#405 Erkenningsnummer P708816
NOVEMBER 11, 2015 \ newsweekly - € 0,75 \ read more at www.flanderstoday.eu current affairs \ p2
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An investigation has turned up the shocking news that one in three fish dishes in Brussels isn’t what you ordered
Tours in Brussels find students and members of the public walking in the footsteps of asylum-seekers
Flanders’ annual Week van de Smaak puts you in touch with tastes and smells of times past all across the region
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“A story that needed to be told” The new film Black by Adil El Arbi and Bilall Fallah shows the darker side of Brussels Linda A Thompson Follow Linda @ThompsonBXL \ flanderstoday.eu
The new film by Adil El Arbi and Bilall Fallah blurs the boundaries between fiction and reality in its portrayal of Brussels’ inner-city gangs.
B
lack, Adil El Arbi and Bilall Fallah’s electrifying new film, opens with what could be just another Tuesday in Brussels. Armed with a fist-size rock, a teen rapidly walks up to a car idling at a red light. In one sweeping motion, he smashes the window and snatches the driver’s purse from the passenger seat. A civic-duty minded bystander promptly goes in pursuit but is left seething when the boy slips into a public elevator a fraction of a second before its doors close. And then something odd happens. Rather than stick with the shot of the angry, white man, as, figuratively speak-
ing, most local filmmakers would have, El Arbi and Fallah thrillingly turn the tables of Belgian cinema and follow the teenager down to his Maghreb neighbourhood in what doubles as a mission statement for the film at large. Based on two novels by the master of young adult fiction, Dirk Bracke, Black unflinchingly, and sometimes crudely, tells a love story between two youths who belong to rival gangs – a story that begins in a police department and ends on the cold, marble floor of a train station. “A character like Mavela has never had a voice; you’ve never heard a character like Marwan,” says El Arbi, 27, referring to the film’s lead roles. “Moroccans in films were always either terrorists or criminals, or the complete opposite – the only truly stand-up guys.” To a soundtrack of thumping French rap and an under-
current of violence, El Arbi and Fallah, who grew up in Antwerp and Vilvoorde, respectively, introduce the viewers to a bleak world of Brussels’ inner-city youth that has never been depicted in local cinema before. It is the familiar picture that occasionally spills into brief news reports, one in which bored and nihilistic teens careen freely between petty crimes and acts of unspeakable violence. (Stromae, of the melancholy songs about the daily soul-sucking grind, absent fathers and our addiction to social media, declined to collaborate on the soundtrack because he felt the film was too harsh). The lives of the youths at the heart of the film, which opens this week across Belgium, largely play out in and around metro stations like Ossegem and Beekkant, which are inconspicuous by day but can turn violent at night; the Africontinued on page 5