“God speaks through all things and everywhere there are spirits – though to keep like intelligible we lock these off. ” -- <Fanny and Alexander>, Ingmar Bergman, 1982
"Today, I want to tell you a story. The story starts on an ordinary evening; I was walking along the river Thames when a boat appeared on its bank."
"I came close and saw this boat, it had a yellow box inside. I opened the box. Inside were lots of strange drawings, and fragments of nature."
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33m
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64m 27m
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"I picked up a scale, wider than my hand. On it was a map that depicted the city of London, only covered in monsters. I was surprised that right next to my apartment – near Regent Park, and Primrose Hill – there was a big one. I held the scale close and looked into the monster’s eye (at the peak of Primrose Hill); in it was a giant, composed of many smaller monsters."
29m
Primrose Hill 41m
34m
43m 33m
Archive No.025 - Monster's skin
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ZSL Londo Zoo
27m
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24m
40
m
37m
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40m
47m
43m
36m
③
34m
39m
The Regent's Park m
39m 30m
35
42m
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38m 32m
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30m
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Archive No.024 - A piece of monster's scales
28m
36m
① Primrose Hill ② ZSL Londo Zoo ③ The Regent's Park ④ Queen Mary's Rose Gardens ⑤ Bird sensonal immigration ⑥ Regent Canal ⑦ Boating Lake Proposal site
Left:the view from bottom to top Right: The view from top to bottom
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Taking the Regent's Park and Primrose Hill as an example, the whole land was haunted by the ghost of a huge monster.
However, if we focus on the monster's eyes, we will find a giant lying inside.
When we look closely at the giant, It will be discovered that this giant's body is made up of smaller monsters.
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25m
22m
27m 24m 22m
The whole view of the giant (From left to right: Archive No. 008 - Head of giant, No. 014 - Chest of giant, No. 068 - Belly button of giant, No. 087 - Legs of giant)
PENG
The protagonist of the today's story
"At the giant’s navel was a monster made of half bird and half fish. The poems in the box called it Peng, it is the protagonist of today’ story. Once in the body of the giant there lived a poet. They were lovers who only whispered on the wind. Peng was born of a monstrous bird and an equally monstrous fish; he was windknowing, and so it was that the poet stayed in Peng’s body to wait for wind to hear from his giant lover."
THE SONG OF PENG In the northern ocean, there is a fish, called the Kun, I do not know how many thousand miles in size. This Kun changes into a bird, called the Peng. Its back is I do not know how many thousand miles in breadth. When it is moved, it flies, its wings obscuring the sky like clouds. When on a voyage, this bird prepares to start for the Southern Ocean. When the Peng flies southwards, the water is smitten for a space of three thousand miles around, its breath forms a great wind, while the bird itself mounts upon the wind to a height of ninety thousand miles, for a flight of six months' duration. And for this bird, a depth of ninety thousand miles is necessary to bear it up. Then, gliding upon the wind, with nothing save the clear sky above, and no obstacles in the way. There mounting aloft, the bird saw the moving white mists of spring, the dust-clouds, and the living things blowing their breaths among them. It wondered whether the blue of the sky was its real colour, or only the result of distance without end, and saw that the things on earth appeared the same to it. A cicada and a young dove laughed, saying, "Now, when I fly with all my might, 'this as much as I can do to get from tree to tree. And sometimes I do not reach, but fall to the ground midway. What then can be the use of going up ninety thousand miles to start for the south?" The fungus plant of a morning knows not the alternation of day and night. The cicada knows not the alternation of spring and autumn. How could momentary exist realize eternity? The cicada and the young dove asked him, “Now, why didn't you fly directly to the edge of the universe, but stopped at this small and normal place?” I fly 800 kilometres by the wind every day, breathing with all living beings. With the earth to travel 40 thousand kilometres, with the Galaxy to swing in the boundless universe. What’s the difference? Eternity is not an answer, it is in the process. Follow the nature of the universe, roaming through the realms of the infinite, upon what, then, would such a one have to need to depend? However, Peng is only a part of a larger life.
"I pulled through the poems, and delicate pieces, trying to restore an appearance for Peng. "
"I felt that I knew him from the drawings, and poems, and the monstrous bits left behind." This is one day in the life of the poet: "The poet climbed to an entrance along Pengâ&#x20AC;&#x2122;s legs. Through thick curtains, he walked onto a narrow corridor with animal fur soft on each arm. The poet sat gently in the ear, waking up the sleeping pupa. He was waiting for the familiar voice of the giant. Suddenly, Peng started to sing. The wind flowed from his beak. Every breath brought fresh detail of the giantâ&#x20AC;&#x2122;s love for his poet. "
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⑨ ① Peng's tale - The tunnel for blowing away paper
⑥ Wind sensor (elevation)
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② Poet's entrance
⑦ Wind entrance (elevation)
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③ Wheels to rise up wings (elevation)
⑧ Peng's horn - chimney (elevation)
③ Wood board the floor (inside)
④ Chair (elevation)
⑨ Book holder
④ Peng's leg - ladder
⑤ Writing table (elevation)
① The tunnel for blowing away paper ② Poet's entrance
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C
⑧
Wind Flow
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① Cherry tree ②
② Peng' s mouth - flute ③ Peng's wing
"When Peng raised his wings, the poet felt them both flying smoothly alongside the wind."
Peng's body (plan and elevation )
1M
2M
"As I read of their love, I wanted to feel the rich wind, and so I learned to fly. For me, the wind was a language I could control, combining direction, force, temperature, sound, and smell."
I was practicing paragliding
The principle of paragliding
"Peng faced southwest, welcoming every wind. The wind brushes every inch of Peng's skin and passed through its body with Peng's breath."
Peng narrates the wind into three sentences : The wind is coming: The giant says – How are you.
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OU EY
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WA HO
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... YS A S
A GI
main wind direction
WIND IS COMING ! Peng's top view
NNW 2.5%
N 4%
NNE 4.1% NE 7.6%
NW 3.9%
ENE 6.9%
WNW 5.4%
48m
60 m
64m
W 6.5%
E 5.2% 43m
45
WSW 9.6%
m
ESE 2.4%
50 m
SW 10.9%
SE 2% SSW 16.2%
41m
S 8.8%
SSE 4%
43m
① The wind blows the flute ② The wind blows through Peng's body ③ Wind paddles the wind sensor
Wind direction distribution in year (%)
37m
WIND LANGUAGE A - WIND IS COMING! A SECRET SIGNAL FOR THE POET "This was Peng’s secret code for the poet. The wind whipped along a fish fin on Peng’s belly, pulling at little wings on a little Peng. "
Quill-pen Quill-pen
Pulley wheel
Ink
Ink Rope
Wings made from fish scales
Wings made from fish scales
Rope Pupa table
Pupa table
Little Peng front view 1:8
Little Peng section 1:8
Little Peng's components according to the Cabinet of Curiosity
Bottom skin
Bottom skin
Wood rod
Wood rod
Wood ring
Wood ring
Wood panel
Wind sensor little Peng
Wood panel
Natural wind
Wind sensor section 1:8
Wind sensor front view 1:8
WIND LANGUAGE A - WIND IS COMING! A SECRET SIGNAL FOR THE POET "The poet judged the force of the wind by these wings and turned pulley rings near his hand to raise Peng’s wings. finally, they drifted together in the wind."
chain system
pulley system
Beam diagram
④ Chain Ring B
③ Little Bird ② Chain Ring A ① Wind Sensor
⑥ Pulley Rod
⑤ Fixed Pulley
④ Chain Ring B
② Chain Ring A
⑤ Fixed Pulley
④ Chain Ring B
③ Little Bird ② Chain Ring A
① Wind Sensor
⑥ Pulley Rod
WIND LANGUAGE B - THE GIANT SAYS... A DIALOGUE BETWEEN THE POET AND SOUTHWEST WINDS "The wind came through the body of the giant, through Peng’s beak and pass over the poet’s shoulders. "
Oak Wood Wood panel as a window Metal spindle Wood panel facing the wind
Metal spindle Reference from Archive No. 30- Aeolian flying across the wall Three wind tunnels Spring pulling the lower beam
Beak detail 1:8 Oak Wood
front
side
back
Beak plan 1:20 Natural wind Metal flute
Oak wood
Oak wood
Metal panel for cooling the air
Spring pulling the lower beam
Metal spindle
Metal spindle
Warm air
Cold air
raw wool on the surface
winter airway keep closed
copper panel
Wood frame on the main body
OUTSIDE
summer airway keeps closed
Natural wind
INSIDE
Wood panel facing the wind
WIND LANGUAGE B - THE GIANT SAYS... A DIALOGUE BETWEEN THE POET AND SOUTHWEST WINDS
"The poet replied in a poem, returning it on the wind through Pengâ&#x20AC;&#x2122;s tail as a circle of loving discourse."
Outer copper ring
shaking tail (inner copper ring)
Natural wind INSIDE
Peng's Tail
Wood frame Rope Outer copper ring Paper blowed by wind Paper with poem writing on it Wood-carving hand holding the paper Inner copper ring
INSIDE
Tail Detail 1:20
OUTSIDE
OUTSIDE
ZSL London Zoo
WIND LANGUAGE C - HOW ARE YOU? GREETING TO OTHER ANIMALS "The wind passed through Pengâ&#x20AC;&#x2122;s beak with a sharp sound; this sound was a greeting to the animals in London zoo."
Wood pipe instrument
outside
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Peng weas made of the world around him. Animal wool, thatch, willow rods, and fish skin came from the Zoo, Fisher Lake, Regentâ&#x20AC;&#x2122;s Park, and so on.
Local fish monger - whole fish skin to make Peng's wings
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33m
The neighbors - the hair of domestic pets
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64m 27m 44m
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ZSL London Zoo - the hair of animals
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41m
43m 33m
Archive No.028 a fragment of Peng's wings The Regent's Park - lawn thatch for outside insulation
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The Regent's Park - different woods for making structure White Oak
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Archive No.019 a piece of Peng's skin
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36m
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39m m
Blue Atlas Cedar
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Archive No.012 a piece of Peng's skin
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White willow & English yew tree
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40m 30m
36m
38m 38m
Archive No.025 a piece of Peng's skin
Boatinig Lake: Bird feather, park's ornamental waterfowl feather and fish skin
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34m 28m
36m
Archive No.030 a piece of wood bone
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28
Proposal site
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34m 34m
66m 70m
m
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35
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37m
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58m
PENG'S SKIN - WINGS 64m
60
37m
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33m
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"The skin on Pengâ&#x20AC;&#x2122;s wings showed signs of the ocean; glistening scales and oily skin caught the light as they moved." 34m
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50
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42m
Process of tanning fish skin to leather
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2.6 m
30m
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29m
The fish skins are came from : Local fish monger ZSL London Zoo Boating lake
Peel the skin off 33m
48m 60 m
64m
22m 27m
44m
43m 45 m 50
33m
m
34m
41m
43m 33m
Get the meat and scale off the skin
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42m
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22m
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39m
Wash it with clean water for 5mins
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36m
Proposal site
28m
7.5 m
Put into solution (vegetable glycerin and rubbing alcohol 1:1) and let sit for 24 hours.
34m
27m 32m
Archive No. 028
Archive No. 025 Stretch it flat and dry on board for 24 hours.
27m 28m
26m
Trimmed fish skin 65cm*14cm
26m
26m 27m
25m
22m
27m 24m 22m 23m
Fish leather crust. - Fish leather ironed and coloured.
Then massage, r ub, stretch and work the skin until it is soft and flexible. This can take several hours to do.
Sewing fish skins together.
A fish skin unit 127cm*25cm
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55
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34m
PENG'S SKIN - BODY
47m 50
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42m 47m 30m
"The skin on Pengâ&#x20AC;&#x2122;s body was made from thatch, pieces of oak, willow, and animal wool in a tight pattern. "
26m 39m
29m
33m
The neighbors - the hair of domestic pets
48m 60 m
64m 27m 44m
43m 45 m 50
33m
m
ZSL London Zoo - the hair of animals
34m
41m
43m 33m
27m
37m
40
m
24m
42m
Thath
24m 42m
White Oak
40m
The Regent's Park - different woods for making structure
47m
43m
36m
39m
34m
m
39m 30m
35
42m
29m
30
m
Willow rods 38m 32m
White willow
32m 40m 35m
30m
40m 30m
36m
38m 38m
29m
White Oak Beam
34m 28m
36m
28m
28
Proposal site
Animal wool
27m 32m
PENG'S SKIN - BODY "Like human skin, Pengâ&#x20AC;&#x2122;s was made of three layers; the outer layer of thatch would shed off by the wind to adapt to heat in the summer."
Wintertime
Summertime Thatch were blowed away by wind
A schematic cross-section of human skin
The thatch grows thin like a human hair falling out.
Thath
Willow rods
White Oak Beam
Epidemis(thatch)
Dermis (willow and oak)
Fat (wool)
Animal wool
PENG'S SKIN - BODY "The animals of the London zoo and the dogs that live around Peng gave their wool, fur, and hair for making the skin."
Unfolded plan
Residents in ZSLLondon Zoo who would like to donate their hair:
Area covered by animal wool.
Nearby dogs and cats who would like to donate their hairs:
Process of making a piece of Peng's interior skin
Make a properly sized wooden frame, Thin layer of batting. This layer should Making a fluffy layer by quickly and Raw fleece, cut-side to batting repeatedly ripping off fairly small lay one piece of the spa cover (bubble- be fairly see-through, flat, and even. side up) in the frame. amounts of fiber from the batting and throwing it over the first, flat layer of batting.
Full-filling with raw fleece.
Repeat rolling three more times, press Take off the spa-cover, lay the fiber on Drizzle with hot water and squeeze Spray the felted until most of the soap Pull open the wool which stick together harder in each time. the mesh frame. some dish soap in thin stripes onto the is washed out. felted side.
Pour hot water on it little by little, until Place the second layer of spa cover, Tightly roll the layers around a long stick it all get wet. Start compressing down bubble-side down (toward the fleece) and secure the package in three places and getting flat. over fiber layers. with strings or nylons.
Finished backside
Finished frontside
"This is the story of the poet and Peng."
"In a slice of Pengâ&#x20AC;&#x2122;s body, it could either be a monster, or a little toy. "
"Peng is an independent monster, and also play a role of the giant's navel. "
"At night, Peng missed other friends; they looked at each other from a distance. "
"The secret of these friends â&#x20AC;&#x201C; these monsters spread across London â&#x20AC;&#x201C; were all in the box that I found on that night, waiting for me to live again."
"This is the end of the story."
"By the way, a few days ago I received a postcard from the poet and Peng. It was the best gift ever: God speaks through all things and everywhere there are spirits â&#x20AC;&#x201C; though to keep like intelligible we lock these off. â&#x20AC;?
GA ———— Existing Site Plan 1:5500 Proposed Site Plan 1:400 Section 1:25 Plan A 1:20 Plan B 1:20 Plan C 1:20
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②
①
Proposed site ① The Regent's Park ② ZSL London Zoo ③ Primrose Hill Site Plan 1:5500
65m
60m
Proposed Site Drawing 1:300
Section 1:25 ① Cherry tree ② Rain storage ③ Pulley wheel ④ Book holder ⑤ Pupa table ⑥ Chain wheel ⑦ Ear chair ⑧ Exit for the poem
A
⑨ Wind tunnel ⑩ Stove 11. Wind sensor 12. Little bird
①
13.Wings
+11.000
14. Ladder 15. Entrance 16. Cable
②
17. Wood column 18.Tail
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⑨
B
④ ⑧
⑩ 12
16 ⑥ ⑤
15
⑦
+7.400 C
11 17
+6.700
14 13
0.000
③
①
④
②
⑤
⑥
① Cherry tree ② Southwest facing indow guards ③ Rod for holding pulley wheel ④ Wing ⑤ Chimney ⑥ Beak for singing and breathing
Plan A 1:20
⑨
③
② ④ ①
⑤
⑦
⑧
⑥
① Pupa table ② Ear chair ③ Chain wheel ④ Book holder ⑤ Stove ⑥ Small Window ⑦ Wind Sensor ⑧ Beak ⑨ Exit for the poem
Plan B 1:20
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①
③
②
① Entrance ② Ladder ③ Wing
Plan C 1:20