Architecture Portfolio 2017 by Daniel J. Laster

Daniel J. Laster ARCHITECTURE PORTFOLIO 2017

Daniel J. Laster Architecture Portfolio 2017

Villa Rotunda, Vincenza

2017

Architecture Portfolio

Daniel J. Laster

Daniel J. Laster ARCHITECTURE PORTFOLIO 2017

GENSLER, 2014-2016

WOODLOCH II

BHP BILLITON

T E L FA I R M A S T E R P L A N

BLOSSOM HOTEL

Daniel J. Laster

ZISTLER ARCHITECTURAL GROUP, 2016-2017

G R A D U AT E S T U D E N T W O R K , 2 0 1 1 - 2 0 1 3

3D MASSING STUDIES

Architecture Portfolio

E C H E LO N PA R K

2017

HAVANA SKETCHBOOK

2017

Architecture Portfolio

Daniel J. Laster

GENSLER 2014-2016

WOODLOCH II

Daniel J. Laster

Architecture Portfolio

2017

Daniel J. Laster

WOODLOCH II A N I T E R AT I V E A P P R O A C H TO H I G H R I S E S

A S PA R T OF GENSL ERâ&#x20AC;&#x2122;S COMMER CI A L OF F ICE DE SIGN T E A M, W E W ERE TA SK ED TO DE SIGN A ND DOCUMEN T T W IN 3 0 S TOR Y OF F ICE TO W ER S. T HE CL IEN T REQUE S T ED A N A DJOINING PA RK ING

2017

Architecture Portfolio

G A R A GE, EMP LOY EE DAY C A RE CEN T ER, F I T NE S S CEN T ER, R OOF

G A RDENS, A ND A T HERM A L LY SE A L ED SK Y BRIDGE. A SM A L L SI T E FOOT P RIN T A ND A 5 0 0 FOOT HEIGH T RE S T RICT ION REQUIRED E X T REME EF F ICIENCY.

PROGRAM

TWIN OFFICE TOWERS

ARCHITECT

GENSLER

SITE

CONFIDENTIAL

SIZE

800,000 SF

CLIENT

CONFIDENTIAL

ROLE

ARCHITECTURAL DESIGNER

YEAR

2014 - 2015

Daniel J. Laster

Architecture Portfolio

2017

Architecture Portfolio

Daniel J. Laster

OF F I C E E X T E R I O R

8LO B B Y F EAT UR E S TA I R

DURING T HE S CHEM AT IC DE SIGN P H A SE, OUR T E A M MODEL ED A ND RENDERED MULT IP L E DE SIGN OP T IONS FOR T HE CL IEN T. 3D P RIN T ER S GENER AT ED MODEL S T HR OUGHOU T T HE DE SIGN P R OCE S S, R A NGING F R OM TO W ER S CHEME S TO DE TA IL S. T HE CUR TA IN WA L L A DA P T S TO T HE CUR V ING SI T E P L A N A ND TA P ERING TO W ER SECT IONS. OT HER RE SP ONSIBIL I T IE S INCLUDED COORDIN AT ING T HE DE SIGN W I T H S T RUCT UR A L ENGINEER S A ND MODEL ING T HE SK Y BRIDGE IN RE V I T.

Daniel J. Laster Architecture Portfolio 2017

S K Y B RID GE C O N N ECT IN G TO EX IS T IN G B UILDIN G

2017

Architecture Portfolio

Daniel J. Laster

S KYB R I DG E E X T E R I O R

SK Y B R I D G E I N T E R I O R 10

SKY BR IDG E I N TE RI O R

G U SSET P L ATE Daniel J. Laster Architecture Portfolio 2017

G U SSET PLAT E 3D P RI N T11

GENSLER 2014-2016

2017

Architecture Portfolio

Daniel J. Laster

Architecture Portfolio

2017

BHP BILLITON

BHP BILLITON Daniel J. Laster

SELECTED INTERIOR INTERVENTIONS

BHP ’S NE W E S T HOUS TON OF F ICE REQUIRED DE SIGNING T HE OF F ICE SPA CE A ND T HE A MENI T Y IN T ERIOR S. M Y R OL E WA S TO DE SIGN A ND DOCUMEN T T HE SK Y BRIDGE, P L AT FORM, A ND LOBBY S TA IR C A SE FOR A MOBIL E W ORK P L A CE CULT URE.

2017

Architecture Portfolio

T HE M AT ERI A L S ENFOR CE T HE COMPA N Y ’S MINING HERI TA GE—

F R OM T HE SK Y BRIDGE’S JE T BL A CK B A RRIS OL CEIL ING TO T HE P ERFOR AT ED A LUMINUM PA NEL S CREENS. T HE CONCEP T QUICK LY DE V ELOP ED W I T H 3D P RIN T S A ND RENDERING S.

PROGRAM

SKYBRIDGE, MEETING ROOM, STAIRCASE

ARCHITECT

GENSLER

SITE

HOUSTON, TEXAS

SIZE

800,000 SF

CLIENT

BHP BILLITON

ROLE

ARCHITECTURAL DESIGNER

S TAT U S

UNDER CONSTRUCTION

YEAR

2015 - 2016

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 

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                  

 

 



   

 

 

   

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 

 



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

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

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 

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

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       

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

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   

 

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 



     

      

             

Architecture Portfolio

     

   

                                                                                     



      

        





2017







  





      

                                                                                       

     

        

 

Daniel J. Laster

 

 



        

    

 

   

  

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                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   





     















   







 

      



 











    

  







  

         



       

  





         

 

 







  









  





 



 





  



  

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                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           

   

 

 

 

 

 

 

 



 

   





 

 

 

     







 



 

         



                    

       

        

 

       



 



                       

    

                                                               



 

           



           

         

     



 

 

 

      

 

 

   

 

 

 



 

 





 

 

       



   

 

 



 



 

 



  

 

   

 

 







 





 

 

   

       

 

 

 

 



         

 

 



 



   

           

  





  









 



     

 

 

 

       

 

 

       

 

 

 

 

     

 

  







          





   













  

 

 

 



 

 

  



         

  



 

 



            

                                                                                                                                                                                                            

   

















 

  



 

 



 

 

            

 

   



    



  

 





                               

 









  

 

 

   

 

   

 

 

     



 

 

  

 



                                                                               



     



                

 





   

 

      

   

     

 



 

   

 



 

 

  



 

 

 

       

 



     

   

 

 

  

















































      

        

       

 

 



 

        

 

 



 

 

                                                                                                   

   

 

 



   









      



 

 

 





   

  







 















  

 































 













































       

   



       



   

   



    

   







   

   

 

















 











 

















 





   



 











         











 

 





























                                               





 

     

 

 

 







 

 

  

























   

 



 





























 



 



        

 



 



   

  



 

    

 

S K Y B RID GE IN T ERIO R EL EVATION 







  



 

 

      

      

 

 

      

 

 



  

       









 

   



 



      



         

  

  

 

    



      



 

   



   

 

       



 



 

                       

 



    

     



   

























  



 





 

    









    





S K Y B RID GE FLO O R PLAN 

           



   



   

    

  

     

 



  

 







 



       



     

   







S K Y B RID GE REFL ECT ED C EIL IN G PLAN

   

 











  











 

   

 

 

  





  



 





 



 





  













  

























 



 





  







 

 









  

























  



  



 











  











   



     





















  













  















Daniel J. Laster



INTERVENTION 1 B U I LT - I N F U R N I T U R E



S URFA CE S. HEIGH T

L I V ING

SERIE S

SE AT S

TA BL E S

MORP H FOR







   

F URNI T URE UNFOL DING IN TO

BAR

SP ON TA NEOUS

DIS CUS SION A ND COL L A BOR AT ION.



SK Y BRIDGE’S

CONSIS T



Architecture Portfolio



 

T HE

 

   

 

 



           

       









 





2017







   

 



     

C O N C EP T M O D E LS

Daniel J. Laster

3D P RIN T S - FIN A L D EV ELO P M EN T

Architecture Portfolio 2017

C O N S T RUCT IO N IN - P RO GRESS

INTERVENTION 2 SKYBRIDGE SCREENS USING GR A S SHOP P ER, A P ERFOR AT ED A LUMINUM S CREEN WA S DE SIGNED TO SHIEL D OCCUPA N T S F R OM E XCE S S S UNL IGH T, W HIL E CRE AT ING A T HE AT RIC A L LY E T HERE A L SPA CE AT MORNING A ND DUSK . A RR AY S OF

2017

Architecture Portfolio

Daniel J. Laster

L IGH T CIR CL E S RE S T ON T HE S TONE F LOOR.

SKYBRIDGE SCREEN MOCK-UP

SK Y B RID GE S C REEN C EIL IN G S ECT IO N

   

   



 



      

 



   



   

   

 

   

 











 

 



 

  



 

 



   

 

2017





 

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  





Architecture Portfolio

    



Daniel J. Laster

   





S K Y B RIDGE S C REEN FLO O R S ECT IO N 

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INTERVENTION 3 T H E P L AT FO R M T HE P L AT FORM IS A MULT I-F UNCT ION A L A MENI T Y SPA CE A DJA CEN T TO T HE SK Y BRIDGE. A L IGH T WA L L WA S CRE AT ED TO A CHIE V E A JA ME S T URREL L INSP IRED IN T ERIOR QUA L I T Y, DE SIGNED F R OM T EMP ERED GL A S S PA NEL S B A CK L I T W I T H MULT ICOLORED L ED S. T HE CEIL ING REF L ECT S T HE SK Y BRIDGE W I T H PA R A L L EL GRID OF B A RRIS OL A ND V ER T IC A L L IGH T ING T UBE S. A SERIE S OF RENDERING S V IS UA L IZE S A DAY-IN-T HE-L IF E, F R OM E A RLY MORNING YOG A CL A S SE S TO A F T ERNOON A ND RECEP T IONS. M AT ERI A L S W ERE SEL ECT ED A ND DE TA IL ED FOR DUR A BIL I T Y, A CCE S SIBIL I T Y, CO S T

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      

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    

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



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 













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

   

 



 













 











    









   





 

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







 









 

   

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 













 







  









  



 













 







  







       

 



 

 

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 

LIGH T WA L L EL EVAT IO N

 



 





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



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



20 L I GHTWA L L B A S E S K E TCH E S





 

 











 

    



 





  

 



 





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   







     

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

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 

 

 





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      









 



   



 

    

  

   

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



 

      

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



 

 







 

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





    

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 



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P L AT FO RM FLO O R P L A N 

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

  

   





  

 



 









 













 





   



  



 

   



   







  

 







  



  













    











   

    



 

 

2017



  















 



 





  



















   











 











 





















Daniel J. Laster

 





   

P L AT FO RM REFL  ECT ED C EIL IN G P L A N



Architecture Portfolio









  









  

   













 





   













 

 









  

   

   

 







EF F ECT I V ENE S S, A ND S OUR CED TO A CCOMMODAT E L EED CRI T ERI A .



    



















 

 



  









 

 



      



 TR A NS I T I O N AT SOF FI T (0 5/ A )   



 







  





 

Daniel J. Laster











L I G H T WA L L AC C ESS I BL E BA S E

  





  

2017

























Architecture Portfolio



 



L IGH T WA L L S ECT IO N ( 20/ A ) 

I N T E R V E N T I O N 4 - LO B B Y S TA I R C A S E THE SERPENTINE LOBBY STAIRCA SE IS CL ADDED IN BRONZE, RECALLING BHPâ&#x20AC;&#x2122;S MINING HISTORY. PANEL S ARE MOSTLY IDENTICAL TO INCRE A SE FABRICATION EFFICIENCY AND REDUCE

2017

Architecture Portfolio

Daniel J. Laster

COST. PANEL S CAN BE CARRIED AND INSTALLED BY HAND.

Daniel J. Laster

Architecture Portfolio

2017

T E L FA I R M A S T E R P L A N TRANSIT-ORIENTED DEVELOPMENT

A MI X ED-USE M A S T ERP L A N IN A S UBURB A N NEIGHBORHOOD L INK S A S Y MP HON Y H A L L TO I T S COMMUNI T Y. B A R CELON A A ND OT HER CI T IE S W ERE REF ERENCED A S C A SE S T UDIE S TO BE T T ER INCORP OR AT E ONS T REE T PA RK ING, GR OUND F LOOR RE TA IL , INS OL AT ED T REE S, P UBL IC GREEN SPA CE. T HE A PA R T MEN T S INCRE A SE S WA L K A BIL I T Y A ND Daniel J. Laster

O V ER A L L L A ND VA LUE. FA S T-PA CED

CL IEN T

MEE T ING S

REQUIRED

T HOR OUGH

UNDER S TA NDING OF T HE DE V ELOP ER’S A GENDA : RISK A S SE S SMEN T, SE T UP A ND P R OJECT CO S T, LOT SIZE S, PA RK ING REQUIREMEN T S A ND LOC A L DE V ELOP MEN T CODE. OUR P L A N H A D TO MEE T T HE DE V ELOP ER’S IN T ERE S T S IN P R OF I TA BIL I T Y W HIL E A L S O S AT ISF Y ING

2017

Architecture Portfolio

T HE CI T Y OF S UG A RL A ND’S LOC A L GUIDEL INE S.

PROGRAM

MIXED-USE MASTERPLAN

ARCHITECT

GENSLER

SITE

SUGARLAND, TEXAS

SIZE

21 ACRES

ROLE

DESIGNER

S TAT U S

IN DEVELOPMENT

YEAR

2014 - 2017

Daniel J. Laster

Architecture Portfolio

2017

Architecture Portfolio

Daniel J. Laster

ZISTLER ARCHITECTURAL GROUP 2016-2017

BLOSSOM HOTEL

Daniel J. Laster

Architecture Portfolio

2017

2 / A9-07

G109

1 / A9-07

ELEV +18'-0"

ELEV -2'-0"

G112

34 CARS THIS LEVEL

21 CARS AT LEVEL G1

Daniel J. Laster

CLIENT

BLOSSOM GROUP ROLE

PROJECT ARCHITECT S TAT U S

IN DEVELOPMENT YEAR

2016 - 2017

CEIL ING REF L ECT ED P L A NS, F LOOR

G110

G111

3500 LBS (1588 KG) 350 FPM SIDE OPENING

EcoSpace

ELEV #G2

3500 LBS (1588 KG) 350 FPM SIDE OPENING

EcoSpace

ELEV #G2

3500 LBS (1588 KG) 350 FPM SIDE OPENING

EcoSpace

ELEV #G1

3500 LBS (1588 KG) 350 FPM SIDE OPENING

EcoSpace

ELEV #G1

2 / A9-22

1 / A9-22

G301

1 / A9-05

3 / A9-05

ELEV +20'-0"

G108

G101

ELEV -0'-6"

G107

ARM GATE

G102

G105

ARM GATE

G302

3 / A9-01

1 / A9-21

G104

4500 LBS (2041 KG) 350 FPM SIDE OPENINGS

ELEV #5

4500 LBS (2041 KG) 350 FPM SIDE OPENINGS

MonoSpace

ELEV #4

217

213

218

204

216

215

214

1 / A9-01

203

211

219 G103

220

G106

206

1 / A9-09

208

221

ELEV #1

3500 LBS (1588 KG) 500 FPM CENTER OPENINGS

MonoSpace

207

202

R100

111

209

2 / A9-09

222

ELEV #2

3500 LBS (1588 KG) 500 FPM CENTER OPENINGS

MonoSpace

210

201

MonoSpace

3 / A9-03

ELEV #3

3500 LBS (1588 KG) 500 FPM CENTER OPENINGS

MonoSpace

ELEV #3

3500 LBS (1588 KG) 500 FPM CENTER OPENINGS

MonoSpace

ELEV #2

3500 LBS (1588 KG) 500 FPM CENTER OPENINGS

112

104

103

106

ELEV #1

109

110

3500 LBS (1588 KG) 500 FPM CENTER OPENINGS

1 / A9-03

SCALE: 3/32" = 1'-0"



212

4500 LBS (2041 KG) 350 FPM SIDE OPENINGS

MonoSpace

ELEV #5

ELEV #4

4500 LBS (2041 KG) 350 FPM SIDE OPENINGS

MonoSpace

ELEV -0'-6"

Architecture Portfolio

12/4/2016 2:44:04 PM :43:35 PM

600,000 SF S CHEDUL E S, F INISH S CHEDUL E S, A ND IN T ERIOR DE TA IL S.

SIZE SECT IONS, S TA IR P L A NS, SHEE T INDE X E S, DOOR H A RD WA RE

HOUSTON, TEXAS P L A NS,

SITE L IGH T ING COORDIN AT ION, O V ER A L L BUIL DING SECT IONS, S TA IR

ZAG / MCS ARCHITECTS INCLUDED: E X T ERIOR EL E VAT IONS, IN T ERIOR EL E VAT IONS,

ARCHITECT COORDIN AT ION. CONS T RUCT ION DOCUMEN T RE SP ONSIBIL I T IE S

HOTEL A S SIS T ED A R CHI T ECT IN F UL L P R OJECT DOCUMEN TAT ION A ND

PROGRAM

ENL A R GED

223

224

205

ELEV -1'-0"

2500 LBS 150 FPM CENTER OPENING

EcoSpace

ELEV #6



105

ELEV -0'-0"

107

225

12'

226

3 / A9-06

( IN FEET ) 3/32 inch = 1 foot

1 / A9-06

12'

PLAN NORTH

STRUCTURAL POURED IN PLACE CONCRETE COLUMN (RE: STRUCT DWGS)

STRUCTURAL POURED IN PLACE CONCRETE WALL (RE: STRUCT DWGS)

FIRE EXTINGUISHER CABINET (FEC)

KEYED NOTES

LINE OF OVERHEAD CANOPY OR CEILING HT CHANGE ABOVE

SLOPED CONCRETE ENTRY APPROACH AT MAX. FOOT SLOPE

STRUCTURAL POURED IN PLACE CONCRETE WALL (RE: STRUCT DWGS)

FIRE EXTINGUISHER CABINET (FEC)

A2-26

LINE OF OVERHEAD CANOPY OR CEILING HT CHANGE ABOVE

SLOPED CONCRETE ENTRY APPROACH AT MAX. FOOT SLOPE

STRUCTURAL POURED IN PLACE CONCRETE COLUMN (RE: STRUCT DWGS)

LeHall Street

GENERAL NOTES

KEYPLAN

LeHall Street

A3-22

A3-20

A3-21

St. Agnes Street

PARTITION NOTES

GENERAL NOTES

KEYPLAN

A3-23

A2-27

KEYED NOTES

PARTITION NOTES

L EV EL 2 FLO O R P L A N

L EVE L 1 F LO O R P L A N

2017

BLOSSOM HOTEL

P R OJ E CT D O C U M E N TAT I O N

CILYRCA DERUTXET GNITAOC ELUDEHCS HSINIF :ER

KEYED NOTES 1

PREFINISHED GALVANIZED METAL PARAPET CAP OVER WRAPPED SELF ADHERING MEMBRANE SUB-FLASHING ON TREATED 2x WOOD. SLOPE AT 1/4" PER FT, EXTEND OVER FACE MINIMUM 2-1/2" CONTINUOUS BEAD SEALANT w/BACKER ROD

CONTINUOUS BEAD SEALANT

3 4

2" THICK EXPANDED POLYSTYRENE w/ DRAINABLE E.I.F.S. FINISH ON 5/8" DENS-GLASS GOLD EXTERIOR SHEATHING w/ FLUID APPLIED WEATHER BARRIER

EXPANDED POLYSTYRENE FOAM (E.P.S) DECORATIVE BAND w/ E.I.F.S. FINISH

EXPANDED POLYSTYRENE FOAM (E.P.S) WINDOW / DOOR / LOUVER TRIM w/ E.I.F.S. FINISH

SCHEDULED DOOR / WINDOW / LOUVER, PROVIDE CONTINUOUS BEAD SEALANT w/ BACKER ROD AT ALL INTERSECTIONS (TYP)

8 9

SCHEDULED SIGNAGE, PROVIDE ELECTRICAL WHERE REQ'D, (RE: ELECTRICAL PLANS)

FINISH GRADE, HOLD MINIMUM 8" TO BOTTOM OF E.I.F.S. TRACK

E.I.F.S. EXPANSION JOINT (RE: XX/XXX)

E.I.F.S. REVEAL JOINT (RE: XX/XXX)

5 CM SCHEDULED STONE VENEER w/ STAINLESS STEEL ANCHORS

SCHEDULED STONE BANDING w/ STAINLESS STEEL ANCHORS

5 CM SCHEDULED STONE CAPPING w/ STAINLESS STEEL ANCHORS

ALUMINUM CLAD CANOPY

5/8" FIRE RATED DENS-GLASS GOLD EXTERIOR SHEATHING

SCHEDULED METAL STUD FRAMING (RE: STRUCTURAL)

2" THICK EXPANDED POLYSTYRENE w/ DRAINABLE E.I.F.S. FINISH

RETNEC LACIDEM MOSSOLB REWOT LETOH

Client: KEY TO FINISHES

THESE SCHEMATIC DRAWINGS WERE PREPARED BY MCS ARCHITECTS (KEITH CARLSON NO. 5307). THEY ARE NOT TO BE USED FOR PERMITTING, CONSTRUCTION OR REGULATORY APPROVAL. SCHEMATIC DRAWINGS ARE PROPERTY OF THE ARCHITECT AND ARE NOT TO BE USED FOR FURTHER PROJECT DEVELOPMENT WITHOUT WRITTEN CONSENT OF THE ARCHITECT.

:tneilC

EXTERIOR ELEVATIONS 10-03-2016

GENERAL NOTES

DERAPERP EREW SGNIWARD CITAMEHCS ESEHT . ) 7 0 3 5 . ON NO S LR A C H T I E K ( S TC E T IH CR A SC M Y B , G NIT TIM R EP RO F DE SU EB O T T ON E RA YE HT . L AV O RP P A YR O TA LU G E R R O N OI TC U RT S NO C EHT FO YTRE POR P ERA SGN I WAR D C ITAM EHC S ROF DESU EB OT TON ERA DNA TCETIHCRA TUO HTIW T NEM PO LEV ED TCE JO RP R EH TRU F .TCETIHCRA EHT FO TNESNOC NETTIRW

6102-30-01

KEYPLAN

SSERGORP DC %08

7102-50-10

LeHall Street

E XTE RI OR E L E VAT IO N

4/2016 2:44:44 PM

ISSUE FOR PERMIT

KEY TO ABBREVIATIONS

GNIDLIUB NOITCES TIMREP ROF EUSSI

  

BLOSSOM MEDICAL CENTER HOTEL TOWER

  

MECHANICAL LOUVER, PREFINISHED ALUMINUM, (RE: MECHANICAL PLANS FOR SIZING) SCHEDULED EXTERIOR LIGHTING, PROVIDE ELECTRICAL, (RE: ELECTRICAL PLANS)





12/4/2016 2:45:15 PM

SCALE: 1/8" = 1'-0"

St. Agnes Street

B UIL D IN G S ECT ION





 '05 = "1 :ELACS







"0-'1 = "23/3 :ELACS

3cp.FDP oT GWD ,MP 82:51:2 7102/6/3 ,gwd.JJ~AA SNOITCES GDLB 90~10-8A - 82

2 / A9-07

Daniel J. Laster

37 CARS THIS LEVEL AT G8

37 CARS AT LEVEL G6 3500 LBS (1588 KG) 350 FPM SIDE OPENING

EcoSpace

ELEV #G2

3500 LBS (1588 KG) 350 FPM SIDE OPENING

EcoSpace

ELEV #G2

3500 LBS (1588 KG) 350 FPM SIDE OPENING

EcoSpace

ELEV #G1

G8-02

3500 LBS (1588 KG) 350 FPM SIDE OPENING

EcoSpace

ELEV #G1

2 / A9-22

G8-01

G6-01 3 / A9-01

Architecture Portfolio

3 / A9-05

1 / A9-21

ELEV #5

ELEV #4

4500 LBS (2041 KG) 350 FPM SIDE OPENINGS

MonoSpace

405

401

301

G420

G413

G412

G411

G409

403

2017

G419

406

G418

407

404 ELEV #1

3500 LBS (1588 KG) 500 FPM CENTER OPENINGS

MonoSpace

409

G417

ELEV #2

3500 LBS (1588 KG) 500 FPM CENTER OPENINGS

MonoSpace

408

ELEV #3

3500 LBS (1588 KG) 500 FPM CENTER OPENINGS

MonoSpace

G415

G414

G410

G408

G402

305

322



G406

313

3500 LBS (1588 KG) 500 FPM CENTER OPENINGS

MonoSpace

ELEV #3

SCALE: 3/32" = 1'-0"

307

312

3500 LBS (1588 KG) 500 FPM CENTER OPENINGS

MonoSpace

317

ELEV #2

G407

304

311

3500 LBS (1588 KG) 500 FPM CENTER OPENINGS

MonoSpace

314

ELEV #1

320

G404

310

309

315

2 / A9-09

321

G405

G403

G401

303

316

319

324

3 / A9-03



ELEV #5

ELEV #4

4500 LBS (2041 KG) 350 FPM SIDE OPENINGS

MonoSpace

302

308

308C

323

SCALE: 3/32" = 1'-0"



402

408A

306

12'

3 / A9-06

318

12'

( IN FEET ) 3/32 inch = 1 foot

3 / A9-06

( IN FEET ) 3/32 inch = 1 foot

12'

PLAN NORTH

STRUCTURAL POURED IN PLACE CONCRETE WALL (RE: STRUCT DWGS)

KEYED NOTES

FIRE EXTINGUISHER CABINET (FEC)

STRUCTURAL POURED IN PLACE CONCRETE COLUMN (RE: STRUCT DWGS)

LINE OF OVERHEAD CANOPY OR CEILING HT CHANGE ABOVE

SLOPED CONCRETE ENTRY APPROACH AT MAX. 1 4" PER FOOT SLOPE

L EV EL 6 FLO O R P L AN

PARTITION NOTES KEYED NOTES

STRUCTURAL POURED IN PLACE CONCRETE WALL (RE: STRUCT DWGS)

FIRE EXTINGUISHER CABINET (FEC)

STRUCTURAL POURED IN PLACE CONCRETE COLUMN (RE: STRUCT DWGS)

LINE OF OVERHEAD CANOPY OR CEILING HT CHANGE ABOVE

SLOPED CONCRETE ENTRY APPROACH AT MAX. FOOT SLOPE

A2-34

LeHall Street

GENERAL NOTES

KEYPLAN

A2-33

St. Agnes Street

A2-31

A2-30

St. Agnes Street

PARTITION NOTES

LeHall Street

GENERAL NOTES

KEYPLAN

L E V E L 3 F LOOR P L A N

TEXTURED ACRYLIC COATING RE: FINISH SCHEDULE

BUILDING SECTION 10-03-2016 01-05-2017

ISSUE FOR PERMIT 80% CD PROGRESS

TEXTURED ACRYLIC COATING RE: FINISH SCHEDULE

D   

3/32" = 1'-0"



 SCALE: 1" = 50'



BLOSSOM MEDICAL CENTER HOTEL TOWER





LEVEL G6 +50'-0"

Client: LEVEL G3.1 +18'-0"

LEVEL G1.1 -2'-0"

BUILDING SECTION

Daniel J. Laster

10-03-2016

ISSUE FOR PERMIT



 SCALE: 3/32" = 1'-0"









SCALE: 1" = 5



2017

Architecture Portfolio

SCALE: 1" = 50'



K E Y P L A NS PM

TEXTURED ACRYLIC COATING RE: FINISH SCHEDULE

C:\_ZAG Share\Projects\2016\16-005 Blossom Hotel - MCS\03 Drawings\1428 - A8-01~09 BLDG SECTIONS AA~JJ.dwg, 3/6/2017 2:15:03 PM, DWG To PDF.pc3

LE: 3/32" = 1'-0"

LONG I TU DI NA L OV E RA L L H OT EL S ECT IO N S

21 21

3 / A9-02

  SCALE: 1/4"SCALE: = 1'-0"

 

 

SCALE:1/4" 1/4"==1'-0" 1'-0" SCALE:



ROOF

GUEST ROOM GUEST ROOM 21 21

   SCALE:1/4" 1/4"==1'-0" 1'-0" SCALE: 

GUEST ROOM

 

 

SCALE:1/4" 1/4"==1'-0" 1'-0" SCALE:

C:\_ZAG Share\Projects\2016\16-005 Blossom Hotel - MCS\03 Drawings\1428 - A9-01~02 STAIR NO 1.dwg, 3/6/2017 2:07:08 PM, DWG To PDF.pc3 



GUEST ROOM

 SCALE:



 

SCALE: 1/4" = 1'-0"

 

 

SCALE: SCALE:1/4" 1/4"= =1'-0" 1'-0"

C:\_ZAG Share\Projects\2016\16-005 Blossom Hotel - MCS\03 Drawings\1428 - A9-01~02 STAIR NO 1.dwg, 3/6/2017 2:07:08 PM, DWG To PDF.pc3 GUEST ROOM

GUEST ROOM

2 / A9-02

GUEST ROOM

21 21



GUEST ROOM

SCALE: SCALE:

 



 

SCALE: 1/4" = 1'-0"

 

 

SCALE: 1/4" = 1'-0"

 

Client:

THESE SCHEMATIC DRAWINGS WERE PREPARED BY MCS ARCHITECTS 21(KEITH CARLSON NO. 5307). 21 BE USED FOR PERMITTING, THEY ARE NOT TO CONSTRUCTION OR REGULATORY APPROVAL. SCHEMATIC DRAWINGS ARE PROPERTY OF THE ARCHITECT AND ARE NOT TO BE USED FOR FURTHER PROJECT DEVELOPMENT WITHOUT WRITTEN CONSENT OF THE ARCHITECT.

SCALE: SCALE: 1/4" = 1'-0"

 

 

SCALE: 1/4" = 1'-0"

 

 

SCALE: 1/4" = 1'-0"

 

STAIR NO 1 SECTIONS 10-03-2016

ISSUE FOR PERMIT

01-05-2017

80% CD PROGRESS

Architecture Portfolio

  GARAGE PARKING

Daniel J. Laster

BLOSSOM MEDICAL CENTER HOTEL TOWER

GUEST ROOM

STAIR ECHANICAL ROOM

21 21

2017

 

SCALE: 1/4" = 1'-0"

 

 

SCALE: 1/4" = 1'-0"

C:\_ZAG Share\Projects\2016\16-005 Blossom Hotel - MCS\03 Drawings\1428 - A9-01~02 STAIR NO 1.dwg, 3/6/2017 2:07:08 PM, DWG To PDF.pc3



ALE: 1/4" = 1'-0"

 

 

SCALE: 1/4" = 1'-0"

 

2-STORY ADING BAY



 SCALE: 1/8" = 1'-0"



S TAI R N O . 1 OV E R A LL S E CTI ON 

 21

S TA I R NO. 1 EN L A RGED FLO O R P L A N S 



2017

Architecture Portfolio

Daniel J. Laster

G R A D U AT E S T U D E N T W O R K 2011-2013

E C H E LO N PA R K

Daniel J. Laster

Architecture Portfolio

2017

ENERGY TOURISM: E C H E LO N PA R K R E C L A M AT I O N P L A N T

M.ARCH THESIS PROJECT

DESIGN DEVELOPMENT

Dan Laster Echelon Park

Stardust Implosion Las Vegas, 2007

Crescent Dunes Solar Project Tonopah, NV 2012

Aerator Passageway March 2013

Water Aerators Longitudinal Section April 2013

Water Aerator May 2013

Dan Laster Echelon Park

Crescent Dunes Solar Project Tonopah, NV 2012

Daniel J. Laster Daniel J. Laster

Stardust Implosion Las Vegas, 2007

C L A M AT I O N P L A N T

Architecture Portfolio

SIGN DEVELOPMENT

Las Vegas entered a new era following the Great

energy in the Nevada desert, such as the Crescent

Recession, which led to the indenite suspension

Dunes solar tower project in Tonopah, Nevada.

L A S V EG A S EN T ERED A NE W ER A FOL LO W ING T HE 2 0 0 8 F IN A NCI A L CRISIS, W HICH L ED TO T HE S USP ENSION As an engineered wonder (i.e. the Hoover Dam), of several large scale casino- hotels. The Stardust

OF SE V ER A L L A R GE S C A L E C A SINO S P R OJECT S. ECHELON P L A CE, A N UNF INISHED HOT EL C A SINO ON

Hotel, one of the oldest casinos remaining on the

Crescent Dunes is expected to generate tourism

T HE L A S V EG A S S T RIP, BEC A ME A N UNIN T EN T ION A L LY INFA MOUS MONUMEN T TO T HE RECE S SION.

2017

onDEP itsENDEN own.T Other types ofWinfrastructure, such as Strip, was implodedTODAY in 2007 forA SEchelon L A S V EG S T IL L REMPlace, A INS L AaR GELY ON I T S TOURISM I T H A REL I A NCE ON FO S SIL F UEL ENER GY. T UN AT un ELY, nished CL E A N ENERwater GY P R OJECT S S UCH Astill S T HEhave CRE S yet CEN Tto DUNE S S OL A R public TO W ER treatment, integrate complex of hotels and casinos. It FOR remains P R OJECT A RE UNDER WAY IN T HE REGION. accessibility. Rather than erecting infrastructural due to a lack of funding. While Las Vegas’ economy

recently improved, the city remains dependent on

mega projects away from Las Vegas, this thesis

ECHELON PA RK T R A NSFORM S T HE L A S V EG A S S T RIP IN TO A N ENER GY H A R V E S T ING P UBL IC PA RK A ND

itE with the Aruins of Echelon its tourism industry, supply, WATaERdiminishing REF UGE. L IK Ewater T HE HOO V ER DA M, Iproposes T IS E X P ECTto ED integrate TO GENER AT TOURISM S A N ENGINEERING W ONDER. BY P RE SERinfrastructural V ING T HE UNF INISHED ECHELON P R OP T Y, T HE MEMOR Y accessible OF T HE RECE Place, creating a ER public complex toS SION the and fossil fuel energy. Fortunately,

REM A INS. Tto HISprovide ENER A ND WAT ER H A R V T ING COMP L E X CREapplicable ATthe E S A Great P UBL EN VMojave IR ONMEN Tthe BOT H Strip and regionally toICthe projects have already begun sustainable energy inDesert. Nevada desert, LasGYVegas entered aE Snew era following

1 34

er Dam & Pat Tillman e, Lake Mead, 2013

P UBL ICLY A CCE S SIBL E A ND REGION A L LY A P P R OP RI AT E IN T HE MOJAV E DE SER T.

Recession, which led to the indenite suspension

Dunes solar tower project i

of several large scale casino- hotels. The Stardust

As an engineered wonder (i.

Hotel, one of the oldest casinos remaining on the

Crescent Dunes is expected

Advisor: Thomas Gardener, Spring 2013 Solar Tower Molten Salt Tank Steam Room Spa Rooms Indoor Pool Heliostat Array

Water Reclamation

Water ClariďŹ ers Elevated Pathways Water Aerators

Water Collection Stepwell (Typ.) West Water Tower Bridges South Water Tower Stardust Memorial East Water Tower

Daniel J. Laster

Existing Structures Convention Center Power Plant Performance Hall Parking Garage Casino Hotel Retaining Walls

Architecture Portfolio 2017

2 35

Advisor: Thom Advisor: Thomas Gardener, Spring 2013 Solar Tower

Advisor: Thomas Spring 2013 Solar Tower Solar Advisor: ThomasGardener, Gardener, 2013PTower S O L ASpring R EN ERGY L AN T

Solar SolarTower Tower

Molten Salt Tank Steam Room Spa Rooms Molten Salt Tank Molten Salt Tank Indoor Pool Steam Room Steam Room Heliostat Array Spa Rooms Spa Rooms Indoor Pool Indoor Pool Heliostat Array Heliostat Array

Crescent Dunes Solar Project Tonopah, NV 2012

Water Reclamation

Water Reclamation WAT ER P URIFICAT ION

Water WaterReclamation Reclamation

Water Clarifiers Elevated Pathways Water Aerators Water Clarifiers Water Clarifiers Elevated Pathways Elevated Pathways Water Aerators Water Aerators

Water Collection

WAT ER C O L L ECT IO N Stepwell (Typ.)

Water WaterCollection Collection

West Water Tower

Daniel J. Laster

Bridges Stepwell (Typ.) Stepwell (Typ.) South Water Tower West Water Tower West Water Tower Stardust Memorial Bridges Bridges East Water Tower South Water Tower South Water Tower Stardust Memorial Stardust Memorial East Water Tower East Water Tower

Existing Structures Existing ExistingStructures Structures

Architecture Portfolio

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EX IS T IN G C O N D IT IO N S Convention Center Power Plant Performance Hall Convention Center Convention Center Parking Garage Power Plant Power Plant Casino Performance Hall Performance Hall Hotel Parking Garage Parking Garage Retaining Walls Casino Casino Hotel Hotel Retaining Walls Retaining Walls

desert, such energy as the Crescent in the Nevada desert, such as the Crescent the Great

project in Tonopah, Dunes solar Nevada. tower project in Tonopah, Nevada. uspension

onder (i.e. theAsHoover an engineered Dam), wonder (i.e. the Hoover Dam), e Stardust

xpected to generate Crescenttourism Dunes is expected to generate tourism ng on the

pes of infrastructure, on its own. suchOther as types of infrastructure, such as n Place, a 2017

have yet to integrate water treatment, public still have yet to integrate public un nished

erectingaccessibility. infrastructural Rather than erecting infrastructural ’than economy

from Las megathis projects thesis away from Las Vegas, this thesis endent on Vegas,

eerit supply, with the ruins proposes of Echelon to integrate it with the ruins of Echelon

lic complex accessible Place, creating to thea public complex accessible to the astructural

pplicable to theStrip Mojave andDesert. regionally applicable to the Mojave Desert. ustainable 2 36

EX PLO D E D S I T E A XONOME TRI C

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B AT H S E CT I O N AT H OTE L Architecture Portfolio 2017

WAT E R A E R ATOR S ECT IO N

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OB S E R VAT I O N D E C K AT S OL A R TOW E R

F I N A L MO DE L

S O L A R TOW E R

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3D MASSING STUDIES M U LT I - D I R E C T I O N A L A G G R E G AT I O N S M.C. E S CHER MEE T S É T IENNE-LOUIS BOUL L ÉE IN A T HEORE T IC A L A GGREG AT ION. I BEG A N BY DE V ELOP ING X-Y MODUL E S IN TO 2D A ND L AT ER 3D F IEL D PAT T ERNS. T HE MODUL E WA S MODIF IED TO E X PA ND TO WA RD S T HE Z-A X IS A D INF INI T UM. MODUL E BOUNDA RIE S DEF INED T HE CONDI T IONS INCLUDING T HE GR OUND FOR A DDI T ION A L S T UDY. T HE SE CONDI T IONS W ERE E X A MINED FOR T HE DE V ELOP MEN T OF A CONS T RUCT ION UNI T. T HE REP E ATA BL E MODUL E WA S IMP L EMEN T ED A S A N ENCLO SED S T RUCT URE W I T HIN A L A ND S C A P E.

Module Fragment #1 Module Fragment #2

Module Fragment #3 Module Fragment #4

Masonry Exoskeleton

Module Fragment #5

Cast-in Place Concrete Surface

Aggregated Masonry Exoskeleton

3-Axis Steel I-Beam Grid

2017

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Module Fragment #6

Concrete Footing, Typical

40 TWO D I ME NS I O N A L PATTE RN

3D T ESS EL AT IO N

3D Field

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I S O ME T R I C S E CT I O N

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HAVANA SKETCHBOOK

LEFT: SAINT CHRISTOPHER CATHEDRAL RIGHT: MUSICIANS IN HOTEL COURTYARD

2017

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BELOW: THE MALECÃ&#x201C;N AS SEEN FROM HOTEL NATIONALE

Daniel J. Laster

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UTOPIA , WAT E R C O LOR, 2 01 2

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D E SIGN E R FR OM LA S VEGAS, NEVADA. H E RECEIVED H IS M .A R CH FR OM R HOD E IS L AND SCH OOL OF DESIGN (RISD)

Daniel J. Laster

DA NI E L J. LASTE R, LE ED AP ND, IS AN ARCH ITECTURAL

W I TH A GR A D UAT E FE LLOWSH IP AND ASS ISTANTSH IP.

C H I ME DA L FOR LE A D ERS H IP.

H E SE E KS TO CON ST R UCT NET ZERO ARCH ITECTURE IN

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U PON GR A D UAT ION HE WAS AWARDED TH E AL PH A RH O

2017

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