Auction Catalogue: 9 October 2018

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Prinknash Abbey Park Gloucestershire GL4 8EU

Telephone: 01452 344499 Email: info@chorleys.com Web: www.chorleys.com

9th October 2018

Modern Art & Design Tuesday 9th October 2018

Prinknash Abbey Park Gloucestershire GL4 8EU www.sofaa.org

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MODERN ART & DESIGN Auction Tuesday 9th October 2018 starting at 11am

Prinknash Abbey Park Gloucestershire GL4 8EU

Viewing Sunday 7th October 10am-4pm Monday 8th October 9am-5pm Sale morning 9am-11am

Enquiries Tel: +44 (0) 1452 344499 Email: info@chorleys.com www.chorleys.com

All Lots offered subject to Chorley’s Terms of Sale, as published at the back of this catalogue and available on our website.

If you cannot attend the auction to view in person, you will find many additional images and condition reports in our online catalogue at www.chorleys.com. Please contact us with any specific questions and we will be pleased to help.

BIDDING: There are a number of ways to bid at our auctions ● In person ● Commission (absentee) bid ● Telephone bid ● Online via third-party website See our website or contact us for further information.

INTERNET PLATFORMS: Live internet bidding is available for this auction on these platforms:

FEES: Buyer’s premium (+ VAT at 20%) will be charged to the purchaser on top of the hammer price of each lot purchased, at the following rates: 20% (24% incl. VAT) on the first £100,000 15% (18% incl. VAT) on the excess between £100,000.01 and £500,000 12.5% (15% incl. VAT) on the excess between £500,000.01 and £1,000,000 10% (12% incl. VAT) on any balance exceeding £1,000,000 Artist’s Resale Right (ARR) This additional fee may apply to many lots in this auction. Please see page 4 for full details.

additional 3% fee (3.6% incl. VAT)

additional 5% fee (6% incl. VAT).

COLLECTION: It is the responsibility of the purchaser to make collection arrangements. All purchased lots in this auction must be paid for and collected from Chorley’s salerooms by 5pm on Friday 19th October. Any items remaining after this time will be removed to storage at the purchaser’s expense.

PAYMENT: We accept payment by debit card, credit card, cash or bank transfer (maximum payment by cash or credit card £1,000 per buyer per auction).

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Gloucestershire's Fine Art Auctioneers The beautiful grounds of Prinknash Abbey are located in the heart of the Cotswolds, midway between Cheltenham, Cirencester, Stroud and Gloucester and easily accessible from the M5 / M4 / M40. Chorley's salerooms can be found next to the Abbey's popular tea rooms, and there is always plentiful parking which makes delivering and collecting items easy.

We conduct frequent auctions of high quality antiques and art, as well as offering valuation services for private and corporate clients. Our experienced valuers and saleroom staff are bound by the values of integrity, honesty and professionalism and we are members of the Society of Fine Art Auctioneers & Valuers (SOFAA) and the Association of Accredited Auctioneers (AAA).

Our salerooms are open for free appraisals every Friday between 10am and 4pm.

We look forward to welcoming you soon.

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T: +44 (0) 1452 344499 E: info@chorleys.com www.chorleys.com

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Tuesday 9th October 2018 at 11am Jewellery & Luxury Items Silver & Metalware Sculpture Glass Studio Ceramics Oil Paintings Drawings & Watercolours Prints & Textiles Books Furniture & Lighting

Lots 1-29 38-62 70-85 90-104 110-212 225-320 325-374 375-425 430-451 460-511

Page 6 11 14 18 19 33 43 50 55 59

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Explanation of Cataloguing Practice Pictures

Generally

When offering Oil Paintings, Watercolours and Drawings, a picture code is used. Using one artist's name we illustrate below the manner of attributing the pictures in the catalogue.

Furniture, porcelain, bronzes, etc are attributed as follows:

Arthur Devis In our opinion a work by the artist.

Attributed to Arthur Devis In our opinion a work possibly by or partly by the artist.

A Sheraton period In our opinion made at the same time that Sheraton was active.

Sheraton style or of Sheraton design In our opinion of later manufacture.

Dated 1660

School of Arthur Devis

In our opinion a genuine date.

In our opinion a work contemporary with the artist and showing his influence.

Carved with the date 1660

Manner of Arthur Devis In our opinion a work in the artist's style and of a later date.

After Devis In our opinion a copy of a known work by the artist (of any date).

Signed, Dated, Inscribed In our opinion the work has been signed/dated/inscribed by the artist.

Bears Signature; Bears a Date; Bears an Inscription

In our opinion a later decoration.

A Derby figure In our opinion a figure from the Derby factory.

Possibly Derby In our opinion this is similar to a Derby product.

By In our opinion made by the artist or modeller in question.

After In our opinion made by another artist or modeller as a copy of the original.

In our opinion the signature/date/inscription is by a hand other than the artist.

Dimensions These are given height before width.

Artist’s Resale Right (ARR) This derives from a European Directive and came into force in the UK in 2006. Living artists and the descendants of artists deceased within the last 70 years are entitled to receive a resale royalty each time their work is bought. The right only applies when the sale price reaches or exceeds the sterling equivalent of €1,000. The fee is calculated on a sliding scale and charged to the buyer as a percentage of the hammer price, and in addition to the buyer’s premium. ARR is not subject to VAT. Please note ARR is calculated in Euros and the auctioneers will apply current exchange rates. This fee is passed on by Chorley’s to the artist’s collecting society.

Applies to lots with hammer value over €1,000 as follows: €1,000 to €50,000 – 4%, €50,000.01 to €200,000 – 3% €200,000.01 to €350,000 – 1%, €350,000.01 to €500,000 – 0.5% Exceeding €500,000 – 0.25%. ARR is capped at €12,500

Condition Condition information is not usually provided in our printed catalogue, but is available upon request.

Further images and some condition reports can be viewed on our online catalogue at www.chorleys.com.

The absence of a condition report does not imply that a lot is without imperfections.

Books are not collated unless stated and are not guaranteed to be complete.

Catalogue produced by Pardy & Son (Printers) Ltd

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Jewellery & Luxury Items

Lot 26

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Jewellery & Luxury Items 1.

A silver necklace of modern design, JT, London 1999, 50cm long and three pairs of modern earrings £60-80 (+Fees*) 2.

A silver and turquoise Navajo ‘Squash Blossom’ necklace, mounted, framed and glazed £200-300 (+Fees*) 3.

William Spratling, an owl brooch with cabochon amethyst eyes, Mexico circa 1940-1944, with ‘Spratling Made in Mexico’ and ‘Spratling Silver’ marks Provenance: Cobra & Bellamy 1991 £300-500 (+Fees*) 4.

Barbara Christie, a blue coral and textured white metal necklace and the matching ear studs, the necklace of square coral links interspersed by occasional white links and with central rectangular panel £200-300 (+Fees*) 5.

Barbara Christie, a silver ‘handbag’ necklace with tapering handle, burnished silver clasp and circular Picasso jasper pendant £200-300 (+Fees*) 6.

Barbara Christie, a pair of ruby, slate and Dalmatian jasper ear studs, of modern design set in silver and 18ct gold £200-300 (+Fees*) 7.

Barbara Christie, a silver and agate ‘boat’ ring, the agate boat set in a shallow U shaped support to a circular shank £300-500 (+Fees*) 8.

Barbara Christie, a silver, diamond and moonstone ‘table’ ring, the oblong moonstone cabochon to a rectangular plaque with diamonds to the corners on four pillar supports united by stretchers £400-600 (+Fees*)

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Lot 2

9.

A coral heart shaped pendant set with a diamond of approximately 0.08ct and with 18ct gold bail £200-300 (+Fees*) 10.

Manner of David Andersen, a Norwegian silver gilt enamelled necklace, each leaf link with cream enamelling to a silver gilt mount, stamped 925 Sterling Made in Norway, together with matching earrings £300-500 (+Fees*) 11.

Georg Jensen, a silver brooch, designed

by Nana & Jorgen Ditzel, of stylised triangular arrow head form, model no.

326 and a pair of screw back earrings designed by Edvard Kindt-Larsen for Jensen, model no. 116b £100-150 (+Fees*)

12.

A modernist silver necklace of interlocking square links, maker’s mark Lui and a white metal three-prong pendant £60-80 (+Fees*) 13.

Four various silver brooches and a white metal neck chain £60-80 (+Fees*) 14.

A small group of Scottish silver jewellery to include a brooch by John Collie, Oban, an Iona brooch and earrings and two others £50-70 (+Fees*) 15.

A pair of Scandinavian enamelled cufflinks (SGR) and brooch (NA) and a Scottish enamelled brooch and matching ear clips £50-70 (+Fees*)

Further images & information at www.chorleys.com

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19.

A group of modernist silver jewellery to include a silver bangle, a silver fringe type bracelet, an elephant brooch, a snake link necklace and matching bracelet, another similar necklace and various others £100-150 (+Fees*)

Lot 5

20.

Bijoux Cascio, a modernist necklace and matching bracelet, an Otazu charm bracelet, an enamelled heart locket necklace and matching bracelet and a silver marcasite set eagle brooch £40-60 (+Fees*)

Lot 4 (part)

Lot 4 (part)

21.

A pair of Art Nouveau enamelled earrings, of stylised ginkgo leaf form, enamelled in blue and white with pierced centre suspending a cultured pearl beneath an opal cabochon, silver gilt mounted, stamped 925 £60-80 (+Fees*) 22.

A group of Scandinavian and similar brooches, to include a blue enamelled example marked OSV A/S Norway, an English floral wreath with maker’s mark ARD & S and a blue enamelled leaf example in the manner of David Andersen £200-300 (+Fees*)

Lot 7

23.

Lea Stein, a cat mask brooch, marked Lea Stein, Paris to pin fitting, 6cm wide £40-60 (+Fees*) Lot 6

16.

A rhodochrosite set brooch, stamped AH and similar earrings £40-60 (+Fees*) 17.

A pair of diamond set starburst earrings, each stamped 9K £50-70 (+Fees*)

Lot 8

18.

Georg Jensen, a ‘Heart by Heart’ silver pendant necklace, the hollow cylindrical pendant with pierced heart decoration suspended on a silver chain, and a 9ct white gold bar link necklace set three diamonds £150-200 (+Fees*)

24.

Roanoid for Roxon, a Dunlop bakelite tennis ball ashtray, black with green marbling, circa 1930, 8.5cm high Note: designed in the 1930s as a promotional item for Dunlop’s sporting division £80-120 (+Fees*) 25.

Elizabeth Bronte, an Art Nouveau horn necklace, the triangular pendant carved with a fuchsia flower suspended on a cord neck chain, signed, another Art Nouveau necklace and a pair of enamelled ear clips in the manner of Bernard Instone £300-500 (+Fees*) 26.

Hermes, a ‘SilkyCity’ handbag, the silk scarf body in the orange ‘Jeu des Omnibus’ pattern with tan leather strap and protectors, in original box and carry bag £300-500 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 28

Lot 27

Lot 12 (part)

Lot 18

Lot 17 Lot 12 (part)

Lot 21 Lot 3

Lot 1 (part) Lot 11

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Further images & information at www.chorleys.com

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Lot 23

Lot 25 (part)

Lot 25 (part) Lot 25 (part)

Lot 9

27.

Manner of Wendy Ramshaw, a modern dress ring, set a circular moonstone cabochon to a curved setting, with line set diamonds, unmarked yellow and white metal mount, size R, gross weight approximately 10gm £200-300 (+Fees*)

28.

David Andersen, a Norwegian silver and enamel bracelet of alternating square and rectangular links, the square links centred by a blue rosette £80-120 (+Fees*)

29.

Georg Jensen, an enamel and silver daisy brooch, 31mm diameter and the matching ear clips £150-200 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 4)

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Silver & Metalware

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43.

A silver gilt communion bread box, Henwood Decorative Metal Studios, London 1994, square with applied cross to centre of cover, 11cm wide and a silver paten, V. Ltd, London 1959, with pierced crosses to the handles, 25cm wide, gross weight approximately 670gm £200-300 (+Fees*)

Silver & Plate 38.

Liberty & Co, a pair of silver plated candlesticks, of square tapered form applied green glass bosses to each side, stamped Liberty & Co., numbered 6876, 18cm high £300-400 (+Fees*) 39.

Omar Ramsden, a silver dish, London 1938 with application of a lily to the hammered bowl on a footed base, 13cm wide £600-800 (+Fees*)

Metalware 50.

John Pearson, a copper embossed wall sconce, decorated with birds and foliage, marked JP and dated 1897, 33cm high £350-450 (+Fees*)

Lot 38 40.

Liberty & Co, a Cymric silver and enamelled button, a set of six silver Art Nouveau buttons, another set of four and five various others £100-150 (+Fees*) Lot 39

51.

A pair of Newlyn style Arts & Crafts copper embossed candle chambersticks, of square form decorated fish swimming, 27cm long x 14.5cm wide £80-120 (+Fees*)

41.

A silver mug, Central School of Arts & Crafts, London 1940, with planished surface, approximately 360gm £150-200 (+Fees*) 42.

An Arts & Crafts silver caddy spoon, Enid Kelsey, London 1935, with planished surface, pointed tip and decorative handle, 7cm long £60-80 (+Fees*)

Lot 41

Lot 50

Lot 51

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 52 52.

A Newlyn style Arts & Crafts copper ink stand, embossed fish swimming, fitted ceramic liner, the lid with twisted strip finial, 20cm diameter £80-120 (+Fees*)

59.

A Robert Welch three-branch candelabra of stylised form, with turned wooden feet and a smaller example similar, circa 1950 £40-60 (+Fees*)

53.

A Newlyn Arts & Crafts copper rosebowl, the bowl with embossed decoration of stylised apples, the pedestal base stamped Newlyn, 22.5cm diameter £60-80 (+Fees*)

60.

A collection of Robert Welch Victor cast ware culinary and other items £50-70 (+Fees*)

54.

Franz Hagenauer (Austrian 1906-1986), a stylised brass figure of a tennis player on circular base, the underside stamped Franz, Hagenauer, 36cm high £300-400 (+Fees*)

61.

A Robert Welch Old Hall tea set £70-90 (+Fees*) 62.

A quantity of Robert Welch Old Hall stainless steel wares, to include trays, tea sets, goblets, etc £250-350 (+Fees*)

Lot 54

55.

A Newlyn style Arts & Crafts copper two-handled tankard, embossed with fish and stylised foliage, 19.5cm high £80-120 (+Fees*) 56.

A quantity of Robert Welch Old Hall stainless steel wares, to include tea services, condiment sets, trays, pepperettes, etc. £250-350 (+Fees*) 57.

A quantity of Robert Welch Old Hall stainless steel wares, to include tea services, condiment sets, trays, pepperettes, etc. £250-350 (+Fees*) 58.

A quantity of Robert Welch Old Hall stainless steel wares, to include tea services, condiment sets, trays, pepperettes, etc. £250-350 (+Fees*)

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Lot 55

Further images & information at www.chorleys.com

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Sculpture

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Sculpture 70.

An Art Deco style spelter, marble and onyx figure group of a female and two birds, 57cm wide and the matching bookends, 17cm high £80-100 (+Fees*) 71.

Peter Chatwin and Pamela Martin, a stylised boat-shaped bowl with sectional wood type specimens and sycamore veneer, 21cm high £300-500 (+Fees*) 72.

A Shona stone carving of a rhinoceros, 25cm high, 44cm long £200-300 (+Fees*) 73.

John Carlyan (British 1917-1982) FROG initialled JC serpentine and stone sculpture, 12.5cm high x 23cm wide £200-300 (+Fees*)

Lot 71

74.

An Art Deco bronzed model of an owl on a square slate base and an interlocking figural group of a pair of piglets £100-150 (+Fees*) 75.

David Linley (British, born 1961), a fruit bowl with walnut with sycamore stringing, inspired by a Regency cheeseboard, in original box, 26cm wide £250-350 (+Fees*)

Lot 72

Lot 74

Lot 73

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Further images & information at www.chorleys.com

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Lot 77

76.

A carved wooden human open hand, 37cm wide £50-70 (+Fees*) 77.

Sally Arnup (British 1920-2015) GREYHOUND limited edition IV/X bronze, 20cm high on white marble plinth £1200-1800 (+Fees*) 78.

Sally Arnup (British 1920-2015) GREYHOUND limited edition III/X bronze, 13.5cm high on white marble plinth £800-1200 (+Fees*) 79.

Sally Arnup (British 1920-2015) GREYHOUND PLAYING limited edition VIII/X bronze, 11cm high £200-300 (+Fees*)

Lot 78

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 80

Lot 81

80.

20th Century Spanish School BULL bronze, 60cm wide on a wood plinth, label beneath reads ‘Proyecto Taurus, Costo Sangre, Sodor Y Lagrimas, 28/Enero/1987’ £300-500 (+Fees*)

83.

20th Century School ABSTRACT SCULPTURE etched signature CES 76 oxidised metal, 41cm high £40-60 (+Fees*) 84.

John Maltby (British, born 1936) THE SLOOP ALBERT OFF THE ISLAND signed verso painted wood automaton, 31cm high x 25cm wide £150-200 (+Fees*)

81.

Morris Singer Foundry BUCEPHALUS dated 1983, numbered 1/850 bronze, 50cm high £400-600 (+Fees*)

85.

A resin figure of a standing boy wearing pith helmet and holding a basket, 38cm high £200-300 (+Fees*)

82.

Ferelyth Wills (British 1916-2005) NESTING BIRD carved in laburnum wood, signed to underside, 13cm high Provenance: Ombersley Gallery, with copy of original receipt and letters direct from the artist regarding care £30-50 (+Fees*)

Lot 83

Lot 82 16

Lot 84

Further images & information at www.chorleys.com

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Glass & Studio Ceramics

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99.

Pauline Solven (British, born 1943), an art glass bowl, signed and dated 2002, 18cm wide £60-80 (+Fees*)

Glass 90.

Erkkitapio Siiroinen for Riihimaki, a red glass Pablo vase, Finnish, circa 1970, pattern no 1388, 20cm high, another with banded waist and a white flashed bowl £60-80 (+Fees*)

100.

Lalique, a Roscoff clear glass bowl, border of fish emerging from bubbles, 35.5cm diameter £300-500 (+Fees*)

91.

A set of eleven Babycham glasses £20-30 (+Fees*)

101.

Orrefors, a decanter and stopper engraved harvest mice and signed Fedden ‘74 and a similar goblet £60-80 (+Fees*)

92.

A large multi-coloured Nailsea-type glass bauble, 30cm high £20-30 (+Fees*) 93.

Pukeberg Sweden, a white glass lamp, 29.5cm high, a Pukeberg white glass goblet, 13cm high and two pieces of coloured glass £40-60 (+Fees*)

102.

Kastrup, an opaque white glass vase with wood stopper, 38cm high £30-50 (+Fees*)

Lot 92

103.

Cowdy Glass, a footed glass dish with coloured geometric shapes to a clear ground, signed to base, 32cm diameter £40-60 (+Fees*)

94.

Lalique, a Poisson opalescent blue glass bowl, etched R Lalique, France to the base, 23.5cm diameter and a Hesperides yellow amber beaker moulded leaves, etched R Lalique to base, 12.5cm high £300-500 (+Fees*) 95.

A stylised and frosted glass scent bottle, signed M Enoch, CS, 1987 and another clear and frosted scent bottle signed Mough, the tallest 12cm high £60-80 (+Fees*) 96.

A studio glass vase in the style of Whitefriars, with red interior, 18.5cm high £50-70 (+Fees*)

Lot 94 (part) 18

Lot 98 97.

A studio glass vase in the Murano style, with red mottled interior and an ashtray £40-60 (+Fees*)

104.

Fleur Tookey (Contemporary), a shallow opaque glass bowl trailed in white and cerise, 32.5cm diameter, a jug in swirling opaque white glass, an iridescent glass sleeve vase with trailing decoration by George Elliot, 18.5cm high, an opaque green baluster vase with white relief trailing, 24cm high and a small glass bowl on bubbled orange foot £60-80 (+Fees*)

98.

Pino Signoretto, a glass sculpture of a hippopotamus, inscribed signature to body, 16cm high £500-700 (+Fees*)

Lot 100

Further images & information at www.chorleys.com

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117.

Malcolm Sutcliffe (British, 20th Century), a clear glass bowl with blue jagged-edged rim and graduating colour, signed to base, 21cm diameter £70-90 (+Fees*)

Studio Ceramics 110.

Peter Hayes (British, born 1946), a large raku bow vase with cream textured finish, impressed mark and paper label inscribed No.3, 39cm high £300-500 (+Fees*)

118.

Sasha Wardell (British, born 1956), a porcelain bowl decorated pineapples to a blue ground, raised on a circular foot, 15.5cm high, incised initials to base and a porcelain jug decorated with rectangles, initialled and dated ‘85, 26cm high Provenance: Purchased directly from the artist and Beaux Arts, Bath, with copies of letter from the artist and receipt from gallery £80-120 (+Fees*)

111.

Don Jones (Contemporary), a large porcelain bowl painted cobalt blue with pink, gold and white stripes, 46cm diameter, 29cm high £300-500 (+Fees*) 112.

Nigel Edmondson (British, Contemporary), a pottery wall plaque decorated a sunset over hills, with pocket below, impressed monogram and date ‘02, 40.5cm x 15cm £30-40 (+Fees*)

Lot 110

113.

Troika, a pottery vase of tapered rectangular form, signed to base, 17cm high, a Troika lamp base and four pottery Mason’s jugs £100-150 (+Fees*) 114.

Richard Wilson, a raku fired vase with lug handles, 23cm high, a Leach pottery dish and two others £40-60 (+Fees*) 115.

A Clarice Cliff Bizarre cup and saucer, flower handled Marguerite design and another Bizarre cup and saucer £40-60 (+Fees*) 116.

Richard Joyce for Royal Lancastrian Pottery, a squat bulbous vase decorated stylised flowers in green and yellow ochre glazes, 12cm high £80-100 (+Fees*)

Lot 111

119.

Bridget Drakeford (British, born 1946), a celadon glazed vase with red drip body, of baluster form with tall neck and flared rim, 28.5cm high, signed and impressed to seal mark to base and a yellow teapot and mug by the same hand £100-150 (+Fees*)

120.

Stephen Jones (British, 20th Century), three porcelain boxes and covers of asymmetric form, each with a crystalline glazed cover, two signed and dated 1983, largest 10.5cm high and a triangular dish in a pale green matt glaze with a crystalline dished centre, signed to base, 26cm wide £80-120 (+Fees*)

Lot 116

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 121 121.

Gilly Whittington (British, 20th Century), a large stoneware asymmetric jug with a volcanic blue and cream glaze, 49cm high Provenance: Worcestershire Guild of Craftsmen, 2007 £60-80 (+Fees*)

Lot 123

Lot 125

127.

Mary Rich (British, born 1940), a porcelain teapot with cane handle, in blue with mauve and geometric gilt bands impressed mark to base and three other pieces by the same hand £80-120 (+Fees*)

128.

Peter Wills (British, born 1955), a porcelain bowl with flared rim and raised a circular foot, in a white and green glaze with manganese drip rim, incised signature to base, 27.5cm diameter £500-800 (+Fees*)

122.

Winchcombe Pottery, eleven items of tableware comprising four plates, 23.5cm diameter, three plates 19cm diameter, a bowl, 17.5cm diameter and three jugs £20-30 (+Fees*) 123.

Laurence McGowan (British, born 1942), a stoneware vase, painted a tiger lily and script ‘Consider the Lilies of the Field’, signed to base, 28cm high £100-150 (+Fees*)

Lot 124

124.

Neil Ions (British, born 1949), a figural earthenware ocarina ‘Bending over Backwards’, 33cm high and a fish ocarina by the same hand £150-200 (+Fees*)

Lot 128

125.

Louise Darby (British, 20th Century), a stoneware jug incised dolphins within a matt blue glazed ground, 22.5cm high Provenance: The Gallery Upstairs, Torquil, Henley-in-Arden, with copy of original receipt, original labels present on jug £40-60 (+Fees*) 126.

Mary Rich (British, born 1940), three porcelain bottles each with gilt light geometric detailing, impressed mark to each, largest 10.5cm high £80-120 (+Fees*) Lot 126 20

Further images & information at www.chorleys.com

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Lot 131 Lot 130

Lot 134

Lot 136

129.

Walter Keeler (British, born 1942), a Whieldon style glazed mug in yellow green applied roundels, 9cm high £50-70 (+Fees*)

133.

Chris Keenan (British, born 1960), two porcelain glazed white mugs with indented motifs £60-80 (+Fees*)

130.

David Leach (British 1911-2005), a stoneware bottle vase with dot and brush detailing to body, impressed mark to base, 9.5cm high £80-100 (+Fees*)

134.

David White, a crystalline glaze vase, 13.5cm high, another vase and a small ceramic piece by Antonia Salmon £80-100 (+Fees*)

131.

Phyllis Dupuy (Canadian, 20th Century), two porcelain flared bowls, one in blue with lattice decoration, the other in cream, both signed to base, each 12.5cm diameter £60-80 (+Fees*) 132.

A group of studio ceramics to include a Sarah Durston porcelain jug, an Usha Khosla porcelain vessel, a Doherty jug and three others £60-80 (+Fees*)

135.

Sasha Wardell (British, born 1956), a porcelain vessel decorated geometric wave pattern in pastel shades, 16cm long, with stand £100-150 (+Fees*) 136.

Waistel Cooper (Scottish 1921-2003), two pottery lamps of squat ribbed form with flaring rims, signed to base, 14cm high £60-80 (+Fees*) 137.

Waistel Cooper (Scottish 1921-2003), a stoneware cylindrical lamp with waisted neck, white and manganese brown ribbing to the sides, 33cm high £80-120 (+Fees*)

Lot 137

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 4)

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141.

A group of four studio pots comprising a large waisted vase, incised 7 beneath, 36.5cm high, an onion shaped vase, possibly Alan Brough, 26cm high, a cider jar with snake handle, impressed mark M, 27.5cm high and a cylinder vase £50-70 (+Fees*)

Lot 139 138.

Waistel Cooper (Scottish 1921-2003), a pottery vase of squat form with flaring rim in shades of cream and brown, signed to base, 15cm high £60-80 (+Fees*) 139.

Tanya Lombrozo, a pottery model of Noah’s Ark, modelled as Noah surrounded by stylised animals in a small ark, signed to a small fish on the side, 22.5cm x 25cm £60-80 (+Fees*) 140.

Louis Mulcahy (Irish, 20th Century), a large blue glaze baluster vase with yellow brushstroke decoration, 45cm high £70-100 (+Fees*)

Lot 140

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142.

A studio pottery teapot with wicker handle and trellis decoration to the sides, impressed mark JB, 24.5cm high, an Irish pot with flowerhead decoration to a blue ground, incised Kerry and monogrammed, 18cm high and a blue/brown glaze baluster vase by Great Barrington Pottery, 16.5cm high £40-60 (+Fees*) 143.

Four pieces of studio pottery comprising a large cylinder vase with stylised flowerhead decoration to a black ground, 28cm high, a small vase with flared rim, 16cm high, a mug, mark indistinct, 13cm high and a figure of a monk, impressed marks, 17cm high £30-50 (+Fees*) 144.

A small group of British and Irish studio pottery, including a globular vase by John Calver, 8.5cm high, a bowl impressed CC, Eire, 12cm diameter, two Innisfree pottery pen trays, 23cm x 9.5cm etc. £40-60 (+Fees*) 145.

Moorcroft, an Anemone pattern vase, of baluster form, tubeline decoration, signed and impressed marks to base, 19.5cm high £150-200 (+Fees*)

Lot 146 146.

Moorcroft, an Anna Lily pattern twin-handled vase, with tubeline decoration, designed by Nicola Slaney, 25cm high £100-150 (+Fees*) 147.

Moorcroft, a Clematis pattern vase, tubeline decorated to a blue ground, impressed marks and signed to base, 18cm high £100-150 (+Fees*)

Lot 141

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Lot 151 148.

Moorcroft, a Buttercup pattern baluster vase, tubeline decoration, 19cm high and a jug in the same pattern, 14cm high £120-150 (+Fees*) 149.

Moorcroft, a Honeysuckle pattern mantel clock, 16cm high, a baluster vase decorated flowers, 19cm high excluding fitting and a squat vase decorated red flowers to a cream ground, 9.5cm high £120-150 (+Fees*) 150.

Clarice Cliff, a Crocus pattern sugar bowl and cover, a matching cream jug and a saucer £80-100 (+Fees*) 151.

Eric Ravilious for Wedgwood, a Golden Jubilee celebration mug 1952-2002, a 1937 Coronation mug for King Edward VIII and a 1937 Coronation mug for King George and Queen Elizabeth, both designed and modelled by Dame Laura Knight £60-80 (+Fees*) 152.

A Minton ceramic tile decorated in the Aesthetic manner with a portrait of a woman to the centre, 15cm x 15cm and four others £100-150 (+Fees*)

Lot 148 155.

Robert Picault (French, born 1919), a rectangular tin glazed dish with brush decoration in blue and green to a white ground, 28cm wide and a similar circular example Note: Picault was a friend and neighbour of Pablo Picasso, and his designs are reminiscent of some of Picasso’s. £100-150 (+Fees*)

156.

Robert Picault (French, born 1919), a set of four tin glazed circular dishes, 19cm diameter, with brush decoration, four plates with a geometric pattern, a handled pot/dish and two further plates £80-120 (+Fees*)

153.

Anna Silverton (British Contemporary), a stylised shaped globular porcelain vase in a matt white glaze, 29cm high £60-80 (+Fees*) 154.

William ‘Bill’ Marshall (British 1923-2007), a St Ives pottery stoneware teapot and cover, cream cut through glaze dotted in green, impressed marks, 17cm high £50-80 (+Fees*) Lot 155

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Lot 157

157.

Dame Lucie Rie (Austrian/British 1902-1995), a stoneware footed bowl with an emerald green glaze and bronzed manganese drip rim, circa 1980, impressed with artist’s seal, 16.5cm diameter Provenance: Peter Dingley Gallery, Stratford-upon-Avon Exhibition: Pots by Joanna Constantinidis, Lucie Rie and John Ward. Gallery label and exhibition number ‘62’ present on the bowl and copy of the receipt and exhibition catalogue from April 1988 accompanying the bowl £20000-30000 (+Fees*)

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158.

Dame Lucie Rie (Austrian/British 1902-1995), a porcelain vase of tall cylindrical form with flared rim, in a manganese and blue glaze, scraffito detailing, impressed mark within radiating scraffito, 28cm high Provenance: Chestnut Gallery, Bourton-on-the-Water, 1990, Exhibition number 58, with copy of the original receipt £7000-9000 (+Fees*)

Lot 158

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Lot 160 Lot 159

Lot 161

Lot 163

159.

Mary Rogers (British, born 1929), a cream porcelain footed bowl of naturalistic form with oxidised interior, incised mark to base, 11cm wide £200-300 (+Fees*)

163.

Janet Leach (American 1918-1997), a pair of ovoid bottle vases, each with cut detail to side and oxidised unglazed body, impressed marks, 11.5cm high £100-150 (+Fees*)

160.

Mary Rogers (British, born 1929), a cream porcelain footed bowl of circular form with flared rim, incised mark to base, 12cm diameter £300-500 (+Fees*)

164.

Janet Leach (American 1918-1997), a set of four circular footed dishes, cream glaze to bowl interiors and oxidised unglazed exteriors, impressed marks, approximately 7.5cm diameter £80-120 (+Fees*)

161.

Mary Rogers (British, born 1929), a cream porcelain footed bowl of naturalistic form with oxidised rim, incised mark to base 5.5cm wide £100-150 (+Fees*)

Lot 164

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165.

Andrew McGarva (British, born 1956), three stoneware mugs each with brush decoration, two with an owl and one with a pig, 10cm high £60-80 (+Fees*)

Lot 162 162.

John Ward (British, born 1938), a stoneware vessel decorated concentric circles in green to a white ground, impressed mark to base, 14.5cm high £600-800 (+Fees*)

166.

Janet Leach (American 1918-1997), a porcelain jar and cover, cream glaze with trailed decoration, impressed mark to base, 9.5cm high £60-80 (+Fees*)

Lot 165 (part)

Further images & information at www.chorleys.com

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Lot 168

Lot 169

Lot 167

Lot 170

167.

John Maltby (British, born 1936), a square pottery basket with pierced handles, decorated stylised motifs in cream and tenmoku, impressed mark, fitted a bentwood cane carrying handle, 15cm wide £150-200 (+Fees*) 168.

John Maltby (British, born 1936) for Stonehill Pottery, a circular stoneware bowl with wax resist trailing and tenmoku to interior, Stonehill Pottery impressed mark, 14cm diameter £150-200 (+Fees*) 169.

John Maltby (British, born 1936), an octagonal bowl with canted body on a circular foot, with wax resist trailing and tenmoku to interior, 9cm high £200-300 (+Fees*) 170.

Anne James (British, born 1937), a porcelain footed bowl with shaped and pierced rim in a matt black glaze, signed and dated ’74 to base, and a similar box and cover £60-80 (+Fees*)

Lot 172

171.

David Leach (British 1911-2005), a circular porcelain dish and cover, cream glaze with brush decoration to cover, impressed mark, 11.5cm diameter and a porcelain footed bowl, brown stripes and blue flecks on celadon ground, impressed seal mark and Peter Dingley paper label, 12.25cm diameter £100-150 (+Fees*) 172.

Alan Caiger-Smith (British, born 1930) for Aldermaston Pottery, a circular dish decorated stylised spandrels in a lustre glaze, ribbing to underside, brush signature to base, 21cm diameter £200-300 (+Fees*) 173.

Alan Caiger-Smith (British, born 1930), a lustre ware goblet, burnt orange brush decoration, brush signature to base, 16cm high £40-60 (+Fees*)

174.

Alan Caiger-Smith (British, born 1930), a tankard with brown brush detailing to a cream ground, 14.5cm high and a similar jar and cover, both with brush signature to base £60-80 (+Fees*) 175.

Alan Caiger-Smith (British, born 1930), an earthenware bowl decorated green and orange brushwork to a cream ground, brush signature to base, 22cm diameter £80-120 (+Fees*) 176.

Aldermaston, an earthenware bowl with brown brush detailing to a cream ground, brush signature to base, 21cm diameter £70-90 (+Fees*) 177.

Michael Cardew (British 1901-1983) for Wenford Bridge pottery, a stoneware chalice in pale grey glaze with blue and iron decoration, impressed marks, 16cm high £150-200 (+Fees*)

Lot 175

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Lot 178

Lot 179

180.

Seth Cardew (British 1934-2016), a stoneware jug and cover painted blue and brown brush detailing to a cream ground, impressed marks, 23cm high £200-300 (+Fees*) 181.

Nick Membery (British, born 1968), a stoneware oval dish and cover, speckled white glaze with lug handles, impressed marks, 28cm wide £40-60 (+Fees*)

Lot 177

178.

Michael Cardew (British 1901-1983), a stoneware bowl raised on a circular foot, blue and brown brush detailing to a cream ground, impressed marks to base, 26cm diameter £500-700 (+Fees*)

182.

Anne James (British, born 1937), a studio pottery bowl, 8cm wide and a glass scent bottle and stopper signed James Clarke and dated 1981, 11.5cm high £40-60 (+Fees*)

183.

Mary White (Welsh 1926-2013), a porcelain footed bowl with wide flared rim and organic central well, impressed mark to base, 15.5cm diameter, a similar bowl with mottled grey glaze, 18cm diameter and a green glazed bowl of naturalistic form, the multi-layer rims with oxide tips, 13.5cm wide £80-120 (+Fees*) 184.

M Tudor-Jones for Campden Pottery, a green glazed bowl and similar jug, impressed and incised marks to base, the bowl 19cm diameter, the jug 23cm high £40-60 (+Fees*)

179.

Michael Cardew (British 1901-1983), a stoneware casserole and cover with twin handles and thumb impressed band, blue and brown brush detailing to a cream ground, impressed marks to base, 18cm high £600-800 (+Fees*)

Lot 180

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Lot 187 185.

Chessell Pottery, a porcelain naturalistic vessel with wavy flared rim, stamped mark to base, 11cm diameter and a Tina Forrester mottled cream porcelain vase, of naturalistic trumpet shape with double wavy flared rims with oxide tips, painted signature to base, 11.5cm high £30-40 (+Fees*) 186.

Morgen Hall (Welsh 1960-2016), an earthenware sugar bowl, spoon and cover, glazed polka dot and striped decoration, impressed mark to base, 15cm high £40-60 (+Fees*) 187.

Sheila Fournier (British 1930-2001), a porcelain bowl in cream matt glaze, the interior with brown line designs and pierced motif to rim, 19.5cm diameter and two similar cylindrical vases each on tapering foot, 9cm high and 7cm high £50-70 (+Fees*) 188.

Attributed to Marianne De Trey (British 1913-2016), a cream studio vase of flared petal form, cream matt glaze with brown wash, 16cm high £40-60 (+Fees*) 189.

A pottery circular ribbed vessel with tapering neck, green and cream wash, 14cm high and a pottery jug with glazed trellis pattern, 13cm high £50-70 (+Fees*) 190.

Christine Ann Richards (British 20th/21st Century), a circular porcelain box and cover of celadon glaze, impressed mark to base, 8cm diameter and a circular lidded pot, matt cream glaze with swirling violet brush lines, 6cm high £40-60 (+Fees*)

Lot 195 191.

Merrilyn Stock (20th Century), a pottery bowl with floral painted interior, signed and dated 1988, 17cm diameter, a Portuguese bowl painted fish and a pottery jar and cover £20-30 (+Fees*) 192.

Clive Blackmore, Rinsey Pottery, a small stoneware vase with trumpet neck, 8.25cm high and other studio ceramics various £50-70 (+Fees*)

196.

A baluster stoneware vase of grey ribbed glaze with green Oriental style decoration, 32.5cm high £40-60 (+Fees*) 197.

Geoffrey Eastop (British 1921-2014), a tall stoneware ribbed vase, painted monogram to base, 32cm high £80-120 (+Fees*)

193.

Winchcombe Pottery, a lamp base with patterned lustre glaze, 20cm high £70-100 (+Fees*) 194.

A pottery charger with part folded rim, scored decoration to the matt glaze and enamelled pony and trap, 35cm diameter £40-60 (+Fees*) 195.

Marianne De Trey (British 1913-2016), a conical porcelain bowl on tapering foot, the interior with white flower and circular motif to a blue and green ground, impressed mark to foot, 23cm diameter £80-120 (+Fees*)

Lot 197

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Lot 202

Lot 199 198.

David James White (British 1934-2011), a porcelain footed bowl in grey crackle glaze with irregular rim, 17.25cm diameter and a John Webber conical porcelain vase of cream matt glaze with geometric design, bearing Peter Dingley paper label, 10.5cm high £60-80 (+Fees*) 199.

Michael Cardew (British 1901-1983) for Wenford Bridge Pottery, a double jam pot with lids, celadon glaze, blue and rust scrolling designs, impressed marks, 21cm wide, accompanied by two pieces of Cardew’s headed paper bearing hand written verses from Shakespeare’s poem The Phoenix and the Turtle Provenance: a gift from Cardew to the vendor’s mother £400-600 (+Fees*) 200.

Seth Cardew (British 1934-2016), a green glazed footed pottery bowl with twin pierced handles, impressed mark, 20cm diameter £40-60 (+Fees*)

Lot 203 201.

Ara Cardew (British, born 1962) for Wenford Bridge, a pair of coffee mugs, blue and brown vertical designs, 9.5cm high and a Wenford Bridge Pottery lidded baluster jug and cover, circular blue design to each side, impressed mark, 11cm high £60-80 (+Fees*)

202.

Deirdre Burnett (British, born 1939), a double-rimmed porcelain circular bowl, cream glaze interior painted copper shades to the exterior, impressed mark, 19cm diameter £40-60 (+Fees*) 203.

A saltglaze brown ribbed circular teapot and cover, cane handle, painted signature, 18cm wide £60-80 (+Fees*) 204.

Linda Roberts, a circular stoneware footed bowl with black oxide and red brush decoration, 19cm diameter £200-300 (+Fees*) 205.

John Maltby (British, born 1936), a circular footed bowl of straight sides with red and black stylised decoration on a cream ground, impressed mark, 10.5cm high £150-200 (+Fees*)

Lot 204 30

Lot 205

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Lot 207

Lot 208

Lot 206

Lot 211

Lot 209 206.

Graeme James (Australian, born 1942), a tall stylised vase with ‘flying saucer’ top above a narrow waist to a slightly waisted cylindrical plinth, sponged white decoration on a black ground, impressed mark, 39cm high £100-150 (+Fees*) 207.

Barbara Cass (German/British 1921-1992), an Arden Pottery globular vase, red and cream drip glaze, incised mark, 29cm high £300-500 (+Fees*)

208.

Graeme James (Australian, born 1942), a baluster jug with wax resist white glaze decoration on a terracotta ground, incised mark, 20cm high £80-120 (+Fees*) 209.

Keith Smith (British, contemporary), a large stoneware jug with flared rim, speckled green glaze, impressed mark, 20cm high £150-200 (+Fees*) 210.

Sandy Brown (British, born 1946), three pieces of stoneware comprising an octagonal plate, 25cm diameter, a circular bowl and a mug, all with multi-coloured decoration £200-300 (+Fees*)

211.

David Frith (British, born 1943), a shallow stoneware square dish with slip and oxide decoration on four feet, impressed marks, 26cm high £150-200 (+Fees*) 212.

A circular ceramic bowl decorated with geometric patterns, 21cm diameter, two Australian carved vases and a resin figure of a tribal woman, 43cm high £30-40 (+Fees*)

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Pictures

Lot 314 detail

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Oil Paintings

Lot 225 225.

Gordon Ward RWA (British, born 1932) OX-EYE DAISIES IN A GLASS VASE signed and dated lower right G. Ward ’87 oil on canvas, 50cm x 60cm Note: Gordon Ward taught at the Cheltenham College of Art and is a Royal West of England Academician Puchased from Upton Lodge Galleries 1990 £300-500 (+Fees*) 226.

Stephen Hubbard (British, born 1954) WHITE JUG monogram lower right inscribed and dated verso June 86 oil on canvas board, 28.5cm x 22cm Purchased from Nina Zborowska Fine Paintings 1990 £100-150 (+Fees*)

Lot 226

229.

William Josiah Redworth (British 1873-1947) ANEMONES oil on canvas, 30cm x 25.5cm Purchased from Nina Zborowska Fine Paintings 1991, previously from the artist’s studio in St Ives £400-600 (+Fees*) 230.

Kit Williams (British, born 1946) HARD BOILED EGGS initialled and dated ’98 lower right oil on board, 17cm x 20.5cm bears address label verso for Kit & Eleyne Williams in original blue painted frame Provenance: purchased directly from the artist £300-400 (+Fees*)

Lot 229

227.

Tony Barrs (British, 20th Century) SILVER GOBLET, APPLES AND CHERRIES signed lower left, inscribed verso oil on canvas, 25cm x 40cm Purchased from Edwin Pollard Gallery, Wimbledon 1988 £100-150 (+Fees*) 228.

Tony Barrs (British, 20th Century) STILL LIFE WITH APPLES oil on canvas board, 12.5cm x 20cm Purchased from Edwin Pollard Gallery, Wimbledon 1987 £60-80 (+Fees*)

Lot 230 Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 4)

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231.

Brian Ballard (British, born 1943) WHITE JUG still life of irises on a table in shades of blue and violet signed and dated lower left BALLARD ‘91, inscribed title to back of canvas oil on canvas, 50cm x 40cm Note: Purchased from Beaux Arts, Bath 1991 £1500-2000 (+Fees*) 232.

Stephen Brown (British, born 1947) SEASCAPE with children playing on the sand initialled SB lower left oil on canvas, 24.5cm x 24.5cm Provenance: purchased from Blake Gallery, Crewkerne 1988 £200-300 (+Fees*) 233.

Jean Laurent (French, born 1920) THE ARTIST’S CHILDREN beside the sea signed lower left oil on canvas, 37cm x 50cm Purchased from Nina Zborowska Fine Paintings, 1993 £300-500 (+Fees*) 234.

Marie-Jose Planson (French, 20th Century) IRIS female nude study signed lower left oil on canvas, 53cm x 64cm Purchased in Megeve, France 1998, with certificate of authentication £100-150 (+Fees*) 235.

Robert Bruce Hobhouse (British, 20th Century) SWANS AT GREINTON signed oil on canvas, 78cm x 91cm £40-60 (+Fees*)

Lot 232 34

Lot 231

Lot 233

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Lot 236 236.

Richard Scott (South African, born 1968) NAUGHTY ART TEACHER inscribed impasto and acrylic on canvas, 100cm x 200cm Provenance: Beyond the Sea gallery, Padstow £1000-1500 (+Fees*) 237.

Arthur Bell (British 1897-1995) VIEW OF WINCHCOMBE AND SUDLEY CASTLE FROM BROCKHAMPTON signed and dated 1952 lower right oil on board, 39cm x 49cm £300-500 (+Fees*)

239.

Donald H Floyd (British 1892-1965) CRICKHOWELL BRIDGE IN WINTER signed oil on canvas, 96.5cm x 122cm £800-1200 (+Fees*)

241.

Norman Wilkinson (British 1878-1971) SEASCAPE signed oil on board, 24cm x 34cm £200-300 (+Fees*)

240.

Donald H Floyd (British 1892-1965) VIEW OF THE LAKE, ST PIERRE, CHEPSTOW signed oil on canvas, 34cm x 44cm £300-500 (+Fees*)

242.

André Bicât (British 1909-1996) WINTER EVENING signed and dated ’55 oil on canvas, 35cm x 50.5cm £200-300 (+Fees*)

238.

A Banfi (Italian 20th Century) HUTS IN INDIAN FOREST signed and dated ’44 lower right oil on canvas, 33cm x 29cm Note: the vendor’s great uncle was a commanding officer in charge of a prisoner of war camp for Italians near Bangalore, India during WWII. This painting is believed to depict the camp and was a gift from the artist £150-200 (+Fees*) Lot 239

Lot 237

Lot 240

Lot 242

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Lot 243 243.

Stanley Horace Gardiner (British 1887-1952) EARLY MORNING IN APRIL, NO 2 signed oil on canvas, 65.5cm x 71.5cm Note: inscribed verso ‘Bluedoor Studio, Lamorna, Nr Penzance’ £500-700 (+Fees*) 244.

Attributed to Gerald Festus Kelly (British 1879-1972) PROVENCE oil on board, 32cm x 39.5cm £200-300 (+Fees*) 245.

Frank Owen Salisbury (British 1874-1962) ASHBOURNE, DERBYSHIRE monogrammed and dated 1931 oil on board, 37cm x 49.5cm £300-500 (+Fees*) 246.

Emmanuel Michel Benner (French 1873-1965) RECLINING NUDE signed oil on canvas, 44.5cm x 54cm £300-500 (+Fees*)

Lot 246

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Lot 244

Lot 245

247.

Joseph Morris Henderson RSA (Scottish 1863-1936) HARVEST SCENE signed oil on board, 17cm x 25cm £200-300 (+Fees*) 248.

Arthur Karl Maderson (Irish, born 1942) EBBOR GORGE, BEHIND WOOKEY HOLE initialled oil on board, 19cm x 24cm £200-300 (+Fees*) 249.

Thomas John Coates (British, born 1941) COUNTRY BRIDGE initialled lower right oil on canvas, 39cm x 49cm £50-70 (+Fees*) 250.

Elaine Jones (British Contemporary) WATERFALL signed and dated 1986 oil on canvas, 90cm x 70cm £50-70 (+Fees*)

Lot 247

Lot 251 251.

Elaine Jones (British Contemporary) HOUSE BEYOND THE DUNES signed and dated 1986 oil on canvas, 90cm x 59cm £50-70 (+Fees*)

Lot 248

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Lot 252

Lot 255

252.

Pieter Daniel Dik (Dutch, born 1943) BIRCH TREES WITH A BIRD IN FLIGHT signed oil on canvas, 80cm x 100cm £400-600 (+Fees*)

255.

A Hassani (Tanzanian, born 1947) TINGA TINGA PAINTING OF BIRDS signed enamel on board, 58cm x 58cm £100-150 (+Fees*)

253.

Dorothy Newsome (British fl 1920s/30s) THE DRUMMER, BASTA STATE DANCE oil on canvas board, 46cm x 36cm Note: Newsome trained in Birmingham and became particularly well known for her work as a poster artist for the Indian State Railways and OUP £80-120 (+Fees*)

256.

M Awazi (Tanzanian 20th Century) TINGA TINGA PAINTING OF BIRDS signed enamel on board, 57cm x 58cm £100-150 (+Fees*)

254.

Yuli Nikolaevich Yatchenko (USSR/Ukraine, born 1928) STUDY FOR SOLDIERS RUN, 1971 signed, dated and inscribed verso oil on board, 27cm x 38cm LENIN AT RAZLIVE signed, dated and inscribed verso oil on board, 35cm x 50cm Note: Artist listed in Russian and Soviet Painters 1900-1980 by Matthew Cullerne Brown. Professor at Kiev Art Institute, now the National Academy of Fine Arts & Architecture £150-200 (+Fees*)

257.

Johan Engela (South African, 20th Century) VIEW OF TABLE MOUNTAIN signed oil on card, 23.5cm x 30cm £150-200 (+Fees*) 258.

Carolyn Sergeant (British 1937-2018) POPPIES four studies inscribed verso oil on card, the largest 42cm x 30cm Provenance: purchased from the artist’s studio £200-300 (+Fees*)

Lot 257

Lot 256 259.

Carolyn Sergeant (British 1937-2018) STUDIES OF DOG-ROSE AND DAISIES oil on card, 25.5cm x 43cm and two flower studies Provenance: purchased from the artist’s studio £200-300 (+Fees*) 260.

Carolyn Sergeant (British 1937-2018) JONQUIL signed and dated verso oil on card, 30.5cm x 25.5cm and two other flower studies Provenance: purchased from the artist’s studio £200-300 (+Fees*) 261.

Alan Murphy (British 1929-2014) ABSTRACT IN COLOUR signed verso oil on board, 76cm x 60cm and four others similar £60-80 (+Fees*)

Lot 261 (part)

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262.

Alan Murphy (British 1929-2014) ABSTRACT GEOMETRIC BLOCKS IN COLOUR signed verso oil on board, 140cm x 95cm and three others similar £80-100 (+Fees*)

270.

James Frederick Darley (British 1847-1932) FROM MY STUDIO studio stamp verso oil on board, 34.5cm x 45cm £80-100 (+Fees*)

263.

Alan Murphy (British 1929-2014) ABSTRACT SEED POD signed on label verso oil on canvas, 75cm x 86cm and another by the same hand £60-80 (+Fees*)

271.

James Wright (British, born 1935) HARVEST TIME signed oil on board, 18.5cm x 23.5cm £70-90 (+Fees*) 272.

George Bissill (British 1896-1973) FARM SCENE signed oil on canvas, 40cm x 50cm £300-400 (+Fees*)

264.

Alan Murphy (British 1929-2014) UNTITLED signed verso oil on canvas, 166cm x 92cm and four others £70-90 (+Fees*) 265.

Alan Murphy (British 1929-2014) PORTRAIT OF A WOMAN signed verso oil on canvas, 49cm x 38cm and three other portraits £50-70 (+Fees*)

Lot 263 (part)

266.

David Beer (British, born 1943) DARK SKY OVER CLODGY initialled oil on board, 19.5cm x 19.5cm and two of St Ives by F Ashworth £50-70 (+Fees*)

268.

William Ruscoe (British 1904-1990) THE POOL signed and dated 67 oil on panel, 59cm x 74cm and WOODED LANDSCAPE signed and dated ’75 oil on panel, 40cm x 60cm Note: Ruscoe was an acclaimed potter and widely known for his hand rolled figures and experimental glazes £80-120 (+Fees*)

267.

Michael J Praed (British, born 1941) PORTHCURNO, TREEN CASTLE signed oil on board, 30cm x 41.5cm £200-300 (+Fees*)

269.

David Lloyd Smith (British, born 1944) VILLEFRANCHE signed and dated ’79 oil on canvas, 40cm x 49cm £60-80 (+Fees*)

Lot 272

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273.

20th Century School FEMALE STUDY OF A NUDE oil on board, 61cm x 43cm £30-50 (+Fees*) 274.

Osman P M Webb (British 1913-2003) LAKE HOUSE signed oil on board, 44cm x 59cm £80-120 (+Fees*) 275.

Tom Durkin (British 1928-1990) NORTHERN COTTAGE SCENE signed oil on canvas, 59cm x 80cm £200-300 (+Fees*)

Lot 275

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Lot 276 (part)

Lot 277

Lot 278

276.

Hubert Arthur Finney (British 1905-1991) NURSERY SCENE oil on board, 43cm x 59cm together with the original sketch in red chalk, studio stamp verso £300-500 (+Fees*)

281.

Samuel John Lamorna Birch RA, RWS (British 1869-1955) WILTSHIRE LANDSCAPE signed lower right oil on board, 19.5cm x 24cm £200-300 (+Fees*)

277.

Gerald Ososki (British 1903-1981) IN THE COTSWOLDS signed and dated ’27 lower right with gallery label verso oil on canvas, 35cm x 46cm in a 1920s carved wood frame £300-400 (+Fees*)

282.

Samuel John Lamorna Birch RA, RWS (British 1869-1955) SUNLIGHT ON ROCKY COAST signed lower right oil on canvas, 17cm x 22.5cm £100-150 (+Fees*)

278.

Doris Britton (20th Century) BACKYARDS MANNINGHAM signed lower right oil on canvas, 54.5cm x 39.5cm £100-150 (+Fees*) 279.

Attributed to Audrey Lewis-Hopkins (British 1914-2011) ABSTRACT STILL LIFE inscribed verso Lewis-Hopkins oil on board, 60cm x 50cm £100-150 (+Fees*)

Lot 281

Lot 279

280.

20th Century School GIRL WITH CAT oil on board, 50cm x 60cm £100-150 (+Fees*)

283.

Franklin White (Australian 1892-1975) HOP PICKING inscribed verso oil on canvas laid to board, 24.5cm x 31.5cm £70-90 (+Fees*)

Lot 282

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284.

20th Century School FIGURES AND CAT BY A GREEK CHURCH initialled lower right SW acrylic on board, 44cm x 34cm £40-60 (+Fees*) 285.

David Lloyd Smith (British, born 1944) KINI BAY, SYROS signed lower right and inscribed with gallery label verso oil on canvas, 39.5cm x 49.5cm £80-120 (+Fees*)

Lot 285

Lot 286

286.

David Lloyd Smith (British, born 1944) CORNISH BEACH signed and dated lower right ’01 oil on board, 29cm x 39cm in a handmade driftwood frame £60-80 (+Fees*) 287.

David Lloyd Smith (British, born 1944) THE LONDON SKETCH CLUB signed and dated lower left ’02 acrylic, 21cm x 31cm £60-80 (+Fees*)

Lot 287

Lot 290

288.

David Lloyd Smith (British, born 1944) THE PIANIST, GRAHAM signed and dated lower right ’01 gouache, 28cm x 35.5cm £60-80 (+Fees*) 289.

20th Century School MOONLIT VENETIAN SCENE acrylic, 19cm x 36cm £60-80 (+Fees*) 290.

Jeffrey Hessing (American, born 1952) BACKYARD VIEW, NICE, 1999 oil on canvas, 71cm x 59cm £300-500 (+Fees*) 291.

Edward Wolfe RA (British/South African, 1987-1982) MOTHER AND SON oil on panel, 54cm x 44cm Note: label verso states this was painted in Taxco, Mexico £1500-2000 (+Fees*)

Lot 291 40

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Lot 292 292.

Sir Charles Wheeler (British 1892-1974) SURREY LANDSCAPE initialled and dated CH 73 oil on canvas, 63cm x 75.5cm £200-300 (+Fees*) 293.

20th Century School TREES ON A HILLSIDE indistinctly signed oil on board, 39cm x 44cm £80-120 (+Fees*) 294.

J K Howard CRANE AT PLYMOUTH MILLBAY DOCKS signed oil on board, 35cm x 25cm £300-400 (+Fees*) 295.

After Frederic Lord Leighton THE BATH OF PSYCHE oil on canvas, 190cm x 67cm £2000-3000 (+Fees*)

Lot 294 296.

Charles Wyatt Warren (Welsh 1908-1993) GARN AND LLYN OGWEN signed oil on canvas, 36cm x 89.5cm £200-300 (+Fees*) 297.

Faith Sheppard (British, born 1920) STILL LIFE signed oil on board, 36cm x 38cm £100-150 (+Fees*) 298.

Arthur Ralph Middleton Todd (British 1891-1966) STILL LIFE OF SUMMER FLOWERS IN A VASE signed oil on canvas, 75cm x 62cm £600-800 (+Fees*) 299.

Beatrice M Hardy (British, 20th Century) STILL LIFE OF FLOWERS oil on board, 21cm x 20cm £80-100 (+Fees*) Lot 295

Lot 296

Lot 298

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Lot 300 300.

Clifford Eric Martin Hall (British 1904-1973) BRIXHAM, AUGUST AFTERNOON initialled oil on board, 23cm x 16cm £300-500 (+Fees*) 301.

William Charles Penn (British 1877-1968) STILL LIFE OF FLOWERS IN A JUG signed oil on canvas, 49cm x 59cm £500-700 (+Fees*) 302.

Hugh Boycott-Brown (British 1909-1990) HYDRA, AUGUST 1968 initialled oil on board, 23cm x 17cm £200-300 (+Fees*)

Lot 301

Lot 307

303.

Leslie Ernest Parkinson (20th Century) WILLOW TREES, RIVER, LONDON 1930 signed and dated verso oil on board, 30cm x 30cm £150-200 (+Fees*)

307.

George Chapman (British 1908-1994) PORTRAIT OF ERIC AYRES signed and inscribed verso oil on board, 36cm x 25cm £150-200 (+Fees*)

304.

John Harris (British, born 1923) RIVER LANDSCAPE WITH BRIDGE signed oil on canvas, 30cm x 40cm £150-200 (+Fees*)

308.

Gaetano Vitale (Italian 20th Century) PORTRAIT OF A YOUNG WOMAN head and shoulders in a white dress signed lower right oil on canvas, 70cm x 50cm £100-150 (+Fees*)

305.

James William Fry (20th Century) STILL LIFE OF FLOWERS IN A POT initialled oil on board, 51.5cm x 31cm £100-150 (+Fees*)

309.

20th Century Chinese School PORTRAIT OF A CHINESE LADY WITH A FAN oil on board, 59cm x 45cm £150-200 (+Fees*)

306.

Philip Naviasky (British 1894-1983) STILL LIFE WITH FLOWERS, FRUIT AND WINE BOTTLE signed oil on board, 42cm x 58cm £150-250 (+Fees*)

310.

Smeaton Russell (20th Century) RESTORATION signed and dated Smeaton ’57 lower left, signed, dated and inscribed verso oil on canvas, 76cm x 63cm £80-120 (+Fees*) 311.

Robert Humblot (French 1907-1962) CHURCH IN A LANDSCAPE signed and dated ’43 oil on board, 37cm x 60cm £200-300 (+Fees*) 312.

Peter Bailey (British, born 1952) DIANE half-length portrait oil on paper, 19cm x 23.5cm £200-300 (+Fees*)

Lot 309 42

Lot 313 (part)

313.

Allan Morgan (British, born 1952) COAST oil on canvas, 79cm x 79cm and five other large paintings by the same £300-500 (+Fees*)

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Lot 314

Lot 315 318.

Eric Wale (South African 1916-2001) STILL LIFE OF PROTEAS signed lower right oil on board, 39cm x 30cm Provenance: Johan Coetzee Gallery, Stellenbosch £40-60 (+Fees*)

314.

Linda Mary Weir (British, born 1951) ST IVES HARBOUR initialled oil on board, 23.5cm x 35cm £200-300 (+Fees*) 315.

Dick Lee (Rhodesian 1923-2001) PUTNEY, MARCH oil on board, 17cm x 26cm £150-200 (+Fees*)

319.

Christopher Glanville (British, born 1948) ARTIST AND STUDIO signed lower left oil on canvas, 45cm x 35cm Provenance: Alresford Gallery £100-150 (+Fees*)

316.

Clive McCartney (British, born 1960) BOULES PLAYERS, BARCELONA oil on board, 18cm x 25.5cm Provenance: Duncan Miller Fine Art £300-500 (+Fees*) 317.

Bernard Carter (British, 20th Century) GRAND WESTERN CANAL, DEVON oil on board, 19cm x 29.5cm and four other river views including The River Avon, Kennet and Coln £250-300 (+Fees*)

320.

Robert Easton Stuart (British 1887-1958) SADDLE SHOP signed oil on board, 35cm x 25cm £80-120 (+Fees*)

Drawings & Watercolours 325.

Biddy Picard (British, born 1922) STILL LIFE WITH FRUIT, JUG AND BOTTLE signed lower left pastel, 29cm x 38cm Purchased from Nina Zborowska Fine Paintings, 1992 £150-200 (+Fees*) 326.

Sue Wales (British, born 1942) BLUE CLOTH AND SHADOWS signed lower left watercolour, 33cm x 47cm Purchased directly from the artist, 1990 £150-200 (+Fees*) 327.

Sue Wales (British, born 1942) WINTER LANDSCAPE signed lower left pastel, 28.5cm x 45cm £80-120 (+Fees*) 328.

Rory Morrell (British, born 1944) NUDE STUDY initialled and dated 12.07 charcoal and pastel, 60cm x 35cm and another nude in pastel, 64cm x 44cm £40-60 (+Fees*) 329.

John Heseltine (British, born 1923) WHY MURDER? signed lower left acrylic on paper, 46cm x 43cm £50-70 (+Fees*)

Lot 316

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Lot 334 (part)

Lot 335

Lot 336

Lot 330 330.

Peter Graham ROI (Scottish, born 1959) BERMUDA DAYS signed lower left, label verso for Alexander Gallery watercolour, 34.5cm x 24.5cm £300-500 (+Fees*) 331.

Selwyn Jones (British 1928-1998) CERRIG-OGWEN charcoal and bodycolour, 50cm x 72cm £80-120 (+Fees*) 332.

Barbara Dorf (British 1933-2016) MOTHER AND CHILD charcoal, 76cm x 55.5cm £60-80 (+Fees*)

44

333.

Hendrick Grise (American 1917-1982) RECLINING NUDE watercolour, 61cm x 46.5cm £80-120 (+Fees*) 334.

Maurice Johnson (British, born 1920) TOWNSCAPE signed and dated 51 watercolour, 27cm x 35cm and BOATS ON DOCKSIDE watercolour, 28cm x 53cm £150-200 (+Fees*) 335.

Elizabeth Finn (British, born 1933) DERELICT POTTERIES, CHARLEROI signed and dated ’79 gouache on board, 34cm x 49cm Provenance: Mall Galleries label verso £100-150 (+Fees*)

336.

Roland Vivian Pitchforth RA ARWS (British 1895-1982) CLEVEDON signed Pitchforth watercolour and bodycolour, 46cm x 60cm £150-200 (+Fees*) 337.

John Linfield (British, born 1930) SISTINE CHAPEL signed pastel, 39cm x 59cm £60-80 (+Fees*) 338.

Ernest George Webb (British 1876-1951) CORONATION NIGHT, WIMBLEDON COMMON signed and titled, watercolour, 27cm x 37cm £100-150 (+Fees*)

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Lot 339

Lot 338

Lot 340 Lot 344 339.

Ernest George Webb (British 1876-1951) STREET PARTY 1945 signed watercolour, 34cm x 53cm £80-120 (+Fees*) 340.

Hans Schwarz (Austrian 1922-2003) CITY OF LONDON FROM GREENWICH PARK mixed media, 55cm x 73cm £200-300 (+Fees*) 341.

Reg Gammon (British 1894-1997) HOUSE signed lower left watercolour, 28cm x 37cm £100-150 (+Fees*)

Lot 343

342.

Trevor Sutton (British, born 1948) ELIZABETH’S DREAM signed and dated verso 1981 with gallery label for the Contemporary Art Society 1985 acrylic on plywood, 52cm x 38cm £200-300 (+Fees*)

343.

Robert Clatworthy RA (British 1928-2015) STANDING FIGURE signed with initials pastel on paper, 30cm x 21.5cm Provenance: purchased directly from the artist £200-300 (+Fees*) 344.

Heaton Butler and Bayne (British, early 20th Century) TWO ANGELS design for a mosaic dated 1916 watercolour, 17.5cm x 10.5cm and THREE SAINTS design for stained glass window arch top watercolour, 38.5cm x 23.5cm Provenance: Christie’s Note: Heaton Butler and Bayne were an English firm who designed and produced stained glass windows until the 1950s £300-500 (+Fees*)

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Lot 345 345.

Raoul Millais (British 1901-1999) PORTRAIT OF WILLIAM HOLMAN HUNT signed with monogram and inscribed by the artist ‘My grandfather’s old friend William Holman Hunt’ black chalks, 13.5cm x 11cm £150-200 (+Fees*) 346.

Timothy J Howard (20th Century) RICHARD WAGNER eight small black and white silhouettes pen and ink, various sizes £200-300 (+Fees*) 346A. Timothy J Howard (20th Century) after Stuck PORTRAIT OF RICHARD WAGNER bearing signature Franx Stuck pastel, 37cm x 27.5cm and a smaller portrait of the composer £100-150 (+Fees*)

Lot 346 (part)

Lot 347 (part)

347.

Kenneth Rowell (Australian 1920-1999) DANCERS costume designs for ballet pen, ink and colour wash (2) £300-400 (+Fees*) 348.

Leslie Hurry (British 1901-1978) COSTUME DESIGN FOR CALYPHAS, TAMURLAINE THE GREAT inscribed with title and dated 1955 watercolour and ink on paper, 35cm x 15cm £150-200 (+Fees*) 349.

Leslie Hurry (British 1901-1978) SET DESIGN FOR WAGNER, DIE WALKURE ACT 1 signed and dated ’54 watercolour, pen and ink, 30cm x 50.5cm Note: label verso states this is a preliminary design for the Royal Opera House 1954 production £200-300 (+Fees*)

Lot 348

351.

Augustus Edwin John OM RA (British 1878-1961) STUDY OF A NUBIAN LABOURER signed John pencil, 22cm x 12cm Label verso inscribed ‘from a sketch book dated 1899’ £600-800 (+Fees*) 352.

Christopher Johnson (South African/ British, born 1961) DORSET BEACH SCENE signed pastel, 64cm x 92cm £300-500 (+Fees*) 353.

Sergei Chepik (Russian 1953-2011) LA BOXE signed, dated 1953 and inscribed verso mixed media, 130cm x 90cm £3000-4000 (+Fees*)

350.

Susan Herbert (British 1945-2014) TRISTAN UND ISOLDE signed lower right watercolour, 34cm x 26cm Exhibited: Louis Wain and the Summer Cat Show 1998 Illustrated: Susan Herbert, Opera Cats, Thames & Hudson 1997 £150-200 (+Fees*)

Lot 350 46

Lot 351

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Lot 353

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Lot 359 354.

Cudley LIME PLANT signed and dated 78 watercolour, 36cm x 44.5cm and L N Priest HADDEN HALL signed and dated 1979 watercolour, 45cm x 31cm £60-80 (+Fees*)

Lot 360

Lot 362

360.

Erte (Russian/French 1892-1990) GIRL IN BLACK AND SILVER DRESS signed gouache, 24cm x 20.5cm £150-200 (+Fees*)

366.

Helen Williams (British, 20th Century) EARLY MORNING TEA gouache, 7.5cm x 7.5cm £60-80 (+Fees*) 367.

Helen Williams (British, 20th Century) IT IS A SUMMER’S DAY SUCH AS ONE DREAMS

355.

Gyula Xanthes (Hungarian 1919-1993) UJSAGARUS mixed media on paper, 20cm x 29cm £80-120 (+Fees*)

361.

Attributed to Edwin Smith (British 1912-1971) SKETCH OF TWO FIGURES signed and dated Smith ’03, inscribed verso ‘In memory of Olive’ ink drawing, 17.5cm x 11.5cm Note: Olive Cook was the wife of Edwin Smith £60-80 (+Fees*)

356.

Betty Rothenstein (British 1905-1989) MOTHER AND CHILD initialled pen and ink, 19cm x 14cm and three other drawings £50-80 (+Fees*)

362.

Paul Lucien Maze (British/French 1887-1979) RIVER LANDSCAPE signed watercolour, 45cm x 56cm £500-700 (+Fees*)

357.

Margaret Glass (British, born 1950) PASTORAL SCENE monogrammed pastel, 35cm x 54cm £100-150 (+Fees*) 358.

Alfred East (British 1849-1913) RIVER LANDSCAPE signed gouache, 24cm x 38.5cm £60-80 (+Fees*) 359.

Muli Tang GIRL WITH SHEEP AND COCKEREL signed and stamped gouache, 70cm x 48.5cm £500-700 (+Fees*)

48

ABOUT IN THE MIDST OF WINTER

signed and inscribed in pencil watercolour and bodycolour, 25cm x 24cm £150-200 (+Fees*) 368.

Helen Williams (British, 20th Century) LIKE A JEWEL IN THE MEADOW signed, inscribed and dated 1979 gouache, 22.5cm x 22.5cm £150-200 (+Fees*)

363.

Robert Tavener (British 1920-2004) COTSWOLD LANDSCAPE watercolour, 36cm x 46cm and two other Cotswold views £200-300 (+Fees*) 364.

Sir Hugh Casson (British 1910-1999) FREIGHTER, HONG KONG signed watercolour, 11.5cm x 12.5cm £100-150 (+Fees*) 365.

Brian Williams (American, born 1950) JAPANESE THATCHED HOUSES watercolour, 14.5cm x 22.5cm THE BOAT HOUSES limited edition etching 16/50 £150-200 (+Fees*)

Lot 368

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Lot 370 369.

Helen Williams (British, 20th Century) THROUGH THE OLD TREE pencil and crayon, 25cm x 34cm £60-80 (+Fees*) 370.

Louis Wain (British 1860-1939) PRELIMINARY SKETCH FOR PLAYBOX ANNUAL pen and ink, 22cm x 30cm £800-1200 (+Fees*) 371.

Luke Nganjmirra (Australian contemporary) KANGAROO watercolour, 19.5cm x 28.5cm £80-100 (+Fees*)

Lot 372

372.

Keith Vaughan (British 1912-1977) MALE AND FEMALE TORSOS pencil, 12cm x 17cm Provenance: Belgrave Gallery label verso states from the Artist’s Estate £300-500 (+Fees*)

373.

Keith Vaughan (British 1912-1977) TWO SEATED FIGURES initialled lower left pencil on paper, 7cm x 10.5cm Provenance: label verso states from the Collection of Professor John Bell £200-300 (+Fees*)

374.

Keith Vaughan (British 1912-1977) HARVEST SCENES three sketches framed as one each initialled pencil drawings, various sizes Provenance: label verso states Professor John Ball private collection, from Vaughan’s sketchbook 1943 £300-500 (+Fees*)

Lot 373

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Prints & Textiles

Lot 378 375.

Douglas Owen Portway (South African 1922-1993) UNDRESSING signed in pencil to mount and numbered 27/100 etching, plate size 30cm x 20cm Purchased from The Alma Gallery, Bristol 1993 £60-80 (+Fees*) 376.

After Vladimir Tretchikoff (Russian 1913-2006) FIGHTING ZEBRAS Lithograph inscribed, signed and dated 73’ and signed within plate published by S.A. Litho Co Ltd sheet 114 x 84cm £100-150 (+Fees*)

Lot 379 379.

Paddy Killer (British, Contemporary) OOPS monogrammed and dated 1986 framed embroidery, 37cm x 19.5cm £200-300 (+Fees*) 380.

Paddy Killer (British, Contemporary) THERE’S NO HOT AIR WITH THE BALLOON STREET BANK monogrammed and dated 1986 framed embroidery, 37cm x 19.5cm £200-300 (+Fees*) 381.

Henry Macbeth-Raeburn (British 1860-1947) ETON COLLEGE CHAPEL signed in pencil etching, 16cm x 35cm £30-40 (+Fees*)

377.

Allen Jones (British, born 1937) LESSON, 1967 signed and dated ’67 in pencil edition 48/50 lithograph in colours, 62cm x 89cm Note: Published by Editions Alecto, London, No 479 £300-500 (+Fees*) 378.

Lucienne Day (British 1917-2010) LIBRA stitched monogram exhibition label verso silk mosaic on hessian board, 42cm x 44cm Note: Lucienne Day was one of the most influential British textile designers of the mid-20th Century, and wife of furniture designer Robin Day. £300-400 (+Fees*)

50

Lot 380 382.

William Nicholson (British 1872-1949) JAMES MCNEILL WHISTLER QUEEN VICTORIA LORD ROBERTS three woodcuts, 24cm x 23cm £150-200 (+Fees*) 383.

Eric Gill (British 1882-1940) NUDES (from the book 25 Nudes) two woodcuts, 21cm x 21cm £100-150 (+Fees*) 384.

Luigi Kasimir (Austro-Hungarian 1881-1962) ST STEPHEN’S CATHEDRAL, VIENNA signed polychrome etching, the plate 32cm x 21cm £60-80 (+Fees*) 385.

Norah Vivian (early 20th Century) TIGER signed in pencil woodcut, 15cm x 15cm ORIENTAL PARASOLS woodcut, 28cm x 36cm £150-200 (+Fees*) 386.

Beryl Cook (British 1926-2008) TWO ON A STOOL signed in pencil and with blind stamp colour lithograph, the plate 37cm x 25cm £60-80 (+Fees*)

Lot 385 (part)

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Lot 389

Lot 399 (part)

387.

Beryl Cook (British 1926-2008) DOG IN THE DOLPHIN signed in pencil and with blind stamp colour lithograph, the plate 52cm x 25cm £60-80 (+Fees*)

393.

Colin F Paynton (British, born 1946) GREY PARTRIDGES signed, limited edition 39/125 wood engraving, 10cm x 13cm and three others by the same hand £80-120 (+Fees*)

388.

Dudley Glanfield FASHION PLATES six black and white 1920s photographs produced for Selfridges Ltd. and Harrods Ltd, signed in pencil to mount, each approximately 30cm x 22cm £60-80 (+Fees*)

394.

Lettice Stanford (British 1902-1993) PROTHALAMION wood engraving, 21cm x 12.5cm and two others by the same hand £300-500 (+Fees*)

389.

Laurence Stephen Lowry (British 1887-1976) FAMILY DISCUSSION edition 327/850 blind stamp and signed within plate monochrome etching, the plate 34cm x 23.5cm £100-150 (+Fees*) 390.

N Howell MARE AND FOAL signed and numbered 6/50 giclee colour print, 28cm x 39cm and two other prints £30-50 (+Fees*) 391.

Robert Gillmor (British, born 1936) AVOCETS signed limited edition 7/35 woodcut, 17cm x 48cm £50-70 (+Fees*) 392.

Michael Warren (born 1938) BIRD AT THE SHORE limited edition 211/300 lithograph, 20cm x 28cm £40-60 (+Fees*)

395.

Stanley Spencer SOUTHWOLD limited edition 32/550 reproduction print two C R Mackintosh limited edition lithographs, a London Transport poster designed by Graham Clarke, a Shell poster designed by Graham Sutherland and a John Piper print £60-80 (+Fees*) 396.

Hillary Paynter (British, born 1943) WEST MOORS limited edition 51/100 wood engraving and various others £150-250 (+Fees*) 397.

Clare Leighton (English/American 1998-1989) COURGETTES, FLOWERING & FRUITING woodcut plate from a book, circa 1934 another by Agnes Parker Miller of fungi and Tree by Gertrude Hermes £100-150 (+Fees*)

398.

Mark Millmore (British, born 1956) THREE CROWNED CRANES signed, limited edition 16/250 coloured etching, the plate 59cm x 82cm £70-90 (+Fees*) 399.

Mark Millmore (British, born 1956) VAGH signed, limited edition 17/60 colour screenprint, the plate 40cm x 58cm and another etching by the same hand Majiyu ya Ulimwengu, limited edition 15/300 £80-100 (+Fees*) 400.

Peter Daglish (British 1930-2016) VINCENT LE NOIR signed, limited edition 2/18 colour linocut, the plate 59cm x 46cm £60-80 (+Fees*) 401.

Trevor Sutton (British, born 1948) DEPENDENCE signed to the mount and with blind stamp screen print, 39cm x 37cm £40-60 (+Fees*) 402.

Mabel Allington Royds (British 1874-1941) THE SNAKE CHARMER THE SHRINE two coloured woodblock prints, 13cm x 18cm and 25cm x 31cm £300-500 (+Fees*)

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Lot 403 (part) 403.

Colin Lanceley (Australian 1938-2015) THE WASTELAND five images inspired by TS Eliot’s poem I The Burial of the Dead II A Game of Chess III The Fire Sermon IV Death by Water V What the Thunder Said published by Kelpra Editions, London 1976 limited edition 18/50 each signed, titled and dated ’75 screenprint, sheet size 101cm x 68cm £100-150 (+Fees*) 404.

Arthur Byrne (British, born 1946) CHISWICK PARK signed limited edition 12/260 lithograph, plate 55cm x 38cm and EXHIBITION PARK signed, limited edition 43/150 lithograph, plate 36cm x 53cm £40-60 (+Fees*) 405.

Anna Ravenscroft BROWN HARE limited edition 38/85 etching 35cm x 49cm and another smaller etching of geese £50-70 (+Fees*)

Lot 406

Lot 407

408.

Richard Beer (British, born 1928) NOTO III signed in pencil titled and numbered 9/100 etching, aquatint in colours, 60cm x 45.5cm and Stanfield KING AND DANCER signed indistinctly and numbered 1/30 in pencil, 62cm x 44cm £60-80 (+Fees*) 409.

Paul Benjamins (British, born 1950) SLIPSTREAM I signed, titled and numbered 90/90 screenprint, plate size 48cm x 40cm £50-70 (+Fees*) 410.

Cecil Tatton Winter (British, 1895-1954) THE OLD WHEEL CAFE signed etching, 9.5cm x 7cm and three scenes of the interior, various sizes [4] £80-100 (+Fees*)

411.

Jean L Bertram CHANONRY WYND, BRECHIN signed and dated 1933 woodcut, plate size 27.5cm x 19.5cm £60-80 (+Fees*) 412.

Condie (20th Century) HOUSE THROUGH TREES signed etching, 12.5cm x 15.5cm £60-80 (+Fees*) 413.

Elisabeth Ivanovsky (Russian, 20th Century) BOOK ILLUSTRATION for Bass-Bassina-Boulou by Franz Hellens signed and dated ’35 in pencil colour print, 21.5cm x 18cm £300-500 (+Fees*)

406.

Pierre Bonnard (French 1867-1947) THE READERS, CIRCA 1925 initialled within plate and signed in pencil limited edition of 35 etching, sheet 29cm x 36cm £200-300 (+Fees*) 407.

Victor Vasarely (French 1908-1997) PLEIONE, CIRCA 1961-3 signed within plate serigraph, sheet 52cm x 49.5cm £80-120 (+Fees*) 52

Lot 412

Lot 413

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Lot 421 Lot 414 414.

Stanley Anderson (British 1884-1966) HEDEW, THE OLD SHEPHERD signed in pencil, from an edition of 65 engraving, 18cm x 15cm £300-500 (+Fees*) 415. Öyvind Fahlstrom (Swedish 1928-1976) $180 BILL signed and numbered 157/300, 1973 serigraph, 30.5cm x 23cm £100-150 (+Fees*) 416.

After Juan Gris (Spanish 1887-1972) Exhibition poster for Galerie Louise Leiris, 1965, 68cm x 47cm together with a Toulouse-Lautrec exhibition poster for Musee D’Albi and a Francis Bacon reproduction print £80-100 (+Fees*) 417.

Joseph Hecht (Polish 1891-1951) MARRAKESH 1940 a recumbent camel artist’s proof signed and inscribed to margin engraving, 19.5cm x 26cm Robert C Bates (born 1943) LOVE AND BARBARA signed and numbered 8/20 lithograph, 14cm x 12.5cm and Francoise Deberdt (French, born 1934) AUPRES DE L’EGLISE signed and numbered 61/75 hand coloured etching, 12.5cm x 16.5cm Provenance: Lumley Cazalet Ltd £60-80 (+Fees*)

418.

Jean-Louis Forain (French 1852-1931) LE BOUQUET signed in the plate etching, 11.5cm x 16cm Auguste Brouet (1872-1941) after Daumier LES DEUX LARRONS signed and numbered 1/50 etching and aquatint, 18.5cm x 12cm and Guiseppe de Nittis (1846-1884) GARDEN BENCH signed in the plate etching, 14cm x 21.5cm £60-80 (+Fees*) 419.

Toko Shinoda (Japanese, born 1913) JOURNEY limited edition 14/36 monochrome print, 40cm x 27.5cm £50-70 (+Fees*) 420.

Shiou Ping Liao (Taiwanese, born 1936) FLOWERS signed and dated 1979, limited edition 31/50 print, 17.5cm x 22cm £60-80 (+Fees*)

Lot 424 421.

Paul Nash (British 1889-1946) THE WALL - DYMCHURCH on Saunders mould-made paper, numbered 46/50 and with stamp of the Paul Nash Trust lower left engraving, 12.5cm x 19.5cm Note: Published by Alexander Postan Publishing in conjunction with the Paul Nash Trust and the Tate Gallery, where a retrospective was held. £300-500 (+Fees*) 422.

Ivy Anne Ellis (British 1897-1984) SNOWDON FROM CAPEL CURIG signed and inscribed in pencil woodcut in colours, 15.5cm x 20cm an etching by John Benn and sundry prints £40-60 (+Fees*) 423.

A 1930s Aladdin Theatre Poster produced by Moody Bros, Birmingham, 91cm x 100cm and two others similar for Babes in the Wood and Cinderella £60-80 (+Fees*) 424.

Duncan Grant (British 1885-1978) WASHERWOMAN II signed in pencil and numbered 278/350 lithograph in colours, plate size 76.5cm x 51cm £300-500 (+Fees*)

Lot 425

425.

Henry Moore OM CH FBA (British 1898-1986) TWO INTERLOCKING FORMS signed and numbered 37/100, plate no.

XXV etching, image size 23cm x 27.5cm £200-300 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 4)

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Books

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439.

Sundry exhibition catalogues relating to James Dodds and wood engraving £60-80 (+Fees*)

Books

440.

See-Paynton (C), Wood Engravings 1980-1996, limited edition hardback, complete with print of Air & Water, limited edition 58/100 £60-80 (+Fees*)

Lot 441 430.

A group of various books on wood engraving, linocuts and related, to include English Wood Engraving 1900-1950 and Wood Engraving with an introduction by Eric Gill £100-150 (+Fees*) 431.

A group of books on Eric Ravilious and Edward Bawden, various volumes to include High Street and Edward Bawden and his Circle £80-120 (+Fees*) 432.

A group of Art reference books to include Laura Knight, In The Open Air and John Nash by Sir John Rothenstein and Stanley Spencer RA £60-80 (+Fees*)

436.

A group of Art reference books, to include Lewison (J) Ben Nicholson, Fraser Jenkins (D) The Art of John Piper, Francis Bacon and various others £60-80 (+Fees*) 437.

See-Paynton (C), The Incisive Eye, signed by the author, and other books by the same £150-250 (+Fees*) 438.

A group of Art reference books including Art Nouveau and Art Deco subjects £50-70 (+Fees*)

441.

Imprimerie Nationale. Encyclopedie des Arts Decoratifs et Industriels Modernes au XXeme Siecle, Office Central D’Editions et de Librarie Paris, circa 1925, 4to half parchment over marbled boards with gilt tooled spines spelling out title, black and gold Deco pattern endpapers, text in French, numerous black and white photographic plates, Volumes I to X (of which Volume IX is the 1977 facsimile edition) Note: these books form a photographic catalogue of the important 1925 exhibition in Paris where 22 pavilions showcased the leading contemporary architecture, design and furnishings, leading to the creation of the term Art Deco. £200-300 (+Fees*) 442.

[Biblical text] Gill, Eric (illustrator). The Song of Songs, called by Many the Canticle of Canticles, The Golden Cockerel Press 1925, 4to first edition hard back, cream buckram cloth with gilt lettering to spine, numbered 348 of an edition of 750 printed, containing twenty woodcuts ranging from full-scale nudes to emblematic devices £300-400 (+Fees*)

433.

A large group of Art reference books on Charles Rennie Mackintosh and related, to include Mackintosh’s Masterwork at Glasgow School of Art and Mackintosh Furniture £80-100 (+Fees*) 434.

A group of Art reference books on Graham Sutherland, to include The Coventry Tapestry and Sutherland: The Wartime Drawings £60-80 (+Fees*) 435.

A group of Art reference books, to include G F Watts Portraits, Sir Alfred Munnings, William Morris at Home, S J Peploe 1875-1935 and various others £80-100 (+Fees*) Lot 442

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 4)

55

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Lot 443 443.

Miller, Patrick and Gill, Eric (illustrator).

The Green Ship, The Golden Cockerel Press 1936, containing wood engravings

by Gill for the double-page pictorial title page and six chapter headings, signed by author and illustrator, numbered 29 of an edition of 200 (of which only 62 signed), full green morocco binding by Sangorski & Sutcliffe, gilt lettering and cockerel device to spine £100-150 (+Fees*) 444.

Gill, Eric. Clothing Without Cloth: An Essay on the Nude, The Golden Cockerel Press 1931, numbered 372 of an edition of 500 copies printed on gilt tipped Batchelor paper, slim 8vo, full red cloth binding with gilt tooled spine and GCP monogram to front, containing four wood engraved plates of nudes and two devices, page cut at front £100-150 (+Fees*)

Lot 446

56

Lot 444 445.

Clay, Enid and Gill, Eric (illustrator). The Constant Mistress, The Golden Cockerel Press 1934, numbered 91 of 300 copies, signed by author and illustrator, containing six woodcuts and motifs and a golden cockerel device, minor water damage, not affecting text or illustrations Note: Enid Clay was Eric Gill’s sister £40-60 (+Fees*) 446.

Donne, John and Gill, Eric (illustrator).

The Holy Sonnets of John Donne, introduced by Hugh I’A Fausset, Dent & Sons for Hague & Gill 1938, containing four engraved plates by Gill, 8vo original black clock gilt, one of 550 copies, signed by Eric Gill £150-200 (+Fees*)

Lot 447

Lot 445 447.

Gill, Eric. 25 Nudes, Dent & Son for Hague & Gill 1938, containing 26 reproductions of Gill’s wood engravings, black tipped pages, original dust jacket with price intact £250-350 (+Fees*) 448.

[Biblical text] Gill, Eric (illustrator). The Four Gospels of the Lord Jesus Christ, September Press 1988 reprint of the 1931 Golden Cockerel Press edition, one of 480 unnumbered copies case bound in buckram by The Fine Bindery Ltd £200-300 (+Fees*)

Lot 448

Further images & information at www.chorleys.com

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Lot 449 449.

Mackley, George. Engraved in the Wood, The Two Horse Press 1968, signed limited edition of 300, this copy out of series, 68 loose woodcut plates (of which 13 reproductions) and letterpress booklet contained in a cloth bound solander box, printed title to spine £150-200 (+Fees*)

450.

Kelmscott Chaucer. The Works of Geoffrey Chaucer now newly imprinted, 2 volumes, Basilisk Press 1974-75, facsimile edition printed in black and red, the companion volume with tipped in illustrations, numbered 343 of limited edition of 515 copies, folio, uniformly bound in Liberty ‘Larkspur’ fabric from a William Morris design, in blue paper covered slipcase (2) £800-1200 (+Fees*)

451.

Sauter (Rudolf), ‘Erda’; Poem for the Earth - The Trial of Man, a masque for 1972, hand coloured manuscript with inscription to inner cover, a hand written poem by Sauter dated Christmas 1971, a typed poem and a pamphlet ‘The Grand Canyon’ £40-60 (+Fees*)

Lot 450

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 4)

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Furniture & Lighting

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Furniture & Lighting 460.

Grant Sonnex, a cherry wood coffee table with fine burr wood top, the top 147cm x 92cm £400-600 (+Fees*) 461.

Attributed to Gordon Russell, an oak coal box, with octagonal turned handle, 30cm wide, 43cm deep £120-150 (+Fees*) 462.

Attributed to the Omega workshops, a painted chest of two short over three long drawers, painted decorative foliate motifs to a red ground, 102cm wide Provenance: Originally purchased from Antiquarius, Kings Road, Chelsea in the mid-1990s £1000-1500 (+Fees*)

Lot 460

463.

Manner of Leonard Wyburd for Liberty & Co, an oak Arts & Crafts sideboard, with bottle eye glazing to doors £400-600 (+Fees*) 464.

Manner of Tiffany, a Christopher Wray pendant light fitting, with blue/green shade £40-60 (+Fees*) 465.

Camilla Swann, Lester Piglet, a carved elm rocking pig with leather ears, 46cm high, 98cm wide overall £400-600 (+Fees*)

Lot 461

Lot 465

Lot 462 Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 466

466.

Cotswold School, an oak dining table, to a design by Edward Barnsley, 168cm x 99cm £2500-3500 (+Fees*)

467.

Style of Alessandro Albrizzi, a metal and lucite chair, circa 1960s £200-250 (+Fees*) 468.

A pair of teak and leather armchairs, Scandinavian, circa 1960 £400-600 (+Fees*)

469.

After Josef Hoffmann, Kubus, a modern two-seater sofa button upholstered in white leather, 147cm wide £150-200 (+Fees*)

Lot 469 Lot 467

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Further images & information at www.chorleys.com

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Lot 478 Lot 479 470.

A pair of rosewood bedside cabinets, each fitted three drawers with leather fronts, stamped Armstrong to feet, each 51cm wide Note: sold with an Article 10 certificate from Wildlife Licensing & Registration £400-600 (+Fees*) 471.

A pair of Ercol spindle back armchairs and an Ercol rocking chair similar, labels to base £120-180 (+Fees*) 472.

Manner of Heals, a limed oak glazed cabinet with a glazed door above a single panelled door, 60cm wide and similar mirror £100-150 (+Fees*) 473.

Robert Welch for Chad Lighting of Birmingham, two wrought iron and brass lamps, a green twist framed and brass standard lamp and matching table lamp, circa 1989/90 £100-150 (+Fees*) 474.

An Anglepoise lamp by Herbert Terry & Sons, Redditch, in cream, stamped to support and two others £50-70 (+Fees*) 475.

Robert Welch, an occasional table with wrought iron twisted base and walnut circular top, 45cm diameter £60-80 (+Fees*)

476.

RD Best, a Bestlite standard lamp, circa 1930, OMI Type 299 £80-120 (+Fees*) 477.

G Plan, a teak Astro coffee table, of oval form with glass inset top, 122cm x 66cm £60-80 (+Fees*) 478.

Par Pel Ltd, a pair of chrome and glass two-tier tables, 49cm wide £600-800 (+Fees*) 479.

A chrome and glass six-tier display stand, 72cm wide £200-300 (+Fees*) 480.

Thomas Messel, a gilt and white painted mirror and pier table, the mirror with plume surmount, drapes beneath and fluted columns to the sides, the marble top table with similar decoration, the drawer stamped Messel, on cabriole legs, 96.5cm wide £500-700 (+Fees*) 481.

A vintage school double desk, later painted with a galleon to each lift top and laurel swags to the seat, initialled VR and dated 1870, 86cm wide £120-150 (+Fees*) 482.

Liberty and Co, a chandelier, the scrolling wirework branches hung glass drops and another smaller, size £150-200 (+Fees*)

483.

Heals, a Clarence pendant chandelier with six acrylic branches and chrome frame with acrylic spheres beneath £80-120 (+Fees*) 484.

Two square stepped glass table lights, 51cm high £80-120 (+Fees*) 485.

A limed oak wall mirror, carved scroll, pillar surround etc, 150cm x 104cm £200-300 (+Fees*) 486.

Conran, seven steel framed chairs with X-shaped splats and padded seats £200-300 (+Fees*) 487.

G Plan, a teak sideboard with four drawers, flanked panelled cupboard doors, 213cm wide £100-150 (+Fees*) 488.

G Plan, an extending dining table, on tapering legs with eight ladder back chairs, 145cm long unextended £100-150 (+Fees*) 489.

G Plan, a nest of three tables, the larger with tiled top, 50cm wide £50-70 (+Fees*) 490.

Manner of Guiseppe Ostuni, an Italian gilt metal standard lamp with three adjustable shades and another standard lamp £80-120 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 504

491.

Guy Rogers, two teak reclining Manhattan open armchairs with cream upholstery and a single ottoman, circa 1960s £100-150 (+Fees*) 492.

Myer, a smoked glass topped coffee table on teak base, 113cm wide and a G Plan low sideboard with sliding doors, on plinth base, 153cm wide £60-80 (+Fees*) 493.

G Plan, a group of three bookshelves, various sizes and configurations, label to inside door £80-120 (+Fees*) 494.

A pair of coppered modern table lamps, each 96cm high including shades and another pair similar £60-80 (+Fees*)

502.

A pair of Quad Electroacoustics floor standing speakers £200-300 (+Fees*)

498.

A large modern desk, 180cm x 104cm £100-150 (+Fees*) 499.

Austinsuite, a teak dressing table, with mirror back, 154cm wide £80-120 (+Fees*) 500.

Meredew, a pair of bedside tables, 41cm wide £40-60 (+Fees*) 501.

Austinsuite, a teak chest of six drawers, 64cm wide £60-80 (+Fees*)

503.

David Browning, an Arts & Crafts style yew wood folding dressing table mirror, circa 1975 £80-120 (+Fees*) 504.

Manner of Hans Wegner, a set of four Scandinavian teak chairs £200-300 (+Fees*) 505.

After Mies Van De Rohe, a Barcelona chair and stool upholstered in white leather £150-200 (+Fees*)

495.

Robert Heritage (British, born 1927), a rosewood table and six chairs, mid-20th Century, the table with concealed leaf, 208.5cm long extended Note: purchased at Heals in 1959. Sold with an article 10 certificate from Wildlife Licensing & Registration. £200-300 (+Fees*) 496.

A pair of modern chairs on chrome supports £30-50 (+Fees*) 497.

A large modern desk, 180cm x 104cm £100-150 (+Fees*)

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Lot 505

Further images & information at www.chorleys.com

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506.

An Arts & Crafts style copper framed mirror, decorated stylised intertwined honeysuckle, 63cm x 82cm £150-200 (+Fees*) 507.

A Heals child’s table and bench £40-60 (+Fees*) 508.

A Tiffany style lamp, another similar and a Vanson tea trolly £50-70 (+Fees*) 509.

Manner of Milo Baughman, a modern extending dining table and four chairs £150-200 (+Fees*)

Lot 506 510.

George Stone of High Wycombe, a pair of afromosia armchairs with William Morris fabric upholstery £200-300 (+Fees*)

511.

An Arts & Crafts style copper embossed frame with folded pinned corners, 62cm x 39cm £80-120 (+Fees*)

Lot 510

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Some lots may be subject to an additional fee (see page 4)

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CONDITIONS OF BUSINESS FOR ONSITE AUCTIONS c.

INFORMATION FOR BUYERS AT AUCTIONS 1.

Introduction. The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand.

Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale.

2.

3.

4.

5.

Agency. As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer.

Estimates. Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price.

Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive.

Buyer’s Premium. The Terms of Sale oblige you to pay a buyer's premium on the hammer price of each lot purchased at the following rates: 20% on the first £100,000 15% on the excess between £100,001 and £500,000 12.5% on the excess between £500,001 and £1,000,000 10% on the balance above £1,000,000 Where thresholds apply, the higher premium rate will apply to the portion of the bid price up to the threshold and the lower premium rate will apply to the portion of the bid price in excess of the threshold. VAT at the standard rate is added to this premium with the exception of books and unframed maps (see below).

b.

64

6.

Inspection of goods by the buyer. As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do.

You will have ample opportunity to inspect the goods. You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4.

7.

Electrical goods. These are sold as “antiques” only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

8.

Export of goods. If you intend to export goods you must find out:

(*) indicates that VAT is payable by the buyer on the hammer price as well as being an element in the buyer's premium. VAT will be chargeable at the standard rate (presently 20%). This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. (**) indicates that the lot has been imported from outside the European Union. These lots are liable to a reduced rate of VAT (5%) on the hammer price and buyer's premium).

a.

whether an export licence is needed; and

b.

if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory (see Terms of Sale clause 14)

9.

Bidding. Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

10.

Commission bidding. You may leave commission bids with us indicating the maximum amount to be bid against a lot (excluding the buyers' premium and/or any applicable VAT).

We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids we may prefer the first bid received (where this can be reasonably ascertained). Please enquire in advance about our arrangements for leaving commission bids by telephone, email, via our website or through online bidding platforms.

11.

Methods of Payment. We accept payment by cash, debit card, credit card and bank transfer (maximum payment by cash or credit card £1,000 per auction). Please discuss with our office in advance of the sale if you plan to use any other method of payment. We do not accept payment by card over the telephone.

12.

Collection and storage. Please note what the Terms of Sale say about collection and storage. It is important that you pay for and collect goods promptly. Any delay may involve you having to pay storage charges.

VAT. Items in our catalogue may be marked in the following ways: a.

Lots which do not have either of the above symbols have no VAT payable on the hammer price. This is because such lots are sold using the Auctioneers' Margin Scheme. The VAT included within the premium is not recoverable as input tax.

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TERMS OF SALE Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request.

Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale.

Please note that these Terms of Sale relate to auctions held at our premises only.

1 Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: “Auctioneer” means Chorley’s, a partnership or company registered in England and Wales with registration number with registration number 5857433 and whose registered office is located Staverton Court, Staverton, Cheltenham GL51 0UX or its authorised auctioneer, as appropriate; “Bidder” means a person participating in bidding at the auction; “Buyer” means the person who makes the highest bid for a Lot accepted by the Auctioneer; “Deliberate means: (a) an imitation made with the intention of Forgery” deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described; “Hammer means the level of the highest bid for a Lot Price” accepted by the Auctioneer by the fall of the hammer; “Lot(s)” means the goods that we offer for sale at our auctions; “Premium” means the premium that we will charge you on your purchase of a Lot to be calculated as set out in Clause 4; “Reserve” means the minimum hammer price at which a Lot may be sold; “Sale means the net amount due to the Seller; Proceeds” “Seller” means the persons who consign Lots for sale at our auctions; “Terms of means the terms on which we agree to offer Lots Consignment” for sale in our auctions as agent on behalf of Sellers; “Terms of means these terms of sale, as amended or Sale” updated from time to time; “Total Amount means the Hammer Price for a Lot, the Premium, Due” any applicable artist’s resale right royalty, any VAT due and any additional charges payable by a defaulting buyer under these Terms of Sale; “Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf;

“VAT”

means Value Added Tax or any equivalent sales tax; and “Website” means our website available at www.chorleys.com.

In these Terms of Sale the words 'you', 'yours', etc. refer to you as the Buyer. The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

2 Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

3 Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.

3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable.

Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

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4 a. b.

c. d.

5 5.1

5.2 6 6.1

6.2

6.3

6.4

7 7.1

7.2 8 8.1

8.2

66

The purchase price As Buyer, you will pay: the Hammer Price; a premium of a percentage of the Hammer Price on an incremental basis: 20% on the first £100,000 15% on the excess between £100,001 and £500,000 12.5% on the excess between £500,001 and £1,000,000 10% on the excess above £1,000,000 any artist’s resale right royalty payable on the sale of the Lot; and any VAT due.

VAT You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information.

We will charge VAT at the current rate at the date of the auction.

The contract between you and the Seller The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction.

You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.

If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim.

We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).

Payment Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the Total Amount Due with cash, debit card, credit card and bank transfer (maximum payment by cash or credit card of £1000 per auction).

If you owe us any money, we may use any payment made by you to repay these debts.

Title and collection of purchases Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it.

You will (at your own expense) collect any Lots that you have purchased and paid for either: 8.2.1 not later than seven business days following the day of the auction; or 8.2.2 not later than seven business days following the date that we have received payment of the Total Amount Due in cleared funds, if later.

8.3

8.4 8.5

9 9.1

9.2

10

11 11.1

If you do not collect the Lot within this time period, you will be responsible for any reasonable removal, storage and insurance charges in relation to that Lot. Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot. If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot. Remedies for non-payment or failure to collect purchases Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you.

This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within seven business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due; 9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale.

Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk.

Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.

Warranties The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction;

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11.2

11.3 11.4

11.5

12 12.1

12.2

12.3

12.4

11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

Please note that many of the Lots that you may bid on at our auction are second-hand.

If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

Descriptions and condition Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (ii) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Books are not collated and are not guaranteed to be complete. The absence of any reference to condition in any description does not imply the lot is without fault. Chorley’s do not usually include condition information in catalogue or online descriptions, however we are happy to provide a condition report for any lot upon request before the auction. Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/or which the inspection of a Lot by the Buyer ought to have revealed.

12.5

13 13.1

13.2

13.3

13.4

14

Historically many gemstones have been subject to a variety of treatments to enhance their appearance. Sapphires and rubies are routinely heat treated to improve their colour and clarity, emeralds are also frequently treated with oils or resin for the same purpose. Treatments such as staining, irradiation or coating may have been used on other gemstones. These treatments may be permanent, whilst others may need special care or re-treatment to retain their appearance. Bidders should be aware that estimates assume that gemstones may have been subjected to such treatments. A number of laboratories issue certificates that give more detailed descriptions of gemstones, however there may not be consensus between different laboratories on the degrees or types of treatment for any particular gemstone. In the event that Chorley’s has been given or obtained certificates for any lots in the sale, these certificates will be disclosed in the catalogue. In the event that no certificate is published in the catalogue, bidders should assume that the gemstone may have been treated.

Neither Chorley’s nor the seller accepts any liability for contradictions or differing certificates obtained by buyers on any lots subsequent to the sale.

Deliberate Forgeries You may return any Lot which is found to be a Deliberate Forgery to us within six months of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if: 13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or 13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

Ivory and Endangered Species Chorley’s condemns the poaching of all species, especially African elephants and the wanton destruction of natural habitat. Thus we will offer for sale no ivory products produced after June 1947, the date of the Convention of International Trade in Endangered Species of Wild Fauna and Flora (CITES). We consider that pieces produced before this date are likely to be purchased as pieces of artistic or cultural merit, which happen to contain ivory, rather than be purchased for their ivory content.

Due to international laws, any item on the Endangered species list, whether it dates from the 18th/19th Century or the 1930s, requires re-export permits for bidders outside the EU (CITES). Some countries also require import permits as well and all permits must be in place prior to shipment.

Chorley’s cannot be held liable if a purchaser buys a lot that comes within this field and then import/export licences cannot be arranged. It is the potential buyer’s responsibility to check the applicable regulations before bidding for a lot which comes under these laws.

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15 15.1

15.2

15.3

15.4

16 16.1

16.2

16.3

16.4

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Our liability to you We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

Subject to Clause 15.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 15.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 15.4.2 fraudulent misrepresentation; or 15.4.3 any liability which cannot be excluded by law.

Notices All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

Any notice referred in Clause 16.1 may be given: 16.2.1 by delivering it by hand; 16.2.2 by first class pre-paid post or Recorded Delivery; or 16.2.3 by email, provided that a copy is also sent by prepaid post or Recorded Delivery.

Notices must be sent: 16.3.1 by hand or registered post: a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 16.3.2 by email: a. to us, by sending the notice to both the following email addresses: simon.chorley@chorleys.com; enquiries@chorleys.com b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

Notices will be deemed to have been received: 16.4.1 if delivered by hand, on the day of delivery; 16.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or

16.5

17

18 18.1 18.2

18.3

18.4

18.5

18.6

18.7

18.8

16.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by pre-paid post or Recorded Delivery as set out in Clause 16.2.3) Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

Data Protection We will hold and process any personal data in relation to you securely, in accordance with the 2018 General Data Protection Regulation.

General We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.

Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.

Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

These Terms of Sale and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

These Terms of Sale, forming part of our Conditions of Business, are based upon terms recommended by SOFAA (The Society of Fine Art Auctioneers & Valuers)

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Chorleys 9th October 2018 cover.qxp_Layout 1 24/09/2018 15:01 Page 1

Prinknash Abbey Park Gloucestershire GL4 8EU

Telephone: 01452 344499 Email: info@chorleys.com Web: www.chorleys.com

9th October 2018

Modern Art & Design Tuesday 9th October 2018

Prinknash Abbey Park Gloucestershire GL4 8EU www.sofaa.org