Ft 2014 08

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Flanders today

febr uary 19, 20 1 4

#318

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current affairs

n e w s w e e k ly € 0 . 7 5

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politics

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business

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education

Extending the Of mice and men With monkeys back in the lab in Leuven, right to die

© Lorenz Seidler

Erkenningsnummer P708816

Belgium becomes the first country in the world to abolish age limits on euthanasia 4

w w w. f l a n d e r s t o d ay. e u

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living

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arts

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agenda

Tippity-tap A largely forgotten genre springs into Brussels’ Bozar for the third annual Tap Tonight

activists work on alternatives to animal testing

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Portrait of the Artist After a couple of career detours and false starts, Flemish painter Michaël Borremans has found his voice, and critical acclaim in the process Christophe Verbiest

Flemish painter Michaël Borremans was resigned to making art for art’s sake when, unexpectedly, success came knocking at his door and made him a darling of the international art scene – just when it dawned on him that “making it” maybe wasn’t that important. We visited the artist in his Ghent home to talk art, success and the daily grind.

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ichaël Borremans has become one of Flanders’ best-known contemporary painters, acclaimed around the world. But a fear of failure and the prevailing 1980s art mood almost led the Ghent-based artist not to take up painting at all. When Borremans (pictured) was contemplating his next move after graduating from secondary art school, both the art world and art schools were under the spell of the German-dubbed Neue Wilde (New Wilds), a post-war neo-expressionist art movement. But Borremans wasn’t interested in that. “I wanted to learn how to paint like Titian,” he says, “not how to paint with tar or shit. I didn’t think I had to go to school to learn that.” Instead, he was determined to absolutely master drawing before doing anything with painting. “I wanted to continue in that direction. Influenced by American underground comics, I hoped to become a graphic novelist.” In the end, Borremans opted to study printmaking because it included a technical aspect. In the following years, he practised and practised to become a good illustrator. He was in his early 30s when he eventually began `` continued on page 5


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