CHRISTINE 2023

Page 1

CHRISTINE JORGE

PORTFOLIO OF WORKS 2023

CHRISTINE JORGE

christinepjorge@gmail.com

+61 435748261

Born in The Philippines Raised in Dubai Based in Melbourne

Human - Designer and Artist. A Graphic & Communications designer by trade, currently completing a Double Masters Degree

Driven to specialise in Contemporary Heritage within the Architecture and Conservation Industry, surrounded by culture, people and community.

Experienced in Graphic marketing and Business advertising through creative design and graphic strategies: video-editing, product advertising and communication & content media.

Grounded by skills with calligraphy, drawing and art.

“Architecture has been the design medium to which I find the most exciting to encourage people, clients, and collaborators to be empowered through”

EDUCATION SKILLS

Master of Architecture / Master of Urban and Cultural Heritage

The University of Melbourne 2020-Present

Bachelor of Design (Architecture) Deakin University 2018-2019

• Richard Gibson Award (Best Final year Design project)

• Victorian Digital Solutions Prize (Best Digital Output)

International Summer Programme in Architecture: Cities in Asia The University of Hong Kong 2019

• Cities in Asia: Architectural Design and Research Studio (Study abroad programme)

Bachelor of Arts (Architecture) Heriot-Watt University, Dubai, UAE 2016-2017

• Smart Sustainable Design Award (3rd prize)

• Assemblage Award (2nd prize)

CAD & 3D Modelling AutoCAD Rhino 3D Revit Design Visualisation Enscape Agisoft Metashape

Adobe Suite Presentations

EXPERIENCE

Graphic Designer Built Environment Channel (BEC)

Feb 2020-Nov 2022

• Provide support on graphic and creative advertising production for clientele design presentations

• Extensive exposure on architecture company brands: product specifications

• Creation on Industry, Inspired and Product news for BEC member screens, and aid the team in delivering valuable content to the architecture member audience

Typography Artist (Seasonal) Artisan Ornaments

Dec 2020-Present

• Personalised handwriting calligraphy on Christmas decorations: Hand-blown glass baubles, and cotton sock stockings.

• Retail engagement: Customer services, Stock taking, POS handling, Cash register system, Overall stall maintenance

• Extensive patience and communication with buyers

Freelance Designer & Artist Commissions

2016-

• Providing graphic & illustration creative design outputs

• Quoting preparations, Client briefs, Design revisions

Communications Officer

Melbourne Diocese - St. John’s Jun 2018-2020

• Brief given, interpreted, and coordinated with team head and other members – back and forth consultation – design iterations and revisions

• Creation of Marketing materials - in the form of print and digital design

• Attended meetings for event preparations needing graphic and print resources

PUBLICATIONS & EXHIBITIONS

Photoshop InDesign Illustrator Premiere Pro 2022 MSDx Winter Lyndhurst Hall, Pascoe ValeMeasured Drawings & Digital Heritage 2021 MSDx Winter Studio 02 - Rituals of Repair 2019 Deakin a+b Paperspace Exhibition Final year studioThe Architecture of Resilience 2018 A+BOUT Journal Publication Studio Earthscapes 2nd year studio - Blank Interval: Initiating University

2017

Heriot-Watt University Curated Year 1 Design projects

2016

Design Programme - WAFI Mall Exhibition, Dubai, UAE Cross Culture project

01

LYNDHURST HALL, PASCOE VALE

A MEASURED DRAWING

2022, MELBOURNE SCHOOL OF DESIGN - IN COLLABORATION WITH THE PORTABLE BUILDINGS WORLD HERITAGE NOMINATION TASK FORCE

Project type Housing Location Pascoe Vale Software used Rhino 3D, AutoCAD LiDar Scanning

Lyndhurt Hall is a double storeyed wood construction portable building.

Imported and Previously erected in East Brunswick by Edward de Carle, its state of disrepair was fortunately found, relocated, and restored to its current location in Pascoe Vale.

The Task Force has assigned a group of students to assess, survey, document portable buildings through the methods of advanced documentation tools such as Photogrammetry, LiDar scanning, and other laser and digital techniques.

Ground Floor Plan Drawing

Ground Floor Plan Lyndhurst Hall, 67 5m 2

1:75 at A2 Sheet no. 3/19

First Floor Plan Drawing

APBL90020 2022 Sem. 01

Front Elevation (facing South) Lyndhurst Hall, 67

5m 1 0 2

Interpretive Lyndhurst

Not to scale Sheet no. 4/16
APBL90020
Drawing
67
and Lidar Scanning Detail Outputs
Christine Jorge Group 4,
Interpretive
Lyndhurst Hall,
Digital Photogrammetry

FOOTSCRAY PARK SHELTER

A MEASURED DRAWING

2022, MELBOURNE SCHOOL OF DESIGN

Project type Park shelter

Location Footscray Park Software used Hand drawing, Photogrammetry

A transient space located on top of a hill in Footscray park, there decays the belongings of a neglected piece of architecture that maintains its symmetrical geometry since the 19th Century.

In its simple structure, I begin noticing that with careful measurements of the stone masonry columns, we can begin to see millimeter increments between the dimensions of the columns from one another - only to strengthen the material property of concrete mortar, which shrinks over time since the construction of this picnic shelter, and we can foresee its inevitable deterioration as it continues to be exposed to the weather.

3D IMAGE OF FINAL MODEL 2 USED TO EXPORT ORTHOMOSAIC
11.04.2022 AT2 PHOTOGRAMMETRY CHRISTINE JORGE 1211242 ABPL90020_2022_SM1 MEASURED DRAWINGS & DIGITAL HERITAGE
3D
1 SKETCHFAB
IMAGE OF FINAL MODEL
MODEL

ORTHOMOSAIC 1 Roof plan

ORTHOMOSAIC 2 Ground Floor plan
1 Ground Floor plan
HYBRID DRAWING
HYBRID DRAWING 2 Front Entry Elevation
ORTHOMOSAIC 7 Gabled Roof Section
HYBRID DRAWING 3 Gabled Roof Section
ORTHOMOSAIC PERSPECTIVE Picnic Shelter FRONT
ORTHOMOSAIC PERSPECTIVE Picnic Shelter CUT
WORKFLOW 1 550/550 aligned WORKFLOW 2 1036/1209 aligned WORKFLOW 3 1183/1209 aligned DENSE Medium TIE POINTS Medium accuracy COMPONENTS METASHAPE WORKFLOW CAMERAS
points
points TEST
14 Markers 756,353 points DENSE
Medium quality, Mild Filtering 3D
Medium quality
TEST MODEL 1 401,602
TEST MODEL 2 625,501
MODEL 3
CLOUD
MODEL

03

A HOME FOR THE PARENT

THE RESIDENTIAL DREAM

2021, MELBOURNE SCHOOL OF

Project type Residential Location Carlton, VIC Software used Rhino 3D, AutoCAD

DESIGN

The project attempts to respond to a design brief from my Mother. Importantly, It celebrates the lives we have now, attempting to preserve the ways in which we engage with space to mould our very characters. This is a document of the current life of the client embodied through the design brief she requested.

ENTRY

ENTRY ENTRY ENTRY

to cook a fried egg to cook flat bread Trophy wall

The KITCHEN The KITCHEN entry

Elevated planter box garden

UP DOWN

to eat to bowling room

The KITCHEN

B The MINI SECTION

A part of the KITCHEN A storage for the KITCHEN

Trophy wall food pantry

Elevated planter box garden Walkway

Change of shoes

A The MEGA SECTION A The MEGA SECTION B The MINI SECTION

ENTRY ENTRY

ENTRY

0 5M

CLIENT BRIEF 000: THE USE OF NATURAL SOFT SOUTHERN LIGHT

The Mother enjoying her coffee outdoors while working on her laptop

The elevated garden

MANIPULATION OF THE GABLED ROOF TO ALLOW LIGHT INSIDE BUT NOT TOO MUCH HARSH SUN

CLIENT BRIEF 000: GABLED ROOF, NO DIRECT HARSH, SUN EXPOSURE

CLIENT BRIEF 000: VENTILATION FOR COOKING FOOD

GOING UP TO BE ABLE TO VIEW DOWN

Double-height ceiling

CLIENT BRIEF 000: 2ND STOVE GRILL

Trophy glass wall

The self cooking flat bread

CLIENT BRIEF 000: ALL BEDROOMS UPSTAIRS

STEPPING DOWN AS A DIFFERENT FORM OF THRESHOLD + CHANGE OF ROOF TO EMPHASISE DIFFERENT SPACE

CLIENT BRIEF 000: ACCESS TO SOCKETS ON ALL ROOMS

CLIENT BRIEF 000: BOWLING BALL ROOM HIDDEN

INTERPLAY OF MATERIALS BOTH ON THE EXTERIOR AND INTERIOR WALLS, FLOOR AS WELL AS UNDERGROUND

STAIRCASE TO BOWLING ROOM ACTS AS A MEDIATOR BETWEEN WHAT IS ABOVE TO BELOW, IT IS AN UNDERGROUND GALLERY

CLIENT BRIEF 000: BOWLING BALLS DISPLAY ATTACHED TO WALL SUSPENDED

Board-formed concrete

A Van Gogh inspired painting of the ‘Church of Auvers painted by The Self

CLIENT BRIEF 000: BOWLING BALL LANE FURNISHED AND FIXED WITH ALL AMENITIES, FOLLOWING STANDARD

Score display

The Brother intensely watching the score display screen

The Mother practising the bowling ball she just purchased

APPROACH

The sound of the bowling ball echoes it returns to the machine

ABLE TO VIEW
VIEW THE PARK
THE CAR THAT WE DO NOT OWN ANYMORE
echoes as
BOWLING LANE PINSETTER MACHINE WITH SIDE ACCESS
the new purchased

SHELTERS

04

OF

KINTSUGI

THE ACT OF EMBRACING DAMAGE

2019, DEAKIN UNIVERSITY

Project type

Communal

Location

Kesennuma, Japan

Software used Hand-drawn Ink on Vellum Paper, Rhino3D, Revit

The project is grounded as a response to the Tsunami and Earthquake event that occurred to the land and people of Kesennuma, Japan in 2011. It challenges the spatial configuration of two traditional Japanese programmes, by striving to integrate the two functions into the essential structure which brings about comfort and assurance, the seawall. The building presents itself overtime by acting as a barrier when a future tsunami were to return to the shores of Kesennuma.

KOI
PONDS/FARMS FISHING PORTS INTEGRATED WALKWAYS REVOLVING WOOD PANELS

FISHING PORT

WOODWORKING SPACES

12M SEA WALLS INTEGRATED SPACES SITE LOCATION

KOI PONDS/FARMS

A home for koi fishes that sits between the ‘land’ and ‘sea’ representing its contribution to both natural contextual forces or elements.

FISHING PORTS

To encourage the ‘inevitable’ multi-purpose use of the timber platform.

KOI FARMS + SHELTERS

The ‘shelters’ closely follow the activity of the specific programmes and the required ‘spaces’ for these programmes to thrive.

The koi farm houses ‘ponds’ to store and maintain the koi fishes with a timber deck platform that runs diagonally to allow the farmers to walk through and maintain these cultural fishes.

exploded axonometric axonometric

FISHING PORT

WOODWORKING SPACES

The ‘artisans of the land’ sit parallel to their ‘artisans of the sea’ encouraging the preservation of these Japanese crafts for future industry within the land of Kesennuma.

A conceptual drawing that envisions spatial quality by documenting ‘intention’ and ‘accident’ through integrating shifting Kumiko wooden panels.

exploded axonometric

A more refined understanding of spatial quality and shelter which utilises Kumiko wooden panels as the important element towards architectural identity.

05

PLANAR ACADEMY OF ELECTRONICS

RHYTHMIC OBSTRUCTIONS AND PLAYFUL LIBERATION

2021, MELBOURNE SCHOOL OF

Project type

Educational, Community Location Hackney, East London Software used Rhino 3D, AutoCAD

DESIGN

The Academy of Electronics offers a learning and teaching place for the FOCUS E15: a community group of solo mothers and their children from squatting communities in Hackney, London.

It balances between the planes of training and teaching – as Rhythmic Obstructions; surrounded by a journey of play – as playful liberation. Central to this awakens the forum echoed to become one that belongs to all generations for voices to be heard, for protests and concerns to be said aloud: yesterday, today, and tomorrow.

CHRISTINE JORGE

christinepjorge@gmail.com

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