Ft 16 02 17 lowres

Page 1

#417 Erkenningsnummer P708816

FEBRuary 17, 2016 \ newsweekly - € 0,75 \ read more at www.flanderstoday.eu current affairs \ p2

politics \ p4

BUSiNESS \ p6

innovation \ p7

education \ p9

Love hurts

Back on track

Noteworthy

art & living \ p10

Antwerp start-up NeoScores has launched Gustaf, the world’s first online shop for digital sheet music

A new programme at VUB is getting refugees who had to leave higher education behind back in the classroom

A Japanese novel about sexual frustration and deception was the inspiration for stage director Josse De Pauw’s new production

\6

\9

\ 14

© Dietbrand Vandenberghe

Pastoral punk Two stalwart clubs keep West Flanders’ music scene rocking and rolling Mark Andrews More articles by Mark \ flanderstoday.eu

Since the late 1980s, The Pit’s in Kortrijk and 4AD in Diksmuide have been the indisputable centres of the West Flemish punk music scene.

F

or live music, the province of West Flanders is deep in the shadow of the domineering capital of its eastern cousin, Ghent. Yet there are some real occidental hotspots – De Kreun in Kortrijk, De Vortn’s Vis in Ypres, Cactus in Bruges. But the two oddball colossi at the heart of the West Flemish alternative music scene are 4AD in Diksmuide and The Pit’s in Kortrijk. Both opened in 1988 and both fuse the punk DIY ethos and Flemish volunteering culture with financial backup from the governing powers-that-be. Diksmuide is perhaps best known for the brutal trench warfare that took place around the Yser river during the First World War. It’s a strange place to find a music club named

after the British record label that was home to rock bands like The Pixies, Cocteau Twins and Xmal Deutschland. Patrick Smagghe, a Diksmuide local, started 4AD in a tiny bar on a shopping street in the late 1980s. It later moved to a larger location by the town’s railway station. Its third and current home is an old Belgacom depot, which 4AD moved into in 2004 and which was gifted by the town. In 2005, the depot was enclosed by an enormous cuboid structure of soundproofed concrete, over a metre thick in places. The cost of that operation, including that of all the new tech gear inside, was well over €900,000. The bulk of it came from the government of Flanders. Fortunately, successive Flemish culture ministers over the years have agreed with Smagghe that “pop and rock are art”. The 4AD founder hopes that current culture minister Sven Gatz will take that same motto to heart. The minister is expected to decide by June whether the club’s funding

will be continued for the 2017-2021 period. The subsidies for which 4AD (pictured above) has applied are part of a wider initiative: to stem the brain drain eastwards to Ghent. “In West Flanders, we’ve got the sea, but when you’re 18 or 20, you’re not so interested in the sea,” Smagghe notes drily. He adds that the area has also been haunted by an alarming phenomenon. “In this region, the Westhoek, we’ve got one of the highest percentage of suicide by youngsters.” Fittingly, what 4AD offers goes beyond entertainment. The club has three rehearsal spaces outside the concrete cube, which can be rented for only €7 for a three-hour slot. They are sandbagged to a height of four metres for soundproofing, closely resembling the preserved First World War trenches of the Dodengang around the nearby Yser. Smagghe, 49, is also proud of 4AD’s green credentials. The stage lights are in the process of being converted into LEDs, continued on page 5


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.