

A mid-Century Italian emerald green glass decanter and stopper, with window pane design, 24.25cm high and an MCG (Metropolitan Crystal Glass) decanter, 1960s, in clear glass with vertical stripes, 27cm high [2] £60-80 (+Fees*) 99.

E M Dinkel (1894-1983), an etched glass solifleur vase, design of woodland animals and birds in foliage, 25.5cm high, signed and dated 1962, a cordial glass of similar design, signed and dated 1962, three further pieces of etched glass and a pebble paperweight, design of Capricorn the Goat and with motto to reverse, initialled and dated E.M.D. 1973, 10cm diameter [6] £60-80 (+Fees*)

Lot 98

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

19

Lot 100 100.

Bernard Tirtiaux (born 1951), a pair of stained glass panels, each with design of musicians and singers beside a flowing stream, the banks dotted with brightly coloured floral roundels, one signed and dated B Tirtiaux 77, each panel 130cm x 62cm Note: Bernard Tirtiaux is a Belgian artist, designer and author, well-known for his monumental glass sculptures and installations as well as the windows he designed and created for church windows.

These panels were privately commissioned in 1977 by the vendor’s father, a musician, and installed as windows in the family house in Leuven, Belgium £800-1200 (+Fees*)

20

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 106

104.

Peter Dreiser (1936-2006), a Dandelion Seed glass vase, etched signature to base P Dreiser ‘82, 22.25cm high £120-180 (+Fees*)

Lot 101 101.

Attributed to Barovier e Toso, Murano, an ornate crystal chandelier of fountain design, approximately 82cm high £2500-3500 (+Fees*) 102.

Carlo Mollino (1905-1973), a Murano globe bottle, iridescent amber glass, signed to base, 32cm high £100-150 (+Fees*) 103.

An Italian ‘Clessidra’ hourglass, design by Fulvio Biancini for Venini, red and green glass conjoined sections, sand filled, unsigned, 19cm high £300-400 (+Fees*)

Lot 103

105.

Lalique, Les Introuvables, the Ultimate Collection, to include three miniature scent bottles, boxed £40-60 (+Fees*) 106.

Holmegaard, Denmark, a cylindrical lime green glass vase, 28cm high, a bottle vase, an oval vase and a kidney shaped dish, 20cm high, all with etched mark to base [4] £60-80 (+Fees*) 107.

Style of Gallé, a set of seven engraved and enamelled glass beakers, circa 1880, in the Japanese style, deeply engraved with fish leaping from waves and naturalistically coloured, in three designs, 12cm high Provenance: James Anderson Rose and by descent to his wife Emily Winter Rose and by descent to her half-sister Anne Oman, née Chadwick and by descent in the family to Julia Trevelyan Oman, Lady Strong Exhibited: One example shown at the Fine Art Exhibition of the Worshipful Company of Cordwainers, 21 April - 7 May 1890 where Anderson Rose was the Master £1500-2000 (+Fees*)

Lot 107

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

21

Lot 114

115.

Lalique, a clear and frosted glass scent bottle and stopper, Dahlia pattern, impressed mark to base R. Lalique, France, etched no.7460, 21cm high

Lot 109 Lot 110 108.

Orrefors, a suite of drinking glasses with enamelled floral decoration, comprising two champagne flutes, thirteen wine glasses, seven sherry glasses, six tumblers, a footed bowl and two tea light stands with shades £100-150 (+Fees*)

111.

Kjell Engman for Kosta Boda, a glass vase decorated birds in flight over landscape, etched maker’s mark to base, 15cm high and another footed bowl, etched 59/69 to base, 12.25cm high, 17cm diameter £60-80 (+Fees*)

109.

Baccarat, an Oceanie crystal vase, in cobalt and clear glass, of basket form with interchangeable cylinder handles with millefiori terminals, 20cm high, 21cm wide £150-200 (+Fees*)

112.

Daum, a crystal and pate-de-verre Papillon solifleur vase, incised mark to base, 21cm high and a Baccarat crystal vase of modernist form, 17.5cm high [2] £150-200 (+Fees*)

110.

Lalique, a Marrakech vase, in clear and amber tinted glass with Deco palmette applique to each side, engraved mark near base Lalique France, 31cm high £300-500 (+Fees*)

Lot 115 22

113.

Lalique, seven scent bottles and stoppers, various, the largest 14.5cm high [7] £200-300 (+Fees*) 114.

Lalique, a clear and frosted glass circular box and cover, Dahlia pattern, engraved mark to base R. Lalique, France, 12cm diameter £150-250 (+Fees*)

116.

Tiffany, three Favrile footed bowls, with lustre finish, initialled L.C.T beneath, 11cm diameter £400-600 (+Fees*) 117.

Tiffany, two Favrile footed bowls, with lustre finish, initialled L.C.T beneath, 11cm diameter £250-350 (+Fees*) 118.

A twin-handled blue glass vase of amphora shape, with band of trailed decoration around the middle, 21.5cm high and an alabaster vase, 21cm high [2] £30-40 (+Fees*) 119.

Orrefors, a pair of glass bowls, each engraved a nude in the Art Deco style, inscribed to base Orrefors A.5.SR, 10.75cm wide [2] £60-80 (+Fees*) 120.

Hoya Crystal, a sushi set and a tea set of 5 engraved cups and 5 lacquer saucers, both in original fitted cases and purchased from Tiffany & Co. [2] £40-60 (+Fees*)

Lots 116 and 117 ARR – Some lots may be subject to an additional fee (see page 4)

Ceramics

Ceramics 123.

An Aynsley part tea service, Pink Butterfly pattern no. B1322, comprising teapot and cover, sugar bowl, 2 plates, 2 saucers and a broken teacup £300-500 (+Fees*) 124.

A Costa Bassano octagonal bowl with three doves around the rim, inscribed 74220 Costa Made in Italy to base, 28cm wide and a flower bowl modelled as a dove, 30cm wide [2] £60-80 (+Fees*)

128.

Poole Pottery, a floral large baluster vase, shape 660 with printed mark, 32.5cm high £80-120 (+Fees*) 129.

Poole Pottery, a baluster vase, shape 337, decorated stylised leaves and stripe, 24cm high, a lamp base, 24cm high and a boat shaped dish, 24cm wide [3] £80-120 (+Fees*) 130.

Poole Pottery, a large floral baluster vase with incised mark, shape 435, 28cm high £80-120 (+Fees*) Lot 127 (part)

125.

Celtic Ceramics, Kilrush, Ireland, three modernist jugs, glazed in ochre, green and brown, with angular handles, impressed marks, 28.5cm high £100-200 (+Fees*) 126.

Sylvac, two Pebble vases, 24cm high and smaller and a matching square bowl [3] £20-30 (+Fees*) 127.

Poole Pottery, a model of a seated cat, teal glaze, marked to base Poole England, 29cm high and two mid-Century West German plants pots, 12.5cm and 10.5cm high [3] £40-60 (+Fees*)

Lot 128, 130 and 149

Lot 123 24

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 131 (part) Selection of Poole Pottery vases 131.

Poole Pottery, a Persian deer plate, hand painted by Carolyn Beckwith, 35cm diameter, another large dish, painted by J Rolfe, 34.5cm diameter and a matching smaller plate, 26cm diameter [3] £80-120 (+Fees*) 132.

Poole Pottery, a peanut vase, 26.5cm tall, a matching freeform bottle vase, PQB pattern, by Gwen Haskins, 19cm tall and a matching serving dish, 22.5cm diameter, together with a patterned posy bowl, 18cm diameter [4] £150-200 (+Fees*) 133.

Poole Pottery, two freeform vases, YCB design, by Gwen Haskins, the tallest 19cm high [2] £80-120 (+Fees*) 134.

Poole Pottery, a patterned freeform peanut vase, 27.5cm high and a matching bud vase, 20cm high [2] £80-120 (+Fees*)

137.

Poole Pottery, a freeform vase, PRB pattern, 32cm high, a matching pin dish, 11cm diameter, two black peanut vases, 19cm high and two black bottle vases, the tallest 26cm high [6] £100-200 (+Fees*) 138.

Poole Pottery, a patterned cheese dish and cover, 18cm long, a patterned shallow bowl, 21cm diameter, a patterned egg cup and two patterned pin dishes [5] £30-40 (+Fees*) 139.

Poole Pottery, a freeform cucumber dish, 40.5cm long, two smaller, a pin dish, 10.5cm diameter and a patterned peanut vase, 19.5cm high [5] £60-80 (+Fees*) 140.

Poole Pottery, two large freeform cucumber dishes, TNC pattern, 40.5cm long and a matching smaller cucumber dish, 32cm long [3] £40-60 (+Fees*)

141.

Poole Pottery, a freeform cucumber dish, 32cm wide, a matching shallow bowl, 21cm diameter and a plain vase, 15.5cm high [3] £40-60 (+Fees*) 142.

Poole Pottery, two freeform cucumber dishes, 32cm long, two plain bottle vases, the tallest 26cm high and two patterned pin dishes [6] £60-80 (+Fees*) 143.

Poole Pottery, a pair of freeform cucumber dishes, TNB pattern, 32cm long, both with printed marks [2] £60-80 (+Fees*) 144.

No lot 145.

Poole Pottery, twenty small glazed trays, various animals, 17.5cm wide and a 1960s stylised bird plaque glazed in blue and green tones, 18cm wide [21] £80-120 (+Fees*)

135.

Poole Pottery, a freeform vase, PKT pattern, 19.5cm high, and six plain bottle vases, the largest 26cm tall [7] £200-300 (+Fees*) 136.

Poole Pottery, a freeform vase, YFT pattern, 24cm high, a plain bottle vase, 26.5cm high, a patterned posy ring, 14.5cm diameter and a patterned bowl, 12cm diameter [4] £150-250 (+Fees*)

Lot 140

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Lot 147 146.

Poole Pottery, nine various glazed trays, to include four Robert Jefferson fairytale theme dishes, three bird shaped dishes, a fish shaped dish and a mermaid shaped dish [9] £60-80 (+Fees*) 147.

Poole Pottery, four plates painted with different ships: Polly, The Ship of Harry Paye, Waterwitch and General Wolfe, each 27cm diameter [4] £200-300 (+Fees*) 148.

Poole Pottery, two large vases, cylindrical ribbed design with band of graduated colours, the tallest 40.5cm high [2] £30-40 (+Fees*) 149.

Poole Pottery, a pair of vases, Lenny the Lion pattern, 21cm high, another 16.5cm high and a smaller vase, 14cm high, all with incised marks [4] £60-80 (+Fees*) 150.

Poole Pottery, a Delphis charger, 26cm diameter, a large plant pot, 22cm high and a shallow bowl, 17.5cm wide [3] £30-40 (+Fees*)

Lot 153 26

Lot 150

151.

Poole Pottery, six studio vases various, the tallest 17.5cm high [6] £80-120 (+Fees*) 152.

Poole Pottery, Cities in Sketch, one plate 27.5cm wide, four plates 21cm wide and six map plates [11] £60-80 (+Fees*)

153.

Poole Pottery, a four-tile panel, Art Deco style figures, mounted in a wooden frame, 35cm square £180-220 (+Fees*) 154.

Poole Pottery, a set of four flying duck wall mounts, impressed no. 812 and stamped mark, each 18cm wide, 14cm high [4] £60-80 (+Fees*)

Lot 154

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 159 Lot 155

155.

Poole Pottery, a wall mount in the form of two birds on a blossom branch, faint impressed marks, 17.5cm wide and two flying bluebird wall mounts, 14.5cm and 12.5cm [3] £80-120 (+Fees*) 156.

Poole Pottery, a lime green freeform Horn vase, shape 724, stamp to base, 36cm high and a freeform bottle vase, PJL pattern, stamped mark and no. 693, 26.5cm high [2] £120-180 (+Fees*) 157.

Poole Pottery, an Art Deco style Bluebird ceramic brooch, inscribed verso 270/500 and monogrammed £60-80 (+Fees*)

Lot 158 161.

Troika, a rectangular pottery vase with geometric decoration, inscribed to base Troika, Cornwall, England, LT, 17.5cm high £100-150 (+Fees*)

158.

Poole Pottery, six decorative brooches, comprising two enamel vase-shaped pin brooches decorated leaping deer, 3cm high, two ceramic blue dolphin brooches and two seahorse brooches [6] £30-40 (+Fees*)

162.

Troika, a square section vase, monochrome with incised geometric designs, painted mark Troika St Ives, 22.5cm high and a baluster vase with blue glaze and band of green and brown circles, design by Linda Hazel, signed Troika, 25.5cm high [2] £80-120 (+Fees*)

159.

Poole Pottery, an Art Deco style bird ceramic brooch, Truda Carter B6, maker’s mark verso and another similar style ceramic bird brooch [2] £80-120 (+Fees*) 160.

Poole Pottery, a circular ceramic brooch in Truda Carter’s Leaping Deer design, inscribed N Massarella, 2016 and impressed maker’s mark verso and a Delphis design brooch, limited edition 29/200, monogram for Carol Cutler, maker’s stamp verso [2] £80-120 (+Fees*) Lot 161

Lot 162

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174.

Two Wedgwood Fairyland lustre bowls, one with stylised gilt Oriental motifs against a mottled blue ground exterior, the interior with polychrome turtle on a pale blue ground, pattern no. Z4829x and Wedgwood mark to base, 9.25cm diameter, the other with mottled blue exterior with gilt pattern to rim and with pale blue interior with gilt snake to centre, pattern no. Z4829 and Wedgwood mark to base, 5.75cm diameter [2] £60-80 (+Fees*)

Lot 163 163.

A pair of Royal Doulton flambé glaze vases, silhouetted designs of lake and farming landscapes, 19.25cm and a flambé model of a hare, 10cm long [3] £60-80 (+Fees*) 164.

A Ruskin pottery vase with mottled and drip blue glazes, impressed factory mark, 22.5cm high £60-80 (+Fees*) 165.

A Ruskin pottery vase of tapering form with mottled blue glaze, impressed factory mark, 15cm high £60-80 (+Fees*) 166.

A Royal Doulton stoneware vase with band of gilt floral decoration above a blue glaze, impressed marks, 23cm high £30-40 (+Fees*) 167.

A pair of Royal Copenhagen herons, 28.5cm high and a moon flask with peacock design by Marianne Johnson, 13.5cm high £120-180 (+Fees*) 168.

Tiffany & Co, a basket weave white bone china tray with pierced handles, 30cm x 23cm, in original box £40-60 (+Fees*) 169.

Daisy Makeig-Jones for Wedgwood, a Fairyland lustre Imperial bowl, Poplar Trees and Woodland Bridge patterns, 19155/931 pattern Z4968, printed Wedgwood mark to base, 27.5cm diameter (restored) £400-600 (+Fees*)

28

Lot 167 170.

Daisy Makeig-Jones for Wedgwood, a Fairyland lustre shallow bowl, Woodland Bridge pattern, the interior in Jumping Fawn pattern, the exterior with gilt birds in flight on mottled green lustre ground, Wedgwood mark to base, 23.5cm diameter £200-300 (+Fees*) 171.

A Wedgwood Fairyland lustre slender vase, Hummingbird pattern, the body with gilt birds in flight on a blue ground with gilt rim, Wedgwood mark and pattern no. Z2934 to base, 22cm high and an inkstand (lacking cover),, indistinct pattern no. 8794 and maker’s mark to base, the base 15cm x 13cm [2] £100-150 (+Fees*) 172.

Daisy Makeig-Jones for Wedgwood, a Fairyland lustre bowl, Hummingbird pattern, the exterior with gilt birds in flight on a mottled blue ground, the interior similarly decorated with gilt birds to rim and centre on mottled orange ground, printed Wedgwood mark to base and pattern Z5294X to base, 21cm diameter £80-120 (+Fees*) 173.

A Wedgwood Fairyland lustre bowl, the exterior with gilt animal designs on mottled brown ground, the interior with a butterfly to the centre, pattern no.

Z4830 and Wedgwood mark to base, 10cm diameter £60-80 (+Fees*)

175.

A Wedgwood Fairyland lustre bowl and cover, Celestial Dragons pattern to exterior, gilt dragons on a mottled blue ground, dragons chasing flaming pearls to interior, the associated cover with figural knop, indistinct pattern no. and Wedgwood mark to base, 15.5cm diameter £60-80 (+Fees*) 176.

A Wedgwood Fairyland lustre melba cup, the exterior with gilt dragon motifs to a mottled blue ground, the interior with polychrome dragons, Wedgwood mark to base and pattern no. Z4929, 10.75cm diameter, 8cm high £80-120 (+Fees*) 177.

A Wedgwood Fairyland lustre bowl, the exterior decorated with gilt butterflies to a mottled orange ground, the interior blue with central gilt spider, pattern no.

Z4825, Wedgwood mark to base, 11.5cm diameter and an octagonal bowl similarly decorated, 7cm wide [2] £80-120 (+Fees*) 178.

A Wedgwood Fairyland lustre octagonal bowl, the exterior with dragons in gilt to a mottled blue ground, the interior with dragon to the centre and hoho birds in flight to the sides, pattern no. Z4829, Wedgwood mark to base, 18.5cm wide £80-120 (+Fees*) 179.

A Wedgwood Fairyland lustre bowl, Celestial Dragon pattern, the exterior with gilt dragons to a mottled green ground, the interior with polychrome dragon and decorated gilt border, pattern no. 4831 and maker’s mark to base, 10cm diameter and a smaller bowl, pattern no. Z4831 and maker’s mark to base, 7.25cm diameter [2] £60-80 (+Fees*)

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 169 to 179

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

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Studio Ceramics

Studio Ceramics 185.

Simon Carroll (1964-2009), a monumental earthenware vessel, the top of flowerhead form, the body square pierced and sgraffito decorated, on triple lobed base, applied coloured slips and glazes throughout, painted SPC mark and dated 07, 81cm high £400-600 (+Fees*) 186.

Alan Caiger-Smith (1930-2020), a large Aldermaston Pottery tinglazed bowl with lustre decoration of foliage to the interior, painted marks to base for 1978 and label for Peter Dingley Gallery, Stratford-on-Avon, 26.5cm diameter, and an Aldermaston Pottery stoneware jug by Edgar Campden with cream and brown foliate design, painted mark to base, 20cm high [2] £150-250 (+Fees*) 187.

Charlotte Rhead (1885-1947), a Bursley ware jug, cream glaze with tube lined foliate and geometric designs in coffee, printed marks to base, 19.5cm high £40-60 (+Fees*) 188.

Mary Rich (born 1940), a porcelain footed bowl, glazed in rose, azure and gold bands, with central geometric design to the interior, gilt painted monogram to base, 15cm diameter £60-80 (+Fees*) 189.

Sue Locke, a large stoneware vase, with banding and brushwork in khaki, iron and ash glazes, impressed mark to base, 27.5cm high £40-60 (+Fees*)

Lot 186 (part)

Lot 185

190.

Colin Kellam (born 1942), a stoneware dish with straight sides, painted foliage and flowers, impressed mark, 23.5cm diameter £30-40 (+Fees*) 191.

John Dunn (born 1944), a square shaped stoneware charger with canted corners and undulating form, titanium lustre glaze with central panel of rose pink lozenge designs, the base signed and bearing label for Peter Dingley Gallery, Stratford-on-Avon, 54cm square £200-300 (+Fees*)

192.

Emmanuel Cooper (1938-2018), a stoneware bowl, white opaque glaze over black slip, impressed mark (partially glazed), 15.5cm diameter £400-600 (+Fees*) 193.

Gabrielle Koch (born 1948), a tall burnished vase of slender form, incised signature, 32cm high £300-400 (+Fees*) 194.

Linda Caswell, a porcelain pleated bowl, artist’s label to base, 16cm diameter, 7cm high and a stoneware bowl by Selborne Pottery, glazed with peacock feather pattern, impressed mark, 11.5cm diameter, 7.5cm high [2] Provenance: the Linda Caswell bowl purchased from The Wonderwall Gallery, Cirencester, 2004 £40-60 (+Fees*)

Lot 188 Lot 191

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31

Lot 195 195.

A Studio Pottery ceramic vessel in the form of a shell with a ball inside, 16.5cm high and a grey pebble vase with pinched sides and rough exterior, impressed mark A to base, 18.5cm high [2] £40-60 (+Fees*)

196.

Anne James (born 1937), an ovoid hanging porcelain vase, geometric iridescent pattern to a duck egg blue ground, impressed mark, 14cm high and Michelle Ohlson, a blue dish with gilt and painted striped rim, 24cm diameter [2] £40-60 (+Fees*)

Lot 197 197.

Peter Simpson (born 1943), a porcelain vessel in the form of an ochre orb, soft white glaze, the rounded form with paper thin ruffles to the partially opened interior, indistinct impressed mark to base, 11cm high Provenance: purchased from the Primavera Gallery, Cambridge £60-80 (+Fees*) 198.

Melanie Adkins, Large Dog Sitting, handcrafted earthstone clay, oxide stained and glazed, 44cm high Provenance: Thin Dog Gallery, Cirencester 1999 £40-60 (+Fees*) 199.

Lisa Moore, two nude female figures in clay, 54cm and 45.5cm high Provenance: Stroud House Gallery £40-60 (+Fees*)

Lot 198 200.

Mary Rich (born 1940), a porcelain vase decorated stylised geometric banding in gilt on a blue ground, impressed mark, 7.5cm high £60-80 (+Fees*) 201.

Simon Rich (born 1949), an ochre crystalline glaze vase, impressed mark to base, 15cm high, and a similar teal glaze vase, indistinctly marked, 16cm high [2] £60-80 (+Fees*)

Lot 200 Lot 201

32

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 204

Lot 203 202.

Bryan Erasmus, a temoku glaze teapot, incised mark Raz to base, 27cm wide £40-60 (+Fees*)

203.

Simon Rich (born 1949), a raku fired footed bowl, orange/pink rim with turquoise glazed centre, seal mark to foot, 24.5cm diameter £60-80 (+Fees*)

204.

Simon Rich (born 1949), a conical bowl with gold combed pattern to the rim, crystalline blue glaze interior, seal mark to base, 18.5cm diameter £40-60 (+Fees*)

205.

Simon Rich (born 1949), an ovoid raku fired bowl, seal mark to base, 14cm high £50-70 (+Fees*)

Lot 205 206.

Simon Rich (born 1949), a small vase, cobalt blue glaze with turquoise stripes and gold painted narrow neck, seal mark to base, 13cm high £40-60 (+Fees*)

Lot 206 207.

Simon Rich (born 1949), four small vases, raku fired iridescent glaze, each with impressed seal mark, 14cm high and smaller [4] £80-120 (+Fees*)

Lot 207

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Lot 210

Lot 208 208.

Alan Caiger-Smith (1930-2020), a small earthenware bowl, white ground with red, yellow and blue brushwork abstract designs, painted signature and date marks for 1988, 4.75cm high, 17.5cm diameter Provenance: Bonhams, London 18 April 1996, Lot 232 £150-250 (+Fees*) 209.

David Leach (1911-2005), a stoneware vase in tenmoku glaze with wax resist iron swirl decoration, 21cm high Provenance: Westminster Gallery, MA, USA 1982 £150-250 (+Fees*)

Lot 211

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Lot 209 210.

David Leach (1911-2005), a rose crackle glaze covered dish, 1981, of domed form, impressed seal mark, 8cm high, 10cm diameter Provenance: Westminster Gallery, MA, USA 1983 £80-120 (+Fees*) 211.

John Maltby (1936-2020), a stoneware mantel clock, with incised dial and two abstract figures to sides, impressed seal mark M, 19cm high, 13cm wide Provenance: Contemporary Ceramics (CPA), London 2000 £250-350 (+Fees*) 212.

John Maltby (1936-2020), a small circular box and cover decorated abstract foliate design, signed to base, 6cm diameter Provenance: Craftsmen Potters Shop, London, 1993 £80-120 (+Fees*)

Lot 212 213.

Michael Cardew (1901-1983), a stoneware beaker cup, in pale grey glaze with cobalt blue painted abstract foliate design, blue and iron brushed bands around the rim and foot, impressed MC and Wenford Bridge Pottery seals, 9.5cm high, 9cm diameter and an earthenware mug decorated green glaze over pale slip with incised abstract foliate designs around the body, impressed MC and Winchcombe Pottery seals, 11cm high, 9.5cm diameter Provenance: the cup from Beaux Arts, 1983, the mug from Bonhams, London, 14 July 1994, Contemporary Ceramics Lot 68 [2] £100-150 (+Fees*)

Lot 213

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 215 Lot 214 214.

Ogawa Machiko (Japanese, born 1946), a circular dish, tenmoku glaze with speckled glaze to rim Provenance: purchased in Japan £80-120 (+Fees*) 215.

David Frith (born 1943), a large stoneware bowl, blue glaze with hop flower and trellis motifs in white and iron, impressed DF and Brookhouse Pottery seals, 19.75cm high, 36.5cm diameter £150-250 (+Fees*) 216.

David Frith (born 1943), a stoneware lamp base of square shouldered form, blue glaze with alternating pattern of hop flowers and trellis pattern in white and iron, the vase form converted for use as a lamp base, impressed DF and Brookhouse Pottery seals, 36.75cm high, 28.5cm diameter £80-120 (+Fees*)

217.

Mary Rich (born 1940), a porcelain bottle vase, pale green glaze with bands of pink and speckled gold geometric patterns, impressed seal, 16cm high, 7.5cm diameter £80-120 (+Fees*)

Lot 216

218.

Mary Rich (born 1940), a porcelain bottle vase, mottled bronze and ochre glazes with bands of geometric designs to the body, gold lustre glaze to the neck, impressed seal, 16.25cm high, 7cm diameter £80-120 (+Fees*)

219.

John Wheeldon (born 1950), a black stoneware bowl with lustre geometric designs to the well, impressed mark, 16.5cm diameter £40-60 (+Fees*)

Lot 217

Lot 218

Lot 219

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Lot 221 Lot 222

Lot 220

220.

Tim Andrews (born 1960), a raku-fired vessel of ovoid form on domed foot, impressed seal, 30.5cm high £80-120 (+Fees*)

221.

Tim Andrews (born 1960), a gobular raku-fired vessel, impressed seal, 10.5cm high £60-80 (+Fees*) 222.

Tim Andrews (born 1960), a sang-de-boeuf crackle glaze pot, the lid with curled handle, impressed seal, 16cm diameter £60-80 (+Fees*) 223.

Betty Blandino (1927-2011), an oval stoneware vessel with textured matte glazes, impressed mark, 19.5cm diameter (hairline crack) £60-80 (+Fees*) 224.

Jon Middlemiss (born 1949), a deep dish with wide rim decorated in purple and ecru glazes, impressed mark, 19.5cm diameter £40-60 (+Fees*)

Lot 225

Lot 223

226.

A large studio pottery jug, ash glaze, impressed seal mark BS, possibly for Bernard Sahm, 31cm high £50-70 (+Fees*)

225.

Gerd Knaepper (born 1943), a stoneware bottle vase of square form, the textured surface with trailed glazes in blue and black, impressed mark, 16cm high £80-120 (+Fees*)

Lot 224 Lot 226 36

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 227

227.

A studio pottery jug, ash glaze with iron dot repeated patterns, 17cm high and five matching water goblets, 8.5cm high [6] £50-70 (+Fees*) 228.

Winchcombe and Taena Potteries, a group of small vases, plant pots etc, some by Sidney Tustin (damages) £40-60 (+Fees*)

Lot 231

232.

Chris Carter (born 1945), a stoneware mask pot, impressed mark, 16cm high £100-200 (+Fees*) 233.

Chris Carter (born 1945), a twisted spiral stoneware vase, impressed mark, 23.5cm high (damages) £40-60 (+Fees*) 234.

Sophie Cook (born 1974), a lime green bottle vase with slender neck, impressed mark, 24cm high £100-150 (+Fees*)

229.

Neil Ions (born 1949), an earthenware ocarina in the form of a flat fish, slip decorated, painted signature, 9cm long £30-40 (+Fees*) 230.

Leach pottery, two yunomi, tenmoku wax resist glaze, indistinct marks, 7cm high £60-80 (+Fees*) 231.

Chris Carter (born 1945), a stoneware ovoid vase, impressed mark, 16cm high £120-180 (+Fees*)

235.

John Christie (20th Century), a stoneware bowl with glazed interior, impressed mark, 35cm diameter £100-150 (+Fees*)

Lot 232

236.

John Christie (20th Century), a tapering vase in graduating orange glaze, impressed mark, 25.5cm high £100-150 (+Fees*)

Lot 230

Lot 234

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37

Lot 239

Lot 237 237.

John Christie (20th Century), a large circular bowl in tenmoku glaze, impressed mark, 29cm diameter £100-150 (+Fees*) 238.

Derek Clarkson (1928-2013), a bottle vase with crystalline glaze and slender neck, impressed mark for 1991, 17cm high £100-150 (+Fees*) 239.

Derek Emms (1929-2004), a porcelain teapot with blue and red brushwork, impressed mark, 11cm high £40-60 (+Fees*) 240.

Derek Emms (1929-2004), a shallow bowl in tenmoku glaze with white and iron, impressed mark, 19cm diameter £60-80 (+Fees*) 241.

Derek Emms (1929-2004), a lotus shaped bowl in celadon glaze, impressed mark, 13cm diameter £50-70 (+Fees*)

Lot 244

38

Lot 238 242.

Clive Davies, two porcelain bowls with line decoration in blue, red and green, impressed marks, 13.5cm diameter and 12cm diameter £80-120 (+Fees*) 243.

Petra Tilly for Dartington Pottery, an oval charger, Millennium Special Edition 15/25, inscribed, signed and dated 1999, 43cm wide £80-120 (+Fees*)

Lot 242

244.

Adam Frew, a globular vase with white, blue and red glazes and an orange underglaze rim, 20cm high £120-150 (+Fees*) 245.

David Frith, a rectangular bottle vase, impressed mark, 12cm wide £80-120 (+Fees*) 246.

Margaret Frith, an octagonal vase, feathered glazes in blue and brown, 11cm high £50-70 (+Fees*)

Lot 245

Lot 243

Lot 246

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 251

Lot 249 247.

Pat Fuller, three white glazed stoneware bowls, all with impressed marks, the largest with handles, 25cm wide [3] £80-120 (+Fees*) 248.

Pat Fuller, a white glazed stoneware bowl with two twist handles, impressed mark, 29cm wide £60-80 (+Fees*) 249.

Matt Horne (Contemporary), a dark blue crystalline glazed vase with a slender neck, impressed marks, 21cm high £120-180 (+Fees*) 250.

Matt Horne (Contemporary), a dark blue crystalline glazed vase with a slender neck, impressed marks, 19cm high £100-150 (+Fees*)

Lot 250 251.

Jane Hollidge (Contemporary), a small hand built bowl, matt glazed in yellow, black and white with a black interior, painted monogram to base, 9cm high £60-80 (+Fees*) 252.

Andrew Hill, a raku glazed charger, incised monogram, 43.5cm diameter £150-250 (+Fees*) 253.

Michael and Barbara Hawkins for Port Isaac Pottery, a circular bottle vase with a lustre glaze decorated fish, painted monogram and pottery label, 17cm high £60-80 (+Fees*) 254.

Sarah Jenkins (Contemporary), a stoneware casket, black and white glaze with gilt highlights, impressed mark, 20cm wide £150-250 (+Fees*)

Lot 252 255.

Sarah Jenkins (Contemporary), a square form vessel raised on an irregular base decorated in blue with a white incised pattern, impressed mark, 20cm wide £150-250 (+Fees*)

Lot 255 Lot 253

Lot 254

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39

Lot 256 256.

Sarah Jenkins (Contemporary), two stoneware bowls, one in blue and white the other black, impressed marks, 7.25cm high and 4.5cm high [2] £60-80 (+Fees*) 257.

David Leach (1911-2005), a stoneware square form vase, tenmoku glaze, impressed mark, 21.25cm high £100-200 (+Fees*) 258.

David Leach (1911-2005), a footed fluted bowl, temmoku glaze, impressed marks, 13cm diameter £150-250 (+Fees*)

260.

Laurence McGowan (born 1942), a lidded stoneware jar, coloured flowers and foliage, painted signature, 16.5cm high £60-80 (+Fees*) 261.

Laurence McGowan (born 1942), a baluster vase, decorated in tiger lilies, painted signature, 15.5cm high £60-80 (+Fees*) 262.

Laurence McGowan (born 1942), a deep glazed bowl, decorated tiger lilies to the top and robins to the base, painted mark, 29.5cm diameter £200-300 (+Fees*)

Lot 257 263.

Warwick Parker (born 1940), a stoneware teapot with temmoku and ash glaze, impressed mark, four teacups and matching saucers £50-70 (+Fees*)

259.

Lowerdown Pottery, a Foxglove pattern coffee set, comprising coffee pot, milk jug, sugar bowl and three mugs, impressed marks £80-120 (+Fees*)

Lot 258

Lot 260 to 262 40

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 265

Lot 266

Lot 267

264.

John Leach (1939-2021), a small plate £30-40 (+Fees*)

265.

Mary Rich (born 1940), a stoneware jug, ash glaze, impressed marks, 15.5cm high £60-80 (+Fees*)

266.

Mary Rich (born 1940), a stoneware bottle vase, cream and pink mottled glaze, impressed mark, 17cm high £80-120 (+Fees*)

267.

Mary Rich (born 1940), a porcelain footed bowl, lilac dripped glaze, impressed mark, 11.5cm high £80-120 (+Fees*)

Lot 269

Lot 268 268.

Mary Rich (born 1940), two stoneware coffee mugs, impressed mark, 10cm and 9cm high £60-80 (+Fees*)

270.

Anna Silverton (Contemporary), a circular porcelain vase, cream glaze, incised mark, 13.5cm high £100-150 (+Fees*)

269.

Anna Silverton (Contemporary), a circular porcelain vase, cream glaze, incised signature, 14.5cm high £120-180 (+Fees*)

271.

Grainne Watts (born 1960), a porcelain ‘Spinal’ vase from the ‘Erosion’ series, pale green glazed interior, impressed mark, 10cm high £100-150 (+Fees*)

Lot 270

Lot 271

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

41

Lot 273

Lot 272

272.

Sasha Wardell (born 1956), a white shaped conical vase, decorated scroll design, 25cm high £150-250 (+Fees*) 273.

Sasha Wardell (born 1956), a square form vase, white with blue and green stripe decoration, incised mark, 9.5cm high £100-150 (+Fees*) 274.

John Wheeldon (born 1950), a circular box with painted lid, impressed mark, 7.5cm diameter £40-60 (+Fees*)

Lot 275

275.

Peter Wills (born 1955), a porcelain bowl, turquoise, white and orange glazes, impressed mark, 10.5cm diameter £100-150 (+Fees*) 276.

Peter Wills (born 1955), a footed stoneware bowl with duck egg geometric design, impressed mark, 11.25cm diameter £100-150 (+Fees*) 277.

Philip Evans (Contemporary), a stoneware vessel, grey, red and gilt, signed, 27cm wide £120-180 (+Fees*) 278.

Philip Evans (Contemporary), a stoneware vessel, red, purple and gilt, impressed mark, 21.5cm wide £80-120 (+Fees*) 279.

Philip Evans (Contemporary), a stoneware vessel, blue, red and gilt, impressed mark, 21.5cm wide £80-120 (+Fees*)

Lot 276 280.

Philip Evans (Contemporary), a stoneware vessel, blue, white, red and gilt, impressed mark, 10.5cm wide £40-60 (+Fees*) 281.

Philip Evans (Contemporary), a stoneware vessel, red, black and gilt, impressed mark, 18cm wide £80-120 (+Fees*) 282.

Philip Evans (Contemporary), a stoneware vessel, burgundy, blue and gold, signed, 20cm wide £100-150 (+Fees*)

Lot 277 to 282 42

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 283

Lot 285 289.

Peter Starkey (born 1945), a salt glaze lidded pot, impressed mark, 13.5cm high £50-70 (+Fees*)

283.

David White (1934-2011), a porcelain footed bowl, pale pink crackle glaze, impressed mark, 13.5cm diameter £100-150 (+Fees*)

290.

Alain Fichot (born 1952), a stoneware footed bowl, cream glaze with lilac detail, 8cm high £40-60 (+Fees*)

284.

David White (1934-2011), a slender porcelain bottle vase, cream crackle glaze, impressed mark, 19cm high £80-120 (+Fees*)

291.

Craig Underhill (born 1968), a rectangular earthenware vessel, white glaze with colour geometric motifs, incised signature, 17cm high £60-80 (+Fees*)

285.

David White (1934-2011), a porcelain footed bowl, pale blue crackle glaze, impressed mark, 15cm diameter £100-150 (+Fees*) 286.

Bernard Leach (1887-1979), a Muchelney tenmoku glaze plate, 15.5cm diameter, a Leach Pottery lidded soup bowl, 15cm diameter and two egg coddlers [4] £80-120 (+Fees*) 287.

Bernard Leach (1887-1979) St Ives Pottery standard ware, a lidded jam pot, celadon glaze with a leaf motif to lid, impressed mark, 9.5cm high £50-70 (+Fees*)

Lot 290

Lot 284 288.

Stephen Parry (born 1950), a lidded tapering pot with fluted sides, seal mark, 11cm high £40-60 (+Fees*)

Lot 291

292.

Andrew Harding and Michael Palmer, a tapering flambe glazed vase, impressed mark, 24cm high £60-80 (+Fees*) 293.

Jack Kenny (Contemporary), two vases, various sizes and glazes, S impressed mark for Seasalter Pottery [2] £40-60 (+Fees*)

Lot 292

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Lot 294

294.

Jack Kenny (Contemporary), three vases, various sizes and glazes, S impressed mark for Seasalter Pottery [3] £60-80 (+Fees*) 295.

Val Berry (1937-2018), a group of six bowls, four in stoneware and two in porcelain, mottled glazes, 17cm to 20cm diameter £80-120 (+Fees*) 296.

Michael Cardew (1901-1983), a Winchcombe Pottery slipware calligraphic jug of baluster form with scroll handle with traces of pale yellow glaze, incised lettering ‘Come fill me full & drink about & never leave till all is out’, impressed MC and pottery marks, 20cm high Provenance: by descent to the vendor from his grandfather, who was a friend of Cardew £1000-1500 (+Fees*)

Lot 296

44

Lot 297

297.

Michael Cardew (1901-1983), a Winchcombe Pottery slipware mug, incised lettering ‘Fill me full of liquor sweet for that is good when friends do meet’, impressed MC and pottery marks, 12cm high Provenance: by descent to the vendor from his grandfather, who was a friend of Cardew £200-300 (+Fees*) 298.

Alan Caiger-Smith (1930-2020), a tin-glazed earthenware charger painted rose and gold lustre, monogrammed and with date cypher for 1974, 44cm diameter Provenance: The Henry Sandon Collection, special commission for Henry Sandon £400-600 (+Fees*)

Lot 298

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 299

Lot 300

299.

Alan Caiger-Smith (1930-2020), an Aldermaston Pottery albarello, ruby and gold lustre, signed and dated to base, 28.5cm high and a similar albarello in blue and green lustre by Andrew Hazeldon, 26cm high [2] £200-300 (+Fees*) 300.

Alan Caiger-Smith (1930-2020), an Aldermaston Pottery goblet, ruby and gold lustre, signed and dated 1994 to base, 14.75cm high £100-150 (+Fees*) 301.

Alan Caiger-Smith (1930-2020), two Aldermaston Pottery goblets, one in gold and ruby lustre, signed and dated 1993 to base, 14.75cm high, the other in green and white, signed and dated 1970, 20.5cm high [2] £100-150 (+Fees*)

Lot 301

302.

Pam Chapman (Contemporary), a raku pot of tapering square form with iridescent band, 17.5cm high Provenance: purchased directly from the artist £40-60 (+Fees*) 303.

Janet Leach (1918-1997), a stoneware vase with lug handles, impressed seal mark and pottery mark, 17.5cm high £150-250 (+Fees*) 304.

North Berwick Pottery, a stoneware dish in the form of a fish, 34cm wide £20-30 (+Fees*) 305.

Francis Hewlett (British 1930-2012), Primitive Horse, a ceramic and wood sculpture, impressed initials and date FH 74, 29cm high, 30cm wide £100-200 (+Fees*)

Lot 303 306.

Francis Hewlett (British 1930-2012), Yellow Splash (1971), glazed ceramic in sections, the largest 45cm x 37cm £100-200 (+Fees*)

Lot 306 Lot 305

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

45

309.

Waistel Cooper (1921-2003), a stoneware Clam vase with sgraffito decoration washed with iron, signed to base, 14cm high, 20cm wide £100-200 (+Fees*) 310.

Phil Rogers (1951-2020), a stoneware bottle vase with facetted body, green ash glaze, seal mark to base, 28.5cm high £200-300 (+Fees*)

Lot 307

311.

Phil Rogers (1951-2020), a stoneware bottle vase, the facetted sides with latticework, ash glaze, impressed mark, 38cm high £200-300 (+Fees*)

307.

Waistel Cooper (1921-2003), a stoneware vessel of globular form, dry white glaze, textured linear decoration to neck, signed, 19cm high Provenance: purchased from the potter’s studio in Penzance £250-350 (+Fees*)

Lot 308

308.

Waistel Cooper (1921-2003), a stoneware vase of waisted form with flared neck, scraffito ribbed design to the rust base, the interior of the neck with nuka glaze, signed to base, 23cm high £200-300 (+Fees*)

Lot 309

Lot 310 to 316

46

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 317

Lot 318

312.

Phil Rogers (1951-2020), a stoneware bottle vase with willow design, ash, nuka and tenmoku glazes, impressed mark, 37cm high £200-300 (+Fees*)

315.

Phil Rogers (1951-2020), a stoneware bottle vase, ash glaze with impressed dot patterning, impressed mark, 35cm high £150-250 (+Fees*)

313.

Phil Rogers (1951-2020), a stoneware bottle vase with ribbed banding, ash and tenmoku glazes, impressed mark, 42cm high £150-250 (+Fees*)

316.

Phil Rogers (1951-2020), a stoneware storage jar and cover, ribbed with ash and nuka glazes, impressed mark, 30cm high £150-250 (+Fees*)

314.

Phil Rogers (1951-2020), a tall tapering stoneware vase, ash glaze with willow design, impressed mark, 37cm high £200-300 (+Fees*)

317.

Ray Finch (1914-2012) for Winchcombe Pottery, a stoneware charger, green ash glaze with combed decoration, impressed mark, 39.5cm diameter £80-120 (+Fees*)

318.

A studio ceramic vessel, of rounded form with irregular top, mottled blue, purple and ecru matte glazes, 23cm high £60-80 (+Fees*) 319.

Betty Blandino (1927-2011), a large globular vessel with asymmetrical rim, in pale grey textured glaze, impressed mark, 40cm high £300-500 (+Fees*) 320.

Felicity Aylieff (born 1954), a ringed vessel, the body in black matte glaze with pale blue and pink geometric stylised bands, signed and dated 1982 to base, 24cm high £400-600 (+Fees*)

Lot 320 Lot 319

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Pictures

Lot 331

Lot 333 332.

Clemens Briels (Dutch, born 1946) UNTITLED signed and dated ’95 inscribed II and numbered 229/250 silkscreen in colours, 69.5cm x 49.5cm overall £50-80 (+Fees*)

Pictures 330.

Sue Wales (born 1942) BLUE CLOTH AND SHADOWS signed lower left watercolour, 33cm x 47cm and WINTER LANDSCAPE signed lower left pastel, 28.5cm x 45cm Provenance: Artist’s studio sale 1990 £40-60 (+Fees*) 331.

Rudolf Helmut Sauter (1895-1977) FIRST LIFE (circa 1949) initialled lower right; titled to label verso and further inscribed in pencil ‘Life Eternal/Eternal Life’ oil on canvas board, 43.5cm x 35cm Provenance: gifted to the vendor by the artist’s wife Viola in 1966, details on the artist’s label £300-400 (+Fees*)

333.

Jenny Webbe (born 1949) STILL LIFE WITH TULIPS mixed media, 77cm x 92cm Provenance: purchased directly from the artist £150-250 (+Fees*) 334.

Shenda Amery (born 1937) HORSE signed and dated 88 conte crayon, 39.5cm x 50cm £80-120 (+Fees*)

Lot 335

335.

Bernard Meninsky (1891-1950) PICKING FLOWERS watercolour and pencil, 27cm x 30cm Provenance: Tib Lane Gallery, Manchester Exhibited: Summer Exhibition 1974, labels verso £800-1200 (+Fees*) 336.

James Hull (1921-1990) UNTITLED (BLUE) signed and dated Hull ‘55 mixed media collage, 31cm x 22cm Provenance: Gimpel Fils, London, label verso £300-500 (+Fees*)

Lot 336

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49

Lot 337 337.

Adrian Ryan (1920-1998) VENICE a pair watercolour, 11.5cm x 20.5cm £200-300 (+Fees*)

338.

Mary Audsley (1919-2008) RECLINING NUDE signed and dated 89, no. 1/12 woodcut, image size, 18.25cm x 24cm £60-80 (+Fees*)

339.

A folio of drawings by Mary Audsley, a Reg Lloyd abstract and a John Bolan watercolour, various sizes [12] £150-250 (+Fees*)

Lot 340

50

340.

Gill Watkiss (born 1938) RIVIERA TOWANS, HAYLE signed and dated ’97, inscribed verso oil on board, 40cm x 50cm £1000-2000 (+Fees*) 341.

Leslie Illsley (1936-1989) TIGER CAT signed and dated ’88 gouache, 40cm x 54.5cm £200-300 (+Fees*) 342.

Zygmunt Turkiewicz (Polish 1913-1973) ARABIAN FIGURES a pair one signed and dated verso, Turkiewicz 43, the other unsigned monoprint in black ink, 32cm x 31.5cm [2] £40-60 (+Fees*)

343.

20th Century British School CREEK WITH BEACHED BOATS AND CHAPEL signed AM ’35 oil on canvas, 35.5cm x 40cm £60-80 (+Fees*)

344.

Attributed to David Lloyd Smith (born 1944) EDWARDIAN BEACH SCENE WITH FIGURES watercolour, 26.5cm x 36.5cm £40-60 (+Fees*)

345.

Amper (20th Century) STILL LIFE WITH COPPER JUG AND BOWL OF FRUIT signed oil on canvas, 21cm x 26cm £40-60 (+Fees*)

Lot 341

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 347 350.

Bob Rudd (born 1944) PORTLAND signed; titled verso watercolour, 35.5cm x 40.5cm £150-250 (+Fees*) Lot 346 346.

20th Century, possibly North American ESTUARY LANDSCAPE WITH FIGURES ON THE SHORE inscribed verso Williams oil on board, 90cm x 114.5cm £300-500 (+Fees*) 347.

David Hazelwood (1932-1994) ABSTRACT GREY AND RED signed pen, gouache and collage, 25cm square Provenance: from the Collection of the late John Constable, No. 669 £100-200 (+Fees*)

Lot 352

348.

Margaret Smallwood (20th Century) FLORAL ABSTRACTS mixed media on two fibreglass panels, 127cm x 62cm and 67cm x 52cm [2] £40-60 (+Fees*) 349.

Heloise Toop STILL LIFE oil pastel, 46.5cm x 59cm Exhibited: Mall Galleries 1974, label verso £80-120 (+Fees*)

351.

Peter Newcombe (born 1943) COUNTRY LANDSCAPE IN SNOW signed and dated 1972 watercolour, 54.5cm x 90cm £300-500 (+Fees*) 352.

20th Century School COLOUR GEOMETRIC ABSTRACT signed indistinctly and dated ’01 mixed media on board, 89.5cm x 89.5cm £200-300 (+Fees*) 353.

Henri Bastin (1896-1979) BUDGERIGARS IN AUSTRALIAN OUTBACK signed and dated 1971 oil on board, 29cm x 60.5cm £300-500 (+Fees*)

Lot 353

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51

Lot 355

Lot 354 354.

Christopher John Harrison (born 1945) DRUG JAR COMPENDIUM a trompe l’oeil study of a dresser with albarellos and drug jars monogrammed; inscribed verso acrylic on board, 74cm x 100cm £400-600 (+Fees*)

355.

Christopher John Harrison (born 1945) 18TH CENTURY DUTCH ORNATE DISH a trompe l’oeil study monogrammed; inscribed verso acrylic on board, 48cm x 58cm £200-300 (+Fees*)

Lot 357 52

356.

Christopher John Harrison (born 1945) 17TH CENTURY ISNIK PLATE a trompe l’oeil study monogrammed; inscribed verso acrylic on board, 54.5cm square £200-300 (+Fees*) 357.

Christopher John Harrison (born 1945) 17TH CENTURY ITALIAN PLATE PLATE a trompe l’oeil study monogrammed; inscribed verso acrylic on board, 49cm x 58cm £200-300 (+Fees*) 358.

Christopher John Harrison (born 1945) KANG HSI JUG a trompe l’oeil study of a Chinese vessel in an alcove monogrammed acrylic on board, 64.5cm x 54.5cm £200-300 (+Fees*)

Lot 358

Lot 356 359.

Peter Evans (born 1943) BOULANGERIE AT VILLARS signed; inscribed verso acrylic on board, 40cm square and REFLECTIONS, BORDEAUX signed; inscribed verso acrylic on board, 36cm x 28cm [2] £150-250 (+Fees*)

Lot 359 (part)

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 360 (part) 360.

Peter Evans (born 1943) BALCONY, VENICE signed; inscribed verso acrylic on board, 42cm square and VENICE DOORS signed [2] £150-250 (+Fees*) 361.

Peter Evans (born 1943) BLUE DOORS signed; inscribed verso acrylic on board, 39cm x 29cm and WHITE DOORS signed; inscribed verso acrylic on board, 39cm x 29cm [2] £100-150 (+Fees*) 362.

Peter Evans (born 1943) FLOWER POTS ON A LEDGE (ST AULAYE, DORDOGNE) signed; inscribed verso acrylic on board, 61cm x 43.5cm and OLD BLUE DOOR (SALLE LAVALETTE) signed; inscribed verso acrylic on board, 56cm x 34cm [2] £100-150 (+Fees*) 363.

Dame Elisabeth Frink RA (1930-1993) SMALL HORSE AND RIDER, 1970 lithograph, sheet size 25.5cm x 32cm Note: Wiseman 40. This is one of the original run of 500 that was not editioned or signed, as the artist decided to reprint using wider margins £400-600 (+Fees*)

Lot 363 364.

Gerald Norden (1912-2000) RED APPLES IN A BASKET, WITH GRAPES AND WALNUTS signed and dated ’84 oil on board, 20cm x 28cm Provenance: The Ogle Gallery, Cheltenham, 1985 £200-300 (+Fees*) 365.

Roger Jones RUSCOMBE POND signed, title inscribed verso oil on board, 34cm x 44cm and M Cowrie FRIENDS signed acrylic, 18.5cm x 29cm [2] £60-80 (+Fees*) 366.

Marion Pritchard CAT AND NASTURTIUMS signed watercolour, 12cm x 8cm Provenance: purchased from Llewellyn Alexander (Fine Paintings) Ltd 1994 ERIC J MORTON JOURNEY’S END signed and dated 1989 watercolour, 21cm x 16cm and COTSWOLD EDGE FARM signed and dated 1991 watercolour, 22cm x 27.5cm [3] £60-80 (+Fees*)

368.

Andy Moore (Contemporary) BLOWING IN THE WIND..ON FERN HILL calligraphic depiction of the words of Bob Dylan’s song and Dylan Thomas’s poem ink on paper, 27.5cm x 75cm and a framed textile square printed with calligraphy by David Kindersley, 43cm x 42.5cm [2] £40-60 (+Fees*) 369.

Norman Blamey (1914-2000) STUDIES FOR A PORTRAIT OF THE REVEREND DR DENNIS NINEHAM, WARDEN OF KEBLE COLLEGE, OXFORD 1969-1979) head with details of eyes and nose, and mortarboard initialled and dated 1979 pencil, 54cm x 37cm Provenance: Fine Art Society, purchased December 1992; previously in the Collection of the Artist £200-300 (+Fees*)

367.

Mavis Cossham THE VILLAGE GREEN, FRAMPTON-ON-SEVERN signed, label verso oil on board, 28.5cm x 39cm and C Howsaw PAINSWICK CHURCHYARD signed watercolour, 18.5cm x 28cm [2] £40-60 (+Fees*) Lot 369

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53

Lot 372

Lot 370

370.

Dale Devereux Barker (born 1962) A TORN VOID signed, dated ’86 and inscribed monoprint, paper size 50cm x 36cm £60-80 (+Fees*) 371.

Alan Reynolds (1926-2014) SMALL STRUCTURE initialled and dated ’77, limited edition 4/30 wood engraving, plate size 20.5cm square and another, STRUCTURES ‘81 [2] £80-120 (+Fees*) 372.

William Hunter Littlejohn (1929-2006) FISH, MIRROR AND SEAGULL signed and inscribed 39/50 etching, 39cm x 100.5cm £150-250 (+Fees*) 373.

Belinda Channer (born 1961) THE CITY, LONDON signed and inscribed 1/25 etching, plate size 19cm x 91.5cm £60-80 (+Fees*)

374.

Diana Leadbetter (Contemporary) AFTERNOON TEA WITH SPRING FLOWERS signed watercolour, 41.5cm x 32.5cm and VALENTINE’S DAY STILL LIFE signed watercolour, 24.5cm x 33cm Note: Diana Leadbetter has produced illustrations for the Cookery section of the Times for many years [2] £40-60 (+Fees*) 375.

Bryony Leatherbarrow (Contemporary) THREE HORSES initialled and inscribed AP digital print, image size 31.5cm x 23cm £40-60 (+Fees*) 376.

Byrony Leatherbarrow (Contemporary) ST IVES U initialled and dated 2016 verso mixed media, 101.5cm x 76cm £80-120 (+Fees*) 377.

Bryony Leatherbarrow (Contemporary) SOLITARY GOLD initialled and dated ’06 mixed media, 100cm x 80cm £60-80 (+Fees*)

Lot 373

54

Lot 375

Lot 376

ARR – Some lots may be subject to an additional fee (see page 4)

378.

Bryony Leatherbarrow (Contemporary) IN THE PINK signed and dated ’05 mixed media on canvas, 127cm x 101.5cm £60-80 (+Fees*) 379.

Bryony Leatherbarrow (Contemporary) I SEA initialled and dated 05 mixed media, 29cm x 39cm £40-60 (+Fees*) 380.

Shirley Payling (1934-2006) TORLAND BAY, DEVON inscribed verso oil on canvas board, 50cm x 74.5cm another shore scene, 34cm x 61cm and a view of boats on the Norfolk Broads, 35cm x 60cm [3] £80-120 (+Fees*) 381.

Shirley Payling (1934-2006) POND WITH RHODODENDRONS, LYDNEY PARK signed lower right oil on board, 30cm x 40cm and WOODLAND LANDSCAPE signed lower right oil on board, 50cm x 75cm [2] £60-80 (+Fees*) 382.

Shirley Payling (1934-2006) CHRISTMAS ROSES AND HOLLY IN A VASE signed lower right oil on canvas board, 33cm x 22.5cm and SPRING FLOWERS IN A GREEN GLASS VASE signed lower right oil on board, 50cm x 40cm [2] £60-80 (+Fees*)

Lot 386

Lot 383 383.

Sue Cuff (Contemporary) GORSE ON THE CAMEL TRAIL signed lower right; inscribed verso and dated 2015 oil on canvas, 60cm x 60cm £80-120 (+Fees*)

384.

W Yong RAINBOW GREY Hong Kong citiscape oil on board, 60cm x 90cm £40-60 (+Fees*)

385.

V Gavira (20th Century) CONTINENTAL VILLAGE SCENE signed oil on board, 79cm x 39cm £60-80 (+Fees*) 386.

Joy Day MEVAGISSY signed; St Mawes Art Group label verso oil on board, 49.5cm x 76cm £60-80 (+Fees*) 387.

Karlin (20th Century) RIVER LANDSCAPE signed and dated ’43 oil on canvas, 73.5cm x 95.5cm £60-80 (+Fees*)

Lot 387

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55

388.

Gerald Laing (1936-2011) SWAMP RAT IV (1968) signed, inscribed and numbered 137/150 in pencil, artist’s blindstamp screenprint in colours, image size 49cm x 45.5cm £400-600 (+Fees*)

Lot 388 389.

Patrick Heron (1920-1999) BRUSHWORK SERIES NO. 3 etching, image size 45cm x 60cm Note: The Brushworks Series was one of Patrick Heron’s final projects. Between December 1998 and March 1999, Heron worked in his studio with the printer Hugh Stonemen, making drawings for fifteen works in total, from which he selected the eleven plates that make up the portfolio. Heron approved the proofs and decided on a sequence for presenting the works shortly before his death. The etchings were printed posthumously, overseen by the artist’s two daughters and are therefore unsigned. £600-800 (+Fees*) Lot 389

390.

Patrick Heron (1920-1999) ANNIVERSARY PRINT (1985) lithograph in colours, on wove paper, 57cm x 77.5cm Note: this is one of the unsigned edition published by Curwen Studio Provenance: purchased from Christie’s South Kensington £400-600 (+Fees*)

Lot 390 56

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 392 391.

William Simmonds (1876-1968) BIBLICAL ILLUSTRATION possibly Samuel and King Saul signed and dated 1914 watercolour on paper, 67.5cm x 48cm, unframed £60-80 (+Fees*)

392.

William George Simmonds (1876-1968) HEAD STUDIES OF A RABBIT AND A HORSE one inscribed ‘Near Tile Mill’; the back of the frame inscribed ‘Two pages from the sketch book of William Simmonds, given to me by Gerry Carter after I helped him display W Simmonds’s Puppets in the Gloucester Museum 1968’, Theo Merrett pencil, each 12cm x 17cm, within a glazed wooden frame, overall measurements 24cm x 49cm Note: In 1919 William Simmonds and his wife Eve moved to the tiny hamlet of Far Oakridge, Gloucestershire, where they became involved with a group of artists and craftsmen including William Rothenstein, Ernest Gimson, Sidney and Ernest Barnsley. Simmonds’ carved figures and animals took inspiration from the surrounding countryside and farming community, and it is possible that the sketches offered here were designs that he later used when creating his popular puppets. Gerry Carter and Theo Merrett, both mentioned in the note on the back, were also Oakridge craftsmen and knew Simmonds personally. £150-250 (+Fees*)

393.

George Brotherton (20th Century) THE GENEALOGY OF SHAKESPEARE’S KINGS signed and numbered 109 print, 43cm x 62cm together with a circular print of Painswick with script around, mounted in a circular wood coaster, 14cm overall, a watercolour of a river landscape by Stuart Robinson and booklets about the Guild of Gloucestershire Craftsmen Note: George Brotherton was a heraldic artist and member of the Gloucestershire Guild £40-60 (+Fees*) 394.

(Joan) Seton McConnell LINCOLN CATHEDRAL, WEST FRONT signed and dated S. McConnell 1983; artist’s label verso ink and watercolour, 28cm x 34.5cm £60-80 (+Fees*)

395.

Emma Douglas RAM signed and dated ’83, inscribed and numbered 6/14 colour print, 59cm x 79cm £30-50 (+Fees*) 396.

Ronald Thexton (1916-2002) CLYDE BRIDGE signed, inscribed and dated 1969 verso oil on board, 44.5cm x 60.5cm £60-80 (+Fees*) 397.

Anthony Kerr (born 1924) VIEW FROM PENALLT TO THE BRECON BEACONS signed oil on canvas, 60cm x 123cm £100-150 (+Fees*)

Lot 394

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398.

William T Rawlinson (1912-1993) OGWEN LAKE, NORTH WALES signed and dated 1957, numbered 7/50 wood engraving, plate size 17cm x 23cm and two further engravings by the same, Fuchsia (1968) and Roses (1966), both signed and dated in pencil to margins [3] £200-300 (+Fees*)

399.

Eric Gill (1882-1940) THE PURCHASER (1915) DUMB DRIVEN CATTLE (1915) XENIA NOELLE LOWINSKY (1924) SLAUGHTER OF THE INNOCENTS (1914) four wood engravings from the 1929 publication of Gills’ works by Douglas Cleverdon cream wove paper, 33cm x 25.5cm, mounted but unframed [4] £200-300 (+Fees*)

400.

Peter Reddick (1924-2010) CAMELOT signed and dated ’79 in pencil to margin, titled and numbered 64/200 wood engraving, plate size 31cm x 50cm £80-120 (+Fees*)

401.

Curwen Studio five proof lithographs various sizes and subjects [5] £30-40 (+Fees*)

Lot 399 402.

Lajos Novak (1927-1989) ICE CUTTERS signed in pencil to margin, titled in Hungarian and numbered 28/100 etching, paper size 42cm x 59cm together with two prints by Jill Lewin: SPIRIT OF PLACE AND BARROW, and one by Willie Feilding: SCALES OF JUSTICE, all unframed [4] £40-60 (+Fees*) 403.

Early 20th Century ANNUNCIATION ANGEL AT COLLONGES LES GRANDES MURAILLES, ST EMILION ISAIAH AT SOUILLAC four wood engravings, each titled and numbered, 17.25cm x 12.5cm, mounted but unframed [4] £30-40 (+Fees*)

58

404.

Lettice Sandford (1902-1993) EYE MANOR signed in pencil, titled and dated 1938 wood engraving, 24cm x 20cm Note: Eye Manor, Herefordshire, was the home of Lettice Sandford and her publisher husband Christopher, owner of the Golden Cockerel Press £200-300 (+Fees*) 405.

20th Century GREEN MAN a woodland vignette with Celtic design borders signed indistinctly in pencil and dated 1993 colour print, 32.5cm x 26.5cm £30-40 (+Fees*) Lot 404

ARR – Some lots may be subject to an additional fee (see page 4)

406.

Ralph Freeman (born 1945) POETS WALK I & II (DIPTYCH) signed, inscribed and dated 2009 verso oil on linen, 106cm x 92cm [2] Provenance: Millenium Gallery, St Ives 2010. Sold with original sale receipt and exhibition preview card featuring these paintings and a quantity of Ralph Freeman exhibition catalogues. £1000-2000 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 1)

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Lot 407

407.

Ralph Freeman (born 1945) BLUE TERRAIN initialled; signed, inscribed and dated 2009 to label verso watercolour on Arches paper, 27cm x 37cm Provenance: Millennium Gallery, St Ives, 2010. Sold with original receipt £100-150 (+Fees*) 408.

Ralph Freeman (born 1945) INCOMING I initialled; signed, inscribed and dated 2011 verso mixed media on Arches paper, 38cm x 56cm Provenance: Campden Gallery, Chipping Campden 2012.

Sold with exhibition catalogue and a photocopy of the original receipt. £200-300 (+Fees*)

Lot 410

60

Lot 408

409.

Alex Portner (born 1920) REGENCY BUCKS initialled lower left; signed and dated 1969 verso oil on canvas, 59.5 x 44.5cm £80-120 (+Fees*) 410.

Edwin D Connell (1859-1923) CONTINENTAL RIVER LANDSCAPE signed lower right oil on canvas, 44.25cm x 59.25cm £400-600 (+Fees*) 411.

20th Century Scottish School PARKLAND AT SUNSET label verso for Doig, Wilson & Wheatley, George Street, Edinburgh oil on panel, 39cm x 49cm £200-300 (+Fees*)

Lot 411

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 412

412.

George Rowlett (born 1941) SUNSET LANDSCAPE WITH CART inscribed verso ‘Mongeham Church, Kent, people in the fields, cart, late afternoon’ signed and dated George Rowlett 1989 oil on canvas, 61cm x 76.5cm £800-1200 (+Fees*)

413.

Graham Arnold (1932-2019) HOMAGE TO BACH the stretcher with artist’s name, address and title oil on canvas, 123cm x 97cm £800-1200 (+Fees*)

Lot 413 414.

Robert Lenkiewicz (1941-2002) STUDY OF MEGAN inscribed on label verso oil on canvas, 73cm x 62.5cm and a book about Lenkiewicz £3000-5000 (+Fees*)

Lot 414

415.

Lucy Jones (born 1955) PORTRAIT oil on canvas, 90.5cm x 61.5cm Provenance: a gift to the vendors from the artist who lived with them in the early 1980s £1000-1500 (+Fees*)

Lot 415

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Lot 417 416.

Michael Darling (20th Century) GIRL IN A FIELD signed and dated verso Michael Darling ’80 oil on board, 49.5cm x 42cm £200-300 (+Fees*) 417.

Howard Hodgkin (1932-2017) RED BERMUDAS initialled, dated and numbered 143 in white pencil to the black border offset lithograph in colours, 43cm x 43cm Note: from a limited edition of 150 donated by the artist for the Museum of Modern Art Oxford Appeal Fund 1982 (label verso) £800-1200 (+Fees*) 418.

Paul Neagu GENERATIVE ART GROUP, EXHIBITION POSTER 1975 MUSEUM OF MODERN ART OXFORD, with G.A.G. stamp, 59.5cm x 43.5cm Generative Art Group catalogue, limited edition 23/500 and other G.A.G. materials £150-250 (+Fees*)

Lot 426 421.

John Minton (1917-1957) KING BEFORE A MIRROR ink sketch, 26.5cm x 31.5cm, unframed Note: the vendor’s mother was taught by Minton while at Camberwell School of Arts, 1950. This drawing was executed as a very quick sketch during a lesson, by way of guidance to his pupil, who later inscribed ‘By John Minton’ in pencil £200-300 (+Fees*) 422.

Alan Driscoll A DECK OF CARDS 56 playing cards each printed with a different work of art, index card and catalogue, as a special commission, 1979, artists represented include Patrick Heron, Sandra Blow, Terry Frost, David Hockney £40-60 (+Fees*)

62

424.

Louis Conrad Rosenberg (1890-1983) AYA SOPHIA, INTERIOR VIEW signed in pencil drypoint etching, plate size 30cm x 13.5cm £60-80 (+Fees*) 425.

Henry Rushbury (1889-1968) SHIPBUILDERS WITH CART AND HORSE signed in pencil drypoint etching, plate size 16cm x 32.25cm £100-150 (+Fees*) 426.

Fran Spencer (Contemporary) OFFSHORE inscribed verso oil on canvas, 80cm x 90cm Provenance: Martin’s Gallery, Cheltenham £80-120 (+Fees*)

419.

Bolinai Poster, 1969 YAWAR MALLKU an original cinema poster, 76cm x 51cm and two modern Cuban posters, 76cm x 51cm [3] £100-150 (+Fees*) 420.

Robert Taylor (Contemporary) ORIGINAL PHOTOGRAPH OF GLASS SCULPTURE inscribed on label verso photographic print, 22cm x 18cm and some printed material showing examples of the artist’s work Provenance: a gift from the artist £40-60 (+Fees*)

423.

A group of art exhibition catalogues and pamphlets, including 1977 Hayward Annual, 1977 Silver Jubilee Exhibition of Contemporary British Sculpture, Marlborough Fine Art Exhibition 1975 John Piper [5] £40-60 (+Fees*)

Lot 424

Lot 425

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 430

Lot 428

427.

Babs Groves (Contemporary) POTS OF FLOWERS signed; artist’s labels verso mixed media, 45cm x 31cm £40-60 (+Fees*) 428.

Michael B Edwards (1939-2009) GWEEK CREEK, CORNWALL signed, gallery label verso oil on board, 29.5cm square £150-250 (+Fees*) 429.

Michael Fairclough (born 1940) LYME BAY III signed in pencil and numbered 2/75 aquatint, 26cm x 34cm SHORELAND I, NEWGATE SANDS signed in pencil and numbered 2/75 aquatint, 20.5cm x 26.5cm SHORELAND II, BROADHAVEN, DYFED aquatint, 20.5cm x 26.5cm all with Bohun Gallery label verso [3] £200-300 (+Fees*)

432.

E W Bookless POTATO GATHERING a farm scene with heavy horses ploughing signed and dated 1919, inscribed verso watercolour, 35cm x 51cm and four other watercolours by the same, various dates and sizes unframed in folio [5] £60-80 (+Fees*) 433.

Richard Cartwright (Contemporary) YEW TREE WITH CLEMATIS signed; titled on artist’s label verso oil on board, 45.5cm x 23.5cm Provenance: Adam Gallery, Bath £300-500 (+Fees*)

434.

Claude Gaveau (born 1940) VASE OF FLOWERS signed and numbered 109/180 lithograph in colours, 72cm x 53cm £30-40 (+Fees*)

435.

John Lancaster (born 1930) LILIES watercolour, 72cm x 49.5cm label verso inscribed Kelmarsh Hall P230 £100-200 (+Fees*)

430.

Anthony Gross CBE RA (1905-1984) WHEATFIELD WITH VILLAGE signed, inscribed and numbered 3/50 engraving, 26.5cm x 34cm and another print [2] £150-250 (+Fees*) 431.

Three photographs of Rudolph Nureyev, each 20cm x 24.5cm, one with label verso for The Barry M Keene Gallery, Henley On Thames [3] £40-60 (+Fees*) Lot 433

Lot 435

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A Private Collection of Artwork by Francis Hewlett (1930-2012) Francis Hewlett was born and raised in Bristol and after winning a scholarship to the West of England College of Art in Bristol, he progressed in 1952 to the Slade School of Art in London where his fellow students included Robert Organ, Phillip Sutton and Euan Uglow. Organ and Sutton became life-long friends of Hewlett, both based in Cornwall for periods in the 1960s and ’70s.

As Head of Painting at Falmouth School of Art (now Falmouth University) from 1960 to 1981, under the principal Michael Finn, Hewlett played a pivotal role in the radical transformation of the School to become a nationally famous institution, with a much enlarged student body. Following a period of experimentation in the early sixties with works he described as “Thick Pop”, Hewlett began making ceramics. He pioneered the use of large industrial scale kilns in fine art and became recognised as an expert in the field, presenting lectures to the Royal College of Art. His objective was to make artworks that could be recognised by ordinary people. His ceramic sculptures are infused with a bright, humorous quality, often comprising everyday objects. See Lots 305 and 306 for two examples of his ceramic work.

In 1977 Hewlett was appointed by the Welsh Arts Council and University of Wales to the Gregynog Arts Fellowship. Taking a year out from Falmouth, he quickly returned to painting landscapes, whilst surrounded by the glorious countryside of central Wales. Following his retirement from teaching in 1981, Hewlett focused almost entirely on painting, developing and refining the richly detailed figurative style which became his hallmark over the last three decades of his career. The large top floor of his family home in Falmouth was converted into the ideal artist’s studio, with commanding views across the Fal estuary to Flushing, Falmouth Harbour and St Mawes featuring in many of his paintings. The large back garden, packed with a huge variety of flowers and vegetation, also became a recuring subject, as did Hewlett’s beloved cat Gilbert. In addition to many paintings, watercolours and drawings, Gilbert also featured in several ceramics. Hewlett’s work shows an extraordinary dexterity across a wide range of media and subjects; a masterly command of geometry and space, colour and light. He had a deep affinity and connection with the intense, piercing beauty of the Cornish countryside, which permeates much of his work.

Our thanks to Francis Hewlett’s family for assisting us in our research and cataloguing of the following artwork, Lots 436 to 447, as well as Lots 305 and 306 in the Ceramics section.

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ARR – Some lots may be subject to an additional fee (see page 4)

Lot 438

Lot 436

436.

Francis Hewlett (1930-2012) FLUSHING VILLAGE, NEAR FALMOUTH initialled and dated ’07; titled verso oil on canvas, 61cm x 53cm, unframed Note: view from the artist’s studio across the Penryn river, Cornwall £400-600 (+Fees*)

437.

Francis Hewlett (1930-2012) THE PIER, EVENING, FALMOUTH initialled; titled, dated 1996 and with artist’s label verso oil on canvas, 51cm x 76cm Note: view across Falmouth Harbour to Pendennis Head, Cornwall £400-600 (+Fees*)

Lot 437

Lot 439

438.

Francis Hewlett (1930-2012) ERIGERON initialled; titled and with artist’s details verso and Messum’s label oil on panel, 27cm x 19.5cm £250-350 (+Fees*) 439.

Francis Hewlett (1930-2012) APPLE BLOSSOM, BACK GARDENS initialled and dated ’79; titled verso gouache, 31.5cm x 22.5cm Note: view from the artist’s attic studio at his home in Falmouth, Cornwall £150-250 (+Fees*) 440.

Francis Hewlett (1930-2012) CORTANA, ITALY signed, dated 1985 and inscribed ‘For Liz’ watercolour, 24cm x 34cm £80-120 (+Fees*)

Lot 441 441.

Francis Hewlett (1930-2012) TREE IN WINTER, 1972 certificate of authenticity verso signed by Elizabeth Hewlett oil on board, 24.5cm x 19cm Note: view of the artist’s back garden at his house in Falmouth, Cornwall £200-300 (+Fees*)

Lot 440

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Lot 442

Lot 443

Lot 445 445.

Francis Hewlett (1930-2012) THE AMARYLLIS IN FULL STATE signed, inscribed and dated Falmouth ’78 oil on paper, 53cm x 35cm Note: painted in the artist’s house in Falmouth, Cornwall in 1978 £200-300 (+Fees*) 446.

Francis Hewlett (1930-2012) WELLS CATHEDRAL signed inscribed and dated ’74 pencil on paper, 49.5cm x 34.5cm £80-120 (+Fees*) Lot 444

447.

Francis Hewlett (1930-2012) MALE CLASSICAL STATUE signed and dated ’49 pencil drawing, 26.5cm x 18cm and FEMALE STATUE signed and dated 1951 pencil drawing, 18cm x 13cm [2] £80-120 (+Fees*)

Lot 446 442.

Francis Hewlett (1930-2012) GILBERT SLEEPING dated verso 18.9.73 oil on canvas over board, 20.5cm x 26cm, unframed £80-120 (+Fees*) 443.

Francis Hewlett (1930-2012) GILBERT IN THE ATTIC dated verso 18.9.73 oil on canvas over board, 26cm x 20.5cm, unframed £80-120 (+Fees*) 444.

Francis Hewlett (1930-2012) GREGYNOG - CLOUDS AND ROOF initialled and dated ’77; label verso for Welsh Arts Council exhibition 1978 oil on board, 25.5cm x 30cm £100-150 (+Fees*)

Lot 447

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ARR – Some lots may be subject to an additional fee (see page 4)

Lot 448 (part)

448.

Leslie Duxbury (1921-2001) IN GREEN PARK signed, inscribed title and A/P etching, plate size 9.25cm x 10.5cm and three other etchings of London scenes: PEN PONDS, FEEDING THE BIRDS, MOTHER AND PUSHCHAIR, various sizes, all unframed [4] £40-60 (+Fees*)

449.

Leslie Duxbury (1921-2001) RIVER THAMES etching, plate size 12cm x 16.25cm and four other etchings of London scenes: IN GREEN PARK, FEEDING THE BIRDS, PEN PONDS, MOTHER AND PUSHCHAIR, various sizes, all unframed [5] £60-80 (+Fees*)

Lot 449 (part)

451.

Leslie Duxbury (1921-2001) SIR HANS SLOANE STATUE coloured etching, plate size 25.5cm x 15cm and two other etchings: BARNES COMMON, REUNION, various sizes, all unframed [3] £40-60 (+Fees*)

452.

Leslie Duxbury (1921-2001) BARNES COMMON signed, inscribed title and A/P coloured etching, plate size 20cm x 25cm and two other etchings: SIR HANS SLOANE STATUE, REUNION, various sizes, all unframed [3] £40-60 (+Fees*)

453.

Leslie Duxbury (1921-2001) THREE STUDIES OF NUDES signed and inscribed A/P, exhibition label for Bankside Gallery etching with watercolour, plate size 17.5cm x 12.5cm and two copies of a monochrome etching, NUDE STRETCHING, all unframed [5] £60-80 (+Fees*)

454.

Leslie Duxbury (1921-2001) WELSH CHURCH AND FARM coloured etching, plate size 33.75cm x 49cm and another, PARK LODGE FARM, both unframed [2] £40-60 (+Fees*)

450.

Leslie Duxbury (1921-2001) FEEDING THE BIRDS signed, inscribed title and A/P etching, plate size 6.5cm x 8.5cm and three other etchings: IN GREEN PARK, BACK MARKET LLANDOVERY (2), various sizes, all unframed [4] £40-60 (+Fees*)

Lot 453 (part)

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Lot 455 (part) 455.

Leslie Duxbury (1921-2001) VIEW OF LLANDEILO coloured etching, plate size 17.5cm x 27cm and two monochrome etchings: WELSH CHURCH and PARK LODGE FARM, various sizes, all unframed [3] £60-80 (+Fees*)

456.

Leslie Duxbury (1921-2001) PIGEONS colour print, mounted on card three copies, all unframed [3] £40-60 (+Fees*)

457.

Leslie Duxbury (1921-2001) WILD FLOWERS IN A VASE watercolour, 18.5cm x 28cm and three others: ACROSS A GATE, PINK LILIES, HAWTHORN, various sizes, all unframed [4] £40-60 (+Fees*)

Lot 458 (part) 68

Lot 457 (part) 458.

Leslie Duxbury (1921-2001) CLOUDS OVER PEN-Y-FAN watercolour, 21cm x 25cm and five other watercolours of Welsh landscapes, various sizes, all unframed [6] £60-80 (+Fees*) 459.

Leslie Duxbury (1921-2001) JACOB’S SHEEP watercolour, 18cm x 25cm and six other watercolours and an etching of Welsh landscapes etc, various sizes, all unframed [8] £40-60 (+Fees*) 460.

Leslie Duxbury (1921-2001) THE GREEN HAT watercolour and ink, 31.5cm x 25.25cm Exhibited: The Mall Galleries, 1999 and a pencil and watercolour study of a cellist, both unframed [2] £30-40 (+Fees*) 461.

Donald Floyd (1892-1965) ST MARY’S CALDICOT, MONMOUTHSHIRE signed and dated 1922 oil on canvas, 42.5cm x 31.25cm £80-120 (+Fees*)

Lot 461 462.

John Piper (1903-1992) STONES OF BATH design for Arthur Sanderson & Sons 1960s screenprint on cotton, 40cm x 57cm £200-300 (+Fees*)

Lot 462

ARR – Some lots may be subject to an additional fee (see page 4)

463.

Augustus John OM RA (1878-1961) NUDE STUDY oil on canvas, 46cm x 39cm Provenance: Property from a private Gloucestershire collection; Lot 117, Augustus John studio sale, Christie’s 20 July 1962 Note: reputed to have been painted by John during his student days at The Slade School of Art £3000-5000 (+Fees*)

464.

Walter Sickert RA RBA (1860-1942) LA CAGE AUX FAUVES half-length portrait of nude dancer signed upper left, inscribed and dated 1905 finished sketch, oil on board, 36.5cm x 18cm Note: Label verso for Mayer Gallery, exhibited salon d’Automne 1905 £6000-8000 (+Fees*) Lot 463 466.

M de Winter DANS L’ABRI women and children sheltering from the bombing signed and dated 1940 oil on canvas, 86cm x 114cm £3000-5000 (+Fees*)

465.

Fritz Muhsam (1880-1946) NATURE MORTE signed oil on canvas, 39cm x 46cm £1000-1500 (+Fees*)

Lot 464 467.

M de Winter LIBERATION girl kissing an American GI on a motorbike signed and dated 1944 oil on canvas, 96cm x 78cm £3000-5000 (+Fees*)

Lot 465 Lot 467

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Lot 472

Lot 468 468.

Keith Vaughan (1912-1977) STUDIES FOR FISHERMEN AT MEVAGISSEY (1948) pencil on paper, 19cm x 26.5cm Provenance: Tib Lane Gallery, Manchester, receipt of purchase dated June 2003 £1500-2500 (+Fees*) 469.

Harry Rutherford (1903-1985) TOTTENHAM COURT ROAD (interior scene) signed lower left Rutherford; inscribed verso oil on paper on card, 26cm x 22cm Provenance: Tib Lane Gallery, Manchester, receipt of purchase dated June 2002 £600-800 (+Fees*) 470.

M King (20th Century) EVENING PRIMROSES signed lower right; signed and dated verso M King ’82 oil on canvas, 100cm x 76.5cm £60-80 (+Fees*)

Lot 473 70

472.

Keith Vaughan (1912-1977) THREE FIGURES ink drawing, 12cm x 16.5cm Provenance: Tib Lane Gallery, Manchester, receipt of purchase dated June 1999 £800-1200 (+Fees*)

473.

Anne Aspinall (born 1949) THE MOROCCAN RUG II signed and inscribed in pencil to border mixed media, 52cm x 62cm £200-300 (+Fees*) Lot 469 471.

20th Century British FEMALE NUDE indistinctly monogrammed, dated ’97 red crayon or pastel, 45cm x 64cm £60-80 (+Fees*)

474.

Willem Haytman (born 1950) MOORED BARGES ON A DUTCH CANAL with figure and trees on the towpath signed oil on canvas. 38cm x 48cm £400-600 (+Fees*)

Lot 474 ARR – Some lots may be subject to an additional fee (see page 4)

Lot 475

475.

Willem Haytman (born 1950) MOORED BARGES ON A DUTCH CANAL with tree lined towpath and ancient cottages oil on canvas, 38cm x 48cm £400-600 (+Fees*) 476.

Ricardo Macarron SUSANNA half-length portrait of a young girl, her head slightly bowed signed and dated ’65 lower left oil on canvas, 65cm x 46cm £400-600 (+Fees*) 477.

Ricardo Macarron HARLEQUIN half-length portrait of a young girl wearing a white collar and colourful dress oil on canvas, 72cm x 50cm £200-300 (+Fees*)

Lot 479

480.

Manuel Colmeiro FISH AND LOAVES signed Colmeiro 65 and numbered 15/15 print, 46.5cm x 64cm £70-90 (+Fees*) 481.

David Lawrence Carpanini (born 1946) ORCHESTRA SUITE II, III, IV, V, VI numbered and signed in pencil five lithographs, various sizes £400-500 (+Fees*) 482.

Edward Sherard Kennedy (act.

1863-1890) STILL LIFE with stoneware jug of dahlias initialled lower left ESK watercolour, 52.5cm x 35cm £80-120 (+Fees*)

Lot 482

483.

Trevor Price (born 1966) THE BIG SLEEP signed, titled and numbered 33/100 in pencil etching in colours, plate size 38cm x 42.5cm £40-60 (+Fees*) 484.

Phil Greenwood (born 1943) RED OAK signed and dated Greenwood ’80, titled and numbered 150/250 in pencil etching, aquatint in colours, sheet size 64.5cm x 51.5cm Terence Millington (born 1942) CANAL BRIDGE 9/100 and AUSTIN’S BRIDGE 87/100 pair of aquatints, sheet size 54.5cm x 61cm and a quantity of various other prints, all unframed £40-60 (+Fees*) 485.

Graham Clarke (born 1941) PIECE DE RESISTANCE signed, titled and numbered 178/400 in pencil arch top hand coloured etching, sheet size 64cm x 90cm mounted but unframed Note: published by CCA Galleries, with certificate of authentication £100-150 (+Fees*)

478.

Manuel Colmeiro MUJER CON PAN three-quarter length portrait of a girl with loaves of bread signed lower right oil on canvas, 71cm x 60cm £600-800 (+Fees*) 479.

Ricardo Macarron STILL LIFE VASE OF POPPIES signed and dated ’71 lower left oil on canvas, 53.5cm x 34.5cm £200-300 (+Fees*) Lot 481 (part)

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Lot 486 486.

Anna Massey Lea Merritt (1844-1930) SUFFER LITTLE CHILDREN TO COME UNTO ME monogrammed and dated 1904 oil on canvas, 133cm x 183cm Note: Born in Philadelphia USA, Merritt left America after the Civil War. She settled in England and exhibited at the Royal Academy from 1871 and married Henry Merritt the art critic. Anna Merritt was commissioned to paint murals in the Arts and Crafts church of St Martins, Blackheath, the work was undertaken between 1893 and 1895 and depicted scenes from the life of Christ, including a fresco of ‘Suffer Little Children to come unto Me’ £3000-5000 (+Fees*)

487.

George Houston (1869-1947) COASTAL SCENE signed oil on board, 45cm x 60cm £800-1200 (+Fees*)

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Lot 487

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 496 (part)

Lot 494 488.

Heyley Jennings ORB mixed media on paper, 79cm x 133cm £80-120 (+Fees*)

494.

Frances Russell Flint (1915-1977) DUTCH RIVER SCENE oil on canvas, 48.5cm x 60cm £200-300 (+Fees*)

496.

Alphanasy Sukhinin WATERLILIES oil on board, 25.5cm x 19cm and another CHURCH BY A RIVER oil on board, 19cm x 25.5cm [2] £250-350 (+Fees*)

489.

Basil Blackshaw (1932-2016) LANDSCAPE SKETCH pen and ink, 18.5cm x 24cm £600-800 (+Fees*)

495.

Mary Carter ROY AT THE TROUGH oil on board, 14.5cm x 12.5cm £80-120 (+Fees*)

497.

Dudley Bailey (b.1931) THE BRIDESMAID oil on card, 8.5cm x 15.5cm and SUMMER ARRANGEMENT oil on board, 24cm x 20cm [2] £100-150 (+Fees*)

490.

Stephen Darbishire (born 1940) LOOKING ACROSS THE VALLEY oil on board, 13cm x 18cm £150-200 (+Fees*)

491.

Stephen Darbishire (born 1940) SUNLIGHT AND HYACINTHS oil on board, 13cm x 15cm £100-150 (+Fees*)

492.

Stephen Darbishire (born 1940) LUCY TAKING IN THE DAY oil on board, 13cm x 15cm £80-120 (+Fees*)

493.

Stephen Darbishire (born 1940) A SPRING AFTERNOON oil on panel, 35.5cm x 30.5cm £250-350 (+Fees*)

Lot 497

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Lot 498

Lot 500

Lot 505

498.

Loes Agoust (born 1940) DROWNING IN APRICOT ROSES signed with initials, titled oil on board, 49cm x 44cm £50-70 (+Fees*) 499.

A Mantrino PORTOFINO oil on canvas, 48cm x 38cm £60-80 (+Fees*)

Lot 506

500.

Jeremy King (born 1933) PORT ISAAC oil on board, 40cm x 60cm £80-100 (+Fees*)

503.

Anthony Hodge (1948-2009) OLD HOUSES IN MÉRINDOL, PROVENCE signed mixed media, 41cm x 56cm and a smaller work by the same [2] £40-60 (+Fees*)

501.

Carolyn White (1945-2013) SPRING GARDEN WITH DISTANT CHURCH signed watercolour, 40cm x 57cm and STREET SCENE, POSSIBLY TURKEY signed pastel, 49.5cm x 61cm [2] £80-120 (+Fees*)

504.

Nigel Ashcroft (born 1951) CORNER OF A WALLED GARDEN signed with initials watercolour, 14cm x 17.5cm Provenance: Rooksmore Gallery £50-70 (+Fees*)

502.

Carolyn White (1945-2013) SEATED FIGURES, INDIA signed with initials oil on canvas, 44cm x 74.5cm £80-120 (+Fees*)

505.

Eloise Govier (Contemporary) SLENDER oil on canvas, 49.5cm x 49.5cm £100-150 (+Fees*)

507.

Eloise Glovier (Contemporary) AR YR MOR oil on canvas, 52.5cm x 100cm £150-200 (+Fees*) 508.

Basil Beattie (born 1935) SIGNS OF ENTRY AT THE HOUR OF MIDNIGHT a pair signed and dated ’99, limited edition prints 10/75, 60cm x 72cm [2] £500-700 (+Fees*) 509.

Moritz Baumann (born 1973) JUNGFRAU oil on board, 21.5cm x 32cm £100-150 (+Fees*)

Lot 507 74

506.

Max Goodchild (Contemporary) BALANCING ACT inscribed and dated 2005 verso, oil on canvas, 122cm x 260cm £400-600 (+Fees*)

Lot 509

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 510 510.

Nicholas Hely-Hutchinson (born 1955) THE FLOODED RIVER NEAR HANFORD oil on board, 39.5cm x 61cm £600-800 (+Fees*) 511.

Nicholas Hely-Hutchinson (born 1955) DORSET AFTERNOON, FEBRUARY gouache and pastel, 66cm x 94cm Provenance: Portland Gallery £1000-1500 (+Fees*) 512.

Emily Gregory Smith (Contemporary) LANDSCAPE SKETCH oil on board, 20cm x 50cm £100-150 (+Fees*) 513.

Miriam Napanangka (born circa 1950) ROCKHOLE SITE, TJALILI polymer paint on Belgian linen, 91cm x 91cm £300-500 (+Fees*)

Lot 513

Lot 511 514.

John Bratby (1928-1992) PARIS signed and inscribed watercolour, 38cm x 50.5cm £300-500 (+Fees*)

518.

Roger Fry (1866-1934) RECLINING FEMALE FIGURE numbered 4/5 etching, 41cm x 58.5cm and two other pictures [3] £30-50 (+Fees*)

515.

Bertram Nicholls (1883-1974) MORNING AT ROSS oil on canvas, 29.5cm x 42cm Note: Fine Art Society Ltd label verso £200-300 (+Fees*)

519.

Manner of Paul Lucien Maze (1887-1979) RACEHORSES, GOODWOOD oil on board, 34.5cm x 50cm £100-150 (+Fees*)

516.

Adrian Heath (1920-1992) ABSTRACT COMPOSITION signed and dated 60 gouache, 76cm x 55cm £1500-2000 (+Fees*) 517.

Eamon Regan HARBOUR SCENE oil on board, 60cm x 98cm and Brandon (20th Century) BEACHED FISHING BOATS oil on canvas, 55cm x 76cm [2] £60-80 (+Fees*)

Lot 514

520.

Warwick Goble (1862-1943) TOWNSCAPE WITH FIGURES IN FOREGROUND signed watercolour, 23cm x 34cm £60-80 (+Fees*) 521.

J Moronti (20th Century) STREET SCENES a pair oil on canvas, 44.5cm x 29cm and P Torroello MEDITERRANEAN TOWN oil on canvas, size, 45.5cm x 54cm [3] £40-60 (+Fees*)

Lot 516

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

75

525.

Marius Woulfart (1905-1991) PORTRAIT OF A MOTHER AND DAUGHTER script verso oil on canvas, 71cm x 58cm £60-80 (+Fees*) 526.

C Fremantle PORTRAIT OF A LADY signed and dated 1939 oil on canvas, 52cm x 49cm and three other portraits of women, one by Elaine Bradpiece [4] £40-60 (+Fees*)

Lot 522 522.

Andy Burgess (born 1969) NEW YORK CITY signed and dated 2006 collage, 27.5cm x 21cm £50-70 (+Fees*) 523.

Pat Noble STUDY OF TWO CHILDREN oil on canvas, 91cm x 61cm £30-50 (+Fees*) 524.

Paul Lucien Maze (1887-1979) RIVERSIDE SCENE WITH BRIDGE TO BACKGROUND oil on board, 30.5cm x 40.5cm £300-500 (+Fees*)

527.

P Cannale RECLINING NUDE FIGURE STUDY oil on board, 40cm x 91cm and another painting [2] £40-60 (+Fees*) 528.

A Menkhard LANDSCAPE WITH A STREAM oil on board, 39cm x 54.5cm and another landscape [2] £40-60 (+Fees*) 529.

Harold F Trew (1888-1968) LUXTREE FARM, LONGHOPE signed and dated 1932 oil on canvas, 49cm x 60.5cm and another oil depicting a thatched cottage, 60cm x 76cm [2] £60-80 (+Fees*) 530.

Frank Dobson (1888-1963) STUDY OF A SEATED MALE FIGURE pencil sketch, 54.5cm x 36cm and four charcoal drawings [5] £80-120 (+Fees*)

Lot 523 531.

Ron Moody (Contemporary) THE MERMAID INN, LOWESTOFT mixed media, 24cm x 35.5cm and four other pictures [5] £40-60 (+Fees*)

532.

Leonard Turner CLUMPS OF TREES, OCTOBER gouache, 24.5cm x 33.5cm and four other pictures [5] £40-60 (+Fees*)

533.

20th Century TOWNSCAPE signed indistinctly, Rocker? oil on canvas, 39cm x 80cm £60-80 (+Fees*)

534.

20th Century CANAL SCENE signed indistinctly, Medema? oil on canvas, 69cm x 59cm £80-120 (+Fees*)

Lot 524

76

535.

Ben Maile (1922-2017) TOWER BRIDGE oil on canvas, 49cm x 100cm £80-120 (+Fees*)

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 540

536.

Ben Maile (1922-2017) COUPLE SEATED ON THE STEPS OF A LARGE BUILDING

oil on canvas, 90cm x 59cm £80-120 (+Fees*) 537.

20th Century Continental School TOWNSCAPE WITH RIVER TO FOREGROUND oil on board, 78cm x 98cm £70-100 (+Fees*) 538.

Two portraits in chalks inscribed The Studio, and a print £40-60 (+Fees*)

Lot 543

542.

Alexei Mikhailovich Artmonov (1918-2001) RIVERSIDE VIEW with geese in the foreground oil on board, 23.5cm x 33cm £80-120 (+Fees*)

543.

George Fathers (1898-1968) LANDSCAPE AT PEN-Y-GHENT watercolour, 33.5cm x 40cm £100-150 (+Fees*)

544.

Llewellyn Petley-Jones (1908-1986) SAILING BOATS BY THE THAMES watercolour, 37.5cm x 55cm £200-300 (+Fees*)

545.

Sir William Russell Flint (1880-1969) SYMPOSIUM AT LUCENAY lithograph, 50cm x 68cm £40-60 (+Fees*)

539.

John Brunsdon (1933-2014) EDDLESBOROUGH CHURCH signed, inscribed and numbered 71/100 aquatint etching, plate size 45.25cm x 60.5cm £60-80 (+Fees*) 540.

20th Century French School COASTAL SCENE monogrammed oil on board, 23cm x 28cm £60-80 (+Fees*) 541.

Coppens LANDSCAPE signed and dated 1950 oil on canvas, 38.5cm x 43.5cm £60-80 (+Fees*)

Lot 544

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

77

Furniture & Lighting

552.

Four Arts & Crafts wrought iron fire irons, comprising a pair of toasting forks with pierced heart scroll handles, a toasting fork with helix handle and a similar poker [4] £40-60 (+Fees*) 553.

An advertising Bread sign (originally for Vitbe), gilt painted wood letters on a metal frame, 106cm wide £30-40 (+Fees*) 554.

Four Benjamin RLM Crysteel vintage industrial pendant light shades, grey enamel exterior, traces of original labels, 26cm high, 35.5cm diameter [4] £80-120 (+Fees*) 555.

A walnut framed mirror, the plate 36.5cm x 25cm £50-70 (+Fees* Lot 550

Furniture & Lighting 550.

Heals, a 1930s Art Deco walnut cocktail cabinet, the upper part with two doors enclosing interior lined with maple and drawer under, maker’s label to drawer, John Pemberton label verso, 80cm x 130cm £600-800 (+Fees*)

Lot 551

556.

Bruce Burdick for Herman Miller, a desk workstation, 1980s, with two-panel glass top and aluminium base, fitted two filing cabinets and three paper trays, 300cm wide (with an additional filing cabinet lacking fixings) £150-250 (+Fees*)

551.

Josef Hoffmann (1870-1956), a ‘Fledermaus’ armchair, of 1906 design, made by Jacob Kohn, Vienna Austrian Succession, white painted, probably made 1930s, reupholstered using original woven fabric design from 1908, reproduced by Backhausen of Austria in ‘Rosenbogen’ (Rose Bower) pattern £600-800 (+Fees*)

557.

Bruce Burdick for Herman Miller, a desk workstation, 1980s, with D-end glass top and aluminium base, fitted a filing cabinet and two paper trays, 210cm wide £150-250 (+Fees*)

Lot 554

Lot 557 Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

79

Lot 561 561.

Charles and Ray Eames for Herman Miller, a model EA108 swivel office chair, chrome with black leather upholstery and aluminium base £80-120 (+Fees*)

Lot 559

562.

Achille and Pier Giacomo Castiglioni, a 1960s Arco floor lamp, brushed metal with white marble base, 206cm high £150-250 (+Fees*)

Lot 560

558.

Bruce Burdick for Herman Miller, a desk workstation, 1980s, with two-tier top, moveable filing racks and two paper bins, 210cm wide £80-120 (+Fees*) 559.

Charles & Ray Eames for Herman Miller, a model 670 lounge chair, veneered rosewood with buttoned black leather upholstery on a metal frame, and a matching ottoman, model 671, both with Herman Miller labels [2] Note: A CITES certificate has been obtained for the sale of these items, No. 601969/01 £1500-2500 (+Fees*) 560.

Charles & Ray Eames for Herman Miller, a pair of model 671 ottomans, each with rosewood veneer and buttoned black leather upholstery on a metal X-frame base (2) Note: A CITES certificate has been obtained for the sale of this item, No. 601969/02 £100-150 (+Fees*)

80

Lot 562

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 566 Lot 563

Lot 569A

Lot 564

563.

Richard Sapper (1932-2015) for Artemide Litech, a Tizio desk lamp, designed in 1972, with moving arm and head balanced by counterweights £80-120 (+Fees*)

569.

Erco, a twin-track floor lamp, 20th Century, with three spotlights, 226cm high, two additional spotlights and a double spotlight unit £60-80 (+Fees*)

570.

Three Froscher armchairs, one with chromium frame, the others with white laminate frames, the seats and backs upholstered in white leatherette £40-60 (+Fees*)

564.

Richard Sapper (1932-2015) for Artemide Litech, a Tizio desk lamp, designed in 1972, with moving arm and head balanced by counterweights £80-120 (+Fees*)

569A. Ingo Maurer, two Ilo-Ilu suspension lamps with ‘Touchtronic’ mechanisms, designed 1986 £800-1200 (+Fees*)

571.

Charles and Ray Eames, an IT-10 drop leg table, for Herman Miller, circa 1950, plastic coated white Micarta finish, 55cm wide, 46cm deep, 43cm high £300-500 (+Fees*)

565.

De Pas, D’Urbino and Lamazzi for Stilnovo, a Maniglia floor light, circa 1970s, the stand 127cm high £60-80 (+Fees*) 566.

Achille Castiglioni for Flos, a Grip floor light, designed 1985, the stand 116cm high £100-200 (+Fees*) 567.

A 20th Century white floor lamp with twin cone shaped shades, 198cm high £80-120 (+Fees*) 568.

Ernesto Gismondi for Artemide, two Pilade desk lights, design 1970s, each with pivoting head and brightness settings and a pendant light [3] £80-120 (+Fees*) Lot 571

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

81

575.

Charles and Ray Eames, two DCW plywood chairs, manufactured by Herman Miller, circa 1950 £1000-1500 (+Fees*) 576.

Charles and Ray Eames, two DCW plywood chairs, manufactured by Herman Miller, circa 1950 £1000-1500 (+Fees*) 577.

Warren Platner for Knoll International, a pair of lounge chairs, model 1715L, designed 1966, nickel and steel frame with red upholstery, Knoll labels £3500-4500 (+Fees*) Lot 573

Lot 574

572.

Attributed to Gustavo Pulitzer, a pair of wood framed mirrors, 1950s, designed for the first class rooms of the transatlantic motorboat Augustus, 97.5cm x 52.5cm £60-80 (+Fees*) 573.

Attributed to Uno & Osten Kristiansson, a circular mirror, designed for Luxus, 1960s, teak frame with leather cord, 49cm diameter £400-600 (+Fees*) 574.

Dino Gavina, ‘Omaggio ad Andy Warhol’ stool, Campbell’s Chicken Gumbo Soup, from the Ultramobile series by Simon International, designed 1973, silkscreened metal (no cushion), 44cm high £200-300 (+Fees*)

Lot 575 82

Lot 577

Lot 576

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 578

Lot 581 (part)

Lot 579 578.

Ercol, a light elm extending dining table, the curved corners with incised decoration, on twin stretchers and twin chamfered end stands, labels to underside, 162cm long x 91.5cm wide, fitted three leaves extending to 255cm long £150-250 (+Fees*) 579.

Lucien Ercolini for Ercol, an elm and beech sofa/daybed, with ‘surfboard’ back and curved spindled arms, 194cm wide £300-500 (+Fees*)

584.

A Persian Gabbeh rug, central dark green field within a cream border lined in red, motifs of birds, animals and figures, 178cm x 140cm £200-300 (+Fees*)

582.

A 1960s Siesta coffee table, of organic form carved from yew wood, label for NH Chapman & Co, 152cm long, 63cm wide £60-80 (+Fees*) 583.

A pair of mid-Century Italian leather and chrome side chairs and an Italian cantilever chair with caned back and seat [3] £150-250 (+Fees*)

580.

Lucien Ercolini for Ercol, an elm and beech single bed, with curved spindled headboard, 194cm wide £100-150 (+Fees*) 581.

Bornholm Mobler, a mid-Century Danish teak bookcase, adjustable open shelves above a tambour cupboard fitted pigeonholes, three long drawers under, stamped to back BM Denmark 330-54, 182cm high, 100.5cm wide, 42.5cm deep and a pair of small teak bookcases, 87.5cm high, 61cm wide, 19.5cm deep [3] £150-250 (+Fees*) Lot 584

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

83

590.

Johannes Andersen for Christian Linneberg, Denmark, an extendable rosewood dining table on tapering legs, with additional leaf, the leaf labelled no.

34669, 1960s, 90cm wide x 165cm long Note: A CITES certificate has been obtained for the sale of this item, No. 605878/02 £1200-1800 (+Fees*) 591.

Style of Arne Vodder, a set of eight rosewood dining chairs, mid Century, with curved top rail, spindle back and upholstered seat [8] Note: A CITES certificate has been obtained for the sale of this item, No. 605878/01 £400-600 (+Fees*) Lot 587

Lot 586

585.

Tibor Reich (1916-1996) for Tibor Ltd, an ‘Age of Kings’ rug, designed in 1964 for the Shakespeare Trust to commemorate the 400th anniversary of the playwright’s birth, 123cm x 69cm, and a length of cotton fabric of the same design in red colourway, printed to edge ‘Tibor original made in England.

Stratford-upon-Avon 1564-1964’ [2] £80-120 (+Fees*) 586.

Julian Chichester, a Flip floor lamp, aged brass, 188cm high, the shade 40cm diameter, 47cm long £200-300 (+Fees*)

Lot 590

587.

Style of Franco Albini, a canework oval mirror, 79cm x 66cm overall £150-250 (+Fees*) 588.

A two-tier coffee table of Art Deco design, 54cm diameter x 49cm high £60-80 (+Fees*) 589.

A 1970s style pendant light, the triangular wooden frame suspending three opaque glass shades of spiral cylindrical form, the shades 15cm high £30-40 (+Fees*)

Lot 591

84

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 592

592.

Style of Franco Albini, a pair of rattan hoop chairs, Italian 1950s [2] £60-80 (+Fees*)

593.

Westminster Clocks, Copenhagen, a retro vintage 1970s Danish made longcase clock, the dial with gilt baton hands, fitted a quartz movement above a glazed door cupboard fitted three shelves, one with mirrored back, labelled, 180cm high, 43cm wide £100-150 (+Fees*)

594.

A pair of Art Deco style Indian wall lights, each modelled as a king cobra, the head fitted with single candle sconce, decorated all over with niello floral decoration, 95cm high £60-80 (+Fees*)

595.

Dennis French and Theo Merrett, a beech mantel clock, with hand-drawn decoration and hand-blocked on an 1800s Arming press, 42cm high, 30.5cm wide, 15cm deep Note: Dennis French and Theo Merrett were members of the Gloucestershire Guild of Craftsmen £60-80 (+Fees*)

596.

Theo Merrett and Dennis French, an Arts & Crafts style wooden standard lamp, 129cm high, a rose woodblock table lamp by Theo Merrett and a small wooden table lamp, possibly by Dennis French Note: Dennis French and Theo Merrett were members of the Gloucestershire Guild of Craftsmen [3] £40-60 (+Fees*)

Lot 593

597.

G Plan, a Quadrille nest of three tables, in teak, the largest 53.5cm, 43cm deep, 49cm high £60-80 (+Fees*)

598.

Tom Dixon (born 1959), a kinetic spiral floor lamp, steel with applied gold leaf, on a domed base, approximately 150cm high £800-1200 (+Fees*)

599.

Tom Dixon (born 1959), a kinetic spiral floor lamp, steel with applied gold leaf, on a domed base, approximately 150cm high £800-1200 (+Fees*) Lot 599

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

85

Lot 600 600.

R & Y Agousti, a model F05 armchair, covered with shagreen panels £400-600 (+Fees*)

Lot 603

601.

R&Y Augousti, a black simulated shagreen square tray, labelled R Augousti, Philippines, 45cm square with wood veneer handles and an Art Deco style mirrored tray with chrome handles, 46cm x 31.5cm [2] £100-200 (+Fees*)

604.

Martin Hall for Gordon Russell, a Marlow teak sideboard, two cupboards with double doors, fitted shelves and cutlery trays, 213.5cm wide, 71.5cm high, 45.5cm deep £200-300 (+Fees*)

602.

An Art Deco mirrored centrepiece, the glass centre with 800 standard silver frame and onyx handles, 61cm x 28cm £350-400 (+Fees*)

605.

Manner of Ted Bates for Pieff, a set of eight ‘Lisse’ dining chairs, tan upholstery on chromed metal legs, and a chromed metal and smoked glass coffee table also in the style of Pieff, 113.5cm x 45cm [9] £150-250 (+Fees*)

603.

Meret Oppenheim (1913-1985), a Traccia table, designed 1936 and produced since 1976, the oval gilt top with impressed bird claw prints, on bird legs with claw feet, 67.5cm wide £800-1200 (+Fees*)

606.

A 1970s white arc floor lamp, plastic shade and painted metal base and arm, 193cm high £60-80 (+Fees*)

607.

Giancarlo Piretti, a ‘Planta’ coat and umbrella stand, 169cm high £40-60 (+Fees*)

608.

A 20th Century console table, smoked rectangular glass top with rounded corners on chrome legs and a perspex magazine rack on castors [2] £40-60 (+Fees*)

Lot 604

86

ARR – Some lots may be subject to an additional fee (see page 4)

609.

An artist’s oak easel, with adjustable rest, 163cm high £60-80 (+Fees*)

610.

Howard Raybold (born 1946), a carved and painted mirror, signed and dated ’92, overall 64cm x 88cm £150-250 (+Fees*)

611.

Illum Wikkelso for CFC Silkeborg, Denmark, a 1960s ‘Plexus’ suite of oak and rattan furniture, comprising two-seater sofa, two armchairs and footstool, all with loose cushions £800-1200 (+Fees*)

Lot 610

612.

Vico Magistretti for Habitat, a set of four 1960s Carimate dining chairs with drop in rush seats £100-150 (+Fees*)

613.

Enzo Mari for Zanotta, a set of four Tonietta chairs, black leather hide seats and backs on metal frame, dated 1987 [4] £80-120 (+Fees*)

Lot 611

614.

An Arts & Crafts rush seat chair, in the style of Morris & Co, with spindle splay splats to the back, on turned legs and spindle turned stretchers £100-150 (+Fees*) 615.

An Arts & Crafts jardinière stand with lower tier, 80cm high, the top 27cm square £40-60 (+Fees*) 616.

No Lot

Lot 614

Lot 615

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

87

Lot 619

Lot 617 617.

Three American bar stools with upholstered circular seats, the steel frames with gilded rope and tassel supports, 37cm diameter, 85cm high £150-200 (+Fees*) 618.

A Bulthaup bar stool with circular top on a chromium quadruple support, 36cm diameter, 79cm high and an Oomph small table [2] £80-120 (+Fees*) 619.

A George Smith cloverleaf pouffe upholstered in pale green floral damask with long tassel fringing, on castors, 88cm diameter £300-400 (+Fees*) 620.

A pair of Rug Company lake pattern rugs, 266cm x 244cm £400-600 (+Fees*) 621.

A rectangular wrought iron coffee table with a glass top, 104cm x 61cm £120-150 (+Fees*)

625.

A pair of table lights, the column of each five graduating glass balls, 47cm high with shades £100-150 (+Fees*) 626.

A pair of table lights, the column of each five graduating glass balls, 47cm high with shades £100-150 (+Fees*) 627.

A pair of Art Deco style glass candle holders, with square sconces and bases, 15cm high £60-80 (+Fees*) 628.

A pair of glass table lights, with opaque glass conical shades and circular bases, 48cm high £70-90 (+Fees*) 629.

A French modern wool rug of cream ground with a blue border, initialled BG, 230cm x 163cm £60-80 (+Fees*)

Lot 623 630.

An Italian ebonised oak kneehole desk, fitted a surround of five drawers, with silvered steel handles, on splay square taper legs, the top 180cm x 80cm £80-120 (+Fees*) 631.

An OKA office chair, upholstered in grey material and with piped border, on square taper legs £60-80 (+Fees*)

622.

A Minotti donkey hide rug, 300cm x 300cm £100-150 (+Fees*) 623.

Manner of Jean Prouvé, an open armchair with upholstered seat and padded back, having a chromed frame with studded joints, bears label £200-300 (+Fees*) 624.

An Italian modern circular love seat with cone-shaped centre and on gilded legs, upholstered in Collanari damask, 155cm diameter £200-300 (+Fees*)

88

Lot 630

ARR – Some lots may be subject to an additional fee (see page 4)

632.

Reynolds of Ludlow, an oak refectory style dining table, 35cm x 122cm £150-250 (+Fees*)

633.

A coffee table with mosaic top, 85cm x 36.5cm £40-60 (+Fees*)

634.

A Robert ‘Mouseman’ Thompson oak pipe rack, with six sections and an arched top, carved mouse signature, 28cm wide £500-700 (+Fees*)

Lot 632

635.

A hand woven Bedouin camel hair rug, in vivid orange, 293cm x 152cm and a smaller Bedouin rug, 205cm x 123cm [2] £150-200 (+Fees*)

636.

A decorative Casa Pupo rug, in green and white medallion design with tasselled edges, 190cm x 87cm £60-80 (+Fees*)

637.

A Venetian glass mirror, approximately 50cm x 41cm £20-30 (+Fees*) Lot 634 638.

An Italian modernist lamp, Relco, Milano, of stylised tree form, 173cm high £100-150 (+Fees*)

639.

An Italian modernist floor lamp, Relco, Milano, of stylised floral design with ochre flecked flowerhead shades, 190cm high £100-150 (+Fees*)

640.

An American black walnut and sycamore inlaid low table, of two tiers with seat pad for use as a stool, 110cm wide x 45cm high Provenance: Designed by Redpath Design Partnership, circa 1995. Original drawings offered with the lot £200-300 (+Fees*)

Lot 638

Lot 639

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

89

641.

A Giorgio Collection ‘Rio Samba’ mahogany dresser of three drawers, 200cm wide Provenance: Harrods £200-300 (+Fees*)

Lot 641

642.

A pair of Giorgio Collection ‘Rio Samba’ mahogany bedside chests, 76cm wide [2] £300-500 (+Fees*)

Lot 642

643.

An oak framed mirror of modern design, the plate 105cm x 60cm £100-150 (+Fees*)

644.

A modern Italian circular ottoman upholstered in fabric with button to centre, label to base Industrie Natuzzi model 1921, 80cm diameter x 36cm high £80-120 (+Fees*)

645.

Charles & Ray Eames for Herman Miller, a swivel chair (EA124) and matching footstool (EA125) [2] £300-500 (+Fees*) Lot 645

90

ARR – Some lots may be subject to an additional fee (see page 4)

Lot 646

646.

A Maison Jansen black and gold coffee table, 131cm x 71cm £600-800 (+Fees*)

647.

A hide upholstered stool, 111cm wide £80-120 (+Fees*)

648.

A modern wall mirror with paint effect finish, the plate 144cm x 67cm £100-150 (+Fees*)

649.

Two small chests with paint effect finish, each with hinged lid and strap clasp, the larger 57cm wide [2] £100-200 (+Fees*)

Lot 647

650.

A rectangular coffee table, the smoky glass top on two carved and gilded weeping Buddha supports, 50cm wide £300-500 (+Fees*)

Lot 650

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

91

CONDITIONS OF BUSINESS FOR ONSITE AUCTIONS INFORMATION FOR BUYERS AT AUCTIONS 1. Introduction. The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand.

Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale.

2. Agency. As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer.

3. Estimates. Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot.

Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price. Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot.

They are not definitive.

4. Buyer’s Premium. The Terms of Sale oblige you to pay a buyer’s premium on the hammer price of each lot purchased.

22.5% on the first £100,000 15% on the excess between £100,001 and £500,000 12.5% on the excess between £500,001 and £1,000,000 10% on the balance above £1,000,000 Where thresholds apply, the higher premium rate will apply to the portion of the bid price up to the threshold and the lower premium rate will apply to the portion of the bid price in excess of the threshold. VAT at the standard rate is added to this premium with the exception of books and unframed maps (see below).

5. VAT. Items in our catalogue may be marked in the following ways: a. (*) indicates that VAT is payable by the buyer on the hammer price as well as being an element in the buyer’s premium.

VAT will be chargeable at the standard rate (presently 20%).

This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. b. (**) indicates that the lot has been imported from outside the European Union. [These lots are liable to a reduced rate of VAT (5%) on the hammer price and buyer’s premium)]. c. Lots which do not have either of the above symbols have no VAT payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the premium is not recoverable as input tax.

6. Inspection of goods by the buyer. As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods. You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 13.4.

7. Electrical goods. These are sold as “antiques” and for collection and display only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

8. Export of goods. If you intend to export goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory (see Terms of Sale clause 15).

9. Bidding. Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

10. Financial Checks. As auctioneers we may have to conduct various checks into our customers under the Money Laundering, Terrorist Financing and Transfer of Funds (Information on the Payer) Regulations 2017 and related legislation. Unless we confirm we already have this information, on registration you will be required to provide the following: For individuals, official photo identification (driving licence, passport or equivalent) and proof of address (if this is not included in your ID document); For corporate entities, the certificate of incorporation (or equivalent) with your official name, registered number (if any) and registered address, as well as details and ID documentation for directors and beneficial owners of the entity; For trusts and estates, details and ID documentation for executors/trustees and details of beneficiaries; please contact us for further information.

You may be asked for further information if we deem this necessary. If you are bidding for another person (your “Principal”) you will be required to provide the above information for yourself and your Principal, along with a signed letter from your Principal authorising you to bid.

For further information about ID requirements please call us on 01452 344499. If we deem that you have not provided sufficient information for us to complete our anti-money laundering and terrorist financing checks to our satisfaction, we may refuse to register you to bid and we may postpone completion of or cancel any contract made by you and the Seller in the event you have made a successful bid.

11. Commission bidding. You may leave commission bids with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids we may prefer the first bid received (where this can be reasonably ascertained). Please enquire in advance about our arrangements for the leaving of commission bids by telephone, email, via our website or through online bidding platforms.

12. Methods of Payment. We accept payment by debit card, credit card (maximum £1,000 per auction) and bank transfer. Please contact us before the sale if you plan to use any other method of payment. We do not accept payment by card over the telephone.

13. Collection and storage. Please note what the Terms of Sale say about collection and storage. It is important that you pay for and collect goods promptly. Any delay may involve you having to pay storage charges.

TERMS OF SALE Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request.

Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale.

Please note that these Terms of Sale relate to auctions held at our premises only. We have separate terms for online only auctions.

1 Definitions and interpretation 1.6 To make these Terms of Sale easier to read, we have given the following words a specific meaning: “Auctioneer” Means Chorley’s, a limited company registered in England and Wales with registration number 5857433 and whose registered office is located at Staverton Court, Cheltenham GL51 0UX, or its authorised auctioneer, as appropriate; “Bidder” means a person participating in bidding at the auction; “Buyer” means the person who makes the highest bid for a Lot accepted by the Auctioneer; “Deliberate means: (a) an imitation made with the intention of Forgery” deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described; “Hammer means the level of the highest bid for a Lot Price” accepted by the Auctioneer by the fall of the hammer; “Lot(s)” means the goods that we offer for sale at our auctions; “Money means the Money Laundering, Terrorist Financing Laundering and Transfer of Funds (Information on the Payer) Regulations” Regulations 2017, as amended; “Premium” means the premium that we will charge you on your purchase of a Lot to be calculated as set out in Clause 4; “Reserve” means the minimum hammer price at which a Lot may be sold; “Sale means the net amount due to the Seller; Proceeds” “Seller” means the persons who consign Lots for sale at our auctions; “Terms of means the terms on which we agree to offer Lots Consignment” for sale in our auctions as agent on behalf of Sellers; “Terms of means these terms of sale, as amended or Sale” updated from time to time; “Total Amount means the Hammer Price for a Lot, the Premium, Due” any applicable artist’s resale right royalty, any VAT due and any additional charges payable by a defaulting buyer under these Terms of Sale; “Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf; “VAT” means Value Added Tax or any equivalent sales tax; “Website” means our website available at www.chorleys.com In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

2 Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5 and 8.

2.4 The arrangements for collection of the Goods as set out in Clauses 9 and 10.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 14.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

2.8 We also refer you to your warranties as a Bidder and Buyer as set out in clause 6.

3 Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us (Paragraph 10 of the Information for Buyers in the Sale Catalogue refers). You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

3.2 We strongly recommend that you attend the auction in person if possible. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.

3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable. Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

4 The purchase price As Buyer, you will pay: a. the Hammer Price; b. a premium of a percentage of the Hammer Price calculated on an incremental basis: 22.5% on the first £100,000 15% on the balance between £100,001 and £500,000 12.5% on the balance between £500,001 and £1,000,000 10% on the balance above £1,000,000; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due.

5 VAT 5.1

You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information.

We will charge VAT at the current rate at the date of the

auction.

6 Buyer Warranties 6.1 You warrant that the funds used for settlement are not connected with any criminal activity including tax evasion, and that you are neither under investigation, nor have you been charged with or convicted of money laundering, terrorist activities or other crimes.

6.2 Where you are bidding on behalf of another person, you warrant that: you have conducted appropriate customer due diligence on the ultimate buyer(s) of the Lot(s) in accordance with all applicable anti-money laundering and sanctions laws, you consent to us relying on this due diligence, and you will retain for a period of not less than 5 years the documentation evidencing the due diligence; You will make such documentation promptly available for immediate inspection by an independent third party auditor upon our written request to do so; the arrangements between you and the ultimate buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes; you do not know, and have no reason to suspect, that the funds used for settlement are connected with, the proceeds of any criminal activity, including tax evasion, or that the ultimate buyer(s) are under investigation, or have been charged with or convicted of money laundering, terrorist activities or other crimes.

7 The contract between you and the Seller 7.1 The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction.

7.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.

7.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim.

7.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).

7.5 In addition to any other rights we may have to cancel a contract for sale under these Terms of Sale, in the event: 7.5.1 you are in breach of your warranties in clause 6; or 7.5.2 we have not completed our enquiries pursuant to the Money Laundering Regulations and related legislation to our satisfaction; or 7.5.3 we have reason to believe that the transaction might be unlawful for any reason, or that the sale might put us under any civil or criminal liability, We may delay completion of a sale, delay release of a Lot or cancel the sale of a Lot.

8 Payment 8.1 Immediately following your successful bid on a Lot you will: 8.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations – please refer to Paragraph 10 of the Information for Buyers in the Sale Catalogue ); and 8.1.2 pay to us the Total Amount Due by debit card, credit card (for which there is an upper limit of £1,000 per client per auction) or bank transfer.

8.2 If you owe us any money, we may use any payment made by you to repay these debts.

9 Title and collection of purchases 9.1 While you are bound by the contract for the purchase of the Lot from the fall of the hammer on your successful bid, ownership in the Lot will not pass to you until: 9.1.1 you have paid us in full the Total Amount Due in cleared funds for that Lot; 9.1.2 you have provided us with the information set out in clause 8.1.1; and 9.1.3 we have completed our enquiries pursuant to the Money Laundering Regulations and related legislation.

You may not claim or collect a Lot until you have paid for it and ownership has passed to you.

9.2 Unless notified otherwise, you will (at your own expense) collect any Lots that you have purchased and paid for either: 9.2.1 not later than seven business days following the day of the auction; or 9.2.2 not later than seven business days following the date that we have received payment of the Total Amount Due in cleared funds, if later.

9.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal, storage and insurance charges in relation to that Lot, unless the delay was caused by our continuing investigations under Clause 7.5.2.

9.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot. 9.5 If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but (unless the delay was caused by our continuing investigations under Clause 7.5.2) will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot. 10 Remedies for non-payment or failure to collect purchases 10.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you.

This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 10.1.1 take action against you for damages for breach of contract; 10.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you;

10.1.3

resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 9.5. Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 10.1.4 remove, store and insure the Lot at your expense; 10.1.5 if you do not pay us within seven business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 10.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due; 10.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 10.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

10.2 We will act reasonably when exercising our rights under Clause 10.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale.

11 Health and Safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk.

Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.

12 Seller’s Warranties 12.1 The Seller warrants to us and to you that: 12.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction; 12.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 12.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

12.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

12.3 Please note that many of the Lots that you may bid on at our auction are second-hand.

12.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 12.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

12.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

13 Descriptions and Condition 13.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (b) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

13.2

13.3

13.4

13.5

13.6

13.7 14

We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Books are not collated and are not guaranteed to be complete. The absence of any reference to condition in a description does not mean that the lot is without damage, restoration or loss.

While we do not usually include condition information within our catalogue descriptions, we are happy to provide a condition report for any lot upon request before the auction.

Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

Historically many gemstones have been subject to a variety of treatments to enhance their appearance. Sapphires and rubies are routinely heat treated to improve their colour and clarity, emeralds are also frequently treated with oils or resin for the same purpose. Treatments such as staining, irradiation or coating may have been used on other gemstones. These treatments may be permanent, whilst others may need special care or re-treatment to retain their appearance. Bidders should be aware that estimates assume that gemstones may have been subjected to such treatments. A number of laboratories issue certificates that give more detailed descriptions of gemstones, however there may not be consensus between different laboratories on the degrees or types of treatment for any particular gemstone. In the event that Chorley’s has been given or obtained certificates for any lots in the sale, these certificates will be disclosed in the catalogue. In the event that no certificate is published in the catalogue, bidders should assume that the gemstone may have been treated.

Neither Chorley’s nor the seller accepts any liability for contradictions or differing certificates obtained by buyers on any lots subsequent to the sale.

Every effort is made to ensure the accuracy of the images on our website and in our printed catalogues, however due to variations in the printing process and in the screen settings of individual computers, tablets and phones, we cannot guarantee that the colour in an image is truly representative of the actual item.

All weights and measures provided in the catalogue should be regarded as approximate.

Ivory and Endangered Species Chorley’s condemns the poaching of all species, especially African elephants and the wanton destruction of natural habitat. Thus we will offer for sale no products containing ivory produced after June 1947, the date of the Convention of International Trade in Endangered Species of Wild Fauna and Flora (CITES). We consider that pieces produced before this date are likely to be purchased as pieces of artistic or cultural merit, which happen to contain ivory, rather than be purchased for their ivory content.

Due to international laws, any item on the Endangered species list, whether it dates from the 18th/19th Century or the 1930s, requires re-export permits for bidders outside the EU (CITES). Some countries also require import permits as well and all permits must be in place prior to shipment.

Chorley’s cannot be held liable if a purchaser buys a lot that comes within this field and then import/export licences

cannot be arranged. It is the potential buyer’s responsibility to check the applicable regulations before bidding for a lot which comes under these laws.

15 Deliberate Forgeries 15.1 You may return any Lot which is found to be a Deliberate Forgery to us within six months of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

15.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) PROVIDED that if: 15.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or 15.2.2 you personally are not able to transfer good and marketable title in the Lot to us; you will have no right to a refund under this Clause 15.2.

15.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. 15.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

16 Our liability to you 16.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

16.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

16.3 Subject to Clause 16.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 16.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 16.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 16.4.2 fraudulent misrepresentation; or 16.4.3 any liability which cannot be excluded by law.

17 Notices 17.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

17.2 Any notice referred in Clause 16.1 may be given: 17.2.1 by delivering it by hand; 17.2.2 by first class pre-paid post or Recorded Delivery; or 17.2.3 by email, provided that a copy is also sent by prepaid post or Recorded Delivery.

17.3 Notices must be sent: 17.3.1 by hand or registered post: a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and

b. to you, at the last postal address that you have given to us as your contact address in writing; or 17.3.2 by email: a. to us, by sending the notice to both the following email addresses: simon.chorley@chorleys.com enquiries@chorleys.com b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

17.4 Notices will be deemed to have been received: 17.4.1 if delivered by hand, on the day of delivery; 17.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 17.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by prepaid post or Recorded Delivery as set out in Clause 17.2.3.

17.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

18 Data Protection We will hold and process securely any personal data in relation to you in accordance with the 2018 General Data Protection Regulation.

19 General 19.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

19.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

19.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.

19.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

19.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.

19.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

19.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any noncontractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

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Prinknash Abbey Park Gloucestershire GL4 8EU

Telephone: 01452 344499 Email: info@chorleys.com Web: www.chorleys.com