Colin Drumwright's Architecture Portfolio

Colin Drumwright

Architectural

S TIMULU S

2018

Portfolio

THROUGH

Architecture encompasses a variety of different aspects and every project has a different stimulus. A stimulus starts an idea or movement. In the case of architecture, stimuli inspire the designer to make different design decisions. A stimulus could be anything from nature, art, people, architecture itself, and more. Something different inspires each of my projects, and therefore, I want to highlight this idea through my portfolio.

-Colin Drumwright

Professional

Academic

Other

Ten at Clarendon

Regenerate

Efficiency

The Sanctuary

Order

Photography

Other Works

Transition

Resume

*All professional work completed at Bonstra | Haresign ARCHITECTS

*All academic work completed at Virginia Tech

Ten at Clarendon

Mixed-Use –– Multi-Family | Arlington, Virginia | 2014-2018 | Staff Designer

Colin Drumwright Portfolio

Located at the corner of Highland Street and 10th Street North in the Clarendon neighborhood of Arlington, the Ten at Clarendon is a new fivestory, 143-unit mixed-use building. The project additionally features eight live/work units, office space and 3,700 SF of ground-floor retail. I began working on this project at the end of design development in 2014 and continued on the project throughout construction and tenant fit-out in 2018. My tasks included finalizing unit layouts, exterior detailing, and construction site visits.

The development achieved LEEDÂŽ for Homes Platinum Certification.

Awards include: Design Arlington Awards - Merit Award NAIOP Northern Virginia Awards of Excellence Award of Merit - Mixed-Use | Single Building ULI Washington Trends Award - Excellence in Housing Development

Vicinity Map

The project began in 2010 as a mid-block building, but the purchases of a used car lot and small office lot created a new site that was longer than a football field. The ground floor retail and office spaces on the northeast corner relate to the higher density Clarendon neighborhood while live/work units transition the pedestrian to smaller retail neighbors to the west. A widened sidewalk allows spaces for benches, bike racks, and street trees resulting in an improved pedestrian experience.

Existing Lots

Ten at Clarendon utilizes several design concepts to break up the facade while maintaining one consistent architectural style. The use of cream colored bricks signafied the beginning and the end of the building’s primary facades. The curtain wall bays created a unifying rhythm while breaking down the building’s length. Two pavillions emphasized the primary retail and residential lobby space. Lastly, the storefront while consistent in material, varied in pattern and style to directly relate to the uses inside.

Design Concept

North Elevation

Colin Drumwright Portfolio

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LOBBY/AMENITY MECHANICAL/UTILITY LIVE/LIVE LIVE/WORK OFFICE

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Ground Floor Plan

The Ten’s lobby has an extensive variety of spaces for the community to gather, collaborate, or work. The ground floor also features live/work units that promote small local businesses while providing flexibility to transition to retail in the future.

Colin Drumwright Portfolio

Ten at Clarendon offers unique fourbedroom aparments targeting those seeking a more affordable cost per bedroom and those looking for luxury amenities and proximity to the metro.

The units integrate emerging trends in technology such as keyless apartment entry, Nest thermostats, and USB charging ports in every unit.

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MECHANICAL/UTILITY VERTICAL CIRCULATION CIRCULATION PATIO VEGETATION

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Typical Floor Plan

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FIBER CEMENT PANEL DET.

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The Ten is a wood framed building with a concrete podium and two levels of underground parking.

However, the client stressed the desire to design the building like a concrete or steel structure. One innovation of our design includes the six four-story curtainwall bays.

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ENLARGED PARTIAL NORTH ELEVATION

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ENDON, VA 22201

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I was heavily involved in all aspects of the project including helping finalize and coordinate the design, drafting and annotating the majority of the details, and representing the firm during on-site construction meetings. The Ten exposed me to working as a larger part of a team and to delivering a unique and sucessful project for our client. Our work continued after delivery of the base building with coordinating the design and construction of the client’s executive offices within Ten at Clarendon.

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METAL PANEL DETAIL 1" = 1'-0"

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BRICK DETAIL 1" = 1'-0"

Click to View Time Lapse: https://vimeo.com/260560739

CLARENDON, VA 22201

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@ FIN

Colin Drumwright Portfolio

THE SANCTUARY

Adaptive Use –– Multi-Family| Washington, DC | 2015-2016 | Project Architect

Colin Drumwright Portfolio

The Sanctuary was a Gothic Revival Church and contributing structure to the Capitol Hill Historic District.

The building is now adaptively preserved and repurposed into 30 unique residential condominiums. The project encompasses the church, church annex, and two adjacent townhouses totaling a gross floor area of 34,693 square feet. The interior was entirely gutted, leaving only some of the structure, an existing stairwell, and vaulted ceilings in the original sanctuary space.

I began working on this project at the beginning of construction in 2015 and continued until completion at the end of 2016. My tasks included adjusting unit design per on-field discoveries, management of all incoming CA, and monthly construction site visits.

Awards include: Building Design + Construction Reconstruction Awards - Bronze Award AIA Northern Virginia Design Awards - Award of Excellence - Historic Architecture AIA | DC Chapter Design Awards - Merit Award Historic Resources NAIOP DC | MD Awards of Excellence - Award of Excellence - Best Renovations / Adaptive Reuse Delta Associate Awards for Excellence Best Washington/Baltimore Adaptive Reuse Condominium Community

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Vicinity Map 0’

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The Ninth Street Christian Church congregation moved to this Capitol Hill site in 1891. The congregation outgrew the original wood-framed chapel and in 1898, construction finished on the Gothic Revival church designed by architect Lawrence B. Valk and Son. The church expanded in 1916 with a three-story brick and concrete annex. In the 1960’s, Way of the Cross Church of Christ purchased the building. The new congregation remained for over fifty years until parking in the neighborhood became increasingly difficult for parishioners and created conflict between new residents in this area. In 2014, Way of the Cross Church of Christ moved closer to its congregation in Maryland. The sale of the church at 819 D St, NE helped finance their new home while presenting the opportunity for the Sanctuary’s current renovation, restoration, and adaptive use.

We sought to retain as many architecture elements of the existing building as possible, such as castiron columns, granite and brick columns, and arched brick openings. Many of these features were unknown prior to the beginning of construction. New floor elevations mediated between varied window elevations, and in some areas, the floor was held back to accommodate existing multi-story windows.

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Third Floor Plan

THIRD FLOOR

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FIRST FLOOR

Ground Floor Plan

NEW

EXISTING

Existing Section

Colin Drumwright Portfolio

NEW

Building Section

The original building is a wood framed structure with a double height sanctuary space on the second and third floors, while the classroom annex is a reinforced concrete structure. The primary corridor separates these two structural systems. The building utilized the majority of the concrete annex structure; however, new steel beams carried the additional loads from the new mezzanine level above. The entire first and second floor structure of the 1898 church was maintained. The third floor framing could not be saved because of sloped seating in the choir loft open to below. However, remnants of the sloped floor joists are visible in some of the exposed brick walls, and the roof trusses and vaulted ceilings were retained and utilized. This creates a feeling of the previous function of the space while accommodating the building for modern living.

EXISTING

The project was well recieved regionally and nationally winning multiple awards and having multiple publications. I took part in creating the award packages and the interviews and review of the publications. See two of the publications below:

Multifamily Design + Construction Enlightened conversion: A church becomes condos in D.C. Washingtonian We Can’t Get Over the Windows In This Converted-Church Condo

(Above) This ground floor unit reduced the depth of the existing ballroom, bringing light into the entire space.

Demolition revealed the exposed brick with stone slab columns which are restored throughout the building.

(Right) The penthouse unit captures lost space that could not be utilized when it was a choir loft. The ceiling expands so that trusses frame the living area and penetrate into the space. A catwalk connects the new mezzanine to the once inaccessible bell tower.

Colin Drumwright Portfolio

The hallmark of the restoration was the preservation of the original stained and leaded glass windows that are a mix of ages and styles with floral and religious motifs. Over the course of the building’s history, glass panes and window panels had been replaced. Because the leaded windows had reached the end of their lifespan, each window was carefully removed and gingerly transported to the artisans window shop. In coordination with the Historic Preservation Review Board, BHA documented every window and specied which panes would be replaced with clear vision glass. The stained-glass subcontractor then reassembled each window by hand, using original glass, historically accurate reproduction glass, and imported vision glass. The project additionally restored and re-used the existing light fixtures.

OTHER WORKS

Mixed-Use & Multi-Family| Washington, DC & Alexandria, VA | 2014-2018

917-919 Kennedy Street NW | Washington, DC | 21-Unit Condominium | SD-DD | Project Architect

UNIT B 1 BR 555 SF

UNIT D 2 BR+D 940 SF

UNIT B1 1 BR 555 SF

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UNIT C 2 BR 860 SF

Typical Floor Plan

Colin Drumwright Portfolio

Here is a collection of other work during my time at Bonstra | Haresign ARCHITECTS. While my work has varied, the majority of my experience has been working on proposals, zoning and building analysis, schematic design, and construction administration. Additionally in 2018, I began photographing exteriors of several of our smaller projects.

1336 H Street NE | Washington, DC | 3-Unit Co-living Apartments with Retail Space | SD-CA

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912-920 King Street | Old Town Alexandria, VA | Retail and Mixed-use Elevations| Request For Proposal Submission

210 P Street NW | Washington, DC | 4-Unit Condominium | Elevation Study

Typical Floor Plan

3825 Georgia Avenue NW | Washington, DC | 32-Unit Multi-family| CA

Colin Drumwright Portfolio

3825-3829 Sherman Avenue NW | Washington, DC | 3 Townhouses | Exterior Photography

819 D Street NW | Washington, DC | 30-Unit Condominium | Supplementary Photography

129 Varnum Street NW | Washington, DC | 6 Condominiums | Exterior Photography

REGENERATE

Arts Campus and Theatre | Alexandria, Virginia | 2013-2014 | Chair Marcia Feuerstein

Colin Drumwright Portfolio

REGENERATING IA NU D CU S T RYA : N

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RECLAIMED FROM LOST CITY FABRIC.

Cites are ever-changing organisms.

Neighborhoods, streets, and buildings change quickly over time, and the need to re-purpose or vitalize lost infrastructure is a necessity in urban planning. The Potomac River Generating Station once fit perfectly into the industrial part of Alexandria, Virginia; however, the city grew north and evolved from an industrial city to a cultural and residential haven of Northern Virginia.

Now, the last pieces of Alexandria’s industrial past are being transformed to fit modern day needs.

The creation of this new campus for the arts near Washington, DC helps transition the closed power plant site into the present and future. The project will not only help diversify the city’s current population and amenities, but will also connect northern Alexandria to the greater metropolitan area through its industrial past, culture, and transportation.

The theatre will bridge together the students and the city as it lets people get a glimpse into the many hidden layers of theatre production.

Within the building is a vibrant atmosphere as students utilize the unique spaces daily and visitors come for events and performances.

The layering of elements from the past with activities and visions of the future allows the Potomac River Generating Station to generate once again.

Context Map

Aerial Photo

Existing Conditions

Transit Generation Public transportation is an important aspect of how to link the PRGS site back to Alexandria and the Washington DC metropolitan area.

To incorporate the metro system into Alexandria and the new PRGS site, a new light rail on the existing tracks used for coal will connect Robinson Terminal North to the Braddock Road station.

With minor rerouting five bus lines will connect PRGS to the region. In addition to the buses, the DASH free trolley service will be extended. A third trolley will extend four blocks to Robinson Terminal North and the newly proposed light rail station. The new trolley line helps produce a loop of transportation to surround northern Old Town.

NEW METRO STATION

On either side of the site, the Mount Vernon Trail connects commuter and social bikers from Mount Vernon to Arlington. Improvements to the site will create a destination for bikers as opposed to PRGS’s domineering presence today. The recommended bike route along Pitt Street will be redesigned to an established lane and run through the site to connect to the Mount Vernon Trail. To support this new transportation system, a new transit station will be built to hold a bus terminal, light rail stop, and bike station. The PRGS transit station will function as a entrance to the site. An additional ferry terminal will help connect this new waterfront district to the Georgetown, District Wharf, Alexandria, and National Harbor waterfronts.

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BIKE PATHS BUS ROUTES POTENTIAL LIGHT RAIL LINE TROLLEY PROPOSED ADDITIONS

Initial Blouevard

Transit Study

Initial Section

Colin Drumwright Portfolio

Campus Generation

Districts

Paths

Edges

There are four districts to create layers of the campus. Each layer of the site has a different edge and node similar to a city. Various path environments connect and separate the university districts while the existing chimneystacks function as the campus’s landmark. The concept of layering the campus through these five elements-districts, paths, edges, nodes, and landmarks-was influenced by Kevin A. Lynch’s The Image of The City.

Each district uses elements to differentiate from each other.

The theatre district functions as the entry to the site. Ground floors are public to blend the site’s educational aspects.​This district has large spaces for people to gather before and after a show. All but the northern edge of the theatre district is left open to promote a transparency and fluidity with the public.

Nodes

Landmarks

In the educational district, buildings are closed to the public but visually open. Public space is scattered with small gathering places for students during and after school hours, and only a wide pedestrian promenade separates the educational and theatre districts. This street is the core of the university as students progress through their daily lives. The recreational district is set back from the prominent entry and is visually disconnected from the public through grade and vegetation.

This area is characterized by the open space provided for various school events and activities. The residential district covers the footprint of the original power plant and creates its own court for everyday student activity. The area is private through building orientation and grade and acts as the heart of the campus for the students.​

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Theatre Performing Arts Studio Visual Arts Studio Offices Library Graphic Design Hall Liberal Arts & Human Sciences History & Lecture Recreation Center Student Union Student Apartments Dormitory Dormitory and Cafeteria Ferry Terminal Amphiltheatre Transit Station Recreational Fields

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The theatre building itself has three primary spaces: the 750-seat proscenium theatre, the 150-seat black box theatre, and studios and classrooms. The idea of an equal relationship is implemented to these programs through an open layout and visual connections.

As people enter the building, the columns double to support the ribbon and create gathering spaces for guests. The information desk under the grand stair acts as a dividing point to guide visitors into the main proscenium theatre. In front of the theatre entry is the main lobby which also functions as an impromptu performance and lecture space. Along the water’s edge, the interior promenade transitions to a double height scene workshop.

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While the powerplant building was not kept due to its obstructive nature to the site and surrounding community, 2,250,000 plus bricks will be salvaged throughout the revitalization. This includes using the bricks for the black box theatre, the rear facade of the theatre, landscaping, and the west wall of the plant which will remain in place to become the west facade of the student housing.

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The ribbon above holds all of the studios and workshops and functions as the students’ primary circulation path. The main column’s principal form represents a dance lift and the space functions as a stage to the city. The exterior column leans inward to invite people into the building and splits upon the activity in the raised ribbon.

Site Plan

Program Diagram

FRONT OF HOUSE

FRONT OF HOUSE

THEATRE

FRONT OF HOUSE

THEATRE

BACK OF HOUSE

TH E A T R E

Ribbon Diagram BACK OF HOUSE BACK OF HOUSE

Ribbon sketches

Colin Drumwright Portfolio

Third Second Ground

Ribbon Closed

Ribbon Open

Front Entrance

Ribbon Section

Student Lounge

Colin Drumwright Portfolio An exterior skin covers the ribbon and interacts with the sun and the building’s users. This sun shading system is attached to the curtain wall along the sun-exposed elevations. The diamond metal mesh design can completely screen the ribbon or fold in to allow for maximum visibility and light. This layer to the space creates openness at night while providing a barrier through the day.

Additionally as the sun circles the building, the shadow patterns within will be in motion creating a performance in itself.

TRACK TO ADJUST SHADE

East Elevation

East Elevation

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West Elevation Ribbon Detail

Transverse Section

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Colin Drumwright Portfolio

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ORDER

Special Collections Library | Alexandria, Virginia | Spring 2013 | Professor Paul Emmons

Colin Drumwright Portfolio

This special collections library used order to design a cohesive building that relates to the program and human proportion. The library holds a special collection of local maps due to its prominence by the original Potomac River shoreline and Alexandria city hall.

Bird’s Eye View

To start, I designed a display for a toothpick I found on the site. The holder displays its purpose, origin, and manufacturing process. This inspired me to study order and led me to material and structural decisions.

Toothpick Display

Initial Sketches

I used three strategies to design the library. A geometric strategy of halves and fourths that were related to the site and human scale, a sound study to layer spaces and a structural plan to create different spatial experiences. The initial section introduced key elements such as an open reading hall, map display, and controlled lighting.

Geometric Strategy

Sound Diagram

Typical Structure Initial Section

Colin Drumwright Portfolio

Visitors enter on the main axis of the building. The space is open to allow for maximum light penetration and on the right, historic documents lead guests to the reading hall. The reading room is separated in three levels. The lower lounge level for shorter visits, group seating on the second level, and individual reading desks on the top level. The columns connect the building to the ground and its history and then open to the sky above. Beneath the reading room is a suspended archaeological walk dedicated to explaining the city and site’s past.

Context Model

East Elevation Model

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Colin Drumwright Portfolio

The library expands in the alley where operable louvers allow for optimal indirect light to preserve the special collections while providing natural light to read.

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Louver Detail

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TRANSITION

Surrealist Art Gallery | Alexandria, Virginia | Fall 2012| Professor Paul Emmons

Colin Drumwright Portfolio

This surrealist art gallery used transitions to circulate people through a space artistically and efficiently. The gallery’s featured artwork is the Large Glass by Marcel Duchamp. The design utilized perspectives, blurred light, and scale to create the form and materials of the building. These elements along with designing around the Large Glass fueled the concept of my project.

I wanted visitors to see glances of the Large Glass to build interest in the gallery’s main piece and reflect the subject of the artwork. Different levels allow for a mix of perspectives and scales throughout the museum.

The Large Glass by Marcel Duchamp

Initial Section Based on the Large Glass

Process Diagrams

Section Diagrams

Initial Sketches

West Elevation

Colin Drumwright Portfolio

Visitors descend down the main entrance ramp to slowly enter the surrealist mind. A solid, thick concrete wall guides the visitors throughout the museum. Along the ramp is a history of surrealism, disconnected views of gallery spaces and visitors, surrealist art above, and a final framed view of the neighborhood. Then, the visitors enter the main gallery space and are ready to experience the surreal.

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The building opens to the park, lower street, and river.

This is reflected in the program and allows for visitors to only visit the shop, cafe, or meeting room.

The spaces become more airy as the visitors circulate and rise in the gallery.

Longitudinal Section

Colin Drumwright Portfolio

Channel Glass Continuous Sealant Backer Rod and Sealant Gasket PVC Insert

Channel Glass Detail

A frosted glass roof connects the auditorium to the courtyard above allowing people to see shadows of footsteps above.

The southern facade is constructed out of channel glass to allow for optimal aindirect light. The perspective of the tunnel continues from the length of the building emphasizing the bike path and gallery circulation.

EFFICIENCY

Ascension Competition | AIAS & AGA | Summer 2013 | Partner: George Hughes *work shared equally and was collaborative throughout the entire process

Variations

Colin Drumwright Portfolio

The American Institute of Architecture Students (AIAS) and American Galvanizers Association (AGA) hosted the Ascension design competition to help give freedom back to disabled veterans. The ramps needed to be adaptable, lightweight, and utilize galvanized steel.

Our concept was to utilize a readily available 60’back prefabricated object to effectively bring our veterans home through a collaborative, economic, and simple solution.

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Process Diagrams

Our design recreated a flat ramp system. The traditional ramp is split into two guardrail pieces halved to function as the support and edge of our ramp. Every section of the ramp connects to each other allowing endless possibilities for whatever our veterans need.

We collaborated with a regional manufacturer, Trinity Highway Products, in Orangeburg, SC. Together, we went through various designs including two full-scale prototypes to ensure the feasibility of the ramp guiding our veterans home. By working with Trinity, we were able to develop specific costs, parts, and the assembly of the ramp as well as test the safety of the design.

First Built Prototype

6' Variation

30' Variation

Full Scale Built Prototype

60' Variation

PART

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DESCRIPTION

Cross Angle Tie

Half Guardrail

Baulster

Handrail

Floor Tread

Nuts, Bolts, and Washers

WEIGHT

20.5 lbs

27 lbs

6 lbs

10 lbs

15 lbs

.41 lbs (typ.)

COST

$20.25

$26.00

$16.00

$15.00

$42.00

$.50 (typ.)

TOTAL 6'–3" Center Ramp 206.76 lbs $364.70

Highway Assembly

Colin Drumwright Portfolio

Highway Assembly

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Connect floor tread to 2 cross angle ties (4x)

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Connect half guardrail to 2 cross angle ties (2x)

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Connect 1 baluster to side of cross angle tie (4x)

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Connect handrail to top of 2 balusters (2x)

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Install nut, bolt, and washer into side of half guardrail to connect multiple sections

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Bolt together 2 highway segments

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Secure bolting joined highways to cross angle tie

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Connect 1 baluster to side of cross angle tie (2x)

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Secure handrail to top of baluster (2x)

Connecting Highways

Typical Ramp Assembly

Typical Highway Assembly

Connect floor tread to 2 cross angle ties (4x)

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Bolt together 2 highway segments

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Secure bolting joined highways to cross angle tie

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Connect 1 baluster to side of cross angle tie (2x)

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Secure handrail to top of baluster (2x)

Connecting Ramp Sections

Connecting Highways wheelchair perspective

PHOTOGRAPHY

Travel | Street | Nature | Architecture

For Digital Portfolio CLICK HERE

Smoke Break

1 WTC

Detached Benches

Colin Drumwright Portfolio

I developed a passion for photography during my study abroad in Barcelona, Spain. During grad school, I took several photography classes to refine my skills and gain knowledge about photography. Now, I still hold this passion for photography through daily life and travel. This has developed into a skill I’ve used professionally within architecture and commercially on its own.

NMAACH Passerby

The Lady and The Lupine

Lost Souls

RESUME and LINKS C OLIN D RUMWRIGHT

colindrumwright@gmail.com 803.417.5354

Objective To design inspiring buildings that improve people’s lives and daily experiences through architecture and become an integral part of a studio while working towards licensure.

Work Experience Skills Revit AutoCad SketchUp Adobe Creative Suite V-Ray for SketchUp Microsoft Office Bluebeam Revu Architectural Photography

Staff Designer II— Bonstra|Haresign ARCHITECTS, Washington, D.C. — 2014-Present Worked on a variety of multi-family and mixed-use projects throughout all phases of design and construction. Projects ranged from new construction to historic renovation and adaptive re-use and ranged in size from single family to 145,000 SF. Architectural Intern — AECOM, Arlington, VA — 2013 (Summer) Created design books and diagrams with Adobe Creative Suite and worked on a variety of tasks using AutoCAD and Revit.

Architectural Intern — RBA Group, Charlotte, NC — 2011–2012 (Summer) Generated floor plans, elevations, and 3-D digital models for schematic design and worked on construction documents.

Activities Experiencing Cultures Cooking Street & Travel Photography Intramural Sports

References Available upon request

Education Virginia Tech — Washington-Alexandria Architecture Center (WAAC) — 2012-2014 · M. Arch. 2 Program — GPA 3.63 · Graduate Teaching Assistant — 2012-2014 · Atget Photography Award — 2013 · Thesis: Regenerating Industry: An Urban · AIAS Treasurer — 2013 Campus for the Arts Reclaimed from Lost City Fabric. http://bit.ly/2obPAiM Clemson University — 2008–2012 · BA in Architecture — GPA 4.0 · Minor in Psychology · Semester study abroad in Barcelona, Spain

· Faculty Scholarship Award (4.0 GPA) · AIAS VP of Membership — 2011-2012

Awards / Featured Projects The Sanctuary — 819 D Street NE, Washington, D.C. — 30-unit condo building Project architect throughout construction for the adaptively preserved and repurposed historic church into 30 residential condominiums. Project awarded four regional awards and one national award and various regional and national publications.

Ten at Clarendon — 3110 10th Street, N, Arlington, VA — 143-unit mixed-use building Project team member for a new five-story, 143-unit mixed-use building targeting LEED Platinum for Homes Certification from the end of design development throughout

· BA in Architecture — GPA 4.0 · Minor in Psychology · Semester study abroad in Barcelona, Spain

· Faculty Scholarship Award (4.0 GPA) · AIAS VP of Membership — 2011-2012

Awards / Featured Projects The Sanctuary — 819 D Street NE, Washington, D.C. — 30-unit condo building Project architect throughout construction for the adaptively preserved and repurposed historic church into 30 residential condominiums. Project awarded four regional awards and one national award and various regional and national publications.

Ten at Clarendon — 3110 10th Street, N, Arlington, VA — 143-unit mixed-use building Project team member for a new five-story, 143-unit mixed-use building targeting LEED Platinum for Homes Certification from the end of design development throughout completion. The Ten at Clarendon features market-rate units, eight live/work units, office space, and 3,700 SF of ground-floor retail. Project awarded three regional awards.

colindrumwright@gmail.com 803.417.5354 Colin Drumwright Portfolio 803.417.5354

Skills Skills Revit

Revit AutoCad AutoCad SketchUp SketchUp Adobe Creative Suite Adobe Creative Suite V-Ray for SketchUp V-Ray for SketchUp Microsoft Office Microsoft BluebeamOffice Revu Bluebeam Revu Architectural Photography Architectural Photography

Activities Activities Experiencing Cultures

Volunteer Work CityVision Volunteer National Building Museum Co-led middle school students throughout the design process to develop a project to benefit local neighborhoods for 2 semesters.

Miscellaneous Volunteer Work · Partake in AIA|DC Portfolio and Resume Reviews · Guest critic for WAAC Photography Class · Various architectural and community based volunteer efforts through Bonstra|Haresign ARCHITECTS

Experiencing Cultures Cooking Cooking Street & Travel Photography Street & Travel Photography Intramural Sports Intramural Sports

References References Available upon request

Available upon request Online Portfolio http://bit.ly/2ExJogh

C OLIN D RUMWRIGHT

colindrumwright@gmail.com 803.417.5354

LinkedIn

Skills https://bit.ly/2pNWqMj Revit AutoCad SketchUp Adobe Creative Suite

Resume https://bit.ly/2unyxke

Digital Portfolio https://bit.ly/2ExJogh

Photography https://bit.ly/2pKBsyC

Thank You