Contributors&Publisher’s Letter
founder & publisher fernando de haro
Design & Production
august • september 2018
N 50 O
copy editor gabriela treviño lead designer gabriela lozano photographer ferch
In your hands, is one of the most special issues that we have produced in our short time as a magazine. Today, we celebrate our 50th edition! It sounds easy, and I say it really quickly; but I never thought I would see the day!
high end retouching paola denyce badouin production + video assistant katya peña Cream San Antonio dulce maría miranda
Writers joe arciniega, michelle cook, victor hugo garcía, elyssa canales-villarreal, monica delgado and aira greco.
Sales cynthia vallejo
“How did we get here?” I ask myself. Sometimes, I don’t even know the answer; but other times, I know it is because of a culmination of effort, sleepless nights and constantly reaffirming ourselves that we can make a difference in our city through the creation of new and diverse content and always trying to be several steps ahead. That is the idea we started with, and that is the idea we will continue to pursue. This journey has taken us many places -- For this edition, we made no exception. We flew directly to Mexico City for a photo shoot with Brazilian model, Claudia Rocha, who we had the pleasure of working with for two days together with a very professional team. We ended up with top-notch shots. As Editor of the magazine, I was so pleased with the final result, which is due in part to the positive energy from Claudia, Manuel, Hugo, Miguel Ángel and Gaby. In my search for extra special content, I remembered that I had previously visited the city of Guanajuato for a film festival the city hosts annually. I had always had in mind the warmth of its people, the beautiful architecture and the city’s colors! I wanted to revisit this city and show you all its splendor! For this issue, we invited a specialist in architecture and restoration. Laredo-native, Cristina Lozano, shared her knowledge of Guanajuato’s most emblematic structures and history with us. We have all these things to share with you, and if I tell you about the rest I’d go on forever. There is nothing left to say except, “Thank you!” Fernado De Haro
ADVERTISING sales@creamcitymagazine.com 956.753.6755 info@creamcitymagazine.com
Cream Team No. 50
cynthia
divina
camila
dulce
jessica
cristal
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katya
gaby t
cream city magazine
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paola
cream_citymag Copyright © 2018 Cream City Magazine is a bi-monthly publication. All rights reserved. Points of view expressed do not necessarily represent those of Cream City Magazine. We reserve the right to refuse any advertisement we believe is incompatible with our mission. We also reserve the right to refuse any advertisement we deem competitive or contrary to the best interests of the magazine. Advertisers are legally responsible for the content, accuracy, and images of their ads. Printed in Mexico.
16 Claudia Rocha
CREAM FAshion EditoRiAl
Contents 6
White New Rules
11
Moms Who Drink And Use The“F” Bomb
12
Music Feeds The Soul And Fuels The Brain
Styled By Michelle
Mommin’ Made Chic
Arciniega Eyes
15
Sweet Summer Houston, TX
Pet 2018 28 My Cream
33
41 8
Guanajuato
Legado Arquitectónico
The Profiles
24 To Have & To Hold
The Art Makers
39 Destino Sudáfrica 46 Wine Society 49 The Gallery
14
Best Meat Down The Street Food, Places & Things
38
GIFF 2018
Project Glamour Victor Hugo en SMA
50 Music 51
Cream Dream
Styled By Michelle Editoral
W
hites
OR
neutrals.
Summer is the perfect time to overuse whites
and anything alike: off-white, beige, tan, you name it. Stock it up. The question that comes to mind is how to wear it or what pieces you should incorporate into your #ootd rotation. Putting aside our go-to white tee, let’s think more statements, rather than basics.
WhiteNew Rules
Nothing is more elegant than a crisp, cotton, white shirt. This one was love at first try. Off-the-shoulder, puffed sleeves with cuffs -- easy to pull over your elbows. To make it weather appropriate, I paired it with high-waist linen, beige shorts. Neutrals galore head-to-toe. Added the cult trend: a wooden bag and matching earrings.
These flare jeans are no joke. If the statement of the color white wasn’t enough, let’s add extra high-waist and super flare to raise the bar. Not only do they elongate your legs times 1,000 but flatter every body shape and size. I paired them with a fun, red gingham top with ruffles and acrylic accessories, another hot trend.
PHOTOGRAPHY BY STEPHANIE VARELA
A white, feminine, lightweight romper. Riding the coattails of my last article, rompers are still on my season’s must-have list, and I might not see the end of it. The highlight of this outfit is the color itself, nothing else added except gold accents. The ultimate summer combo: white and gold. The romper speaks for itself -airy, flowy ruffles that keep you cool while looking hot. The best thing of all is the “get now, wear later” factor. This color is forgiving all year round and should not be underestimated. You can wear it day or night, hot or cold. And in the hopes of seeing this color more often, throw out the window any “after labor day” rule. Trust your instinct and when you don’t have anything to wear, do a no-brainer: white on white. Last but not least, ALWAYS carry a tide pen with you! You can thank me later for that!
BY MICHELLE COOK FOLLOW HER LOOKS AND READ MORE AT www.shopchictique.com/blog CREAM 7
Editorial | Cream City Magazine
The Meet two dynamic achievers who contribute to the development of both Laredos. They are flying high on Cream’s radar.
Manuel E. Garza Financial Advisor, Cresta Advisors
My career began in the summer of 1999, when I was back in Laredo after completing my first two semesters at the University of Texas at Austin. I literally picked up the phone book, looked up the Merrill Lynch office in Laredo, called them, and asked if they would let me intern at their office for free. They accepted, and at this office I met some instrumental people that were important to my professional development. I have always been drawn to finance and numbers, but my career is more than analyzing stocks and bonds. It is about establishing relationships with our clients and understanding how decisions and investment choices affect their ultimate financial goals.
One of my favorite anecdotes happened very early in my career. I think it was 2006; my partner at the time and I went to solicit a high net worth individual at his home. Picture us there, two 25-year-old kids asking a wealthy middleaged man to entrust us with his money management. The meeting was tense, and the highlight of the encounter was when I was asked a point-blank question by our prospect: “If I pay you $50,000.00, would you leave your partner and your firm and come work for me?” I was earning significantly less than what had just been offered to me. Thoughts started racing through my mind, but I was somehow able to stutter back a ‘No.’ I believe your life is a result of the choices you must make throughout it. In life and in any career, you are constantly presented with choices, and I believe that if you have a strong conviction and a firm vision in what and why you are doing things, these choices will be clear and fulfilling. 8 CREAM
Eduardo P. Chapa Salinas Public Information Officer at the Webb County Sheriff’s Office
Whenever you follow your vocation and work towards your dreams, you are destined to succeed in life. Being part of the Webb County Sheriff ’s Office under Sheriff Martin Cuellar has given me the distinct honor of being part of a great team that serves and protects our community every day. I consider myself a people-oriented person. That’s why everything and anything having to do with public relations, community service, and diplomacy interests me a lot. After I graduated from St. Mary’s University, I attended an intensive international public relations program in Vienna, Austria during the summer of 2014. I obtained a full scholarship to this program by winning first place in a competition with a video of a speech I made and uploaded to YouTube. I remember one Christmas Day, the Webb County Sheriff ’s Office gave out toys to the less fortunate kids. Right at that moment, I knew that I was not only following my dreams; I was also doing what I have always wanted to do, which is to do good and serve my community. I admire my parents for the work they have contributed to our communities in both Laredos. They have made sacrifices, taught us values, and have loved my brothers, my sister, and I, unconditionally. I still hope to achieve many more goals. It’s never enough when it comes to serving the public. There are always new goals to be met. Always ask questions. Shadow the leaders of the community and other people you admire. Never stop working for the betterment of your community.
Mommin’ Made Chic Editorial
Moms Who Drink and
use the ‘F’ Bomb I
’ll admit, that title was intended to lure you in — at least all those guilt-ridden moms. So here we go… in my best attempt to not sound self-absorbed but rather, self-aware, I know I am a great mom. I also enjoy guilt-free drinks on occasion and generously use a mix of my fave curse words on the reg. For these reasons alone, I do not profess to be an all-star mama, but rather, a coping one. As a mother of three and also a best friend to five alcohol/swearing enthusiasts, I feel this field experience adequately qualifies me to lay it down.
Sometimes, as women... shit! As people in general, we make a conscious choice to use poor coping skills because let’s face it: good ones are just hard. On Mondays, generally I’m awakened by a 300+ thread of texts authored by my best friends/ moms/ women who have found themselves feeling knee-deep in guilt and anxiety over whatever shenanigans went on during the weekend. As the “therapists” that we think we are, we advise each other about the need to avoid alcohol, junk food and how none of these choices define you as a “bad mom.” There is regret, but very often this sentiment doesn’t hinder us from repeating it in the future because we’re human.
I try and parent my sons, like any socially responsible mom would. “Be nice, polite. Make smart choices. Stand up for the underdog, and remember you’re always guilty by association.” Although, my best intentions are at the forefront, the reality is that they’re children, and these expectations will be foregone as well. Society has a funny way of imposing unsolicited opinions, leaving us feeling inadequate or just plain shitty. Aren’t we all just winging it? Everything. Even if it requires a cork screw, how we choose to bring up our children is a series of personal choices anyway. These may be my famous last words…Practice the occasional lousy choice. Da fuk, Elyssa?! You’ll thank me in the end, because great parenting doesn’t start with just a glass of red (although it helps), it begins with your presence. It takes intentional effort and a happy, healthy mom. Cheers, bitches! BY ELYSSA CANALES VILLARREAL CREAM 11
Arciniega Eyes Editorial
Music Feeds the Soul and Fuels the Brain
M
y youngest daughter Lily discovered her “amour fou,” her greatest passion, when she was just 2 ½ years old. We were in Boston for a family wedding and were staying with my wife’s aunt and uncle. The uncle, a skilled hobby pianist, had his Steinway grand piano at the far end of their living room, its classic curves, pitched cover, and ebony gleam majestically holding court before a sound was made from it. As he occasionally does after a meal and some conversation, our uncle sat and began to play. The combination of the rich warm tones from Steinway’s patented Diaphragmatic Soundboard, and the proficiency of the player, immediately filled the room with sonorous sounds and resolute rhythms. With this, the adults were cued to move from the dinner table into the living room. But as the children took the opportunity to retreat to the “fun zone” in the basement, our littlest one broke from the pack and followed the music. Lily walked purposefully, her dark curls bouncing in time, as she focused on the source of her fascination through her doll sized periwinkle eyeglasses. With a lift she sat next to her great-uncle, intently watching his fingers skip and slide across the keyboard. Then with his permission, she reverently touched the keys, instantly noting the results. Then she asked him to play some more, and he did. Then she asked him to stop and let it be her turn again, and he did. Then she scooted him further off the bench and didn’t ask him to play anymore. The introduction made, it was love at first sight.
“With a lift she sat next to her great-uncle, intently watching his fingers skip and slide across the keyboard. ”
At whatever age and intensity of interest, music has a profound impact on us all. It can conjure thoughts from memories of people, places, and feelings, and then calm, excite, or motivate us depending upon the connection it makes. Music has even been known to have therapeutic effects on both mental and physical health. It can positively impact blood pressure, heart rate, and hormones, as well as brain and neural function. But music has the most effect on children, especially the developing brains of children. A five-year study conducted by the University of Southern California (USC) Brain and Creativity Institute launched in 2012 found “significant differences” in the development pace of the brains of 37 young children who studied music over those who did not. USC worked in partnership with the Los Angeles Philharmonic Association and the Heart of Los Angeles (HOLA), which runs youth programs for the underprivileged. BY JOE ARCINIEGA | arciniegajoe@gmail.com 12 CREAM
These children from HOLA were placed into three groups, those given music instruction, those in a community soccer program, and those that did not participate in either. According to a summary by Emily Gersema published in the USC News on their website four years into the study, “The neuroscientists are using several tools to monitor changes in them as they grow: MRI to monitor changes through brain scans, EEG to track electrical activity in the brains, behavioral testing and other such techniques. Within two years of the study, the neuroscientists found the auditory systems of children in the music program were maturing faster in them than in the other children. The fine-tuning of their auditory pathway could accelerate their development of language and reading, as well as other abilities...” A year later, Assal Habibi, assistant research professor of psychology at USC and the lead author of the study, concluded that based upon the findings of accelerated maturity in these areas of their brains, “…these results demonstrate that community music programs can offset some of the negative consequences that low socioeconomic status can have on child development.” With more music and arts programs cut from grade school budgets, such an impact becomes further removed from those that most need the benefits but may be unable to afford private music lessons. We were among the fortunate ones, and so was Lily. Her early love for learning and playing music, nurtured in private lessons, grew with her to become her life’s passion for music theory and composition, and by high school led to perfect 5 Advanced Placement (AP) test scores in Music Theory, English Language and Composition, and Calculus. I’m proud that while on summer break from her studies in Music Theory and Composition at university, Lily was a volunteer intern for a new program at the Boys and Girls Clubs of Laredo teaching music to grade school age children who might not otherwise have access. “To whom much is given, much is expected.” For now until options improve, that is music to the ear.
Food, Places & Things Editorial
Best Meat Down The Street Get your forks and knives ready, people, because I have got the restaurant for you!
D
elicious pork, tender brisket, and loaded potatoes galore, Briskets and Beer Smokehouse has got it all. From their exquisite barbecue brisket, to their chicken drumsticks, this East Laredo restaurant is bound to have the right plate for you. This entire place is filled with an interior design that I have yet to see anywhere else! Throughout the space, you’ll find rustic decor and steel Texas plates making you feel like it’s just another Sunday at the ranch. And a little side note for all of our vegetarians out there, not to worry... the menu displays a tasteful selection of savory salads to choose from. One of my personal favorite options taken from the menu are their “jalapeño smokers.” These absolutely appetizing jalapeños are stuffed with cream cheese that is mixed with the restaurant’s brisket. Then the jalapeño is completely wrapped in bacon and voilà! The spice and crunch from the jalapeño itself along with the soft cream cheese
BY AIRA GRECO 14 CREAM
packs a punch. Aside from that, what is known as the “loaded baked potato” comes with a selection from either brisket, chicken or sausage. It is then served with cheese, butter and cream. I, for one, had the pleasure of having this baked potato with the brisket option, which was something I was new to. I remember thinking to myself, “This will definitely be my ‘go to’ option.” The butter oozing from the ins and outs of the thick potato, the rich cream that sits on top, and of course, the flavorful brisket that brings the whole delectable piece together... I’m making myself hungry just typing this out! Then again, my “go to” options may not be for you. So my advice to you, is whenever you feel the need to take down a few 8-inch chicken legs, have a loaded baked potato you’ll never forget, are in the mood for a smoky hot dog, or whatever it may be that floats your boat, turn to your local favorite “Briskets and Beer Smokehouse,” to find YOUR OWN “go to” choice.
Houston, TX | Cream City Magazine
Starting in this issue, Cream will show you interesting places, events and other entertainment options in Houston. All this with a touch of fashion and style, brought to you by Mónica Delgado, Venezuelan blogger, who is chock full of incredible tips and good vibes! You’re going to love it! Let’s get started! Follow her on social media: Instagram: monicadelgadof • Website: larosavitablog/blog
Sweet Summer Amorino Gelato
RIVER OAKS DISTRICT
Who doesn’t LOVE rose-shaped scoops? I think I speak for EVERYONE when I say I DO! If you want to visit one of the eight locations in America and try the highest quality gelato, Amorino is definitely the best place to go. Your delicious serving will have no artificial colors or flavorings. Since 2002, the crowds in front of their cozy shops have been very much a part of the summer scene around the world. At River Oaks District in Houston, you’ll find one of the finest locations to try this artisanal gelato, churned daily in the traditional Italian fashion and served with a spatula.
Fashion tidbit: Bright and bold colors are IN FOR SUMMER and there’s nothing like a suit when you want to look bold and fancy at the same time. With this look, I went for a girly yellow summer suit and some statement earrings. BY MONICA DELGADO
CREAM 15
The
FIFTIETH Issue featuring
Claudia
ROCHA To celebrate our 50th edition,
Cream flew straight to Mexico City for a fire photosesh with Brazilian beauty extraordinaire, Claudia Rocha. Each outfit was curated by talented Mexican designers who are popping onto the scene with their avant-garde styles.
MODEL CLAUDIA ROCHA
|
AGENCY THE BOOKER MANAGEMENT
16 CREAM
STYLIST MANUEL DELGADO |
PHOTOGRAPHY FERCH
| |
HAIR & MAKEUP ARTIST HUGO QUIÑONES HIGH END RETOUCHING PAOLA DENYCE BADOUIN
Vestido Vero Diaz |
Joyeria Happy Mode |
Calzado Perugia
Body David Barcena |
Falda Jorge Contreras |
Joyeria Happy Mode |
Calzado Perugia
Falda y Crop top Alejandro Ponce Joyeria Okoxal Calzado Perugia
Pantalon y Blusa Vero Diaz |
Joyeria Happy Mode |
Calzado Perugia
Editorial | Cream City Magazine
To Have To Hold
Noah Mendoza I was watching the Spurs play the Cavaliers on T.V., and Lebron James walked out wearing new shoes. I knew I wanted them for myself, so I asked my mom to help me look for them on the Internet. The Lebron 15 “Fruity Pebbles” are different. These shoes have a lot of colors, and they look like my favorite cereal, Fruity Pebbles! Lebron James always has the best shoes. I really like his style. I would love to have my own line of sneakers. I’d call them “NoNos” because that’s what my friends call me.
24 24 CREAM CREAM
When it come to sports, it’s not only important to perform your best, but also to look stylish and fashionable! Noah recently caught our attention because apart from being a tremendous athlete at his young age, he definitely knows about all the latest trends and the coolest sneaker releases. Let’s see what our special guest is going to surprise us with!
Editorial | Cream City Magazine
A Conversation With
John Kazen, U.S. Magistrate Judge Hard work, dedication, and intelligence are three qualities that have contributed to John KazenĘźs success. Hailing from a lineage in the legal field, Kazen was recently named U.S. Magistrate Judge, continuing a family tradition of service to the Laredo community.
How did your career begin? After graduating from law school in 1990, I did a one year judicial clerkship with a federal judge in East Texas. Then, I went to work for a large law firm in El Paso, where I became a partner. Afterward, I moved back to Laredo and jointly started the law firm of Kazen, Meurer & Perez, where I worked for over 20 years. Earlier this year, I was selected to be a U.S. Magistrate Judge. What sparked your interest in law? While at St. Augustine High School, I took a creative writing class, in addition to the required English classes. This encouraged me to pursue a profession where I could apply my love of reading and writing. My interest came from my family. Aunts, uncles, cousins, my grandfather and my father were in the legal profession. At family gatherings, I would listen to my family members tell stories about the cases and trials they had worked on. Did you ever consider that it would be a part of your life? Although I was regularly exposed to the legal profession through my family, I did not decide to become an attorney until my third year of college. Before that, I wanted to become an artist or a writer. Could you please share with us a favorite anecdote from your career? Recently, I presided for the
first time over a naturalization ceremony. It was a very emotionally moving experience to be witness what was the culmination of those people’s long and difficult paths to become citizens of the U.S.
What inspires you? I have always believed that whatever you decide to do, you should do it well. I have always wanted to work to improve the quality and reputation of the legal profession. Additionally, I enjoy spending time outdoors and getting to experience the beauty and majesty of nature. I feel that it helps give me perspective on my priorities in life.
Do you admire anyone in particular? My father, Judge George P. Kazen, and my mother Barbara Kazen. Of course my father, as a U.S. District Court Judge, has been an inspiration to me, professionally. All of his accomplishments have inspired me to attempt to excel as an attorney and now as a judge. My late mother, Barbara Kazen, has been a role model to me because she dedicated her life to addressing the problem of homelessness, primarily through her commitment to Bethany House of Laredo. Both of my parents lived the example of being compassionate toward those people who are less fortunate or struggling. Do you have any advice for anyone about to embark a career like yours? My advice to young people who are considering becoming lawyers is to study hard, even in high school. Your habits in high school lay the foundation for you to be successful in college and in your future career. Be sure you enjoy writing and reading because you will be doing a lot of it. Try to do internships in the legal profession so that you can find out what lawyers really do, because it is not the same as you see on TV; and, finally, if you become a lawyer, work hard to set a good example as a representative of the legal profession, instead of reinforcing the stereotype that lawyers are greedy and untrustworthy.
Pets&People | Cream City Magazine
MyCreamPet 2018
As many of you know, here at Cream, we like to shake thing up. Once again, we decided to give our awesome readers the opportunity to show off their beloved pets. The public was encouraged to choose the creamiest pet of them all. Contestants were asked to send us the best pictures of the furry friends to post on our Facebook. Users could then view the posted photos and vote for their favorite pet by liking their picture.
Participants were inspired to present their favorite companions who make their life a little more Cream. The amount of entries was outstanding! From the smallest to the fluffiest pet, we saw them all. Everybody got into the action, and made this a successful event that we can’t wait to do again next year! Our homework was to select our fave pics as well. Now we present the winning photos!
WINNERS WITH
926 LIKES
Aquiles & Athena Beba T. Rosell Owner What did you feel when you found out your pets had won the contest? Wow, I felt very excited! I thought I had won second place. I want to thank my family and friends who made this possible by liking and sharing the photo. I truly appreciate it. What do your pets mean to you? They mean the world to us. They are part of our family.
Do you have a funny story about your pets that you’d like to share? They are hounds, so they’re fast and love to chase animals. We always take them to the dog park in North Central to run and play. Athena is very playful so she started chasing a Xoloitzcuintli, and the dog jumped onto a person’s lap. It was someone that was not its owner, and we just all started laughing. Aquiles is more serious and not very peoplefriendly so every time a person wants to pet him he backs off, but in a polite way. They are not aggressive at all.
What advice would you give our readers who want to have a pet? Depending on the breed you would like to get, investigate first about their kind. Many families get dogs that they cannot have due to maintenance or space and end up putting them up for adoption. Also, consider adopting. We have so many dogs here in Laredo waiting for their forever home. Aquiles and Athena were bought, but we took into consideration many factors before purchasing. Although, it was mainly because the Afghan Hound has always been my dream dog. Overall, just be patient, kind and loving with your pet. You’ll be rewarded one day. 28 CREAM
Editorial | Cream City Magazine DOGGY & ME:
Popis
Daisy Taylor Owner
BEST DRESSED:
Pucca & Sassy Sylvia Santos Owner CUTEST PUP:
Chewy
Jorge Soto Owner
CUTEST CAT:
Tiger Lily Andria Savignon Elliott Owner
FRIENDLIEST:
Tutsy & Mirru Duarte Claudia Chavarria Owner
FLUFFIEST:
Carter
Tanya Sanchez Owner CREAM 29
Editorial | Cream City Magazine
OUT & ABOUT:
Baguette
Stephanie Levy Owner
FLUFFIEST:
Piñata
Priscilla Garza Owner
GOOD BOY:
Max
Ramiro Rodríguez Owner
FUNNIEST:
Boo Qualley Veronica Qualley Owner
SLEEPY:
Phoebe Andrea Solis Owner
30 CREAM
Editorial | Cream City Magazine
MOST ORIGINAL:
Anastasia
Jerry Gonzalez Owner
ZEN IN THE SUN:
Sugar
Griselda Donjuan Owner
MOODY:
Khaleesi Alyssa Medina Owner
WHO’S THE BOSS:
Chica Perica Erica M. Contreras Owner
SMILEY FACE:
Stella Valdez Sandra Valdez Owner
MOODY:
Gucci Boy Adriana Monsivais Owner CREAM 31
Editorial | Cream City Magazine
Art
The One thing that has been a constant part of Cream since the very beginning is our mission to support art, culture and different means of expression in our city. For this issue, we visited the studios of Gil, Poncho and Mauro -- three local artists who have seen success due to their effort, talent and creativity. We invite you to find out a little more about them in this special interview.
Makers BY FERNANDO DE HARO AND DIVINA CENICEROS DOMINGUEZ
CREAM 33
Editorial | Cream City Magazine
I always leave Laredo, and then I come back. In Laredo, the light is bright, the faces have smiles, the strong minds seek growth. It has the right ingredients for me as an artist. Even when I become really famous and have to leave for a while, I will always come back. What do you hope the general public understands about you when they see your work? I don’t care for them to understand anything about me. I hope that my work helps them understand something about themselves.
What is your creative process like? Is relatability important to you? Yes, as I’ve become more mature and experienced, I can better define my creative process. The process is mas o menos like this: 1. Seeking inspiration and brainstorming 24/7 2. Having an idea in mind and making a quick notation of it -- most of the time it’s done on napkins, sketchbooks or on the wall. 3. Not talking to anyone about the idea. I ponder and sit out the idea for a few days or even weeks. If it continues to bother me to see it complete, I know it’s worth making it happen. If it doesn’t, it just stays as a sketch. 4. At this point, everything is about figuring out how to best express the idea and make it tangible. This is where the headaches happen. 5. I research materials for construction and figure out a budget. (Artist tip: there will never be enough money, there will never be an ideal situation, don’t let that stop you.) 6. Artwork construction begins. 7. Midpoint into the making, I begin doubting myself and the idea. I become irritated very easily. 8. I want to kill myself. (Not really, but I do hate myself and most of the world.) 9. Completion 10. Telling myself that I’m a genius
Gil Rocha INSTA: @rocha.rochelli FB: Rocha Rochelli
How do you define your work? My work is defined by the idea. Many of my ideas express issues relating to the border. My work may be aesthetically described as “rasquache.” Rasquachismo could be defined as the view of the underdog, which combines inventiveness with a survivalist attitude. How has growing up in Laredo/Nuevo Laredo influenced your art? As an artist, it has been a blessing growing up with three cultures. One culture is the American, the other the Mexican and the third culture is the border culture. I get to pick and choose from both sides of the border y después lo desmadro y lo transformó para hacer algo más cool. How are you giving back to your community? Do you see yourself leaving Laredo and expanding elsewhere in your future? Aside from being an artist, I am a high school teacher, and my teaching philosophy is that I can make a huge impact in my community by guiding young minds to become better artists, better students (of life), better humans. 34 CREAM
Do you think self-expression is a personal experience or do you think it belongs to your community as part of a collective experience? I do it for myself first. Filtering and magnifying certain aspects of a particular experience through art has the possibility others will relate to my point of view. This is where the “Oh, I’ve never thought about it that way” moment happens and the viewer’s perception of reality is altered. What statements do you wish to make about society and our culture? “Por Pendeja” and “Pescando una Peda” are alternative portraits based on made-up personas in a particular situation. These two pieces are currently part of the Trans-border Biennial and are being shown at the El Paso Museum of Art and Museo de Ciudad Juárez. The Billboard Project started as a fun way to visually voice my observations and concerns about my surroundings. With pieces such as “Huele 1/2 (medio) funky,” I was pointing to the fact that the area I used to live by smelled like shit. “We are off a ver el Wizard” had to do with narco violence, “Aguas con la Water” was an alternative cautious sign for the overflow of the Zacate Creek.
What was your experience like working with MexicArte as a Latino artist representing Laredo? It was such an enriching learning experience. This is one of the most important exhibitions for young Latinos in the country. I had been part of it twice as an artist, but as a guest curator is a whole different experience. I am so honored having worked with 11 different artists from different parts of the US and Mexico, as well as with Silvia Orozco (Director of the Mexic-Arte Museum) and Rebecca Gomez (Curator). As a curator, one oversees the entire exhibition according to the idea they have in mind. For me, it was about who we are as Latinos, the obstacles we have endured, and how we continue to overcome. The exhibition was mentioned as #1 exhibition to see in a weekly episode of recommended exhibitions on the website, Glasstire.
Poncho Santos INSTA: @ponchsantosarte FB: Poncho Santos
which ultimately gives the work new meaning. The work isn’t finalized until it is shown.
“I love you chingos” speaks volumes of our Spanglish border culture. How has your background influenced your art? My background and formative experiences in Laredo play a huge part in my art. One of my fondest memories growing up was watching my great aunts and uncle cooking or doing other house chores and putting on Mexican ballads. They were songs such as “Amorcito corazón” by Pedro Infante, “Amor eterno” by Rocío Durcal, and “Gavilán o paloma” by José José. Mostly, they are songs about new love, lost love and the lamenting of unrequited love. Recently, I made a series of sign paintings on this. The text on the signs were of song titles of famous Spanish ballads. I made the signs look like the handmade signs around Laredo. I wanted the songs to have the visual identity of the town I grew up listening to them in. What has been the reaction to “I love you chingos”? “I Love You Chingos” really has a life of its own now. People were asking me about it the next day after I posted it on my social media outlets. They really wanted to see it and take a picture with it. Social media has really changed the public’s engagement with public art work. I’m proud to say that it’s probably one of the most photographed works of public art in the history of Laredo. They love ‘I Love U Chingos’ chingos!
Do you make your art for yourself, or do you feel like you’re making it for a bigger entity, such as Laredo and your community? I make art for both myself and my audience. Marcel Duchamp once famously said, “A work of art is completed by the viewer.” This is the perfect quote to explain the synergy between the viewer, the artist and their work of art. First, there is my intellectual interpretation of my own work, and then there’s the interpretation of the audience
Where do you hope to see Laredo’s art community and cultural hub 5-10 years from now? There’s need for more galleries and museums. I would like the galleries to specialize in different types of art. For example, there could be galleries that specialize in commercial art while others focus on folk art. It’s a good way to help inform and educate the public on the different types of art available in Laredo. I would also like to one day go into an art museum here in Laredo and see work by successful contemporary artists from Laredo. There are artists like Thomas Glassford and Ethel Shipton. There’s the work of my friend, Hector Hernandez whose photograph was bought by the Getty Foundation. There’s the beautiful modernist ceramic work of the late Helen Richter Watson.
Have you encountered any challenges by your decision to be based in Laredo? How have you overcome them? What are the advantages of staying local? The only challenges I face are having to explain the conceptual angles I take or my process. The advantages of staying local are that I get to turn people on to contemporary art and hopefully create a market for other local contemporary artists. For instance, I showed the work of Daniela Cavazos Madrigal at my gallery, MUSA Alternative Art Space. She does amazing conceptual work related to her experience growing up in Laredo and shows in galleries in San Antonio and Austin.
What are the three things you most value when making your next artistic piece? Time, energy and good music. Sometimes, I have so many things going on at once that it’s hard just to sit down and have the time and energy to start a work. I also can’t function without good tunes. Everything I do has a soundtrack. I need to listen to music. It’s an important part of my process. My taste in music is eclectic. Sometimes if I’m in a rock mood, I’ll play Radiohead, the Rolling Stones or Pink Floyd. Sometimes, I want something jazzy like Miles Davis. Sometimes I listen to Mexican ballads or old school country by Hank Williams, Sr. It all depends on my mood, but I will never work in silence.
What do you think Laredo is missing, and how are you trying to bridge that gap with your art? It needs more public contemporary artwork. Works like this become landmarks for a city and also attracts tourism which generates a lot of money. Notable examples are “Cloud Gate” by Anish Kapoor in Chicago, “Urban Lights” by Chris Burden in Los Angeles, and “Prada Marfa” by Elmgreen and Dragset in Marfa, Texas. Tourists flock to these cities to see these landmarks and spend millions of dollars on food, lodging, souvenirs, etc. I have already proposed some designs of large scale abstract public sculptures which have been approved by the City of Laredo. I am also currently in talks to design some semi-abstract sculptures that will be located outside the new Birding and Environmental Center. What is your creative process like? What or who inspires you, what drives you, and what makes you continue making art as opposed to anything else? I might get inspired by a random mark on a wall or something I liked that someone said. I then write it down so I don’t forget it and revisit the idea later to see if it’s something that I still want to make. I then start designing and think of materials I need. I love just finally sharing the work with people and having them interact with it.
As a contemporary artist, what other artists do you look up to both locally and historically? I look up to someone like Damien Hirst. He’s a very polarizing artist in the art world because of the obscene amounts of money his work commands. In the late ‘80s and early ‘90s, he single-handedly created a marketplace for himself and his peers from Goldsmith University in London. He was confident in his tastes and bypassed all the artistic institutions in London by curating and organizing his own art shows of emergent artists in alternative spaces such as warehouses and abandoned buildings. These artists are now known as the Young British Artists or YBAs, and Hirst was the catalyst that helped them jumpstart their careers. I also look up to the Chinese artist, Ai Wei Wei. I just recently saw his work, “Forever Bicycles” in Austin. I love how he challenges his culture’s artistic traditions and also challenges the often oppressive political climate of China. Locally, I admire the work of artists like Mauro Martinez, Gil Rocha, Hector Hernandez and Daniela Cavazos Madrigal. They’re always pushing the limits, always evolving, and work extremely hard. I advise serious art collectors and businesses here in Laredo to purchase their artwork. You’ll be making a very good investment. CREAM 35
Editorial | Cream City Magazine
Mauro Martínez INSTA: @ztm_oruam FB: Mauro C. Martinez
You’ve previously described your work as “an exploration of the various facets of the human condition.” What about humanity appeals to you, and do you see yourself expanding from that in the future? I used to be very concerned with trying to make these profound statements but lately I’ve been much more excited about asking questions. Right now, for instance, I’m asking a lot of questions about what paint can do and how far I can push it. Just making paintings about dealing with paint as a material. And although I think there is always going to be a some social commentary underpinning the work, I’m much less conscious of it. From thought to creation, what’s your artistic process like and how much time do you typically spend on a painting? The types of paintings I make, along with their individual processes, change depending on the concept or subject matter. One of the most beautiful things about oil paint is its range, and I realized that in order to showcase that range, I needed to adopt a large variety of manners and methods. Photorealism, for instance, works best for me with an airbrush and a very slow process of matching colors and shapes based on a scaled print of what I’m painting. The more recent figures I’m working on are much more free and chaotic — very reactive, loose and full of emotion. Text paintings require precision and my portraits always seem to vacillate seamlessly between all of the above. You cite “cultural resuscitation” to be an ongoing theme in your art. Describe what it means and explain how your work reflects your view on society, community and background. There’s this feeling I have sometimes -- like some great thing has gone and isn’t likely to return. I’m not sure what it is. Maybe compassion. Maybe empathy. There’s this uninterested figure in a lot of my paintings. It’s changes form and context with each piece but its present in a lot of them. Someone who is quietly observing a devastating drama unfold but taking no action. I see that a lot, and maybe the paintings serve as mirrors of that reality. For someone that’s not familiar with your work, what do you first show them and what do you hope they take from your work? I usually just show them my Instagram account and let them see for themselves. It’s interesting seeing what people are more immediately drawn to. What advice would you give aspiring artists from Laredo that want to leave in hopes of accomplishing bigger things? Stay out of debt! How do you hope to see your work and Laredo’s art community evolve during the years? I hope to see myself still working with sustained and increasing intensity. Laredo’s art community is being advanced by some really amazing people. Erika, Oscar, Vicky, Ashley, Tony, Gayle, Val and Chris, Poncho, Sandra, Rosie. They’re all doing so much it’s insane and its already evolved way passed what I could have ever imagined. I’m really enjoying this ride as both spectator and participant. Anything else that you would like to add? I’m an artist, but I’m also an art collector. I collect work that speaks to me, and now whenever I’m at home, I’m never alone. Art has the power to do that.
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Let’s Meet...
Mara
Shaffler 25, Student Affairs Professional in Higher Education Tupac said, “I’m not saying I’m gonna change the world, but I guarantee that I will spark the brain that will change the world.” After reading this quote, I have been living my life in a way to help others create social change. Right now it is through higher education, helping college students develop their identities. One of the projects I am most proud to have been a part of has been developing groundwork for first generation family programs in higher education.
I have always expressed myself creatively. For the past year, I have been creating flowers made out of felt. I found my inspiration from Etsy and Pinterest and later started developing my own style -- which is strong on succulents. My ultimate goal is to help people find their purpose and understand their identity. Much like a real plant, I believe we can all grow and become; I can promote that through my job and through my crafts.
In The Heights The debut of "In the Heights" was met with rave reviews! Cream had the chance to be at opening night of the play, produced by Laredo Theater Guild International. Here are some photos from the long-awaited event.
Victor Hugo en SMA Editorial
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GIFF 2018
Project Glamour En días pasados se llevó a cabo la vigésima primera edición del Festival Internacional de Cine en Guanajuato y una vez más como asesor de Project Glamour, el departamento que se encarga de convocar diseñadores mexicanos y vestir a celebridades nacionales e internacionales, tuve la oportunidad de apreciar un gran despliegue de talento y belleza sobre las alfombras rojas durante los 10 días del festival.
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Fotografía: Damián Olguin
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En esta ocasión compartiré mis 5 MOMENTOS FAVORITOS que fueron producidos desde el showroom por un gran equipo de estilistas, maquillistas y voluntarios:
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Luciendo espectacular, la fundadora y directora ejecutiva del GIFF, Sarah Hoch, cerró el festival en la alfombra roja de clausura en un vestido de la marca Edifro, junto al actor, Damián Alcázar.
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Los galanes también brillaron. El actor, Israel Amezcua, con corbata de moño Deitxandco y accesorio de Barbosa Collection de Felipe Barbosa y su acompañante, Simona S., en un hermoso vestido de la marca Iann Dey.
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La tecnología de realidad virtual que ya es una tradición dentro del festival, fue promocionada brillantemente sobre las alfombras rojas en combinación con un vanguardista diseño de Enrique Mendoza sobre la modelo, Saida Aparicio.
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La modelo Mariana Berumen luciendo espectacular en una creación de Iann Dey en la alfombra roja de la clausura GIFF 2018.
Uno de mis momentos favoritos es ver el despliegue de talento de la gran variedad de diseñadores mexicanos como el caso de la moda de Milagros Ancheita y la joyería de Nabilefarlo lucido por la modelo, Clara.
Y así fue como este año se vio engalanado el GIFF. En lo que fue, para mí, la edición más vistosa y creativa que he visto en mis 4 años participando en el festival.
El Project Glamour se ha convertido en la plataforma favorita de muchos diseñadores talentosos mexicanos, por ser una experiencia única en nuestro país, arraigada en el propósito de fomentar la creatividad y oportunidades para el medio de la moda. POR VICTOR HUGO GARCÍA | Instagram: @victorhugo956 38 CREAM
Editorial | Cream City Magazine
Karime Nevárez llegó a la ciudad de Nuevo Laredo en el 2003, proveniente de su natal Sinaloa. Fue aquí donde después de seis años contrajo matrimonio, se mudó a Laredo, Texas y nacieron sus hijos, Karim y Kristiana. Hoy en día, se prepara para uno de los mayores retos en su carrera deportiva, el Campeonato Mundial Ironman 70.3 Sudáfrica 2018 del cual nos platica en esta interesante entrevista. Antes de competir en Ironman ya corrías maratones. ¿Qué fue lo que despertó tu interés en los deportes y la vida fit? Primero jugaba básquetbol; desde la primaria hasta la universidad participe en varios pre-nacionales y nacionales en México. Luego comencé a correr. Me gusto bastante, y empecé a entrenar para maratones. Al casarme en el 2009, dejé todo el deporte y me enfoqué en mis hijos. Fueron cinco años de inactividad, y no tanto porque no quisiera, sino que me faltaba energía para hacerlo. ¿Qué te hizo querer participar en el Ironman, considerando que de inicio no practicabas la natación? Me atraen los retos difíciles, soy muy aventurera. Siempre me ha gustado hacer cosas nuevas y el nadar lo era. Todo empezó hace tres años cuando vi a mi esposo hacer un triatlón Sprint. Se me hizo súper divertido el combinar tres disciplinas: natación, ciclismo y correr. Quedé impresionada. Ese día le dije a mi esposo, “¡Yo quiero hacer esto!” Por supuesto él se rio porque yo no sabía nadar.
¿Es difícil terminar en el top del 5% en tu primer año de competir? ¿Qué se siente haberlo logrado? Sí es difícil, ya que se requiere experiencia y hay que dominar las tres disciplinas, las cuales consisten en 1.2 millas de nado, 56 millas de ciclismo y 13.1 millas de carrera a pie. Yo la única que dominaba era la carrera a pie, la bici no la practicaba desde que era niña y natación nunca la había practicado. Creo que el hecho de que hago un deporte desde los 10 años me ayudó. Estoy acostumbrada a competir, a que la mente juegue el rol más importante, y lo más relevante es que me apasiona el deporte, para mí es lo máximo. El deporte, aunque se escuche cursi ha sido mi mejor aliado, los momentos más felices los he tenido cuando he competido tanto ahora de adulto, de madre y esposa, como de niña y adolescente. Me siento muy feliz y agradecida con Dios por la fuerza que me ha dado.
Destino Sudáfrica ¿Qué rol ha jugado tu familia en tus logros? El más importante, sin duda. Sin su apoyo no hubiera concretado lo hecho hasta hoy. El que yo me vaya tranquila a las carreras y a entrenar porque sé que mis hijos están bien cuidados no tiene precio.
¿Cuál es tu mayor motivación? La motivación más grande cada que hago una carrera o competencia es sentirme libre, estar en contacto con Dios, enfrentar una aventura más. Yo necesito retos, soy demasiado activa, es mi gasolina. Al mismo tiempo, tengo la responsabilidad de ser ejemplo para mis hijos, enseñarles que todo es posible con disciplina, entusiasmo y agradecimiento.
¿Qué le aconsejarías a otras mujeres que se sienten intimidadas por la fuerza física requerida para completar el triatlón? ¡Ser tercas! Solo tienen que creer y querer. Todo es posible. No se trata solo de decirlo (si bien es cierto que así inicia toda aventura o reto), lo más importante es ponerse en acción. Trazarse una meta y fecha para cumplirla y con eso en mente hacer un plan. Muchas veces nos da pena comenzar, pero poco a poco vas a sentir el avance y te vas a entusiasmar y querer seguir adelante. Es importante rodearse de personas positivas, que nos apoyen y que se alegren de nuestros logros. Y recordar siempre que no compites contra nadie sino contra tus limitaciones, contigo misma.
¿Cómo ha sido tu experiencia en los triatlones? ¿Ha sido lo que esperabas? ¿Qué obstáculos enfrentaste al competir? La verdad en mi primer triatlón no sabía a lo que me enfrentaba pues era novata en dos de tres disciplinas. Yo sabía por las distancias que no era tarea fácil. Lo que siempre me mantiene a flote es que me siento emocionada y feliz al participar en una carrera, yo siempre me divierto. El obstáculo más grande fue el nadar en aguas abiertas, fueron muchos meses de sacrificio y temor al agua, el no sentir el fondo y no ver nada bajo de ella. Soy súper aventada y la constancia de enfrentar esta debilidad me ha llevado a sortearla, todavía no puedo decir que la he vencido, aún me faltan muchos kilómetros de práctica para ello. ¿Cómo es tu rutina de entrenamiento? ¿A qué hora practicas? ¿Tienes una persona entrenadora? Durante la semana tenemos sesiones de natación, sesiones de carrera y sesiones de ciclismo. Conforme avanzamos se combinan disciplinas y se tiene una sesión intensa a la semana, por lo regular en sábado y con muchos kilómetros. Nos levantamos a las 4:20 am y arrancamos entrenamientos a las 5 am; como promedio dos horas entre semana, y sábados de 4 a 5 horas. En todo el entrenamiento hay un entrenador que nos acompaña.
¿Te gustaría agregar algo más? Si bien es cierto que los logros son de cada quien, también lo es que el entrenador juega un papel fundamental. No solo en cuanto al conocimiento, pero también en la motivación, la fuerza que te imprime, la disciplina y la amistad que se forja en esas horas de entrenamiento compartido. Sin duda mi entrenador Víctor Treviño se ha convertido en una persona muy importante en mi vida, él me llevó a romper mis límites, creyó en mí, me empujó cuando más desanimada me sentía sobre todo al ver mi gran deficiencia en la natación. No tengo cómo pagar su apoyo y amistad, siempre estaré agradecida y en deuda. CREAM 39
Editorial | Cream City Magazine
Guanajuato
Legado Arquitectónico Templo de San Diego siglo XVIII estilo barroco churrigueresco
Arq. Cristina Michell Lozano Alejandro Arquitecta con Maestría en Restauración de Sitios y Monumentos
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ací en Monterrey, Nuevo León pero crecí en Nuevo Laredo, Tamaulipas. Estudié en el Colegio Irlandés hasta la preparatoria, el cual influyó muchísimo en mi formación, valores y perspectiva para afrontar todo lo que vendría. Continué mis estudios en la Universidad de Monterrey, el Instituto Tecnológico de Nuevo Laredo, y posteriormente en la Universidad de Guanajuato. Hoy en día trabajo en el Gobierno del Estado en la ciudad de Guanajuato.
Cúpula del templo de la Compañía de Jesús siglo XVIII, estilo churrigueresco
¿Cómo nace tu pasión por la arquitectura? Desde muy pequeña me gustaba mucho la historia y me encantaban los edificios antiguos, pero creo que todo comenzó cuando viajé con mi familia a San Miguel de Allende por primera vez. Me enamoré de la ciudad, de su historia y arquitectura. A partir de ahí comencé a leer más sobre temas de arquitectura y cada vez le tomaba un mayor gusto. CREAM 41
¿Dónde iniciaste? ¿Cuáles fueron tus primeros pasos? Comencé estudiando la carrera de arquitectura, donde conocí a maestros increíbles que me inspiraron muchísimo. Especialmente el Arq. Eduardo Alarcón Cantú, con quien tuve la oportunidad de hacer mis residencias (como una pasantía) en el Instituto Municipal de Investigación, Planeación y Desarrollo Urbano justo antes de terminar la carrera. Ahí, me tocó trabajar junto con otros colegas en el proyecto del “Registro Estatal de Edificios, Monumentos Conmemorativos y Murales con Valor Histórico-ArtísticoCultural”. Aprendí bastante acerca de la historia arquitectónica de mi ciudad y aumentaron mis ganas de continuar con la maestría. ¿En dónde te encuentras ahora? Acabo de cumplir 4 años viviendo en Guanajuato; siempre quise realizar parte de mis estudios aquí o en San Miguel de Allende. Cuando decidí estudiar la Maestría en Restauración busque opciones de universidades y me encontré con la feliz noticia de que la Universidad de Guanajuato contaba con un prestigioso plan de estudios en la Maestría en Restauración de Sitios y Monumentos. Es en ese momento que elijo a la ciudad de Guanajuato como mi nuevo hogar, al menos por los dos años que dura la maestría y un poco más para agarrar experiencia profesional.
Templo de la Compañía de Jesús, siglo XVIII, estilo churrigueresco
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Cúpula del templo de la Compañía de Jesús siglo XVIII, estilo churrigueresco
Háblanos de la restauración, ¿qué es? ¿Se podría considerar un arte? La restauración y el arte son uno mismo. Siempre van de la mano. En mi caso me inclino por la restauración de sitios y monumentos. Es mágico poder devolverle a un edificio su estética, poder conservar un monumento sin que pierda su esencia e historia. Cesare Brandi dijo, “La restauración constituye al momento metodológico del reconocimiento de la obra de arte, en su consistencia física y en su doble polaridad estética e histórica, en orden a su transmisión al futuro”. La arquitectura es una obra de arte. ¿Porque te inclinaste por esa área en tu carrera? Cuando estudiaba en Monterrey, en el segundo semestre de arquitectura, la profesora de historia occidental nos platicaba de cuando ella estudió la Maestría en Restauración; yo no sabía que existía tal maestría. Siempre dije que estudiaría una en Diseño de Interiores, pero entre más aprendía del tema, más me daba cuenta que la restauración era para mí. Mi fascinación por la historia y la arquitectura antigua podía convertirse en mi trabajo ideal, fue ahí cuando me propuse no dar por terminada mi carrera universitaria sino hasta cursar la Maestría en Restauración.
En lo alto se observa el monumento en honor al Pipila, creado a base de cantera rosa e inaugurado en Septembre de 1939
Guanajuato es una ciudad única que nunca deja de sorprender. ¿Qué es lo que más te gusta de vivir ahí? ¡Todo! Me encanta saber que estoy rodeada de historia y arquitectura única, que Guanajuato es una ciudad muy importante en la historia de México. Me encanta estar en el centro del país donde es muy fácil conocer más ciudades y lugares increíbles en solo un fin de semana. Adoro su gente y caminar por la ciudad, cosa que en Laredo jamás hago. Entre el clima, los lugares y los paisajes — estoy feliz de vivir aquí.
La belleza y el colorido de Guanajuato, ciudad Colonial fundada en 1548
Universidad de Guanajuato, es un edificio de estilo neoclásico y esta construido en cantera verde que es muy típica de la región.
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Teatro Juárez estilo neoclásico en el exterior y en su interior ecléctico... siglo XIX. Las esculturas de bronce en la parte superior, son 8 de las 9 musas canónicas de la inspiración griega para las ciencias y las artes!
Basílica Colegiata de Nuestra Señora de Guanajuato Siglo XVII de estilo barroco y neoclásico
En cuanto a la ciudad, ¿qué tipos de arquitectura se pueden encontrar en un recorrido por las calles del centro? Guanajuato se considera una ciudad colonial. Sin embargo, existe una gran variedad de estilos arquitectónicos. Es una ciudad declarada “Patrimonio de la Humanidad”. Ha pasado por grandes cambios a través del tiempo, algunos de los más emblemáticos son el arte barroco novohispano y el churrigueresco, así como también el estilo neoclásico, art déco e incluso me ha tocado ver arte neomudéjar, entre otros.
¿Hay alguna estructura en especial que te guste? ¿Qué nos puedes decir de esta? Es difícil elegir solo una, pero mi favorita es la del Templo de la Compañía de Jesús. Es considerado el templo religioso más grande de la ciudad y fue construido en el Siglo XVIII por los jesuitas. Es de estilo churrigueresco y su fachada está tallada en piedra rosa, tiene un diseño de tres naves y una cúpula que tiene una altura máxima de casi 30 metros. La cúpula es de estilo neoclásico y fue construida posteriormente en el Siglo XIX ya que la original se desplomó años atrás. Es lo que más me gusta del templo (la cúpula), muy pocas en el mundo tienen dos tambores y lucarnas en la parte del casquete. En lo personal, ¿qué te mueve e inspira cada día? Siempre mi familia, mi fé en Dios y la pasión que tengo por mi carrera y trabajo. Todos los sueños y metas que me quedan por lograr y claro, seguir aprendiendo. Creo que nunca terminamos de aprender.
¿Algún consejo para alguien que esté contemplando estudiar arquitectura? ¡Que esté seguro! Creo que todas las carreras tienen lo suyo y para todas se necesita vocación, pero en mi experiencia, arquitectura es una carrera muy dominante y desgastante, ¿para que les digo que no? Si te apasiona y en verdad te gusta, échale todas las ganas. Es poco el sacrificio para todas las satisfacciones que se tiene en este ámbito. Que tengan una mente abierta para siempre aprender cosas nuevas y que viajen mucho. Nada como ver en vivo todas tus clases de historia e ir conociendo lugares con arquitectura excepcional.
¿Algo más que te gustaría agregar? Gracias a mis papás por siempre apoyarme y creer en mí. Claro que es difícil vivir lejos de casa pero cada paso y cada logro siempre es pensando en ellos, en mi hermana, en toda mi familia y amigos que siempre me echan porras y están conmigo de cierta manera. Gracias a Dios estoy donde me propuse estar hace cuatro años pero sé que todavía me quedan muchos sueños por cumplir y mucha vida por vivir.
Wine Society | Cream City Magazine
Toni Newman Cantu My favorite wine: Callejon del Crimen Malbec Gran Reserva from Valle de Uco, Mendoza-Argentina Why do I like it? I enjoy a glass of red wine every evening, and I have tasted different wines from different countries. I have had a variety of Italian, Spanish, French, and even Mexican wines on my travels. Many of these have been quite good, but I wanted to find a wine that I can purchase locally and one that is priced reasonably. I’ve heard that the right wine to drink with any meal -- whether your meal includes meat, chicken, pork, or fish -- is the wine that you enjoy drinking. It’s a matter of taste. In my opinion, this Malbec tastes wonderful with any meal. What makes it special? Callejon del Crimen Malbec was first introduced to me by a fellow lover of red wine as a gift, and I have enjoyed this wine very much ever since. My favorite reds are Malbecs and Cabernet Sauvignon, and I find the red fruit flavor with notes of vanilla and chocolate in this Argentina Malbec to be quite flavorful. This wine is a nice, smooth, enjoyable wine. I am very comfortable in recommending this wine to readers of CREAM. ¡Salud! 46 CREAM
Our friend Toni has a wine recommendation for us! If you’re a fan of reds, grab a glass and keep reading.
out&about | Cream City Magazine
Photos by: Eunice Sotres
Raúl García SMA Party Beneath the charm of San Miguel de Allende, 60 of Raul L. Garcia’s close friends and family traveled and shared a week filled with activities, entertainment, lovely weather and an epic birthday celebration. Everyone was left wanting more of this beautiful destination and grateful for such a great host.
The Gallery | Cream City Magazine
Letty Pérez featured artist
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only recently started painting with acrylic on very large canvas, but watercolor is what I am most passionate about.
This painting is my first attempt at painting with watercolor on canvas. I’ve painted with watercolor for years but only on paper, so this painting is a departure for me. As the painting developed, I found that I truly enjoyed painting with my preferred paint on new material. It felt like a fresh approach to something familiar. This subject is also a departure for me. I am most known for my paintings of cathedrals and other architectural structures. But I enjoy painting subjects. I have photographs while traveling and often use my photos as inspiration.
About the artist:
title of your art piece:
“el efante”
Mixed media, watercolor on 2.5x4 ft canvas
I was born and raised in Laredo, Texas. My mother’s natural affinity for anything artistic or creative had a great influence on me. As a young girl, I was brought up in a household with selftaught artists, so it was perfectly normal for me to pick up a paint brush. Creative expression was encouraged and celebrated. Today, I continue this tradition with my daughter. We often spend our time together painting and creating. CREAM 49
Music | Cream City Magazine
arroba EN EXCLUSIVA
Nat BY FERNANDO DE HARO
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odo comenzó con un “Café con Leche” -- así el nombre de un playlist de Spotify que Gaby, la diseñadora gráfica de Cream, solía tocar frecuentemente en el estudio cuando caía la tarde. Después de un tiempo, lo agregué a mi teléfono y también lo empecé a escuchar en mi coche y en mi casa. Entre tantos artistas y canciones, hubo una voz que me cautivó desde la primera nota. Fue tal mi sorpresa que dije “¿Quién diablos canta?” Así que vi la pantalla y leí “Arroba Nat” y con asombro dije, “¿Y esa quién es?” Jamás había escuchado ese nombre, ¡pero no importó porque para ese momento ya estaba súper fascinado con su música!
Me causó mucha curiosidad saber quién estaba detrás de esa voz. Entre redes sociales y mensajes logramos concretar una entrevista con ella en la Ciudad de México. La cita fue en la famosa Colonia Roma y tan solo unos minutos después de habernos encontrado se soltó un terrible aguacero y terminamos realizando la entrevista en el depa de otra Gaby, esta vez la editora de Cream, quien en ese momento nos acompañaba para la sesión. Entre el sonido de la lluvia y la plática, Arroba Nat nos contó de sus inicios e improvisó con la guitarra algunas canciones. Así finalizó la ajetreada tarde, toda una experiencia que ahora les compartimos en exclusiva.
Cuéntanos un poquito de ti. Mi nombre es Natalia y mi proyecto se llama “Arroba Nat”. Lo defino como una manera de expresar toda la melancolía y toda la tristeza que tengo. Me gusta hacerlo de una manera muy directa. Siempre me ha costado mucho trabajo hablar con metáforas o diciendo cosas que no son. Como redundantes. Entonces siempre he preferido decir las cosas tal y como son.
¿De dónde nace el nombre “Arroba Nat”? Es muy chistoso porque yo antes era muy niña de Twitter. Estaba todo el tiempo ahí y quería que mi username fuera literalmente el arroba (@) y solamente Nat. No se podía porque claramente ya estaba ocupado, entonces dije, “Voy a escribir literal ‘arroba’ Nat”. Y de repente muchos de mis amigos llegaban y me decían, “¿Qué onda, Arroba Nat?” Y cuando estaba pensando en un nombre para el proyecto inmediatamente me vino ese nombre. Y pues ya se quedó así. ¿Hace cuánto nace tu proyecto y en qué consiste? Arroba Nat como tal tiene alrededor de año y medio. Tengo músicos que me acompañan en la batería, el bajo, y próximamente también con los arreglos en la guitarra.
Para la persona que te escuche por primera vez y te ponga “follow”, “like” o te agregue en su playlist, ¿qué le dirías? Pues, qué bonito que le gustó mi música y siento que si lo agregó para escucharla es porque de alguna manera se puede llegar a sentir identificada. Y se me hace muy padre que se identifique con todo lo que yo he pasado. O sea, que no estemos solos en este mundo de rompe corazones. 50 CREAM
¿Quién escribe la música? Yo escribo todas las letras y la guitarra principal -- la guitarra base. Para los arreglos musicales que están grabados en las canciones los han hecho varios amigos. Por ejemplo, en la canción “Al final”, un amigo me ayudó a terminar la letra.
¿Qué género consideras tu música? Normalmente, siempre me ha costado trabajo de definir el género, pero se podría decir que… yo lo defino como un folk-pop triste. ¿Qué planes tienes para 2018? Voy a tocar en Parque Naucalli, abriré el show de Ely Guerra. Eso sí me ha levantado un poco -- estar abriendo shows de bandas importantes aquí en México. Yo espero este año terminar la primera fase de producción del disco, del LP. Todo está en “veremos”, pero yo confío en hacer todo lo posible para que el próximo año ya salga.
¿Cuál crees tú que ha sido tu canción más exitosa? Creo que “Dormir sin coger” es un muy buen gancho para la gente, pero por ejemplo, la de “Adiós” es la que ya tiene un millón de reproducciones en Spotify. Nunca esperé que llegara a tener tanto alcance e hice una pequeña celebración de “llegué al millón de reproducciones”. ¡Gracias a Natalia por su buena vibra y disponibilidad para lograr esta entrevista! En Cream estamos seguros que serán muchas más millones y millones de reproducciones, likes y seguidores. Te invitamos a que tú también conozcas su música y la sigas en redes sociales. FB: Arroba Nat Twitter: @arrrobanat
Instagram: @arrrobanat / @arroba.nat Spotify y Apple Music: Arroba Nat
Editorial | Cream City Magazine
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LAPS BY JESSICA OQUENDO
For the Cream team, it’s always important to highlight a good cause. A few weeks ago, we had the chance to visit a very special place and we immediately fell in love with it! Here is the story of Cream City Magazine volunteering at the Laredo Animal Protective Society!
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ounded in 1955, LAPS is the only nonkill, non-profit animal shelter here in Laredo that strives to help as many dogs and cats as they can find their forever homes. Some of the things that impressed us was that one of their goals is to help Laredo become a non-kill city and to help with the overpopulation of these animals. They offer SNAP certificates to lower the cost of spay/neuter surgery and have adoption events twice a month, among other activities to educate the public about animal cruelty, veterinary care and much more. In our time there, Gaby, Cristal, Katya, Ferch and I, could see every healthy and happy animal at maximum expression -- full of energy and hope. It’s as if they were telling us, “Take me home, and I will fill it with love, woof, woof !” There are so many to pick -- from adorable puppies to kittens, big and small, fluffy and soft, cute faces and grumpy cheeks. You just can’t get enough of them.
Some animals come into our lives to teach us about life, love and how to expand our hearts and maybe fill an empty space we never knew we had. Anyone can be a volunteer at the shelter and spend some time there, helping with chores, walking and playing with the dogs and cats.
Yup! I am an animal lover, since I was a little girl. I grew up surrounded by paws. Every dog we saw on the streets we picked it up and gave them a home. It’s a feeling that I can’t explain; they just fill me with special emotions that I wish everyone encounters. That’s why being there at the shelter was so incredibly satisfying, and I will be back for sure. Volunteering at LAPS made me realize how fortunate a person or a family can be when they foster or adopt these animals. They are just so loyal and grateful. You wouldn’t regret it.
If you will wish to become a volunteer, you can contact LAPS at www.lapslaredo.org/volunteer. Donations may be dropped off at the shelter located on 2500 Gonzalez St.
Overall, my experience was wonderful. Cynthia Gutierrez and all the staff were so friendly, and you could see the passion for what they do. I encourage the community to nurture places like LAPS, where you know you are making a difference in this world and having empathy for these adorable creatures.
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