presents
George Mason University's School of Theater and The Mason Players
present
Eurydice By sarah Ruhl
EURYDICE by Sarah Ruhl Directed by Marty Bernier Photography, videotaping, or any other audio or visual recordings of this production is strictly prohibited. All outside food and beverages are prohibited inside the performance space. Please keep a face mask on at all times inside the building. Our COVID-19 safety measures and policies are parallel with those of George Mason University's Safe Return to Campus Initiative. "Eurydice" is presented through special arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com. This play was originally produced by Madison Repertory Theatre, Madison, Wisconsin, August 29, 2003. Richard Corley, Artistic Director, Tony Forman, Managing Director. And subsequently produced by Berkeley Repertory Theatre in 2004. Tony Taccone, Artistic Director, Susan Medak, Managing Director. And Yale Repertory Theatre, James Bundy, Artistic Director, Victoria Nolan, Managing Director. “Produced by Second Stage Theatre, New York, 2007 Carole Rothman: Artistic Director EURYDICE is produced by special arrangement with Bruce Ostler, BRET ADAMS, LTD., 448 West 44th Street, New York, NY 10036.
MARCH 3-6, 2022
presented in
TheaterSpace George Mason University
DIRECTOR'S NOTE DRAMATURG'S NOTE Many of us have spent the last few years feeling difficult emotions grief, loss, tragedy, and above all, love. Love is an emotion that can persevere through hardships and is something that we can rely on when times get incredibly difficult. This play tells the story of a woman who experiences and must balance all these emotions. Through her and the rest of the characters, we are given an opportunity to feel these same emotions and address them as scary as that may be. While this play isn’t about the pandemic, its themes relate to us because of our shared human experience. While we may go through hard times in our lives, there is always something to look forward to and something or someone to love. It’s these themes and the strong relationship Eurydice has with her father that make me grateful for the strong connection I have with my family and those I love. Having someone to turn to when times are tough is a truly amazing gift, and one that I am grateful for. I love this play, I love this company, and I appreciate you all for joining us for the play you’re about to watch. I hope you enjoy.
Marty Bernier Director, Eurydice
DRAMATURG's NOTE DRAMATURG'S Eurydice is a play about love and grief. These two feelings are perhaps the two most well understood in human existence. What we see in Orpheus’s journey, in Eurydice’s discoveries, in our own lives, are our most basic instincts: to care for others, and to grieve them when they’re gone. Love continues even when people have passed, as Orpheus’s does. The poets Virgil and Ovid wrote about Orpheus’s love and journey to find his love again, but they barely mention the object of that love, Eurydice. Surely, she was doing something while Orpheus was on his journey, but we wouldn’t know anything about it from the poets’ accounts. For the most part, she is simply referred to as “the wife.” Sarah Ruhl tells a story that reflects on connecting with those we have lost. In doing so, she reminds us that as important as love and grief are, so is healing. What would you say to someone who you thought you had lost? And would you call out to them?
Jessica Singley Dramaturg, Eurydice
SCENE BREAKDOWN DRAMATURG'S NOTE Movement I
Scene 1: A Beach Scene 2: Underworld Scene 3: The Water Pump Scene 4: Eurydice's Wedding Scene 5: The Water Pump Scene 6: The Water Pump Scene 7: A Nasty Interesting Man's Apartment
Movement II
Scene 1: Underworld Scene 2: Overworld Scene 3: Underworld Scene 4: Room of String Scene 5: Overworld Scene 6: Room of String Scene 7: Overworld Scene 8: Underworld Scene 9: Room of String Scene 10: Overworld Scene 11: Room of String Scene 12: Overworld Scene 13: Underworld Scene 14: Underworld Scene 15: Overworld Scene 16: Room of String Scene 17: Overworld Scene 18: Room of String Scene 19: Overworld Scene 20: Underworld
Movement III
Scene 1: Underworld Scene 2: Underworld Scene 3: Underworld
DRAMATURG'S CAST NOTE Eurydice...................................................................Shannon Rodgers Her Father................................................................Nathaniel McCay Orpheus..........................................................................Arielle Ward A Nasty Interesting Man/The Lord of the Underworld....... Brett Womack Big Stone.................................................................Ryan Von Slomski Little Stone.....................................................................Nathan Tilley Loud Stone..................................................................Bella Panciocco
Theater at Mason would like to thank the Friends of Theater for their ongoing support of our programs, especially their support of scholarships for our students. Please consider becoming a Friend. Please consider giving by logging onto our website https://theater.gmu.edu/give
DRAMATURG'S PRODUCTION TEAM NOTE Director.........................................................................Marty Bernier Stage Manager...........................................................Addison Picardat Assistant Stage Manager................................................Nolwenn Favre Samba Pathak Dramaturg................................................................... Jessica Singley Lighting Designer........................................................Sherrice Mojgani Sound Designer................................................................Sloan Martin Scenic Designer................................................................Vika Hearne Assistant Scenic Designer.....................................................Eli Nguyen Costume Designer..........................................................Jaime Ericson Props Designer...............................................................Luke Rahman Shop Artisan...............................................................Caleb McMurtry Anna Jungkeit Light Board Operator.........................................................Bianca Peña Sound Board Operator.......................................Konstantin Langenberg Wardrobe Crew..........................................................Annie Graninger Albee Horowitz Production Manager....................................................Ruth Yamamoto Technical Director..............................................................Carrie Cox Lead Carpenter..........................................................Stephan Starling Costume Shop Supervisor.............................................Laurel Dunayer Faculty Mentors...........................Kristin Johnsen-Neshati (Dramaturgy) Ruth Yamamoto (Stage Management) Sherrice Mojgani (Lighting) Carrie Cox (Props) Kevin Dunayer (Sound)
DRAMATURG'S CAST BIOGRAPHIES NOTE Nathaniel McCay he/him (Her Father) has previously been a part of the Mason Players production of Love's Labor's: Quarrels and Cravings. In addition to that, he has been in shows such as Mamma Mia (Harry), The Laramie Project (Company), and Flowers for Algernon (Father). He is very excited to return to his father playing roots, and hopes you enjoy the performance!
Bella Panciocco she/her (Loud Stone) is a junior at George Mason University. She is pursuing a BFA in theater with a concentration in performance. She was last seen in GMUs production of Footloose as Vi Moore. Her play, The Moon is Changing and So Are We, was featured in The Mason Players Originals! She wants to thank her mom and dad for being her biggest supporters. She hopes you enjoy the show!
Shannon Rodgers she/her (Eurydice) is a junior theater performance BFA and is excited to be participating in her first Studio Series show at Mason. She has previously appeared in Mason Players The Originals! (2019,2020,2021) She has also performed in Curious Incident of the Dog in the Nighttime (Siobhan) and Chicago (Mama Morton) at George Mason High School. She thanks her friends and loves for every ounce of support!
Nathan Tilley he/him (Little Stone) is a sophomore at George Mason University and is pursuing a BFA in theatre with a concertation in performance. While this is Nathan’s acting debut with The Mason Players, he has previously appeared in The Curious Incident of the Dog in the Nighttime (Christopher) at Gibbs High School. He also looks forward to working dramaturgically again with The Mason Players, as co-dramaturg for their production of Just Like Us. He would like to thank his family and close friends for their constant love and support.
DRAMATURG'S CAST BIOGRAPHIES NOTE Ryan Von Slomski he/him (Big Stone) is a freshman. This will be Ryan's third Mason Players’ production, previously known for his roles in 'Jerry' in The Mason Players’ The Originals! and 'Swing' in Footloose. Ryan comes from Midlothian, VA and has worked previously with the Lancer Theatre and Broken Leg Theatre Companies. Ryan is incredibly happy to be back doing what he loves in his second semester and can't wait for people to see this production!
Arielle Ward they/them (Orpheus) is a senior at George Mason, pursuing a BFA in musical theater. This is their second show with the Mason Players, previously appearing in The Originals! as Musician. Other previous roles include The Witch (Into the Woods), and Mother Superior (Nunsense). Arielle would like to thank friends and family for their love and support, and you, reader, for supporting live theatre. Enjoy the show!
Brett Womack he/him (A Nasty Interesting Man/The Lord of the Underworld) is a freshman in the musical theater BFA program at Mason. He was last seen in Footloose. He is most proud of his roles when at Jefferson Forest High School, including Ted Scheider (Disaster!), Patrick Star (The Spongebob Musical), and Nick Bottom (A Midsummer Night’s Dream). He also has interests in musical composition and playwrighting and hopes to produce original works in the near future!
PRODUCTION DRAMATURG'S BIOGRAPHIES NOTE Marty Bernier he/him (Director) is so thrilled to be the director of Eurydice. Marty was last seen as the props designer for the Mason Players' Love's Labors and The Women of Lockerbie, and props manager for Westfield Summer Stages' Mamma Mia! Marty would like to thank his friends and family for all their love and support, and the amazing cast and crew for all the work and collaboration that went into this show.
Carrie Cox she/her (Technical Director) is directly involved in the School of Theater as an adjunct faculty member and as a production mentor for props and technical direction students. Carrie is an alumna of Auburn University where she received her BFA in Theatre Production Management. DMV area credits include working for the Shakespeare Theatre Company as a senior Scenic Carpenter, Master Carpenter for Round House Theatre, Scenic Designer for NextStop Theatre Company and as a freelance carpenter and welder for various theatres and event companies. Jaime Ericson she/they (Costume Design) began her collegiate theatre journey studying stage management at James Madison University, where she stage managed productions such as Into the Woods and Sotoba Komachi. She later discovered her passion for costume design and drew influence from her experience as a queer woman to costume shows such as Forever You and Guys, as well as Sideshow. She has since moved on to continue her education in technical theatre and costuming at George Mason University, where she is thrilled to be costume designing Eurydice and Everybody. Nolwenn Favre she/her (Assistant Stage Manager) is an international student from Switzerland. She was last seen on stage in Love's Labors: Quarrels and Cravings and is excited t be a part of another Mason Players production. This is Nolwenn's first experience working as an assistant stage manager for a production.
Annie Graninger she/her (Wardrobe Crew) is excited to be working on this production of Eurydice. Annie, a junior pursuing a BFA in Theater with a concentration in Musical Theater Performance. She was last seen in Footloose as Ariel Moore this fall. Past shows include Spring Awakening (Ensemble), Working (Maggie), and Seussical (Gertrude). She is happy to be apart of Eurydice's run crew team and hopes you enjoy the show!
PRODUCTION DRAMATURG'S BIOGRAPHIES NOTE Vika Hearne she/her (Scenic Design) is a senior theater major with a concentration in design and minors in art and anthropology. Eurydice has been their first-time scenic designing as well as their first show back after quarantine and it has been a wonderful time working with the production team on it. At Mason, they work as a carpentry intern in the scene shop and past shows include Stage Manager for Women of Lockerbie, ASM for Our Country's Good and Props Designer for Twelfth Night.
Sherrice Mojgani she/her (Lighting Design) is an Assistant Professor and the Design/Tech Area head for the Mason Players. She recently designed The Garden (Baltimore Center Stage), The Heiress and Two Trains Running (Arena Stage), Spunk, Ain’t Misbehavin’ and The Scottsboro Boys (Signature Theatre Company), A Few Good Men, Sweat (Pittsburgh Public Theatre), Trouble in Mind, What You Are and Skeleton Crew (The Old Globe) She holds a B.A. in Theater Arts from UC Santa Cruz and an M.F.A. in Lighting Design from UC San Diego. Eli Nguyen he/him (Assistant Scenic Designer) is working towards a degree in Design and Technical Theater, double minoring in ASL and Conflict Analysis Resolution. This is his first of (hopefully) many in-person productions with the Mason Players, and he hopes to continue working in the scene shop as a painter and carpenter. Luke Rahman he/him (Props Design) is a junior Theater major with a double concentration in Performance and Design & Technology. This is his first time designing a show at Mason and he is super excited to help bring this performance to life.
Samba Pathak he/him (Assistant Stage Manager) is excited to continue working with The Mason Players this year. Samba is a sophomore at George Mason University. UPCOMING: The Boy Detective Fails (Stage Manager, The Mason Players). Past acting and technical credits include Footloose (Wardrobe Crew, The Mason Players), Reincarnate (Billy, The Mason Players), Ordinary Days (ASM, NextStop Theatre), and The Mountaintop (Projections Designer, NextStop Theatre). Samba serves as the Marketing Manager on The Mason Players Staff and CoAssistant Production Manager for the School of Theater. He would like to thank his friends, mentors, and fellow artists for facilitating a wonderful experience as we venture back to in-person productions. Samba would also like to thank his family for their constant support. Enjoy the show! www.SambaPathak.com. @SambaPathak.
PRODUCTION DRAMATURG'S BIOGRAPHIES NOTE Addison Picardat she/her (Stage Manager) is majoring in theater at George Mason University. Previous stage management credits at Mason include Alabaster (Fall 2020), Mason Cabaret (2020-21), and Footloose (Fall 2021). She would like to thank her family for their ongoing support, as well as the cast, crew, and director for creating such a fun production to be a part of.
Jessica Singley she/they (Dramaturg) is a playwright, dramaturg, and teaching artist studying theater at George Mason University with a concentration in playwriting and dramaturgy and a double minor in event technical production and English. Their work in new play development includes directing and dramaturgy for 1001 Plays and playwriting and dramaturgy in The Mason Players' Originals! Production dramaturgy credits include Hookman and Gruesome Playground Injuries. Stephan Starling they/them (Lead Carpenter) graduated from Virgina Commonwealth University with a BFA in Theatre, concentrated on scenic design & technology. They have worked as a carpenter with companies such as Porthouse Theatre. This is Stephan's third year with Mason, and their students inspire them every day with their dedication and growth. Ruth Yamamoto she/her (Production Manager) is an adjunct professor for George Mason University and Prince George’s Community College, production manager, improv consultant, and author (Serious Fun: The Power of Improvisation for Learning and Life). Ruth has worked for and performed at The J. F. Kennedy Center, Asian Stories In America (A.S.I.A.) theatre company, and local DC film/tv productions. Shew as production manager at The Kitchen in NYC, and technical director at Discovery Theater at the Smithsonian. She holds a PhD in education from Walden University, an MEd in education from Marymount University, and a BA in drama from the University of Hawaii. Dr. Yamamoto has been a theatre educator for 20+ years in public and private schools and is a member for The Association for the Study of Play (TASP), Applied Improv Network (AIN), and SAG-AFTRA.
DEPARTMENT SUPPORT DRAMATURG'S NOTE arts support umbrella Production Manager Technical Director Scene Shop Supervisor Lead Carpenter TheaterSpace Technical Director Harris Theatre Technical Director
Dan Hobson Carrie Cox Ethan Osborne Stephan Starling Micah Stromberg & Tom Terlecki Adrianna Daugherty-Smith
Costume Shop Supervisor
Laurel Dunayer
Costume Shop First Hand
Vicki Burroughs & Sarah Alspach
Studio Assistant Technical Director Sound Intern Lighting Interns Management Intern Production Interns Paint Intern Costume Shop Student Interns
Caleb McMurtry Sloan Martin Merin Lemoine & Caleb McMurtry Sarah Strunk & Samba Pathak Vika Hearne & Mike Sarisky Susan Lane Jaime Ericson, Charlotte Langford & Luisa Romero
Props Intern
Marty Bernier
Shop Artisans
Caleb McMurtry & Anna Jungkeit
Props Artisan
Hannah Stoops
Construction Practicum Students
Darren Badley, Dulci Russell, Alex Berrios, Xavier Howard, Ben Counts, David Poach, Eli Nguyen, Jay Martinez, Sarah Stewart, Miles Tison, Bianca Peña, Addison Picardat, Macayla Smith, Lexi Carter, Konstantin Langenberg
STUDENT ORGANIZATIONS DRAMATURG'S NOTE the mason players staff Company Manager
Deema Turkomani (they/them/theirs)
Associate Company Manager
Megan Lederman (she/her/hers)
Company Secretary
Addison Picardat (she/her/hers)
Sales Coordinator
Nathan Tilley (he/him/his)
Company Historian
Annie Graninger (she/her/hers)
Marketing Manager
Samba Pathak (he/him/his)
Development Manager
Luke Rahman (he/him/his)
players4change staff Co-Creator
Deema Turkomani (they/them/theirs)
Co-Creator
Steven Franco (he/him/él)
Equity and Empowerment Manager
Darren Badley (he/him/his)
Equity and Empowerment Manager
Natalie Cumming (she/her/hers)
Equity and Empowerment Manager
Kenya Gary (she/they)
alpha psi omega officers President
Marty Bernier (he/him/his)
Vice President
Addison Picardat (she/her/hers)
Secretary
Elisabeth Dupuy (she/her/hers)
Treasurer
Ariel Kraje (she/her/hers)
Associate Member Coordinators
Jeremy Pritchard (he/she/they) Zoe Winter (she/her/hers)
Historian Community Service Chair Education Deputy
Bella Panciocco (she/her/hers) Darren Badley (he/him/his) Kendall Huheey (she/her/hers)
SCHOOL OF DRAMATURG'S THEATER FACULTY NOTE & STAFF Director of the School of Theater
Djola Branner
Production Manager
Ruth Yamamoto
Program Manager
Nicholas M. Kfoury Horner
Academic Adviser
Sara Simanski
Office Manager
Mary Burgess
Romanticism to Present
Elizabeth Alman
Technical Direction Fundamentals of Production
Carrie Cox Jonathan Dahm Robertson
Directing
Rick Davis
Event Technology, Sound, Fund. of Production
Kevin Dunayer
Costume Technology
Laurel Dunayer
Acting for the Camera, Audition Techniques
Amr El-Bayoumi
Acting I, Advanced Movement for Actors
David Gaines
Musical Theater Ensemble, Voice and Speech
Erin Gardiner
Acting Shakespeare, Great Film Performances
Edward Gero
Screenplay Workshop Theater Education, Acting II Advanced Study of Directing/Dramaturgy Advanced Sound Engineering Artists in the Real World, Finding Your Voice
David Goldstein Mimsi Janis Kristin Johnsen-Neshati Billy Kessinger Kaiulani Lee
Acting I
Bryce Lennon
Acting I
Ahmad Maaty
Lighting Design, Intro to Theatrical Design
Sherrice Mojgani
Theatrical Medium, Adv. Voice, Adv. Dramaturgy
Theresa Ohanian
Script Analysis Contemporary Playwrights of Color Stage Combat, Movement for Musical Theater Stage Management, Acting, Improvisation
Franklin Robinson, Jr. Shaila Schmidt Stefan Sittig Ruth Yamamoto
DRAMATURG'S DONOR SUPPORT NOTE The School of Theater wishes to thank the following donors for their generous support Professional Artist Residency in Theater (PART) Legacy Donors Kenneth and Carol Adelman Anonymous
Ms. Kristin Johnsen-Neshati and Mr. Amin Neshati
John and Deborah Blacksten
Marilyn Jones
Doris Bloch and Bill Hunt
Eileen Mandell
Boeing Company
Dr. Alan Merten and
Rev. Dr. Elizabeth P. Braxton
Mrs. Sally Merten
Mary Brescia
Mack and Paulette Miller
Jane and Chris Brewster
Merle L. Mulvaney
Ms. Lois Brown
Diane and Tim Naughton
Byrd International, L.L.C.
Warner and Cheryl North
Gordon and Judy Canyock
Mr. Ronald Page
Ms. Grace Chae
Robert and Ida Portland
Chevy Chase Trust
Mrs. Lauren W. Rabb
Council on American-Islamic
Diane and Robert Rafuse
Relations
Captain Marsha and
Ms. Chris Downey
Robert Rease
Charles and Eileen Duggan
Ted and Anne K. Rosenblum
Ken and Molly Elston and
Ms. Ann Steers
The Greater Manassas
Daniel and Ann Toohey
Christmas Parade
Mikki Van Wyk
Committee
Verizon Foundation
Linda Evans
Edward and Wava Vigen
Dr. and Mrs. William H. Gilcher Irwin and Fay Gold
1,001 Plays Supporters
Vernon W. Gras, Ph.D.
Kristin Johnsen-Neshati
Mr. Carl Hemmer
Phyllis Krochmal
Emmett L. Holman, Ph.D.
Vafa Mostaghim
IBM International Foundation
The Koons Family
FRIENDS DRAMATURG'S OF THEATER NOTE SUPPORT from March 1, 2020 to September 15, 2021
angel ($5,000+)
performer ($200 - $499)
Judy Canyock
Susan J. Aitel and Jonathan Goldman Clayton and Jaqueline Austin Dorsey and Catherine Drummond Roland and Victoria Fabia Edward and Marjike Gero Catie and Mark Hubbard Mr. Edward Jones David and Barbara Kilpatrick Dr. Michael and Mrs. Linda Kostrzewa Alice and Matt Magelssen-Green Mitre Corporation Dr. Norman Rosenberg and Mrs. Lorraine Rosenberg Mr. and Mrs. Kosmo Tatalias The Kosmo D. Tatalias Family Trust Joseph Walsh Bob and Pat Warakomsky Dr. and Mrs. George Whipple
patron ($1,000 - $2,499) Helen and Bill Ackerman Anonymous Berkshire Hathaway Energy Foundation BH Equities Dianne and Gerard Blais Harry Bookey Dr. Rick Davis and Ms. Julie Thompson Charles and Eileen Duggan Art and Linda Hamerschlag Dr. Joy Hughes and Mr. Kenneth Lee John and Tracie Jacquemin The Jacquemin Family Foundation Ms. Kristin Johnsen-Neshati and Mr. Amin Neshati Henry Linsert Timothy McEvoy Mack and Paulette Miller Vafa Mostaghim David Ottaway Robert and Ida Portland Norma Jean Reck Dr. Peter N. Stearns and Ms. Donna L. Kidd
producer ($500 - $999) Anonymous Doris Bloch and Bill Hunt Hugh and Sandra Hill Don and Sonja Palomaki Cass and Lisa Panciocco Robert and Ida Portland William Schneider Sherry Watkins
friend (up to $199) Helen Albanese Anonymous (2) Donald Ball Michelle and Steve Barraclough Claudia Borke Brassard Family Timothy B. Cooke and Megan Fowler Cooke Giovanna Doyle Barry and Margaret Fink Arielle Flax Mary Fuson Beverly George Mr. and Mrs. Charles L. Gholz Dr. Thalia R. Goldstein Joseph Gutierrez Linda and Harlan Harber Ian Hastings
FRIENDS DRAMATURG'S OF THEATER NOTE SUPPORT from February 1, 2020 to August 10, 2021
friend (up to $199) cont. Judith Hoy Kyle Imperatore Ms. Diane Kiser Mrs. Phyllis Krochmal Nancy Lewis Karen Lygizos Eileen Mandell Lene Mcvoy Mr. R. Wesley Meekins Robert Merrill Marianne and Seymour Metz Ms. Mary Lechter and Mr. Kevin Murray
Linda Renzi May E. Roy Terry Sarley Mark and Merrill Shugoll James Slawski Jeffrey and Joy Stephens Kathleen Trainor Rebecca Wahls Frank T. Watrous Dean and Andrea Westman Joan R. White Zachary Wilcox Rachel S. Winograd
The School of Theater’s and The Mason Players’ Spring 2022 Season 1001 Plays Co-Directed by Nicholas M. Horner and Kristin Johnsen-Neshati February 10, 2022 Eurydice Directed by Marty Bernier March 3-6, 2022 | TheaterSpace Everybody Directed by Kristin Johnsen-Neshati March 31-April 2, April 7-10, 2022 | Harris Theatre Mason Cabaret Directed by Erin & James Gardiner | Musical Accompaniment by Joe Walsh April 15 & 16, 2022, TheaterSpace Just Like Us Directed by Esteban Marmolejo-Suarez April 28-May 1, 2022 | TheaterSpace The Boy Detective Fails Directed by Erin Gardiner | Musical Direction by Joe Walsh May 6 & 7, 2022 | Center for the Arts Concert Hall
SCHOLARSHIP DRAMATURG'S RECIPIENTS NOTE School of Theater Scholarships (continuing awards): Dezire Duverglas, Steven Franco, Abigail Hastings, Bianca Peña, Julia Rudgers, and Nathan Tilley The Howard Vincent Kurtz Endowed Scholarship in Design: Jaime Ericson The Mack & Paulette Miller Theater Scholarship Endowment (2021): Darren Badley The Brower “BC” Spransy Memorial Scholarship Endowment (2020): Claire Gardner The Chris Parsons Memorial Scholarship: Marty Bernier The Osher Lifelong Learning Institute Theater Scholarship: Alexandria Hardin The School of Theater congratulates our 2020 scholarship recipients:
Arts by George Scholarships (awarded Spring 2020): Kat Amato, Darren Badley, Jessica Barraclough, Alex Berrios, Erin Cleary, Garvey Dobbins, Samuel Dunn III, Em German, Ariel Kraje, Lenny Mendez, Bianca Peña, Julia Rudgers, Austin Shores, Tyler Shores, Jacqueline Smith, Shanell Stukes, and Alex Weimeyer Friends of Theater at Mason Scholarships (awarded Spring 2020): Alexandra Berrios, Hasan Crawford, Khue Duong, Steven Franco, Annie Graninger, Megan Lederman, Merin Lemoine, Tony Lemus, Alana Lyons, Shannon Rodgers.
THE MASON PLAYERS Spring 2022 Performance Season
EVERYBODY
MASON CABARET
by Branden Jacobs-Jenkins
Created by Erin and James Gardiner
March 31-April 9, 2022
April 15-16, 2022
JUST LIKE US
THE BOY DETECTIVE FAILS
by Karen Zacarias
April 28-May 1, 2022
@THEMASONPLAYERS
by Joe Meno | Music by Adam Gwon
May 6-7, 2022
theater.gmu.edu TheMasonPlayers.com