Art on paper has held a significant place in the history of artistic expression, serving not only as a tool for preliminary sketches but also as a revered medium for finished works. Historically, it has democratized art, making it more accessible to creators and audiences alike, and encouraging broader experimentation with styles and ideas. "Beyond the Surface: The Power of Paper" showcases how 15 gallery artists continue to reinvent and reinterpret paper within their creative practices, reflecting historical influences alongside modern trends. While paper serves as the foundational element, the artistry of drawing, painting, and printmaking takes center stage, capturing moments of beauty, complexity, and emotion, and offering a fresh perspective and appreciation for the skill and imagination required to transform a simple sheet of paper into a work of profound impact and enduring beauty.
Conchita Bardají Spanish, b. 1972
Conchita Bardají, Hooker's Green, Colored pencil on paper and aluminum dibond, 30 x 30 in
Conchita Bardají, Untitled No 1, Black pencil on paper, 236 x 315 in
“Drawing and color are not separate at all; in so far as you paint, you draw. The more the color harmonizes, the more exact the drawing becomes.”
— Paul Cezanne
Daniel Cytron American, 1945-2022
Daniel Cytron, LA Street Compositions D, 1992, Watercolor on paper, 305 x 225 in
1972, Pigment on paper 18 x 24 in
1973, Pigment on paper 18 x 24 in
Daniel Cytron 1488
Daniel Cytron 1452
1972, Pigment on paper 18 x 24 in
1972, Pigment on paper 18 x 24 in
Daniel Cytron 1519
Daniel Cytron 1529
Daniel Cytron
2827-2
1967, Pigment on paper
7 x 5 in
Daniel Cytron 2855
1969, Pigment on paper
85 x 65 in
Daniel Cytron, 2709, Pigment on paper, 1375 x 105 in
Gayle Donahue American, b. 1955
Gayle Donahue, Arcadia, Mixed media on paper, 30 x 23 in
Gayle Donahue, Furnished Souls (Comfortable Minds), Mixed media on paper, 23 x 30 in
Gayle Donahue
Self Portrait
Mixed media on paper
30 x 23 in
Gayle Donahue
Stolen Moment
Mixed media on paper
30 x 23 in
Sara Gallagher American, b. 1990
Sara Gallagher, The Deep End, PanPastel and graphite on paper, 38 x 48 in
Sara Gallagher, Let Them Fall, Graphite and PanPastel on paper, 23 x 30 in
Sara Gallagher, No Longer Mine, Graphite and PanPastel on paper, 23 x 38 in
Sara Gallagher, How to Be, Graphite and PanPastel on paper, 29 x 23 in
Top: Sara Gallagher, Now with You, Graphite on paper, 6 x 13 in
Bottom: Sara Gallagher, April, Graphite and PanPastel on paper, 11 x 21 in
Gonzalo García Colombian, b. 1981
Gonzalo García, Panopticopia #3 - Modelos 70s, Watercolor on paper, 465 x 465 in
Toni Hamel Italian, b. 1961
Toni Hamel, The Rescue, Graphite and watercolor on paper, 185 x 1575 in
Toni Hamel
The Planner
Graphite and watercolor on paper
195 x 195 in
Toni Hamel
The Doll maker
Graphite and watercolor on paper
195 x 195 in
Toni Hamel, The Unearthing, Graphite and watercolor on paper, 155 x 17 in
Toni Hamel, The Gardeners, Graphite and watercolor on paper, 15 x 18 in
Toni Hamel, The Migration, Graphite, watercolor, hook and thread on paper, 95 x 1575 in
Nicholas King Jamaican, b. 1996
Nicholas King Pressure
Graphite on paper
30 x 22 in
Nicholas King Devoid
Graphite on paper
30 x 22 in
22 x 30 in
22 x 30 in
Nicholas King
Fractured
Graphite on paper
Nicholas King
Focal
Graphite on paper
Nicholas King, Degradation Part 1, Graphite on paper, 30 x 22 in
on paper
22 x 30 in
on paper
22 x 30 in
Nicholas King Tranquility
Graphite
Nicholas King Degenerate
Graphite
Nicholas King, Counterpart, Graphite on paper, 30 x 22 in
Robert Kipniss American, b. 1931
Robert Kipniss, Hillside shadows (34/50), Mezzotint, 1162 x 937 in
Robert Kipniss, Evening clouds (1/20), Mezzotint, 962 x 12 in
Robert Kipniss
Sentinels II, first State (14/50)
Mezzotint
14 x 937 in
Robert Kipniss
Fragments (49/50)
Mezzotint
14 x 96 in
Robert Kipniss
Forest murmurs (28/50)
Mezzotint
145 x 195 in
Robert Kipniss
Spring evening (11/20)
Mezzotint
937 x 1387 in
Robert Kipniss, Houses & sheds (38/50), Mezzotint, 1162 x 937 in
Anne Leone American, b. 1960
Anne Leone, Cenote Tortugas #3, Acrylic on paper, 28 x 22 in
Anne Leone, Cenote Tortugas #2, Acrylic on paper, 36 x 57 in
“Drawing is the artist’s most direct and spontaneous expression, a species of writing: it reveals, better than does painting, his true personality.”
— Edgar Degas
Daniel Ludwig American, b. 1959
Daniel Ludwig, Woman with White Robe, Charcoal on paper, 30 x 22 in
William Nichols American, b. 1942
William Nichols, Saratoga Spring Interior, Watercolor on paper, 22 x 3225 in
William Nichols, Untitled, Monotype, 215 x 36 in
“Drawing is a way of reasoning on paper. The doodle is the brooding of the hand.”
— Saul Steinberg
Elizabeth Patterson American, b. 1954
Elizabeth Patterson, Chicago, Colored pencil, ink and acrylic on mixed media board, 26 x 18 in
Elizabeth Patterson, Bay Bridge IV, Colored pencil on mixed media board, 14 x 26 in
Elizabeth Patterson, Saticoy Street, Colored pencil on illustration board, 15 x 25 in
Elizabeth Patterson, Hollywood Freeway III, Colored pencil on Bristol plate paper, 18 x 16 in
Elizabeth Patterson, Clay and Kearny Streets, Colored pencil on mixed media board, 12 x 25 in
Elizabeth Patterson, Red Car II, Colored pencil on illustration board, 26 x 36 in
Elizabeth Patterson, Howard Street San Francisco, Colored pencil on mixed media board, 18 x 24 in
Walter Quirt American, 1902-1968
Walter Quirt, Untitled, Swirling Figure, 1964, Acrylic on paper, 2225 x 30 in
23
23 x 35 in
Walter Quirt
Pastel Horse, 1961
Acrylic on paper
x 29 in
Walter Quirt
Brown Horse, c1961
Acrylic on paper
Walter Quirt, Untitled, Two Figures, 1964, Ink on paper, 2225 x 30 in
Walter Quirt, Untitled, Figure in Red, 1960, Acrylic on paper, 24 x 19 in
Walter Quirt, Untitled, Gestural Woman, 1963, Ink on rice paper, 1925 x 12 in
Felipe Tenorio Spanish, b. 1990
Felipe Tenorio, Wherever the Wind Takes Me, Graphite and charcoal on Fabriano paper , 331 x 234 in
Felipe Tenorio, The Smurf’s Garden, Colored pencil on paper, 5039 x 3622 in
“Let whoever may have attained so much as to have the power of drawing know that he holds a great treasure.”
— Michelangelo
Jack Wolfe American, 1924-2007
Jack Wolfe, Untitled, c1960s, Mixed media on rice paper, 1775 x 135 in
Jack Wolfe, Untitled, c1940s, Pen and ink on paper, 1225 x 1325 in
Jack Wolfe, Untitled, c1940s, Mixed media on paper, 1225 x 1325 in
Jack Wolfe, Untitled, Mixed media on paper, 17 x 14 in