Day 1

Page 1

Introduction Day 1, Dec 2018


CraftCanvas 

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Works with 25 craft clusters across the country Translates traditional craft to suit modern spaces Custom installations, project-based Artisan-designer team for design and execution Public buildings, private residences and corporate offices Multiple execution methods  

Onsite Offsite- Artisan location, Studio in Ahmedabad


Our projects







An introduction to narrative crafts


Overall 

Epics and local folktales Two types  

Visual traditions: crafts that tell a story Oral traditions: used as a tool to narrate a story 

Dynamics of maker-performer-patron

Adaptation


Mythology Vs Folklore


Examples 

Mythology  

Ramayan Mahabharat




Examples 

Folklore    

Gond story on deer growing antlers Peacock’s ugly feet Jadu patua-Tsunami Vishat Mata





Key differences 

Mythology examples  

Folklore examples  

  

Ramayan Mahabharat Gond story on deer growing antlers, peacock’s ugly feet Jadu Patua story (song version) on tsunami (a modern folklore story)

Divinity Timeline Span of reach


Visual Traditions


Gond Painting Dindori District, Madhya Pradesh Gondi tribals Gond Pardhans, singers Bada Dev on the Saja Tree Signature patterns Jangarh Shyam, the pioneer of Gond painting








Madhubani Madhubani district, Bihar Believed to be the ‘maika’, father’s home of Goddess Sita Wedding processions, Kohabar, meeting of Ram-sita and their lives are the main themes Done by women

Caste determines the kind of output






Mata ni Pachedi Ahmedabad, Gujarat Backdrops for the Goddess Chitara community Defiance against local traditions that barred them entry into the temples Local folklore and deities










Pattachitra Raghurajpur, West Bengal Storyboard format Main character in the centre, with story around it








Miniature painting Various parts of North and West India Highly evolved Very fine work





Oral traditions Visuals that are used as backdrops for oral tradition


Kaavad Bassi district, Rajasthan Oral storytelling tradition Synergy between Kaavad maker-Kaavadiya Bhat and patron Carried around the Bhat’s neck with a rope, supported with right hand Special auditions for the patron Patron chooses how to be represented







Phad Bhilwara district, Rajasthan

Oral storytelling tradition

Performed by Bhopas, the priest singers

Usually a pair, a priest and his wife – called bhopa and bhopi – belonging to the Rabari tribe of nomadic cattle and camel herders

Music by ravanhatta, a two-string instrument

Stories of local deities, Devnarayan and Pabuji

Iconographically complex


Kesar Kalami

His generals Pabuji

Kesar Kalami


Kesar Kalami

Pabuji

His generals

Kesar Kalami


Scroll Pattachitra Midnapore district, West Bengal Performed by the same artisans Started with Patua

The Patua is a kind of minstrel who sings the painted story, never showing more than 2 or 3 images at a time, Scroll format Vertical





Tholu Bommalata Ananthapur district, Andhra Pradesh Leather puppets Storytelling performances Lamps have replaced puppets






Modern Adaptations


Political campaigns Craft: Pattachitra, West Bengal

Details of the life and development works of Akhilesh Yadav Scroll painted and song composed in Bengali, translated into Hindi The song was composed in Bengali and then translated to Hindi.


Video Ad campaigns Craft: Talapattachitra, Orissa For Sulekha.com Shows a modern Arjuna nailing everything with his arrows, much like how the brand’s service


Awareness Drives Craft: Multiple For Mahindra (CSR initiative) Shows how to perform a Breast self-examination


Print Ad campaigns Craft: Multiple For Mercedes Benz Show how Mercedez is a big company unit that works together to deliver a final product


Product Design Craft: Warli, Maharashtra

For Absolut Vodka A competition was held to select design for a limited edition product


Exercises- Day One Sketch 1 folk character across 2 crafts OR  Sketch 1 animal/bird across 3 crafts OR  Sketch tree across 3 crafts 

*Size: A5 (1 for each exercise)


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