CORNELIUS TULLOCH
BOX PROJECT COLLECTION: PATTERNS
My collection consisted of braided string, a feather, coral, a centipede, and a beetle. All of these objects consisted of intricate patterns that then influenced my design.
Cornell AAP | ARCH 1102 | SPRING 2017 | Professors: Val Warke / Luben Dimcheff
TA: Dylan Pranger | Section 3 | CORNELIUS TULLOCH
PRECEDENT ANALYSIS
BATAMMALIBA
Togo and Benin, West Africa
Batammaliba’s are found in western Africa. These structures are composed of cylinrical forms that are created through the process of wattle and daub, which is a building up of wooden post with thathc and woven branches that are then covered with mud. This process creates solid forms that create enclosed spaces. The spaces within the Batammaliba are composed and planned out based on gender, anatomy, and the cosmo’s.
CLIMATE TROPICAL USE DOMESTIC COMMUNAL AGRICULTURE AQUACULTURE INDUSTRY LIFESPAN PERMANENT NOMMADIC SEASONAL TECHNIQUE: MASONRY FRAME WOVEN EXCAVATION MATERIAL BRICK STONE EARTH WOOD GRASS HIDE ICE TERRAIN FLAT SLOPE EDGE SUBTERRANEAN Left: Roundhouse, Benin Africa Top: Exploded Axonometric
Cornell AAP | ARCH 1102 | SPRING 2017 | Professors: Val Warke / Luben Dimcheff Cornell AAP | ARCH 1102 | SPRING 2017 | Professors: Val Warke / Luben Dimcheff
TA: Dylan Pranger | Section 3 | CORNELIUS TULLOCH
Museum of History of Lugo Location: Lugo, Spain
The Batammaliba and Museum of History of Lugo are composed similar forms, but the way they are planned out are quite different. By analyzing these different systems of planning similarities can then be made aparent. While the batammaliba is a build up of materials and forms, The Museum of History plunges into the ground plane and creates excavated spaces and :light wells”. The ground plane is very important in these compositions. Moving fromt the hybrid drawing to the diagramatic model, the raltionships between public and private space and their relationships to eachother in plan needed to be evaluated. spaces
The Museum of History of Lugo is a located on a flat lot in Lugo, Spain. The spaces within this museum is created by large cylindrican forms that excavate into the land scape, thriugh the ground plane. These cylinders then create light wells, that allow the lighting condition / experience in those subterranean spaces to change based on how light directly or indirectly affects it. The system of mesh or “skin” allows the porocity of light into these spaces to change.
By dividing spaces based on lighting, relationships begin to be made. The transition between public, semi-private, and private spaces begin to be seen and how that affects the plan of spaces. The difference in porocity of material also begins to play an effect on not only the lighting conditions that are created, but the structural shape of these forms.W
Cornell AAP | ARCH 1102 | SPRING 2017 | Professors: Val Warke / Luben Dimcheff
TA: Dylan Pranger | Section 3 | CORNELIUS TULLOCH
ADAPTATIONS
This diagramatic model discusses the relationships between public and private spaces. The dadum that the ground plane creates allows the way light diffuses into spaces from above the ground plane to those beneath to be analyzed. Public spaces are represented by clear arylic spaces, as they allow the most natural light in. Semi private spaces are
represented by frosted acrylic spaces that connect the public and private spaces. The private spaces are created by enclosed dark spaces that are not necessarily lit my natural light, but rather artificial light. By seeing the connections between these spaces and the complex forms that they begin to create, structural compositions are then created.
Adaptive Precedents
Cornell AAP | ARCH 1102 | SPRING 2017 | Professors: Val Warke / Luben Dimcheff
TA: Dylan TA: Dillon Pranger Pranger | CORNELIUS | CORNELIUS TULLOCH TULLOCH
CLIMATE: ARID
Precedent: Sunken Court House
Cornell AAP | ARCH 1102 | SPRING 2017 | Professors: Val Warke / Luben Dimcheff
CLIMATE: TEMPERATE PRECEDENT: Roman Bath House
TA: Dylan Pranger | Section 3 | CORNELIUS TULLOCH
CLIMATE: POLAR PRECEDENT: Icelandic Turf House
Adaptive Precedents
Cornell AAP | ARCH 1102 | SPRING 2017 | Professors: Val Warke / Luben Dimcheff
TA: Dylan Pranger | CORNELIUS TULLOCH
Cornell AAP | ARCH 1102 | SPRING 2017 | Professors: Val Warke / Luben Dimcheff
TA: Dillon Pranger | CORNELIUS TULLOCH
VIKING HORN MUSEUM LOCATION: Northern Coast of Iceland CLIMATE: Polar
This museum is located on the northern coast of Iceland. Taking inspiration from how icelandic turf houses displaced earth to create spaces, a system was created to displace earth on multiple levels, leaving the imprint of spaces along the face of the sloping facade of this excavated spaces. Theses displaced spaces create light wells and thermalvents vents to regulate heating. This process serves as a mechanism that allows the museum to basically create itself along these shearing sections. Visitors are led through the museum by the beacons of light created by these light well. The private collections, consisting of more intimate spaces have the least amount of natural light within them, meanwhile the public spaces are allow in the most natural light. Visitors are consumed by the landscape as the enter the museum, and are displaced onto the upper level as they exit.
Cornell AAP | ARCH 1102 | SPRING 2017 | Professors: Val Warke / Luben Dimcheff
TA: Dylan Pranger | Section 3 | CORNELIUS TULLOCH
Cornell AAP | ARCH 1102 | SPRING 2017 | Professors: Val Warke / Luben Dimcheff
TA: Dylan Pranger | Section 3 | CORNELIUS TULLOCH
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Diagrams: 1. Wind/ 2.Shearing/Displacement/ 3.Light and Heating
Cornell AAP | ARCH 1102 | SPRING 2017 | Professors: Val Warke / Luben Dimcheff
TA: Dylan Pranger | Section 3 | CORNELIUS TULLOCH
Adaptive Precedents
Cornell AAP | ARCH 1102 | SPRING 2017 | Professors: Val Warke / Luben Dimcheff
TA: Dylan Pranger | CORNELIUS TULLOCH
Cornell AAP | ARCH 1102 | SPRING 2017 | Professors: Val Warke / Luben Dimcheff
TA: Dylan Pranger | Section 3 | CORNELIUS TULLOCH