C L A I R E
H A U P T
ACNE FLAGSHIP STORE 3 - 12 POETRY & LITERATURE CENTER 13 - 18 WOMEN & CHILDREN’S SHELTER 19 - 26 WILDFLOWER ARBORETUM 27 - 30 LIGHT, SHADE, & SHADOW 31 - 34 HAND DRAFTED 35 - 36 PARAMETRIC DESIGN 37 - 38 LIGHT DESIGN, MODULAR WAVE 39 - 40 ANTHROPOLOGIE WINDOW DISPLAY 41 - 42 GRAPHIC DESIGN 43 - 44
T A B L E
O F
C O N T E N T S
Meaningful design is strengthened with iterative processes; each of my projects begin with an abstraction of the subject in order to design with purpose.
p a t t e r n A pattern is derived from a sequence of tessellations of an Acne garment; this pattern is the basis of design for all of Design IV.
INSPIRATION
FALL 2013
DESIGN IV
REFINEMENT
CLAY ODOM 3
REFLECT
STRETCH
FILL
ROTATE / REPEAT
Variations of the pattern are manipulated through projections onto dynamic surfaces and applications onto solid surfaces to understand how it is translated.
P O P - U P
INFLECT / INFLECT VOID / VOID
INFLECT / VOID
APPLY / MANIPULATE
APPLY / MANIPULATEAPPLY / MANIPULATE
S H O P
The design of the small pop-up shop for Acne includes an inserted plane that is manipulated by an aggregation of the pattern. This shop provides a variation in experience and privacy through its many layers which begin to define the use of each space.
acne flagship store Located within the W Hotel in Austin, the Acne flagship store provides an exclusive and luxorious shopping experience. Continuing the idea of the pop-up shop, the wrapping plane is manipulated into an inserted folding wall that marks all important points of program throughout the space.
The flagship is unified through the main design feature of the pattern infused, wrapping plane. Like the pop-up shop, the layers of the plane provides various levels of privacy throughout the space.
TRANSACTION SEATING
TRANSACTION EXCLUSIVE
FACADE DISPLAY MOMENTS MERCHANDISE
ENGAGE / INTRIGUE
Long Section
Entrance
Transaction / Stair Section
Fitting Rooms
Exterior of Transaction Elevation
p o e t r y
b o x
An interpretation of lyrics through assembled materials to consider and understand design at a small scale.
“Sun Hands” I climbed to the top of a hill But I had just missed the sun And although the descending arc was gone Left behind were the traces that always follow along The most beautiful colors chase the sun They wrap her trail in a taunting gesture That seems to sing out loud, “this is what you’re missing” I’ll endure the night For the promise of light I want to lift my hands towards the sun Show me warmth Baby, won’t you show me warmth again? And when I can feel with my sun hands I’ll promise not to lose her again And even if the morning never comes My hands are blessed to have touched the sun And when I can feel with my sun hands I promise not to lose her again
FALL 2012
DESIGN III
T A M I E G L A S S 14
poetry & literature center Located in an existing building on Congress Avenue in Austin, the center integrates a study and reading room, interactive gallery space, beverage bar, and performance space in an open plan with inserted, wrapping planes of Texas Ebony wood that define each programmatic need.
A wrapping plane, at different scales, begins to define each program, which allows for an intuitive interpretation of the separate programs.
FALL 2012
DESIGN III
T A M I E G L A S S 16
Vertical circulation is addressed by a staircase that encourages movement up to the interactive gallery space, while rhythm and repetition are achieved through the continuation of the wrapping plane.
FALL 2012
DESIGN III
T A M I E G L A S S 18
oxford shirt redesign The alteration of an oxford shirt constructs a tangible expression of the relationship between the material’s properties and its unit of support underneath—the human body. The idealized form and perfection of the human body as introduced by da Vinci’s Vitruvian Man generates the “infinite” circular form of the shirt which is evenly pleated in order to map the alterations made to fit the human form.
FALL 2013
DESIGN V
A L L I S O N G A S K I N S 20
women & children‘s shelter The improvement and redesign of the Austin Women and Children’s Shelter provides an overall schematic redesign of the shelter. The Theory of Change poses that short term changes lead to long term impacts; this is the fundamental basis of the ability that design changes within the shelter have to improve the lives of the clients. A sense of ownership is provided to the clients through the manipulation of boundary and threshold: eliminating existing single-loaded corridors leading to the private bedrooms and moving the doors to the underutilized courtyards.
control, intimate knowledge, self investment
Provide a sense of OWNERSHIP through the manipulation of boundary and threshold.
CITIZE EXPER
Attract clients to the public rooms to provide a PLACE OF GATHERING.
THEORY OF CHANGE
short-term changes lead to long-term impacts
BIOPHILIA - a hypothesis suggests that there is an instinctive bond between human beings and other living systems. Incorporate a PHYSICAL CONNECTION with nature through blurring the notion of threshold in the public areas – to draw people to nature which provides a foundation for healing. THERAPUETIC QUALITY OF NATURE
WILDSC benefit
EXISTING HALLWAYS
NEW OUTDOOR PATH
FALL 2013
DESIGN V
A L L I S O N G A S K I N S 22
Each front door features a custom furniture set to mark its location, incorporating a place of gathering to foster a sense of acceptance. Every set is shared by two rooms which fosters the idea of community. The planters provide a physical connection with nature, which is proven to provide a foundation for healing.
plants provide privacy
bench seat attachment planters can attach
2’ - 6�
separate planter
1’ - 6”
5’ - 0”
1”
1 1/2”
1
3’ - 0”
3 2
5” 3”
embedded steel plate
2”
SUCCULENT STUDIES An observation of the succulent and it’s proportions and shape. Recording details by hand and digitally through orthographic projection. The representation below is a diagrammatic exploration of the lifecycle, geometries, and nature of the succulent and also drives the design of the module for the pavilion.
SPRING 2011
VIS COM II
J O Y C E R O S N E R & R O B E R T M E Z Q U I T I 26
lbj wildflower pavilion The pavilion was created through the aggregation of an abstracted module into a field. The pavilion addresses the capture and shedding of natural light while encouraging the visitor to view the gardens from a new perspective.
SPRING 2011
DESIGN II
R O B B I E G A Y 28
lbj wildflower ARBORETUM The Arboretum at the Ladybird Johnson Wildflower Center is designed with a focus on the connection with the variables of the site: views, light, wind, water, and movement. The orientation and views of the existing trees were the driving force behind shape of the building, which includes a sloped roof for water collection.The design of the Arboretum responds to the views of the site with a focus on human interaction with the surrounding nature.
SPRING 2011
DESIGN II
R O B B I E G A Y 30
LIGHT & SHADE The sun shade was developed through the design and aggregation of a singular paper module. It explores the interaction and control of shedding light and casting shadows.
FALL 2011
DESIGN I
J O Y C E R O S N E R 32
LIGHT SHADE SHADOW A black and white tone drawing of an image that defines the qualities of light. The assignment focuses on observing the behavior of natural light while considering composition and abstraction.
FALL 2011
VIS COM I
JOYCE ROSNER
J U D Y B I R D S O N G 34
g i p s y t r a i l h o u s e A case study of the Gipsy Trail House investigates the relationship between manual and digital processes through a hand drafted plan, section, and elevation along with diagrammatic axons produced in Adobe Illustrator.
analytical tool drawing Using freehand drawing and observational studies to compile a plan, section, and elevation of a selected tool while displaying it’s mechanical qualities.
FALL 2011
VIS COM II
JOYCE ROSNER & ROBERT MEZQUITI
36
PARAMETRIC DESIGN Through the use of Grasshopper, Rhino, and Revit, an extraction of the pixel information of a selected image results in vector information, which is translated into a model. Each module is lasercut, folded, and formed into the model.
Project 02_Exploded Axon Drawing Data Formalization + Realization
Project 02_Axon + Perspective Drawings Data Formalization + Realization
VISUAL COMMUNICATION PROJEC FALL 2012 V I S C O M I I I M A R L A S M I T H & M I C H E A L B E A M A N 38 CLAIRE HA
L I G H T
D E S I G N
The Modular Wave intends to provide light for any outdoor path and allows for an aesthetic variation through modular pieces that can be arranged in a custom order. It produces a warm comfortable light that guides passersby on a night time stroll or run. Each arrangement allows for a subtle gradation of warm up-lighting to illuminate the path. TEAM MEMBERS: STEPHANIE BETESH & AMANDA HEINEMAN
1’ - 0”
1’ - 3”
2’ - 0”
2’ - 0”
1’ - 3”
MODULAR WAVE LOCATION
LADY BIRD LAKE TRAIL
0’ - 8”
anthropologie window The front window display at Anthropologie was an interpretation of wildflowers. The wildflowers were constructed of cardboard and paper that were naturally dyed using plants and fruits to achieve their appropriate color. The over exaggerated size of the flowers sculpturally engage and activate the large window display. TEAM MEMBER: ROBERT STRIBLING
SUMMER 2012
A N T H R O P O L O G I E V I S U A L D I S P L A Y S 42
GRAPHIC DESIGN The client wanted an overall redesign of their brand with a hand-drawn aesthetic. The project included designing business cards, stamps, thank you cards, and other packaging.
“PHOTOGRAPHY” FONT OPTIONS:
2
1
PHOTOGRAPHY
P H O T O G R A P
Apple Garamond Light
3
Deriva ^
4
FALL 2 0 1 3
M A T T H E W M O O R E P H O T O G R A P H Y 44
CLAIRE HAUPT
clairehaupt@utexas.edu Austin, Texas | 469-285-3847
EDUCATION
The University of Texas at Austin Bachelor of Science in Interior Design GPA 3.52 - Graduation May 2015
EXPERIENCE
Fall 2013 - Matthew Moore Photography, Graphic Designer Designed and branded Matthew Moore Photography Business cards, postage, packaging, etc. Summer 2012 - Anthropologie, Visual Displays Intern Designed and built window displays and looks Visual Displays team member Winter 2012 - Reclaimed Space, Promotion Team Promoted design business at convention Gathered new clients for new builds Spring 2011 - Laura Britt Design, Intern Recommended and evaluated design projects Participated in design proposals and visits
HONORS
Fall 2013 - Design Excellence Award Nominee Fall 2011- Present - The University of Texas at Austin, Dean’s Honor List - Alpha Lambda Delta, Member - Phi Eta Sigma, Member
SKILLS
Adobe Photoshop, InDesign, and Illustrator Rhino Revit Autocad Google SketchUp Microsoft Office Lasercutting Model making, hand drafting & rendering, watercolor, woodshop Film and digital photography
INTERNATIONAL TRAVEL
Canada, England, Spain, The Netherlands, Germany, Austria, Switzerland, Italy Fall 2014 - The University of Texas School of Architecture European Study Program with Studio Paris
ORGANIZATIONS
Spring 2012- Present - Ampersand, Co-President Umbrella organization containing student chapters of IIDA and ASID Organized firm tours throughout the semester Encourage student involvement in professional organizations Fall 2012 -Present - UTSOA CURRICULUM COMMITTEE Student Member 2012 - Present - INTERNATIONAL INTERIOR DESIGN ASSOCIATION Student Member 2012 - Present - AMERICAN SOCIETY OF INTERIOR DESIGNERS References available upon request.