September 2014

Editors Message

Music Content

Welcome back to another fantastic issue of Darkus Magazine. As an editor I am pretty happy with all the unreal work myself and my team have brought you in this issue. I say this every time, but the opportunity to meet great people, cover super amazing shows and everything else that we encounter makes every issue of Darkus an enjoyable one.

Dalaro: Empty Apartments Vanilla Sugar Royal Blood JR’s Reading Festival Diary

In this issue we bring you some pretty unreal coverage from the likes of The Front Bottoms, Reading Festival and The Courteeners. If that wasn't enough there are interviews galore and the opportunity to check out talented photographers from the world of music and fashion.

This really is a month that will blow your mind. So as always, sit back, relax, and prepare to take your Darkus experience to a whole new level.

Dark Horses St Vincent The Front Bottoms Twin Atlantic: Great Divide Catfish And The Bottlemen

Lots of Love Dee xXx

Simon Sarin Exclusive The Courteeners: Concrete Love Tea Street Band

Editorial Notes Editor: Thushara S. Chandrasiri (a.k.a Dee) Interview Team: Dee, Constance A. Smith & James Reynolds

Manchester Orchestra Luke Sital: The Fire Inside Telegram Them Things

Reviews By: Dee, James Reynolds, Georgia Rogers-Smith, Molly Chard, Abigail White Front Cover Image Taken By Fashion Photographer Elspeth Van Der Hole Special Thank You To: Anger Management (USA), Ian Cheek Press, Chuff Media, Ponama and all the amazing people who took part in this issue.

Published by Photoline Ltd (Newcastle Upon Tyne)

Fashion & Photography Content Second Beginnings: Elspeth Van Der Hole Eddie Dodd Photography Miss Tyne & Wear: RSPCA Fundraiser AMOTY 2014 Finalist: Ruby Mae Darkus Meets Kev Richardson

Be sure to check out the following: Twitter: @DarkusOfficial Facebook: Darkus Magazine Instagram: @darkusmagazine Www.darkusfashion.bigcartel.com

Stylish & Proud: Megan Bartley

Darkus Magazine: How does it feel to have joined the Anger Management family?

Vanilla Sugar: We are very excited to work with Anger management to help take Vanilla Sugar to the next level.

DM: How have the past few months been like for you?

VS: We have been committed to developing our music and writing to put out work we are proud to play and hear.

DM: Any specific achievements you are most pleased about?

VS: We Are always grateful to play alongside national acts that come through Houston or out of town shows.

DM: As a new discovery for my readers at Darkus what would you say to encourage them to check you out?

VS: Give us a listen; you will be intrigued, see us play live; you'll be impressed.

DM Top 3 quirky facts about Vanilla Sugar?

VS: 1. Vanilla Sugar's name was derived from a dirty joke.

2. We don't have a bass Guitarist, but we do have a bass synthesizer!

3.Jessica and Courtney have been playing in bands together since they were 13.

DM: Which song would you say is a great starting point for any new listener?

VS: "Bullseye" currently displays all the aspects Vanilla Sugar strives to achieve with every song; a unique mixture of live and electronic elements with powerful lyrics and melodies.

DM: Who and what are your main influences?

VS: We all come from different influential backgrounds of music; metal, indie, dub, hip hop, punk to name a few.

2 part question for you here...Firstly - How did the journey of Vanilla Sugar begin?

VS: It began as an electronic solo project By Jessica Perry and over the course of two years developed into a 4 piece band. Elements of the music were expanded by throwing in live musicians. From then on it's been a unique blend of all our musical influences and an energetic show to match DM: And 2. What point do you see yourselves now?

VS: We currently writing and developing our sound to grow as artists and capture the attention of newer audiences whom never heard of Vanilla Sugar.

DM: Is there anything you think that gives you that extra edge?

VS: The fact that we are all women who play instruments and play a heavier type music. We seem to fit in and hold our own with all kinds of genre lineups; our live shows also deliver an impact that audiences don't normally tend to expect from a group of women.

DM: If I was to come down to see a Vanilla Sugar show what could I expect?

VS: We don't like to set expectations, but just know that you would definitely be entertained, intrigued and left wanting more afterwards.

Compare a Led Zeppelin classic like Whole Lotta Love or Immigrant Song to a Royal Blood riff, and despite the focus being on a different instrument the tablature, in principle, appears very similar in nature. You can really see why The Guardian, The Telegraph and NME choose to stress the significance of that particular influence in their reviews, and it’s not something to be taken lightly.

Honestly, it’s been hard to get the same buzz from an LP since hearing Led Zeppelin’s debut album on vinyl for the first time. That unforgettable version of Muddy Waters’ ‘You Shook Me’ tied blues and rock together with such an overt confidence that nothing since has really been able to scratch the surface. And then, placing the needle on Royal Blood’s debut, released 45 years later, something similar happens, and music is taken back to explosive two note riffs and an abundance of sentimentalized second person pronouns.

With the scent of The Queens of the Stone Age lingering somewhere not too far away, either, one of the other major similarities worth noting is The White Stripes/ The Dead Weather. That whole Jack White blues-rock thing echoes so prevalently into the Royal Blood album that at times it can be hard to distinguish between the two. Whether or not the aforementioned might consider suing for the plagiarism of ‘Blue Blood Blues’ after hearing Royal Blood’s ‘Loose Change’ is yet to be seen, but nonetheless, the gritty revival of bluesy simplicity and the meatiness of hard rock is outstanding here.

Right, enough of that.

It’s difficult to pinpoint an Achilles heel of the album: anything to suggest that the band doesn’t have the skill or prowess they appear to (and believe me, I’m not disputing the fact that they do) but, rather, that they just got lucky, though certainly some tracks stand out more than others. ‘Out of the Black’, ‘Come on Over’, ‘Figure it Out’ and ‘Loose Change’ have to be the favorites, each encompassing its own individual charm or feature.

The problem, if it can be called that, I find with this album is that it’s almost too good. No, seriously. I adore Royal Blood, but the way that the album has been inferred by many (including by myself) as merely a concept or a light in the darkness of commercialized pop taints what it actually is a little. The focus is taken away from the music somewhat and placed on the fact that it’s a bass guitar and it’s young people and that there’s only two members and how refreshing it all is.

Selling 66,000 copies in its first week, Royal Blood is a bloody good album, but as I showed in my opening three paragraphs, the temptation to slip into a discussion on what it represents and what it means over what it actually sounds like is oh so

strong. Songs merge to form this mesmerising gestalt - a distinct taste of what the album is about - but as the album goes on, drawing lines between where one song ends and the next begins becomes increasingly difficult. The Royal Blood album is a concept, a display of what can be done with this revival of already decorated sounds, but in doing so, each individual track loses a little bit of individuality.

Nonetheless, 8/10.

My Reading Festival 2014 Diary

“Disobedience is the true foundation of liberty. The obedient must be slaves.”

Thoreau probably wasn’t referencing Reading festival when he was quoted saying that, but it fits rather nicely as a summary.

Friday It’s Friday morning, and after a night (or two) of heavy drinking, everybody is feeling a bit under the weather… not that it shows, of course. Music is starting. Anywhere between me and 90,000 people have been waiting for this moment since Biffy Clyro et al brought Reading to a close last year, and the hype for this one is enormous.

I was quite curious as to how the Gerard Way set would be received. Being one of the first to play, anticipation and excitement were still high, and though the singer noted that he was singing a load of songs that nobody had heard before, when it came down to it, the set was incendiary.

“I did an NME cover with Morrissey once, and Morrissey said, 'To some people I'll always be Morrissey from The Smiths, no matter what else I do. And you'll always be Carl from The Libertines.’” wrote Carl Barât in his autobiography, and initially I think the feeling that it would always be Gerard Way from My Chemical Romance we were listening to lingered quite potently, but as songs distanced themselves from the boundaries of what we’ve come to define MCR as, I truly feel that Way began to redefine himself as a solo artist.

Southern, a band I hadn’t heard much of before, seemed very much on form for the moments that I was there, but it wasn’t long before I was dragged off to the medical tent with Rotary Cuff Injury, only to emerge what felt like several hours later with a sling and an assortment of painkillers. It did get back to me later that apparently Darlia and The Orwells had played two very strong sets - Darlia, of course, debuting several tracks at Reading in the lead up to a new single. I can only apologise and blame the vast inefficiencies of human anatomy for missing most of Friday.

As to find a large enough crowd to comfortably nestle in, we stayed for both of Friday’s headliners, but were rapidly drawn further forward. Starting with Paramore, who came on at 20:00, there was a hugely positive atmosphere for the band that I wasn’t quite expecting. A lot in the run up had said that they’d rather go off and see Brody Dalle or Childhood or Annie Mac, but in the end Paramore had drawn a colossal crowd full of support for what it was that they were doing, and the simple sing-a-long nature of most of their played songs made it an easy-going, welcoming and warm way to properly kick off Reading. Despite issues with the sound (and the build-up to a treasured golden microphone that wouldn’t work either), the band worked around its problems, using the opportunity to turn an awkward empty space into an acoustic, utterly encapsulating glade of spontaneity in which the whole crowd sang The Only Exception with Hayley Williams. It was a truly memorable introduction to what Reading 2014 would pan out to be.

To leave Paramore and go straight into Queens of the Stone Age was an indescribable experience, though. I’d never really paid all that much attention to QOTSA before, but as we made our way towards being within 15 people of the front gate, it was hard not to become involved in the hype around the prestigious act. The only thing I can think to compare it to is Nine Inch Nails’ set on the main stage last year, who similarly had that ability to engross its audience with such simplicity and detail, to really make you pay attention to every note, every syllable. QOTSA absolutely dominated that stage on Friday night, and as I made the transition into adulthood, I couldn’t have wished for a better sendoff to my childhood. Musically, though, Reading peaked for me at QOTSA, and that was quite a shame being so early into it. It was easily the best set of the festival.

By JimmyReynolds

Saturday Utilizing a bottle of Southern Comfort and a box of Pro Plus as a hangover cure, Saturday was, everything considered, probably the best day. The Tea Street Band lived up to expectations (see: my interview with Timo Tierney for Darkus Magazine), and as such fluent live performers, were starting to really attract the masses when their set ended and the acclaimed Milky Chance came on.

Though Milky Chance only recently released their debut album ‘Sadnecessary’, a crowd of all ages was immersed by the stage presence and charisma of the duo fronted by Clemens Rehbein.

Another very well delivered set which would go on to become a personal highlight.

Marmozets and Royal Blood were the next stop, who took to the NME stage to deliver their sets. Reading still had some stamina left in it and wasn’t going down without a fight. Thus emerged a true sense of liberty within the crowds. Any bylaws of conformity and common sense went out of the window as crowd-surfing became a norm, moshing started trending regardless of genre and a certain lust for life triumphed over any feelings of exhaustion, inebriation or comedown. However enthusiastic the music may have been, Friday had felt quite rigid; crowds acted as they were supposed to, a fair amount of campers noticeably just went to bed and overall, it was difficult to consume the full Reading atmosphere when it felt like it was lacking the anarchic streak of previous years. Royal Blood in particular liberated its crowd with a cattle-prod of a set, reinstating that ardour - that de facto insanity - that you can’t help but love about Reading Festival.

Two hours on, Wolf Alice managed to perpetuate that energy with their own confident, heavily personalized performance. As we moved through Saturday, Reading really did become a riot again, and it wasn’t long before passive-aggressive violence offset my shoulder for a second time. Nonetheless, keeping to the sidelines for what was left of Saturday night, Reading festival was electric: a true monument to the unapologetically sordid naïvety of youth.

The Arctic Monkeys set, as expected, sent ripples of rumours and, weirdly, emotion through all camps, receiving, even more weirdly, quite a mixed reception. On the one hand, there were the sixteenyear old archetypes of drunken teenagers crying at how they thought they were “actually clinically depressed” for missing the set that they “were told was on Sunday”, but of the music ‘aficionados’ I spoke to, many actually felt that a lack of personality and interaction from AM killed the vibe a touch. Whereas Paramore the night before could be celebrated by all for their willingness to engage, a reported “coldness” about Saturday’s headliner ended the night in ambivalence.

Sunday

By Sunday, disobedience was waning, and crowds seemed to be split into those hardcore or high enough to keep pushing on through the exhaustion, and those who just wanted to go home.

With regard to music, though it might not usually be my area, the Lock Up stage must be commended on its unrelenting energy. Baby Godzilla and Neck Deep carried on the excitement I’d experienced in glimpses of Basement the day before. If for nothing but the atmosphere and passion that the musicians were putting into their allotted stage-time, that single tent was invariably consistent in delivering explosive sets, and I’d recommend it to anybody.

The NME stage, again, made for a good way of killing time, and with the likes of Maverick Sabre and The Kooks playing, Reading took what may well have been its dying breath. There was a torrent of people being pulled out of the crowds due to dehydration or tiredness when I turned up, and coming to a half-hearted climactic finale for many at around 19:00, my personal experience of Reading seemed to drop off in time for Macklemore. Though things would later perk up for Blink-182 and the dreaded last night, my memories of Reading Festival 2014 are an amalgam of brash disobedience and quiet acquiescence as, feeling old and worn, bouts of fatigue plagued the arena.

Nonetheless, Reading Festival had been a huge success for the most part. Fighting against the oppressors of obedience, law and logic, Reading had displayed an amazing amount of talent both on stage and in the crowds to uplift, to savour and to empower. Through the highs and the lows, I can’t help but stand by my previous claim that Reading Festival has to be one of the most enthralling experiences of my life.

Darkus Magazine: Welcome to Darkus; how was the summer for Dark Horses?

Lisa: It has been an amazing adventure; shows all over Europe, highlights include opening for the Dandy Warhols in the Austrian mountains and playing alongside some of our sonic heroes Clinic and Black Rebel Motorcycle Club in Sicily at the Zanne Festival.

DM: Congratulations on the release of your second album; how do you think it differs to your debut album?

L: With Black Music our eyes where inverted; it was a collection of delicate songs played at high voltage, whereas with Hail Lucid State the songs are more impetuous, urgent and instant.

DM: After a busy few months, which included the tour with Dandy Warhols, how is preparation going for your upcoming tour?

L: It’s exciting to have the chance to play our full set now that the album has been out here. We always have lots of ideas on the road and touring with the Dandy Warhols was no different. I’m glad we are able to get on the road again so soon while the ideas are still fresh.

DM: Were there any particular songs on the new album that were especially enjoyable to work on?

L: For me, a real push into new creative landscapes was Wake Up. The vocal performance has an intensity and urgency that I have never used before. It was scary and exciting to try new ways of stretching my vocal chords.

DM: Although it’s not been out long, how well has Hail Lucid State been received?

L: Really well; it’s a grower of a record. Even we had to listen to it a few times to get a sense of what we created; we made it quickly and it’s still new to our ears. It seems to open up a lot with repeat listens.

DM: With summer on its way out, what does the rest of the 2014 hold for Dark Horses?

L: Touring in the UK and Europe, then back into the studio to work on a new EP. We just want to keep writing; there are lots of new ideas floating about right now.

DM: Without wishing to categorise, when it comes to your music what would you say are your major influences?

L: Light, Fear, Anger, Lust, Joy and curiosity; I’m also digging the new Ghost Culture track out on Phantasy Records.

DM: Having worked so hard over the past couple of years, can you pick out any personal highlights?

L: Performing in an ancient fort in Malta to open their annual film festival was something we won’t forget in a hurry. You could really feel the history under your feet.

It seemed to affect our sound; and, as well as us, the audience gave a meaningful performance.

DM: For anyone who has yet to hear the new album, what would you say to encourage them to listen?

L: If Black Music was about staying up till dawn then Hail Lucid State is about getting up at dawn.

DM: Thanks for your time.

L: Thank YOU. Lisa x

An artist many of you may have probably heard about already named St Vincent came to The Sage in Gateshead as part of her UK tour. Although not being familiar with her work personally, the feedback I was getting was all positive so I went to the show with high hopes. I know what you are thinking that whenever anyone falls into the trap of doing that, its never ends nicely.

However on this occasion taking the risk paid off.

I will say now that the St Vincent show was one of the most enjoyable shows I have been to these past few weeks. I know I attend a lot of gigs but there was just something unexplainably special about this one from the vibe I was getting.

Opening up on the night was support act Arc Iris, a duo from the US who put on quite a classy performance. I tend not to put people in genres but if I was to be asked to what kind of music Arc Iris is, I would probably say that they had a somewhat psychedelic feel to them.

Support artists shall always have my upmost respect as it is never an easy thing playing in front of a new crowd. Arc Iris didn’t let the new surroundings unsettle them as they gave the audience here at the Sage a truly lovely and relaxed listening experience. For anyone that did not get to the venue in time for Arc Iris or waited around in the foyer, you certainly missed out.

When it came to St Vincent’s turn to grace us with her presence the room was full and buzzing as fans waited in excitement for her and her band to come onto stage. Lights go down, the crowd applauds and cheers as St Vincent begins a mesmerising set. I may be a new listener but adrenaline levels are going off the radar. I can only imagine for much more long standing fans that the feeling must be ten fold if not more.

As a person St Vincent is quite good at building a rapport with her audience and not afraid to engage in a bit of conversation in between songs. You have those artists who can express themselves only via their music and not with much chemistry at all, but St Vincent is one of those people who successfully manages both. In some respects her music just compliments her personality even more as it is a preview into her mind.

Even though the set up of the Sage is much like an auditorium or a lecture hall, this doesn’t stop some of the die hard fans from getting on their feet and dancing along.

Each song that St Vincent performed brought its own unique kind of energy, which is probably why she is so popular and special as an artist.

As I said previously this is a new encounter for me, but a show I have thoroughly enjoyed from start to finish. For anyone with a true appreciation of music, then St Vincent is certainly worth investing your time in, so what are you waiting for go check out her music right now!!!

Darkus Magazine: How was your journey to Newcastle?

The tent we were playing in was packed out. And oh…wait we released an EP too which I always forget about haha!

Brian: It was great…I was asleep the whole time though!

DM: Ah that ol chestnut!

DM: Did you have a nice dream?

B: Haha Exactly! I knew there was a reason we were over here haha!

B: Haha! Yea it was a wonderful dream.

DM: Internal celebrations you had when you released the EP? DM: Main hopes for your time in the UK? B: A lot of the shows are selling out so I cant really ask for more than that. Its definitely a gradual build every time we come to the UK so to know a show has sold out is pretty unbelievable for us. At this point the main goal is to put on good shows and ensure everyone is having a good time.

B: Well we all like to drink a lot so whenever we release anything we all have our own bottle of champagne and have a private party of our own which is nice. For some of the bigger shows we do this thing called the ‘champagne jam’ where we cant leave the stage until we have all finished our bottle.

DM: For you then what would be the next step?

DM: Which places have taken you by surprise?

B: Probably Ireland. We have never been there before but the shows were great. To see a lot of people singing along to our music was nice.

DM: What sees to be that one Front Bottoms track that seems to be winning the fans?

B: Well I am going to go home and try to relax and write a new album.

Maybe see all the friends I haven’t seen in a while – you know stuff like that.

DM: Why should people check out the EP?

B: There is actually quite a lot of history with the EP. Some of the songs B: I would probably say people have taken to “twin size mattress”. We were actually never released, so it’s a chance to hear some pretty excluplay it last so I hope people enjoy it especially as it has a lot of energy in sive material. it.

DM: What is it about a Front Bottoms set that makes it special?

DM: Highlight of the summer?

B: A lot of positive energy and no doubt plenty of sweat.

B: Probably playing Reading and Leeds as that was a great deal for us.

If I was to think about all the great releases that were out at the minute in the music scene, it would be hard to pick out an absolute favourite because the majority of the artists I am coming across are blowing my mind with their material.

However to slightly cheat and answer the question in a different way I would say which album have I been listening most to over the past few weeks, the answer would be ‘Great Divide’ by Twin Atlantic. Being the latest album to be released by the band via Red Bull Records this really is one of those albums whereby you can see incredible things in store for Twin Atlantic and in effect taking them to the next step of their journey in the music industry.

Twin Atlantic will always be one of those bands that continue to go from strength to strength in everything that they do, and 2014 has certainly been such an incredible year already with supporting the likes of Kings of Leon on their UK tour earlier in the year, the release and great reception shown by fans to ‘Great Divide’, and not forgetting their upcoming headline tour in a few weeks time to add to the excitement. I haven’t had a chance to speak to Twin Atlantic yet, but I can imagine that these will be some pretty good times for the guys.

So having listened to the album non stop (literally) since my lovely friends of Chuff Media sent it to me, the key question – what do I honestly think? In a nutshell I am absolutely in love with this album. I will be honest, yea I have heard material by the band in the past and I wasn’t that into the music, but with ‘The Great Divide’ I believe is some of the guys finest work, thus converting this crazy Darkus Editor into a big fan.

You get those albums sometimes where only a few tracks win your approval but the rest you get trigger happy and keep pressing skip to. Well tell you what my

friends, you have no chance of doing that on this album. Each and every track is absolutely breath taking and makes you feel even more hyper about the next.

There may be those out there that think I am over exaggerating, but honestly get your hands on a copy and you will see what I mean.

What I really respected about listening to the whole album was how it portrayed an air of maturity by Twin Atlantic whereby they provided in depth and meaningful lyrics that inspire you to think as a listener. Music is not just music, it’s an opportunity to take the listener into your world, connect with them and make them part of your journey. This is quality Twin Atlantic successfully manage to achieve in this album.

I guess everyone has a different way of getting into an album for the first time, so if I was to recommend any particular tracks to watch out for I would probably say ‘Heart and Soul’ for its sheer beauty, ‘I Am An Animal’ because it really does do wonders for your adrenaline levels and ‘Why Wont We Change” because it is absolutely inspiring. With ‘Why Wont We Change” as well, the lyrics really did make me smile, with one line being ‘there’s nothing wrong with being a dreamer….’. Being the last track on the album as well, it leaves you with a great buzz which is what ideally any brilliant album should do.

Having heard this album, and read the various feedback from fans and friends on social media sites I am confident that when the time comes for the UK tour, it really be a time for Twin Atlantic to shine and start to see all the passion and devotion they have put into their music really pay off.

Available to buy now, ‘Great Divide’ is definitely worth checking out.

Dalaro are to release a single that, just as the chorus says, is running around my head.

Based in Newcastle, the indie four-piece gained their name from the hometown of drummer Patrick Soulsby’s and bassist Aidan Soulsby’s grandparents. Also comprising of vocalist Connor Templeton and Guitarist Adam Terry (both share Synth duties), Dalaro draw inspiration from the likes of U2, Foster The People, and Kings Of Leon.

Similar to songs written by the aforementioned bands, soon to be released single "Empty Apartments" is uplifting and anthemic, but with a slightly somber undertone.

Just as the name suggests, "Empty Apartments" perfectly captures the feeling of moving out of a place once shared with a loved one, and reflecting on the relationship that once occurred, all whilst pleasing for them to “come back home”, of course.

Empty Apartments immediately washes over you with shimmering synths and melodic riffs, only giving you 15 seconds or so before the flood of tear-jerking lyrics begins.

Choruses begin with a howling plead of “Will you come back home?”, followed by verses stating “So you're moving on, and I’m moving out”, and a final rebuke of “You’re my light, my lover, that’s what you said.”

A 30 second window of percussion and riffs that were perfectly made for dancing, and you’re pelted full force with the plea to “come back home” again.’

For me, Empty Apartments is a song that is a future festival favourite: it’s lyrics are heartbreaking and cathartic, and perfect to howl along to; regardless of if you’ve been in a similar situation yourself or otherwise.

Despite all of the doom and gloom, Empty Apartments doesn’t lose it’s danceability, and for that, I expect it to be a firm favourite for live performances. Get your dancing shoes ready.

Find Dalaro’s Soundcloud here: https://soundcloud.com/dalaro Empty Apartments is available on the 4th of October and is available for preorder on iTunes now.

Find the band’s Facebook page here: www.facebook.com/dalarobanduk

The set consisted of acoustic renditions of some of the bands more popular upbeat hits such as ‘Kathleen’ and ‘Cocoon’, as well as new songs off ‘the balcony’, which all received a warm reception from the excitable fans. There was certainly a lot more intimacy felt with the band at this acoustic set and signing than there is at a paid gig, and even better, the signing and acoustic set was free!!

After waiting for the highly anticipated debut album from Catfish and the Bottlemen, which was released this Monday, (15th September) I couldn’t believe my luck when the band announced their signing and acoustic set the previous Wednesday to the album release in my hometown of Manchester!After following the band from first seeing them perform at ‘dot 2 dot’ in Manchester this May, and then perform exceptionally at T in the park this July, I have had a soft spot for the bands sound of youthful energy and fantastic riffs, and of course, frontman Van McCann’s vocals.

Despite the acoustic gig and signing beginning at 5pm, there were excitable fans lingering around HMV from as early as 2pm, eager to be first to meet Catfish and the Bottlemen and have front row access to Van’s acoustic set. This year the band have created a reasonably large following, and by the time Van was due to perform his acoustic set, the upstairs floor of HMV was bustling with eager fans.The atmosphere for Van’s acoustic set was truly incredible. The way Van interacted with the audience, let us pick which songs we wanted to hear acoustically, and even chatted to the crowd was absolutely brilliant and just made the audience feel like we were friends of the band. Van even wanted some of the audience members to compete in a ‘FIFA’ tournament after the signing!

After the acoustic set began the signing. As I was near the front due to arriving at the signing early, it meant I would among some of the first fans to meet the band. I'm not going to lie, I was shaking with excitement, grinning away. I don't think I could of held a straight face if I tried: a slightly embarrassing fan girl moment if I say so myself. I've met bands in the past and felt slightly awkward not knowing what to talk about, but these guys were genuine down to earth lads we had a laugh with. They were so at ease with talking to fans, having pictures with us, and signing our new CD’s, Vinyl’s and car glove-boxes! (yes, someone really did take a glove-box to be signed!)

When I left the signing I was on such a high!

It was such a brilliant experience to have and I would certainty go again! I also envy everyone greatly of seeing Catfish and the Bottlemen on tour in the coming months, I'll be sat at home sobbing that I can't be there, the lads are great crowd pleasers and if you haven't bought tickets for their tour or bought their album I would highly recommend!

Darkus Magazine: Welcome to Darkus Simon. As a music photographer how busy has your summer been?

Simon: My summer has been really busy, its festival season so as well as doing the usual portraits of bands for press, promo etc there are now festivals everywhere, I’m even pulling festivals out of my arse there are so many. I have also moved into music videos so have been learning more about that.

DM: You do so many cool projects - which ones lately have been the most fun and rewarding to work on?

S: The projects i have most enjoyed recently has been photographing Temples at this years big festivals, i have photographed them from playing very small venues and seen them rise as a band to be playing the large stages at Reading and Glastonbury. I enjoy working with them and have photographed them so often I feel we have become friends. I am probably saying that and they’re saying 'that photographer Sarin is a right fucking knob'. But they are great to photograph as they have such a striking look, their music is brilliant and they’re great guys so they tick all the boxes as a music photographer.

DM: You were working your magic at this years reading festival. How did you find that whole experience?

phy. I like to hang around with the bands so that they are at ease and take photos that tells their story at the festival and documents it in artistic way. So I do fly on the wall candid photos backstage, some portraits, then photos on stage and front of stage. Its more relaxing and you can wait until you get the best photos rather than bashing out a load of shit with no thought gone into it. It was still very tiring as I was going from stage to stage shooting the bands I had selected from 11 in the morning until 12 at night, I don’t think people realise how physically tiring 3 days photographing a festival can be.

DM: Having such a fab journey in the music scene already do you ever have such a thing as a typical day?

S: Yes I do have typical day, people think photography is all about being there and taking the photos but thats just the half of it as everything is digital nowadays, you now have to process and personalise the photo’s in photoshop. Also with portraits people still want retouching and certain things taken out. So once you have taken the photos you have to edit them, photoshop them then upload them as high res downloadable images for the client. But when I am not photographing I like to paint, I go to galleries, i love charity shop shopping and markets (not overpriced vintage shops), volunteer at charitable groups in my community and I am working on a couple of music projects which are not photography related. I also like going to the gym and I like finding cool little restaurants that are not expensive but authentic ethnic food from their particular country or region and of course watching a decent film ( not necessarily porn)

S: Reading is like every other festival nowadays it uses to be more Rock orientated but its just like any other festival. Its very hard to differentiate between all these festivals as the only thing that seems to differ is the location. They are just a few DM: When you are a photographer how does that change your outlook when at a tents, then the rest is like a big gypsy funfair with crap fairground rides and shit burfestival such as Reading? ger vans that smell like sweaty armpits. Working there was fun but it always depends on the bands that are playing and how many bands you have been paid to shoot.

S: I am so used to being in photographer mode I am always looking at situations This year was great as I only had a few bands to shoot but had a AAA pass for the thinking that would make a good photo and composing it in my head. I don’t change whole weekend, so it meant I could shoot the bands I was there for and then shoot my outlook for festivals as I have never really liked them, I always preferred watching some bands that i liked and get some candid backstage shots which are difficult to my favourite bands in a small venue, proper sweat boxes or somewhere bigger like get in this day and age of photography, with security being tighter than a gnats arse the Brixton Academy. Festivals used to be good but they have lost their vibe, I was and you need a wrist band just to take a shit nowadays. sitting at Glastonbury this year having a coffee listening to Metallica a thrash metal band the band who sued their fans over napster playing a hippy festival, who’s ethos Its a lot different to how I used to shoot for an agency as you had to shoot hundreds is supposed to be peace and spirituality and the majority of it is filled with crap Camof bands all front of stage then go back to the press tent, edit them, colour correct, den tourist shops and hundreds of food stalls selling shit food for extortionate prices. caption and upload.It wasn’t fun and the quality went out the window as it was all I thought this is not a festival its just one big corporate money making machine. So I about speed, so you could have the worst photo but if it got there first it was used. wouldn’t t normally go to a festival unless I was taking photos as it normally full of But the last 2 years has been much more fun and gratifying. I am not about racing tools all trying to dress crazier than the next person and stay in a fucking tent in a around getting the same old shit everyone else gets, I take inspiration from the shitty field is backward. golden age of rock photography when it was about good access and great photogra-

DM: How did you first get into photography and can you remember the first event you covered?

S: I first got into photography by chance really, I worked as a diary editor for Retna a specialist music photography agency. At the time it was run by Michael Putland the Rolling Stones official photographer in the 1970’s and 80’s and at the time Retna and another agency called Referns represented the best music photography in the whole world. Any way I was organising passes to gigs and sending photographers to cover them and what was happening was the photographers were either not turning up or not doing what was asked of them. So Michael suggested I went and bought a cheap SLR with a reasonable lens and go and shoot a gig and if I was shit he’d tell me. So I remember i got phone call from Johnny Hopkins from Triad PR who said could I send a photographer down to the garage to shoot Thai Rock Star called Sek Loso and Bonehead from Oasis was playing with him and Guigsy who used to be in Oasis would be there as it was his birthday. So I went down took some photos chatted to bonehead about Oasis and came back and showed Michael who said they were OK. So I carried on and within 2 week had my first publication and 3 months later had a front cover on the NME with a photo of the Arctic Monkeys and so I thought fuck it and carried on.

DM: Festivals such as Reading you will always come away with many stories to tell. Based on the bands you came across (especially those you have not met before) were there any you worked with that left you pleasantly surprised?

S: Yes I have many stories over the years some that would make your hair stand on end. But this year I was asked if I could get some photos of a band called The Fat White Family, I was warned that they were crazy and watch out blah blah blah. I met them and they were fucking lovely, I had a real laugh with them and they were proper passionate rock n rollers not phased by the festival, all they wanted to do was have fun and play there music, they were 24 hour rock n rollers with no pretentious bullshit. They seemed like a band that wore their hearts on their sleeves and just wanted to make and play music. They were my pleasant surprise as i had seen them before and they were great, they have a raw energy that surrounds them on and off stage and they were all really cool and I enjoyed hanging out with them.

DM: What are the main methods you have used to show case your work?

I also try to get candid backstage shots of the band before or after a gig, as I feel fans don’t get to see this side of bands and they are never likely to, so its nice to give fans an insight to what happens before a concert. In the past there used to be a lot of quality music photography now I feel that is not the case. Now it seems that no one really cares what goes into a magazine or on art work. I look at some of the shit that’s floating around out there and its depressing and its actually getting used. Even more depressing think the quality will fall even further if magazines, labels etc refuse to pay a rate that a photographer can live on and carry on DM: The music scene is such a huge arena nowadays but I cant even imagine the using photos suitable for wiping clegnuts from your arse, no one will want to do it scale of how stressful it can be for music photographers such as yourself. Based on any more, which in turn will contribute to the demise of the industry even further. what you have learnt therefore what are some of the things that have helped you to stand out from the other photographers out there?

DM: What is the most rewarding part of what you do?

S: I am not the best at showcasing my work I have thousands of exclusive unseen photos which I still need to sort out. I have my website and Facebook page and the weirdest one is I have a Tumblr page that I haven’t even set up. I really need to get more proactive in showcasing my work as I do sometimes have lazy shit marked on my forehead. So from next month getting organised is top of my agenda.

S: I have always tried to have my own style, I do a lot of Black and white and my S: I love coming out of a shoot excited that I know that I have got a great shot on live photography is not your bog standard digital photo I use a number of different my camera and getting back and editing it. I love it when the band loves the photo techniques and settings. I always look for a different angle and I choose a style as if they like it you know you have done your job properly. I also get great enjoythat’s fitting with the music, you have to shoot in style of the band and shoot to ment when people say your photos are great, they are better than a lot of photos the movement and the music. I was influenced by photographers I represented we see and when you get fans contacting you saying how amazing your photos of and worked with and looked at their work, their style, composition, ideas and their favourite band are, that gives you a real buzz. I am also old skool I like to see then took advice from them. I represented Mick Rock who influenced me a lot, I my photos printed on decent archival paper hanging up on a wall, signed with a loved his work, style and his overall attitude, he is a real character and a genuinely decent mount in a nice black frame. Its nice to see it somewhere other than on a lovely guy and found him quite inspirational. computer screen.

www.simonsarin.com

A little slow on the scene, I think I found The Courteeners earlier this year in journalistic ‘preparation’ for Reading Festival, which initially involved little more than sitting on the Number 850 bus, demoing numerous 30 second iTunes previews until something stood out as novel or exciting. The Courteeners instantly made the list. Beguiled by what I would go on to note as the band that “sounds a bit like The Smiths on a mild speed in places”, of the few songs I got to know, poetic storytelling and an upbeat feel with an undertone of melancholy really made The Courteeners, well, fun, I suppose, to listen to.

And up until recently, I’ve really been looking forward to reviewing them. The album isn’t at all bad, but it’s a bit like waking up on Christmas morning all excited and prepared with an abundance of pre bought Apple branded accessories to find an iPhone under the Christmas tree, only to unwrap a new Samsung Galaxy. And that would be great if you weren’t a sucker Lightning adaptors and Lego phone cases. You don’t want to appear ungrateful, but can’t help but feel that it was time for a change. Maybe it would suit somebody else better.

The band still maintains the same accent in Concrete Love. That easyto-apply ‘indie’ sentiment that shrouds who The Courteeners are individually beneath the labels and the genres reigns throughout, and though the temptation to slip into an indie-induced coma may seem, at times, quite overwhelming, a developed sexy sort of confidence in the sound takes this from a Suck It And See kind of album to a more bombastic AM. Concrete Love does have a couple of gems to offer in the latter half of the album, and it would appear I’m not alone in thinking so.

‘Summer’, particularly, invites you cordially to meet the other side of The Courteeners, and it’s an introduction you’ll be better off for making. Light and pastel-y, the most prominent comparison that comes to mind, strangely, is Childhood sans the distortion.

Additionally, ‘Sabouteur’ does wonders for the album, revitalising it with a Pro Plus volition to excite and to entertain. Guitar driven and punchy, it’s tracks like this that pull the rest of the album up with them.

The album ends with ‘Beautiful Head’, a genuinely interesting song that from a distance appears to just be a generic love song about hypothetical situations in the conditional tense, but under the surface provides a 5:19 look into a relationship that, glossed with instruments, really does start to captivate you. Semantically, it’s not winning any prizes for originality, but it’s well done and, bringing the album to a close, doesn’t feel like a filler they put in just to make it past 10 songs.

Concrete Love is by no means a bad offering from The Courteeners, and it’s songs like the aforementioned that make them deserving of their nigh 150,000 likes fan-base, though I do feel that future records would benefit hugely by drawing on how songs like ‘Sabouteur’ and ‘Summer’ take the concept of The Courteeners sound and engrave nuances of stylistic direction into the tracks to make it feel that much more… fresh.

Ahead of the anticipation 2014 Reading Festival, James Reynolds spoke to The Tea Street Band’s Timo Tierney about what it’s like to be back on the Reading stages, and what things have been since the last time they played.

second album. This is very important for us. It'll be a massive achievement to get that done. So all hands to the pump!!!

JR: Are you happy with the way that your album was received?

Jimmy Reynolds: So, on Saturday 23rd August you’ll be playing at Reading Festival.

What was it like making the transition to such a major festival having only recently released your debut album as The Tea Street Band?

TT: Yes, I was. Obviously it's never going to sell millions. The level we are at we don't have the money to spend on marketing and tour supports. But the amount of tweets and messages we receive shows it's been well received. We sat and sent Timo Tierney: It’s a massive step for us. Not expecting a big crowd, but it's experithem off ourselves. Licking envelopes and seeing addresses in Hungary, Japan and ence money can't buy playing on a stage with such prestige. We headlined the Australia amongst others is crazy. Again I'm super proud. There's people singing Woodlands Stage at Kendal Calling a couple of weekends ago. That was unreal. The our songs all over the world. Great that. crowd was massive. But it's up north. We're more ‘established' up here. I'd say it's a massive nod to the people pulling the strings at the agency group. Geoff Meall is JR: Musically, is there anywhere you’d like to explore next? Any influences or genour agent and this summer he has really worked hard on getting us the right gigs. res that can be drawn on for future projects?

It's been a good 12 months for us and I personally have definitely seen a growth in our fan base. It's great being so hands-on as we see it growing. Almost like a child.

TT: I think different instruments. Effect units. Think definitely the same idea of taking the idea of the pop song formula and making it ours will always be the case.

JR: Back in 2008 you played Reading’s Introducing Stage as The Maybes?. Having Want to try write songs with happier endings. The first album is very melancholy. I already bypassed that and jumped straight to the Dance Stage, do you see The Tea like that but happy songs is the idea next.

Street Band taking a different route to before? What sort of development has there been for you since 2008?

JR: Is there anyone you’d recommend keeping an eye on at the moment? Any artists destined for stardom that have evaded the attention of the media?

TT: As people and friends definitely. We've been through a lot since then. That was amazing playing in 2008. Didn't think we'd ever get the chance again but it shows TT: Raw City and Sugarmen are both from Liverpool. Chay who plays guitar in with hard work and the right team around you anything can be achieved. I'd have Sugarmen helps us on the road. He's a star in the making. An absolute gem of a not minded playing the Introducing Stage. Wouldn't have felt like a step back. person. He makes my life really easy. I'll be his roadie one day.

We’re always moving in the right direction and to be asked to play on the BBC Dance Tent is boss. It's going to be a big stage and big sound. Web if we play to no JR: You keep your Twitter page quite informal, interact with fans a fair amount and one. I'll still have a good time. It makes me proud. Makes our family and friends back in March you were talking to me in Hoxton about how that mentality of just proud. That's all that matters. We've won already. being a bunch of close friends made the struggles all worthwhile. Is it important to you to maintain that casual, easy-going relationship with your fans, and do you JR: It’s been a big year for The Tea Street Band. What have been the high points think that social media in particular helps the personalities of bands to be a bit and what do the next 4 and a half months hold for you? more prominent?

TT: Probably playing the Woodlands Stage at Kendal. It made me realize how far we've come. Meeting and playing with Jimi Goodwin [Doves] was unreal. I've always been a fan of his stuff so to find out he was a fan was great. The next few months will defo include writing and doing some recording making progress on our

JR: Without "fans" we are just five people playing instruments in our bedrooms. So Twitter/Facebook/ interacting with these people is super important. Almost as important as playing in the band. I'll always reply on Twitter. The only way we have to contact with these people that come our shows or buy our albums!!!

When Dee sent me an assignment titled ‘Manchester Orchestra’, I’d be lying to say I wasn’t sceptical about what to expect. Here at Darkus, we love all things alternative, but even I would say a 50 piece orchestra of woodwind, brass and strings paying homage to Joy Division, The Courteeners and Oasis may be a little too avant-garde for us.

I breathed a sigh of relief to find out that I would actually be looking at the music video to ‘Top Notch’; the first single from the latest album from Manchester Orchestra, an indie rock five piece from Atlanta, Georgia. Although the title gives the impression of jolly hockey-sticks and a fine and dandy scenario, the lyrics and video couldn’t be further from this.

ignitions to a ‘sleeping’ baby to abandoned houses, there is a lot to register in a short 3 and half minutes.

To be frank, I wasn’t a huge fan. The innocent looking Arian children, presumably the deaf twins, gave me chills but not in an enjoyable way.

The smoky sign language, the guns, the burning books, distressed eyes, skulls, flashing negatives… it was all a bit too much. But then in another way, it didn’t feel like enough? The imagery is low quality and doesn’t last long enough for you to really think about what the band’s intention was. Because, let’s be honest, when a group produce a video like this, it isn’t for entertainment value. There is evidently some story to it. It’s just disappointing that the poor imagery and editing don’t allow the video to interpret this.

The harrowing opening line ‘There's two twin deaf kids and they've gotta make an ungodly decision’ rapidly progresses into ‘wrapping up In my opinion, when artists are attempting this ‘vexed’ angle, extremes these towels round our blisters and bones, Wait it out in the closet’ are needed. Either a stripped-back track with an intense video, or the because ‘they're buried underneath the yard and no one ever listens or reverse. What Manchester Orchestra delivered seems mediocre; a visits’. These distressing lyrics could be literal, or could be metaphorical vague middle ground really. I respect the band for taking a daring, rarely for the struggles the band have endured the past few years. From losing travelled route with this video however their concept of thought proband members to being in-between labels, the band had really been at voking may have been taken too far. This has resulted in a video that I the crossroads in their career at the start of writing ‘Cope’, their fourth find too uncomfortable to watch, as opposed to a video that makes me album from which ‘Top Notch’ is taken from. question the message and repeatedly view until I feel fulfilled.

And to accompany the chilling song? Only a distressing video of course!

In black and white, opening with quick flashing images varying from gas

If Manchester Orchestra seems like your kind of band, you can catch them in Newcastle on October 3rd at the O2 Academy Newcastle.

Entrancing and spectacular throughout.

well with any comparable artists.

Singer/ songwriter Luke Sital-Singh has been a name lingering in the subconscious’ But Sital-Singh isn’t confined to melancholy; new tracks such as ‘21st Century of a considerable few since 2012’s release of the emotionally-charged Fail for You Heartbeat’ develop a more jaunty, catchy feel whilst maintaining that overall EP. Today, in medias res, we find ourselves at the heart of this incredibly mesmer- sense of charm and tenderness. Though some of the already released tracks domiizing 12 track album The Fire Inside as it’s readied to be presented to the general nate the album - incomparably brilliant songs such as ‘Fail For You’ that carry such public. an engrossing innate charisma - don’t by any means think that you’d be better off handpicking tracks from old EPs. Each and every track on The Fire Inside is marvelAfter two years of quite regular outputs, The Fire Inside almost begins to feel a bit ous within its own right, and as you begin to discover the range of influences drivlike a Greatest Hits album of some description; for those who’ve been tracking ing this album, you’ll find that this truly is the apotheosis of its contemporaries. A Sital-Singh’s development, you’re bound to recognize ‘Nothing Stays the Same’ strong grip of modern folk has lent this album an infinitely auspicious potential, from 2013’s Tornado EP, ‘Bottled Up Tight’ from Old Flint, ‘Fail for You’ and ‘I Have and I await the reception that this album will surely be met with.

Been a Fire’ from the aforementioned first release and ‘Greatest Lovers’ from Greatest Lovers. It’s a powerful compilation, and for a debut album, provides Unfortunately, in 2014, this is quite an already developed sound, so the album great footing for what’s to come. doesn’t feel as novel as it perhaps ought to, but nonetheless can only really be described as infinitely endearing. What saves it from feeling overdone or recycled, Chosen opener ‘Nothing Stays the Same’ explores Sital-Singh’s vocals rather well, perhaps, is the variation between the nonchalantly apathetic and the heartand despite the low-spirited semantics, the song itself doesn’t fall victim to the wrenchingly enthusiastic, meaning there isn’t exactly a dull moment throughout. triteness of winging and sulking to rake in acclaim, but rather utilizes this proWould buy. foundly uplifting temperament reminiscent of The Lumineers, can I say, to change the purpose of the song entirely. And whilst the lyrics may have a sort of poppy 9/10 generalisability to them in places, it doesn’t at any point feel as though this record has been produced with the exclusive intention of sell, sell, sell; lyrics are delivReleased 18th August 2014, ‘The Fire Inside’ available to buy now ered with heart, feeling wholly genuine - a characteristic that might not work so

Touring as the main support for The Horrors UK DM: Which songs gave you the most adrenaline on the only way they get to hear them properly is if tour, Darkus Magazine caught up with the guys from stage? they happen to be at one of our shows.

Telegram when they came to Newcastle after what I can only describe as a sensational set.

T: Probably the first one and the last ones…but then DM: Think back to all the shows you have played… again we all have our own flavours of the month what is the best feedback you have received?

Darkus Magazine: Welcome guys - how do you think when it comes to our material. the set went guys?

T: The second time we went to Japan, getting met at DM: So if I was to ask you for 4 quirky facts about the airport by people holding Telegram signs…they Telegram: Pretty well! Nothing exploded and no one yourselves to share with Darkus readers what would just go mental for us – its lovely! We have been on a died haha! they be? lot of tours since last November so its been quite progressive having the chance to get out to new DM: So on a scale on 1 to 10 what are your hyperMoon: Mr Kipling used to live in my road! towns and cities. ness levels like at the moment?

Cook: My mum is friends with the woman that married Bungle from the show Rainbow.

DM: Having done a fabulous set on stage tonight T: Based on tonight, we would probably say like a 2 Matt Saunders: When I was 11 I shook Nelson Manthen what is the number one priority? and a half – but that’s not to say that’s a bad thing. dela’s hand.

We really enjoyed it and everyone else seemed to Matt: I know quite a lot about insects!

T: Relaxation is our number one priority! As soon we as well. come off stage we have to do all the glamorous stuff DM: Matt what is your favourite insect? like packing up our gear, which is a good half an DM: Past few months have been really productive hour slog. Its only after that when can finally relax. for you, but are there any particular things that Matt: At the moment this really cool one from stand out as highlights?

Burma which is kinda similar to a woodlouse. I don’t DM: If Telegram was a cocktail what would it consist know the exact name! of?

T: Japan! We went to Tokyo and that was alright haha! European festivals over the summer as well DM: After this tour is over what is next?

T: One that Del Boy drinks – Peuno, Amaretto, were great. Its great to go to these places not just slightest hint of Campari, grapefruit juice and an on holiday and have genuine fans turn up and see us T: Go on another tour I think and record an album umbrella decoration! play. too which is yet to happen! Another aim is to get wined and dined by music execs.

DM: Wishing you all the best for the rest of the tour DM: How important do you think your role is on this and the year guys…give us some reasons why peotour?

DM: For a new listener which song would you recple should check out Telegram? ommend?

T: Getting the crowd fully lubricated haha! Think of T: Because people haven’t heard us yet…nothing us as kinda like the foreplay before The Horrors T: Hmm, probably recon “It Aint Easy” or even better to do…and we are the best of a bad bunch come on stage.

“Have It Your Way”. The thing is we need to record them so people can hear them, as at the moment

Supporting Behold A Pale Horse at their show at The Cluny on 24th August 2014, Darkus Magazine caught up with Them Things to find out a little about them and see how they were feeling about the show, 2014 and life in general. Not only was speaking to the guys a pleasure but was also great to get that background so I could understand them fully when it came to see them deliver an exceptional performance when it was time for them to go on stage. Read on to see how our little chat went…and when your done be sure to go check their music out, because you really will be left impressed!

New Talent:

Them Things

Darkus Magazine: How are you feeling about performing at The Cluny tonight?

Them Things: Pretty sexy! Nervous but excited at the same time.

DM: What did you do in terms of preparation?

TT: Drank some Drumstick Martinis, Gin & Tonics and smoked!

DM: Tell me 3 quirky facts about Them Things?

TT: Pretty multi-national in terms of our members All Home recorded stuff We love what were doing DM: Coming on tonight as the support act for Behold A Pale Horse. Are you experiencing any kind of pressure?

TT: There is absolutely none to be honest. We are doing it for ourselves really. We headlined a couple of shows of our own recently so we kind of saw this as a opportunity to play for a friend. We play at the Cluny quite a bit so its good to play somewhere where we are quite comfortable with so its all chilled and relaxed.

For Jack this is his second gig with the band too. Our last drummer went off to make films with Victoria Beckham, so he is pretty much the 5th and final drummer we will look for.

Haha!

DM: Jack what was it like coming into the band as the newbie?

Jack: These guys are really nice to work with, and so relaxed to which is good.

DM: If you could recommend a good starting point for a new listener which track would you choose?

TT: Probably “Oh Brother” is the real money maker due to the catchiness. Off the new record however I would probably say the last song we play as part of our set. Its got a kind of a Black Sabbath kind of vibe to it.

DM: What makes a set, a Them Things set?

TT: Improvised, loads of mistakes that no one really notices, lots of sweat and awkward crowd banter.

DM: When you go abroad what is going to be your main priority?

DM: What is the most awkward things that has happened then?

TT: Get a tan haha! Seriously we are pale as shit. Also have a swim and eat nice French food…wine …cheese haha!

TT: Just talking away to friends, and totally forgetting I should be actually playing a song haha. I remember this one guy came up to us when we were playing at the Evolution Festival and was like “ahh I love your band”. Then he went on to say how he had seen us play at another show the night his brother died! – so yea what do you say to that? Haha!

DM: Haha ok lets bring this back a little. Who would you say are your biggest fans?

DM: How has 2014 been for you as a band?

TT: Pretty hectic…a change of different drummers and recording. We are also planning to go France too, so that’s something to look forward to. Louis lost his passport though (for like the third time) and then getting all the appropriate documents and visas sorted for that has been eventful.

TT: Our friends, and the Cluny! Haha! No seriously we have some pretty cool fans.

DM: Something else you could achieve by the end of the year?

TT: A tour, and getting the record fully sorted…and hey maybe even a video.

DM: Why should people check out Them Things?

There is a lot going on. We are not kinda like a one trick pony, as we definitely do like to mix it up! Yes there is a set feel to us, but genre wise we try to cover different areas, so there is always something for everyone. We like to be dynamic and create an interesting vibe.

Darkus Magazine: Welcome back to Darkus, Elspeth how have the past few months been since we last spoke?

Elspeth: Thanks guys!

Well – for those who follow my work, you’ll know it’s all been a little rocky on the personal side of life but it’s all on the up now and I’m RARING TO GO! DM: You blew my mind back in May with your Wattle Exposure project, tell me about these amazing pieces of art for this project?

E: Thank you!! Well these new images were taken for a makeup artist from Worcestershire named Cassie Rule! She is without a doubt a fabulous lady and a highly creative and talented person!

What I loved most about these images is that they were shot so simply in her living room and the makeup really does speak for itself – the ombre lips, the colour blending, it’s all phenomenal!

Bromyard based stylist Becky Seal, whom I’ve worked with a number of times and she never fails to amaze me with her unlimited skills, did the hairstyling showcased here!

Both models (Sophie Organ and Charlotte Hamilton) are Cheltenham based and I just feel so blessed to have the chance to photograph such beautiful faces and work with the most wonderful of people.

DM: This summer you officially got your Princes Trust status (Congratulations btw). How has life changed since then?

E: Eek I know! I can’t believe I finally completed everything and now I am officially backed by The Prince’s Trust and will be receiving my business loan mid-September; it’s all go go go from then on!

Life has changed largely in the sense that I have spent the last year and a half sofa hopping in order to push the business and now I finally have my own place to be able to set up a studio and get the work going on a more regular basis – so just watch this space…

DM: Your work always impresses me what are your main priorities for moving forward?

E: My main priority as always is to continue to learn; you can never learn enough. I want to be working more in film photography (providing my funds allow it…) and also secure contracts with boutiques and agencies in order to have more or a regular and familiar basis of clientele.

DM: What is it like doing what you love for a living?

E: THE BEST THING IN THE WORLD!!!!!

I wake up most days having to pinch myself that I am actually starting to make my business work, and I don’t have to ever go back to any of my old jobs. For example… working in a burger van or as a cleaner. Yes I am a classy lady. Oh the things you have to do in order to reach where you want to be.

Model: Sophie Organ MUA: Cassie Rule Hairstylist: Becky Seal Photographer: Elspeth Van Der Hole

DM: From your own experiences, what does it take to stand out in the fashion and photography industry?

E: I think a combination of everything – you need to be approachable, no one likes a smart arse. You obviously need to have natural skill, and you need to be able to have a good relationship with your camera. Learn it like the back of your hand, and always be on the look out for the next potential model.

Most importantly, hard work is simply what it takes to stand out. It has taken me 10 years, a LOT of late nights and long days, a lot of missing out on what your friends are doing because you have to make a few sacrifices if you genuinely want to follow your dreams and extreme perseverance to get through those days where you simply want to put the camera down and give up!

DM: Compared to Wattle Exposure and other amazing masterpieces, what do you think the images you chose for this article will tell the readers about your work?

I like to feel that these show my diversity – and my rapport with models in order to get such fluid and elegant beauty shots. There is also a lot more post production work that goes into beauty photography than fashion because you’re working with close up skin, textures and all sorts of hiccups you don’t necessarily encounter with the wide angle group fashion editorials.

E: You will forever be one of my favourite photographers, with all the fantastic things that are happening for you right now what name would you call this chapter of your life?

E: I think I would like to call this “The Second Beginning” Don’t get me wrong, I wouldn’t be the person I am today without my past and all of the ups and downs, but I’m starting to feel like I’m in a position to make a fresh start and really begin again at life. It’s not a complete startover, it’s just time to recharge the batteries and give life another go.

Model: Sophie Organ MUA: Cassie Rule Hairstylist: Becky Seal Photographer: Elspeth Van Der Hole

Random Words To Describe A Deranged Mind‌ As a lot of togs I started with landscapes as they don't need direction. They still help me relax and I lose hours and hours waiting for the right light and getting "the shot."

I pick up my camera because its fun.

The only thing I take serious is my reputation.

I used to be shy and never thought I would ever work with people and family let alone get the nerve to ask a model to shoot with me but one day I just decided that if I don't do it I never will. And to add to that people started to ask to buy my work. My thoughts were "you want to pay me to do my hobby? OK then!" No looking back.

Things really took off when I lost my primary hard drive in 2011 which meant I lost a significant number of images so had to start again. It started a creative spurt that hasn't stopped since. And my backup process is spot on too.

Making images is my release. I enjoy working with people to get the shots they want as well as models, MUAs and other creatives. It gives me a real buzz as a simple idea can grow as we all chip in and magic is made. I love it. Paige's horse being a prime example :-) And I have never looked back.

It really helped me grow in confidence as I learned about studio lighting. Oddly its helped in my landscape work as I'm more conscious about how simple changes in light makes a big difference.

This summer many of you may have been involved in your own individual “Ice Bucket” Challenges to raise money for charity and from the various updates on my Twitter and Facebook Newsfeeds many of you did it in some pretty creative ways. There is something about the word charity that makes people want to go that extra mile, sometimes out of their comfort zone. One amazing young lady I came across over summer was current Miss Tyne & Wear Model, Imogen Mitchell who combined both her genuine caring nature with her love of fashion to host an event at the Fat Buddha in Newcastle Upon Tyne in aid of RSPCA. Having attended the event myself, I was totally impressed with the hard work that Imogen and her team had put into making this an enjoyable event which provided entertainment, good food and a chance to check out the launch of Fash1 clothing. In regards to what was raised, the raffle alone raised in excess of £250 – and there were still other donations left to be counted from all the guests that attended. Its safe to say that the event was highly successful and all moneys raised were a valuable contribution to the brilliant work of the RSCPA. Being an editor never to turn an interview down, I caught up with Imogen when she had a few moments spare to find out more about her motivations for arranging such a outstanding night, as well as using the opportunity to discover how preparations were going when she takes part in the Miss Earth finals later this month.

Dee: Has it been a stressful day?

Imogen: Well we could say that…its one thing you could say haha. I tried to chill out then it got to around 5pm and well lets just say I haven’t stopped…but hey its been fun.

D: So what gave you the incentive to arrange this event then?

I: I have done a few charity events before but nothing on this scale. I do raise a lot of funds for Marie Curie and I am also a Massagist and Reflexologist so I would arrange massages for £10 and the whole thing would go to Marie Curie. I have never done an animal welfare charity before, and as a new one to me I thought lets do something bigger than I have done before. Also I am competing for Miss Earth England on 21st September 2014 so everything I raise today will go towards the RSCPA as well as counting towards my total fundraising for the competition.

D: How is prep going for Miss Earth then?

I: Well after this big weekend, I can concentrate on all the other things like getting the evening gown sorted and may do another small fundraiser before the 21st September if I have time.

D: So you mentioned before we started interview mode that you raised over £250 already – how does that make you feel?

I: Very good and also its kind of a personal achievement which is great. However that’s not everything because everyone who has eaten tonight, £5 of their meals goes to the charity as well so that total is going to get bigger.

I think I have done really well so yea I am happy!

D: Would you say while being part of the Miss Earth competition that charity work is one of your proudest achievements?

I: For me charity means everything, I don’t just do it for my competitions, but that does encourage me to make that extra effort. So yes to arrange an event such as this one which makes a difference for me personally is such an amazing feeling.

D: What are you looking forward to most to the Miss Earth competition then?

I: Haha I know this answer already! Probably wearing my evening gown, also announcing how much has been raised and showing all the photos to the organisers.

D: What do you think gives you that extra edge then against the other contestants then?

I: OMG! That’s such a hard question. I think my dedication to the cause of the RSCPA and to the fundraising. Obviously some of the girls make more of an effort than others. I have a bit of experience as well and also the fact that I am always myself.

D: Representing Tyne and Wear at the Miss Earth England finals… would that add to the pressure or to the excitement?

I: I think a bit of both actually. I represented Tyne and Wear last year as well which is unusual to think I have been in this position two years in a row, but the organisers like me and love the work I do for charity so really pleased to be asked back. I came third in the finals last year, so I am hoping to bring back the crown this year to the region.

D: I better let you get going Imogen, so well done on a brilliant night. If there is one thing you could say to encourage people to keep giving to charities such as the RSCPA what would it be?

I: To be honest with you, its that feeling you get when you donate even if your not putting on an event. Whatever you can afford even if it’s only £1 your still making a difference. Even though the animals cant speak for themselves I am sure they would be thankful for all the efforts people make to help them improve their lives.

Letting Imogen carry on with her night, I left thinking to myself – “WOW what an amazing young lady”. It is people such as Imogen Mitchell who will always have my greatest respect due to the fact that they inspire those around them. On behalf of Darkus I congratulate Imogen once again for her fabulous work of arranging the RSCPA fundraiser, and wish her all the best for the Miss Earth England finals!

Imogen Mitchell – you rock!

Photos Taken By Sophie Saint Photography

Dee: How are you feeling about the final?

Ruby: I am feeling really positive about it actually and looking forward to it?

D: What would you say you have is the winning quality you have?

R: To be honest I don’t think I have that much of a winning factor, I am just looking forward to seeing all the beauties that are going to be there. Don’t get me wrong, it would be amazing if I did win…but yea I think its just nice seeing all the different beauties and unique people.

D: What made you enter in the first instance?

R: Just wanted to bring a new element to modelling. I wanted people to see that you don’t have to be perfect to be a model – like you can have curves and scars and stretch marks and that you are perfect the way that you are.

D: Tell us about your work with Bio Oil? R: Its great! I really enjoy working with them and they are such nice people and really fun too which is lovely.

D: Your part of this year’s AMOTY as we mentioned, but since entering and getting through to the finals how has your life changed?

R: My confidence has built quite a bit and I have done a few shoots for businesses such as Phaze Clothing, so it has gone on the up!

D: Proudest achievement to date?

R: Ohhhh such a hard question! Such difficulties!! I would probably say doing the video for Bio Oil about confidence and self harm. It was really difficult and sensitive to talk about so yea probably that.

D: Also I have seen you on the website for Cosmopolitan Magazine….

R: Yea yea I was on their website…haha totally forgot about that! Haha D: So when you are in a magazine like that does it not blow your mind?

R: Yea man totally! At the time I had a job and I was at work with customers there and stuff and then I got a notification and was like “SHUT UP NO WAY!” haha. So then I was like “quick everyone, everyone come quick I am in Cosmo” haha! I was just so so happy with it!

D: Self harm will always be a sensitive matter, but from your perspective what do you think that anyone going through difficult times need to remember about themselves?

R: Everyone is completely unique, they don’t need to change for anyone. I think we are all hear for a reason and we shouldn’t have to change that reason for anyone. We are who we are, and what makes you you is what makes you beautiful.

D: Lets talk finals…what are you going to wear?

R: Ooo!!! Well I am still working on my school outfit at the moment as we have to dress up as school girls for part of the catwalk which is slightly strange. No further comment on that haha! My outfit for the actual finals is a big polka dot dress, a cute little petticoat and big shoes!

D: You know me Ruby, I love my music, so if you had to come down the catwalk to a specific song what would you select?

R: Probably one of my happiest bands to listen too, Jimmy Eat World!

D: I haven’t asked this question for months, so time to revive it, if Ruby Mae was a cocktail what would it be?

R: OH MY LORD! Haha! It would be the most unconventional cocktail ever and make no sense. I would have cranberry juice, Jack Daniels, rum throw in a bit of coconut. I would basically have loads crazy shit in it.

D: What percentage of alcohol would it be?

R: Fucking mental! Haha….you may not be able to stand up after a sip basically.

D: Haha! Great speaking to you Ruby and wish you all the best in the finals! If there is one thing you would say to make the judges choose you for the finals what would it be?

R: Hopefully they like my style and who I am as a person!

Darkus Magazine: Eventful Summer?

Kev: Yes definitely its been a good opportunity to get outside and shoot on location rather than be restricted to studio work all the time. We have some nice locations in Northumberland, so its nice to enjoy the sunshine and really get out.

DM: Challenging and rewarding project you have worked on lately?

K: I would probably have to say my most recent one based on superheros, in collaboration with Ann Hutton. We had a model playing the role of Supergirl, but her costume was full body paint. It was great actually watching Ann apply the makeup and see the whole process from start to finish, particularly bearing in mind all the hours it takes to do it.

Then not only seeing the final result but doing my part and actually capturing it in a photo was an absolutely fabulous experience.

In terms of what happened on the actual day, what we did was first come to my place, have Ann apply the front of the make up and then the plan was to go and shoot at the Loud and Flashy studios in Ashington and did a little shoot there.

However because the weather was so good we just took advantage of using the back lane and spent a lot of the time outside, so to be fair we didn’t really have to use the studio at all.

All in all it was 3 hours for the make up, and then shooting for about 5 hours .

DM: Have you yet taken that ‘perfect picture’?

K: No…simple as haha! I don’t know any photographer who would say yes to that, or if there was there would only be a very few who admit it haha. To be honest though, I don’t think I have even come close. Your always learning, there is room to learn and as a photographer you are always looking to improve.

DM: There are a lot of photographers in the North East… how do you feel to be part of that empire?

K: I think its great as we discussed before. There are several Facebook groups we have in the North East, plus at least 4 studios locally, which run creative nights. Each of them seems to do very very well, so it’s a massive opportunity for local photographers to get together, to meet the people behind the images. We always see the images on Facebook, but we don’t always get a chance to meet the person responsible so its excellent for that as well and they are a friendly bunch.

DM: What is your niche as a photographer then?

K: It has changed over the years. I originally started shooting landscapes and vintage vehicles so that was until about 2008 when Eric Murphy first introduced his creative nights at Banana studios. A friend of mine had seen the advert and asked if I wanted to come along, so I did and thoroughly enjoyed my time there with the BOHO models.

Initially it was fashion based, but then that gave me the opportunity to meet models which was good platform for when you get to the point where you feel confident enough to shoot one to one. It then quickly changed from fashion. I have a little bit of a reputation for only shooting alternative models as I was fascinated with tattoos, so some people seemed to believe that’s all I was interested in. From there it changed again to a lot more studio work which involved a lot of lingerie and boudoir photography, so that seems to be the niche at the moment.

DM: One of the most hot topics at the moment is people having their work reported on Facebook, thus having their images removed. Have you fallen subject to that?

K: Yes atleast once a week haha!

Body Paint By: Ann Hutton

DM: How does that make you feel, because you obviously want to celebrate the work your proud of, but it doesn’t help when people are causing you a headache?

K: To a point its disappointing especially as they are not actually sexually explicit images, because their not, they are artistic, so obviously you will take it quite personal.

The other day I was reported 4 times in one day for photographs that didn’t break Facebook’s rules, so didn’t actually get removed, which is the case most of the time.

I wouldn’t say its jealously but I would maybe say its just mischievousness on some people’s part.

DM: What is the alternative to overcoming that problem?

K: My own website is what I tend to use the majority of the time anyway for the less social media friendly shoots such as the Supergirl shoot we did. I tend to post the link to the specific albums, so if anyone does really want to see them they have the option.

DM: Your views on TFP verses Paid?

K: My view is quite simple. Basically if a model is worth paying for, then I believe she should be paid. New models starting out I think they should go down the TFP route because that way they get to learn and experience in front of the camera, but I wouldn’t expect a model to continue to only do that. There has to be a point where they consider their own worth.

As a photographer however ironically I haven’t reached the point where I think I should be paid. Its just one of those strange things.

DM: Rewarding part of what you do?

K: Probably when you have finally edited the images and take a step back and say to yourself “I took that”.

DM: Any major compliments?

K: I have had a few photographs published in online magazines, but am yet to have my model photography put into physical copies.

DM: Yet….Haha K: Yes yet haha…but I have had a photograph used as a front cover for an American novel. Back in the day when I used to share my work via Flickr, an American author had seen my image of a large spoon in a middle of a field in Cramlington and got in touch asking if she could use it. She very kindly gave me the first signed copy too.

DM: How did you get into photography then?

K: From quite a young age to be honest with you. I was just snapping what was going on around me which was good for the landscape stuff. I then decided I wanted to get into black and white photography and did a lot of street scenes, so I basically set up a little dark room of my own and bought a Pentax M.E Super Film Camera.

DM: Rest of year what are the plans?

K: I have another project planned with Ann in the pipeline…that will be a marathon as its basically two models (appearing as Batgirl and Robin) which take approximately 6 hours just for the make up.

I think the thing with body paint is the thing of “is she? or isn’t she?” and from a distance you will just assume the model is clothed.

DM: Why would recommend your work to others?

Darkus Magazine: How important is fashion to you?

DM: 3 random facts about you?

Not my own words I know however this takes the words out of my mouth.

Megan: Megan: I think fashion is important although 1. I lived in Germany for 5 years although can DM: How you describe your style? style is far more important - I believe everyone speak more Spanish than German. has their own individual style. I don't dress 2. I was a vegetarian for 5 years at one point.

Megan: I don't have a style as such. Well I according to 'what's in' I dress according to And 3. I am totally and utterly obsessed with don't think I do. As I said before I dress accordhow I feel on the day. Some days I feel quite anything Disney related. ing to my emotions on the day - you will catch independent and may wear monochrome me in anything from a slouchy cardigan and tones where as other days you might catch me DM: What your motto in life is? jeans to a mini skirt and shirt to a maxi dress. in a white mini skirt and a polkas it shirt. It all This also applies when I'm out drinking or depends on my mood.

Megan: “I always find beauty in things that are simply to college - if I want to wear a dress I odd and imperfect - they are much more intersure damn will wear a dress regardless as to esting� - Coco Chanel where I'm going.