City Weekly Nov 19, 2015 by Copperfield Publishing

C I T Y W E E K LY. N E T N O V E M B E R 1 9 , 2 0 1 5 | V O L . 3 2 N 0 . 2 8

LETTERS

TO THE

FUTURE

The Paris Climate Project

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2 | NOVEMBER 19, 2015

CWCONTENTS COVER STORY LETTERS TO THE FUTURE

Scientists, authors and activists predict the outcome of the upcoming U.N. climate talks in Paris. Cover photo illustration by Don Button

19 4 LETTERS 6 OPINION 8 NEWS 25 A&E 30 DINE 38 CINEMA 41 TRUE TV 42 MUSIC 59 COMMUNITY

CONTRIBUTOR KYLEE EHMANN

Five Spot, p. 8 As one of City Weekly’s bright and hardworking editorial interns, Kylee performs many thankless tasks, such as data entry, making coffee runs and taking a dive in the fourth round after a light left hook. In her spare time, she grooms cats—for greatness.

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LETTERS Violence Is Eating Nations Alive

On Nov. 14, Imam Muhammed Mehtar of Khadeeja Islamic Center in West Valley City posted this statement on behalf of The Islamic Society of Greater Salt Lake. I hope your readers will be our condemnation of these acts. Suicide bombers are not given a place in paradise, according to our religion, and they cannot take innocent lives. We Muslims are also fighting a battle of being heard against people who claim to be Muslim. Please help share this: The Value of Humanity This past week has seen the world victimized by the actions of people whose mindsets are beyond the understanding of peace-loving peoples of all faiths. We offer our heartfelt condolences to those who lost loved ones in the senseless tragedies that occurred in Paris this week, as well as to those who lost loved ones in Beirut and elsewhere. Tragic, senseless violence recognizes no borders, and takes innocent victims without regard for distinctions such as race, gender, or religion. As Muslims, it is with dread and despair that we see people who align themselves to us in faith commit such acts of soul-crushing violence. As Muslims, we are all deeply aware of the injunction in our Holy Book, the Qur’an, that urges us to be mindful of the value of human life: “If any one slew a person unjustly, it would be as if he slew the whole people: and if any one

WRITE US: Salt Lake City Weekly, 248 S. Main, Salt Lake City, UT 84101. E-mail: comments@cityweekly.net. Fax: 801-575-6106. We reserve the right to edit for length and clarity. Preference will be given to letters that are 300 words or less and sent uniquely to City Weekly. Full name, address and phone number must be included, even on e-mailed submissions, for verification purposes. saved a life, it would be as if he saved the life of the whole people. [Verse 5:32]” With this as our firm and unerring guideline, we absolutely condemn violence perpertrated upon humanity, and recognize that Islam is unequivocal in its respect for humanity and peace. It is our most sincere prayer that cycles of violence come to an end. Violence and hatred is eating nations and peoples up alive, and the path to peace cannot be paved with blood. We hope for wisdom and love for humanity to prevail upon all people, so that we may all know the blessings of harmony. Shared by:

Correction: A remembrance written by Paul Douglas on behalf of the late Nico Vermonte, aka DJ Nico Caliente, appeared on page 48 of the Nov. 12 issue of City Weekly. The space for this remembrance was donated; a line of text indicated it was an ad. We regret the error.

Nico Vermonte aka DJ Nico Caliente 1981-2015 A good friend always. Much loved DJ & manager of Johnny’s on Second. You will be missed.

NOOR UL-HASAN

Cottonwood Heights

Clarifications: In the article, “Musical Chairs,” [Nov. 12, City Weekly], Gerald Elias’ association with Boston Symphony Orchestra was described imprecisely. Elias worked as a full-time member of the Boston Symphony Orchestra from 1975-78, after which he joined the Utah Symphony. Since the late ’90s, he has worked as a freelance musician for the Boston Symphony Orchestra, playing only occasionally. Also, both the Utah Symphony and Thierry Fischer separately have produced commercial recordings over the years, but the 2014 recording referenced in “Musical Chairs”—Mahler Symphony No. 1, “Titan”—was the first recording of Fischer conducting the Utah Symphony.

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PRIVATE EY

Hail Herbert

Just two weeks ago, City Weekly readers voted Utah Gov. Gary Herbert the Worst Utahn in our annual Best of Utah issue. I now wonder, if the voting took place today, whether he’d again win that distinction. In the past 14 days, he’s posited a locally heretical compromise (as if he has any leverage, but still) on federal and state land issues. That’s new. But Herbert also did the unthinkable. While 26 of his fellow Republican governors (plus Democrat Gov. Maggie Hassan of New Hampshire, which belongs in Canada) took the position that they would not accept Syrian refugees in their states, Herbert announced that Utah would not follow that shadowy din, and Syrian families are welcome here. That categorically eliminates him from being Worst Utahn. Too late, of course, but it was a worthy gesture on Herbert’s part. Syrians have fled their own country by the hundreds of thousands this past year. Until the events in Paris this past week, Syrians had generally been regarded across Europe as being more worthy of sympathy than other Middle Eastern refugees, especially after images of Syrian children drowning in the Aegean Sea made even the Germans feel guilty. In the days following the Paris attacks, it was revealed that the bombing plot was likely hatched in Syria and that at least one of the dead attackers—or at least his passport, valid or counterfeit—had passed through a refugee checkpoint on Greek island of Leros. That was that. Syrian refugees are now considered to be terrorist threats. If citizens of the United States are very good at something, it’s that we always fall hard for manufactured enemies. Our leaders and political pundits know this. They are jingoists: “persons who brag about a country’s preparedness to fight … blustering, bellicose, or blatant ‘patriots.’” Thus, the posturing, patriotic governors in 27 states say they will not accept Syrian refugees. And people cheer. And they will cheer until something blows up. And by the looks of things, something might. And if it does, chances are very

slim it will be at the hands of a Syrian—refugee or otherwise. Let’s see: The United States has committed to accepting 80,000 refugees from the Middle East. Of that number, only 10,000 will come from Syria. A blip. Yet Gov. Greg Abbott of Texas, whose state is home to 2 million undocumented residents, says, “no federal official can guarantee that Syrian refugees will not be part of any terrorist activity.” Yes, the irony is lost on Abbott that his fellow Republican Donald Trump wants to build a wall along the Texas border to guarantee we keep out criminal or dangerous Mexicans. Abbott suddenly worries about legal Syrians? A couple thousand new residents of the Lone Star State will not hide the crap covering Abbott’s boots. Or how about Louisiana Gov. Bobby Jindal? He’s come out loudest and strongest against Syrian refugees, but get real: He was just a pop-off presidential prospect. Jindal, a Catholic, was raised Hindu. Wanna bet that if a person of the Hindu faith ever commits a similar crime, that Jindal would be so outspoken? Actually, you don’t have to wait, for there are many recorded acts of Hindu violence against Christians in India, where Jindal’s parents were born. Wouldn’t you know it? Both Christians and Hindus view India’s Muslim population as a larger threat to each. But why go there? Try this 2005 sentiment instead: “Thousands of refugees were dispersed to other states, some as far away as Utah. As the refugee population disperses, it is possible that individuals with criminal records will be sent to other states—and some may resume their criminal activities.” Yet, despite that sentiment and fear we were warned of, Utah warmly took in citizens left homeless from Hurricane Katrina that struck hardest in New Orleans, La., USA. How about a thank you, Bobby, you sniveling weasel? Utah did that for Bobby’s state because it

STAFF BOX

B Y J O H N S A LTA S

Readers can comment at cityweekly.net

@johnsaltas

was the right thing to do. Yeah, yeah, they were fellow citizens unlike those Syrians. But be honest and remember how much anti-black racial rhetoric was spread post-Katrina. Playing off of fear is always a dangerous game. While others played the race card, Utah stood up. I’d rather be a Utahn than a Louisianian. Or a Floridian. Ted Cruz, son of a Cuban immigrant father, knows better, but ambition makes fools of us all. He foolishly claims Syrian Christians are less risk to us than Syrian Muslims. Remember the boat people of Mariel Harbor in 1980, anyone? Of the 125,000 Cuban refugees who finally reached Florida, weren’t a large number of them considered to be criminals and mentally ill? American “patriots” were cruel to those Cubans. Yet, we took them in, not even asking if they were Communists. Is America worse off ? Cuba now accounts for 3 percent of all new U.S immigrants. We take the good with the bad. Bad: Ted Cruz and Marco Rubio. Good: Cuban Sandwiches and Orlando “El Duque” Hernandez. Has Gov. Doug Ducey of Arizona forgotten that his state gave birth to the Oklahoma Bomber, the Catholic Timothy McVeigh? And will Gov. Sam Brownback of Kansas please take ownership of McVeigh’s born-again Christian bombing partner, Terry Nichols? Alabama gave us the Olympic Park Bomber, Eric Rudolph. Thanks, Gov. Robert Bentley. I’m more happy than ever that the Ute football team smacked your ’Bama hicks in 2009. In our Best of Utah issue, we named the Topaz Museum as Utah’s Best Historical Art Exhibit. You really should visit. And when you do, be reminded that we’ve been through this before, we’ve survived and become stronger, and that hate and suspicion are our real enemies. And, be reminded that Gary Herbert did a very good thing this week. For now, he is not our Worst Utahn. CW Send comments to john@cityweekly.net

WHILE OTHERS PLAYED THE RACE CARD, UTAH STOOD UP. I’D RATHER BE A UTAHN THAN A LOUISIANIAN.

Have you ever felt unwelcome in your own country? Scott Renshaw: Being a straight white male of European ancestry and Christian upbringing, I haven’t really had to face the suggestion that somehow I’m not American enough. Except when I start talking about guns. Things can get a little dicey at that point. Derek Carlisle: No, but I’ve witnessed couples getting kicked off church property for kissing, children excluded from religious experiences, business deals fall through, and women not allowed in business. Now, I’m not a religious man, but I haven’t heard of this much exclusion since a young Hebrew told some Romans that he was the son of God.

Elizabeth Suggs:

I suppose it’s not necessarily me feeling unwelcome in my own country, but rather me feeling unwelcome in my hometown. However, that was when I was teen, and very much not a part of Utah’s dominant culture.

Mason Roderickc: I was born in the United States, and I happen to be biracial. I’ve the perfect skin tone for people to guess just about any ethnicity—sometimes Middle Eastern. After 9/11, the looks that I got, the times I was told I “look like a terrorist”—I still remember the shifting glances and the forward distrust some strangers had for me. That was the only time I ever felt like “other than.” It was surreal and unpleasant, and I hope to never make anyone feel that way. Josh Scheuerman: I can’t say I have ever felt unwelcome, particularly in the United States. However, I have felt welcomed as an outsider into fishing huts in Belize, casas in Spain and Mexico as well as maisons in France. It’s great to feel the generosity and acceptance of the human spirit throughout this great planet!

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HITS&MISSES BY KATHARINE BIELE

RANDOM QUESTIONS, SURPRISING ANSWERS

@kathybiele

Shunning Solar

COURTESY PHOTO

Utah officials have long had trouble thinking about the future—except, of course, when it comes to Medicaid expansion. In that case, they can’t go forward because they know the future holds unsustainable debt. On the other hand, when the subject turns to alternative energy, suddenly their philosophy is all about living for today. Why in the world would anybody support Utah’s fledgling solar industry when the state already does a booming business in fossil fuels? In a helpful gesture to the dirty-fuels industry, the Utah Public Service Commission decided it’s too iffy to consider any long-term value rooftop panels have on air quality and the environment. So when commisioners factor in costs and benefits of solar power on PacifiCorp rates, the benefits won’t really be there.

A ‘Clean’ Reputation

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Despite the Utah Public Service Commission’s blinders, the state still comes out on top when it comes to clean-energy jobs. The Deseret News reports that Environmental Entrepreneurs, a national group promoting renewable-energy business, says for the past four quarters, Utah has been among the Top 10 states for creation cleanenergy jobs. That includes 3,000 new jobs that include solar- and wind-installation projects. One solar company is even looking at Utah for its corporate headquarters. And Utah Public Radio says the USDA provided $800,000 in grants to help with solar costs for small businesses. As part of the Farm Bill, it guaranteed $50 million for funding of renewable energy projects in rural America. The idea is to “increase energy independence by increasing some of the private sector supply of renewable energy,” says USDA’s Jason Justesen. Just don’t tell the Utah PSC.

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FIVE SPOT

Autism on Rise

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How great is it that Utah’s considered the go-to place to study autism in kids? Russian educators have come to Utah State University to study an intensive preschool program there since Russian children who may have autism are often just sent to time-out. Meanwhile, the Deseret News says new reports show autism in Utah on the rise to 1 in 54 kids compared with 1 in 68 with autism nationally. No one really knows why, and it’s increasing despite the anti-vaccination movement in the state. The focus, says Cheryl Smith, past president of the Autism Council of Utah, should be on treatment, not numbers. And of course, on the elusive cause.

Mike Abu is a freelance writer from Salt Lake City who represents the self-proclaimed Republic of Zaqistan, a remote patch of land (and art project) located west of the Great Salt Lake. It came into being 10 years ago, when Zachary Landsberg bought 2 acres of land in Box Elder County for $610 off eBay, because he wanted a piece of the American West before it was gone. Abu is managing Zaqistan’s Independence Day celebration in Salt Lake City, honoring the republic’s decennial anniversary. Abu will operate a one-night embassy at Twilite Lounge (347 E. 200 South, 801-532-9400, TwiliteLounge.com) on Thursday, Nov. 19, from 8 p.m. to 1 a.m., offering free citizenship as well as $40 passports. Art gallery CUAC will buy all citizens a beer and will host an academic symposium on the project on Dec. 3 as well as a monthlong embassy in the spring. For information on the history and various expeditions to the republic, visit Zaqistan.com.

Describe the living conditions at Zaqistan.

It’s so quiet that sometimes your ears ring from the sound of nothing. The sound waves don’t carry. They get absorbed, so there’s no echo whatsoever. There’s cryptobiotic soil— living soil that you’re not supposed to walk on—rattlesnakes and sage brush. The only things that apparently can live there are the ground itself and things that can kill you. So it’s a terrible place in a weird way.

With a decade under its belt, where does Zaqistan go from here?

The conception’s built up—but what is a nation, anyway? What are these things—they’re just figments of our imagination, but they’re real because of that. Who says whether you can have a nation or not? What are the rules here? Are there any? That’s where it’s at now, and we want to see how far we can take this. We want to legitimize this nation.

Have you ever wanted to quit working on Zaqistan?

Every single day. Yet every single day, I wake up, and I start working on it. Much as I’d like to take a step back and say, “Well, whatever,” my nation needs me, and this won’t work without me. It’s part of me now, and I’m part of it.

What do you hope Zaqistan inspires in people?

Thoughtfulness. Instead of taking things for granted, actually think about what is happening, why is it happening—just probe reality itself. We want to plant seeds of thought and see where they sprout.

What if someone else wants to found another Zaqistan?

I would advise them to be honest with themselves. I’d say just be yourself and, if you want to do it, do it. And make it like you. Be thoughtful, be yourself, and don’t declare war on us.

—KYLEE EHMANN comments@cityweekly.net

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What if the Cuban missile crisis had gone badly? —Karl Young

BY CECIL ADAMS SLUG SIGNORINO

STRAIGHT DOPE Cuban Jitters I

’m confident human society would have survived, which I assume is your main concern. Even if things had gone off the rails, and the odd nuke popped off here and there, I think cooler heads would soon have prevailed. But that’s easy to say now. For a week in October 1962 the whole planet was wondering if Cold War antagonism was about to boil over into nuclear armageddon. Everyone knows the story: U.S. spy-plane photos reveal Russian nuclear-missile bases under construction in Cuba; President John F. Kennedy orders a blockade of the island and demands the missiles’ removal; six tense days later, Soviet Premier Nikita Khrushchev complies. What’s better understood now is how little Khrushchev had thought through the ways it might all play out. He needed more negotiating leverage than the USSR’s iffy intercontinental missiles could buy him, and he hoped he could rattle the Americans by placing mediumrange missiles at their doorstep. The Americans were rattled all right. Despite the insistence of Defense Secretary Robert McNamara that the new deployment didn’t change the balance of power, the Joint Chiefs of Staff initially supported some sort of invasion of Cuba in response; it was only after a full week of deliberation that Kennedy was able to sell the blockade idea instead. Why didn’t it go worse? Most obviously, neither side was crazy enough to want to precipitate the end of the world; it was pretty obviously acknowledged by both that detonating a nuclear bomb would be a bummer for all involved. This was particularly plain to the Soviets in 1962, when the U.S. warhead stockpile was nine times the size of theirs. (They’d catch up over the next 15 years, and by 1978 were out in front.) It was openly known by both governments that even if Russia were to launch all its missiles in Cuba, it couldn’t take out the U.S.’s capability to obliterate the USSR in response. So while theoretically we might have suffered massive loss of life, the chances of the Soviets purposely ordering the all-out attack needed to accomplish it were low. Beyond that, historically speaking there simply haven’t been many preemptive wars—i.e., ones where, amid ongoing high international tension, one country strikes first for fear of becoming a target itself. By this standard, arguably the only cases since 1861 that qualify would be World War I, the Korean War, and the Arab-Israeli war of 1967. Empirically it seems fairly difficult for governments to pull the trigger (so to speak), even when they’re under serious threat. Nonetheless, it was a scary time, with many opportunities for the shit to hit the fan. During the last days of the standoff, sixty-plus B-52 bombers were in the air carrying nuclear payloads at any given time; one technical or communications glitch could have meant catastrophe. A Russian submarine lost communication with the surface, assumed war

had broken out, and almost launched its own nuclear torpedo. According to an Air Force vet who only recently came forward, launch orders were sent by mistake to U.S. missile bases at Okinawa. The crews didn’t comply only because a commanding officer noticed enough irregularities in protocol to investigate further. So let’s say the worst happened: an overconfident officer made the wrong call, or Kennedy listened to his military advisors. If the U.S. had invaded, we might have walked into another embarrassing Bay of Pigs-type fiasco—the Soviets had four times as many troops on the ground as the CIA thought at the time—but most likely no mushroom clouds. If either side did go nuclear, though, accidentally or not, then we’ve got a whole different picture. The emergency document called the Single Integrated Operational Plan provided the U.S. military command with a prioritized list of thousands of targets in the Soviet bloc and China. The first tier of targets included missile launch sites, airfields for bombers, and submarine tenders; Cuba had all of these, making it an obvious place for an early attack. Again, if the Soviets had struck first it’s likely the U.S. would have been able to retaliate, but that’s little consolation. U.S. antiballistic missiles developed under the (pre-sportswear) Nike program had proved largely useless in testing. Despite optimistic government-produced PSAs instructing citizens on how to wash radioactive particles off their potatoes, our country’s population would have been immediately reduced by 20 percent if a third of Soviet nukes had hit their targets. If all of them had hit home, half the population would have been wiped out, not including after-the-fact deaths from fallout, cancer, starvation, etc. Of course, our retaliatory capability meant things probably would have been still grimmer on the Soviet end. That said, it’s unlikely either side would have launched its full arsenal. A few tactical bombs might have gone off; there might have been a ground war in Berlin; possibly there’d be several million fewer people around now. But it was in neither state’s interest to escalate. This, unfortunately, may not hold true for today’s conflicts—but that’s another topic for another column. n

Send questions to Cecil via StraightDope. com or write him c/o Chicago Reader, 350 N. Orleans, Chicago 60654.

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ENVIRONMENT

Hot Topic

DON BUTTON

As Sen. Mike Lee rips efforts to combat emissions, locals head to Paris climate talks. BY COLBY FRAZIER cfrazier@cityweekly.net @colbyfrazierLP

he perpetual tug-of-war over how nations large and small should combat the impacts of climate change will commence in Paris on Nov. 30, when world leaders from 190 countries gather for the U. N. Framework Convention on Climate Change. Many hope the convention will yield a legally binding treaty that will force polluting giants like China, India and the United States to make good on commitments to cut greenhouse-gas emissions that lead to global warming. Others, though, like Utah Republican Sen. Mike Lee, say that the climate conventions, which began in 1992, are little more than a way for heads of state to rack up frequent-flier miles while traveling to exotic parts of the world to hammer out meaningless and economy-hurting initiatives to curb greenhouse-gas emissions. In a Nov. 4 speech at the Heritage Foundation, a conservative think tank in Washington, D.C., Lee mocked efforts by world leaders to clamp down on greenhouse gases. He called President Barack Obama’s goal to reduce emissions little more than a plot to enshrine his own energy plan, the Clean Power Plan that aims to cut U.S. carbon emissions by 32 percent by 2030. To make matters worse, Lee says, Obama could try to lock this in without consulting him and other members of Congress. After explaining to the Heritage Foundation the many ways in which Obama has attempted and—according to Lee— failed to hem progressive change into the fabric of America during his seven years as president, Lee took a jab at Obama, climate-change science and the efforts to contain global pollution that many believe is critical to saving the planet. “But, today, with just one year left in office,” Lee said to the group, “and with the smug satisfaction of someone who believes the policy of climate change is just as settled as the science supposedly is—President Obama knows that compulsion, not persuasion, is the only way to fundamentally transform a nation.” But some Utahns see Paris as a beacon of possibility, where nations can at last agree that the Earth’s climate is warming, spawning chaotic weather events,

People from around the world will attend the U.N. climate-change convention in Paris—including some student journalists from Utah. massive drought and turning millions into climate refugees. Cherise Udell, founder of the group Utah Moms for Clean Air, says that while her organization has almost exclusively focused for the past eight years on making the Wasatch Front’s air more breathable, it is now branching out into climate change. And the two efforts, Udell says, are intricately entwined. “The local is connected to the global and the global is connected to the local,” she says. “If our air is clean in Salt Lake but our ecological systems are collapsing, it doesn’t really matter how clean our air is.” Eight weeks ago, Udell says she decided she would attend the Paris convention. Her hope Sen. Mike Lee for a meaningful R-Utah deal in Paris, and her desire to be present, it turns out, was contagious. Now, Udell is leading a contingent of 20 Utah schoolchildren and 12 adults to Paris. The terrorist attacks in Paris could prompt a change of travel plans for some, but for now, Udell says that she and many who signed up plan on attending the conference. While in Paris, the students plan to cover talks as journalists. ABC4 News has partnered with them to broadcast dispatches, Udell says. This week, many of the students are taking a six-day crash course on journalism, tutored by local reporters. Piper Christian, a 16-year-old stu-

dent at Logan High School, will attend the conference. Some of her teachers will broadcast her dispatches to their classrooms. Christian hopes that her presence at the conference will help spark young people’s interest in climate change. “It’s a little bit troubling that the very people who are going to be most affected by climate change, my generation, are often left out of the climatechange narrative,” Christian says. “After the people who have created these problems are gone, we’re going to be the ones cleaning up this mess.” Udell says the students might not be able to cover some high- profile negotiations, but she is attempting to secure interviews with leaders who are party to those discussions. One is Salt Lake City Mayor Ralph Becker, president of the National League of Cities, who is also slated to attend. Udell says the students will interview Becker and likely cover an international mayor’s summit. And by having Utah students in Paris, Udell hopes the attention paid to the Utah contingent will spark interest in other Beehive State residents. “There isn’t a lot of conversation here about the climate summit,” Udell says. “We’re trying to create a reason to have that conversation.” And, while Udell hopes the Paris convention will lead to an earnest effort to COURTESY PHOTO

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NEWS

grapple with rising carbon emissions, she has no patience with people, such as Senator Lee, who deny the problem even exists. “My tolerance for climatechange deniers is about zero,” she says. “History will cast those doubters in the light that they deserve, which is people who dragged their feet and got in the way of change and progress,” Udell says. “That will be their place in history, and that’s their own doing.” Matt Pacenza, executive director of the clean-air organization HEAL Utah, says he, too, sees hope in the fact that world leaders continue to address the impacts of climate change. On a topic of the magnitude of climate change, which often involves rising oceans and warming worldwide temperatures, it’s easy to get bogged down in hopelessness. But Pacenza— who routinely goes up against Utah lawmakers on clean-air initiatives that quite often crash and burn—has a hopeful perspective. And his analogy on dealing with climate change involves Utah Rep. Ken Ivory, R-West Jordan, who has led the state’s efforts to wrest millions of acres of public lands within Utah from the federal government. Pacenza speculates that deep down, Ivory and his environmental foes know that the federal government will never turn a single acre over to the state. But that doesn’t stop him from fighting tooth-and-nail for something that he believes in. “I think that’s the way we should look at climate change,” Pacenza says. “It’s a crisis and we should deal with it, and we might look back in the long run and say we didn’t do enough, but that doesn’t mean we shouldn’t try.” CW

Read “Letters to the Future” on p. 19 for more insight on the Paris climate talks.

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HARRINGTON

OPINION

You’re on Your Own

One man found couldn’t stop a crime in progress when he dialed 911. BY JOHN HARRINGTON comments@cityweekly.net Salt Lake City has become a dangerous place. Crime is skyrocketing. Mayor Ralph Becker did his best to hide it, but it’s true. Maybe the mayor-elect, Jackie Biskupski, will make it her priority to do something about it.

arning: If you need help from a Salt Lake City Police officer— unless you’re in a gunfight—or some other unfolding, life-threatening situation—good luck phoning 911. The story: The phone rang at 6:30 p.m., Tuesday, Nov. 3. My friends, a husband and wife from France, were calling in a panic. Their car—a locked 1999 Subaru Outback containing an expensive new bike, a laptop and an iPhone—was just stolen from the busy Smith’s parking lot on Sixth Avenue in Salt Lake City while the couple was inside buying groceries. They don’t speak perfect English. They moved to Salt Lake City because the international recreation company that employs my friend, whom I will call Guy, transferred him here 11 months ago. They used to love the city. Now, not so much. They called the Police Department and were blown off only a couple minutes from the time the car was boosted. The police dispatcher told them someone would “call back.” They phoned my son, who was with me, saying they needed immediate help. Why? They were watching the thief, or thieves, drive away from them on an iPhone belonging to Guy’s wife’s (I’ll call her Marie) via the “Find My iPhone” app. They were able to track the car because Guy’s phone was still on inside the car. They could see the phone’s location in real time as it moved across the map. Crime in progress! I told them I’d call 911 for them, as Dispatch might understand me more clearly when I explained we knew exactly where the criminals were. I told Guy they would likely dispatch several cars to bust them. Wrong. While Guy was trying to find a cop, I was placed on hold twice by a 911 answering machine. The first time, I waited, waited and hung up. A half hour

I explain that it was likely the people involved in this crime in progress were armed. The 911 dispatcher said, “How do you know that?” ... Finally, exasperated, I tell her, “I’m going to go find the damned car myself.” was gone. Guy and Marie called back on my son’s cell phone. They were on the way to the police station for help. They had hiked uphill in the Aves and picked up the couple’s other car at their house after waiting for a call back that never came. I tried 911 again and held the line. Dispatch finally answered. I explained that this situation was live, and the police needed to help. Dispatch said something like, “Your friends already called.” They were very busy, she said. I told her I was looking at a screenshot of the exact location of the stolen car on Redwood Road, at about 1100 South. “You can bust them!” I implored. She blew me off. Meanwhile, Guy calls my son to say the dispatcher told him that the police “don’t do geo location.” He tried to explain that it was he who was doing geo location and that he only wanted to show the phone to a police officer. Moving ahead another half hour, my son and I arrive outside the Salt Lake City Police Department’s downtown palace to meet Guy and Marie. The building is locked. It’s been more than an hour since the car was stolen, and we’re still watching it move around along the Redwood Road corridor via the live app. Police cars are driving by us, not stopping, despite the fact that

Dispatch knows we’re outside the door. I call back 911. The dispatcher starts chewing me out about re-dialing 911. The call has become very testy. I explain that it was likely the people involved in this crime in progress were armed. She said, “How do you know that?” I said, “They are likely to be.” I then tell her that I’m going to be writing about this for publication. Finally, exasperated, I tell her, “I’m going to go find the damned car myself.” She tells me not to do that because, she said, “You’ll be putting yourself in danger.” What? These people we’re tracking might be dangerous? We called the police! Repeatedly! No response! I get in my car with my son. We’re off to Redwood Road between 400 and 500 North, the last location of the stolen iPhone. We pull into the Super Saver lot on 700 North and see a police car. We go in. We meet an off-duty officer on store-security duty. We tell him what’s up, and without hesitation, he says, “Let’s go!” (Great guy!) We point him to the last location we had from the iPhone. Meanwhile, Guy and Marie ran across an officer on the street downtown and got him involved. Now, there are two police officers on the case—willing and ready to help because we’d finally bypassed Dispatch and explained the ur-

gency and the chance to actually catch someone, for a change. Too late! We’d lost the 90-minute advantage we had while out begging for help. The car was found four days later, contents gone. The thieves left an earring and baby articles inside. They broke the starter due to hot wiring. Guy and Marie had to pay the impound lot $215 for the tow that the police arranged, and then, $75 more to tow it to the shop. The cops have addresses to investigate if they want to catch the criminals, but that seems unlikely. We found two great officers on our own. The problem is—there aren’t enough to go around. You are not safe in this city. You are on your own. And the bad guys know it. CW

John Harrington is a freelance writer who lives in Salt Lake City.

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Although advertising is critical to the success of a retail business, it has gotten more confusing as to which mediums to use to promote a business. There are so many forms of “new” digital advertising: websites, Google, Facebook, WiFi Radio and much more. Combine these “new” formats with the more traditional formats of radio, TV, and print and it gets more confusing and expensive. At Sound Warehouse, we chose to blend the “new” digital as well as the more traditional formats of advertising and marketing. We have been using City Weekly for the last 13 years and have found it to be very cost effective and, to this day, people will walk into one of our stores, paper in hand, saying “I want one of these.”

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In their own words...

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CHECK OUT MORE PHOTOS AT CITYWEEKLY.NET/PHOTOS

S NEofW the

He Missed “Judgment” Class in Basic Training Fort Bragg, N.C, declared an emergency on Oct. 30 when one of its soldiers had the bright idea to arrive for a Halloween party on base dressed as a suicide bomber, with realistic-looking canisters in a wired vest. Gates to the post (headquarters of Army special forces and airborne troops) immediately went into extended lockdown, and a bomb-disposal team was called. The soldier’s name was not released.

Thank You

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UPCOMING EVENTS:

ROYAL BLISS AT THE DEPOT

WEDNESDAY, NOVEMBER 25 DOORS AT 7PM

Great Art! Recent Architectural Triumphs: 1. A 33-yearold Frenchman erected a stone table with benches over his mother’s grave marker, so that he and friends could enjoy munchies and wine as he “talked” to her. 2. For the annual German Ruhrtriennale Festival in September, Atelier Van Lieshout created a temporary hotel structure that appeared from the street (even to the non-aroused) to be a couple having “doggy style” sex (to make a statement, a reviewer said, about “the power of humanity over the natural world”). 3. A homeowners’ association in Winter Haven, Fla., petitioned Steven Chayt to remove the 24-by-12-foot chair he had built in his backyard as an art project—especially because of the hole in the seat—making it, said one neighbor, “essentially a toilet.”

WEIRD

Ewwww, Gross! The Blackhead Whisperer: Upland, Calif., dermatologist Sandra Lee is a social media cult figure with a massive audience on YouTube, where her cyst- and pimple-popping videos (charmingly, soothingly narrated) have garnered 170 million views. (The “Popping” community, on the Reddit.com site, has more than 60,000 members.) Dr. Lee admits longing for “the perfect blackhead,” which to her apparently means one that is photogenic and slides out easily from its snug epidermal home. Several “Popping” fanatics told a Washington Post reporter that watching the videos is therapy for anxiety, but one fan (a “Mr. Wilson”) apparently gets his “therapy” by submitting videos of his own—unsoothing—oil-laden bursts.

2015

BY CHUCK SHEPHERD

Finer Points of the Law Daniel Darrington was spared a murder conviction in October even after admitting intentionally shooting Rocky Matskassy at point-blank range to “relieve his suffering.” The Melbourne, Australia, jury decided that Matskassy, in pain from an earlier accidental shooting, was indeed already dead when Darrington shot him. However, under the law of the state of Victoria, it is still “attempted murder” because Darrington believed that Matskassy was still alive when he pulled the trigger.

n While hopeful Italian surgeon Sergio Canavero seeks funding to perform the first ever head “transplant” (with a patient already lined up), Australian doctor Geoff Askin (the country’s “godfather of spinal surgery”) recently successfully “reattached” the head of a 16-month-old boy who was badly injured in a traffic accident. The toddler’s head was described as internally “relocated” and reset onto the vertebra, using wire and rib tissue to graft the head back in place. (Nonetheless, the operation was widely regarded as a “miracle.”)

Leading Economic Indicators Dealt a Lemon, Make Lemonade: Puerto Rico’s murder/voluntary manslaughter rate is four times higher than that in the 50 states, creating a “pool of (organ) donors in the 18-to-30 age range unmatched in the mainland,” according to an October Reuters report. Government officials hope creating a thriving transplant industry will bring Puerto Rico out of its economic doldrums by encouraging economy-conscious patients to spend money on hotels, transportation and food during their stay.

Police Report “Police Squad!” Lives On: 1. Hugo Castro, 28, wanted for questioning in October in San Jose, Calif., after his girlfriend was stabbed to death, helpfully presented himself at county jail. The sheriff’s deputy listened—and then suggested Castro go find a San Jose police officer. (Castro did, and the deputy was subsequently reassigned.) 2. New Hampshire state police laid down spiked “stop sticks” in November to slow down a fleeing Joshua Buzza, 37, near Greenland, N.H. Buzza was apprehended, but not before he managed to avoid the sticks while goading the drivers of three squad cars over them (flattening several tires).

Unclear on the Concept Liberty, Mo., sheriff’s deputy politely declined to identify the local man who created the sound of rapid gunfire on Oct. 13 when a “controlled” garbage burn escalated. The man decided to try extinguishing the fire by driving back and forth over it in his van, but the tires caught fire, and in addition to the van’s having a gas tank, it also carried an undisclosed amount of firearms ammunition. The van was a total loss, but the sheriff’s department said it doubted there would be an insurance claim filed.

PEOPLE’S MARKET HOLIDAY MARKET

Thanks This Week to Steven Bird, Glenn Gordon, Jim Weber, Scott Brame, Chris & Denise Meek, Woody Thomas, and Andrew Bolstridge, and to the News of the Weird Board of Editorial Advisors.

HOLIDAY MARKET

DECEMBER 5TH & 12TH 10AM TO 6PM SORENSON UNITY CENTER (1383 SOUTH 900 WEST) Give the gift of local made items. Lots of amazing items to choose from. Free kids crafts.

Website: www.9thwestfarmersmarket.org Like us on Facebook & Twitter

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WANTED Managing Editor

City Weekly is seeking a high-energy managing editor to lead our award-winning editorial team—someone unabashedly passionate about local news, politics and the arts & entertainment scene. Successful applicant will be a strategic and creative thinker with seasoned editorial judgment, exceptional writing/editing prowess, and the ability to stay the course while juggling multiple and complex projects under deadline pressure.

Email cover letter, resume, list of references and writing/editing links/ samples by Nov. 30 to editor@cityweekly.net. No phone calls, please. EOE

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Job Requirements • Bachelor’s degree in journalism/closely related field • Newsroom management experience (background with City Weekly-style of alt-weekly preferred) • Clips/links that showcase reporting, writing & editing abilities, including firm grasp of AP style • Proven people skills, including the ability to coach and to collaborate with co-leaders/co-workers. • Nerdiness: A love of innovation and a willingness to embrace new technology • Literacy in word processing, spreadsheets, InDesign, web-hosting programs and social media

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SEPTEMBER 17, 2015 | 17

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18 | SEPTEMBER 17, 2015

THE

NUEVE

THE LIST OF NINE

BY MASON RODRICKC

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Designing a 3-D model or building one? Then you may want to join a workshop geared to designers, architects, artists and techies. For only $7.50, you can join the Strong & Flexible SLS 3D Printing Workshop and learn about the material, how to design for it and see examples. With your ticket, you get a $20 print credit for a High Definition print from 3D Hubs HD. 6526 S. State, 888-2435514, Friday, November 20, 6-8 p.m., ImagineThat-3d.com

GRIEF AWARENESS

Is Hiring

Nine more youthful indiscretions from the childhood of Dr. Ben Carson.

Told classmates he got “shot” three times, but it was just for measles, mumps and rubella.

8. Tried to ignite a riot using hairspray and damp matches.

7. Thought he’d been initiated into a gang, but it turned out he only got mugged.

Always turned his homework in on time but refused to write his name on it.

5. Tells people he skipped class, but he actually skipped to class.

Used a scrubber on a nonstick pan.

3. Took wild joyrides. (Joy was the name of his bicycle.)

Tagged buildings, carefully choosing paint to match or complement the existing wall color.

1. Spent a lot of his life being disappointed that the buildings never tagged back.

AN ACCOUNT EXECUTIVE Responsibilities include: Selling print and digital advertising to local and some regional businesses. Email your resume to jennifer@cityweekly.net

The Sharing Place will have a public open house to raise awareness of children’s grief issues and to tell you more about its program. Offering support to children, teens and their families, the Sharing Place will be open for a tour. The family can play in the volcano room, have fun with Giving Disney parties or enjoy a s’more out by the fire. 1695 E. 3300 South, Thursday, Nov. 19, noon-5 p.m., TheSharingPlace.org or ChildrensGriefAwarenessDay.org

FUNDRAISER

Everone’s invited to the Kappa Gobble, an annual philanthropic pie night. Yes, you can “gobble” as much pie as you want for a $5 entry fee, benefitting The Christmas Box House and The Kappa Kappa Gamma Foundation. Kappa Kappa Gamma chapter house, 33 S. Wolcott St., Monday, November 23, 6-9 p.m., DeltaEtaService@gmail.com.

INTERNSHIPS

Get your hands dirty in the best of ways—with a Wasatch Community Gardens Internship. They’re looking for a networking intern, about 10 hours per week beginning Jan. 11, 2016, to help with the Growing Community Gardens Workshop Series through February. Send a cover letter in PDF format explaining your interests and background and include a writing sample to Felecia Maxfield-Barrett, outreach and volunteer coordinator, Felecia@wasatchgardens.org, by Dec. 11. WCG also needs two outreach interns, a history intern, and a volunteer assistant intern. Felecia has the answers at 801-359-2658, ext. 11. If journalism is more your bent, City Weekly is seeking editorial interns for winter/spring (Jan. 1-May. 31). College students with an interest in journalism and who have strong writing skills are encouraged to apply. Send a cover letter, résumé and three writing samples to editor@cityweekly.net by Dec. 4. More info at CityWeekly.net/interns.

—KATHERINE BIELE Send your events to editor@cityweekly.net

Letters to the Future

Scientists, authors and activists predict the outcome of the upcoming U.N. climate talks in Paris. A collaboration between City Weekly, the Association of Alternative Newsmedia and the Media Consortium comments@cityweekly.net

espite the fresh tragedy of the Paris terrorist attacks, the French government remains committed to hosting the U.N. Climate Change Conference (known as COP21) scheduled in Paris from Nov. 30 to Dec. 11. As such, world leaders from more than 190 countries (President Obama is slated to attend) will convene in Paris to consider passage of a binding global treaty aimed at reducing the most dangerous impacts of global warming. While some speculate that the attacks actually have improved the odds of a successful outcome, others fear that efforts to achieve a global climate pact could stall.

Letters to the Future, a national project involving more than 40 alternative weeklies across the United States, set out to find authors, artists, scientists and others willing to get creative and draft letters to future generations of their own families, predicting the success or failure of the Paris talks—and what came after. Some participants were optimistic about what is to come—some not so much. We hereby present some of their visions of the future. To find out how locals are involved in the conference, see “Hot Topic,” on p. 12. Read even more letters (and add one of your own) at LettersToTheFuture.org.

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DEREK SHAPTON

NOVEMBER 19, 2015 | 19

Winner of the Pulitzer Prize for Fiction in 1992 for her novel A Thousand Acres, Jane Smiley has composed numerous novels and works of nonfiction.

Dear Great-Great-Granddaughter, Do you remember your grandmother, Veronica? I am writing to you on the very day that your grandmother, Veronica, turned 7 months old—she is my first grandchild. That is how quickly time passes and people are born, grow up, and pass on. When I was your age—now 20 (Veronica was my age, 65, when you were born), I did not realize how brief our opportunities are to change the direction of the world we live in. The world you live in grew out of the world I live in, and I want to tell you a little bit about the major difficulties of my world and how they have affected your world. On the day I am writing this letter, the Speaker of the U.S. House of Representatives quit his job because his party—called “the Republicans”—refused absolutely to work with or compromise with the other party—now defunct—called “the Democrats.” The refusal of the Republicans to work with the Democrats was what led to the government collapse in 2025, and the breakup of what to you is the former United States. The states that refused to acknowledge climate change or, indeed, science, became the Republic of America, and the other states became West America and East America. I lived in West America. You probably live in East America, because West America became unlivable owing to climate change in 2050. That the world was getting hotter and dryer, that weather was getting more chaotic, and that humans were getting too numerous for the ecosystem to support was evident to most Americans by the time I was 45, the age your mother is now. At first, it did seem as though all Americans were willing to do something about it, but then the oil companies (with names like Exxon and Mobil and Shell) realized that their profits were at risk, and they dug in their heels. They underwrote all sorts of government corruption in order to deny climate change and transfer as much carbon dioxide out of the ground and into the air as they could. The worse the weather and the climate became, the more they refused to budge, and Americans, but also the citizens of other countries, kept using coal, diesel fuel, and gasoline. Transportation was the hardest thing to give up, much harder than giving up the future, and so we did not give it up, and so there you are, stuck in the slender strip of East America that is overpopulated, but livable. I am sure you are a vegan, because there is no room for cattle, hogs, or chickens, which Americans used to eat. West America was once a beautiful place—not the parched desert landscape that it is now. Our mountains were green with oaks and pines, mountain lions and coyotes and deer roamed in the shadows, and there were beautiful flowers nestled in the grass. It was sometimes hot, but often cool. Where you see abandoned, flooded cities, we saw smooth beaches and easy waves. What is the greatest loss we have bequeathed you? I think it is the debris—the junk, the rotting bits of clothing, equipment, vehicles, buildings, etc.—that you see everywhere Jane Smiley and must avoid. Where we went for walks, you always have to keep an eye out. We have left you a mess. But I know that it is dangerous for you to go for walks—the human body wasn’t built to tolerate lows of 90 degrees F and highs of 140. When I was alive, I thought I was trying to save you, but I didn’t try hard enough, or at least, I didn’t try to save you as hard as my opponents tried to destroy you. I don’t know why they did that. I could never figure that out.

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Brief Opportunities

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20 | NOVEMBER 19, 2015

T.C. Boyle

COURTESY PHOTO

Dear Rats of the Future: Congratulations on your bipedalism: it’s always nice to be able to stand tall when you need it, no? And great on losing that tail, too (just as we lost ours). No need for that awkward (and let’s face it: ugly) kind of balancing tool when you walk upright, plus it makes fitting into your blue jeans a whole lot easier. Do you wear blue jeans—or their equivalent? No need, really, I suppose, since you’ve no doubt retained your body hair. Well, good for you. Sorry about the plastics. And the radiation. And the pesticides. I really regret that you won’t be hearing any bird song anytime soon, either, but at least you’ve got that wonderful musical cawing of the crows to keep your mornings bright. And, of course, I do expect that as you’ve grown in stature and brainpower you’ve learned to deal with the feral cats, your one-time nemesis, but at best occupying a kind of ratty niche in your era of ascendancy. As for the big cats—the really scary ones, tiger, lion, leopard, jaguar—they must be as remote to you as the mammoths were to us. It goes without saying that with the extinction of the bears (polar bears: they were a pretty silly development anyway, and of no use to anybody beyond maybe trophy hunters) and any other large carnivores, there’s nothing much left to threaten you as you feed and breed and find your place as the dominant mammals on earth. (I do expect that the hyenas would have been something of a nasty holdout, but as you developed weapons, I’m sure you would have dispatched them eventually). Apologies, too, about the oceans, and I know this must have been particularly hard on you since you’ve always been a seafaring race, but since you’re primarily vegetarian, I don’t imagine that the extinction of fish would have much affected you. And if, out of some nostalgia for the sea that can’t be fully satisfied by whatever hardtack may have survived us, try jellyfish. They’ll be about the only thing out there now, but I’m told they can be quite palatable, if not exactly mouth-watering, when prepared with sage and onions. Do you have sage and onions? But forgive me: of course you do. You’re an agrarian tribe at heart, though in our day, we certainly did introduce you to city life, didn’t we? Bright lights, big city, right? At least you don’t have to worry about abattoirs, piggeries, feed lots, bovine intestinal gases and the like—or, for that matter, the ozone layer, which would have been long gone by the time you started walking on two legs. Does that bother you? The UV rays, I mean? But no, you’re a nocturnal tribe anyway, right? Anyway, I just want to wish you all the best in your endeavors on this big blind rock hurtling through space. My advice? Stay out of the laboratory. Live simply. And, whatever you do, please—I beg you—don’t start up a stock exchange. With best wishes, T.C. Boyle P.S. In writing you this missive, I am, I suppose, being guardedly optimistic that you will have figured out how to decode this ape language I’m employing here—especially given the vast libraries we left you when the last of us breathed his last. A novelist and short story writer, T.C. Boyle has published 14 novels and more than 100 short stories.

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Sorry About That

Source: UNFCCC, IPCC, New York Times

DECEMBER

F E B R U A RY

AUGUST

19 8 8

19 9 2

19 9 7

2 0 01

2005

Prominent scientists testify for the first time before U.S. Congress about dangers of global warming. Intergovernmental Panel on Climate Change (IPCC) formed to gather and assess evidence.

In Rio de Janeiro, IPCC agrees a United Nations framework is needed to stabilize greenhouse gas concentrations in the atmosphere.

The worldÊs governments gather in Kyoto, Japan, to negotiate a treaty to curb global warming. The United States never ratifies the treaty. A developing nation, China, was never bound by the treaty.

The Third IPCC reports that global warming will likely cause unprecedented sea level rise, extreme weather events and grave consequences for humanity. A few months into the next year comes a dramatic collapse of the Larsen B Ice Shelf in Antarctica.

Hurricane Katrina hits the Gulf Coast. This and other severe weather events spur debate over impact of global warming. U.N. parties continue negotiations toward global carbon reductions.

Seize the Moment

Political Boneheads

Hello? People of the future … Anyone there? It’s your forebears checking in with you from generations ago. We were the stewards of the Earth in 2015—a dicey time for the planet, humankind, and life itself. And … well, how’d we do? Anyone still there? Hello. A gutsy, innovative, and tenacious environmental movement arose around the globe back then to try lifting common sense to the highest levels of industry and government. We had made great progress in developing a grass-roots consciousness about the suicidal consequences for us (as well as those of you future earthlings) if we didn’t act pronto to stop the reckless industrial pollution that was causing climate change. Our message was straightforward: When you realize you’ve dug yourself into a hole, the very first thing to do is stop digging. Unfortunately, our grass-roots majority was confronted by an elite alliance of narcissistic corporate greedheads and political boneheads. They were determined to deny environmental reality in order to grab more short-term wealth and power for themselves. Centuries before this, some American Indian cultures adopted a wise ethos of deciding to take a particular action only after contemplating its impact on the seventh generation of their descendants. In 2015, however, the ethos of the dominant powers was to look no further into the future than the three-month forecast of corporate profits. As I write this letter to the future, delegations from the nations of our world are gathering to consider a global agreement on steps we can finally take to rein in the looming disaster of global warming. But at this convocation and beyond, will we have the courage for boldness, for Jim Hightower choosing people and the planet over short-term profits for the few? The people’s movement is urging the delegates in advance to remember that the opposite of courage is not cowardice, it’s conformity—just going along with the flow. After all, even a dead fish can go with the flow, and if the delegates don’t dare to swim against the corporate current, we’re all dead. So did we have the courage to start doing what has to be done? Hello … anyone there?

An author, educator and environmentalist, Bill McKibben co-founded 350.org, a planet-wide grass-roots climate-change movement. He has written more than a dozen books.

A national radio commentator, writer and public speaker, Jim Hightower is also a New York Times bestselling author.

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An Inconvenient Truth, the film version of former Vice President Al GoreÊs lectures on climate change, is released and eventually wins multiple Oscars. Climate science enters into popular consciousness but political polarization mounts.

Congress stalls on the climate, leaving state governments to lead the charge. California passes the Global Warming Solutions Act and soon leads the nation in energy efficiency standards and regulation of emissions.

China overtakes America as worldÊs largest greenhouse gas emitter. NASA finds Greenland and Antarctic ice sheets and Arctic Ocean sea-ice cover shrinking faster than expected. Fourth IPCC report warns of more evidence of warming. Gore and the IPCC win joint Nobel Peace Prize for climate work.

Many experts warn that global warming is arriving at a faster, more dangerous pace than expected. Meanwhile, the United Nations Framework Climate Change Conference talks in Copenhagen, held in the midst of global recession, fail to negotiate binding emissions agreements.

UNFCCC meets in Durban, South Africa, and parties agree to work on a new and universal agreement involving all countries, not just wealthy ones, to join in combating global warming. This accord is to be negotiated in Paris.

Mean global temperature at warmest in thousands of years; concentration of carbon in the atmosphere reaches 397 parts per million, highest it's been in millennia. Scientists and politicians become bolder in connecting increased extreme weather events and climate change

Global rallies are held in 2,000 locations across the world demanding urgent action on climate change. Hundreds of thousands of people gather and continue a call for action.

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In an unexpected political breakthrough, China and the United States, which together produce nearly half of global carbon dioxide emissions, jointly announce future reduction plans.

Pope Francis releases unprecedented papal encyclical wherein he calls for urgent action on climate change. Two more populous countries·Brazil and India·make pre-Paris commitments to decrease emissions.

The worldÊs governments convene in Paris to attempt negotiation of a unified, global accord and to put architecture in place to save humanity from the worst outcomes of climate change.

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STEVE LIPTAY

Dear Descendants, The first thing to say is, sorry. We were the last generation to know the world before full-on climate change made Bill McKibben it a treacherous place. That we didn’t get sooner to work slowing it down is our great shame, and you live with the unavoidable consequences. That said, I hope that we made at least some difference. There were many milestones in the fight—Rio, Kyoto, the debacle at Copenhagen. By the time the great Paris climate conference of 2015 rolled around, many of us were inclined to cynicism. And our cynicism was well-taken. The delegates to that convention, representing governments that were still unwilling to take more than baby steps, didn’t really grasp the nettle. They looked for easy, around-the-edges fixes, ones that wouldn’t unduly alarm their patrons in the fossil-fuel industry. But so many others seized the moment that Paris offered to do the truly important thing: Organize. There were meetings and marches, disruptions and disobedience. And we came out of it more committed than ever to taking on the real power that be. The real changes flowed in the months and years past Paris, when people made sure that their institutions pulled money from oil and coal stocks, and when they literally sat down in the way of the coal trains and the oil pipelines. People did the work governments wouldn’t—and as they weakened the fossil-fuel industry, political leaders grew ever so slowly bolder. We learned a lot that year about where power lay: less in the words of weak treaties than in the zeitgeist we could create with our passion, our spirit and our creativity. Would that we had done it sooner!

Shift the Food System

22 | NOVEMBER 19, 2015

A teacher, author and speaker on the environment, agriculture, the food industry, society and nutrition, Michael Pollan’s letter is adapted from an interview in Vice Magazine.

U.S. Sen. Harry Reid

You Deserve a Chance

As a young boy growing up in Searchlight, the unique beauty of the Nevada desert was my home. Our family didn’t travel or take vacations, but we were able to visit Fort Piute Springs which was just 15 miles from our home. Fort Piute Springs was a starkly beautiful place. From the gushing ponds of water to the beautiful lily pads and cattails, Fort Piute’s beauty was magical. Decades later, I returned to visit Fort Piute Springs and found the magical place of my childhood in ruins. I remember thinking how sad it was that my descendants would never get to appreciate the stark beauty of the desert I cherished as a child. It was in that moment that I decided to fight to protect our environment. Throughout my career, I fought to protect my home and my country from the permanent damage of climate change. I thought about the world you would live in, the burdens you would face and the health issues that could one day challenge your very existence. You deserve a chance to experience the beautiful world that I grew up in. We all need clean air, clean water and natural resources to lead healthy lives. The idea that our actions could jeopardize your future was simply unbearable. The only way to solve this problem was if we all worked together to save the planet for you and future generations. During my lifetime, the overwhelming majority of scientists across the world concluded that pollution from burning fossil fuels was beginning to raise temperatures and alter our climate. These scientists predicted that if countries failed to work together to replace fossil fuels with cleaner energy sources, the world would face uncontrollable rising temperatures and sea levels, water shortages, climate-fueled migration crises, and landscape-altering wildfire, drought, and extreme weather. At the close of 2015, the world finally did something about it. Everybody knew we needed to address climate change and that a failure to lead could destroy the progress we fought so hard to achieve and endanger your future. In the face of this reality, the United States pressed on and led a historic global agreement to change the course of climate change worldwide. We had already done so many things to make Nevada a cleaner, greener place—but now the entire world was ready to join us. I’m proud of the work we did to protect our environment for you. I hope, by now, you can run just about everything on renewable energy, and you no longer have to worry about if your children will suffer from asthma because of smog. Today, you may face a number of issues I could have never imagined. My hope has always been that the United States’ efforts to combat climate change would create a cleaner future for my descendants and future Nevadans. I hope that you are no longer burdened with the issue of climate change and can enjoy more of the Nevada I have always known. But if you face similar challenges, draw strength from my experiences and continue to fight for a cleaner environment. COURTESY PHOTO

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FRAN COLLIN

Michael Pollan

Dear Future Family, I know you will not read this note until the turn of the century, but I want to explain what things were like back in 2015, before we figured out how to roll back climate change. As a civilization, we were still locked into a zero-sum idea of our relationship with the natural world, in which we assumed that for us to get whatever we needed, whether it was food or energy or entertainment, nature had to be diminished. But that was never necessarily the case. In our time, the U.S. Department of Agriculture still handed out subsidies to farmers for every bushel of corn or wheat or rice they could grow. This promoted a form of agriculture that was extremely productive and extremely destructive—of the climate, among other things. Approximately one-third of the carbon then in the atmosphere had formerly been sequestered in soils in the form of organic matter, but since we began plowing and deforesting, we’d been releasing huge quantities of this carbon into the atmosphere. At that time, the food system as a whole—that includes agriculture, food processing and food transportation—contributed somewhere between 20 percent to 30 percent of the greenhouse gases produced by civilization—more than any other sector except energy. Fertilizer was always one of the biggest culprits for two reasons: It’s made from fossil fuels, and when you spread it on fields and it gets wet, it turns into nitrous oxide, which is a much more potent greenhouse gas than carbon dioxide. Slowly, we convinced the policy makers to instead give subsidies to farmers for every increment of carbon they sequestered in the soil. Over time, we began to organize our agriculture so that it could heal the planet, feed us and tackle climate change. This began with shifting our food system from its reliance on oil, which is the central fact of industrial agriculture (not just machinery, but pesticides and fertilizers are all oil-based technologies), back to a reliance on solar energy: photosynthesis. Carbon farming was one of the most hopeful things going on at that time in climate change research. We discovered that plants secrete sugars into the soil to feed the microbes they depend on, in the process putting carbon into the soil. This process of sequestering carbon at the same time improved the fertility and water-holding capacity of the soil. We began relying on the sun—on photosynthesis—rather than on fossil fuels to feed ourselves. We learned that there are non-zero-sum ways we could feed ourselves and heal the earth. That was just one of the big changes we made toward the sustainable food system you are lucky enough to take for granted.

A U.S. Senator from Nevada, Harry Reid is a longtime member of the Democratic Party and served a lengthy term as Senate majority leader.

DON BUTTON ADAM KARSTEN

I just flushed my toilet with drinking water. I know: you don’t believe me: “Nobody could ever have been that stupid, that wasteful.” But we are. We use air conditioners all the time, even in mild climates where they aren’t a bit necessary. We cool our homes so we need to wear sweaters indoors in summer, and heat them so we have to wear T-shirts in midwinter. We let one person drive around all alone in a huge thing called an SUV. We make perfectly good things—plates, cups, knives—then we use them just once, and throw them away. They’re still there, in your time. Dig them up. They’ll still be usable. Maybe you have dug them up. Maybe you’re making use of them now. Maybe you’re frugal and ingenious in ways we in the wealthy world have not yet chosen to be. There’s an old teaching from a rabbi called Nachman who lived in a town called Bratslav centuries ago: “If you believe it is possible to destroy, believe it is possible to repair.” Some of us believe that. We’re trying to spread the message. Friends are working on genetic editing that will bring back the heath hen, a bird that went extinct almost 80 years ago. The last member of the species died in the woods just a few miles from my home. Did we succeed? Do you have heath hens, booming their mating calls across the sand plains that sustain them? If you do, it means that this idea of repair caught on in time, and that their habitat was restored, instead of being sold for yet more beachside mansions. It means that enough great minds turned away from the easy temptations of a career moving money from one rich person’s account to another’s, and instead became engineers and scientists dedicated to repairing and preserving this small blue marble, spinning in the velvet void. We send out probes, looking for signs of life on other worlds. A possible spec of mold is exciting—press conference! News flash! Imagine if they found, say, a sparrow. President addresses the nation! And yet we fail to take note of the beauty of sparrows, their subtle hues and swift grace. We’re profligate and reckless with all this abundant life, teeming and vivid, that sustains and inspires us. We destroyed. You believed it was possible to repair.

Geraldine Brooks is an Australian-American journalist and author, Her 2005 novel, March, won the Pulitzer Prize for Fiction. She became a U.S. citizen in 2002.

Geraldine Brooks

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Author of short stories, novels and essays, Pam Houston wrote the acclaimed Cowboys Are My Weakness, winner of the 1993 Western States Book Award.

This Abundant Life

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Dear Future Inhabitants of the Earth, I was speaking with an environmental scientist friend of mine not too long ago, and he said he felt extremely grim about the fate of the Earth in the 100-year frame but quite optimistic about it in the 500-hundred year frame. “There won’t be many people left,” he said, “but the ones who are here will have learned a lot.” I have been taking comfort, since then, in his words. If you are reading this letter, you are one of the learners, and I am grateful to you in advance. And I’m sorry. For my generation. For our ignorance, our shortsightedness, our capacity for denial, our unwillingness or inability to stand up to the oil & gas companies who have bought our wilderness, our airwaves, our governments. It must seem to you Pam Houston that we were dense beyond comprehension, but some of us knew, for decades, that our carbon-driven period would be looked back on as the most barbaric, the most irresponsible age in history. Part of me wishes there was a way for me to know what the Earth is like in your time, and part of me is afraid to know how far down we took this magnificent sphere, this miracle of rock and ice and air and water. Should I tell you about the polar bears, great white creatures that hunted seals among the icebergs; should I tell you about the orcas? To be in a kayak, with a pod of orcas coming toward you, to see the big male’s fin rise in its impossible geometry, 6 feet high and black as night, to hear the blast of whale breath, to smell its fishy tang—I tell you, it was enough to make a person believe she had lead a satisfying life. I know it is too much to wish for you: polar bears and orcas. But maybe you still have elk bugling at dawn on a September morning, and red tail hawks crying to their mates from the tops of ponderosa pines. Whatever wonders you have, you will owe to those about to gather in Paris to talk about ways we might re-imagine ourselves as one strand in the fabric that is this biosphere, rather than its mindless devourer. E.O. Wilson says as long as there are microbes, the Earth can recover— another small measure of comfort. Even now, evidence of the Earth’s ability to heal herself is all around us—a daily astonishment. What a joy it would be to live in a time when the healing was allowed to outrun the destruction. More than anything else that is what I wish for you.

RANDI BAIRD

Rock, Ice, Air and Water

DON BUTTON

Dear Future Robinsons, Back around the turn of the century, flying to space was a rare human privilege, a dream come true, the stuff of movies (look it up), and an almost impossible ambition for children the world around. But I was one of those fortunates. And what I saw from the cold, thick, protective windows of the Space Shuttle is something that, despite my 40 years of dreaming (I was never a young astronaut), I never remotely imagined. Not that I was new to imagining things. As you may know, I was somehow born with a passion for the sky, for flight, and for the mysteries of the atmosphere. I built and flew deathdefying gliders, learned to fly properly, earned university degrees in the science of flight and then spent the rest of my life exploring Earth’s atmosphere from below it, within it and above it. My hunger was never satisfied, and my love of flight never waned at all, even though it tried to kill me many times. As I learned to fly in gliders, then small aircraft, then military jets, I always had the secure feeling that the atmosphere was the infinite “long delirious burning blue” of Magee’s poem, even though of all people, I well knew about space and its nearness. It seemed impossible to believe that with just a little more power and a little more bravery, I couldn’t continue to climb higher and higher on “laughter-silvered wings.” My life was a celebration of the infinite gift of sky, atmosphere, and flight. But what I saw in the first minutes of entering space, following that violent, life-changing rocket-ride, shocked me. If you look at Earth’s atmosphere from orbit, you can see it “on edge”—gazing towards the horizon, with the black of space above and the gentle curve of the yes-it’s-round planet below. And what you see is the most exquisite, luminous, delicate glow of a layered azure haze holding the Earth like an ethereal eggshell. “That’s it?!” I thought. The entire sky—my endless sky—was only a paper-thin, blue wrapping of the planet, and looking as tentative as frost. And this is the truth. Our Earth’s atmosphere is fragile and shockingly tiny—maybe 4 percent of the planet’s volume. Of all the life we know about, only one species has the responsibility to protect that precious blue planet-wrap. I hope we did, and I hope you do. After 36 years as an astronaut—with a tenure that included four shuttle missions and three spacewalks—Stephen K. Robinson retired from NASA in 2012. He is now a professor of mechanical and aerospace engineering at the University of California, Davis.

Let Me Tell You a Story

Well, My Great Ones, The Europeans finally tried to do something after all this time. We told them over and over again; we showed them how to sustain and live within the capacity of their environment; but for hundreds of years they continued to rape and destroy our mother, Earth. What they didn’t understand was that it was too late. You will never get to see or hear the thousands of species of frogs sing their songs, and you will never get to see countless varieties of bees, butterflies and birds take flight or hear their wings flutter by you as you marvel at their bright and beautiful hues. I assure you that these creatures existed in great diversity, helping the world to stay in balance. Right now in California, we are in a drought and have been for several years. No one listened when the rain stopped coming. People continued to use water for green grass in their front yards because they wanted to prove they could afford to waste more than anyone else, never thinking to appreciate water and save it to quench their thirst. Some people saved water by painting their grass green. Who would have ever thought people would paint grass? If they would just plant indigenous drought-resistant plants with healing properties, we could save water and make our own medicine. But that would put the big corporations who make the drugs that we have become addicted to go out of business. My Precious Ones, I am so sad to say that those in power strayed so far from what is important, caring for each other and for our planet; that it left you and the continued existence of our sovereign tribal nations in jeopardy. I wonder, did they ever learn that we are interdependent, not independent? Everything that is done to the Earth, impacts us, and our survival. My Dear Ones, let me tell you a story … there once was a time when the rivers Tamara Cheshire were full of many types of fish and the water flowed clean, clear and bright because the rain came for many months throughout the year. There was plenty of food for everyone, and we lived with the understanding that we are all interconnected. What happens next is up to you to remember what was and make what is, different. The power has always been yours. We, your ancestors, are waiting. Tamara Cheshire is an indigenous adjunct professor of anthropology and Native American studies in Sacramento, Calif.

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My Endless Sky

COURTESY NASA

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Stephen K. Robinson

To read more letters or to write a letter of your own, please visit LettersToTheFuture.org. This is a collaborative effort between this newspaper, the Association of Alternative Newsmedia and the Media Consortium. You can also like us on Facebook at www.facebook.com/LettersToTheFuture.ParisClimateProject.

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Danny Quintana: Space & Ocean Exploration: The Alternative to the Military-Industrial Complex When President Dwight Eisenhower warned in his farewell address of the “military-industrial complex,” he foresaw an economic juggernaut that could be impossible to slow down, as economies grew to depend on military spending. And political will can be hard to find when so many jobs are dependent upon direct and indirect American military spending. Local attorney and activist Danny Quintana has come up with a provocative alternative in his new book Space & Ocean Exploration: The Alternative to the Military-Industrial Complex. It’s not enough, he argues, to say that we must cut our massive military-spending budget; that spending needs to go somewhere, in a way that will not cripple communities that have grown to depend on military bases or military contractors as pillars of their local economies. Quintana’s proposal is to redirect that spending—and the technical/scientific/policing power of the American military—toward work that may help preserve our planet. As humanity faces threats to the environment from climate change, overpopulation and the depletion of the world’s fisheries, Quintana argues, military might could be channeled into the exploration of space in an effort to expand medical knowledge, or even help protect the Earth from asteroid strikes. And the defense of oceans from overfishing would be an ideal mission for naval vessels. In a work that combines optimism with political pragmatism, Quintana offers a bold way of considering changing the world through a change in perspective. (Scott Renshaw) Danny Quintana: Space & Ocean Exploration: The Alternative to the MilitaryIndustrial Complex @ Weller Book Works, 607 Trolley Square, 801-328-2586, Nov. 20, 7 p.m., free. WellerBookWorks.com

SATURDAY 11.21

Sarina Villareal: Efflorescent Interference In her paintings, Sarina Villareal delineates the shifting borders between representation and abstraction, with human figures as well as flora suspended in a watery background that emphasizes their fluid qualities. The artwork becomes a representation of memory traces, not as distinct as we might assume. Her new series, Efflorescent Interference, takes the process even further, “using myself as a subject of neuropsychological experimentation,” she writes in her artist statement. The morphology of the figures in these acrylic works is shifting, as though movement altered not only their position but their definition; it seems intended as analogous to thought. The deft compositions (“Rose Interference,” detail above) draw your eye in to the decorative quality of the works, and render the conceptual framework a bit of a clever subterfuge. Coming to fine art from a career in design and advertising, Villareal’s work demonstrates a certain stylish composure that is a sign of selfassurance. The artist has exhibited widely in local venues and is represented by 15th Street Gallery. She cites the influences of abstract expressionist Cy Twombly and colorist Frank Klein, as well as more contemporary works by Jenny Saville and Susan Rothenberg. Monet’s “Water Lilies” comes to mind with her subject matter. Villareal’s work is showing concurrently with Episodes: Salt Lake City, photographs by Robert Martin. (Brian Staker) Sarina Villareal: Efflorescent Interference @ The Gallery at Library Square, 210 E. 400 South, Level 4, 801-524-8200, Nov. 21-Jan. 8; an artists’ reception will be held Saturday, Nov. 21, 4-5:30 p.m. SLCPL.org.

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So, you’re a Christmas expert: Not only do you know Dasher and Dancer and Prancer and Vixen—you can rattle off the names of the other four reindeer, as well as every single word to the song “Rudolph the Red-Nosed Reindeer.” Likely, your reindeer smarts are thanks in large part to the 1964 animated Rankin-Bass TV special. While watching RTRR: The Cartoon is a requirement for having a classic Christmas, you can also spend an entire evening enjoying the songs and watching the characters come to threedimensional real life when Rudolph, the Red-Nosed Reindeer: The Musical comes to town. A national touring company will give five performances at the Capitol Theatre, from Nov. 20 to 22. The musical version uses a combination of costumed actors, puppetry, scenery and projections to bring the RTRR story to life while sticking close to its stop-motion animation roots. All of the characters are there, from Yukon Cornelius to King Moonracer to the Abominable Snow Monster. The story is still about how the fascists of Christmas-town drive Rudolph out due to his “misfit” ways that threaten the social order. He eventually comes back to save the day and make everybody see they were behaving like idiots. Even Santa has to admit he was acting like a jerk. Anybody who’s every been barred from the Reindeer games, been teased for being different or just plain felt like they wanted to take refuge on the Island of Misfit Toys—in other words, pretty much everybody—can relate to Rudolph. Enjoy an evening of entertainment while dreaming of how you will exact a horrible revenge on your unsuspecting enemies … errrr, ummm, come back and save Christmas. (Geoff Griffin) Rudolph the Red-Nosed Reindeer: The Musical @ Capitol Theatre, 50 W. 200 South, 801-355-2787, Nov. 20, 8 p.m.; Nov. 21, 1, 4 & 7 p.m.; Nov. 22, 1 p.m., $55-$68.50. ArtTix.org

FRIDAY 11.20

This week, Repertory Dance Theatre performs the second production of its 50th anniversary season, Revel, a concert that brings together elements of the company’s rich past even while celebrating its future. Crippled Up Blues reunites a creative duo: dancer Bill Evans, RDT company member from 1967-74; and Utah musician/folklorist Hal Cannon, whose first collaboration harks back to 1973. Forty years down the line, the two have cooked up a playful homage to their Utah home and heritage— and to growing older. The program also includes the world premiere of Begging the Question by humorist/ choreographer Claire Porter—who performed her one-woman show in Salt Lake City this past August—and the Utah premiere of Jack by Joanie Smith of Minneapolis-based company Shapiro & Smith. But the gem of the night likely will be She, a tribute to Virginia Tanner by choreographer Jacque Lynn Bell. It was Tanner’s advocacy that helped solidify the original Rockefeller grant that made RDT a reality 50 years ago and for Bell, who as a child took dance lessons from Virginia Tanner, the opportunity to create a piece for her former teacher has been an honor and an enormous responsibility. “I’m the voice for so many people who have benefitted from her incredible vision,” says Bell. In her attempt to show the scope of Tanner’s influence, one still felt today, Bell has created a work with 26 dancers. They include RDT company members past and present, ranging in ages from 3 to 75, of the Children’s Dance Theater, which Virginia Tanner founded in 1949. (Katherine Pioli) Repertory Dance Theatre: Revel @ Rose Wagner Performing Arts Center, 138 W. 300 South, 801-355-2787, Nov. 19-21, 7:30 p.m., $30 ArtTix.org

Rudolph the Red-Nosed Reindeer: The Musical

FRIDAY 11.20

Repertory Dance Theatre: Revel

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THURSDAY 11.19

ENTERTAINMENT PICKS NOV. 19-26, 2015

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Rose Wagner November 19th

eing a geek these days is easy. Just head to any movie theater and usually you’ll find something aimed at your sensibilities. The same thing is true when you turn on the TV. It’s also true at the local comic-book store where purveyors of the finest in graphic stories peddle their wares. Because there’s so much material out there, though, it’s sometimes difficult to distinguish the truly great from the merely adequate, especially when attempting to pick out a comic-book title for a loved one as a holiday gift. As gift-buying season is upon us, we asked the owners and employees of comic-book shops to offer up their recommendations as to the best comics of the past year, and here’s what they gave us:

James Bond (Dynamite Comics)

Capitol Theatre December 5th

The Bond book is the perfect introduction to the original literary version of the character, chronicling the early days of his service. Written by Warren Ellis, the English writer shows he has an incredible understanding of the mythos.

Young Terrorists (Black Mask Studios):

UNIVERSES: LIVE! FROM THE EDGE

Kingsbury Hall December 5th

Your source for Art & Entertainment Tickets

Dave Landa, owner of Dr. Volt’s comics (2043 E. 3300 South, 801-485-6114, DrVolts.com) offers these picks:

Howard the Duck

(Marvel Comics): Join everyone’s favorite misanthropic water fowl in his magnificent return to comics.

Star Wars returns to Marvel comics in a number of new series. New stories from the original trilogy (and soon the prequel trilogy!) will delight both new fans and old.

Greg Gage, owner of Black Cat Comics (2261 E. Highland Drive, 801-461-4228, BlackcatComics.com) suggested these picks:

JEFF HAMILTON TRIO

A&E

Local retailers suggest the best new comic books of 2015. Star Wars (Marvel Comics): BY BRYAN YOUNG comments@cityweekly.net @swankmotron

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Young Terrorists is a “what if the Smoking Man were real” story. But he dies, and his daughter is left behind to pay for his crimes. The story features a strong female lead. With 80 pages for the first issue and selling for o n l y $6.99 ($10 for our store variant), it’s a great value. It’s also the introduction of the informal Black Mask universe, as characters from other titles make small appearances.

Trent Hunsaker, owner of Death Ray Comics (57 S. Main, Logan, DeathRayComics.com) suggests his favorites:

The Fade Out (Image Comics):

Pick this up if you like the films The Maltese Falcon, Sunset Boulevard and LA Confidential. It’s the most noir of noirs. Ed Brubaker and Sean Phillips tell the story of murder, coverup, blackmail, sex and just about anything else you can toss into back-lot 1950s movie studios.

The Unbeatable Squirrel Girl

(Marvel Comics): This is everything that your typical tightsand-capes comic isn’t (plus all the nut puns you can fit in a Planters jar). Squirrel Girl has been secretly living in the Avengers Mansion attic, but it’s time for college. And if you think an 18-year-old who has had minimal social interactions and has gone unnoticed living in an attic might be a little awkward in college … then you are exactly right! Grab this series if you like Bee and Puppycat, Steven Universe and MAD Magazine.

And finally, Kiley Wachs, comics manager of the Nerd Store (3601 S. 2700 West, Valley Fair Mall, West Valley City, 801-964-4776, NerdStoreUtah.com) recommended these titles:

Paper Girls (Image

Comics): A story about four teenage girls trying to finish up their paper routes the day after Halloween. Meanwhile, a mystery creeps in. This comic has a very Goonies vibe to me.

Letter 44 (Oni Press): Autumnlands (Image Comics): Magic is dying. The pecking order that keeps each kind in their place (the owls, bison, dogs, hogs, etc.) depends on the waning mystic power. The only hope is for the wizards of the Autumnlands to reach back through time for a hero—only to find, to their surprise, a strange beast you and I would call “human.” I’m not a fan of the fantasy genre, but this series is the exception.

A newly elected president faces the nation’s problems: war, economy, health care, etc. But on his first day in office, he learns that NASA has discovered alien life and a possible threat to Earth. Now he has to decide whether or not to tell the people of Earth or keep this secret to himself. A great sci-fi read. If you find you need more comic-book ideas for yourself or your precious loved ones, just go into your local store and ask. Each shop has a friendly staff that will guide you through your comic-book purchases with no hassles—or judgment of your taste—whatsoever. CW

Bryan Young is the editor-in-chief of BigShinyRobot.com

Thank You

2015

FOR BEING THE BEST The Photo Collective Studios

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FRIDAY 11.20 Jay Whittaker

It was a bit of a wait after Wiseguys Comedy vacated its Trolley Square location, and the downtown core was missing that regular dose of weekend laughs. But a new location at the Gateway finally launched in early November, with a prime spot at the mall’s southeast corner. And headliners including Gilbert Gottfried, Jeff Dye, Dwayne Perkins and filmmaker Kevin Smith are already lined up through early 2016. This weekend, if you’re eager to check out the new venue and revel in the funny, you can catch one of Utah’s most talented comedians. Jay Whittaker—City Weekly’s 2014 Best of Utah Arts award winner for Best Comedian. Whittaker brings his distinctive style out from behind the microphone of the also-award-winning Geek Show Podcast and in front of audiences. You might not see him engage in a push-up contest with Anthony “The Falcon” Mackie like he did at this year’s Salt Lake Comic Con, but there’s always something entertaining happening when Whittaker’s on a stage. (Scott Renshaw) Jay Whittaker @ Wiseguys Downtown, 194 S. 400 West, 801-532-5233, Nov. 20-21, 7:30 & 9:30 p.m., $12. WiseguysComedy.com

PERFORMANCE THEATER

9 Circles Browning Center, Weber State University, 3950 W. Campus Drive, Ogden, Nov. 13-21, Weber.edu Big Fish Hale Centre Theatre, 3333 S. Decker Lake Drive, West Valley City, 801-984-9000, Oct. 14-Nov. 28, $16-$33, HCT.org Buyer & Cellar Rose Wagner Center, 138 W. 300 South, 801-355-2787, Nov. 6-21, ArtTix.org Don Juan Comes Back from the War Westminster College, Jewett Center for the Arts, 1840 S. 1300 East, Nov. 12-21, ThursdaySaturday, WestminsterCollege.edu The Grouch Who Stole Christmas The Off Broadway Theatre, 272 S. Main, 801-355-4628, Nov. 20-Dec. 26, Monday, Friday & Saturday; 7:30 p.m., TheOBT.org Joe Hill’s Last Will The State Room, 638 S. State, 800-501-2885, Nov. 19, 7 p.m., TheStateRoom.com Lyric Opera Ensemble: Scenes Libby Gardner Hall, 1375 E. Presidents Circle, 801-581-6762, Nov. 20-21, 7:30 p.m., Music.utah.edu Rudolph the Red-Nosed Reindeer: The Musical Capitol Theatre, 50 W. 200 South, 801355-2787, Nov. 20-22, ArtTix.org (see p. 25) The Flick Good Company Theatre, 260 25th Street, Ogden, 801-564-0288, Nov. 6-22, Thursday-Saturday 8 p.m., Sunday 4 p.m., GoodCoTheatre.com Trail of Dreams SCERA, 745 S. State, Orem, 801-225-2787, Nov. 13-21, SCERA.org Young Frankenstein Egyptian Theatre Company, 328 Main, 435-649-9371, Nov. 20-Nov. 29, EgyptianTheatreCompany.org

28 | NOVEMBER 19, 2015

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moreESSENTIALS

Urban Vapor is home to the most affordable liquid in the State, Clouds4less Premium E-liquid, $20 60mls, refillible for $10 Complete remodel done in April 2015. Come check out the new Urban Vapor.

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DANCE

Orchesis Dance Theatre: Dancing Free Val A. Browning Center, 1901 University Circle, Ogden, Nov. 19-21, 7:30 p.m., BrowningCenter.org Revel Repertory Dance Theatre, Rose Wagner Center, 210 E. 300 South, 801-355-2787, Nov. 19-21, 7:30 p.m., RDTUtah.org (see p. 25) Rooted: Celebrating 25 Years of Samba Fogo Pierpont Place, 163 S. Pierpont Ave., Nov. 20, 8 p.m., SambaFogo.com

CLASSICAL & SYMPHONY

Abravanel Visiting Composer: Steve Jaffe Dumke Recital Hall, 1375 Presidents Circle, 801581-6762, Nov. 23, 7:30 p.m., Music.utah.edu Guest Artist Recital: Gerald Elias, Vedrana Subotic Libby Gardner Hall, 1375 E. Presidents Circle, 413-717-7103, Nov. 24, 7:30 p.m., Music. utah.edu Mahler’s ‘’Tragic’’ Symphony Utah Symphony, Abravanel Hall, 123 W. South Temple, 385-4681010, Nov. 20-21, 7:30 p.m., ArtTix.ArtSaltLake.org Pizzetti’s Messa di Requiem UVU Chamber Choir, Orem City LIbrary, 58 N. State, Orem, 801229-7050, Nov. 20, 7:30 p.m., OremLibrary.org Utah Symphony Harris Fine Arts Center, 1 University Hill, Provo, 801-422-8903, Nov. 19, 7:30 p.m., Arts.BYU.edu

COMEDY & IMPROV

Aaron Woodall Gezzo Hall, 490 Freedom Blvd. 200 West, Provo, Nov. 21, 8 p.m., GezzoHall.com Adult Improv & Open Mic Club at 50 West, 50 W. 300 South, 801-961-1033, Thursday, 7 p.m., $5-$8, Club.50WestSLC.com Jay Whittaker Wiseguys, 194 S. 400 West, 801-532-5233, Nov. 20-21 7:30 & 9:30 p.m., WiseGuysComedy.com (see above) Karen Rontowski Wiseguys Ogden, 269 25th St., 801-622-5588, Dec. 11-12, 8 p.m., WiseGuysComedy.com Ryan Hamilton Wiseguys West Valley City, 2194 W. 3500 South, 801-463-2909, Nov. 19-21, 7:30 & 9:30, WiseGuysComedy.com Sasquatch Cowboy Improv The Loft, 3934 S. Washington Blvd., Ogden, Nov. 7, 9:30 p.m., OgdenComedy.com

LITERATURE AUTHOR APPEARANCES

Christian Bök: The Xenotext The King’s English Bookshop, 1511 S. 1500 East, 801-4849100, Nov. 19, 7 p.m. KingsEnglish.com Danny Quintana: Space & Ocean Exploration: The Alternative to the Military-Industrial Complex Weller Book Works, 607 Trolley Square, 801-328-2586, Nov. 20, 7 p.m., WellerBookWorks.com (see p. 25) David McCllelan: The Boy Who Spoke to the Earth The King’s English Bookshop, 1511 S. 1500 East, 801-484-9100, Nov. 21, 11 a.m., KingsEnglish.com Jessica Lahey: The Gift of Failure The King’s English Bookshop, 1511 S. 1500 East, 801-4849100, Nov. 24, 7 p.m., KingsEnglish.com Noy Holland & Melanie Rae Thon The King’s English Bookshop, 1511 S. 1500 East, 801-4849100, Nov. 23, 7 p.m., KingsEnglish.com

SPECIAL EVENTS FESTIVALS & FAIRS

Nitro Circus Vivint Smart Home Arena, 301 W. South Temple, 801-325-2000, Nov. 20, 7 p.m., VivintArena.com The pARTy Utah Cultural Celebration Center, 1355 W. 3100 South, West Valley City, 801-9655100, Nov. 20, 6:30 p.m., CulturalCelebration.org International Games Day Viridian Center, 8030 S. 1825 West, West Jordan, 801-948-7858, Nov. 21, 10 a.m.-10 p.m., Calendar.ViridianCenter.org

LECTURES

Mark Anderson Eccles Center, 1750 Kearns Blvd., Park City, 435-655-3114, Nov. 20, 7:30 p.m., EcclesCenter.org

SEASONAL EVENTS

Sacrament Holiday Blessings Boutique Blessed Sacrament Church, 9757 S. 1700 East, Sandy, 801-571-5517, Nov. 21, 9 a.m., BlessedSacramentSandy.org Celebrate With Joy: Annual Bells on Temple

moreESSENTIALS Square Concert Tabernacle, Temple Square, Nov. 21, 7:30 p.m., LDS.org Elf Displays & Elf Scavenger Hunt Gardner Village, 1100 W. 7800 South, West Jordan Historic Winter Season Opening Park City Mountain Resort, 1345 Lowell Ave., 800-222-7275, Nov. 21, 8 a.m.-4 p.m., ParkCityMountain.com Holiday Kickoff Event City Creek Center, 50 W. Main, 801-521-2012, Nov. 19, 6-9 p.m., ShopCityCreekCenter.com Lights On! at La Caille La Caille Restaurant, 9565 Wasatch Blvd., 801-942-1751, Nov. 24, 5-7 p.m., LaCaille.com Santa’s Arrival Station Park, 833 Clark Lane, Farmington, Nov. 21, 6 p.m., ShopAtStationPark.com Trans-Siberian Orchestra: The Ghosts of Christmas Eve Vivint Smart Home Arena, 301 W. South Temple, 801-325-2000, Nov. 24, 4 & 8 p.m., VivintArena.com

VISUAL ART GALLERIES & MUSEUMS

Thank You FOR BEING THE BEST

Nichol as and Company

5520 Harold G at t y Dr, Salt L ake Cit y (801) 531-1100 nichol asandco.com

Yancey’s Fancy Cheese yanceysfancy.com

Frisch Compassionate Eatery 145 E 1 300 S #201 , Salt L ake Cit y (801) 906-8277 frischeats.com

Canell a’s

204 500 S, Salt L ake Cit y (801) 355-8518 cannell asrestaurant.com

Max well’s

357 Main St E, Salt L ake Cit y (801) 328-0304 max wellsece.com

Aristo’s

224 1 300 E, Salt L ake Cit y (801) 581-0888 aristosslc.com

Mazza

91 2 E 9th S, Salt L ake Cit y (801) 521-4572 mazzacafe.com

Coffee G arden

| CITY WEEKLY | NOVEMBER 19, 2015 | 29

2015

254 S Main 878 E 900 S Salt L ake Cit y (801) 355-3425

Holiday Group Exhibit Art Access Gallery, 230 S. 500 West, 801-328-0703, Nov. 20-Dec. 16, 9 a.m.-5 p.m., AccessArt.org Holiday Group Exhibition Slusser Gallery, 447 E. 100 South, 801-532-1956, Nov. 20-Jan. 8, reception Nov. 20, 6-9 p.m., MarkSlusser.com Inside: Out: solo exhibition by Lindsay Frei Alice Gallery, 617 E. South Temple, Nov. 20-Jan. 16, VisualArts.Utah.gov Jean Richardson: Every Now And Then I Fall Apart Utah Museum of Contemporary Art, 20 S. West Temple, 801-328-4201, Nov. 13-Dec. 19, UtahMOCA.org Kate Ericson & Mel Ziegler: Grandma’s Cupboard Utah Museum of Contemporary Art, 20 S. West Temple, 801-328-4201, through Dec.19, UtahMOCA.org Kristina Lenzi and Darryl Erdmann Finch Lane Gallery, 54 Finch Lane, 801-596-5000, Oct. 2-Nov. 20, Monday-Friday, 9 a.m.-5 p.m.; opening reception Oct. 2, 6-8 p.m., SaltLakeArts.org Layne Mecham & Frank McEntire Howa Gallery, 390 N. 500 West, Suite H, Bountiful, 801-232-5710, Nov. 13-Dec. 5, HowaGallery.com Mark Thomas Palfreyman: Little Monsters: Scientific Illustrations Sprague Branch, 2131 S. 1100 East, 801-594-8640, Nov. 23-Jan. 18; artist reception Nov. 24, 6:30–8 p.m., SLCPL.org Material of Memory Urban Arts Gallery, 137 S. Rio Grande St., 801-651-3957, Nov. 3-28, UtahArts.org Noelle Mason CUAC, 175 E. 200 South, 385215-6768, Nov. 20-Jan. 9, CuArtCenter.org Paper West Alvin Gittins Gallery, 375 S. 1350 East, 801-581-8677, Nov. 2-25, reception Nov. 5, 6-8 p.m., Art.Utah.edu Photography from the East Salt Lake City Main Library, 210 E. 400 South, 801-524-8200, Nov. 4-Dec. 10; artist reception Nov. 9, 6:30–8 p.m., SLCPL.org Picturing the Iconic: Andy Warhol to Kara Walker Kimball Art Center, 1401 Kearns Blvd., Park City, 435-649-8882, Oct., 24-Jan. 3, KimballArtCenter.org Robert Martin: Episodes: Salt Lake City Salt Lake City Main Library, 210 E. 400 South, 801524-8200, Nov. 21-Jan. 8; artist reception Nov. 21, 4-5:30 p.m., SLCPL.org Roberto Zavala: The Colorado Plateau and Other Stories Salt Lake City Library Chapman Branch, 577 S. 900 West, 801-594-8623, Nov. 2-Dec. 30; artist’s reception Nov. 7, 4-5 p.m., SLCPL.org Sarina Villareal: Efflorescent Interference Salt Lake City Main Library, 210 E. 400 South, 801524-8200, Nov. 21-Jan. 8; artist reception Nov. 21, 4-5:30 p.m., SLCPL.org (see p. 25) Sense/Ability: Grandma’s Cupboard Utah Museum of Contemporary Art, 20 S. West Temple, 801-328-4201, Nov. 21, 2-4 p.m., UtahMOCA.edu Sigfredo Mendoza Alonso: Embraced Landscapes Sweet Branch, 455 F St., 801-5948651, Nov. 2-Dec. 26; artist reception Nov. 7, 3-5 p.m., SLCPL.org Small Works, Group Art Show Mod a-go-go, 242 E. South Temple, 801-355-3334, Nov. 20, 6 p.m., ModAGoGo.com Statewide Annual Statewide Annual Exhibition Rio Gallery, 300 S. Rio Grande St, 801-245-7272, Nov. 20-Jan. 8, 8 a.m.-5 p.m., VisualArts.utah.gov Stefan Lesueur: Obscura Utah Museum of Contemporary Art, 20 S. West Temple, 801-3284201, through Dec. 19, UtahMOCA.org

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Autumn Splendor Art Show Evergreen Gallery, 3295 S. 2000 East, 801-467-8770, Nov. 20, 5:30-9 p.m., EvergreenGallery.com A Visual Feast Horne Fine Art Exhibit, 142 E. 800 South, 801-533-4200, through Dec. 31; artist’s reception Nov. 20, 6-9 p.m. & Dec. 4, 6-9 p.m., HorneFineArt.com Benjamin Gaulon: Corrupt.Yourself Utah Museum of Contemporary Art, 20 S. West Temple, 801-328-4201, Nov. 6-Jan. 16; artist reception Nov. 13, 7 p.m., UtahMoca.org Brian Bress: Make Your Own Friends Utah Museum of Fine Arts, 410 Campus Center Drive, 801-581-7332, through Jan. 10, UMFA.Utah.edu Brian Christensen: Reconfigure CUAC, 175 E. 200 South, 385-215-6768, through Feb. 7; artist reception Oct. 8, 6-9 p.m., CUArtCenter.org Chad Farnes: Duct Tape Paintings Finch Lane Gallery, 54 Finch Lane, 801-596-5000, Oct. 2-Nov. 20, Monday-Friday, 9 a.m.-5 p.m.; opening reception Oct. 2, 6-9 p.m., SaltLakeArts.org Cheryl Sandoval: Steps from the Reservation Mestizo Institute of Culture & Arts, 631 W. North Temple, Suite 700, 801-596-0500, Nov. 16-Jan. 9; artist’s reception Nov. 20, 6-9 p.m., MestizoArts.org Colors of the Season Art at the Main, 210 E. 400 South, 801-363-4088, Nov. 15-Jan. 10, ArtAtTheMain.com Fibonacci and UMOCA Celebrate SLC Culture Launch Party Utah Museum of Contemporary Art, 20 S. West Temple, 801-328-4201, Nov. 20, 5 p.m., UtahMOCA.org Fibonacci and UMOCA Celebrate SLC Culture Utah Museum of Contemporary Art, 20 S. West Temple, 385-309-3322, Nov. 20, 5-7 p.m., FibonacciFineArts.com Firelei Baez: Patterns of Resistance Utah Museum of Contemporary Art, 20 S. West Temple, 801-328-4201, through Jan. 16, UtahMOCA.org From the Collection of Thomas M. Alder Charley Hafen Gallery, 1409 S. 900 East, 801521-7711, Nov. 20-Jan. 9, CharleyHafen.com Gallery Stroll Various Galleries, Downtown Salt Lake City, 801-870-0956, Nov. 20, 6-9 p.m., GalleryStroll.org Glass Art Guild of Utah Show Red Butte Garden, 300 Wakara Way, 801-585-0556, Nov. 6-Dec. 20, 9 a.m.-5 p.m., GlassArtGuild.org

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RESPITE FROM THE KITCHEN

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BY TED SCHEFFLER comments@cityweekly.net @critic1

love Thanksgiving meals. But to be honest, I don’t always love the days of shopping, prepping and cooking that lead up to Thanksgiving dinner, not to mention the cleanup after. If you’d like to get out of the kitchen for Thanksgiving this year, there are plenty of restaurants open with Turkey Day options for you, from economical to extravagant, and with eat-in or dine-out options. Here are those that contacted me with Thanksgiving offerings. As in years past, Tuscany (2832 E. 6200 South, 801-277-9919, TuscanySLC. com) will provide a memorable Thanksgiving meal for guests, priced at $45 for adults; $22 for children 12 and under. The Tuscany menu includes a choice of butternut squash bisque or green salad, entrees of herb-roasted turkey and honey-glazed ham, sides such as sage & apple stuffing, sweet potato gratin, garlic whipped potatoes, herb-roasted root vegetables, and an assortment of house-made pies for dessert. Up at Log Haven (6451 E. Millcreek Canyon Road, 801-272-8255, Log-Haven.com), chef Dave Jones is preparing a four-course plated luncheon ($49.95 adults; $24.95 children 12 and under) featuring a choice from three starters (roasted Hubbard squash soup, braised chicken “oysters” or King crab cake), a salad course, and entrees including all-natural Coleman turkey, grilled King salmon, Black Angus New York steak or wild mushroom-butternut squash risotto, plus dessert options. The Paris Bistro (1500 E. 1500 South, 801-486-5585, TheParis.net) celebrates the 15th anniversary of its opening with a six-course Thanksgiving dinner priced at $49.95 for adults; $24.95 for children under 8. Thanksgiving menu items include wild chanterelle mushroom flatbread with thyme & Gruyère; soup and salad; Utah Wight Family Farms free-range turkey rôtí with Calvados-thyme jus and roasted chestnuts; sides such as purée blanche ravioli, cranberry compote with candied oranges and mapleglazed pecans; roasted sweet potatoes and yams; quinoa with fresh herbs, shallots and roasted pine nuts; corn bread with honey butter; Romanesco and Brussels sprout gratin; and a choice of pumpkin cheesecake with roasted chestnuts and honey gelato or carmalized apple-stuffed crêpes,

DINE

C a l vados and crème fraîche for dessert. At Finca (327 W. 200 South, 801-487-0699, FincaSLC.com), chef Phelix Gardner and his crew will offer a Thanksgiving Day buffet which includes traditional and Spanish favorites such as roasted-turkey breast, honey- and sherry-glazed ham, chorizo and smoked oyster “dressing,” olive oil-whipped potatoes, a chilledseafood station, freshly baked breads and pastries. The cost is $45 adults; $22.50 children 5 to 12; kids 4 and under free. Feel like adding some samba to your Thanksgiving feast? A trio of Brazilian churrascarias are open on Thanksgiving this year. Tucanos Brazilian Grill (162 S. 400 West, 801-4562550, Tucanos.com) will offer their famous all-you-can-eat churrasco, plus center-cut sirloin, baked turkey, fried turkey, grilled turkey, side dishes and dessert, priced at $29.95 adults; $11.95 children 7-12; kids under 7 eat free. Tucanos also offers holiday dinners for eating at home. Texas de Brazil (50 S. Main, 385232-8070, TexasDeBrazil.com) is “carving a new tradition” this year with its regular churrasco menu plus signature Thanksgiving specialties such as roasted turkey, sweet potato casserole, homemade gravy, dessert, and non-alcoholic beverages all included in the $42.99 dinner price. And, they open early at 11 a.m. Rodizio Grill (600 S. 700 East, 801-220-0500, RodizioGrill.com) is also getting in on the holiday action by offering four days of Thanksgiving: November 25-28 during dinner hours, and all day on Thanksgiving. They’ll offer the “Full Rodizio” Brazilian buffet ($26.99 adults; $9.99 children 7-11; 0-2 years eat free) plus orange turkey and stuffing, sweet potatoes and pumpkin pie. Up in Ogden, Hearth on 25th (195 25th St., 801-399-0088, Hearth25.com) is doing the heavy lifting for your holiday meal by offering gourmet Thanksgiving feasts “to-go.’ For as little as $17 per person you can order fully cooked roasted turkey, whipped Yukon Gold potatoes, maple-roasted sweet potatoes, dried fruit and sage stuffing, giblet pan gravy, wood oven-roasted Brussels sprouts, orange-ginger cranberry sauce, sourdough Hearth bread, and a choice of pumpkin cheesecake or sticky toffee pudding. At Zucca (225 25th St., 801-475-7077, MyZucca.com) Thanksgiving menu choices include “three-way” pork or cioppino appetizer; Waldorf salad or roasted apple and butternut squash soup; entrees of

slow-roasted turkey breast roulade, house-smoked honey-cured ham, or braised lamb shanks; plus dessert options ($39 adults; $15 children 12 and under). Local Marie Callender’s Restaurant & Bakery locations (MarieCallenders.com) will offer holiday indulgences from individual pies to full feasts for serving at home, ranging from $99.99 for a Turkey Breast Feast with all the trimmings (serves 4-6) to the Ultimate Whole Turkey & Ham Feast for $149.99 (serves 6-8). Over in Park City, Thanksgiving dining options abound, as well. At Deer Valley Resort (DeerValley.com dining), The Brass Tag (2900 Deer Valley Drive East, 435-6152410) will offer a prix-fixe dinner for two priced at $48 per person, which includes turkey breast roulade, butternut squash and arugula salad; brick oven Brussels sprouts with Niman Ranch lardons; caramelized garlic whipped Yukon Gold potatoes; green bean, shiitake and leek skillet; oven-baked pumpkin pie, and more. The Brass Tag Thanksgiving dinner will be available November 26-29. The Grub Steak (2093 Sidewinder Drive, 435-649-8060, GrubSteakRestaurant.com) Thanksgiving dinner includes roasted Tom turkey, stuffing and gravy, sides, pumpkin pie, and more, priced at $29.75 adults; $14.75 children 12 and under). According to the Park City Restaurant Association (ParkCityRestaurants.com), additional restaurants offering Thanksgiving specials include Baja Cantina, Bistro 412, Butcher’s Chop House & Bar, Cisero’s Ristorante, Deer Valley Grocery-Café (pies and takeaway items), The Glitretind at Stein Eriksen Lodge, and Zoom. Happy Thanksgiving, wherever you decide spend it. CW

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Beer & Wine

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Sweet Tooth Fairy

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The Pie Hole

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Tona Sushi

210 E 2500 S, Ogden (801) 622-8662 tonarestaurant.com

Saturday’s Waffles

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(801) 677-0600 saturdayswaffle.com

Oak Wood Fire Kitchen

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344 S State St, Salt L ake Cit y (801) 359-4653 pieholeutah.com

NOVEMBER 19, 2015 | 31

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| CITY WEEKLY |

@critic1

BY TED SCHEFFLER

ar B e

Now

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32 | NOVEMBER 19, 2015

FOOD MATTERS

$25 PER PERSON last Thursday Monthly

Red Kitchen in the House

Contemporary Japanese Dining L U N C H • D I N N E R • C O C K TA I L S

18 WEST MARKET STREET • 801.519.9595

If you’re looking for a way to elevate your holiday (or any other) dining experiences, you may want to consider Red Kitchen, a three-chef collective providing “redefined” dining via private in-home tasting events, underground dinners, social media-driven pop-ups and the like. The three chefs—Nicholas Fahs, Michael Blocher and David Barboza—are all graduates of Hyde Park’s Culinary Institute of America, and are working to “break down barriers and re-create conventional restaurant formats.” Visit RedKitchenSLC.com for details.

Natural Bountiful

A new Natural Grocers opens in Bountiful at 55 W. 500 South on Saturday, Nov. 21, with free nutrition and educational events scheduled on Saturdays. Founded in 1955 by Margaret and Philip Isely in Golden, Colo., Natural Grocers now has more than 90 locations, all founded upon five principles: nutritional education, highest quality products, affordable pricing, commitment to community, and commitment to employees. Saturday free events begin at 4 p.m., and include A Taste of Fall (Nov. 21), Gluten-Free Holiday Fare (Dec. 5), Taste the Difference Food Standards Make (Dec. 12) and Paleo Fare (Dec. 19). Visit NaturalGrocers.com for more information.

Greeks Bearing Gifts

For those—like me—who were beginning to feel like the Greek dining scene here was becoming a bit stale, it’s been a great autumn. As I reported recently in City Weekly, upscale Greek restaurant Manoli’s is wowing customers at 402 E. 900 South (ManolisOn9th.com), and Chipotle-style GR Kitchen (EatGRKitchen.com) has opened to provide quality fast-food Greek cuisine to customers at 7702 Union Park Ave. in Midvale. Well, there’s more good news for Greek-food fans: Look for a new “quick serve street Greek” food emporium called Padeli’s to open soon at 30 E. 300 South in Salt Lake City. It’s the creation of the folks behind Greek Souvlaki (GreekSouvlaki. com), which has been voted Best Gyro in City Weekly’s “Best of Utah” for more than 15 years.

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Quote of the week: If the doctors of today will not become the nutritionists of tomorrow, the nutritionists of today will become the doctors of tomorrow. —Thomas Edison Food Matters 411: teds@xmission.com

Go to devourutah.com for pick up locations.

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BRING IN THIS AD FOR $5 OFF ANY PURCHASE OVER $25 OR $10 OFF ANY PURCHASE OVER $50 *Dinner only *Not valid with any other coupons, discounts or offers *not good on the sale of alcohol

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Mandarin

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87 7200 S, Midvale (801) 566-5100 annystakeonthai.com/chaba ar

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234 W 900 S, Salt L ake Cit y (801) 322-3790 sagescafe.com

NOVEMBER 19, 2015 | 33

2015

| CITY WEEKLY |

275 S. 1 300 E., Salt L ake Cit y (take-out and delivery only) Phone: (801) 582-5700 • thepie.com

The Pie

348 East 900 North Bountiful (801) 298-2406 mandarinutah.com

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R&R BBQ

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| CITY WEEKLY |

34 | NOVEMBER 19, 2015

BEER, WINE & SPIRITS

Drinking With Big Bird

These unique wines add zest to Thanksgiving dinner. BY TED SCHEFFLER comments@cityweekly.net @critic1

hether you’re planning to pour wine at your Thanksgiving meal or to bring a bottle to a restaurant, there is a mind-bending array of options available to you. Multi-dish meals like Thanksgiving provide a lot of wine pairing possibilities—too many, in some cases. I usually prefer to stick with a couple of wines—one white and one red—and perhaps some bubbly, rather than trying to find one wine for the turkey, another for the spuds, a third for stuffing, and so on. Versatility is what I look for in a Turkey Day wine, not specialization. There are, of course, the usual suspects. Zinfandel is favored by many because of its uniquely American heritage. Red

Burgundy, too, is a good all-purpose Thanksgiving wine, one that bridges dishes from dark turkey meat to pumpkin pie. And, Riesling is always a safe and smart choice during holiday meals due to its unmatched versatility for pairing well with so many different foods. However, if you’d like to play around with some novel wine pairings this Thanksgiving, here are a few that I’m considering. I like to greet holiday guests with a glass of sparkling wine, and it’s hard to beat the 272 year-old Champagne house of Moët & Chandon for consistency and quality. Their Dom Perignon ($170) might not be in your (or my) Thanksgiving budget, but Moët & Chandon Impérial Brut NV ($49.99) can be. It’s bright and lively in style, the perfect opening for a memorable meal. I don’t especially like to weigh down Thanksgiving guests with high-alcohol wines, which is one reason to stay away from Zins. So, I’d consider serving a Rosé with a little heft, such as Chateau du Donjon Minervois Rosé ($13.99). This tasty Syrah-Cinsault-Grenache blend is hearty enough to enjoy with roasted turkey, but light enough to sip as an aperitif. An interesting “starter” or aperitif wine, if you’re working your way slowly up to the main event (turkey) is Luigi Voghera Langhe Arneis ($12.49), from Italy’s Piedmont region. The wine is unoaked, but

DRINK full-bodied and ultra-dry—a really nice partner for hors d’oeuvres and appetizers. As one who is always happy to find quality Chardonnay being poured at the holiday table, I’d look toward a wellcrafted California Chard such as Landmark Vineyards Overlook Chardonnay Sonoma County ($27.49) to fill the bill. With flavors of quince, apricots and brioche, this luscious Chardonnay is round enough to enjoy with roasted poultry dishes like turkey. If you’d like to surprise your guests with something truly unique—right down to its unusual Vinolok crystal bottle closure—then pop the Vinolok on a bottle of Tenuta Sant’Antonio Scaia Cornvina ($12.99) for Thanksgiving. This Veneto wine is easy-drinking and very versatile, with robust cherry flavors that will run the pairing gamut from roasted turkey and stuffing to sharp cheeses served after dinner.

Increasingly, French winemakers with Burgundian backgrounds are finding their way to the less-expensive Languedoc region of France to make their wines, and many are doing it organically. Such is the case with organic Chateau PechLatt Corbieres ($14.99). This lovely blend of old vine SyrahGrenache-Mour vèdreCarignan has good structure and is robust enough to enjoy with deepfried turkey, turduckens, goose, Prime rib and bolder Thanksgiving table flavors. The same goes for Tenuta Frescobaldi di Castiglioni ($22), a powerful, rich wine from Tuscany. Intense blueberry and cherry aromas accompany black pepper and spice scents, with dense tannins and a full body. Serve this one with dark-roasted turkey meat, beef or lamb, and roasted root vegetables. It will also pair well with bold after-dinner cheeses. CW

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Featuring dining destinations from buffets and rooms with a view to mom & pop joints, chic cuisine and some of our dining critic’s faves! Bangkok Terrace

Located at the Gallivan Center downtown, Bangkok Terrace focuses on fresh, flavorful Thai cuisine. Its central location makes this Salt Lake City restaurant a convenient lunch option for folks who work downtown, or for shoppers on their way back from City Creek. Begin your meal with chicken satay, fried wonton dumplings stuffed with ground chicken and mushrooms, or pot stickers. For the main course, options abound with Thai-style barbecue, salads, curries, noodles and stir-fried dishes. Popular menu items include the classic pad thai and drunken noodles—wide rice noodles pan-fried with meat, onion, jalapeños, Thai basil and garlic sauce. 61 Gallivan Ave., Salt Lake City, 801-355-0068

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Atlantic Cafe & Market

Atlantic Cafe & Market on Salt Lake City’s Main Street has so much to offer that it’s hard to know where to begin. For breakfast, omelets are a great choice, and at lunch, the sandwiches and pizzas are the way to go. Especially tasty is the terrific Mediterranean pizza and the vegetarian lasagna. There are also luscious chicken kebabs, Balkan sausages called cevapi and much, much more, including wine and beer, and sidewalk seating in warm weather. 325 S. Main, Salt Lake City, 801524-9900, AtlanticCafeMarketSLC.com

Cedars of Lebanon

Cedars of Lebanon cuisine from Lebanon, Morocco, Israel and Armenia is complemented by super service and even a private Moroccan room with floor seating for those looking for an exotic dining experience. But, of course, The Cedars is really all about Raffi, the outgoing host and owner, who welcomes customers as if they are members of his family. At lunchtime, the meza appetizer combos are popular, as are the gyro sandwiches, falafel, kebabs and Greek salads. In the

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evening, Moroccan specialties like luscious and savory pastilla, lamb tangine, Berber couscous and moussaka appear, along with the chef’s tantalizing beef chawarma. And don’t fail to try the Egyptian katayef for dessert. Bonus: Belly dancers make their moves on the weekends! 152 E. 200 South, Salt Lake City, 801364-4096, CedarsOfLebanonRestaurant.com

Royal Eatery

A longtime staple for downtown Salt Lake City dining, the casual Royal Eatery features an extensive American and Greek restaurant menu and a particularly popular breakfast. The terrifically thin and crispy fried potatoes are a Royal Eatery breakfast crowd favorite, and the made-to order omelets are popular as well. But take time to peruse the extensive menu before defaulting to the delicious pastrami-topped Royal Burger for lunch. 379 S. Main, Salt Lake City, 801-532-4301

Wing Nutz

What makes Wing Nutz different from other wings joints? These chicken wings are baked, not fried. At this downtown Salt Lake City location, try them with a choice of more than a dozen sauces, including Jamaican jerk, chipotle barbecue, Carolina mustard, lemon hotties, spicy peanut ginger and chili garlic. Wraps and salads are also featured, along with buffalo chips and Wing Nutz’s “famous” hog wings. There is a nice selection of Uinta beers and imports. It’s also a great place to watch sports on TV, with NFL Sunday Ticket and NBA League Pass. 188 S. Rio Grande, Salt Lake City, 801-456-4255, BakedWingsAreBetter.com

Pallet Bistro

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Named for Mexican artist Frida Kahlo, Frida Bistro is a restaurant from Rico Brand’s founder Jorge Fierro. Step into the sleek space with its limegreen and fuchsia walls, craft-paper-covered tables (with linen napkins), and be prepared to be wowed. The artichoke, cheese & asparagus tamale steamed in banana leaf is wonderful. Presented like a gorgeous painting on a plate, it is moist and light, nicely paired with tomatillo & avocado salsa and a side of frijoles ranchero—pinto beans with a chunk or two of porkbelly. Tender shredded chicken cooked in mole negro is equally impressive: sticky, sweet and savory. In addition to meals at Frida Bistro, you can also purchase Rico products such as salsas, tamales, burritos and guacamole, fresh from the factory floor. 545 W. 700 South, Salt Lake City, 801-433-9923, FridaBistro.com

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You’ll get live sound and video pumped in if you eat during an Urban Lounge concert. But don’t think that’s the only time to eat here. Salt Lake City’s Rye features brunch every day, dinner until at least midnight all week (till 2 a.m. Friday and Saturday) and is an operating coffee bar from 7 a.m. to 6 p.m. Rye caters to all tastes, ranging from hangar steak and pork belly to a flavorful vegan hash. Finish off your evening downtown with a Rye sundae: ice cream topped with bourbon-soaked cherries, whiskey caramel and salted caramel popcorn. 239 S. 500 East, Salt Lake City, 801-364-4655, RyeSLC.com

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SPOTLIGHT

Just the Facts

CINEMA

Spotlight makes the work of journalism both heroic and painfully human. BY SCOTT RENSHAW scottr@cityweekl.net @scottrenshaw

f you’re skeptical about all the praise heaped on Spotlight from film critics in print media, it’s understandable. We’ve all got our sweet spots, and those of us who sometimes wonder if our own dead-tree outlet will be the next one to start hemorrhaging employees are bound to gravitate toward a story about how important these publications are, and what can be accomplished through time-honored shoe leather and paper-chasing. If a movie is going to spend a lot of time telling you that you’re awesome … well, come on, we’re only human. But that’s also a fairly limited way of looking at Spotlight, which is more than just a big sloppy kiss in the general direction of investigative reporting. In fact, it may be even more compelling as a look at all the things standing in the way of breaking an important story, and how easy it can be to miss that something is a story. In the course of addressing issues that are particular to the real-life time frame, co-writer/director Tom McCarthy also looks at issues that are bigger than the context of turn-of-the-21stcentury newsrooms, folding them into a terrific slow-burn procedural. The main story begins in 2001, as the Boston Globe is bringing on new editorin-chief Marty Baron (Liev Schreiber). He wants the paper’s “Spotlight” investigative news team—editor Walter “Robby” Robinson (Michael Keaton) and reporters Mike Rezendes (Mark Ruffalo), Sacha Pfeiffer (Rachel McAdams) and Matt Carroll (Brian d’Arcy James) to turn their attention to the case of a Catholic priest accused of sexually abusing several children. And as they begin digging—at first reluctantly—into the case, they discover that the Catholic Archdiocese of Boston might be engaging on a massive scale in hushing up cases of abusive priests, and deliberately relocating sex offenders to other parishes. McCarthy and co-screenwriter Josh

Singer faced a tough challenge in juggling the details of these cases—and the many newsroom employees, victims, attorneys, church officials and other peripheral characters involved in the investigation—in such a way that it would still be easy for a viewer to follow. But the script proves marvelously efficient at conveying that nuts-and-bolts information, while never feeling that it’s only about expository details. Like the reporters at the center of the story, Spotlight always feels like it’s trying to dig down to the next level. And what it finds on those next levels is generally fascinating. The story’s timeline intersects with the events of Sept. 11, 2001—which also had a Boston connection—and Spotlight effectively conveys how a developing story, even one this potentially huge, can get set aside when an even bigger story emerges. There’s also an ongoing undercurrent dealing not just with the work of intrepid journalists, but the way that work fits into a business trying to survive—at a time when newsroom layoffs are being discussed— and beat its competitors. There’s a terrific moment where Matt Carroll discovers that one of the houses used by the church as a residence for “recovering” pedophile priests is in his own neighborhood, yet is told by editors not to warn his neighbors, just to make sure that the rival Boston Herald might not get wind of the scope of the Globe investigation. It’s rare for a movie about journalism to recognize not just the importance of getting a story, but of making sure the other guys don’t get the story first.

Rachel McAdams, Mark Ruffalo, Brian d’Arcy James, Michael Keaton & John Slattery in Spotlight Spotlight’s most intriguing subtext, however, might be the inevitable subjectivity of the people reporting the news. Right from a prologue set in 1976, McCarthy sets the stage for Boston as a “company town” where the company in question is the Roman Catholic Church, exerting its influence over the faithful. Yet this isn’t a conspiracy story in which the only conspirators are on the outside of the newsroom; there are frequent allusions to the opportunities the Globe had to dig into this story many years earlier. The restrained performances are top-notch throughout, and Spotlight explores just enough of the journalists’ personal lives to show their own emotional connections to the Catholic Church, and how it might have taken an outsider like Baron to shake them from their assumption that this couldn’t really be such a horrible story. Spotlight may make the results of old-school reporting look heroic, but it also makes that work look human. CW

SPOTLIGHT

BBB.5 Michael Keaton Mark Ruffalo Rachel McAdams Rated R

TRY THESE All the President’s Men (1976) Robert Redford Dustin Hoffman Rated PG

The Paper (1994) Michael Keaton Glenn Close Rated R

The Station Agent (2003) Peter Dinklage Patricia Clarkson Rated R

Deliver Us From Evil (2006) Documentary Not Rated

CINEMA CLIPS NEW THIS WEEK Information is correct at press time. Film release schedules are subject to change. ASTHMA B.5 So, Jake Hoffman has great taste in music; maybe he can make that work for him, since this “making movies” thing may not be so much his forte. His wildly episodic story deals with a New York City heroin addict named Gus (Benedict Samuel) who impulsively steals a Rolls Royce, then, just as impulsively, offers a local girl he’s been crushing on, Ruby (Krysten Ritter), a ride to a party in Connecticut. For a while, it’s an indie road-trip romance, one where it’s hard to take seriously a woman who willingly has unprotected sex with an intravenous drug user. And then it turns into an almost random selection of scenes at the hippie/hipster house party, with an unrecognizable Goran Visnjic under dreadlocks as a yoga guru, and Nick Nolte voicing the werewolf Gus sees in his hallucinations. The insufferable lack of momentum, or any sort of point to it all, is at least occasionally mitigated by a soundtrack featuring great tunes by Parquet Courts, So So Glos, The Kills and more. Too bad the music has to stop for anyone on screen to talk. Opens Nov. 20 at Tower Theatre. (NR)—Scott Renshaw

SECRET IN THEIR EYES [not yet reviewed] A trio of investigators (Julia Roberts, Chiwetel Ejiofor and Nicole Kidman) deal with the fallout when one of their lives is destroyed by a violent crime. Opens Nov. 20 at theaters valleywide. (PG-13) SPOTLIGHT BBB.5 See review p. 38. Opens Nov. 20 at theaters valleywide. (R)

AI WEIWEI: THE FAKE CASE At Utah Museum of Contemporary Art, Nov. 19, 7 p.m. (NR) CHARLIE CHAPLIN CAVALCADE At Edison Street Events, Nov. 19-20, 7:30 p.m. (NR) DRAG BECOMES HIM At Brewvies, Nov. 19, 7 p.m. (NR) HOME FOR THE HOLIDAYS At Main Library, Nov. 25, 2 p.m. (PG-13) IRIS At Utah Museum of Fine Arts, Nov. 25, 7 p.m. (PG-13) MEET THE PATELS At Park City Film Series, Nov. 20-21 @ 8 p.m. & Nov. 22 @ 6 p.m. (PG) SOME KIND OF SPARK At Main Library, Nov. 24, 7 p.m. (NR) THE THING (1982) At Brewvies, Nov. 23, 10 p.m. (R)

CURRENT RELEASES THE 33 B.5 The true story of the incident in which 33 Chilean miners were trapped underground is a natural for inspirational cinematic treatment, but this is a case study in poor execution of that concept. It employs a structure virtually identical to The Martian, alternating

SALT LAKE CITY Brewvies Cinema Pub 677 S. 200 West 801-355-5500 Brewvies.com

PARK CITY Cinemark Holiday Village 1776 Park Ave. 800-326-3264 Cinemark.com

Broadway Centre Cinemas 111 E. 300 South 801-321-0310 SaltLakeFilmSociety.org

Redstone 8 Cinemas 6030 N. Market 435-575-0220 Redstone8Cinemas.com

Century 16 South Salt Lake 125 E. 3300 South 800-326-3264 Cinemark.com

DAVIS COUNTY AMC Loews Layton Hills 9 728 W. 1425 North, Layton 801-774-8222 AMCTheatres.com

Cinemark Sugar House 2227 S. Highland Drive 801-466-3699 Cinemark.com Water Gardens Cinema 6 1945 E. Murray-Holladay Road 801-273-0199 WaterGardensTheatres.com Megaplex 12 Gateway 165 S. Rio Grande St. 801-304-4636 MegaplexTheatres.com Redwood Drive-In 3688 S. Redwood Road 801-973-7088 Tower Theatre 836 E. 900 South 801-321-0310 SaltLakeFilmSociety.org WEST VALLEY 5 Star Cinemas 8325 W. 3500 South, Magna 801-250-5551 RedCarpetCinemas.com Carmike 12 1600 W. Fox Park Drive, West Jordan 801-562-5760 Carmike.com Cinemark 24 Jordan Landing 7301 S. Bangerter Highway 800-326-3264 Cinemark.com Cinemark Valley Fair Mall 3601 S. 2700 West, West Valley City 800-326-3264 Cinemark.com Showcase Cinemas 6 5400 S. Redwood Road, Taylorsville 801-957-9032 RedCarpetCinemas.com

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Megaplex Jordan Commons 9400 S. State, Sandy 801-304-INFO MegaplexTheatres.com Megaplex 20 at The District 11400 S. Bangerter Highway 801-304-INFO MegaplexTheatres.com

Gateway 8 206 S. 625 West, Bountiful 801-292-7979 RedCarpetCinemas.com Megaplex Legacy Crossing 1075 W. Legacy Crossing Blvd., Centerville 801-397-5100 MegaplexTheatres.com WEBER COUNTY Cinemark Tinseltown 14 3651 Wall Ave., Ogden 800-326-3264 Cinemark.com Megaplex 13 at The Junction 2351 Kiesel Ave., Ogden 801-304-INFO MegaplexTheatres.com UTAH COUNTY Carmike Wynnsong 4925 N. Edgewood Drive, Provo 801-764-0009 Carmike.com Cinemark American Fork 715 W. 180 North, American Fork 800-326-3264 Cinemark.com Cinemark Movies 8 2230 N. University Parkway, Orem 800-326-3264 Cinemark.com Cinemark Provo Town Center 1200 Town Center Blvd., Provo 800-326-3264 Cinemark.com Cinemark University Mall 1010 S. 800 East, Provo 800-326-3264 Cinemark.com Megaplex Thanksgiving Point 2935 N. Thanksgiving Way 801-304-INFO MegaplexTheatres.com Water Gardens Cinema 8 790 E. Expressway Ave. Spanish Fork 801-798-9777 WaterGardensTheatres.com Water Gardens Cinema 6 912 W. Garden Drive Pleasant Grove 801-785-3700 WaterGardensTheatres.com

NOVEMBER 19, 2015 | 39

Cinemark Sandy 9 9539 S. 700 East, Sandy 800-326-3264 Cinemark.com

Cinemark Tinseltown USA 720 W. 1500 North, Layton 800-326-3264 Cinemark.com

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SOUTH VALLEY Century 16 Union Heights 7800 S. 1300 East, Sandy 800-326-3264 Cinemark.com

Cinemark Station Park 900 W. Clark Lane, Farmington 801-447-8561 Cinemark.com

THE NIGHT BEFORE BB.5 There’s something fundamentally confused about a comedy whose characters ostensibly are trying to find maturity, but whose humor is built around drugs and dick jokes. Isaac (Seth Rogen), Ethan (Joseph Gordon-Levitt) and Chris (Anthony Mackie) are three New York pals-since-high-school, enjoying what might be the last of their annual Christmas Eve boys’ nights out, ending with the mysterious private party they’ve longed to attend. Each gets his own narrative—Isaac wrestling with impending fatherhood, Ethan hoping to patch things up with his ex (Lizzy Caplan), pro athlete Chris enjoying a steroid-fueled career resurgence—which all nod towards their need to move on to new phases of their life. But the movie—reuniting Rogen and Gordon-Levitt with 50/50 director Jonathan Levine—is only really satisfying when it’s being goofy, whether showcasing Michael Shannon as a guru-like drug dealer, or allowing Rogen to cycle through a dozen different kinds of substance-induced freakouts. The episodic humor is sometimes funny, yet rarely builds on

ROOM BBB.5 It’s a risky maneuver to take a story that could easily become psychological horror, and instead turn it into a delicate, almost fanciful character piece. Emma Donoghue adapts her own novel which opens in a single small room, where Jack (Jacob Tremblay) is just turning 5 years old. And he’s lived in that room his entire life, along with his mother, Joy (Brie Larson), who was abducted as a teenager and imprisoned there by a man they know only as Old Nick (Sean Bridgers). Donoghue and director Lenny Abrahamson keep the focus on Jack’s point of view, and Tremblay’s terrific performance allows an understanding of the resilient, flexible ability of a child to adapt to the only world he knows. But Larson is also remarkable at capturing Joy’s ability to help Jack navigate that world, and craft a narrative that protects them both. The second half of the story complicates their relationship in intriguing ways, even if there’s less powerful tension. It’s still a terrific manifestation of the truth behind fairy tales—both their underlying horror, and their goal of keeping children safe. Opens Nov. 20 at Broadway Centre Cinemas and Century 16 South Salt Lake. (R)—SR

SPECIAL SCREENINGS

THE HUNGER GAMES: MOCKINGJAY—PART 2 BBB.5 One of the smartest, most enthralling science-fiction film series ever reaches a thoroughly engaging and very fitting end, questioning all of our assumptions about war, power and peace—particularly as blockbuster film series tend to present them. People’s heroine Katniss Everdeen (the amazing Jennifer Lawrence) doesn’t lead the rebels of District 13 in an assault on the decadent Capitol: She’s bringing up with the rear with the propaganda filmmaking team, which is taking big risks in bringing along tortured Peeta (Josh Hutcherson), Katniss’s former Hunger Games partner, hoping to show Panem’s President Snow (Donald Sutherland) that he’s turned back toward the forces of good. But it’s just as likely that he’ll try to kill Katniss. And who is “good,” anyway? Amid some of the series’ most breathtaking and original action sequences—Snow has turned the Capitol into a deadly obstacle course for the invading rebels—problems with the revolution itself are coming to light. Is Katniss about to overthrow one tyrant only to install another? Matters of trust—intimate and personal, as well as social and political—make this an emotional experience as much as an explosive one. Opens Nov. 20 at theaters valleywide. (PG-13)—MaryAnn Johanson

how much these guys are supposed to mean to one another. Being an arrested adolescent winds up looking so much more appealing than being an adult. Opens Nov. 20 at theaters valleywide. (R)—SR

THEATER DIRECTORY

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BY THE SEA [not reviewed] A couple (Angelina Jolie and Brad Pitt) try to revive their failing marriage during a European vacation. Opens Nov. 20 at Century 16 South Salt Lake. (R)

MOVIE TIMES AND LOCATIONS AT CITYWEEKLY.NET

CINEMA CLIPS

MOVIE TIMES AND LOCATIONS AT CITYWEEKLY.NET

between survival drama and rescue efforts, but director Patricia Riggen and the screenwriters replace the focus on problemsolving with lazy movie shorthand to give a handful of characters one token conflict and/or relationship. There’s little sense of the danger or claustrophobia facing these men, because nearly every moment spent with them involves shouting matches or inspirational speeches. There’s nothing wrong with a survival-againstall-odds story that aims for the heart instead of the head, but this one keeps blasting indiscriminately away at the heart, destroying all the other vital organs along the way. (PG-13)—SR

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LOVE THE COOPERS BB Here’s an ensemble comedy-drama with one worthwhile vignette that makes all the others feel even worse. It pulls together four generations of a Pittsburgh family for various dysfunctional crises: Charlotte (Diane Keaton) and Sam (John Goodman) are about to separate after 40 years of marriage; their son Hank (Ed Helms) struggles with being unemployed and freshly divorced; and their daughter Eleanor (Olivia Wilde) flirts with a soldier named Joe (Jake Lacy) she met at the airport. This latter story is fairly charming, capitalizing on some genuine chemistry, but the rest borders on excruciating, as weird fantasy moments clash with messier realism, all underscored by narration (by Steve Martin) that spells out every already-obvious emotional beat. These people may figure out that they actually care about one another, but the audience barely gets 15 minutes worth of reason to love them. (PG-13)—SR

SPECTRE BB The opening sequence is spectacular, following 007 (Daniel Craig) through, around and above raucous Day of the Dead revelers in Mexico City while he does a Secret Agent Thing; what amazing goodies might it have up its sleeve for the rest of the movie? As it turns out, not many. Spectre never reaches that same pinnacle of movie-movie joy again, and the thin plot—involving Bond’s pursuit of a Big Bad Guy (Christoph Waltz)—never catches fire. Apart from occasional explosions of not entirely un-diverting action, Bond’s spycraft is dreary and perfunctory. While the earlier films actively worked to make room for a Cold War relic like Bond in the new global paradigm, Spectre throws that all away in favor of a retro vibe that’s never nostalgic yet sometimes icky. Old-school Bond sex and violence now feels trite and tired. (PG-13)—MAJ

40 | NOVEMBER 19, 2015

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MY ALL AMERICAN BBB Angelo Pizzo—writer of Rudy and Hoosiers—writes and directs

the true story of Freddie Steinmark (Finn Wittrock), an undersize but relentless young football player who became a star safety for the University of Texas before facing a life-threatening health crisis. Wittrock faces a tough acting challenge—making a squeaky-clean kid interesting—but he provides exactly the kind of earnestness required for a story about someone who could respond to a potentially lethal diagnosis with a tightjawed, “OK.” And yes, it’s formulaic in its relationship dynamics—including a stalwart girlfriend (Sarah Bolger) and Texas coach Darrell Royal (Aaron Eckhart)—while making missteps like spending 17 minutes on a single football game. But there’s really has only one goal: putting a lump in your throat at watching a kid refuse to stop believing his dreams could come true. Lump delivered. (PG)—SR

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Alias, Jessica

Let’s Watch Let’s Wait Let’s Not

Marvel’s Jessica Jones brings the grit; Northpole: Open for Christmas arrives too soon. The Art of More Thursday, Nov. 19 (Crackle)

Series Debut: Small-time crook Graham Connor (Christian Cooke, Witches of East End) slips into the high-end art world of the super-rich—but if the dark side of the auction house doesn’t sting him first, his shady secret past will. The slick and sexy Art of More is relatable to your life in no way whatsoever (sure, Graham came from nothing, but he’s still ridiculously good-looking), but it’s deeper than you’d expect luxury porn to be, and the supporting cast (Dennis Quaid, Kate Bosworth and Cary Elwes) ain’t bad for a streaming service you’ve barely heard of, either. Given the app/network’s (appnet?) recent surge in original programming, looks like reports of parent company Sony’s lack of interest in Crackle are greatly exaggerated. Also: There’s now really Too Much TV.

Northpole: Open for Christmas Saturday, Nov. 21 (Hallmark)

Movie: The crime here isn’t that Hallmark is dropping a new Christmas movie on Nov. 21—it’s that the network already began the jingle-blitzkrieg three weeks ago! On Halloween! Northpole: Open for Christmas is just another one of the Mad-Libbed holiday-rom-com-shot-up-withfuzzy-feels treatises on the True Meaning of Christmas that we’ve come to expect/endure from Hallmark (and ABC Family, Lifetime, et al) every year the millisecond a leaf turns brown. Says here: “Dermot Mulroney stars as Ian, a small-town handyman who comes to the aid of Mackenzie (Lori Loughlin) to help restore a cherished local inn she inherited, but wants to sell. Unbeknownst to Ian and Mackenzie, Santa sends his trusted elf Clementine (Bailee Madison) on a special mission to help Mackenzie rebuild and rediscover the magic of the holidays.” By not

selling her rat trap? Maybe she wants out of this money pit and into a new condo on the gentrified side of town, next to the microbrewery and the artisan crepery! You don’t know, Santa! Damned hippie …

The Last Man on Earth Sunday, Nov. 22 (Fox)

Final New Episode of 2015: Or maybe ever? Fox’s revamped schedule (coming in January, because who cares about December?) will involve moving Brooklyn Nine-Nine back to Tuesdays to help New Girl save Grandfathered and The Grinder, debuting two-years-on-the-shelf animated series Bordertown on Sundays, kicking off the final American Idol death march, reinstating The X-Files and pretending Minority Report never happened, but no plans for The Last Man on Earth. It’s too weird to slot anywhere but Sunday among the cartoons, and too healthily (relatively) rated to outright cancel. Glimmer of Hope: Last Man’s “replacement,” Cooper Barrett’s Guide to Surviving Life, is even worse than the title suggests. Tandy and the gang could/ should be back by February. Listen to Bill on Mondays at 8 a.m. on X96 Radio From Hell; weekly on the TV Tan podcast via iTunes and Stitcher.

Series Debut: It’s going to be tough to follow-up a series like Daredevil, especially with a lesser-known character like Jessica Jones—but Marvel’s too big to fail, so why worry? Based on Brian Michael Bendis’ darkly fantastic Alias series, Jessica Jones (Krysten Ritter) is an ex-superhero trying to lead a relatively normal existence as a private detective, even though most of her clients end up being of the super-powered variety. Also impeding her process of powering down and fitting in: Jessica has more issues than, well, the Marvel Universe. Considering Netflix’s Daredevil revelation, as well as the show’s creator (a former Dexter writer) and the solid cast behind the alwayswinning Ritter (David Tennant, Carrie-Anne Moss and future Luke Cage Mike Colter), Jessica Jones is another gritty smack upside the head. Or in the SUV door, whichever you prefer.

Series Debut: In an alternate universe where the Germans won World War II, early-’60s USA is halved into the Greater Nazi Reich and the Japanese Pacific States—yes, of course there’s an underground resistance working to take back ’Merica. The Man in the High Castle’s production and attention to detail is impressive, with Ridley Scott bringing the 1962 Philip K. Dick novel to full-blown life even as the lead actors appear lifeless (could have done better than Pretty Little Liars’ Luke Kleintank and Mob City’s Alexa Davalos). Atmosphere and high concept mostly win out, however, and just set aside any Danger 5 nutty-Nazi memories—this is serious business!

Marvel’s Jessica Jones (Netflix)

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Marvel’s Jessica Jones Friday, Nov. 20 (Netflix)

The Man in the High Castle Friday, Nov. 20 (Amazon Prime)

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NOVEMBER 19, 2015 | 41

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42 | NOVEMBER 19, 2015

west JOE HILL TRIBUTES Jordan’s newest The Will of Hill watering John McCutcheon resurrects Joe Hill’s rabble-rousing songs. hole

MUSIC

BY DAVID COCHRAN comments@cityweekly.net

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lmost a century ago, the socialist journalist John Reed wrote of the Industrial Workers of the World—popularly known as the Wobblies— “Remember, this is the only American working-class movement which sings. … They love and revere their singers, too, in the IW W. All over the country, workers are singing Joe Hill’s songs.” Hill, the IW W’s unofficial songwriter, had been dead three years when Reed penned those words. Born in Sweden in 1879, he immigrated to the United States in 1902. His songs were written and sung to inspire workers and further the IW W’s goal of organizing the working class into One Big Union. He was convicted on scanty evidence of murdering a Salt Lake City grocery clerk and his son, and sentenced to death by firing squad at Utah State Prison, on the site that is now Sugar House Park. Thursday, Nov. 19, is the 100th anniversary of that execution. In tribute, six-time Grammy nominee John McCutcheon will re-create Hill’s last night in Joe Hill’s Last Will, a one-man play based on Hill’s writings and songs, written by community organizer and folksinger Si Kahn. McCutcheon released a CD on May 1, also titled Joe Hill’s Last Will, featuring the songs heard in the play, including Hill’s “The Preacher and the Slave,” “There Is Power in a Union” and “Rebel Girl,” as well as such obscurities as “What We Want” and “Overalls and Snuff.” Hill is difficult to understand by today’s standards, says McCutcheon. “He was a different animal. He never did a gig. Was never on the radio. Never made a recording. Didn’t do anything that would further his artistic notice. He wrote to be useful, nothing more. He is a complete anachronism in 21st-century terms.” For Wobblies, music was a weapon in the class war, and proved essential in organizing campaigns. “A pamphlet,” Hill once wrote, “no matter how good, is never read more than once, but a song is learned by heart and repeated over and over.” As McCutcheon explains, “you had a large immigrant workforce with songs that held great emotional meaning to these workers. Utilizing those melodies, with words fitted to immediate concerns, was very powerful. Think of the music of the Civil Rights movement; the song sources had tremendous, spiritual and historical power to people which, in turn, lent that foundational power to their usage in new contexts with slightly altered words. Same thing with IW W songs. They understood that people need information, but they also need emotional connection.” The songs reflect Hill’s gift for vernacular—an especially impressive accomplishment, given he was not a native English speaker. But as McCutcheon says, “When you hang around with people who don’t speak the King’s English—especially workers who are making nicknames up for one another, giving descriptive and often scatological nicknames to jobs that they have to do—you end up having an ear for the vernacular. Hill certainly seemed to have a gift for that.” Hill drew on a wide range of influences in composing his songs, from Tin Pan Alley and vaudeville to ethnic music and popular hymns, often depending upon audience and situation. His most famous song, “The Preacher and the Slave,” was written during an organizing campaign in Spokane, Wash., during which members of the IW W and the Salvation Army often stood on streets near each other competing for the same audiences. Local company bosses began paying the Salvation Army to drown out the Wobblies.

John McCutcheon portrays slain labor leader Joe Hill, whose incendiary songs, often set to popular tunes, inspired workers. “Joe Hill decided if you can’t beat them, co-opt them,” McCutcheon observes, “and wrote new words to ‘In the Sweet By-and-By,’ which was one of the most popular songs that the Salvation Army was playing, and got all the men singing his words to the hymn. It was partially a matter of necessity, because it doesn’t matter how loud you sing, three trumpets, two trombones and a bass drum are going to drown you out, so you find a way to use that to your advantage.” McCutcheon’s performance also includes the remarkably contemporary take on working-class conservatism, “Mr. Block,” the worker whose loyalty consistently lies with the bosses. “One of the most interesting things about doing this … is the reaction it gets from younger people, college-age people, who say, ‘All that stuff was going on 100 years ago, and we’re still dealing with it today?’ ” Throughout Hill’s oeuvre runs a sharp sense of humor, which served both entertainment and political purposes. In McCutcheon’s words: “Humor is a powerful weapon. It allows the weak to reduce the powerful to manageable size. Plus, the powerful, for some reason, rarely have a sense of humor. Humor makes them vulnerable and, ultimately, conquerable. When you show them you’re not afraid, they don’t know what to do. That was a great gift that the Wobblies gave to the American labor movement, and we could use a hell of a lot more of it now.” CW David Cochran teaches history at John A. Logan College in Illinois.

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JOE HILL ROADSHOW

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Local sound artists Fisch Loops and Applegreen embark upon a fruitful venture. BY RANDY HARWARD rharward@cityweekly.net

isch Loops and Applegreen: For a conversation about their split cassette release, Jabuticaba, chose Harmon’s. You see, the recording is named for a rare South American fruit. And Harmon’s boasts one of the best produce sections in town, its shelves laden with things you typically see pictured on bottles of fruit juice: Dragonfruit, quince, kiwano. All the exotics except, evidently, one: “They didn’t have the jabuticaba,” says Fisch. Everyone was mildly surprised. Since Fisch Loops and Applegreen are dropping a split release, it seems like a fun idea to interview them separately. And so it was that Daniel Fischer, aka Fisch Loops, is banished to a far corner of the deli to eat his mac and cheese. This leaves City Weekly and Applegreen alone at a table consuming DayQuil and sushi, respectively. Applegreen, aka Chase Estes, is a softspoken, low-profile dude out of Ogden—a virtual stranger compared to Fisch, whose umpteen other projects include Furthermore, Numbs and Rotten Musicians. “I’m not surprised you haven’t heard of me,” says Estes. “I’m not a performer.” He’s done shows, mostly as a DJ. “I don’t have a real steady image, so it gives me the freedom to come up with [different names] for every project.” Applegreen, however, may become his most-used handle “because I think I might have some momentum under this name.” Applegreen met Fisch through MySpace, searching for similar artists in Salt Lake City. They traded music online, and finally

met by chance at Randy’s A new release by Fisch Loops, pictured left, and Applegreen, Records. “He’s a really explores animal noises and other exotica. distinct-looking dude, so I recognized him,” Estes says. The pair continued to bump into each happened to be corporeally shaped. From other at record stores and DJ nights, each “Headnod” through “Footstomp,” Estes time discussing the wax treasures they dug takes listeners on a late-night, slow-mo up since their last meeting, and ideas on magic carpet ride with a cast of sampled fellow travelers who look familiar. (Is that mixing them. Years later, they’re releasing Jabuti- Sergio Mendes? The dude from Tinariwen? caba, a medley of world music and found Who’s the lady that sounds like my old fifthsounds—on cassette. Fisch’s side consists grade teacher?). Both sides fly by; if you’re listening to the of 18 tracks named for animal sounds, but has little to do with beastly vocalizations. digital versions, the whole thing takes a lean Recording his side was an adventure for 42 minutes. And despite Fisch Loops’ and ApFisch, who’s been allowed to return to the plegreen’s stylistic idiosyncrasies, if you’re table, scrapping the idea for a split-inter- not paying attention, it sounds like one conview feature. “I got bored with the same old tinuous listening experience. One that can be shuffled for any number of listening experitime signatures,” he says. Becoming a father has curtailed Fisch’s ences, with different peaks and valleys. Jabuusual hyper-prolific activity, so he wanted ticaba, then, is like a lucid dream-travelogue; to stretch his legs on Jabuticaba. To that Lonely Planet for your ears. Which begs the question: Why physical end, Fisch looked to world music for the 17 “sound collages” that make up his side— product? In an obsolete format? Everywhich, despite his protestations, is some- body’s goin’ digital and enjoying the porthing of an aural zoo: “Trill!” has a gorilla- tability. Why bother with tangibility? You like hip-hop beat. “Roar” has roaring lions. can feel the bass—why do you need paper, But it’s not a theme. “Snort!” blends punk, plastic, aluminum and tape? Both Fisch and Estes agree it’s part new wave and far out sci-fi samples, and “Croak!” loops a tranquil keyboard melody novelty and nostalgia. This cassette is that could’ve come from a Philly soul album. different, Fisch says. Estes says there’s Applegreen’s side draws upon similar just something about the cassette. “You sounds, but is more ambient, like Boards of wanna keep it, hold on to it.” That makes Canada dreaming they’ve been dropped in sense. Jabuticaba is a dream you can hold the jungle. The tracks are named after parts in your hand—phantom fruit that’s sweet of the body—because the original song list to your ears. CW

Recordings sampled by Fisch Loops and Applegreen in their creation of Jabuticaba include:

APPLEGREEN

JOHNNYSONSECOND.com

FISCH LOOPS

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Mixed Metaphors

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THURSDAY 11.19

HoneyHoney in a Beneficial Acoustified Get-Down with Dave (Gruber) Allen and a Tribute to Joe Hill

Aren’t there enough Joe Hill tribute shows this week? Well, when you’re talking about labor organizer/songwriter/martyr Hill … nope. Tonight’s the 100th anniversary of Hill’s execution for a crime he likely didn’t commit, and a perfect time to commemorate his life and his work—but it’s just a coincidence that this show is happening tonight. “Adam at Diabolical Records just flipped through his calendar, and this was the first open night,” says actor/ musician/Salt Lake City resident Dave (Gruber) Allen (Freaks and Geeks, The Naked Trucker & T-Bones Show). “I told him, ‘That’s the 100th anniversary!’ That’s awesome. Let’s do it.” Tonight, Allen’s friends from Los Angeles altcountry duo HoneyHoney, will play an opening set, then Allen will join them for a set of Hill songs. Afterward, Allen says it’ll get “loose and weird” with a random set that may include some Naked Trucker chestnuts. The best part about tonight, though, is it’s an all-ages show. “Audiences under 21 don’t know Joe Hill,” says Allen. “So I told Adam, ‘Let’s do it for the kids!’” (RH) Diabolical Records, 238 S. Edison St., 8 p.m., free (donations encouraged), Facebook.com/Diabolical Records

The Yawpers

So you’re riding a motorcycle down a long stretch of desert highway, listening to The Yawpers’ second album, American Man (Bloodshot). These are the bugs in your teeth: The Replacements, Robert Rodriguez films, buds of grass, The Meat Puppets, Easy Rider, Townes Van Zandt, the way the 4th of July fireworks looked pre-Dubya, Drive-By Truckers,

Modern Baseball

cold beer, Les Claypool, the smell of a charcoal grill, Son Volt, Southern rap (not Kid Rock), Guns ‘N Roses, Harry Crews… That this list could be twice its size before hitting on every name, image and sound conjured by this Denver trio—which consists of two overdriven acoustic guitarists, a drummer and some fine, fine songwriting—should make you very curious. The Yawpers are the kind of band that you can get into. Seriously. You’ll want the back catalog, every single, bootleg, demo, compilation appearance, poster-stickershirt-button—and you’ll follow them like a puppy for as long as they last. (RH) Club X, 445 S. 400 West, 7 p.m., $10 in advance, $12 day of show, ClubXSLC.com

FRIDAY 11.20 Modern Baseball

There’s something just really unhip about baseball—whether it’s the lore of its history, or the modern variation that, come to think

The Yawpers of it, hasn’t changed much. That’s precisely what makes it endearing. The same goes for Philadelphia, Pa., band Modern Baseball, naming themselves after an archaic manual on the sport. Brendan Lukens and Jake Ewald emote vocally with a snarky emo style, but somehow they make it likeable. You’re Gonna Miss It All (Run For Cover), their sophomore release, doesn’t indicate a slump at all, but rather a growth spurt. They make you not want to miss out, as though they might hit a home run and be the next big thing. (BS) The Complex, 536 W. 100 South, 6 p.m. (doors), $13.50 in advance, $16 day of show, TheComplexSLC.com

MONDAY 11.23 Fuzz

Fuzz. That pretty much says it all with this fuzzed-out trio, in which Mr. Ty Segall plays drums and sings. Wait. That’s saying more than just “fuzz,” huh? Well, I’m pretty sure there are parts on the new album, II (In the Red), like “Rat Race,” where there’s fuzz on the guitars, bass and organ; it’s like if shag carpet could sing. So fuzz is a big deal with these cats. But the record has other attributes, like flower-child moments that induce mild tie-dyed synesthesia (“Let It Live,” “Silent Sits the Dustbowl”), punky garage romps (“Red Flag”) and a mid-tempo, surf instrumental that references Land of the Lost (“Sleestak”)! So maybe it does take more than one word to describe II. Ha! (RH) The Urban Lounge, 241 S. 500 East, 9 p.m., $15, TheUrbanLoungeSLC.com

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Transubstantiation Orchestra? Who would’ve thought that an arena-prog band whose best-known material was based on Christmas themes would be so popular? But here they are, going on two decades. Their orchestral arrangements add a sense of grandeur to the musical and lyrical experimentation of progressive rock (and lest ye forget, they do rock). Their latest, Letters From the Labyrinth, includes adaptations of works by Beethoven, Mussorgsky, Rimsky-Korsakov and J.S. Bach, and is sure to mesh well with their holiday fare. (BS) Vivint Smart Home Arena, 301 W. South Temple, two shows, 4 & 8 p.m., $33.50-$71.50, SmithsTix.com

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Maynard James Keenan—you know him best as the singer of prog-metal mystery men Tool—keeps busy with all kinds of projects. Besides the supergroup A Perfect Circle, and his Merkin vineyard and Caduceus Cellars winery, there’s Puscifer. More than a

Trans-Siberian Orchestra

rock band, Puscifer incorporates cabaret, comedy, visual media and whatever else suits Keenan’s whim. Puscifer is “a playground for the voices in my head,” he told City Weekly in 2009, where the goal is “to make music that sounds like a smooth but firm hot buttered pelvic massage” and attendees are instructed to “check [their] over-inflated expectations at the door.” The band is staffed, in Keenan’s words, by a “revolving door of talented people.” That includes noteworthy singer-songwriters Lisa Germano, Jonny Polonsky, Juliette Commagere and Carina Round; actress/singer Milla Jovovich; Rage Against the Machine rhythm section Tim Commerford and Brad Wilk; Primus drummer Tim Alexander; and composer/sound designer Lustmord. Only Round and Commagere are in the 2015 touring version of Puscifer, but personnel doesn’t matter: Their shows are must-see spectacles, and the albums, like the brandnew Money Shot (Puscifer Entertainment), are a riot. (RH) Kingsbury Hall, 1395 E. Presidents Circle, 8 p.m., $30-$70, KingsburyHall.Utah.edu

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50 | NOVEMBER 19, 2015

| CITY WEEKLY |

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Dave Brunetti, Derek Kitchen, Moudi Sbeity, Braden Baugh, Josh Barnes

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NOVEMBER 19, 2015 | 51

live music sunday afternoons & evenings

2015

| CITY WEEKLY |

geeks who drink

MONDAY - FRIDAY

| CITYWEEKLY.NET |

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52 | NOVEMBER 19, 2015

THURSDAY 11.19

CONCERTS & CLUBS

The Fall of Troy, Kylesa

A celebrated battle tactic of the soldiers of ancient Greece was to sneak into their enemy’s camp under the guise of a gift—the famed Trojan horse. Mukilteo, Wash., band The Fall of Troy sneak up on you with surprising changeups in dynamics, time signatures and even vocal styles: Guitarist Thomas Erak and bassist Tim Ward converse via the former’s unadulterated vocals and the latter’s screams. They’re two years into a reunion tour that commenced in 2013 after a threeyear breakup. Kylesa, a metal band that dips so deep into the sludge that they have to drop-tune their guitars to get there, opens. (Brian Staker) Kilby Court, 741 S. 330 West, 7 p.m., $17 in advance, $20 day of show, TheComplexSLC.com

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CITY WEEKLY’S HOT LIST FOR THE WEEK

CONCERTS & CLUBS THURSDAY 11.19 LIVE MUSIC

Boss’ Daughter (Dive House) Brett Knickerbocker (Twist) Chalk (The Loading Dock) Date Night Done Right (Station Park) Ego Likeness, Die Sektor, The Rain Within, ImpXVII (Area 51) The Fall of Troy, Kylesa (Kilby Court, see p. 52) HoneyHoney w/ Dave “Gruber” Allen (Diabolical Records, see p. 46) House Beats with HotNoise (The Red Door) Joe Hill’s Last Will w/ John McCutcheon (The State Room, see p. 42) Jeff Archuleta Combo (Twist) Modern Graduate Concert (Hayes Christensen Theatre) Raymond Tymas-Jones (Gallivan Center)

Recess Club w/ Kastle (Elevate) Reggae Thursday! (The Woodshed) Rick Gerber (The Hog Wallow Pub) Savin Seymor (Metro) Grandtheft (Sky) The Yawpers (Club X, see p. 46)

Karaoke (Willie’s Lounge) Karaoke w/ TIYB (Club 90) Ogden Unplugged (Lighthouse Lounge)

OPEN MIC & JAM

LIVE MUSIC

Jazz Jam Session (Sugarhouse Coffee) Live Jazz with the Jeff Archuleta Combo (Twist) Open Mic Night w/ Once the Lion (Legends Billiards Club)

Antidote: Hot Noise (The Red Door) Nix Beat, Feral Cat, Eric Jenson (The Urban Lounge)

KARAOKE

Karaoke (A Bar Named Sue on State) Karaoke (Habit’s)

8PM DOORS FREE SHOW

GEORGELIFE

NOV 23: PSHYCH LAKE CITY THREE DAY FESTIVAL 8PM DOORS

DJ NIX BEAT

FREE SHOW

DJ FERAL CAT DJ ERIC JENSON 8PM DOORS

NOV 21: 8PM DOORS

NOV 22: 8 PM DOORS

NOV 25: 8PM DOORS

BEN SOLEE SIX FEET IN THE PINE

MIMOSA

DARWIN DEEZ

BEACHMEN CONQUER MONSTER

THE SHIVAS

DAISY & THE MOONSHINE QUIET OAKS

MAX PAIN & THE GROOVIES

HOT VODKA BREAKERS

NOV 27: 9PM DOORS

FLASH & FLARE

NOV 28:

LITTLE HURRICANE

8PM DOORS

COMING SOON Jan 2: People Under The Stairs Jan 5: FREE SHOW Daniel Pimentel & The Seventy Sevens Jan 7: The Nods Jan 8: Dubwise Jan 9: FREE SHOW Starmy Album Release Jan 21: Keith Murray Jan 22: Half Moon Run Jan 31: The Knocks Feb 11: Dr. Dog @ Depot

NOVEMBER 19, 2015 | 53

Dec 12: RISK! (Podcast / Early Show) Dec 12: Dirt First (Late Show) Dec 16: Jawwzz Dec 18: FREE SHOW A Devil Whale Of A Christmas Party Dec 19: Cocktail Dec 23: FREE SHOW Punk Rock X-Mas Dec 26: VNDMG Dec 30: Giraffula

| CITY WEEKLY |

Mr. Gnome Sallie Ford El Ten Eleven Slow Magic & Giraffage DUBWISE with Jantzen & Dirt Monkey Dec 8: The Wombats Dec 9: Candys River House Album Release Dec 10: The Bee Dec 11: Snowgoons

DJ Chaseone2 (Twist)

Dec 1: Dec 2: Dec 3: Dec 4: Dec 5:

MOTHER FALCON

MR VANDAL DJ FERAL WILLIAMS

NOV 24: 8PM DOORS

NOV 19: SLUG LOCALIZED

NOV 20:

Amanda Peters (The Woodshed) Armed For Apocalypse, Better Left Unsaid (The Loading Dock) The Black Out w/ Crooked (Sky) Brisk (Downstairs) Channel Z (Club 90) Drew Dreezy, Finn Gruva, Fiji (The Complex) The Dusty Boxcars w/ Nate & Chrissy (Fats Grill) Gentri (Salt Palace Convention Center) Guttermouth (Devil’s Daughter) Joe Hill Roadshow (The State Room, see p. 42) Kerry Pastine & The Crime Scene, Advent

WALTER

VINYL TAPESTRIES 8PM DOORS FREE SHOW

FUZZ

FRIDAY 11.20

Horizon (Ice Haus) Kutt Calhoun, Flawless (The Complex) Marmalade Hill (Gracie’s Bar) Michelle Moonshine (The Garage) Modern Baseball, Pup, Jeff Rosenstock, Tiny Moving Parts (The Complex, p. 46) Mother Falcon, Ben Sollee (The Urban Lounge, p. 54) Must Die, Everettz, Timmy Teaze and more (Area 51) Obie Trice, Kaotic, Navaeh, Jesse James & The 801 Family, Sinic the Great (The Royal) Prof, Nacho Picasso, DJ Fundo (Kilby Court) Robyn Cage (Prime Piano Bar) Stonefed (The Hog Wallow Pub) Stylust Beats, Riitual, Shields (Club X) Version Two (Devil’s Daughter)

| CITYWEEKLY.NET |

Join us at Rye Diner and Drinks for dinner and craft cocktails before, during and after the show. Late night bites 6pm-midnight Monday through Saturday and brunch everyday of the week. Rye is for early birds and late owls and caters to all ages www.ryeslc.com

NOV 18: SCENIC BYWAY ALBUM RELEASE

COMPLETE LISTINGS ONLINE @ CITYWEEKLY.NET

FRIDAY 11.20

Mother Falcon, Ben Sollee, Six Feet in the Pine

Lexington, Ky., native Ben Sollee has made a name for himself both as a classically trained cellist and, recently, as folk singer. (His 2010 Sub Pop record with Daniel Martin Moore is lovely). For this tour, he teams up with Mother Falcon, the Austin-based brainchild of Nick Gregg, who picked folks off the street (or, to be more exact, out of 7-Eleven parking lots) to round out his symphonic collective. If you call them a poor man’s Polyphonic Spree, Gregg might either clock you or buy you a cup of coffee. Local bluegrass outfit Six Feet in the Pine opens. (Tim Hinely) The Urban Lounge, 241 S. 500 East, 9 p.m., $12 in advance, $14 day of show, TheUrbanLoungeSLC.com

Thursday November 26th | 5:30-8:30pm

THANKSGIVING DINNER FREE RANGE NATURAL TURKEY

54 | NOVEMBER 19, 2015

| CITY WEEKLY |

| CITYWEEKLY.NET |

CONCERTS & CLUBS

Alta, Utah

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CITYWEEKLY.NET/UNDERGROUND

CONCERTS & CLUBS KARAOKE

Karaoke (Willie’s Lounge)

SATURDAY 11.21 LIVE MUSIC

CITY WEEKLY’S HOT LIST FOR THE WEEK

DA I LY L U N C H S P E C I A L S POOL, FOOSBALL & GAMES

Joe Hill Tribute Show (The Garage, see p. 42) Live Bluegrass (Club 90) Old Wounds (Metro Bar) Volumes & Northlane, Cane Hill, Coldrain, Divisions (The Loading Dock)

KARAOKE

Bad Weathers (The Hog Wallow Pub) Berlin Breaks, Iridia, A Lily Gray, Geneva Conflict (The Royal) Chaseone2 (Gracie’s Bar) Demun Jones (The Westerner Club) Dustin Lynch, Chris Lane & Tyler Rich (The Depot) Joy Spring Band (Jazz) (Sugarhouse Coffee) Lazlo & The Dukes (Devil’s Daughter) Mimosa, Mr. Vandal (The Urban Lounge) Onward Etc., The Ghost Pines, Michelle Moonshine (Kilby Court) Pigeon, Better Off With the Blues (The Garage) Reaper the Storyteller & Lynnea Devine (The Dawg Pound) The Rick Gerber Band (Johnny’s on Second) Stonefed (Fats Grill) Sturgeon General, Son of Ian & Telluride Meltdown (Ice Haus)

Karaoke (A Bar Named Sue) Karaoke Bingo (The Tavernacle) Karaoke Church (Jam) Karaoke That Doesn’t Suck (The Woodshed)

Jazz Session (Gracie’s Bar) Open Blues Jam (The Green Pig)

KARAOKE

Karaoke (Willie’s Lounge)

TUESDAY 11.24

OPEN MIC & JAM

LIVE MUSIC

Joy Spring Band (Jazz) (Sugarhouse Coffee)

LIVE MUSIC

Brazilian Samba Drumming Workshop (Salt Lake City Arts Hub) The Chainsmokers, Shaun Frank & Breathe Carolina (The Complex) Darwin Deez, Beachmen (The Urban Lounge) Handguns / Roam, The Departure (Kilby Court)

Jazz Brunch: The Mark Chaney Trio (Club 90)

MONDAY 11.23 LIVE MUSIC

Bancho, James Junius, Ana Hardy (Kilby Court) Duel School (The Tavernacle) Fuzz, Walter (The Urban Lounge, p. 46)

KARAOKE

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OPEN MIC & JAM

Eric Anthony (Gracie’s Bar) Giants in the Oak Tree, Miniature Planets, Northborn (Kilby Court) Hell Jam (Devil’s Daughter) The Shivas, Daisy & The Moonshines, Quiet Oaks (The Urban Lounge) Trans-Siberian Orchestra: The Ghosts of Christmas Eve (Vivint Smart Home Arena, see p. 48) Whistling Rufus (Sugarhouse Coffee)

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NOVEMBER 19, 2015 | 55

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| CITY WEEKLY |

SATURDAY, NOVEMBER 21ST

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SUNDAY 11.22

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| CITYWEEKLY.NET |

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| CITYWEEKLY.NET |

LIVE MUSIC & KARAOKE

A BAR NAMED SUE 3928 S. Highland Drive, SLC, 801-274-5578, Trivia Tues., DJ Wed., Karaoke Thurs. A BAR NAMED SUE ON STATE 8136 S. State, SLC, 801-566-3222, Karaoke Tues. ABG’S LIBATION EMPORIUM 190 W. Center St., Provo, 801-373-1200, Live music ALLEGED 205 25th St., Ogden, 801-9900692 AREA 51 451 S. 400 West, SLC, 801-5340819, Karaoke Wed., ‘80s Thurs., DJs Fri. & Sat. THE BAR IN SUGARHOUSE 2168 S. Highland Drive, SLC, 801-485-1232 BAR-X 155 E. 200 South, SLC, 801-355-2287 BARBARY COAST 4242 S. State, Murray, 801-265-9889 BATTERS UP 1717 S. Main, SLC, 801-4634996, Karaoke Tues., Live music Sat. THE BAYOU 645 S. State, SLC, 801-9618400, Live music Fri. & Sat. BOURBON HOUSE 19 E. 200 South, SLC, 801-746-1005, Local jazz jam Tues., Karaoke Thurs., Live music Sat., Funk & soul night Sun. BREWSKIS 244 25th St., Ogden, 801-3941713, Live music CANYON INN 3700 E. Fort Union, SLC, 801943-6969, DJs CAROL’S COVE II 3424 S. State, SLC, 801-466-2683, Karaoke Thurs., DJs & Live music Fri. & Sat. THE CENTURY CLUB 315 24th St., Ogden, 801-781-5005, DJs, Live music CHEERS TO YOU 315 S. Main, SLC, 801575-6400 CHEERS TO YOU MIDVALE 7642 S. State, 801-566-0871 CHUCKLE’S LOUNGE 221 W. 900 South, SLC, 801-532-1721 CIRCLE LOUNGE 328 S. State, SLC, 801-5315400, DJs CISERO’S 306 Main, Park City, 435-6495044, Karaoke Thurs., Live music & DJs CLUB 48 16 E. 4800 South, Murray, 801262-7555 CLUB 90 9065 S. 150 West, Sandy, 801-5663254, Trivia Mon., Poker Thurs., Live music Fri. & Sat., Live bluegrass Sun.

| CITY WEEKLY |

CLUB TRY-ANGLES 251 W. 900 South, SLC, 801-364-3203, Karaoke Thurs., DJs Fri. & Sat.

56 | NOVEMBER 19, 2015

VENUE DIRECTORY

Karaoke Fri. & Sat.

CLUB X 445 S. 400 West, SLC, 801-9354267, DJs, Live music THE COMPLEX 536 W. 100 South, SLC, 801-528-9197, Live music CRUZRS SALOON 3943 S. Highland Drive, SLC, 801-272-1903, Free pool Wed. & Thurs., DAWG POUND 3350 S. State, SLC, 801-2612337, Live music THE DEERHUNTER PUB 2000 N. 300 West, Spanish Fork, 801-798-8582, Live music Fri. & Sat. THE DEPOT 400 W. South Temple, SLC, 801-355-5522, Live music

DEVIL’S DAUGHTER 533 S. 500 West, SLC, 801-532-1610, Karaoke Wed., Live music Fri. & Sat. DO DROP INN 2971 N. Hill Field Road (400 West), Layton, 801-776-9697. Karaoke Fri. & Sat. DONKEY TAILS CANTINA 136 E. 12300 South, Draper, 801-571-8134. Karaoke Wed.; Live music Tues., Thurs. & Fri; Live DJ Sat. DOWNSTAIRS 625 Main, Park City, 435226-5340, Live music, DJs ELIXIR LOUNGE 6405 S. 3000 East, Holladay, 801-943-1696 THE FALLOUT 625 S. 600 West, SLC, 801953-6374, Live music FAT’S GRILL 2182 S. Highland Drive, SLC, 801-484-9467, Live music THE FILLING STATION 8987 W. 2700 South, Magna, 801-250-1970, Karaoke Thurs. FLANAGAN’S ON MAIN 438 Main, Park City, 435-649-8600, Trivia Tues., Live music Fri. & Sat. FOX HOLE PUB & GRILL 7078 S. Redwood Road, West Jordan, 801-566-4653, Karaoke, Live music FUNK ’N DIVE BAR 2550 Washington Blvd., Ogden, 801-621-3483, Live music, Karaoke THE GARAGE 1199 Beck St., SLC, 801-5213904, Live music GRACIE’S 326 S. West Temple, SLC, 801819-7565, Live music, DJs THE GREAT SALTAIR 12408 W. Saltair Drive, Magna, 801-250-6205, Live music THE GREEN PIG PUB 31 E. 400 South, SLC, 801-532-7441, Live music Thurs.-Sat. HABITS 832 E. 3900 South, SLC, 801-2682228, Poker Mon., Ladies night Tues., ’80s night Wed., Karaoke Thurs., DJs Fri. & Sat. HIGHLANDER 6194 S. Highland Drive, SLC, 801-277-8251, Karaoke THE HOG WALLOW PUB 3200 E. Big Cottonwood Canyon Road, SLC, 801-733-5567, Live music THE HOTEL/CLUB ELEVATE 155 W. 200 South, SLC, 801-478-4310, DJs HUKA BAR & GRILL 151 E. 6100 South, Murray, 801-281-9665, Reggae Tues., DJs Fri. & Sat ICE HAUS 7 E. 4800 South, Murray, 801266-1885 IN THE VENUE/CLUB SOUND 219 S. 600 West, SLC, 801-359-3219, Live music & DJs JACKALOPE LOUNGE 372 S. State, SLC, 801-359-8054, DJs JAM 751 N. 300 West, SLC, 801-891-1162, Karaoke Tues., Wed. & Sun.; DJs Thurs.-Sat. JOHNNY’S ON SECOND 165 E. 200 South, SLC, 801-746-3334, DJs Tues. & Fri., Karaoke Wed., Live music Sat. KARAMBA 1051 E. 2100 South, SLC, 801696-0639, DJs KEYS ON MAIN 242 S. Main, SLC, 801-3633638, Karaoke Tues. & Wed., Dueling pianos Thurs.-Sat. KILBY COURT 741 S. Kilby Court (330 West), SLC, 801-364-3538, Live music, all ages KRISTAUF’S 16 W. Market St., SLC, 801943-1696, DJ Fri. & Sat. THE LEPRECHAUN INN 4700 S. 900 East, Murray, 801-268-3294 LIQUID JOE’S 1249 E. 3300 South, SLC, 801-467-5637, Live music Tues.-Sat. THE LOADING DOCK 445 S. 400 West, SLC, 385-229-4493, Live music, all ages LUCKY 13 135 W. 1300 South, SLC, 801487-4418, Trivia Wed.

LUMPY’S DOWNTOWN 145 Pierpont Ave., SLC, 801-938-3070 LUMPY’S HIGHLAND 3000 S. Highland Drive, SLC, 801-484-5597 THE MADISON/THE COWBOY 295 W. Center St., Provo, 801-375-9000, Live music, DJs MAXWELL’S EAST COAST EATERY 9 Exchange Place, SLC, 801-328-0304, Poker Tues., DJs Fri. & Sat. METRO BAR 615 W. 100 South, SLC, 801652-6543, DJs THE MOOSE LOUNGE 180 W. 400 South, SLC, 801-900-7499, DJs NO NAME SALOON 447 Main, Park City, 435-649-6667 THE OFFICE 122 W. Pierpont Ave., SLC, 801-883-8838 O.P. ROCKWELL 268 Main, Park City, 435615-7000, Live music PARK CITY LIVE 427 Main, Park City, 435649-9123, Live music PAT’S BBQ 155 W. Commonwealth Ave., SLC, 801-484-5963, Live music Thurs.-Sat., All ages THE PENALTY BOX 3 W. 4800 South, Murray, 801-590-9316, Karaoke Tues., Live Music, DJs PIPER DOWN 1492 S. State, SLC, 801-4681492, Poker Mon., Acoustic Tues., Trivia Wed., Bingo Thurs. POPLAR STREET PUB 242 S. 200 West, SLC, 801-532-2715, Live music Thurs.-Sat. THE RED DOOR 57 W. 200 South, SLC, 801-363-6030, DJs Fri., Live jazz Sat. THE ROYAL 4760 S. 900 East, SLC, 801590-9940, Live music SANDY STATION 8925 Harrison St., Sandy, 801-255-2078, DJs SCALLYWAGS 3040 S. State, SLC, 801604-0869 SKY 149 W. Pierpont Ave., SLC, 801-8838714, Live music THE SPUR BAR & GRILL 352 Main, Park City, 435-615-1618, Live music THE STATE ROOM 638 S. State, SLC, 800501-2885, Live music THE STEREO ROOM 521 N. 1200 West, Orem, 714-345-8163, Live music, All ages SUGARHOUSE PUB 1992 S. 1100 East, SLC, 801-413-2857 THE SUN TRAPP 102 S. 600 West, SLC, 385-235-6786 THE TAVERNACLE 201 E. 300 South, SLC, 801-519-8900, Dueling pianos Wed.-Sat., Karaoke Sun.-Tues. TIN ANGEL CAFE 365 W. 400 South, SLC, 801-328-4155, Live music THE URBAN LOUNGE 241 S. 500 East, SLC, 801-746-0557, Live music TWIST 32Exchange Place, SLC 801-3223200, Live music VELOUR 135 N. University Ave., Provo, 801818-2263, Live music, All ages WASTED SPACE 342 S. State, SLC, 801531-2107, DJs Thurs.-Sat. THE WESTERNER 3360 S. Redwood Road, West Valley City, 801-972-5447, Live music WILLIE’S LOUNGE 1716 S. Main, SLC, 760828-7351, Trivia Wed., Karaoke Fri.-Sun., Live music THE WOODSHED 60 E. 800 South, SLC, 801-364-0805, Karaoke Sun. & Tues., Open jam Wed., Reggae Thurs., Live music Fri. & Sat. ZEST KITCHEN & BAR 275 S. 200 West, SLC, 801-433-0589, DJs

CONCERTS & CLUBS

CITY WEEKLY’S HOT LIST FOR THE WEEK

Open Mic Night (Velour) Open Mic Night (The Wall) Whistling Rufus (Sugarhouse Coffee)

Ultimate Karaoke (The Royal) Wednesduhh! Karaoke (Jam)

KARAOKE

Jam Night Featuring Dead Lake Trio (The Woodshed) Pre-Thanksgiving Jam! (The Moose Lounge)

Karaoke (The Woodshed) Karaoke (Keys on Main) Karaoke w/ ZimZam Ent (Club 90) Karaoke (Keys on Main)

WEDNESDAY 11.25

OPEN MIC & JAM

CITY WEEkLY

LIVE MUSIC

Danksgiving (The Royal) The Fabulous Milf Shakes (The Garage) Gobble Wobble (The Complex) John Thomas Draper (Fats Grill) Matt Calder (The Hog Wallow Pub) Max Pain & The Groovies, Hot Vodka (The Urban Lounge) Pucifer (Kingsbury Hall) Royal Bliss (The Depot) The Royal Concept, Parade of Lights (Kilby Court) Ryan Hiller Band (Gracie’s Bar) Silverstein / Senses Fail, Hundredth, Capsize (In the Venue) Snails (Sky) Telluride Meltdown (Flanagan’s)

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Treat Yourself and We’ll Treat You

ÂŠ 2015

BY DAVID LEVINSON WILK

ACROSS

1. "Great Expectations" boy 2. Wanted poster letters 3. Quaint lodging 4. Unacceptable 5. Major League team that has won the World Series two times, appropriately 6. Literally, "I think" 7. "I ____ proud of you!" 8. Bangkok currency 9. Locale 10. You can trip on it 11. Atomic centers 12. Like volunteer work 13. Dos little words?

players: Abbr. 55. "____ turns out ..." 57. Uncorking noise 58. Attorney's org. 59. "Fat chance!" 60. "The Girl With the Dragon Tattoo" setting: Abbr

Last weekâ&#x20AC;&#x2122;s answers

No math is involved. The grid has numbers, but nothing has to add up to anything else. Solve the puzzle with reasoning and logic. Solving time is typically 10 to 30 minutes, depending on your skill and experience.

DOWN

18. Kind of tide 21. Valerie Plame was one for 18 years 22. Mom-and-pop org. 23. Tierra surrounded by agua 24. "I Am ____" (2015 reality TV debut) 25. Young's partner in accounting 28. Tot's wheels 29. Formula One driver ____ Fabi 30. Yang's go-with 32. Opportunities to swing 33. Hannity and Penn 36. Atomic energy org. 37. 1995 Eazy-E hit "Just ____ Let U Know" 38. Grand Ole ____ 39. "____ the mornin'!" 42. Church-founded Dallas sch. 43. Certain about 44. Pharmaceutical giant whose products range from Advil to Zoloft 45. Storied duelist with a large nose 46. Sharp 48. Campbell of "Martin" 50. Increase 51. On a sugar high, say 53. Nursing a grudge 54. Some basketball

Complete the grid so that each row, column, diagonal and 3x3 square contain all of the numbers 1 to 9.

1. A stripper takes it off 6. Conspiring group 11. Weirdo 14. "You're preaching to the choir!" 15. Actors Sharif and Epps 16. Sorbonne one 17. Structure for someone who is out of breath? 19. E-file preparer 20. The tiniest bit 21. Chowder ingredient 22. Barely eats 25. Noted preschool sequence 26. Screening org. 27. Police action that recovers stolen toilets? 31. Wanted poster word 34. Ones holding their horses? 35. Command from Dick and Jane to their distracted dog? 40. Prime Minister between Netanyahu and Sharon 41. Newspaper publishers hate running them 43. Bridge inspection? 47. LP's 33 1/3, e.g. 48. University in Medford, Massachusetts 49. Response to "Who, me?" 52. Kate Winslet's title character in a 2001 film 53. ____-cat 56. "____ who?!" 57. Cookware featured (in a way) in this puzzle 61. Prepare to plant, perhaps 62. Senator Hatch 63. Quarterback who, in 2007, became the first college sophomore to win the Heisman Trophy 64. Chad hangs there: Abbr. 65. Sauce made with pine nuts 66. Provide an address?

SUDOKU

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58 | NOVEMBER 19, 2015

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But for those who really want the full Lower Lights experience, their sixth annual Christmas concert is not to be missed. Previously held at the Masonic Temple in Salt Lake City, the group realized this year that they would need a bigger venue after all seven shows sold out in 2014. Renditions of classic Christmas hymns like “The First Noël,” “O Come All Ye Faithful,” and “Go Tell It on the Mountain”—with acoustic guitars, banjos, surprising percussion choices and the vocal power of a group that’s just a bit smaller than the Mormon Tabernacle Choir—will turn even the biggest Grinch into a holiday elf. “We sing Christian songs,” says Fotheringham, but non-Christians need not feel left out. She credits the universal appeal of Yuletide carols to their message of love and hope. “I think, also, the joyful way we arrange and perform them attracts people of many faiths and beliefs, [both] religious and nonreligious,” she says. “All are welcome at our shows,” says Moore. “We work hard to build an experience where people can feel welcome, community, and sometimes even awe at the power of music to touch our hearts.” n

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s Christmas lights start popping up all over town, many of us are looking for ways to get in the holiday spirit. If music is your jam, check out The Lower Lights when they perform Dec. 7-10 at Kingsbury Hall. A folk-gospel group made up of more than 40 musicians from different genres, The Lower Lights is made up of many big names in Utah’s music scene—including members of Neon Trees and Fictionist. The eclectic nature of the group is something that percussionist Darin Lesueur loves best about the Lower Lights. “I love that no two songs sound the same,” Lesueur says. “They come from different voices and instruments, or different influences musically and spiritually.” The chance to play with such a large group of extremely talented musicians is also a draw for Debra Fotheringham, vocalist, guitarist and percussionist for the group. “My favorite part is being able to make music with amazing people whose talent I’ve admired for many years and who I now get to call my bandmates,” Fotheringham says. “That never stops being cool to me.” The Lower Lights originally began when a group of friends toyed with the idea of recording traditional gospel hymns in a folk-Americana style. They brainstormed about which other musicians they’d like to invite to their project. Dominic Moore— who provides vocals, guitar and his skills at arranging music—says he feels very lucky to have been invited. “During the first session we did together, this project didn’t have much of a shape or a structure … but we finished the recordings and really liked them,” Moore explains. “They were messy and different and heartfelt and ours.” The finished product was the group’s first album, A Hymn Revival. The group now has six completed albums—four gospel and two Christmas-themed.

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t’s my season! I love autumn. I love the change in colors, the change in produce and, especially, the change in clothes. Sweater weather is my jam, and I can’t get enough of layering. Bring on the sweaters, blazers, jackets and coats! But layering isn’t just about the way you’re dressed; it’s about the way your house is dressed as well. Time to pull out the blankets, quilts and throws. Is there anything cozier than piling on the blankets and nesting in bed or on the couch? Might as well look good while you do it! The Mod blanket, $108, Bohem (623 S. State, 385-202-7517, Bohem.com) brought an instant smile with its whimsical circles and hand stitching. This is a lighter-weight blanket, perfect for throwing on top of a down comforter and snuggling in bed. Another treasure I stumbled upon at Bohem was the handmade Moroccanwool blanket, $228. You’ll welcome the chilly days and nights when you’re protected by this hand-dyed, pompommed heat preserver. The soft blue lines undulate like warm ocean waves, and your home will thank you for the high style. The Kloverart coverlet, $198, at Anthropologie (City Creek Center, 801-4560431, Anthropologie.com) is made from beautifully embroidered cotton and is machine washable. (Two bulldogs call me Mom, so I’m a sucker for anything that can be tossed in the washing machine.) This quilt feels like something your grandmother might have made (or at least bought) for you. Are Netflix and the couch calling your name yet?

Kloverart coverlet (Anthropologie)

Yves Delmore velvet blanket (Details)

The Yves Delmore velvet blanket in coral, $835, from Details Comforts for the Home (1987 S. 1100 East, 801-364-8963, DetailsComforts.com) is the epitome of style and luxury. I couldn’t take my eyes, or my hands, off it. The color, the texture, the shimmer—you may never leave home again! It’s autumn, and the evenings are cool. Hang up your coat, gloves and scarf for the night. Stay in instead—it’s so warm and cozy at home! n

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ARIES (March 21-April 19) UrbanDictionary.com defines the English word “balter” as follows: “to dance without particular skill or grace, but with extreme joy.” It’s related to the Danish term baltre, which means “to romp, tumble, roll, cavort.” I nominate this activity to be one of your ruling metaphors in the coming weeks. You have a mandate to explore the frontiers of amusement and bliss, but you have no mandate to be polite and polished as you do it. To generate optimal levels of righteous fun, your experiments may have to be more than a bit rowdy. TAURUS (April 20-May 20) You’ve arrived at a crossroads. From here, you could travel in one of four directions, including back towards where you came from. You shouldn’t stay here indefinitely, but on the other hand you’ll be wise to pause and linger for a while. Steep yourself in the mystery of the transition that looms. Pay special attention to the feelings that rise up as you visualize the experiences that may await you along each path. Are there any holy memories you can call on for guidance? Are you receptive to the tricky inspiration of the fertility spirits that are gathered here? Here’s your motto: Trust, but verify. GEMINI (May 21-June 20) English model and TV personality Katie Price has been on the planet for just 37 years, but has already written four autobiographies. You Only Live Once, for instance, covers the actionpacked time between 2008 and 2010, when she got divorced and then remarried in a romantic Las Vegas ceremony. I propose that we choose this talkative, self-revealing Gemini to be your spirit animal and role model. In the coming weeks, you should go almost to extremes as you express the truth about who you have been, who you are, and who you will become.

SCORPIO (Oct. 23-Nov. 21) Some athletes think it’s unwise to have sex before a big game. They believe it diminishes the raw physical power they need to excel. For them, abstinence is crucial for victory. But scientific studies contradict this theory. There’s evidence that boinking increases testosterone levels for both men and women. Martial artist Ronda Rousey subscribes to this view. She says she has “as much sex as possible” before a match. Her approach must be working. She has won all of her professional fights but one, and Sports Illustrated calls her “the world’s most dominant athlete.” As you approach your equivalent of the “big game,” Scorpio, I suggest you consider Rousey’s strategy. SAGITTARIUS (Nov. 22-Dec. 21) If you were embarking on a 100-mile hike, would you wear new boots that you purchased the day before your trip? Of course not. They wouldn’t be broken in. They’d be so stiff and unyielding that your feet would soon be in agony. Instead, you would anchor your trek with supple footwear that had already adjusted to the idiosyncrasies of your gait and anatomy. Apply a similar principle as you prepare to launch a different long-term exploit. Make yourself as comfortable as possible

AQUARIUS (Jan. 20-Feb. 18) The Confederation of African Football prohibits the use of magic by professional soccer teams. Witch doctors are forbidden to be LEO (July 23-Aug. 22) How well do you treat yourself? What do you do to ensure that on the field during a match, and they are not supposed to spray you receive a steady flow of the nurturing you need? According elixirs on the goals or bury consecrated talismans beneath the to my reading of the astrological omens, you are now primed to turf. But most teams work around the ban. Magic is viewed as expand and intensify your approach to self-care. If you’re alert an essential ingredient in developing a winning tradition. Given to the possibilities, you will learn an array of new life-enhancing the current astrological omens, I invite you to experiment with strategies. Here are two ideas to get you started: 1. Imagine your own personal equivalent of this approach. Don’t scrimp on at least three acts of practical love you can bestow on yourself. logical analysis, of course. Don’t stint on your preparation and 2. Give yourself three gifts that will promote your healing and discipline. But also be mischievously wise enough to call on the help of some crafty mojo. stimulate your pleasure. PISCES (Feb. 19-March 20) Slavery is illegal everywhere in the world. And yet there are more slaves now than at any other time in history: at least 29 million. A disproportionate percentage of them are women and children. After studying your astrological omens, I feel you are in a phase when you can bestow blessings on yourself by responding to this predicament. How? First, express gratitude for all the freedoms you have. Second, vow to take full advantage of those freedoms. Third, brainstorm about how to liberate any part of you that acts or thinks or feels like a slave. Fourth, lend your energy to an organization that helps free slaves. Start here: http://bit.ly/liberateslaves.

NOVEMBER 19, 2015 | 61

VIRGO (Aug. 23-Sept. 22) To activate your full potential in the coming weeks, you don’t need to scuba-dive into an underwater canyon or spelunk into the pitch blackness of a remote cave or head out on an archaeological dig to uncover the lost artifacts of an ancient civilization. But I recommend that you consider trying the metaphorical equivalent of those activities. Explore the recesses of your own psyche, as well as those of the people you love. Ponder the riddles of the past and rummage around for lost treasure and hidden truths. Penetrate to the core, the gist, the roots. The abyss is much friendlier than usual! You have a talent for delving deep into any mystery that will be important for your future.

| COMMUNITY |

CAPRICORN (Dec. 22-Jan. 19) Here’s how Mark Twain’s novel The Adventures of Huckleberry Finn begins: “Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.” The preface I’d write for your upcoming adventures would be less extreme, but might have a similar tone. That’s because I expect you to do a lot of meandering. At times your life may seem like a shaggy dog story with no punch line in sight. Your best strategy will be to cultivate an amused patience; to stay relaxed and unflappable as you navigate your way through the enigmas, and not demand easy answers or simple lessons. If you take that approach, intricate answers and many-faceted lessons will eventually arrive.

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CANCER (June 21-July 22) A flyer on a telephone pole caught my eye. It showed a photo of a nine-year-old male cat named Bubby, whose face was contorted in pain. A message from Bubby’s owner revealed that her beloved pet desperately needed expensive dental work. She had launched a campaign at GoFundMe.com to raise the cash. Of course I broke into tears, as I often do when confronted so viscerally with the suffering of sentient creatures. I longed to donate to Bubby’s well-being. But I thought, “Shouldn’t I funnel my limited funds to a bigger cause, like the World Wildlife Fund?” Back home an hour later, I sent $25 to Bubby. After analyzing the astrological omens for my own sign, Cancer the Crab, I realized that now is a time to adhere to the principle “Think globally, act locally” in every way imaginable.

LIBRA (Sept. 23-Oct. 22) Normally I charge $270-an-hour for the kind of advice I’m about to offer, but I’m giving it to you at no cost. For now, at least, I think you should refrain from relying on experts. Be skeptical of professional opinions and highly paid authorities. The useful information you need will come your way via chance encounters, playful explorations, and gossipy spies. Folk wisdom and street smarts will provide better guidance than elite consultants. Trust curious amateurs; avoid somber careerists.

| COMMUNITY | | CITYWEEKLY.NET |

62 | NOVEMBER 19, 2015

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It’s official: Gateway has been sold. At least, that’s what I hear from Jill Love, director of Salt Lake City’s Community and Economic Development Department. Reportedly, the sale will close escrow before the end of the year, and the new owners will begin a much-needed transformation of the 623,973-square-foot downtown mall. Gateway opened in 2001 and earned the nickname “Beige Way” due to its stucco exterior—although people on the original paint crew claim they dipped rollers into more than 70 different shades of paint. Let’s all hope for a tasteful remodel. Since it’s a redesign with Millennials in mind, its focus will be on entertainment and hip, affordable shopping. Speaking of entertainment, the new Regent Street experience is being constructed behind the still-under-construction glass high-rise at 111 S. Main and the Eccles Performing Arts Center. As part of that experience, Salt Lake City is negotiating a contract with an out-ofstate artist to grace that street with a sculpture. To create this work, the Salt Lake City Art Design Board issued an RFP for up to $2 million, with an additional amount for technology infrastructure. One of the largest art grants to come along in some time, it was awarded to Boston artist Janet Echelman, known for her fluid sculptures that move with wind, water and sunlight. In 1984, Salt Lake City officials passed the “Percent for Art” ordinance requiring that 1 percent of new construction budgets be allocated for art at the project. Recent examples are the various pieces at the Public Safety Building patio east of Library Square, and art at more than 20 Trax stations on the light-rail system. The selection process should be inclusive of local artists who want to create permanent works, which is why this highdollar award smells fishy to me. There were five finalists, including one Utah group. Unfortunately, the local finalists’ proposal did not make the cut. What stinks is that our local talent had support from the likes of Sundance and Spy Hop, University of Utah College of Fine Arts and Salt Lake Community College Media & Arts Program. I’m a huge fan of artists who can work with a collective of community groups across the board to create pieces for all of us to enjoy. Sadly, this local art appreciation most likely won’t happen on Regent Street when the area opens for business in late 2016. n

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DOWNTOWN

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64 | NOVEMBER 19, 2015

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