Flanders today
april 23, 2014
Erkenningsnummer P708816
#327
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Über issues Brussels bans the app-driven car-for-hire company, but Uber isn’t going anywhere 6
current affairs
n e w s w e e k ly € 0 . 7 5
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politics
Out of boundaries Heritage Day works to break down the borders that separate us from a common history 10
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business
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innovation
w w w. f l a n d e r s t o d ay. e u
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education
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living
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arts
In the picture Knokke’s annual photo festival gathers the best and brightest from Flanders and beyond 13
New York state of mind Singer Gabriel Rios opens up about life and success at home and abroad Linda A Thompson
A few months ago, singer Gabriel Rios, 36, returned to his adopted home town of Ghent after three years in New York – time spent writing songs, performing in tiny clubs and metamorphosing from a pop star into a singer-songwriter. We spoke to Rios when he still lived in the States about why he abandoned his successful Flemish career to start anew in a city where no one is waiting for another singer-songwriter.
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ne cool Thursday evening several months ago, Gabriel Rios (pictured) was getting ready for an intimate gig at a teeny Lower Eastside bar. Strumming a few chords, he self-assuredly looked down at the faces in front of him. He was ready to win over these New Yorkers with the pop music with a twist that had drawn thousands of fans to his festival performances in Flanders and made him the darling of the
local press. Before him were a dozen people at best. They were attentive in the way that bar crowds are – softly talking and surreptitiously checking their phones. In the middle of the first song, a handful of patrons rose from their seats in front of the barely raised cramped stage. Obliterating the band from sight, they put their coats on grindingly slowly. Rios glanced at the drummer to his left and grinned. This was one of the reasons he had moved from Ghent to New York: to feel again what it was like to write and perform music when he wasn’t preceded by two golden albums and a reputation as a Latin heartthrob. “Writing songs when you don’t have that pressure around you of who you’re supposed to be is cool,” Rios told me a week after the performance. “It feels like the world isn’t waiting for your album.” As Rios’ band members lit cigarettes outside after the set, two
high-heeled Flemings with a lot of hair strutted over to strike up a conversation. Rios managed a tepid smile, duly putting his arms around the young women when they pulled out their phones to take a photo. Staring down at the bright lights of Allen Street, he looked pensive. When he was just 17, Rios fell in love with a Flemish exchange student who was staying in his home town of San Juan, Puerto Rico. Rather than do as most young Puerto Ricans did and leave for college in the States, he shredded his admission letter from Syracuse University and followed his girlfriend to Ghent. While completing a fine arts degree at a local school, he fronted a couple of early bands, eventually drawing the attention of Jo Bogaert, the producer behind the massive 1980s hit “Pump Up the Jam”. Backed by the producer, Rios soon established a successful solo career. From 2004, he released album after `` continued on page 5