Effects of the Destruction of Jerusalem

PREPARATION FOR CHRISTIANITY IN THE HISTORY OF THE JEWISH AND HEATHEN WORLD.

B. F. Cocker: Christianity and Greek Philosophy; or the Relation between Reflective Thought in Greece and the Positive Teaching of Christ and his Apostles. N. York, 1870.

Edm. Spiess: Logos spermaticós. Parallelstellen zum N. Text. aus den Schriften der alten Griechen. Ein Beitrag zur christl. Apologetik und zur vergleichenden Religionsforschung. Leipz. 1871. G. Boissier: La religion romaine d’Auguste aux Antonins. Paris, 1884, 2 vols.

J Reville: La religion à Rome sous les Sévères. Paris, 1886.

Comp. the histories of Greece by Thirlwall, Grote, and Curtius; the histories of Rome by Gibbon, Niebuhr, Arnold, Merivale, Schwegler, Ihne, Duruy (transl. from the French by W. J. Clarke), and Mommsen. Ranke’s Weltgeschichte. Th. iii. 1882. Schiller’s Gesch. der römischen Kaiserzeit. 1882.

Heathenism is religion in its wild growth on the soil of fallen human nature, a darkening of the original consciousness of God, a deification of the rational and irrational creature, and a corresponding corruption of the moral sense, giving the sanction of religion to natural and unnatural vices.62

Even the religion of Greece, which, as an artistic product of the imagination, has been justly styled the religion of beauty, is deformed by this moral distortion. It utterly lacks the true conception of sin and consequently the true conception of holiness. It regards sin, not as a perverseness of will and an offence against the gods, but as a folly of the understanding and an offence against men, often even proceeding from the gods themselves; for “Infatuation,” or Moral Blindness (Ατη), is a “daughter of Jove,” and a goddess, though cast from Olympus, and the source of all mischief upon earth. Homer knows no devil, but he put, a devilish element into his deities. The Greek gods, and also the Roman gods, who were copied from the former, are mere men and women, in whom Homer and the popular faith saw and worshipped the weaknesses and vices of the Grecian character, as well as its virtues, in magnified forms. The gods are born, but never die. They have bodies and senses, like mortals, only in colossal proportions. They eat and drink, though only nectar and ambrosia. They are awake and fall asleep. They travel, but with the swiftness of thought. They mingle in battle. They cohabit with human beings, producing heroes or demigods. They are limited to time and space. Though sometimes honored with the attributes of om62 Comp. Paul’s picture of heathen immorality, Rom. 1:19-32 nipotence and omniscience, and called holy and just, yet they are subject to an iron fate (Moira), fall under delusion, and reproach each other with folly and crime. Their heavenly happiness is disturbed by all the troubles of earthly life. Even Zeus or Jupiter, the patriarch of the Olympian family, is cheated by his sister and wife Hera (Juno), with whom he had lived three hundred years in secret marriage before he proclaimed her his consort and queen of the gods, and is kept in ignorance of the events before Troy. He threatens his fellows with blows and death, and makes Olympus tremble when he shakes his locks in anger. The gentle Aphrodite or Venus bleeds from a spear-wound on her finger. Mars is felled with a stone by Diomedes. Neptune and Apollo have to serve for hire and are cheated. Hephaestus limps and provokes an uproarious laughter. The gods are involved by their marriages in perpetual jealousies and quarrels. They are full of envy and wrath, hatred and lust prompt men to crime, and provoke each other to lying, and cruelty, perjury and adultery. The Iliad and Odyssey, the most popular poems of the Hellenic genius, are a chronique scandaleuse of the gods. Hence Plato banished them from his ideal Republic. Pindar, Aeschylus, and Sophocles also rose to loftier ideas of the gods and breathed a purer moral atmosphere; but they represented the exceptional creed of a few, while Homer expressed the popular belief. Truly we have no cause to long with Schiller for the return of the “gods of Greece,” but would rather join the poet in his joyful thanksgiving: “Einen zu bereichern unter allen, Musste diese Götterwelt vergehen.” Notwithstanding this essential apostasy from truth and holiness, heathenism was religion, a groping after “the unknown God.” By its superstition it betrayed the need of faith. Its polytheism rested on a dim monotheistic background; it subjected all the gods to Jupiter, and Jupiter himself to a mysterious fate. It had at bottom the feeling of dependence on higher powers and reverence for divine things. It preserved the memory of a golden age and of a fall. It had the voice of conscience, and a sense, obscure though it was, of guilt. It felt the need of reconciliation with deity, and sought that reconciliation by prayer, penance, and sacrifice. Many of its religious traditions and usages were faint echoes of the primal religion; and its mythological dreams of the mingling of the gods with men, of demigods, of Prometheus delivered by Hercules from his helpless sufferings, were unconscious prophecies and fleshly anticipations of Christian truths. This alone explains the great readiness with which