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SAINT LOUIS
Contemporary Art Museum St. Louis Current Exhibits
The Contemporary Art Museum St. Louis (CAM) is currently presenting five exhibits all of which are set to close April 11, 2015. Two of the five exhibitions are first comprehensive museum surveys of the artists and two are US premieres of the artists’ work.
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Robert Hart Baker, Conductor Friday, May 1, 2015, at 8:00 PM Skip Viragh Center for the Arts, Chaminade
425 South Lindbergh Blvd • Saint Louis, MO 63131
A Thousand and One Nights Mozart: Idomeneo Overture, K. 366 (Reinecke ending) Wagner: Good Friday Spell from “Parsifal” (ed. Hutschenruyter) Herold: Zampa Overture Enesco: Roumanian Rhapsody No. 1 in A major, Op. 11 Rimsky-Korsakov: Scheherazade, Op. 35 For ticket information or assistance, please contact: P.O. Box 220437 • St. Louis, MO 63122 or call 314-421-3600 www.stlphilharmonic.org
Geta Brătescu: Drawings with the Eyes Closed The US premiere of Greta Bratescu exhibition presents a series of drawings and artist’s books as well as a seminal video by Romanian artist Geta Brătescu. A central figure in postwar Romanian art, Brătescu works in a variety of media including collage, textiles, engraving, photography, video, and performance. Drawings with the Eyes Closed provides a multifaceted look at the artist’s works. Over a career spanning more than six decades, the artist has developed a sophisticated palette that draws equally from literature, theater, and everyday life to explore the potential of art to make sense of charged issues of identity and history.
Marco Brambilla: Materialization/De-Materialization Materialization/De-Materialization by New York-based filmmaker Marco Brambilla is the latest installment of the CAM’s Street Views series of exterior video works. Projected on the Museum’s Washington Boulevard facade, the video is on view from dusk to midnight every night through April 11. Repurposing and recontextualizing the imagery of popular culture, Brambilla is known for his complex and spectacularly energetic video collages. Digital ripples gradually evolve out of a black field to reveal a pattern of human silhouettes in various poses. Images seamlessly expand into the space through a series of elaborate, moving rings. The result is kaleidoscopic video wallpaper, where groupings of characters from the Star Trek television series materialize and dissipate within a perennial loop. Never fully revealed and always on the verge of departure or arrival, these figures become trapped in a perpetual state of transition in deep space.
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LA-based artist Joe Goode The first comprehensive museum survey of Oklahoma-born, Los Angeles based artist Joe Goode traces half a century of selected works by one of America’s most innovative yet under-recognized painters. Often identified with Southern California pop art, Goode transcends this classification, creating bodies of work with influences ranging from Midwestern iconography and environmental destruction to pop culture and the sublime. (continued on page 5)
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(Arts! ... continued from page 3) This exhibition features representative works from several of the artist’s series, including bodies of work created in large part through acts of destruction. In his Torn Cloud series (1967–76), Goode often used razor blades to slash through compositions of illusionistic skies, forming jagged clouds. Goode’s surface destructions increase in intensity with his introduction of firearms in the Environmental Impact series (1978–83). Goode literally draws with shotgun pellets, using a shotgun to blast through the monochromatic surface of the canvas.
Jesse Howard: Thy Kingdom Come CAM presents the first comprehensive museum survey of the work of Jesse Clyde Howard, a self-taught artist, evangelist, and keen advocate of “free thought and free speech” who lived and worked in Fulton, Missouri, from the 1940s through the early ’80s. Thy Kingdom Come presents more than 100 of Howard’s hand-painted signs comprising religious exhortations, political denunciations, and autobiographical details. Howard’s initial artistic projects of the 1940s were met with condemnation by Fulton, leading some in the community to steal and deface his works. For Howard, the biblical citations of “the confusion of language” and “the earth divided” found throughout his text are not simply cosmic consequences of human transgression but intimate biographical details that reflect his community’s misunderstanding and rejection.
Ulla von Brandenburg: Wagon Wheel This is the first major museum exhibition in the Midwest of Paris-based German artist Ulla von Brandenburg as well as the US premiere of her seven-part quilt series, Wagon Wheel. The presentation comprises the individual works Wagon Wheel, Bear Paw, Drunkard’s Path, Flying Geese, Log Cabin, Monkey Wrench, and Tumbling Blocks (all 2009), suspended in CAM’s lobby. Von Brandenburg created the quilts following extended study of the traditions of predominantly female collectives in the American South (such as in Gee’s Bend) as well as the quilt patterns, symbols, and signs used by slaves to communicate coded messages plotting escape through the Underground Railroad in nineteenth-century America. Wagon Wheel demonstrates the singular power of folk vernacular to provide incisive sociopolitical commentary on a landmark episode in American history. The vivid compositions of von Brandenburg objects recall folk art aesthetics and the Pattern and Decoration movement as well as the reserved elegance of modernist painting.
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Barnaby Furnas: The Last Flood The Contemporary Art Museum St. Louis (CAM) presents a site-specific, sixty-foot-long painting titled The Last Flood by New York-based artist Barnaby Furnas. The Last Flood was created on-site during the artist’s two-week residency at CAM. This monumental work is the latest in Furnas’s series of Red Sea paintings in which large swaths of saturated pigments and dye gesturally traverse the picture plane and allude to diverse biblical narratives, including the parting of the Red Sea in the Book of Exodus. Here, viewers symbolically assume the subject position of Moses leading the Israelites to freedom as a once-oceanic obstacle becomes a conduit for regeneration and transformation. Furnas acts as cultural archeologist, gathering—but repurposing—the historical narratives of both the Old Testament and twentieth-century visual art to present his apocalyptic, yet redemptive vision of human society.
The Contemporary Art Museum St. Louis (CAM) presents, supports, and celebrates the art of our time. It is a site for discovery and a gathering place in which to experience and enjoy contemporary visual culture. CAM is located at 3750 Washington Blvd in Grand Center, an arts and entertainment district in the heart of St. Louis. For details about CAM, current and upcoming exhibits please visit camstl.org
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“St. louis’ best steaks” - rft readers poll 1999-2013
ST. LouIS HAPPENING 2015 U.S. CHESS CHAMPIONSHIP AND 2015 U.S. WOMEN’S CHESS CHAMPIONSHIP
Tuesday, March 31, 2015 Until Tuesday, April 14, 2015 At Chess Club And Scholastic Center Of Saint Louis. Come see the top players in the country battle it out at the country’s top chess facility for prize money and the title of U.S. Champion and U.S. Women’s Champion. Individual round day pass costs $10 and includes complimentary beverage and food catering, unlimited access into the championship tournament hall, and live Grandmaster led commentary. Annual members to the Chess Club and Scholastic Center of Saint Louis receive free entry to each daily round. http://www.saintlouischessclub. org/, (314) 361-2437
54TH ANNUAL EASTER CONCOURS D’ELEGANCE CAR SHOW
Sunday, April 5, 2015 At The Upper Muny Parking Lot In Forest Park A display of street rods, Corvettes, classic cars, street machines, mini trucks and other autos. http://www.hccmo.com/ View our entire menu and specials online at: tuckersplacestl.com
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ITALIAN FILM FESTIVAL USA OF ST. LOUIS (DATES VARY)
Friday, April 10, 2015 Until Sunday, April 26, 2015 At Washington University And Missouri History Museum. Enjoy the local premiere of twelve recent Italian films shown in original language with English subtitles at three venues on the campus of Washington University: Steinberg Hall, Jerzewiak Family Auditorium Lab Sciences 300, and Brown Hall 100, and at the Missouri History Museum. The 2015 edition brings the best line-up of recent Italian cinema with films from award-winning directors, as well as highlighting debut films from exciting new talent. http://www.italianfilmfests.org/st_louis.html
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Catch ALL the NCAA tourney games on our wall-to-wall HDTV systems!
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