Interior Design Portfolio

Page 1

Portfolio

COURTENAY

WRIGHT

UNIVERSITY OF CINCINNATI // 5TH YEAR INTERIOR DESIGN STUDENT // COLLEGE OF DESIGN, ARCHITECTURE, ART AND PLANNING


TABLE OF CONTENTS

portfolio


RESUME & PERSONAL STATEMENT

4 6 22 32 38

DESIGN STUDIO

RESTAURANT DESIGN STUDIO

//

THE ONYX

HISTORICAL PRESERVATION STUDIO // ROCK HALLELUJAH : MUSIC VENUE PAVE RETAIL DESIGN COMPETITION

// BONOBOS RETAIL DESIGN

FURNITURE AND MILLWORK DESIGN

PAVE 3D DESIGN CHALLENGE

// LOGITECH HEADPHONE DISPLAY

FURNITURE DESIGN STUDIO

TRIFECTA WINE RACK

//

PROFESSIONAL PRACTICE EXPERIENCE

BHDP ARCHITECTURE MCCREADY INTERIORS

// //

FIDELITY INVESTMENTS HEADQUARTERS URBAN STUDIOS SPACE PLANNING

PHOTOGRAPHY

PERSONAL ARCHITECTURAL & INTERIOR


personal goals

&

statement

HELLO, MY NAME IS COURTENAY!

hello

I HAVE HAD A PASSION FOR CREATING SINCE I WAS YOUNG MACARONI NECLACES, OUTDOOR FORTS, COLLAGES - YOU NAME IT. I EXCEL THROUGH MY ARTISTIC ABILITY AND LOVE THAT INTERIOR DESIGN ALLOWS ME TO SHARE MY PASSION WITH OTHERS. THE TOP-RANKED BACHELORS OF INTERIOR DESIGN PROGRAM AT THE UNIVERSITY OF CINCINNATI HAS HELPED ME UNCOVER MY PASSION FOR DESIGN. IT HAS ENHANCED MY SKILLS; ALLOWING ME TO TRANSFER IDEAS FROM MIND TO PAPER, FROM FINGERTIPS TO RENDERINGS, AND FROM IMAGINATION TO REALITY. IT HAS ENHANCED MY ABILITY TO ENVISION THE MOOD AND IMPACT OF A SPACE, AND HEPED ME TO NOT ONLY BRING MY IMAGINATION TO LIFE, BUT TO CREATE OCCUPIABLE REALIITES FOR OTHERS TO EXPEREINCE. THROUGH CINCINNATI’S COOPERATIVE EDUCATION PROGRAM, I HAVE EXPERIENCED GREAT OPPORTUNITIES AND A RANGE OF DIFFERENT DESIGN TYPES. I BELEIVE THE KEY TO GREAT DESIGN IS A BALANCE OF CREATIVITY AND LOGIC. MY PROFESSORS ONCE LECTURED TO US THAT “PEOPLE DON’T NOTICE GOOD DESIGN, THEY ONLY RECOGNIZE POOR DESIGN AND GREAT DESIGN.” I AM SEEKING THE OPPORTUNITY TO CREATE GREAT DESIGN WITH EVEN GREATER PEOPLE. I AM AVAILABLE TO TALK ABOUT FULL-TIME EMPLOYMENT OPPORTUNITIES FOLLOWING MY APRIL GRADUATION. I LOOK FORWARD TO THE OPPORTUNITY TO SPEAK WITH YOU!

Courtenay

MEET

AVERYHAND


WRIGHT

COURTENAY `

TECHNOLOGY

CONTACT

ADOBE CS6

419. 544. 6850 courtenaywright24@ gmail.com

photoshop // indesign // illustrator

WORK EXPERIENCE

AUTODESK

revit // autoCAD //

MCCREADY INTERIORS // NORWALK FURNTIURE [ JAN 2013 - DEC 2013 ] mansfield, ohio // high-end residential & corperate interior

worked on a wide variety of projects and proposals from historic preservation to high end residential design. gained experience in conceptual development, presentations and client deliveralbes, onsite work and meetings with contractors. introduction to sales, furntiure design, project and product pricing.

3DS max

GOOGLE SKETCHUP

MICROSOFT

word // powerpoint // excel

3FORM

[ JAN 2013 - JULY 2013 ] cincinnati, ohio // 3form sales representative

EDUCATION

worked as an intern in the sales industry. responsibiliteis included product specification and knowledge, sample ordering and distribution, designer request followups, product and project pricing.

BHDP ARCHITECTURE

UNIVERSITY OF CINCINNATI : DAAP [ 2008 - 2014 ] cincinnati, ohio // class of 2014 college of design, architecture, art & planning bachelors of science in interior design

participated in the professional practice program, alternating semesters of college study with semesters of work in the interior design field.

LEXINGTON HIGH SCHOOL [ 2004 - 2008 ] lexington, ohio // class of 2008

[ JAN 2012 - AUG 2012 ] cincinnati, ohio // office & workplace design

gained experience finish and furniture and 3D modeling design

in workplace design and development, including selections, construction documentation, rendering services, client meetings and proposal documents, development and conceptual ideation.

SKILLS _CONCEPTUAL IDEATION _CONSTRUCTION DOCUMENTATION _MATERIAL RESEARCH & SELECTION _PHOTOGRAPHY // PHOTO EDITING _HAND RENDERING & SKETCHING _INTERPERSONAL SKILLS _SALES EXPERIENCE


6


DESIGN STUDIO

University of Cincinnati



the onyX

restaurant design

LO C AT E D I N T H E H I S T O R I C B A R LO W M O T O R C O M PA N Y B U I L D I N G I N D O W N T O W N C I N C I N N AT I , I D E S I G N E D A WA R M , R U S T I C D I N I N G E X P E R I E N C E W H I C H C O U L D B E U T I L I Z E D D U R I N G B R E A K FA S T , L U N C H , D I N N E R , A N D C O C K TA I L H O U R . T H E C O N C E P T B E H I N D T H I S D E S I G N WA S C O M M U N A L D I N I N G T H R O U G H T H E U S E O F B A N Q U E T S E AT I N G . E N C O U R AG I N G C U S T O M E R S T O S I T B E S I D E A N D S T R I K E U P C O N V E R S AT I O N W I T H P E O P L E T H E Y N O R M A L LY W O U L D N O T . T H E I N C O O R P E R A T I O N O F LO U N G E S E AT I N G , T R A D I T I O N A L B O O T H S E AT I N G , A N D B A R H E I G H T S E AT I N G P R O V I D E S T H E E N V I R O N M E N T F L E X I B I L I T Y , E A S I LY A C C O M O D A T I N G T H E M O O D S H I F T F R O M DAY T O N I G H T . T O H E L P D E F I N E S P A C E V E R T I C A L LY A S E R I E S O F B E A M S Y S T E M S W E R E D R O P P E D I N T O P L A C E A T VA R Y I N G H E I G H T S . T H E S P A C E L A T E R A L LY I S D E F I N E D U S I N G R E P U R P O S E D W I N D O W PA N E S W H I C H F LO AT A B O V E T H E B A C K O F T H E B A N Q U E T S E AT I N G PA R T I O N S .


4

5 3 2

6

FLOORPLAN

1 3 1 2 3 4 5 6

A

_ _ _ _ _ _

LOBBY DOUBLE SIDED BAR FIREPLACE REST ROOMS KITCHEN OUTDOOR PATIO


DAYTIME SETUP BAR PERSPECTIVE

NIGHTTIME SETUP BAR PERSPECTIVE

BAR HEIGHT SEATING PERSPECTIVE



rock hallelujah

historical preservation

ROCK HALLELUJAH IS A HISTORICAL PRESERVATION PROJECT OF THE FIRST GERMAN REFORM CHURCH ON FREEMAN STREET IN DOWNTOWN CINCINNATI, OHIO. OUR CLIENTS PURCHASED THIS CRUMBLING CHURCH IN 2011 WITH THE INTENTION OF SAVING IT FROM DEMOLITION. THEIR GOAL WAS TO CONVERT THE CHURCH INTO A MUSIC VENUE WITH ALL PROCEEDS TO FUND AN INNER CITY MUSIC PROGRAM LOCATED IN THE ADJOINING PARISH BUILDING. BECAUSE THIS STRUCTURE IS CURRENTLY PROTECTED AS A HISTORICALLY PRESERVED BUILDING WE WERE VERY LIMITED IN THE ARCHITECTURAL AND STRUCTURAL PROVISIONS WE COULD MAKE WITHIN THE DESIGN. OUR MAIN FOCUSES FOR THE REDESIGN WERE THE VENUE SPACE LOCATED WITHIN THE SANCTUARY SPACE OF THE ORIGINAL CHURCH AND THE RESTAURANT LOCATED IN THE UNDERCROFT OF THE CHURCH.

CONCEPT OF LIGHTING :

THE HOURS OF OPERATION FOR THE FACILITIES WITHIN ROCK HALLELUJAH ARE SCHEDULED MAINLY AFTER DUSK, THE DESIGN WILL RELY MAINLY ON ARTIFICIAL LIGHTING SOURCES. HOWEVER, IF EITHER SPACE WERE USED FOR FUNCTIONS DURING THE DAY, AMPLE NATURAL LIGHTING WOULD BE PROVIDED. THE VENUE IS LINED WITH 20 FOOT STAINED GLASS WINDOWS WHICH PROVIDE AMPLE DAYLIGHT IN THE FORM OF A TINTED WASH.

CONCEPT OF ELECTRICAL LIGHTING :

WE BELIEVED THE MOST IMPORTANT ASPECT OF THE STRUCTURE TO RESTORE WAS THE GROIN VAULTING BUT IT NEEDED TO BE DONE IN SUCH A WAY AS TO RECREATE THE CONCEPT OF GROIN VAULTS, WE DESIGNED A STRUCTURE OF CAST ALUMINUM BUT RATHER THAN IN FILLING WITH MASONRY OR PLASTER LIKE TRADITIONAL VAULTS, WE SUBSTITUTED A DYNAMIC TRANSITIONAL MATERIAL THEATRICAL GAUZE.


PROJECTED LIGHTING

A

SECONDARY SOURCE

B

C

A SECTION II

SECTION III

3Form Frosted Acrylic Panel

B

SECTION IV

DETAIL @ WINDOW & GLOW BOX FIXTURE : A, B, & C

A

CHURCH SECTION

B

A

D

A

C

D


SECTION

I

DETAIL OF LIGHTING PLACEMENT @ THEATRICAL GAUZE BACKLIGHTING

SECTION

THEATRICAL GAUZE : VISUAL STUDY

II

DETAIL @ THEATRICAL GAUZE BACKLIGHTING FIXTURE : A ( LINE 2.0 SYMMETRICAL )

3Form Frosted Acrylic

A B C

WHEN THE GAUZE IS BACKLIT (LEFT), IT BECOMES TRANSPARENT ALLOWING THE STRUCTURE BEHIND TO BE REVEALED

D

E

WHEN THE GAUZE IS FRONT LIT (RIGHT), IT BECOMES OPAQUE ACTING LIKE A CANVAS THE LIGHT CAN LIVE ON

SECTION

III

DETAIL @ THEATRICAL GAUZE PROJECTED FIXTURE : SECONDARY SOURCE



SECTION

C

A

D

B

IV

E

A

FIRST FLOOR : RESTAURANT LIGHTING PLAN

THE ROCK HALLELUJAH RESTAURANT

// PROJECT INSIGHT

THE ROCK HALLELUJAH RESTAURANT IS LOCATED 1/2 STORY BELOW GROUND IN THE UNDERCROFT OF THE CHURCH. IN THIS SPACE WE DEALT WITH ASYMMETRICAL WINDOWS LOCATED AT GROUND LEVEL.

CONCEPT OF DAY LIGHTING:

THE ORIGINAL STRUCTURE OF THE CHURCH UNDERCROFT WAS LINED WITH UNEVENLY SPACED WINDOWS TO CREATE A SYMMETRICAL PLACEMENT OF THE RESTAURANT WINDOWS, GLOW BOXES WERE DESIGNED TO CREATE AN EVEN WASH OF NATURAL LIGHT ON THE INTERIOR. BY SHIELDING THE WINDOWS WITH FROSTED 3FORM, WE ARE ABLE TO RESTRICT THE VIEWS FROM THE EXTERIOR WHILE STILL ALLOWING NATURAL LIGHT TO POUR INTO THE RESTAURANT.

CONCEPT OF ELECTRICAL LIGHTING:

FOR THE RESTAURANT, WE WANTED TO EMULATE GROIN VAULTS SIMILAR TO THE ONES IN THE VENUE SPACE WITHOUT DUPLICATING. WE CHOSE TO CREATE THE RESTAURANT VAULTS USING BACKLIT 3FORM PANELS, SHAPED AS GROIN VAULTS. LIGHTING IS DISPERSED WITHIN THE VAULT FROM THE CEILING AND WALL PLANE. THESE VAULTED GLOW BOXES NOT ONLY HELP TO DEFINE CIRCULATION PATHS BUT PROVIDE THE SAME VISUAL INTEREST AS THE VENUE.



Bonobos retail design

PAVE HOSTED A COMPETITION INVOLVING THE DESIGN OF A BRANDED POP-UP SHOP FEATURING BONOBOS, A ONLINE MEN’S RETAILER. THE STORE WAS TO BE LOCATED IN THE MEAT PACKING INDUSTRY OF NEW YORK CITY. MY DESIGN FOR BONOBOS IS TO RESEMBLE THE INTERIOR OF A YACHT AND ENABLE CUSTOMERS THE FEEL AS IF THEY ARE ON THE OPEN SEA. THE POP-UP DESIGN INCORPERATES STREAMLINE CLOTHING DISPLAYS AND IS ACCENTED WITH NAUTICAL ACCESSORIES. MATERIALS USED THROUGHOUT THE BONOBOS POP-UP STORE ARE SIMILAR TO THOSE USED ON LUXURY WATERCRAFT. SOME OF THE FEATURES ARE: ROPE LIGHTING FIXTURES, BRASS DETAILS, TEAK WOOD FLOORS, AND GLOSSY WHITE LAMINATE. THE MILLWORK COMPONENTS (DETAIL A) FOR THE SHOP WERE DESIGNED TO BE COMPACTABLE AND REQUIRE MINIMAL ON-SITE ASSEMBLY. THEY INCORPERATE A SERIES OF PEGS AND SLOTS ALLOWING THE UNITS TO BE FASTENED TOGETHER FOR SIMPLE ASSEMBLY AND TEAR-DOWN.


EXTERIOR PERSPECTIVE

WINDOW DISPLAY

TECHNOLOGY

THE WINDOW DISPLAY OF THE NAUTICAL THEMED BONOBOS POP-UP STORE WILL DEPICT A SEA OF BLUE JEANS STACKED IN AN OMBRE OF SHADES. WITHIN THE JEAN STACKS, CUSTOM SHIP PORTALS WILL BE INSTALLED PROVIDING MINIMAL VIEWS INTO THE STORE AS WELL AS PRODUCT DISPLAY SPACE. BY DISPLAYING AND STORING ACCESSORIES IN THE PORTALS IT WILL CREATE INTRIGUE FROM THE EXTERIOR AND ENCOURAGE EXPLORATION.. DETAIL B

BONOBOS AS A COMPANY OPPERATES MAINLY AS AN ONLINE RETAILER. SEEING AS THIS POP-UP SHOP WOULDN’T STOCK PRODUCT. CUSTOMERS ARE SUPPLIED IN-STORE IPADS TO ACCESS THE BONOBOS WEBSITE AND PLACE AN ORDER.

DETAIL C


1

FLOORPLAN

1 2 3 4 5 6 7

_ _ _ _ _ _ _

WINDOW DISPLAY // DETAIL B FREESTANDING PANT DISPLAY RAILS SEATING / FOLDED PRODUCT DISPLAY // DETAIL A PRODUCT DISPLAY TABLE TECHNOLOGY BAR & CHECKOUT // DETAIL C SHOE AND TIE DISPLAY FITTING ROOM

2

4 3

DETAIL A

BUILT-IN MILLWORK ELEVATION

5

6

7

DETAIL A

BUILT-IN MILL WORK AXON


22


FURNITURE & MILLWORK DESIGN

University of Cincinnati



UE headphones

product display

PAVE HOSTED A 3D DESIGN COMPETITION FOR A HEADPHONE DISPLAY STATION. MY PRODUCT OF CHOICE WAS THE LOGITECH UE9000 HEADPHONE, IT IS DESIGNED SPECIFICALLY FOR DISC JOCKEY USAGE FEATURING FINE-TUNED SOUND QUALITY, WI-FI CAPABILITY AND CONTROLS. THE STACKED DESIGN OFFERS MULTIPLE CONFIGURATIONS AND DECONSTRUCTION OPTIONS. THE SWINGING ARM SYSTEM OF THE DESIGN ALLOWS EASE OF ACCESS FROM 360 DEGREES. IT ALSO FEATURES NUMEROUS PRODUCT DISPLAY LOCATIONS AND LISTENING OPTIONS. ALL HEADPHONES HAVE THE AVAILABLITITY TO SYNC TO THE INCORPERATED DJ ARM OR THE ATTACHED IPODS.

A

B C D UNIT B

SWINGS 270 DEGREES IN EITHER DIRECTION

UNIT C

SWINGS 270 DEGREES IN EITHER DIRECTION

UNIT D

SWINGS 90 DEGREES IN EITHER DIRECTION

UNIT E

STATIONARY COUNTERWEIGHT

E


HEADPHONE BAR

-ATTACHES UP TO 8 HEADPHONES -BUILT-IT IPOD DOCK SYNCABLE TO ALL -THE HEADPHONES SIT WITHIN UNITS C & D

UNIT A

DETACHES FROM BASE UNIT AND CAN SIT FREE STANDING FOR SMALLER CONVENTIONS AND DISPLAY SPACES



t r i f e c t a furniture design

THE TRIFECTA RACK IS DESIGNED TO CELEBRATE THE ELEGANCE AND BEAUTY OF THE WINE BOTTLE, THIS RACK CAN HOUSE DOZENS OF BOTTLES OF VARYING SHAPES AND SIZES. IT IS INTENDED FOR DISPLAY IN A MODERN RESIDENTIAL KITCHEN, DINING ROOM, OR BAR. THE TRIFECTA WINE RACK IS DESIGNED TO HANG FROM METAL EYE-HOOKS INSTALLED INTO THE CEILING. THE TOP PORTION CONSISTS OF A 1” WALNUT SLAB FACED WITH 2” MITER JOINTED PIECES SECURED USING BRASS PINS. CAPTURING THE WINE BOTTLES BELOW ARE THREE BOX JOINTED TRIANGULAR UNITS. PENETRATING THROUGH THE CENTER OF THE EACH BOX JOINT ARE 1/4” BRASS PINS TO ENSURE THE HOLD. CONNECTING THE TOP SLAB TO THE BOTTOM TRIANGULAR UNITS, TWELVE 18” VERTICAL THREADED BRASS RODS PENETRATE THE WALNUT AND ARE BOLTED AT EITHER END. THE SHELF MEASURES 36” W X 24” H X 10” D. AVERAGE WINE BOTTLES MEASURE 12”, THE TRIFECTA RACK INTENTIONALLY LEAVES THE CORKED TIPS OF THE WINE BOTTLES OVERHANGING AND EXPOSED. THE WINE RACK HAS A RICH, WARM WALNUT FINISH THAT IS ACCENTED WITH POLISHED BRASS RODS. THE FINALIZED RACK WEIGHS ROUGHLY 30-40 POUNDS AND CAN HOLD MORE THAN 24 STANDARD 3 POUND WINE BOTTLES.


EXPLODED AXON


2” HIGH

30” HIGH

12” DEEP

STANDARD WINE BOTTLE

10” DEEP

7” HIGH ELEVATION

BOX JOINTED FASTENED WITH 1/4” BRASS PIN AT ALL 5 INTERSECTION POINTS

10” DEEP

MITER JOINTED FASTENED WITH 1/4” BRASS PINS TO 1” SLAB

42” LONG PLAN VIEW

SIDE ELEVATION



32


P R O F E S S I cooraperative ONAL PRAC T I C E education



BHDP ARCHITECTURE

corrperate design

W H I L E C O - O P I N G AT B H D P A R C H I T E C T U R E , I DESIGNED FOR NUMEROUS CLIENTS, WITH T H E F O C U S M A I N LY O N F I D E L I T Y I N V E S T M E N T S H E A D Q U A R T E R S , LO C AT E D I N N O R T H C A R O L I N A . I S P E N T A G R E AT D E A L O F T I M E W O R K I N G T H R O U G H LO B B Y A N D R E C E P T I O N D E S I G N S , WO R K I N G T H R O U G H A L L P H A S E S O F CONCEPTING A N D S C H E M AT I C D E S I G N ; I N C L U D I N G P R O G R A M I N G , S PA C E P L A N N I N G , F , F , & E S E L E C T I O N S , V E N D O R C O O R D I N AT I O N , S A M P L E O R D E R I N G , M AT E R I A L B O A R D C R E AT I O N A N D A U T O C A D C O R R E C T I O N S .


APARTMENT LIVING CLIENT // M.J AGE // 28 LIVING TYPE // STUDIO APARTMENT SQUARE FOOTAGE // 400 FT2 LOCATION //CINCINNATI, OHIO STYLE // ECLECTIC. CHIC. FRESH

MCCREADY

INTERIORS

Residential design

D U R I N G M Y I N T E R N S H I P W I T H M C C R E A DY I N T E R I O R S , I WO R K E D O N A S PA C E P L A N N I N G S T U DY D O N E T O H I G H L I G H T T H E N E E D S O F T W O O F T O DAY S M O S T P R O M I N AT E AG E G R O U P S ; T H E MILLENIAL AND THE BABY BOOMER. THESE GROUPS ARE TENDING TO P R E F E R E C O N O M I C H O U S I N G , D OW N S I Z I N G , A N D C O N D E N S I N G T H E I R L I F E S T Y L E . M C C R E A DY I N T E R I O R S F E AT U R E D A N E W L I N E O F F U R N I T U R E D E S I G N E D S P E C I F I C A L LY F O R S M A L L E R S P A C E S . T H E P R E S E N T A T I O N WA S C R E A T E D T O F E A T U R E T H E F U R N I T U R E A N D S H OW T H E M E A S U R A B L E D I F F E R E N C E S B E T W E E N T H E “ OV E R S I Z E D ” L I F E S T Y L E A N D T H E “ U R BA N S T U D I O ” L I F E S T Y L E .

Epcon Community CLIENT // STANELY AGE // 68 LIVING TYPE // COMMUNITY LIVING SQUARE FOOTAGE // 1800 FT2 LOCATION // CAWTABA ISLAND, OHIO STYLE // RUSTIC. MASCULINE. STYLISH


A P A R T M E N T LIVING

A P A R T M E N T LIVING

THE OVERSIZED LIFESTYLE

THE URBAN STUDIO LIFESTYLE

EPCON COMMUNITY

EPCON COMMUNITY

THE OVERSIZED LIFESTYLE

THE URBAN STUDIO LIFESTYLE


38


Photography

Adele Creative






THE END


CONTACT 419. 544. 6850 courtenaywright24@ gmail.com

t h a n k for y oyour u

consideration

I SINCERELY APPRECIATE YOUR TIME AND LOOK FORWARD TO HEARING FROM YOU.

Courtenay


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