Auction Catalogue 16 April 2019 | Modern Art & Design

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16th April 2019

Prinknash Abbey Park Gloucestershire GL4 8EU

Telephone: 01452 344499 Email: info@chorleys.com Web: www.chorleys.com

Modern Art & Design Tuesday 16th April 2019

Prinknash Abbey Park Gloucestershire GL4 8EU www.sofaa.org

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16 April 2019 pages.qxp_Chorleys 01/04/2019 16:10 Page 1

MODERN ART & DESIGN Auction Tuesday 16th April 2019 starting at 11am

Prinknash Abbey Park Gloucestershire GL4 8EU

Viewing Sunday 14th April 10am-4pm Monday 15th April 9am-5pm Sale morning 8.30am-11am

Enquiries Tel: +44 (0) 1452 344499 Email: info@chorleys.com www.chorleys.com

All Lots offered subject to Chorley’s Terms of Sale, as published at the back of this catalogue and available on our website.

If you cannot attend the auction to view in person, you will find many additional images and condition reports in our online catalogue at www.chorleys.com. Please contact us with any specific questions and we will be pleased to help.

BIDDING: There are a number of ways to bid at our auctions ● In person ● Commission (absentee) bid ● Telephone bid ● Online via third-party website See our website or contact us for further information.

INTERNET PLATFORMS: Live internet bidding is available for this auction on these platforms, subject to an additional fee

COLLECTION: It is the responsibility of the purchaser to make collection arrangements. All purchased lots in this auction must be paid for and collected from Chorley’s salerooms by 5pm on Friday 26th April. Any items remaining after this time will be removed to storage at the purchaser’s expense.

FEES: Buyer’s premium (+ VAT at 20%) will be charged to the purchaser on top of the hammer price of each lot purchased, at the following rates: 20% (24% incl. VAT) on the first £100,000 15% (18% incl. VAT) on the excess between £100,000.01 and £500,000 12.5% (15% incl. VAT) on the excess between £500,000.01 and £1,000,000 10% (12% incl. VAT) on any balance exceeding £1,000,000 Artist’s Resale Rights (ARR) This additional fee may apply to many lots in this auction. Please see page 4 for full details.

PAYMENT: We accept payment by debit card, credit card, cash or bank transfer (maximum payment by cash or credit card £1,000 per buyer per auction).

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Gloucestershire's Fine Art Auctioneers The beautiful grounds of Prinknash Abbey are located in the heart of the Cotswolds, midway between Cheltenham, Cirencester, Stroud and Gloucester and easily accessible from the M5 / M4 / M40. Chorley's salerooms can be found next to the Abbey's popular tea rooms, and there is always plentiful parking which makes delivering and collecting items easy.

We conduct frequent auctions of high quality antiques and art, as well as offering valuation services for private and corporate clients. Our experienced valuers and saleroom staff are bound by the values of integrity, honesty and professionalism and we are members of the Society of Fine Art Auctioneers & Valuers (SOFAA) and the Association of Accredited Auctioneers (AAA).

Our salerooms are open for free appraisals every Friday between 10am and 4pm.

We look forward to welcoming you soon.

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T: +44 (0) 1452 344499 E: info@chorleys.com www.chorleys.com

16 April 2019 pages.qxp_Chorleys 01/04/2019 16:11 Page 3

Tuesday 16th April 2019 at 11am Jewellery & Watches Silver & Metalware Glass Ceramics Works of Art Furniture & Lighting Oils & Acrylics Drawings & Watercolours Prints & Multiples

Lots

Page

1-23A 24-33 34-45 46-96A 97-149 150-208 211-268 269-349 350-391

6 8 11 14 24 41 57 67 76

3

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Explanation of Cataloguing Practice Pictures

Generally

When offering Oil Paintings, Watercolours and Drawings, a picture code is used. Using one artist's name we illustrate below the manner of attributing the pictures in the catalogue.

Furniture, porcelain, bronzes, etc are attributed as follows:

Arthur Devis In our opinion a work by the artist.

Attributed to Arthur Devis In our opinion a work possibly by or partly by the artist.

A Sheraton period In our opinion made at the same time that Sheraton was active.

Sheraton style or of Sheraton design In our opinion of later manufacture.

Dated 1660

School of Arthur Devis

In our opinion a genuine date.

In our opinion a work contemporary with the artist and showing his influence.

Carved with the date 1660

Manner of Arthur Devis In our opinion a work in the artist's style and of a later date.

After Devis In our opinion a copy of a known work by the artist (of any date).

Signed, Dated, Inscribed In our opinion the work has been signed/dated/inscribed by the artist.

Bears Signature; Bears a Date; Bears an Inscription

In our opinion a later decoration.

A Derby figure In our opinion a figure from the Derby factory.

Possibly Derby In our opinion this is similar to a Derby product.

By In our opinion made by the artist or modeller in question.

After In our opinion made by another artist or modeller as a copy of the original.

In our opinion the signature/date/inscription is by a hand other than the artist.

Dimensions These are given height before width.

Artist’s Resale Right (ARR) This derives from a European Directive and came into force in the UK in 2006. Living artists and the descendants of artists deceased within the last 70 years are entitled to receive a resale royalty each time their work is bought. The right only applies when the sale price reaches or exceeds the sterling equivalent of €1,000. The fee is calculated on a sliding scale and charged to the buyer as a percentage of the hammer price, and in addition to the buyer’s premium. ARR is not subject to VAT. Please note ARR is calculated in Euros and the auctioneers will apply current exchange rates. This fee is passed on by Chorley’s to the artist’s collecting society.

Applies to lots with hammer value over €1,000 as follows: €1,000 to €50,000 – 4%, €50,000.01 to €200,000 – 3% €200,000.01 to €350,000 – 1%, €350,000.01 to €500,000 – 0.5% Exceeding €500,000 – 0.25%. ARR is capped at €12,500

Condition Condition information is not usually provided in our printed catalogue, but is available upon request.

Further images and some condition reports can be viewed on our online catalogue at www.chorleys.com.

The absence of a condition report does not imply that a lot is without imperfections.

Books are not collated unless stated and are not guaranteed to be complete.

Catalogue produced by Pardy & Son (Printers) Ltd

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Jewellery & Silver

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Jewellery & Watches

Lot 3

Lot 1 1.

Barbara Christie, a silver and agate ‘boat’ ring, the agate boat set in a shallow U shaped support to a circular shank, 5cm wide, size M £100-150 (+Fees*) 2.

Kenneth Jay Lane, a metal bangle set facetted black stones, a yellow metal wave shaped cuff bangle and three pairs of ear clips £40-60 (+Fees*) 3.

Yves St Laurent, a chain link bracelet, rectangular black rectangles with yellow metal links, stamped, a hinged yellow metal cuff bangle of ribbed design and two pairs of yellow metal ear clips £50-70 (+Fees*) 4.

Chanel, a yellow metal circular link chain necklace, stamped £60-80 (+Fees*)

5.

Sonia Rykiel, a swallow brooch, the pierced metal set green facetted stones, a spider brooch set facetted white stones, in the style of Butler & Wilson, a Duo yellow coloured brooch in the form of a flower and an oval wooden brooch with abstract design £40-60 (+Fees*) 6.

Schauer, Fifth Avenue, a brooch and bangle set, each with oval facetted white and blue stones in spray effect mounted on yellow metal, stamped £30-50 (+Fees*) 7.

Christian Dior, a multi-strand snake link necklace on yellow metal, stamped, a 9ct gold articulated necklace stamped 375 and a gold articulated bracelet set turquoise cabochons £80-120 (+Fees*)

8.

A group of ear clips and earrings, various, 12 pairs including hoops and modernist designs £40-60 (+Fees*) 9.

A pair of oval lapis earrings set in gold and two pairs of faux pearl earrings £40-60 (+Fees*) 10.

Givenchy, a pair of gold coloured ear clips of cross design, a pair of Nina Ricci gold coloured ear clips, each set an oval white stone and two further pairs of ear clips £60-80 (+Fees*) 11.

A gold modernist ring, stamped 18k, an 18ct gold ring of textured design set a white stone and a small 18ct gold band set a single white stone (stones untested) £80-120 (+Fees*) 12.

A dress ring of flowerhead cluster form with central blue stone and surround of white stones (untested) on a shank stamped 14k and three other modern dress rings £80-120 (+Fees*)

Lot 4 6

Lot 6

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

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Lot 18

Lot 15 13.

Emporio Armani, a large metallic heart brooch studded with white stones, two Henry à la Pensée black suede and diamanté dress clips and a gold coloured floral pendant brooch £40-60 (+Fees*) 14.

A bronze modernist brooch in the form of leaf sprays, a 1970s style abstract brooch and four other brooches £60-80 (+Fees*) 15.

Two green Bakelite brooches of foliate form and two black and white pin brooches £40-60 (+Fees*) 16.

Lea Stein, a mottled cream and brown plastic snake-type bangle and a tortoiseshell coloured bangle of similar design, a striped perspex bangle by Gail Klevan and two other bangles (5) £60-80 (+Fees*) 17.

A 1980s black and red flat link necklace, a black facetted necklace, three amber coloured necklaces, three other necklaces and two expanding bracelets £60-80 (+Fees*) 18.

Henning Keppel for Georg Jensen, a silver ‘Amoeba’ brooch, no. 324, stamped masks, 4.25cm wide and a modern silver brooch, pierced design of tree set cabochon fruit, 4cm wide £100-150 (+Fees*)

Lot 19 19.

Cartier, A ‘Must de Cartier’ Vermeil ladies tank watch with an leather strap £100-150 (+Fees*) 20.

Omega, A Seamaster wristwatch with 18ct gold case (no strap) with date aperture and antimagnetic dial (no strap), an Omega non-magnetic wristwatch with stainless steel case, pigskin strap and a rectangular gold coloured wristwatch, Omega De Ville, metallic bracelet strap £300-500 (+Fees*) 21.

A single row of graduated cherry amber beads and sundry amber and faux amber necklaces £80-120 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

22.

A long coral bead necklace and another, shorter, and sundry modernist and other necklaces £60-80 (+Fees*) 23.

A tanzanite and diamond half hoop ring, the four oval tanzanites interspersed with pairs of diamonds, set in 18k yellow gold, size N Note: with tanzanite certificate £80-120 (+Fees*) 23A. A cultured pearl ring set in 9ct yellow gold, size L and a paste set eternity ring in 9ct gold, size K £80-120 (+Fees*)

Further images & information at www.chorleys.com

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16 April 2019 pages.qxp_Chorleys 01/04/2019 16:11 Page 8

Silver & Metalware

Lot 27 Lot 28 24.

A Belgium rowing bronze medallion, J Fenson, Prix du Roi with bust portrait and inscription to obverse within a wreath and another, both cased £80-120 (+Fees*) 25.

Christopher Nigel Lawrence, a modernist silver vase, London 1992, the lower part with bark finish, 18.5cm high, approximately 210gm £200-300 (+Fees*) 26.

Anthony Hawksley, an oval silver box, London 1981, the cover with enamelled relief depicting a country house with trees in the foreground, 7.5cm wide and a circular box by the same, 4.5cm diameter £300-500 (+Fees*)

27.

Liberty & Co., a pair of silver plated candlesticks, of square tapered form applied green glass bosses to each side, stamped Liberty & Co., numbered 6876, 18cm high £150-200 (+Fees*)

29.

Guild of Handicraft, an Arts & Crafts style silver porringer and spoon, London 1999, to a design by C R Ashbee, each set with a green cabochon, approximately 206gm £300-500 (+Fees*)

28.

Guild of Handicraft, an Arts & Crafts style silver mounted claret jug, London 1996, to a design by C R Ashbee, 25.5cm high £1000-1500 (+Fees*)

30.

Guild of Handicraft, an Arts & Crafts style silver butter knife, London 1999, to a design by C R Ashbee, the twisted openwork handle containing a ball and with green cabochon to end, approximately 39gm £150-200 (+Fees*)

Lot 25 8

Lot 29

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

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Lots 31-33

31.

Christopher Nigel Lawrence, three limited edition silver and silver-gilt novelty toadstools, London 1979, 1981, 1983, each with domed cover revealing an enamelled “surprise”, and set on a slate base, 13.5cm high and smaller Provenance: The Estate of the late Mrs Rook, Beverston Castle, near Tetbury £500-700 (+Fees*)

32.

Christopher Nigel Lawrence, two limited edition silver and silver-gilt novelty toadstools, London 1980 and 1981, each with flared cover revealing an enamelled “surprise”, and set on a slate base, 15cm high and smaller Provenance: The Estate of the late Mrs Rook, Beverston Castle, near Tetbury £350-450 (+Fees*)

33.

Christopher Nigel Lawrence, two limited edition silver and silver-gilt novelty toadstools, London 1979 and 1982, each with domed cover and turned up rim revealing an enamelled “surprise”, and set on a slate base, 11.5cm high and smaller Provenance: The Estate of the late Mrs Rook, Beverston Castle, near Tetbury £350-450 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Glass & Ceramics

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Glass 34.

Style of Koloman Moser for Loetz, an amethyst glass vase with copper overlay, of organic fluted form with triangular neck, 27cm high £100-150 (+Fees*)

35.

Robin Smith and Jeff Walker for The Melting Pot Glassworks, a large studio glass vase of tapering form cased in clear crystal over a mottled blue and orange ground, signed to base, 24.5cm high £60-80 (+Fees*)

36.

A group of Caithness limited edition paperweights £30-40 (+Fees*)

37.

A collection of modern glass paperweights, various makers £30-40 (+Fees*) Lot 34

38.

Cowdy Glass, a footed glass dish with coloured geometric shapes to a clear ground, signed to base, 32cm diameter £20-30 (+Fees*)

39.

Mdina, a glass bowl of organic circular form in ochre trailed green glass, 16cm diameter Provenance: Eastington Hall, Worcestershire £40-60 (+Fees*)

40.

A studio glass dish, 50cm diameter £80-120 (+Fees*)

40A. Edwin Weymouth, a studio glass wall plaque of abstract form, signed and inscribed to the side, 37.5cm x 24cm £40-60 (+Fees*) Lot 35

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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16 April 2019 pages.qxp_Chorleys 01/04/2019 16:11 Page 12

Lot 41 41.

Alessandro Pianon for Vistosi, a Pulcini orange glass bird, mid 1960s, of circular form with spiked exterior, on copper legs, 23cm high £1200-1800 (+Fees*)

12

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

16 April 2019 pages.qxp_Chorleys 01/04/2019 16:11 Page 13

42.

Lalique, ‘Coq Nain’, a car mascot, in frosted and clear glass, 22cm high, stencil mark LALIQUE FRANCE, Marcilhac no.1135 Provenance: Eastington Hall, Worcestershire £150-200 (+Fees*)

Lot 42

40

Lot 43

43.

Lalique, a glass bonnet mascot, reclining lady, etched Lalique France beneath, 13cm high £100-150 (+Fees*)

Lot 44

44.

Lalique Crystal, a ‘Martinets’ vase, designed in 1982 by Marie-Claude Lalique, clear and frosted crystal relief decorated swallows in flight, etched mark Lalique France, 24.75cm high £250-350 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

45.

Lalique, a pair of Jamaique glass ashtrays, of circular form with foliate design to the ribbed border and clear centre, etched mark Lalique France, 14cm diameter, and a 20th Century cut glass vase with ruby border and raised ruby geometric designs, 14.5cm high £50-70 (+Fees*)

Further images & information at www.chorleys.com

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16 April 2019 pages.qxp_Chorleys 01/04/2019 16:11 Page 14

53.

A studio pottery teapot with wicker handle and trellis decoration to the sides, impressed mark JB, 24.5cm high, an Irish pot with flowerhead decoration to a blue ground, incised Kerry and monogrammed, 18cm high, a blue brown glaze baluster vase by Great Barrington Pottery, 16.5cm high and other British and Irish studio ceramics £40-60 (+Fees*)

Ceramics

54.

Susie Cooper (British 1902-1995), a Hazelwood pattern trio of coffee cup, saucer and plate and three trios in other patterns £40-60 (+Fees*)

Lot 50 46.

Anne James (British, born 1937), a porcelain footed bowl with shaped and pierced rim in a matt black glaze, signed and dated ‘74 to base, and a similar box and cover £40-60 (+Fees*) 47.

Bridget Drakeford (British, born 1946), a celadon glazed vase with red drip body, of baluster form with tall neck and flared rim, 28.5cm high, signed and impressed to seal mark to base and a yellow teapot and mug by the same hand £60-80 (+Fees*)

51.

David Leach (British 1911-2005), a stoneware bottle vase with dot and brush detailing to body, impressed mark to base, 9.5cm high and Walter Keeler (British, born 1942), a Whieldon style glazed mug in yellow green applied roundels, 9cm high £60-80 (+Fees*)

55.

Susie Cooper (British 1902-1995), a Blue Gentian pattern trio of coffee cup, saucer and plate and three trios in other patterns £40-60 (+Fees*) 56.

Susie Cooper (British 1902-1995), a Dresden Spray coffee pot and cup and various pieces of Susie Cooper and Grays Pottery £60-80 (+Fees*)

52.

Antonia Salmon, a stoneware terra sigillatta ceramic sculpture, a crystalline glaze vase by David White, 13.5cm high and another small vase £40-60 (+Fees*)

48.

Stephen Jones (British, 20th Century), three porcelain boxes and covers of asymmetric form, each with a crystalline glazed cover, two signed and dated 1983, largest 10.5cm high and a triangular dish in a pale green matt glaze with a crystalline dished centre, signed to base, 26cm wide £40-60 (+Fees*) 49.

Neil Ions (British, born 1949), ‘Bending over Backwards’, a figural earthenware ocarina, 33cm high and an ocarina in the form of a fish £80-120 (+Fees*) 50.

Peter Wills (British, born 1955), a porcelain bowl with flared rim and raised circular foot, in a white and green glaze with a manganese drip rim, incised signature to base, 27.5cm diameter £100-150 (+Fees*) Lot 52 14

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

16 April 2019 pages.qxp_Chorleys 01/04/2019 16:11 Page 15

Lot 57 57.

Robert Wallace Martin (British 1843-1923), a pottery relief portrait of Edwin Martin, circa 1885, the potter shown incising a vase, inscribed Sgraffito, R W Martin Sc, The Pottery Southall, 31.5cm square, in a wooden frame Literature: Malcolm Haslam, The Martin Brothers, Potters, page 81 £800-1200 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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16 April 2019 pages.qxp_Chorleys 01/04/2019 16:11 Page 16

Lot 58 58.

Moorcroft, a leaf and berries pattern jug, blue painted signature and stamp, 13cm high £60-80 (+Fees*) 59.

Katzhutte, an Art Deco figure group, modelled as an elegant lady walking her Borzoi hound, green stamp below, 32cm high £100-150 (+Fees*) 60.

20th Century British School, a pottery wall plaque in the style of Hagenauer, the rectangular black plaque with two gold painted figures in relief, inscribed RS, and another in the style of a pre-Columbian pendant £40-60 (+Fees*)

Lot 59 63.

Richard Batterham (British, born 1936), a lidded jar with ash glaze and ribbed detail, painted mark 179 to underside Provenance: purchased from David Mellor Design £60-80 (+Fees*)

64.

Jane Hamlyn (British, born 1940), two pottery mugs each with ropetwist handle and incised lines, one glazed in green and blue tones, the other in mottled green and brown, stamped marks, 9cm and 8.5cm high £40-60 (+Fees*) 65.

Winchcombe Pottery, a baluster jug, tenmoku glazed with band of combed wave decoration, 20cm high, unmarked £40-60 (+Fees*)

61.

David Lloyd-Jones (British 1928-1994), a stoneware teapot of ribbed circular form painted foliate designs, with overhead handle, stamped mark, 26cm high and a baluster vase with tenmoku glaze and border of leaves, 18cm high £60-80 (+Fees*)

66.

John Leach, Muchelney Pottery, a saltglaze mug with glazed rim and interior, stamped, 8cm high, a St Ives pottery jug of ribbed tapering form, 11.25cm high and Harry & May Davis, Crowan Pottery, a circular bowl painted foliate designs in brick red, 16cm diameter £80-120 (+Fees*)

62.

Sheila Casson (British, born 1930), a lidded jar of ribbed baluster form with tenmoku glaze and thumb press decoration, 17cm high £40-60 (+Fees*)

66A. Harry and May Davis, Crowan Pottery, a circular ribbed bowl of khaki glaze with brick red foliate and scrolling designs, indistinctly marked, 16cm diameter £40-60 (+Fees*)

Lot 63 16

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

16 April 2019 pages.qxp_Chorleys 01/04/2019 16:12 Page 17

Lot 72

Lot 71 67.

David Garland, a spherical teapot graduating glaze from blue to white with black designs, twin lugs and cane handle, signed to base Garland ‘09 £120-180 (+Fees*)

69.

Ray Finch for Winchcombe Pottery, a stoneware plate with combed decoration, impressed mark, 30cm diameter £80-120 (+Fees*)

71.

Ray Finch for Winchcombe Pottery, a stoneware vase with Tenmoku glaze and combed design to the upper part and speckled grey glaze below, 35cm high £200-300 (+Fees*)

68.

Royal Stanley Jacobean pottery, a teapot and stand, decorated multicoloured tulips on an indigo ground, stamped marks, 25cm wide £20-30 (+Fees*)

70.

Ray Finch for Winchcombe Pottery, a circular shallow bowl with speckled celadon glaze, impressed mark, 28cm diameter £80-120 (+Fees*)

72.

Ray Finch for Winchcombe Pottery, a stoneware jug, the caramel glaze with combed design, 25.5cm high £100-150 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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16 April 2019 pages.qxp_Chorleys 01/04/2019 16:12 Page 18

Lot 73

73.

John Ward (British, born 1938), an ovoid stoneware vase with tapering neck in shades of green and brown, impressed seal mark to base, 22cm high £1200-1800 (+Fees*)

18

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

16 April 2019 pages.qxp_Chorleys 01/04/2019 16:12 Page 19

Lot 74

Lot 75

74.

Sarah Purvey (British, Contemporary), ‘Black Form with White Belt’, a coiled stoneware vessel with applied slips and glazes, 41cm high £400-600 (+Fees*)

75.

Sarah Purvey (British, Contemporary), ‘Full Circle’, a coiled stoneware vessel with applied slips and glazes, 41cm high £400-600 (+Fees*)

76.

Dame Lucie Rie (Austrian/British 1902-1995), a stoneware footed bowl with an emerald green glaze and bronzed manganese drip rim, circa 1980, impressed with artist’s seal, 16.5cm diameter Provenance: Peter Dingley Gallery, Stratford-upon-Avon Exhibition: Pots by Joanna Constantinidis, Lucie Rie and John Ward. Gallery label and exhibition number ‘62’ present on the bowl and copy of the receipt and exhibition catalogue from April 1988 accompanying the bowl £10000-15000 (+Fees*)

Lot 76

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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16 April 2019 pages.qxp_Chorleys 01/04/2019 16:12 Page 20

Lot 77 77.

Michael Cardew (British 1901-1983) for Wenford Bridge Pottery, a stoneware chalice in pale grey glaze with blue and iron decoration, impressed marks, 16cm high £80-120 (+Fees*) 78.

Michael Cardew (British 1901-1983), a stoneware bowl raised on a circular foot, blue and brown brush detailing to a cream ground, impressed marks to base, 26cm diameter £250-350 (+Fees*)

Lot 79 20

Lot 78 79.

Michael Cardew (British 1901-1983), a stoneware casserole and cover with twin handles and thumb impressed band, blue and brown brush detailing to a cream ground, impressed marks to base, 18cm high £300-500 (+Fees*)

80.

Seth Cardew (British 1934-2016), a stoneware jug and cover painted blue and brown brush detailing to a cream ground, impressed marks, 23cm high Ara Cardew (British, born 1962) for Wenford Bridge, a pair of coffee mugs, blue and brown vertical designs, 9.5cm high and a Wenford Bridge Pottery lidded baluster jug and cover, circular blue design to each side, impressed mark, 11cm high £100-150 (+Fees*)

Lot 80 (part) ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

16 April 2019 pages.qxp_Chorleys 01/04/2019 16:12 Page 21

Lot 83 81.

Nick Membery (British, born 1968), a stoneware oval dish and cover, speckled white glaze with lug handles, impressed marks, 28cm wide and three other items of studio pottery, various makers £60-80 (+Fees*) 82.

Studio Pottery, a baluster stoneware vase of grey ribbed glaze with green Oriental style decoration, 32.5cm high and a studio pottery tenmoku circular teapot, 18cm wide £40-60 (+Fees*) 83.

Moorcroft, a pomegranate pattern vase of globular form, marks green script and impressed, 24cm diameter £80-100 (+Fees*) 84.

Moorcroft, a small vase painted plums, impressed marks, 8cm high £60-80 (+Fees*) 85.

Style of Yoshinori Hagiwara, four Japanese studio pottery plates, three of different glaze with floral motif, 29.5cm diameter and another with floral motif smaller £80-120 (+Fees*) 86.

Seth Cardew, Wenford Bridge, a pair of small two-handled soup tureens and covers, painted and glazed geometric and foliate patterns in shades of blue and brown, 13.5cm wide Provenance: purchased from Joanna Bird in 1980s £80-120 (+Fees*) 87.

Ray Finch, Winchcombe Pottery, a tenmoku glazed jug with combed wave decoration, stamped, 20cm high and a tenmoku glazed tankard, 13.25cm high £60-80 (+Fees*)

Lot 86 88.

Ray Finch, Winchcombe Pottery, a large stoneware jug with bands of caramel glaze and combed decoration, 29cm high £80-120 (+Fees*) 89.

Ray Finch, Winchcombe Pottery, a large slipware handled flagon, the ribbed sides with trailing yellow slip decoration, cork stopper, impressed mark, 32cm high £60-80 (+Fees*) 90.

Peter Wright, a porcelain sculptural goup of two interlocking forms creating a nude torso, signed to each piece, 14cm high £60-80 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

91.

Manner of Edmund de Waal, a pair of tapering conical beakers, in cream celadon glaze with ribbed detail, 13.5cm high £40-60 (+Fees*) 92.

Studio Pottery, a stoneware bowl of flared organic form, 12cm wide £40-60 (+Fees*) 93.

Carol McNicoll (b. 1943), an earthenware cup and saucer of scrolling form painted in shades of green, yellow with turquoise dots to exterior, signed and dated ‘84, the saucer 15cm diameter £30-40 (+Fees*)

Lots 87, 88 and 89

Further images & information at www.chorleys.com

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Lot 94 94.

John Maltby (British, born 1936), a large rectangular slab vase, decoration of birds and crosses, signed to base, 42cm high, 24cm wide £400-600 (+Fees*)

95.

Lotte Globb, two Jack in the Pulpit flower-form vases, 50cm and 27cm high and a Studio pottery watering can in colourful glazes initialled JGS (damages) £40-60 (+Fees*)

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96.

Peter Arnold, Alderney pottery, a ribbed squat vase, 17cm high in caramel lustre tones and ten pieces of art glass £40 – 60

96A. Celtic Pottery, Newlyn Cornwall, a group of Phoenix pattern pottery, 18 pieces, comprising: coffee pot, circular tray, circular bowl, 2 jugs, 4 mugs, 4 vases and 5 small oval dishes £80-120 (+Fees*)

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

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Works of Art

16 April 2019 pages.qxp_Chorleys 01/04/2019 16:12 Page 24

97.

An Art Deco style onyx cigarette box, the hinged cover inlaid a border of green malachite and with malachite thumb piece, 12cm wide £40-60 (+Fees*)

98.

Isaac Romeo (Mexican, 20th Century) FIGURE OF ST FRANCIS signed Isaac Romeo, Santa Fe, NM and dated 3.29.98 carved wood sculpture, 54cm high £40-60 (+Fees*)

99.

Elizabeth Edgley, two sculptural masks in clay, the largest 53cm high Provenance: Eastington Hall, Worcestershire £200-300 (+Fees*)

100.

An Art Deco clock garniture, the rectangular mantel clock with central panel of yellow and rose variegated marble, set a diamond shaped clock face, 47cm wide and two conforming vases, each 21cm wide £150-200 (+Fees*)

Lot 99 101.

A pair of wooden bookends, each carved as a monkey sitting between the open pages of a book, 12cm wide and a pair of yellow ceramic bookends in the form of elephants, 14.5cm wide £40-60 (+Fees*)

102.

A pair of onyx and black metal bookends in the form of an Oriental lady’s head with fan behind, 17.5cm high, and a pair of Art Deco style bookends with silver coloured head in profile on a stone plinth, 21.5cm high £40-60 (+Fees*)

100A. An inlaid wooden tea caddy, the hinged top and sides with floral motifs, 1925cm wide and a carved model of two curlew, one stamped STEVENS, mounted on a driftwood base, 25cm long £80-120 (+Fees*)

Lot 100

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ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

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Lot 103 103.

Friedrich Goldscheider, ‘Purete’, an Art Nouveau painted terracotta bust, late 19th Century, head of a girl with downcast eyes and garland in her hair, the tapering base with lilies in relief and title ‘Pvrete’ and with stamped Reproduction Reservée, Friedrich Goldscheider, 2213, 430 IV, 42 terracotta, 46cm high Provenance: purchased from Lapada exhibition in 2007 £1800-2200 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 105 104.

Manner of Sir Jacob Epstein SLEEPING NUDE painted plaster sculpture, 72cm wide (damages) £80-120 (+Fees*) 105.

An Arts and Crafts copper wall mirror, the frieze repoussé decorated with a frieze of stylised sea creatures, waves and galleon, bulrushes to either side and inscribed below ‘The Wind Bloweth Where It Listeth’, 76cm x 122cm overall £700-900 (+Fees*)

Lot 106

106.

A Newlyn School copper charger, repoussé decorated with a border of stylised pomegranates and foliage, stamped Newlyn to inner edge of rim, 43cm diameter £150-200 (+Fees*) 107.

A Newlyn School copper tea caddy, the lid marked ‘Tea’, the cylindrical body with repoussé decoration of fish swimming in bubbles, stamped Newlyn to base, 9.5cm high £120-180 (+Fees*) 108.

An Arts and Crafts style copper candle holder shaped as stylised flowerhead, with brass handle, 14cm diameter £50-80 (+Fees*)

Lot 108 109.

Karl Hagenauer (Austrian 1898-1956), a stylised brass model of a mouse, seated with elongated tail curled over its head, on an oval disc base, stamped wHw and Made in Austria below, engraved Nanny to the top, 5cm high, and a brass mouse of similar style (unmarked) with scratched inscription Xmas 1945 EW £80-120 (+Fees*)

Lot 109 Lot 107 26

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

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Lot 109A 109A. A Newlyn School copper wall mirror, the hammered frame embossed a row of fleurs-de-lys to the top, 53.5cm x 107cm Provenance: Eastington Hall, Worcestershire £200-300 (+Fees*)

110.

Louis Vuitton, a cigar humidor of briefcase form, the exterior in patterned signature leather with brass mounts, the clasps stamped with LV monogram, the lockplate further stamped with London and Paris addresses and 082946, the interior with hygrometre, two filters and divided into four sections, overall 40cm wide, 28cm deep, 14cm high Provenance: Eastington Hall, Worcestershire £2000-3000 (+Fees*)

Lot 110

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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111.

Ian Norbury (British, born 1948) HARLEQUIN - THE POLITICIAN standing figure of Tony Blair, in the form of a harlequin with artist's palette and paint brush, supported by four gargoyles depicting Peter Mandelson, Gordon Brown, John Prescott and Cherie Blair limewood, walnut, bog oak and other woods, on a green marbled plinth with mirrored centre, each side set with a carved face representing the artist’s interpretation of Blair’s different characteristics, 101cm high Provenance: Eastington Hall, Worcestershire, purchased from the artist’s annual exhibition, 2000 £3000-5000 (+Fees*)

Lot 111 28

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

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112.

Ian Norbury (British, born 1948) HARLEQUIN MASK carved face in limewood with bog oak mask monogrammed and dated ‘90 carving, 33cm high £300-500 (+Fees*) 113.

Ian Norbury (British, born 1948) and Andrew Varah (British 1944-2012) HUMIDOR the box in limewood, walnut, bog oak and other woods inlaid smoke trails in contrasting colours, the hinged lid surmounted by a carved wood female figure wearing stockings and pearl pendant, reclining on a cushion and holding a smoking cigar, the box 41.25cm wide x 20cm deep x 17cm high Provenance: Eastington Hall, Worcestershire, purchased from the artist’s annual exhibition, 2000 £1500-2500 (+Fees*) 114.

Ian Norbury (British, born 1948), two carved walking sticks of erotic design, in lime and other woods Provenance: Eastington Hall, Worcestershire £200-300 (+Fees*)

Lot 112

Lot 113

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 115

Lot 119

115.

A 20th Century bronze dish in the form of a leaf, 20cm long Provenance: Eastington Hall, Worcestershire £80-120 (+Fees*)

117.

Six Venetian papier-mâché ball masks, various designs Provenance: Eastington Hall, Worcestershire £250-300 (+Fees*)

116.

A ‘Michelin Man’ Bakelite ashtray, 16cm wide and a Havana Cigars pottery ashtray Provenance: Eastington Hall, Worcestershire £60-80 (+Fees*)

118.

Seven Venetian papier-mâché ball masks, various designs Provenance: Eastington Hall, Worcestershire £250-300 (+Fees*)

119.

Bruno Zach (Austrian 1891-1935) an Art Deco patinated bronze figural box, modelled a semi-clad girl asleep on a daybed, on a green variegated marble base, signed Zach to underside of lid, 40.5cm wide overall Provenance: Eastington Hall, Worcestershire £1000-1500 (+Fees*)

Lot 117 30

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

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Lot 120 120.

Herb Mignery (American, born 1937) DOUBTFUL OUTCOME, 1987 a rancher on horseback trying to bring a second horse under control signed and numbered 14/20 bronze, 21cm high on wooden plinth with engraved plaque Provenance: Eastington Hall, Worcestershire £2500-3500 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 122 121.

A pair of painted and gilded wood Indian elephants, 36cm long Provenance: Eastington Hall, Worcestershire £60-80 (+Fees*) 122.

Paul Gilling, a copper and pewter tray in the Arts & Crafts style after Hugh Wallis, of oval form inlaid pewter banding and central motif of entwined leaves, 37cm wide, initialled PG Provenance: Eastington Hall, Worcestershire £80-120 (+Fees*) 123.

A copper Arts & Crafts style vent cover, pieced a central floral design with spandrels to the corners, 69cm x 66.5cm £50-80 (+Fees*) 124.

Folk Art, a painted, carved wood, textile and wire figurative dancing prop, the central musician on a podium surrounded by four moving dancers, supported on a painted cross-frame and a bamboo shaft with a lever mechanism to the handle, 94cm high £80-120 (+Fees*) 125.

Manner of Franz Hagenauer, an Art Deco figure of a sailor, circa 1930, in wood and chrome, the base engraved R N Lepanto £300-500 (+Fees*) 126.

Kate Blacker (British, born 1955) Corrugated Wall Applique, 56cm x 56cm x 19cm and a Kate Blacker Exhibition Catalogue, John Hansard Gallery £50-70 (+Fees*)

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Lot 129

Lot 125 127.

Victor Stuart Graham (Contemporary) NOAH’S ARK wooden wall applique, 46cm wide together with a wooden sculpture with three moths emanating from wooden block, indistinctly signed and dated 2000 £40-60 (+Fees*) 128.

Contemporary British School (possibly Sue Brown?)

ABSTRACT ARCHWAY painted wood sculpture, 43cm and two others by the same, monogrammed SYB £120-180 (+Fees*)

129.

Richard Devereux (born 1940) UNTITLED, 1995 limestone and Welsh slate powder on zinc wall applique, 61.5cm x 22cm £120-180 (+Fees*) 130.

A modern carved wooden sculpture depicting gloves resting on a plinth, unsigned, 30cm high £60-80 (+Fees*) 131.

A large articulated artist’s mannequin, approximately 124cm high, on a metal support and base £80-120 (+Fees*) 132.

Sundry modern sculptures £100-150 (+Fees*)

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

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Lot 133

133.

Paul Vanstone (born 1967) GOLDEN VEINED TORSO Jaisalmer stone, 133cm high Provenance: The Garden Gallery Summer Exhibition 2006 £3000-4000 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 4)

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Items from The WHSmith Archive Established in 1792, the newsagents WHSmith is still one of the best known names on the high streets of Britain, although during their golden age of the 1930s and 40s, shops were opened throughout much of Europe. The store fronts are instantly recognisable, due to a large extent to the typography of their signage, created by the artist Eric Gill (1882-1940). Gill was fascinated by the history, artistry and impact of lettering and published in 1931 ‘An Essay on Typography’ in which he declared ‘..a good piece of lettering is as beautiful a thing to see as any sculpture or painted picture.’ Gill designed several typefaces including Perpetua and Gill Sans, still used today.

Other items from the WHSmith Archive offered for sale include an extraordinary scale map of Britain and Northern Europe, painted by Eric Gill’s brother MacDonald, for display in the boardroom of the company.

Not only did it record the location of WHSmith bookstalls, bookshops and wholesale branches, it added decorative detail right down to naming shoals of different native fish in Art Deco waves off the coastline. Several different types of signs from WHSmith shops include brightly coloured enamel hanging signs featuring the “Newsboy”, designed for the company in 1905 by the artist Septimus Scott (1880-1966).

135.

A E R (Eric) Gill (British 1882-1940) THREE DESIGNS FOR LETTERING, for WHSmith corporate typeface numbered I, II, III, signed and inscribed 1907 Hammersmith Terrace ink on paper, 80cm x 105cm Note: framed and glazed, each back board bears label ‘WHSmith & Son, Estate Dept, Strand House, Portugal St, WC2’ £1200-1800 (+Fees*) Lot 135 34

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

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The following four lots of pictorial tile panels were made by Carter & Co of Poole to adorn the top corners of some of WHSmith’s distinctive recessed shop fronts in the 1920s and 1930s. Their colourful Art Deco style created eye-catching advertisements and some examples remain outside WHSmith branches to this day.

136.

A Carter tile panel advertising ‘Travel Books’, 56cm x 46cm (damaged) £100-150 (+Fees*)

137.

A Carter pictorial tile panel advertising ‘Bibles and Prayer Books’, 56cm x 46cm £150-200 (+Fees*) 138.

A Carter pictorial tile panel advertising ‘Sports Books’, 56cm x 46cm £200-300 (+Fees*) 138A. A Carter pictorial tile panel advertising ‘Art & Colour Books’, 56cm x 46cm £200-300 (+Fees*) 139.

A Carter textual tile panel advertising newspaper and periodical deliveries, 63.5cm x 85cm £150-200 (+Fees*)

Lot 136

Lot 137

Lot 138

Lot 138A

140.

A double-sided WHSmith advertising sign, depicting “The Newsboy”, with wrought iron bracket, the sign 69cm x 43.5cm £120-180 (+Fees*)

141.

A double-sided WHSmith advertising sign, depicting “The Newsboy”, with wrought iron bracket, the sign 69cm x 43.5cm £120-180 (+Fees*) 142.

A double-sided WHSmith advertising sign, depicting “The Newsboy”, with wrought iron bracket, the sign 69cm x 43.5cm £120-180 (+Fees*) Lot 142 (part) Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 139

Further images & information at www.chorleys.com

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143.

A Heal & Son single chair with slatted back and elm seat, the crest inlaid the WH Smith ‘egg’ monogram, designed by R P Glossop (veneers missing), partial metal label for Heal & Son, 196 Tottenham Ct Road, London £150-200 (+Fees*) 144.

An illuminated WHSmith advertising sign, each side with image of “The Newsboy”, 42cm high £80-120 (+Fees*) 145.

An illuminated WHSmith advertising sign, each side with image of “The Newsboy”, 42cm high £80-120 (+Fees*) 145A. An illuminated WHSmith advertising sign, each side with image of “The Newsboy”, 42cm high £80-120 (+Fees*) Lot 143

Lot 144

Lot 147

Lot 146 146.

A large double-sided enamel WHSmith sign, depicting “The Newsboy”, framed and with hanging chain, 113cm x 86.5cm £300-500 (+Fees*)

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147.

A wooden cigarette box, the quarter veneered hinged lid with applied circular enamel motif WHS, the interior with engraved plaque ‘To WH Smith & Son Ltd, 1848-November 1st-1848, from A S Narvesens Kioskkompani Oslo’, 26cm wide Note: the logo is a variation on the WHSmith ‘egg’ monogram designed in 1905 by R P Glossop £80-120 (+Fees*)

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

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Lot 148 148.

Henry Richard Hope Pinker (1849-1927) BUST OF THE RIGHT HON W H SMITH MP signed and dated ‘95 marble, the bust 73cm high on a grey slate plinth.

Note: William Henry Smith (1825-1891) joined his father’s business on his 21st birthday.

By 1950, the firm had grown to be the leading distributor of newspapers in the country.

He became an MP in 1868 and gradually retired from the business, leaving his son to take over on his death in 1891. £1500-2000 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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16 April 2019 pages.qxp_Chorleys 01/04/2019 16:37 Page 38

MacDonald Gill and the W.H. Smith Map Born in Brighton in 1884, MacDonald 'Max' Gill (1884-1947), brother of the sculptor Eric Gill, became one of the leading graphic designers of his age. Although best known to the public for his entertaining pictorial poster maps, he was also an architect, letterer and mural painter.

After joining a leading London architectural firm in 1903, he enrolled in calligraphy at the Central School of Arts & Crafts where his tutor was the legendary Edward Johnston. Beautiful lettering became an integral element in all his work. Gill set up his own studio in 1908, undertaking calligraphy, inscription design and mural painting.

The following year he was commissioned by the Arts & Crafts architect Sir Edwin Lutyens to paint the first of a series of decorative panel maps for the houses of wealthy Edwardians. These came to the attention of Frank Pick, the Commercial Manager of the Underground Electric Railways of London (now London Underground), who asked Gill to create an eye-catching pictorial poster to amuse passengers as they waited for their trains. Published in 1914, the Wonderground Map of London Town caused people to 'watch so long they miss their trains yet go on smiling'.

At the end of 1917 - while Max Gill was in Dorset working as architect on a model farm project - he was invited onto the headstone committee of the Imperial War Graves Commission. The alphabet and regimental badge he designed for the military headstone are still used today - perhaps his most enduring legacy.

In the inter-war period Gill painted map panels for many notable firms and public institutions including Sun Engraving, Cunard, the University of London and the House of Commons. The W.H. Smith map was commissioned in 1929 by the firm's chairman Charles H. St. John Hornby and director Arnold D. Power soon after W.H. Smith had become a private company - and reflects the company's illustrious heritage as the number one stationer on British high streets. As well as the bookstalls and branches, it depicts the range of newspaper delivery methods - old and new - used by the firm.

An Englishman in Paris could buy his daily paper at the W.H. Smith branch on the Rue de Rivoli - also shown on the map. Perhaps he travelled there on the aircraft The City of Glasgow, depicted over the Channel, which was the first luxury London to Paris service operated by Imperial Airways. The panel was installed in the W.H. Smith boardroom in the autumn of 1931. According to Gill's ledger, he was paid £765 around £42,000 in today's money - a small fortune.

Max Gill died in 1947 and was survived by his second wife, Priscilla (née Johnston).

The collection of artworks and memorabilia she saved has been displayed in a series of exhibitions around the country in recent years and led to a dramatic upsurge in interest from collectors as well as the general public.

Copyright: Caroline M Walker March 2019 Caroline Walker is the great-niece of MacDonald Gill. She has compiled his biography and hosts a website devoted to his work: macdonaldgill.com.

Our thanks to Caroline for this entry

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ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

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Lot 149 149.

MacDonald Gill (British 1884-1947) A MAP OF ENGLAND, WALES AND NORTHERN EUROPE showing all the branches of WHSmith existing on 31 March 1931 scale 1in. to 1 mile oil on panel, 210cm x 211cm £20000-30000 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Furniture & Lighting

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Lot 150

Lot 151

Lighting 150.

Manner of the Cotswold School, a set of four Arts & Crafts style metal wall lights, each with foliate pierced circular back plate issuing two scrolling branches with twin sconces, previously wired for electricity, the backplate 17.5cm diameter £300-400 (+Fees*) 151.

An Aesthetic period hanging lantern, the wrought iron frame with floral border and four leaded stained glass panels with central painted panel each of a different bird and flower to represent the seasons, overall 102cm high (25cm x 18cm glass panel) £100-150 (+Fees*) 152.

An Art Deco style lamp in the form of a metal figure of a dancer, poised on one leg and holding aloft a globe, on a variegated marble stepped base, approximately 64cm high overall £150-200 (+Fees*) 153.

An Art Deco style lamp styled in alabaster as a pierrot balancing a globe on his back, approximately 57cm high overall £80-120 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 152

Further images & information at www.chorleys.com

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Lot 155

Lot 154 154.

Degué (Cristalleries de Compiègne), a cameo glass lamp with mottled amber and violet conical glass shade, signed, 22cm diameter, on a scrolling ironwork base £180-220 (+Fees*)

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155.

Degué (Cristalleries de Compiègne), an Art Deco chandelier, the central square brass column issuing eight branches, each suspending a pressed glass shade with geometric and floral designs, signed, overall height approximately 80cm £400-600 (+Fees*)

156.

Degué (Cristalleries de Compiègne), an Art Deco two-branch wall light, the scrolling brass arms suspending pressed glass shades with geometric and floral designs, signed and two single wall lights of similar design £150-200 (+Fees*)

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

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Lot 158 159.

A pair of Gothic Revival brass candlesticks, 49.5cm high £200-300 (+Fees*)

Lot 157 157.

Stilnovo, a 1950s Italian five-light chandelier, five pendant white glass shades of globe form suspended from chrome cylinders. £400-600 (+Fees*) 158.

Stilnovo, a 1950s Italian desk lamp, with tapering cylindrical shade on diagonal sloping brass support and metal splay feet. £300-400 (+Fees*) 158A A pair of Arts & Crafts style four-branch wall lights on panel backs, 42cm x 33cm £100-150 (+Fees*)

163.

Scandinavian mid-20th Century, a low teak coffee table with curved sides, 183cm wide x 41cm deep £60-80 (+Fees*)

160.

Danish mid-20th Century, a standard lamp in stainless steel and rosewood on circular foot, 148cm high including shade Note: CITES Section 10 permit approved £80-120 (+Fees*)

Furniture 161.

Heal’s, a brown leather three-piece suite with button backs and bolster cushions, comprising a three-seater sofa, a two-seater sofa and a matching armchair £200-300 (+Fees*) 162.

Style of Bernhard Pedersen, a rosewood sideboard, Danish mid-20th Century, 192cm wide Note: CITES Section 10 permit approved £150-200 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 159

Further images & information at www.chorleys.com

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Lot 168

164.

Trioh, a rosewood coffee table, made in Denmark, the top 65cm x 65cm Note: CITES Section 10 permit approved £60-80 (+Fees*) 165.

Svend A Madsen for Karl Lindgeaard, a nest of three teak tables, the largest 55cm wide £80-120 (+Fees*)

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166.

Bernhard Pedersen & Son, a Danish rosewood cabinet, the upper section enclosed by panel doors above two slides and four short drawers, stamped maker’s mark to back, 121cm wide, 159cm high Note: CITES Section 10 permit approved £250-350 (+Fees*) 167.

Meredew, a teak ottoman chest, with hinged cover, 91.5cm wide £40-60 (+Fees*)

168.

Peter Evans, a Cotswold School oak dresser, with three-shelf plate rack above a base fitted two short and one long drawer, with three cupboards below, on a plinth base, 158cm wide, 182cm high Provenance: purchased in 1957 from the maker (copy of original receipt available). Peter Evans trained and worked alongside Edward Barnsley and Oliver Morel before setting up his own workshop in Whiteway Colony, near Stroud £800-1200 (+Fees*)

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

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Lot 169 169.

Peter Evans, a Cotswold School oak refectory table to a design

by Edward Barnsley, 168.5cm long, 74.5cm wide, 73cm high Provenance: purchased in 1957 from the maker (copy of original receipt available). Peter Evans trained and worked alongside Edward Barnsley and Oliver Morel before setting up his own workshop in Whiteway Colony, near Stroud £600-800 (+Fees*)

170.

Peter Evans, a set of six Cotswold School dining chairs, the chamfered ladder backs with double notch design, fitted rush seats on square taper legs Provenance: purchased in 1957 from the maker (copy of original receipt available). Peter Evans trained and worked alongside Edward Barnsley and Oliver Morel before setting up his own workshop in Whiteway Colony, near Stroud £300-400 (+Fees*)

Lot 170

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 171

Lot 172

171.

(H) Bert Buri, Sussex Guild, a walnut and herringbone banded swing dressing mirror, the box base fitted with a drawer, monogrammed HB to back, 53cm high, 37cm wide £250-350 (+Fees*) 172.

Christopher Vickers (Contemporary British), a walnut mirror in the Cotswold School style, the rectangular frame inlaid bog oak banding and alternating border of inset mother-of-pearl diamonds and abalone squares, 47cm x 37cm Provenance: purchased from the maker’s exhibition, The Artistic House, March 2013 £200-250 (+Fees*) 173.

De Sede, Switzerland, a tan leather sofa, design no DS2011, circa 1980s £150-200 (+Fees*)

Lot 174

174.

Paul Cadovius for Franco & Son, a 1960s Danish dining table, the lacquered top decorated gilt spiral designs by Susanne Mugge, signed, on a tulip shaped aluminium base, 138cm diameter £600-800 (+Fees*)

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ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

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Lot 175 175.

Derek Lloyd, The Peacock Chair, a wrought iron rocking chair, the shaped back pierced with foliate stems and tendrils, the scroll arms with peacock heads, the sides with pierced bars to emulate quills, the seat and back upholstered in pale blue moiré silk Note: In 1941, at the age of five, Derek Lloyd was evacuated from Birmingham to Worcestershire where his new home was opposite a blacksmiths shop. He started to assist there and when older undertook a 4-year apprenticeship.

After serving in the army, he established his own blacksmithing business and also taught at what is now the National School of Blacksmithing in Hereford.

A farrier all his life, Derek has shoed thousands of horses including winners of the Grand National and Cheltenham Gold Cup. This chair was designed and created as an entry in the 1993 Ornamental Ironwork National Championship. It is a completely traditional piece of work, meaning that all the assembly was carried out by riveting or forge welding by hand. The chair was entered into all the major UK championship shows during 1993 and won every event but one, thereby becoming the overall winner. £500-700 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 176 176.

Gordon Russell, a mid 20th Century light oak extending dining table, on octagonal column legs, 106cm long (167cm extended) x 83cm wide and four dining chairs with upholstered back and seat panels Provenance: purchased by the vendor’s family from Gordon Russell, Broadway, circa 1950 £100-200 (+Fees*)

Lot 177

48

177.

Gordon Russell, a mid 20th Century light oak nest of three tables, with raised crossgrain borders and tapering rectangular legs, the largest 58.5cm wide, 43.5cm high Provenance: purchased by the vendor’s family from Gordon Russell, Broadway, circa 1950 £60-80 (+Fees*)

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

16 April 2019 pages.qxp_Chorleys 01/04/2019 16:13 Page 49

178.

Gordon Russell, a mid 20th Century light oak sideboard, with cupboards flanking four drawers each with square panel decoration, the back with plaques for Russell of Broadway and Bowman Bros Ltd, Camden Town retailer, 141cm wide, 87cm high, 48cm deep Provenance: purchased by the vendor’s family from Gordon Russell, Broadway, circa 1950 £100-200 (+Fees*) 179.

Gordon Russell, a mid 20th Century light oak chest of drawers, with three-quarter galleried top, the three long drawers with mahogany knob handles, on turned splay legs, 91.5cm wide Provenance: purchased from Gordon Russell, Broadway, circa 1950 £100-200 (+Fees*) 180.

Attributed to Gordon Russell, a mid 20th Century oak bedroom mirror with deep rectangular frame and easel back, on conical feet, 58.5cm high overall, 44cm wide £80-120 (+Fees*)

Lot 178

181.

Parker Knoll, a beech frame reclining armchair with button upholstered back and loose squab cushions £40-60 (+Fees*) 182.

Dynatron, a pair of teak cased speakers, model L51514, 50cm high £10-20 (+Fees*)

Lot 179

Lot 180

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 183 183.

Arne Jacobsen for Fritz Hansen, a set of six Mosquito chairs, plywood, model 3105 £800-1200 (+Fees*)

184.

Charles Pollock for Knoll, a pair of executive armchairs, brown leather button upholstery with chromed frame and detachable arms £350-450 (+Fees*)

Lot 184

185.

Charles & Ray Eames for Herman Miller, a model 670 lounge chair and 671 ottoman, of 1960s manufacture, bent-ply rosewood veneered shells with padded and buttoned black leather upholstery, on an aluminium base, Herman Miller Collection sticker to underside of chairs £2000-3000 (+Fees*)

Lot 185 50

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

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186.

Alvar Aalto, two circular beech wood stools, model 60 £400-600 (+Fees*) 187.

Two Knoll walnut tables, each with rectangular top on square tapering legs united by H stretchers £100-150 (+Fees*) 188.

Style of Koloman Moser, a twin-pillar cabinet inlaid Secessionist type motifs in ebony and abalone, with central clock, and a set of four chairs £800-1200 (+Fees*) Lot 186 189.

Gimson & Slater Ltd, a mid Century teak pedestal desk, each pedestal fitted four drawers, stencilled underneath ‘September 1954’ and ER, the top 184 x 100cm £150-200 (+Fees*)

190.

Heals, a walnut panelled sideboard, fitted two cupboards flanking a cellaret, above two long and one square drawer, all with square chamfered knob handles, 153cm wide, on a stand with square chamfered stretchers, 158cm wide Literature: a similar model in oak is illustrated in Modern English Furniture by J C Rogers, Country Life 1930. This cabinet is to a design by English architect Philip Tilden, who was commissioned to create a dining suite for Winston Church’s country house Chartwell in the early 1920s, manufactured by Ambrose Heal £1500-2000 (+Fees*)

Lot 190

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 191

191.

Heals, a walnut console table or sofa table with symmetrical burr wood veneered top and drawer fronts, fitted two drawers each with twin square handles, on a square chamfered frame with central stretcher, 126cm wide, 46cm deep, 87.5cm high £1500-2000 (+Fees*)

192.

Hugh Birkett (British 1919-2002), a Cotswold School brown oak hanging cabinet, the hexagonal front with glass panel to each side and central glazed door with vertical divisions, the interior with four hexagonal fronted glass shelves, 105.5cm high Provenance: purchased directly from the maker £600-800 (+Fees*)

193.

An Arts & Crafts style ebonised ladder back chair and an Ercol ash and elm Windsor chair £40-60 (+Fees*)

194.

Conran, seven steel framed chairs with X-shaped splats and padded seats £100-150 (+Fees*)

Lot 192 52

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

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Lot 198 195.

A 1950s bedroom suite in figured maple, comprising dressing table with circular mirror, wardrobe and headboard £40-60 (+Fees*)

201.

A modern two-seater sofa with loose covers in textured claret cloth, 180cm wide £80-120 (+Fees*)

196.

Lloyd Loom, a set of four chairs, Lusty design with metal frames £100-150 (+Fees*)

201A. A large modern three-seater sofa with loose cushions covered in buttercup yellow fabric, on a buttoned divan base, 264cm wide £300-400 (+Fees*)

197.

Ernest Race for Race Furniture, two BA chairs and a low table £100-150 (+Fees*)

202.

Beaverman (Colin Almack), a beech framed display cabinet on outswept legs with carved signature, 152cm x 46cm x 91cm high £400-600 (+Fees*) 203.

A 1930s walnut dresser, the rack fitted two shelves divided into four sections, the base fitted four short drawers above shelves, 220cm wide £100-150 (+Fees*)

198.

Ercol, a studio couch with solid panel back and slatted sides, bears Ercol sticker, one long seat cushion and three smaller cushions for back, 208cm wide £500-600 (+Fees*) 199.

Ercol, a nest of three beech Pebble tables, on stylised triangular form on three turned tapering legs, the largest 66cm wide £150-250 (+Fees*) 199A. A 1960s natural wool Berber carpet, North Africa, 350cm x 255cm £200-300 (+Fees*) 200.

A pair of Arts and Crafts style four-branch wall lights on panel backs, 42cm x 33cm £100-150 (+Fees*) Lot 199

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 204 204.

A Cotswold School oak corner bookcase, the top with two shelves, the base with quartered panel cupboard door to each side, 117cm wide to one side, 133cm wide to the other £400-600 (+Fees*)

205.

A large double-sided walnut bookcase, the herringbone veneered top above 15 sections to each side, the ends with undulating ribbing, on plinth base, 207cm wide £1500-2000 (+Fees*) Lot 205

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ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

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Lot 206

Lot 207

206.

John Pollard Seddon (1827-1906), a rare Gothic Revival oak armchair made by Doveston, Bird & Hull, in the original brass nailed embossed dark red upholstery, stamped Doveston, Bird & Hull Manufacturers under front rail Note: This design was produced for the 1851 Great Exhibition Literature: Michael Whiteway and Charlotte Gere, Nineteenth-Century Design, London 1993, illus. p. 84. Jeremy Cooper, Victorian and Edwardian Furniture and Interiors, London 1987, p. 104, illus. 220 and p. 105, illus. 227. £2000-2500 (+Fees*) 207.

John Pollard Seddon (1827-1906), a rare Gothic Revival oak armchair made by Doveston, Bird & Hull, in the original brass nailed embossed dark red upholstery, stamped Doveston, Bird & Hull Manufacturers under front rail Note: This design was produced for the 1851 Great Exhibition Literature: Michael Whiteway and Charlotte Gere, Nineteenth-Century Design, London 1993, illus. p. 84. Jeremy Cooper, Victorian and Edwardian Furniture and Interiors, London 1987, p. 104, illus. 220 and p. 105, illus. 227. £2000-2500 (+Fees*) 208.

A Gothic revival oak adjustable reading stand, the hinged top with ratchet type support, on end supports with trefoil pierced detailing, concealed height adjusting lever, 67cm wide £100-150 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 208

Further images & information at www.chorleys.com

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Pictures

Lot 369 (detail)

16 April 2019 pages.qxp_Chorleys 01/04/2019 16:14 Page 57

Oils & Acrylics 211.

20th Century Impressionist Style HARRODS, LONDON indistinctly signed oil on board, 11cm x 15cm £150-200 (+Fees*) 212.

Clare Goodman (British, born 1963) RIVER OTTER, TIPTON ST JOHN signed lower right label verso with title and date 1994 oil on board, 59cm x 44cm £80-120 (+Fees*) 213.

20th Century Chinese School SAMPAN ON A RIVER indistinctly signed oil on canvas, 45cm x 60cm £40-60 (+Fees*)

Lot 212

Lot 214

214.

Ken Moroney (British, born 1949) PINK ROSES signed lower left oil on board, 38cm x 33cm £350-450 (+Fees*) 215.

Dianne Flynn (British, born 1939) LUKE EXHAUSTED (boy by a stream) signed lower left oil on canvas, 19cm x 27.5cm £100-150 (+Fees*)

Lot 215

216.

Beryl Turpin (British, 20th Century) FOUR SHEEP enamel on copper, 18cm x 21cm £100-150 (+Fees*) 217.

Roy Liu FOX BY MOONLIGHT signed oil on layered board, 13.5cm x 21cm £60-80 (+Fees*)) 217A. David Humphreys (British, born 1937) WHITE COTTAGE signed oil on board, 70cm x 60cm £100-150 (+Fees*)

Lot 216 218.

Tibor Dengyel (Hungarian 1913-2000) EVE signed and inscribed verso oil on canvas, 80cm x 100cm unframed £60-80 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 217 219.

Roy Hewish (British, born 1929) BARTON END, NEAR NAILSWORTH signed oil on board, 30.5cm x 24cm £40-60 (+Fees*)

Further images & information at www.chorleys.com

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Lot 220 220.

Fiona Owen (British, Contemporary) GOOSE’S ORCHARD circular oil and gold paint, 4.25cm diameter and F John Owen (British, Contemporary) THE BEE HOUSE initialled lower right watercolour, 7.5cm x 6cm and TOPIARY GARDEN signed lower lower watercolour, 13cm x 17cm £60-80 (+Fees*) 221.

Rudolf Helmut Sauter (British 1895-1977) PORTRAIT OF VIOLA, THE ARTIST’S WIFE half-length, seated and wearing a lace shawl signed and dated lower left R H Sauter 1950 oil on board, 80cm x 65cm £200-300 (+Fees*)

Lot 221

Lot 222

Lot 223

222.

George Tute RWA (British, born 1933) DRUCK COUNTRY 2 signed and dated 2001 oil on canvas, 40cm x 50cm exhibtion label verso (No.139) £150-200 (+Fees*) 223.

Jenny Webbe (British, born 1949) STILL LIFE WITH TULIPS initialled and dated JW 2010 lower right oil on canvas, 76cm x 92cm £200-300 (+Fees*) 224.

Robin Darwin (British 1910-1974) STUDY OF A DANCER signed lower left Thomas Agnew exhibition labels verso oil on board, 20.5cm x 22cm £100-150 (+Fees*)

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Lot 225 225.

Nicola Bealing (British, born 1963) THE ROAD TO THE ARK initialled lower right acrylic on board, 20.75cm x 48cm £200-300 (+Fees*)

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

16 April 2019 pages.qxp_Chorleys 01/04/2019 16:14 Page 59

Lot 226

Lot 227

226.

Attributed to Kate Nicholson (British, born 1929) GIRL WITH DOG IN A GARDEN oil on canvas, 76.5cm x 63.5cm Note: this unsigned painting was purchased from the artist’s studio, then subsequently acquired by the vendor.

The garden depicted is likely to be in Cumbria or Northern France, where Kate spent time with her mother Winifred (first wife of the painter Ben Nicholson). £400-600 (+Fees*) 227.

Maurice Cockrill RA (British 1936-2013) UNTITLED abstract in Green, Blue and Red signed on back of canvas oil on canvas, 30.5cm x 25cm £400-600 (+Fees*) 228.

Philip Sutton RA (British, born 1928) FLOWERS, FIJI signed titled and dated verso 1964 oil on canvas, 30cm x 30cm Provenance: Rowland Browse and Delbanco, London 1965, Mr and Mrs Taylor, Buckinghamshire £1000-1500 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 228

Further images & information at www.chorleys.com

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233.

Makiko (Shimozato) COUPLE a diptych, depicting a chair at each of a table oil on canvas, 80cm x 80cm and 80cm x 60cm £80-120 (+Fees*) 234.

Attributed to Sir Gerald Festus Kelly PRA (British 1879-1972) PROVENCE oil on panel, 32cm x 39.5cm Note: label verso for the Ritchie Hendriks Gallery, Dublin, inscribed with artist’s name and title £80-120 (+Fees*) 235.

Leslie Marr (British, born 1922) SEASCAPE signed and dated Marr 4.1.77 oil on canvas, 30cm x 39.5cm £100-150 (+Fees*) 236.

Jean Galland (French, 20th Century) COUNTRY CHURCH WITH HAYSTACKS signed Jean Galland and dated 1925 oil on canvas, 31.5cm x 44.5cm in a painted and gilt decorated frame £80-120 (+Fees*)

Lot 229 229.

Edward Wolfe RA (British South African 1897-1982) ABSTRACT DESIGN oil on canvas, 56cm x 41cm Provenance: Fosse Gallery, Stow on the Wold (label verso) £600-800 (+Fees*)

232.

Tritan Braho (British, Contemporary) BEDSHEET inscribed and dated 2001 verso oil on canvas, 110cm x 110cm unframed Provenance: purchased from the Artist’s degree show at Byam Shaw 2001 £100-150 (+Fees*)

237.

Donald Floyd (British 1892-1965) THE ARTIST’S GARDEN IN SUMMER oil on canvas, 36cm x 46cm unframed £60-80 (+Fees*) 238.

John Falconer Slater (British 1857-1937) FIELD WITH HAYSTACKS AT SUNSET signed J F Slater oil on canvas, 24.5cm x 34.5cm £100-150 (+Fees*)

230.

Gabriel Weissman (British, Contemporary) A MAN AND A WOMAN signed and dated 1991 oil on board, 36cm x 40cm and 20th Century GOOSE AND YOUNG mixed media, 26cm x 20cm £40-60 (+Fees*)

231.

Zara Matthews (British, Contemporary) EVIDENCE OF THE UNKNOWABLE a pair signed, inscribed and dated ‘92 verso mixed media on board, 23cm x 25cm £80-120 (+Fees*)

60

Lot 238

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

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Lot 240 239.

20th Century HORSE AND CART IN WOODED LANDSCAPE oil on board, 19cm x 24.5cm £60-80 (+Fees*) 240.

Walter Opitz (German 1929 - 2003) FAUVIST WOODED LANDSCAPE signed and dated W Opitz ‘86 gallery stamp verso oil on canvas board, 63cm x 76cm £80-120 (+Fees*) 241.

Achille Grenier (French, 20th Century) BAIE DE MENTON, MORNING signed and dated Grenier 1938 oil on board, 71cm x 95cm £300-400 (+Fees*)

Lot 241 245.

Chernov (20th Century Czech School) BATHERS IN A RIVER inscribed indistinctly verso oil on canvas, 92cm x 100cm £100-150 (+Fees*)

246.

Peter Bailey (British, born 1952) DIANE half-length portrait oil on paper, 19cm x 23.5cm £100-150 (+Fees*) Lot 244

242.

Henry Ball (British 1894-1966) ) LEITH WATER, EDINBURGH signed and dated Henry Ball 1938 exhibition label verso inscribed with title and Artist’s address oil on board, 46.5cm x 56.5cm £60-80 (+Fees*) 243.

Nino Pippa (born 1950) MEDITERRANEAN HARBOUR AT DAWN signed lower left oil on board, 60cm x 90cm £60-80 (+Fees*) 244.

William Charles Penn (British 1877-1968) STILL LIFE OF FLOWERS IN A JUG signed oil on canvas, 49cm x 59cm £200-300 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 245

Further images & information at www.chorleys.com

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Lot 248

Lot 247 247.

Donald Floyd (British 1892-1965) TINTERN ABBEY with figures on a path by the west end signed oil on canvas, 60cm x 44cm £350-450 (+Fees*) 248.

Donald Floyd (British 1892-1965) CHEPSTOW CASTLE FROM THE WYE signed and inscribed oil on canvas, 30cm x 44cm £250-350 (+Fees*) 249.

Donald Floyd (British 1892-1965) THE ROAD BRIDGE OVER THE WYE, CHEPSTOW oil on canvas, 29cm x 45cm £150-200 (+Fees*)

Lot 250 62

Lot 249 250.

Donald Floyd (British 1892-1965) THE RAIL BRIDGE OVER THE WYE, CHEPSTOW signed oil on canvas, 25cm x 35cm £80-100 (+Fees*)

251.

Fred Yates (British 1922-2008) GUPSHILL MANOR, TEWKESBURY signed Yates mixed media, 44cm x 58cm £350-450 (+Fees*)

Lot 251

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

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Lot 252 252.

Michael Barnfather (British, born 1934) STROLL BY THE RIVER WHARF, NEAR BURNSALL signed lower right oil on canvas, 28cm x 44cm Provenance: Alexander Gallery, Bristol £150-200 (+Fees*)

Lot 253

253.

Philippa Bambach (20th Century) THE RUG oil on board, 35.5cm x 33cm and another £30-50 (+Fees*)

254.

Larry Wakefield (British 1925-1997) ABSTRACT COMPOSITION oil on board, 150cm x 121cm £100-150 (+Fees*)

Lot 255

255.

Peter Markey (1930-2016) SLEEPING CAT signed oil on board, 30cm x 45cm £50-70 (+Fees*)

256.

20th Century Russian School WOMAN AND SOLDIER BY CHAINLINK FENCE oil on board, 54.5cm x 60cm £40-60 (+Fees*)

257.

Frank Wagner (born 1967) LEANDER MEMBER PUNTING oil on canvas, 35cm x 50cm £1200-1800 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 257

Further images & information at www.chorleys.com

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Lot 258

Lot 259

258.

Philip Niel Erskine (South African 1933-2013) LANDSCAPE oil on board, 60cm x 100cm £250-350 (+Fees*)

259.

Philip Niel Erskine (South African 1933-2013) WILD FLOWERS IN THE WEYLAND RESERVE, DARLING oil on board, 70cm x 70cm £250-350 (+Fees*)

260.

Philip Niel Erskine (South African 1933-2013) AN EARLY SUMMER VIEW OF BOTMANSKOP, NEAR STELLENBOSCH oil on canvas, 60cm x 98cm £250-350 (+Fees*)

Lot 260

261.

James Fry (British 1911-1985) THE PURBECK HILLS FROM STUDLAND BEACH monogrammed lower right inscribed verso and with artist’s label oil on canvas, 44.5cm x 59.5cm £150-200 (+Fees*)

Lot 261 64

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The following seven lots were purchased from the family of Donald Floyd, by the vendor’s father, who grew up in the Tintern area near Ross on Wye in the 1930s-40s, and often encountered the artist painting in the open air at local beauty sites.

262.

Donald Floyd (British 1892-1965) CATTLE BY FARMHOUSE IN SNOW oil on canvas, 46cm x 61cm £600-800 (+Fees*)

263.

Donald Floyd (British 1892-1965) WATERMILL IN SNOW oil on canvas, 44.5cm x 34cm £200-300 (+Fees*)

264.

Donald Floyd (British 1892-1965) SPRING GARDEN oil on canvas, 50cm x 59.5cm £400-600 (+Fees*)

Lot 262

Lot 263

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 264

Further images & information at www.chorleys.com

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265.

Donald Floyd (British 1892-1965) NORFOLK RIVER WITH WINDMILL oil on board, 37cm x 43cm £200-300 (+Fees*)

266.

Donald Floyd (British 1892-1965) SUMMER RIVER LANDSCAPE oil on canvas, 52.5cm x 77cm £600-800 (+Fees*)

Lot 265

267.

Donald Floyd (British 1892-1965) AUTUMN RIVER oil on canvas, 59.5cm x 90cm £500-700 (+Fees*)

268.

Donald Floyd (British 1892-1965) SHEEP ON A WOODLAND ROAD oil on canvas, 59cm x 90cm £300-500 (+Fees*)

Lot 266

Lot 267

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Lot 268

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

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Drawings & Watercolours

Lot 271 269.

Sue Wales (British, born 1942) BLUE CLOTH AND SHADOWS signed lower left watercolour, 33cm x 47cm and WINTER LANDSCAPE signed lower left pastel, 28.5cm x 45cm £40-60 (+Fees*) 270.

Paul Hedley (British, born 1947) AMBER (NUDE STUDY) signed lower right mixed media, 39.5cm x 27.5cm £100-150 (+Fees*) 271.

Dimitri Pavlenski (Russian, 20th Century) BALLERINA RESTING signed lower right monochrome pastel, 48cm x 64cm £150-200 (+Fees*) 272.

Dianne Flynn (British, born 1939) GIRL IN WHITE signed lower right gouache, 26cm x 18cm £150-200 (+Fees*) 273.

Dianne Flynn (British, born 1939) RED RIBBON signed lower left gouache, 26cm x 18cm £150-200 (+Fees*) 274.

Marc Folly NUDE STUDY signed lower left, inscribed verso and with gallery stamp pencil, 40cm x 29cm £50-70 (+Fees*)

Lot 272 275.

Gilchrist DANCERS BACKSTAGE signed lower right pastel and pencil, 32cm square £60-80 (+Fees*) 276.

Jeffrey Harpham (British, born 1943) THE LACE MARKET signed lower right pastel, 42cm x 57cm £60-80 (+Fees*) 277.

20th Century School SPRING FLOWERS II signed indistinctly, inscribed with title and A/P watercolour, 57cm x 77cm mounted and framed £30-40 (+Fees*)

Lot 273 280.

Samuel Koska (Czech 1947-2004) LANDSCAPE WITH HOUSE AND TREES signed ink and watercolour sketch, 31cm x 76cm £40-60 (+Fees*) 281.

Mike Iggins (South African, 20th Century) ABSTRACT in the form of molton lava signed and dated lower right mixed media on board, 52cm x 83cm £80-120 (+Fees*) 282.

Lino Perissinotti (Italian 1897-1967) STILL LIFE signed lower right black wash on paper, 22cm x 30.5cm £100-200 (+Fees*)

278.

J K James UNDERWATER LOVE... signed and titled mixed media, 38cm x 32.5cm and two prints £40-60 (+Fees*) 279.

JOSEPH HEWES (BORN 1954) MAUD, CONFIRMATION watercolour, 18.5cm x 14.5cm £30-40 (+Fees*) Lot 276

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 288

Lot 283 283.

Kay Nixon (British 1895-1988) INDIAN SCENE girl with basket by a cattle shed signed lower right gouache, 70cm x 60cm £300-400 (+Fees*) 284.

Iris Adams (British, 20th Century) SIX ORGANIC LANDSCAPES watercolour, various sizes £60-80 (+Fees*) 285.

Hervey Adams (British, 20th Century) LAKESIDE TREES signed lower right watercolour, 48cm x 60cm £60-80 (+Fees*)

288.

Rudolf Helmut Sauter RI (British 1895-1977) ON PAINSWICK BEACON view from the top, looking across Gloucester to the River Severn and Forest of Dean beyond signed and dated R H Sauter 1959 pastel, 37.5cm x 50.5cm £200-300 (+Fees*) 289.

Arthur Romilly Fedden (1875-1939) BRETON VILLAGE SQUARE with parade of children on their way to church signed and dated lower left A R Fedden ‘97 watercolour, 34cm x 17.5cm £80-120 (+Fees*)

286.

Hervey Adams (British, 20th Century) SKY LINES signed lower right; inscribed verso pencil and watercolour, 32cm x 65cm and two other abstract designs by the same artist £60-80 (+Fees*) 287.

Helen Williams (British, Contemporary) THE LOST BALLOON signed, inscribed and dated July 1975 watercolour within a painted and gilt floral border, 8.5cm x 6.25cm and Christina Brooke HEAD OF INDIAN BOY ascribed on a label on the back to Christina Brooke watercolour, 14cm x 14cm £40-60 (+Fees*)

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Lot 289

Lot 287 (part)

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

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Lot 290 290.

Trevor Lindgard (British, born 1952) DERWENTWATER signed watercolour, 37cm x 54cm £100-150 (+Fees*)

291.

Ian Norbury (British, born 1948) SLAVE GIRL design for a wood sculpture created and exhibited in 1988 signed lower left red chalk drawing highlighted with white, 40cm x 29cm £80-120 (+Fees*)

292.

SCOTTIE WILSON (BRITISH 188-1972) BIRDS, FISH AND BUTTERFLIES signed lower right Scottie pen and watercolour, 36cm x 25.5cm £400-600 (+Fees*)

Lot 292 293.

Stephen Hubbard (British, born 1954) STEAM ENGINE AND THE HOUSE OF CARDS monogram lower right watercolour, 29cm x 28.5cm artists label verso £100-150 (+Fees*)

Lot 293

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

294.

A H Knighton Hammond (British 1875-1970) IRIS, MARY AND ANA OUTSIDE CARAVAN signed lower left watercolour, 49cm x 59cm £200-300 (+Fees*)

Lot 294

Further images & information at www.chorleys.com

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Lot 295 295.

Roy Turner Durrant (British 1925-1998) THREE HEADS, 1971 mixed media, drawn on Cambridge University Entrance Exam Papers, 22.5cm x 12.5cm each, framed as one original mount with artist’s address: 38 Hurst Park Avenue, Cambridge Provenance: Cheffins 11/12/08 lot 318 £200-300 (+Fees*) 296.

Roy Turner Durrant (British 1925-1998) ABSTRACT DRAWING black chalk and pastel, 17.5cm x 23cm part of original paper stuck to back dated ‘70 £200-300 (+Fees*)

Lot 296

297.

David Hazelwood (British 1932-1994) FLEETING SOUNDS signed bottom left, inscribed date verso 1974 pen and ink, watercolour and collage with musical content, 22cm x 22.5cm £150-200 (+Fees*) 298.

David Hazelwood (British 1932-1994) ABSTRACT WITH RED signed pen, gouache and collage, 25.5cm x 25.5cm £180-220 (+Fees*) 299.

Val Biro (1921- 2014) BRUNNHILDE (WAGNER’S RING CYLE) signed pen and ink on scraper board, 505cm x 6cm Provenance: Radio Times, circa 1960, The British Art of Illustration, 1800-1902 reproduced Chris Beetles Gallery, London, Exhibition 2002 (No.145) £120-150 (+Fees*)

Lot 299

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Lot 300 300.

Donald McIntyre (British 1923-2009) SHORELINE WITH BUILDINGS AND BOATS signed lower right DMC watercolour, oil and pencil on card, 27.5cm x 37.5cm £1000-1500 (+Fees*) 301.

Andre Minaux (French 1923-1986) PRO-ARTE PAR ABSTRAT 3 signed and titled verso pencil, watercolour and gouache, 40cm x 28cm £200-300 (+Fees*) 302.

Balinese School, 20th Century CRANES signed NI SAR Jun-Jungan watercolour on cloth, 42cm x 30cm and another painting of figures in a forest, indistinctly signed, 54cm x 36cm £80-120 (+Fees*) 303.

Paul Lewin (British, born 1967) BOTALLACK HEADLAND, CORNWALL signed and dated ‘01 mixed media, 54.5cm x 74cm £250-350 (+Fees*) 304.

Tibor Reich (Hungarian 1916-1996) TOURNAMENT framed fabric panel, 55cm x 117cm Note: Tibor Reich was a pioneering post-war designer. This piece dates from around 1967 £100-150 (+Fees*) 305.

William Frederick Colley (British 1907-1957) CATHEDRAL INTERIOR WITH FIGURES signed and dated W F Colley ‘49 gouache, 51.5cm x 35cm Note: Colley studied and taught painting and print making at Birmingham College of Art in the 1930s and 40s. £60-80 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 302 (part)

Lot 303

Lot 304

Further images & information at www.chorleys.com

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310.

Kate Prentise (British 1845-1911) RUSKIN’S HOUSE signed, inscribed verso watercolour, 23.5cm x 34cm £30-40 (+Fees*) 311.

Peter Burman (British, born 1950) FIGURES IN THE SAND DUNES signed watercolour, 24cm x 35cm £40-60 (+Fees*) 312.

A J Groenewegen FARMER MILKING COWS BY A RIVER signed watercolour, 16cm x 25cm £80-120 (+Fees*) 313.

Charles March Gere RA (British 1869-1957) EVENING OVER THE SEVERN inscribed verso watercolour and body colour on tinted paper, 18cm x 26cm £80-120 (+Fees*)

Lot 306 (part) 306.

Margaret Smallwood (nee Bradley) (British, 20th Century) TWO FLORAL ABSTRACTS mixed media on fibreglass panels, 127cm x 62cm and 67cm x 52cm £50-70 (+Fees*) 307.

John Brunsdon (British 1933 - 2014) A DORSET COASTAL SCENE signed, inscribed and dated 1984 gouache, 22.5cm x 30cm Note: John Brunsdon is well known for his series of British landscapes reproduced as limited edition etchings £80-120 (+Fees*)

314.

Cudley LIME PLANT signed and dated 78 watercolour, 36cm x 44.5cm and L N Priest HADDEN HALL signed and dated 1979 watercolour, 45cm x 31cm £40-60 (+Fees*) Lot 307

308.

Michael Randall NUDE II pastel and gouache, 40cm x 58cm £80-120 (+Fees*) 309.

Pre-Raphaelite school CLASSICAL STUDY OF A WOMAN signed A Alessandri watercolour, 11.5cm x 8cm £40-60 (+Fees*)

Lot 313

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Lillian Delevoryas was born in America and studied art in New York in the 1950s where she experimented with painting interior scenes with nudes, however her style changed after moving to London and finding work creating designs for costumes and wall hangings. In 1972 a move to the Forest of Dean in Gloucestershire crystallised her unique style, combining her love of the vibrant colours and profusion of the English country garden with her eye for patterns and symmetry. She created a unique series of designs which translated well into tapestries, fabrics and ceramics, retailed by Designers Guild and Habitat among others.

Lot 316

Lot 318

Lot 328

315.

Lillian Delevoryas (American 1932-2018) POPPIES WITH HEDGE AND TRELLIS BEYOND watercolour, 36.5cm x 35.5cm £40-60 (+Fees*)

321.

Lillian Delevoryas (American 1932-2018) BIRDS AND CHRYSANTHEMUMS IN A SURROUND

327.

Lillian Delevoryas (American 1932-2018) STUDY OF A NEEDLEPOINT TAPESTRY signed and inscribed watercolour, 36cm x 37cm and another GERANIUMS watercolour, 49cm x 49cm (both unfinished) £60-80 (+Fees*)

316.

Lillian Delevoryas (American 1932-2018) HONEYSUCKLES AND FOLIAGE WITHIN BORDER OF NASTURSIUMS

watercolour on paper (collage), 37cm x 39cm £50-70 (+Fees*) 317.

Lillian Delevoryas (American 1932-2018) VASE OF FLOWERS ON A IZNIK TYPE BACKGROUND mixed media, 38cm x 38cm £60-80 (+Fees*) 318.

Lillian Delevoryas (American 1932-2018) JAPONNAISE DESIGN WITH HERON signed watercolour, 39cm x 38cm £50-70 (+Fees*) 319.

Lillian Delevoryas (American 1932-2018) EXOTIC BIRD WITHIN A STYLISED BORDER watercolour, 42.5cm x 35cm £50-70 (+Fees*) 320.

Lillian Delevoryas (American 1932-2018) AUTUMN STUDY signed and inscribed watercolour, 23cm x 16cm and another watercolour NASTURTIUMS 24cm x 17cm £40-60 (+Fees*)

OF FLOWERS AND FRUIT

watercolour, 55cm x 41cm and a signed print £80-100 (+Fees*) 322.

Lillian Delevoryas (American 1932-2018) TEXT BOOK EXERCISE signed inscribed and dated 1986 mixed media, 33cm x 28cm £50-70 (+Fees*) 323.

Lillian Delevoryas (American 1932-2018) PEONIES AND STONE WALL signed inscribed and dated 1977 watercolour, 43cm x 37cm £80-120 (+Fees*) 324.

Lillian Delevoryas (American 1932-2018) STUDY OF A NUDE LYING ON A BED mixed media, 39cm x 48cm £120-150 (+Fees*) 325.

Lillian Delevoryas (American 1932-2018) ROSES signed mixed media, 34cm x 34cm £50-70 (+Fees*) 326.

Lillian Delevoryas (American 1932-2018) SWANS, FLOWERS AND CIRCLES colage, 36cm x 36cm £50-70 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

328.

Lillian Delevoryas (American 1932-2018) A KALEIDOSCOPE OF FRUIT AND FOLIAGE watercolour, 38cm x 38cm £60-80 (+Fees*) 329.

Lillian Delevoryas (American 1932-2018) PERSIAN PAIR NEEDLEPOINT DESIGNS signed and inscribed watercolour, 40cm x 55cm £50-70 (+Fees*) 330.

Lillian Delevoryas (American 1932-2018) STUDY FROM STATELY HOMES PHOTO 1977 signed and inscribed watercolour, 40cm x 30cm £40-60 (+Fees*) 331.

Lillian Delevoryas (American 1932-2018) FLORAL STUDIES two watercolours, 36cm x 32cm and 42cm x 43cm £60-80 (+Fees*) 332.

Lillian Delevoryas (American 1932-2018) NEEDLEPOINT STILL LIFE WITHIN A TRELLIS BORDER signed and inscribed watercolour, 41cm x 42cm £100-150 (+Fees*)

Further images & information at www.chorleys.com

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Lot 335

Lot 336

Lot 337

333.

Helen Morris (20th Century British) CONTINENTAL SCENES four watercolours, 19cm x 12cm and three others £80-100 (+Fees*) 334.

David Walker (1934-2008) WERTHER ACT II COSTUME DESIGN dated 1966 watercolour, 32cm x 21cm Provenance: Wright Hepburn Gallery £80-120 (+Fees*)

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Lot 338

335.

Leo Mechelaere (Belgian 1880-1964) ON THE QUAY signed lower right L Mechelaere watercolour and gouache, 36cm x 52cm Provenance: Hambledon Fine Art, purchased 2003 £200-300 (+Fees*) 336.

Derek Clarke MBE RSA (British 1912-2014) SUTHERLAND LANDSCAPE watercolour, 52.5cm x 75.5cm £250-350 (+Fees*)

337.

John Yardley (British, born 1933) TALL SHIP IN FLOATING HARBOUR, BRISTOL signed watercolour, 33cm x 47cm Provenance: Alexander Gallery, Bristol £100-150 (+Fees*) 338.

George Owen Wynne Apperley (British 1884-1960) HILL VIEW WITH SILVER BIRCH watercolour, 25cm x 17cm Provenance: Alexander Gallery, Bristol £80-100 (+Fees*)

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

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Lot 339 339.

George Owen Wynne Apperley (British 1884-1960) VENICE LAGOON signed Wynne Apperley lower left watercolour, 24cm x 34cm Provenance: Alexander Gallery, Bristol £200-300 (+Fees*) 340.

Eric Meadus (British 1931-1970) NISSEN HUT Conté pencil, 25.5cm x 36cm and others by same, SOUTHAMPTON PUB CORNER Provenance: The First Gallery £60-80 (+Fees*)

341.

Hilda Margery Clarke (British, born 1926) SPRING mixed media, 57.5cm x 44cm and five other pictures by the same £80-120 (+Fees*) 342.

Larry Wakefield (British 1925-1997) ABSTRACT FIGURES BY BUILDING pen and ink wash, 51cm x 66cm and FIGURES IN A TOWN watercolour, 54cm x 54cm £80-120 (+Fees*) 343.

Peter Markey (1930-2016) SMILE WITH TEETH dated 2003 emulsion, 23cm x 30cm £30-50 (+Fees*)

344.

John Sweetman (Contemporary) STUDY OF A HAND pencil, 15cm x 20cm and another by the same ‘WOODPILE’ pencil, 24cm x 30cm £20-30 (+Fees*) 345.

Kate Blacker (born 1955) ABSTRACT COMPOSITIONS dated 1993 two mixed media pictures, 19.5cm x 19.5cm £60-80 (+Fees*) 346.

Larry Wakefield (1925-1997) ABSTRACT COMPOSITION mixed media, 122cm x 183cm £80-120 (+Fees*) 347.

Eric Meadus (1931-1970) SEATED WOMAN signed and dated, July ‘59 pastel, 68cm x 43cm £40-60 (+Fees*) 348.

Larry Wakefield (British 1925-1997) SEASCAPE mixed media on paper, 18cm x 30.5cm and sundry prints by the same £40-60 (+Fees*)

Lot 340

Lot 343

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

349.

Cavendish Morton SNAPE MALTINGS signed and dated 1969 gouache, 36cm x 54cm £200-300 (+Fees*)

Further images & information at www.chorleys.com

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Prints & Multiples

Lot 350

350.

Laurence Stephen Lowry (British 1887-1976) SAILING BOATS signed in pencil and with Guild stamp and code for edition number 574/850 lithograph, image size 24cm x 34cm £800-1200 (+Fees*)

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Lot 357

Lot 354 351.

Niamh O’Broin SLIABH NA GCAITLAIGH signed and numbered 5/12. print, 29.5cm x 40cm £40-60 (+Fees*) 352.

Maria Simonds-Gooding (Irish, born 1939) SHEEP OF THE GREAT BLASKET II limited edition 64/150 etching, 22cm x 29cm £100-150 (+Fees*) 353.

John Verling (1943-2009) SPRING WINTER with words from Patrick Kavanagh a pair dated 1979 and from edition of 100 etching, 16.5cm x 16.5cm £100-150 (+Fees*)

354.

Duncan Grant (British 1885-1978) WASHERWOMAN II signed in pencil and numbered 278/350 lithograph in colours, plate size 76.5cm x 51cm £200-300 (+Fees*)

356.

Stephen Bartlett (British, born 1942) FROM THE ELEMENT SERIES signed and numbered A/P 1/1 and A/P 1/4, on stamped paper two screenprints in colour, 80cm x 64cm £60-80 (+Fees*)

355.

Morag Eaton GREEN HILL ’83, 7/8 RISEN CHRIST ’84,8/8 woodblock prints, plate size 38cm x 40cm £40-60 (+Fees*)

357.

Louis Icart (French 1888-1950) FAVOURITE SCENT, 1920 girl holding roses, with Borzoi hound signed and numbered No.139 drypoint etching and aquatint with hand colouring, plate size 37cm x 24.5cm £800-1200 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Arthur Charlton (1917-2007) The early years of Arthur Charlton’s life were spend in Hartlepool, where he attended art school and became enthralled by the art of wood engraving, leading to a lifelong interest in all forms of printmaking and capturing the spirit of the age in his depictions of everyday life and characters: ‘In the post-depression 1930s there was not much money in Hartlepool, and I well remember looking out of the art school window and seeing people queuing for parish relief at the building opposite. But there was also plenty of activity in the docks and as a young art student, I developed my watercolour and printing skills by hours spent at the water’s edge.’

His career path was interrupted by the onset of World War II, and he took part in RAF operational flights in Wellington bombers over Germany and North Africa. Shot down near Benghazi, he was captured and sent to a prisoner of war camp in South Italy, before being relocated by the Germans to Stalag IVB for the remainder of the war. Charlton continued to practice his drawing and painting skills throughout, recording a diary of his life in the RAF through sketches of aircraft in hangers and out on manoeuvres, finding scraps of paper and cardboard at camp to draw his fellow prisoners and their meagre existence. Much of this important body of work is now part of the permanent display at the Imperial War Museum, London.

After his release at the end of the war, Charlton settled in London and resumed his art education at the Royal College of Art. In 1951 he moved to Swansea and taught printmaking and design at the city’s art school until his retirement in 1982. In his spare time, he loved to swim off the Gower beaches, and experience the hustle and bustle of the docks and harbours of South Wales, scenes captured forever in his prints.

More information about Arthur Charlton can be found in the art reference book ‘Drawn from Wales: a School of Art in Swansea 1853-2003’, edited by Kristine Brander Dunthorne.

Lot 358 358.

Arthur Charlton (British 1917-2007) MUMBLES HEAD with sailing boats in the bay signed lithograph, 45.5cm x 58.5cm £80-120 (+Fees*)

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Lot 359

Lot 362

359.

Arthur Charlton (British 1917-2007) SWANSEA DOCKS with beach to foreground signed lithograph with hand painted overlay, 44.5cm x 59cm £100-150 (+Fees*) 360.

Arthur Charlton (British 1917-2007) SOLVA view of the estuary and harbour aquatint, image size 40.5cm x 50.5cm unframed £60-80 (+Fees*) 361.

Arthur Charlton (British 1917-2007) WORMS HEAD signed and inscribed linocut, image size 33cm x 43cm unframed £60-80 (+Fees*) 362.

Arthur Charlton (British 1917-2007) MINERS AND WHIPPETS figures in a mining town lithograph, 32cm x 45cm £60-80 (+Fees*) 363.

Arthur Charlton (British 1917-2007) FISHERMAN WITH BASKET signed, dated ‘90 and numbered 2/4 linocut, 30.5cm x 15cm £40-60 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 363 364.

Arthur Charlton (British 1917-2007) FISHERMAN WITH BASKETS AND BOAT aquatint, 26cm x 18.25cm £40-60 (+Fees*)

Further images & information at www.chorleys.com

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Lot 365

Lot 368

Lot 367 365.

Arthur Charlton (British 1917-2007) THE FISHERMAN head and shoulders, holding a fish signed, dated ‘90 and inscribed linocut, 15.75cm x 13cm and FISHERMAN ON BOAT WITH FISH signed, dated ‘90 and numbered 2/2 colour linocut, 20.5cm x 17cm unframed [2] £60-80 (+Fees*) 366.

Arthur Charlton (British 1917-2007) MUMBLES PIER signed, dated ‘89 and inscribed colour linocut, 13.5cm x 16cm £40-60 (+Fees*) 367.

Arthur Charlton (British 1917-2007) FISH QUAY, SWANSEA signed and dated ‘51 colour lithograph, 26cm x 35cm £60-80 (+Fees*)

80

368.

Arthur Charlton (British 1917-2007) THREE HEADS signed, dated 1981, inscribed and numbered 1/10 monochrome linocut, 50cm x 34.5cm £60-80 (+Fees*) 369.

Arthur Charlton (British 1917-2007) THE GRAB: SWANSEA DOCKS AND KILVEY HILL monochrome linocut, 50cm x 34.5cm £80-120 (+Fees*)

Lot 369

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

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Lot 370

Lot 371

370.

Marie Laurencin (French 1883-1956) GIRL WITH A ROSE signed and dated 1930 within print, signed in pencil and numbered 9/250 lithograph, image 45.5cm x 54cm in an Art Deco style mirrored frame £250-350 (+Fees*)

371.

Sir Terry Frost (British 1915-2003) CAMBERWELL GREEN signed and numbered 222/275 dated 03 in pencil aquatint, image 32.5cm x 37.75cm published by the artist, Newlyn and printed by Hugh Stoneman at Stoneman Graphics, Cornwall Literature: Terry Frost Prints, A Catalogue Raisonee, Kemp No.211 Provenance: The Hepworth, Wakefield £500-800 (+Fees*)

372.

Mabel Allington Royds (British 1874-1941) BENARES man under an umbrella with boys by the river signed in pencil M A Royds, circa 1920-1930 woodblock with hand colouring, 13.5cm x 17.5cm Provenance: Rev. C H Stuart, The Rectory, Westcott, Oxford £150-200 (+Fees*)

Lot 372 373.

Andre Minaux (French 1923-1986) VASE OF SUNFLOWERS signed in pencil and numbered 121/200 lithograph, 57.5cm x 43cm £80-120 (+Fees*) 374.

Oscar Droege (German 1898-1982) BREAKERS signed in pencil woodcut, 44.5cm x 30cm £50-70 (+Fees*) 375.

Peter Kosowicz (British, Contemporary) ON THE EDGE signed in pencil, titled and numbered 1/6 monochrome etching, 41cm x 31.5cm Note: Peter Kosowicz was the founder of Thumbprint Editions Ltd £50-70 (+Fees*) Lot 373

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Further images & information at www.chorleys.com

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Lot 379 (part) 376.

20th Century STILL LIFE with hidden portrait of John Lennon screenprint, 41.5cm x 53cm £50-70 (+Fees*) 377.

Paul Bisson (British, born 1938) SHALFORD MILL, SURREY signed in pencil, titled and numbered 4/350 published 1984 by Christie’s Contemporary Art in conjunction with the National Trust aquatint etching, plate size 26cm x 30.5cm £50-70 (+Fees*)

Lot 383 380.

Beryl Cook OBE (British 1926-2008) LUNCHTIME REFRESHMENT signed lower right and with Fine Art Trade Guild blind stamp and code for limited edition no 147/850 published by Alexander Gallery, Bristol lithograph, image size 49cm x 61cm £180-220 (+Fees*)

382.

20th Century School PINTAIL DUCKS IN FLIGHT signed and inscribed indistinctly photogravure print on textured paper, 55cm x 43cm and another of ducks swimming, 40cm x 52cm £60-80 (+Fees*)

381.

Jonathan Ellis (British, Contemporary) SELF-PORTRAIT signed in pencil, inscribed A/P aquatint etching, 31cm x 21cm £40-60 (+Fees*)

383.

Jim Dine (American, born 1935) NANCY OUTSIDE IN JULY, STATE V (RED) signed, dated 1978 and numbered 11/25 in pencil coloured etching, plate size 59cm x 49cm £300-400 (+Fees*)

378.

Henri de Toulouse-Lautrec CIRCUS SCENES signed in pencil and numbered editions of 500 four colour engravings, plate size 29.5cm x 22.5cm and a Lautrec print of Napoleon on Horseback £80-120 (+Fees*) 379.

Bryan Pearce (British 1929-2006) CORNISH HARBOUR SCENE signed, dated ‘74 and numbered 47/50 monochrome etchings, 24cm x 19.5cm and two similar etchings, smaller £300-500 (+Fees*) Lot 384 82

ARR – Artist’s Resale Right will apply to the sale of many of these lots (see page 4)

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384.

Victor Vasarely (French/Hungarian 1906-1997) MULTI-COLOURED CUBE ABSTRACT signed and numbered 83/700 colour silkscreen, 39cm x 77cm £200-300 (+Fees*) 385.

Susan Andreae (20th Century) THE SHEEP THAT GOT AWAY! artists proof print, 4.5cm x 46.5cm and a smaller print by the same £20-30 (+Fees*) 386.

Wilhemina Barnes-Graham CBE (British 1912-2004) BEACH signed, dated 1999 and inscribed P/P screenprint, 28.5cm x 39.5cm £400-600 (+Fees*)

Lot 386

387.

Wilhemina Barnes-Graham CBE (British 1912-2004) MILLENNIUM SERIES GREEN signed, dated 2000 and numbered 28/75 screenprint in colours on stamped Graal paper, 24cm x 31cm £400-600 (+Fees*) 388.

Larry Wakefield (British 1925-1997) FRAGMENTED CITY six scenes of female figures in abstract landscapes screenprints, 44.5cm x 60cm and six similar prints by the same, unframed £150-200 (+Fees*) 389.

Elizabeth Nash (Contemporary) THE FOUR SEASONS series of four colour prints in a folio, 29cm x 25cm Heather Gibbons THROOP MILL, HOLDENHURST VILLAGE linocut, 30cm x 34cm and an indistinctly signed mixed media collage (3) £40-60 (+Fees*)

Lot 387

390.

H Brodzky PORTRAIT STUDY etching signed in pencil 15cm x 10cm and two other pictures £30-50 (+Fees*) 391.

Lowes Dalbac Luard (1872-1944) CAT CLIMBING A WALL colour etching, 9cm x 7cm £30-50 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%.

Lot 388

Further images & information at www.chorleys.com

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CONDITIONS OF BUSINESS FOR ONSITE AUCTIONS c.

INFORMATION FOR BUYERS AT AUCTIONS 1.

Introduction. The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand.

Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale.

2.

3.

4.

5.

Agency. As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer.

Estimates. Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price.

Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive.

Buyer’s Premium. The Terms of Sale oblige you to pay a buyer's premium on the hammer price of each lot purchased at the following rates: 20% on the first £100,000 15% on the excess between £100,001 and £500,000 12.5% on the excess between £500,001 and £1,000,000 10% on the balance above £1,000,000 Where thresholds apply, the higher premium rate will apply to the portion of the bid price up to the threshold and the lower premium rate will apply to the portion of the bid price in excess of the threshold. VAT at the standard rate is added to this premium with the exception of books and unframed maps (see below).

b.

84

6.

Inspection of goods by the buyer. As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do.

You will have ample opportunity to inspect the goods. You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4.

7.

Electrical goods. These are sold as “antiques” only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

8.

Export of goods. If you intend to export goods you must find out:

(*) indicates that VAT is payable by the buyer on the hammer price as well as being an element in the buyer's premium. VAT will be chargeable at the standard rate (presently 20%). This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. (**) indicates that the lot has been imported from outside the European Union. These lots are liable to a reduced rate of VAT (5%) on the hammer price and buyer's premium).

a.

whether an export licence is needed; and

b.

if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory (see Terms of Sale clause 14)

9.

Bidding. Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

10.

Commission bidding. You may leave commission bids with us indicating the maximum amount to be bid against a lot (excluding the buyers' premium and/or any applicable VAT).

We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids we may prefer the first bid received (where this can be reasonably ascertained). Please enquire in advance about our arrangements for leaving commission bids by telephone, email, via our website or through online bidding platforms.

11.

Methods of Payment. We accept payment by cash, debit card, credit card and bank transfer (maximum payment by cash or credit card £1,000 per auction). Please discuss with our office in advance of the sale if you plan to use any other method of payment. We do not accept payment by card over the telephone.

12.

Collection and storage. Please note what the Terms of Sale say about collection and storage. It is important that you pay for and collect goods promptly. Any delay may involve you having to pay storage charges.

VAT. Items in our catalogue may be marked in the following ways: a.

Lots which do not have either of the above symbols have no VAT payable on the hammer price. This is because such lots are sold using the Auctioneers' Margin Scheme. The VAT included within the premium is not recoverable as input tax.

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TERMS OF SALE Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request.

Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale.

Please note that these Terms of Sale relate to auctions held at our premises only.

1 Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: “Auctioneer” means Chorley’s, a partnership or company registered in England and Wales with registration number with registration number 5857433 and whose registered office is located Staverton Court, Staverton, Cheltenham GL51 0UX or its authorised auctioneer, as appropriate; “Bidder” means a person participating in bidding at the auction; “Buyer” means the person who makes the highest bid for a Lot accepted by the Auctioneer; “Deliberate means: (a) an imitation made with the intention of Forgery” deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described; “Hammer means the level of the highest bid for a Lot Price” accepted by the Auctioneer by the fall of the hammer; “Lot(s)” means the goods that we offer for sale at our auctions; “Premium” means the premium that we will charge you on your purchase of a Lot to be calculated as set out in Clause 4; “Reserve” means the minimum hammer price at which a Lot may be sold; “Sale means the net amount due to the Seller; Proceeds” “Seller” means the persons who consign Lots for sale at our auctions; “Terms of means the terms on which we agree to offer Lots Consignment” for sale in our auctions as agent on behalf of Sellers; “Terms of means these terms of sale, as amended or Sale” updated from time to time; “Total Amount means the Hammer Price for a Lot, the Premium, Due” any applicable artist’s resale right royalty, any VAT due and any additional charges payable by a defaulting buyer under these Terms of Sale; “Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf;

“VAT”

means Value Added Tax or any equivalent sales tax; and “Website” means our website available at www.chorleys.com.

In these Terms of Sale the words 'you', 'yours', etc. refer to you as the Buyer. The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

2 Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

3 Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.

3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable.

Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

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4 a. b.

c. d.

5 5.1

5.2 6 6.1

6.2

6.3

6.4

7 7.1

7.2 8 8.1

8.2

86

The purchase price As Buyer, you will pay: the Hammer Price; a premium of a percentage of the Hammer Price on an incremental basis: 20% on the first £100,000 15% on the excess between £100,001 and £500,000 12.5% on the excess between £500,001 and £1,000,000 10% on the excess above £1,000,000 any artist’s resale right royalty payable on the sale of the Lot; and any VAT due.

VAT You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information.

We will charge VAT at the current rate at the date of the auction.

The contract between you and the Seller The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction.

You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.

If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim.

We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).

Payment Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the Total Amount Due with cash, debit card, credit card and bank transfer (maximum payment by cash or credit card of £1000 per auction).

If you owe us any money, we may use any payment made by you to repay these debts.

Title and collection of purchases Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it.

You will (at your own expense) collect any Lots that you have purchased and paid for either: 8.2.1 not later than seven business days following the day of the auction; or 8.2.2 not later than seven business days following the date that we have received payment of the Total Amount Due in cleared funds, if later.

8.3

8.4 8.5

9 9.1

9.2

10

11 11.1

If you do not collect the Lot within this time period, you will be responsible for any reasonable removal, storage and insurance charges in relation to that Lot. Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot. If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot. Remedies for non-payment or failure to collect purchases Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you.

This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within seven business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due; 9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale.

Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk.

Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.

Warranties The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction;

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11.2

11.3 11.4

11.5

12 12.1

12.2

12.3

12.4

11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

Please note that many of the Lots that you may bid on at our auction are second-hand.

If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

Descriptions and condition Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (ii) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Books are not collated and are not guaranteed to be complete. The absence of any reference to condition in any description does not imply the lot is without fault. Chorley’s do not usually include condition information in catalogue or online descriptions, however we are happy to provide a condition report for any lot upon request before the auction. Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/or which the inspection of a Lot by the Buyer ought to have revealed.

12.5

13 13.1

13.2

13.3

13.4

14

Historically many gemstones have been subject to a variety of treatments to enhance their appearance. Sapphires and rubies are routinely heat treated to improve their colour and clarity, emeralds are also frequently treated with oils or resin for the same purpose. Treatments such as staining, irradiation or coating may have been used on other gemstones. These treatments may be permanent, whilst others may need special care or re-treatment to retain their appearance. Bidders should be aware that estimates assume that gemstones may have been subjected to such treatments. A number of laboratories issue certificates that give more detailed descriptions of gemstones, however there may not be consensus between different laboratories on the degrees or types of treatment for any particular gemstone. In the event that Chorley’s has been given or obtained certificates for any lots in the sale, these certificates will be disclosed in the catalogue. In the event that no certificate is published in the catalogue, bidders should assume that the gemstone may have been treated.

Neither Chorley’s nor the seller accepts any liability for contradictions or differing certificates obtained by buyers on any lots subsequent to the sale.

Deliberate Forgeries You may return any Lot which is found to be a Deliberate Forgery to us within six months of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if: 13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or 13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

Ivory and Endangered Species Chorley’s condemns the poaching of all species, especially African elephants and the wanton destruction of natural habitat. Thus we will offer for sale no ivory products produced after June 1947, the date of the Convention of International Trade in Endangered Species of Wild Fauna and Flora (CITES). We consider that pieces produced before this date are likely to be purchased as pieces of artistic or cultural merit, which happen to contain ivory, rather than be purchased for their ivory content.

Due to international laws, any item on the Endangered species list, whether it dates from the 18th/19th Century or the 1930s, requires re-export permits for bidders outside the EU (CITES). Some countries also require import permits as well and all permits must be in place prior to shipment.

Chorley’s cannot be held liable if a purchaser buys a lot that comes within this field and then import/export licences cannot be arranged. It is the potential buyer’s responsibility to check the applicable regulations before bidding for a lot which comes under these laws.

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15 15.1

15.2

15.3

15.4

16 16.1

16.2

16.3

16.4

88

Our liability to you We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

Subject to Clause 15.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 15.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 15.4.2 fraudulent misrepresentation; or 15.4.3 any liability which cannot be excluded by law.

Notices All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

Any notice referred in Clause 16.1 may be given: 16.2.1 by delivering it by hand; 16.2.2 by first class pre-paid post or Recorded Delivery; or 16.2.3 by email, provided that a copy is also sent by prepaid post or Recorded Delivery.

Notices must be sent: 16.3.1 by hand or registered post: a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 16.3.2 by email: a. to us, by sending the notice to both the following email addresses: simon.chorley@chorleys.com; enquiries@chorleys.com b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

Notices will be deemed to have been received: 16.4.1 if delivered by hand, on the day of delivery; 16.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or

16.5

17

18 18.1 18.2

18.3

18.4

18.5

18.6

18.7

18.8

16.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by pre-paid post or Recorded Delivery as set out in Clause 16.2.3) Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

Data Protection We will hold and process any personal data in relation to you securely, in accordance with the 2018 General Data Protection Regulation.

General We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.

Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.

Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

These Terms of Sale and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

These Terms of Sale, forming part of our Conditions of Business, are based upon terms recommended by SOFAA (The Society of Fine Art Auctioneers & Valuers)

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16 April 2019 cover.qxp_Layout 1 01/04/2019 14:47 Page 1

16th April 2019

Prinknash Abbey Park Gloucestershire GL4 8EU

Telephone: 01452 344499 Email: info@chorleys.com Web: www.chorleys.com

Modern Art & Design Tuesday 16th April 2019

Prinknash Abbey Park Gloucestershire GL4 8EU www.sofaa.org