Cinema Architecture AD1 term 2 2013 by Dr Cristian Suau Ibanez

WELSH SCHOOL OF ARCHITECTURE – CARDIFF UNIVERSITY – JANUARY 2013

YEAR 1 – TERM 2 CINEMA ARCHITECTURE

INTRODUCTION

DR CRISTIAN SUAU – TERM CHAIR DR JULIET DAVIS – TUTOR (TUESDAY-FRIDAY) JULIET ODGERS – TUTOR (MONDAY) VASILEIOS VOLAKOS – PhD STUDENT (STUDIO)

Framing Dubrovnik: The city as an open cinema space

Some Rules for Students and Teachers by John Cage

RULE ONE: Find a place you trust, and then try trusting it for a while. RULE TWO: General duties of a student - pull everything out of your teacher; pull everything out of your fellow students. RULE THREE: General duties of a teacher - pull everything out of your students. RULE FOUR: Consider everything an experiment. RULE FIVE: Be self-disciplined - this means finding someone wise or smart and choosing to follow them. To be disciplined is to follow in a good way. To be self-disciplined is to follow in a better way. RULE SIX: Nothing is a mistake. There is no win and no fail, there is only make. RULE SEVEN: The only rule is work. If you work it will lead to something. It’s the people who do all of the work all of the time who eventually catch on to things. RULE EIGHT: Don’t try to create and analyse at the same time. They’re different processes. RULE NINE: Be happy whenever you can manage it. Enjoy yourself. It’s lighter than you think. RULE TEN: “We’re breaking all the rules. Even our own rules. And how do we do that? By leaving plenty of room for X quantities.” (John Cage) HINTS: Always be around. Come or go to everything. Always go to classes. Read anything you can get your hands on. Look at movies carefully, often. Save everything - it might come in handy later.

Welsh School of Architecture AD1 Term 2 2013 Code No AR1006

Title Architectural Design 1 (AD1)

Methods of Assessment 100% Coursework

Level

Credits

Compulsory for

BSc Architectural Studies

Course Co-ordinator

Dr Cristian Suau (Chair winter term)

Contributing Staff The following internal staff is going to support winter term: Dr Cristian Suau, Dr Juliet Davis, Juliet Odgers (only Mondays), Sergio Pineda (digital weeks) and Vassilis Volakos The following external tutors have been appointed during winter term (only Fridays): Maria Kramer, Catherine Pease, Peter Feldmann, John Carter, Marcella Bellistri and Andrew Faulkner Aims and Rationale Note the AD1 Module runs over two semesters. This preview should be read in conjunction with the annual AD1 preview, which consists of term 1, term 2 (inclusive fieldwork) and 3 (Vertical Studio). AD1 term 2 builds upon the design principles and methods previously introduced through the Design Studio (term 1) and DPM1 module. The winter term of AD1 is comprised of one design project called ‘Cinema Architecture: Cinémathèque Rotterdam’, split into the following component parts: 1. Concept and Place 2. Kinetic Sequencing 3. Story Boarding and Spatial Framing 4. Sequencing and Montage 5. Implementation Design Programme The module aims to explore parallel approaches to the conceptualisation and composition of place, space, time, materiality and narrative in cinematographic and architectural practices. Beyond drawing useful implications for design, films and buildings can be read and designed as ‘assemblages’ not directed to the formal expression of meaning, but to the framing of strategic and enabling conditions of emergent sense, realised within the tectonic and material conditions of the cinematic and the architectural as such. The Cinémathèque is a compact film club situated in the old city of Rotterdam. It will have a minimum of 3 storeys. Only up to 70% of the plot might be covered. The film house’s design has to consider an inner patio for cross ventilation and natural lighting and outdoor activities. The height of the Cinémathèque’s front has to response harmoniously according to its cultural, urban and architectural immediate context. No car park and services are required. The essential programme consists of: - Indoor Cinema w/ 30 seats (double or triple height) - Courtyard (30% of the plot footprint) - Foyer (double or triple height) - Cafe bar (double height) - Archive centre (room) - Toilets (2) - Roof terraces - Circulation (staircases and/or ramps; no lifts are allowed)

Structure The AD1 module (term 2) consists of 11 weeks: Part 1: Idea and Place WEEK 1 (14-18/01): WEEK 2 (21-25/01): WEEK 3 (28/01-02/02):

Introduction & precedent studies (teamwork) Mass/programme models (teamwork) Rotterdam study trip (teamwork)

Part 2: Kinetic Sequencing WEEK 4 (04-08/02): WEEK 5 (11-15/02): WEEK 6 (18-22/02):

Spatial senses + storyboarding (individual) Interim Review (TBC - no available rooms) Digital week 1 on ‘proto-kinetic’ (individual/group) Digital week 2 on ‘animated frontispieces’ (individual/group)

Part 3: Story Boarding and Spatial Framing WEEK 7 (25/02-01/03): WEEK 8 (04-08/03):

Storyboarding in motion (individual) Initial model making + drawings Spatial framing (individual) Intermediate model making + drawings External review 1 (8 March)

Part 4: Sequencing and Montage WEEK 9 (11-15/03): WEEK 10 (18-22/03):

Sequencing 1 + advance model making (individual) Presentation model 1:50 & photography Sequencing 2 + advance model making Detailed model (evocative space) 1:20 & perspectives

Easter recess from 23/03 to 14/04 Part 5: Implementation WEEK 11 (15-19/04):

Y1 Portfolio Review 20 and 21 May:

Editing boards and models (individual) External review 2 (19 April)

Final Y1 Portfolio Review (TBC) Note: Pin-up weekend (18-19/05) and pin-down 21/05 (evening)

Learning Outcomes At the end of the Term 1 students should have:  Understand and be able to use correctly the conventions of Plan, Section and Elevation.  An initial understanding and some ability in more refined use of these orthographic projections in relation to the intention of a drawing.  Design-oriented understanding of architectural articulation of hierarchy of space in terms of human inhabitation, with specific emphasis on the relationship between public, transitional and private realms.  Develop an understanding of the potential of three dimensional spatial drawing as a design tool at various stages of the development of a design.  Understanding of the poetic, structural and constructional potential of a simple constructional system and an ability to use it in simple architectural design.  To present an architectural design to an audience verbally with reference to images.  Be able to participate in a discussion concerning architectural ideas, and specific issues of design.

By the end of Term 2 we expect students to:  Develop a range of representational and investigative conceptualisation, drawing and modelling skills.  Understanding of the poetic potential of ‘place’ in relation to the formation of architectural intentions.  Knowledge, understanding and skills in relevant basic IT 2D/3D visualisation and drawing packages  Ability to uncover, explore and present such potential through drawn, modelled and photographic investigations (analogic or digitally).  Ability to design a contemporary compact building, well contextualised and spatially rich, to resolve the design to an appropriate level in terms of conceptualisation, function, poetics of light and space, inhabitation and assemblage. Rotterdam Fieldwork:  Study buildings in situ as a way of developing architectural understanding.  Specific emphasis on developing photographic, constructional and drawing skills through the use of on-site recording, measuring and sketching. Composition of Module Autumn Term: AD1 was built upon the design principles and methods introduced through the DPM1 module. This term was comprised of one design project, designed to extend the students’ survey of ‘Water & Dwelling’ (through DPM1, within Cardiff ) to include Purton (Boat Graveyard), situated in East side of the Severn Estuary. The project had three component parts: Touchstone, memorial and a museum. Winter Term: The major design project is called ‘Cinema Architecture Rotterdam’, which includes the study trip/fieldwork in the Netherlands. This term reflects in depth on the notion of ‘Water & Dwelling’ throughout an 11-week design project in the port city of Rotterdam. Spring Term: Vertical Studio (3 weeks)

‘Cinema: Man with a camera

Programme During the winter term, AD1 is going to be supported by the following taught modules: Architectural History (AH1) led by Adam Hardy and Architectural Technology (AT1) led by Paul Thomas. Student portfolio reviews are undertaken at the end of each semester. Formal, summative assessment occurs at the end of semester two. Recommended Reading (mostly available at WSA) Film and Architecture Lampster, M. ‘Architecture and Film’, Princeton Architectural Press, New York, 2000 Ito, Toyo. ‘Tarzans in the Media Forest’, AA Publications, London, 2011 Van Uffelen, C. ‘Cinema Architecture’, Braun Publishing, Berlin, 2009 Neumann, D. ‘Film Architecture: From Metropolis to Blade Runner’, Prestel, 2000 Neumann, D. & Marcus, A. ‘Visualizing the City’, Routledge, 2008 Tawa, M. ‘Agencies of the Frame: Tectonic Strategies in Cinema and Architecture’, Cambridge Scholars Publishing, 2010 Arnheim, R. ‘Film as Art’, UCLA Press, Berkeley, 1957 Kling, V. ‘The Architect as a Filmmaker’, AIA Journal, February 1971, pp. 23-25 Bratu, M. ‘Cinema and Experience’, UCLA Press, Berkeley, 2012 Baudrillard, J. ‘Simulations’, Semiotext, US, 1983 Deleuze, G. ‘Cinema 1’, The Athlone Press, London, 1986 Deleuze, G. ‘Cinema 2’, The Athlone Press, London, 1989 Architectural Thoughts and Measurements Bachelard, G., ‘The Poetics of Space’. Boston: Beacon Press, 1969 Hertzberger, H., ‘Space and Architecture’, Rotterdam, 010 Publishers, 2000 Pallasmaa, J., ‘The Eyes of the Skin’, London, Academy, 1996 Unwin, Simon, ‘Analysing Architecture’, Routledge, 2003 Zumthor, P., ‘Thinking Architecture’, Birkhauser Verlag AG, 2010 Lynch, K., ‘Site Planning’. MIT press, Cambridge, 1984 Deplazes, A., ‘Constructing Architecture: Materials, Processes, Structures; a Handbook’, Birkhauser Verlag AG, 2008 Neufert, E., ‘Architects’ Data’, Wiley-Blackwell, 2002 Ching, F. ‘Architectural Graphics’, Hoboken, N.J: John Wiley & Sons, 2009 Delaney, M. & Gorman, A. ‘Studio Craft & Technique: The Architecture Student’s Handbook’, Dublin: The School of Architecture, University College, 2011 Heidegger, M. ‘Building Dwelling Thinking’, in Poetry, Language, Thought New York; London: Harper & Row, 2001, pp. 143-159 Zumthor, P. ‘Atmospheres: Architectural Environments - Surrounding Objects’, Basel; Boston; Berlin: Birkhäuser, 2006 Place ‘Guide to Modern Architecture in Rotterdam’. Rotterdam: Rotterdam: Uitgeverij 010.1996 ‘Post. Rotterdam Architecture and City after the Tabula Rasa’ = OMA/Rem Koolhaas, West 8, Neutelings Riedijk, MVRDV, NOX, EEA/Erick van Egeraat, MAX.1, SCHIE 2.0, Group A Rotterdam : 010 Publishers, 2001 ‘The Flood: 2nd International Architecture’. Dutch Biennale, Rotterdam 2005 ‘Bolles + Wilson Luxor Theater’, Rotterdam Rotterdam: NAi, 2005 ‘Brinkman & Van der Vlugt architects’ (Van Nelle factory in Rotterdam), NAI Uitgevers/Publishers 2012 ‘Architectural Guide to Rotterdam’. Rotterdam: Uitgeverij 010. 2004. ‘The Public Garden, the Enclosure and Disclosure of the Public Garden’. Rotterdam : NAi . 2002 ‘Living in the Lowlands : the Dutch Domestic Scene 1850-2004’, Jaap van den Berg; Jean Paul Baeten; Véronique Patteeuw; Nederlands Architectuurinstituut. Rotterdam : NAi Publishers, c2004 ‘City and Port: Urban Planning as a Cultural Venture in London, Barcelona, New York and Rotterdam’, Utrecht : International Books, 1999 ‘Port Architecture’. Peter Quatermaine. Chichester: Wiley, 1999

‘Fresher Facts: The Best Buildings by Young Architects in the Netherlands’. Rotterdam: NAI Publishers, 2004 ‘The Netherlands in Focus: Exemplary Ideas and Concepts for Town and Landscape’, Munich : Callwey; Basel: Birkhauser, 2002 ‘Team 10’; Max Risselada; Dirk van den Heuvel 1968-; Nederlands Architectuurinstituut. Rotterdam : NAi, c2005 ‘Mosaics: West 8’. West 8 Landscape Architects. ; A Geuze (Adriaan), Fanny Smelik. Basel:Birkhäuser, 2008 ‘Mecanoo: Experimental Pragmatism’, Pietro Valle. Milan: Skira ; New York, 2007 ‘Industry and After’, RIBA Journal vol.117. no.3. March 2010 ‘Urban Regeneration of Rotterdam’. RIBA Journal vol. 110 no.9 2003 p.1-8 RIBA Conference. Architecture on Films (DVDs) ‘Cinema Paradiso’ directed by Giuseppe Tornatore ‘Man with a Movie Camera’ directed by Dziga Vertov ‘Be Kind Rewind’ directed by Michel Gondry ‘The Rear Window’ directed by Alfred Hitchcock ‘One Week’ directed by Buster Keaton ‘Blade Runner’ directed by Ridley Scott ‘Paris Texas’ directed by Win Wenders ‘Metropolis’ directed by Fritz Lang ‘The Third Man’ directed by Carol Reed ‘The Fountainhead’ by King Vidor (novel by Ayn Rand) ‘Brazil’ directed by Terry Gilliam ‘Tron’ by Steven Lisberger ‘Fitzcarraldo’ by Werner Herzog ‘Sin City’ by Frank Muller ‘The Cube’ directed by Vincenzo Natali ‘Day for Night’ (La Nuit Americaine) directed by Truffault ‘Delicatessen’ directed by Jean-Pierre Jeunet & Marc Caro ‘Dune’ by David Lynch CS 1/2013

‘Casa da Musica’, Porto (Portugal) by OMA

‘Cinema Paradiso’ directed by Giuseppe Tornatore (1988)

CINEMA ARCHITECTURE ROTTERDAM AD1 - Term 2 “Cinema should make you forget you are siƫng in a theatre” by Roman Polanski Core: BSc1 chair (term two): BSc1 tutor (term two): BSc1 tutor (term two, only Mondays): BSc lecturer (digital design):

Dr Cristian Suau (CS) – suauc@cardiff.ac.uk Dr Juliet Davis (JD) Juliet Odgers (JO) Sergio Pineda (SP)

External design tutors: Catherine Pease (CP) Maria Kramer (MK) Peter Feldmann (PF) John Carter (JC) Dr Marcella Bellistri (MB) Andrew Faulkner (AF) Digital design team: Sergio Pineda (SP) AD1 term 2 builds upon the design principles and methods previously introduced through the Design Studio (term 1) and DPM1 module. The winter term of AD1 is comprised of one design project called ‘Cinema Architecture: Cinémathèque Rotterdam’, split into the following 5 component parts: 1. Concept and Place 2. Kinetic Sequencing 3. Story Boarding and Spatial Framing 4. Sequencing and Montage 5. Implementation

AD1 TERM 2 Part 1: Idea and Place WEEK 1 (14-18/01): WEEK 2 (21-25/01): WEEK 3 (28/01-02/02):

Introduction & precedent studies (teamwork) Mass/programme models (teamwork) Rotterdam study trip (fieldwork)

WEEK 1 PRECEDENTS + FORMAL, GEOMETRIC, FUNCTIONAL ANALYSIS OF YOUR CHOSEN CASES MAKE POSTERS WEEK 1 (teamwork) MONDAY 14 JANUARY INTRO LECTURE @ 10.30, BIRT ACRES LECTURE ROOM: WELCOME & INTRO 60 min DIGITAL DESIGN (Sergio Pineda) ERASMUS LINK UK-GERMANY (Paola Moruzzi) LECTURE: MOVEMENT-IMAGES by Jan Harris (12.00-13.00) CHARRETE ON PRECEDENTS STUDIES (groups), 13.00-16.00, Y1 STUDIO, EXHIBITION & CRIT Staff (all day): Dr Cristian Suau, Juliet Odgers and Vassilis Volakos TUESDAY 15 JANUARY STUDIO SUPPORT (AFTERNOON) 14.00-17.00 (groups Staff (1/2 day): Dr Juliet Davis and Vassilis Volakos WEDNESDAY 16 JANUARY SPORT (AFTERNOON) THURSDAY 17 JANUARY STUDIO SUPPORT (AFTERNOON) 14.00-17.00 (groups) Staff (1/2 day): Dr Cristian Suau and Vassilis Volakos FRIDAY 18 JANUARY TUTORIAL ALL DAY, 10.30-18.00 (groups) Rooms: Galleries, Green, Pit, WWL and Studio Staff (all day): Dr Cristian Suau (only afternoon), Dr Juliet Davis (only morning), Maria Kramer, Catherine Pease, Peter Feldmann, John Carter, Andrew Faulkner and Vassilis Volakos Note: Tutors meet up at 10.00 (Long Table)

‘Casa da Musica’, Porto (Portugal) by OMA

‘Be Kind Rewind’ directed by Michel Gondry

Cinémathèque Rotterdam Precedents Study Teamwork Every group have to choose one of the following case studies. You have to analyse the follwoing: - Functions (servant and served spaces) - Circulation (flows and access) - Layout (form and geometry) - Envelope - Structure (structural frame) - Materials: Structural, walls and roofs - Abstract model of the chosen case (undefined scale) You have to submit your analysis in 2 A1 portrait or landscape formats by Friday 20/01 (afternoon)

Modern Cases Colosseum, by Jacob Hanssen & Gerhard Iversen, Oslo (1921) Cine Dore (Filmoteca Espanola) by Crispulo Moro Cabezas, Madrid (1922) Skandia Cinema by Gunnar Asplund, Stockholm, 1923 Constructivist Cinema Architecture (Rusakov Club by Mielnikov, 1927) Cinema ‘Suomen Biografi’ by Alvar Aalto (unrealised, 1928) The Film Guild Cinema by Frederick Kiesler, NY (1929) Universum Cinema by Erich Mendelsohn, Berlin, 1931 Cineac Handelsblad by Duiker, Amsterdam (1934) Plaza Cinema, Port Talbot, Wales (1939, now closed) http://www.britonferry.net/port-talbot-video/plaza-cinema-port-talbot/ Philips Pavilion by Iannis Xenakis and Le Corbusier, Brussels Expo, 1958 The Carpenter Center for the Visual Arts by Le Corbusier, Massachusetts, 1963 Prince Charles Cinema by Carl Fischer and Assoc., London (1962) The Filmhouse and The Cameo, Edinburgh (current buildings)

Group

Cinémathèque Rotterdam Precedents Study Contemporary Cases

Group

Filmoteca de Catalunya by Josep Lluis Mateo, Barcelona (2011) Cinema Hackney Picture House by Fletcher Priest Architects, London (2011) Busan Cinema Center by Coop Himmelb(l)au Architects, Busan, South Korea (2011) The Mareel - Lerwick Cinema Venue by Gareth Hoskins Architects, Shetland, (2011) Hollywood Palladium Restoration by COE, Los Angeles, (2009) Lighthouse Cinema by DTA Architects, Smithfield, Dublin, Ireland (2008) Cinémathèque de Tanger, Tangier (1938; refurbished in 2006 by Jean-Marc Lalo) Sean Connery Filmhouse by Richard Murphy, Edinburgh (unrealised, 2004) Luxor Theatre Rotterdam by Peter Wilson Architects, Rotterdam (2000) BFI IMAX by Avery Associates Architects, London (1999) UFA Cinema Centre by Coop Himmelb(l)au Architects, Dresden (1998) Cinema (Pathe) Schouwburg Plein by Koen van Velsen (& West 8), Rotterdam (1996) Kronverk Cinema, Lefortovo, Moscow, Russia, 2011 BFI IMAX, London, UK, Avery Associates Architects Busan Cinema Center, Korea, Coop Himmelb(l)au Architects The Mareel - Lerwick Cinema Venue, Shetland, Scotland, Gareth Hoskins Architects Hollywood Palladium Restoration, Los Angeles, USA, COE Architecture International

Websites (Cinema Design) http://www.youtube.com/watch?v=J_PznrRlYHk student project http://www.e-architect.co.uk/cinema_buildings.htm cinema buildings

Key book (if you need more samples of Contemporary cinemas) Van Uffelen, C. ‘Cinema Architecture’, Braun Publishing, Berlin, 2009

Cinémathèque Rotterdam Precedents Study Additional Case Studies 1. Dublin Screening Room, Denzille Lane, by Grafton Architects (a private club, of modest scale) http://www.graftonarchitects.ie/work/projects/project.php?resource_id=349&image_id=356 2. McCullough Mulvin Architects’ City Art Project (A club integrated within historic ‘dwelling’ fabric. It has a ground floor meeting space used for screenings - see images 2&3 for section and photo!) http://www.mcculloughmulvin.com/projects/cityarts.html 3. Floating Cinema (small by neccessity. and definietly too small for our purposes!) http://www.studioweave.com/projects/the-floating-cinema/

Websites (Cinema Design) Cases (w/ links) of existing initiatives around cinema/film making to animate and help the students visualize possible uses/events in the design development: A centre for community film clubs http://blog.reelstreets.com/2008/05/tate-modern-community-film-club.html Amateur film documentary Archive Documenting history through amateur film reels. Maybe collate and repair amateur film and use venue to showcase films or tour in mobile film bus: http://www.youtube.com/watch?v=-Xq1v6DqaAY http://www.bbc.co.uk/tv/features/reelhistory/aps/reelhistorybus.shtml A Community film making/outreach resource http://www.diversityfilms.org.uk/documents/DiversityFilmsAnnualReportMay08-May09web.pdf http://www.community-film-maker.org.uk/ http://www.peoples-story.co.uk/ http://chocolatefilms.com/about-us Venue for local/national festivals relating to film http://www.nationalschoolsfilmweek.org/ http://www.bfi.org.uk/lff/ Other links/topics that may be useful: Essay by Francessco Cassetti - The Filmic Experience http://francescocasetti.files.wordpress.com/2011/03/filmicexperience1.pdf It explores activities involved in the consumption of a film. Talks about environment, The image, sound, the observer, collective or individual experince. It also talks about development of cinema and multimedia and how this has changed the experience. Passive or active relationship with cinema, etc. Different forms of cinema. Storytelling, etc. Traditional black box experience versus other forms of media/film consumption.

Websites (Cinema Design) Tacita Dean installation in the Turbine Hall Homage to analogue film and death of celluloid: http://www.telegraph.co.uk/culture/culturevideo/artvideo/8818226/Tacita-Dean-transforms-Tate-Modern-Turbine-Hall-into-giant-cinema.html Film by Tacita Dean http://www.tate.org.uk/shop/do/Books/Film-Tacita-Dean/product/48694 Pop-up Cinema http://www.timeout.com/london/around-town/event/5151/rooftop-film-club http://www.chanceprojects.com/node/37 Post Cinema by Peter Greenaway - Cinema is Dead http://www.youtube.com/watch?v=-t-9qxqdVm4

Building Precedent Macreaner LavingtonCinema, Gallery, workshops for the British Film Institute http://www.maccreanorlavington.com/website/en/project_219.html http://www.vertigomagazine.co.uk/showarticle.php?sel=bac&siz=0&id=92

Sectional detail of a compact cinema room

Richard Murphy- Film House Edinburgh http://adesignideas2.blogspot.com/2009/10/sean-connery-filmhouse-edinburgh.html

Key Independent Cinemas in the UK Useful link: http://www.cinema-theatre.org.uk/listed.htm

The Tyneside Newcastle upon Tyne The original 1930s newsreel screen still functions in the magnificent art deco auditorium, and you can bring in a cocktail from the circle bar for company and watch mainstream and arthouse films from leather sofas. The Digital Lounge masquerades as a private living ¬room with sofas drawn up round the big screen; for snugness there’s the Roxy, while the Elektra does stadium-like magnitude. The 1930s tea room remains intact. You can buy your tickets along with your wine at the bar to save on queuing. Courses on cinematic themes, including filmmaking, are ¬ongoing in the on-site studios. 10 Pilgrim St, Newcastle upon Tyne ¬(tynesidecinema. co.uk, 0845 217 9909) http://www.fletcherpriest.com/ tyneside-cinema1/architecture/leisure/ The Electric Birmingham This is one of the oldest working cinemas in the UK. It focuses on art films and the more intelligent block-busters and if your concentration needs a prod you can text a waiter to bring a glass of absinthe (one of the nation’s only absinthe fountains survives here) to your sofa seat. Feed off olives, scones and handmade chocolates from the art deco bar. You can hire a room to show a film of your choice, and the in-house orchestra plays along live to a screening a handful of times a year. Station Street, Birmingham (theelectric.co.uk, 0121-643 7879) The Broadway Nottingham A startling, glass-fronted palace with a programme of old and new, quirky and mainstream across its four screens. Cinema professionals are occasionally brought in to introduce a film, and there are special screenings for older people, people with autism and parents with infants. Paul Smith designed one of the revamped auditoriums, adding funky striped sofa seats where you can down the in-house beer (Broadway Reel Ale) and delicacies imported from the cafe. Broad Street, Nottingham (broadway.org.uk, 0115 952 6611)

The Cornerhouse Manchester As much a cultural forum as a cinema, the Cornerhouse shows what artistic audacity can do to an old furniture shop. With Helen Mirren and Damien Hirst among the patrons, it was established as a charitable trust in 1985 and houses three art galleries, three cinemas, a cafe and bookshop bar. The idea is to mingle filmmakers, artists and audiences to -debate ideas. The focus is on independent films, but you’re as likely to taste culture in the cafe, which is beloved of pop groupies and emerging bands. Oxford Street, Manchester (cornerhouse.org, 0161-200 1500

The Cameo Edinburgh The stately opulence is more opera house than cinema – the interior was restored to its original 1914 glory in the 1980s, while the bar is defiantly 21st century, with leather sofas and a lengthy cocktail menu (you can take your glass into the auditorium with you). Programmes, spread over three screens, tend to be a tour through ¬cinematic history, from vintage classics, through foreign-language films, documentaries, arty stuff and current hits. Home Street, Edinburgh (www.picturehouses.co.uk, 0871 704 2052)

Cube Microplex Bristol Film It is only part of the Cube’s -function. Founded as a notfor-profit co-operative in 1998 by a couple of stilt walkers and two colleagues, it is an experiment in wild music, cult and mainstream film screenings, off-the-wall exhibitions, festivals and -burlesque. “A pig bag” is how it -describes its programmes. The building began as theatre for amateur dramatics and the old stage is still well trodden, often with the big screen being used as a back drop. Princes Row, Bristol (cubecinema.com, 0117 907 4190) Email: cubeadmin@cubecinema.com

AD1 TERM 2 Part 1: Idea and Place WEEK 1 (14-18/01): WEEK 2 (21-25/01): WEEK 3 (28/01-02/02):

Introduction & precedent studies (teamwork) Mass/programme models (teamwork) Rotterdam study trip (fieldwork)

WEEK 2 MASS & PROGRAMMATIC MODELS ANALYSIS OF CASE STUDIES MODEL MAKING

WEEK 2 (teamwork) MONDAY 21 JANUARY INTRO LECTURE ON ROTTERDAM @ 10.30, BIRT ACRES LECTURE ROOM: DISTRIBUTION OF ARCHITECTURAL GUIDES/BOOKLETS + CHARRETE ON MODELLING (groups), 12.00-16.00, Y1 STUDIO Staff (all day): Dr Cristian Suau, Juliet Odgers and Vassilis Volakos TUESDAY 22 JANUARY STUDIO SUPPORT (AFTERNOON) 14.00-17.00 (groups) Staff (1/2 day): Dr Juliet Davis and Vassilis Volakos WEDNESDAY 23 JANUARY SPORT (AFTERNOON) FILM SESSION: Film: ‘Man with a Movie Camera’ directed by Dziga Vertov Time: 14.00 Venue: Lecture room 0.14, Bute building THURSDAY 24 JANUARY STUDIO SUPPORT (AFTERNOON) 14.00-17.00 (groups) Staff (1/2 day): Dr Cristian Suau and Vassilis Volakos FRIDAY 25 JANUARY TUTORIAL ALL DAY, 10.30-18.00 (groups) Rooms: Galleries, Green, Pit, WWL and Studio Staff (all day): Dr Cristian Suau (only afternoon), Dr Juliet Davis (only morning), Maria Kramer, Catherine Pease, Peter Feldmann, John Carter, Andrew Faulkner, Dr Marcella Bellistri and Vassilis Volakos Note: Tutors meet up at 10.00 (Long Table)

‘Casa da Musica’, Porto (Portugal) by OMA

‘Open-air cinema in summertime

WEEK 3 ROTTERDAM STUDY TRIP: 28/01 - 02/02

AD1 TERM 2 Part 1: Idea and Place WEEK 1 (14-18/01): WEEK 2 (21-25/01): WEEK 3 (28/01-02/02):

Introduction & precedent studies (teamwork) Mass/programme models (teamwork) Rotterdam study trip (fieldwork)

WEEK 3 (fieldwork) MONDAY 28 JAN

THURSDAY 31 JAN

Check in hostel at noon Lunch break 13.00-14.00

Breakfast from 07.00 to 09.00 AMSTERDAM ARCHI-TOUR

SITE VISIT + ARCHI-TOUR 1 meeting point: Hostel start time: 14.00 duration: 3 hours

Group work 17.00 onwards TUESDAY 29 JAN Breakfast from 07.00 to 09.00 SITE VISIT + ARCHI-TOUR 2 meeting point: Hostel start time: 09.00 duration: 3 hours

Lunch break 12.00-13.00 SITE VISIT + ARCHI-TOUR 3 meeting point: Hostel start time: 13.00 duration: 3 hours

meeting point: Rotterdam train St. start time: 08.30 duration: 9 hours approx. (inclusive lunch break) departure @ 09.00 return @ 18.00

Bye-bye party at 21.00 (TBC) FRIDAY 1 FEB Breakfast from 07.00 to 09.00 FREE DAY NOTE: Please follow recommendations by tutors

SATURDAY 2 FEB Breakfast from 07.00 to 09.00 Check out hostel before noon

Group work 16.00 onwards WEDNESDAY 30 JAN

NOTE: Do not forget to print your tkts before departure

Breakfast from 07.00 to 09.00 SITE ANALYSIS (teamwork) venue: Hostel start time: 09.00 duration: 8 hours (inclusive lunch break)

GROUP PRESENTATION meeting point: Hostel start time: 17.00 duration: 2 hours

Dinner (optional) at 19.30 (TBC)

ROTTERDAM HOSTEL ACCOMMODATION STAYOK ROTTERDAM Overblaak 85- 87 3011 MH Rotterdam http://www.stayokay.com tel +31 10 4365763 fax +31 10 4365569 rotterdam@stayokay.com

ROTTERDAM STUDY TRIP FIRST YEAR STUDIO 2013 THE WELSH SCHOOL OF ARCHITECTURE Year chair (term 2) 2013 Dr Cristian Suau Studio tutors: Dr Juliet Davies Juliet Odgers Peter Feldmann Catherine Pease Maria Kramer John Carter Andrew Faulkner Vasileios Volakos

Rotterdam Study Trip - WSA AD1 2013 designed by Cristian Suau

Our trip is available here: http://issuu.com/cristiansuau/docs/booklet_nl

The kinematic experience between the screen and the spectator at ‘Cinema Paradiso’.

AD1 TERM 2 Part 2: Kinetic Sequencing WEEK 4 (04-08/02): WEEK 5 (11-15/02): WEEK 6 (18-22/02):

Spatial senses + Storyboarding (individual) Interim Review (TBC) Digital week 1 on ‘Proto-kinetic’ (individual/group) Digital week 2 on ‘Animated Frontispieces’ (individual/group)

WEEK 4 SPATIAL SENSES + STORYBOARDING

WEEK 4 (individual) MONDAY 04 FEBRUARY INTRO LECTURE ON STROYBOARDING @ 10.30, 0.53 LECTURE ROOM MAIN LECTURE: RICHARD POWELL (tbc) + CHARRETE (groups), 12.00-16.00, Y1 STUDIO Staff (all day): Dr Cristian Suau, Juliet Odgers and Vassilis Volakos TUESDAY 05 FEBRUARY STUDIO SUPPORT (AFTERNOON) 14.00-17.00 (groups) Staff (1/2 day): Dr Juliet Davis and Vassilis Volakos WEDNESDAY 06 FEBRUARY SPORT (AFTERNOON) FILM SESSION: Film: ‘Cinema Paradiso’ directed by Giuseppe Tornatore Time: 14.00 Venue: Birt Acres lecture room, Bute building THURSDAY 07 FEBRUARY STUDIO SUPPORT (AFTERNOON) 14.00-17.00 (groups) Staff (1/2 day): Dr Cristian Suau and Vassilis Volakos FRIDAY 08 FEBRUARY TUTORIAL ALL DAY, 10.30-18.00 (individual) Interim Review Rooms: Only Studio Staff (all day): Dr Cristian Suau (only afternoon), Dr Juliet Davis (only morning), Maria Kramer, Catherine Pease, Peter Feldmann, John Carter, Andrew Faulkner, Dr Marcella Bellistri and Vassilis Volakos Note: Tutors meet up at 10.00 (Long Table)

Rotterdam Sketchbook Introduction: Monday 28 January 2013 Opening -Exhibition: Friday 8 February 2013 ‘I prefer drawing to talking. Drawing is faster, and leaves less room for lies’. Le Corbusier

Preliminary sketch of Istanbul’s silhouette from the sea by Le Corbusier

Towards a critical and essential drawing: The point is not to draw pleasing looking perspective sketches, but to use your drawing to interrogate architectural and urban spaces. Finding a topic: Concentrate on using your sketch book to observe things which are relevant to your current studio project: Light, material, scale, material, and inhabitation. How do people occupy public and domestic spaces? The key figure interrogates the city from the seascape, the congested city of Istanbul offer a perfect amalgam between its topography and buildings. As result Le Corbusier fused the primal features of this cityscape: the fabric follows the geomorphological contour of Istanbul. Certainly it would be impossible to draw this outstanding sketch without a synchronised eye-to-hand coordination. Architectural sketchers do capture the space in motion, they are non-stationary observers. Use drawing to analyse light and shadows; forms; depth and spatial sequences; scales (urban and domestic ones); landscapes and greenery; flows and circulation; connections; and frames. Apart from your sketches, you will work in teams to investigate different facets of the city through streets, laneways, squares, pergolas, and so on. You have to study and measure a study are and a compound (plot) as well. Draw accurate plans and sections and details. Partial plans and sections can focus a study on one aspect. Use appropriate detail to the scale of the drawing. We do not expect hardline drawings. Nonetheless it is important to scan and represent the physical realm as complete as possible, so you can better understand the cognitive and sensorial experience holistically. Thus it is important to get proportions and ratios precise. Make ideograms to explore and represent concepts. Essential reading: ‘Voyage D’Orient Carnets’ by Le Corbusier. Phaidon Press; English Ed edition (June 24, 2002) Year meeting Meet on Monday 6 February at 09.00am, room 0.50 Exhibition: Montage: Pin-up: Pin-down:

Week 4 Friday 8 2013 (before 10.00am) Friday 8 2013 (each student has to remove each clipboard)

Every student’s work is going to be displayed, inclusive tutor’s work. We will provide one frame per students. The Sketchbook exercise consists on an individual and group event. It will culminate in an exhibition displayed on Friday 08 February 2013. Prior the montage, you will have few hour to proceed, select, edit and frame your individual sketch work and also compose your on-site group work. Mounting the exhibition Regarding the individual work, we have at our disposal 160 A4 clip frames: two for each student and tutors. You will have to scan or photocopy from your sketch book. Regarding your group work, select yourselves key plans, sections and various schemes or diagrams that refer to the study area and immediate site. You can also incorporate images in motion. Choose with the help of fellow students two illustrations from your sketch book that represent something that you wish to take forward into your design work this term. These chosen images might not be the ‘best’ but contain the essential element of your potential design. These reveal the primal aspects of your ‘proto-design’. It means ‘best’ as most interesting and relevant. You could select yourselves plans, sections and any diagrams. Judgement All tutors will judge exemplary student works. We will nominee the best individual and group drawings. Preparation Each member of the group should cover the following roles: 1. Event planning The AD1 reps will collect £3.00 from each of your fellow students for purchase of drinks and snacks; clipboards. Do not forget clearing afterwards 2. Hanging Presiding over the hang, setting up the rules and drawing the level. 3. Clearing the space Hammer and nails when needed. . 4. Distributing clip frames Distributing clip frames and packing them away at the end of the show. 5. Materials for exhibition Scanning, printing/plotting and framing images (Clip frames are the only material provided by us, but each student to finance their own printing, plotting, scanning and group editing (in foam boards). NOTE: More details will be porvide in year memeting on 4th of February 2013

AD1 TERM 2 Part 2: Kinetic Sequencing WEEK 4 (04-08/02): WEEK 5 (11-15/02): WEEK 6 (18-22/02):

Spatial senses + Storyboarding (individual) Interim Review (TBC) Digital week 1 on ‘Proto-kinetic’ (individual/group) Digital week 2 on ‘Animated Frontispieces’ (individual/group)

WEEK 5 PROTO-KINETIC

WEEK 5 (individual/group) MONDAY 11 FEBRUARY 14:00 – 18:00, introductory lecture, workshop at the digital media lab (2d and 3d modelling, 3d Studio Max). Staff (all day): Sergio Pineda, Dr Cristian Suau, Juliet Odgers and Vassilis Volakos TUESDAY 12 FEBRUARY 14:00 – 16:00, lecture (Glamorgan -1.64). 16:00 – 18:00, workshop at the digital media lab (3d modelling and animation, 3d Studio Max). Sergio Pineda, Dr Juliet Davis and Vassilis Volakos WEDNESDAY 13 FEBRUARY SPORT (AFTERNOON) NO FILM SESSION THURSDAY 14 FEBRUARY STUDIO SUPPORT (AFTERNOON) 14.00-17.00 (groups) Staff (1/2 day): Dr Cristian Suau and Vassilis Volakos FRIDAY 15 FEBRUARY 10:00 – 17:00, sessions with design tutors to discuss proposals in one-to-one tutorials Rooms: TBC by Sergio Pineda Staff (all day): Sergio Pineda, Dr Cristian Suau (only afternoon), Dr Juliet Davis (only morning), Maria Kramer, Catherine Pease, Peter Feldmann, John Carter, Andrew Faulkner, Dr Marcella Bellistri and Vassilis Volakos Note: Tutors meet up at 10.00 (Long Table)

AD1 TERM 2 Part 2: Kinetic Sequencing WEEK 4 (04-08/02): WEEK 5 (11-15/02): WEEK 6 (18-22/02):

Spatial senses + Storyboarding (individual) Interim Review (TBC) Digital week 1 on ‘Proto-kinetic’ (individual/group) Digital week 2 on ‘Animated Frontispieces’ (individual/group)

WEEK 6 ANIMATED FRONTISPIECES

WEEK 6 (individual/group) MONDAY 18 FEBRUARY 14:00 – 18:00, workshop at the digital media lab (advanced image processing, Photoshop). Staff (all day): Sergio Pineda, Dr Cristian Suau, Juliet Odgers and Vassilis Volakos TUESDAY 19 FEBRUARY 14:00 – 16:00, lecture (Glamorgan -1.64). 16:00 – 18:00, workshop at the digital media lab (layouts and publishing techniques print/online, InDesign). Sergio Pineda, Dr Juliet Davis and Vassilis Volakos WEDNESDAY 20 FEBRUARY SPORT (AFTERNOON) NO FILM SESSION THURSDAY 21 FEBRUARY STUDIO SUPPORT (AFTERNOON) 14.00-17.00 (groups) Staff (1/2 day): Dr Cristian Suau and Vassilis Volakos FRIDAY 22 FEBRUARY 10:00 – 17:00, final presentations with design tutors. Room not book yet Rooms: TBC by Sergio Pineda Staff (all day): Sergio Pineda, Dr Cristian Suau (only afternoon), Dr Juliet Davis (only morning), Maria Kramer, Catherine Pease, Peter Feldmann, John Carter, Andrew Faulkner, Dr Marcella Bellistri and Vassilis Volakos Note: Tutors meet up at 10.00 (Long Table)

Welsh School of Architecture Cardiff University Digital Sessions in Design Studio BSc 1st Year (2012/13, 2nd Term)

WEEKS 5-6 PROTO-KINETICS ANIMATED FRONTISPIECES

Methods of Assessment: Project work (crit), online submission Task Leader: Sergio Pineda Contributing Staff: design tutors from BSc 1st Year. Aims and Rationale This task has been prepared to allow connections between design creativity and computational principles and methods in architectural design. The task will introduce a number of digital tools for design inquiry. This will include digital modelling, animation, simulation of movement, cinematic studies, advanced image processing and publication (print and online). This will allow students to explore spatial and temporal narratives in the preparation of an architectural project, and to reflect critically about how such work is best represented in printed and online formats. The focus of the content is tightly coupled to that of Design Studio for the 2nd term of 2012/13. Learning Outcomes On completion of the task a student will be able to:

Critically evaluate the role of digital modelling and its effect on the proposed design response.

Creatively integrate digital tools and techniques in the design process.

Have an understanding of principles and methods of architectural design and representation.

Composition of the task The task will be delivered and prepared during a two-week workshop. Responding to the methodology of a digital sandbox, it will be exploratory in nature. Students will be asked to experiment with regards to narratives of time, space and structure, through digital and generative techniques. The projects will be underpinned by the following study methods:

Use of 2D and 3D digital modelling techniques: to investigate creative responses to design problems; to explore digital and generative design techniques; to explore temporal narratives in digital formats to generate spatial and structural designs.

Use of advanced image processing and layout techniques: to aggregate, superimpose and order information; to reflect critically as to how to best represent architectural designs for print and online formats, and to publish the material accordingly.

Use of online tutorials and resources: for self-directed learning.

Teaching will take the form of short project introductions and lectures, software demonstrations and tutorials supplemented by seminars and one-to-one tuition. Task Students will be asked to use 2d and 3d digital modelling tools (including generative and parametric software) to propose a narrative of time, space and structure for their design projects. In the week preceding the Digital Sessions, students will be asked by their Year Chair to imagine a number of key frames, or instants, within their project. Each one of these key frames will be represented as a two-dimensional image. An important reference here will be the ‘Prisons’ or ‘Carceri’ series by Giovanni Battista Piranesi.

In an initial cinematic experiment, students will be asked to: Choose an example of cinematic motion (a gymnast vaulting, a bird landing, tectonic plates shifting, a wave crashing).

Capture digitally the key structure of the studied movement through the selection of key frames, and produce (through generative techniques) the interstitial geometries in between key frames.

Produce a micro-film – a 5 second animated sequence – to convey the temporal, spatial and structural narrative of the studied movement.

A second cinematic production will require the use of the spatial key frames for their projects, produced during the weeks previous to the Digital Sessions. Students will be asked to: Translate to a vectorial medium the key geometries of each and every key frame they prepared previously. Complete the interstitial structures in between key frames. This may be done generatively (allowing the software to complete the interstitial geometries), or compositionally (through 3d modelling). Create a camera and define its movement through the scene to represent a sequential time/space experience. Export video and images to convey the cinematic narrative and the generated structural arrangements. Publish the material (print and online).

Timetable Within the structure of this term, the digital sessions belongs to the design studio entitled ‘Cinema Architecture, Part 2, on Kinetic Sequencing, which is detailed as follows: WEEK 4 (04-08/02): WEEK 5 (11-15/02): WEEK 6 (18-22/02):

Spatial senses + storyboarding Digital week 1 on ‘Proto-kinetic’ Digital week 2 on ‘Animated Frontispieces’

WEEK 5 on Proto-kinetic Monday 11 February, 14:00 – 18:00, introductory lecture, workshop at the digital media lab (2d and 3d modelling, 3d Studio Max). Tuesday 12 February, 14:00 – 16:00, lecture (Glamorgan -1.64). 16:00 – 18:00, workshop at the digital media lab (3d modelling and animation, 3d Studio Max). Friday 15 February, 10:00 – 17:00, sessions with design tutors to discuss proposals in one-to-one tutorials. WEEK 6 on Animated Frontispieces Monday 18 February, 14:00 – 18:00, workshop at the digital media lab (advanced image processing, Photoshop). Tuesday 19 February, 14:00 – 16:00, lecture (Glamorgan -1.64). 16:00 – 18:00, workshop at the digital media lab (layouts and publishing techniques print/online, InDesign). Friday 22 February, 10:00 – 17:00, final presentations with design tutors.

Indicative Reading Alexander, C. (1964). Notes on the Synthesis of Form. Harvard University Press. Aranda, B., Lasch, C. (2006). Tooling. Pamphlet Architecture 27. Bechthold, M. (2008). Innovative Surface Structures : Technologies and applications. Taylor & Francis. Clarke, D.B. (ed.)(1997). The Cinematic City, Routledge, London and New York. Duwe, D. A. (ed.), (1996). Learning from Hollywood . Trans. Michael Robinson. Axel Menges, Stuttgart and London. Eisenman, P. (2008). Ten Canonical Buildings. Rizzoli Publishers, New York. Neumann, D. (1999). Film architecture: set designs from Metropolis to Blade Runner . Prestel. Rykwert, J. (2005). Translation and/or Representation. (Mellon Lecture). Sakamoto, T., Ferre, A., Kubo, M. (eds) (2008). From Control to Design: Parametric/Algorithmic Architecture. Actar. Schoning, P. (2006). Manifesto for a Cinematic Architecture. Architectural Association. Schoning, P. (2009). Cinematic Architecture 1993-2008. Architectural Association. Tarkovsky, A. (1989). Sculpting in Time: Reflections on Cinema. University of Texas Press. Terzidis, K. (2006). Algorithmic Architecture. Architectural Press. Umemoto, N. and J. Reiser (2006). Atlas of Novel Tectonics. Princeton Architectural Press.

AD1 TERM 2 Part 3: Story Boarding and Spatial Framing WEEK 7 (25/02-01/03): WEEK 8 (04-08/03):

Storyboarding in motion (individual) Initial model making + drawings Spatial framing (individual) Intermediate model making + drawings External review 1 (8 March)

WEEK 7 STORYBOARDING IN MOTION NOTE: THIS PERIOD IS A SCHOOL RESEARCH WEEK AND INTRENAL TUTORS WILL NOT ATTEND ACTIVITIES BUT ONLY EXTERNALS WEEK 7 (individual) MONDAY 25 FEBRUARY 10:00 – 13:00, year meeting at room 0.53 Lecture on ‘Storyboarding in Motion’ (individual): Initial model making + drawings Staff (all day) Charrette (TBC) Not available rooms Dr Cristian Suau, Juliet Odgers and Vassilis Volakos TUESDAY 26 FEBRUARY STUDIO SUPPORT (AFTERNOON) 14.00-17.00 (groups) Staff (1/2 day): Dr Juliet Davis and Vassilis Volakos WEDNESDAY 27 FEBRUARY SPORT (AFTERNOON) FILM SESSION: Film: ‘The Rear Window’ directed by Alfred Hitchcock Time: 14.00 Venue: Birt Acres lecture room, Bute building THURSDAY 28 FEBRUARY STUDIO SUPPORT (AFTERNOON) 14.00-17.00 (groups) Staff (1/2 day): Dr Cristian Suau and Vassilis Volakos FRIDAY 01 MARCH TUTORIAL ALL DAY, 10.30-18.00 (individual) Rooms: studio, gallery and pit Staff (all day): Maria Kramer, Catherine Pease, Peter Feldmann, John Carter, Andrew Faulkner, Dr Marcella Bellistri and Vassilis Volakos Note: Dr Cristian Suau (only afternoon) and Dr Juliet Davis (only morning) will be replaced Note: Tutors meet up at 10.00 (Long Table)

AD1 TERM 2 Part 3: Story Boarding and Spatial Framing WEEK 7 (25/02-01/03): WEEK 8 (04-08/03):

Storyboarding in motion (individual) Initial model making + drawings Spatial framing (individual) Intermediate model making + drawings External review 1 (8 March)

WEEK 8 SPATIAL FRAMING WEEK 8 (individual) MONDAY 04 MARCH 10:00 – 13:00, year meeting, room TBC Lecture on ‘Spatial Framing’ (individual): Intermediate model making + drawings Preparation for external review 1 Charrette (4-6pm) Exhibition/Crit rooms Staff (all day) Dr Cristian Suau, Juliet Odgers and Vassilis Volakos TUESDAY 05 MARCH STUDIO SUPPORT (AFTERNOON) 14.00-17.00 (groups) Staff (1/2 day): Dr Juliet Davis and Vassilis Volakos WEDNESDAY 06 MARCH SPORT (AFTERNOON) FILM SESSION: Film: ‘Taxi Driver’ directed by Martin Scorsese Time: 14.00 Venue: 0.53 lecture room, Bute building THURSDAY 07 MARCH STUDIO SUPPORT (AFTERNOON) 14.00-17.00 (groups) Staff (1/2 day): Dr Cristian Suau and Vassilis Volakos FRIDAY 08 MARCH EXTERNAL REVIEW ALL DAY, 10.30-18.30 (individual) Reviews: 11.00-18.30 (including moderation) Review rooms: green, gallery, pit, WWL, exh/crit rooms Lecture room: Glamorgan -0.63, from 1-2pm Staff (all day): Dr Cristian Suau and Dr Juliet Davis (all day), Maria Kramer, Catherine Pease, Peter Feldmann, John Carter, Andrew Faulkner, Dr Marcella Bellistri and Vassilis Volakos plus external reviewers Note: Tutors meet up at 10.00 (Long Table)

AD1 TERM 2 Part 4: Sequencing and Montage WEEK 9 (11-15/03): WEEK 10 (18-22/03):

Sequencing 1 + advance model making (individual) Presentation model 1:50 & photography Sequencing 2 + advance model making (individual) Detailed model (evocative space) 1:20 & perspectives

Easter recess from 23/03 to 14/04

WEEK 9 SEQUENCING AND MONTAGE 1 WEEK 9 (individual) MONDAY 11 MARCH 10:00 – 13:00, year meeting, room 0.53 Lecture on ‘Sequencing and Montage 1’ (individual): Intermediate model making + drawings Lecture by Catherine Pease on ‘Special Effects and Floating Cinemas’ followed by a Charrette (46pm) Exhibition/Crit rooms Staff (all day) Dr Cristian Suau, Juliet Odgers and Vassilis Volakos TUESDAY 12 MARCH STUDIO SUPPORT (AFTERNOON) 14.00-17.00 (groups) Staff (1/2 day): Dr Juliet Davis and Vassilis Volakos WEDNESDAY 13 MARCH SPORT (AFTERNOON) FILM SESSION: Film: ‘The Big Lebowski’ directed by Coen Bros. Time: 14.00 Venue: 0.53 lecture room, Bute building THURSDAY 14 MARCH STUDIO SUPPORT (AFTERNOON) 14.00-17.00 (groups) Staff (1/2 day): Dr Cristian Suau and Vassilis Volakos FRIDAY 15 MARCH TUTORIALS ALL DAY, 10.30-18.00 (individual) Rooms: green, gallery, pit, WWL, west corridor, exh/crit rooms Lecture room: Glamorgan -0.63, from 1-2pm Staff (all day): Dr Cristian Suau and Dr Juliet Davis (all day), Maria Kramer, Catherine Pease, Peter Feldmann, John Carter, Andrew Faulkner, Dr Marcella Bellistri and Vassilis Volakos Note: Tutors meet up at 10.00 (Long Table)

AD1 TERM 2 Part 4: Sequencing and Montage WEEK 9 (11-15/03): WEEK 10 (18-22/03):

Sequencing 1 + advance model making (individual) Presentation model 1:50 & photography Sequencing 2 + advance model making (individual) Detailed model (evocative space) 1:20 & perspectives

Easter recess from 23/03 to 14/04

WEEK 10 SEQUENCING AND MONTAGE 2 WEEK 10 (individual) MONDAY 18 MARCH 10:00 – 13:00, year meeting, room 0.53 Preparation for final review on 19 April Lecture on ‘Sequencing and Montage 2’ (individual): Detailed model (evocative space) 1:20 & perspectives Charrette (4-6pm) Exhibition/Crit rooms Staff (all day) Dr Cristian Suau, Juliet Odgers and Vassilis Volakos TUESDAY 19 MARCH STUDIO SUPPORT (AFTERNOON) 14.00-17.00 (groups) Staff (1/2 day): Dr Juliet Davis and Vassilis Volakos WEDNESDAY 20 MARCH SPORT (AFTERNOON) FILM SESSION: Film: ‘Bagdad Café’ directed by Percy Adlon Time: 14.00 Venue: 0.53 lecture room, Bute building THURSDAY 21 MARCH STUDIO SUPPORT (AFTERNOON) 14.00-17.00 (groups) Staff (1/2 day): Vassilis Volakos plus additional tutor (tbc) FRIDAY 22 MARCH TUTORIALS ALL DAY, 10.30-18.00 (individual) Rooms: studio, gallery and pit Lecture room: Glamorgan -1.63, from 1-2pm Staff (all day): Maria Kramer, Catherine Pease, Peter Feldmann, John Carter, Andrew Faulkner, Dr Marcella Bellistri and Vassilis Volakos. Note: Tutors meet up at 10.00 (Long Table). Dr Cristian Suau and Dr Juliet Davis (all day) will be replaced due to MArch dissertations.

AD1 TERM 2 Part 5: Implementation and Portfolio Review WEEK 11 (15-19/04):

Editing boards and models (individual) External review 2 (19 April)

20 and 21 May:

Final Y1 Portfolio Review (TBC) Note: Pin-up weekend (18-19/05) and pin-down 21/05 (evening)

WEEK 11 EDITING BOARDS & MODELS

WEEK 11 (individual) MONDAY 15 ABRIL 10:00 – 13:00, year meeting, room 0.53 Lecture on ‘Editing boards and models’ (individual) Charrette (4-6pm) Exhibition/Crit rooms Staff (all day) Dr Cristian Suau, Juliet Odgers and Vassilis Volakos TUESDAY 16 ABRIL STUDIO SUPPORT (AFTERNOON) 14.00-17.00 (groups) Staff (1/2 day): Dr Juliet Davis and Vassilis Volakos WEDNESDAY 17 ABRIL SPORT (AFTERNOON) NO FILM SESSION THURSDAY 18 ABRIL STUDIO SUPPORT (AFTERNOON) 14.00-17.00 (groups) Staff (1/2 day): Dr Cristian Suau and Vassilis Volakos FRIDAY 19 ABRIL EXTERNAL REVIEW ALL DAY, 10.30-18.30 (individual) Lecture: 10.30 at Brit Acres Reviews: 11.00-18.30 (including moderation) Review rooms: green, gallery, pit, WWL and all corridors Staff (all day): Dr Cristian Suau and Dr Juliet Davis (all day), Maria Kramer, Catherine Pease, Peter Feldmann, John Carter, Andrew Faulkner, Dr Marcella Bellistri and Vassilis Volakos plus external reviewers Note: Tutors meet up at 10.00 (Long Table)

Cinema Architecture in Rotterdam Film Sessions at WSA

“Cinema should make you forget you are sitting in a theatre” by Roman Polanski

WEDNESDAY 23 JANUARY Film: ‘Man with a Movie Camera’ directed by Dziga Vertov Time: 14.00 Venue: Lecture room 0.14, Bute building

WEDNESDAY 06 FEBRUARY Film: ‘Cinema Paradiso’ directed by Giuseppe Tornatore Time: 14.00 Venue: Birt Acres lecture room, Bute building

WEDNESDAY 27 FEBRUARY Film: ‘The Rear Window’ directed by Alfred Hitchcock Time: 14.00 Venue: Birt Acres lecture room, Bute building

WEDNESDAY 06 MARCH Film: ‘Taxi Driver’ directed by Martin Scorsese Time: 14.00 Venue: 0.53 lecture room, Bute building

WEDNESDAY 13 MARCH Film: ‘The Big Lebowski’ directed by Coen Bros. Time: 14.00 Venue: 0.53 lecture room, Bute building

WEDNESDAY 20 MARCH Film: ‘Bagdad Café’ directed by Percy Adlon Time: 14.00 Venue: 0.53 lecture room, Bute building

Cinema Architecture Rotterdam Design Brief The module aims to explore parallel approaches to the conceptualisation and composition of place, space, time, materiality and narrative in cinematographic and architectural practices. Beyond drawing useful implications for design, films and buildings can be read and designed as ‘assemblages’ not directed to the formal expression of meaning, but to the framing of strategic and enabling conditions of emergent sense, realised within the tectonic and material conditions of the cinematic and the architectural as such. The Cinémathèque is a compact cinema club situated in the port city of Rotterdam. It is a flexible space restricted to one main staircase. In order to respond properly to the immediate urban or nautic surroundings of each chosen site. You will design this building under the principles of simplicity, flexibility and adaptability as a playful game of double and triple heights. It is all about dealing with cubic meters rather that square meters! The height of the Cinémathèque’s front has to response harmoniously according to the cultural, urban landscape. No car park and services are required. Up to 2/3 of the plot should be covered. allowing the use of open spaces such as terraces or inner patios for cross ventilation, natural lighting and outdoor film activities (i.e.: night seasonal film projections). The essential programme consists of: - Indoor Cinema w/ 36 seats (double or triple height) - Courtyard, terraces - Foyer (double or triple height) - Cafe bar (double height) - Archive centre (double height) - Public toilet - Roof terrace

A. Essential Spaces Indoor Cinema The main cinema room will have a seated capacity of around 100 with space for wheelchairs, and will feature digital projectors and surround sound (double or triple height). The cinema will also act as a multimedia performance area. Courtyard Due to the climatic conditions of the chosen sites, the filmhouse can offer an uncovered space. Despite it should provide natural ventilation and lighting to educational and social rooms, it might be occupied as an open air cinema or exhibition at night, preferably during summertime. Foyer The foyer has to contain the ticketing and info box. It is connected with the café bar. It performs as the main spatial distributor (double or triple height). Cafe bar The cafe bar will offer a range of food and drink, with free Internet access and Wi Fi (double height). Archive centre The centre is part of the Cinémathèque building and have one office, one store and one filing rooms. It contains the largest archives of films, movie documents and film-related objects of Rotterdam city and its Film Festival. (double height). Public toilet The allocation of public toilets (2) should be located close to the cafe bar, foyer and cinema room (single height).

Roof terraces The Cinémathèque Rotterdam should offer the occupancy of some roofs to contemplate the waterscape of Rotterdam and also offer open-air visual projections for a reduced audience. Circulation The vertical circulation consists of one central staircase. Due to its domestic scale, do not allocate any lift. B. Additional Spaces Apart from the basic programme, your filmhouse should include one of the following supplementary facilities in the design development: 1. Recording studio The recording studio will include live rooms (2) suitable for recording a variety of groups and bands, and a control room kitted out with the latest digital recording equipment (single or double height). 2. Rehearsal areas The Cinémathèque Dubrovnik will have 3 areas for a range of rehearsal uses including bands, DJs and drama groups. These rooms will make it suitable for dance groups too (single or double height). 3. Multimedia production suite A well specified multimedia production suite will be provided for film, TV, web design, animation, digital arts and music production (single or double height). 4. Education facilities The Cinémathèque Dubrovnik has been designed with education in mind: the cinema can be used as a lecture theatre, the recording studio has a large control room to accommodate music technology students. The multimedia suite is suitable for training and there is a dedicated 20 seat teaching room - 2nd cinema screen (double height).

Cinema Architecture in Rotterdam Weekly Timetable Y1

YEAR 1 TERM 2 WEEKLY TIMETABLE 2013: check noticeboard regularly for changes Term chair: Dr. Cristian Suau Internal tutors: Dr Juliet Davies, Juliet Odgers

TIME

9 10 11 12

10 11 12 13

13 14 15 17

14 15 16 18

MONDAY

TUESDAY

WEDNESDAY

THURSDAY

FRIDAY

ARCHITECTURAL

Y2 MEETING

HISTORY

CS-JO-VV @ 10:00

Adam Hardy Room 2.60c, Redwood Building

TECHNOLOGY

STUDIO SUPPORT

Paul Thomas

T1-VV AD1 studio

TUTORIALS REVIEWS

TBC

(10.30-13.00)

LUNCH BREAK

STUDIO SUPPORT

FREE

STUDIO SUPPORT

CS-JO-VV AD1 studio

T1-JD-VV AD1 studio

all afternoon

T1-VV-CS AD1 studio

Axonometric of WSA building Room Distribution for Tutorials/Reviews

TUTORIALS REVIEWS (14.00-18.00)

Cinema Architecture in Rotterdam Tutors and Students - AD1 term 2 MARIA KRAMER

PETER FELDMANN

CATHERINE PEASE

TUTORIALS

Mohammed (Mo) Awadalla

Shadi Al-begain

Charis Nika

Emily Yu

Dominika Wolfova

Filippa Hellsten

Libby Watts

Georgios (George) Sitarenios

Lou Baudry

Oscar Ramirez

Shijia Xue

Emilia Ignaciuk

Rokas (Rok) Patapas

Caroline Moore

Alex Davidson

LUNCH BREAK 6

Alexandra Voulgaris

Michael (Mike) Mitchell

Mingyue Hai

Nicola (Nikki) Mullard

Joshua (Josh) Lewis

Amelia Mckechnie-welsh

Emily Meiying Jin

Harri John

Tiffany Monteverde Marino

Minhui Liu

Emil (Andrew) Pop

Tom Munday

Aiste Labeikyte

10 Maria Saeki

10 Vlad Posmangiu Luchian

Luther Jim

11 Adam Jameson

11 Aniya Savage

MARCELLA BELLISTRI

ANDREW FAULKNER

JOHN CARTER

JULIET DAVIS (1-5) CRISTIAN SUAU (6-10)

Rebecca Morgan

Geraldine (Gerry) Wong

Charlotte Moore

James Bullmore

Myoung Bae

Adam Maker

Emma Reeves

Mudessar Ali

Filip Grzesiak

Ryan Gormley

Jack Davies

Jessica (Jess) Hartshorne

Elis Bedwyr

Chris Little

Sophie Bowerman

Eleanor (Ellie) Amey

Pablo Fuster Aparicio

Mengqi Liu

James Bird

Lowri Roberts

Joseph (Jo) Codling

Holly Cook

Angeliki Kokkosi

Bianca Dumea

Emily Harries

Brad Fulford

Effrosyni Tsiritaki

Lida Michelaki

Desislava (Desy) Gencheva

Tom Guinane

Sam Parsons

Eliza Stuart

Katarzyna Lewandowska

Ryan King

Paolo Delogu

Jack Gell

10 Jamie Mcghee

10 Lina Ourabah

10 Daisy Denny-Higgins

11 Akash Mehta

11 Paulius Tartilas

11 Josh Hancock

10 Elija (Elly) Fjodorova

WSA BSc1 TERM 2 - 2013 (draft version) Week

STUDIO

Date

JAN M 14

T 15

Morning

Afternoon

YEAR MEETING - Cinema Architecture: Introduction & Precedent Study (CS/JO/VV): 1000-1800, Birt Acres HISTORY AH (no lecture)

Films / lectures

Digital Support (content)

lecture by Jan Harris: 'Deleuze Cinema 1' at 12.00, Birt Acres

STUDIO SUPPORT (JD/VV)

W 16

AT1 PT LECTURE 1

SPORTS

T 17

STUDIO SUPPORT (VV/CS)

F 18

TUTORIAL JD-MB-CP-MK-PF-AF-JC

TUTORIAL CS-MB-CP-MK-PF-AF-JC

Design Studio contents/types

School meetings - Events

Week

PR0JECT TERM 2

CINEMA ARCHITECTURE

JAN

No movie GROUP WORK galleries, green, pit, wwl

S 19 S 20 STUDIO

M 21

T 22

YEAR MEETING - Cinema Architecture: (CS/JO/VV): 1000-1800, Birt Acres HISTORY AH (no lecture)

lecture by Jan Harris: 'Deleuze Cinema 1' at 12.00, Birt Acres

STUDIO SUPPORT (JD/VV)

W 23

AT1 PT LECTURE 2

SPORTS

T 24

STUDIO SUPPORT (VV/CS)

AT1 (assigment 1) TBC

F 25

TUTORIAL JD-MB-CP-MK-PF-AF-JC

TUTORIAL CS-MB-CP-MK-PF-AF-JC

PR0JECT TERM 2

CINEMA ARCHITECTURE

Movie 1 at 14.00, room 0.14 GROUP WORK galleries, green, pit, wwl

13.00-14.00 @ GLAMORGAN -1.63

S 26

STUDY TRIP

S 27 15

M 28

ROTTERDAM FIELDWORK DAY 1 - CHECK IN HOSTEL

PR0JECT TERM 2

T 29

ROTTERDAM FIELDWORK DAY 2

CINEMA ARCHITECTURE

FEB W 30

ROTTERDAM FIELDWORK DAY 3

AMSTERDAM

F 1

FREE DAY

S 2

CHECK OUT HOSTEL

T 31

FEB

S 3 STUDIO

DIGITAL WEEK 1

M 4

YEAR MEETING: Cinema Architecture: (CS/JO/VV): 10.00-13.00, Birt Acres

lecture by Richard Powell: 'experience of seat/watch' TBC

T 5

HISTORY AH LECTURE 1

STUDIO SUPPORT (JD/VV)

W 6

AT1 PT LECTURE 3

SPORTS

Movie 2 at 14.00, room Birt Acres

T 7

STUDIO SUPPORT (VV/CS)

EXHIBITION DUBROVNIK SKETCHES TBC (?)

F 8

TUTORIAL JD-MB-CP-MK-PF-AF-JC

TUTORIAL CS-MB-CP-MK-PF-AF-JC

NOT AVAILABLE ROOMS (?)

S 9

EXCURSION TO BRISTOL & LONDON (CS/SC) TBC

NO EXHIBIT/CRIT ROOM

PR0JECT TERM 2 CINEMA ARCHITECTURE

16 Safety & healthy training @ 09.00-12.30

GROUP WORK + INDIVIDUAL 13.00-14.00 @ GLAMORGAN -1.63

S 10 M 11

DIGITAL SESSION WEEK 1 Cinema Architecture led by Sergio Pineda (support: CS/JO/VV): 1000-1800

T 12

HISTORY AH LECTURE 2

STUDIO SUPPORT (SP/JD/VV)

W 13

AT1 PT LECTURE 4

SPORTS

T 14

STUDIO SUPPORT (VV/SP)

STUDIO SUPPORT (VV/CS)

F 15

TUTORIAL JD-MB-CP-MK-PF-AF-JC

TUTORIAL CS-MB-CP-MK-PF-AF-JC

PR0JECT TERM 2

CINEMA ARCHITECTURE No movie TBC by Sergio Pineda

5 Board of Studies, 14.15, grenn room

13.00-14.00 @ GLAMORGAN -1.63

S 16 DIGITAL WEEK 2

S 17 18

M 18

T 19

DIGITAL SESSION WEEK 2 Cinema Architecture led by Sergio Pineda (support: CS/JO/VV): 1000-1800

PR0JECT TERM 2

HISTORY AH LECTURE 3

STUDIO SUPPORT (JD/VV)

W 20

AT1 PT LECTURE 5

SPORTS

T 21

STUDIO SUPPORT (VV/SP)

STUDIO SUPPORT (VV/CS)

F 22

TUTORIAL JD-MB-CP-MK-PF-AF-JC

TUTORIAL CS-MB-CP-MK-PF-AF-JC

TBC by Sergio Pineda

CINEMA ARCHITECTURE No movie

6 Bsc Board of Examiners, 14.15, grenn room

S 23 RESEARCH WEEK

S 24 19

M 25

RESEARCH WEEK

PR0JECT TERM 2

T 26

HISTORY AH LECTURE 4

W 27

AT1 PT LECTURE 6

SPORTS

Movie 3 at 14.00, room Birt Acres

TUTORIAL JD-MB-CP-MK-PF-AF-JC

TUTORIAL CS-MB-CP-MK-PF-AF-JC

only Y1 studio, gallery, pit

F 1

7 BSc Admission Meeting 14.15, grenn room

T 28 MAR

CINEMA ARCHITECTURE

INDIVIDUAL MAR

S 2 S 3 STUDIO

20 8

M 4

YEAR MEETING: Cinema Architecture: (CS/JO/VV): 1000-1800

charratte 4-6pm, exh/crit room

T 5

HISTORY AH LECTURE 5

STUDIO SUPPORT (JD/VV)

W 6

AT1 PT LECTURE 7

SPORTS

T 7

STUDIO SUPPORT (VV/CS)

F 8

EXTERNAL REVIEW 2: 7 EXTERNALS + JD-MB-CP-MK-PF-AF-JC-CS-JD

galleries, green, pit, wwl, exhibition/crit

YEAR MEETING: Cinema Architecture: (CS/JO/VV): 1000-1800

charratte 4-6pm, exh/crit room

PR0JECT TERM 2

CINEMA ARCHITECTURE

Movie 4 at 14.00, room 0.53 INDIVIDUAL

S 9 S 10 STUDIO

21 9

M 11 T 12

HISTORY AH LECTURE 6

STUDIO SUPPORT (JD/VV)

W 13

AT1 PT LECTURE 8

SPORTS

F 14

STUDIO SUPPORT (VV/CS)

F 15

TUTORIAL JD-MB-CP-MK-PF-AF-JC

TUTORIAL CS-MB-CP-MK-PF-AF-JC

PR0JECT TERM 2

CINEMA ARCHITECTURE

Movie 5 at 14.00, room 0.53 INDIVIDUAL galleries, green, pit, wwl, west coordior, exhibition/crit

S 16 S 17 STUDIO

22 10

M 18 T 19

YEAR MEETING: Cinema Architecture: (CS/JO/VV): 1000-1800

charratte 4-6pm, exh/crit room

HISTORY AH LECTURE 7

STUDIO SUPPORT (JD/VV)

W 20

AT1 PT LECTURE 9 (assigment 2) TBC

SPORTS

T 21

STUDIO SUPPORT (VV)

F 22

TUTORIAL JD-MB-CP-MK-PF-AF-JC (replace CS/JD)

PR0JECT TERM 2

CINEMA ARCHITECTURE

Movie 6 at 14.00, room 0.53 M-Arch dissertations (all day) only Y1 studio, gallery, pit

13.00-14.00 @ GLAMORGAN -1.63

M-Arch dissertations (all day)

S 23 S 24 STUDENTS WILL EASTER RECESS

S 30

ALEX

S 31

ALEX

EASTER RECESS

ALEX

WEEK 2

F 5

ALEX

S 6

ALEX

S 7

ALEX

M 8

ST (GE)

EASTER

EASTER EASTER

ALEX

T 4

T 9

STUDIO WORK

EASTER DAY

T 2 W 3

W 10

ENHANCE THEIR

WEEK 1 GOOD FRIDAY

ABRI M 1

EASTER

T 26 T 28 F 29

STUDENTS WILL ENHANCE THEIR STUDIO WORK

ST (GE)

EASTER

M 25 W 27

STUDENTS WILL

ST (GE)

EASTER RECESS

T 11

ST (GE)

WEEK 3

F 12

ST (GE)

ENHANCE THEIR STUDIO WORK

S 13 S 14 STUDIO

23 11

M 15 T 16

YEAR MEETING: Cinema Architecture: (CS/JO/VV): 1000-1800 HISTORY AH LECTURE 8

lecture at 10.00, room 0.53Charrette 4-6pm, Exh-Crit room STUDIO SUPPORT (JD/VV)

W 17

AT1 PT LECTURE 10

SPORTS

T 18

STUDIO SUPPORT (SC)

STUDIO SUPPORT (CS)

F 19

EXTERNAL REVIEW 2: 7 EXTERNALS + JD-MB-CP-MK-PF-AF-JC-CS-JD

PR0JECT TERM 2

CINEMA ARCHITECTURE

No movie INDIVIDUAL galleries, green, pit, wwl, ALL corridors

lecture @ Birt Acres, 10.30-13.00

Films / lectures

Digital Support (content)

S 20 S 21

WSA BSc1 TERM 2 - 2012 (draft version) VERTICAL STUDIO

Week 24 12

Date M 22

Morning

Afternoon

Design Studio contents/types

School meetings - Events

Week

START VS

T 23

VERTICAL STUDIO

W 24

VERTICAL STUDIO

T 25

VERTICAL STUDIO

F 26

VERTICAL STUDIO

IED CONFERENCE

S 27

VERTICAL STUDIO

S 28 25 13

M 29

VERTICAL STUDIO

T 30

VERTICAL STUDIO

MAY W 1

VERTICAL STUDIO

T 2

VERTICAL STUDIO

F 3

VERTICAL STUDIO

MAY

S 4

VERTICAL STUDIO

S 5 26 14

M 6

BANK HOLIDAY EARLY MAY

T 7

VERTICAL STUDIO

W 8

VERTICAL STUDIO

T 9

VERTICAL STUDIO - FINAL REVIEW (DAY 1)

F 10

VERTICAL STUDIO- FINAL REVIEW (DAY 2)

26 14 AHTG meeting @ 15.30, WSA

S 11 CLASS TEST

S 12 27 15

EXAMINATION PERIOD

T 14

EXAMINATION PERIOD

W 15

M 13

EXAMINATION PERIOD

T 16

EXAMINATION PERIOD

F 17

EXAMINATION PERIOD

S 18

PIN UP YEAR 1 (from 10.00AM onwards)

EXAMINATION PERIOD

PORFOLIO REVIEW Y1

S 19 28 16

M 20

BSc Y1 REVIEW DAY 1 (CS/JO)

T 21

BSc Y1 REVIEW DAY 2 9(CS/SC)

BSc Y1 REVIEW DAY 2 ((CS/SC)

W 22

28 Note: Pin down at 19.00pm

16 BOARD OF STUDIES @ 14.15

T 23 F 24 S 25 S 26 29 17

M 27

SPRING BANK HOLIDAYS

T 28

W 29 T 30 F 31 JUNE S 1

JUNE

S 2 30

M 3

T 4

W 5

PROVIDE ERASMUS MARKS TO STUDENT RECORDS

T 6 F 7 S 8 S 9 STAFF MEETING

31 19

M 10

T 11

PREPARE MONTAGE BSc1 PROJECTS

W 12

PREPARE MONTAGE BSc1 PROJECTS

T 13

BSc1 EXTERNAL EXAMINATION PANEL 09.30-12.00

BSc3 EXTERNAL EXAMINATION PANEL 09.30-13.00

F 15

BSc3 EXTERNAL EXAMINATION PANEL 09.30-13.00

S 15 S 16

PREPARE MONTAGE BSc1 PROJECTS