‘10 ARCHITECTURE
I ‘13
DESIGN
CONTENTS
WORKS 2010/2013 _ A
CV CORE STUDIO
The Gap .........................................................04 - 09 Entreprenuer Park ..........................................10 - 19 Community and Civic Arts Forum ..................20 - 31 Sculpting Elements .........................................32 - 35
B
COMMISSION
The Icon .........................................................36 - 41 Earth Hour Pledge Bench ...............................42 - 43
C
COMPETITION
The Mirthy Sculpture ......................................44 - 45 Global Challenge: Future Workplace ..............46 -47
D
PRACTICE
Moon’s Bungalow ...........................................48 - 51
E
FILMS ...................................................52 - 53
F
GRAPHICS ............................................54 - 57
DAECAN TEE
Designer and Architectural Assistant Practised in an architecture firm for a year, Daecan has matured considerably as a designer and thinker, with great obsession and sensitivity to materials and details. He has an addiction in creative problem solving and is in love with the process of making and craftsmanship.
Education
BSc (Hons)(Architecture) Taylor’s University Feb 2010 - Jan 2013
Foundation in Natural & Built Environments Taylor’s University Mar 2009 - Feb 2010
Experience
Optimistic, accountable and a fast learner, he has a passion for films and visual imagery besides architecture. Aspire to be an eclectic designer, Daecan constantly challenges himself to venture into novelty and inventive ideas, eschewing orthodoxy in favour of augmenting his skills in every possible facet. His core interests are human culture, rejuvenation of urban spaces, and intervention of contemporary and traditional design products.
Bangsar KL Malaysia Jan 2013 - Dec 2013
Arkitek Ari Methi
Ampang KL Malaysia Dec 2011 - Jan 2012
ARC Partnership
Subang Jaya Malaysia May 2011
EXHIBIT 2011
Subang Jaya Malaysia Apr 2010 - Apr 2012
The Creativists
Architect Involved in: Authority Drawings Submission, Tender Drawings, Detailing Design, Design & Built residential project, Dealing with suppliers, contractors and clients.
Intern Knowledge gained: Specification Tender Documentation, Master Planning Design and its Authoritical Standards, Special Detailing, PAM UBBL Fire Safety Curator Initiated by The Creativists, the exhibition is an agglomeration of stone art, cyanotype, oil paintings, video art, machine art, sculpture, visual graphics, illustrations and installations. Co-Founder and President (Club) THE CREATIVISTS is a platform of no-boundary-creative-thinking for people of various passions and perspectives to come together as one towards the same direction, which is towards creating a better tomorrow. A CREATIVIST is an individual who is driven to make a change and implements creativity in his/her corresponding industry. Work scope involved: art installation, guerrilla marketing, art exhibition, event set design, music jam session, slam poetry.
Honors and Awards 2012
Second RunnerUp (Short Film)
Annual Architecture Students Intervention 2011
Grand Prize
Pepsico Malaysia - Natural Art Design Challenge 2010
Best Club Awards - The Creativists Taylor’s University
2010
Tertiary Merit Scholarship (Recipient) Taylor’s University
Certifications Nov 2013
Developing Innovative Ideas for New Companies: The First Step in Entrepreneurship Coursera
Dec 2012
Crash Course on Creativity Stanford University
Skills & Expertise Rhino, AutoCAD, ZW CAD, Photoshop, Illustrator, Adobe Premier Pro, Vray, Branding and Marketing Interests Product Design, Craftsmanship, Graphic Design, Film-Making, Cultural Harnessing and Making, Guerilla Marketing, Backpack Travelling, Street Art
daecantee@yahoo.com / +6012 3040366 (Malaysia)
PROJECT The Gap
YEAR 2010
PROGRAM Dwelling Space
Discover The Undiscovered Redang Island is prominent for being a conservation site for sea turtles. Taking that as the concept, the rest of the design is contextually driven. The hybridisation of beach and turtle resulted in creating a perfect space for meditation and contemplation.
LOCATION Redang Island, Malaysia SITE AREA 150sqm
))
night breeze
morning breeze
night breeze
4
morning breeze
A CORE STUDIO
Bridging two sites of different conditions with a narrative journey, guided by emotional and multi-sensory experience.
SPOTTED SKIN PATTERN
In its natural state, the patterns on the turtle’s skin shares similar character with light dapples and loose rock. These characteristic leads to the ideation of the spaces in terms of materiality and mood.
HARD VS SOFT
The contrast of hard and soft is complimentarily blended and conveyed into the texture and materiality of the design. From the dappled light shadow to the light streak shines through the gabion wall to the arrangement of gabion rocks.
WELL FITNESS
The spaces are encapsulated within the invisible spatial boundary of the nature, hence resulting in designing a site-hugging and site responsive shelter.
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6
6
5
4
5
3 3
2 1
2
6
1
4
SOUL - WATER
BODY - EARTH
MIND - LIGHT
SPATIAL EXPERIENCE
FLOOR PLAN
ROOF PLAN 7
The proposed site is well-secluded and quiet area despite being a stone’s throw away from the nearest resort. The elongated site is separated by a narrow 500mm wide gap between two rocks, which makes the path less travelled. Curiosity made me walk sideways through the gap to the beauty beyond. It was an awe to find a private cove with a breath-taking view of the sea.
SIDE ELEVATION
SECTION AA
Design of ‘The Gap’ follows the context and forms a more welcoming funnel-like tunnel for visitors to embrace the nature and relax in the shady gabion shelter, inside the dappled-lit glass box and on the deck over the cove of lapping waters. Locally salvaged coconut timber is used to make the timber deck for its dark, earthy, warm tone, set to make the dwelling space comfortable and relax.
SECTION BB
9
A CORE STUDIO YEAR 2013
PROGRAM Mixed-Use Development
EXISTING TYPOLOGY: WORK, LIVE & SHOP
+
PROJECT Entreprenuer Park
SURPRISE PLEASANT PLEASURE
LOCATION Jalan TAR, KL, Malaysia LOCAL CONTEXT
SITE AREA 900sqm
INFORMAL SPACES PERMEABILITY & TRANSPARENCY GOOD ENVIRONMENT BETTER LIVING
Vernacular Hedonism Located at the spine of Old Kuala Lumpur - Jalan Tunku Adbul Rahman, the area also known as Chow Kit, infamous for its markets, cheap wholesale goods, textile hub and as a red light district. Despite dense multicultural business, many shophouses have been long abandoned due to the environment and majority are now occupied by immigrant workers. To invigorate the place, the proposed program is a fusion of urban farming park, cafe, communal spaces and SOHO units.
+ BETTER ECONOMY
HAPPY COMMUNITY
BETTER HEALTH
RES
IDE
NT
IAL
OF
FIC
SH
OP
E
CO MONM
CA
PAR K FE
Volumetric Study 10
INTER-CITY DROP OFF ZONE FOR BUS AND MONORAIL
SIT
E
MARKETS & BAZZAR
INTERSECTION OF COMMERCIAL DISTRICT AND FINANCIAL DISTRICT
Food as Attraction
Leisure as Lifestyle 11
PLAZA
SIDEWALK
Design Strategies and Site Responses
PEDESTRIAN ACCESS VEHICULAR ACCESS VEHICULAR DROP OFF
Integration with Bus Stop
Providing more space for bus takers by expansion of sidewalk PLAZA SIDEWALK into the building. The boundariless space inevitably increases the security of the area. PLAZA
1 8
The Active Corner
Taking advantage of the huge tree which provide a good shade on site, the corner can be activated into an active frontage and a new identity.
SIDEWALK
4 6
5 7
2 3
Topographical Plaza
Public performance or activities can be held at the lowest area where the slope allows multiple levels of usage and views.
Design Development Diagram
+++ 1 Mimick Traditional Shophouse Profile
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2 Floor Levels Addition and Keep Pitch Roof
3 Open Plan and Transparency
PEDESTRIAN ACCESS VEHICULAR ACCESS VEHICULAR DROP OFF
PEDESTRIAN ACCESS VEHICULAR ACCESS VEHICULAR DROP OFF PEDESTRIAN ACCESS
1
VEHICULAR ACCESS VEHICULAR DROP OFF
4
8
6
2 PLAZA
SIDEWALK
5 7
4
Permeable Ground Level 3 transparency Visually and1physically 4 thus can reactivate the quiet alley and providing 8 passive security and comfort 5 with extra setbacks 6 for pedestrians. 7 2
5
3
7
Buffer Screen For Privacy
View looking into one and other’s premises is filtered by vertical greeneries and simultaneously beautifying the environment.
4 Topographical Plaza
Active Facade & Back Alley Access to Market
Building facade can be active with vertical connection while viewing out to the city is an experience. Upkeeping the alley well will certainly increases its usage and eventually turning into a pedestrian street.
Buffer Screen For Better Interior Quality
A vertical green screen on the front facade does not just add a pleasant surprise to the streetscape, it also provide privacy for the living quarters, blocks out the noise and smell from the traffic.
5 Solid vs Void and
Vertical Interaction
6
Public and Private Vertical Accessiblity
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Basement Carpark Services Water Tanks Electrical Switch Room Refuse Chamber Loading Bay Drop Off Area Topographical Plaza Urban Farm Cafe
4th +13.0
Back of House Washroom 1 Communal Courtyard Shops x4 Office x4 Washroom 2 Residential Units x8 -
3rd +9.5
2nd +6.0
G
+0.0m
LG -3.5
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1st +3.0
FRONT ELEVATION
REAR ELEVATION
SECTION 17
NO R TH KL ANG
PROJECT Community and Civic Arts Forum
YEAR 2013
PROGRAM Mixed-Use Development LOCATION South Klang, Malaysia SITE AREA 2000sqm N
AN AUXILIARY TO THE HERITAGE TRAIL
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ISSUE 2: UNDOCUMENTED HERITAGE AND ABONDONED BUILDINGS
This final project calls to constitute a sustainable public architectural scheme that will be given impetus to social, cultural and environmental aspects of South Klang. How can the historical memory of an old port town be insinuated into and incorporated with the dynamics of the present in a contemporary manner? The amalgam balance of history and future is deployed with the theory of proxemics urbanism.
ISSUE 1: DIMINISHING OF TRADITIONAL BUSINESS
The New Vanguard and Creative Incubator
SENIOR
Who HISTORY How RECORD What PAST Approach CONTENT
FUTURE PROGRESS CONTEMPORARY EXPRESSION The proposed program is an agglomeration of resources library, contemporary and historical gallery, co-working studio space, workshop, lecture cum discussion space and a cafe. It is a community resources centre to preserve, conserve the local cultural practices and businesses, at the same time receiving voices for future development of the town.
YOUTH ISSUE 4: IMPROPER PLANNING AND FAILED PROJECTS
Community’s requests and ideas are then commissioned to artist or designer who are invited to rent a space in the co-working studio, where knowledge are exchanged among like-minded as well as cross disciplinary individuals.
ISSUE 3: GENERATION GAP AND LACKING OF MULTICULTURAL GATHERING SPOT
A CORE STUDIO
Who HISTORY How RECORD What PAST Approach CONTENT
SENIOR
FU PRO CONTE EXPR
Y
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POTENTIAL ACESS POINTS AND NODAL POINTS
USER GROUP AROUND THE SITE
User Group
Potential Access and Nodal Points
The site finds itself to be situated in the middle of vast typologies. The design project will potentially be a gathering space that invites and connects all users from the neighbouring context.
Analysing from the flow of circulation, a new potential pedestrain path crossing the site will be introduced, solving the issue of missing pedestrian sidewalks and pedestrains’ safety at the same time.
A o the
B
mosqu
e
symmet
ry axis
D
of the
gallery
AXIS AMD VIEWS
C
SCULPTURE IN THE PARK
axis t
Views and Axis
Sculpture in The Park
The project will respond to the Royal Gallery symmetrically and align to the visual axis of the Mosque. The project also considers unblocked views across the site and towards the gallery.
Aware of taking over the vast green open space, the project is decided to retain the green, maintaining the sense of openness and projects itself as a sculpture in the ‘courtyard’ of the town.
The Contemporary vs The Past 22
Design Strategies and Development
1 Visual Axis and New Path
2 Symmetry and Parallel Tension Reduction
3
4 Continous Flow and Circulation
New Perspective and Views
Attempt AttemptininDiffusing DiffusingViews Views Attempt in Diffusing Views
Mini MiniTheatre Theatre Mini Theatre
Concert Concertand andEvents Events Concert and Events
Conventional Conventional Conventional
Extended ExtendedStage Stage Extended Stage
XX X
New NewPerspective Perspectiveand andUnblocked UnblockedViews Views New Perspective and Unblocked Views
Relationship with The Royal Gallery
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2
1
MEZZANINE FLOOR PLAN
6 5
4 3
1ST FLOOR PLAN
12 11
13
10
15
7
14
9
8
GROUND FLOOR PLAN
18 17
16
22
21
19 20
LOWER GROUND FLOOR PLAN 26
FRONT ELEVATION
1 3
2
4
5
14
9
15 19
SECTION BB - LONGITUDINAL 12 Refuse Chamber
1
Quiet Reading Area
2
Resource Management Office 13 Carparks
3
Discussion Rooms
14 Public Event Field
4
Resouce Library
15 Gallery 1
5
Gallery 2
16 Restroom
6
Restrooms
17 Pantry
7
Cafe Kitchen
18 Services Room
8
Public Restroom
19 Co-Working Studio
9
Cafe
20 East Courtyard
10 Security Room
21 Lift Lobby Courtyard
11 TNB Station
22 Workshop Space
SIDE ELEVATION
22
AIR CONDITIONAL OUTLET FROM FLOOR
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PROJECT Sculpting Elements
YEAR 2013
PROGRAM Experimentation & Making STATUS Ideation ASPECTS Sound, Water, Light, Wind Rethinking Sound-Proof
Turning negative spaces in soundproofing materials to positive habitable spaces while taking the positive space of the material as the structure.
Enhacing Space with Sound and Wind Imagining the scheme being adopted into the scale of a pavilion and by introducing the strategy of domes within a dome, it certainly has enhancement to a space with different reverberations of echo, where sound can be visually perceived based on its pitch and volume.
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A Conjecture of Sound Void, Vacuum Body Beyond straight lines and restricted modularity, organic voids are now a containment of sound and activities, no longer as a buffer zone. The desire to soundproof a space but still maintaining visual connection can be achieved by simply creating a vacuum in a thin gap space. The isolation gap between public and private spaces can perhaps be brought closer together.
Volume and The Helmholtz Resonance
The sound of the air under the dome decreases as the volume of the enclosure reduces, however the pitch of the sound produced at the tip of the neck increases. Two different qualities are produced at the same time.
Bernoulli’s Principle and Spatial Quality
When air or wind pressure is manipulated and controlled, the space under the enclosure will experience different spatial qualities and may even achieve a “vacuum” space. 33
Amalgamation of Sound, Wind, Light and Water Inspired by the science of saltwater lighting up a light bulb, the question is how can we take advantage of this and scale it up?
The ultimate idea is to change the perception of light (electricity) and water are never good friends. Where as sound and wind from surrounding movement serve as the For commercial use: Is it possible manipulative variables that change to be an electricity resource for the state of the light. housing on the sea or underwater? Can it be a glowing shelter A 3d printed model was made to over swimming pool? present the idea of a light installation playground.
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B COMMISSION PROJECT The Icon
YEAR 2013
PROGRAM Identity & Landscape LOCATION Taylor’s Lakeside University, Malaysia SITE AREA 306.7sqm STATUS On Paper
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What is ‘ICON’? With an open brief, the client has left the programme for us to decide what best fits. Approach taken towards this brief is to look at how a design icon belongs only to the proposed site and not a landed alien spaceship.
ICON = ?
Bold? Place-making? Symbolism? Semiotics? Genuis loci? Sense of belonging? Purpose-driven? Representation? Tabula-rasa?
Hall in
f pOf
Dro
YOU DON’T DESIGN ICON. GOOD DESIGN BECOME ICON. (function)
te Hos
Ga
Adm
tel
l/Ho
lty
Facu
ller y SITE
l rcia
Co
e mm
ICON IS SOMETHING THAT ONES PERCEIVE AS ICONIC AND LEFT A DEEP IMPRESSION IN THEIR MIND. (relationship)
Studying the site as a piece of puzzle from the panaromic view of the main entrance of the university, it is decided that the ‘icon’ should be visually and actively permeable as well as maintaining the architecture flow. Solving problems while creating visual aesthetics, the diverse range of landscape vocabularies generously prevalent within the site’s vicinity and the absence of ‘green’ and shade at the site itself have then inspired a study to conserve greenery in a built-up space – one that explores how green can be multiplied in a manner that is architecturally striking, integrated and sustainable.
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1
Pragmatic Solution by Providing Shelter
4
Structural Stability + Permeability
?
2 Extend Shelter Over Existing Seats
3 Void Outside Fire Escape + Softening Edges
5 Social Space + Green Roof
6 Function + Solutions + Social Interaction
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PROJECT Earth Hour Pledge Bench PROGRAM Product & Activism LOCATION Solaris Dutamas, KL Malaysia CLIENT Publika Shopping Gallery SIZE 5000 x 5000 x 450mm (H)
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YEAR 2011
Making the Afterlife In conjunction with Earth Hour, a commission is received to build a pledge board and benches. The opportunity is taken to rethink typical pledge board, its post-event life and how can we combine both. Made out of recycled industrial pallets, the benches are used as pledge board before event, then became seats during and after the event. The benches are designed in the form that when combined they form the number ‘60’- the symbol of Earth Hour; once separated after the event, benches are placed everywhere in the mall for casual seating.
B COMMISSION
+
E
PL
!
E DG
+
?
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Grand Prize Winner PROJECT The Mirthy Sculpture PROGRAM Design, Branding & Marketing LOCATION Taylor’s Lakeside University ORGANISER Pepsico SIZE 2m (W) x 5 x 2.5m (H) MATERIALS Recycled Plastic Bottles, Salvaged Wire Mesh, Cable Ties
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YEAR 2010 Playful and Radical Incorporating the brand identity of Pepsico’s beverage- 7UP & Lipton with The Roman Colossuem and everything else we do, we strategized it to be a whole package as if it was a serious collaborative work rather than merely a sculpture competition. With the Ancient Roman Colossuem (chosen from the 7 Wonders of The World given by the brief) as inspiration, our team - WE, MIRTHS interprets it as a fun and carefree idea embodied in a larger conceptual scheme of ‘diverse levels’, hence our proposed sculpture design does not rigidify spaces and allow interactions at different levels.
C COMPETITION Restricted to reusing Pepsico’s plastic bottles as the main material, we were the only one who came up an radical abstract form among all competitors. The form was inspired from playing with a strip of paper. The design was initially to be a Mobius loop, which consists of a tunnel and was eventually left with a cantilevering curve after calculating the amount of material and time we need. In the whole branding process, we design a logo for ourselves, turn that logo into a mascot for plastic bottles collection; we stick to the colours of the beverage brands, carefully carried it through to the sculpture; we took to an unorthodox yet fun marketing campaign by doing guerrilla marketing, street art tagging and also early adopter of using QR code to link with our Facebook page for updates and voting. - We,Mirths: A bubbly good time.
Watch the Full Story here.
Visit our Facebook page.
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PROJECT Global Challenge: Future Workplace PROGRAM Concept Design ORGANISER Fentress Architects
FUTURE WORK CULTURE
STATUS On Paper
SOCIAL
PROJECT-BASED STRUCTURE
LIVING
TRAVEL CORP INC
FLEXIBLE WORKING HOURS
INTERNATIONAL CROSS-DISCIPLINARY RECREATION
LIVING
TECHNOLOGY
RECREATION
SHOP & EAT
PERSONAL SPACE COLLABORATIVE SPACE VIRTUAL INTERACTION PHYSICAL INTERACTION BETTER LIFESTYLE
WITH CLOSE PROXIMITY INTERNATIONAL MOBILE CROSS-DISCIPLINARY WORKSTATION NO CUBICLE, OPEN PLAN SPACE, MULTIPURPOSE RECREATION
SHOP & EAT
BETTER LIFESTYLE WITH CLOSE PROXIMITY T
FROM CONCRETE WALLS TO NATURE
BLACKOUT
A workplace now is a dead space after work. It is later evolved into a communal mixed-use space for urban community-grown farm, social, recreational and work. Lifting pedestrians off the ground level, GLASS theSWITCHABLE “pocket spaces” also function TECHNOLOGY as connecting bridges from one building to another. TINT
LIVING
TRANSLUCENT
TRAVEL
BLINDS
INTERNATIONAL CORP CLOUD CROSS-DISCIPLINARY INC
A New Public Space
SOCIAL
DATA
INC
CLEAR
CORP
TOWARDS LIVABLE CITY
FROM TRAVEL CONCRETE WALLS TO NATURE
DIFFUSE
TRANSPARENCY CULTURE
SHOP & EAT
BETTER LIFESTYLE WITH CLOSE PROXIMITY
SOCIAL
D
RS
YEAR 2012
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C COMPETITION
SOCIAL
PROJECT-BASED STRUCTURE
LIVING
TRAVEL CORP INC
FLEXIBLE WORKING HOURS
INTERNATIONAL CROSS-DISCIPLINARY RECREATION
SHOP & EAT
BETTER LIFESTYLE WITH CLOSE PROXIMITY
BLACKOUT
TINT
TRANSLUCENT
BLINDS
DATA
CLEAR
FROM CONCRETE WALLS TO NATURE
DIFFUSE
FUTURE TECHNOLOGY
TRANSPARENCY CULTURE
CLOUD TECHNOLOGY PERSONAL SPACE VIRTUAL INTERACTION MOBILE WORKSTATION
COLLABORATIVE SPACE PHYSICAL INTERACTION
NO CUBICLE, OPEN PLAN SPACE, MULTIPURPOSE
SWITCHABLE GLASS TECHNOLOGY
PROJECT Moon’s Bungalow PROGRAM Residential LOCATION Bukit Ceylon, Kl, Malaysia CLIENT Mr Chan Moon Kien SITE AREA 472sqm
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Y
C IVA
YEAR 2013
R
FE
UF
B OR
R &P
MAID
F
E UR AT OISE C E S F N R ND TE SK LA WA MA TO MASTER E AP
KITCHEN AS CORE
PRIVATE
PARENT
PUBLIC
D PRACTICE Deconstruct! GUEST
MASTER
The project is a refurbishment of an old bungalow/shop. The client’s brief is to maximize the space, minimalist, clean, simple, practical and homey with a touch of contemporary. Due to the urgency to move in, the project spans 6 to 7 months and all the construction drawings and detailing are hand-drawn. I have the opportunity to work one-on-one with the client, landscape architect, suppliers and contractors.
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50
In the initial stage of redesigning the old building, we strategically tore down walls to create a boundariless interior, and also created openings to bring the ‘outside’ inside, so the house appears to be more spacious. We have carefully chosen the client’s salvaged timber louver windows and doors, selected a suitable warm tint for them to create a cosy interior. In addition, we have selected warm lightings for the majority spaces of the house. We also made sure all the white paints are off-white so that it does not appear to be sterile and cold, even on the exterior.
Multiple alternative materials and construction methods have been thought out to satisfy the client’s budget. The landscape is kept as honest and rustic as possible with the use of old railway sleepers for the deck, unfinished red bricks for walls and fence, and complimenting reinforced concrete plinth with aggregate for the perimeter walkway as well as drain covers. These elements are left in their natural state, ready to receive the domination of creepers and the wild.
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We Are Divine (2013)
An experimental piece that morphs a typical travelogue footages taken in Bali into a philo-rant and personal ethos with a sprinkle of quirks.
Urban Farming (2012)
In defiance of the dogma of sustainability, which has become a gimmick in modern marketing, and the ever-ameliorating sustainable technology, we decided to return to the grass root of how we once practiced and lived.
2nd Runner-Up (Short Film) Annual Architecture Students Intervention
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Charcoal Factory (2012)
A mini documentary explains the process of making under the roof of the oldest charcoal-making factory in Kuala Sepetang, Perak, Malaysia.
E FILMS
The Next Klang (2012)
An old port town is now facing the phenomenon of urban decay. This documentary tells the history of the place, culture, the present development, issues and future through the voices of the locals.
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F GRAPHICS
Architecture Graduate Exhibition 2013 Appointed to be the creative director to build the brand identity of the exhibition, I took the theme ‘1051’, which represents the number of days spent in the course, and disrupt the norm of how a logo should be. Inspired from construction scaffolding and frameworks, the image of wireframe and fragmentation of form-making is instilled to the logo with the notion of expressing the evolution and progressive growth of the graduates. The identity is consistently carry throughout from poster to banner to flyer to booklet to ‘Thankyou’ card.
AN
ARCHITECTURE
GRADUATE
EXHIBITION
WORKS AND PROGRESS
22 FEB - 27 FEB 2013
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D
K
A
FUNDLIC
DEKAN- a personal brand identity that speaks about simplicity, honesty and cycle in the logo. If you read backwards, it says NAKED. (2014) FUNDLIC- combination of two words, funding and public: is a crowdfunding platform to collect funds from the public to support poor students to study. The logo is a new currency symbol for crowdfunding and its symmetry represents the connection of two sides of users. (2013) The Creativists is a multi-disciplinary creativethinking platform for people of various passions and perspectives to come together as one towards the same direction, which is towards making a better tomorrow by experimenting constantly. (2010 - 2012)
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EXHIBIT 2011 is an art exhibition initiated by The Creativists. Works exhibited are stone art, cyanotype, oil paintings, conceptual video art, machine art, sculpture, visual graphics, illustrations and installations.
F GRAPHICS
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