由五位年輕策展人／藝術家所策劃的ㄧ場關於孤寂、旅行、記憶的當代藝術饗宴。 「當代策展」團隊指導教授：陳明惠
A feast of contemporary art on the discourse of loneliness, travelling and memory, organized by five young curators/ artists. Supervisor of the ‘Contemporary Curation’ team: Ming Turner
參與孤寂 PARTICIPATORY LONELINESS
Curator Artists
Hana Librenjak Goran Škofić Maja-Iskra Vilotijević Mario Pućić Maja Jelušić 郭敬耘 Chin-Yun Kuo 楊詩怡 Shi-Yi Yang 李葳靜 Wei-Jing Li 鐘錦沛 Jin-Pei Zhong 郭娟寧 Juan-Ning Kuo
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INTRODUCTION This exhibition seeks to explore the issue of loneliness in today’s society through the eyes of international and Taiwanese artists using a variety of media, including photography, installation and video. Encountering loneliness is unique for each individual; at times it can be seen as a struggle, void of communication, a sense of separateness resulting in isolation, or as a natural and integral part of being human. The works embody the dichotomy of loneliness and solitude, and reveal personal experiences of the artists dealing with diverse aspects of loneliness. Since loneliness is generally considered as a passive state, the participating artists adopt an active approach to the issue – using creativity, reflection, creation and aspiration for self-actualization in an attempt to achieve disalienation in a postmodern world. Towards that end, gallery space would act as a place where ritualized "healing" of loneliness is performed.
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CURATOR
Hana Librenjak Participatory Loneliness is curated by Hana Librenjak, a researcher and curator based in Zagreb, Croatia. She holds a Bachelor's Degree in New Media and Journalism and currently finishing MA in Museology at the Faculty of Humanities and Social Sciences in Zagreb. During her internship at the Museum of Contemporary Art of Istria she has begun to explore her interests in working on cultural and artistic projects that are socially conscious and which cultivate understanding of the power of art relevant to today’s society. -7-
2010 Video projection (color, sound) 04:56 min. Goran Škofić, an established Croatian artist, whose work is based on extracting various sequences from real-life by placing them into a new context through image manipulation, examines loneliness refracted through the prism of isolation in an imaginative world where one is confronted with the numbing nothingness. His video installation depicts a figure that is twitching and squealing, surrounded by white, blank oblivion. The figure illustrates a manipulated individual, who by erasing the context and circumstances is left alone in the world. Tormented by its isolation, the figure is only capable of producing shrieks that no one can hear, since it is encircled by the void of communication.
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GORAN ŠKOFIĆ
CONTROLLED Goran Škofić
Goran Škofić was born in Pula in Croatia in 1979. He graduated at Art academy Split in 2005. Škofić uses his works to explore and problematise the position of the individual within the various social spheres of contemporary life. Social control, manipulation, the shortcomings of the body, the social aspects and absurdities of everyday life are the ever-present themes of his approach. His works include photographic and video collages, video performances, film and sound, spatial installations. Škofić has exhibited in many galleries at home and abroad, including presentations in art institutions and schools, and has taken part in international festivals and biennials. In 2009 he won the Radoslav Putar Prize for the best Croatian artist up to the age of 35. He has obtained several grants and spent time in artistic residences in Europe, North and South America.
THIRTY ONE Maja-Iskra Vilotjević
2013 Video Projections (color, sound) 02:37 min & 19:23 min
Maja-Iskra Vilotijević was born in 1981 in former Yugoslavia. She studied Landscape Architecture in Belgrade, Vienna and Valencia, where she earned the degree of Master of Science in 2007. Since 2104 she holds Master of Arts from the University of Applied Arts in Vienna. In 2010 she published a book titled "Space (re)construction in film". Vilotijević currently lives and works in Vienna at the interface between film, dialogue and knowledge transfer.
MAJA-ISKRA VILOTJEVIĆ
In the video installation by Maja-Iskra Vilotijević the two central characters represent the inner struggle that is experienced while feeling lonely. Artist’ view on loneliness creates an eerie allusion of constant suffocation and the perpetual inevitability of facing the most common attributes of loneliness, which is depression and hopelessness.This video transforms the common monologue that occurs deep within each individual into a demonstrative, omnipotent dialogue.
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UNTITLED FROM THE SERIES NO MONUMENTS WHILE TRAVELING Mario Pućić 2013 Chromogenic Color print 40cm x 40cm
No monuments while traveling is a series of photographs by Mario Pućić collected at the locations that are in any way isolated. In a minimalistic setting, Pućić provides a narrative through his anti-topographical approach in which the discourse of travelling is stripped away from its form and function. Artist takes the individual on an isolated journey where existentialism and loneliness cross their paths.
MARIO PUĆIĆ
Mario Pućić was born in 1984 in Rijeka, Croatia. He is studying Cinematography and the photography at the Academy of Dramatic Art in Zagreb. Pućić exhibited nationally and internationally in museums and galleries such as Museum of Arts and Crafts in Zagreb and o. T. Projektraum in Berlin.
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2013 Art Book 20 cm x 20 cm
Maja Jelušić’s art book represents a diary of text messages, which were written every day at a certain hour, but were never sent to anyone. They are introspective monologues resulting from the desire for dialogue and exchange of feelings, meticulous notes offsetting the modern communication in which pictures increasingly prevail.
MAJA JELUŠIĆ
COME ON DON'T LET IT Maja Jelušić
Maja Jelušić was born in 1976 in Split, Croatia. She has a degree in textile design from the Faculty of Textile and Technology in Zagreb and a degree in museology at the Faculty of Humanities and Social Sciences in Zagreb. Her works were exhibited in many galleries throughout Croatia, Slovenia and Serbia. The author presents paintings, creations, graphic design and installations. - 11 -
CHIN-YUN KUO
Cetus, Kuo-ChinYun was born in Taichung in 1989, graduated with a BA in Architecture Design from Shih-Chien University in 2013 and now studying at Shih-Chien University Institute of Communication and Media Design. Her works mainly focus on mixed media installations, video and photography. In 2011, she started to use silicone as a medium to redefine the boundaries between individual and the universe. She accomplished a few pieces of silicone series,such as “My Bastard Son”,”Faces”,”Phantom Limbs”. In 2012, her award-winning work “My Bastard Son” series has been commented as”sharp and naked, which in the eyes of female creator causes even more dizziness.”
MY BASTARD HEIR Chin-Yun Kuo
2012 Silicone, Mixed Media, Video Projection 200 x 120 x 80 cm In Cetus Kuo-ChinYun’s work the disunion of solitude and loneliness is portrayed through her creational process where she uses silicone as a medium. She views silicone as a metaphorical substitute for human skin, as it is the first medium one uses to connect with the outside world. She outlines a shape of a human body with needles and thread in order to create her bastard with the most meticulous and precise care. Her Bastard Heir therefore reveals intrapersonal motives towards solitude which are guided by the ongoing creational process.
SHIH YI YANG
Shih Yi Yang was born in Hsinchu in Taiwan in 1985, where she currently lives and works. Most of her works are subtle and created by ordinary materials(memo paper, dust, cans). With her consciousness and experimental spirit, the amount of work that she spends in creating her artworks is immense, as to convey both the slight alterations of time in physical and mental terms and life’s inevitable temporariness and lightness.
MURMURING Shih Yi Yang
2010Paper, Glue Dimensions variable Shih Yi Yang's captivating installation depicts how one can achieve the near Zen experience and self-fulfillment through art creation. In her art work time and space play a great role. Both can be materialized through mathematic formula. Artist explains how she has: “stuck 47065 cubes and 100033 squares on 167 papers of 600 grids paper until now. It also consumed 334925 square papers with dimensions of 0.5×0.5cm. Furthermore, the time invested in creating the art work is as follows - 1066.4513888888 in a stress free environment which assemble hour as the basic unit of time.“ Yang's work reveals the state in which she finds comfort and completion in her solitude. - 13 -
TAIWAN BUS Wei-Jing Lee
2014 Video Projection (color, sound) 02:00 min
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Lee, Wei-Jing was born on October 19th 1990 in Kaohsiung, Taiwan. She earned a Master's degree at NTUA at the Department of Multimedia and Animation arts. She is a video artist specialized in film effects. Some of her works include 《 卡 司 蹦 》 and《 36小 時 拍 片 計 畫 此刻》 . Her video art pieces have been displayed in different venues in Taiwan, including Taipei World Trade Center and National Taiwan Normal University.
WEI-JING LEE
Taiwan Bus, a video installation by Lee, WeiJing criticizes the modern day situation in Taiwan where people are self-consumed in their own worlds and indifferent to what is happening around them. They are alienating themselves in order to gain meaningless approval via social networks. The figure in the video is aware of the challenging times that are happening in Taiwan, but is alone in that matter, as everyone else is blinded by their own selfishness.
FACE THE LONELINESS Zhong Jinpei
Face the Loneliness by Zhong Jinpei follows his journey through different faces of loneliness. When he suddenly left the familiar and the creative environment in order to move to a different city, it brought a sense of inner loneliness. His art work depicts the embroidering of the words Face the Loneliness on a towel that he performed for four months, and in which he found comfort. To him it effectively improved the mood of loneliness in his mind. What once seemed like a real struggle, he found that through the direct confrontation with it, the feeling of loneliness was mitigated.
Zhong Jinpei was born in 1986 in Yangjiang (Canton), China. In 2009 he received his BFA from the Centeral Academy of Fine Arts in Beijing, China. He lives and works in Yangjiang. He had solo exhibitions Incompatibility at Soka Art Center, Taipei (2014) and Zhong Jinpei at SZ Art center, Beijing (2013). Zhong Jinpei uses media such as painting, installation and video creation. His artistic expression is guided by the unique perception of tiny, simple things in life.
ZHONG JIN PEI
2010 Embroidered towel and text Dimensions variable
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不擅言詞， 但能少少的慢慢的紀錄下 我愛的你們。
Juan-Ning Kuo 2013 Art Book 15 cm x 15 cm
Juan Ning Kuo’s art book embodies her personal experience with the feeling of loneliness, but through the eyes of her grandfather after losing his wife. In her photographs we can see the lonely life of her grandfather in his mundane everyday life, which guides us directly to the utmost state of loneliness - one that a person has to face after losing his loved one.
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JUAN-NING KUO
Juan-Ning Kuo was born in 1992 in Tainan, Taiwan. She graduated from Da-Yeh University at the Department of Visual Communication Design. Her ventures in the enjoyment of life, allow her to describe them and express them through her artworks. She currently works in the television industry.
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情詩投河 LOVE POEM RIVER
Curator & Artist 何景窗 Ching-Chwang Ho
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INTRODUCTION
Back in London, I was asked by a friend whether or not I could accompany him to the River Thames. He wanted to throw away a collection of poems which he had been written to a person for years but never sent out. On the phone, I was silent for a while. The massive love he had been carrying for so long would be cast away into the river. I was too overwhelmed by the beauty to utter a word. 2014, the Valentine's Year. Before the spring arrives, I dream to make a river drifting with love poems in eslite xin-yi bookstore. Now I bring it to NCKU. - 20 -
ARTIST & CURATOR
Ho Ching Chwang
Birthday: 13th Feb 1976 Nationality: Taiwan Email: chwangchaos@gmail.com Education: 2013PhD/ Institute of Creative Industries, NCKU 2002-6 MA/ Institute of Sound & Image Studies in Management Studies, TNUA Published 2011 Prose collection«The Homesicker» Exhibitions 2014 «Love Poem River»The Slience of Loneliness Group Exhibition, NCKU Art Center, Tainan 2014 «Illusion Of Having Sex With Prostitute in Jang Nan», 6th Xi'an Reproductive Health Products Expo | Xi'an Sexual Culture Art Festival, Xi An 2014 «A Toot And A Snore II» Solo Exhibition, Solidart, Taichung 2014 «A Toot And A Snore I» Solo Exhibition, Mogu, Tainan 2014 «Love Poem River»Solo Exhibition eslite xin-yi bookstore, Taipei 2012 «The Homesicker»Solo Exhibition TNNUA, Tainan 2010 «Association of Mussels», 8 Femme Group Exhibition TAMTAM 8, Berlin 2010 «Erotic Poem»Genesis: Art for Haiti, The Rag Factory, London 2007 «Ho Ching Chwang»QATAO Group Exhibition, SingArt, Tainan Awards 2012 «The Present»Golden Horse Award Nominated of Best Short Film (Screenwriter) 2011 «One Hundred Years of Solitude»New Artist of Chinatimes Literary Award (Meanwhile, 2011 was Centennial celebration of Taiwan R.O.C) 2005 «Taipei Spleen»Liang Shi Qiu Literary Prize 2005 «Mirror»Literature Creation Award of Ministry of Education - 21 -
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戰神的子民： 鄒族 THE CHILDREN OF ARES: WAR CEREMONY OF THE TSOU
Curator Artists
沈文婷 Novia Shen 謝坤宏 謝福祥
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INTRODUCTION Mayasvi, war ceremony, is significant festival for the Tsou. Traditional Tsou men work for hunting and fighting. Mayasvi is a ritual to pray to the god of war for combat capability. Therefore, by the photographer's wishes to record the moments in the ceremony. The meaning of traditional ritual was converted into images to capture the good emotions throughout the ceremony. Those series pictures are about Mayasvi. The mayasvi war ceremony is a ceremony that involves the whole village and which asks the god of war to protect the warriors and encourages the people of the village give their all to protect the village. Prayers are offered to the god of war and god of heaven.
CURATOR
Novia Shen
"I come from Tainan. Now I study in the Institute of Creative Industry Design, NCKU. This is my first curatorial experience. Later, I held another small curating in August in Dream Corner, which is a complex backpackers inn in Tainan."
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ARTIST Joey Hsieh
He is a member of Institute of photographic society in Chiayi city. He works in the Forest Management Office in Mt.Ali in Chiayi. Because of his job, he always contacts with one of the world's most beautiful scenes. In order to capture the image of the moment rather step on the road to the photographer.
GAZE 凝視 Joey Hsieh
2013 Digital Photography 594mm*841mm
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HOLY CUT TREE 砍神樹 Joey Hsieh 2011 Digital Photography 594mm*841mm
SPLENDID ATTIRE 盛裝 Joey Hsieh 2013 Digital Photography 420mm*594mm
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1
2
3
4
1 CALL 招喚 Joey Hsieh
2013 Digital Photography 594mm*420mm
2 SING 吟唱 Joey Hsieh
2013 Digital Photography 594mm*420mm
3 FIRE 燃聖火 Joey Hsieh
2011 Digital Photography 594mm*420mm
4
WELCOME ARES 迎戰神 Joey Hsieh
2013 Digital Photography 594mm*420mm
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DEBUT 初登會所 Joey Hsieh
2012 Digital Photography 594mm*420mm
ON THE LADDER 天梯上 Joey Hsieh 2012 Digital Photography 594mm*420mm - 32 -
ATTENTION 注目 Joey Hsieh 2011 Digital Photography 297mm*420mm
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行旅‧憶 TAIWANESE ODYSSEY: A GLIMPSE OF COLLECTIVE MEMORY
Curator Artists
吳旻珊 Michelle Wu YH Et Chen 莎漠蟲 施霈嚅 葉羽桐 妮培榮
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INTRODUCTION 旅行的面貌是千變萬化的，因為牽涉「旅行」這件事的人、事、時、地、物都 是會變的、流動的。本展集合了五種媒材與視角，以呈現藝術家們的旅行回 憶，這些回憶片段在展中羅列的方式呼應了旅行回憶「在心中的角落積累」的 狀態，以捕捉回憶在腦海中那種若即若離卻不能抹滅的狀態。 The presence of traveling is ever-changing, due to things happened during the “traveling” entails changeability and fluidity. “Taiwanese Odyssey: A glimpse of collective memories” includes 5 different mediums and point-of views, to present the artists’ memories of traveling. The way the pieces were displayed in the exhibition is to correlate to the compilation of memories in the back of one’s mind, as how the memories are minor, yet non-removable.
CURATOR
Michelle Wu -
2014年 英國Charnwood Arts藝術機構 實習生 典藏出版社「跨界:當代藝術中的游離與鄉愁」校稿 台北當代館 後人類慾望 國際藝術展 工作人員 成功大學 創意產業設計研究所 碩士 底比斯工作室 負責人
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啟航
2012 Digital Photography 8K 穿越隧道口, 慢慢地往海的方向前進, 越 往海的一方, 天空的顏色就更加柔和, 原 先封閉剛強的心, 也隨著夕陽漸下的景給 融化了, 這片天空安靜地伴隨你, 彷彿一位 老友, 陪伴你坐看這片西灣海。而傍晚的彩 霞，用最溫柔的顏色目送我們離開，船則緩 緩地行駛在深藍色的海上，跟著一望無際的 大海追尋遠走的勇氣。
施霈嚅
施霈嚅
我來自高雄中山大學, 一個能每天騎車看海 上學的學校, 一個能在圖書館邊念書邊觀海 的學校, 而特別是傍晚的彩霞伴隨著海的風 景, 是每個人都會不禁駐足的時刻, 因此心 情好的時候就看海, 心情不好的時候就更要 讓海浪沖刷你的煩惱, 每一個時刻都像是海 有話要說, 於是按下快門, 捕捉了海與夕陽 的對話, 也捕捉了當下看似巨大其實微小的 煩惱。 -西灣人文攝影比賽第二名 -咱老愛老攝影比賽西灣獎 -2012底比斯工作室X西灣人文攝影比賽
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ET CHEN
-共同策劃校內「牆吻」攝影展 -印製「聞腋青年」設計t恤 -與室友共同經營「欸福6 0 9」美食粉絲頁， 並創作「很會吃」屏東美食電子書 -與夥伴共同創立「偷偷喊我」手作品牌，不定 期上架、擺攤 -提出「獨立」生活概念，並在各地拍攝獨立 照，引起許多共鳴 [她有圖檔 我另外傳給你!]" -西灣人文攝影比賽第二名 -咱老愛老攝影比賽西灣獎 -2012底比斯工作室X西灣人文攝影比賽
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獨立 ET CHEN 2014 Permanent Marker 8K 喜歡旅行，渴望獨立。 簡單抓了些必需品， 塞進背包，帶上一顆冒險的心。 走吧，去哪都好。 "Et Chen 熱愛嘗試各種事物，腦子裡有 亂七八糟的想法，喜歡諧音冷笑話。 容易受感動、試圖感動人的外星人。
YH 2014 Color Pencil 38.4 cm x 26.4 cm
YH
以終為始
YH相信每一雙能創作的手，都是來自 老天的禮物，也有祂要借此完成的任 務。願每張圖都有力量，願每張圖都 有靈魂。最大的心願，就是每個作品 孩子，帶著自己的生命和我的祝福， 走到世界的每個角落，發光發亮。
生命從一出生就逐漸走向死亡； 所有旅程的唯一終點就是回家。 就像雨水在離了雲朵後，無論中間歷經 溪流、河川、汪洋、蒸發、凝固、結 晶，最後的依歸始終是那一片朗朗高 空。旅程，是沿途的陰晴風景，而目的 地始終是家。心願意停駐的地方，就是 你的家。
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飛山麗部 莎漠蟲
2013 Digital Art 42.4 cm x 30.1 cm 旅行是為了看，看更多不一樣的世界。為什麼同一片天 空下的這個日本，這麼美。在同一個地球上的我，是不 是能夠也夠「看」透呢。
莎漠蟲
莎漠蟲想要以一個小文青的感覺去旅遊，但是總是變回 最真實的那個自己。 漫畫作品： 《奶奶的願望》參賽2014新北市動漫畫徵件 《玻璃缸裡的雙魚座》 插畫作品： 《MIDA夢見》插畫比賽 《將軍之屋故事》書本插畫 微電影作品：《run吧阿吉》萬年溪微電影最佳創意獎 《玻璃缸裡的雙魚座》參展青春設計節 《360°愛》屏教大校園微電影入圍 《忠於本色》安全性行為短片第三名"
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巴黎貓劍客 葉羽桐
2014 Water and Ink 42.0 cm x 59.4 cm 受邀參加2014法國安古蘭漫畫節的漫畫作 品，故事為台灣貓劍客在巴黎旅遊時的小小 冒險故事。
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葉羽桐
自小目標畫漫畫，目前期望以水墨漫畫帶出東方媒材的神祕感和意象。 重要獲獎紀錄： 2007《BARBAROSSA》 2007亞洲青年動漫大賽〈AACC〉最佳學生作品獎 2008《Bang! Bang!》97年度國立編譯館漫畫達人競賽優勝 2008-2009《烈士》 行政院新聞局劇情漫畫獎新人組優勝 2010《多情劍》入圍MICC日本講談社國際新人漫畫賞、大陸第七屆金龍獎、行政院新聞 局第一屆金漫獎 最佳漫畫潛力獎優勝、2010第四屆『日本外交部 國際漫畫賞』銅獎 2012《秘劍微雲》大陸第九屆金龍獎 最佳成人漫畫提名獎 2012《小貓》國家出版獎佳作 Hiii Illustration國際插畫大賽 最佳作品獎 2012《武侠》《Pray for Japan》Hiii Illustration國際插畫大賽 優秀作品獎 2013 水墨畫《舉國皆兵》國軍文藝金像獎暨空軍藍天美展 銀鷹獎 2013《空軍灰布布大兵日記》國軍文藝金像獎 銅獎 2012年與《BLUE WAY 鬼洗い ET Boite 地藏小王 》牛仔褲 合作產品形象動畫 2013年與電影《花漾 》合作產品週邊 2014 法國安古蘭代表參展漫畫家
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蹦
倪培榮
2014 Digital Photography 38.4 cm x 26.4 cm
倪培榮
你有多有沒有抬頭看看天空了呢? 現在的時代,大家總是十分忙碌,只會 注意眼前的事物,卻忘記身處的天空 是多麼美麗動人
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每次旅行後總想留下一些什麼,攝 影能讓我留下那個驚奇的瞬間， 在我旅行後留下一些東西。
參天
倪培榮
20142 Digital Photography 38.4 cm x 26.4 cm
旅遊就是要迷路,這次在鹽水迷路了。最喜 歡不受拘束的旅行,不需要詳細的規劃,說走 就走,盡興的亂走,對我來說，這才是最棒的 旅行,毫不知道會什麼東西會出現在眼前。
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浸默行旅： 在我與他者之間 THE SILENCE AND ITS VOYAGES: THE SELF AND OTHERS
Curator
簡維新 Wei-Hsin Chien
Artists
束昱 Yule Shu 張國益 Kuo-Yi Chang 林亮宇 Liang-Yu Lin
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透過攝影作品玩味旅行中的孤獨。
To experience loneliness during trips, an idea to explore the feeling of being alone through photographical artworks.
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囚房，金邊，柬埔寨 PRISON ROOM, PHNOM PENH, CAMBODIA Digital Photography
陽光輕輕地灑落 帶給這空間唯一的光明 卻怎麼也溫暖不了 那 乘載著無數痛苦記憶的冰冷鐵床 如今床上空無一人 只留下沉甸甸的腳鐐 你想知道 這裡如何從培養莘莘學子的高中校舍 成了赤柬政權折磨無辜人民的集中營 開了口 卻無人應答 於是靜默地站在門口 遠遠地看著
天橋，宿霧，菲律賓 PLATFORM BRIDGE, CEBU, PHILIPPINES Digital Photography
女人從馬路的右端 踩著輕鬆的步伐 穿越等紅燈的靜止車群 左方的車不停地來 她知道她就快到了 卻沒有人肯幫她 紅燈轉綠 車輛起步 她無路可退 只能等待時機到來 她左顧右盼 開始慌張 在兩條黃色的平衡木上 搖搖欲墜
The woman came from the right side of the road, with a tender steps, crossing the stationary cars which are waiting the red light. On the left side of the road, none of the coming cars would stop for her as a favor even if she knows that she's almost there. She only can wait the right moment since there's no way back. Glancing left and right, she's getting nervous, losing the balance to stand on the yellow lines. - 50 -
無聲的死亡 四川近西藏 THE MUTE DEATH IN SICHUAN NEARBY TIBET Digital Photography (前一頁p.49) 死亡是究極的孤獨。
The death is the extremely loneliness.
Slightly spraying the sunlight which is the only brightness of this space. However, it could ever warm up the iron bed filled with thousands of suffering memories. Now everyone left but only the heavy fetter. Have you ever wanted to know how it's become a prison for innocent people from the students' dormitory of senior high school under the power of Khmer Rouge. It's a question without answer. I only stand at the door, silently, staring at it in a distance.
螺旋樓梯， 梵諦岡博物館， 梵蒂岡 THE SPIRAL STAIRS, VATICAN MUSEUM, VATICAN Digital Photography
從上往下看，人們走在唯一的道路 上，不知道樓梯的底端會通往哪裡， 但人們看了指標"出口"便走，想找另 一條小徑走卻遍尋不著，想到社會是 否也是這樣，決定未來時也照著那些 指示、標籤，但路的盡頭是? 岔路上，大多是孤單的人。
Looking down the stairs, people walk in the only path even they don't know where they're going to. They just follow the indicator of "Exit" even if they'd like to get another way out, they just can't find it. Isn't it like the social phenomenon? We always follow the indicators without awareness of the exit. The people on the branch road are always lonely.
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SUNRISE ON THE TOP 越南飛往德國
FROM VIETNAM TO GERMANY Digital Photography
清晨五點多，機上旅客沉睡著。望著 飛越亞洲和歐洲交界的天空，獨自和 這世界訴說對展開新旅程的興奮與不 安。
Around 5 early in the morning, all the passengers keep sleeping on the plane. Looking at the common border between Asia and Europe, I whisper alone to the world about my emotion and anxiety for a new trip.
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總是孤獨的向著海洋， 台東 ALWAYS BEING LONELY TO THE SEA, TAITUNG Digital Photography
這稻草人屋，自己看了許多次太平洋 的日出；這稻草人屋，陪過多少來 東海岸追尋平靜的旅人，看過幾次日 出？
The shadow of the cottage forms invisible sight who has watched thousands times of Pacific sunrise. How many times has it accompanied the travelers seeking tranquility in the eastern coast to see sunrise.
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TO THE WONDERFUL WILD 德國明斯特
MÜNSTER IN GERMANY Digital Photography
生平第一次，乘著四十多年的老賓士車駛進德 國的森林。在這有點夢幻的時刻，你在想些什 麼？
For the first time in my life, the forties-year-old Benz takes me in the German forest. What will you consider in this fantastic moment?
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靜默現身， 經過時請務必小心。 BE CAREFUL AS YOU PASS BY WHEN THE SILENCE APPEARED. Digital Photography
TO UNKNOWN 屏東
PINGTUNG
Digital Photography 我忘記為什麼要讓世界傾斜，只記得 它依然會帶我去未知的遠方 — 即使 未必在軌道上。
I forgot why I've tilt the world but only remembered it lead me to the unknown distant place-even it's out of the normal road.
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UNTITLED
Digital Photography 雙雙相伴，依舊無法掩飾心底的荒 蕪。蔓延的，是欲言又止，是存於 空氣間的沈寂。彷彿，一個人與另 一個人。但願，希望猶在眼簾。
The companion can't cover the loneliness in the deep heart. The unbearable silence spreads in the air just like if they were strangers. Wish the hope is still alive in the eyes.
UNTITLED
Digital Photography 陰影，於片刻的嬉戲中留下足跡。 不會說話，也無需說話。言語被定 格，依偎在身旁的是，光影。
The shadow left its footprints in the temporary games without a word and the fact is that it doesn't need one. The words were saved right at that moment with the light and the shadow's companion.
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Visual Graphics
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4 1. Poster 海報 2. EDM 電子手冊 3. Banner 大海報 4. Invitation 邀請函
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Color Palette - 61 -
由五位年輕策展人／藝術家所策劃的ㄧ場關於孤寂、旅行、記憶的當代藝術饗宴。 「當代策展」團隊指導教授：陳明惠 A feast of contemporary art on the discourse of loneliness, travelling and memory, organized by five young curators/ artists. Supervisor of the ‘Contemporary Curation’ team: Ming Turner
展覽日期：2014年6月17日－2014年6月20日 展覽地點：成大藝術中心／台南市東區大學路1號 Exhibition Dates: 17 June – 20 June 2014 Venue: NCKU Art Centre No. 1 Daxue Rd, East District, Tainan City, Taiwan
主辦單位：國立成功大學創意產業設計研究所 Organiser: Institute of Creative Industries Design, National Cheng Kung University © 本畫冊之所有圖檔與文字版權歸屬藝術家及策展人 © The artist and the curator hold the copyrights of all texts and images
2015年3月出版 設計：賴宥軒 出版：國立成功大學創意產業設計研究所 Published in March 2015 Designed by Christine Lai Published by Institute of Creative Industries Design, National Cheng Kung University
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